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Thesis Manual 2023
Thesis Manual 2023
2023-2024
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Chapter 1: INTRODUCTION
1.1 THE PROBLEM AND ITS SETTING
Here are some of the point you have to cover to make sure that you
Introduction will give the reader a strong vision of of the direction
you want your project to take.
1. Present the problem and concerns, which will bring you to choose to
work on your proposal. You should do this without using the word “I” and
without presenting your proposal just yet.
4. Does your problem has a historical background? Most problems do. Trace
it. Then present it clearly and coherently. However, be careful about
delivering too much on the historical context. Once you have connected
the historical events with present developments and the problem at hand
move on.
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7. Wrap up. Before you start with the next part, make sure you have
linked all the things you have discussed. Do not leave the reader
wondering where you got the idea of conducting this study. If you can
come up with a clever parting statement here, then by all means, DO!
Since you will be focusing on several RESEARCH TOPICS, you may be able
to come up with different specific needs that you have identified are
supposed to make your project unique from other studies. Let your reader
know this by stating your problem is a SIMPLE, CLEAR and DIRECT manner.
1.1.3b OBJECTIVES
Objectives are more SPECFIC targets, which eventually lead to the
attainment of your architectural goal. You may want to group them by
certain categories as determined by your goal, or arrange them
accordingly to importance.
1.1.3c STRATEGIES
Strategies are particular actions you have to do to achieve each specific
objective. Forget about architectural for a while and focus on RESEARCH
WORK. What you need to know, study, research on, survey, observe,
estimate or program in order to create a body of knowledge that will
lead to meeting your objectives. It would, therefore, be more
comprehensible if you allow the succeeding outline in stating your thesis
goals, objectives and strategies.
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GOAL
OBJECTIVE
1.
STRATEGIES
1.
2.
2.
STRATEGIES
1.
2.
3.
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But it can be a TOOL. (and it MUST be a tool if that is what you aim).
Always keep in mind that you are an architect, not a psychologist,
sociologist, physician, nor a politician. And so you must always direct
your discussion on the ARCHITECTURAL aspect of your work. Oftentimes you
get carried away by the description drawn from the client’s project
proposals and thereby forgetting the architectural contributions you
want your project to have. Example, if you are working on Rehabilitation
Center for Drug Dependents, you will not say that your thesis can
actually heal these addicts. Instead, you can state your possible
contributions, as an architect, to meet this concern.
1.1.6 ASSUMPTION
The thesis, though a theoretical exercise which need to immediate
application, should however be REALISTIC and ACHIEVABLE as possible. It
would only mean that you will be dealing assumptions which will support
your study and give substance to your work. These may be conditions where
you base your study that needs some validation through key informants
you have interviewed. Your client’s name, the possible funding source,
the organization which will run the proposal and the likes are example
of these. Your assumptions can be of great help when dealing with
programming and cost analysis. Further, it can bring your project into
a more realistic sense and create a more formidable framework for the
design.
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2. Terms should be defined operationally, that is, how they are used in
your study. For instance the study is about accessibility. What do you
mean by accessibility? To make the meaning clear you have to define what
covers the term, essential for a clearer understanding of your study.
3. You may develop your own definition of from the characteristic of the
term defined. Thus, a house made of light materials as one made of
bamboo, nipa, buri, etc. this is also an operational definition.
5. Acronyms should always be spelled out especially they are not commonly
known or if they were used for the first time. You may be using and
typing the same long meaning of Department of Environment and Natural
Resources for a hundred times or even more along your work. So don’t you
think DENR would be a better alternative?
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that abrupt but developments may arise which may have altered the
theories presented on your researched literature.
3. Materials may not be too few or too many. It is always best to know
where and when to stop. Maintain a balanced presentation of literature,
just when enough, not to overwhelm your readers. In an undergraduate
thesis like yours ten (10) pieces of literature for review is
recommended.
This will be the part where you will inform your readers if there is a
theory you want to prove e.g. a limited area can affect the behavior of
a drug dependent, or a concept you want to test say, a moving space is
a best suited for the healing mind.
You might wonder what the difference between a theory and a concept is.
According to humans (1967), a THEORY has three basic components (1)
conceptual scheme (2)set of propositions stating relationships between
properties or variables and (3) context for verification. Your Theory
of Architecture subjects (T.ARCH 1, 2, and 3) clearly state this as a
relation between two properties, in the given example, space and
behavior.
