NO.21__ NOTES FROM THE SHOP $2.50
Woodsmith
SOLID OAK HOW TO CUT
SCHOOLHOUSE fell ets
CLOCK PLANS i i r WITH A ROUTER
CURIO CABINET ff | THE BASICS OF
AND MATCHING | j Nts a)
WALL MIRROR SPLINE JOINERY
axe) 161 Fe / BOWL TURNING:
TURNING A ei THE TOOLS
WOODEN BOWL AND TECHNIQUESWoodsmith.
Number 21 May, 1982
Eaitor
Donald 8. Peschke
Design Director
Ted Kralicek
‘rt rector
Jon Snyder
Assistant Editor
‘Stove Krohmer
Graphic Designer
Marcia Simmons
Subscription Wanager
‘Sandy J. Baum
‘Subscrpon Assistants
‘Chriotol Bork
Donna Prins
‘aministrave Assistant
Cheryl Scott
Contributing Eeitor
‘Adolph E. Peschive
WOODSMITH (ISSN 0164-4114) is publshed
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“Copyright 1982 by Wocdsrith Publishing Co.
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AROUT THIS ISSUE, As
the Schoolhouse Clock for this jase, we
decided to hang it on the wall inoarrecep-
n area. Since we rent space in a large
to
See what the latest project is. The day we
pit the Schoolhouse Clock on the wall, we
hhad two requests to buy it on the spot». .
for $350.
Now I was faoed with a tough decision
Should 1 spend the weekend building
another cock and pick up an easy $3507 Or
Should I do what Treally want to do: mow
the lawn and pull woeds in the garden?
‘rooLs, A comment Lhear from a jot of
smuys just in woodworking
ves something: like tobuild a
project like that Schoolhouse Clock. . . if
only hadl the tools.”
Well, wo built the clock, the Ci
Cabinet, the Lazy Susanand the Trivet (all
shown in this issue) with only two major
tools: a table saw and a router. That's
certainly not much in the way of tools,
Actually, Pl have to admit that. you do
need one more tool, Patience. All of these
projects inyolve mitered joints. Although
one miter is not all that diffient to ent,
when youhayeto cat several miters(foran
octagonal frame, for instance), they all
have to mate perfectly. That tencls to take
alittle ime. And maybea few trial euts on
same serap wood. (Our shop islitered with,
scraps lke this.)
Question: You said you used a router for
all of these projects. What kind of router
did you use?
Wehave four routers inthe shop i
Rockwell, Stanley and Makita). Its not
that we neaded all of them, It's just that
‘we're in the process of trying them out.
Bu to answer the question, we used a
new Sears Craftsman | hp. rontor for most
‘of the work. Surprised? I wanted to use
this router for two reasons. First, [like to
sethekind of equipment that most of our
readers are likely to own, And second, I
‘wanted to use the new Soars edge guide
andtrammel-point attachment (No. 25179,
$15). It’s pretty nice little gizmo.
Now that we're on the subject of
routers, [have a few other comments I'd
like to make. I have the feeling that
routers are kind of “dream machines” for
‘woodworkers. With all those bite and at-
tachments, you ought to be able to do
almost anything with them,
But the procass of turning dreams intoa
finished project is not always an easy one.
Corsequenr, routers spent most oftheir
dust,
Tn fact, I've come totthink of a router as
Just ¢ fancy motor that needs some help.
Anil the best help I know of is a router
table. Bvor since we built the router table
GGhown in Woodsmaith No, 20), my router
Fas spent s lot more time making dust... .
instead of collecting it.
‘Okay, Don, why the big sales pitch on
the roiter table?
‘AaT mentioned above, have this thing
about using tools that’ our readers are
likely to have, Althouzh several brands of
router tables are on the market, 1 really
prefer our “home-made” version,
Tguess what I'm getting at is this: [like
this router table, so I used it to build the
projects in this issue. But that sort of im-
plies that you have to build theroutertable
before you can build any of these projects.
Which is sort of true. So, 1 feel a litte
agilty beeatise you may not want to baild
. But I think it's a pretty good tool, 20 T
tendl to eneourage building it, And Idrive
myself erany in the proves.
‘LATHE PROJECTS. Turning toa new sub-
Jeet, we've received a lot of requests for
lathe prjects. And that presents a prah-
lem. I don't have much experience with
lathe work, and to be honest, I don't get
that exeited about it
However, Steve (our new Assistant Edi
tor) is pretty good on a lathe, so he's the
fone that got us going on the Burned Prait
Bowlin this issue. Infact, he’s now work
ing on a series of articles on turning.
