Chemical Dependency Counseling A

Practical Guide 5th Edition Perkinson

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Perkinson: Chemical Dependency Counseling 5th Edition Instructor Resources

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Chapter 6

The following questions are multiple choice. Please circle the correct response

1. The benefits of group therapy include all except:

a. healthy members help instill hope.
b. clients know they are not alone.
c. clients can model good communication skills.
d. a feeling of family develops.
e. all the above are documented benefits.
(Medium, Benefits of group process, P. 83–84)

2. Someone giving good feedback will do all but:

a. avoid judgmental statements.
b. use “I feel” statements.
c. share positives.
d. let the person explain.
e. all the above are essential.
(Easy, How to Give Good Feedback, P. 86)

3. The text discusses several different types of groups including (circle all that apply):
a. honesty.
b. agenda.
c. pretreatment.
d. relapse prevention.
e. problem solving.
(Medium, How Will You Know with Therapy Group to Use, P. 87–102)

4. The euphoric recall group has which three core elements (circle three that apply):
a. what drugs did “for you” initially?
b. what the effects felt like (euphoria)?
c. what drugs did “to you” once addiction set in?
d. what tools of recovery can you use?
e. what was your best and worst memory?
(Medium, Euphoric Recall Group, P. 89–90)

5. Environmental situations that make clients vulnerable to use are:

Perkinson: Chemical Dependency Counseling 5th Edition Instructor Resources

a. cues.
b. lapses.
c. triggers.
d. using people; using places.
e. all the above.
(Medium, The Trigger Group, P. 91)

6. For most individuals, the time period between lapse and relapse is:
a. simultaneous.
b. within 24 hours.
c. within one week.
d. less than 30 days.
e. more than 30 days.
(Medium, The lapse Group, P. 94)

7. Per the Book, symptoms of impending relapse may include all the following except:
a. apprehension.
b. defensiveness.
c. adamant commitment to recovery.
d. isolation.
e. all the above are symptoms.
(Medium, The Lapse Group, P. 95–96)

8. Religion is an organized system of______ and __________.

a. structure, belief
b. pomp, circumstance
c. faith, worship
d. rules, faith
e. belief, divine history
(Easy, The Spirituality Group, P. 96)

9. Spirituality deals with three key relationships:

a. Son, Father, and Holy Spirit.
b. self, others, and higher power.
c. family, vocation, and community.
d. sponsor, group, and God.
e. children, parents, and community.
(Medium, The Spirituality Group, P. 96)

10. According to the text, prayer is describes as___________ while meditation is referred to as
_____________.
a. religious, spiritual
Perkinson: Chemical Dependency Counseling 5th Edition Instructor Resources

b. historic, new age

c. kneeling and talking, sitting and reciting mantras
d. talking to God, listening for knowledge of Gods will
e. all the above
(Medium, Eleventh Step Group, P. 97)

11. The great lie is_____________.

a. original sin
b. that an alcoholic can drink socially again
c. if you tell people the truth about you, they would not like you
d. addiction
e. what leads to relapse
(Easy, The Childhood Group, P. 98)

12. All are methods of exploring family of origin relationships except: (circle all that apply)
a. write a letter to parents.
b. read the letter to peers role playing as healthy parents.
c. false memory syndrome.
d. hypnosis.
e. rebirthing role play.
(Medium, How to Explore Early Parental Relationships, P. 99)

13. A group where clients meet to discuss problems they may be having with one another is
referred to as:
a. gender-specific group.
b. honesty group.
c. tolerance group.
d. community group.
e. principles before personalities group.
(Easy, The Community Group, P. 100)

14. A group where clients meet to evaluate their day is referred to as:
a. community group.
b. closure group.
c. personal inventory group.
d. 24-hour group.
e. none of the above.
(Easy, The Personal Inventory Group, P. 100)

15. The text describes the empty chair exercise as being an effective tool in the ________ group.
a. interpersonal
b. family
Perkinson: Chemical Dependency Counseling 5th Edition Instructor Resources

c. honesty
d. meditation
e. 11th step
(Medium, Uncovering the Lies, P. 88)

