Professional Documents
Culture Documents
A DISSERTATION REPORT
Submitted By
FARZANA SHAJI
REGISTER NO: 723818251017
In partial fulfilment for the award of the degree
Of
BACHELOR OF ARCHITECTURE
JUNE 2022
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SASI CREATIVE SCHOOL OF ARCHITECTURE
Coimbatore-641032
(Affiliated To Anna University, Chennai)
BONAFIDE CERTIFICATE
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TABLE OF FIGURES
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CONTENTS
ABSTRACT...................................................................................................................................6
CHAPTER 1..................................................................................................................................7
1.1 BACKGROUND.............................................................................................................7
1.2 INTRODUCTION...........................................................................................................7
1.3 AIM..............................................................................................................................8
1.4 OBJECTIVE....................................................................................................................8
1.5 METHODOLOGY...........................................................................................................8
................................................................................................................................................8
1.6 INFERENCE...................................................................................................................9
CHAPTER 2................................................................................................................................10
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CHAPTER 3................................................................................................................................19
CHAPTER 4................................................................................................................................30
4.1 SITE.................................................................................................................................30
4.2 HISTORY........................................................................................................................32
4.3 ACCESS TO THE SITE.......................................................................................................33
4.4 DUTCH ARCHITECTURE...................................................................................................34
4.5 KOCHI INTERNATIONAL MARINA...................................................................................36
5. CONCLUSION........................................................................................................................38
6 REFERENCES..........................................................................................................................39
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ABSTRACT
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CHAPTER 1
1.1 BACKGROUND
1.2 INTRODUCTION
THIS IS ONE OF THE SOLUTIONS FOR MAINTAINING HERITAGE VALUE BY RECYCLING USABLE
COMPONENTS FOR NEW APPLICATIONS, UP TO THE PROCESS OF BUILDING
REHABILITATION, AND APPLIED TO CULTURAL HERITAGE PRESERVATION. ADAPTIVE
HERITAGE BUILDING REUSE IS A PRESERVATION TECHNIQUE THAT PROTECTS THE
STRUCTURE FROM DETERIORATION WHILE ALSO KEEPING ITS VALUE. THIS IS REGARDED AS
ONE OF THE MOST CRUCIAL TACTICS FOR COPING WITH MONUMENTAL STRUCTURES. IT
STRIVES TO STRIKE A BALANCE BETWEEN THE BUILDING PRESERVATION AND THE
ENHANCEMENT OF ITS POSITION IN THE URBAN ENVIRONMENT. AESTHETIC CHANGES TO A
BUILDING CAN BE INCLUDED INTO IN ADAPTIVE USAGE WHILE RETAINING THE STRUCTURE
AND CHARACTER OF THE BUILDING. TO REUSE, THE CORRECT BALANCE OF ADAPTIVE REUSE
PROJECTS SHOULD INCORPORATE THE FIVE PRINCIPLES INTO THEIR DESIGN. THE FACT THAT
THE STAGE OF THE PROCESS IS BASED ON A SIMILAR TO THE CONCEPT, SOME HARD AND
FAST CRITERIA GOVERN, HOW AN ADAPTIVE REUSE PROJECT WILL PROCEED.
FURTHERMORE, THE BUILDINGS ARE FREQUENTLY COMPOSED OF SOLID MATERIALS AND A
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LOT OF FEATURES CAN HELP TO HEAT AND COOL THEM TO RUN MORE EFFICIENTLY. THE
RESTORATION OF THE BUILDING’S HISTORICAL AND CULTURAL SIGNIFICANCE IS ONE OF THE
SOCIAL BENEFITS OF THE REUSE PROJECT.
1.3 AIM
1.4 OBJECTIVE
1.5 METHODOLOGY
ANALYSIS
INFERENCE
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THE STUDY IS CONDUCTED BASED ON THE QUALITATIVE RESEARCH METHODS WHERE THE
GENERAL IDEA OF ADAPTIVE REUSE TOWARDS VARIOUS UNDERSTANDINGS.
BOLGATTY PALACE IS ONE OF THE CASE STUDIES SELECTED TO PRESENT THE RESEARCH. THE
STUDY WILL EXPLAIN ON THE STRATEGIES, TYPES, AND METHODS.
1.6 INFERENCE
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CHAPTER 2
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INDUSTRIAL RUINS ARE BEAUTIFUL YET TRAGIC PHYSICAL REMINDERS OF MORALITY AND
THE INABILITY OF DERELICTION TOURISTS, ARTISTS, AND PHOTOJOURNALISTS. BUT WHERE
SOME SEE RUIN S, OTHERS SEE HOUSES IN THE MIDDLE OF PAINFUL TRANSFORMATION
PROCESSES.
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2.4 TYPES OF ABANDONED BUILDINGS
THE ABILITY TO REUSE MATERIALS IS DUE IN PART TO THE FACT THAT OLDER BUILDINGS
ARE OFTEN CONSTRUCTED WITH HIGHER GRADE AND QUALITY MATERIALS, WHICH HAVE A
LONGER LIFE SPAN THAN THOSE USED IN CURRENT CONSTRUCTION. MOREOVER, WITH THE
ENVELOPE OF OLDER BUILDINGS GENERALLY MADE OF STRONGER MATERIALS AND HAS
MANY WINDOWS, THE ENERGY EFFICIENCY OF HEATING AND COLLING CAN BE IMPROVED
SOCIAL BENEFITS OF REUSE PROJECTS INCLUDE REVITALISING A BUILDING’S HISTORICAL
AND CULTURAL VALUES.
WHEN THE BUILDING WAS FIRST USED, IT SERVED A SPECIFIC PURPOSE IN THE
NEIGHBOURHOOD TO WHICH PEOPLE WERE CONNECTED IN SOME WAYS. OLDER
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BUILDINGS HAVE THE ABILITY TO PROVIDE CHARACTER TO AN AREA AND CREATE A SENSE
OF PLACE.
THERE ARE NUMEROUS FINANCIAL BENEFITS TO REUSING AN OLDER STRUCTURE,
INCLUDING LOWER STARTUP EXPENSES.FURTHERMORE, LITTLE OR NO DEMOLITION IS
NECESSARY, LAND PURCHASE IS FREQUENTLY LESS EXPENSIVE, AND MANY, IF NOT ALL, OF
THE REQUIRED UTILITIES AND SERVICES, ARE ALREADY CONNECTED AND MAY SIMPLY
REQUIRE UPDATING.ADDITIONALLY, BECAUSE THE BUILDING ID=S ALREADY IN PLACE, THE
MATERIALS, AND THEIR ASSOCIATED ERECTION COSTS HAVE ALREADY BEEN FACTORED
INTO THE STRUCTURE.
