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A Vietnamese version of a questionnaire, consisting of two parts, part A and part B, was
administered to forty-five first-year students right after they completed an instructional
module on the recount genre, in order to elicit their attitudes toward genre pedagogy's
teaching-learning cycle. It was constructed using close-ended questions based on Likert's
work that was published in the late 1920s regarding five agreement extensions: strongly
agree, agree, uncertain, disagree, strongly disagree.
A questionnaire was designed to gather information about students' attitudes toward (1) the
three phases of the teaching-learning cycle, and (2) recount genres. It included 33 items
divided into two parts and distributed as closed-ended questions (A, B). The first part
contains 26 items addressing the three key phases of teaching-learning cycles, and the second
part contains seven items addressing recounts.
RESULTS:
The majority of student participants displayed all of the traditional phases of a
biographical recount essay, including an orientation, a sequence of events, and a
reorientation. Specifically, they identified a famous person as the key participant in the
orientation and then offered the reasons for his renown in their orientation. They unfurled the
important stages in the renowned person's life in a temporal order in the sequences of event
phases, employing suitable circumstantial adverbs of time and proper verb tenses.
According to the schematic structure, most participants demonstrated both the
orientation and sequence phases of a biographical recount. Hence, their essays reveal their
social purpose: to describe a famous sports figure.
The sequences of events phases exhibit the same good understanding and execution of
typical biographical recount features by unfolding major phases in the life of a famous person
chronologically, using proper circumstantial adverbs of time, and assuming proper verb
tenses.
Further, they were also successful using proper past tenses of verbs and circumstantial
adverbs of time within the biographical recount genre by focusing on a single main
participant, using a variety of processes such as material processes (a process of doing),
mental processes (a process of sensing), or relational processes (a process of being).
Most students successfully controlled the biographical recount genre over the course
of their essays.
The majority of student participants (91.1 percent) thought the context exploration
exercises were required and valuable for them in the later stages of learning writing.
Approximately 60.8 percent of respondents agreed that these actions may assist them in
realising the social goals of the writer and the intended readers of the retell genre. Students'
perceptions regarding the first subphase of recall genre modelling were generally good.
The questionnaire demonstrates that the activities in the text exploration of the recall
genre might help students learn to write. 88.9 percent of them agreed with these activities,
with 55.6 percent strongly agreeing and 33.3 percent agreeing. As a result of their strong
conviction, they agreed to the remaining six items (from item 1 to item 6). Only 8 students
were unsure about items 1, 2, 3, 4, and 6, while 8/30 students were unsure about item 5, with
4/45 students disagreeing. The text exploration subphase was extremely beneficial and crucial
for them to master writing.
This was validated by their favourable answers to parts of the necessary recall genre's
social aims, linguistic qualities, schematic organisation, and so on. Some students still
showed scepticism, if not outright opposition, to this subphase. Nonetheless, the unfavourable
responses from respondents were minimal. Almost all students indicated good views
regarding the first phase of the cycle after being educated about it.
CONCLUSION
The results indicated that both positive and negative attitudes were expressed toward
the recount genre, but that positive responses outnumbered negative ones. In spite of this, the
rest of the criteria (items 2 through 6) did not meet the expectations of the researcher,
primarily regarding their ability to write a biographical recount and their suitability for future
English studies at university.
After the intervention, students' performance improved on all levels, with students of
average intelligence leading the way. However, the writing strategies or approaches should
not be judged differently; rather, they should be examined as a whole. As a result, a
coordinated strategy is required to address the learners' challenges. As a result, university
lecturers should be aware of the writing processes and allow enough time for students to
complete writing exercises in the classroom. Additionally, learners must have a working
grasp of the genre, as it is required while writing a written composition.
The research implications for teachers to further consider and enhance their
pedagogical practises in teaching writing were emphasised as the efficacy of the activities
based on the process approach.
"If learning to read and write is to constitute an act of knowing, the learner must embrace the
role of creative subjects from the beginning," Friere (1977) writes. It is not a question of
memorization and repetition of a specific syllabus, words, and phrases, but rather of critically
thinking on the writing process and on writing itself, as well as the fundamental meaning of
language." (29)
To summarise, teachers of writing should be aware that they may use the methodical,
stage-by-stage, and principled procedures of the process approach to encourage students.
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http://hdl.handle.net/10603/206325
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