The following Questions are True or False. Circle the correct response.
1. Clients can grow in groups just like in individual therapy. T F
2. An “agenda” as described in the book, is a current issue or concern of a client that generates
emotion. T F
3. When receiving feedback it is critical to make no excuses. T
F
4. Spirituality is synonymous with Religion. T F
5. Prayers are described as listening for God’s will. T F

The following are all short answer questions:

1. The book indicates it is not good for the clinician to do too much of the talking in group. Why is
this? What skills would you use to widen the discussion when one individual is monopolizing?
a. (P. 86, How to Run a Group) To keep the group moving we should only intervene when
necessary. So long as the truth is coming out and people are being open, group is doing
well.
2. What is the Preparation statement? What is its purpose?
a. (P. 84, Preparation for Group). The preparatory statement sets the tone that group work
is about to begin, it clarifies rules and expectations.
3. Behavior, cognitive, and interpersonal therapy groups are all effective with specific problems.
How do you know when to use each?
a. (P. 87, How to Know Which Therapy to Use). Behavior therapy works best when there is
a maladaptive behavior, while Cognitive therapy works well for persons with thinking
errors. If clients are having difficulty in relationships, interpersonal therapy may work
best. Bottom line, we should be proficient in several therapeutic styles to we can best
tailor treatment to our client populations.
4. The book refers to concepts of lapse and relapse? What are the similarities and differences
between these concepts?
a. (P. 91, The Relapse Prevention Group). A “lapse” is when someone initially uses a mood
altering substance after a period of abstinence. In some recovery circles this is referred
to as a “slip.” A “relapse,” is when a person continues to use after this initial lapse. The
typical time period from someone to go from lapse to relapse is under 30 days.
5. Gender-specific groups can be effective. Why is this?
a. (P. 100, Men’s Group/Women’s Group) Some topics are more difficult, and even
potentially unsafe in mixed company. These may include sexual issues, traumatic
experiences, gender identity, and issues of the body.
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 VOL. VIII.

93. ‘Not one of the angles,’ etc. Tristram Shandy, Book III.
chap. xii.
164. ‘Shines like Hesperus,’ etc. The Faerie Queene, I. vii. 30.
371. ‘A singing face.’ Bombastes Furioso, Sc. I.
437. ‘Such were the joys,’ etc. Bickerstaffe, Love in a Village,
II. 1.
 VOL. IX.

64. ‘Play at bowls,’ etc. Hazlitt elsewhere quotes these words

as from ‘an old song.’
106. ‘To dream and be an Emperour.’ Cf. ‘I am like a man
that dreamt he was an Emperour.’ Fletcher, The Spanish
Curate, II. 2.
245. ‘Perceive a fury,’ etc. Cf. Othello, IV. 2.
292. ‘Retire, the world shut out,’ etc. Young, Night Thoughts
(IX.).
429. The Gods, ‘the children of Homer.’ Lucien Buonaparte,
Charlemagne. See vol XI. (Fugitive Writings), p. 232.
 VOL. X.

187. ‘Empurpling all the ground.’ Cf. Lycidas, 141.

208. ‘Relegated to obscure cloisters,’ etc. Cf. Burke,
Reflections on the Revolution in France (Select Works, ed.
Payne, II. 121).
260. ‘Yet his infelicity,’ etc. Cf. Webster, The Duchess of
Malfy, Act IV. Sc. 2.
314. The American Farmer’s Letters. Letters from an
American Farmer, by Hector St. John Crevecœur (1731–
1813), published 1794.
378. ‘Hold our hands,’ etc. Cf. Dryden, Alexander’s Feast, 72.
 VOL. XI.

277. ‘I take her body,’ etc. These lines are not Suckling’s, but
from a song by Congreve, beginning ‘Tell me no more I am
deceived.’
336. ‘Loud as a trumpet,’ etc. Dryden, Palamon and Arcite,
III. 85.

338. ‘Like importunate Guinea fowls,’ etc. Burke’s Regicide

Peace (ed. Payne, p. 51).
427 (and p. 501). ‘Hymns its good god,’ etc. Cf. Thomson, The
Castle of Indolence, I. x.
488. ‘Each other’s beams to share,’ Collins, Ode, The
Manners, 56.

