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Being familiar with the skin, its layers, and the cells within them is extremely important for all
micropigmentation specialists. Your deeper understanding of skin structure and function will help you be better
at permanent makeup and microblading. In turn, this knowledge will provide your client superior results and
safer care.
Skin Facts:
The skin is only as thick as a few sheets of paper
Keeping this in mind when performing any Permanent Makeup Procedure will help you control your depth of the needle.
Skin is not immune to the laws of gravity
Placing eyebrows on the eyebone or below it, will make your clients eyes look droopy and sad.
Collagen and elastic production slows dramatically: 65% between age 20 and 80.
When choosing a brow shape take into consideration your client’s age and skin elasticity. Choosing the right shape can
visibly lift your client’s eye.
Meaning that when you work on a mature skin watch the pressure of your needle. Skin is much thinner and you have a
greater chance of going deeper into the dermal layer.
EPIDERMIS
The epidermis is the outermost layer of the skin and protects the body from the environment. The thickness of
the epidermis varies in different types of skin. It is only .05mm thick on the eyelids and 1.5mm thick on the
palms and soles of the feet. At the inner part of the epidermis is where you can find melanin. Melanin is a dark
brown to black pigment that infuses color into the skin and hair. There are three kinds of melanin: (a)
Eumelanin is found in the hair, skin and dark areas around the nipples and provides black and brown pigment
to the hair, skin and eyes; (b) Pheomelanin provides pink and red colors and is the main pigment found among
red-haired individuals and also found in the hair and skin; and (c) Neuromelanin is a form of melanin found in
different areas of the brain.
Stratum granulosum - these cells are almost dead and are pushed to the surface to replace cells that are
shed from the skin's surface layer.
Stratum spinosum - is in the spiny layer at the beginning of the process that causes skin cells to shed.
Stratum germinativum (basale) - is the deepest layer of epidermis which produces new epidermal skin
cells and is responsible for the growth of epidermis. It also contains melanocytes, which produce a dark skin
pigment, called melanin.
DERMIS
The dermis is located beneath the epidermis and is the thicker of the three layers of the skin. It has two parts; a
thin, upper lag known as the papillary dermis, and a thick, lower layer known as the reticular dermis. Its
thickness varies depending on the location of the skin. For example, the dermis on the eyelids is 0.6 millimeters
thick; on the back, the palms of hands and the soles of feet, it measures 3 millimeters thick.
The main function of the dermis is to regulate body temperature and to supply the epidermis with nutrient
saturated blood. The dermis stores most of the body's water and this is where you can find the sweat glands,
hair follicles, nerve endings, collagen and elastin, blood vessels and lymph vessels.
HYPODERMIS
The hypodermis is otherwise known as subcutis or the subcutaneous layer. It is the third layer of the skin and it
consists of a network of fat and collagen cells. It functions both as insulator conserving the body's heat and as a
shock absorber protecting the inner organs. It stores fat as energy reserve for the body. The blood vessels,
nerves, lymph vessels and hair follicles also cross through this layer The thickness of the hypodermis layer
varies throughout the body and from person to person.
OVERTONES
Overtone is the shade of our skin or the color of our complexion. When we talk about overtone, we refer to the
study of the Fitzpatrick scale. The Fitzpatrick scale is a numerical classification schema for human skin color. It
was developed in 1975 by Thomas B. Fitzpatrick. In short, the Fitzpatrick is a numerical scale that measures the
amount of melanin in the skin after exposure to the sun. The scale was developed to measure how skin reacts
to ultraviolet light, or sun exposure. The Fitzpatrick scale remains a recognized tool for dermatological research
into human skin pigmentation.
ABOUT UNDERTONES
The skin also called undertone is different from the complexion or the overtone which is the shade of the skin
(light, medium, dark) as referred to in the Fitzpatrick scale.
The undertone will remain the same no matter how much sun you get during summer or if you are paler during
the cold season.
Undertone comes in WARM, COOL AND NEUTRAL.
To assess the undertone, it is best to use natural light. Different light bulbs affect the skin differently. They may
give it a yellow or green cast and interfere with the appearance of the skin tone.
To determine the predominant color of the undertone, look through the skin at the inner part of the arm or the
inside of the wrist. The color of the veins will help determine the undertone.
WARM - If the veins appear to be green, it is safe to say that is has more warm undertones. Pressing your under
arm or wrist with your fingers is another way to asses undertone. If the skin tone turns yellow after pressing,
then it is also warm.
COOL - If the veins are bluish and the skin tone turns pink when pressed, then the undertone is cool.
NEUTRAL - If there is a mixture of warm and cool hues land you cannot tell whether the veins are green or
blue) or the undertone is the same color as your actual skin color, and the undertone tums peachy when
pressed, then the undertone is neutral. When choosing you clients color, both of you have to consider Which
color is best suited for the client. Consider how light or dark the color needs to be and do not forget the color of
the undertone.
