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SCHOOL RAGAY NATIONAL AGRICULTURAL AND FISHERIES GRADE LEVEL 7

SCHOOL

Daily Lesson Log TEACHER RHEA C. PALENZUELA LEARNING AREA ART


in
TEACHING DATE AND WEEK 2 QUARTER 2nd
MAPEH
TIME QUARTER

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY

I. OBJECTIVES

A. Content standard ∙ Art elements and processes by synthesizing and applying prior knowledge and skills ∙ The salient features of the arts of
Luzon (highlands and lowlands) by showing the relationship of the elements of art and processes among culturally diverse
communities in the country ∙ The Philippines as having a rich artistic and cultural tradition from precolonial to present times

B. Performance standard The learners…


∙ create artworks showing the characteristic elements of the arts of Luzon (highlands and lowlands)
∙ exhibit completed artworks for appreciation and critiquing

C. Learning competencies/ Objectives The learners create crafts that The learners… The learners show the The learners mount an
can be assemble with local ∙ derive elements from relationship of MIMAROPA exhibit using
materials, guided by local traditions/history of a and VISAYAS arts and crafts to completed
traditional community for one’s Philippine culture, traditions, MIMAROPAVisayan
techniques (e.g., habi, lilip, artwork. and history (Islamic influences, inspired arts and
etc). (A7PR-IIf-2) Spanish heritage, and American crafts in an organized
(A7PR-IIc-e-1) ∙ correlate the development legacies in manner. (A7PR
of crafts in specific areas of education, business, IIg-5)
the modernization, and
country, according to entertainment, as well as in
functionality, traditional indigenous practices, fiestas, and
specialized expertise, and religious and social practices)
availability of (A7PR-IIh-4)
resources (e.g.,
architecture,
weaving, pottery,
accessories, masks, and
culinary arts)
(A7PR-IIf-3)

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II. CONTENTS ARTS and CRAFTS of LUZON (HIGHLANDS and LOWLANDS)

Arts and Crafts of Luzon Arts and Crafts of Arts and Crafts of Luzon Arts and Crafts of Luzon
(Highlands and Luzon (Highlands and (Highlands and Lowlands) ∙ (Highlands and
Lowlands) Lowlands) Attire, Fabrics, and Tapestries Lowlands)
∙ Attire, Fabrics, and ∙ Attire, Fabrics, and ∙ Crafts and ∙ Attire, Fabrics, and
Tapestries Tapestries Accessories, and Tapestries
∙ Crafts and ∙ Crafts and Body ∙ Crafts and Accessories,
Accessories, and Accessories, and Body Ornamentation and Body Ornamentatio
Body Ornamentation ∙ Architectures ∙ Architectures
Ornamentation ∙ Everyday objects ∙ Sculptures ∙ Sculptures gods/rituals)
∙ Everyday objects I. Elements of Art ∙ Line (gods/rituals) ∙ Everyday objects
I. Elements of Art ∙ Shape and ∙ Everyday objects I. Process
∙ Line Form I. Elements of Art Drawing and Painting
∙ Shape and Form ∙ Value ∙ Line ∙ Sculpture and
∙ Value ∙ Color ∙ Shape and Form Assemblage
∙ Color ∙ Texture ∙ Value ∙ Mounting an exhibit:
∙ Texture ∙ Space ∙ Color 2.1 Concept
∙ Space II. Principles of Art ∙ ∙ Texture 2.2 Content /
II. Principles of Art Rhythm, ∙ Space labels
∙ Rhythm, Movement II. Principles of Art
Movement ∙ Balance ∙ Rhythm,
∙ Balance ∙ Emphasis Movement
∙ Emphasis ∙ Balance
∙ Harmony, Unity, ∙ Emphasis
Variety
∙ Proportion
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III. Process ∙ Harmony, ∙ Harmony, Unity, 2.3 Physical
Drawing and Painting 1. Unity, Variety Variety layout
Sculpture and ∙ Proportion ∙ Proportion
Assemblage

