Professional Documents
Culture Documents
JUNGLE RESORT
BACHELOR OF ARCHITECTURE
M.VIJAY
Reg.No,18C21C4006
B.Arch. VIII Semester
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DECLARATION OF AUTHENTICATION
I certify that the research work presented in this thesis is to the best of my
knowledge my own. All sources used and any help received in the preparation
of this dissertation have been acknowledged. I hereby declare that I have not
submitted this material, either in whole or in part, for any other degree at this
or any other institution.
Signature M.vijay
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Affiliated to
Jawaharlal Nehru Technological University, Kakinada
I certify that the design thesis entitled JUNGLE RESORTsubmitted by Mr./ Ms. M.
VIJAY bearing Roll No 18C21C4006 on this ……………. day of June 2022 in partial
fulfilment of the requirements for the award of the degree of BACHELOR OF
ARCHITECTURE from Jawaharlal Nehru Technological university. Kakinada is a
record of Bonafede work to be the best of my/ our knowledge and may be placed before
the examination board for their consideration.
Principal External
Examiner
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ACKNOWLEDGEMENT
I take this opportunity to thank and extend my deep sense of gratitude to my thesis guide ASSOC.PROF.
SIRISHA MENTE, whose academic excellence are acumen helped this project to take the current shape.
I would also like to thank my parents & friends and faculty members of Vaishnavi School Of
Architecture And Planning Vijayawada for all the help and support throughout the thesis project.
M.VIJAY.
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Contents
ABSTRACT.........................................................................................................................................8
SYNOPSIS ...........................................................................................................................................9
1.1 INTRODUCTION AND SCOPE- ......................................................................................10
1.2 AIM- ....................................................................................................................................11
1.3 OBJECTIVES-. ...................................................................................................................11
1.4 LIMITATIONS- ..................................................................................................................11
1.5 REQUIREMENTS-.............................................................................................................11
1.6 METHODOLOGY ..............................................................................................................13
........................................................................................................................................................13
2 LITERATURE STUDY.............................................................................................................14
2.1 VERNACULAR ARCHITECTURE: .................................................................................15
2.2 STANDARDS FOR BUILDING UNITS IN THE RESORT:............................................17
ADMINISTRATIVE BUILDING: ............................................................................................17
2.2.1 RECEPTION: ..............................................................................................................18
2.2.2 MAIN ENTRANCE: ...................................................................................................19
2.2.3 LOUNGES: ..................................................................................................................19
2.2.4 COTTAGES:................................................................................................................19
2.3 FURNITURE CLEARANCES: ..........................................................................................20
2.3.1 DINING AREAS: ........................................................................................................20
2.3.2 WALKWAYS REQUIRED FOR DINING AREA:....................................................22
2.4 GALLERYARRANGEMENTS: ..................................................................................................25
2.4.1 SPORTS STANDARDS: .............................................................................................25
2.4.2 OUT DOOR GAMES: .................................................................................................25
2.4.3 INDOORGAMES: .......................................................................................................26
2.5 CHILDREN PLAY AREA: ................................................................................................ 27
2.6 SWIMMING POOL : ..........................................................................................................28
2.7 3.3.3 Thoroughfare Standards .............................................................................................29
3 CHAPTER - 4 ............................................................................................................................33
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ABSTRACT
This thesis project aims to develop a design for an jungle resort in forest area at iconic place dudh
sagar, Goa, India. This thesis project is based upon theoretical influence of HITESH MEHTA and
his explorations of the principles of ecotourism. An important elements of this project is gaining a
theoretical understanding of the forms of local architecture and their thesis methods of construction.
The project aims to deal with the site, climate, development of tourism, showing the beauty of
nature.
The site chosen for the project is located on the iconic location of Dudh sagar water in Goa. The
site is currently a touristic place and the site is connect with the view point of Dudh dagar
waterfalls. The project site is proposed as a way to promote to providing rest area and cottages for
tourist and nature lovers.
