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Additional Resources domestika.

org

Course by Mina Barrio

WHICH LINES
MATTER?
This document is very important since it will play a key role in helping you to start
noticing the lines in your photos. It will help you to make the perspective nearly
perfect when you go to correct it in the editing program. Here, I’ll show you the
lines that you should choose when correcting the perspective in several photos
and why.
Additional resources - Mina Barrio domestika.org

PERSPECTIVE CORRECTION

In this .pdf, I’ll explain how I usually choose


reference lines when correcting the perspective
of a photo.

For this, first, we’ll analyze the angle of the


photo, meaning, the angle of the smartphone’s
camera in relation to the subject and the ground.

After, we’ll choose to correct the horizontal


lines (yellow) or the vertical ones (orange). With
that in mind, we’ll differentiate between:

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Additional resources - Mina Barrio domestika.org

Nº1

Frontal and overhead photos. The camera


forms a 90º angle with the ground and another
90º angle with the subject. In these, we’ll correct
both the vertical and horizontal lines.

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Additional resources - Mina Barrio domestika.org

In this photo, our smartphone is totally


perpendicular to the ground. An example to
understand this: if the smartphone were 2 meters
long, it would be standing on the floor.

Plus, the wall forms a 90º angle with the


smartphone’s camera, meaning, we see it
perfectly head on.

That said, we can choose either vertical or


horizontal lines to correct the perspective.

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Additional resources - Mina Barrio domestika.org

This wall is also completely perpendicular to our


camera, and our camera is 90º from the ground.
We’ll use all horizontal and vertical lines as points
of reference.

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Additional resources - Mina Barrio domestika.org

This case is the same as the photo before. We’ll


choose vertical and horizontal lines.

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Additional resources - Mina Barrio domestika.org

This photo is an overhead shot, it was taken from


above, meaning, that the camera is completely
perpendicular to the subject, which is the ground.

In this type of photo we can choose whether we


want the lines to be straight, as is the case of this
photo, or if we want them to form a diagonal line.

My advice is: make them completely straight or


turn them a lot. You don’t want it to look like it
turned out crooked accidentally!

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Additional resources - Mina Barrio domestika.org

Nº2

Lateral photos. The camera forms a 90º angle


with the ground and another 90º angle with the
subject. In these, we’ll correct the vertical lines.

I recommend checking all the vertical lines when


you’re correcting and comparing them using a
grid. However, if you could only choose two lines,
I’d choose the ones close to the edges because
they’re usually bent more.

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Additional resources - Mina Barrio domestika.org

In this photo the camera is perpendicular to the


floor, but the glass windows are viewed from the
side. This is why you can use any of the vertical
lines as a reference.

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Additional resources - Mina Barrio domestika.org

This photo is lateral, and similar to the one


before. Any of the vertical lines work for
correcting the perspective.

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Additional resources - Mina Barrio domestika.org

In this photo there are two walls, but neither


forms a 90º angle with the camera, instead both
are viewed from the side. We’ll use vertical lines
to correct.

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Additional resources - Mina Barrio domestika.org

We view the wall from the side, which is why we’ll


use vertical lines. Tip: try to find them in the
furniture and architecture.

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Additional resources - Mina Barrio domestika.org

Nº3

Atypical photos. The camera doesn’t form any


straight angles with the subject or the floor and
the lines that are formed in the photo are
diagonal. You don’t need to correct the
perspective.

You don’t need to correct the perspective of


overhead photos (taken from above) where you
want the lines to be diagonal instead of straight,
either.

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