THE MOST EFFECTIVE BUILT HERITAGE ADAPTIVE REUSE PROJECTS RESPECT AND PRESERVE
THE BUILDING’S HERITAGE SIGNIFICANCE WHILE ALSO ADDING A CONTEMPORARY LAYER
THAT ADDS TO THE FUTURE. BUILDINGS THAT ARE DERELICT OR ABANDONED CAN HAVE A
LOT TO OFFER IN TERMS OF LOCATION AND CHARACTER AND SHOULD BE CONSIDERED AS
OPPORTUNITIES RATHER THAN EYESORES. IN MANY CIRCUMSTANCES, PRESERVING OLDER
STRUCTURES PARTICULARLY THAT OF ARCHITECTURAL OR HISTORIC SIGNIFICANCE CAN
CONTRIBUTE TO A COMMUNITY’S LONG-TERM HERITAGE AND ENJOYMENT. THE
REHABILITATION OF EXISTING INFRASTRUCTURE, AS WELL AS THE TRANSFORMATION OF
THESE AREAS INTO USABLE AND ACCESSIBLE LOCATIONS, IMPROVES PEOPLE’S QUALITY OF
LIFE. ADAPTIVE REUSE HELPS COMMUNITIES REMAIN LIVABLE AND SUSTAINABLE FOR
FUTURE GENERATIONS.
THERE ARE FEW WASTEFUL PROCESSES MORE WASTEFUL THAN DEMOLISHING AN
EXISTING STRUCTURE AND REPLACING IT WITH SOMETHING COMPLETELY NEW. THESE
STRUCTURES FREQUENTLY SYMBOLISE A FADED MEMORY OF MORE SETTLED OR AFFLUENT
TIMES, AND WHILE NOT ALL OF THEM HAVE REMARKABLE HISTORIC OR AESTHETIC
CREDENTIALS, THEY TYPICALLY MAKE UP FOR IT WITH THEIR AGE AND USE CHARACTER.
THEIR REPLACEMENT WITH CONTEMPORARY STRUCTURES RISKS ERASING ANY LEGACY AND
CONNECTION TO THE ENVIRONMENT, WHICH CLEVER USAGE CAN PRESERVE.
ADAPTIVE REUSE IS SOMETIMES THE ONLY METHOD TO PROPERLY CARE FOR, REVEAL, OR
INTERPRET A BUILDING’S FABRIC WHILE MAKING GREATER USE OF THE BUILDING ITSELF.
WHEN A BUILDING’S ORIGINAL PURPOSE IS NO LONGER VARIABLE, IT MAY BE NECESSARY
TO MODIFY IT FOR A NEW PURPOSE TO PRESERVE ITS HISTORICAL RELEVANCE. SIMPLY BY
KEEPING THE ORIGINAL BUILDING’S SOUND MEMBERS AND INTRODUCING
CONTEMPORARY MATERIALS, THE BUILDING’S LIFESPAN CAN BE EXTENDED FROM CRADLE
TO GRAVE.
THE FOLLOWING BENEFITS ARE RELATED TO THE ADAPTIVE REUSE OF EXISTING
STRUCTURES:
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ENERGY CONSERVATION: ENERGY CAN BE CONSERVED THROUGH RECLAIMING AND
REPURPOSING EXISTING STRUCTURES, MATERIALS, AND EMBODIED ENERGY, AS WELL AS
UTILISING EXISTING INFRASTRUCTURE SUCH AS TRANSPORTATION AND UTILITIES.
CONTRIBUTES TO SUSTAINABILITY: EXISTING STRUCTURES ARE FREQUENTLY FOUND IN
ESTABLISHED GROWTH REGIONS WITH A HIGH POPULATION DENSITY AND IN DEVELOPED
LOCATIONS. REPURPOSING EXISTING STRUCTURES WILL AID IN THE NEIGHBOURHOOD’S
SUPPORT. FREQUENTLY, THE MATERIALS UTILISED ARE OF GOOD QUALITY AND HAVE A
LONG CYCLE LIFE AHEAD OF THEM. BRICK, STONE, COPPER, SLATE, CONCRETE, AND
MASONRY UNITS ARE DURABLE MATERIALS THAT SHOULD LAST FOR AA LONG PERIOD.
COST SAVING: RATHER THAN DEMOLISH OLD STRUCTURES THAT HAVE OUTLINED THEIR
ORIGINAL USE, REUSE SAVES MONEY, PROMOTES RECYCLING, AND ALLOWS FOR UNIQUE
DESIGN POSSIBILITIES.
VALUE: THE PRESERVATION OF AESTHETICALLY PLEASING BUILDING CHARACTERISTICS AND
ARCHITECTURAL COMPONENTS, WHICH ARE COMMONLY FOUND IN OLDER STRUCTURES,
CAN BOOST THEIR VALUE. MATERIALS AND BUILDING QUALITY FROM THE PAST ARE
FREQUENTLY DIFFICULT TO REPLICATE AFFORDABLY IN TODAY’S WORLD.
SAVES TIME: BUILDING REUSE CAN SAVE TIME BECAUSE THE STRUCTURE AND
INFRASTRUCTURE ARE ALREADY IN PLACE, AND MUNICIPAL APPROVAL AND PERMITTING
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CAN HAPPEN FASTER AND FASTER AND FOR LESS MONEY THAN COMPARABLE NEW
CONSTRUCTION.
ENVIRONMENTAL BENEFITS: THE RETENTION OF THE ORIGINAL BUILDING’S “EMBODIED
ENERGY” IS ONE OF THE KEY ENVIRONMENTAL BENEFITS OF REUSING STRUCTURES. THAT
IS, THE ENERGY CONSUMED BY ALL ACTIVITIES INVOLVED IN THE CONSTRUCTION OF A
BUILDING, FROM THE PROCUREMENT OF NATURAL RESOURCES THROUGH THE DELIVERY
OF FINISHED GOODS, INCLUDING MINING, MATERIALS AND EQUIPMENT MANUFACTURING,
TRANSPORTATION, AND ADMINISTRATIVE TASKS. THE EMBODIED ENERGY OF BUILDINGS IS
PRESERVED WHEN THEY ARE REUSED, MAKING THE ENDEAVOUR FAR MORE
ENVIRONMENTALLY SUSTAINABLE THAN COMPLETELY NEW CONSTRUCTION. AN OLD
FACTORY MAY BE CONVERTED INTO AN APARTMENT COMPLEX, A DERELICT CHURCH INTO
A CONDOMINIUM, OR AN OUTDATED OFFICE BUILDING INTO A DYNAMIC RETAIL SPACE. IN
MANY WAYS, AN ADAPTIVE-REUSE PROJECT CAN REVITALISE A TOWN BY SATISFYING THE
POPULATION’S SHIFTING DEMANDS.
“AS MODERN ARCHITECTURE BECOMES MORE INTEGRATED INTO ARCHITECTURAL HISTORY,
ITS STRUCTURES FACE CHALLENGES RANGING FROM MATERIAL TO FUNCTIONAL
OBSOLESCENCE, NOT TO MENTION DEMOLITION DUE TO ABANDONMENT AND LACK OF
APPRECIATION, PRESERVATION, PRESERVATION CONCERNS HAVE GROWN.”