The following printer’s errors may be noted:—

Vol. I. p. 436 (note to p. 142). Read The Beggar’s Opera, Act I. Sc.
1.
Vol. II. p. 440 (note to p. 391). For Huckman read Hackman.
Vol. V. p. 391 (note to p. 97). Read The Spirit of the Age, vol. IV.,
etc.
Vol. V. p. 406 (note to p. 254). Read Here be woods.
Vol. V. p. 410 (note to p. 318). The words ‘The Countess ... in 1690’
belong to the note above.
Vol. VI. p. 519 (note to p. 435). For 1870 read 1780.
Vol. IX. p. 458 (note to p. 247). Read Sir Martin Archer Shee.
Vol. IX. p. 463 (note to p. 317). For Mallard read Mallord.
 INDEX
TO THE TITLES OF HAZLITT’S WRITINGS

Abstract Ideas, On, xi. 1.

Acted Drama in London, Essays on, contributed to the London
Magazine, viii. 381.
Actors and Acting, On, i. 153, 156.
—— and the Public, xi. 348.
—— ought to sit in the Boxes? Whether, vi. 272.
Adelaide, or the Emigrants, viii. 308.
All’s Well that Ends Well, i. 329.
Alsop’s Rosalind, Mrs., viii. 252.
American Literature, Dr. Channing, x. 310.
Ancient and Modern Literature, On the Spirit of—On the German
Drama, contrasted with that of the Age of Elizabeth, v. 345.
Angerstein’s Collection, Mr., ix. 7.
Anglade Family, The, viii. 279.
Antiquity, On, vii. 252.
Antony and Cleopatra, i. 228; viii. 190.
Apostates, On Modern, iii. 155.
Application to Study, On, vii. 55.
Arguing in a Circle, xii. 285.
Aristocracy of Letters, On the, vi. 205.
Art, Fragments on, ix. 489.
Artaxerxes, viii. 192.
Arts are not Progressive? Why the, A Fragment, i. 160.
As You Like It, i. 338.

Bacon’s Works, Character of Lord, compared as to style with Sir

Thomas Browne and Jeremy Taylor, v. 326.
Ballads, On the Old English, v. 123.
Ballets, Two New, viii. 353.
Bannister’s Farewell, Mr., viii. 229.
Barbarossa, viii. 372.
Barry, James, ix. 413.
Beaumont, F., v. 295.
—— and Fletcher, Ben Jonson, Ford, and Massinger, On, v. 248.
Beauty, On, i. 68.
Beggar’s Opera, On the, i. 65; viii. 193, 254; xi. 373.
Belief, Whether Voluntary, xii. 439.
Bentham, Jeremy, iv. 189; xi. 411.
Bertram, viii. 304.
Bonaparte, iii. 52; iii. 350.
—— and Muller, iii. 154.
Bonaparte’s Collection, etc., Lucien, xi. 237.
Booth’s Duke of Gloster, Mr., viii. 354;
Iago, viii. 355;
Richard, viii. 357.
Bourbons and Bonaparte, The, iii. 52.
Bowles, Mr., xi. 486.
Boyle’s Rosalind, Miss, viii. 336.
British Institution, xi. 242, 246, 248.
Brougham, Mr., iv. 318.
—— Esq., M.P., The Speech of Henry, iii. 127, 132.
Browne, Sir Thomas, v. 326.
Brunton’s Rosalind, Miss, xi. 396.
Buncle, On John, i. 51.
Burdett, Sir F., iv. 319.
Burke, Character of, Mr., iii. 252, 325.
Burleigh House, Pictures at, ix. 62.
Burns and the Old English Ballads, On, v. 123.
Busy Body, The, viii. 270.
Butler, viii. 49.
Byron, Lord, iv. 253; xi. 486.
—— and Wordsworth, xii. 328.

Campbell, Mr., iv. 343.

