DRAPING ROLLY JOHN F. PELOBELLO BEGINNING OF DRAPING LEARNING CONTENT
A. Preparation of Muslin for Draping
B. Draping the non-woven panel C. Seam Allowances D. Basic Patterns E. Bodices and Bustier F. Dresses LEARNING OUTCOMES
At the end of the unit, students must have;
– Acquired knowledge and skills in preparing the muslin for draping – Discussed and practiced the different ways in preparing the muslin for draping; – Familiarized and understand the basic patterns in draping. Preparation of Muslin for Draping Tearing Blocking Pressing 1. Tearing a.Estimate the size of muslin needed b.Clipping the edge of the muslin. c. The true lengthwise and crosswise grains starts from the edge of the muslin 2. Blocking –Reshape the muslin –Squared the fabric/muslin 3. Pressing – Set the position of the yarns. – Press the lengthwise and crosswise grain – Never press the bias – Steam by dry iron Draping Non- Woven Fabric History – earliest clothing was made from leaves grasses, and bark or, in colder climates, animal skins and furs – Development of weaving – Development of different techniques Early garments forms – Chiton and Peplos : Greeks – Toga worn by Romans – Draping has been elaborated – Flax (line) and wool the most common fabric used in draping Modern Era – Appearance of draped square cut panels in Alphones Mucha and Maxfield Parrish – Isadora Duncan: founder of modern dance, famous in wearing her version of tunic. – Middle of 20th century: Mariano Fortuny – great Italian and clothing designer, famous in his timeless garments from two rectangles of pleated silk. Preparing the Muslin – Tearing the muslin – Marking grainlines – Understanding the with pen grainlines – Pinning – Marking grainlines – Thread tracing Understanding the Grainlines Tearing the muslin –Pieces are torn in predetermined measurements –It gives accurate measurements Step 1 • Tear selvage edge off by clipping in about ." (1.5 cm), grasping edge fi rmly and pulling it sharply down length of fabric.
• Now mark desired measurements of
the muslin, clip edge, and tear both the lengthgrain and crossgrain directions.
• It is helpful to first draw a small
lengthgrain for reference so that you donot lose track of the direction. Step 2 Create a grid by drawing vertical and horizontal lines on graph paper. You do not need to draw the exact size of the piece; a right angle will suffice to align the fabric and check that it is square.
Where the muslin does
not form a 90° angle, grasp it firmly with both hands, and pull and stretch it until it returns to its original shape. Step 3
When pressing, move the iron in vertical
and horizontal directions only. If the After pressing, check the muslin again on muslin is pressed on the diagonal, or the grid paper to see if it has torqued; if so, bias, grain, you will pull the threads out pull and stretch it again until it goes back of alignment and cause the fabric to into right angles at the corners. stretch. Marking grainlines – Mark using a pencil/tailor’s chalk – Mark using “ Thread tracing” Step 4
Make two or three small marks on the
muslin using the given dimensions, measuring in from the left-hand edge. Line up the graph ruler or yardstick with the marks, and draw the line needed. Use this method for the first two pieces. Step 5 Find the true bias using a right-angled ruler and a graph ruler. Position the right angled ruler against one of the edges of the fabric and mark equal distances from the angle point. For example, mark 8“ (20 cm) from the point, going along the cross grain and along the length grain. Line the graph ruler up with the two points and draw in the bias line, a 45° angle. For bias lines, two parallel lines are used, 1⁄8" (0.5 cm) apart. Thread Tracing – First locate the grainline. Measure in from the sides of the muslin piece and mark it with a pin line or tailor tacks. Place the pins perpendicular to the sew line, and use the entry point of the pin as your line demarcation. – Lay the graph ruler or yardstick an even .–1" (1.5–2.5 cm) from the pin or tailor-tack line. – Leaving the muslin on the table, pull the needle and thread through the fabric, using very large stitches. – It can help to place weights on the ruler or yardstick to keep the fabric from moving while you stitch it. Marking grainlines with pen Pinning
–Use of – Not placed at 90°
angle to the form disappearing – Angle lifting ink upward