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25 Top - Rock Classics
25 Top - Rock Classics
Uploaded by
AtiloCopyright:
Available Formats
from Montrose - Montrose
Bad Motor Scooter Words and Music by Sammy Hagar
Gtr. 1: Tuning:
(low to high) G-G-D-G-B-D
Intro
Free time
μ
Gtr. 1 (*fuzz)
f
w/ slide steady gliss.
8
8
14
14
10
10
15
15
13
13
9
9
9
9
13
13
9
9
3
3
14
14
15
15
14
14
7
7
9
9
13
13
13
13
6
6
10
10
*Big Muff fuzzbox
Fast q = 172
**
7 3 7 7
7
7 3 7 7
7 3 7 7
**G string sounds from slide.
Half-time feel
Gtr. 1 tacet
Cadd9 *** D7
Gtr. 2 (dist.)
f
let ring
3
0 5 0
2 7 9 10 9 7 7 9 10 0
3 5 5 5 5 5 5 5 5 5 0
0 0 0
Gtr. 1
5 5
5 5
5 5
5 5
***Chord symbols reflect implied harmony.
© 1973 (Renewed) WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Cadd9 D7
Gtr. 2
3
0 0 0 5 5 0 0
2 0 0 7 7 9 10 9 7 7 7 9 10 0 0
3 0 0 5 5 5 5 5 5 5 5 0 0
0 0
Verse
Cadd9 D7
1. If you get lone - ly on your dad - dy’s farm, mm,
Rhy. Fig. 1
3 3
3 3
0 0 0 0 5 5
2 2 0 0 7 7 9 10 9 7 7 9 10 0 0
3 3 5 5 5 5 5 5 5 5 5 5 0 0
0 0
Cadd9 D7
3
uh, just re - mem - ber I don’t live too far,
End Rhy. Fig. 1
3
3 3 3
0 0 0 0
2 2 2 0 7 7 9 10 9 7 7 9 10 0 0
3 3 3 0 5 5 5 5 5 5 5 5 5 5 5 0 0
0 0
Gtr. 2: w/ Rhy. Fig. 1
Cadd9 D7
and there’s a red bridge that arcs the bay, yes,
End half-time feel
Cadd9 D7
you’ll be at my place in less than a day, huh!
Gtr. 1
4
4
2
Chorus
F5 G5 D
So get on your bad mo - tor scoot - er and ride,
Gtr. 2
Harm. *Harm. Harm.
7 7 7 7 7 X 7 X X 7
0 7 7 7 7 7 X 7 X X 7
0 7 7 7 7 7 X 7 X X 7 7
3 5 3 3 3 5 3 5 5 7 5 8 7 5 5 5 X X 5 5 5 5 5 5 5
1 1 1 1 1 1 1 3 3 3 3 3 3 0 0 5 5 7 5 0
Pitch: E E A A A
*Applies to 5th string only
Riff A End Riff A
Gtr. 1
5 7
5 7
5 7
10 10 12 5 7 7
10 10 12 5 7 7
Gtr. 1: w/ Riff A (2 times)
F5 G5 D
up o - ver at my place and stay all night, hmm, yeah.
Gtr. 2
10 10 10 10 10 10 10 10
0 10 10 10 10 12 10 10 10 10 0
0 10 10 10 10 12 10 10 10 10 0
3 3 5 3 3 3 3 3 5 5 7 8 7 0 10 0
1 1 1 1 1 1 1 1 3 3 3 3 3 3 X X
F5 G5 D
The first thing in the morn - ing we’ll be feel - ing all right, all right, all right, all right.
Harm.
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 8 9 10
3 3 5 3 3 3 5 3 5 5 7 5 5 7 5 5 5 X X 5 5 5 6 7 8
1 1 1 1 1 1 1 1 3 3 3 3 3 3 0 0 0 5 5 7 5
Pitch: E E
3
F5 G5 D
Huh, uh, get on your bad mo - tor scoot - er and ride.
Gtr. 2
Harm.
5
7 7 7 7 7 0
7 7 7 7 7 0 0
10 10 12 10 10 10 12 10 12 12 14 12 12 14 7 7 7 7 7 0
8 8 8 8 8 8 8 8 10 10 10 10 10 10 5 5 5 5 5 3
0
Pitch: A
Gtr. 1
5 7
5 7
10 10 12 5 7 7 12 9 12 7 12 14 10
10 10 12 5 7 7 12 9 12 7 12 14 10
Verse
Half-time feel
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 1 tacet
Cadd9 D5
2. Oo, the last time I seen your face,
3 5 5
3 5 5
Cadd9 D5
3
swore that no one would take your place.
Cadd9 D5
Now, since you’ve been gone I’ve been feel - ing uh, bad, yes,
4
End half-time feel
Cadd9 D5
I’d come out to your place, I’m a - fraid of your dad. So you,
Gtr. 1
steady
gliss.
5 12 9 12 10 7
5 12 9 12 10 7
Chorus
Gtr. 1: w/ Riff A (3 1/2 times)
F5 G5 D
you get on your bad mo - tor scoot - er and ride,
Gtr. 2
Harm.
7 7 7 7 7 7 7 0
0 7 7 7 7 7 7 7 0
0 7 7 7 7 7 7 7 0 7
3 3 5 3 3 3 3 5 5 7 5 5 7 0 5 5 5 X X 5 X 5 5 5 5
1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 0 5 5 7 5 X X X
Pitch: E E
F5 G5 D
up o - ver at my place and stay all night, oo yeah.
1/4 1/4
10 10 0 10 10
10 10 10 10 0
10 10 12 10 10 12 10 12 12 14 12 12 14 10 10 10 10 0
8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 0 X X X
X X X 0
F5 G5 D
The first thing in the morn - ing we’ll be feel - ing all right, all right, all right, all right, all right.
Harm.
7 7 7 7 7 7 7
0 7 7 7 7 7 7 7 7
0 7 7 7 7 7 7 7 7 10
3 3 5 3 3 5 3 5 5 7 5 7 7 0 5 5 5 X X 5 X 5 5 5 5 8
1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 0 5 5 7 5 X X
Pitch: E E
5
Bridge
F5 G5 D
Get on your bad mo - tor scoot - er and ride, yeah.
Gtr. 2
7 7 7 7 7
7 7 7 7 7
10 10 12 10 10 12 10 12 12 14 12 12 7 7 7 7 7 7 5
8 8 8 8 8 8 8 8 10 10 10 10 10 10 5 5 5 5 5 5 3
0 0 0 0
Gtr. 1
5 7
5 7 7 7 7 7
10 10 12 12 5 7 7 7 7 7 7
10 10 12 12 5 7 7 7 7 7 7
C5 D5
Ride, ride, ride. Come on, ba -
7 7 7
7 7 7
5 7 7 7 5 5
3 5 5 5 3 3
steady gliss.
5 7 14 5
5 5 9 9 12 9 14 17 2 7 7 10 7 12 7 14 5
5 5 9 9 12 9 14 17 2 7 7 10 7 12 7 14 5
5 5 9 9 12 9 14 17 2 7 7 10 7 12 7 14 5
6
C5 D5
- by, mm, yeah,
5 7 7 7
3 5 5 5
steady gliss.
7 9 12 11 13 11 13 11 13 11 13 2 5 7
7 9 12 11 13 11 13 11 13 11 13 2 5 7
7 9 12 11 13 11 13 11 13 11 13 2 5 7
7 9 12 11 13 11 13 11 13 11 13 2 5 7
C5
crank it on up, oh!
7 5 5
5 3 3
steady gliss.
7 4 12 12
7 7 12 9 13 13 4 12 12 7 13
7 7 12 9 13 13 4 12 12 7 11 7 13
7 7 12 9 13 13 4 12 12 7 11 7 13
7
Guitar Solo
μ[C5] [F5] [G5] D5
Gtr. 3 (dist.)
f
1 1
10
13 13
Gtr. 2
P.M.
5 6 7 7 9 7 7 9
3 3 3 4 5 5 5 5 5 5 5 5
0 1 3 5
Gtr. 1
4
4 7
4 7
4 7
1
1 1
1
1/2
1
10 10 10 10 13 13 10
13 13 13 13 10
12 12 10 12
12 12
0
10 10 10 0
7 7 9 7 7 9 7 7 9 7 7 9 10 10 10 6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 4
0 0
fdbk.
5 7 5 7 5 7 7 7 10 10 4
7 5 7 5 7 5 7 7 7 10 10 4
7 5 7 5 7 5 7 7 7 10 10 4
7 5 7 5 7 5 7 7 7 10 10 4
8
1
1
13 15 13
13 15 15 15 13 15 12
10 12 10 11 14
12 10 12 12 12
1/4
0 10 10
0 10 10
7 7 9 7 7 9 7 7 9 7 7 9 7 7 9 7 7 9 7 10 10
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4
7 7 5 7 7 5 7 10 10 10 4
7 7 5 7 7 5 7 10 10 10 4
7 7 5 7 7 5 7 10 10 10 4
7 7 5 7 7 5 7 10 10 10 4
8va
grad. release grad. release
1 1/2 1 1 1/2 1 1 1
15 15 15 15 15 15 15 15 15 X 15
10 X 10 0 12 10 10
7 7 9 7 7 9 7 10 X 10 0 7 7 9 7 7 9 12 10 10 7
5 5 5 5 5 5 5 5 5 0 5 5 5 5 5 5 5 5 5
0 0 0 X X 0
7 7 7 7 5 7 5
7 7 7 7 5 7 5
7 7 7 7 5 7 7 16 7 7 16 7 7 12 12 5
7 7 7 7 5 7 7 16 7 7 16 7 7 12 12 5
9
8va
8va loco
1/4 1 1 1 1/4
15 13 15 13 13 13 15 15 15 13 15 15 15 13 15 13 13
15 15 13 15 15 13 13 15 15 15
14 14
Harm.
0
0
10 10 10 10 10
7 7 9 7 7 9 7 X 10 10 7 7 9 7 7 9 0 10 10 10 0 0
5 5 5 5 5 5 5 5 5 X 5 5 5 5 5 5 5 5 0 X 0 0
9 0 0 0 X 0 0
Pitch: G#
steady gliss.
5
7 7 5 7 5 7 5 7 5
7 7 5 7 5 7 5 7 7 10 10 8 5
7 7 5 7 5 7 5 7 7 10 10 8 5
7 7 5 7 5 7 5 7 7 10 10 8 5
loco
1 1/2 1 1/2
1 1
1
10
15 13 15 15 13 15 15 15 13 15 13 13 10 13 13
14 14 12 10 12 10 10 12 12
12
7 7 7 7 7
7 7 7 7 7 7 7 9
5 5 5 5 5 5 5
0 0
steady gliss.
7 5 7 2
7 5 7 2
7 5 7 7 10 10 14 2
7 11 14 11 15 10 5 7 7 10 10 14 14 18 2
7 11 14 11 15 10 5 7 7 10 10 14 14 18 2
10
Chorus
F5 G5 D
Get on your bad mo - tor scoot - er and ride, yeah.
1 1 1 1 1 1 1
1
10 10 10 10 10 10 10 10 10
13 13 13 13 13 13 13 13
Harm.
7 7 7 7
0 7 7 7 7
0 7 7 7 7
3 3 5 3 3 5 3 5 5 7 5 5 7 0 5 5 5 X
1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 0 5 5 7 5
Pitch: E E
Riff B
10 10 12 5 7
10 10 12 5 7
10 10 12 5 7
10 10 12 5 7 5 7
10 10 12 5 7 5 7
F5 G5
Up o - ver to my place and stay all night,
1 1
1 1
10 10 10 13 13 13 13 13 10 17 17
13 13 13 13
* Harm. Harm.
7 X X 7 7 7 7 7 7
7 X X 7 7 7 7 7 7
7 X X 7 7 9 7 7 7 7 12 12 14 12 12 14
X 5 5 5 5 5 6 7 5 5 5 X 10 10 10 10 10 10 10
X 0 5 5 7 5 0
Pitch: A A E E
*As before
5 7 7 10 10 12
5 7 7 10 10 12
5 7 7 10 10 12
5 7 7 10 10 12
5 7 7 10 10 12
11
Gtr. 1: w/ Riff B
D F5
yeah. Uh, first thing in the morn -
Gtr. 3
1 1 1 1
10 10 10 10 10 13
12 12 12 12 10
Gtr. 2
10 10 10 10 10
10 10 10 10 10
10 10 10 10 10
X 3 3 5 3 3 5 3
X 0 0 0 1 1 1 1 1 1 1 1
End Riff B
7 7 7 7 5
7 7 7 7 7 7 5
7 7 7 7 7 7 5
7 7 7 7 7 7 5
7 7 7 7 7 7 5
G5 D
- ing we’ll be feel - ing all right, all right, all right, all right, all right.
8va
grad. release
1 1 1 1/2
13 10 13 13 10 10 13 15 15 15 13 15 13 15 17 17
13 15
Harm. * Harm. Harm.
7 7 7 7
7 7 7 7 X 7 X X 7 7
7 7 7 7 7 X 7 X X 7 7
5 5 7 5 5 7 5 5 5 X 5 5 5 5 5 5
3 3 3 3 3 3 3 0 0 5 5 7 5 7 0
Pitch: E E A A
*As before
12
F5 G5 D
Get on your bad mo - tor scoot - er.
8va
1 1 1 1 1
17 17 17 16 15 13 15 15 13 15 15 13 15 15 13 15 15 13 15 15 13
15
10 10 10 10 10
0 10 10 10 10 10 0
0 10 10 10 10 10 0
3 3 5 3 3 5 3 5 5 7 5 5 7 0
1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 0 0
Outro
Free time
Gtr. 3 tacet
F5 G5
3
Get on your bad mo - tor scoot - er,
uh,
8va
Gtr. 3 Gtr. 4
(dist.)
1
f
1
15 15 13 15
12 12 10 12 10 10
12 12
Gtr. 2
grad.
bend
1 1
0 12 12 10 12 10
12 12
10
3 3 5 3 3 3 3 5
1 1 1 1 1 1 1 1 3 0
Gtr. 1
7 10 7 12
7 10 7 12
7 10 7 12
7 10 7 12
7 10 7 12
13
3
3
get on your bad mo - tor scoot - er,
3 3
1 1 1 1
13
10 12 10 12 12 12 12 12 10
3 3
1 1 1 1
13 10
12 12 12 12 12 12 10
12
12
12
12
12
μ
and
10 10
12 12
10 10
12 12
12 12
12 12 0
12 12
12 12
12 12
14
Slower q = 100 Free time
Gtr. 4 tacet
D
3 3 3
3
ride.
Gtr. 2
7 7 7 7 7
7 7 7 7 7
7 7 7 7 7 0
5 5 5 5 5 0
0
Gtr. 1
5 7 5 7 5 7 5 7 2 5 7 7
5 7 5 7 5 7 5 7 2 5 7 7
5 7 5 7 5 7 5 7 2 5 7 7
Gtr. 2 tacet
D7#9 μ
6 6 6
5 5 5
0
4 4 4
3 5 5 5 5
steady gliss. steady gliss. steady gliss. steady gliss.
7
7 10 10 12 2 7 4 5 15 8 15 7 12 4 7
7 10 10 12 2 7 4 5 15 8 15 7 12 4 7
15
from Van Halen - OU812
Black and Blue
Words and Music by Edward Van Halen, Alex Van Halen, Michael Anthony and Sammy Hagar
Intro
Moderately slow q = 99
E5 ** E7 E6 E5
Gtr. 1 (dist.)
let ring
* mf let ring
1/4 1/4
0 0
0 0
4 6 7 6 4
X X X X
2 4 5 4 2 2 4
0 0 0 0 3 3 0
*Vol. control set to 5.
**Chord symbols reflect implied harmony.
Dsus2 Asus2 E5 E7 E6 E5
let ring let ring
let ring let ring
0 0 0
3 3 0 0
2 2 4 6 7 6 4
0 2 2 X X X X
0 2 4 5 4 2
0 0 3 0 0 0 0
G5/A D/A A5 μ E5
let ring
let ring
*** †f
1/4 1/4
0 0
0
4 4 6 7 7 4 6
X 5 4 0 2 2 X
2 2 4 0 0 0 0 2 4
0 0 3 0 3 0
***Vol. swell †Vol. control set to full.
E7 E6 E5 D5 A5 E5
1
Ha.
let ring
P.M. P.M. 1/4 1/4 P.M.
7 7 6 6 4 4 6 7 7 9
X X X X X X 7 7 7 7 9
5 5 4 4 2 2 4 5 5 7 7 7
0 0 0 0 3 3 0 0 5 5 0
© 1988 MUGAMBI PUBLISHING and WB MUSIC CORP.
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
E7 E6
1
grad. bend 3/4
P.M. P.M.
1/2
1/4
9 4 6 7 7 6 6
9 X X X X X
7 2 4 5 5 4 4
3 3 3 3 3 0 0 0
E5 D5 A5 E5
1. Mm,
let ring string steady gliss.
P.M. noise P.S.
1/4 1/4
0
0
XX XX
4 4 6 7 7
X X 7 7 7 0
2 2 4 5 5 7 0
0 3 3 0 0 5 0 X 12
Verse
A5 D5 E5 D5 E5
slip and slide, push it in, uh.
string P.M. string P.M.
noise noise
2
2
X
X
2 X
0 5 5 7 7 2 X 5 X 7 7
5 0 7 X
A5 D5 E5
The bitch sure got the rhyth - m. Well,
3 3 3
string P.M.
noise
2
2
X
X
X
2
2
0
0 1 0
2
0
0 1 0
2
0
0 1 0
2
0 X 5 5 7 7
5 0
2
A5 D5 E5 D5 E5
hold - in’ back, yeah, I got con - trol.
string P.M. string P.M.
noise noise
2
2
X
X
X 2 X
0 X 5 5 7 7 2 X X 5 X 7 7
5 0 X 7 X
A5 D5 E5
Oh, hooked in - to her sys - tem, a, uh.
string
P.M.
noise
X
X
0 0 0 0
2 4 2 1 1 2 1
2 X 4 2
0 X 5 5 7 7
5 0
Chorus
E7 E6 E5 D5 A5 E5
Hon - ey, I ain’t through with you.
(Don’t draw the line. Oo.
Rhy. Fig. 1
P.M. P.M. let ring
1/4 1/4 P.M. P.M.
4 6 7 7 9
X 7 7 7 7 9
5 5 4 4 2 X 2 4 5 5 7 7 7
0 0 0 0 3 X 3 0 0 5 5 0
3
E7 E6
Uh, the hard - er the bet - ter...
End Rhy. Fig. 1
1
grad. bend 3/4 P.M. P.M.
1/2
1/4
9 4 6 7 7 6 6
9 X X X X X
7 2 4 5 5 4 4
3 3 3 3 3 0 0 0
E5 D5 A5 E5
...black and blue. 2. Well, you
Do it till we’re black and blue.)
let ring Harm.
P.M. P.M. P.M.
1/4 1/4 let ring 1
12
7 12
4 4 6 7 7 9 9 5
X X 7 7 7 7 9 9
2 2 4 5 5 7 7 7 7
0 3 3 0 0 5 5 0 3
Pitch: G
Verse
A5 D5 E5 D5 E5 A5
D5 E5
nev - er know when love will come. Ha, bet - ter get it while you got
Gtr. 2 (dist.)
p
P.M.
7 7 9 9 12 12 7 7
7
Gtr. 1
P.M. P.M. P.M.
string string string
noise noise noise
X X
2
X
XX
2 X
2 2 X 2 X
0 5 5 7 7 2 X 5 X 7 7 0 X 5 5 7 7
5 0 7 X 5
4
A5 D5 E5
it. Lit - tle bit o’ ev - ’ry - thing,
9 9
6 9
3 3 3
string
noise P.M.
2 0 0 0
2 0 1 0 0 1 0 0 1 0 2 X
2 2 2 2 X X
0 X 5 5 7 7
0 5
Gtr. 2 tacet
D5 E5 A5 D5 E5
hoo, e - ven when it hurts, uh, sure feels good, wow! Uh!
15ma
loco
P.H.
1/4
12 9 9 9
string
P.M. noise P.M.
string
noise
X
X X
0 0 0 0
2 2 4 2 1 1 2 1
2 X 2 4 2
2 X X 5 X 7 7 0 X 5 5 7 7
0 X 7 X 5 0
5
Chorus
Gtr. 1: w/ Rhy. Fig. 1
E7 E6 E5
(Don’t draw the line.
D5 A5 E5
Hon - ey, I ain’t through with you. Woo!
Oo.
E7 E6 E5 D5 A5 E5
Uh, the hard - er the bet - ter... ...black and blue.
Do it till we’re black and blue.)
Gtr. 1
P.M. P.M. P.M.
1/4 1/4
7 7 6 6 4 4 6 7 7 2 9
X X X X X X 7 7 2 9
5 5 4 4 2 2 4 5 5 0 7
0 0 0 0 3 3 0 0
Bridge
C5 D5 E
Yo, ma - ma, ha!
P.S.
P.M. P.M. P.M. P.M.
7 9 12 10 9
X X
9 5 7 7 9 9 9
X X
9 5 7 7 9 7 9 9
7
0 0 0 0 0
6
C5 D5 B C5 D5 E
Got to, got to, got to make it right, a. Ow,
(Black and blue.)
P.M. P.M. let ring P.M. P.M.
0 0
5 7 7 7 9
5 7 8 8 5 7 7 9
5 7 7 9 9 7 9 5 7 7 9
7 9 9
0 0 0 5 7 7 0 0 0
C5 G5 B5
come on, ba - by, do it. Blue, oh.
(Black and blue.)
9 12 10 9
9 9 9 5 4
9 7 9 9 5 5 4
5 2 5 5 5 7
0 0 3 0 2 5
Guitar Solo
*A5 D5 E5 D5 E5
3
1/4
1 1/2
T
0 2 2 2 4
7 5 6 5 7 7 0 2 0
3 0 3 3 0 3 11
*Chord symbols implied by bass throughout Guitar Solo.
A5 D5 E5 D5 E5
8va
loco
8va
loco
A.H.
w/ bar
T.H.
1 T T T T 1 1/2
0 7 7(12) 7 7(14) 7(12) 7(14) 7 0 0(5) 5 2
11
-4 -4 1/2
Pitch: A A B A E F
7
A5 D5 E5
T T
5 5 3 5 7 8 7 5 3 5 7 8 7
2 4
Pitch: E
D5 E5
9
9 11
T T T T T T T T T T T T
8 7 5 3 7 8 7 8 7 5 3 8 10 8 10 11 8 11 12 8 9 12 13 9 13 10 13 14 10 14 15 11 14 15 11 15 16
A5 D5 E5
9
11 3 5
w/ bar
T T T T T T 1
12 16 17 13 17 13 14 17 18 14 17 18 14 15 18 19 15 18 19 16 16 16 12 12
14 14 12 14 12
-1/2
D5 E5 A5 D5 E5 D5 E5
8va
*w/ delay let ring
1
w/ bar 1 1/2 1 1 hold bend 1/2 1 1
15 15 19 19
15 15 15 15 19 19 19 22
0
-2 1/2 *Set for quarter-note regeneration w/ 1 repeat.
A5 D5 E5 D5 E5
8va
hold bend 1 1
1/2
22 22 22 22 19 16
22 22 22 20 22 22 21 17 17
8
A5 D5 E5 D5 E5 A5 D5 E5
loco
P.M. let ring
1 hold bend
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4
Interlude
D5 E5 D E/B D
Wah.
let ring
delay off P.S.
0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 7 9 9 7 7
X
7 9 9 7 7
X
7 7 0 9 9 7 7
5 7 7 5 5
14 7 7
E D E
Ah.
P.S.
7 9 9 7 7 7 9 9
7 9 9 7 7 7 9 9
X
X
7 9 9 7 7 7 9 9
5 0 7 7 5 5 5 7 7
A E5
D
Yeah.
P.S.
* mf
9 9 7 7 7 7 7
X
9 9 7 7 7 7 7 6 6 9 9 4 6
X
9 9 7 7 7 7 7 7 7 9 9 X
7 7 5 5 5 5 5 7 7 7 7 2 4
5 5 0
*Vol. control set to 5.
9
Chorus
E7 E6 E5 Dsus2 Asus2 E5
Don’t draw the line. Hon - ey, I ain’t through with you.
(Oo. Oo.
let ring let ring
let ring 1/4 1/4 let ring
0 0 0
0 0 3 3 0
7 6 4 2 2
X X X 0 2
5 4 2 2 4 0 2
0 0 3 3 0 0
E7 E6 E5
Uh, the hard - er the bet - ter, we’ll do it till we’re
Oo.
let ring
1/4 let ring 1/4 1/4
0 0
0
4 6 7 6 4
0 2 X X X X
2 2 4 5 4 2 2 4
0 0 3 0 0 0 3 0 3 0
Dsus2 Asus2 E5 μ E7#9 E7 E6
black and blue, ah.
Oo. Don’t draw the line.
Rhy. Fig. 2
let ring let ring P.M. P.M.
0
3 3 0 8
2 2 7 4 6 7 7 6 6
0 2 2 6 X X X X X
0 2 7 2 4 5 5 4 4
0 0 0 0 0
10
E5 D5 A5 E5
3
Ba - by, I ain’t through with you.
Oo.)
End Rhy. Fig. 2
let ring
1/4
1/4
P.M.
P.M. P.M.
4 4 6 7 7 9
X X 7 7 7 7 9
2 2 4 5 5 7 7 7
0 3 3 0 0 5 5 0
E7 E6
Uh, hard - er the bet - ter,
1
grad. bend 3/4 P.M. P.M.
1/2
1/4
9 4 6 7 7 6 6
9 X X X X X
7 2 4 5 5 4 4
3 3 3 3 3 0 0 0
E5 D5 A5 E5
we’ll do it till we’re black and blue. Yeah.
(Do it till we’re black and blue.)
let ring
P.M. P.M. P.M. P.S.
1/4 1/4
XX
4 4 6 7 7 9 4 6
X X 7 7 7 7 9 X
2 2 4 5 5 7 7 7 X 2 4
0 3 3 0 0 5 5 0 7 12 X
11
Gtr. 1: w/ Rhy. Fig. 2
E7 E6 E5 D5 A5 E5
The wet - ter the bet - ter, we’ll do it till we’re black and blue,
(Black and blue.
E7 E6 E5
yeah, uh.
Do it till we’re
(Hoo, hoo, hoo, hoo,
Gtr. 1
1
grad. bend 3/4 let ring
1/2
1/4 P.M. 1/4 1/4
9 4 6 7 7 6 6 4 4 6
9 X X X X X X
7 2 4 5 5 4 4 2 2 4
3 3 3 3 3 0 0 0 3 0 3 0
D5/A A5 E5
D5 A5 E5
Yeah!
black and blue.)
hoo.)
w/ bar
3 3
2 2 2 2 9 0 0 4 6 7 7 7 9
0 0 2 2 9 X 7 7 7 7 7 9
0 0 0 7 X 2 4 5 5 5 7 7 7
0 X 5 5 0
-1 1/2
D5 A5 E5
Ow! Now, come on, ba - by.
8va
loco
P.S. let ring
12
3 3 3 7
9 2 2 2 2 2 5 4 6
X 10
9 0 0 0 2 2 2 X
7 10 2 4 0 0 2 2 4
0 0
Pitch: G
12
D5 A5 E5 D5 A5 E5
The wet - ter the bet - ter, let’s do it till we’re black and blue,
P.S.
XX
7 7 7 9 4 6 7 7 7 9
7 7 7 7 7 9 X 7 7 7 7 7 9
5 5 5 7 7 7 X 2 4 5 5 5 7 7 7
5 5 0 X 5 5 0
Outro
E5
uh.
string
noise
9
9
7 X
0 X
E7 E6 E5
Come on, ba - by.
w/ bar
7 7 6 6 4 4 6
X X X X X
5 5 4 4 2 2 4
0
slack
D5 A5 E5 E7 E6 E5
Oh.
3
P.M. P.M. 1/2
P.M. P.M.
0
0
7 7 2 2 2 0 0 0 0 7 6 6 4
7 7 2 2 2 0 0 0 2 2 X X X
5 5 5 5 0 0 0 2 5 5 4 4 2
0 0
13
D A5 E5
Gtr. 1
P.M. P.M.
0 0 7 0 7
7 7 0 0 7 0 8
4 0 7 7 9 9 9 9 9 4 6
0 2 2 5 5 7 7 7 9 9 9 9 9 X
2 5 7 0 2 4
3 0 0 7
Gtr. 2
X X
X X
5
E7 E6 E5 D5 A E
Uh.
let ring
P.M. 1/4 1/4 P.M.
3 2 2 0
7 7 6 6 4 2 2 2 1
X X X X 2 0 2 2 2
5 5 4 4 2 2 4 0 0 2
0 0 0 3 0 3 0
14
E7 E6 E5
P.M. 1/4 1/4
0
0 0
1 4 6 7 7 6 6 4 4 6
2 X X X X X X
2 2 4 5 5 4 4 2 2 4
0 3 0 0 0 0 3 3 0
3
P.S. P.S. P.S. P.S.
X X
0 X X X X
1 X X X X
X
2 X X X
2 X
0 X X
D5 A5 E5 E7 E6 E5
P.M.
P.M. P.M.
7 8
7 7 2 2 9 9 X 5 6 4 6 7 7 6 6 4
7 7 2 2 9 9 X 4 5 X X X X X
5 5 5 5 7 2 4 5 5 4 4 2
0 0 0 0
P.S. P.S. P.S. P.S. P.S.
X
X XX X X
X
X
X
D A5 E
1/2
7 7
4 0 7 7 2 1
2 7 7 2 2 2
2 2 5 2
0 3 0 3 0
*
P.S.
X
X
X
X
X X
*Strike strings between
nut and tuners.
15
from Michael Jackson - Dangerous
Black or White
Words and Music by Michael Jackson
Intro
Fast q = 159
µ D5 E D5
Gtr. 1 (elec.)
(Drums)
mf
w/ dist.
P.S.
9
7 9 7 7 7 7
7 9 7 7 7 7
5 7 5 5 5 5
X 0
E5 D5 E5 D5 E5 D E D
7 9 7 7 7
9 7 7 7 7 7 7 7 X 7 9 X X X X X 7 9 7 7 7 X 7
9 7 7 7 7 7 7 7 X 7 9 X X X X X 7 9 7 7 7 X 7
7 5 5 5 5 7 5 5 5 X 5 7 X X X X X 5 7 5 5 5 X 5
0
E5 D5 E5 D5 E5 D5 *E5 D5
Riff A
P.M. P.M. P.M.
9 9 7 7 7 7 9 7 7 7 7 9 X X X X X 7
9 9 7 7 7 7 9 7 7 7 7 X X X X X 7
7 7 5 5 5 5 7 5 5 5 5 7 X X X X X 5 7 5
0 0 0 0 0
*Chord symbols reflect implied harmony.
E5 D5 E5 D5 E5
Gtr. 2 (elec.)
mf
w/ dist.
1/2 1/2
9 9 9 7 7 7
11 11 11 9
End Riff A
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 5 7 5 5 5 7
0 0 0 0 0 0 0 0 0
Copyright © 1991 Mijac Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Father: Hey! Turn it off! Turn it off!
Son: What? Dad, this is the best part! No!
D5 E5 D5 E5 D5 E5 G5 E5
p
1/2 1/2
9 9 9 7 8
9 7 9 9
p
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1/2
5
7 5 7 7 7 5 7 5 5 7 7
0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Riff A
It’s too late for this. Turn it off! No!
Dad, this is the best part! Come on!
D5 E5 D5 E5 D5 E5
Gtr. 2
1/2 1/2
9 9 9 7 7
9 11 11 11 9 9
Turn it off now! You got things to do tomorrow,
No, this is the... I wanna listen to it, okay?
D5 E5 D5 E5 D5 E5 D5
Gtr. 2
mf
1/2 1/2
9 9 9 7
11 11 11 9
Gtr. 1
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7
7 5 7 7 7 5 7 5 5 5 5 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0
2
Gtr. 2 tacet
Ben. Now, I’m warning you. Turn it off now!
E5 D5 E5 D5 E5 D5 D E µ
7 9
7 9
9 7 7 7 7 9 7 7 7 7 9 7 7 7 X 7 9
7 5 5 5 5 7 5 5 5 5 7 5 5 5 X 5 7 X X X X
0 X X X X
Free time
Gtr. 1 tacet
Son: Yeah, right. Too late? Sure. Eat this!
E5
*Gtr. 3 (elec.)
6 sec. (Digital samples) 3 sec.
f
w/ dist.
0
0
X
2
9 9
*Doubled throughout
Moderately q = 116
µ[E] A/E E EsusÊ E A/E E EsusÊ E
Ow!
Rhy. Fig. 1 End Rhy. Fig. 1
10 10 10 10 10 9 X X 7 7 7 7 7 9 10 10 10 10 10 9 X X 7 7 7 7 7 9
X X 9 9 9 9 9 9 X X 9 9 9 9 9 9 X X 9 9 9 9 9 9 X X 9 9 9 9 9 9
X X 11 11 11 11 11 9 X X 9 9 9 9 9 9 X X 11 11 11 11 11 9 X X 9 9 9 9 9 9
3
Verse
Gtr. 3: w/ Rhy. Fig. 1
µ[E] A/E E EsusÊ E A/E E EsusÊ E
1. I took my ba - by on a Sat - ur - day date. But is that girl with you? Yes, we’re one and the same. Now
A µ[E] A/E E
I be - lieve in mir - a - cles and a mir - a - cle has hap - pened to - night. Hee, ah,
Rhy. Fig. 2
Gtr. 3
10 10 10 10 10 9
6 6 X X 9 9 9 9 9 9
7 7 X X 11 11 11 11 11 9
7 7
5 5
EsusÊ E B A
ah. But if you’re think - in’ a - bout my ba - by, it don’t mat - ter if you’re black or white.
End Rhy. Fig. 2
7 7 7 7 7 9
9 9 9 9 9 9 8 6
9 9 9 9 9 9 9 7
9 7
7 5
Interlude
Gtr. 3: w/ Rhy. Fig. 1
µ[E] A/E E EsusÊ E A/E E EsusÊ E
Oo!
Gtr. 4 (acous.)
mf
2 0
2 2 1
2 2 2
0 0
4
Verse
Gtr. 3: w/ Rhy. Fig. 1
E A/E E EsusÊ E A E A/E E EsusÊ E
2. They print my mes - sage in the Sat - ur - day Sun. I had to tell ’em I ain’t sec - ond to none. And I
0 0
0 2 2 0 0
1 2 2 1 1
2 2 2 2 2
2 0 0 2 2
0 0 0
Gtr. 3: w/ Rhy. Fig. 2
A E A/E E
told a - bout e - qual - i - ty. And it’s true, eith - er you’re wrong or you’re right. Oo, da,
Rhy. Fig. 3
0
0
1
2
2
0
EsusÊ E B A
ah, but if you’re think - in’ a - bout my ba - by, it don’t mat - ter if you’re black or white.
End Rhy. Fig. 3
8 6
9 7
9 7
7 5
5
Interlude
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
E A/E E EsusÊ E A E A/E E EsusÊ E A E
Hoo! Don’t get bad!