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SYNOPSIS
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Goa is one of the world's tourist destinations that is favoured by both local and foreign tourists, with
a variety of potentials that can attract tourists such as natural beauty, cultural uniqueness, social life,
as well as various religious ritual activities. Along with the number of visits to Goa, it is hoped that
there will be growth in the residential sector (hotel resorts) which can accommodate the number of
tourists visiting Goa. One of the famous tourist attractions in the Goa region is nature tourism.
From the description above, the Goa area is very potential if it is used as an accommodation that
can provide a feel of comfort and ensure privacy for its users but still contains elements of
recreation by utilizing the existing natural potential. This requires planning and designing a resort
hotel where these facilities are commercial for lease. This resort functions as an accommodation as
well as recreation for tourists and is equipped with supporting facilities. The surrounding natural
conditions are used as the main attraction for resort hotels. Seeing the beautiful natural potential of
Dudh sagar and the traditional elements that want to be highlighted, a design approach was chosen
with the hope of being able to create resort hotel by prioritizing the concept of back to nature, to
introduce, preserve, increase the cultural values and traditions of trides and educate tourists to
protect and appreciate natural environment.
1.2 HISTORY
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The popularity of spas and resorts in England is a result of King Charles II visiting trendy hot
spots in the 1600s.Today, royalty and superstars still seem to set trends of where the best places to
go are. Many English spas are unique because they have gambling and dancing. Spas also became
popular because of the medical benefits that were attributed to them such as waters that were rich in
certain minerals and could cure ailments.
The Swiss resort industry was developed in the 1800s to aid the need of private resort facilities
for more prosperous people. At the time, travel was not simple. People who travelled to resorts
stayed for long periods of time up to two months to get the best value for their travel expenses.
Hotel Baur au Lac, built in Zurich, was the first resort to utilize the value of a scenic view. At first,
Switzerland resorts were seen as summer places, but soon skiing became popular as well as
gambling.
1.3 AIM-
To understand the functions and requirements of jungle resort and implement efficient resort to carry
the functions smoothly in forest area of western ghats.
1.4 OBJECTIVES-.
• Utilization of site contours efficiently in design.
• Identification of various user groups and to support the user group requirements in design.
• To built a resort without cutting the trees.
• Emphasis of site landscape.
• Segregation of various zones yet retaining the level between them.
• Using of local available materials.
1.5 LIMITATIONS-
• Special allocations for various entretainment facilities shell be provided but the detailed
development of those facilities is not in the scope of the project.
• The design should be prototype for resort.
• Though the facility in designed as a jungle resort no specific activity such as distrubing the
wildlife.
1.6 REQUIREMENTS-
• Information center/Reception.-
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• Visitors lounge.
• Residences.
• Work spaces/class rooms/counseling rooms/ Training rooms.
i. BAMBOO WORKS
ii. POTTERY WORK
iii. PAINTING/ART
iv. CRAFT
v. CERAMIC WORK
vi. COOKING
• Resort cottages.
• Yoga and meditation.
• Library..
• Trekking.
• -swimming pool.
• -Lounge.
• First aid room.
• Toilets
• -group meetings.
• Kitchen.
• Open Dinning.
• Parking.
• Path way.
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1.7 METHODOLOGY
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2 LITERATURE STUDY
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• The term vernacular is derived from the Latin vernaculus, meaning "domestic, native and
indigenous", from Verna, meaning "native slave" or "home-born slave". The word probably
derives from an older Etruscan word.
• The term is borrowed from linguistics, where vernacular refers to language use particular
to a time, place or group.
• Vernacular architecture did not use formally-schooled architects, but relied on the design
skills and tradition of local builders. However, since the late 19th century many professional
architects have worked in this style.
• Vernacular architecture can be contrasted against polite architecture which is characterized
by stylistic elements of design intentionally incorporated for aesthetic purposes which go
beyond a building's functional requirements.
Ronald Brunskill has defined the ultimate in vernacular architecture as:
a building designed by an amateur without any training in design; the individual will have
been guided by a series of conventions
built up in his locality, paying little
attention to what may be fashionable.
The function of the building would be
the dominant factor, aesthetic
considerations, though present to some
small degree, being quite minimal.
Local materials would be used as a
matter of course, other materials being
chosen and imported quite
exceptionally.
