Professional Documents
Culture Documents
José Rizal
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N O L I M E TAN GE RE
N OLI ME TA N G E RE
N O L I M E TA N G E RE
N OLI M E TA N G E RE
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Upper Triangle
This represents Rizal's past life.
Silhouette of a Filipina
Upper Triangle of - believed to be Maria Clara or as the "Inang Bayan" to whom
Rizal dictates the novel
N O L I M E TA N G E RE NOLI ME TANGERE
Lower Triangle of
- laurel leaves are used as crowns during Greek Olympics for
honoring the best
Burning Torch
- refers to the Olympic torch the Book Cover
- pertains to the awakening of Filipino consciousness
- it also sheds light to the text of the manuscript
Sunflower
- it symbolizes a new beginning
- it is compared to the happiness of which appears to be
always bowing down
NOLI ME TANGERE N O L I M E TA N GE R E
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Just one look at the cover, it already tells us every bit of what's in
the novel. Rizal also purposely designed the title to be placed
diagonally so that it can divide an upper and lower triangle that will
be discussed further through this page
N O L I M E TA N G E RE
N OLI M E TA N G E RE
Upper Triangle
This represents Rizal's past life.
Silhouette of a Filipina
Upper Triangle of - believed to be Maria Clara or as the "Inang Bayan" to whom Rizal dictates the novel
N O L I M E TA N G E RE N OLI M E TA N G E RE
Burning Torch
Lower Triangle of
- refers to the Olympic torch
- pertains to the awakening of Filipino consciousness the Book Cover
- it also sheds light to the text of the manuscript
Sunflower
- it symbolizes a new beginning
- it is compared to the happiness of which appears to be always bowing down
N O L I M E TA N G E RE N O L I M E TA N GE R E
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SUMMARY
Santiago de los Santos, Kapitan Heneral. Kasama rin sa
mga pangunahing tauhan ay sina Fray Bernardo Salvi.
Sina Krispin at Basilio, Sisa, Don Anastacio, Donya
Consolacion. Kasama rin sa mga pangunahing tauhan sa
noli me tangere sina Don Tiburcio, Don Alfonso Linares, at
Donya Victorina.
G E C O23 RELED073
– MG A B AB AS AHIN HING G IL S A G E C O23 RELED073
– MG A B AB AS AHIN HING G IL S A
K AS AY S AYAN NG P IL IP INAS K AS AY S AYAN NG P IL IP INAS
Umikot ang nobela sa buhay ni Crisostomo Ibarra, Ipinahiya ni Padre Damaso, ang dating kura ng San
isang binatang nag-aral ng pitong taon sa Europa. Siya Diego, si Ibarra ngunit wala itong ginawa bagkus
ay mula sa isang prominenteng angkan sa San Diego. pinagpasensyahan lang niya ang pari. Magalang itong
Nang siya ay umuwi sa Pilipinas, naghandog ng isang nagpaalam at nagdahilang may ibang pupuntahan. Si
piging ang tanyag na si Kapitan Tiago. Kasamang Maria Clara ang magandang kasintahan ni Crisostomo
inimbitahan sa salu-salo ang mga Pransiskanong Ibarra. Siya ang anak-anakan ni Kapit an Tiago,
prayle na sila Padre Salvi at Padre Damaso at ilang mayamang taga-Tondo. Dumalaw si Ibarra kay Maria
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Sa pagkakataong ito ay hindi na nakapagpigil si Ibarra. Sa kasamaang palad, naging madilim ang kinabukasan ni
Kamuntikan na niyang saksakin ang pari kung hindi lang siya Ibarra matapos siyang itakwil ng simbahan at
napigilan ni Maria Clara. Dahil sa nagawa ni Ibarra ay naging mapagbintangan na nag-organisa ng rebelyon si Ibarra ay
ekskumunikado siya. Sinamantala ito ng Padre at inutusan si tinugis, dinakip at binilanggo ngunit siya ay nailigtas ni Elias .
Kapitan Tiago na itigal ang pagpapakasal ni Maria Clara kay
Ibarra at ipakasal si Maria Clara kay Alfonso Linares. Nabigyan naman ng pagkakataon ang magkasintahan na
makapag-usap bago gawin ang planong pagtakas. Doon
nalaman ni Ibarra na si Padre Damaso ang totoong ama ni
Maria Clara.
G E C O23 – MG A B AB AS AHIN HING G IL S A G E C O23 – MG A B AB AS AHIN HING G IL S A
K AS AY S AYAN NG P IL IP INAS K AS AY S AYAN NG P IL IP INAS
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N OLI ME TA N G E RE
C r is o s to m o Ib ar r a , M a r ia C lar a , P a d r e D a m a s o C ris o s to m o Ib a rr a
J u a n C r is o s to m o I b a r r a y M a g s alin , w a s a
y o u n g e u r o p e a n s t u d e n t f r o m S a n D ie g o
w h e r e h e gr e w u p a lo n g w ith h is c h ildh o o d
friend, M aria C lara.