0 0
0 2 0 0 2 0
1 2 1 1 2 1
2 2 2 2 2 2
2 0 2 2 0 2
0 0 0 0
A/E E EsusÊ E A E A/E E EsusÊ E
Hee, hee.
0 0 0
0 2 0 0 0
1 2 1 1 1
2 2 2 2 2
2 0 2 2 2
0 0 0 0
Bridge
Gtr. 4: w/ Rhy. Fig. 3 (1st meas.)
E
I am tired of this yell - in’, I am tired of this stuff. I am tired of this bus - ’ness. Go
E7 A5
when the go - in’ gets rough. I ain’t scared of your broth - er. I ain’t scared of no sheets.
Riff B End Riff B
Gtr. 3
X 7 7 2 2 2 2 2
X 6 6 2 2 2 2 2
0 0 3 0 5 0 3 0 3 0 0 3 0 5 0 3 0 3
6
Gtr. 3: w/ Riff B
E7 A5
I ain’t scared of no - bod - y. Don’t put your fin - ger in me. Hey! Pro -
Em6
tec - tion for gangs, clubs and na - tions, caus - in’ grief in hum - an re - la - tions. It’s a
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 5
(elec.)
mf
w/ clean tone
15 15 15 15 14 14 14 14 15 X X 15 15 15 14
14 14 14 14 14 14 14 14 12 14 X X 14 14 14 14 14 14 14 12
12 12 12 14 14 14 14 12 12 12 14 14 14 12
Gtr. 5: w/ Rhy. Fig. 4 (2 times)
turf war on a glob - al scale. I’d rath - er hear both sides of the tale. See, it’s
not a - bout rac - es, just plac - es, fac - es. Where your blood comes from is where your
µ
space is. I seen the bright get dul - ler I’m not gon - na spend my life be - in’ a col - or. 3. Don’t
Gtr. 5
1/4
15 15 15 15 15 12
14 14 14 X 14 14 14 14 12 14 15 12
12 12 12 14 14 14 14 12 14 15 12
7
Verse
Gtr. 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Rhy. Fig. 3 (2 times)
Gtr. 5 tacet
A E A/E E
tell me you a - gree with me when I saw you kick - in’ dirt in my eye. Hee, hee.
EsusÊ E B A
Da, but if you’re think - in’ a - bout my ba - by, it don’t mat - ter if you’re black or white.
Gtr. 3: w/ Rhy. Fig. 2 (last 4 meas., 2 times)
E A/E E EsusÊ E B A
I said you’re think -in’ ’bout be - in’ my ba - by, it don’t mat - ter if you’re black or white.
E A/E E EsusÊ E B A
I said you’re think - in’ ’bout be - in’ my broth - er, it don’t mat - ter if you’re black or white.
Gtr. 4
0
0 2 2 0
1 8 6 2 2 1
2 9 7 2 2 2
2 9 7 0 0 2
0 7 5 0
Outro
Gtr. 3: w/ Rhy. Fig. 1 (4 3/4 times)
E A/E E EsusÊ E A E A/E E EsusÊ E A E
All right, all right, ah, uh, ah, uh. Oo, hoo.
Rhy. Fig. 5 End Rhy. Fig. 5
0 0
0 2 2 0 0 2 0
1 2 2 1 1 2 1
2 2 2 2 2 2 2
2 0 0 2 2 0 2
0 0 0 0
8
1.
w/ Voc. ad lib. (till end)
Gtr. 4: w/ Rhy. Fig. 5 (3 3/4 times)
A/E E EsusÊ E A E A/E E EsusÊ E A E
Yeah, yeah, yeah. Oo, hoo.
2.
EsusÊ E A E A/E E EsusÊ E A E A/E E
Oo, hoo. Yeah, yeah, yeah.
It’s black, it’s white. It’s tough for you to beat that. It’s black, it’s white. Woo!
EsusÊ E A E A/E E EsusÊ E A E A/E E
Oo, hoo. Yeah, yeah, yeah.
It’s black, it’s white. It’s tough for you to beat that. It’s black, it’s white. Woo!
B E
Gtr. 4
0
4 0
4 1
4 2
2 2
0
Gtr. 3
w/ bar
0
X X 4 0
X X 4 1
X X 4 2
2 2
0 0
slack
9
Can’t You Hear Me Knocking Words and Music by Mick Jagger and Keith Richards
type2 VIII
D C G C# Csus4 G F C B
5fr 4fr 3fr 8fr 7fr
11333 11333 134211 11333 11334 1342 1342 1342 1342
Gtr. 1: Open G tuning:
(low to high) *D-G-D-G-B-D
Intro
Fast q = 150
μ D5 D6 D5 D6 D7
Gtr. 1 (dist.)
mf
10 9 7 9 7 7 7
10 9 7 9 7 10 9 7 7 9 7 7 7 9 10
10 9 7 7 7 7 7 7 7 7 7 7
*Keith Richards removes 6th string.
Half-time feel
D D6 D5 μ D5 D6 D μ [D5]
7 7 7
7 7 7 10 9 7 7 7 7 10 9 7
7 7 9 7 10 9 7 10 9 7 7 9 7 10 9 7 10 9 7
7 7 7 7 7 10 9 7 7 7 7 10 9 7
D6 D5 μ D5 μ D5 D6 D7 E5/D
1/2
7 9 9 9 7 9 7 7 9
7 7 9 7 9 9 9 7 9 7 7 7 7 9 10 9
7 9 9 7 7 7 7 7 7 7 7 7
Verse
D5 D6 D5 μ[C]
1. Yeah, you got
7 7 7 5 5
7 7 7 5 7 5
7 7 7 X 7 7 5
7 9 7 7 X 7 7 0
7 7 7 7 5
© 1971 (Renewed) ABKCO MUSIC, INC., 85 Fifth Avenue, New York, NY 10003
All Rights Reserved Used by Permission 1
*D C
Gtr. 2
(clean)
mf
sat - in shoes. Yeah, you got
Gtr. 1
let ring
7 7 7 5
7 7 7 5 7 5
10 9 7 7 5 0
7 10 9 7 10 9 7 0
7 10 9 7 5
*See top of first page of song for chord
diagrams pertaining to rhythm slashes.
G D C
plas - tic boots. Y’all got
let ring
7 7 7 5
7 7 7 5 7 5
0 5 5 5
0 5 3 0 5
0 2 4 5 7 5 5
D C
co - caine eyes. Yeah, you got
let ring
7 7 7 5
7 7 7 5 7 5
7 10 10 10 9 7 5 5
7 10 10 10 9 7 10 9 7 0
7 7 10 9 7 7 5
2
G D C
speed freak jive, now. Uh, can’t you hear me knock - ing on your
let ring
7 7 7 5
7 7 7 5 7 5
0 10 9 7 5 5 5
0 10 9 7 10 9 7 5
0 0 7 10 9 7 5 5 5
D C# C
win - dow? Uh, can’t you hear me knock - ing on your
10
let ring
7 7 7 5
10
7 7 7 5 7 5
7 10 10 10 9 7 5 5 5 5 0
7 10 10 10 9 7 5 5 5 0
7 7 7 7 7 5 5
G D C# C Csus4 C
door? Uh, can’t you hear me knock - ing
let ring
7 7 7 5
7 7 7 5 7 5
0 5 5
0 5 3 0 5 5
0 2 4 5 7 5 5
3
D C
down your dirt - y street? Yeah.
let ring
7 7 7 5
7 7 7 5 7 5
10 10 10 9 7 10 7 5 5 5 0
10 10 10 9 7 10 9 7 10 7 5 0
7 7 10 9 7 5 5 5
Chorus
G type2 F C VIII G type2
Help me, ba - by, ain’t no stran - ger.
let ring
5 6 6 5
5 5 5 5 5 0 0
5 7 7 5 0 5
0 5 5 5 5 5 0 2 4
F C VIII G type2
Help me, ba - by, ain’t no stran - ger.
let ring let ring
5 6 6 5
0 5 5 5 5 0 0 0
0 5 7 7 5
0 0 4 5 5 0 0 0
4
F C VIII
(cont. in notation)
Help me, ba - by, ain’t no
let ring let ring
5 6 6 5
0 0 5 5 5 5 0
0 5 7 7 5 0
0 0 0 3 5 5 5 5 5
Verse
G Dsus4 C
stran - ger. 2. Uh, can’t you hear me knock - ing? Ah,
Gtr. 1
let ring let ring
7 7 7 5
7 7 7 5 7 5
10 9 7 7 5 5 5 0
10 9 7 10 9 0 5 5 0
0 7 10 9 5 5 5
Gtr. 2
(cont. in slashes)
5 5 5 5 5 X X X 5 X 5 X X
4 4 4 4 5 5 5 5 5 X X X 5 X 5 X X
5 5 5 5 5 5 5 5 5 5 X X X 5 X 5 X X
5 5 5 5 0 0 5 3 3 3 3 3 X X X 3 X 3 X X
3 3 3 3 5 3 3 3 3 3 X X X 3 X 3 X X
D C# C
are you safe a - sleep? Uh, can’t you hear me knock - ing, yeah,
let ring let ring
7 7 7 5
7 7 7 5 7 5
10 10 9 7 5 5 5 0
7 7 10 10 7 9 7 7 5 5 0
0 5 7 7 7 7 5 5 5
5
G D C
down the gas light street, now? Uh, can’t you hear me knock - ing? Yeah.
let ring
7 7 7 5
7 7 7 5 7 5
0 5 5 5 0
0 5 3 0 5 5
0 2 4 5 7 5 7 5 7 5 5 5
D C# C
Well, throw me down the keys. All right, now.
let ring
7 7 7 5
7 7 7 5 7 5
10 10 10 9 7 10 9 7 5 5 5 0
10 10 10 9 7 10 9 7 7 5 5 5 0
5 7 7 7 7 7 7 5 5 5 5 5
Chorus
G type2 F C VIII G type2
Hear me ring - ing big bell tolls.
let ring
6 6 5
0 5 5 5 0 0
0 5 5 3 7 7 5 0 0
0 2 4 5 5 0 0
6
F C VIII G type2
Hear me sing - ing soft and low.
let ring
5 6 6 5 5
0 0 5 5 5 5 5 5 0
0 0 5 5 7 7 5 5 0 5
0 5 0 2 4
F C VIII G type2
I’ll be beg - ging on my knees.
let ring
1/2
5 3
6 6 5 3
0 5 5 5 5 3 0 0
5 0 5 7 7 5 5 3
0 0 5 5 0
F C VIII B C VIII Gtype2
I’ll be kick - ing. Help me, please.
let ring let ring
5 6 6 5 5
0 0 5 5 5 5 5 0 0
5 7 7 5 0 0 0
0 0 5 5 5 0 0 0
7
F C VIII G type2
I’m gon - na take you down, down.
Hear me prowl - ing.
let ring
10 10 10 10 5 5
12 12 12 X 10 10 10 10 5 5 5 0 0
12 12 12 X 10 10 10 10 5 5 5 0 0 5
0 0 10 10 10 10 0 0 5 0 5 5 5 0 2 4
F C VIII G type2
Yeah, I’ve got flat - ted feet, now, now, now,
Hear me growl - ing.
let ring
12 12 10 10 10 10
0 12 12 10 10 10 10 5 5 0 5 5 0 0 X X
0 12 12 10 10 10 10 0 5 5 0 5 5 0 0 X X 0
0 12 12 12 10 10 10 0 5 5 0 5 5 0 0 X X 0
F C VIII G type2
now. And all, I’m all a - round your street, now,
Hear me howl - ing.
12 12 12 12 10 10 10 10
12 12 12 12 0 10 10 10 10 X 0 5 0
12 12 12 12 0 X 10 10 10 10 X 5 7 5 5 7 0 5
X 12 12 X 10 10 10 X 5 5 5 0 2 4
8
End half-time feel
F C VIII G type2
now. And all, all a - round your town.
Hear me knock - ing.
let ring
10 5 5
0 12 12 12 X 10 X 10 10 10 X 5 5 5 5 0 X
X 0 12 12 12 X 10 X 10 10 10 X 5 5 5 5 5 0 0 X
X 0 12 12 X X 10 10 10 X 5 5 5 5 0 0 X
Interlude
Gtr. 2 tacet
D C#7 D7 C# D G5 C#7 D7
Rhy. Fig. 1
Play 4 times
End Rhy. Fig. 1
Gtr. 1
9
10
10
11
10
11
11
12
12
12
12
12
12
0
9
10
10
11
Sax Solo
Gtr. 1: w/ Rhy. Fig. 1
C#7 D7 C# D G5 C#7 D7
Play 4 times
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
C#7 D7 C# D G5 C#7 D7 C#7 D7 C# D G5 C#7 D7
Gtr. 2
9 10 10 9 10
10 11 11 10 11
9 10 10 9 10
C#7 D7 C# D G5 C#7 D7 C#7 D7 C# D G5 C#7 D7
5 4 5 5 4 5 4 5
4 3 4 4 3 4 3 4
5 4 5 4 5
9
* Dm
Gtr. 2
w/ pick & fingers
13 10 13 10 10
10 7 10 7 7
Gtr. 1
**let ring throughout
0 3 0 2 3 2 0
3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0 0
*Chord symbol reflects basic harmony.
**(next 34 meas.)
10 8 8 10 8 5 5 8 5 3 8 8
6 8 10
7 5 5 7 5 2 2 5 2 0 5 5
3 5 7
2 3 0 2 3 2 0
3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2
0 0 0
let ring
10 8 5 8 5 8 10 10 12 12 12 12
8 10
7 5 2 5 2 5 7 7 9 9 9 9
5 7
2 2 0 2 3 2 0
3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2
0 0
10
let ring let ring string
noise
12 13 13 13 13 13 13 13
X
9 10 10 10 10 10 10
2 3 0 2 3 2 0
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2
0 0
let ring let ring let ring let ring
8 7 8 7
6 6 8 6 8
5 9 7 9
2 3 2 0 2 3 2 2
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2
0 0 0
let ring let ring let ring let ring
8 7 8 7
6 8 6 8 8
7 7 9 9 X 0 7
2 2 2 2 3 2
3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2
0 0 0
11
Rhy. Fig. 2 End Rhy. Fig. 2
8 7 8 10 7
6 8 6 8 8
7 9 7 9 9
2 3 2 0 0 2 3 2 0
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0
Gtr. 2: w/ Rhy. Fig. 2 (3 times)
Gtr. 1
2 3 2 0 2 0 2 0
3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2
0 0
2 2 2
3 3 3 3
2 2 2 2 7 7 X
0 X X
5 7 7 X
X 7 7 7 7 X 7 7 X 7 X X X 7 7
X X X X X X X X X X X X X X X
X 7 7 7 7 X 7 7 X 7 X X X 7 7
12
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 2
8 7 8 7
6 8 6 8
7 7 7 7
Gtr. 1
X X X X 7 7 X X 7 7 X 7 7 7 X 7 7 7 7 7
X X X X X X X X X X X X X X X X
X X X X 7 7 X X 7 7 X 7 7 7 7 X 7 7 7 7
Gtr. 2: w/ Rhy. Fig. 3
Gtr. 1
7 7 X 7 7 7 7 X X X X 7 X 7 7 7 7 X 7
X X X X X X X X X X
7 X 7 7 7 X X X X X 7 X X 7 7 7 X
Guitar Solo
μ[D5]
Gtr. 2
12
13 15 15 13 13 13 15
14
Gtr. 1
7 7 7 7 7 7 7 7
X X
7 7
15 12 12 12 12
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
0 0 0
13
1
0
12 12 10
7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7
0 0 0 0 0
let ring
hold bend
1 1 1
10 10 10
13 13 13
12 12 10 10 12 12 12 10 10
12 12
7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7
7 0
1/4 1/4 1/4 1/4 1/4 1/4 1/4
10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 13 13 13 13 13 13 13
10
7 7 7 7 7 7 7 X 7 7
7 7 7 7 7 7 7 7 X 7 7
7
14
1/2
1 1/4
1/4 1/4 1
10 10 10 10 13 13 10
13 13 13 10 15 18 18
12 12 10 10 10 13 16
12
7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7
1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4 1
18 15 18 18 15 18 18 15 18 18 15 18 18 15 18 18 15 18 18 15 18 18 15 18 18
7 7 7 7 7
7 7 7 7 7
1/2 1/2
1/4 1 1/4 1/2
18 18 15 18 18 15
17 15 17 14
15 17
7 7 7
7 7 7
15
8va
1/2
18 18 20
17 17 17 17 19 19 17 17 17 19
19
7 7 7 7 7 7
7 7 7 7 7 7 7 7
7 7 7 7
8va
loco
1 hold bend 1/2
20 10 13
20 20 20 18 20 18 20 18 10 13
19
4 5 0 7 7 5 4 5 0 7 7 5 0
7 7 7 7 7 0 7 0 7 0 0
1 1/4
1/4 1/4 1/4 1/4 1/4 1/4 1/4
13 13 10 10 10 10 10 10 10 10
10 13 10 13 10 13 10 13 10 13 10 13 10 13
4 5 7 7 4 4 5 7 5
7 7 7 7 0 7 7 7 7
16
1/4 1/4 1
1 hold bend
10 10 10 10
10 13 10 13 10 13 13
12 12 10 10 12 12 12 10 10
12 12
7 X 7 X
4 5 7 7 7 7 X 7 X
7 7 7 7 7 7
10 10 10 10 10
12 10 11 12 12 10 11 12 12 10 11 12 12 10 11 12
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
7 7 7 7 7 7 7 7
7 7
7 7
10
10 10 10 10 10
12 10 11 12 12 10 11 12 12 10 11 12 12 10 11 12
10 10 10 10
10 10 10 10 10
7 7 7 7 10
7 10
7 7 7 7
17
1/4 1/4 1/4 1/4
10 10 10 10 10 10 10 12
10 10 10 10 10 10 10 12
12 10 11 12 12 10 11 12 12 10 11 12 12 10 11 12
10 10 10 10 10
10 10 10 10 10
10 10 10 10 10
12 10 12 10 12 10 12 10 12
12 10 12 10 12 10 12 10 12
10 11 12 10 11 12 10 11 12 10 11 12
10 10
10 10
10 10
1/4 1/4 1/4
12 10 12 10 12 10 12 10 10
12 10 12 10 12 10 12 10 10
10 11 12 10 11 12 10 11 12 10 11 12
1/4 1/4
10 10 10 10 X X X 10 9 10 9 10 9
10 10 10 10 X X X 10 9 10 9 10 9
7 7 7 7
18
10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10
10 11 12 10 11 12 10 11 12 10 11 12
10 9 10 9 10 9 10 9 10 10 10 9 10 10 10 9
10 9 10 9 10 9 10 9 10 10 10 9 10 10 10 9
7 7 7 7 7
12
10 10 10 10 10 10 10 10 12
10 10 10 10 10 10 10 10 12
10 11 12 10 11 12 10 11 12 10 11 12
1/2 1/2 1/2
10 9 10 9 10 9 9 9 9 7 X X 9 9
10 9 10 9 10 9 9 9 9 7 X X 9 9
X 7 7 7 7
12 10 12 10 12 10 12 10 12
12 10 12 10 12 10 12 10 12
12 10 12 10 12 10 12 10 12
10 11 12 10 11 12 10 11 12 10 11 12
1/2 1/2 1/2 1/2
7 X X 9 9 7 X X 9 9 7 X X 9 9 7 X X 9 9
7 X X 9 9 7 X X 9 9 7 X X 9 9 7 X X 9 9
19
12 10 12 10 12 10 12 10
12 10 12 10 12 10 12 10
12 10 12 10 12 10 12 10
10 11 12 10 11 12 10 11 12 10 11 12
7 7 7 7
7 X X 9 7 7 7 7
X X 7 7 7 7 7 7
let ring let ring let ring
5 5 7 5 5 7
4 5 7 7 7 4 5 7 7 7
5 5 5 5 5 5
7 X 7 7 7 7
7 X 7 7 7 7
7 7 7 7 7 7 7 7 7 7
let ring let ring
5 5 7 5 7
4 5 7 7 7 4 5 7 7
5 5 5 5 5 5
5 7
4 5 7 5 5 7 4 5 7 7 5
7 7 7 7 7 7 7 7
20
from Eric Clapton - Slowhand
Cocaine
Words and Music by J.J. Cale
Intro
Moderately q = 108
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
E D E D E D E D
Gtr. 1 (dist.)
mf
9 9 7 9 7
9 9 7 9 7
9 9 7 9 7 0 0 2
7 7 5 7 5 0 2
Gtr. 2 (clean)
p mf
7 9 7 7 9 7 9 7
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 3 (slight dist.)
mf
9 9 7 9 X 7
9 9 7 9 X 7
9 9 7 9 X 7
7 7 5 7 X 5
E D E D
Gtr. 1
let ring
1/4 1/4
7 4
0 0 2 7 5 6
0 2 0 7 5
3 0
Gtr. 2
1/4
12 X 12 12 X X 12 X 12 12 X 12
12 12 X 12 12 X X 12 X 12 12 X 12
7 12 13
14
© Copyright 1975 (Renewed 2003) Audigram Music (BMI)
Worldwide Rights for Audigram Music Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission 1
E D E D
1. If you
1/4
0
7 7 0 2 0
3 0
Riff A End Riff A
12 X 12 X X 12 X X 12 12 X X 12 X X 12 X X 12 X X 12
12 X 12 X X 12 X X 12 12 X X 12 X X 12 X X 12 X X 12
Verse
Gtr. 1 tacet
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
E D E D E D E D
wan - na hang out, you’ve got - ta take her out, co - caine.
got bad news, you wan - na kick the blues, co - caine.
Gtr. 2
12 12 X X 12
12 12 X X 12
7 9 7
E D E D
If you wan - na get down, down on the ground, co - caine.
When your day is done an’ you wan - na run, co - caine.
12 X X 12 X X 12 X X 12 X X 12 12 X X 12 X X 12 X X 12 X X 12
12 X X 12 X X 12 X X 12 X X 12 12 X X 12 X X 12 X X 12 X X 12
7
2
E D E D E D C B μ
She don’t lie, she don’t lie, she don’t lie, co - caine.
Gtr. 2 Riff B End Riff B
7 9 7 7 9 7 4 5 4
Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 3
9 9 7 9 X 7 9 7 5 4
9 9 7 9 X 7 9 7 5 4
9 9 7 9 X 7 9 7 5 4
7 7 5 7 X 5 7 5 3 2
1.
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
E D E D E D E D
2. If you
Gtr. 2
9 7
7
Gtr. 1
let ring
2
3
0 0 2 2 1 1 0 1 2
2 2 0 2 0 0 2 2 0 2 0 2 0
2
3
2.
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
E D E D E D E D
Gtr. 1
* f
2 2 2 2 2 2 2 2 0 1 1 0 1 0 1 2
2 0 2 0 2 0 0 0 0 0 0 0 0 2 2 0 2 2 0
*Vol. swell
Gtr. 2
12 X 12 12 12 X 12 12 12 12 12 12
12 X 12 12 12 X 12 12 12 12 12 12
Guitar Solo
Gtr. 3: w/ Rhy. Fig. 1 (12 times) Gtr. 2 tacet
E D E D E D E D
1/4
1/4
12 12 12 12 12
12 14 14 14 12 14 14 12 14 14 14
14
12 X 12 12
12 X 12 12
E D E D E D E D
Gtr. 1
let ring
1 1 1 1
1
12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 12
12 14 14 12
4
E D E D
1 1/2 1 1/2 1/4 1 1/4
12
12 15 12 15
14 14 14 14 12 14 12 14 14 14 13 12
14 14 14 12 12 14 14 12
E D E D E D E D
let ring
1/4 1 1 1 1 1/2 1/4
12 12
12 15 12 12 15 15 15 15 12
12 12 14 14 14 12 14 14 14 14 12
14 14 14 12 14 14 14
E D E D
let ring let ring let ring
1 1/4 1/4 1/4
12
15 15 15 12 12 12 12
14 14 14 12 12 12 12 12 12 12 12 12 12
14 14 14 12 14 14 12 12 12 12 12 14
12 14 14 14
E D E D
Gtr. 1
1 1 1
1/2 1 1
12 12 12 12 12 12 12
12 14 14 12 15 15 15 15
12 14 14 12
14 14 14
Gtr. 4 (dist.)
mf
1 1
1/2 1 1/4
14 14 14 14 14 12
14 12 14 14 12 14
5
E D E D
let ring
1 1 1 1 1/2 1 1
12 12 12 12 12 12 12
15 15 15 15 15 12 15 12
14 14 12 12 14 14 14 14 14 12
14 14
let ring hold
1 1 1 bend 1/2 1 1/2 1
12 12
15 15 15 12 15 15 15 15
14 14 14 12 14 14 14 12 14 14 14
E D E D
1 1/4
12 14 14 12 14 12 12
14 12 14 12 14 14 14 14 14
12 14 14 14
*
1/2 1 1 1 1/2
12 12 14 14 14 12 14 12 14 12
14 12 14 14 12 14
*Played ahead of the beat.
E D E D
3. If your
1/2 1/2 1/2
12
12 15 12
14 14 14 14 12 14 12
14 12 14
1/4
0
12 12 12 12 0
14 12 14 14 14 12 14 12 12 14 14 14
12 14
6
Verse
Gtr. 3: w/ Rhy. Fig. 1 (3 1/2 times)
Gtr. 4 tacet
E D E D E D E D
thing is gone and you want to ride on, co - caine. Don’t for -
Gtr. 1
0 1 1 0 1 2
0 2 2 0 2 0 2 0 0 2
2 2 2
Gtr. 2
12 12 12
12 12 12
7 9 7
Gtr. 2: w/ Riff A Gtr. 2: w/ Riff B
E D E D E D E D
get this fact, can’t get it back, co - caine.
Gtr. 1
1 2 0 1 1 0 1 0 1 0 2
2 0 0 2 2 0 2 0 2 0
0
Gtr. 3: w/ Rhy. Fig. 2
E D C B μ
She don’t lie, she don’t lie, she don’t lie, co - caine.
9 7 5 4
2 9 7 5 4
0 9 7 5 4
7 5 3 2
7
Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)
E D E D
Gtr. 1
2 2 2 2
3 3 3 3
0 2 2 2 2 2
0 2 2 0 2 0 2 0
0 2
Gtr. 2
12 X 12 X X 12 X X 12 X X 12 12 X X 12 X X 12 X X 12 X X 12 X X 12 12
12 X 12 X X 12 X X 12 X X 12 12 X X 12 X X 12 X X 12 X X 12 X X 12 12
X X 12 X X 12 X X 12 X X 12 X X 13 13
Gtr. 3: w/ Rhy. Fig. 2
E D E D E
She don’t lie,
9
1 2 9
0 0 2 2 0 9
2 2 7
0 0
X X 12 X X X 12 X 12 X X 12 X X X 12 X 12 X 12 X 12
X X 12 X X X 12 X 12 X X 12 X X X 12 X 12 X 12 X 12
X X 12 13 X X X 12 13 X X X X X X 12 13 X X 12 13 X 9
9
7
8
D C B μ
she don’t lie, she don’t lie, co - caine.
9 7 5 4
9 7 5 4
9 7 5 4
7 5 3 2
9 7 5 4
9 7 5 4
7 5 3 2
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
E D E D
0 2 2 2 0
2 2 0 2 0 2 0 0 0
0 2
1/4 1/4
X X 12 X 12 X X 12 X X 12 X X 12 X
X X 12 X 12 X X 12 X X 12 X X 12 X X X 14 X X 14 X X 12 12
X X 12 13 X X X 13 X X X X X X X 14 X X 14 X X 12 12
X X 14 X X 14 X X 14 12
E D E D
1 1 0 1 1 2
2 2 0 2 2 0
Rhy. Fig. 3 End Rhy. Fig. 3
1/4 1/4
X X 12 X 12 X X 12 X 12 X X 12 X
X X 12 X 12 X X 12 X 12 X X 12 X X X 14 X X 14 X X 12 12
X X 12 13 X X X 12 13 X X X X X X 14 X X 14 X X 12 12
X X 14 X X 14 X X 14 12
9
Outro
Gtr. 2: w/ Rhy. Fig. 3 (till fade)
Gtr. 3: w/ Rhy. Fig. 1 (till fade)
E D E D E D E D
Gtr. 1
1/2
5 5 5 5 5 3 3 3 15 15 15
7 7 7 16
E D E D
let ring
1 1 1 1
15 5 5 5 5 5
14 12 7 7 7 7 7
14
Begin fade
E D E D E D E D
let ring
1
0
5 5 5 5 5 3 3 0
7 7 4 2 0
2 0 0 2 2 0
0 2 2
E D E D
let ring
3 3 3 3
0 1 4 4 4 2 0
0 0 2 2
0 2 0 2 0
3 0
Fade out
E D E D
3
3 5 5 5
0 0 2 4 4 4
2 0 2 2
0
10
from R.E.M. - Automatic for the People
Everybody Hurts
Words and Music by William Berry, Peter Buck, Michael Mills and Michael Stipe
Em A
12 123
Intro
Slow q. = 70
*D G5
Riff A End Riff A
Gtr. 1 (elec.)
mf
w/ clean tone
let ring throughout
0
2 2 3 3
3 3 3 3 3 3
2 2 2 0 0 0 0 0
0 0 0
3 3
*Chord symbols reflect implied harmony.
Verse
Gtr. 1: w/ Riff A (3 times)
D G5
1. When your day is long and the night,
D G5
the night is yours a - lone.
D G5
When you’re sure you’ve had e - nough of this life,
D G5 G5/F#
well, hang on.
Gtr. 1
Fill 1 End Fill 1
2 2 3
3 3 3 3 3
2 2 2 0 0 0 0 0
0 0 0 0 0
3 3 2
© 1992 NIGHT GARDEN MUSIC
All Rights Administered in all Worlds, now known and hereafter devised, by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Chorus
* Em A
Rhy. Fig. 1
Gtr. 2
(acous.)
mf
Don’t let your - self go,
Riff B
0 0 0 0
0 0 2 2
0 0 2 2 2 2
2 2 2 2
2 2 0 0
0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Em A
’cause ev - ’ry - bod - y cries.
0 0 0 0
0 0 2 2
0 0 2 2 2 2
2 2 2 2
2 2 0 0
0 0
Em A
End Rhy. Fig. 1
And ev - ’ry - bod - y hurts some -
End Riff B
0 0 0
0 0 2
0 0 2 2
2 2 2
2 2 0 0
0 0
Gtr. 1: w/ Riff A (2 times)
Gtr. 2 tacet
D G5
- times. Some - times ev - ’ry - thing is
D G5
wrong. Now it’s time to sing a -
2
Verse
Gtr. 1: w/ Riff A (3 3/4 times)
D G5
2. When your day is night a - lone.
long. Hold on. Hold
D G5
If you feel like let - ting go.
on. Hold on.
D G5
If you think you’ve had too much of this life,
Gtr. 1: w/ Fill 1
D G5 G5/F#
well, hang on.
Chorus
Gtr. 1: w/ Riff B (1st 4 meas., 3 times)
Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas., 3 times)
Em A
’Cause ev - ’ry - bod - y hurts.
Em A
Take com - fort in your friends.
Em A
Ev - ’ry - bod - y hurts.
3
Bridge
F# Bm
Don’t throw your hand, oh,
Gtr. 1
f
2 2 2 2
2 2 3 3
3 3 4 4 4 4
4 4 4 4
4 4 2 2
2 2
Gtr. 3 (elec.)
f
w/ dist.
2 2 2 2 2
2 2 3 3 3
3 3 4 4 4
4 4 4 4 4
4 4 2 2 2
2 2
F# Bm
no.
2 2 2 2
2 2 3 3
3 3 4 4 4 4
4 4 4 4
4 4 2 2
2 2
2 2 2 2 2
2 2 3 3 3
3 3 4 4 4
4 4 4 4 4
4 4 0 2 2 2
2 2
4
F# Bm
Don’t throw your hand,
2 2 2 2
2 2 3 3
3 3 4 4 4 4
4 4 4 4
4 4 2 2
2 2
2 2 2 2 2
2 2 3 3 3
3 3 4 4 4
4 4 4 4 4
4 4 2 2 2
2 2
C G
when you feel like you’re a - lone.
0 0 3 3
1 1 0 0
0 0 0 0 0 0 0 0
2 2 0 0
3 3
3 3
0 3
1 0
0 0
2 0
3 X
3
5
C Am
No, no, no, you are not a - lone.
0 0
1 1
0 0 0 0 2 2
2 2 0 2 2
3 3 2 0
0
1
0 2 2 2
2 2 2 2
3 3 2 0 0 0
Verse
Gtr. 1: w/ Riff A (3 3/4 times)
Gtr. 3 tacet
D G5
3. If you’re on your own in this life,
D G5
the days and nights are long.
D G5
When you think you’ve had too much of this life
Gtr. 1: w/ Fill 1
D G5 G5/F#
to hang on.
Chorus
Gtr. 1: w/ Riff B
Gtr. 2: w/ Rhy. Fig. 1
Em A
Well, ev - ’ry - bod - y hurts. Some -
6
Em A Em
- times ev - ’ry - bod - y cries.
A
Ev - ’ry - bod - y hurts some -
Outro
Gtr. 1: w/ Riff A (2 times)
D G5
- times. But ev - ’ry - bod - y hurts
D G5
some - times, so hold
Gtr. 1: w/ Riff A (2 times)
D/A G
on. Hold on. Hold
Gtr. 3
2 2 3 3
3 3 0 0
2 2 0 0
0 0 0 0
0 0 X X
3 3
Repeat & fade
w/ Vocal ad lib.
Gtr. 1: w/ Riff A (till fade)
D/A G
on. Hold on. Hold
2 2 3 3 3
3 3 0 0 0
2 2 0 0 0
0 0 0 0 0
0 0 X X X
3 3 3
7
from Queen - Jazz
Fat Bottomed Girls Words and Music by Brian May
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately slow q = 86
μ[D] [C] [G] [D]
Are you gon - na take me home to - night? Ah, down be - side
[C] [A] [D] [G/B]
that red fire light. Are you gon - na let it all hang out? Fat bot - tomed girls,
[D] [A] [D]
you make the rock - in’ world go ’round.
*Gtrs. 1 & 2 (dist.)
mf
let ring
throughout
0
*Composite arrangement
** D5 Csus2
1/2
2 3 3 3 3 3 2 3 3 3 3 3 2 3 3 3 3 3 3
1 2 2 2 2 2 1 2 2 2 2 2 1 2 2 2 2 2 0
0 0 0 0 0 0 0 0
3 2 0
3
**Chord symbols reflect implied harmony.
© 1978 QUEEN MUSIC LTD.
All Rights for the U.S. and Canada Controlled and Administered by BEECHWOOD MUSIC CORP.
All Rights for the world excluding the U.S. and Canada Controlled and Administered by EMI MUSIC PUBLISHING LTD.
