Professional Documents
Culture Documents
What a beautiful spring we are having! Like the flowers outside, the
DVC is also all budded up and ready to bloom during this year with
informative workshops, fun events, and inspiring exhibits!
Member News
Beginning in April 2023, Maria G. Pisano’s book Caudex Folium will be part of the exhibit Towers Rising at
the 9-11 Memorial and Museum in New York City, marking 50 years since the 1973 dedication of the World
Trade Center. "The buildings have changed, but the imprint remains the same." - The work will be on view for
over a year.
The Guild of Book Workers promotes interest in and awareness of the tradition of the book and pa-
per arts by maintaining high standards of workmanship, hosting educational opportunities, and sponsoring ex-
hibits.
The Delaware Valley Chapter–one of ten chapters in the US–is located in the Pennsylvania, New Jersey
and Delaware tri-state area with activities centered in Philadelphia. Our diverse membership includes book
artists, book conservators, fine binders, calligraphers, librarians, paper marblers, teachers, photographers,
printmakers, and graphic designers.
The Delaware Valley Chapter offers a newsletter, workshops, lectures, exhibition opportunities, tours, and
social events. Membership is open to all interested persons and includes professionals, amateurs, and students.
Our website is: https://dvc-gbw.org/
Participants are invited to create new work to celebrate these two poets.
These works will be exhibited at The Historical Society of Pennsylvania in
November 2023, in conjunction with programming celebrating Phillis
Wheatley.
Real Love
By Kristin Balmer
On Tuesday evening, January 17, 2023 the DVC met for our annual Bookbinders, Beer, and Bowling event at
Pep Bowl in South Philadelphia. Our very first bowling party was held at Pep Bowl in January 2014. After a
two year hiatus due to Covid, we gathered again for laughs, pizza, and beer. And, of course, bowling.
Even though only a sprinkling of our members are serious bowlers, the DVC selects Pep Bowl to host this
event because of Pep Bowl’s social mission: they provide employment and services to people with develop-
mental disabilities in the Philadelphia area.
This year was especially fun because our youngest guest used an assist ramp to help his bowling experience!
We hope you will look for our invitation for next year’s bowling adventure!
The one-day symposium was organized into four sessions following the keynote presentation, which included
Ken Soehner (Arthur K. Watson Chief Librarian, Thomas J. Watson Library), and Mindell “Mindy” Du-
bansky (Museum Librarian for Preservation, Thomas J. Watson Library). Their remarks were preceded by a
warm welcome by Eric Holzenberg, Grolier Club Director. Mindy spoke about the Paper Legacy Project and
her role as curator of the Grolier Club exhibition, Pattern and Flow: A Golden Age of American Decorated
Paper, including amassing examples of 20th and 21st century decorated papers to fill in a few gaps in the
Metropolitan Museum’s vast collection. It should be mentioned that a companion exhibition at the Metropoli-
tan Museum’s Thomas J. Watson Library was on view during the run of the Grolier Club exhibition, and is
available online HERE. As stated in the accompanying text of the Metropolitan Museum online exhibition,
“what is apparent in all the books in the library’s paper arts collection is a love of making ornamented paper
and the joy of sharing it. Decorated paper, in all its variations, lifts spirits, enlightens, and imparts a sense of
magic.”
The sessions which followed consisted of presentations and panel discussions on themes ranging from tech-
niques, to outreach and education, to collecting.
Rather than list all session titles and participants, many whose names you will recognize, the full program can
be found via THIS LINK.
Below is a summary of the themes of each session and those who participated, and some of the ideas I found
significant.
The symposium provided a wonderful exchange of ideas and, for some, was also a reunion for people who
have known each other for as much as half a century or more. The perspectives varied, and included those
who create decorated papers and are attuned to workspace issues and supplies, to suppliers who have various
methods of making their inventory (and artists) available and known to clients.
Sage Reynolds spoke about his paste papers; Garrett Dixon spoke about suminagashi (Japanese marbling)
and its history. Regina St. John spoke about her more contemporary marbling, and Peggy Skycraft and Jack
paper designs are used to enhance commercial products, and David Aldera of New York Central Art Supply
described working with decorated paper makers.
Marge Salik began her presentation by explaining the meaning of the name TALAS, an acronym for technical
library service. Marge then presented a very interesting bibliographical study of TALAS catalogs, focusing on
how decorated papers were listed. She showed images of a few decades of catalogs and then how the website
evolved. Initially, papers were described only with language provided by their makers, but no images. Eventu-
ally, black and white illustrations were included, and then finally, color photographs. The selling of decorated
papers from print catalogs in the mid-20th century to the creation of the TALAS website in the 21st century
revealed an interesting timeline of advances in advertising and selling decorated papers using available and
cost-effective technologies. It makes one want to search for early catalogs as historical sources of decorated
paper history that escaped being tossed when the latest one arrived, or that survived the advent of suppliers’
websites! Sample books, too, are becoming significant sources of decorated paper history.
The final presentation was given by Sidney Berger, faculty member at the School of Information Science, Uni-
versity of Illinois Champaign-Urbana. He and his wife, Michèle Cloonan, are finely attuned to book history
and are also collectors of decorated papers. He described how their travel destinations are often selected by the
papers they hope to collect, and showed some fine examples from their collection.
Eriko Takahashi