Canning, Character of, xi. 334.
Cant and Hypocrisy, On, xii. 330, 336.
Castle of Andalusia, viii. 329.
Catalogue Raisonné of the British Institution, On the, i. 140, 146; ix.
311.
Chalmers, Dr., xii. 275.
Channing, Dr., x. 310.
Chapman, v. 223.
Characteristics in the Manner of Rochefoucauld’s Maxims, i. 351.
Characters of Shakespear’s Plays, i. 165.
Charlemagne: ou l’Église délivrée, xi. 230, 234.
Chatham, Character of Lord, iii. 321.
Chaucer and Spenser, On, v. 19.
Childe Harold’s Pilgrimage, xi. 420.
Civil and Criminal Legislation, Project for a New Theory of, xii. 405.
Classical Education, On, i. 4.
Clerical Character, On the, iii. 266, 271, 277.
Cobbett, Mr., iv. 334;
Character of, vi. 50.
Coffee-House Politicians, On, vi. 189.
Coleridge, Mr., iv. 212; xi. 411;
Memorabilia of, xii. 346.
Coleridge’s Christabel, x. 411; xi. 580;
Lay-Sermon, iii. 152; x. 120;
Lectures, xi. 416;
Literary Life, x. 135.
Collins, v. 104.
Comedy of Errors, The, i. 351.
Comic Writers of the Last Century, On the, viii. 149.
Common-Place Critics, On, i. 136.
Common Places, xi. 541.
—— Sense, xii. 377.
Comus, viii. 230.
Conduct of Life, On the; or, Advice to a Schoolboy, xii. 423.
Congress, whether the Friends of Freedom can entertain any
sanguine Hopes of the favourable Results of the ensuing, iii. 103.
Congreve, viii. 70.
Conquest of Taranto, The, viii. 366.
Consistency of Opinion, On, xi. 508.
Controversy, The Spirit of, xii. 381.
Conversation of Authors, On the, vii. 24, 35.
Conversations as Good as Real, xii. 363, 369.
Coriolanus, i. 214; viii. 347.
Corporate Bodies, vi. 264.
Country People, Character of the, xi. 309.
Courier and Times Newspaper, On the, iii. 58.
—— The, and ‘the Wat Tyler,’ iii. 200.
Court Influence, On, iii. 254, 259.
—— Journal, The, A Dialogue, xii. 354.
Cowley, Butler, Suckling, Etherege, etc., On, viii. 49.
Cowper, v. 85.
Crabbe, Mr., iv. 343; xi. 603.
Criticism, On, vi. 214.
Curran, the late Mr., xii. 353.
Cymbeline, i. 179.

Dandy School, The, xi. 343.

Daniel, v. 295.
Dansomanie, The, xi. 299.
Deckar, v. 223.
D’Enghien, The Duke, xi. 577.
Defoe, Wilson’s Life and Times of Daniel, x. 355.
Depth and Superficiality, On, vii. 346.
Didone Abandonnata, viii. 196.
Disadvantages of Intellectual Superiority, On the, vi. 279.
Disagreeable People, On, xii. 173.
Distant Objects Please, Why, vi. 255.
Distressed Mother, The, viii. 334.
Don Giovanni and Kean’s Eustace de St. Pierre, xi. 307.
Don Juan, viii. 362.
Dottrel-Catching, iii. 51.
Double Gallant, viii. 359.
Dowton in the Hypocrite, xi. 395.
Dramatic Literature of the Age of Elizabeth, Lectures on, v. 169.
Drayton, v. 295.
Dreams, On, vii. 17.
Dryden and Pope, On, v. 68.
Duke of Milan, The, viii. 289.
Dulwich Gallery, The, ix. 17.
Dunlop’s History of Fiction, x. 5.

Edinburgh Review, Contributions to the, x. 1.

Editors, A Chapter on, xii. 230.
Edwards’s Richard III., Mr., viii. 247.
Effeminacy of Character, On, vi. 248.
Egotism, On, vii. 157.
Eldon, Lord, iv. 325.
Elgin Marbles, On the, ix. 326.
Elia, iv. 362.
Eloquence of the British Senate, iii. 387.
England in 1798, iii. 241.
English Comic Writers, Lectures on, viii. 1.
—— Grammar, xii. 342.
—— Novelists, On the, viii. 106.
—— Poets, Lectures on the, v. 1.
—— Students at Rome, ix. 367.
Envy, xii. 386;
On, vii. 97.
Essay-Writing, A Farewell to, xii. 321.
Etherege, viii. 49.
Every Man in His Humour, viii. 310.
Exit by Mistake, viii. 321.