All Rights Reserved International Copyright Secured Used by Permission 1
D5 Csus2
2 3 3 3 2 3 3 3 3 3 2 3 3 3 3 3 3 3
1 2 2 2 1 2 2 2 2 2 1 2 2 2 2 2 2 0 0
0 0 0 0 0
3 2 0
0 3 0
D5 C G7 D5 G5 F5 D5
2 3 3 3 3 0 1 0 3 3 3 3 2 3 3 3 3 3 3
1 2 2 2 2 0 0 0 0 2 2 2 1 2 2 2 2 2 2 0
0 0 0 2 0 0 0 0 0 0 0 5 3 0
0 3 X 0 5 3 0
3 0 0 5 3 0
Csus2
(Drums enter)
Hey. 1. I was
0
2 3 3 3 3 2 3 3 3 3 3 2 3 3 3 3 3 3 0 0 2
1 2 2 2 2 1 2 2 2 2 1 2 2 2 2 0 0 0
0 0 0 0 0 0 0 0 0 0
0
Verse
D Csus2 G5 F5 D5
just a skin - ny lad, nev - er knew no good from bad, but I knew
2 2 2 2 2 2 2
2 3 3 3 3 3 3 3 2 3 3 3 3 3 3 0
1 2 2 2 2 2 2 0 1 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 5 3 0
3 2 0 0 5 3 0
3 0 5 3 0
2
D Csus2 A F5 D5
life be - fore I left my nur - ser - y. Huh. Left a - lone
1/4 1/4
2 2 2 2
2 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 2 2 2 2 2 2 2 2
3 2 0 0 0 0
3 0
F5 G F5 D5
with big fat Fan - ny, she was such a naugh - ty nan - ny, heap big
2 3 3 3 3 3 3 3 3 3 3 0 0
1 2 2 2 2 2 2 2 2 2 2 0 0
0 0 0 0 3 5 5 5 5 5 5 5 5 5 5 3 0
0 3 5 5 5 5 5 5 5 5 5 5 3 0
3 5 5 5 5 5 5 5 5 5 3 0
Csus2 A F5 D5 G5 F5 D5
wom - an, you made a bad boy out of me.
1/4 1/4
2 3 3 3 2 2 3
1 2 2 2 2 2 1 2
0 0 2 2 0 5 3 0
3 0 0 5 3 0
3 0 5 3 0
Interlude
D5 C G5 D5
Hey, hey!
2 3 3 3 3 2 3 3 3 3 2 3 3 3 0 1 3 3
1 2 2 2 1 2 2 2 2 1 2 2 2 0 0 0 0 0 2 0 0
0 0 0 0 0 0 0 2 0 0 0 0 0
3 2 0 0
0 0
3
D C/D G/D D5 D C/D G/D D5
Woo!
5 3 3
3 7 7 7 5 5 3 3 3 7 7 7 5 3 3 3 3 3
2 7 7 5 5 4 0 2 2 2 2 7 7 7 5 4 4 0 0 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0
D DsusÊ D C/D G/D D5 D C/D G/D D5
0 2
3 7 7 8 7 5 5 3 3 3 3 7 7 5 5 0 3 3 2 3 3 3 3
2 7 7 0 7 7 5 5 4 0 2 2 2 7 7 5 5 0 4 4 0 0 0 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
G5 D5
1/4
3 3 3 3 3 2
2 0 0 2 2 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 5 5 5 5 5 3 5 5 5 3 0 3 5 5 5 3 0
3 0 3 0
D μ
2. I’ve been
2 2 2 1 2 2 2 2 2
2 3 3 3 3 3 2 3 3 3 3 3 3
1 2 2 2 2 2 1 2 2 2 2 2 2
0 0 0 0 0 0 0
0 0
0 0
4
Verse
D5 F5 D5 G5 F5 D5
sing - in’ with my band ’cross the wa - ter, ’cross the land, I’ve seen
1/4 1/2
2 3 3 3 3 2 3 3 3 2 2 3 3 3 3 3 3
1 2 2 2 2 1 2 2 2 1 1 2 2 2 2 2 0 2
0 0 0 0 0 0
3 0
3 0 3 0
Csus2 A F5 D5
ev - ’ry blue - eyed floo - zy on the way. Hey. But their
1/2 1/4
2 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2
1 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 1
0 0 0 2 2 0 2 2 2 2 2 2 2 2 2 2
2 2 0 0 0 0
3 0
F5 G F5 D5
beau - ty and their style went kind of smooth af - ter a while, take me to
2 3 3 3 3 3 3 2 3 3 3 3 0 0 0 0 0 0
1 2 2 2 2 2 2 1 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 3 5 5 5 5 5 5 5 5 5 5 3 0
3 5 5 5 5 5 5 5 5 5 5 3 0
3 5 5 5 5 5 5 5 5 5 5 3 0
A F5 D5 Dsus2
them dirt - y la - dies ev - ’ry time. Come on.
1/4
0 0 0 0 0
2 3 3 3 3 3 3 2 2 2 2 3 3 3 3 3 3
1 2 2 2 2 2 0 2 2 2 1 2 2 2 2 2 2
0 0 0 2 2 2 0 0 0 0 0 0
0 0
3 0
5
Chorus
D C G/B F5 D5
Oh, won’t you take me home to - night?
Rhy. Fig. 1
1/4
2 2
3 3 3 3 0 1 1 3 3 3
2 2 2 2 2 0 0 0 0 0 0
0 0 0 0 0 2 2 0 0 0
0 0 3 3 2 2 2 0
0 0 0 3 0
D C G/B A F5 D5
Oh, down be - side your red fire light.
1/4
1 2 2 2 2 2 2
2 3 3 3 3 3 3 3 3 0 0 1 1 1 1 0 0 0 2
1 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 2 2 2
0 0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 2 2 2
0 0 3 3 3 3 2 2 2 0 0
0 0 3 0
D F5 G F5 D5
Oh, and you give it all you got, fat bot - tomed girls,
2 2 2 2 2
2 3 3 3 3 3 2 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0
1 2 2 2 2 2 1 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 3 5 5 5 5 5 5 5 5 5 5 5 3 0
0 0 0 3 5 5 5 5 5 5 5 5 5 5 5 3 0
0 0 3 5 5 5 5 5 5 5 5 5 5 5 3 0
A F5 D5 F5 G5 F5 D5
you make the rock - in’ world go ’round. Fat bot - tomed girls,
End Rhy. Fig. 1
1/4 1/4
2 3 3 3 2 2 2 2 3 3 3 0
1 2 2 2 2 2 2 1 2 2 2 0
0 0 0 2 2 2 0 0 0 0 3 5 5 5 3 0
0 3 0 0 0 3 5 5 5 3 0
3 0 3 5 5 5 3 0
6
Interlude
Csus2 A5 F5 D5 D G7/F G/B D5
you make the rock - in’ world go ’round.
1/4 1/4
2 2 3 3 3
2 3 3 3 3 3 3 3 3 3 3 3 3 3
1 2 2 2 2 2 2 2 2 2 0 0 0 2 2 0
0 0 0 2 2 0 0 0 0 0 0 0 0 0
3 0 0 0 X 2
3 0 3
A D G/B D A G5
Hey, lis - ten here, ah.
2 3 3 3 2 2 0
2 2 3 3 3 3 3 3 3 2 2
2 2 2 0 0 0 2 2 0 2 2
2 2 0 0 0 0 0 0 2 2 3 5
0 0 0 2 2 0 0 0 3 5
0 3 5
Verse
D Csus2 G/B A5 F5
3. Now, I got mort - gag - es and homes. I got stiff - ness in my bones, ain’t no
Gtr. 3 (dist.)
mp
grad. bend 1
1/2 1
5 5
Gtrs. 1 & 2
2 2 1 2 2 2 2 2 1 2 2 2 2
3 3 3 2 3 3 3 3 3 2 3 3 3 3 3
2 2 2 1 2 2 2 2 2 1 2 2 2 2 0 2
5 5 14 0 0 0 0 0 0 0 0 0 0 0 2
5 5 14 0 3 2 0
5 5 14 0 3 0
7
D Csus2 A F5 D5
beau - ty queens in this lo - cal - i - ty. I tell ya. Oh, but I
1 1
5 5 3
4
1/2 1/4
1 2 2 2 2 2 2 1 2 2 2
2 3 3 3 3 3 3 2 3 3 3 2 2 2 2 2 2 2 2
1 2 2 2 2 2 2 1 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 2 2 0 2 2 2 2 2 2 2 2
2 2 0 0 0 0 0
3 0
F5 G5 F5
still get my pleas - ure, still got my great - est treas - ure, heap big
1
1
5 2 5 5 3 0 10 10 10 8
4 11 0
2 3 3 3 3 3 3 2 3 3 3 3 3 2
1 2 2 2 2 2 2 1 2 2 2 2 2
0 0 0 0 3 5 5 5 5 5 5 5 5 5 5 5 5 3
3 5 5 5 5 5 5 5 5 5 5 5 5 3
3 5 5 5 5 5 5 5 5 5 5 5 5 3
8
D5 C5 A F5 D5 G5/D
wom - an, you done made a big man of me. Now, get this.
1
1
5 5 3 3
4 4 4 4 4 2
2 0 0
0
1/4 1/4
2 2 2 2 2 2 2 2
3 3 3 3 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 0 0 0 0
0 0 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 3 0
0 3 0
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtr. 3 tacet
D C G/B F5 D5
Oh, I know. Please.
Are you gon - na take me home to - night?
D C G/B A F5 D5 D
Ah, down be - side that red fire light. Oh, you gon - na
F5 G F5 D5
A F5 D5
let it all hang out, fat bot - tomed girls, you make the rock - in’ world go
9
G D A5 F5 D5
’round. Yeah, fat bot - tomed girls, you make the rock - in’ world go
Gtrs. 1 & 2
1/4
2 2
3 0 3 3 3
2 0 2 2 2 2 2
0 0 0 0 0 2 2
X 0 0 0
5 3 0
Outro
D C
’round. Get on your bikes and ride.
fdbk.
1 2 2 2 0 0
3 2 3 3 3 1 1
2 1 2 2 2 0 0
0 0 0 0 0 X
0 3 2 0
0 3 0
D Csus2 G/B A5 F5 D5 D C
Oo, yeah, uh. Oh, yeah.
1 2 2 0 1 2 2 2 2 0 0
2 3 3 3 2 3 3 3 3 1 1
1 2 2 0 1 2 2 2 2 0 0
0 0 0 0 0 0 0 X
3 2 0 3 2 0
3 0 3 0
10
D Csus2 G/B A5 F5 D5 D Csus2
Them fat bot - tomed girls, they get me. Yeah, yeah,
(Fat bot - tomed girls.)
Gtr. 3
1
1
13 13 13 10 12
12
Gtrs. 1 & 2
1 2 2 2 0 1 2 2
2 3 3 3 3 2 3 3 3 3
1 2 2 2 0 1 2 2 0 0
0 0 0 0 0 X
3 3 2 2 0 3 2 0
3 0 3 0
D5 Csus2 D5
yeah. Al - right, ride ’em, cow - boy.
Gtr. 3
1 1
1 1
10 13 13 13 10 13 13 13 13 13 13 13 13 10 13
12 10
12 10
Gtr. 1
3 3
2 2
0 0 0 0 0 0 0 0 0 0 0 0
3 0 3 5 5 5 5 5 5 5 5 3 0 3 0
3 0 3 0 0 0 3 0
Gtr. 2
3
2 3 3 3 3 0 1
1 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 5 3 5 5 5 5 5 5 5 5 5 5 3 2 0
3 0
11
Gtr. 3 tacet
G D D5
Woo! Yes, yes!
Fat bot - tomed girls.)
3
1 1/4
13 13 13 13 10
12 10
12
2
0 3 3
0 2 2
0 0 0 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 5 5 5 3 0 5 0 3 5 5 5 5 5 3 5 5 5 5 5 5 3 5 5 5 5
3 0 0 5
3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 5 5 5 5 5 3 2 0 3 0 3 5 5 5 5 5 3 5 5 5 5 5 3 2 0
3 0 0 0 3 0
D C/D G/D D
Gtr. 1
3 4 7 7 7 7 7 5 0 3 3
2 0 4 7 7 7 7 7 5 5 0 4 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 5 5 5 5 5 5 5 3 0 3 0
3 0
Gtr. 2
5 5 3 3 3
3 3 3 4 7 7 7 7 5 3 3
0 2 0 0 4 7 7 7 7 5 4 2
0 0 0 0 0 0 0 0 0 0
0 3 0 0 0
3 0 3 0
12
C/D G/D D C/D D C/D G/D D5
*Gtrs. 1 & 2
5 5 2 5 5 5 3
5 7 7 7 5 3 0 3 5 7 7 7 5 7 5 3 0 3
5 7 7 7 5 4 0 0 0 2 2 5 7 7 7 5 7 5 4 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
*Composite arrangement
D C/D G/D Dsus2 G5/D D5 D
0 1 2 2 2 2 2 2 1 2 2 2 2 2 2
5 7 7 5 3 3 3 3 3 2 3 3 3 3 3 3 2 3 3 3 3 3 3
5 7 7 5 4 2 0 0 0 2 2 2 1 2 2 2 2 2 2 1 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
C D
1 2 2 2 2 2 0 1 2 2 2 2 2 2 1 2 2 2 2 2 2
2 3 3 3 3 3 3 1 2 3 3 3 3 3 3 2 3 3 3 3 3 3
1 2 2 2 2 2 2 0 1 2 2 2 2 2 2 1 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
3 2 0
3 0
Csus2 D
1 2 2 2 2 2 2 2 2
2 3 3 3 3 3 3 3 3 3 3 3
1 2 2 2 2 2 2 0 0 2 2 2
0 0 0 0 0 0 0 0
3 2 0 0 0 0
3 0 0 0 0
13
from James Gang - Rides Again
Funk #49
Words and Music by Joe Walsh, Dale Peters and James Fox
Joe Walsh - guitar
Intro
Moderately q = 88
µ
6
Gtr. 1 (slight dist.)
f
let ring **
0
semi P.H.
semi
0
P.H. 1 1 1 1/2 1/4
*
8 0
7 7 7 5 X 7 X 7 X 7 X 7 7 6 0
7 0 7 6 0
*Slap-mute strings w/ edge of pick hand. **Chicken Pickin’: mute downstrokes ( ) with pick hand, then snap upstrokes with pick hand finger.
***A7 D/A A7 D/A G/B D/A A7
let ring
1/2
P.M.
let ring
P.M.
let ring
P.M.
0 5 X
X 5 X 7 8 7 7 X 7 5
5 X 0 7 5 6 7 7 7 X 7 5 6 6
X 0 7 5 7 9 7 7 X 7 5 X
0 0 0 0 0 0 0 0
0 0 0
***Chord symbols reflect implied harmony.
D/A A7 D/A G/B D/A A7
1. A,
Rhy. Fig. 1 End Rhy. Fig. 1
P.M.
let ring let ring let ring let ring
P.M. P.M. P.M. P.M.
X
5 X X X 7 5 7 8 7 7 X 7 5
5 6 X X X 7 5 6 6 X 7 7 7 X 7 5 6 6
5 X X X 7 5 X X 7 9 7 7 7 5 X 5 5 5
0 0 0 0 0 0 0 0 0 0 0
0 0 0
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
A7 D/A A7 D/A G/B D/A A7
sleep all day, out all night, I know where you’re go - in’.
jump - in’ up, fall - in’ down, don’t mis - un - der - stand me.
3. Out all night, sleep all day, I know what you’re do - in’.
Copyright © 1970 SONGS OF UNIVERSAL, INC. and HOME MADE MUSIC
Copyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
1
D/A A7 D/A G/B D/A A7
I don’t think that’s a, act - in’ right, you don’t think it’s show - in’.
You don’t think that I know your plan; what you try’n’ to hand me?
If you’re gon - na a, act that way, I think there’s trou - ble brew - in’.
Chorus
A7
Gtr. 1
slight P.M. slight P.M. slight P.M.
X 0 X
X X 6 0 X X X 6 0
7 5 X X 7 7 5 X 7 5 X X 7
7 5 3 X 7 7 5 3 X 7 5 3 X 7
3 5 5 3 5 3 5 5
B7
slight P.M. slight P.M. * slight P.M.
0 X X X
X 0 X X 8 X X X X
7 5 X 9 7 X X 9 7 9 7 X X X
7 5 3 X 9 7 5 X 9 9 7 5 X
3 5 5 7 7 5 7
*Unintentional harm.
T o Coda
Interlude
E7#9 A7 D/A A7 D/A G/B
8v a loco
let ring let ring
slight P.M. ** slight P.M. P.M.
let ring
P.M. P.M.
X 8 5 X X X 7 5 X X 7 8
X X 8 X 7 5 6 X X X 7 5 6 X X 7
9 7 X X 9 9 7 6 5 X X X 7 5 X X 7 9
9 7 5 X 9 9 7 5 7 0 0 0 0 0
5 7 7 5 7 0 0
**As before
1. 2. Percussion Solo
Voc.: w/ ad. lib jungle screams
Gtr. 1 tacet
D/A A7 D/A A7 µ
2. A,
let ring let ring
P.M. P.M. P.M.
7 7
X
X 7 5 77
5 5 7
7 X 7 5
7 7 X 7 5 6 6 7 X 7 5 6
7 7 7 5 X 5 7 X 7 5
0 0 0 0 0 0 0
0 0 0
Breakdown
A7 C5/A
Gtr. 1
w/ heavy reverb reverb off
let ring
P.M. 1/4 1/2
6 5 8 5 15
6 5 5 14 14 13 0
5 14 14 9 7 5 5
5 7 5
0 0
3 5 5
2
A7 D/A A7 D/A A7
P.M. let ring
P.M.
let ring
P.M.
X
7 5 7 X 7 5 5
5 6 7 5 6 6 7 X 7 5 6 6 6
4 5 X 7 5 X X 7 7 5 X 5 5 5
X X X X X X X X X 0 0 0 0 0
4 5 5 5 X X X X X X 0 0
D.S. al Coda
D/A A7 D/A A7
Rhy. Fig. 2
End Rhy. Fig. 2
let ring
P.M. let ring
P.M.
P.M.
let ring let ring
P.M.
0 5 5 7 X
5 0 0 5 X 5 X X 7 5 X 7 X 7 5 5
5 6 0 X X X 7 5 6 X 7 7 X 7 5 6 6 6 6
5 7 5 X 7 7 7 5 5 5 5
0 0 0 0 0 0 0 0
0 0 0
Coda
Outro
Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 1: w/ Rhy. Fig. 2 (2 times)
A7
Gtr. 1
let ring let ring
P.M. P.M.
5 5 5
5 6 6 6 6 5 6 6 6 6
5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0
Begin fade
D/A A7 D/A
let ring let ring let ring
P.M. P.M. P.M. P.M.
7 7 7 7 7 5 5 5
7 7 7 7 7 6 5 6 6 6 6 5 6 6 6 6 5 5 6 6 6 6 6 7
7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0
A7 D/A A7 D/A
let ring let ring let ring
P.M. P.M.
7
7 7 7 7 5 5 5 7 7 5 7
7 7 7 7 7 7 7 5 6 6 6 6 5 6 X X X X 7 X X 7 5 6 7
7 7 7 7 7 7 7 5 5 5 5 X X X X 7 X X 7 5 7
0 0 0 0 0 0 0 0 0 0 X X X X 0 X X 0 0 0
0 0
Fade out
A7 D/A A7 D/A
let ring let ring let ring
P.M. P.M. P.M.
5
7 7 7 7 7 5 X 5 X X 7 X 7 7 5 7
7 7 7 7 7 5 6 X 6 6 6 6 5 6 X X 7 X 7 7 5 6 7
7 7 7 7 7 5 X 5 5 5 5 X X 7 X 7 7 5 7
0 0 0 0 0 0 0 0 0
0 0 0 0
3
from Pink Floyd - The Wall
Hey You
Words and Music by Roger Waters
Em('9) Bm Dsus2 G D C Am Em
234 113421 13 21 34 T 132 32 1 231 23
1., 2., 3.
*Gtrs. 1 & 2: Nashville (High strung) tuning:
(low to high) E -A -D -G -B-E
Intro
Slowly q = 56
Em('9) Dm('9)
Riff A End Riff A
Gtr. 1 (acous.)
mf
let ring let ring
0 0 1 1
0 0 3 3
0 0 0 0 2 2 2 2
2 2 2 2 0 0 0 0
2 2 0 0
2 2 0 0
*Replace wound A, D & G strings with lighter gauge strings to allow tuning an octave higher than standard.
Replace low E string with high E string to allow tuning two octaves higher than standard.
4.
Verse
Dm('9) Em('9)
David Gilmour: 1. Hey you, out there in the cold, get - ting lone -
let ring let ring
1 1 0 0
3 0 0
2 2 2 0 0 0 0
0 0 0 2 2 2 2
0 0 2 2
0 0 2 2
Bm
- ly, get - ting old, can you feel me? Hey
let ring let ring
0 2 2
0 3 3 3
0 0 4 4 4 4
2 0 4 4 0
2 2 2
2 2 2
Copyright © 1979 Roger Waters Music Overseas Ltd.
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission 1
Em('9)
you, stand - ing in the aisles, with itch - y feet and fad - ing smiles, can you
let ring
0 0 0
0 0 0
0 0 0 0 0 0
2 2 2 2 2 0
2 2 2
2 2 2
Bm Dadd9
3
3
feel me? Hey you, don’t help them to bur - y the
let ring let ring
2 2 2 2
3 3 3 3
4 4 4 4 2 2 2 2
4 4 4 0 0 0 0 0
2 2 0 0
2 2 0 0
G Dadd4 C
live.
let ring let ring let ring
0 0
1 1
0 0 0 0 0
0 0 0 2 2 2 0
2 0 3 3
3 2 0 0
Bm Am Em Em('9)
Don’t give in with - out a fight.
let ring let ring let ring
2 0 0 0
3 1 0 0
4 4 2 2 0 0 0 0
4 4 2 0 2 2 2 2
2 0 2 2
2 0 0 2
2
Verse
2nd time, Gtr. 2: w/ Rhy. Fill 1
** Em('9)
End Fill 1A
*Gtr. 2 Fill 1A
(acous.)
mf
2. Hey you, out there on your own, sit - ting na -
you, out there on the road, al - ways
Fill 1 End Fill 1
Gtr. 1
let ring let ring
1 1 0 0
3 0 0
2 2 2 0 0 0 0
0 0 0 2 2 2 2
0 0 2 2
0 0 2 2
*Two gtrs. arr. for one. **See top of first page of song for chord diagrams pertaining to rhythm slashes.
Bm Em('9)
- ked by the phone, would you touch me? Hey
do - ing what you’re told, can you help me? Hey
let ring let ring
0 2 2
0 3 3
0 0 4 4 4 4
2 0 4 4 4 0
2 2 2
2 2 2
Rhy. Fill 1
Gtr. 2
3
T o Coda
2nd time, Gtr. 2: w/ Rhy. Fill 1
Bm
you, with your ear a - gainst the wall, wait - ing for some - one to call out, would you
you, out there be - yond the wall, break - ing bot - tles in the hall, can you
let ring
0 0 0
0 0 0
0 0 0 0 0 0
2 2 2 2 2 0
2 2 2
2 2 2
Dsus2
3 3
touch me? Hey you, would you help me to car - ry the
Riff B
let ring let ring
2 2 2 2
3 3 3 3
4 4 4 4 2 2 2 2
4 4 4 0 0 0 0 0
2 2 0 0
2 2 0 0
G D C Bm
stone.
End Riff B
let ring let ring let ring
0 0
1 1
0 0 0 0 0 0
0 0 2 2 2
2 0 3 3
3 2 0 0
4
Gtr. 1 tacet
Am Em
Gtr. 2
3
O - pen your heart, I’m com - ing home.
Gtr. 3 (elec.)
mf
w/ dist.
10
Guitar Solo
Gtr. 2 tacet
µ(Em)
Gtr. 4
(elec.)
mf
w/ dist.
fdbk. fdbk.
w/ bar w/ bar
1 1
7 7 7 7 7 7
Gtr. 5
(elec.)
mf
w/ dist.
w/ slide
4 4 3 4 4 3 4
Gtr. 6 Riff C1
(elec.)
mf
w/ dist. 1 1 1 1
10 12 12 12 10 12 12 12 10 12 12 12 10 12 12 12
Riff C
Gtr. 3
1/2
1/2
1/2
1/2
0 2 2 2 0 2 2 2 0 2 2 2 0 2 2 2
5
µ(Am)
w/ bar w/ bar w/ bar
1 1 w/ bar
1/2 1
7 7 7 7 7 7 9 11 11 11
-1/2
5 5 5 4 7 7
Riff C1
1
1
1
1
10 12 12 12 10 12 12 12 10 12 12 12 10 12 12 12
Riff C
1/2
1/2
1/2
1/2
0 2 2 2 0 2 2 2 0 2 2 2 0 2 2 2
Gtrs. 3 & 6: w/ Riffs C & C1 (2 times)
µ(Em)
Gtr. 4
w/ bar w/ bar w/ bar
1/2 1/2 1/2
10 12 10 12
9 11 11 11 9 11 11 11 9 11 11 11 9 11 12
Gtr. 5
4 4 3 4 4
6
µ(Am)
w/ bar w/ bar w/ bar w/ bar
1/2 1/2 1/2 1/2 1
12
12 12 12 12 12 12 12 12 12 12 12 15 15
9 9 8 9 9 8 8 9 11
µ(Em)
8va
6
3 3
w/ bar w/ bar w/ bar
1 1/2 1
1 1 1 1 1
12 15 12 15 12 14 15 17 19 17 19
15 15 15 15 15 15 15 15 12 12 15 15 15 15 15
14
12 12 11 12 12 11 12
µ(Am)
8va
3 3
w/ bar w/ bar w/ bar
1/2 1/2 1/2 1/2 1/2
19 19 19 19 19 19 17 19 19 19 19 19 19 17
14 14 13 14 14
7
Bridge
Gtrs. 3, 4, 5 & 6 tacet
µ(Em) C D G D C
Roger Waters: But it was on - ly fan - ta - sy. The
8va
Gtr. 4
Gtr. 2
Gtr. 5
divisi
steady gliss.
w/ bar
*T T
19 0 0 2 2 3 2 0 0 0 0 0 0 0 0
1 1 3 3 3 3 1 1 1 1 1 1 1 1
12 12 0 0 2 2 0 2 0 0 0 0 0 0 0 0
2 2 0 0 0 0 2 2 2 2 2 2 2 2
3 3 0 0 2 0 3 3 3 3 3 3 3 3
0 0 2 2 3 2 0 0 0 0 0 0 0 0
*T = Thumb on 6th string
Gtr. 6
w/ bar
9 9
-1
Gtr. 3
w/ bar
0 0
-1
D G D C D G D
wall was too high as you can see. No mat- ter how he tried he could not break
Gtr. 2
T T T T
0 0 2 2 3 2 0 0 0 0 0 0 0 0 0 0 2 2 3 2
1 1 3 3 3 3 1 1 1 1 1 1 1 1 1 1 3 3 3 3
0 0 2 2 0 2 0 0 0 0 0 0 0 0 0 0 2 2 0 2
2 2 0 0 0 0 2 2 2 2 2 2 2 2 2 2 0 0 0 0
3 3 0 0 2 0 3 3 3 3 3 3 3 3 3 3 0 0 2 0
0 0 2 2 3 2 0 0 0 0 0 0 0 0 0 0 2 2 3 2
8
Gtr. 1: w/ Riff A (3 1/2 times)
C D Em('9)
3
free. And the worms ate in - to his brain.
T
0 0 0 0 0 0 0 0 0 0 2 2 0
1 1 1 1 1 1 1 1 1 1 3 3 0
0 0 0 0 0 0 0 0 0 0 2 2 0
2 2 2 2 2 2 2 2 2 2 0 0 2
3 3 3 3 3 3 3 3 3 3 0 0 2
0 0 0 0 0 0 0 0 0 0 2 2 0
D.S. al Coda
Gtr. 2 tacet Gtrs. 1 & 2: w/ Fills 1 & 1A
Dm('9) Em('9) Dm('9) Em('9) Dm('9) Em('9) Dm(add9)
3. Hey
Coda
Gtr. 1: w/ Riff B
D G D
Gtr. 2
3
help me? Hey you, don’t tell me there’s no hope at all.
Gtr. 7 (elec.)
mf
w/ dist. & phaser
3
7 7 2
4 5 6 7 7 5 0
2 3 4 5 5 5 0
17 3
Gtr. 1 tacet
C Bm Am Em
3
*
3
To - geth - er we stand, di - vid - ed we fall.
5 5 5 5
5 5 5 5
5 5 5 5 4
3 3 3 3 3 2 0
12 0
*w/ echo set for quarter-note regeneration w/ 7 repeats.
9
from Ramones - Road to Ruin
I Wanna Be Sedated
Words and Music by Jeffrey Hyman, John Cummings and Douglas Colvin
Intro
Moderately fast q = 165
* D#5 E D#5 E
1. T -
Gtr. 1 (dist.)
f
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9 9 9 9 9
8 9 9 9 9 9 9 9 9 8 9 9 9 9 9
8 9 9 9 9 9 9 9 9 8 9 9 9 9 9 9
6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 6 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0
Gtr. 2 (dist.)
mf
slight P.M. throughout
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
*Chord symbols reflect basic harmony.
Verse
E A5 E5
(1., 2.) wen - ty, twen - ty, twen - ty four hours to go, I wan - na be se - dat - ed.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 5 5 5 5 5 5 5 5
Rhy. Fig. 1 End Rhy. Fig. 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0
© 1978 WB MUSIC CORP. and TACO TUNES, INC.
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Gtr. 2: w/ Rhy. Fig. 1
A5 E
Noth - in’ to do no - where to go, oh. I wan - na be se - dat - ed. Just
P.M. P.M. P.M. P.M. P.M.
9 9 9 9
9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 5 5 5 5 5 5 5
Chorus
B E B5
get me to the air - port, put me on a plane.
Hur - ry, hur - ry, hur - ry, be -
put me in a wheel - chair, get me on a plane.
*Gtrs. 1 & 2
9
8 8 8 8 8 8 8 8 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7
*Composite arrangement
E5 B E
fore I go in - sane. I can’t con - trol my fin - gers, I can’t con - trol my brain, oh.
9 9 9 9 9 9 9 X
9 9 9 9 9 9 9 9 8 8 8 8 8 8 9 9 9 9 9 9 9 X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 X
0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0
2
1.
A5 B E5
No, oh, oh, oh, oh. 2. T -
7
7
7
7
7
7
7
7
7
7
7
7
7
7
9
9
8
9
9
8
9
9
8
9
9
8
9
9
8
9
9
8
9
9
8
9
9
X
X
X 7
9
7
9
7 7
9
7
9
7
9
7
9
7
9
7 7
9
7 7
9
9
7 7
9
7
5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2.
Guitar Solo
E5 A5 B5 E
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 2
9 9 9 9 X
9 9 9 9 X
9 9 9 9 X 7 7 7 7 7 7 7 9 9 9 9 9 9 9 X 9 9 9 9 9 X
7 7 7 7 7 7 X 7 7 7 7 7 7 7 9 9 9 9 9 9 9 X 7 7 7 7 7 X
0 0 0 0 0 0 0 X 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 X 0 0 0 0 0 0 0 X
Gtr. 2: w/ Rhy. Fig. 2
E5 A5 B5 E
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D#5 E
3. T -
Gtr. 1
9 9 9 9
8 9 9 9 9 9 9 9 9
8 9 9 9 9 9 9 9 9 9 9 9 9 9 9
6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3
Verse
F# B5 F#
(3., 4.) wen - ty, twen - ty, twen - ty four hours to go, I wan - na be, uh, se - dat - ed.
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
11 11 11
11 11 11 11 11 11 11 11 11 11 11
11 11 11 11 11 11 11 11 11 11 0 9 9 9 9 9 9 9 11 11 11 11 11
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 0
Gtr. 2
Rhy. Fig. 3 End Rhy. Fig. 3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2
Gtr. 2: w/ Rhy. Fig. 3
F# B5 F#
Noth in’ to do, no - where to go, oh. I wan - na be se - dat - ed. Just
Gtr. 1
P.M. P.M. P.M. P.M.
11 2 2 2
11 11 11 11 11 11 3 3 3 3 3 3 X
11 11 11 11 11 11 11 11 11 11 11 0 9 9 9 9 9 9 9 4 4 4 4 4 4 X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 9 9 9 9 9 9 9 4 4 4 4 4 4 X
7 7 7 7 7 7 7 2 2 2 2 2 2 X
Chorus
C# F# C# F#
put me in a wheel - chair, get me to the show, oh. Hur - ry, hur - ry, hur - ry, be - fore I go lo - co. I
*Gtrs. 1 & 2
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 11 10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 11
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
11 11 11 11 11 11 11 11 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
*Composite arrangement
4
C# F# B
can’t con - trol my fin - gers, I can’t con - trol my toes. Oh, no, oh, oh, oh,
11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 11 8 8 8 8 8 8 8 8
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 9 9 9 9 9 9 9 9
11 11 11 11 11 11 11 11 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7
1.
Gtr. 2: w/ Rhy. Fig. 3 (1st 2 meas.)
C# F#5
oh. 4. T -
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10
11
11
10
11
11
10
11
11
10
11
11
10
11
11
10
11
11
10
11
11
10
11
11
11
11
9 9
11
9 9
11
11
9 9
11
9
11
9
11
11
9 9
11
9 9
11
9 9
11
9 9
9 9 9 9 9 9 9 9
2.
Outro
F# B5 C#5 F#5
Ba, ba, ba, ba, ba, ba ba, ba, ba, I wan - na be se - dat - ed.
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
11 11
11 11 11
11 11 11 11 9 9 9 9 11 11 11 11 11 11 11
9 9 9 9 9 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 11 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 2
4 4 4 4 4 4 4 4 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 2 2 2 2 2 2 2 2
5
Gtr. 2: w/ Rhy. Fig. 4
F# B5 C#5 F#
Ba, ba, ba, ba, ba, ba ba, ba, ba, I wan - na be se - dat - ed.
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. let ring
11 11 11
11 11 11 11 11 11 11 11
11 11 11 11 9 9 9 9 9 11 11 11 11 11 11
9 9 9 9 9 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
F#5 B5 C#5 F#5
Ba, ba, ba, ba, ba, ba ba, ba, ba, I wan - na be se - dat - ed.
Gtr. 3 (slight dist.)
mf
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
*Gtrs. 1 & 2
4 4 4 4 4 4 4 8 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 11 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 8 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 11 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 6 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 2 2 2 2 2 2 2 2
*Composite arrangement
F#5 B5 C#5 F#5
Ba, ba, ba, ba, ba, ba ba, ba, ba, I wan - na be se - dat - ed.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
4 4 4 4 4 4 4 4 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 4
4 4 4 4 4 4 4 4 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 4
2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 2
6
from Ten Years After - Stonedhenge
I’m Going Home
Words and Music by Alvin Lee
Intro
Very fast q = 208 __ = 3
µ
Gtr. 1
(slight dist.)
3 3
f
1 1
5
8 5 8
5 7 7 7 5 7 5 7 5 5 7 8 7 5 7
6 7 7 7 7 5 7 7
3
1 1
8 8 10 10 10 10 8 10 8
8 10 8 10 10 8 10
7 5 7 5 5 9
7 7
let ring
3 3 3
7 5
1
8 5 5
10 8 10 5 7 8 8
9 8 7 5 7 5 5 5 5 7 8 7 5
7 7 7 7 5 7
7
*A7
3 3
7
1/4 1 1/2
5 5 5
5 5 8 8
5 8 7 5 5 6 5 7 5 5 5 7 7 7 5
7 7 7 5 7 7
7 7
*Chord symbols reflect overall harmony.