CONCEPTS on the other hand are just ideas or concrete expression of terms
(see chapter on concept). These may be based on your OWN ideas and NOT
coming from another researcher or proponent. If your research topic will
be working on this type of framework, then you have to state so. Yes,
this may sound a little bit confusing and difficult at first but you
have already done this before, haven’t you? You are just to organize and
give your work a more solid basis by stating the theories and/or concepts
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and HOW will you go about this. Again, these may just be part and parcel
of the research topic of the entire thesis.
a. SYSTEM OF INQUIRY
b. RESEARCH DESIGNS
c. RESEARCH TACTICS
1.5 BIBLIOGRAPHY
This is the list of reference (books, magazine, interviews, etc.)
you have consulted in the development of your book.. Here items are
arranged alphabetically regardless of the articles a, an, and the. You
may provide bibliographies for every chapter and have them listed at an
end. You can break down rather long bibliography according to topics or
type of publication, but you have to maintain an alphabetical arrangement
within each section.
Remember to put the authors’ surname first, then the first name and
middle name or initial (if any). Separate the major elements with a
period. Page numbers are only necessary if the source s an article, but
if it is a book, you need not indicate them.
The following are some examples of possible sources and the manner by
which you should include them in the Bibliography.
2001.
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Walpole, Jane R. Why Must the Passive Be Damned” College Composition and
Communication. 30:3 (October, 1979), 251. In Bush “The Passive.”
Techinical Communication, 28:1 (First Quarter 1981) 19-20, 22.
1. Segregate the facts from the concepts. You probably know now what the
difference is between this two. Factual data are those information based
on what is existing, something which is of truth and reality. Conceptual
data may be written ideas which you could use as basis for your study.
It is necessary for you to know this so as you would determine which
data can be processed and what are not.
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DON’T. analyze the articles, tables, etc. and their relevance to your
thesis. Ask yourself. Are these really helpful? Are these important? Can
I do without them? You see, not because an article or a clipping tells
you about your topic, it would automatically qualify and be accepted as
data.
Alright, you may be a bit lost about that, but here’s a more
comprehensible way of looking at it. The following is a detailed
discussion of the types of data to be presented and the manner it should
be presented.
However, you have to take note that these are “statistical” data and so
these are data, already processed, initially, by the agency where you
got them. Population, vehicular volume and Growth in Rice Production are
just few samples of such.
1. DEMOGRAPHIC DATA
2. PHYSICAL DATA
Macro-Site Data
Political Boundaries
Area and Land Uses
Climate
Adjoining Areas and Uses
Access
Micro-Site Data
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Boundaries
Area
Land Use
Topography/ Landform
Water Bodies and Quality
Orientation in relation to solar paths and wind paths
Vegetation
Flora and Fauna
Visual Resources
Existing Structure
3. SECTORAL DATA
Social Services
Economic Services
Physical Infrastructure
4. INDUSTRY PROFILE
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Some of the basic data that make up the industry profile are the
following:
Primary data come from original sources. They are not commentary about
the topic, but rather consist of information that must be commented upon
the succeeding topics.
You may be already identified these tables and graphs at the beginning
of your book you might be wondering where this will appear. If you think
that it they will all come in a single bulk in just a single chapter,
think again. This chapter may contain most of these figures but you are
free to present some whenever the need in certain discussions arises.
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We are architects and so this graphs and illustrations will be our most
effective tools in expressing our thoughts.
Now, the question you might have In your mind is what are these tables?
What about these graphs? A statistical table or simply table is defined
as a systematic arrangement of related data in which classes of numerical
facts or data are given each a row and their subclasses are given each
a column in order to present the relationship of the sets or numerical
facts or data in a definite, compact and understandable form of forms.
Now, you may probably recognize a table when you see one, right?
1. Bar graphs
a. Single vertical bar graph
b. Sing horizontal bar graph
c. Grouped or multiple or composite bar graph
d. Duo-directional or bilateral bar graph
e. Subdivided or component bar graph
f. Histogram
2. Linear graphs
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You might just be copying these tables, graphs and charts as part of
your presentation of data. But you think it would be more fruitful on
your part if you’ll be doing these by yourself? Why not? You might have
already gathered your data and so you are in the right position to
process them yourself and show your readers these data as you understand
them.
Each case study can be presented by first explaining how they are
related to your project. You can discuss the situation by dividing
it into sub components and presenting their respective merits. If
you think that sketches, maps, graphs, and photographs would help
you explain them better, then use them to support your data. Just
remember to provide proper captions or else, they may be useless.