2.6.1 ENVIRONMENTAL
IN LONG-TERM SUSTAINABILITY, BUILDING ADAPTIVE REUSE IS ESSENTIAL. BECAUSE THESE
STRUCTURES CONTRIBUTE TO THE LANDSCAPE, IDENTITY, AND AMENITY OF THE
COMMUNITIES IN WHICH THEY ARE LOCATED, THE ENVIRONMENTAL BENEFITS ARE MORE
IMPORTANT. ONE OF THE MAIN BENEFITS OF REUSING STRUCTURES ARE PRESERVATION OF
ORIGINAL BUILDINGS.MINING, MATERIALS AND EQUIPMENT MANUFACTURING,
TRANSPORTATION, AND ADMINISTRATIVE SERVICES ALL CONSUME ENERGY IN THE
CONSTRUCTION OF A BUILDING FROM THE EXTRACTION OF NATURAL RESOURCES TO THE
DELIVERY OF FINISHED GOODS.
2.6.2 SOCIAL
BUILDING PRESERVATION AND REUSE HAVE LONG–TERM BENEFITS FOR COMMUNITIES
THAT VALUE THEM. ADAPTIVE REUSE CAN HELP TO RESTORE AND MAINTAIN A BUILDING’S
SIGNIFICANCE WHILE ALSO ENSURING ITS SURVIVAL.
2.6.3 ECONOMIC
ADAPTIVE REUSE OF BUILDINGS CAN RESULT IN A SEVERAL FINANCIAL SAVINGS AND
RETURNS EMBODIED ENERGY SAVINGS FROM NOT DEMOLISHING A BUILDING WILL ONLY
GROW IN THE FUTURE AS ENERGY COSTS RISE
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2.7 TYPES OF ADAPTIVE REUSE
CULTURAL SIGNIFICANCE
LIFE CYCLE ASSESSMENT
HERITAGE SIGNIFICANCE
MEETING SD BENCHMARKS
ECONOMIC SUSTAINABILITY
ENVIRONMENTAL SUSTAINABILITY
SOCIAL SUSTAINABILITY
VALUE OF THE LOCAL COMMUNITY
ORIENTATION OF THE BUILDING
INFLUENCE ON THE BUILDING'S ABILITY TO ADAPT
STAKEHOLDER PERSPECTIVES
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2. STRATEGIC PLANNING
3. TECHNICAL
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CHAPTER 3
IN THE MIDST OF THE URBAN SPRAWL, SURROUNDED BY HIGH AND LOW RISES, SLUMS
AND MARKETS, BUSY ROADS, AND HEAVY TRAFFIC, HISTORIC STRUCTURES THAT WERE
ONCE IMPORTANT, ENDURE WITH TIME, FORGOTTEN, NEGLECTED, DECAYING, AND
GRADUALLY LOSING THEIR CHARM. THE AWE-INSPIRING BEAUTY AND IMPACT, THE
STRUCTURES ONCE HAD FADED INSIDE AND OUTSIDE.
HERITAGE CONSERVATION IS A 'MOVEMENT,' NOT A SUBJECT. IT'S ABOUT RECREATING THE
IMPORTANCE OF THESE HISTORIC STRUCTURES IN TODAY'S WORLD, SPREADING
AWARENESS ABOUT THEM, AND PRESERVING AS MANY AS POSSIBLE, ABOUT BREATHING
NEW LIFE INTO THESE ABANDONED AND ERODING STRUCTURES. IN THE FACE OF
DECLINING ARCHITECTURAL STANDARDS AND PROFIT MOTIVATION IN THE PRESENT,
CONSERVATION IS BOUND TO CONTINUE PAST BUILDINGS AND LEGACIES INTO THE
FUTURE. THE ARTIFACTS OF THE FUTURE MUST BE SEEN AS VITAL AND CAPABLE OF
CHANGE WITHOUT LOSING THEIR ESSENTIAL QUALITY. IT'S NOT JUST AN ISSUE OF
AESTHETICS. CONSERVATION INVOLVES OUR PRIMARY VALUES.
THE CONSERVATION OF HERITAGE BUILDINGS IS UNDERTAKEN IN ACCORDANCE WITH THE
UNESCO HERITAGE GUIDELINES AND PRINCIPLES, USING DIFFERENT TECHNIQUES AND
IDEAS DEPENDING ON THE TYPE OF DAMAGE THE BUILDING HAS SUFFERED. HERITAGE
CONSERVATION, AS A RESULT, SEEKS TO MAINTAIN AND THEREFORE INCREASE THE VALUE
OF BUILDINGS BY KEEPING THEIR ORIGINAL BUILT FORM AND ARCHITECTURAL ELEMENTS,
PREFERRING RESTORATION OVER REPLACEMENT, AND, WHEN RESTORATION IS
IMPOSSIBLE, RECREATING SCALE, PERIOD, AND CHARACTER.
THE HISTORIC STRUCTURE TO BE RESTORED IS PROPERLY DOCUMENTED FIRST BY
INSPECTING THE PREMISES, IDENTIFYING ITS CULTURAL SIGNIFICANCE, ANALYZING ITS
CONSTRUCTION, AND ARCHAEOLOGICAL SURVEY BODIES, THE WORK OF RESTORATION IS
UNDERTAKEN ALONG WITH ADVOCATING THE USE OF LIKE-TO-LIKE MATERIALS AND SLIGHT
ADAPTIVE RE-USE-THE PROCESS OF REUSING A HERITAGE SITE OR BUILDING FOR A
PURPOSE OTHER THAN WHICH IT WAS BUILT OR DESIGNED-IS ONE OF THE MOST USEFUL
PROVEN TECHNIQUES UNDERTAKEN BY THE WORLD IN ORDER TO RESTORE THE
IMPORTANCE AND THEREFORE PRESERVE THE HERITAGE STRUCTURES.
WHEN RESTORING A HERITAGE STRUCTURE USING THE ADAPTIVE REUSE PRACTICE, IT
MUST BE ENSURED THAT THE FUNCTIONAL PURPOSE BEING INTRODUCED IN IT DOES NOT
CAUSE MISUSE OR OVERUSE, AND DOES NOT COMPROMISE THE STRUCTURE'S IDENTITY
AND CHARACTER, WHILE ACCOMMODATING THE REQUIREMENTS IN THE LEAST OBTRUSIVE
ADAPTIVE REUSE, ON THE OTHER HAND, IS A HERITAGE INTERIOR PRESERVATION PRACTICE.
THE MAJOR COMPROMISE MADE IN ORDER TO REGENERATE FUNCTION, OBVIOUSLY, IS
ALTERING THE INTERIORS AND THEIR FUNCTIONS WHILE RESTORING THE EXTERIORS AND
FACADES.