D7
3
3
3
3 1
1 1
8 11 8 10 8 5 5 8 8 5 5
6 8 10 10 10 8 5 8 8 8 8
7 5 7 9 9 7 5 5 7
7 7 7
© 1968 (Renewed 1996) UNITED ARTISTS MUSIC LTD.
Rights in the United States and Canada Assigned to EMI CATALOGUE PARTNERSHIP
All Rights Controlled and Administered by EMI U CATALOG INC.
All Rights Reserved International Copyright Secured Used by Permission 1
A7 E7
3
1/2
7
1/4
5 8 10 10 8 8
8 8 6 8 8
8 7 5 5 7 5 7 9 9 9
7 5 7
D7 A7 E7
1. Go - in’ home,
3
3
3
1/4
11 8 10 8 5
10 5
9 5 7 5 5 6 8 7 7 5 6
7 7 5 6 7
7 7 7
Verse
A7
my ba - by. Go - in’ home,
1 1 1 1
5 5 5 5 5 5
5 8 5 5 8 5 5 8 5 8 10
7 7 7 7
D7 A7
my ba - by. Go - in’ home,
1
5 5 5 5 5
5 8 10 5 8 10 10 5 8 5 8 10
7 7 7 7
2
E7 D7 A7 E7
get my ba - by. 2. My ba -
3
1 1
5 5 5
5 8 10 5 8 5 5
7 7 7 7 7 5 6
7
7 7
Verse
A7
- by, my girl. My ba -
3 3
1 1/4 1 1/2
5 5
5 5 7 7
7 8 7 5 5 5 7 7 7 5 7 X 5
7 7 7 7
D7 A7
- by, be good. I’m go’n’
3
1 1/4 1 1/2 1/4
5 5 5
8 5 8 8 5 8
7 8 7 5 5 7 7 7 5 7 5 5
7
E7 D7 A7 E7
home, my ba - by, home to see my girl. 3. Oh, ba -
3
1 1/2 1/4
11 10 8 8 5
10 10
7 7 7 5 5
7 7
7 7
3
Verse
A7
- by, babe, I’m com - in’ home. Ba -
P.M. P.M.
5
5
7 7 7 7 7 7 7
7 7 9 7 7 9 7 7 9 7 7 9 7 7 9 7 9 7 7 9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
D7 A7
- by, babe, I’m com - in’ home. Tell
P.M. P.M.
5
5
7 9 7 9 7 7 9 7 7 9 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 9 7 9 7 9
5 5 5 5 5 5 5 5 5 5 5
E7 D7 A7 E7
me, Ma - ma, babe, I’m com - in’ home. 4. Gon - na see
P.M.
5 5 5
5 5 5
9 11 9 11 7 9 7 9
7 7 7 7 7 7 5 5 5 5 5 5 7
5
Verse
A7
my ba - by, see my ba - by fine. Gon - na see
3
P.M.
5 5 5 5 5
5 5 5 5 5
7 7 7 7
7 7 9 7 7 9 7 7 9 7 7 9 7 7 9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4
D7
my ba - by, gon - na see my ba - by fine. Gon - na be
5 5 5 5
5 5 5 5
7 9 7 9 7 9 7 7
5 5 5 5 5 5 5 5 7
5 5
E7 D7 A7 E7
my wom -an, treat me real kind. 5. I’m go - in’ home,
5 5
5
Verse
A7
see my ba - by. I’m go’n’ home,
1
1
5 5 5 0 5 5 5 0
5 8 5 8 10 10 5 5 8 5 8 10 10
7 7 7 7
D7 A7
see my ba - by. Go’n’ home,
1 1 1
5 5 5 5 5 0
5 8 5 8 5 8 5 8 10 10
7 7 7 7
5
E7 D7 A7 E7
my babe.
3 3
1 let ring 1
5 5 5
8 10 5 8 10 8 8 8 5
7 7 7 9 9 9 9 7 5 6 5 7
7
Guitar Solo
A7
3
3
1
10 10 10 8 8 5
10 10 8 5 7 8 7 7
9 8 7 7 5 5
7 7 7
D7
3 3 3 3 3 3
3 3 3
8 11 8 10 8 8 11 8 10 8 8 11 8 10 8
8 10 10 10 10
7 6 9 9 7 5 7 5 5
7 7 7
A7 E7
3 3
1
1
5 5 5 8 8
7 5 8 8 7 5 5 8 7
7 7 5 5 5
7 7 5 7
D7 A7 E7
3 3
1/2 1
8 8 5 5
8 5 7 8 8 5 8 10 8
7 7 5 7 5 6 5
7 7 7
6
A7
Yeah!
3 3 3 3 3 3 3 3 3 3 3 3
11 8 10 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 11 8 10 8 8
10 8 10 10 10 10 8 10
D7
3 3 3 3 3 3 3 3 3 3 3 3
11 8 10 8 11 8 10 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 8
10 8 10 8 10 10 10 10
A7 E7
3 3 3 3 3 3 3 3 3
3
3
11 8 10 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8
10 8 10 10 10
9 7 7 5 5
7
D7 A7 E7
6. Go - in’ home,
3 3
1/4
5
8 10 8 8 7 5
7 9 5 5 5 7 7 5 6
7 7 7
7 7 7
7
Verse
A7
see my ba - by. I’m go - in’ home,
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D7 A7
see my ba - by. Wan - na take
2 4 2 4 2 4 2 4
0 0 0 0 0 0 0 0 2 4 2 4 2 4 2 4
0 0 0 0 0 0 0 0
E7 D7 A7 E7
me back, oh, take me where I be - long. 7. I’m go’n’ home,
2
2 4 2 4 2 4 2 4 2 2
0 0 0 0 2 4 2 4 2 4 2 4
2 4 2 4 0 0 0 0
0 0 0 0
Verse
A7
see my ba - by. I’m go’n’ home,
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2
8
D7 A7
see my ba - by. Come
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4
0 0 0 0 0 0 0 0 2 4 2 4 2 4 2 4
E7 D7 A7 E7
on, take me. Ow! Yeah.
2
4 4 4 2 4 2 4 2 4 2 4 2
2 2 2 2 0 0 0 0 2 4 2 4 2
Guitar Solo
A7
3 3 3 3 3 3 3 3 3 3 3 3
7 8 8 8 8 8 8 7 8 8 8 8 8 8 7 8 8 8 8 8 8 7 8 8 8 8 8 8 7 8 8 8 8 8 8 7 8 8 8 8 8 8
8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9
D7
3 3 3 3 3 3 3 3 3 3 3 3
7 8 8 8 8 8 8 7 8 8 8 8 8 8 9 10 10 10 10 10 10 9 10 10 10 10 10 10 9 10 10 10 10 10 10 9 10 10 10 10 10 10
8 9 9 9 9 9 9 8 9 9 9 9 9 9 10 11 11 11 11 11 11 10 11 11 11 11 11 11 10 11 11 11 11 11 11 10 11 11 11 11 11 11
A7 E7
3 3 3 3 3 3 3 3 3 3 3 3
9
7 8 8 8 8 8 8 7 8 8 8 8 8 8 7 8 8 8 8 8 8 7 8 8 8 8 8 8 8 9 9 9 9 9 9 8 9 9 9 9 9 9
8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9 8 9 9 9 9 9 9
9
D7 A7 E7
3 3 3 3 3 3 3 3 3
8 8
6 7 7 7 7 7 7 6 7 7 7 7 7 7 7 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 X 8
6 7 7 7 7 7 7 6 7 7 7 7 7 7 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
A7
3 3 3 3 3 3 3 3 3 3 3
3
11 8 10 8 8 11 8 10 8 8 11 8 10 8 8 8 11 8 10 8 8 11 8 10 8 8 8 11 8 10 8
10 8 10 10 8 10 8 8 10 8 10 8
D7
3 3 3 3 3 3 3 3 3 3 3 3
11 8 10 8 8 11 8 10 8 11 8 10 8 11 8 10 8 11 8 10 8 8 11 8 10 8 8 8
10 10 8 10 8 10 8 10
A7 E7
3 3 3 3 3 3 3 3 3 3 3 3
11 8 10 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 8 11 8 10 8 11 8 10 8
10 8 10 10 10 10 8 10 8
D7 A7 E7
8. I’m go - in’ home.
3
3 3 3
1 1
5 5
5 8 5 8 8 5
7 5 7 5 7 7 7 5 7 5 6
7 7 0
0
10
Verse
A7
I’m go’n’ home. I’m go’n’ home,
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D7 A7
way home. Go’n’ take
2 4 2 4 2 4
0 0 0 0 0 0 0 0 0 0 0 2 4 2 4 2 4 2 4
0 0 0 0 0 0 0
E7 D7 A7
me back, back, back where I be - long. 9. I’m go - in’ home.
2 4 2 4
0 0 0 0 2 4 2 4 2 4 2 4
2 4 2 4 0 0 0 0 0 0 0 0
0 0 0
Verse
A7
I’m go - in’ home. I’m go’n’ home.
2 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4
2 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4
11
D7 A7
I’m go’n’ home. Well, home,
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4
0 0 0 0 0 0 0 0 2 4 2 4 2 4 2 4
E7 D7 A7
home, back where I be - long.
3 3 3
1/2
5
5 8 7
4 4 4 2 4 2 4 7 8 7 5 7 7 5 7 5 5 7 8
2 2 2 2 0 0 0 0 7 7
0
Outro
Free time
A7
3
3 3
5 8 5 X 11 10 8 7 5 5 5
5 8 5 8 5 8 8
5 8 5 7 5 5 5 7
7 7 7
Begin fade Fade out
5
* fdbk.
1
5 5
8 8
0 0
*Open 5th string sounds by sympathetic vibration.
12
from The Black Crowes - Shake Your Money Maker
Jealous Again
Words and Music by Chris Robinson and Rich Robinson
Gtrs. 1, 4 & 5: Open G tuning:
(low to high) D-G-D-G-B-D
Intro
Moderately q = 114
*D E5 D5 G/D D5 D
Gtr. 1 (dist.)
let ring let ring
f
P.M. let ring let ring let ring
7
5 7 8 7
5 7 7 9 7 7 7 7 7 7 7
0 9 7 7 7 7 9 9 7 7 0
9 7 7 7 7 7 7
*Chord symbols reflect implied harmony.
E5 D5 D6 D5 G/D D5 D
let ring let ring
7
7 8 8 8 7 7
7 7 9 7 7 7 7 7 7 7 7 7
0 0 9 7 7 9 7 7 7 9 9 7 7 0
9 7 7 7 7 7 7 7 7
E5 D5 D6 D5 G/D D5 D E5 μ D6 D5 G/D D5 C5 D5
Gtr. 1
let ring
7 7
7 7 8 7 7 8 8
7 7 9 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 9 7 7 9 7 7 7 9 9 7 7 0 0 9 7 9 7 7 9 9 7 7 7 5 7
9 7 7 7 7 7 7 7 7 9 7 7 7 7 7 7 7 7 7 5 7
Gtr. 2 (dist.)
f
8 7
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
© 1991 WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Verse
D6 D5 μ D5 D6 D5 μ D5 D6 D5 μ G/D D μ D5
1. Cheat the odds that made you brave to try to gam - ble that time. Well, I’m feel -
let ring
8 8 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 9 7 7 X 7 7 9 7 7 X 7 7 9 7 7 X 9 9 7 7 7 X 7
7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 7 7 9 7
7 7 9 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 7 9 7 9 7 9 7 7 9 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
D6 D5 μ D5 D6 D5 μ D5 D6 D5 μ D5 G/D D5 G/D D5 C5 D5
- in’ dirt - y laun - dry, send - ing sick - ness on down the line. Tell you what,’cause I’m jeal -
8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 7
7 7 9 7 7 X 7 7 9 7 7 X 7 7 9 7 7 X 7 9 7 9 7 7 7 5 7
7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 7 7 5 7
7 9 7 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 7 9 7 9 7 5 7 7 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 3 5
2
Chorus
G/D D5 C5 D5 B5 D5 G5 G6 G5 G6 G5 D5
ous, jeal - ous a - gain. Thought it time I let you in. Yeah, I’m
8 8 0 0
7 7 7 7 7 7 0 0 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 9 9 7 7 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 7 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
0
7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 7 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
D D6 D5 D G/D C5 D5 B5 D5 G5 G6 G5 C/G G D5
jeal - ous, jeal - ous a - gain. Got no time, ba - by.
7 7 8 0 0 1 1 0
7 7 7 7 0 0 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0
7 9 7 7 9 5 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
3
Verse
D6 μ D5 D6 D5 μ D5 D6 D5 μ D5 G/D D5 G/D D μ D5
2. Al - ways drunk on Sun - day, try’n’ to feel like I’m at home. Smell the
8 8 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 9 7 7 X 7 7 9 7 7 X 7 7 9 7 7 X 7 9 7 9 7 7 7 X 7
7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 7 7 9 7
P.M.
7 7 9 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 7 9 7 9 7 9 7 7 9 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 5 5 5
G/D D5 μ D5 D6 D5 μ D5 D6 D5 μ D5 G/D D5 G/D D5 C5 D5
gas - o - line burn - in’, boys out feel - in’ nerv - ous and cold. Oh, yeah, and I’m jeal -
8 8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 7
7 7 9 7 7 X 7 7 9 7 7 X 7 7 9 7 X 7 9 7 9 7 7 7 5 7
7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 9 7 7 7 7 7 7 7 5 7
5 7
7 9 7 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 7 9 7 9 7 9 7 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5
4
Chorus
G/D D5 C5 D5 B5 D5 G5 G6 G5 C/G G D5
ous, jeal - ous a - gain. Thought it time I let you in.
8 8 0 0 1 0 0
7 7 7 7 7 7 0 0 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 9 9 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
D6 D5 D6 D5 C5 D5 B5 D5 G5 G6 G5
Jeal - ous, jeal - ous a - gain. Got no time, ba - by.
let ring
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 0 0
7 7 9 7 7 9 7 5 5 5 7 7 7 4 4 4 7 7 4 0 2 0 0
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5
0 3 3 3 3 3
5
Bridge
C G C G5
Stop, un - der - stand me. I ain’t a - fraid of los - in’ face.
Riff A
Gtr. 2
mf
let ring let ring let ring
13 13 8 8
12 5 7 5 0
3 5 0
Gtr. 1
mf
let ring
1 1 0
0 0 0
0 2 2 0 0 2 2 0
2 0
C G C G5 D5
Stop, un - der - stand me. I ain’t a - fraid of ev - er los - in’ faith in you.
End Riff A
let ring let ring let ring
13 13 8 8
10 12 5 7 5 0
3 5 0
let ring
f
let ring
1 1 0 0
0 0 0 0 0 7
0 2 2 0 0 2 2 0 0 0 0 7
2 0 0 7
0
6
Interlude
D5 D6 D5 μ D5 D6 D5 μ D5 D6 D5 μ D5 G/D D5 G/D D5 μ D5
Hey.
Gtr. 1
8 8
7 7 7 7 7 7 X 7 7 7 7 7 X 7 7 7 7 7 7 7 7 7 7 7 7 7
7 9 7 7 X 7 X 7 9 7 7 X 7 X 7 9 7 7 X 7 9 7 9 7 7 7 X 7
7 7 7 7 9 7 X 7 7 7 7 9 7 X 7 7 7 7 9 7 7 7 7 7 7 7 9 7
0
Gtr. 2
f
7
7 7 9 7 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 7 9 7 9 7 9 7 7 9 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Verse
D5 D6 D5 μ D5 G/D D5 μ D5 D6 D5 μ D5 G/D D5 G/D D5 μ D5
3. Nev - er felt like smil - in’, sug - ar wan - na kill me yet. Mm, yeah. Found me
8 8 8
7 7 7 7 7 7 7 X 7 7 7 7 7 7 X 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 9 7 7 X 7 X 7 9 7 7 X 7 X 7 9 7 7 X 7 9 7 9 7 7 7 X 7
7 7 7 7 7 9 7 X 7 7 7 7 9 7 X 7 7 7 7 9 7 7 7 7 7 7 7 9 7
7 9 7 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 9 9 7 9 7 7 9 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7
D6 D5 μ D5 D6 D5 μ D5 D6 D5 μ D5 G/D D5 G/D D5 C5 D5
loose - lipped and laugh - in’, sing - in’ songs, ain’t got no re - grets. Oh, yeah, yeah. I’m jeal -
8 8
7 7 7 7 7 7 7 7 7 7 7 X 7 7 7 7 7 7 7 7 7 7 7 5 7
7 7 9 7 X 7 7 9 7 7 X 7 X 7 9 7 7 X 7 9 7 9 7 7 7 5 7
7 7 7 7 7 9 7 7 7 7 7 9 7 X 7 7 7 7 9 7 7 7 7 7 7 7 5 7
5 7
7 9 7 7 7 9 7 7 9 7 7 7 9 7 7 9 7 7 9 7 9 7 9 7 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5
Chorus
G/D D5 C5 D5 B5 D5 G5 G6 G5 G6 G5 D5
ous, jeal - ous a - gain. Thought it time I let you in.
8 8
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 9 9 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
8
D6 D5 D6 D5 C5 D5 B5 D5 G5 C/G G C/G G5
Jeal - ous, yeah, I’m jeal - ous a - gain. Got no time, ba - by.
let ring
1 0 1
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0
7 7 9 7 7 9 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
Bridge
Gtr. 2: w/ *Riff A
C G C G5
Stop, un - der - stand me. I ain’t a - fraid of los - in’ face.
Gtr. 1
let ring
1 1 0 0
0 0 0
0 2 2 0 0 2 2 0
2 0
*Final chord rings for entire last meas.
C G C G5 μ
Stop, un - der - stand me. I ain’t a - fraid of ev - er los - in’ faith in you.
Gtr. 3 (slight dist.) Fill 1 End Fill 1
mf
0
5 7
Gtr. 1
let ring
1 1 0 1
0 0 0
0 2 2 0 0 2 2 0
2 0
9
Breakdown
Gtr. 1 tacet
Gtr. 3
let ring let ring let ring let ring let ring let ring
/007 0
7
0
5
0
3
0 0
3
0 0
3 5 7
0 0 0
7
0
5
0
3
0 0 0
3
0
3
0
5 7
0 0 0
7
0
5
0
3
0 0 0
3
0
3
0
5 7
*Gtrs. 1 & 4: w/ Fill 1
Don’t you think I want to, don’t you think I would? Don’t
1, 3 &4
Gtrs.
let ring let ring let ring let ring let ring let ring let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 5 3 3 3 5 7 7 5 3 3 3 5 7 7 5 3 3 3 5 7
*Gtr. 1: w/ slight dist.; Gtr. 4 (slight dist.) played mf.
you think I’d tell you, ba - by, if I on - ly could? Am I act - ing cra - zy,
let ring let ring let ring let ring let ring let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 5 3 3 3 5 7 7 5 3 3 3 5 7 7 5 3 3 3 5 7
10
D5 G D5
am I just too proud? Am I just plain la - zy? Ev - er, ev - er, ev - er, ev - er
*Gtrs. 3 & 4
let ring let ring let ring let ring
0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 0 0 0 0 0 0 0 0
7 5 3 3 3 5 7 5 7 5 7 5 7 5 7 5 7 5 7
*Composite arrangement
Gtr. 1
let ring let ring let ring f
w/ dist.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 5 3 3 3 5 7 7 5 7 5 7 5 7 5 7 5 7 5 7 8
7 7
9 7
7
Gtr. 2
f
P.M.
7 7 7 7 7 7 5 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5
Chorus
Gtrs. 3 & 4 tacet
G/D D5 C5 D5 B5 D5 G5 G6 G5 C/G G5 D5
jeal - ous, jeal - ous a - gain. Thought it time that I let you in.
Gtr. 1
8 8 1 0
7 7 7 7 7 7 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 9 9 7 7 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
Gtr. 2
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
11
D6 D5 D6 D5 C5 D5 B5 D5 G5 G6 G5 C/G G D5
Jeal - ous, jeal - ous a - gain. Got no time to let you in. Oh, yeah, I’m
1 0
7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 9 7 9 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
X 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
X 5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 7 5
0 3 3 3 3 3 3 3 3
D6 D5 D6 D5 C5 D5 B5 D5 G G6 G5 C/G G D5
jeal - ous, jeal - ous a - gain. Got no time, well, to let you in.
0 1 0
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 9 7 7 9 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 2 0 2 0 0 7
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0 0 0 0 0 0 0 7
7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 9 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 7 5
0 3 3 3 3 3 3 3
12
D6 D5 D6 D5 C5 D5 B5 D5 G5
Jeal - ous, yeah, yeah, I’m jeal - ous a - gain. Got no time, ba - by, yeah, yeah. Oh, yeah,
7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0
7 7 9 7 7 9 7 5 5 5 7 7 7 4 4 4 7 7 4 0
7 7 7 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7 4 0
7 7 7 5 5 5 7 7 7 4 4 4 7 7
7 7 9 7 7 7 7 5 5 5 7 7 7 4 4 4 7 7
5 5 5 5 5 5 5 3 3 3 5 5 5 2 2 2 5 5 5 5 7 5 5 5 5
0 3 3 3 3 3 3 3
Interlude
C G C G
Gtr. 2
let ring
mf
let ring let ring let ring
13 13 8 8 0
12 5 7 5 0
3 5 0
Gtr. 1
mf
let ring
1 1 0
0 0 0
0 2 2 0 0 2 2 0 0
2 0
13
C G C G
(I’m
let ring let ring let ring let ring
13 13 8 8 0
10 12 5 7 5 0 0 0 0 0 0
3 5 0
let ring
1 1 0 0 0
0 0 0 0 0 0
0 2 2 0 0 2 2 0 0 0
2 0 0
Outro-Guitar Solo
Cadd9/G G Cadd9/G G
jeal - ous with a jeal - ous heart.
f hold
1 bend 1
3
0 0 0 0 0 2 2 2 0 0 2 0 0 0 0 0 0
0 2 0 2 0 2 0 2 0 2 2 0 2 0 2 0 2 0 2 0 2
Rhy. Fig. 1
f
let ring let ring
0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 2 2 2 2
0 0 0 0 0 0 0 0 0
14
Cadd9/G G
I’m jeal - ous with a
hold
hold bend
1 bend 1
3 15
2 2 2 0 0 0 0 12 12 12 12 12 14 14 14 12 12
2 12 14 12 14 12 14 12 14 12 14 14
let ring let ring
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 1 1 1 1 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 0
0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 1 (till fade)
Cadd9/G G Cadd9/G G
jeal - ous heart. I’m jeal -
let ring let ring
1 1 1 1
15 15 15 17 12 12 15 12 12 15 15
12 12 12 12 12 14 14 14 14 14 14 12 14 14 14 12
12 14 12 14 12 14 12 14 12 14 14
End Rhy. Fig. 1
let ring
0 0 0 0 0 0 0
1 1 1 1 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2 2 0 0
0 0 0 0 0
15
Begin fade
Cadd9/G G
ous with a jeal - ous heart. I’m
Gtr. 2
1 1 1
12
17 12 12 15 12 12 15 17 12 12 15 12 12 15 17 12 12 15 12 12 15 15
14 14 14 12 14 14 14 12 14 14 14 12
14 14 14
Cadd9/G G Cadd9/G G
jeal - ous with a jeal - ous heart.
1 1 1 1
12
17 12 12 15 12 12 15 15 17 12 12 15 12 12 15 15 17 12 12 15 12 12 15 15
14 14 14 12 14 14 14 12 14 14 14 12
14 14 14
Fade out
Cadd9/G G
1 1 1 1
12
17 12 12 15 12 12 15 15 17 12 12 15 12 12 15 15 17 12 12 15 12 12 15 15
14 14 14 12 14 14 14 12 14 14 14 12
14 14 14
16
from ZZ Top - Tres Hombres
La Grange
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
= 3
Intro
Moderately fast Shuffle q = 160
A5
Gtr. 1 (clean) *
mp
w/ pick & fingers
1/4
2 2 2 2 2 2 5 5 2 2 2 2 2 5
2 2 2 2 2 2 5 2 2 2 2 2 2 2 2 5 2 2
0 0 0 0 0 0 0
*Chord symbols reflect basic harmony.
Ru - mour spread - in’ ’round,
1/4 1/4
5 2 2 2 2 2 2 5 5 2 2 2 2
2 2 2 2 2 2 5 2 2 2 2 2 2
0 0 0 0 0 0
3
in that Tex - as town, ’bout
3
rake
2 X 2 2 2 2 2 2
2 2 X 2 2 2 2 2 2 2 0
3 5 X 0 0 0 0 0 3 5
Copyright © 1973 Music Of Stage Three
Copyright Renewed
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
that shack out - side La Grange. Spoken: And
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 3 5 0 0 0 0
you know what I’m talk - in’ a - bout. Just let me know if you wan - na go
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
3 0 5 0 0 0 3 5
to that home out
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 3 5 0 0
3
on the range. Spoken: They got - ta lot - ta nice girls.
2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 3 0 5 0 0 0 0 0 3 0 5
2
Gtr. 1 tacet
µ A5
Gtr. 2 (dist.)
Rhy. Fig. 1
f
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0
C5 D5 A5 C5 D5
Have mer - cy.
End Rhy. Fig. 1
let ring let ring
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
0 0 3 5 0 0 0 3 5
Gtr. 2: w/ Rhy. Fig. 1
A5 C5 D5 A5 C5 D5
A haw, haw, haw, haw. A haw, a haw, haw, haw. 1. Well, I hear it’s fine,
Verse
Gtr. 2: w/ Rhy. Fig. 1 (3 times)
A5
C5 D5 A5 C5 D5
if you got the time and the
A5 C5 D5 A5 C5 D5
ten to get your - self in a, hmm, hmm. And I hear it’s
A5 C5 D5 A5 C5 D5
tight most ev - er - y night, but now
3
A5 C5 D5 A5 µ
I might be mis - tak - en. Hmm, hmm, hmm.
Gtr. 2
let ring
2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
0 0 3 5 0
Guitar Solo
C5 Eb5 F5
Gtr. 3 (dist.)
3
3
mf 3 3
1
8
11 11 8 11 8 8
10 8 10 8
10 10
Gtr. 2 Rhy. Fig. 2
10 10 10 10 10 8 10
10 10 10 10 10 10 6 8
8 8 8 11
C5
Eb5 F5
3
10
10 8 10 8
8 10 10 8 6 8 10 10 8 6
End Rhy. Fig. 2
10 10 10 10 10 8 10
10 10 10 10 10 10 6 8
8 8 8 11
4
Gtr. 2: w/ Rhy. Fig. 2 (7 times)
C5 Eb5 F5 C5
Gtr. 3
1 3
8 X
10 10 X 8 8
8 10 10 8 6 8 6 8 10 10 8 6 8 6
8 8
Eb5 F5 C5 Eb5 F5
3 3
w/ pick & finger 1/2
11 11 11 11
10 12 12 12 12 10 8
10 10 10 10 8
8 10 8 6 8 6
C5 Eb5 F5 C5 Eb5 F5
3
3
3
1/4 1 1
8 8 8 8
8 10 10 10 10 10 10
6 6 8 6 8 8 10 10 10
8 8 6 8 8
C5 Eb5 F5 C5
let ring
w/ pick & finger
1 1
11 11 11 11 11 10 11 11
8 8 8 12 10 12 12 11 12 12 10 8 10
10
Eb5 F5 C5 Eb5 F5
3
3
3
8
8 11 8 8
10 8 10 10 8
10 8 8 8 8 8
8 10 10 10 9 6 10 10
8 8 6 8
C5 Eb5 F5 C5
3 3 3 3
3 3 3 3
w/ pick & finger
11 11 11 11 11 11 11 11 11 11 11
8 10 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10
5
Eb5 F5 C5 Eb5 F5
3 3 3 3
3 3 3 3
w/ pick & finger
11 11 11 11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12 12 12 12 12 10 8
10 8
C5 Eb5 F5 C5
3 3
3 3
3
3 3 3 3 3
w/ pick & finger
11 11 11 11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12 12 12 12 12
10
Eb5 F5 C5 Eb5 F5
3
3 3
3
w/ pick & finger
11 11 11 11 11 11 8 10
12 12 12 12 10 12 10 8 8 9
10
Interlude
2nd time, Gtr. 3 tacet
A5/G A5/F# A5/F A5
Gtr. 3
8 8
3 3 3
*Gtrs. 1 & 2
3
3 3
3
w/ pick & fingers
let ring
5 5 5 5 5 5 5 5 5
4 5 5 5 2 4 4 4 3 3 3
0 0 3 4
2
2
0
*Composite arrangement
Gtr. 2 tacet
A5
Gtr. 1
mp 1/4
2 2 2 2 2 2 2 5 2 5 2 2 2 2 5 2
2 2 2 2 2 2 2 5 2 2 2 2 2 2 2 2 2 2 5 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0
6
µ
1/4 1/4
5 2 2 2 2 2 2 5 2 5 2 2 2 2
2 2 2 2 2 2 2 5 2 2 2 2 2 2 2 2
0 0 0
Outro-Guitar Solo
Gtr. 1 tacet
A5 C5 D5 A5 C5 D5
Gtr. 2
w/ pick
let ring let ring
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 3 5 0 0 3 5
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
A5 C5 D5 A5 C5 D5 A5
3
Gtr. 3
3
grad. bend
P.H.
P.H.
7 4 1/2 4 1/2 1 1
8 8 8 8 8 5
5 7 5
7 7 5 7 7 7
Pitches: D E D E D E
C5 D5 A5 C5 D5 A5
3 3 3
P.H. semi-harm. P.H. P.H. P.H.
1 1 1 1 1 1 1
8 8 8 8 5 8 5 8
7 7 5 7 5 5 7 7 7 5
7
Pitches: A B A B
C5 D5 A5 C5 D5 A5
3 3
P.H. P.H. P.H.
1 1 1 1 1 1 1 1 1 1
5 5 5 7 7 7 7 7 7 7 5 6 5 7 5 7
7 7 5 7 7
Pitches: G A B C# B C# B C# G A
7
C5 D5 A5 C5 D5 A5
3
P.H.
P.H.
1/2
1 1 1 1
8
8 10 8 10 10
7 7 7 5 7 5 5 9
7 7
Pitches: A B A G A G A E F#
C5 D5 A5 C5 D5 A5
3
3 3
3
P.H. P.H.
semi-harm.
1 1/4 1 1
8 8 5
10 8 8 7 7 5
7 9 7 5 7 7 5 5 7 7 5
7 5 7
Pitch: B
C5 D5 A5 C5 D5 A5
3
P.H. semi-harm. semi-harm. P.H. P.H. P.H. P.H.
1/4 1 1/4 1/4 1/4 1/4 1 1/4 1/4
1
5 7 7 5 7 5 7 5 7
7 5 7 7 7 5
7 5 5 3 5 3 5 3
5 5
Pitch: G G G
C5 D5 A5 C5 D5 A5
P.H.
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
X
X
7 7 7 7 7 7 7 7 7 7 7 7 X 7 7 7
Pitches: B C# B C# B C# F G F G
C5 D5 A5 C5 D5 A5
3
P.H. P.H.
1/2
1 1 1 1
5 8 8 8
5 10 10 10
7 7 7 7 5 5 6
7 7
Pitches: B C# B C# B C# C
8
C5 D5 A5 C5 D5 A5
3 3 3
5 8 8
X 10 8 5 5 5 8 8 8 8 7 5
7 5 7 5 5 6 9 9 9 9 9 7 5
7 10 10
Begin fade
C5 D5 A5 C5 D5 A5
3
P.H.
1 1 1 1 1 1
7 8 7 8
5 5 7 8 7 8
5 5 8 9 8 9 7 5 7 7 5 7 7 7 7 7
7 5
7 6 5 0
8 8
Pitch: A B A B A B A B A B
3
C5 D5 A5 C5 D5 A5
3
P.H.
1 1 1 1
7 8 8 8
7 8 8 8 7 5
7 7 7 7 5 8 9 9 9 7 5
7 7 5 7
5 7 5 5
8 8
A B A B A B A B
C5 D5 A5 C5 D5 A5
7 8 8 8 7 8 8 8
5 7 8 8 8 7 5 7 8 8 8 7 5
5 2 2 8 9 9 9 7 5 2 8 9 9 9 7 5
2 2 2 2 2
0
Fade out
C5 D5 A5 C5 D5 A5
8 8 7 8 8 8 8
5 8 8 7 5 7 8 8 8
5 2 2 2 7 9 9 9 9 7 5 8 9 9 9 9 9
2 7 7 7
9
from Yes - Fragile
Long Distance Runaround
Words and Music by Jon Anderson
Intro
Very fast q = 180
μ
Gtr. 1 (clean)
mf
15 13 12 15 13 12
15 13 15
12 15 12 12 15
15 14 15 14
*Gtr. 2
mf
12 15 14 12 12 15 14 12
12 14 14 12
12 10 13 12 10 13
*Keyboard arr. for gtr.
let ring
15 16 15 15 13 12 6 5
16 17 15 13 8
12 15 12 7
15 14 8 7 5
6 7
10 8
11 13 11 10
11 12 12 15 14 12 10 7
12 14 14 10 8
12 10 13 9 10
© 1972 (Renewed) TOPOGRAPHIC MUSIC LIMITED
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
7 8 10 12 13 15 13 12
8 10 8 12 10 13 11 15 12 15 13
9 12 15 12
15 14 15
3
12
9 10 12 14 15 12 12 15 14
10 12 10 14 12 15 13 14 13 15
12 13 12 15 15 13 15 13
let ring
15 13 12 15 17 15 15 13 12 6
15 16 17 15 13
12 15 12 15 12
14 15 14
10
11 13 11
12 11 12 12
12 15 14 12 15 14
13 13 15
12 15 13 12 15 15
let ring
5 7 8 10 12 13 15 13 12
8 8 10 8 12 10 13 11 15 12 15
7 9 12 15
8 7 5 15 14
6 7
8
10
10 7 12 15 14 12
10 8 9 10 12 14 15 12 12
9 10 10 12 10 14 12 15 13 14 12 10 13
12
2
let ring
15 13 12 15 17 15 15 13 12
13 15 16 17 15
12 12 15 12 15
15 14 15 14
3
11 13 11
12 15 14 12 11 12 12 15 14 12
14 14 12 12
12 13 12 10 13 12 10 13
Bm
6 5 7 8 10 12
13 6 8 10 8 12 10 13 12 10 12
12 7 9 9 11
8 7 5
6 7
3
10 8 10 8 7
10 7
10 7 7
14 14 10 8 9 10 12 14 7 9
9 10 10 12 10 14 12 15 14 7 9
12
μ Bm
10 10 10 7 7 7 7
10 8 7 7 5 3
7 9 7 9
7 9 7 9
7 7
7 7
7 7
9 7 9
7 9
3
Verse
Half-time q = 90
2nd time, Gtr. 3 tacet
Esus2 Bm Esus2
1., 3. Long dis - tance run - a - round, long time
Riff A
7 9 7 9 7 9
7 9 7 9 7 9
0 0
Rhy. Fig. 1
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
Bm
wait - ing to feel the sound. I still re - mem - ber the
7 9 7 9 7 9
7 9 7 9 7 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
4
To Coda
G
dream there, I still re - mem - ber the time you said good - bye.
