Professional Documents
Culture Documents
Language: English
BY
MARION SATTERLEE
“The first conscious thought about wild flowers was to find out their names—the first
conscious pleasure—and then I began to see so many that I had not previously noticed. Once
you wish to identify them, there is nothing escapes, down to the little white chickweed of the
—Richard Jefferies
NEW YORK
TROW DIRECTORY
PRINTING AND BOOKBINDING COMPANY
NEW YORK
CONTENTS
PAGE
Preface, vii
How to Use the Book, ix
Introductory Chapter, 1
Explanation of Terms, 8
Notable Plant Families, 13
Flower Descriptions:
I. White, 22
II. Yellow, 113
III. Pink, 173
IV. Red, 213
V. Blue and Purple, 229
VI. Miscellaneous, 276
Index to Latin Names, 287
„ to English Names, 292
„ of Technical Terms, 298
One of these days some one will give us a hand-book of our wild
flowers, by the aid of which we shall all be able to name those we
gather in our walks without the trouble of analyzing them. In this
book we shall have a list of all our flowers arranged according to
color, as white flowers, blue flowers, yellow flowers, pink flowers,
etc., with place of growth and time of blooming.
John Burroughs.
PREFACE
Ninety-seven of the one hundred and four plates in this book are
from original drawings from nature. Of the remaining seven plates,
six (Nos. LXXX., XCIX., CI., XXII., XLII., LXXXI.), and the
illustration of the complete flower, in the Explanation of Terms, are
adapted with alterations from standard authors, part of the work in
the first three plates mentioned being original. Plate IV. has been
adapted from “American Medicinal Plants,” by kind permission of
the author, Dr. C. F. Millspaugh. The reader should always consult
the “Flower Descriptions” in order to learn the actual dimensions of
the different plants, as it has not always been possible to preserve
their relative sizes in the illustrations. The aim in the drawings has
been to help the reader to identify the flowers described in the text,
and to this end they are presented as simply as possible, with no
attempt at artistic arrangement or grouping.
We desire to express our thanks to Miss Harriet Procter, of
Cincinnati, for her assistance and encouragement. Acknowledgment
of their kind help is also due to Mrs. Seth Doane, of Orleans,
Massachusetts, and to Mr. Eugene P. Bicknell, of Riverdale, New
York. To Dr. N. L. Britton, of Columbia College, we are indebted for
permission to work in the College Herbarium.
New York, March 15, 1893.
HOW TO USE THE BOOK
When the flowers are brought in from the woods and fields they
should be sorted according to color and then traced to their proper
places in the various sections. As far as possible the flowers have
been arranged according to the seasons’ sequence, the spring flowers
being placed in the first part of each section, the summer flowers
next, and the autumn flowers last.
It has sometimes been difficult to determine the proper position
of a flower—blues, purples, and pinks shading so gradually one into
another as to cause difference of opinion as to the color of a blossom
among the most accurate. So if the object of our search is not found
in the first section consulted, we must turn to that other one which
seems most likely to include it.
It has seemed best to place in the White section those flowers
which are so faintly tinted with other colors as to give a white effect
in the mass, or when seen at a distance. Some flowers are so green as
to seem almost entitled to a section of their own, but if closely
examined the green is found to be so diluted with white as to render
them describable by the term greenish-white. A white flower veined
with pink will also be described in the White section, unless its
general effect should be so pink as to entitle it to a position in the
Pink section. Such a flower again as the Painted Cup is placed in the
Red section because its floral leaves are so red that probably none
but the botanist would appreciate that the actual flowers were yellow.
Flowers which fail to suggest any definite color are relegated to the
Miscellaneous section.
John Burroughs.