Art Nouveau was an international style of art that originated in Europe between 1880-1915. It was known by different names in different countries, emphasizing natural forms and sinuous curves. Two notable Belgian architects, Victor Horta and Henry van de Velde, helped pioneer the new style with buildings like the Tassel House and Hôtel Van Eetvelde that featured new uses of iron and glass. The style spread to other countries through architects like Emile Galle in France and the Vienna Secession movement.
Art Nouveau was an international style of art that originated in Europe between 1880-1915. It was known by different names in different countries, emphasizing natural forms and sinuous curves. Two notable Belgian architects, Victor Horta and Henry van de Velde, helped pioneer the new style with buildings like the Tassel House and Hôtel Van Eetvelde that featured new uses of iron and glass. The style spread to other countries through architects like Emile Galle in France and the Vienna Secession movement.
Art Nouveau was an international style of art that originated in Europe between 1880-1915. It was known by different names in different countries, emphasizing natural forms and sinuous curves. Two notable Belgian architects, Victor Horta and Henry van de Velde, helped pioneer the new style with buildings like the Tassel House and Hôtel Van Eetvelde that featured new uses of iron and glass. The style spread to other countries through architects like Emile Galle in France and the Vienna Secession movement.
ENROLLMENT NO – 180492 SUBJECT – EVOLUTION OF SPACE BATCH – 2018 – 2022 YEAR – IST ART NOUVEAU ( 1880 – 1915 ) AGE OF TRANSITION
INTRODUCTION •Between 1892 and 1894, a European FRENCH ART NOUVEAU
• A style of Art that swept across Europe , it’s movement was born in Brussels which would natural motifs & sinuous curves “ Nature was the greatest architect that rejuvenate the applied arts, and later be called transformed Architecture in cities from has ever existed”. Art Nouveau. Tassel House is considered the prague to Paris. first architectural work of this movement. It Hector Guimard • A truly European style there is no single was built by architect, Victor Horta, at the age artists or designers whose work embodies of 31, and was one of his first works. The • In the 1890’s public & private Art Nouveau. The style itself was known house is also known as Maison or Hotel interior in France under went a by a variety of names across Europe. Tabelgssel. • “ le style Moderne “in France. period of radical change, reflecting a •The work proposes a total revision of the • “ Jugendstil “ in Germany. burgeoning interest in modern spatial organisation and a continual dialogue • Secession in Austria. between the flexibility of iron and the material. • La stile liberty in Italy. durability of stone. For the first time in a • Le castel Beranger flat in Paris 1894 • Modernista in Spain - all style embraced all house, the potential of iron as a constructive – 98. of the decorative arts in equal measure. and decorative material are explored. The • Guimard made his mark as an • Art Nouveau was a movement born of the style and the ornamental elements are not desire of a number of brilliant artists & architect with a block of flat he built added to the new cast iron construction, but designers to make something beautiful, in Paris from 1894 – 98. are part of it, and are seen throughout the functional & above all new. space. The use of iron as the structural and • Both the interior & exterior of the • Horta & van de velde in Belgium, Guimard expressive medium was inspired by the flat. in France, Mackintosh in scotland , Gaudi in works of engineer, Gustave Eiffel, which Spain, Wagvier, Olbrich , & Hoffmann in culminated with the Eiffel Tower in 1889. EMILE GALLE Austria, & Basile in Italy used the new •Hôtel Van Eetvelde, Brussels (1895- • Born in Nancy, the French designer & industrial technologies & materials to serve glass maker Emile Garre was a leading the expressive needs of a modern language 98) •Similar to the Tassel House, the significance initiator of the Art Nouveau style. - largely international & recognisable of the building lies in its octagonal stair-hall at everywhere & they did so without doing the center of the initial structure, whose away with references to local traditions. metallic columns frankly reveal the unusual THE VIENNESE SECESSION industrial frame of the residence. They branch ( 1897 – 1914 ) HORTA AT A GLANCE out into flattened arches that support a large To every Ages its own art , to every Art its • His organic staircase with their Wrought iron blue-green stained-glass ceiling, whose lower freedom. railings, often under decorated glass atriums, portions over the staircase employ Horta's are specially admired for their grace & exuberant, twisted curves that continue down beauty. into the balustrades and the rugs below, the • The octagonal centre of the Baron Von furniture, and the grain of the marble around Eetvelde house is composed of thin cast iron the inner walls under the stairs). Whether columns that supports the glass covering intentional or not, the effect suggests the from which abundant light pours down, modulation of light and shade and the tangles which changes according to the time of day, of vines and leafy foliage in the jungles of the giving a fluttering appearance to the over Congo, the colonial territory that van Eetvelde flowing decoration. administered. • The Harmonious uses of glass & iron marks a then in Horta’s Art towards a greater transpereancy.