‘Why did we choose a bow! (faceplate
turning) to start this series?
Well, we didn't know where to start, so
‘wesat downand talked about it. Steve said
‘that almost every bool he's seen on turn-
‘ingsuggests that vou should start out with
spindle turning (between centers) tolearn
the basics.
I said, “Yeah, but spindie turning
usually means turning legs, and then T
haye to build a table to go with the legs.”
Steve responded, "Well, we could tuna.
simple bowl, but it takes a little more
patience to learn the techniques.
My eyes lit up, “Patience, there's my
favorite word. Let's do it.”
‘The next day, Steve emerged from the
Shop with a prototype of the bowl he had in.
rind, and handed it to me. Now, usually
when Iseea woodworking project, I stand
back, ross my arms, and stroke my chin.
with a serious leole on my face
‘This time things were different. As T
held the bowl, I could see the wood, but I
‘eoild also focl it. And 1 could feel the
texture and the shape of it,
‘That'sall it took. Now I'm exeited about
bowl turning, and I thine welll be doing 8
lot more of it.
NEXT MAILING. July, 1982
2
WoopsMiTH,
aTips & Techniques
IMPROVED MARKING GAUGE
Inthe January issue of Woodsmnith, Tfound
an item that I was very interested in: the
marking gouge. Your design makes a
beautiful tool and it struck a responsive
chord when I noted that you used a rosan
{nsort to malee the damping mechanism of
the gauge block. But I was surprised that
you did not use 2 similar deviee for holding
the lmife blade, instead of making do witha
velge.
Here's myidea: start by drilling the very
fend of the arm for a Y" rosan insert. Be
‘sure that there's enough room between the
square mortise and the end of the arm for
MABRING GAUGE
the entire length of the rosan insort. Then
insert the rosan insert and 4" thumb-
screw to secure the wedge.
‘This gives you a mechanism which will
take blade adjusting much more accurate
and a lot easier.
Edwin Tichenor
Pelahatchie, Mississippi
Rosan inseris core be purchased from: The
Woodworkers Store (Catalog $1.00),
21801 Industrial Bivd., Rogers, Min
nesota, 59374. They're available in two
sizes, and Vs", and cost .28 each,
SENSIBLE STOP LINES
Whenever I'm eatting blind dado’s with a
router table or table saw, I always make a
Tine on the table so { know just how far to
run the stock, With jst one fine 1 was
always wondering when it would show up.
Isornetimeslet the cuiter’bam the stock in
Antieipation, and sometimes T cut too far
before I saw the ine
‘Now Imake four parallel lines in front of
ny stop line, with equal spacing between
cach line. The lines are visibie before
teaching the stop line, and with the equal
spacing, almost allow you to “see” the stop
Ine before sctually reaching it.
Ronald T. Mowry
Janesville, Wisconsin
INEXPENSIVE DRAWER DESIGN
1 wanted to make a drawer front with «
‘outer design, without having to use alot
of snentte srodvortne caine
3 having was how to
achieve a goo H-tegree comer.
‘Tosolve the problem, [ripped a bonrd to
‘equal 4¢the width ofthe draver front, and
Wot = ONE NAG wort
Dr oeaivt FRONT
about 2% times as long as the actual
drawor, Thon I routed grosvo, using the
router table and Sears genter-poin ogee
hit, the entire length of the beard.
After it was routed, I mitered (45°) the
drawer front as shown, and glued the
pieces together. The results were ex-
Collet, and it was alot easier todo than T
expected, By ‘electing he wood,
it’s possible to achieve perfect 90° turns in
the weod ssi.
Alerander L. Smith
Vinginia Beach, Virginia
TURNING GAUGE
Tye tried to sect outside calipers with
ruler when measuring spindle turnings,
‘and to be honest, it's not really a very
‘acenrate method.
Insteed, I tumed a gauge with steps for
different measurements. Each step in-
reases in Yui" increments, ranging from
94" to 1%" (the sizes I frequently use).
It’s very easy to set your calipers to the
correct size, using the gange. You also get
the same “fee!” of the calipers slipping over
the gauge as you do when they slip over the
eee being ture. This helps insure that
the size is eorrect.