III. LEARNING RESOURCES

A. REFERENCES

1. Teacher’s Guide pages

2. Learner’s Material
pages

3. Textbook pages

4. Additional Materials OHSP Arts Module Q1


from Learning MISOSA5-module4
Resource (LR) portal OHSP Arts Module Q1- Lesson 2

B. OTHER LEARNING Copiaco, H.P.; Lugue, V. P.; Ramirez, V. E.; et. Al. (2013).
REFERENCES Our world of MAPEH. Vibal group, Inc.,
Gregorio Araneta Ave., Quezon City.
Muyot, F. R.; Garcia, M. D.; Baarde, MC. G.; et. Al. (2013)
MAPEH on the Go 7. Sunshine Interlinks Publishing House, Inc.,
3/F Maine City Tower, 236 Tomas Morato Ave.,
Brgy. South Triangle Quezon City.
Limjoco, M.F.; Lapuz, D. M.; Jeniebre, J.L.; et. Al. (2013)
Journey towards MAPEH. KLEAFS Publishing.
Block 609, Lot 1 Phase 6, Metrogate, Meycauyan II
Loma de Gato, Marilao, Bulacan.
Copiaco, H.P.; Lugue, V. P.; Ramirez, V. E.; et. Al. (2013).
Ejoy life with Music and Arts. SD Publications, Inc.,
Gregorio Araneta Ave., Quezon City.

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A. Reviewing Previous The teacher will ask the Post different arts and crafts from What are the What are the roles played
Lesson or Presenting New students. MIMAROPA and VISAYAS. Ask significance of the by different factors that
Lessons What are the examples of students to give the materials used tradition and history to enhanced and
MIMAROPA and to the following objects. the derive elements of influenced the arts and
VISAYAS artworks 5 mins community arts and crafts of MIMAROPA
influenced by internal and crafts MIMAROPA and VISAYAS.
external factor? VISAYAS. 5 mins
5 mins 5 mins

B. Establishing A Purpose For The FOUR IN ONE HULABIRA 1 ON 1 The teacher will ask
Lesson The teacher will say aloud four The teacher will ask a volunteer The teacher will ask the thstudents to identify the
words that would describe the from the class (3 Boys and 3 Girls) students to give 1 word themes of the following
given example. Ask the to act out the different words given that they can associate pictures that will be
students to guess the mystery by the teachers. Words will be and will best describe given by the
word. coming from significant arts the given pictures. teacher. See attachment
Ex. Tarsier, Chocolate Hills, and crafts of MIMAROPA and Ex. for the sample pictures
Peanut Kisses, Floating VISAYAS. A picture of the 5 min
Restaurant BOHOL The first group that reach 3 points Sinulog-Fiesta Mosque-
The teacher will briefly will win the game. Islam
explain the role of the objects 5 min 5 min
to the different arts and crafts
of
MIMAROPA and VISAYAS
5 min

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C. Presenting Examples / Instances of the The teacher will present The teacher will present a video LOOKING The teacher will
New different arts and crafts that exhibiting the unique arts and BACK…MOVING show different
Lesson are assembled using available crafts of MIMAROPA and FORWARD pictures of the
materials through traditional VISAYAS in relation to history and The teacher will ask previous exhibit in the
method. See attachment for the tradition of their respective each group to share school.
objects Let the students community. among its member their (Note: If there is no
analyze and observe the (Note: The teacher can also post researched. available photos.
materials used in the different arts and crafts instead.) The group will answer Teachers can simply cut
examples presented. Ask the students the the following or print different
Ask the students the following following questions: questions: exhibits.)
questions: ∙ What are the ∙ What are other Ask the students the
∙ What are the materials used communities or places shown in the examples of following questions: ∙
in the object? video. MIMAROPA and What are the
∙ What do you think is the ∙ What art/craft highlighted in the VISAYAS arts and characteristics
process or technique used to video clip? crafts? of an exhibit?
create such work? ∙ What elements and principles can ∙ How significant ∙ What makes an exhibit
5 min be derived from the given the art/craft to the good or
art/craft? history or tradition of appealing?
∙ Do you think that the tradition and our country? ∙ How important the
history of the community somehow ∙ What are the factors themes or the subject of
reflected in their arts and crafts? contributing to the the exhibit?
∙ What are the developments enhancement of them 5 mins
happened to their respective arts/crafts?
communities in different fields of 10 min
arts?
10 min

D. Discussing New Concepts and The teacher will discuss the The teacher will discuss elements The teacher will discuss The teacher will discuss
Practicing New Skills different techniques and and principles derive from the relationship of the procedure of the
#1 traditional method in creating traditions/history of a community. MIMAROPA and exhibit and the criteria
different arts and crafts of Including the development of their VISAYAS arts and for their task.
MIMAROPA and VISAYAS. crafts in specific areas and crafts to Philippine 5 min
community. culture, traditions, and
15 min history (Islamic
influences, Spanish
heritage, and American
legacies in education,
business,
modernization, and
entertainment, as well
as in indigenous
practices, fiestas, and
religious and social
practices) 10 min