End Riff A
7 9 5 5 5 7
7 9 5 7 5 7 0 2
*T
7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
9 9 9 9 9 9 9 9 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
9 9 9 9 9 9 9 9 X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*T = Thumb on 6th string
C G/B Am7 C/G F
Did we real - ly tell lies? Let - tin’ in the sun - shine.
3 3 1
5 5 5 5 4 4 4 5 4 4 4 2
5 5 5 5 5 5 5 5 5 5 5 5 3
3 3 7
5 5 5 5 3 3 3 5 5 5 5 5 5 5 5 1
5 5 5 5 4 4 4 5 5 5 5 5 5 5 5 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
3 3 3 3 2 2 2 0 0 0 0 0 X X X 3
3 3 3 1
5
C,7/E Bb
Did we real - ly count to one hun - dred?
Gtr. 3 (clean)
mf
13 11 10 13 11 10
13 11 13 11
10 12 10 10 12
13 12 13 12 12
Gtr. 1
1
1 1 3
2 2 2 4 4 3
3 3 3 3 5 5 5 7
7 9
End Rhy. Fig. 1
Gtr. 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1
Verse
Gtr. 1: w/ Riff A
Gtr. 2: w/ Rhy. Fig. 1
Gtr. 3 tacet
Esus2 Bm Esus2
2. Cold sum - mer glis - ten - ing, hot col - or
Bm
melt - ing the an - ger to stone. I still re - mem - ber the
G
dream there, I still re - mem - ber the time you said good - bye.
Gtr. 3
15
6
C G/B Am7 C/G F
Did we real - ly tell lies? Let - tin’ in the sun - shine.
Gtr. 3
15 13 12 15 13 12
15 13 15 13
12 14 12 12 14 12
14 15 14 15
Gtr. 1
6
5 5 5 4 4 4 5 5 5 5 5 4 4 4 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
3 3 3 3 2 2 2
D.S. al Coda
C,7/E Bb
Did we real - ly count to one hun - dred?
15 13 12 13 11 10 13 11 10
15 13 13 11 13 11
12 14 12 10 12 10 10 12
14 13 12 13 12 12
6 6 6 6 5 5 5 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3
7 7 7 7 5 5 5 3 3 3 3 3 3 3 3 3 7 9
7 9
7
Coda
Interlude
Tempo I q = 180
G μ
time you said good - bye.
14
15 13 12
15 13
12 15 12
5 7 15 15
5 7
5
T
10
3 3 3 3 3 3 3
3 3 3 3 3 3 3 X
4 4 4 4 4 4 4 X 12 15 14 12
5 5 5 5 5 5 5 X 12 14 14
X X X X X X X 12 13 12
3 3 3 3 3 3 3
15 13 12 15 17 15 15 13 12 6
15 16 17 15 13
12 15 12 15 12
14 15 14
10
11 13 11
12 15 14 12 11 12 12 15 14 12
12 12 14 14
10 13 12 10 13
1. 2.
let ring
5 7 8 10 12 13 12
8 8 10 8 12 10 13 11 15 12 10 13 12
7 9
8 7 5 15 7 9
6 7 7 9
8
10
10 7
10 8 9 10 12 14 15 12 14
9 10 10 12 10 14 12 15 13 14 12 12 15 14
12
8
Verse
Half-time q = 90
Gtr. 1: w/ Riff A
Gtr. 2: w/ Rhy. Fig. 1 (1st 13 meas.)
Esus2 Bm Esus2
4. Cold sum - mer glis - ten - ing, hot col - or
Bm
melt - ing the an - ger to stone. I still re - mem - ber the
G
dream there, I still re - mem - ber the time you said good - bye.
Gtr. 3
15
C G/B Am7 C/G F
Did we real - ly tell lies? Let - tin’ in the sun - shine.
Gtr. 3
15 13 12 15 13 12
15 13 15 13
12 14 12 12 14 12
14 15 14 15
Gtr. 1
3
5 5 3 1
5 5 5 4 4 4 5 5 5 5 5 4 4 4 2
5 5 5 5 5 5 5 5 5 5 5 5 3
3 3 3 3 2 2 2
9
Cmaj7/E Bb
Did we real - ly count to one
15 13 12 13 11 10
15 13 13 11
12 14 12 10 12 10
14 13 12 13
1 1 0 0
1 1 1 1 1 1 3
2 2 2 2 0 0 0 3
3 3 2 2 2 3
Gtr. 1 tacet
G/B A/C# B/D#
hun - dred? Look - in’ for the sun - shine.
Gtr. 3
13 11 10
13 11 13 12 15 14 17 16 14 16
10 12 10 12 14
12 14 16
Gtr. 2
1 1 1 1 1 1 1 1 3 3 5 5 7 7
3 3 3 3 3 3 3 3 3 3 5 5 7 7
3 3 3 3 3 3 3 3 0 0 2 2 4 4
3 3 3 3 3 3 3 3 0 0 2 2 4 4
1 1 1 1 1 1 1 1 2 2 4 4 6 6
10
Outro
E5
Gtr. 3
17
Gtr. 4 (clean)
6
6
mf
w/ delay
12 14 16 12 14 16
2 14 13 14 16 13 14 16
*Gtrs. 1 & 2
0
0
X
2
2
0
*Composite arrangement
Gtrs. 1, 2 & 3 tacet
μ
8va
Gtr. 4
6
12 14 16 14 16 17 16 17 19 19 17 16 14 14 16 17 16 14
14 16 17 16 17 19 17 16 14 12
Segue to “The Fish (Schindleria Praematurus)”
loco
14 16 14 12 12 12 14 12
12 14 16 17 17 16 16 14 14 12 14 14 16 16
16 14
11
from Sammy Hagar - Standing Hampton
One Way to Rock
Words and Music by Sammy Hagar
E5 C#5 D5/A E5/B
4fr 5fr 7fr
23 134 1134 1134
Intro
Fast q = 156
Gtr. 1 tacet
F#5 A B A5 F#5 A5 B A5 F#5
Gtr. 2 (dist.)
f
*T
2 4
2 4 2 2 4 2
4 4 2 4 2 4 2 4 2 4
4 4 4 4
2
*T=Thumb on 6th string
mf
P.S.
Gtr. 1 (dist.)
Gtr. 3
Gtr. 3 (dist.)
divisi
f
2 4 4
4
X X 4
11 11 2 4 2 2 4 2
X X
11 11 4 2 4 2 4 2 4 2 4
9 9 4 4 4
A5 B A5 F#5 A5 B A5 F#5 A5 B A5 F#5
T
4 4
2 4 2 2 X 4 2 2 4 2
4 2 4 2 4 2 X 4 2 4 4 2 4 2 4
4 4 4 4 4
2
4 4
2 4 2 2 4 2 2 4 2
4 2 4 2 4 2 4 2 4 4 2 4 2 4
4 4 4 4 4
© 1982 WB MUSIC CORP.
All Rights Reserved Used by Permission 1
A B A5 F#5 A5 B A5 F#5 A5 B A5 E5
(cont. in slashes)
0 0
4 4 0 0
2 X 4 2 2 4 2 2 4 2 X X
2 X 4 2 4 4 2 4 2 4 2 4 2 2 2
4 4 4 X
0 0
(cont. in slashes)
2 4 4
2 4 2 2 4 2 2 4 2
2 4 2 4 4 2 4 2 4 2 4 2 2 2
4 4 4 2 2
0 0 0 0
Verse
Gtrs. 2 & 3 tacet
**E5 F#5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs.
2&3
1. I’ve heard it called by dif - f’rent names all o - ver the world but it’s all the same.
*Gtrs.
4&5
(dist.) Rhy. Fig. 2 End Rhy. Fig. 2
f
P.M.
2
2 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement
**See top of first page of song for chord diagrams pertaining to rhythm slashes.
A5 B A5 F#5 A5 B A5 F#5 A B5 A5 F#5 A B A E5
Now, there’s so
Rhy. Fig. 3 8va End Rhy. Fig. 3
loco
loco
8va 8va
loco
Harm. Harm.
P.M. Harm.
*** † †† T
0 0
4 4 2 2 4 2 0 0
2 4 2 2 4 2 2 4 2 2 4 2 X X
4 4 2 4 2 4 2 4 2 4 4 2 4 2 4 2 4 2 2 2
4 4 4 1.75 4 4 1.75 4 1.75
1.6 2 1.75 0 0
Pitch: C# A# C# C# G#
***Harmonic located approx. three-quarters the distance between the 1st and 2nd frets.
†Harmonic located approx. six-tenths the distance between the 1st and 2nd frets.
††T = Thumb on 6th string
2
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Gtrs. 4 & 5: w/ Rhy. Fig. 1
F#5
man - y ways to make love, a mil - lion ways that I been think - in’ of.
A5 B A5 F#5 A B A5 F#5 A B A5 F#5 A B A5 C#5
Oh, yeah.
Rhy. Fig. 4 8va End Rhy. Fig. 4
Gtrs. loco
2&3 8va
loco
Harm.
P.M. Harm. Harm. (cont. in slashes)
T
4 2 4 2 4 2 4
2 4 2 2 4 2 2 4 2 2 4 2 6 6
4 4 2 4 2 4 2 4 4 4 2 4 4 2 4 2 4 2 4 4 2 6 6
4 4 4 4 4 4 4 1.75 4 1.75 0 4 4
2 0
Pitch: C# C#
Chorus
Gtrs. 2 & 3 tacet
C#5 F#5
Rhy. Fig. 5 End Rhy. Fig. 5
Gtrs.
2&3
But there’s on - ly one way, there’s on - ly one way to rock.
Gtrs.
4&5 Rhy. Fig. 6 End Rhy. Fig. 6
P.M. P.M.
6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
0 2
A5 B A F#5 A B A5 F#5 A B A5 F#5 A B A5 E
Yeah. 2. Now,
loco
Gtrs. 8va loco 8va
loco 8va
4&5
Harm.
Harm. Harm.
P.M.
*
T
0 0
4 2 2 4 2 4 2 4 0 0
2 4 2 2 4 2 2 4 2 2 4 2 X X
4 4 2 2 4 2 4 2 4 2 4 4 2 4 2 4 2 4 4 2 2 2
4 4 4 1.5 3 4 4 1.5 4 1.75
2 0
Pitch: E E E C#
*Harmonic located approx. half the distance between the 1st and 2nd frets.
3
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Gtrs. 4 & 5: w/ Rhy. Fig. 1
E5
how man - y things can get you high? I’m gon - na try ’em all just once
Gtrs. 4 & 5 tacet Gtrs. 2 & 3: w/ Rhy. Fig. 3
F#5 A5 B A5 F#5 A5 B A5 F#5
be - fore I die.
8va
Gtr. 1 loco
f P.H.
1 1
4 4 4 4 2
4 4 4 4
Pitch: D# E# D#
A B5 A5 F#5 A B A E5
And you can
3
1 P.H. 1
2 5 2
4 4 4 4 2 2 4 2 X
X 4 4 X 2
X
0
E#
Gtr. 1 tacet
Gtrs. 2 & 3: w/ Rhy. Fig. 1
Gtrs. 4 & 5: w/ Rhy. Fig. 2
F#5
an - a - lyze the sit - u - a - tion, to me it’s all just men - tal mas - tur - ba -
Gtrs. 4 & 5: w/ Rhy. Fig. 4
A5 B A5 F#5 A B A5 F#5 A B A5 F#5 A B A5 C#5
- tion, a. Huh.
4
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 6 (1st 3 meas.)
Gtrs. 4 & 5: w/ Rhy. Fig. 5
C#5
There’s on - ly one way, there’s on - ly
Gtrs. 4 & 5tacet
F#5 A B A5 F#5 A B A5 C#5
one way to rock.
Gtr. 1
1 1
2 2 2
2 2 5 2 2 2 2 5 2
4 4 4 2 4 4 4 2 2
4 4 2 4 2
2
Rhy. Fig. 7
End Rhy. Fig. 7
Gtrs. 2 & 3
P.M. Harm.
(cont. in slashes)
2 X 4 2 4
6 6 6 6 6 6 2 X 4 2 2 4 2 6 6
6 6 6 6 6 6 4 4 2 X 4 2 4 2 4 4 2 6 6
4 4 4 4 4 4 4 4 4 4 4 4
0 2 0
C#5 D5/A E5/B
Rhy. Fig. 8 End Rhy. Fig. 8
Gtrs.
2&3
There’s on - ly one way, there’s on - ly one way to rock.
Gtr. 1
9 11
9
4
Gtrs.
4&5 Rhy. Fig. 9
P.M. P.M. slight P.M.
6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 4
5
Gtrs. 2 & 3 tacet
A5 B A5 F#5 A B A5 F#5 A B5 A F#5 A5 B A5 G#5
Ow.
Now, quick -
8va
P.H.
1/2
1 1/2 1
17 16 16 16
17
11 11 11 11 11 2 11 11 11 16 16
End Rhy. Fig. 9
8va
loco
Harm. P.M. Harm.
* T
4
4 2 4 2 2 4
2 4 2 2 4 2 2 4 2 2 4 2
4 4 2 4 2 4 2 X 4 2 4 4 2 X 4 2 4 2 4 4 2 6 6
4 4 4 4 4 4 0 6 6
2.25 2 0 4 4
Pitch: E
*Harmonic located approx. one-quarter the distance between the 2nd and 3rd frets.
Bridge
Gtr. 1 tacet
G# A
- ly, check the hands on the clock.
Rhy. Fig. 10
Gtrs. 4 & 5
2
5 5 2
6 6 2
6 6 0
4 4
It’s eight oh five, it’s time to rock.
End Rhy. Fig. 10
0
2 0
2 1
2 2
0 2
0
6
F#5
loco
Gtr. 1
2 2 2 2 2 2
2 2 5 2 2 5 2 2 5 2 2 5 2 4 2 2 5 2
4 4 4 4
Gtrs. 4 & 5
4
4
2
E5
Gtr. 1
3
2 5 2 2 5 2 4 2 2
2 2 2
2 2 5 2 2 2 5 2 2 4
4 4 4 2 0 0 2
Gtrs. 2 & 3
P.S.
X
X
XX
XX
Gtrs. 4 & 5
4 4 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0
7
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 1 tacet
Gtrs. 4 & 5: w/ Rhy. Fig. 1
E5 F#5
3. And this world can dis - a - gree, they don’t un - der - stand how it can be.
Gtr. 1
Gtrs. 2 & 3: w/ Rhy. Fig. 3
A5 B A5 F#5 A5 B A5 F#5 A B5 A5 F#5 A B A E5
F#5
And it’s not my point of view, it’s a fact, and you know that it’s true.
Gtrs. 2 & 3
P.S.
0
0
X X X
X
X X X
2
2 X
0 X
Gtrs. 4 & 5
P.M.
4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 2 & 3 tacet
μ A B A5 F#5 A B A5 F#5 A5 B A5 F#5 A B A5
Huh. Oh, yeah!
Gtrs. 4 & 5
Harm.
P.M.
T T
2 4 2 4 4 2 4
2 4 2 4 2 2 4 2 2 4 2
2 4 2 4 2 4 2 4 4 2 4 2 4 2 X 4 2
0 4 4 4 4 4 0 0
X X 2 X 2 0
8
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 6
C#5 F#5
There’s on - ly one way, there’s on - ly one way to rock.
Gtrs.
4&5
Gtr. 1
divisi
6 6 6
6 6 6 4
4 4 4 4 4
Gtrs. 2 & 3: w/ Rhy. Fig. 7 Gtrs. 2 & 3: w/ Rhy. Fig. 8
Gtrs. 4 & 5 tacet Gtrs. 4 & 5: w/ Rhy. Fig. 9
A B A5 F#5 A B A5 C#5
There’s on - ly one way,
Gtr. 1
3
2 2 4 2
4 4 4 4 4 4 4 2
4 4
D5 E5 F#5 A5 B A5 F#5
there’s on - ly one way to rock.
Ah.
P.H.
2 2 4
4 4 4
Pitch: D#
9
A B A5 F#5 A B5 A F#5 A5 B A5 G#5
Yeah!
loco loco
8va 8va
3 3
P.H. let ring
P.H.
5
5 7 7 7 7 5 7 5 7 10 12 10 12 14 12 12 12 14 12 12 X
6 6 6 6 11 11 14 X 14
Pitch: E#
Bridge
Gtr. 1 tacet
Gtrs. 4 & 5: w/ Rhy. Fig. 10
G# A E
Crank up the drums, crank up the bass, crank up my Les Paul in your face.
F#5
Yeah!
Gtr. 1
1 2 2 2 1 2 2 2 1 2 2 2 1 2 2 2 1 2 2 2 2
1 2 2 2 1 2 2 2 1 2 2 2 1 2 2 2 1 2 2 2 2
Gtrs. 4 & 5
4
4
2
Gtrs. 2 & 3
P.S.
X
X
XX XX
10
Chorus
Gtr. 1 tacet
Gtrs. 2 & 3: w/ Rhy. Fig. 5
Gtrs. 4 & 5: w/ Rhy. Fig. 6
C#5
There’s on - ly one way, there’s on - ly
Gtrs. 4 & 5: w/ Rhy. Fig. 7
F#5 A B A5 F#5 A B A5 C#5
one way to rock.
Gtrs. 2 & 3: w/ Rhy. Fig. 6
F#5
There’s on - ly one way, there’s on - ly one way to rock.
Gtrs. 4 & 5
P.S.
6
6
4 X
X
Gtrs. 2 & 3: w/ Rhy. Fig. 7 Gtrs. 2 & 3: w/ Rhy. Fig. 8
Gtrs. 4 & 5: w/ Rhy. Fig. 9 (1st 4 meas.)
A B A5 F#5 A B A5 C#5
There’s on - ly one way,
Gtrs. 4 & 5: w/ Rhy. Fig. 4
D5 E5 F#5 A5 B A5 F#5
there’s on - ly one way to rock.
Gtr. 1
11 11 11 11
11
A B A5 F#5 A B A5 F#5 A B A5 C#5
11 11 11 11 11 11 11 11 11 11 11 11
X
X
Gtr. 1 tacet
C#5 D5/A
Gtrs.
4&5
(cont. in notation)
There’s on - ly one way, there’s on - ly one way,
Gtrs. 2 & 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E5/B F#5
there’s on - ly one way to rock.
To rock.
Gtrs. 2 & 3
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 4
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 4
Gtrs. 4 & 5
Gtr. 1
w/ bar Gtrs. 4 & 5
divisi
9
9
7
7 0 ?
2
-2 1/2
-3 1/2 slack
12
Outro-Guitar Solo
Gtrs. 4 & 5 tacet
A B A5 F#5 A5 B A5 F#5
Gtr. 1
P.H.
1
2 4 4 4 2
4 4
2 2
Pitch: F# G# F#
Rhy. Fig. 11
loco
8va
Gtrs. 2 & 3
Harm.
2 4 4
2 4 2 2 4 2
4 4 2 4 2 4 2 4 4 2 4
4 4 4 1.5 4
Pitch: E
A5 B A5 F#5 A5 B A5 F#5
Yeah, to rock.
3
6 3
3
2 2 5 2 2
5 2 5 2 5 2 5 2 5 2 2 2
4 2 4 2 4 4 2 2
4 4 4 14 16
End Rhy. Fig. 11
loco
8va
P.M. P.M.
Harm.
T T
4 4
2 4 2 2 4 2
4 2 4 2 4 2 4 4 2 4
4 4 1.5 4
2 2
Pitch: E
13
Gtrs. 2 & 3: w/ Rhy. Fig. 11 (2 3/4 times)
A B A5 F#5 A5 B A5 F#5 A5 B A5 F#5
Gtr. 1
1 1 1 1
1 1 1 1
14 14 14 14
14 14 14 14 14 17 17 17 17
16 16 16 16 16 16
A5 B A5 F#5 A B A5 F#5 A5 B A5 F#5
Voc. Fig. 1 End Voc. Fig. 1
To rock. Ow!
8va
17
1
1 1
14 14 17 14 14 17 14 17 19 17 17 19 17 17
17 17 17 19 19 19 19 19 19
Lead & Bkgd. Voc.: w/ Voc. Fig. 1
A5 B A5 F#5 A5 B A5 F#5 A B A5 F#5
One way to rock.
8va
8va
loco
17
1 1 1
1 1 1 1
0 19 19 19 19 19 19
19
4 4 4 4 4
A5 B A5 F#5 A5 B A5 F#5
Ow!
8va
loco
3 3
1 1 1
19 19 19 19 19 16 16
18 19 16 17 14 0 16 13 0 14 11 0 12 9 0 8 5 0 5 3
0
14
Free time
A5 B5 F#5
Huh!
8va
8va
Gtr. 1
loco
P.H.
w/ bar 1
P.H.
T.H.
2
0 0
0 6 3 0 0 4 4 2 2(14)
0 0
2 2 0
Pitch: F# -1 1/2 F#
-1/2
-2 1/2
-3 1/2
-4
Gtrs. 2 & 3
P.M.
2 4
2 2 2
2 4
2 4 4 4 4
0 2 2
8va
loco
3
1/2
(2) 2 0 5 2 4 2 0
5 2 5 2
6 4 2 4 2 2
4 2 2 2
4 4 1 16 16
4
4
2
w/ bar
5 5
16
-1
-4
P.S.
XX XX XX XX XX
4 4 4
4 X 4 4
2 X 2 2
15
from Asia - Asia
Only Time Will Tell
Words and Music by Geoffrey Downes and John Wetton
Intro
Moderately q = 120
**Am F/A G
Riff A
*Gtr. 1
mf
12 13 10
13 13 10 13 10 13 12 8 12 8 12
*Synth arr. for gtr.
**Chord symbols reflect implied harmony, next 4 meas.
Em F6 F
End Riff A
12 8 10 8 10 8
10 6 10 6 10
Gtr. 1: w/ Riff A (1 3/4 times)
***Am F/A G Em F G
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 2 & 3
(dist.)
mf
0 0 0 0 1 1 3 3 0 0 0 0 1 1 3 3
1 1 1 1 1 1 3 3 0 0 0 0 1 1 3 3
2 2 2 2 2 2 4 4 0 0 0 0 2 2 4 4
***Chord symbols reflect overall harmony.
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 3 meas.)
Am F/A G Em
Gtr. 4
(dist.)
mf
1
17 17 15 17 18 17 15 20 20
Copyright © 1982 BMG Platinum Songs (BMI), Palan Music Publishing Ltd. (PRS) and WB Music Corp.
Worldwide Rights for BMG Platinum Songs and Palan Music Publishing Ltd. Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission 1
Gtr. 4 tacet
F
8va
Gtr. 4
* pp
22 20 22 20 20
*Vol. swell
Fill 1 End Fill 1
Gtr. 1
10 8 10 8
Gtrs. 2 & 3
1 1 1 1 1 1 1
1 1 1 1 1 1 1
2 2 2 2 2 2 2
3
3
1
Verse
Gtrs. 1, 2 & 3 tacet
C Cmaj9(no3rd) C C Cmaj9(no3rd) C
1.You’re leav - ing now. It’s in your eyes.
*Gtr. 5
mf
let ring let ring
17 18 15 13 17 18 15 13
17 19 16 12 17 19 16 12
17 17 14 17 17 14
*Elec. piano arr. for gtr.
Am A7susÊ Am Am A7susÊ Am
There’s no dis - guis - ing it. It real - ly
let ring let ring
17 18 15 13 17 18 15 13
17 19 16 14 17 19 16 14
17 17 14 17 17 14
2
Fmaj9 F6#11sus2 F D7susÊ D6sus4 Esus4 E Esus4 E
comes as no sur - prise to find that you planned it all a - long.
let ring let ring
17 18 15 13 17 18 15 12 12 12 12
17 19 16 14 17 19 16 14 13 14 13
17 17 15 17 17 14 14 14 14
Verse
Gtr. 5 tacet
C Cmaj9(no3rd) C C Cmaj9(no3rd) C
2. I see it now. It comes so clear,
Riff B
Gtr. 4
mf
15 15
15 15 17 15 15 15 17 15 17
12 12
Rhy. Fig. 2
*Gtr. 6
mf
w/ fingers
let ring let ring
5 6 3 1 5 6 3 1
5 7 4 0 5 7 4 0
5 5 2 5 5 2
*Piano arr. for gtr.
3
Am A7susÊ Am Am A7susÊ Am
your in - sin - cer - i - ty. And me all
End Riff B
15 15
17 15 15 15 17 15 15 15 17 15 17
12 12
let ring let ring
5 6 3 1 5 6 3 1
5 7 4 2 5 7 4 2
5 5 2 5 5 2
Fmaj9 F6#11sus2 F D7susÊ D6sus4 Esus4 E Esus4 E
star - ry eyed, you’d think that I would have known by now.
17
End Rhy. Fig. 2
let ring let ring
5 6 3 1 5 6 3 0 0 0 0
5 7 4 2 5 7 4 2 1 2 1
5 5 3 5 5 2 2 2 2
4
Chorus
Gtrs. 4 & 6 tacet
Am F/A G Em
3
Now, sure as the sun will cross the sky, this lie is o -
Gtr. 3
3 3 3 3 3 3 3 3 3 3 3 3
dist. off
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 13 13 13 13 13 13 15 15 15 15 15 15 12 12 12 12 12 12 12 12 12 12 12 12
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 15 15 15 15 15 15 12 12 12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 16 16 16 16 16 16 12 12 12 12 12 12 12 12 12 12 12 12
F G Am F/A G
ver. Lost, like the tears that used to tide
Riff C
Gtr. 4
3
3 3 3 5 7
Gtr. 3
3 3 3 3 3 3 3 3 3 3 3 3
P.M.
13 13 13 13 13 13 13 13 13 15 15 15 12 12 12 12 12 12 12 12 12 12 12 12 13 13 13 13 13 13 15 15 15 15 15 15
13 13 13 13 13 13 13 13 13 15 15 15 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 15 15 15 15 15 15
14 14 14 14 14 14 14 14 14 16 16 16 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 16 16 16 16 16 16
5
Em F
me o - ver.
End Riff C
5 5
3 3 7 7 7
3 3 5
3 3 3 3 3 3 3 3 3 3 3 3
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
12 12 12 12 12 12 12 12 12 12 12 12 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
12 12 12 12 12 12 12 12 12 12 12 12 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Interlude
Gtr. 3 tacet
G7sus4 A7susÊ
Am A7susÊ Am
Gtr. 4
Fill 2 End Fill 2
1/2
1 1
20 20 17
20 20 17
7 19 19 17
19
Riff D
*Gtr. 7
mf
let ring
10 15 15 17 17 15 17 17
13 15 17 17 15 17 17
10 12 16 17 17 16 17 17
10 12
10
*Synth arr. for gtr.
6
A7susÊ Am A7susÊ Am G7sus4
Riff E
3
15 13 15
15 13 15 13 13
12 10 12 10 14 12 14 12 12
17 19 17 10 10 12
19 17 15 17 15
17 17
End Riff D
mf
let ring
15 17 17 15 17 17 10 15
15 17 17 15 17 17 13
16 17 17 16 17 17 10 12
10 12
10
Verse
Gtr. 6: w/ Rhy. Fig. 2
Gtr. 7 tacet
C Cmaj9(no3rd) C C Cmaj9(no3rd) C
3. One thing is sure, that time will tell.
Voc. Fig. 1
(On - ly time will tell.
Gtr. 4
15 15 15
15 15 17 15 15 17 15 17
12 12
7
Am A7susÊ Am Am A7susÊ Am
If you were wrong the bright - est
End Voc. Fig. 1
On - ly time will tell.)
15 15
17 15 15 15 17 15 15 15 17 15 15 17
12 12
Gtr. 4 tacet
Fmaj9 F6#11sus2 F D7susÊ D6sus4 Esus4 E Esus4 E
ring a - round the moon will dark - en when I die.
End Riff E
17 17 15 15 17 13
Interlude
Gtr. 1: w/ Riff A (1 3/4 times)
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Am F/A G Em F G
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 3
mf
w/ dist.
0 0 0 0 1 1 3 3 0 0 0 0 1 1 1 3
1 1 1 1 1 1 3 3 0 0 0 0 1 1 1 3
2 2 2 2 2 2 4 4 0 0 0 0 2 2 2 4
***Chord symbols reflect overall harmony.
8
Gtr. 3: w/ Rhy. Fig. 1 Gtr. 1: w/ Fill 1
Am F/A G Em F G
Gtr. 4
(dist.)
3 3 3
mf
1
12 16 12
17 15 17 18 17 15 20 20 13 12 15 13 12 15 13 15
14
Chorus
Gtr. 2: w/ Rhy. Fig. 3 (1 1/2 times) Gtrs. 1 & 4 tacet
Am F/A G Em
3
Now, sure as the sun will cross the sky, the lie is o -
Gtr. 4
13 12
14
Gtr. 1
Rhy. Fig. 4
Gtr. 3
12 12 12 12 13 13 15 15 12 12 12 12
13 13 13 13 13 13 15 15 12 12 12 12
14 14 14 14 14 14 16 16 12 12 12 12
9
Gtr. 4: w/ Riff C
F G Am F/A G
ver. Gone, like the tears that used to tide
Gtr. 3
13 13 13 15 12 12 12 12 13 13 15 15
13 13 13 15 13 13 13 13 13 13 15 15
14 14 14 16 14 14 14 14 14 14 16 16
Em F
me o - ver.
(O - ver.)
End Rhy. Fig. 4
Gtr. 3
12 12 12 12 13 13 13 13 13 13 13 13
12 12 12 12 13 13 13 13 13 13 13 13
12 12 12 12 14 14 14 14 14 14 14 14
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 2
0 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 2 2 2 2 2 2 2 2
10
Interlude
C Cmaj9(no3rd) C Bb Bb#11 Bb
Gtr. 4
12 13 12 15 13 15 12 13 13
15 15 13
12 10
Gtrs. 2 & 3
5 3
5 3
3 1
Ab Ab#11 Ab G7sus4
11 13 11 11 15 13 15
15 11 15 13 15 13 13
8 12 10 12 10 14 12 14 12 12
10 10 12
6 5
6 5
4 3
Verse
Gtrs. 2 & 3 tacet
Gtr. 7: w/ Rhy. Fig. 2 (1st 8 meas.)
C Cmaj9(no3rd) C C Cmaj9(no3rd) C
4.You’re leav - ing now. It’s in your eyes.
Gtr. 4
15
11
Am A7susÊ Am Am A7susÊ Am
There’s no dis - guis - ing it. It real - ly
12 12 12
15 13 12 12 12 13 15
14
Gtr. 4 tacet
Gtr. 6: w/ Rhy. Fig. 2 (last 4 meas.)
Fmaj9 F6#11sus2 F D7susÊ D6sus4 Esus4 E Esus4 E
comes as no sur - prise to find that you planned it all a - long.
Verse
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 4: w/ Riff B
Gtr. 6: w/ Rhy. Fig. 2
C Cmaj9(no3rd) C C Cmaj9(no3rd) C
5. I see it now. It comes so clear,
Am A7susÊ Am Am A7susÊ Am
your in - sin - cer - i - ty.
Fmaj9 F6#11sus2 F
And me all star - ry eyed, you’d think that I
Gtr. 4
15 17 15 17 17 15 15 17 13
12
Gtr. 6: w/ Rhy. Fig. 2 (last meas.)
D7susÊ D6sus4 Esus4 E Esus4 E Esus4 E Esus4 E
would have known by now.
Gtr. 4
12 13 12 12
13 13 15 13 12 13 12 12 15 15 13 15 13 12
14 14 13
Gtrs. 2 & 3
7 2 3 5 7
0 2 4 5
Chorus
Gtr. 2: w/ Rhy. Fig. 3 (1 3/4 times)
Gtr. 3: w/ Rhy. Fig. 4
Am F/A G Em F G
3
Now, sure as the sun will cross the sky, this lie is o - ver.
Gtr. 4
13
3
3 3 3 3 5
Gtr. 2: w/ Rhy. Fill 1
Am F/A G Em F
Lost, like the tears that used to tide me o - ver.
(O - ver.)
3
7 3 3 3
13
Gtr. 4: w/ Riff C (last meas.) Gtr. 4: w/ Fill 2
Gtr. 7: w/ Riff D
G7sus4
O - ver.
(O - ver.)
Interlude
Gtr. 4: w/ Riff E
A7susÊ Am A7susÊ Am A7susÊ Am A7susÊ Am G7sus4
Verse
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 6: w/ Rhy. Fig. 2 (till fade)
C Cmaj9(no3rd) C C Cmaj9(no3rd) C
6. You’re on your own in - side your room.
Am A7susÊ Am Am A7susÊ Am
You’re claim - ing vic - to - ry. You were just
Begin fade
Fmaj9 F6#11sus2 F D7susÊ D6sus4
us - ing me, and there is no one you can use now.
Fade out
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas,)
Esus4 E Esus4 E C Cmaj9(no3rd) C
One thing is sure...
Gtr. 4
15
15 15 15 17
10 9 9 9 12
12 12 10 10 9 10
14
from Guns N’ Roses - Appetite for Destruction
Paradise City
Words and Music by W. Axl Rose, Slash, Izzy Stradlin’, Duff McKagan and Steven Adler
G C F GIII
3 32 1 1342 1342
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately slow q = 94
G C
Gtr. 1 (clean)
mf
w/ chorus
let ring throughout
3 3 3 3 3 3 3
0 0 0 0 0 1 1 1 1 1
0 0 0 0 0 0 0 0
0 0 2
2 3
3
F'9 C G
3 3 3 3
1 1 1 1 1 1 1 0 0 0 0 0 0
0 2 2 0 0 0 0 0 2 0 0
0 3 3 0 2 2 0 0 2
3 2
3
Rhy. Fig. 1
3 3 3 3 3 3
0 0 0 0 1 1 1 1 1
0 0 0 0 0 0 0 0
0 0 2
3
F'9 C G
End Rhy. Fig. 1
3 3 3 3
1 1 1 1 1 1 1 0 0 0 0 0 0
0 2 2 0 0 0 0 0 2 0 0
0 3 3 0 2 2 0 0 2
3 2
3
Copyright © 1987 Guns N’ Roses Music (ASCAP) and Black Frog Music (ASCAP)
All Rights for Black Frog Music in the U.S. and Canada Controlled and Administered by Universal - PolyGram International Publishing, Inc.
International Copyright Secured All Rights Reserved 1
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
G C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
F'9 C G
Take me home.
(Oh, won’t you please take me home?)
C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
F'9 C G
Take me home.
(Oh, won’t you please take me home?)
Gtr. 1
3 3 3
1 1 0
0 2 0 0
0 3 0 2 0
2
3
Gtr. 2 (dist.)
* f
3
4
5
5
3
*Vol. swell
2
Interlude
Gtr. 1 tacet
*G C F C G
Rhy. Fig. 2A End Rhy. Fig. 2A
Gtr. 3 dist.)
Gtr. 2 Rhy. Fig. 2 End Rhy. Fig. 2
P.M. P.M. P.M. P.M.