L.A. D. Colvin
Satellite Beach, Florida
RABBETED DOVETAILS
Aer reading your Janzary issue on dove-
tails, [thought you mighé be able to use
this shop tip on cutting a rabbeted
dovetal
Tet rabbet on the inside of one board
before eating cither the tails othe pin,
‘Thisrabbet can be any depth (usually cut
mine i" deep), but the widch must exactly
natch the thie of the other piece. The
primary purpose ofthe rabhet isto provide
‘shoulder to cones the insideseam ofthe
dovetsil, and togive asharp appearingline
own the inside comer,
Besides concealngrany roughnessin the
the same manner as
the shoulder of a tennon covers the mor-
tise), the rabbet also makes chopping the
dovetail easier. First, the wood is thinner,
so there's less waste to cut. Second, the
shoulder ofthe rabbet can be used asa stop
for the chisel, making the clamping of an
auxiliary board unnecessary on the inside
‘of the drawer front.
John Wilson
Chariotte, Michigan
This is also a good technique jor conceal
ing thee groove for a drawer bottom when
using a through dovetail
‘SEND IN YOUR IDEAS.
We invite you to share your woodworking tbs
and techniques with other readers of Wocd-
“smith, We willpayarminimum of $5for a Vp. anc
$10 or more fora special techricue. Al material
submitted becomes the property of Woodsmith
Publishing Co. Upon payment. you give Wocd.
“smith the igh to use the materia in eny manner
foras long as we wish.
IT your ian rwolves a drawing or phoio to
explain it, do your best ard, if recessary, well
make & rw drawing, or ld the projet oF ig
nd photograph it. (Ary drawings 0: photos
submitted cannot be relumed)
‘Send your ideas 0; Woodsmin, Tips & Tech |
niques, 2200 Grard Ave., Des Mcines, lowa
0312,
WoopsmirHSchoolhouse Clock
THE OLD CLOCK ON THE WALL SAYS IT'S TIME
This Schoolhouse Clack is built from just
‘twooalsboards 6-feet long. That’s not what
T would call a lot of lumber: However
these boards mast be cut up into 82 small
pieces (just the right size and shape), and
carefully joned together
T think that's the most intriguing thing
about cloelcbailding. It doesn't require a
lot of wood
\woodlwerking Skil
JOINERY, Joinery
import
is probably the most
it aspeet of this clock. Almost
every jeint is on display, so it mast be eat
accurately However, that's not easy be:
use the pieces are somewhat stall, and
most of them are mitered at 224
This miter angle is the result of the
‘gctagonal(eight-sided) design theme. The
frame surrounding the dial, the part of the
saae extending below this frame, and the
ame for te laser all require mers
ct at 22"
Since cach of these mitors is jeined with
the aid ofa spline, grooves must be cut in
all mitered pieces. Although this can be
done on a table or radial-arm sayy, I found
‘tovasa whole lot easier on a router table. 1
azuoss what I'm gettingeat here is that you
might want to build the router table
(shown in Woodsmith No. 20) before
launching into this Sehoolhouse Clock.
‘There is one other consideration, ‘Th
‘woodworking: part of this projeet is both
fun and challenging. However, the result
is not a clock. Rather, it's just the case for
the real “guts” of the clock: the works
THE CLOCK MOVEMENT
‘We designed this schoolhouse clock to
accept two kinds of works: either the
traditional “gear and spring” movement,
or the modem replacement: a battery
operated quartz mavement
For the clock shown here, we went all
out and bought a German-made, solid
brass movement from the Mason &
Sullivan catalog (686 Higgins Crowel Rd,
‘West Yarmouth, MA (2573), The move-
‘ment we used is listed in their eatalog as a
*Calenalar‘Bim-Barn' Key Wind Pendulum
Movement,
Al of that moans it's a 14-day. spr
driven movement that drives both the
minute and hour hands, as well as a ealen-
dar hand. This mavement also comes with
‘two-tone (BBim-Bam) chime, a brass pen-
ium rod and bob, and black serpentine
hands. The Mason &Sullion Catalog No.
is B341X (144" pendulum). The cost:
$81.00.
If your budget doesn't allow for that
‘bat it does require alot of
operated quartz. movement,
mont that we know willie this elo
the Klockit Company (Catalog: Free), RO,
Box 2H, Lake Genova, WE S314. The
Gat. No, 12005
‘This movement has provisions for hour
and minute hands (bat not a calendar
hand), Bim-Ban chi
thing like an electrie doar bell),
MATERIALS LIST
he BY 21% (29)
03% 3M (aA)
hae 3-04 @)
Vax h- 8% (10)
x14 9705)
Yon 8 (10)
he x3 = 6s (7A)
Holding tips ox %4- cut fofit
1 Deer Top he e768)
4 Door Sido hen A= 770 (8)
K Door Bottoms "hex 7% -216(395)
CUTTING DIAGRAM.
