This document discusses key concepts related to spatial rhetoric and memory, including:
1. How space is composed through memory and what has been learned from readings on analyses of communities of memory.
2. Key terms like space/place, first/second/third place, and palimpsestic places, and how COVID-19 has changed relationships to space.
3. The rhetorical and memory aspects of place, including regional rhetoric, counter regions, passkey memories, and who controls regional nostalgia.
This document discusses key concepts related to spatial rhetoric and memory, including:
1. How space is composed through memory and what has been learned from readings on analyses of communities of memory.
2. Key terms like space/place, first/second/third place, and palimpsestic places, and how COVID-19 has changed relationships to space.
3. The rhetorical and memory aspects of place, including regional rhetoric, counter regions, passkey memories, and who controls regional nostalgia.
This document discusses key concepts related to spatial rhetoric and memory, including:
1. How space is composed through memory and what has been learned from readings on analyses of communities of memory.
2. Key terms like space/place, first/second/third place, and palimpsestic places, and how COVID-19 has changed relationships to space.
3. The rhetorical and memory aspects of place, including regional rhetoric, counter regions, passkey memories, and who controls regional nostalgia.
How is space composed through memory? What have you learned from our readings? “Coal Keeps the Lights On” is an Analysis of a Community of Memory: How is the Analysis Laid Out? What are its movements (point, evidence, analysis)? Key terms/engagements with other scholars? Primary sources analyzed? Key Terms of Space and Place • Space/place is a technology and a medium through which we interact. It makes some rhetorics likely and others impossible (think of the sacredness of a memorial). It shapes us and we are shaped by it.
• space vs. place: In anthropology space is the physical locale vs.
place is the culture that happens there.
• First place (home), second place (work), third place (in-
between: coffee shops, barbershops, bowling alleys—civic places of democracy) • Third place: neutral ground, playful, class leveler, has regulars
• Place is palimpsestic: there are always multiple places occurring
at once (your OU, is not professors, OU, is not undergrads OU— they exist simultaneously) How has COVID-19 changed our relationship to space? Where are you from? How is place rhetorical & memory laden there? Regional Rhetoric • Critical regionalism: an attempt to chart the intricacies, contradictions, and power plays that define a region, “terminates not in the production of critique but in the creation of new kinds of texts and images of place” (22) 1. Think of the region you are from/most familiar with. 2. Region: a relationship term between a set of sites. ”interplay among the various, competing definitions of that region.” What are the competing definitions of a region? 3. Counter Regions: stories told to resist more powerful regional stereotypes. What are your regional counter stories? 4. Q. What are the memories and stories (what I call passkey memories) that define insiders and outsiders (always a key set in spatial analysis). e.g. Mary the Elephant. • Insiders and outsiders often are fractally recursive. 5. Q. Who is drawing the map and why? Whose interests are being served? “Region is always at some level an attempt to persuade as much as it is to describe” (21). Who Controls Regional Nostalgia & How? • How do coal companies teach citizens how to be nostalgic? • Friends of Coal & Corporate Ventriloquism: Coal companies sponsor all sorts of events from football games to barbeques but also make it look like everyone agrees with coal (going so far as to make up fake citizens and quotes on their website) • Purposefully keeping other industries out: Coal becomes “common sense” and everything else is hippy- dippy • Sacrifice Logic & Redemptive Memorials: “The roadside memorial . . . stands as a solemn reminder of the human cost that West Virginians have so dearly paid to power this great nation” • National Representations: Country singer Jimmy Rose on America’s Got Talent singing “Coal Keeps the Lights On” • Coal as Heritage Brand: “a dimension of a brand’s identity found in its track record, longevity, core values, use of symbols and particularly in an organisational belief that its history is important” that connects workers and companies across multiple generations” Spatial Memory Tour of Campus What questions should be asking of space and campus memory?