Professional Documents
Culture Documents
I. Introductory Concept
Our Philippine music is comprised of three main divisions: an old Asian influenced
music referred to as indigenous, a religious and secular music influenced by Spanish
and European forms, and American/European influenced classical, semi-classical and
popular music.
Philippines as an archipelago, mostly every island has its own folk song rooted in their
culture. Folk songs are considered an essential part of our history. It runs within the lyrics
a reflection into the life of our ancestors. Filipinos have always had music genuinely
embedded in their hearts such that several wonderful songs were created and sung even till
now.
In this module, you will be able to understand and describe the musical characteristics
of our music from the lowlands of Luzon.
Folk songs
Folk songs are songs that has been passed down orally from one singer or generation to
the next and usually sung by the common people without knowing who the composer was.
Folk songs are songs written by the folk and are sung to accompany daily activities such
as
farming, fishing, and putting the baby to sleep. These are traditionally passed on orally.
Most Philippine folk songs have Spanish and other Western influences.
The people created melodic chants and indigenous instruments based on the materials
available where they lived.
The folk songs of Luzon lowlands are performed in his/her native language such as Ilocano,
Pangasinense, Kapampangan, Tagalog, Bicolano, and others.
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4. Learned through rote. Rote singing is learned by frequent repetition of the songs.
5. Begins in one key and ends in the same key.
Example: Leron, Leron Sinta begins in key of D and ends in the key of D.
6. Mood can be sentimental, playful, and humorous.
7. Concepts are based on nature or people’s work, tradition, culture.
8. Short and simple. Melody is being repeated for every stanza or usually the same
through- out the song. Harmony is simple, melody is singable and sung in relaxed
manner.
9. Either in duple meter 24, triple meter 34, or quadruple 44. These are usually
found after the G Clef ( ).
III. Activities
a. Activity 1
Directions: Using the link provided, listen and determine the dialect, mood, meter, and
function of the songs. Fill in the table after each song.
http://www.youtube.com/watch?v=keKTkl90FD4
RO_Music_Grade 7_Q1_LP 1
Title of the song
Magtanim ay di Biro
1. Characteristics of folksong
Dialect
Mood
Meter
https://youtu.be/LuQXN3V68rc
RO_Music_Grade 7_Q1_LP 1
Title of the song
Sarung Banggi
2. Characteristics of folksong
Dialect
Mood
Meter
https://youtu.be/1Gr0lQBjZHc
Mood
Meter
RO_Music_Grade 7_Q1_LP 1
https://www.youtube.com/watch?v=X15rbitppbA
Title of the song
4. Atin cu pung singsing
Characteristics of folksong
Dialect
Mood
Meter
http://www.youtube,com/watch?v=ZBiRSRJiWyE
RO_Music_Grade 7_Q1_LP 1
Title of the song
Pamulinawen
5. Characteristics of folksong
Dialect
Mood
Meter
b. Activity 2.
Directions: Listen to this folk song and answer the following questions.
https://www.youtube.com/watch?v=CqBBN5_xi94
Directions: Fill in the crossword puzzle with the correct word or words.
Across: Down:
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IV. Answer Key
Activity 1.
1.
Title of the song Magtanim ay di Biro
Dialect Tagalog
Mood Playful, humorous
Meter duple 4.
Function/concept of the Work (farming) Title of the song Atin cu pung singsing
song Kapampangan
Dialect
2. Mood Playful
Title of the song Sarung Banggi Triple (3/4)
Meter
Dialect Bicolano
Function/concept of the A promise of love to the
Mood Melancholic/Sad song one who finds her ring
Meter Triple (3/4) 5.
Function/concept of the Love Title of the song Pamulinawen
song Dialect Ilocano
3. Mood Happy
Title of the song Santa Clara Duple (2/4)
Meter
Dialect Tagalog
Function/concept of the Courtship and love
Mood Playful song
Meter Triple (3/4)
Function/concept of the Fertility ritual song
song
Activity 2.
1. Si Nanay si Tatay di ko babayaan
2. Bicolano
3. Melancholic/Sad
4. Triple (3/4)
5. Love for parents
Activity 3.
Across
2. Folk songs
5. Oral singing
Down
1. Duple
2. Spanish
RO_Music_Grade 7_Q1_LP 1
3. Rote singing
V. Reflection
VI. References
Books
Canave-Dioquino, Corazon. The Lowland Christian Philippines. Music Cultures and
Regions.
Lugue, V.R. Copiaco, H.P., Paluay, A.P. (2009) Enjoy Life with Music and Arts and
MAPEH for a Better You, (First Year Book), SD Publications Inc.
Mirano, E.R. (1992). Musika An Essay on the Spanish Influence on Philippine
Music. CCP Special Publications Office
Video/Music Recordings
https://youtu.be/PNUM6jnr6CY
https://youtu.be/z82JASe7vog
https://youtu.be/6n9QHC5p70M
http://www.youtube.com/watch?v=keKTkl90FD4 https://youtu.be/LuQXN3V68rc
https://youtu.be/1Gr0lQBjZHc
https://www.bing.com/videos/search?q=atin+cu+pung+singsing&&view=detail&mi
d=297FF346D5B510433FDA297FF346D5B510433FDA&&FORM=VRDGAR&ru=%2
Fvideos%2Fsearch%3Fq%3Datin%2Bcu%2Bpung%2Bsingsing%26FORM%3DHDR
SC4
http://www.youtube,com/watch?v=ZBiRSRJiWyE
https://www.bing.com/videos/search?q=si+nanay+si+tatay+music&&view=detail&
mid=52A95BB8FCB9C5BDCA7252A95BB8FCB9C5BDCA72&rvsmid=E4D03306BE
759CD087C4E4D03306BE759CD087C4&FORM=VDQVAP
PREPARED BY:
ALVIN A. NONSOL
ARIMBAY HIGH SCHOOL
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