Tee
tegrated pendulum movement, and a tide
tock sound. (Note: The pendulum length is
measured differently on this movement —
{you need a 16" penclulum inctead of 144)
DIAL, wezeL, ETc, In addition to the
lock works, there are a few other things
youll noed:
1) The Dial. We ordered an 11%"
diameter enameled metal dial with a
Sl-day date ring from Maton & Sullivan
(Cat. No. 74003, $6.85). Note: whenorder-
‘ng, specty e panched for 3341 X
movemort
Ifyou choose the Klockit quariz. move-
onced for
punched key holes, so
il will work,
2) The bezel, This is the glace door and
brass frame that fits over (and protects)
the clock face. Again we used a Mason &
‘Sullivan bezel:Catalog No, 4200B, $19.50.
8) Hinges and knobs.
lock veorks, you'll need some miscella-
neous hardware, We wore able to purchase
all of these items at alocal hardware siore
However, we're also listing the catalog
number and priee from The Woodworiers!
‘Store (Catalog $2), 21801 Industrial BIvd.,
Rogers, MN 5537
Brass Butt Hinges, ¥%, two pai, (DSOL,
3.65 per pair)
Brass Door Knob. (D8088, 3.55 each)
Bullet Cateh, %i" diameter, 3%" long.
(D3801, $2.70 per 10)
‘Turn-Bution Latch. (D8057, 3.95 per 1D)
Brass Hanger, (D3509, $1.55 per 10)
4) Glass for Pendulam Door. We used
single strength window glass for the pen:
alum door, and cut it to ft the door frame
ourselves, Jon (our Art Director) added
the blac and gold painted borders around
the edge of the glass, This is a nice little
touch, but not altoxether necessary — it
requires a little more artistie talent th
Thave.
‘Onee the hartiware and clock works are
ordered (and hopefully in hand), the wood.
working ean begin. I started with the ease,
THE CASE
‘The ease (shown in Fig. 1) has six sides,
ith the bottom three pieces forming 3
partial cetagon. Th keop a continuous grai
pattern from one piece tothenent, Teutal
Six pieces from one board (as shown in the
Cutting Diagram),
First I cat each piece to rough length
(see Materials List), marking them to keep
thom in ordex Then I rippod all picees to
WoopsmiTHCUPTOLENGTH. Five of thexe pieces (the
‘to sides and three bottom pieces) can be
‘cut to final length now. (The top is cat
later). [started with the two side pieoos
(A), cutting the top end square. The bot-
tom end is cut at a 226° miter so the final
Tength (from the square end to the long
point of the mitered end) is 215%",
‘Next, the three bottom pieces (B) are
‘ent. These pieces are mitered at 2234" on
both ends so the final length (from long
‘Point to long point) is 8%.
GROOVE FOR SPLINES, Now the grooves
for the splines can be eut. As shown in the
detail in Fig. 3, the groove is positioned
‘ef from the long point of the miter to
allow room for the rabbets. Once the
‘grooves are cut, the xplines are cut to fit.
(This tochnique is diceussed in more detail
‘on page 8.)
RABBETS. Finally, rabbets must be cut
‘on both the frent edgesand baekeilge ofthe
tivo sides (A) and the three boitom pieces
(B)— the top is notraboeted. The x 3°
rabbet on the front edge is for the door
frame, and the 4’ x" rabbet on the back
edge is forthe plywood back, Fig. 3. Also,
a W-doep rabbet on the top ends of the
tivo side pieces (A) should be cuts" wide
{to maten the thickness of the ton pee),
see Fig. 2.
‘THE ToPiEcE, Dey-assemble these five
pieces (minus the top) to make sure every-
thing fits properiy. Now final mossure-
‘ments For the top (C) ean be taken,
he top pie is jotned to the two side
with a rabbet and dado joint, soo
Cut a "deep dado right along ine
shoulder of the rabbet. Then cut a rabbet
‘0n both ends of the top piece (C), leaving a
tongue to tn the groove. ‘The key thing
here is that when the top is installed, the
two cides (A) must be parallel. If this
forves the mitered joints on the diree bot-
tom pieces slightly out of alignment, it
‘not too much of'a problom because they'll
be covered with a molding strip later.
ASSEMBLY. All six pieces for the easeean
now be glued together. started with the
bottom piecesand worked my way around
to the top. I used two band (Strap) clamps
around the porimeter of the ease te hold it
together while the glue was drying.