Lastly, you have to maker sure that all the specific concerns are
discussed properly, and their relevance to the project stated
clearly. It is also advisable that you choose cases that are
related to your thesis in distinctly varied ways. One case study
may be concerned with a project similar to your proposal and
another which employs a technology which is comparable to what you
are proposing. You might also be able to draw more reliable
conclusions by studying both local and foreign cases.
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How will you do this? First, you have to orient your readers why
you choose the topics as your focal points of study. You can very
well do this be reiterating the roots of your problem(s). You have
to go back to the background you have presented in Chapter 1 and
stress the need for the topics to be studied so as to have a clear
solution, in the end, to the problems posted in your statement.
APPLICATION
It was mentioned earlier that your research will not have any value
or significance unless you connect it with a project which will
manifest the studies made. This is the part where you relate your
topics with your project. Let us continue our example in the
behavioral analysis. It will be pertinent to note not only the
theories on behavior but its application to the architectural sense
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However, you will not stop when you have given the application.
You still have to cross examine these data. Check on its economic
feasibility and other areas you might thinks its appropriate for
study.
WHAT REALLY NEEDS TO BE DONE? But remember, the needs you identify
here should always be ones that can be satisfied by ARCHITECTURAL
SOLUTIONS. Otherwise, discard them or process them so that although
the root maybe social, psychological, physiological, etc., the
expressed needs and requirements are architectural.
Your situation can have you viewing the problem in a new light.
You might need to come up with a NEW STATEMENT. Just don’t veer
too far from what you have previously stated. Keep this in mind:
new view but not necessarily new problem.
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If, on the other hand, all the facts just reinforced the problem
you stated in Chapter 1, do not feel compelled to change your
statement. All you have to do in this case is to RESTATE it. That
simple.
3.1.3 RECOMMENDATIONS
So, you have made the problem clearer and more specific than
before. What do you do now? That would be what you will be
discussing in this section. This maybe a statement of what
structure you have concluded is necessary to solve the problem. If
there are concepts and theories that need to be studied and
discussed further so that you could arrive at the most effective
design solutions, you have to present them along with your
recommendations. Same goes if you think that there is a new design
approach which has to be developed and used for the proposal.
3.2 SITE
It must be our primary concern as designers to find the most ideal
combination of function and location. We might struggle to create a very
well-contrived plan but if the structure juts out like a sore thumb in
its location, all the programs we use and the designs we produce can
come to nothing.
For this chapter, you will have to conduct several types of studies at
several levels to come up with the best site for your proposed project.
The extent of what you will discuss here will depend basically on how
important and influential the choice of site is to your project. Your
focus should be on the appropriateness and feasibility of possible sites
to the intended use. And to determine this, you have to conduct
comprehensive analyses of the characteristics of the site and its
surrounding areas. Of course, in the end, you will have to indicate how
these factors and attributes will affect the project.
3.2.1 BACKGROUND
With a reliable knowledge and a vision of your project proposal,
you can now determine its requisite site requirements and the
possibility of having to seek for alternatives. Your site may be
given, but that does not mean that you will have a lighter workload
than if you have to look for one. At this point, at least acquaint
your reader with your situation (or predicament?) and what you
plan to do about it. If the site is given, brief your reader about
pertinent matters in regard to it (location, size, etc.). If it’s
not, don’t whine. Just tell the reader so and give him an idea of
your game plan for your quest.
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Then, select the most ideal one. This is the site that could meet
the project requirements with the least modifications. Try to see
if the score in the rating system validates your choice. The table
on Figure 2 is very effective tool in selecting the best possible
site for your proposal.
MICRO SITE ANALYSIS which includes the specific area within the
property boundaries and its immediate environs; and the MACRO SITE
ANALYSIS which includes the examination of the site environs up to
the horizon (sometimes even beyond). In this analysis, the
condition of various factors such as utilities, natural elements,
climate, infrastructure and sensuous characters are presented. Of
course, a discussion of how these factors affect your project
always follows.
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Please DON’T. Your site needs not be perfect. Ideal, yes. But perfect?
Not really. If some important elements are absent in your site, say water
system, tell the truth. They might sound like big limitations now, but
in the end they will serve you better as useful design determinants. So,
the more honest you are about the,, the better.
1 2 3 4 5
I.
REGIONAL
Climate (temperature,
Soils (Stability,
fertility, depth)
declining)
Transportation (highways
And transit)
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Relative cost)
Landscape Character
Cultural opportunities
and describe)
Exceptional features
II.