N O L I M E TA N G E RE N OLI ME TA N G E RE
C r is o s to m o Ib a rra C ris o s to m o Ib a rr a
H o p in g to c a rr y o u t h is fa th e r ’s d re am s , h e
r e t u r n e d to h i s h o m e to w n a n d s o u g h t to
establish a proper s chool there.
Then later decides to build a secular school in F or the m ajority o f the novel, Ib arra believes
S an D iego , one that rem ains uninfluenced by th a t, a lth o u g h th e C a th o lic fr ia r s a n d th e
o ve r z e a lo u s fr ia rs lik e F a th e r D a m as o a n d Spanis h government are corrupt, they provide
F athe r S alvi, Ibarra ’s tw o prim ary the P hilip pines w ith valuable s up p ort. W h ich
adversaries . is w h y h e in s is ts o f r e fo r m in g th e s y s te m
fro m th e in s id e o u t in w h ich it d id n o t
B uilding the s chool proves a difficult tas k due ultim ately s ucceed as he had planned.
to th e fac t th at F ath e r S alvi w o rks to ge th e r
w ith a n um b er o f Ib ar ra’s e n em ie s to fram e
him as a conspirator agains t the governm ent,
ultim ately forcing him to flee San D iego as an
outlaw revolutionary.
N O L I M E TA N G E RE N OLI ME TA N G E RE
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M a ria C lara P a d re D a m a s o
M aria Clara de los S antos, w as born betw een Padre P a d r e D a m a s o w a s th e fo r m e r to w n c u r ate o f
D a m a s o a n d D o ñ a P ia b u t w a s r a is e d to b e th e San D iego and the real father of M aria Clara.
daughter o f C apitan Tiago and is the childho od and H e is S p an is h fr iar , w h o co e r ce d D o ñ a P ia in to
fiancee of C ris os tom o Ibarra. S he w as als o s ent to illicit s exual relatio ns le ading to h e r death right
s tudy in the convent of Sta. C lara, s oon after Ibarra after she gave birth to M aria Clara.
left to s tu dy at E uro pe w ith their parents agreeing
to betroth them . O ppos ing his daughter's m arriage to C ris os to m o
Ibarra, he m ade efforts to drive the tw o apart for
F ollow ing Ibarra's return to S an D iego, M aria C lara M a r ia C l a r a 's s a k e . H e w a s d e s c r ib e d a s a n
faced n um ero u s o bje ctio n s to th eir betro thal. S he arrogant, ruthless, and judgem ental Spanish Friar
w as to rn betw een her love fo r Ibarra and her love w ho does not control his w ords w hen speaking.
f o r h e r f a m i l y , u l t im a t e l y c h o o s i n g t o p r o t e c t
C ap itan T iag o 's r e p u ta tio n , a lth o u g h r e g r e tfu l o f F o llow ing Ibarra's alleged de ath , P adre D am as o
h o w h e r de cis io n affe cte d Ibarra an d w as w as as s igned to a dis tan t tow n, althou gh he w as
devastated after know ing Ibarra’s alleged death. found dead in his office the follow ing day.
N O L I M E TA N G E RE N OLI ME TA N G E RE
N O L I M E TA N G E RE N OLI ME TA N G E RE
N O L I M E TA N G E RE N OLI ME TA N G E RE
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C risostom o Ibarra
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Donya Concolacion symbolizes the Filipinos Donya Victorina as one of the lesser evils in
in society who are ashamed of their race and novel. She symbolizes those who have a distorted
nationality. view of their identity. Everything that is indigenous
is inferior and everything foreign as superior. It is
the comedic form of ‘colonial mentality’.
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D on Tiburcio Sisa
Crispin represent the innocents who have He symbolized the intellectual dissatisfaction
been wrongly accused of the crime they did not in Filipino society during Rizal’s time. As an
commit. The injustice that they suffered under the
hands of the authorities during their time were educated individual, he dreamed of changing the
silenced by their deaths and the cover-ups that methods of teaching to facilitate greater learning of
follow it.
pupils.
Tangere
climbers, abusive power, family devotion, self sacrifice, and
purity and faithfulness.
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PURPOSE
Ø to mirror the sufferings of Filipinos due to slavery and poverty
Ø to unveil the corruption and abuse in the government
Ø to reveal the exploitation and wrong use of religion in the church
Ø to express the real conditions of the society of the Filipinos in his time
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