THE DOOR FRAME
As the glue was drying on the case,
Started work on the door frame —the
pieces between the easeandthe glass door.
Since oe ofthese six plecesis2" wide, fst
Tripped a 2'-wide strip, 45° ong
Before cutting the six pieves to roagh
length, I resaied (ripped on edge) this
strp toa thickness. Then [ent offa10"
length for the top piece (F), and ripped the
remainder 146 wide for the to sites (D)
and three betiom pieces (F).
Now, cach of these five pieces is cut 10
gi
rough length using in ie sequence sho
inthe Catting Diagram to maintain a eon
tinous grain paste, Next, both ends of
ach piece are mitered,
I start with the center bottom piece
both ends at 2042. Thon 1
place. Nest, Leut the tyro ther
hotom pieces and glved them in place,
Fig. 4, Getting these pieces to fit takes
little playing around, Although they
should be mitered at exactly 23,
reality they're eut to ft so the joint lin
ae tight and mateh up with the Join lines
‘nthe ease.
For the side pieses (D) one end is mi-
tered (at about 2244") to mate with the
bottom pieces. But the other end (the tap
end) is mitered at 45%, The fina length of
both side pieces should he 876" trom long
point to long paint.
Before gluing the ide pieces in place, 1
eat two notehes in one ple for the door
hinges: These notches are 47 wile (or the
width of the hinges) and Ya" deep, On the
other side piece 2 %i hole is drilled for a
Inlet eateh
Finally, the 2wide frame top (F) is eat
tot between the rabbets in the ease, and
nnitered (at 45°) to mate with the’ side
ieces, Fig. 5
WoopsmiritTHE OCTAGONAL FRAME
‘As with all the other pieces sp far, the
‘ectagonal frame (surrounding the dil) is
fui rom one stip of wood to get a con-
‘tinuous grain pattern.
Ripa pieve of stock 3° wide by 60" long
(ceo Cutting Diagram) for the frame pieces
(G), Then cut each piece to rough length
(72). Both ends of each piece are mitered
at 223° so the final length is 6¥ie" from
Jong point to long point.
This is not easy. In fact, the best
approach is to make trial cuts on some
serap wood. Then fit the eight trial pieces |
together. 1f there’s more than an %” gap |
(total) on this assembly, reset the miter
gauige and try again. The piezes dont have
to fit perfectly (some correction can be
made during assembly), but they should
be close.
GROOVESFORSPLINES, Now the zrooves
forthe splines ean be cut. Those srootes
‘must be stopped s0 they don't show on the
perimeter of the frame. (This where the
router table works like a charm, see page
8 for details on this cut.) These spline
mbovesshould be eat coseto the backside
‘af each piece to allow room for the rabbet
‘on the front edge, see Fig. 6.
After the spline grooves are cut, a 4
deep by 6" wide rabbet is cut on the front
face) side of each piece. (Again, this was
done on the router table.)
ASSEMBLY, Gluing-up this frame is done
in stages. First, [ glued pairs together to
form four seetions. Then hued two sec
‘tions together to form two halves. If the
splines fit tightly in the grooves, this
fluing can be done without. camps. Just
apply some glue to the miters and the
splines, and push them together.
‘To complete the frame, | cleaned up the
ating edges ofthe tivo halves with th
shown on page 17, and glued them to-
seether, Finally, Irounded over the outside
celges with a 34" eorer-round bit.
Finwoon 1Nsexr. The clock movement
's aetually mounted to a piywood insere
that's eut to fit inside the octagonal frame,
ifyoure using the 3341X movement (rom
‘Mason & Sulliven), you mast also eut a
‘8¥"diameter hole in the plywood insert
MOUNT THE FRADE. Now the octagonal
frame can be mounted to the case with 1"
Aatchead serews. To get a good fitorer the
door frame, 1 also serewed the octagonal
frame to the door frame (going in from the
bach), see Fig. 7
MOLDING SrEtPs. Once the frame is in
place, molding strips (H) are ackled to the
bottom half of the case. To make these
halGround strips, I rounded both edges of
piece of waste with a %" comer-round
bit. Then L ripped off a 3"thiek sixip to
et the half-round molding.
MOUNTING THEDIAL AND BEZEL, There’s
‘little hand-work involved in mounting
WoopsMiTHthe Lezel: wo mortises must be cut
(One mortises the size and depth ofthe
hinge on the brass framo ofthe bezel. The
second mortise — for the cate — must go
all he way through the frame, see Fig. 8.1
entered the bezel on the frame and
Tmarked the position of these mortises,
‘Then [eit them out with a chisel
‘The last stop isto make a litle wooden
lath to hold the bezel catch, Fig 9. Tiss
Just cat from apiece of serap ari mounted
With a 4 flathead serew.
