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Module 6 passionate about the subject, or when the outcome is

Coaching is all about communication. Successful very important to them.


coaches are masterful communicators, and unsuccessful Stress, passion and importance reign supreme in the
coaches often fail not because they lack knowledge of world of competitive sports, which is why
the sport but because of poor communication skills. communication is such a challenge for coaches.
Communication is the process of sharing information, Ineffective communication is not always the fault of the
thoughts and feelings between people through coach; the problem may lie with the athlete, or both
speaking, writing or body language. coach and athlete. But you can do much to avoid
Effective communication requires that transmitted problems of miscommunication by developing your own
content is received and understood by someone in the communication skills.
way it was intended. Improving these skills will be discussed after you
Goals of effective communication: evaluate what you currently have.
 To create a common perception,
changing behaviors and acquiring Coaching style and communication
information. 1. Command-style communication
Three dimensions of communication:  Communicates in an aggressive way by
1. communication includes not only sending ordering athletes to do whatever he
messages but also receiving them. Coaches wants them to do, often accompanied
must be skillful not only at sending clear , by intimidating body language.
understandable messages but also at listening  This coaching style do most of the
to understand what their athletes are talking and little listening, and when
communicating in return. things go wrong, they accuse and
2. communication consists of verbal and non- blame.
verbal messages. Gestures of hostility, facial  This style can be successful in sports for
expressions of joy, movements of intimidation, a short time because the coach has so
and acts of kindness are all forms of non-verbal much power but in the long term, it
communication drives athletes and others away,
3. communication has two parts: content and destroys relationships and injures and
emotion. Content is the substance of the scars those who are victim to the
message, and emotion is how you feel about it. coach’s tongue-lashings
Six reasons for ineffective communication
1. The athlete, lacking adequate listening or nonverbal 2. Submissive-style communication
skills, misinterprets the content of the message or  Allows others to dominate the
fails to understand it. conversation. Submissive style coaches
2. The athlete does not receive the message because seldom express their own view points and
he or she is not paying attention. will tend to express agreement, even when
3. The athlete understands the message content but they don’t agree.
misinterprets the intent.  Particularly troublesome about this style is
4. The messages sent by the coach are inconsistent the avoidance of difficult issues. They
over time, leaving the athlete confused about what disdain confrontations and conflicts, and by
is meant. avoiding them often let small hot spots
5. The content to be communicated by the coach is within their team turn into roaring fires.
wrong for the situation.
6. The message does not communicate what the
coach intends because the coach lacks the
necessary verbal or nonverbal skills. 3. Cooperative-style communication
Communication problems tend to occur more when  This style is based on mutual respect
people are under stress or duress, when they are between the coach and the athletes. They
communicate in a straightforward, positive
and confident way and allow and encourage  A coach should provide evaluative comments
others to do the same. only when athletes clearly don’t know what is
 Cooperative-style coaches are good correct or incorrect. If a behavior is good, praise
listeners, seeking to understand what the them for it and tell them what is good about it.
other person is striving to communicate, If it’s wrong, give them specific instructions on
and thus, encourage a two-way how they can improve.
communication.  Some coaches constantly give verdicts to their
DEVELOPING YOUR COMMUNICATION SKILLS players, telling them what they did right or
1. Developing credibility when you communicate. wrong------- usually wrong. But athletes need
2. Communicating with a positive approach more than to be told that they did something
3. Sending messages high in information wrong; they need specific information about
4. Communicate with consistency how to do it right. Successful coaches are not
5. Learning to listen judges, they are skilled teachers.
1. Developing credibility when you communicate Coaching recommendations:
Communication credibility is reflected in the degree to  Provide athletes with specific information
which your athletes trust what you say. At the outset, that helps them correct mistakes rather
athletes will give you credibility simply because you than general information that judges their
occupy the prestigious role of a coach. From then on, performance.
however, you maintain or diminish it based on your  Be certain you understand the reason for
actions and communication. your athletes’ actions before you judge
Coaching recommendations: their behavior.
 Be a cooperative-style coach  Focus your comments on the athletes’
 Be knowledgeable about the sport or at least behaviors, not on them as a people, to
honest about whatever knowledge you possess avoid damaging their self-worth.
 Be reliable, fair and consistent 4. Communicate with consistency
 Follow through on what you say you’ll do Keeping your word is a form of consistency that will
 Express warmth, friendliness, acceptance and enhance your credibility. When you are true to your
empathy word, athletes learn to trust you. If you don’t
 Be dynamic spontaneous and open provide a promised reward, you lose the power o
 Remain calm under pressure use rewards in the future.
Coaching recommendations:
2. Communicating with a positive approach  When you promise to do something, be
 The positive approach is an attitude that you sure to follow through
communicate in both verbal and non-verbal  Avoid gossiping and discourage your
messages. It is an attitude that communicates a athletes from gossiping
desire to understand, an acceptance of others,  Develop a sense of trust with your athletes
and an expectation o mutual respect. This by being consistent and positive. Through
approach helps athletes value themselves as trust, you become a coach of character.
individuals. 5. Learning to listen
Coaching recommendations: Educators distinguish between two types of
 Avoid sarcasm and put-downs but at the same listening– passive and active. Passive listening is
time, don’t sugarcoat athletes behavior by what we typically think of as listening--- being silent
falsely putting a positive spin on them. while another person speaks. Although a passive
 Emphasize what can be done, and avoid listening is sometimes desirable, it has limitation in
language that dwells on problems; instead use that the speaker is not sure whether you are paying
language that focuses on solutions attention or really understands.
