You are on page 1of 2

ART NOUVEAU

( 1880 – 1915 )
AGE OF TRANSITION

NAME – SHIVANI KANAUJIYA


ENROLLMENT NO – 180492
SUBJECT – EVOLUTION OF SPACE
BATCH – 2018 – 2022
YEAR – IST
ART NOUVEAU
( 1880 – 1915 )
AGE OF TRANSITION

INTRODUCTION •Between 1892 and 1894, a European FRENCH ART NOUVEAU


• A style of Art that swept across Europe , it’s movement was born in Brussels which would
natural motifs & sinuous curves
“ Nature was the greatest architect that
rejuvenate the applied arts, and later be called
transformed Architecture in cities from has ever existed”.
Art Nouveau. Tassel House is considered the
prague to Paris. first architectural work of this movement. It Hector Guimard
• A truly European style there is no single was built by architect, Victor Horta, at the age
artists or designers whose work embodies of 31, and was one of his first works. The • In the 1890’s public & private
Art Nouveau. The style itself was known house is also known as Maison or Hotel interior in France under went a
by a variety of names across Europe. Tabelgssel.
• “ le style Moderne “in France.
period of radical change, reflecting a
•The work proposes a total revision of the
• “ Jugendstil “ in Germany. burgeoning interest in modern
spatial organisation and a continual dialogue
• Secession in Austria. between the flexibility of iron and the material.
• La stile liberty in Italy. durability of stone. For the first time in a • Le castel Beranger flat in Paris 1894
• Modernista in Spain - all style embraced all house, the potential of iron as a constructive – 98.
of the decorative arts in equal measure. and decorative material are explored. The • Guimard made his mark as an
• Art Nouveau was a movement born of the style and the ornamental elements are not
desire of a number of brilliant artists &
architect with a block of flat he built
added to the new cast iron construction, but
designers to make something beautiful, in Paris from 1894 – 98.
are part of it, and are seen throughout the
functional & above all new. space. The use of iron as the structural and • Both the interior & exterior of the
• Horta & van de velde in Belgium, Guimard expressive medium was inspired by the flat.
in France, Mackintosh in scotland , Gaudi in works of engineer, Gustave Eiffel, which
Spain, Wagvier, Olbrich , & Hoffmann in culminated with the Eiffel Tower in 1889. EMILE GALLE
Austria, & Basile in Italy used the new •Hôtel Van Eetvelde, Brussels (1895- • Born in Nancy, the French designer &
industrial technologies & materials to serve glass maker Emile Garre was a leading
the expressive needs of a modern language
98)
•Similar to the Tassel House, the significance initiator of the Art Nouveau style.
- largely international & recognisable
of the building lies in its octagonal stair-hall at
everywhere & they did so without doing
the center of the initial structure, whose
away with references to local traditions.
metallic columns frankly reveal the unusual THE VIENNESE SECESSION
industrial frame of the residence. They branch ( 1897 – 1914 )
HORTA AT A GLANCE out into flattened arches that support a large To every Ages its own art , to every Art its
• His organic staircase with their Wrought iron blue-green stained-glass ceiling, whose lower freedom.
railings, often under decorated glass atriums, portions over the staircase employ Horta's
are specially admired for their grace & exuberant, twisted curves that continue down
beauty. into the balustrades and the rugs below, the
• The octagonal centre of the Baron Von furniture, and the grain of the marble around
Eetvelde house is composed of thin cast iron the inner walls under the stairs). Whether
columns that supports the glass covering intentional or not, the effect suggests the
from which abundant light pours down, modulation of light and shade and the tangles
which changes according to the time of day, of vines and leafy foliage in the jungles of the
giving a fluttering appearance to the over Congo, the colonial territory that van Eetvelde
flowing decoration. administered.
• The Harmonious uses of glass & iron marks a
then in Horta’s Art towards a greater
transpereancy.

You might also like