INFLUENCES ON THE VERNACULAR:
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Vernacular architecture is influenced by a great range of different aspects of human behaviour and
environment, leading to differing building forms for
almost every different context; even neighbouring
villages may have subtly different approaches to the
construction and use of their dwellings, even if they at
first appear the same. Despite these variations, every
building is subject to the same laws of physics, and
hence will demonstrate significant similarities
in structural forms.
CLIMATE INFLUENCES:
One of the most significant influences on vernacular architecture is the macro climate of the area in
which the building is constructed. Buildings in cold climates invariably have high thermal mass or
significant amounts of insulation. They are usually sealed in order to prevent heat loss, and openings such
as windows tend to be small or non-existent. Buildings
in warm climates, by contrast, tend to be constructed of
lighter materials and to allow significant cross-
ventilation through openings in the fabric of the
building.
A log cabin in the region of Kysuce(Slovakia) - an
example of vernacular architecture in relatively cold
mountain climate using local materials (wood).
Buildings for a continental climate must be able to cope with significant variations in temperature, and
may even be altered by their occupants according to the seasons.
Buildings take different forms depending on precipitation levels in the region – leading to dwellings on
stilts in many regions with frequent flooding or rainy monsoon seasons. Flat roofs are rare in areas with
high levels of precipitation. Similarly, areas with high winds will lead to specialised buildings able to cope
with them, and buildings will be oriented to present minimal area to the direction of prevailing winds.
Climatic influences on vernacular architecture are substantial and can be extremely complex.
Mediterranean vernacular, and that of much of the Middle East, often includes a courtyard with a fountain
or pond; air cooled by water mist and evaporation is drawn through the building by the natural ventilation
set up by the building form.
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Similarly, Northern African vernacular often has very high thermal mass and small windows to keep the
occupants cool, and in many cases also includes chimneys, not for fires but to draw air through the internal
spaces. Such specializations are not designed, but learned by trial and error over generations of building
construction, often existing long before the scientific theories which explain why they work. Vernacular
Architecture is also used for the purposes of local citizens.
CULTURAL INFULENCE:
The way of life of building occupants, and the way they use their shelters, is of great influence on building
forms. The size of family units, who shares which spaces, how food is prepared and eaten, how people
interact and many other cultural considerations will affect the layout and size of dwellings.
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2.2.1 RECEPTION:
• The reception buildings incorporate the management offices of the resort and may be a
separate building or may form a part of the main communal building of the resort.
• The reception unit is set back from the main road to allow for vehicles to drive up to the
doors to set down passengers and luggage and also to allow vehicles to wait picking up
visitors without obstructing the main road.
• At the reception office on arrival, the tourist will have their rooms allotted to them.
• The reception office itself should be long and fairly generous in area to accommodate the
very large numbers who arrive in short span of time.
• Long counters are essential and there must be adequate space for luggage as well as the
guests themselves.
• One or more offices are needed in conjunction with the reception office.
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2.2.3 LOUNGES:
• This is separate from the dining for the resorts having capacity over 300 persons.
• This room may be used for dancing, or concerts, involves a considerable amount of labor,
which is rapidly followed by the replacement of furniture ready for breakfast.
• The total area provided for lounges, games rooms, etc., should be at least 0.93sq.m for every
person up to the resorts maximum, and allowance which may be increased with advantage if
it is considered that the cost will permit additional space for these purposes. Lounges must
be spacious.
• A good proportion of window area should be capable of opening to provide, on occasion,
semi-open air preference to the rooms and to add to the general effect and comfort on
summer evenings.
2.2.4 COTTAGES:
• Depending upon the usage factor the length and width of rooms are decided. There may be
double bed or single bed.
• Further considering the type of comforts, added facilities decides the degree of luxury.
• The size and width of guest room is decided by amount of furniture to be accommodated.
• The size of twin bed room should be in minimum tariff hotels 15ft-17sqm in 5 star hotels
28sqm.
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WALKWAYS REQUIREDFORDINING
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2.4 GALLERYARRANGEMENTS:
• Sports halls are planned for the Indoor sports like Table Tennis, Billiards, Snookers,
Caroms, Chess, Shuttle courts, Badminton,etc...