COMMUNITY
Travel (time-distance to
Travel experience
(pleasant or unpleasant)
Community Ambiance
School
Shopping
Churches
Cultural opportunities
(library, auditorium)
Police, etc.)
Medical facilities
Governance
Taxes
and describe)
Exceptional features
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III.
NEIGHBORHOOD
Landscape character
Lifestyle
Compatibility of
Proposed uses
hazards, attractiveness)
Schools
Convenience (schools,
Service, etc.)
Open space
Storms, planning)
Etc.
Utilities (availability
And cost)
and describe)
Exceptional features
PROPERTY
(suitability)
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On-Site “feel”
Relative cost of
Site Drainage
lack of)
Neighbors
Relationship to
Circulation patterns
Development
and describe)
Exceptional features
BUILDING SITE
Topographic “fit” of
Programmed user
Gradient of Approaches
entrance drive
And breeze
Views
Privacy
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glare
Visual impact of
neighboring uses
neighboring uses
Proximity to utility
leads
LEGEND
* - Severe limitation
# - Moderate constraint
^ - condition good
Note: By substituting numbers for symbols, the arithmetic sum for each
column would give a general indication of its relative overall rating.
It is to be realized, however, that in some cases a single severe
constraint or superlative feature might well overwhelm the statistics
and become the deciding factor.
Baselines are starting points from which the design proper takes off.
They help paint the backdrop against which the research undertaking is
being pursued. Baseline information can be the bases for formulating the
parameter by which the outcomes of the researchers can be evaluated.
1. MAPS
Base Maps
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2. EXISTING STANDARDS
Quality Standards
Performance Standards
These are factors and considerations in regard to the site that will be
relevant to your project. You may begin the section by presenting a Code
Survey. Look for local laws, codes and policies (or even international
ones, if necessary) that will help you define the limits of your
development. Aside form these, you also have to identify and study other
factors that are not based on the law. These will include phenomena which
are natural to your site (flooding, strong coastal winds, etc.), local
ordinances, local customs and community characteristics. Of course, in
the end, you will have to state how will all these affect your site.
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A. PHYSICAL DATA
1. GEOLOGY and soil
Underlying geology, rock character and depth
Soil type and depth, value as engineering
material and as plant medium
Fill, ledge, slide and subsidence
2. WATER
Existing water bodies - variation and purity
Natural and man-made drainage channels - flow,
capacity, purity
Surface drainage patterns, amounts blockages,
undrained depressions
Water table - elevation and fluctuation,
springs
Water supply - quantity and quality
3. TOPOGRAPHY
Pattern of Landforms
Contours
Slope and Analysis
Visibility Analysis
Circulation Analysis
Unique Features
4. CLIMATE
Regional data on variation of temperature,
precipitation, humidity, solar angle,
cloudiness, wind direction and force
Local micro-climates: warm and cool slopes,
air drainage, wind deflection and local
breeze, shade,heat reflection and storage, plant
indicators
5. ECOLOGY
Dominant plant/animal communities - location
and relative stability
Their dependence on existing factors,
self-regulation, sensitivity to change
Mapping of general plant cover, including
wooded areas
Specimen trees to be retained: their location,
spread, species and elevation at base
6. MAN-MADE STRUCTURES
Existing buildings: outline, location, floor
elevation, type, condition, us
Circulation facilities (roads, paths, rails,
transit, etc.): location, capacity,
condition
Utilities (Storm and sanitary sewers, water,
gas, electricity, telephone, steam, etc.):
location, elevation, capacity
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7. Sensuous Qualities
Character and relation of visual spaces
Viewpoints, vistas and visual focal points
Character and rhythm of visual sequences
Quality and variation of light, sound, smell
and feel
B. CULTURAL DATA
1. Resident and using population
Number and composition
Social structures and institution
Economic structure
Political structure
Current changes and problems
5. Images
C. DATA CORRELATION
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Should your thesis have the behavior of the users as its main
thrust, you should expand this part and have a through and in depth
out-put. You may not only be dealing with the activities of the
users for the time being would most probably extend your analysis
to the culture of these people. Moreover, this would entail a
comparative analysis of your users’ behavior with that of other
paradigms.
Again, this is an analysis and so you would not just list the
activities. Apart from identifying the activities and behavior of
your users, whether individual or group, you are to give your
readers a hint of why you’re discussing these things. How will
these affect the overall concept of your thesis? In what way can
these behaviors be a toll in designing an effective working
environment? Do you need to apply your knowledge in space
engineering?