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HERITAGE INTERIORS ARE A COLLECTION OF ARCHITECTURAL FEATURES AND FINISHES
ORGANIZED IN SPACE WITHIN A HISTORIC BUILDING, AS WELL AS SITE-ASSOCIATED OR SITE-
APPROPRIATE FURNITURE AND FURNISHINGS. IT CAN NOT BE SEPARATED FROM THE
STRUCTURE IN WHICH IT IS PRESENT. BECAUSE THEY PHYSICALLY REPRESENT A PAST
MOMENT IN HISTORY, HERITAGE INTERIORS CAN PROVIDE EXTREMELY POWERFUL AND
EVOCATIVE INTERPRETIVE EXPERIENCES. TO AVOID UNNECESSARY INTERVENTIONS, THESE
AREAS NEED TO BE GIVEN SPECIAL ATTENTION. IF A CHANGE OF USE IN A HERITAGE
STRUCTURE IS APPROVED, EVERY EFFORT SHOULD BE MADE TO MINIMIZE THE LOSS OF
IMPORTANT INTERIOR SPACES. THE IMPORTANCE OF UNDERSTANDING THAT THE
HERITAGE INTERIOR IS THE IMPORTANT BASE OF THE STRUCTURAL AND AESTHETIC
HERITAGE VALUE AND CAN NOT BE COMPROMISED IS ESSENTIAL.VARIOUS BODIES'
GUIDELINES AND PRINCIPLES FOR THE PRESERVATION OF HERITAGE DO NOT APPEAR TO
PRIORITIZE THE HERITAGE INTERIORS AS A MAJOR BASIS FOR PRESERVATION.
THE AGENCIES IN INDIA CONCERNED WITH HERITAGE ARE UNDER THE MINISTRY OF URBAN
DEVELOPMENT, THE HERITAGE CONSERVATION COMMITTEE (HCC)
HERITAGE CONSERVATION COMMITTEE (HCC) UNDER THE MINISTRY OF URBAN
DEVELOPMENT
ARCHAEOLOGICAL SURVEY OF INDIA (ASI)
STATE ARCHAEOLOGICAL DEPARTMENTS
CITY DEVELOPMENT AUTHORITIES
INTACH- INDIAN NATIONAL TRUST FOR ART AND CULTURAL HERITAGE OF INDIA
AGA KHAN TRUST
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RE-PURPOSED HERITAGE BUILDINGS AND TO IDENTIFY ISSUES DURING THE DECISION-
MAKING PROCESS. TO SELECT THE MOST APPROPRIATE ADAPTIVE REUSE STRATEGY FOR
HERITAGE BUILDINGS, ALL FACTORS MUST BE CONSIDERED HOLISTICALLY.
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THE DISTINCTION OF OBJECTS AND STRUCTURES FROM THE PAST AS HERITAGE AS WELL AS
POLICIES RELATED TO THEIR PROTECTION HAVE EVOLVED ALONGSIDE MODERNITY, AND
THIS IS NOW REGARDED AS AN ESSENTIAL NEED AND PERSONAL ACCOUNTABILITY OF
MODERN SOCIETY. SINCE THE 18TH CENTURY, THE AIM OF THIS SAFEGUARD HAS BEEN
DESCRIBED AS THE PRESERVATION OF HUMANITY’S CULTURE AND HERITAGE, AND THIS HAS
SLOWLY EXPANDED TO INCLUDE NOT ONLY HISTORIC RUINS AND PAST WORKS OF ART, BUT
EVEN A WHOLE THEORIES FOR A RANGE OF NEW RESULTS MEASURED IN RECENT DECADES.
FOR INSTANCE, IN ITS MEDIUM-TERM PROGRAMME OF 1989, UNESCO DEFINED THE FULL
SCOPE OF SUCH HERITAGE IN THE FOLLOWING:” THE CULTURAL HERITAGE MAY BE DEFINED
AS ENTIRE CORPUS OF MATERIAL SIGNS- EITHER ARTISTIC OR SYMBOLIC-HANDED ON BY
THE PAST TO EACH CULTURE AND THEREFORE TO THE WHOLE HUMANKIND. AS A
CONSTITUENT PART OF THE AFFIRMATION AND ENRICHMENT OF CULTURAL IDENTITIES AS
A LEGACY BELONGING TO ALL HUMANKIND, THCULTURALRE HERITAGE GIVES EACH
PARTICULAR PLACE ITS RECOGNIZABLE FEATURES AND IS THE STOREHOUSE OF HUMAN
EXPERIENCE E. THE PRESENTATION AND THE PRESERVATION OF THE CULTURAL HERITAGE
ARE THEREFORE A CORNERSTONE OF ANY CULTURAL POLICY”.
WEATHER, THE AGEING PROCESS, AND CONSUMPTION BY USE ALL CONTRIBUTE TO THE
CONTINUOUS DEGRADATION OF BUILT HERITAGE. BUILDING CAN ALSO BE ALTERED DUE TO
CHANGES IN FUNCTION, TASTE, OR FASHION.
ONE OF MODERN SOCIETY’S MAJOR CONCERNS AND RESPONSIBILITIES IS THE
PRESERVATION, RESTORATION, AND CONSERVATION OF HERITAGE, AS WELL AS POLICIES
RELATED TO ITS PROTECTION. THE MODERN CONSERVATION MOVEMENT HAS BEEN
IDENTIFIED AS THE PROCESS THROUGH WHICH THE CONCEPT AND POLICIES EMERGED.
THE ASTONISHMENT CAUSED BY RUDE AND DISRESPECTFUL CHANGES IN FAMILIAR PLACES,
THE DESTRUCTION, AND DEMOLITION OF WELL-KNOWN HISTORICAL BUILDINGS OR
BEAUTIFUL WORKS OF ART MUCH OF THESE CATASTROPHIC CHANGES HAVE BEEN
BROUGHT ABOUT BY THE SAME TECHNOLOGICAL AND INDUSTRIAL ESTABLISHED THE
STARTING TO EMERGE MODERN AGE SOCIETY.
3.5 KEYWORDS
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Table 1HERITAGE BUILDING CLASSIFICATION
3.5.3 CONSERVATION
MAINTENANCE, PRESERVATION, RESTORATION, RECONSTRUCTION, AND ADOPTION, OR A
MIX OF MORE THAN ONE OF THESE HERITAGE PROCESSES, ARE ALL PART OF THE PROCESS
OF LOOKING AFTER A PLACE TO PRESERVE ITS HISTORICAL, ARCHITECTURAL, AESTHETIC,
AND CULTURAL SIGNIFICANCE. RENOVATION IS A TECHNOLOGICAL ACTIVITY AIMED AT
CONSTRUCTING STRUCTURES. IT ENTAILS TAKING PHYSICAL STEPS TO PROTECT THE FABRIC
AND CONSTRUCTION MATERIALS OF HISTORIC STRUCTURES. IT IS A METHOD OF
PREVENTING THE DEGRADATION WTO EXTENDS THE LIFE OF THE STRUCTURES. HISTORIC
PRESERVATION EFFORTS CAN BE GREEN, ACCORDING TO AN ARTICLE. CONSERVATION IS
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DEFINED AS A PROCEDURE THAT PRESERVES, PROTECTS, AND MAINTAINS SOMETHING
DURING A PHYSICAL CHANGE.
