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Brandwajn 9

Act IV, scenes i., ii, and iii/

“Mad as the sea and wind, when Gertrude shows to be one of the hardest
both contend which is the characters to figure out in the play. I
mightier: in his lawless fit, cannot tell whether she is on Hamlet’s
behind the arras hearing side because she is helping him with
something stir, whips out his his plan to kill the king or whether she
rapier, cries, ‘A rat, a rat!’ And is on the King’s side telling him about
in this brainish apprehension, Hamlet. In my opinion, I would guess
kills the unseen good old man” that she loves them both no matter what
(7-12). and she is on both sides.
“Tell us where ‘tis, that we may Rosencrantz and Guildenstern try to get
take it thence and bear it to the information about Polonius’ body as
chapel” (6-7). the King instructed. Hamlet, being
smarter than both of them, already does
not let them extract any valuable
information. In the play, Rosencrantz
and Guildenstern never get rewarded
for being the King’s marionettes. I still
wonder, why do they keep working for
him? Maybe Sheakspeare uses them so
he can make fun of how manipulative
royalty is and how obsequious wealthy
people were in Elizabethan times.
“Yet must not we put the strong The King wants to get rid of Hamlet
law on him: He’s lov’d of the any kind of way possible. If he does,
distracted multitude, who like however, he would lose popularity in
not in their judgement, but in the kingdom because Hamlet is very
their eyes” (3-5). respected by the Danes.
“In heaven; send thiter to see: if At this point in the play, the tension
your messenger find him not between Claudius and Hamlet has
there, seek him i’ the other grown to where Hamlet does not even
place yourself” (31-32). speak to Claudius with any respect.
Hamlet commands Claudius to seek for
Polonius in hell, where accordingly to
the ghost of King Hamlet’ metaphor, is
Claudius’ home.

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