5 5 6 5
4 5 5 5 5 4 X X
5 5 3 5 5 X X
5 3 3 3 3 3 3 3 3 3 5 X X
3 3 3 3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (1 1/4 times)
C
Gtr. 4 (dist.)
f
1 1 1 1
15 15
12 12 14 14 14 12 12 12 14 14 14 12
12 14 14 12 14 12 14 14 12 14
F C G
1 1 1/2 1 1 1
13 13 13 15
14 14 12 14 14 12 12 14 14 14 12
14 12 14 14 12 14
C F C G
Gtr. 3
(cont. in notation)
Gtr. 4
1 1/2 1 1 hold bend 1/2 1/2 1/2 1/2 1/2
15
15 13 13 13 13 13 12 12 12 12 12 12 12
12 12 14 14 14 12
12 14 14 12 14
Gtr. 2
P.M.
P.M. P.M.
5 5 6 5
5 5 5 5 4 4
5 3 5 5 5 12 12
3 3 3 3 3 3 3 5 5
3 3 3 3
3
Interlude
Gtr. 4 tacet
G5 Bb5 G5 C5 Bb5
Riff A
Gtr. 3
5
5
3
3
4
4
5
5
3
3
4
4
5
5
3
3
5
5
3
3
5
5
3
3 5
5
3
3
4
4
5
5
3
3
4
4
5
5
3
3
5
5
3
3
5
5
3
3
Gtr. 2
P.M. P.M. P.M. P.M.
1/2 1/2
1 3 1
3 1 2 3 1 2 3 1 3 1 3 3 1 2 3 1 2 3 1 3 1
3rd time, Gtr. 3: w/ Fill 2
G5 Bb5 G5 C5 Bb5
End Riff A
3 5 3
5 3 4 5 3 4 5 3 5 3 5 3 5 3 4 5 3 4 5 3 5 3
5 3 4 5 3 4 5 3 5 3 5 5 3 4 5 3 4 5 3
P.M. P.M. P.M. semi P.H.
1/2 1 1/4
X
1 0 1 2 3 X 1 1
3 1 2 3 1 2 3 1 3 1 3 3 1 2 3
Fill 2
Gtr. 3
5 3
5 3 4 5 3 4 5 3 5 3
5 3 4 5 3 4 5 3
4
Verse
G5 Bb5 G5
C5 Bb5
1. Just a ur - chin liv - in’ un - der the street. I’m a hard case that’s tough to beat. I’m your
2. Rags to rich - es, or so they say. You got - ta keep push - in’ for the for - tune and fame. You know it’s,
3. Strapped in the chair of the cit - y’s gas cham - ber, why I’m here I can’t quite re - mem - ber.
Gtr. 3
1/4 1/4
5 5 X 3 3 5 3 3
5 5 X X 5 X X 5 X 5 5 X X 5 X X 5 X 0 5 3
X X X
Riff B
Gtr. 2
P.M. P.M.
3 3
1 3 1
3 1 2 3 3 1 2 3 1 3 1 3 3 1 2 3 3 1 2 3 1 3 1
G5 Bb5 G5
char - i - ty case, so buy me some - thin’ to eat. I’ll pay you at an - oth - er
it’s all a gam - ble when it’s just a game. You treat it like a cap - i - tal crime.
The sur - geon gen - ’ral says it’s ha - zard - ous to breathe. I’d have an - oth - er cig - a - rette but
1/4
3 3
5 X X 5 5 X 5 5 0 5 5 5 3 5 3
End Riff B
P.M. P.M.
3
1 0 1 2
3 1 2 3 3 1 2 3 1 3 1 3 3 1 2 3
5
1.
To Coda
C G5 µ
time. Take it to the end of the line.
I can’t see. Tell me who you’re gon - na be - lieve.
1 1 1/2 1/2
5 5
5 5 5 5 5 3 5 5 5 5 3
5 5 15 0 0
0 0
Rhy. Fill 1 End Rhy. Fill 1
steady gliss.
1/2
5
5
5
3 3 3 1 3 1
1 3 3 20
2.
Gtr. 2: w/ Rhy. Fill 1
C G5 µ
Ev - ’ry - bod - y’s do - in’ their time.
3
Gtr. 3
3
1/2 1/2 1/2 1/2 1/2 hold bend
5
5 5 5 5 5 3 5 5 5 3
5 5 3 5
0 0
13 0 0
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (1 1/2 times)
G C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
F
C G
Oh, won’t you please take me home? Yeah, yeah.
6
C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
D.S. al Coda
(take 1st ending)
F C G
Take me home.
Gtr. 2
P.M. P.M.
6 5
5 5
3 5 5 5 3
3 3 3 3 5 5 3
3 3 3 3 1
Gtr. 3
steady gliss.
string noise
0
1 0
2 0 X X 0
3 X X 2 X X 0 X
3 X X 3 X X X X
1 X X 3 X 15
Coda
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (1 1/2 times)
G C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
F C G
Take me home. Yeah, yeah.
C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
7
F C G5 F5
Oh, won’t you please take me home?
Gtr. 2
6 5 6
5 5 5
3 5 3
3 3 3 3 3 3 3
Gtr. 3
0
1
2 X X 0
3 X X 2
3 X X 3
1 X X 3 1 1 13 0 0
Guitar Solo
Gtr. 3: w/ Riff A
G5 Bb5 G5 C5 Bb5
Yeah.
Gtr. 5 (dist.)
f
*w/ octaver P.M.
1/4 1 1/2
3 5 3 4 5 5 3
3 3 5 5 3 5
5
*Set for one octave below with 50/50 wet/dry mix.
Gtr. 2
P.M. P.M.
3 3
1 3 1
3 1 2 3 3 1 2 3 1 3 1 3 3 1 2 3 3 1 2 3 1 3 1
8
Gtr. 3: w/ Rhy. Fill 1
G5 Bb5 G5 C5 Bb5
grad. bend
1 1/2 1/2
6 3
3 6 6 6 6 8 8
5 5 5 3 4
P.M. P.M.
3 5 3
1 3 1
3 1 2 3 3 1 2 3 1 3 1 3 3 1 2 3 3 1 2 3 1 3 1
Gtr. 5 tacet
A5 C A5 D5 C5
Gtr. 4
P.M.
1 hold bend 1 1 1/4 1
5 8
8 8 8 5 8 5 8
7 7 7 5 7 5
7 7 5
7 6 5 3 5 5 3
5
Gtr. 3
5
5 7 5
7 5 6 7 5 6 7 5 7 5 7 5 7 5 6 7 5 6 7 5 7 5 7 5
7 5 6 7 5 6 7 5 7 5 7 7 5 6 7 5 6 7 5 7 5
Gtr. 2
P.M. P.M.
5 5
3 5 3
5 3 4 5 5 3 4 5 3 5 3 5 5 3 4 5 5 3 4 5 3 5 3
9
Gtr. 4 tacet
G5 Bb5 G5 C
So
Gtr. 4
Gtr. 5
3
1/2 1/2 Gtr. 5
1 1 1 divisi
3 3 3
5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 10
Gtr. 3
let ring
5
3 5 5
5 3 4 5 3 4 5 3 5 3 5 3 5 3 4 5 3 5 5 5
5 3 4 5 3 4 5 3 5 3 5 5 3 4 5 3 3 0
Gtr. 2
P.M. P.M.
5
3 X X 5 X X
1 X X 3 X X
3 1 2 3 3 1 2 3 1 3 1 3 3 1 2 3 3 X X
Bridge
Gtr. 5 tacet
D5
C5
far a - way, so
Gtr. 4
10 10 10 10 8 8 8 8
11 12 10 11 10 11 12 10 11 8 9 10 8 9 8 9 10 8 9 10
*Gtrs. 2 & 3
slight P.M. P.M. P.M. P.M.
5 7 7 5 5
7 7 7 7 7 7 X 5 7 7 7 7 7 X X 5 5 5 5 5 X X 5 5 5 5 5 X X
5 5 5 5 5 5 X 3 5 5 5 5 5 X X 3 3 3 3 3 X X 3 3 3 3 3 X X
*Composite arrangement
10
D5 C5
far a - way. So
10 10 10 10 8 8 8 8
11 12 10 11 10 11 12 10 11 8 9 10 8 9 8 9 10 8 9 10
Rhy. Fig. 3 End Rhy. Fig. 3
P.M. P.M. P.M. P.M.
7 7 5 5
7 7 7 7 7 X X 7 7 7 7 7 X X 5 5 5 5 5 X X 5 5 5 5 5 X X
5 5 5 5 5 X X 5 5 5 5 5 X X 3 3 3 3 3 X X 3 3 3 3 3 X X
Gtrs. 2 & 3: w/ Rhy. Fig. 3
D5 C5
far a - way, so
Gtr. 4
10 10 10 10 8 8 8 8
11 12 10 11 10 11 12 10 11 8 9 10 8 9 8 9 10 8 9 10
D5 C Bb
far a - way.
Gtr. 4
10 10 10 10 8 8 6 6 6
6 6
11 12 10 11 12 10 11 12 10 11 12 8 9 10 8 9 10 6 7
Gtrs. 2 & 3
P.M. P.M.
5 5 3
7 7 7 5 5 5 3
7 7 7 7 7 X X 7 7 7 7 7 7 5 5 5 3
5 5 5 5 5 X X 5 5 5 5 5 5 3 3 3 1
11
Verse
Gtr. 2: w/ Riff B
G5 Bb5 G5 C5 Bb5
4. Cap - tain A - mer - i - ca’s been torn a - part. Now, he’s a court jes - ter with a bro - ken heart. He said,
Gtr. 4
1/2
7 7 7
9 7 8 9 7 8 9 7 9 7 9 9 7 8 9 7 8 9 7 9 7
Gtr. 3
3 5 3
5 3 4 5 3 4 5 3 5 3 5 5 3 4 5 3 4 5 3 5 3
G5 Bb5 G5
“Turn me a - round and take me back to the start. I must be los - in’ my
7
9 7 8 9 7 8 9 7 9 7 9 9 7 8 9
10 8 6
P.M.
3
5 3 4 5 3 4 5 5 5 5 5 5 3 4 5 3
12
Gtr. 2: w/ Rhy. Fill 1
C
G5 µ
mind. Are you blind? I’ve seen it all a mil - lion times.”
semi-P.H.
1/2
5 9 9 9 7 9 7
5 8 9 9
7
1/2 1/2 1/2 1/2 1/2
5 5 5 5 5 3 5 5 5 3
5 3
5
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (3 1/2 times)
Gtr. 4 tacet
G C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
F C G
Take me home. Yeah, yeah.
G C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
F C G
Oh, won’t you please take me home?
13
C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
Gtr. 4
1 1
1 1
15 15
12 12 14 14 14 12 12 12 14 14 14 12
12 14 14 12 14 12 14 14 12 14
F C G
Take me home. Yeah, yeah.
1 1
1/2 1 1 1 1 1
13 13 13 15 15 15 15
14 14 12 14 14 14 14 14 14 12
14 14
C
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
1 1
1 hold bend
15 15
15 13 13 15 15 15 13
12 12 14 14 14 12 12 14 14 12 13
12 14 14 12 14
14
F C G III
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 2
Oh, won’t you please take me home?
Gtr. 4
grad. release
steady gliss.
1/2
13 13
13 12 12 X 0
14 14 5 5 14 X 0
5 5 14 X 0
Rhy. Fig. 4A End Rhy. Fig. 4A
Gtr. 3
P.M.
Harm.
P.M. fdbk.
6 5 12
5 5 0 0 12 12 0 0
3 5 0 0 12 12 0 0
3 3 3 3 X 0 0
3 3 3 3 0 0
Pitch: D
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A
G
Home.
Gtr. 4
grad. release
steady gliss.
1/2
12 12 X 0
5 5 14 X 0
5 5 14 X 0
Interlude
Faster q = 109
Double-time feel
Gtr. 4 tacet
G5 C
Gtr. 2
1/4
1/4
8 8 10 8 9 10 8 9 10 8 10 8 10 8 8
10 8 9 10 8 9 10 8 10 8 10
Gtr. 3
5 5 5 5 5 5 5 5
5 5 X 5 5 X 5 5 X 5 5
5 5 X 5 5 5 5 5 5 5 5 5 5 X X 5 5 X 5 5 X 5 5 X 5 5
5 5 X 5 5 5 5 5 5 5 5 5 5 X X 3 3 X 3 3 X 3 3 X 3 3 0
3 3 X 3 3 3 3 3 3 3 3 3 3 X X 0
15
F5 C5 G5
1/2
1/4
8
8 10 8 9 10 8 10 8 8 8 10 10 8 8
8 6 7 8 6 8 10 8 10 10 10 8 10 8
3 X X 5
3 X X 5 5 5 5 5 X X 5 X 5 X 5 5 5 5 5
3 X X 3 0 0 5 5 5 5 X X 5 X 5 X 5 5 5 5 5
3 3 3 3 X X 3 X 3 X 3 3 3 3 3
C5
P.M.
P.M.
1/4
P.M.
1 1/2
8 8 10 8 9 10 8 9 10 8 10 8 10 8
10 8 9 10 8 9 10 8 10 8 10
P.M. let ring
5
5 0 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 X 0 3 3 3 3 0 3 3 3 3 3 3 3 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 X
F5 C5 G5
(Ah.)
1/2
1/4
8
8 10 8 9 10 8 10 8 8 8 10 8 8
8 6 7 8 6 8 10 8 10 10 10 8 10 8
3
5
3 X X 5 5 X
3 X X 3 0 0 5 X
1 X X 3 X
16
Outro-Guitar Solo
Bkgd. Voc.: w/ voc. ad lib (next 24 meas.)
G5 C5
I wan - na go, I wan - na know.
Gtr. 4
1/2
6 6 5 5 5 5 3 5
3 3 5 7 7 7 7 5 5 5 5 3 5 3 3
5 3 3 5 5
Gtr. 3
Rhy. Fig. 5
P.M.
5 X X 5 X X
5 5 5 X 5 X X 5 X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 3 X X 3 X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
Gtr. 2
1/4 1/4
1 1 3 1 2 3 1 2 3 1 3 1 3 1 1
3 1 2 3 1 2 3 1 3 1 3
F5 C5 G5
Oh, won’t you please take me home?
1/4 1/4
6 X 5 X 3 3
5 X 5 X 3 3 3 5 3 3
3 X 5 3 5 5 5 3
End Rhy. Fig. 5
P.M.
6
5 X X 5 X X
3 X X 5 X X
3 X X 3 X X 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0
P.M. P.M.
3 1 2 3 0 0
1 2 3 1 2 3 0 2 1 2 3 1 1
3 1 3 3 1 3 3 0
17
Gtr. 3: w/ Rhy. Fig. 5 (8 1/2 times)
C5
I wan - na see, how good it can be.
Gtr. 4
3
3
1 1/2 1 1/2 1 1/2 1 1/2 1 1/2
15 15 15 15 15 15 14 13 13 15 13 15 13 11 13 11 13 11 10 11 10 11 10
12 15 12
12 14
Gtr. 2 Riff C
1/4
1 1 3 1 2 3 1 2 3 1 3 1 3 3 0 0
3 1 2 3 1 2 3 1 3 1 3
F5 C5
Oh, won’t you please take me
6 6
3
1 1 1 1 1
15 15 15 15 15
10 15 18 18 15 18 18 15 18 18 15 18 18 15
12 12 17
1/2
3 1 2 3 0 1 1
3 3 1 3 3 0 0
18
G5
home?
8va
3
1
1 1
15 15 15 15 18 18
18 15 18 18 15 15 18 15 18 18 15
18 18
End Riff C
P.M. P.M.
0
1 3 1 3 1 5
3 1 3 3 1 3 0
Gtr. 2: w/ Riff C (7 1/2 times)
C5
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
loco
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6
5 5 5 5 5 5 5 5 5 5 5 5 5 5
F5 C5 G5
Take me home.
3
3
5
3 7
1/2
1
3 5 5 3 6 3 6 3 6 3 3
5 6 6 5 3 6 3 6 3 3 3
5 5 6 6 5 3 5 3 3 2 2
5 5 5 5 3
5 4 3 3 1 3 1 1
3 3
19
C5
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
1/2
1 P.M. P.M. 1/2 P.M.
3 3
3 3
3 5 3 5 5 5 5
1 3 3 1 3 1 3 5 5 5
1 X 3 3 3 1 6
F5
C5 G5
Oh, won’t you please take me home?
3
1/4
1 1 1
3 3 3
3 3 3 3 3 3 5
3 3 3 3 2 3 3 3 5 5 5 5
5 5 5 5 5 5
C5
Take me down, beat me ’round.
3 3 3
1/2
1/2 1/2 hold bend 1/2 1
3 3 3 3 3 6 8 8
5 5 5 5 5 5 5 6 3 6 8 8 6
5 5 5 5 5 5 5 5 5
F5 C5 G5
Oh, won’t you please take me home?
5
1
1/2 1 1
6 8 6 10 10 9 8 8 9 10 10
8 8 6 10 10 10 8 10 8 10 8 8 10 8 10
9 9
20
C5
I wan - na see, how good it can be.
3 6
3
10 8 10 8 10 8 10 8 10 8 10 11 10 11 10 8 10 8 10 11 10 8 10 11 10 11 13
9 9 9 9 10 10
F5 C5
Oh, won’t you please take me
8va
3 6 6
3
1
10 12 10 12 15 12 13 15 12 15 17 13 15 17 13 17 19 15 18 15 15 15
13 18 18 19
G5
home?
8va
3 6
18
15 18 15 15 18 15 15 15 18 15 17 17 14
18 18 18 18 17 15
loco
6
12 13 15
12 13 15 13 12
15
13 12
15 13
12 15 13 12 15 13 12 13 12 12 15
12 14 15 15 15 14
21
C5
7 7 6
14 12 15 14 12 14 12 12
15 15 14 15 14 12 15 14 12 14 12 11 10 11 10 11 10
15 13
F5 C5
6 3
P.M.
15
10 10 15 16 17 15 16 17
13 15 15 16 17 15 16 17
11 12 13 13 11
G5
1
15
15 16 17 15 18 18
16 17 15 16 17 15 16 17
15 16 17
16
I wan - na see,
P.M.
12 8 10 8 9 10 8 9 10 8 9 10 10 8 8 10 10 8 8 10 10 8 8 10 10 8 8
C5
oh, how good it can be.
6 3 3
P.M.
8 10 8 8 9 9 10 8 9 10 8 9 10 8 9 10 8 9 10 8 9 9 10 10
22
F5 C5 G5
Oh, come take me home.
grad. bend
1/2 1
8 8 10 8 10 10 10 8 10 8
8 8 9 10 8 10 10
C5
Take me down to the Par - a - dise Cit - y, where the grass is green and the girls are pret - ty.
1 1
12
12 15 12
12 14 14 14 12 14 12 12 14 12 12 12 14 12
14 14 14 14
F5 C5 G5
Oh, won’t you please take me home?
3
1 hold bend 1 1/2 1/2 1/2 1/2 1/2 1/2
12 15 13 15 13 15 13 15 13 15 13 15 13 15 13
14 14 14 12 14 12 14 14 14 14 14 14 14 14
14 14
I wan - na go,
5 6 6
3
1/2 1/2 1/2 1/2 1/2 1/2
13 15 13 13 15 13 13 15 13 13 15 13 13 15 13 13 15 13
14 14 14 14 14 14
23
C5
I wan - na go.
5 6 6
3
1/2 1/2 1/2 1/2 1/2 1/4
13 15 13 13 15 13 13 15 13 13 15 13 13 15 13 13 15
14 14 14 14 14
Free time
F5 C5 G5
poco rit.
Oh, won't you please take me home?
Gtr. 4 6 3
6
3
3
poco rit. P.M.
1 1/2 1/4
16 15 13 15 13 12 13 12 13 12 12 13 12
14 14 12 14 12
14 14 12 14 12 12 11 10 10 8 10 8 9 8
10 10 10 10 8
10
Gtr. 3
poco rit.
6
5 0 5 0 0
3 0 5 0 0
3 3 0 X
3
Gtr. 2
poco rit.
1/4
3 3
3
3
24
G µ
Yeah, ba - by.
grad. bend
P.M. P.M.
1/2
1/2
8
8 10 10 10
9 8 8 6 8 6 7
3 15 13 12 13 12 0
0 3 12 12 12 12 12 12 12 12 0
0 3 12 12 12 12 12 12 12 12 0
X
3 3
fdbk.
3
Pitch: F
25
from Billy Idol - Rebel Yell
Rebel Yell
Words and Music by Billy Idol and Steve Stevens
Intro
Moderately fast q = 167
* Bm7
Gtr. 1 (slight dist.)
f *w/ delay
w/ chorus & compression
w/ fingers
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
7 9 7 9 7 9
9 9 9 9
7 7 7 7
*Delay set for quarter-note
regeneration w/ 6 repeats.
Gtr. 2 (dist.)
f
0 2
*Chord symbols reflect implied harmony.
Gtr. 1 tacet
G5 F#5 E5
10
10
Riff A
P.M. P.M. P.M. 1 P.M.
9 9 9 9
5 5 7 7 5 5 7 7
3 3 3 3 3 3 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1983 BMG Monarch, Boneidol Music and WB Music Corp.
All Rights for BMG Monarch and Boneidol Music Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission 1
G5 F#5 E5 D5 A5
Gtr. 2 End Riff A
P.M. 1/4 P.M.
P.M. 1 P.M.
9 9 7 2
5 5 7 7 5 5 5 0
3 3 3 3 3 3 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
B5
fdbk. P.S.
w/ bar
4 4
2 2
X
Pitch: A
Verse
2nd time, Gtr. 3 tacet
B5
1. Last night a lit - tle danc - er came danc - in’ to my door.
2. She don’t like slav - ’ry, she won’t sit and beg.
Rhy. Fig. 1 End Rhy. Fig. 1
w/ slap echo
11
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9
11
9 9 9
11
9 9 9
11
9 9
11
9 9 9
11
9 9 9
11
9 9
11
9 9 9
11
9 9 9
11
9 9
11
9 9 9
11
9 9 7
D5/A G,7(no3rd)
Last night a lit - tle an - gel came pump - in’ on my floor.
But when I’m tired and lone - ly, she sees me to bed.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5
5 5 0 0
Gtr. 2: w/ Rhy. Fig. 1
B5
She said, “Uh, come, ba - by. You got a li - cense for love,
What set you free and brought you to me, babe?
2
D5/A G,7(no3rd)
and if it ex - pires pray help from a - bove.”
Be - cause
What set you free? I need you here by me.
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 7 7 2
5 5 0
Chorus
3rd time, Gtr. 4 tacet
B5
in the mid - night hour, she cried, “More, more, more.”
Rhy. Fig. 2
X X X 11 11 X X X 11 11
4 X X X 9 9 4 X X X 9 9
2 0 2 0 2 0 2 0
D5/A G,7(no3rd) D5 A5
With a reb - el yell, she cried, “More, more, more.” Ow!
End Rhy. Fig. 2
7 7 7
7 X X X 7 7 7 X X X 7 7 2
7 X X X 7 7 5 X X X 0 2
0 2 0 0
Gtr. 2: w/ Rhy. Fig. 2
2nd time, Gtr. 2: w/ Rhy. Fig. 2 (1st 6 meas.)
B5
In the mid - night hour, babe. More, more, more.
1.
T o Coda
D5/A G,7(no3rd) D5 A5
With a reb - el yell, 1., 2. more, more, more, more, more,
3. she cried,
3
Interlude
B5
more.
8va
–2 –2 –2 –2 –2 –2 –2 –2
Gtr. 3 (dist.)
loco
3 3
f 3
Harm.
P.S.
w/ bar
–2 –2 –2 –2 –2 –2 –2 –2
5 5 5 5 5 5 5 5 5 5
0
0
X
-8 1/2
Gtr. 2
P.S.
fdbk.
X
4 4
2 2
X
Pitch: F#
2.
Bridge
Gtr. 2: w/ Riff A (1st 4 meas., 2 times)
Gmaj7(no3rd)
G5 F#5 E5
more, more, more. Uh, he lives in, uh,
Gtr. 2
7 7 7 7
7 7 X X X X 7 7
5 5 X X X X
0 2
G5 F#5 E5
his own heav - en. Col - lects it to go from the Sev - en E - lev - en.
Gtr. 2: w/ Riff A
G5 F#5 E5
Well, he’s out all night to col - lect a fare.
4
G5 F#5 E5
Just so long, just so long it don’t mess up his hair.
Interlude
B5
Wow! Ow!
Gtr. 1
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
7 9 7 9 7 9
9 9 9
7 7 7
Gtr. 3
w/ bar
1
10
9 9 7 9
Gtr. 2
4 4 4 4
2 0 2 2 2
Guitar Solo
Gtr. 1 tacet
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
B5
Gtr. 3
1 1/2
1 1 1 1 1 1
7 7 7 7 7 7
7 7 7 7 7 7
9 9 9 9 9 9 7 7
7 9 7 8
4 5 7 9
7 7 5 7
D5/A G,7(no3rd)
3 slight P.H. *w/ “ray gun”
sound effect
1 1 1 1/4
8 8 8 8 8 7 5
7 7 7 7 9 9
7 8 7 8
*Lexicon PCM 41
digital delay
5
D5 A5 B5
w/ “ray gun” sound effect
0 10 11
7
7 8 9 7 8 9 7 9
5 5
5 6 7 5 6 7 5 7
D5/A
7
3
1 1/2 1 let ring 1 1 1
*T T
7
12 10 11 12 10 12 12 12 10 10 12 10 12 10 12 10 12 10 12 10 12 7
9 9 9 7 9 9 9 7 9 9 9 7
*T = Pick-hand tapped slide
G5 Gmaj7
w/bar
w/ “ray gun” sound effect
1/2
1
7 12
7 7 7
9 9 9 7 7 7
Interlude Verse
Gtr. 3 tacet
μ *** B5
(Drums)
*
3. I walk the ward for you, babe.
Gtr. 4 (dist.)
*p mp
**w/ analog synth effect
*Vol. swell *w/ echo set for half-note
**Publison harmonizer regeneration w/ multiple
***Chord symbols reflect implied harmony. decaying repeats.
A5 G5 E5 D5 A5
*
A thou - sand miles for you.
7
9 7 7
10 10 7
6
B5
*
I dried your tears of pain, babe,
w/ bar
17 14
15 17 14
14 16
9 9 9 9
-1/2 *As before
A5 G5 E5 D5 A5
*
a mil - lion times for you.
w/ bar
17 14
15 17 14
16 16 14 16
B5
* *
I’d sell my soul for you, babe,
EndRiff B
Riff B
14 17 14 17 14
17 17 15 17 14
16 16 14 16
Gtr. 4: w/ Riff B (2 times)
A5 G5 E5 D5 A5
* *
for mon - ey to burn for you.
B5
*
I’d give you all and have none, babe, just, uh,
7
D.S. al Coda
(take 1st ending)
A5 G5 E5 D5 A5
*
just, uh, just, uh, uh, just, uh, uh, have you here by me. Be - cause
8va
Gtr. 4
w/ bar
14 17 17 19 22 22
17
16
slack
Gtr. 2
P.S.
X
X X
*w/ echo set for whole-note regeneration w/ 1 repeat.
Coda
Outro-Chorus
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
B5
more. Oo yeah, lit - tle
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 5 (dist.)
mf
7 7 6 6 5 4 4 5 5 6
7 7 6 6 5 4 4 5 5 6
D5 G,7(no3rd) D5 A5
ba - by. She want more, more, more, more, more,
7 7 6 5 4
7 7 6 5 4
8
Gtr. 5: w/ Rhy. Fig. 3
B5
*
more. Oo yeah, lit - tle an - gel.
*w/ echo set for half-note regeneration w/ multiple decaying repeats.
D5 G,7(no3rd) D5 A5
She want more, more, more, more, more
Gtr. 5
w/ bar
7 7 7 6 5 4
7 7 7 6 5 4 4
Bm7 A5 B5
*
more.
8va
_1 _1 _1 _1 _1 _1 _1 _1
Gtr. 5
3 3
don’t pick fdbk.
w/ bar
_1 _1 _1 _1 _1 _1 _1 _1
4 4 4 4 4 4 4 4 4 4
slack
Gtr. 1
*w/ delay
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
7 9 7 9 7 9 7 9
9 9 9 9
7 7 7 7
*Set as before
Gtr. 2
fdbk.
4 4 2 4
2 2 0 2
Pitch: F#
9
from Styx - Pieces of Eight
Renegade
Words and Music by Tommy Shaw
D5 Db5 C5 F5 Gm G5 Bb5
5fr 4fr
134 134 134 11 311 134 134
Intro
Moderately slow q = 96
μ[Gm]
Oh, ma - ma, I’m in fear for my life from the long arm of the law.
Law - man has put an end to my run - ning and I’m so far from my home.
Oh, ma - ma, I can hear you a cry - ing, you’re so scared and all a - lone.
Hang - man is com - ing down from the gal - lows and I don’t have ver - y long.
Chorus
*Gm7 C/G Gm7 C/G Gm7 C/G Gm7
The jig is up, the news is out, they’ve fi - nal - ly found me, the
(Yeah!)
Rhy. Fill 1 End Rhy. Fill 1 Riff A
Gtrs. 1 & 2 (dist.)
f
3 5 3 5 3 5 5 3
3 5 3 5 3 5 3 5 3 5 3 5 5 3 3
3 5 3 5 3 5 3
15
*Chord symbols reflect basic harmony.
Copyright © 1978 ALMO MUSIC CORP. and STYGIAN SONGS
All Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission 1
C/G Gm7 C/G Gm7 C/G Gm7 D5 Db5
Rhy. Fig. 1
*Gtrs.
2&3
Nev - er more to go a - stray,
ren - e - gade who had it made re - trieved for a boun - ty.
Nev - er more to go a - stray, the
Gtr. 1
End Riff A Riff B
(Gtr. 2, cont. in slashes)
3 3 3 5 5 6 6
3 5 3 5 3 5 5 3 3 3 3 5 5 7 7
5 3 5 3 5 3 5 3 5 3 5 5 3
5 3 5 3 5 0
*Gtr. 3 w/ dist., played mf .
To Coda
C5 F5 Gm7 C/G Gm7 C/G Gm7 C/G Dm/G
End Rhy. Fig. 1
(cont. in notation)
this will be the end to - day of the want - ed man.
judge will have re - venge to - day on the want - ed man.
Gtrs. 1, 2 & 3
End Riff B
3 3 5 5
3 3 3 3 3 5 5 3 5 3 5 3 5 5 7
5 5 5 3 5 3 5 3 5 3 5 3 5 3 5 5 7
3 5 3 5 3 5
Verse
Gtr. 3 tacet
Gm7 Bb/C Gm
1. Oh, ma - ma, I’ve been years on the lam and had a high price on my head.
Gtr. 2 Riff C1
3
let ring
1
3 3 6 3 3
3 6 3 3
3 2 0 2 3 3 2 0 2 3 3 3 3 2 0 5 5 3 0
3 2 0 2 3 3 2 0 2 3 3 3 3 2 0
3
3
**
Gtr. 1 Riff C End Riff C
3
3 2 0 2 3 3 2 0 2 3 3 3 3 3 2 0 3
3 2 0 2 3 3 2 0 2 3 3 3 3 3 2 0 5
3
**Omit this note when Riff C is recalled.
2
Gtr. 1: w/ Riff C (2 3/4 times)
Gm7 Bb/C Gm
Law - man said, “Get him dead or a - live.” now it’s for sure he’ll see me dead.
Gtr. 2 End Riff C1 6
let ring
3 3 6 3 3
3 6 3 3
0 3 2 0 2 3 3 2 0 2 3 3 3 3 3 2 0 5 3 0
0 3 2 0 2 3 3 2 0 2 3 3 3 3 3 2 0 5 3 0
X 3
3
Gtr. 2: w/ Riff C1
Gm7
Dear ma - ma, I can hear you a cry - ing, you’re so
Bb/C Gm Gm7
scared and all a - lone. Hang - man is com - ing down
Bb/C Gm
from the gal - lows and I don’t have ver - y long.
Coda
D.S. al Coda
[Gm] F5 Gm7 C/G Gm7
Gtr. 1
(cont. in notation)
The
Gtrs. 1, 2 & 3
Gtr. 2
6 6
3 3
3 6 3 3
5 3 0 5 3 0 5 3 0 3 5 3
5 3 0 5 3 5 3
5
3
Gtr. 3 tacet
μ E5 F5 F#5
Gtr. 4 (dist.) 3 3
f
3
1 1
3 3
3 6 3 6 3
5 5 5 3 5 3 5 3
5 5 5 3 5 5 3
5 5 4 3
6 3 0 1 2
Gtrs. 1 & 2
0 1 2
Guitar Solo
Gm7 F5 Gm7
3
w/ bar
1 1
5 5 3 5 3 5 5 3
5 5 5 5 3
5 3 1 1
3 1 3
-1
-1 1/2
Riff D End Riff D
3 3 5 3 3 5 3 3 3 3
5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 3 5 3
5 5 5 5 5 5 3 5 3 5
5
Gtrs. 1 & 2: w/ Riff D (6 1/2 times)
F5 Gm7
Gtr. 4
slight P.M.
1 1/2
3
6
3 5 3 3 5 5 7 7 7 7
3 5 5 5
1 3 5
3 1 3
4
F5 Gm7
3 3
1 1 1 w/ bar
3 3 6 3
6 6 6 6 3 6 3 6 3
3
5 5 5 3 3
5 3 5 5 3
5 3 1 3
0 0
slack
F5 Gm7
8va
3 3 3 6
P.M.
1 1
15 15 18 15 15 18 15 15 18 15 15
3 3 15 15 18 15 15 15 15 18 15 18 15
3 3
3 5
1 5
0
F5 Gm7
8va loco
3 3
1 1 1 1 1
15 15 18 15 15 18 15 15 15 15 15 18 15 15
15 15 18 15 15 18 15 18 15 18 15
17 17 17 17 15 17 15
17 17 17 15 17 15
17 17
F5 Gm7
3 3 8va
1 1
18 20
17 15 17 17 19
15 17 17
17 16 15 13 15 15 13 15 13 15 13 13 15 17
15 15 15 13 15
F5 Gm7
8va
3
1 1 1 1 1 1
18 20 20 20 18 20 18 20 20 20 20 20 18 20 18 20 18 20
20 20 20 20 20 18
5
Interlude
G5 Bb5 C5 G5 Bb5 C5
8va
loco
Gtr. 4
Gtrs. 3 & 4
1 1
20 20 20
11 10 8 10 11 11 10 8 10 11 11
12 10 8 10 12 12 10 8 10 12 12
Gtrs. 1 & 2
(cont. in slashes)
3 3 3 5 3 5
5 3 5 3 5 5 3 5 5 3 5
5 5 5 5 1 3 5 1 3
3 3
[C5] G5 Bb5 D5
Gtrs.
1&2
Gtrs.
3&4
11 11 10 8 10 11 11 10 8 10 11 11 7 5 3 5 7
12 12 10 8 10 12 12 10 8 10 12 12 7 5 3 5 7
Bb5 C5 D5 C5 Bb5 C5 Bb5
(cont. in notation)
7 5 3 5 7 7 7 5 3 5 7 7 5 3 5 3
7 5 3 5 7 7 7 5 3 5 7 7 5 3 5 3
5 3 5 3
Interlude
Gtrs. 1-4 tacet
G5 μ
Oh ma - ma, I’m in fear for my life from the long arm of the law.