ARCHITECTURAL CONSERVATION IS THE PROCESS OF USING CAREFULLY REGULATED
INTERVENTIONS TO PRESERVE A STRUCTURE’S MATERIAL, HISTORY, AND DESIGN
INTEGRITY. THE ACT OF CONSERVING OR PREVENTING CHANGE, LOSS, INJURY, OR OTHER
HARM IS KNOWN AS PRESERVATION. IT EXPLORES THE HISTORY AND CURRENT SITUATION
OF EFFORTS TO ENSURE THE PRESERVATION OF A RICH ARCHITECTURAL HERITAGE.
CONSERVATOR AND RESTORER OF ARCHITECTURAL WORKS, A PERSON WHO WORKS IN THE
FIELD OF CONSERVATION IS KNOWN AS AN ARCHITECTURAL CONSERVATOR-RESTORER.
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3.5.4 ADAPTIVE REUSE
THE ORIGINAL ROLES OF HISTORIC STRUCTURES HAVE OUTLIVED THEM. ADAPTIVE REUSE IS
A TECHNIQUE FOR MODIFYING STRUCTURES FOR NEW USES WHILE KEEPING THEIR
HISTORIC QUALITIES.
IN ADAPTIVE REUSE TERMINOLOGY, THE TERM” REUSE” REFERS TO A STRUCTURE THAT
WAS FORMERLY UTILISED FOR A FUNCTION THAT HAS SINCE BECOME OUTDATED. AS A
RESULT, IT NECESSITATES THE POSSIBILITY OF REUSE. THE TERM “ADAPTIVE” REFERS TO THE
FACT THAT IT CAN BE UTILISED FOR ANY PURPOSE THAT IS INTEGRATED WITHIN IT. IN
ADDITION, THE NEW USW MUST BE APPROPRIATE FOR THE BUILDING SCALE, LOCATION,
AND MOST IMPORTANT CHARACTER. THE GOAL ISN’T MERELY TO IMITATE THE PAS BUT TO
BUILD SOMETHING THAT IS BOTH USEFUL AND BEAUTIFUL IN THE PRESENT. REPURPOSING
OR RESTORING A HISTORIC BUILDING THAT HAS OUTLINED ITS INTENDED USE IS REFERRED
TO AS ADAPTIVE REUSE.
REPURPOSING OR RESTORING A HISTORIC BUILDING THAT HAS OUTLINED ITS INTENDED
USE IS REFERRED TO AS ADAPTIVE REUSE. ADAPTIVE REUSE GIVES AN ARCHITECTURAL
STRUCTURE A NEW LEASE ON LIFE WHILE CONSERVING ITS HISTORICAL AND CULTURAL
RELEVANCE.
ADAPTIVE REUSE, ACCORDING TO SCHEMING, HAS BEEN WIDELY APPLIED IN A VARIETY OF
BUILDING TYPES ALL OVER THE WORLD.FURTHERMORE, ADAPTIVE REUSE OR
REFURBISHMENT IS BASED ON THE IDEA OF ADAPTING, RECYCLING AND REPURPOSING AN
EXISTING STRUCTURE TO MEET OUR COMMUNITY’S CULTURAL AND ECONOMIC CHANGES
3.5.5 RESTORATION
RESTORATION MEANS AND INCLUDES RETURNING THE EXISTING FABRIC OF A PLACE TO
KNOWN EARLIER STATED BY REMOVING ACCRETIONS OR BY REASSEMBLING. EXISTING
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COMPONENTS WITHOUT INTRODUCING NEW MATERIALS, INACCURATE RATE AND
HEALING, REARING. PRESENTING THE STATE OF A HISTORIC PLACE AS IT APPEARED AT A
PERIOD IN ITS HISTORY. REPLACEMENT OF MISSING OR DECAYED PARTS MUST INTEGRATE
HARMONIOUSLY WITH THE WHOLE BUT BE MUST DISTINGUISHABLE ON CLOSE INSPECTION
FROM THE ORIGINAL SO THAT THE RESTORATION DOESN’T FALSIFY ARCHAEOLOGICAL OR
HISTORIC EVIDENCE.
3.5.6 RECONSTRUCTION
RECONSTRUCTION MEANS AND INCLUDES RETURNING A PLACE AS NEARLY AS POSSIBLE TO
BE KNOWN EARLIER STATE AND DISTINGUISHED BY THE INTRODUCTION OF MATERIALS
INTO FABRIC. THIS SHALL NOT INCLUDE EITHER RECONSTRUCTION.
IT REFERS TO RESTORING A LOCATION AS CLOSELY AS FEASIBLE TO A PREVIOUSLY KNOWN
STATE AS DISTINGUISHED BY THE INCORPORATION OF MATERIALS INTO THE FABRIC.NEW
MATERIALS CAN INCLUDE RECYCLED MATERIAL RESCUED FROM OTHER LOCATIONS. THIS
SHOULD NOT BE DONE AT THE EXPENSE OF ANY CULTURALLY SIGNIFICANT SITE, AND IT
SHOULD NOT INCLUDE RECREATION OR SPECULATIVE REBUILDING
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Figure 7 RECONSTRUCTION OF MUMBAI TAJMAHAL PALACE AFTER AN ATTACK
3.5.7 PRESERVATION
IT INVOLVES WITH THE PROTECTION, MAINTENANCE, AND STABILIZATION OF THE EXISTING
FORM MATERIAL AND INTEGRITY OF A HISTORICAL PLACE.
THE ACT OR PRACTICE OF TAKING STEPS TO MAINTAIN A HISTORIC PROPERTY’S PRESENT
SHAPE, INTEGRITY, AND MATERIALS IS KNOWN AS PRESERVATION. WORK FOCUSES ON
CONTINUING MAINTENANCE AND REPAIR OF HISTORIC MATERIALS AND FEATURES RATHER
THAN SIGNIFICANT REPLACEMENT AND NEW CONSTRUCTION, INCLUDING REPARATORY
EFFORTS TO PROTECT AND STABILISE THE SITE. ALTHOUGH NEW EXTERNAL ADDITIONS ARE
NOT INCLUDED IN THIS TREATMENT, RESTRICTED AND SENSITIVE UPGRADES TO
MECHANICAL, ELECTRICAL, AND PLUMBING SYSTEMS, AS WELL AS OTHERS CODE-REQUIRED
TO WORK AND MAKE PROPERTIES FUNCTION WITH APPROPRIATE WITHIN A PRESERVATION
PROJECT.