Fair Penitent, The, viii. 287.

Fame, On Different Sorts of, i. 93.
Familiar Style, On, vi. 242.
Farquhar, viii. 70.
Fashion, On, xi. 437.
Fear of Death, On the, vi. 321.
Fight, The, xii. 1.
Fine Arts, ix. 377.
—— British Institution, xi. 187.
—— The Louvre, xi. 195.
Flaxman’s Lectures on Sculpture, x. 330.
Fletcher, v. 248.
Fletcher, P., v. 295.
Fonthill Abbey, ix. 348.
Footmen, xii. 131.
Ford, v. 248.
Four P’s, The, v. 274.
Fox, Character of Mr., iii. 337.
France and Italy, Notes on a Journey through, ix. 83.
Free Admission, The, xii. 119.
—— Thoughts on Public Affairs or Advice to a Patriot, in a Letter
addressed to a Member of the Old Opposition, iii. 1.
French Plays, xi. 352, 356.
Fudge Family in Paris, The, iii. 311.

Gainsborough’s Pictures, On, xi. 202.

Gammer Gurton’s Needle, v. 274.
Genius and Common Sense, vi. 31, 42.
—— and Originality, On, xi. 210.
—— is Conscious of its Powers? Whether, vii. 117.
Geoffrey Crayon, iv. 362.
George Barnwell, viii. 268.
German Drama, contrasted with that of the Age of Elizabeth, On the,
v. 345.
Gifford, Mr., iv. 298.
—— Esq., A Letter to William, i. 363.
Godwin, William, iv. 200; x. 385.
Going a Journey, On, vi. 181.
Good-Nature, On, i. 100.
Good Old Times, Sketches of the History of the, xi. 582.
Grammar of the English Tongue, Preface to a New and Improved, iv.
387.
Gray, v. 104.
Great and Little Things, On, vi. 226.
Grosvenor’s Collection of Pictures, Lord, ix. 49.
Gusto, On, i. 77.
Guy Faux, xi. 317, 323, 328.

Hamlet, i. 232.
Hampton Court, The Pictures at, ix. 42.
Harley’s Fidget, Mr., viii. 239.
Hartley and Helvetius, Remarks on the Systems of, vii. 434.
Haydon’s ‘Solomon,’ On, ix. 309.
—— ‘Christ’s Agony in the Garden,’ xi. 481.
Helvetius, vii. 434.
Henry IV., i. 277.
—— V., i. 285.
—— VI., i. 292.
—— VIII., i. 303.
Heroes of Romance are insipid, Why the, xii. 59.
Heywood, v. 192.
Hobbes, On the Writings of, xi. 25.
Hogarth’s ‘Marriage a-la-mode,’ Criticism on, ix. 75;
On, i. 25, 28.
Hogarth, On the Works of, On the grand and familiar style of
painting, viii. 133.
Holcroft, Memoirs of the late Thomas, ii. 1.
Honeymoon, The, xi. 409.
Hot and Cold, vii. 169.
Human Action, An Essay on the Principles of, vii. 383.
Humorous Lieutenant, The, viii. 353.
Hunt, Mr. Leigh, iv. 353.
Hunt’s Rimini, Leigh, x. 407.
Hypocrite, The, viii. 245.
Ideal, The, ix. 429; xi. 223.
Ignorance of the Learned, On the, vi. 70.
Imitation, On, i. 72.
—— of Nature, On the, xi. 216.
Immortality in Youth, On the Feeling of, xii. 150.
Indian Jugglers, The, vi. 77.
Iron Chest, The, viii. 342.
Irving, Rev. Mr., iv. 222; xii. 275.
Italian Opera, The, viii. 324.

Jane Shore, viii. 352.