Gtrs. 1-4
5
5
3
6
Gtrs. 1 & 2: w/ Rhy. Fill 1
Hang - man is com - ing down from the gal - lows and I don’t have ver - y long. The
Chorus
Gtrs. 1 & 2: w/ Riff A
Gm7 C/G Gm7 C/G Gm7 C/G Gm7 C/G Gm7 C/G
jig is up, the news is out, they’ve fi - nal - ly found me, the ren - e - gade who had it made re -
Gtr. 4
1 1
6 6 6 6 6
Gtr. 1: w/ Riff B
Gtrs. 2 & 3: w/ Rhy. Fig. 1
Gm7 C/G Gm7 D5 Db5
trieved for a boun - ty. Nev - er more to go a - stray,
3
1 1
8 8 8 6 6
8
7 7
C5 Gm7 C/G Gm7 C/G Gm7 C/G Gm7
this will be the end to - day of the want - ed man, the want - ed man.
Gtr. 4
1
1
5 5 5 5 5 15 17
5 5
Gtrs. 1, 2 & 3
3 5 3 5 3 5 3 3
5 3 5 3 5 3 5 3 5 3 5 3 5 3
5 3 5 3 5 5
7
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Riff D (till fade)
Gtr. 3 tacet
Gm7 F5 Gm7
loco
8va
Gtr. 4
3
1 1 1 1 1/2
15 15 18 15
15 15 18 15 18 18 18
17 17 17 15 17 15 17 19 19 19 17 15 17 17 15
17
3 F5 Gm7
6
1
8 8 8 8 8 6
6 8 8 8 8 8 8 8 8
15 5 3 0 5 3 0 3 5 5 5
5 5 3 5 3 5
F5 Gm7
And I don’t wan - na go,
3
1 1 1
3 3 3
3 3 6 3 3 6 3 3 3 6
3 5 3 5 5 5 5 3 5 3
3 5 5
1
F5 Gm7
oh, no.
P.M.
w/ bar 1
5 5 5 5 5 3 3 5
3 5 5 5 5 5 5
1 1 3 5
0 0 3 3
-1
8
F5 Gm7
1/4
1
6 8 6
5 5 6 8 8 8 8 8 3 15
5 5 5 3 5 3 3 5 5 7
5 5
w/ Voc. ad lib. (next 5 meas.)
F5 Gm7
loco
8va
1 1 1 1/2
15 15 18 15 15
15 18 15 15 18 15 15 15 18 15
17 17 17 15 17 15
17 17 17 15 15 3 17
Begin fade
F5 Gm7
1 1/2
1 1/2
1
19 19 19 19 19 19 19 19 15 15 15 15 15
17 17 14
6 6
2
1 1 1 w/ bar 1
3 3
3 3 6
15 15 15 15 15 15 5 3 0 5 3 0 5 3 0 5 3 0 5
-1/2
-1
-1 1/2
Fade out
F5 Gm7 F5 Gm7
Yeah, yeah, yeah. I can’t go.
w/ bar
1
6 8 8
5 6 8 8 8 8
5 5 3 5 3 5 5 3 4 5 7
5 5 5 3 3 5
5 5 3 1 1 3 4 5
3 1 3
9
from Journey - Frontiers
Separate Ways
(Worlds Apart)
Words and Music by Steve Perry and Jonathan Cain
Intro
Moderately fast q = 136
** E5 Esus2 Em E5 Esus2 Em
Riff A End Riff A
*Gtr. 1
f
let ring
12 14 15 12 14 15
12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
*Kybd. arr. for gtr.
**Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A
μ[E5]
***Gtrs. 2, 3 & 4 (dist.)
f Harm. Harm. Harm.
5 5 5
X X X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X X 7 7 X X 7 7 7 7 7 X X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
***Composite arrangement Pitch: G G G
† Em D/E C/E μ[E5]
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
8 7 5
9 7 5
9 7 5
Gtrs. 2, 3 & 4
Harm. Harm. Harm. Harm.
5 5 5 5
X X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X X 7 7 X X 7 7 7 7 7 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
†Chord symbols reflect overall harmony. Pitch: G G G G
Copyright © 1982 Love Batch Music (ASCAP) and Twist And Shout Music, a division of Weedhigh-Nightmare Music (ASCAP)
All Rights for Weedhigh Nightmare Music Administered by Wixen Music Publishing Inc.
International Copyright Secured All Rights Reserved 1
Gtr. 1: w/ Rhy. Fig. 1
Em D/E C/E μ[E5]
Gtrs. 2, 3 & 4
Harm. Harm. Harm. Harm.
5
5 5 5 5
X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X 7 7 X X 7 7 7 7 7 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G B G G G
Verse
Gtr. 1: w/ Rhy. Fig. 1
Em D/E C/E μ[E5]
1. Here we stand, worlds a - part, hearts bro - ken in
Harm. Harm. Harm. Harm.
7
5 5 5 5
X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X 7 7 X X 7 7 7 7 7 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G G G
Em D/E C/E μ[E5]
two, two, two.
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 1
let ring
8 7 5 8
9 7 5 11
9 7 5 12
Gtrs. 2, 3 & 4
Harm. Harm. Harm. Harm.
5 5 5 5
X X X X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X X X X 7 7 X X 7 7 7 7 7 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G G G G
2
Gtr. 1: w/ Rhy. Fig. 1
Em D/E C/E μ[E5]
Sleep - less nights, los - ing ground. I’m reach - ing for
Gtrs. 2, 3 & 4
Harm.
Harm. Harm.
5 5 X X X X 5
X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 3 3 7 7 X X 7 7 7 7 7 X X X X 3 X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: E G G E
Em
D/E C/E μ[E5] Am7 Bm7
you, you, you. Feel - in’ that it’s
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 1
8 7 5 5 7
9 7 5 5 7
9 7 5 5 7
Gtrs. 2, 3 & 4
Harm. Harm.
5 5
X X X X X X X X X X X X 7 9 X X
7 7 X X 7 7 7 7 7 X X X X X X 7 7 X X 7 7 7 7 7 X X 7 9 X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 7 X X
Pitch: G G
Pre-Chorus
Csus2 D Am7 Bm7
gone can change your mind. If we can’t go
go, I wish you love. You’ll nev - er walk a -
8 7 7 5 5 5 7
7 7 7 5 5 5 7
10 7 7 5 5 5 7
5 7 7
5 7 7 7 7 X X 7 9 X X
3 5 X 7 7 X X 7 9 X X
5 5 5 X X 5 7 X X
3
2nd time, Gtr. 3: w/ Rhy. Fill 1
Csus2 D Am7 Bm7 C,9
3
on to sur - vive the tide, love di - vides.
lone. Take care, my love. Miss you, love.
8 7 7 5 5 7 8 8
7 7 7 5 5 7 7 7
10 7 7 5 5 7 9 9
8 8
5 7 7 9 9
5 7 7 7 7 9 9 9
3 5 X 7 7 9 X X
5 5 5 7 8 8 15
Chorus
Em D C
Some - day love will find you, break those chains that bind you.
Rhy. Fig. 4
7 7 7 7 7 7 7 7
10 8 7 X 10 8 7 X
9 9 9 9 9 9 9 9
Rhy. Fig. 4A
7 7 X X 7 7 X
8 8 X X 8 8 X 7 7 7 X 5 5
9 9 X X 9 9 X 7 7 7 X 5 5
9 9 X X 9 9 X 7 7 7 X 5 5
7 7 X X 7 7 X 5 5 5 X 3 3
0 0
Rhy. Fill 1
Gtr. 3
5
5
7 5
7 7 7 9
7 7 9
5 5 5 7
4
To Coda
Am7 D D#º
One night will re - mind you how we touched and went our sep - ’rate ways.
End Rhy. Fig. 4
7 7 7 7
10 8 7 X 8 7 7
9 9 9 9 9 7 8 8
10
End Rhy. Fig. 4A
P.M.
5
5 5
5 5 7
5 7 7 7
3 7 5 6
12 5 0
Gtr. 1: w/ Rhy. Fig. 4
Em D
If he ev - er hurts you, true love won’t de - sert you.
Gtrs. 2, 3 & 4
7 7 X X 7 7 X
8 8 X X 8 8 X 7 7 7
9 9 X X 9 9 X 7 7 7
9 9 X X 9 9 X 7 7 7
7 7 X X 7 7 X 5 5 5 0
0 0
C Am D D#º
You know I still love you, though we touched and went our sep - ’rate ways.
5
5 5
5 5 7
5 7 7 7
3 7 5 6
5
5
Interlude
Em D/E C/E μ[E5]
Rhy. Fig. 5 End Rhy. Fig. 5
8va
Gtr. 1
let ring
19
8 7 5 17
9 7 5 16
9 7 5
Gtrs. 2, 3 & 4
Harm. Harm. Harm. Harm.
5 5 5 5
X X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X X 7 7 X X 7 7 7 7 7 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G G G G
Gtr. 1: w/ Rhy. Fig. 5
Em D/E C/E μ[E5]
Gtrs. 2, 3 & 4
Harm.
P.M. Harm.
5 5
X X X X X X X X
7 7 X X 7 7 7 7 7 X X X 7 7 X X 7 7 7 7 7 X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G
Verse
Gtr. 1: w/ Rhy. Fig. 1
Em D/E C/E μ[E5]
2. Trou -bled times, caught be - tween con - fu - sion and
Harm. Harm.
P.M.
5 5
X X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X X 7 7 X X 7 7 7 7 7 X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G G
Gtr. 1: w/ Rhy. Fig. 2
Em D/E C/E μ[E5]
pain, pain, pain.
P.M.
Harm.
5
X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X 7 7 X X 7 7 7 7 7 X X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G
6
Gtr. 1: w/ Rhy. Fig. 1
Em D/E C/E μ[E5]
Dis - tant eyes, prom - is - es we made were in
Harm. Harm. Harm.
5 5 5
X X X X X X X X X X X X X X X X X
7 7 X X 7 7 7 7 7 X X X X X X 7 7 X X 7 7 7 7 7 X X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitch: G G G
D.S. al Coda
Gtr. 1: w/ Rhy. Fig. 3
Em D/E C/E μ[E5] Am7 Bm7
3
vain, in vain, in vain. If you must
P.M.
X X X X X X X X 7 9 X X
7 7 X X 7 7 7 7 7 X X 7 7 X X 7 7 7 7 7 X X 7 9 X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 7 X X
Coda
Gtr. 2: w/ Rhy. Fig. 4A (1st 4 meas.)
Gtrs. 3 & 4: w/ Rhy. Fig. 4A (1st 7 meas.)
Em D C
If he ev - er hurts you, true love won’t de - sert you.
Rhy. Fig. 6 End Rhy. Fig. 6
Gtr. 1
7 7 7 7 7 7 7 7
10 8 7 X 10 8 7 8
9 9 9 9 9 9 9 9
Gtr. 1: w/ Rhy. Fig. 4 (1st 4 meas.)
C Am D5 D#º
You know I still love you, though we touched and went our sep - ’rate ways.
Gtrs. 2, 3 & 4
Gtr. 2
10 12 12 12 12 12 12 5
5 10 12 12 12 12 12 12 5
5 5 7
5 7 7 7
3 7 5 6 6
5
7
Guitar Solo
* Em Em/D
Gtrs. 2, 3 & 4
15 15
17 19 17 19
16 16
Rhy. Fig. 7
Gtr. 1
7 7 7 7 7 7 7 7 7 7 7 7
10 8 7 X 7 8 10 8 7 X 7 8
9 9 9 9 9 9 9 9 9 9 9 9
*Chord symbols reflect basic harmony.
Em/C Am7 D D#º
loco
8va
1
1/2
15 15 15 17 19 17 15 17 15 15
17 19 19 17
17
19 16 16
7 7 7 7 7 7 7
8 10 8 7 X 7 8 8 7 7
9 9 9 9 9 9 9 9 7 8
10 7 7
Em Em/D
15 15
17 19 17 19
16 16
7 7 7 7 7 7 7 7 7 7 7 7
7 10 8 7 X 7 8 10 8 7 X 7 8
9 9 9 9 9 9 9 9 9 9 9 9
8
Em/C
loco
8va
3 6 7
1
15 15 15 17 15 15 17 15 15 19 19 19 19 19 19 19 17 15 15 15
17 12 19 19 19 19 19 19 19 15
17
7 7 7 7 7 7 7
8 10 8 7 X 7 8
9 9 9 9 9 9 9
Am7 D D#º
3 6
1 1 1
1/2
15 15 17 15 15
17 17 17 16 14 16 17 16 14 14
17 17 17 14 17 14 14
17 17 17 17
End Rhy. Fig. 7
8 7 7
9 7 8
10 7 7
Interlude
Gtr. 1: w/ Riff A (3 times)
E5 G5
Gtrs. 2, 3 & 4
0
2 0
2
0
C5 A5 μ
grad. release
1
5 5 2
5 5 2
3 3 0
0 19 19 19
9
E5 D5
8va
*Gtr. 5
mf
19 17 19 17
17 20 17 20
*Kybd. arr. for gtr.
Gtrs. 2, 3 & 4
1
7 X 19 19 19
2 X 7 X
2 X 5 X
0 X
C5 B5 Bsus4 B
Whoa!
8va
Gtr. 5
19 17
17 20 17 19
Gtr. 1
let ring
12 14 15 12 12 14 14
12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtrs. 2, 3 & 4
P.M.
5 5 5 5 4
5 4 4 4 4 4 4 4 4 4 4
5 4 4 4 4 4 4 4 4 4 4
3 2 2 2 2 2 2 2 2 2 2 14
10
Chorus
Gtr. 1: w/ Rhy. Fig. 4
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 4A (1 1/2 times)
Gtr. 5 tacet
Em D C
Some - day love will find you, break those chains that bind you.
Am7 D D#º
One night will re - mind you.
Gtr. 1: w/ Rhy. Fig. 6
Em D C
If he ev - er hurts you, true love won’t de - sert you.
Am7 D5 D#º
You know I still love you.
Rhy. Fill 2
End Rhy. Fill 2
Gtr. 1
3 3
7 7 7 7
10 8 7 X 8 7 7 7 7 7 7
9 9 9 9 9 7 7 7 8 8 8
10
Gtrs. 2, 3 & 4 3
3
5
5 5
5 5 7 7 7
5 7 7 7 7 7 7 7
3 7 5 5 5 6 6 6
12 5
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 7
Em Em/D
I still love you, girl. I real - ly
Gtrs. 2, 3 & 4
15
17 19 17
16 16
11
Em/C
love you, girl.
8va
1
15 15 15 15
17 19 17 19
Am7 D D#º Em
And if he ev -
8va loco
1/2
1
17 19 17 15 17 15 15
19 17 17
17 16
19 16 16
Em/D
- er hurts you, true love won’t de - sert you.
1
15 15
17 19 17 17 17 19
16
Gtr. 1: w/ Rhy. Fill 2
Em/C Am7 D D#º
8va
3 3
1
15 15 15 17 19 17 15 17 15 14 14 14 15 15 15
17 19
12
Outro
Em Esus2 Em E5 Esus2
No!
Gtr. 1
let ring
12 14 15 12 14
12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14
Gtrs. 2, 3 & 4
loco
0 0
0 0
2
2
0
Em E5 Esus2 Em E5
No!
let ring
15 12 14 15 12 12
12 12 12 12 12 12 12 12 12
X X
14 14 14 14 14 14 14 14 14 14 14 14 14
0 0
0 0
2
2
0
13
from Robert Plant - Now and Zen
Ship of Fools
Words and Music by Robert Plant and Philip Johnstone
Intro
Moderately slow q = 93
μ[Em] * Em
Gtr. 1 (elec.)
(Synth)
mp
w/ clean tone
w/ fingers
let ring throughout
0 0 12 12 10
12 10 8 7 13 10 13
12 12 11 11 7
9 7
*Chord symbols reflect overall harmony.
G
0 0 12 12 10 0 0
12 12 10 8 7 13 10 13 12 12 10
X 11 11 7 12 11 11
9 7
C G/B G Em G Am D
12 12 10 0 0 12 12 10
8 7 13 10 13 12 12 10 8 7 13 10 13
7 12 11 11 7
9 7 9
Verse
Em G C Bm G Em G
1. On waves of love my heart is break - ing and stran - ger still, my self - con - trol, I
Riff A
5 3 5 5 3 5 3
4 4 0 5 0 4 4 4
2 5 0 4 2 5
5 3 5
Copyright © 1988 Sony/ATV Music Publishing UK Limited, Sons Of Einion Limited and EMI Virgin Music Ltd.
All Rights on behalf of Sony/ATV Music Publishing UK Limited and Sons Of Einion Limited Administered by
Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
All Rights on behalf of EMI Virgin Music Ltd. in the U.S. and Canada Controlled and Administered by EMI Virgin Music, Inc.
International Copyright Secured All Rights Reserved 1
Am D Em G C Bm G
can’t re - ly on an - y - more. New tides sur - prise my world, it’s chang - ing, with - in
3
0 1 0 1 0 5 3 5 5 3
0 2 2 4 4 0 5 0
4 0 2 5 0 4
5 3
Em G Am D Am
3
this frame an o - cean swells, be - hind the smile I know it well.
End Riff A
3
5 3 0 1 0 1 0 0 1
4 4 4 0 2 2 0 2
2 5 4 0 2
5 0
Verse
Gtr. 1: w/ Riff A
Em G C Bm G Em G
3
2. Be - neath a lov - er’s moon I’m wait - ing. I am the pi - lot of the storm, a -
Gtr. 2 (acous.)
3
mf
7
5 3 10 8 7
7 9 7
Am D Em G C Bm G
drift in pleas - ure I may drown. I built this ship, it is my mak - ing, and
7
5 3 10
5
2
Em G Am D
3
3
fur - ther - more my self - con - trol, I can’t re - ly on an - y - more.
8 10 10
Pre-Chorus
Gtr. 2 tacet
Am G D Am G D
I know why, I know why.
Gtr. 1
3 2 3 2
0 1 0 3 0 1 0 3
0 2 0 2 0 2 0 2
0 2 0 2 0
0
Chorus
G Em D C G
Cra - zy on a ship of fools, cra - zy on a ship of fools.
0 0 7 9 7 5 5 4 2 0 0
0 0 2 2 7 9 9 7 5 0
Em G Em G C
3
Turn this boat a - round, back to my lov - ing ground, oh no, oh no.
Rhy. Fig. 1
0 3 0 3 1
0 0 0 0 0
2 0 2 0 2
3
Interlude
Bm11 Em D C Bm G
End Rhy. Fig. 1 Riff B
0 0 0 12 12 10
12 10 8 7 13 10 13
2 12 12 11 11 7
9 7
2
Verse
Half-time feel
Em G Am D Em G
3. Who claims that no man is an
End Riff B Riff C
Gtrs
1&2
0 0 12 12 10
12 12 10 8 7 13 10 13 5 3
12 11 11 7 4 4 4 4
9 7 2 0
C Bm G Em G Am D
is - land? While I land up in jeop - ard - y, more dis - tant from you by de - grees.
End Riff C
3
5 5 3 5 3 0 1 0 1 0
5 0 4 4 4 4 0 2 2
0 4 2 0 4 0
3
Gtrs. 1 & 2: w/ Riff C
Em G C Bm G
I walk this shore in i - so - la - tion, and
Am D
Em G
3
3
at my feet, e - ter - ni - ty draws ev - er sweet - er plans for me.
4
Pre-Chorus
Am G D Am G D
I know why, I know why.
Gtrs. 1 & 2
3 2 3 2
0 1 0 3 0 1 0 3
2 0 2 2 0 2
2 0 2 0
Chorus
Gtr. 2 tacet
G Em D C G
Cra - zy on a ship of fools, oh, cra - zy on a ship of fools.
Gtr. 1
0 0 9 7 5 5 4 2 0
0 0 2 2 0 7 9
Gtr. 1: w/ Rhy. Fig. 1
Em G Em G
Turn this boat a - round, back to my lov - ing ground,
Rhy. Fig. 2
Gtr. 2
0 3 0 3
0 3 0 3
0 0 0 0 0
2 0 2 0
2 X 2 X
0 3 0 3
C Bm11 A
oh no, oh no, ship of fools.
End Rhy. Fig. 2
0 0 5
1 3 5
0 4 6
2 7
3 7
5
5
Guitar Solo
Gtr. 2 tacet
Em G C Bm G
Gtr. 1
* pp mf
1 1/2 1/2
8 8 7
9 9 9 7 7
9 9 9 9 7
*Vol. swell
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 3 (acous.)
mf
0 0
0 0
0 0
4 4
2 2
0 0
Gtr. 3: w/ Rhy. Fig. 3 (6 1/2 times)
Em G Am D Em G
Gtr. 1
10 12 10
8 8 10 12 10 12 10 8 12 10 8
9 9 9 7 7 7
9 9 9
C Bm G Em G Am D
5 7 5 7
8 10 7 7
7 7 9 7 7 6 5
9 9 9 9
6
Em G C Bm G Em G
Gtr. 1
3
1/2 1
5 7 7 10 12 10 12 12
7 7 5 5 5 5 3 3 8 8 8 12 10
9 9
9
Rhy. Fig. 4
Gtr. 2
3 3
0 0
2 0
3 2
Gtr. 2: w/ Rhy. Fig. 4
Am D Em G
3
3 3 3 3
10 12 0 0
12 10 8 10 12 12 12 10
12 12 11 11
End Rhy. Fig. 4
2
3 3
0 2
2 0
0
C Bm G Em G Am D
12 12 10 0 0 7
8 7 13 10 13 12 12 10 7 8
7 12 11 11 7
9 7 7 9
7
Chorus
Gtr. 2: w/ Rhy. Fig. 2
Em G Em G C Bm11
Turn this boat a - round, back to my lov - ing ground, oh, no.
0
10 12
2
2
G Em D C G
Cra - zy on a ship of fools, oh, cra - zy on a ship of fools.
Gtr. 1
0 0 9 7 5 5 4 0 0 0
5 5 0 2 0 7 9 5 5 0
Gtr. 2
3 0 2 0 3
3 0 3 1 3
0 0 2 0 0
0 2 0 2 0
X 2 3 X
3 0 3
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Rhy. Fig. 2
Em G Em G C Bm11
3 3
Turn this boat a - round, back to my lov - ing ground, oh no, oh no, ship of
Outro
Gtr. 1: w/ Riff B
Em
fools.
8
Gtr. 1
Harm.
12 14 14 15
12 12
14 14 16
3
1
15 15
10 10 8 7
16 7
9
C
15 14 10 15 14 10
15 15 12 10 12 15 15 12
16 14 12 11 12 16 14 12
Em C
15 14 10
12 10 8 15 15 12 12 10 8 8 5
16 14 12
Em
5
5 3
0
4
9
from Lynyrd Skynyrd - The Essential
Simple Man
Words and Music by Ronnie Van Zant and Gary Rossington
A5
2
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Slow q = 60
μ *C G Am Am7 μ
Riff A End Riff A
Gtr. 1 (clean)
mf
let ring
3
1 1 1 1
0 0 0 0 2 2 2 2
2 2 0 0 0 2 2 2
0 2 3 3 2 2 0 0 0 0 2
3 3
Gtr. 2 (clean)
Fill 1 End Fill 1
mf
0 2
*Chord symbols reflect implied harmony.
Gtr. 2: w/ Riff A (3 times)
C G Am Am7 μ
Gtr. 1
let ring w/ phaser
3
1 1 1 1
0 0 0 0 2 2 2 2
2 2 0 0 0 2 2 2
3 3 2 2 0 0 0 0 2
3 3
C G Am Am7 μ
Riff B End Riff B
let ring
3
1 1 1
0 0 0 2 2
0 0 2 2
3 3 3 2 2 0 3 0 0 0 2
3 3 3
Copyright © 1973 SONGS OF UNIVERSAL, INC. and EMI LONGITUDE MUSIC
Copyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
C G Am Am7 μ
1. My ma - ma
let ring
3
1 1 1
0 0 0 2 2 2 2
0 0 0 2 2 2
3 3 3 2 2 0 0 0 2
3 3
Verse
Gtr. 1: w/ Riff A (6 times)
Gtr. 2: w/ Riff B (6 times)
C G Am Am7 μ C G
told me, when I was young, “Come sit be - side me my on - ly
Am Am7 μ C G Am Am7 μ
son, and lis - ten close - ly to what I say. And if you
C G Am Am7 μ
do this it - ’ll help you some sun - ny day.” Ah, yeah.
Gtrs. 3 & 4 (dist.)
f
0 2
C G Am Am7 μ
Riff C
3 5 7 5 3 5 7 5 3 0 2
3 5 0 3 0 3 5 5
2
C G Am Am7 μ
2. “Oh, take your
End Riff C
3 5 7 5 3 5 7 5 3
3 5 0 3 0 3 5 5
Verse
Gtr. 1: w/ Riff A (3 times)
Gtr. 2: w/ Riff B (3 times)
Gtrs. 3 & 4 tacet
C G Am Am7 μ C G
time, don’t live too fast. Trou - bles will come, and they will
lust for the rich man’s gold, all that you need is in your
wor - ry you’ll find your - self. Fol - low your heart, and noth -
Am Am7 μ C G Am Am7 μ
pass. Go find a wo - man, yeah, and you’ll find love. And don’t for -
soul. And you can do this, yeah, if you try. All that I
in’ else. And you can do this, oh, babe, if you try. All that I
C G *A5
Gtrs. 3 & 4
(cont. in notation)
get, son, there is some - one up a - bove.
want for you, my son, is to be sat - is - fied. And be a
want for you, my son, is to be sat - is - fied.
Gtr. 1
let ring
1
0 0 0 0 2 2
2 2 0 0 0 2 2
3 3 2 2 0 0 5 0
3 3 0 3 0
Gtr. 2
let ring
1
0 0 0 2 2
0 0 2 2
3 3 3 2 2 0 0 5 0
3 3 3 0 3 0
*See top of first page of song for chord diagrams
pertaining to rhythm slashes.
3
Chorus
Gtrs. 1 & 2 tacet
C G A5 μ A5 μ
3
sim - ple kind of man, or be
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 3 & 4
5 5
5 5 4 4 2 2 X
5 5 5 5 2 2 X
3 3 5 5 0 0 3
3 3 3 0 0 3 0
Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 times)
Gtr. 4: w/ Rhy. Fig. 1
C G A5 μ A5 μ
3
some - thin’ you love and un - der - stand. Ba - by, be a
To Coda
C G A5 μ A5 μ C G
3
sim - ple kind of man. Oh, won’t you do this for me, son, if you can?”
Gtr. 4
5 5 12 5 5 12 12
5 5 12 2 2 X 5 5 12 12
5 5 12 2 2 X 5 5 12 12
3 3 10 0 0 3 3 3 10 10
0 3 0
1.
Gtrs. 1 & 2: w/ Fill 1 Gtr. 1: w/ Riff A
Gtr. 2: w/ Riff B
Gtrs. 3 & 4 tacet
A5 μ A5 μ C G Am Am7 μ
3. “For - get your
Gtrs. 3 & 4
2
2
0
2
0
0 3 0
4
2.
Guitar Solo
Gtr. 6: w/ Fill 2
A5 C5 D5 C5 G5 A5 G5 A5 C5 A5
Oh, yes, I will.
Gtr. 5 (dist.)
f 1
1
1
8 8 8 13
5 7 7 7 7 5 7 7 7 5 12 14 14 14 14 17 17 19
7 7
Gtr. 4 Rhy. Fig. 2A End Rhy. Fig. 2A
P.M.
2 9 9 9 9 11 12 12 12 14 12 7 7 7 7 7 7 7 9 9 9 9 7 7 7 9 9 9 9 12 12 9
2 7 7 7 7 9 10 10 10 12 10 5 5 5 5 5 5 5 7 7 7 7 5 5 5 7 7 7 7 10 10 7
0 5 0 0 0 0 0 0 0
0 3 0
Gtr. 3
Rhy. Fig. 2 End Rhy. Fig. 2
2
2
0 5 7 7 7 7 7 7 7 10 10 10 12 10 5 5 5 5 5 5 7 7 7 7 5 5 5 7 7 7 7 10 10 7
0 3 0 5 5 5 5 5 5 5 7 8 8 8 10 8 3 3 3 5 3 5 5 5 5 3 3 3 5 5 5 5 8 8 5
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (2 times)
C5 D5 C5 G5 A5 G5 A5 C5 A5
8va
Gtr. 5
1
hold bend
1 1
1/2 1 1 1/2 1/2
17 20 20 20 20 20 17
20 20 20 20 17 17
19 19 19 17 19 19 19 17
19
C5 D5 C5 G5 A5 G5 A5 C5 A5
8va
loco
1
1
1 1 1 1 1
17 17 17 17
20 20 20 17 20 20 20 20 20 17 20
12 19 14 18 14 19 19 0 0 5 7
Fill 2
Gtr. 6 (dist.)
f
8
7 9 9 9 9
5
C5 D5 C5 G5 A5 G5 A5 C5 A5 C5
Gtr. 5
1 1
hold bend
1
1 1
5
8 8 8 8 13 15
7 7 7 7 5 7 7 7 5 7 9 9 12 12 14
2 7
Gtr. 4
12 12 12 14 12 7 7 7 7 7 7 7 9 9 9 9 7 7 7 9 9 12 12 9 9 12
10 10 10 12 10 5 5 5 5 5 5 5 7 7 7 7 5 5 5 7 7 10 10 7 7 10
Gtr. 3
10 10 10 12 10 5 5 5 5 5 5 7 7 7 7 5 5 5 7 7 10 10 7 7 10
8 8 8 10 8 3 3 3 5 3 5 5 5 5 3 3 3 5 5 8 8 5 5 8
Gtr. 6: w/ Fill 3
D5 C5 G5 A5 G5 A5 C5 μ
8va
loco
1
3
1 1 1 1
15 15 15 15 5
15 15 3 12 15 15 15 15 13 5
7 7 5
7 7
12 12 12 14 12 7 7 7 7 7 7 7 9 9 9 9 7 7 7 9 9 9 9 12
10 10 10 12 10 5 5 5 5 5 5 5 7 7 7 7 5 5 5 7 7 7 7 10
0 2
10 10 10 12 10 5 5 5 5 5 5 7 7 7 7 5 5 5 7 7 7 7 10 0 2
8 8 8 10 8 3 3 3 5 3 5 5 5 5 3 3 3 5 5 5 5 8
Fill 3
Gtr. 6
1 1
15 15 15
14 14 12
6
Interlude D.S. al Coda
Gtrs. 1 & 2: w/ Fill 4 Gtrs. 1 & 2: w/ Riff A (last meas.) Gtrs. 1 & 2: w/ Riff A
Gtrs. 3 & 4: w/ Riff A
C G Am Am7 μ C G Am Am7 μ
4. “Oh, don’t you
Coda
A5 μ C G5
And, ba - by, be a sim - ple, be a sim - ple man.
Gtrs. 3 & 4
5 5
2 5 5 4
2 X 5 5 5
0 0 X 3 3 3 5 5
0 3 0 0 3 3 0
Begin fade Fade out
A5 μ G5 A5 μ C G5 μ A μ G5 A5 μ
3
Or be some - thin’ you love and un - der - stand. Ba - by, be a
5 5
5 5
2 X 5 5 2 X
0 5 7 X 3 3 5 5 0 5 7 X
0 3 0 3 5 0 0 3 3 0 0 3 0 3 5 0
Fill 4
Gtrs. 1 & 2
let ring
0 0
2 2 0 0 0
3 3 3 2 2
3 3
7
from Rush - The Spirit of Radio: Greatest Hits 1974-1987
Spirit of Radio
Words and Music by Alex Lifeson, Geddy Lee and Neil Peart
Intro
Moderately fast q = 136
Gtr. 1: w/ Riff A (4 1/2 times)
µ E5
Gtr. 1 (dist.) Riff A End Riff A *Gtr. 2 (dist.)
3
f
w/ flanger f
w/ chorus
2 0 0 5 0 0 2 0 0 4 2 0 0
3 3 3 3
4
2
2
0
*Doubled throughout
4
2
2
0
Gtr. 1: w/ Riff A (2 times)
4 4
2 2
2 2
0 0
Slower q = 112 q = 104
Gtr. 1 (E) (A) (E)
3
rit.
2 0 0 5 2 0 0
3 3
4 2 0 0
4 4 2
0
Gtr. 2
rit.
4 2
2 4 2 0 0 2 2 2 2
2 4 4 2 0 2 3 4 2
0 0 2 3 3 4 0
Copyright © 1980 Anthem Core Music Publishing
All Rights Administered by Anthem Entertainment LP
All Rights Reserved Used by Permission 1
Slower q = 92
Gtr. 1 tacet
Gtr. 2 (A) (E) (A) (E)
2
2 2 2 2 2 2 2 2
2 2 2 0 2 3 4 2 2 2 0 2 3 4 2
0 2 3 4 0 2 3 4 0
A tempo
Faster q = 136
(A) E Badd11
poco rit.
0
9 0
9 8
2 2 2 2 9 9
2 2 2 0 2 3 4 2 7 9
0 2 3 4 0 0 7 9 4
E/G# A5 B E5
3 3
let ring let ring
0
0
4 8
2 7 7 7 7 7 7 7 9 9
2 7 7 7 7 7 7 7 9 7 7 9 9 9
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 7 0 0 0 0 7 7
Badd11 E/G# A5 µ
1. Be -
let ring let ring
0 0
0 0
8
9 2 7 7
9 7 7 3 4 2
7 9 4 4 4 3 5 5 5 4
Verse
E5 Badd11 E/G#
gin the day with a friend - ly voice, a com - pan - ion un - ob - tru -
let ring let ring let ring
0 0 0
0 0 0
8
9 2
7 9 9 9 9
0 0 7 7 7 9 4 4 4 3 5
2
A5 B5 E5 Badd11
- sive. Plays that song that’s so e - lu - sive and the
let ring let ring
0 0
0 0
8
7 7 7 9 9 9 9
7 7 7 9 9 7 7 9 9 9 9
5 5 5 7 7 0 0 0 0 7 7 7 9 4
E/G# A B E5
mag - ic mu - sic makes your morn - ing mood.
*Gtrs. 2 & 3
let ring let ring
0 0
0 0 0
6 6 6 8 8
2 7 7 7 7 9 9 9
7 7 7 7 9 9 7 9 9 9
4 4 3 5 5 5 5 5 7 7 0 0 0 0 7 7
*Gtr. 3 (clean), w/ chorus; played f .