BASIC COLOR THEORY
Color theory is both the science and art of using colors. It explains how humans perceive color and the visual
effects of how colors mix, match and contrast with each other. Color Theory also involves the messages colors
communicate and methods used to replicate color. Colors are organized on a color wheel. A color wheel is a
visual representation of colors according to their chromatic relationship.
COMPLIMENTARY COLORS
Complimentary colors are colors that are directly opposite to each other on the color wheel.
Black & white are not considered in the color theory because black is the absence of all color and white is the
presence of all color.
INORGANIC
Metallic Oxides or Synthetics
MAYBE toxic when the amount of metals exceeds requirements
Matte, smooth, long lasting, colorless.
Fades to warms color
Ing: IRON OXIDE, TITANIUM DIOXIDE, MANGANESE VIOLET ULTRAMARINES Iron Oxides are technically
synthetic and are synthesized for purity before using it in pigments .
ORGANIC
Chemically synthesized
Considered as non-toxic Transparent, glassy, bright, non-limited colour variety and fades faster
Fades to cool color
Insoluble: CARBON (Carbon Black is highly light and stable and has the highest opacity of all pigments
that is why it is the riskiest for migration and accidentally creating dark ashy brows)
Soluble: RUBINE REDS, TARTRAZINE YELLOW, LITHOL REDS, HANSA YELLOW
Color choices
Color is one of the most complex and difficult things to predict in the outcome with the practice of eyebrows.
This chapter will cover the basics of color theory when it comes to implanting pigments into the skin. All skin is
like a canvas into which we implant color. Each hue, shade, undertone and the presence of melanin contribute
to the color of the pigment which we implant into the skin. Always take into consideration the overtone or the
natural skin color and undertone which will all factor into the final color that will be into implanted into our
client's eyebrows. It is very important to always remember that Microblading always heals into a cool tone.
Color is very important to as your final color selection makes your first impression. There is no margin of error
so must get you color correct.
To get your color correct, always consider the Fitzpatrick scale, the natural undertone and the chance of
hyperpigmentation. We must be very careful when mixing colors so we can achieve the perfect shade. We
strongly advice to use higher end pigments now available in the market that are already modified into cool or
warm and that are meant to correct or neutralize undertones.
In the case that the client is a naturally warm tone, choose pigment with olive based cool colored. But if your
selection contains a lot of warm color, add a drop or two of cool tone olive based color. shot case that the client
has cool tone, your pigment selection Should be based on warm colors. But if your selection are based on cool
colors, it is recommended to add a drop or two or red orange based color to be sure that it is well balanced.
MOST IMPORTANT NOTE:
When choosing warmer colors, it does not mean it will save you from ASHY/BLUISH results. Using the
proper technique will give you the true color and will stay nice and vibrant. Implanting any color too
deep will make it look greyish or bluish Warm colors are more red and orange and cool colors contain
more olive. Yellow based pigments are neutral colors.
You should always choose the color closest to your client's natural hair.
You do not need to worry as much about mixing color when using the best, highest grade pigments on
the market Errors that can likely occur with mixing color such as ending up with a muddy, dull color
which is possibly too warm or too cool can be avoided. Perma Blend has amazing color choice choose
from for warm and cool skin tones.
The result
in the chart will make a shade of brown after healing. It is usually light brown with the shade of previous color.
Let the client decide whether to keep this color or go ahead with a second correction procedure and cover the
corrected color with more intense pigment.
Correctors & Toners by Permablend (Toners are used to neutralize/ prevent incorrect color healing by adding
to the pigment. It can be mixed 1:1 with target color pigment.)
Eyebrow Tattooing, the first generation of its kind, generally produces a very unnatural crayoned effect similar
to the regular tattoo on any part of the skin. The process of eyebrow tattooing involves the use of a machine
operated single needle moving at high speed, where ink is deposited deep in the dermis layer. Eyebrow
Tattooing will also fade into shades of green and blue over time as well as look patchy due to the nature of the
insertion of dye into the dermis of the skin layer.
Eyebrow Embroidery is the latest technique where a semi-permanent pigment is pushed into the skin surface
using a fine blade, which mimics the growth of your existing hair strands, creating more natural looking brows.
It is painful?
Initially, there will be a slight prick that feels like a small ant bite but once the anesthetic has penetrated into
your skin, it'll be pain-free.
Are there things I should do/avoid after the process?
The area should not come in contact with water (especially swimming, sauna & facial) for 3 days following the
embroidery. Unlike tattoo, embroidery is done on the 2nd layer of skin. Contact with water will cause it to peel
faster a it will not last as long. Simply dab it dry if the area gets wet.