3.5.8 REVITALIZATION
A PROCESS OF ECONOMIC, SOCIAL, AND CULTURAL DEVELOPMENT OF A CIVIC AREA OF
ONE’S NEIGHBORHOOD. HERITAGE AREA REVITALIZATION CONCENTRATES ON HISTORIC
BUILDINGS AND OTHER HERITAGE RESOURCES TO ACHIEVE ECONOMIC, SOCIAL, AND
CULTURAL OBJECTIVES.
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Figure 8 QUTAB SHAHI TOMBS
3.5.9 RENOVATION
RENOVATION IS REFURBISHING AND / OR ADDING TO THE APPEARANCE OF AN ORIGINAL
BUILDING OR ELEMENTS OF A BUILDING IN AN ATTEMPT TO RENEW ITS APPEARANCE IN
KEEPING WITH CONTEMPORARY TASTES AND PERCEPTIONS OF CONSERVATION.
RENOVATION MEANS IMPROVING BY REPAIRING, REVIVING, AND THEREBY ENHANCING THE
USEFULNESS AND APPEARANCE OF THE BUILDING. THE BASIC CHARACTER AND
SIGNIFICANT FEATURES ARE RESPECTED AND PRESERVED BUT ALTERATIONS MAY TAKE A
GENERALLY REVERSIBLE PLACE.
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CHAPTER 4
4.1 SITE
KOCH IS A PORT CITY ON INDIA’S SOUTHWEST COAST, IN THE TSE STATE OF KERALA. THE
CITY IS LOCATED AT THE CONFLUENCE OF SEVEN MAJOR RIVERS THAT ORIGINATES IN
WESTERN GHTASAND FLOW THROUGH KERALA’S MIDLANDS, LOWLANDS, AND COASTAL
REGIONS BEFORE EMPTYING INTO THE ARABIAN SEA.PREVIOUS, KOCHI REFERRED TO THE
TERRITORY THAT INCLUDES MATTANCHERRY, FORT KOCHI, MUNDAMVELI, AND
THOPPUMPADI. KOCHI NOW CONSISTS OF THE MAINLAND ERNAKULAM, OLD KOCHI,
KADAVANTHARA, EDAPALLY THE SUBURBS AND THE EXURBIA OF KALAMASSERY AND
KAKKANAD TO THE NORT EAST, TRIPUNITHRA TO THE SOUTHEAST, AND A CLUSTER OF
ISLANDS IN THE VEMBANAD LAKE. BOLGATTY IS A PIECE OF LAND COVERED BY WATER IN
VEMBANAD LAKE.
KOCH’S CLIMATE IS TROPICAL IN GENERAL, WITH NO EXTREMES. TEMPERATURE TROPICAL
MONSOON CLIMATE PREVAILS THROUGHOUT THE CITY. SURFACE TEMPERATURES RANGES
FROM TWENTY DEGREE CELSIUS TO THIRTY-FIVE DEGREE CELSIUS. THE CURRENT RECORD
WITH HIGH TEMPERATURE IS THIRTY-EIGHT DEGREES CELCIUS. WHILE THE LOWEST IS
SEVENTY DEGREES CELSIUS. DUE TO THE SOUTHWEST MONSOON, LIGHT SHOWERS ARE
COMMON FROM OCTOBER THROUGH DECEMBER. THE AVERAGE ANNUAL RAINFALL IS
350SM.WITH 132 RAINY DAYS O AVERAGE. THE WINDS ARE MILD, INCREASING SLIGHTLY IN
THE SUMMER AND MONSOON SEASONS.
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Figure 11 BOLGATTY PALCE DETAILED VIEW
THE PALACE, WHICH IS SITUATED ON THE EIGHT ACRES WITH WELL-KEPT GRASS AND BIG
TREES, REEKS OF DUTCH DESIGN. THE WOODEN RESIDENCE STANDS OUT AGAINST THE
LOVELY SURROUNDINGS, WITH LARGE HALLS, STURDY PILLARS, A TILED ROOF, AND
WOODEN FRAMED GLASS WINDOWS. A NINE-HOLE GOLF COURSE, WHICH IS CREATED IN
1923, SURROUNDS THE PALACE. THE PROPERTY IS CLOSE TO A MAJOR PRK, HAS THE EVENT
CENTER NEAR THE MAIN ENTRANCE PROVIDED WITH SEPARATE PARKING FACILITIES
PROVIDED, A CONVENTION CENTER WITH MAXIMUM VOLUME AT THE EDGE, MARINA
HOMES FACING THE MARINE DRIVE WHICH PROVIDES WITH BEAUTIFUL VIEW, TWO
COTTAGES IN CYLINDER FORM IS LOCATED AND BEHIND THE PALACE FACING VEMBANAD
WATER BODY. THE PALACE IS CLOSE TO ERNAKULAM ST. MARY’S CATHEDRAL BASILICA AND
MANGALAVANAMBIRD SANCTUARY. BOLGATTY PLACE IS WELL KNOWN FOR ITS STUNNING
VIEWS, BUT THERE ARE MANY STUNNING TOURIST ATTRACTIONS NEARBY, INCLUDING
MARINE DRIVE, DURBAR HALLART GALLERY, FORT KOCHI, SYNAGOGUE, JEW TOWN,
WILLINGTON ISLAND, MATTANCHERRY PALACE, AND A SLEW OF OTHER ATTRACTIONS.
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4.2 HISTORY
THE DUTCH ARRIVED IN INDIA IN THE EARLY 17TH CENTURY, AND THEIR IMPACT AND
DOMINANCE ARE MOST VISIBLE IN KERALA, THOUGH THEY ALSO OCCUPIED TERRITORIES
ALONG THE SOUTHERN COROMANDEL COAST AND GUJARAT.HOWEVER, THE DUTCH
ARCHITECTURE CAN BE FOUND THROUGHOUT KERALA, PARTICULARLY IN KOCHI. THE
BOLGATTY PALACE IN KOCHI IS ONE OF THE OLDEST DUTCH PALACES OUTSIDE OF HOLLAND
OTHER NOTABLE DUTCH ARCHITECTURE RELICS IN KERALA INCLUDE ST. FRANCIS CHURCH,
OLD HARBOUR HOTEL, THE DUTCH STOREHOUSE, AND THE HEADQUARTERS ARCHITECTURE
WITHIN FORT KOCHI.PULLICAT ON THE EASTERN COAST, WAS THE FIRST DUTCH OUTPOST
IN INDIA AND IS STILL HOME TO A TOURIST-DRAWING DUTCH CEMETERY.