Badd11 E/G# A µ
let ring let ring
0 0
0 0
8 4
9 2 2 7 7
9 2 7 7 3 4 2
7 9 4 4 4 3 5 5 5 4
E B E/G#
Off on your way, hit the o - pen road, there is mag - ic at your fin -
let ring let ring let ring
7 4
9 7 5 5 5
9 8 8 8 4 4 4 4
9 9 9 9 9 6 6 6 6
7 7 7 9 9 9 7 7 7 7 7
0 0 7 7 0 4 4 4 4 5
A B E B
- gers. For the spir - it ev - er lin - gers, un - de -
let ring let ring
7
9 7 5
6 6 6 8 8 9 9 8 8 8 4
7 7 7 9 9 9 9 9 9 9 6
7 7 7 9 9 7 7 7 9 9 9 7
5 5 5 7 7 0 0 0 0 7 7 0 4
3
E/G# A B
mand - ing con - tact in your hap - py sol - i - tude.
let ring
4
5 5
4 4 4 6 6 6 6 8 8
6 6 6 7 7 7 7 9 9
7 7 7 7 7 7 7 7 9 9
4 4 4 5 5 5 5 5 7 7 0 0
E5 B E/G#
Gtr. 2
Gtr. 3
let ring let ring divisi
let ring
0 0 4 4
0 0 5 5
9 8 8 4 4 4 4
9 9 6 6 6 6
7 7 9 9 9 9 7 7 7 7 7 7 7 7 7 7
0 0 7 7 7 9 4 4 4 4 4 4 4 4 4 4 4 5
Chorus
Gtr. 3 tacet
A B E5
Gtr. 2
6 6 6 6 6 8 8 9
7 7 7 7 7 9 9 9
7 7 7 7 7 9 9 7
5 5 5 5 5 7 7 0 0 0
In -
Gtr. 1 Riff B End Riff B
3 3
2 0 0 5 0 0 2 0 0 4 2 0 0 2 0 0 5 0 0 2 0 0 4 2 0 0
3 3 3 3 3 3 3 3
Gtr. 2
9
9
7
0
4
1st time, Gtr. 1: w/ Riff B (6 times)
2nd time, Gtr. 1: w/ Riff B (5 times)
Gtr. 2 tacet
µ(E) (F#m) (E/G#)
vis - i - ble air - waves crack - le with life, bright an - ten - nae bris -
(F#m) (E)
- tle with the en - er - gy. E -
(F#m) (E/G#)
mo - tion - al feed - back on a time - less wave - length bear - ing a gift be - yond
To Coda
(F#m) (E)
price, al - most free.
Verse
E B E/G#
2. All this ma - chin - er - y mak - ing mod - ern mu - sic can still be o - pen - heart -
Gtr. 2
7 7 7 7 7 7 7 4 4 4 4 4 4 4
9 9 9 9 9 9 9 7 7 7 7 7 7 7 5 5 5 5 5 5 5
9 9 9 9 9 9 9 8 8 8 8 8 8 8 4 4 4 4 4 4 4
9 9 9 9 9 9 9 9 9 9 9 9 9 9 6 6 6 6 6 6 6
7 7 7 7 7 7 7 0 9 9 9 9 9 9 9 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 5
A B E B
ed. Not so cold - ly chart - ed, it’s real - ly just a ques - tion of your
5 5 5 5 5 7 7 7 7 7 7 7 7 4
5 5 5 5 5 7 7 9 9 9 9 9 9 7 7 7 7 7 7 X
6 6 6 6 6 8 8 9 9 9 9 9 9 8 8 8 8 8 8 X
7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X
7 7 7 7 7 9 9 7 7 7 7 7 7 0 9 9 9 9 9 9
5 5 5 5 5 7 7 0 0 0 0 0 0 0 0 7 7 7 7 7 7
5
E/G# A B E
hon - es - ty, yeah, your hon - es - ty. One likes to be - lieve
4 4 4 4 4 4 5 5 5 5 7 7
5 5 5 5 5 5 5 5 5 5 7 7 9 9 9 9 9 9 9 9
4 4 4 4 4 4 6 6 6 6 8 8 9 9 9 9 9 9 9 9
6 6 6 6 6 6 7 7 7 7 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 9 9 7 7 7 7 7 7 7 7
4 4 4 4 4 4 4 5 5 5 5 5 7 7 0 0 0 0 0 0 0 0 0
B E/G# A B
in the free - dom of mu - sic. But
7 7 7 7 7 7 7 4 4 4 4 4 4 4 5 5 5 5 5 7 7 7
7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7
8 8 8 8 8 8 8 4 4 4 4 4 4 4 6 6 6 6 6 8 8 8
9 9 9 9 9 9 9 6 6 6 6 6 6 6 7 7 7 7 7 9 9 9
9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9
7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 7 7 7
E B E/G#
glit - ter - ing priz - es and end - less com - pro - mis - es shat - ter the il - lu - sion of in -
7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 X
9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 X
9 9 9 9 9 9 9 9 8 8 8 8 8 8 8 4 4 4 4 4 4 4 4 4 X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 6 6 6 6 6 6 6 6 6 X 7
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 X 7
0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 X 5
A B E5 Badd11
teg - ri - ty, yeah.
let ring let ring
5 5 5 5 5 7 7 7 7 0 0 0 0 0
5 5 5 5 5 7 7 7 7 0 0 0 0 0
6 6 6 6 6 8 8 8 8 9 X 8 8
7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 9 9 9 9 7 7 9 9 9 9 9 9 4 4
5 5 5 5 5 7 7 7 7 0 0 0 0 7 7 7 7 7 7 4 4 4
6
D.S. al Coda Coda
Interlude
E/G# A B E5
free.
Gtr. 2
let ring
4 5 5 5 7 7 0
5 5 5 5 5 5 5 7 7 0
4 4 4 4 4 4 6 6 6 6 6 6 8 8 9 4 4
6 6 6 6 6 6 7 7 7 7 7 7 9 9 9 2 2 2 2
7 7 7 7 7 7 7 7 7 7 7 7 9 9 7 2 2 2 2
4 4 4 4 4 4 5 5 5 5 5 5 5 7 7 0 0 0 0 0 0
D/F# D/E Dsus4/E D/E E7/G#
let ring
0 0 2 2 2 2 2 3 2 4 4 4 4
0 0 3 3 3 3 3 3 3 5 5 5 5
4 4 4 0 0 2 2 2 2 2 2 2 4 4 4 4
2 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 0 0
0 0 0
E7sus4 E7 E7sus4 D/F# Dsus4/E D/E Dsus4/E D/E E5
let ring
5 4 5 4 4 2 2 2 2 3 2 3 3 2 2 0 0 0
5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 0 0 0
4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 9 9 9 9
0 0 0 0 0 0 0 0 0 0 9 9 9 9
0 0 7 7 7 7
0 0 0 0 0 0
Dadd9/F# Dsus2/E Eadd9/G#
0 0 0 5 5 5 5 5 5 7 7 7 7
0 0 0 5 5 5 5 5 5 7 7 7 7
9 9 9 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9
9 9 9 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9
7 7 7 5 5 5 5 5 5 5 5 5 7 7 7 7
0 0 0 5 5 5 5 5 5 5 5 5 7 7 7 7
Dadd9/F# Dsus2/E
7 7 7 5 5 5 5 5 5 5 5 5
7 7 7 5 5 5 5 5 5 5 5 5
9 9 9 7 7 7 7 7 7 7 7 7 7 7
9 9 9 7 7 7 7 7 7 7 7 7 7 7
7 7 7 5 5 5 5 5 5 5 5 5 5 5
7 7 7 5 5 5 5 5 5 5 5 5 5 5 0 0
7
E5 Badd11 E/G#
let ring
0 0 0 0 4 4 4
0 0 0 5 5 5
9 9 8 8 4 4 4
9 9 9 9 9 6 6 6
7 7 7 9 9 9 7 7 7
0 0 0 0 7 7 7 4 4 4 4 4 4 5
A B E5 Badd11
let ring let ring
5 5 5 5 7 7 0 0
5 5 5 5 7 7 0
6 6 6 6 6 8 8 9 8 8 4 4
7 7 7 7 7 9 9 9 9 9 9 6 6
7 7 7 7 7 9 9 7 7 9 9 9 9 9 0 7 7
5 5 5 5 5 7 7 0 0 0 0 7 7 7 7 0 4 4
Gtr. 1: w/ Riff A (1 1/2 times)
E/G# A B E5
3 3
let ring
4
5
4 4 4 4 4 6 6 6 6 6 6 6 8 8
6 6 6 6 6 7 7 7 7 7 7 7 9 9 2
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 2
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 7 7 0
q = 106
Gtr. 1 tacet
µ (E)
3
Gtr.
Gtr. 1
2
Gtr. 2
divisi rit.
2 0 0 4 2 0
3 3
7 7 7 5 4 4
2 7 7 5 4 4 3 4 2 0 0
2 7 7 5 4 4 4 2
0 5 0 0
Slower q = 92
(A) (E) (A) (E)
2 2 2 2 2
0 2 3 4 2 2 2 2 0 2 3 4 2 2
0 2 3 3 4 0 2 3 4 0
(A) (E) (A)
3
rit.
2 2 2 2 2 2 4 2
2 2 2 0 2 3 4 2 2 2 2 0 0 2 3 4
0 2 3 4 0 2 3 4
8
Bridge
q = 75
E A B7 E A B
For the words of the proph - ets were writ - ten on the stu - di - o wall,
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 3
7 7 5 7 7 7 5 7
9 9 5 7 9 9 5 7
9 9 6 8 9 9 6 8
Riff C End Riff C
Gtr. 4 (clean)
mf P.M. P.M.
9 9 8
9 7 7 9 7
7 7 7 9 7 7 7 9
0 5 7 0 5 7
Gtr. 2
2
0
Slightly faster q = 79
Gtr. 4: w/ Riff C Gtr. 3 tacet
E A B7 µ(E) (A) (E)
a con - cert hall.
Gtr. 3
7 7 7 5 7
9 9 9 5 7
9 9 9 6 8
Gtr. 2 Rhy. Fill 1 End Rhy. Fill 1
f
2 2 2
2 2 0 0 2 3 4 2 2
0 2 3 4 0
9
q = 72
Gtr. 3: w/ Rhy. Fig. 1
Gtr. 4: w/ Riff C (2 times)
(A) E A B7
rit.
And
Gtr. 2
3
rit.
2 2 2
2 2 2 0 0 2 3 4 2 4 2 2
0 2 3 4 0
q = 79
E A B7 µ(E) (A) (E)
accel.
ech - oes with the sound of sales - men, of sales -
accel. f
2 2 2
2 2 2 2 0 0 2 3 4 2
0 0 2 3 4 0
Guitar Solo
(A) (E) (A) (E)
- men, of sales - men.
Gtr. 5 (dist.)
f
1 1/2
15 15 15 15 12 14 14 12 14 12
Gtr. 2
2 2 2
2 2 2 0 0 2 3 4
0 2 3 4
10
(A) (E)
w/ wah
1 1 1 1 1 1
12
12 12 12 12 12 15 15
14
(A) (E) (A) (E)
8va
loco
/0
/0
+1+1 1/2
*
grad. bend
16
1 1/2 w/ bar
1
1 1
12 12 12 12 12 12 15 16
15 15 15 15 15 15 0 0
0 0 0 16 16 7
0 0 0 9
0
-1/2
*String frets out at 16th fret while bend is held at 15th fret.
Gtr. 2: w/ Rhy. Fill 1
(A) (E) (A) (E)
8va
8va loco
5 6 w/ bar
1 1/2
0 15 15 12 12 0 0
0 0 0 15 15 12 15 0 0 0 17 17 17
7 5 7 7 5 7 7 9 9 7 11 12 11 12 11 12 12
9 7 9 9 7 9 9 11 11 9 13 14 13 14 13 14
Outro
Gtr. 5 tacet
Gtr. 2 (A) (E) (A) (E)
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 2 2 3 4 2 2 2 2 2 2 0 0 2 2 3 4 2 2
0 0 2 2 3 3 4 0 0 2 2 3 3 4 0
q = 74
(A) (E)
poco rit.
2 2 2 2 2 2
2 2 2 2 2 0 0 2 2 3 4 2 2 2 2 2 2 2 2 2 2 2
0 0 2 2 3 3 4 0 0 2 2 3 4 0 0 2 2 3 4
Faster q = 150 Slower q = 130
Gtr. 1: w/ Riff A
E5
0 0 0
0 0 0
4 4 4
2 2 2
2 2 2 2
0 0 0 0
11
from Dire Straits - Dire Straits
Sultans of Swing Words and Music by Mark Knopfler
Dm C Bb A A7 F C/E Bb/D A7type2 FI A7sus2
5fr 5fr 5fr 5fr
13421 1333 1333 123 1 3 132 3111 3111 121 3211 2
Intro
Moderately q = 146
** Dm
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtr. 2
(clean)
mf
Gtr. 1 (clean)
mf
w/ fingers
3 3 3 3 3 3
2 2 2 2 X 2 2 2 2 2 2 5 5 5 7 7
0 0 0 0 0 X 0 0 0 0 0 0 5 5 5 7 5 7
0 X 5
* Two gtrs. arr. for one.
**See top of page for chord diagrams pertaining to rhythm slashes.
Gtr. 2: w/ Rhy. Fig. 1
1. You get a
3
5 8 5
6 6 6 6 5 6 5
7 7 7 7 5 7
7 7
Verse
Dm C Bb A A7
Gtr. 2
shiv - er in the dark, it’s rain - ing in the park, but mean - time,
1 1
X
X
X 4 4 4
Copyright © 1978 STRAITJACKET SONGS LIMITED
All Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission 1
Dm C Bb A F
south of the riv - er you stop, and you hold ev - ’ry - thing.
let ring
5 5
10 10 11 10 6 6
9 5 5
2 11 11 7 7
C/E Bb/D
(cont. in notation)
A band is blow-ing Dix - ie dou - ble four time,
5
6 5 5 6 5 6 5 3
5 5 5 5 5 5 3
7 X X 7 5 3
Dm Bb
you feel al - right when you hear the mu - sic ring.
Gtr. 1
let ring
3 6 X 3 6 X
3 7 7 7 X 3 3 X
3 5 7 7 X 3 X
Gtr. 2
(cont. in slash)
5 5 5 5 5 5 5 5 5 X
3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6 6 6 6 6 X
3 3 3 3 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7 7 X 3
3 3 3 3 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7 7 X 3 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 1 1
2
Verse
Bb C Dm C Bb A
Gtr. 2
2. Well, now you step in - side, but you don’t see too man - y fac -
Gtr. 1
3 5
3 5 5
3 5 5 7
5 7
Dm C
- es, com - ing in out of the rain
let ring
10 10 10 11 10 10 8 8 6
11 11 11 11 9 7
Bb A E G A7type2 FI
2fr 5fr
they hear the jazz go down.
3
10 9 5 5 5
10 6 6 6
9 7 6 5 5 5
7 5 7 7 7
7
3
F G C/E Bb/D
open
(cont. in notation)
Com - pe - ti - tion in oth - er plac - es,
5
6 5 5 6 6 5 3 3
5 5 5 5 5 5 3 3
7 5 5 X 7 7 5 3 3
Dm Bb
er, but the horns, they blow - ing that sound,
Gtr. 1
10 8
3 10 10 X 3 6 X X
3 10 9 10 X 3 3 X X
3 X X 3 3 X X
Gtr. 2
5 5 5 X 5 5 5 X 5 5 5 X
3 3 X 3 3 3 X 3 3 3 X 3 3 3 X 6 6 6 X 6 6 6 X 6 6 6 X 3
3 3 X 3 3 3 X 3 3 3 X 3 3 3 X 0 7 7 7 X 7 7 7 X 7 7 7 X 3 3
3 3 X 3 3 3 X 3 3 3 X 3 3 3 X 0 7 7 7 X 7 7 7 X 7 7 7 X 3 3 3
5 5 X 5 5 5 X 5 5 5 X 5 5 5 X 5 5 5 X 5 5 5 X 5 5 5 X 1 1
C Bb C
way on down south, way on down south
X
3 5 5 5 X 3 6 3 5 5 5 5 5 5 5 5 0
3 5 5 5 5 X 3 3 3 5 5 5 5 5 5 5 5 0
3 5 5 5 5 3 3 5 5 5 5 5 5 5 5 0
Rhy. Fig. 2 End Rhy. Fig. 2
(cont. in slash)
3 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
3 5 5 5 5 5 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
3 5 5 5 5 5 5 5 5 5 5 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
1 3 3 3 3 3 3 3 3 3 3 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4
Chorus
Dm C Bb C
Rhy. Fig. 3A End Rhy. Fig. 3A
Gtr. 2
Lon - don town.
Gtr. 1
Rhy. Fig. 3
let ring
6 6 5 3 6 6 5 X 5 10 8 8 8 8
7 7 5 3 5 5 X 5 5 10 9
7 7 5 3 7 7 5 X 5
Gtr. 2: w/ Rhy. Fig. 3A Verse
Dm C Bb C Dm C
Gtr. 2
3. You check out Gui - tar George,
End Rhy. Fig. 3
let ring
6 5 3 6 6 5 X 5 5
7 5 3 5 5 X 5 5 5
7 5 3 7 7 5 X 5 5 5 7
X 5 7
Bb A A7 Dm C
heknows all the chords, mind, he’s strict - ly rhy - thm, he
9 8 9 10 X
8 7 8 10 10 X
9 8 9 10 10 X
1
1
5
Bb A G C# A7 F
5fr 11fr
(cont. in notation)
does - n’t want to make it cry or sing.
hold bend
1 1 1 1
5 9 7
5 5 8 8 8 8 8 8
7 X
C Bb
Yes, and an old gui - tar is all he can af - ford
Gtr. 1
1 hold bend 3
8
8 8 8 6 8 8 6 6 6
7 9 9 7 7 7
Gtr. 2
5 5 5 5 5
6 X 6 6 6 6 X 6 6 6 X 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
5 X 5 5 5 5 X 5 5 5 X 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
X X 7 7 7 X 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 3
7 3 3 3 3 3 3 3 3 3 3 3 3 3 5
Dm
when he gets up un - der the lights to play his thing.
10 8
6 6 10
7 7 9 10 9 10
5 5 5 5 5 5 5
3 3 3 3 3 3 3 X 3 3 3 X 3 3 3 X 6 6 6 6 6 6 5 6
3 3 3 3 3 3 3 X 3 3 3 X 3 3 3 X 0 7 7 7 7 7 7 5 7
3 3 3 3 3 3 3 X 3 3 3 X 3 3 3 X 0 7 7 7 7 7 7 5 7
5 5 5 5 5 5 5 X 5 5 5 X 5 5 5 X 5 5 5 5 5 5 5 5
6
Bb C
10 10 X 3 X 6 X 3 5
10 10 X 3 X 3 X 3 5 5 5
3 X X 3 5 5 7 7 7
5 7
(cont. in slash)
5 5 X
6 6 X 3 5 X 5 5 5 X 5 5 5 X 5 1 1
7 7 X 3 3 5 X 5 5 5 X 5 5 5 X 5 0 0
7 7 X 3 3 3 3 5 X 5 5 5 X 5 5 5 X 5 2 2
5 5 X 1 1 1 3 X 3 3 3 X 3 3 3 X 3 3 3
Verse
Dm C Bb A
Rhy. Fig. 4
Gtr. 2
4. And Har - ry does - n’t mind if he does - n’t make the scene,
Gtr. 1
let ring
1 1 1
8
5 7 7 7 7 7
Dm C Bb A A7 A7sus2 F
he’s got a day - time job, he’s do - ing al - right.
let ring
1 1
9 5
5 12 10 0
7 5 9 10 9 7 6 4 0
5 7
7
D C/E Bb/D
5fr
(cont. in notation)
He can play the hon - ky - tonk like an - y - thing.
1
8
8 5 5 X X 6 6 5 X 3
5 5 X X 5 5 5 X 3
5 5 X X 7 7 5 X 3
Dm Bb
Sav - ing it up, Fri - day night
Gtr. 1
3 6 5 4 3 6 3
3 7 7 3 3 3
3 5 7 7 3 3 3
Gtr. 2 End Rhy. Fig. 4
5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 X 3 3 3 X 3 3 3 3 6 6 6 6 6 6 6 6 6 6 6
3 3 3 3 3 3 X 3 3 3 X 3 3 3 3 0 7 7 7 7 7 7 7 7 7 7 7 3
3 3 3 3 3 3 X 3 3 3 X 3 3 3 3 0 7 7 7 7 7 7 7 7 7 7 7 3 3 3
5 5 5 5 5 5 X 5 5 5 X 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1 1
Gtr. 2: w/ Rhy. Fig. 2
C Bb C
with the Sul - tans, with the Sul - tans of
Gtr. 1
3 5 5 5 5 X X X 3 6 X 3 5 5 5 5 5 5 5
3 5 5 5 5 X X X 3 3 X 3 5 5 5 5 5 5 5
3 5 5 5 5 X X X 3 X 3 5 5 5 5 5 5 5
Chorus
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 2: w/ Rhy. Fig. 3A, 2 times
Dm C Bb C Dm C Bb C
swing. 5. And a
8
Verse
Gtr. 2: w/ Rhy. Fig. 4
Dm C Bb A A7
crowd of young boys, they’re fool - ing a - round in the cor - ner,
Gtr. 1
1
12
1
let ring
X X 12 12 12 10
X X 12 14
X X
Dm C Bb A
drunk and dressed in their best brown bag - gies, and their plat - form soles.
let ring
13 12 9
10
9
A7 F C
They don’t give a damn a - bout an - y trum - pet play - ing band,
1 1
5
8 8
7 6 0 X
X
Bb Dm
it ain’t what they call rock and roll.
3
let ring
8 8 6 6 6 6 6
7 9 9 7 7 7 7 X 7 7
5 7
9
Gtr. 2: w/ Rhy. Fig. 2
Bb C Bb C
And the Sul - tans, yeah, the Sul - tans are play - ing
3 6 X 3 5 5 3 6 X 3 5
7 3 3 X 3 5 5 3 3 X 3 5
3 X 3 5 5 3 3 X 3 5
Chorus
C
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 2: w/ Rhy. Fig. 3A (2 times)
Dm Bb C Dm C Bb C
Cre - ole, Cre - ole, ba - by. Ah ah.
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 4
Dm C Bb A Dm A7 C
Gtr. 1
3 3
3
Harm. 1
1 1 1 let ring
9 12 12 10
8 8 8 8 8 6 8 6 5 6 5 10 10 10
9 10
11 12
12
12
Bb
A
F
C
1 1 hold bend
13
13 11 13 11 9 10 11 X X 9 10 10 10 13 13
X 0 0 0 X X 12 12 12 12 10 10
3
Bb Dm
1 1 1 let ring 1
12 13 12 13 10 10
13 13 13 13 13 13 13 11 13 13 13 10 10 13 X 10
12 14 12
Gtr. 2: w/ Rhy. Fig. 2
Bb C Bb C
3
let ring
3 6 3 5 6 8 6 5 6 8 3 6 3 3 5
12 10 3 5 3 3 5 5 7 5
3 5 3 3 5 5
10
Gtr. 2: w/ Rhy. Fig. 3A (2 times)
Dm C Bb C
hold bend
1 let ring
8 6 5 3 6 6 5 X 5 10 8 8 8 8
7 7 7 5 7 7 7 5 3 5 5 X 5 5 10 9
7 5 3 7 7 5 X 5
Dm
C Bb
C
let ring
6 5 3 6 6 5 X 5 5
7 5 3 5 5 X 5 5 5
7 5 3 7 7 5 X 5 5 5 7
X 5 7
Verse
Gtr. 2: w/ Rhy. Fig. 4
Dm C Bb A
6. And then the man, he steps right up to the mic - ro - phone,
let ring let ring let ring
5 X 3 3 2 2 10 12 12 14 14 14 17 17 15
5 7 5 X 3 3 2 2
5 11 11 11 12 12 14 14 17 15
Dm C Bb A F
and says at last just as the time - bell rings,
let ring
9 9 9
17 8 8 8
9 9 9
15 17
C
“Good - night, now it’s time to go home”.
let ring
8 8 8
7 9 9
11
Bb Dm
Then he makes it fast with one more thing,
let ring
11 6 6 3 6 X
10 7 7 7 7 X 3 3 X
5 7 7 7 X 3 X
Gtr. 2: w/ Rhy. Fig. 2
C Bb C
“We are the Sul - tans, we are the Sul - tans of
3 5 5 5 5 5 5 5 5 5 X 3 6 X 3 5
3 5 5 5 5 5 5 5 5 5 X 3 3 X 3 5
3 5 5 5 5 5 5 5 5 5 X 3 X 3 5
Chorus
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 2: w/ Rhy. Fig. 3A (2 times)
Dm C Bb C Dm C Bb C
swing.”
Outro-Guitar Solo
Gtr. 2: w/ Rhy. Fig. 3A (till fade)
Gtr. 1 Dm Bb C
1 1
8 8 6 8 6 8 8 8 5 8 5 3 5 3
7 5 7 5 5 5
5 7 5
5 7 5
Dm Bb C
8 8 8
X 10 8 8 8 10 8 8 10 8 8 10 8 8 10 8
X 10 10 7 7 7 9 9 9 9 9
Dm C Bb
1
8 8 10
8 10 8 8 10 8 10 13 10 10 10
9 X X X 12 12 12 10 10 12 X
0 X X X 12 10 12 X
12
C Dm C Bb
3
8v a
1 hold bend
12 10 X X 13 10 10 13 10 10 13 10 10 13 10 10
10 11 X X 11 11 11 10 10 10 10
0 X
X
8v a
13 10 10 13 10 10 13 10 10 13 X 15 12 12 15 12 12 15 12 12 15 12 12 15 12 12 15 12 12 15 12 12 15 10
11 11 11 X 13 13 13 13 13 13 13 10
Dm C Bb C
8v a
13 10 10 13 10 10 13 10 10 13 10 10 13 10 10 13 10 10 13 10 10 13 X 15 12 12 15 12 12 15 12 12 15 12 12
10 10 10 10 11 11 11 X 13 13 13 13
Dm C Bb
8v a
1
1 1
15 12 12 15 12 12 15 12 12 15 12 15 15 15 13 15 13 13 15
13 13 13 12 15 13
Begin fade
C Dm C Bb
8v a
loco
1
15 15 15 12 15 12
13 15 13 10 13 10 6 5 3 6
9 12 9 7 5 3 5
7 5 3 7
15
Fade out
C Dm
C Bb
let ring
6 5 X 5 10 8 8 8 8 6 5 3 6
5 X 5 5 10 9 7 5 3 5
7 5 X 5 7 5 3 7
13
from U2 - War
Sunday Bloody Sunday
Words and Music by U2
Transcribed by Jim Schustedt
Guitars: The Edge
F Em D
13421 23 132
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately q = 101
μ
(Drums) (Drums & violin)
* Bm D G6(no3rd) Bm D G6(no3rd)
Yeah. Hm, hm.
Riff A End Riff A
Gtr. 1 (elec.)
mf
w/ clean tone
let ring
2 2 0 0 2 2 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 2 0 0 0 4 2 0 0 0
Riff A1 End Riff A1
Gtr. 2 (acous.)
mf
let ring
2 2 0 0 2 2 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 2 0 0 4 2 0 0
*Chord symbols reflect implied harmony.
Copyright © 1983 UNIVERSAL MUSIC PUBLISHING INTERNATIONAL B.V.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
Verse
Gtrs. 1 & 2: w/ Riffs A & A1
Bm D G6(no3rd)
1. I can’t be - lieve the news to - day,
Bm D G6(no3rd)
oh, I can’t close my eyes and make it go a - way.
Pre-Bridge
D Em D Em
How long, how long must we sing this song? How long, how long?
*Gtrs. 1 & 2
2 2 2 2 2 2 2 0 0 0 2 2 0 0
3 3 3 3 3 3 3 0 0 0 3 3 0 0
2 2 2 2 2 2 2 0 0 0 2 2 0 0
0 0 0 0 0 0 0 2 2 2 0 0 2 2
2 2 2 2 2
0 0 0 0 0
*Composite arrangement
Bridge
Gtr. 2 tacet
B5 D5 G5 B5 D5
’Cause to - night we can be as one, to - night.
Voc. Fig. 1 End Voc. Fig. 1
(Ah. Ah. Ah.)
Gtr. 2
0 0 0 0
0 0 0 0
0 0 0 0
2 2 2 2
2 2 2 2
0 0 0 0
Rhy. Fill 1 End Rhy. Fill 1 Rhy. Fig. 1
Gtr. 1
w/ slight dist. sim.
0
0
0 X 7 7 X X X 12 12 X X X 12 12 X X X 7 7 X X
2 X X X X X X X 9 9 X X 7 7 X X X 12 12 X X X 12 12 X X X 9 9 X X X 7 7 X X
2 X X X X X X X 9 9 X X 5 5 X X X 10 10 X X X 10 10 X X X 9 9 X X X 5 5 X X
0 X X X X X X X 7 7 X X 7 7 X X
2
Verse
2nd time, Bkgd. Voc. tacet
G5 A5 G5 B5 D5 G5
2. Bro - ken bot - tles un - der chil - dren’s feet,
3. And the bat - tle’s just be - gun
(Ah.)
Gtr. 1 End Rhy. Fig. 1
0
X 12 12 12 12 X X X 14 12 X X X 7 7 X X X 12 12 X X X 12 12 12 12
X 12 12 12 12 X X X 14 12 X X X 9 9 X X X 7 7 X X X 12 12 X X X 12 12 12 12
X 10 10 10 10 X X X 12 10 X X X 9 9 X X X 5 5 X X X 10 10 X X X 10 10 10 10
X 7 7 X X
Gtr. 1: w/ Riff A (1 1/2 times)
Bm D G6(no3rd) Bm D
bod - ies strewn a - cross the dead - end street. But I won’t heed the bat - tle
there’s man - y lost, but tell me, who has won? The trench is dug with - in our hearts,
G6(no3rd) Bm D G6(no3rd)
call. It puts my back up, puts my back up a - gainst the wall.
and moth - er’s chil - dren, broth - ers, sis - ters torn a - part.
Chorus
Gtr. 1: w/ Riff A
Bm D G6(no3rd) Bm D G6(no3rd)
Sun - day. Sun - day.
Voc. Fig. 2
End Voc. Fig. 2
(Sun - day, blood - y Sun - day. Sun - day, blood - y Sun - day.)
1.
Interlude
Bkgd. Voc.: w/ Voc. Fig. 2 (1st 2 meas.)
*F Em D F Em D
Gtr. 2
Sun - day, blood - y Sun - day. Oh, let’s go!
Riff B End Riff B
Gtr. 1
let ring let ring
let ring
Harm.
let ring let ring
7 7
7 5 7 5 7
7 5 7 5 X X X X X X
X X X X X X
X X X X X X
Pitch: D G D G
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
3
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
B5 D5 G5 B5 D5 G5 A5 G5
2.
Pre-Bridge
D Em D Em
How long, how long must we sing this song? How long, how long?
*Gtrs. 1 & 2
2 0 0 0 2 0 0
3 0 0 0 3 0 0
2 2 0 0 0 2 2 2 0 0
0 0 2 2 0 0 0 0 2 0
2 2 2 0
0 0 0 0
*Composite arrangement
Bridge
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
Gtr. 1: w/ Rhy. Fill 1 Gtr. 2 tacet
B5 D5 G5 B5 D5
’Cause to - night we can be as one, to - night.
Gtr. 2
0
0
0
2
2
0
Bkgd. Voc.: w/ Voc. Fig. 2
G5 A5 G5 B5 D5 G5 B5 D5
To - night, to - night. To - night, to -
(Ah, Ah.) Ah.)
4
Guitar Solo
G5 μ (B5) (D5) (G5)
night. Oh, let’s go!
Gtrs 1 & 2
Gtr. 2
Gtr. 1
divisi let ring let ring let ring
12 12 12 10 10 10 12 12 12 10 10 10 12 12
0 0 0 0 0 0 0 0 0 0 12 12 12 10 10 10 12 12 12 10 10 10 10 0 0
X 12 12 12 X X X X 12 12 0 0 0 0 0 0 0 0 0 0 0
X 12 12 12 X X X X 12 12
X 10 10 10 X X X X 10 10
(B5) (D5) (G5) (B5) (D5)
let ring let ring let ring
12 10 10 10 10 12 12 12 10 10 10 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 12 12 12 10 10 10 12 12 12 10 10 12 10 10 10 10 8 8 7 7 5 5 5 3 3
0 0 0 0 0 0 0 0 0 0 0
(G5) (B5) (D5) (G5)
let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 5 3 3 2 2 2 3 2 0 0 0 0 3 5 3 5 5 7 7 7 8 8 10 10 10 12 12 12 15 15 15 14
Chorus
μ (B5) (D5) (G) B5 D5
3
Wipe the tears from your eyes.
Gtr. 2 Rhy. Fig. 2
let ring
0 0 0
10 12 12
7 7 7 7 7
9 9 9 9 9 7 7 7 7 7
9 9 9 9 9 5 5 5 5 5
7 7 7 7 7
Gtr. 1 3
let ring
0 0 0
10 12 12
X X X X X X X X X X X
X X X X X X X X X X X
X X X X X X X X X X X
5
G5 B5 D5 G5
3
3 3 3
Wipe your tears a - way. I’ll wipe your tears
End Rhy. Fig. 2
12 12 12 12 12 12 12 12 12 12 7 7 7 7 7 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 9 9 9 9 9 7 7 7 7 7 12 12 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10
7 7 7 7 7
3
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times) Bkgd. Voc.: w/ Voc. Fig. 2
B5 D5 G5
B5 D5
3
3
3
a - way, I’ll wipe your tears a - way.
Gtr. 1 3
X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X
G5 B5 D5 G5
I’ll wipe your blood - shot eyes.
3
3
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
6
Interlude
Bkgd. Voc.: w/ Voc. Fig. 2 (1st 2 meas.)
F Em D F Em D
Gtr. 2
3
(cont. in notation)
Sun - day blood - y Sun - day. Ah.
Riff C End Riff C
Gtr. 1
let ring
let ring
Harm.
let ring let ring let ring
7 7
7 5 7 7 5 7
7 5 7 5
Pitch: G D (D) G
Bkgd. Voc.: w/ Voc. Fig. 2 (1st 2 meas.) Gtr. 1: w/ Riff B
Gtr. 1: w/ Riff C
F Em D F Em D
Sun - day blood - y Sun - day. Ah. Yeah, let’s go!
Gtr. 2
2 2 2 2 2 2 2 2 2 2 2
1 1 0 0 0 0 3 3 3 3 3 3 3 3 1 1 0 0 0 0 0 3 3 3
2 2 0 0 0 0 2 2 2 2 2 2 2 2 0 2 2 0 0 0 0 0 2 2 2
3 3 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 3 3 0 0 2 2 2 2 2 0 0 0 0
3 3 0 2 2 2 2 0 0 3 3 0 0 2 2 2 2 2 0
1 1 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0
Violin Solo Verse
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas., 2 times) Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
Gtr. 2: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 2 (4 times)
B5 D5 G5 A5 G5
B5 D5 G5
4. And it’s true, we are im - mune when fact is fic - tion and T - V re - al - i - ty.
*Bkgd. Voc.: w/ Voc. Fig. 2 (3 times) Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
B5 D5 G5 B5 D5 G5 B5 D5
And to - day the mil - lions cry, we eat and drink while to - mor - row they die. The real bat - tle yet be - gun
*Vocals fade in gradually.
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas.)
G5 A5 G5 D5 G5 B5 D5 G5
to claim the vic - t’ry Je - sus won on Sun - day, yeah, yeah.
B5 D5 G5 A5 G5 Bm
Gtrs. 1 & 2
Gtr. 1
7
X 7 7 X X X 12 12 12 12 X X X 14 12 X X 7
X 9 9 X X X 7 7 X X X 12 12 12 12 X X X 14 12 X X 9
X 9 9 X X X 5 5 X X X 10 10 10 10 X X X 12 10 X X 9
X 7 7 X X 7
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