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standers and multiply these with the number of users. Another way
is to lay-out a scheme containing the furniture, spaces, and
circulation (of course in scale). This may be most helpful for
rooms requiring specific furniture as in hospitals, laboratories,
factories and the like.
Technology
Cost
Time
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Resource Requirements
Site Conditions
Location/ Surrounding
Areas
Land Area and Configuration
Access
Climate
Landforms
Topography
Geology
Soil Type
Water Bodies
Hydrology
Oceanology
Vegetation
Atmosphere/ Air quality
Fish and Wildlife
Visual Resources
Danger/ Hazard prone areas
Existing Structures
Infrastructure
Utilities
Water
Power
Drainage Communication
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Other Laws – Other Laws that can directly or indirectly affect the
project outcome are Civil Code, laws that cover national defense,
trading, taxation, etc.
1. SITE PREPARATION
Estimate 1% to 3% of building cost
2. PARKING
Refer to required ratio to get number of parking slots.
Estimate per slot.
3. ROADWAYS
Estimate per linear meter
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CHAPTER 4: PROGRAMMING
Rules and regulations are the legal guidelines that you must
follow in the course of the design. The main end of this
exercise is to have a systematic presentation of all these
requirements to later on be translated in into schemes and
plans. For the purpose of the thesis, you are to stick to the
minimum requirements. However, should the project need to
provide areas for expansion, let this be stated and taken
into account.
As your thesis will cater to its users, more than anyone else,
it is but rightful to take a look into their activities as
well as their operations if they move in an organization. The
visiting public would also share an ear with the analysis. In
this part, you will enumerate the main departments or units
and how the relate to each other. This will give you and your
readers an idea how a certain department works and interrelate
with each other. In doing so, you will find yourself
identifying which units are active, thus requiring an active
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space, and which are not. You have to indicate the magnitude
and level of sensitivity of service to adequately and
effectively provide a space for them, afterwards.
Again, this is an analysis and so you would not just list the
activities and presto! You’re done with it! Apart from
identifying the activities and behavior of your users,
whether individual or group, you are to give your readers a
hint of why you’re discussing these things. How will these
affect the overall concept of your thesis? In what way can
these behaviors be a tool in designing an effective working
environment? Do you need to apply your knowledge in space
engineering? You watch and see.
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This has been proven as one of the most effective, if not the most
effective way of programming spaces. Its is a tow-fold analysis,
which initially caters to the qualities of the project, and later
on translated to be quantitative one. Let us first deal with the
first one. Let us first deal with the first one. Qualitative
analysis, as the term suggest is an analysis pertinent to the
QUALITIES of your proposal which will inevitably become bases for
the design.
What then would be the content of this part? You will be enumerating
the areas which you think will be needed by your proposal (again,
based on the qualitative analysis). These are general areas which
can be specifically named in various terms, depending upon the
function it will perform. Example, when you’re dealing with the
schools, you may want to call a classroom, a laboratory and a
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drawing room under a single heading, say learning areas. This way,
you can generalize the function of the space you are providing.
But you have to identify all these rooms as well since you will be
determining the required number in the end. Yes, you read it right!
CHAPTER 5: SYNTHESIS
You’re almost done! This is the phase where you summarize all that
has been done in the book. You may have to go back to your
objectives and see if you were able to meet them or restructure
your concepts so that your readers will have a clearer vision of
what you plan to do in your Design 10 (knock on wood!). This chapter
will be your LINK to your translation in your bid for an
architectural degree. How about that for a push?!
The discussions to follow may not be new to you for you have been
doing this for the past four, five, or more so years in your stay
in the institute. These are the basic contents of your concept
board. Something you should have known now by heart.
And two, it may be YOUR OWN notions for the project. Yes, you can
be a philosopher, why not? And so, you are able to conceive your
own thought especially if you were the one who proposed the study.
CAUTION: you may be tempted to user philosophies you already have
used for your design plates when you were in your lower years. Why
not? But see to it that it would be applicable for your project
you’re doing. Philosophies are NOT FIXED. On the contrary,
they should be FLEXIBLE.
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This may be simple for you to understand if you were getting high
grades in your concept boards in your past design subjects. If not,
here’s a review of your design concepts. Basically there are five
(5) types of concepts in architecture. See if you can still remember
them.
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So, how well did you fare in remembering them? You don’t have
to use all five at the same time. You just have to choose
which of the fits your thesis.
CHAPTER 6: TRANSLATION
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