OUTSIDE OF HOLLAND, BOLGATTY PALACE IS THE LARGEST DUTCH PALACE EVER BUILT. IN
COCHIN, THISPALACEIS STILL A FAMOUS TOURIST DESTINATION.IN 1740 AD, THE
ERNAKULAM KING GRANTED PERMISSION TO CONSTRUCT THIS PALACE FOR ECONOMIC
INTERESTS. THE PORTUGUESE, FRENCH, AND BRITISH USED THIS PALACE AS THEIR HOME
AND OFFICE DURING THE IMPERIALIST COLONIAL STRUGGLES. SEVERAL COLONIAL
GOVERNORS RESTED HERE ON THEIR WAY TO INDIA. THIS WAS ALSO USED AS A GUEST
HOUSE FOR EAST INDIA COMPANY OFFICIALS FOR SOME TIM E.UNTIL INDEPENDENCE, IT
WAS UNDER THE COMPANY’S AUTHORITY. THE KERALA STATE
ARCHAEOLOGICADEPARTMENTNT THEN LOOK OVER THE PALACE AND PROCLAIMED IT A
HISTORIC MONUMENT. BOLGATTY PALACE HAS NOW BEECONVERTEDED INTO A HERITAGE
HOTEL AND RESORT.
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Figure 14 BOLGATTY PALCE
EARLIER TO REACH THE SITE THE ONLY MODE OF ACCESS IS WATER BODIES (VEMBANAD
LAKE) AS THE YEAR PASSED AND CHANGES IN USERS NEW MODES OF ACCESS ARE REACHED
NEAR THE SITE LIKE BY ROAD. NOW BOLGATTY PALACE IS SITUATED NEARBY HYATT
BOLGATTY WHERE THERE IS A HELIPAD. INSIDE BOLGATTY POPULAR DESTINATION FOR
LUXURY CRUISE LINES. KOCHI HAS GROWN IN POPULARITY AS A SEA-BASED ADVENTURE
TOURISM DESTINATION DURING THE PREVIOUS DECADE. EVERY YEAR, ON AVERAGE, 100
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YACHTS VISIT KOCHI, THE MOST OF WHICH ARE FROM EUROPEAN COUNTRIES SUCH AS THE
UNITED KINGDOM, FINLAND, AND NORWAY, WITH NEW ZEALAND AND AUSTRALIA AS
EXCEPTIONS. BOLGATTY PALACE WITH AN AREA OF 3,542.63 METERS SQUARE.
.
THE DUTCH ARE REGARDED AS EXPERTS IN ARCHITECTURE AND SPACE UTILISATION. DUTCH
ARCHITECTS, WHO ARE ALSO NOTED FOR THEIR UNCONVENTIONAL THINKING, HAVE HAD A
GREATER IMPACT ON THE FIELD OF ART AND CONSTRUCTION THAN ANYBODY ELSE OVER
TIME. THEIR IDEAS AND DESIGNS HAVE EXTENDED THROUGHOUT EUROPE AND BEYOND,
FROM THE ORIGINAL SOMBER CATHEDRALS TO THE ELEGANT MODERN CONSTRUCTIONS.
THREE DIFFERENT ERAS OF ARCHITECTURE THE FIRST WAS DURING THE DUTCH EMPIRE'S
GOLDEN PERIOD (17TH CENTURY) WHEN IT WAS AT ITS PINNACLE OF POWER. THE SECOND
OCCURRED IN THE EARLY PART OF THE TWENTIETH CENTURY, DURING THE RISE OF
MODERNISM. THE THIRD CATEGORY INCLUDES THE NUMEROUS MODERN DUTCH
ARCHITECTS WHO ARE CURRENTLY GAINING WORLDWIDE FAME.
THE MOST NOTABLE ELEMENT OF THE BUILDING ARE THE UNIFORMITY OF THE FAÇADE.
EACH FACADE IS THE SAME, REPLICATING ITSELF AROUND THE BUILDING. THE DUTCH
ARCHITECTS USED NATURAL MATERIALS TO EXPRESS THE ROYAL GRANT FEELINGS. THE
BENEFITS OF BOTH THE GABLE AND HIP ROOFS ARE COMBINED IN THE DUTCH GABLE ROOF,
WHICH ALSO ADDS ARCHITECTURAL FLAIR. WHEN COMPARED TO A NORMAL GABLE ROOF,
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A HIP-FRAMED ROOF HAS LESS ATTIC AREA FOR A GIVEN ROOF PITCH. IN THE 16TH
CENTURY, GABLE ROOFS WERE ALREADY COMMON IN FLANDERS, OWING TO THE
ARCHITECTURAL TRADITION OF A REGION WITH A WET CLIMATE AND BRICK AS THE MOST
READILY AVAILABLE BUILDING MATERIAL. DUE TO THE RELATIVE SCARCITY OF WOOD, ITS
USE WAS OFTEN OPTIMISED, COMBINING THE REQUIREMENTS FOR EFFECTIVE ROOFS AND
THE ABILITY TO FIT OUT HABITABLE ATTICS.
BOLGATTY PALACE CONSISTS OF FOUR ROOMS WHERE TWO ROOMS ABOVE AND TWO
ROOMS BELOW. CEILINGS ARE DETAILED IN WOOD WITH DETAILED CARVINGS AND OLD
MURAL PAINTINGS CAN BE ALSO SEEN.
HAVE TWO COTTAGES OUTSIDE APART FROM THE PALACE AND HAVE A COTTAGE FACING
MARINE DRIVE CALLED KOCHIINTERNAL MARINA WITH CLASSY ROOMS. THE HEIGHT OF THE
PALACE IS BIF ENOUGH WITH 2 STORY HEIGHT PROVIDED WITH MURAL PAINTING AND
ANIMAL HANGING ARE ALSO PLACED, PROVIDED WITH POLISHED WOODEN FLOORING,
HAVING POOL FACILITY, GOLF CLUB EVENT CENTER, AND CONVENTION CENTRE.
CHANDELIER LIGHTING IS PLACED IN DIFFERENT INTERVALS IN WARM SHADES IN DIFFERENT
PATTERNS WITH DIFFERENT SIZES. THERE WILL ALSO INCLUDE A GOLF COURSE, A
SWIMMING POOL, A SPA, A FITNESS CLUB, A RESTAURANT, AND A BEER PARLOUR.
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Figure 18 PATHWAY INDOOR
KOCHI HAS RECENTLY BEEN A POPULAR DESTINATION FOR LUXURY CRUISE LINES. KOCHI
HAS GROWN IN POPULARITY AS A SEA-BASED ADVENTURE TOURISM DESTINATION DURING
THE PREVIOUS DECADE. EVERY YEAR, ON AVERAGE, 100 YACHTS VISIT KOCHI, THE MOST OF
WHICH ARE FROM EUROPEAN COUNTRIES SUCH AS THE UNITED KINGDOM, FINLAND, AND
NORWAY, WITH NEW ZEALAND AND AUSTRALIA AS EXCEPTIONS. THE COCHIN PORT TRUST
IS ALSO CONSTRUCTING A CRUISE TERMINAL ON WILLINGTON ISLAND, WHICH IS CLOSE BY.