 Seek to build character not destroy it Active listening involves interacting with athletes by
providing them with proof that you understand. It
3. Sendinges high in information lets athletes know that you understand and respect
their ideas and feelings, thus they will be more can compliment them on their
willing to listen to you in return. receptiveness to receiving constructive
Coaching recommendations: criticism.
 Show the person speaking to you that you Types of communication
are interested and you are trying to 1. Visual communication
understand. The ability to demonstrate well—is a priceless
 Express empathy, not sympathy by showing gift. Model what you want to see. Not only does
that you care and respect what the other a good demonstration provide a picture for
person has to say. your players and prevents the boredom of long
verbal explanations, but it also adds to your
COMMUNICATION TECHNIQUES credibility.
Verbal communication techniques Important characteristics of a good
1. Double positive approach demonstration:
 When you see a successful performance,  Simplicity—Emphasize only one major
explain and demonstrate why the point and perhaps one minor point
performance is successful. Simultaneously each time you demonstrate. Bring out
reinforce the player for good play while additional features in the next
establishing the correct points of technique demonstration.
for the benefit of all players engaged in the  Reasonable goals.—Your
practice. demonstration should always set goals
2. Question and answer approach that are within the ability of your
You can often achieve far more by asking players.
players rather than telling. By doing this,  Talking while demonstrating—This
you will achieve two objectives: enables you to draw attention to key
 First, you will elicit the correct technical points while you are actually
diagnosis; demonstrating them.
 Second, by involving the players in the  Refraining from over demonstrating—
discussion, you will encourage them to Restrict demonstrations to one or two
develop their own powers of observation repetitions. You may occasionally need
and critical analysis. Getting players to to demonstrate a skill three times, but
appreciate and develop their own four or more demonstrations will
knowledge of the game is surely at the usually bore your audience.
heart of good coaching, and the question- You may find the following strategies
and-answer technique enhances this useful:
Always try to rehearse in private. If you
3. The sandwich approach need a server, practice with that person. If
 The 1st slice of bread: start off with positive the server makes a mistake in the actual
feedback (authentic praise of something demonstration, don’t try to compensate;
they did recently) stop and try again. Before you demonstrate,
 The “meat of the matter”: provide your say to the group, “I may need two or three
constructive criticism Be brief (yet clear and attempts to get this demonstration right.” If
thorough) in your delivery of the meat of you alert the group to the possibility of
the matter — the criticism you want to failure, it won’t be a disaster if you fail.
share. Additionally, try to give them the Furthermore, this implies that the players
criticism in the context of how it can help too must be prepared for failure and that
them reach their goals failure is not necessarily a bad thing. Of
 The 2nd slice of bread: end on a positive course, succeeding the first time is a bonus.
note You can speak in general terms about Stop after your third unsuccessful attempt
how much progress they are making. You at demonstrating. Don’t keep on failing! If
you are not successful by the third attempt, them with care. Examine them in advance,
start the players working with a comment and show only sections you want students
such as, “sorry, it’s not going well for me to see. Showing a video of a complete game
today, but you can see what is needed!” No can often be a waste of time, for example—
one is perfect, and the players would rather be selective.
practice themselves than watch you fail. A
sincere coach has nothing to fear from an 2. Physical communication
occasional failure. Such as shaping, involves guiding players’ limbs
What do I do if I simply can’t demonstrate? through the correct movement. This is more
The ability to give good demonstrations is a important when coaching younger players.
priceless asset. There are limits, however, Young children must discover how to perform
and no one who is seriously interested in new skills, and they learn more by doing and
coaching soccer should be discouraged by feeling the correct pattern or shape of the
an inability to demonstrate. You would not, movement than by listening.
for example, expect every track coach to For example:
sprint 100 meters in under 10 seconds!  When teaching the correct positions for the
What matters most is that you know what foot and knee in the push pass, especially in
should be done and why and can get that the follow-through. Similarly, it is invaluable
knowledge across to your players. when teaching players to relax the foot or
thigh when controlling the ball or to tense
If you do not feel confident enough to the muscles in the neck and shoulders when
demonstrate, consider using: heading the ball.
o Preselected demonstrator—Select a good  This technique affords a special advantage
performer, take him to one side, and have when coaching smaller children. To shape a
him rehearse the skill or movement several movement, you often have to kneel in front
times. Then let this player demonstrate for of the player with your eyes on the same
the entire group. level. Youngsters really respond to being
o Discovery approach—With this method you coached by someone who is literally on
introduce the topic and start the group off their own level rather than someone
without an introductory demonstration. For towering above them and perhaps talking
example, to coach accuracy in passing, you down to them in more ways than one.
might start with the players in pairs passing Brett Bartholomew – performance coach
to each other, or you might organize mini- “Coaching is teaching. And one’s level of
games of 3v3. As the players pass, watch for effectiveness in teaching is not evaluated solely
players who pass accurately; then stop the by what they (the instructor) knows, but rather
practice and ask the accurate passers to by what their students understand.”
demonstrate for the others. To ensure that communication is effective,
o Group challenge— This method is very coaches need to ask themselves:
useful when coaching restarts such as free 1. Do I have the athlete’s attention?
kicks and corners. Give small groups of 2. Am I explaining myself in an easily
players the same task—for example, understood manner?
working out an attacking free kick. After a 3. Has the athlete understood?
set period of time, let each group 4. Does the athlete believe what I am telling
demonstrate in turn. In this way you will him/her?
produce a number of tactical moves to 5. Does the athlete accept what I am saying?
discuss with the players. Further, you will
have challenged your players’ initiative.
o Visual aids.—Coaching videos, handouts,
and charts are useful, but you must use

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