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    The document discusses the development of painting and sculpture in the Philippines. It describes how painting first began during the Spanish period in Manila's churches, with priests serving as painters. The Academia was established in 1846 and trained early Philippine painters like Simon Flores y de la Rosa. Sculpture developed more slowly, beginning in the 19th century with native forms like idols. Painting and sculpture then evolved through the American period and modern period as artistic styles changed and more artists emerged.

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    [Quiz and Book] Art Appreciation

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    The document discusses the development of painting and sculpture in the Philippines. It describes how painting first began during the Spanish period in Manila's churches, with priests serving as painters. The Academia was established in 1846 and trained early Philippine painters like Simon Flores y de la Rosa. Sculpture developed more slowly, beginning in the 19th century with native forms like idols. Painting and sculpture then evolved through the American period and modern period as artistic styles changed and more artists emerged.

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    © All Rights Reserved
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    9 views3 pages

    (Quiz and Book) Art Appreciation

    Uploaded by

    piesces
    The document discusses the development of painting and sculpture in the Philippines. It describes how painting first began during the Spanish period in Manila's churches, with priests serving as painters. The Academia was established in 1846 and trained early Philippine painters like Simon Flores y de la Rosa. Sculpture developed more slowly, beginning in the 19th century with native forms like idols. Painting and sculpture then evolved through the American period and modern period as artistic styles changed and more artists emerged.

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    of 3

    [BOOK] ○ Painters simply painted for

    the love of art


    Development of Painting in the
    Philippines ● Vicente Rivera y Mir
    ○ El Sueno Dorado
    SPANISH PERIOD
    ● Ramon Peralta
    ● First stone churches were built in ○ Cabeza de Estudio
    Intramuros in the 17th century.
    ● Jorge Pineda
    ● Painting in churches started in the ○ Cry of Balintawak
    Manila area, with priests as ○ Playing Chongka
    painter-decorators. ○ Lantern Makers
    ○ Augustinian fathers offered ○ Alayan
    drawing lessons to the
    Filipinos ● Fernando Amorsolo
    ○ Leyendo Periodico
    THE ACADEMIA
    ● Fabian de la Rosa
    ● March 13 1846 ○ Marikina Road
    ○ Quiet Street
    ● Simon Flores y de la Rosa - religious ○ Planting Rice
    canvases using paint
    ○ Saint John the Baptist MODERN PERIOD
    ○ Madonna and Child
    ○ Feeding Chickens [national ● Artists were to sketch for a living
    museum] ○ $5 per drawing

    ● Lorenzo Guerrero - nonreligious Development of Sculpture in the


    ○ From the Market Philippines
    ○ Church of Antipolo
    SPANISH PERIOD
    ● Rafael Enriquez - director of the UP
    School of Fine Arts ● Before the Spaniards arrived, some
    ○ La Muerte de Simón de Anda forms of native sculpture, mostly of
    idols, existed
    AMERICAN PERIOD
    ● The blossoming of Filipino sculpture
    ● Lesser utility value than architecture began in the 19th century
    ● Sculpture developed very slowly in Manunggul Jar: container that signify the
    the Philippines Filipinos beliefs of life after death

    [QUIZ] Intramuros: the walled city of Manila

    Victorio C. Edades: Father of the Modern Tabon Cave: known as the Philippine
    Philippine Painting Cradle of Civilization

    Fernando Amorsolo: first National Artist Masjid: Muslim church


    Awardee
    Anito: Ifugaos spirit of the dead
    Napoleon Abueva: Father of Modern
    Philippine Sculpture Philippine Arena: world’s largest
    multipurpose indoor stadium / colosseum
    Tattoo: body painting
    Pintados: Painted People of the Visayas
    Bul-ul: carved wooden God of the Ifugaos
    Manila Metropolitan Theater - Juan M.
    Torogon: Muslim’s King house Arellano

    Retablo: structures which serve as cabinets Playing Chongka / Sungka - Jorge Pineda
    of saints
    Madonna of the Slums - Vicente
    Carlos “Botong” Francisco: the best Mural Manansala
    artist
    Spolarium - Juan Luna
    Spolarium: longest and most well-known
    painting in the Philippines Cultural Center of the Philippines -
    Leandro Locsin
    Petroglyphs: paintings engraved on rocks
    Transfiguration - Napoleon Abueva
    Sarimanok: legendary bird of the Maranao
    people Dalagang Bukid - Fernando Amorsolo

    Cultural Center of the Philippines: the Jose Rizal Monument - Richard Kissling
    National Theater / Tanghalang Pambansa
    Oblation - Guillermo Tolentino
    Hagabi: long wooden bench of the Ifugaos
    that signify wealth and prestige Planting Rice - Fernando Amorsolo
    The first stone churches during the Spanish
    times were established in Manila. True.

    Sculpture developed rapidly in the


    Philippines. False.

    Painting during the American period has


    greater direct value. False.

    Filipino houses were made of stones before


    the coming of the Spaniards. False.

    Filipino painters during the American period


    painted for the love of art. True.

    The early forms of native sculpture featured


    idols. True.

    Painting on churches started in Manila with


    the priest as paint-decorators. True.

    Filipino painters during the war sketched


    portraits for a living. False.

    The impressive monument of Quince


    Martires / Thirteen Martyrs prowd in Cavite
    City. True.

    Masjid is a house of Muslim’s king. False.

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