KOCHI IS PREFERRED BY MORE ADVENTUROUS SEAMEN SINCE IT IS THE CLOSEST PORT ON
THE INTERNATIONAL MARITIME ROUTE BETWEEN THE WEST AND THE EAST. THE MARINA
WILL FEATURE AMENITIES FOR YACHT REPAIRS AS WELL AS FILLING UP ON FUEL AND FOOD.
THERE WILL ALSO INCLUDE A GOLF COURSE, A SWIMMING POOL, A SPA, A FITNESS CLUB, A
RESTAURANT, AND A BEER PARLOUR.
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THE PROJECT'S MAIN APPEAL IS FLOATING DOCKS BUILT ON CONCRETE BEAMS. A
BOARDWALK - A WOODEN PLATFORM JUTTING INTO THE BACK SEAS - HAS ALSO BEEN SET
UP TO ALLOW OTHER PEOPLE TO VIEW THE SHIPS. IN THE SECOND PHASE, 16 MORE DOCKS
WOULD BE BUILT, AS WELL AS NEW FACILITIES ON 2 ACRES OF RECLAIMED LAND ADJACENT
TO THE ISLAND. KOCHI IS AN IDEAL BERTHING PLACE FOR YACHTS TRAVELING FROM THE
WEST TO THE FAR EAST. THERE ARE NO BERTHING STATIONS FOR YACHTS WHEN THEY
LEAVE DUBAI UNTIL THEY REACH THE FAR EAST. THE KOCHI INTERNATIONAL MARINA
SOLVES A LONG-STANDING ISSUE. KOCHI IS ONE OF THE WORLD'S MOST STUNNING
NATURAL PORTS. THE INTERNATIONAL MARINE ROUTE IS ONLY AROUND 11 NAUTICAL
MILES AWAY FROM COCHIN PORT. THE KOCHI INTERNATIONAL MARINA IS A POPULAR
TOURIST DESTINATION AS A RESULT OF THIS.
KOCHI, AS A PORT CITY, HAS EVOLVED INTO A POPULAR DESTINATION FOR SEAFARING
ADVENTURE TOURISM IN THE LAST DECADE. EVERY YEAR, ABOUT 100 YACHTS VISIT KOCHI.
KOCHI IS BECOMING THE MOST POPULAR TOURIST DESTINATION, THANKS TO A SLEW OF
LUXURY CRUISE COMPANIES. KOCHI'S ENTIRE ASPECT WILL BE TRANSFORMED BY THE
KOCHI INTERNATIONAL MARINA. THE EXISTENCE OF THE MARINA WILL HELP TO
STRENGTHEN KOCHI'S TOURISM ECONOMY.
5. CONCLUSION
WHEN A BUILDING IS CONSTRUCTED WITH A CERTAIN PURPOSE IN MIND, IT RUNS THE RISK
OF BECOMING OBSOLETE WHEN THE NECESSITY CHANGES. AT THE SAME TIME, WHEN A
STRUCTURE IS OPEN-ENDED AND ONLY FUNCTIONS AS A SHELL, IT FAILS TO ATTRACT
PEOPLE'S ATTENTION. AS A RESULT, THROUGHOUT THE EARLY STAGES OF DESIGN, IT IS
CRITICAL TO COMPREHEND THE CONTEXT. EVEN IF EVERY EFFORT IS MADE TO ENSURE THE
BUILDING'S LONG-TERM VIABILITY, IT IS POSSIBLE FOR IT TO BECOME OUTMODED.
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IN SUCH CASES OF ABANDONMENT, THE APPROACH TO DETERMINING THE BUILDING'S
DESTINY IS CRITICAL. THE BUILDING'S LIFESPAN IS COMPARABLE TO THAT OF A HUMAN,
SPECIFICALLY "CRADLE TO GRAVE PENNED." EVERYTHING A DESIGNER CAN DO TO EXTEND
THE LIFE OF A STRUCTURE MUST BE DONE.
THIS IS SIMPLY DUE TO THE FACT THAT THE STRUCTURE HAS ALREADY BEEN CONSTRUCTED,
IT IS WELL CONNECTED, AND IT COLLAPSED DUE TO A CHANGE IN THE POLITICAL,
ECONOMIC, OR CULTURAL CONTEXT. IF THE BUILDING HAS BECOME OBSOLETE AS A RESULT
OF A STRUCTURAL BREAKDOWN, THE INVESTMENT IN ITS FUTURE IS DOUBTFUL.
BUILDINGS WITH A SOLID FOUNDATION AND STRUCTURAL STRUCTURE ARE THE GREATEST
CANDIDATES FOR ADAPTIVE REUSE. THEY'VE BEEN IN THEIR CURRENT PLACE FOR A LONG
TIME, SO THEY'VE ACCUMULATED LAYERS OF LOCAL CONTEXT AND HISTORY. THEY ARE
CONVENIENTLY LOCATED, PROVIDE A SENSE OF COMMUNITY, PROVIDE REQUIRED
SERVICES (IF A LITTLE OLD), AND ARE ALREADY BUILT. A FRESH LEASE ON LIFE CAN BE
PROVIDED TO THE STRUCTURE BY RETAINING THE SOUND MEMBERS, UPGRADING THE
LANDMARK CHARACTERISTICS. BECAUSE THE STRUCTURE HAS BEEN REPAIRED TO MEET
MORE SUSTAINABLE. THEN THE STRUCTURE CAN SELF-SUSTAIN AND, OVER TIME, RECOVER
THE COSTS OF ITS REHABILITATION.
THESE DON'T HAVE TO BE STRICTLY FUNCTIONAL; THEY CAN ALSO CONSIDER THE
AESTHETICS OF THE PLACE. BUILDING APPLIED PHOTO VOLTAIC PANELS ARE AN EXCELLENT
ILLUSTRATION OF A BURGEONING TREND IN ADAPTIVE REUSE AND RETROFITTING. IT'S ONE
OF SEVERAL ALTERNATIVES FOR A FACILITY TO START REDUCING ITS CARBON FOOTPRINT BY
BEING MORE AWARE OF AND CONSCIENTIOUS OF ITS INFLUENCE. HISTORY SHOULD SERVE
OBSOLESCENCE SHOULD BE WEEDED OUT, AND THE PROCESS OF DISUSE SHOULD BE
STRUCTURED WITH ITS SURROUNDINGS ARE ONLY A FEW EXAMPLES.
6 REFERENCES
39
VI. parappuram, rithesh. 2021. youtube. https://www.youtube.com/watch?
v=unJphTFzVJw.
VII. poojapanchal. 2021. issuu. 7 jul.
https://issuu.com/poojapanchal/docs/ui3916_pooja_panchal_thesis_issuu.
VIII. strange, I and whitney,d.". (2003). the changing roles and purposes of heritage
conservation. research, uk: student.
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