• Whereas Outdoor sports like Football, Cricket, Golf etc. have stadiums andplayfields.
2.4.2.1 TENNIS:
Size and Dimension
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2.4.3 INDOORGAMES:
• The table 9’ X 5’
• 2.5’ high with any continuous material
• a uniform bounce of about 9’’ when a standard ball is dropped onto it from a height 11.8”.
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• Shallow area- portion between the shallow end and the break point between shallow area
and the dining area shall not be greater than 1’of 12’.
• Diving towers- diving towers in excess of 3mts in height shall not be considered acceptable
in recreational swimming pools.
• Wall depth – as a minimum the walls shall be vertical at all points for depth of not less than
2’6”.
• Walks – shall be continuous around the pool with a minimum width of 8’.
• A minimum of 3‘walk width shall be provided on the sides and rear of any piece of diving
equipment.
• SECTIONAL VIEW OF BASIC POOL:
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3 CHAPTER - 4
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3.1.1 PRINCIPLE-
• The concept of ‘being one with nature’ is exploited here in various ways, to establish a
metaphysical link between man and nature. Never synthetic, here both architecture as well as
development always follow the organic principles of design and space. The most distinctive
feature of’ is its almost casual and yet aesthetic and rural effect. Abiding by its
principal mission statement of conserving the biodiversity of the region by practicing in-situ
conservation, natural landscaping has been practiced and the use of indigenous plants is being
promoted.
• Besides which the entire area is demarked as a plastic free zone and the garbage disposal of the
generated biodegradable waste, is done through effective microbe composting, while sewage
disposal is being done without using chemical effluents.
• Even wood, used as a raw material for construction of our Eco-huts has been procured from the
social forestry sector. Intelligent use of power backed by specially designed software, for power
conservation is in place and rainwater harvesting is being practiced for water preservation.
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Traditional gravitational water conservation measures are in usage and the natural contours are
maintained to create an ambience, that is both charming and informal, one that encourages a
dialogue between you and nature.
3.1.2 FACILITIES-
• Bullock cart to transport you to paradise via serpentine roads in thick forests.
• Restaurant with the menu of Chinese, continental and Indian menus are taboo.
• Grand jungle buffet.
• Garden bar
• Retreat into our cascading swimming pool.
• Local barman entertain you with jungle lore and folk art.
• Parking.
• Parking to cottage transport on Slope train transport with a beautiful view.
• Spa.
• Meditation place.
3.1.3 ACTIVIES -
• Foot trails.
• Machans and hides.
• Special nature encounter.
• Interpretive talk.
• Slide shows and presentation.
• Souvenir Shop.
• Treks and hike.
3.1.4 ADVANTAGES-
• Peaceful location.
• Sounds of nature.
• Forest tastes.
• Waterfall view.
• Valley view.
• Disturbance free location.
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• Pottery workshop.
• Painting workshop.
• Mud workshop.
• MEHANDI ART.
• Bird watching
3.1.7 COTTAGES -
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3.2.1 AIM-
• Green Village is a living community of globally connected individuals who care about
nature, originally visioned and developed by John Hardy. Located by the terraced slopes
of Ayung River in Bali, the compound hosts 12 unique and sustainable bamboo houses
and villas, hand-constructed by the IBUKU architectural team.
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• Green Village is not a collection of individual houses, but a living community of globally
connected individuals who care about Nature and appreciate its magnificence.
Our bamboo villas and houses are purposefully built towards a sustainable future for you,
your lifestyle, your business, and – most importantly – your family.
3.2.2 HISTORY-
• The Green Village was created by Ibuku, a local design firm formed in 2010 by Elora Hardy
after being inspired by the natural surroundings and cultural brilliance of Bali. Ibuku's origins
lie in the belief that bamboo can change the way people build.
3.2.3 OBJECTIVES
• To encourage the natural built constraction technics.
