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Saviour Music Video: A Hybrid Approach to Creative Virtual Select Category

Production
Posted by Editor | Dec 18, 2023 | Latest Film Studio News | 0  |     

Saviour Music Video: A Hybrid Approach to Creative Virtual Production

By Richard Inman

In a creative endeavor that aimed to seamlessly blend practical and virtual production techniques, Oliver Anderson’s latest
soft rock music video, “SAVIOUR,” comes to life. Drawing inspiration from the likes of Hozier’s “Take Me To Church” and Kaleo’s
“Way Down We Go,” the challenge was to create a video that was both unique and evocative of these iconic music videos. The
approach taken was a hybrid one, dividing the video into two halves: a colorama-based practical section and a narrative
sequence, each offering its distinct visual appeal.

The technological arsenal deployed for this endeavor was nothing short of impressive. The team harnessed the power of the
Sony FX9, G Master Primes, Canon CN7 17-120 T2.8, Mo-Sys StarTracker Max, Infinity Set, Unreal Engine 5.0, and Davinci Fusion
to execute their vision.

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One of the standout features of this project was the innovative use of virtual production set pieces. Leveraging an in-house Designing and Building Futureproof
pipeline for color management and compositing, the team recorded all tracking data during principal photography, enabling Multimedia Training Systems for the
them to re-engineer virtual locations during the editing process. This approach allowed for the creation of a faux-anamorphic Higher Educational Sector
look, lending an enchanting quality to scenes featuring flickering candles and highlight pops in virtual settings.

The sheer scale and complexity of the story told in “Saviour” necessitated shooting across four different Relo Metrics Announces Partnership
virtual locations on the second day of production. This ambitious goal could only be achieved through the with Reading FC
power of virtual production. The team chose to shoot across three distinct locations within a virtual
cathedral, and then transition to a completely different exterior setting. Accomplishing this required
meticulous planning, managing four lighting changes throughout the day, and repositioning virtual lighting
to adapt to the confines of their three-wall studio space.

In a whirlwind two days of production, the team accomplished the feat of shooting a complete music video that seamlessly
blended practical and virtual set styles. With an impressive total of 54 takes captured on their single Virtual Production day,
spanning four diverse environments, and managing multiple lighting changes, the experienced crew successfully wrapped
the shoot on time, adhering to a standard 10-hour day. All this was achieved with a single camera, underscored by the
expertise of Broadley’s seasoned Virtual Production crew.

Directed by Isobel Drane, the “SAVIOUR” music video stands as a testament to the creative potential of
blending practical and virtual production techniques, pushing the boundaries of what is achievable in the
world of music videos.

In the creation of the “SAVIOUR” music video, the production team employed a cutting-edge array of virtual production
equipment to seamlessly merge practical and virtual elements into a visually captivating experience. Here’s a closer look at
the key technology utilized:

1. Sony FX9: The Sony FX9 camera played a central role in capturing high-quality footage, providing the visual foundation for
the music video.
2. G Master Primes and Canon CN7 17-120 T2.8: These premium lenses ensured precise control over the image, allowing for
the creation of stunning visuals that matched the video’s artistic vision.
3. Mo-Sys StarTracker Max: The Mo-Sys StarTracker Max enabled precise camera tracking in virtual environments, ensuring
seamless integration of real and virtual elements.
4. Infinity Set: Infinity Set’s virtual production capabilities contributed to the creation of immersive virtual environments
within the video, enhancing the overall storytelling.
5. Unreal Engine 5.0: The Unreal Engine, renowned for its real-time 3D capabilities, was instrumental in crafting dynamic and
visually striking virtual locations.
6. Davinci Fusion: Davinci Fusion, a powerful compositing and post-production tool, played a key role in refining the final
visual aesthetic of the music video.

This impressive combination of technology allowed the production team to push the boundaries of creativity, delivering a
music video that seamlessly blended practical and virtual elements, resulting in the unique and captivating “SAVIOUR” music
video experience. Directed by Isobel Drane, this project stands as a testament to the innovative possibilities unlocked by the
integration of virtual production techniques into the world of music videos.

For more information contact Broadley Studios

https://www.broadley.tv/

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