Jealous Wife, The, viii. 316.
Jealousy and the Spleen of Party, On the, vii. 365.
Jeffrey, Mr., iv. 310.
Jews, Emancipation of the, xii. 461.
John Bull, Character of, i. 97.
—— du Bart, viii. 253.
—— Gilpin, xi. 305.
——, King, i. 306; xi. 410.
Jonson, Ben, v. 248; viii. 30.
Judging of Pictures, ix. 356.
Julius Cæsar, i. 195.

Kean, Charles, xi. 362.

—— Mr., viii. 292; xi. 389, 410.
—— and Miss O’Neill, xi. 407.
Kean’s Bajazet and ‘The Country Girl,’ Mr., xi. 274;
 Eustace de St. Pierre, xi. 307;
Hamlet, viii. 185;
Iago, i. 14; viii. 190, 211, 215, 559;
Leon, viii. 233;
Macbeth, viii. 204, xi. 404;
Sir Giles Overreach, viii. 284;
Othello, viii. 189; xi. 405;
Richard, viii. 180, 200;
Richard II., viii. 221;
Richard III., xi. 399;
Romeo, viii. 208;
Shylock, viii. 179, 294;
Zanga, viii. 227.
Kemble’s Cato, Mr., viii. 342;
King John, viii. 345;
Sir Giles Overreach, viii. 302;
Penruddock, xi. 205;
Retirement, viii. 374.
King’s Proxy, The, viii. 243.
Knowledge of Character, On the, vi. 303.
—— of the World, On, xii. 297, 301, 306.

Landor’s Imaginary Conversations, x. 231.

Lawyers and Poets, On Modern, iii. 161.
Lay of the Laureate, The, Carmen Nuptiale, iii. 109.
Lay-Sermon, A.... By S. T. Coleridge, Esq., iii. 138.
Lear, i. 257.
Letter-Bell, The, xii. 235.
Liber Amoris or the New Pygmalion, ii. 283.
Libertine, The, viii. 370.
Liberty and Necessity, On, xi. 48.
Literary Character, On the, i. 131.
Living in London, viii. 242.
Living Poets, On the, v. 143.
—— to One’s-self, On, vi. 90.
Locke, Mr., as a great plagiarist, xi. 284.
Locke’s Essay on the Human Understanding, On, xi. 74.
Logic, xii. 350.
Londoners and Country People, On, vii. 66.
Look of a Gentleman, On the, vii. 209.
Lords, On the Conversation of, xii. 38.
Love for Love, viii. 278.
—— of Life, On the, i. 4.
—— of Power or Action as main a principle in the Human Mind as
Sensibility to Pleasure or Pain, The, xi. 263.
—— of the Country, On the, i. 17.
Lovers’ Vows, viii. 249.
Love’s Labour’s Lost, i. 332.
Lyly, v. 192.

Macbeth, i. 186.
Macirone, Francis ... Interesting Facts relating to the Fall and Death
of Joachim Murat, etc., iii. 177, 183.
Mackintosh, Sir James, iv. 279.
Macready’s Macbeth, Mr., xi. 315;
Othello, viii. 338.
Maid and the Magpie, The, viii. 244.
Main-Chance, The, xii. 78.
Malthus, Mr. iv. 287;
a Reply to the Essay on Population by the Rev. T. R., iv. 1.
Malthus’s Doctrines, An examination of Mr., iii. 356;
Essay, On the Originality of, iii. 361;
Principle to the Poor Laws, On the Application of Mr., iii. 374.
Man, Aphorisms on, xii. 209.
Man of the World, The, viii. 318, 350.
Manner, On, i. 41.
Manners, Essay on, xi. 269.
Marlow, v. 192.
Mars, Mademoiselle, vii. 324.
Marston, Chapman, Deckar, and Webster, On, v. 223.
Massinger, v. 248.
Maurice’s Parrot, Prince, iii. 101.
Maywood’s Shylock, Mr., viii. 374;
Zanga, xi. 397.
Means and Ends, On, xii. 184.
Measure for Measure, i. 345; viii. 281.
Merchant of Bruges, The, viii. 264.
—— of Venice, The, i. 320.
Merry England, xii. 15.
Merry Wives of Windsor, The, i. 349.
Merry’s Mandane, Miss, viii. 320.
Methodism, On the Causes of, i. 57.
Middleton, v. 192.
Midsummer Night’s Dream, On the, i. 61, 244; viii. 274.
Milton, v. 44.
Milton’s Eve, On the character of, i. 105;
Lycidas, On, i. 31;
Sonnets, On, vi. 174;
Versification, On, i. 36.
Miscellaneous Poems, F. Beaumont, P. Fletcher, Drayton, Daniel,
etc., Sir P. Sidney’s Arcadia, and other Works, On, v. 295.
Modern Comedy, On, i. 10; viii. 551.
Monarchy, On the Spirit of, xii. 241.
Money, On the want of, xii. 136.
Moore, Mr. T., iv. 353.
Much Ado about Nothing, i. 335.
Muller, iii. 154.
Munden’s Sir Peter Teazle, xi. 392.
My First Acquaintance with Poets, xii. 259.
My Wife! What Wife?, viii. 237.
My Landlady’s Night-Gown, viii. 328.