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3.2.4 AMENITIES
• Transportation
• Room services
• Parking
• Restaurant
• Spa
• Meditation hall
What's nearby
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Echo House at Green Village Eclipse House at Green Village (Main and Guest)
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NO.OF FLOORS = 04
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3.2.11 LANDSCAPING
The total resort is set on landscaped hill side
As well as surrounding the building, tree, and plants also extend inside create a feeling of greenery.
The total resort is set on landscaped hill side
As well as surrounding the building, tree, and plants also extend inside create a feeling of greenery.
Green Village is constructed completely of bamboo, including the stairs, cabinets, walls and furniture.
The designer’s website states “new treatment methods have given bamboo a capacity for long life. We
harvest and treat all of our own bamboo, selecting for density and maturity, then lab test to confirm its
integrity”.
The buildings are nothing short of beautiful spectacular. Surrounded by lush, jungle-like greenery,
circular doors and floor-to-ceiling windows open to the gorgeous outdoors. The design gives a wide
open, one-with-nature feel to the residences.
Bamboo stalks appear to serve as intricately placed architectural posts, while the stairs and railings
depict hand carved, unique pieces of structural art.
The Bamboo houses are designed and built around the natural contours of each plot with rare views of
the river front and the volcanoes of Bali. The concept is to create beautiful living spaces, in which
people can live where luxury and comfort fit into natural landscapes. We have many homeowners from
around the world who value what we do and believe in our ethos that we can combine sustainability and
style without destroying the environment in which we live.
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4 CHAPTER-5
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Waterfalls are special attraction River passing besides the resort is special
attraction
Very close to nature Very close to nature
Used spaces between the trees Used spaces by cutting the tress
They are also followed similar style only They preffered sustained rooms with their
local style of archotecture.
Used materials are locally found materials Used materials are locally found materials
No.of cottages are 18 cottages. No.of houses are 12 unique bamboo houses
Bamboo and wood structure houses Laterite stone and bamboo and wood structure
cottages.
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4.2.2 ACCOMODATIONS:
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5 SITE ANALYSIS-
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BESIDES DUDH SAGAR WATERFALLS VIEW POINT , OPPOSITE TO THE DUDH SAGAR
WATERFALLS, GOA, INDIA.
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as taxi rides or many private car rentals with drivers who would take you there.
• Dudhsagar Falls By Rail
• The nearest railway station to this spot is Dudhsagar Railway Station which is just 1 km away
from the site. However, this station is not an official stop,
5.13.1 Strength :
local materials are highly avaliable for low cost constraction.
useing of nature bodies.
huge numbre of visitors.
5.13.2 Weekness
very difficult to construct any built form.
need worlers who are specialist on this type of constructions.
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5.13.3 Opportunities :
site is at view point to attract the visitors.
there is no other resort nearby the place.
using of trees present in site to built tree houses, hanging cottages, etc.99
5.13.4 THREAT :
need to protect from predators and venomous raptails .
risk to wall or constract or any other activities to do in this slopey area.
5.15 VEGETATION :
site area covered with trees, height of 20mts avg.
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5.16 BIBILOGRAPHY-
• https://en.wikipedia.org/wiki/Ecotourism
• http://www.intachvizag.org/historyofvizag/index.html
• https://worldarchitecture.org/architecture-projects/mcvg/gorukana_2c_eco_resort-project-
pages.html
• http://oer.nios.ac.in/wiki/index.php/Tourist_Accommodation
• https://en.wikipedia.org/wiki/Table_tennis
• Space standards magazine
• Timesaver standards
• http://elitecruisestravel.com/toursandresorts/1509/
• http://www2.nau.edu/~ha401-c/class/mod_1/top_1/read1-1-1.html
• CII - Confederation of Indian Industry - IGBC Green League (IGL) – 2017
• https://www.researchgate.net/publication/289779454_Solar_power_and_application_metho
ds/download
• The National building code 2005 on energy conservation.
• Chapter VII - Energy Conservation
• https://www.archdaily.com/805083/hill-lodge-sook-architects
• https://en.wikipedia.org/wiki/Vernacular_architecture
• Andhra Pradesh journeys, january – March 2018.
• TRAVEL & TOURISM ECONOMIC IMPACT 2018 INDIA
• https://indianheadresort.com/vintage-postcards/
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