E. Discussing New Concepts and


Practicing New Skills
#2

F. Developing Mastery The students will create The teacher will distribute a piece Write down the The students will have 25
(Leads To Formative available local materials. of paper with a picture of a Basket. different factors that minutes to put up their
Assessment 3) The teacher will present and Ask the students to design their contribute to the exhibit.
demonstrate the process of the baskets using different elements development of the The students will go
activity. and principles derived from its following art forms. around to take a
The teacher will explain the origin. See attachment for the ∙ Carving look of others
criteria for the activity. sample deisgn. ∙ Pottery work/exhibit.
30 min 15 min ∙ Metal Work and 20 min
Jewelry
∙ Weaving
5 min
G. Finding Practical The teacher will ask the The teacher will ask the following The teacher will post a The teacher will ask the
Applications of the following questions: questions: quotation on the board. following questions:
Concepts And Skills In ∙ What values you have learned ∙ How important tradition and Ask volunteers to share ∙ What particular
Daily Living from the history is? his/her side about the haracteristic of yours
activity? ∙ As a student, what tradition do quote. was develop through
∙ How can you apply this in to you think must be THE AIM OF ART IS the activity?
your day-to-day activity? carry on by every individual? Why? TO REPRESENT NOT ∙ What is your
5 mins ∙ How important the arts and crafts THE OUTWARD participation/contribution
of highlands and lowlands to the APPEARANCEOF in order to put up your
culture, tradition and history of our THINGS BUT THEIR group exhibit?
country? INWARD ∙ As a student, where you
The teacher will sum-up all the SIGNIFICANCE. able to appreciate the
answers drawn from the students. 5 The teacher will value and the message of
mins summarize the the works you have
answers given by the witnessed?
students. 5 mins
5 mins

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H. Making Generalizations and The teacher will ask The teacher will post the following Big Group Sharing ∙ What are the
Abstractions About volunteers to the class to questions on the board. Ask each group to relevance of the
the Lesson present his/her work. What are the elements and answer the following tradition and
Let the students discuss the principles do you use for your questions: history to the
materials, process, and work? What are the different development of
technique he/she used in order If you have a chance to develop factors influenced the their crafts?
to organize his/her work. your artwork, what would it be and art forms of 10 min
The teacher will why? MIMAROPA and
summarize the answers drawn The teacher will ask a VISAYAS?
out from the class. volunteer to share his/her work to How the indigenous
5 mins the class. communities able to
5 mins preserve the design of
their folk arts?
5 mins

I. Evaluating Learning The teacher will evaluate the Identify the elements derived from List down 5 The teacher will give
output of the students. The different artworks of MIMAROPA arts/crafts and the his/her feedback to the
teacher will recognize the best and VISAYAS. factors that made an exhibit presented by each
output submitted by the ∙ The feel, real or implied; of an impact to the group. The teacher will
students. object or its surface development of their announce the best group.
5 mins. ∙ Shows an object in space, the works. (Note: The teacher can
mass or positive space it Example also give simple awards
occupies. Moriones Mask like Most Creative
∙ Area enclosed when both sides of Spanish Influence 5 presentation, Most
a line meet. mins Organize presentation,
∙ The lightness or darkness of an Best Artwork etc.)
object or color. 5 mins
∙ Proper distribution between
objects
5 mins
J. Additional Activities for Application Name 5 local materials and Define the following elements. SPIDER WEB
and products made of it. ∙ Proportion See attachment
Remediation Example: ∙ Lines
Luwad/Clar-Pot, Vase etc. ∙ Form
∙ Rhythm
∙ Unity

K. Assignment Research on other arts and crafts Bring different


from MIMAROPA and VISAYAS decorative materials for
influenced by the

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different factors. (Islamic final performance task
influences, Spanish heritage, and tomorrow. The teacher
American legacies in education, will also remind the
business, modernization, and students to bring their
entertainment, as well as in previous outputs/ best
indigenous practices, fiestas, and works for the
religious and social practices) exhibit.

V. REMARKS

VI.REFLECTION

A. No. of Learners Who


Earned 80% In The
Evaluation

B. No. of Learners Who


Require Additional For
Remediation Who Scored
Below 80%

C. Did the Remedial Lessons Work? No.


of Learners
Who Have Caught Up
With The Lesson.

D. No. of Learners Who


Continue To Require
Remediation

E. Which of My Strategies Worked


Well? Why Did
These Work?

F. What Difficulties Did I


Encounter Which My
Principal Or Supervisor
Helped Me Solved?

G. What Innovation or
Localized Materials Did I
Use / Discover Which I
Wish To Share with Other
Teachers?

Prepared by: Noted: Verified:


RHEA C. PALENZUELA EMILIA C. RAMIREZ ANA G. PALENZUELA
Teacher I Head Teacher III Principal II

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