New English Opera-House, viii. 314.

New Way to pay Old Debts, A, viii. 272.
Nicknames, On, xi. 442.
Northcote, Esq., R. A., Conversations of James, vi. 331.
Novelty and Familiarity, On, vii. 294.

Old Actors, Some of the, xi. 366.

Old Age of Artists, On the, vii. 88.
—— Customs, viii. 327.
—— English Writers and Speakers, On, vii. 311.
O’Neill’s Belvidera, Miss, viii. 261;
Elwina, viii. 256;
Juliet, viii. 198;
Lady Teazle, viii. 291;
Widow Cheerly, xi. 297.
Opera, The, xi. 426.
—— The Company at the, xi. 369.
Opposition, The, and ‘the Courier,’ iii. 240.
Oratorios, The, viii. 296.
Originality, ix. 423.
Oroonoko, xi. 301.
Othello, i. 200.
Oxford and Blenheim, Pictures at, ix. 69.

‘Pannel, The,’ and ‘The Ravens,’ xi. 303.

Paradox and Common-Place, On, vi. 146.
Parallel Passages in various Poets, xi. 282.
Parliamentary Eloquence, On the Present State of, xi. 464.
Partisanship, On the Spirit of, xi. 521.
Party-Spirit, On, xii. 402.
Past and Future, On the, vi. 21.
Pasta, Madame, and Mademoiselle Mars, vii. 324.
Patriotism, On, A Fragment, i. 67.
Patronage and Puffing, On, vi. 289.
Pedantry, On, i. 80, 84.
Penelope and the Dansomanie, xi. 299.
People? What is the, iii. 283, 292.
—— of Sense, On, vii. 242.
—— with One Idea, On, vi. 59.
Periodical Essayists, On the, viii. 91.
—— Press, The, x. 202.
Personal Character, On, vii. 230.
—— Identity, On, xii. 198.
—— Politics, xii. 456.
Persons One would Wish to have Seen, Of, xii. 26.
Peter Pindar, xii. 348.
‘Peveril of the Peak,’ xi. 537.
Philosophical Necessity, Doctrine of, xi. 277.
Picture-Galleries in England, Sketches of the Principal, ix. 1.
Picturesque and Ideal, On the, vi. 317.
‘Pirate, The,’ xi. 531.
Pitt and Buonaparte, iii. 350.
Pitt, Character of the late Mr., i. 125; iii. 346.
Plain Speaker, The, vii. 1.
Pleasure of Painting, On the, vi. 5, 13.
Pleasures of Hating, On the, vii. 127.
Poetry, xii. 339.
—— in General, On, v. 1.
Poetical Versatility, On, i. 151.
Political Essays, with Sketches of Public Characters, iii. 25.
Pope, v. 68.
—— Lord Byron and Mr. Bowles, xi. 486.
—— was a Poet, On the Question whether, xi. 430.
Popular Opinion, On the Causes of, xii. 316.
Population, On the Principle of, as affecting the schemes of Utopian
Improvement, iii. 367;
Queries relating to the Essay on, iii. 381.
Posthumous Fame, On, Whether Shakspeare was influenced by a
love of it, i. 21.
Poussin, On a Landscape of Nicolas, vi. 168.