‘THE PENDULUM DOOR
‘he glass door that fits over the pendulum
is probably the most difficult part of this
project The pieces sre small tobegin with,
bhutthen there's arabbet ext on each side to
make them even smaller.
‘Tomake this door, Lripped several small.
sixips Ve! x %a', sce Detail A in Fig. 10,
One edze ofeathstrpis rounded over, and
then a Wf xis" deep rabbetfxeut below the
Toundedover edge. (This rabbet will be
the inside edge of the door.)
‘Nove you have to cut pieces from there
strips to tthe door frame. This takes &
little measuring, snl a lot ofluek. Here's
Tow T went abont i
Thnew Twanted the door to overtap the
frame by 1, (The rabbet on the outside Of
thedoar'is V7 wide, bu the overlap is only
We because I wanted to leave "for clea
ance.) Going fuck to the ease, L marked a
Tine is! trom the inside edge of the door
frame, Wherever the mare Tine erssed
A joint Ime, that was the length of each
Diese for the door
Once the pieees have been cu: to lengthy
grooves are routed for the splines, and
Splines are cut to fit the grooves, Por
assembly, this door is small enough to
alow hane-pressure gluing av all joints.
After the glue is dry, the outede edges
are rounded over — again with a 3%
corner-round bit on the router table, see
Fig 11 Then a 2x37 rabhet i eut onthe
tse edge using a straight bit and the
Tence on the router table, Fig. 12.
“Tofinish the door, glass eut to shape,
and then Wx stops are cit and glited
‘into the rabbets to hold the giass in place.
‘Tomount the door to tho frame, frst eut
‘ovo smal ler blocks and give them wo the
Ahor irestivaeross from the roiehes nthe
frame, Fig, 13. Then the hinges can be
serewel in place,
THE BACK. As shown in Fig. 14, the
plywood back for the clock ease is eu im
Jal. The bottom hal & tacked in place,
But the top half is hinged to the ease so it
can be opened to get so the movement,
‘Since this back can be seen through the
glass door, I used 4" oak plywood.
‘MOUNTING THE MOVEMENT. The 9841
‘movement has four mounting brackets so
it can be serewed to the plywood insert in
theostagonal frame, The chimes also have
their owa mountingbracket that’s screwed
tn the top of the ease.
PratsHINa, [ used Wateo Danish Oil to
fBnish this clock case. The nice thing about
this oils that it ean he used to fillany gaps
between all of those mitered joints. Apply
a liberal amount of ofl and sand with
2l-arit silieon earbide paper, Thiscreates
‘coop that fills the gaps andthe poresin
theoak). When the gaps are filled, wipe off
theexcess *goop,” letitdry 2d hours), and
‘ald another coat of ol,
WoopsmirHJoinery: Miter & Spline
A MITER WITH A SECRET PARTNER
We used miter and spline
Jjoinory’on overy project inthis
issue, That alone should indi
cate it's quite a versatile joint,
Miters can solve a lot of prob
Jems — especially on any type
of frame that requires Spectal
cats along the edge.
instance, You can make
‘or tabbets —
either on the inside oF outside
edue — befure the pivees are
mitered, This eliminates many
of the headaches associated
‘with other frame joints (ike a
mortise and tenon.
However, miters do have
thelr bad side, In fact, ercss miters (cut
saeross the fave of a hoard) and end miters
bevel eut at the end of a board) are
probably the two worst joints in wood-
working.
‘The problem srith both of these joint
that you're joining end-grain to end-grain,
And no glue (no matter how strong it is)
will hold this kind of joint together
(for tong).
However, there is a simple solution: a
spline. If groove is cut in both mitered
pieces, 2 spline can be inserted to
Strengthen the joint consi The
spline not only adlds mechanical strength,
bat it also provides a good glue surface
long graintolong grain) hetweenthesides
of the groove and the spline.
‘Yet, this solution creates another prob-
Jem: How do you cut the grooves for the
splines. . accurately? Infact, how do you
cut the miters accurately?
SETTING THE ANGLE
‘The first step for cutting a miter is to set
the angle of the eut. The accuraey’of your
setting, however, is limited by the ac-
‘curacy of the markings on your saw. Most
miter gauges and radisl-arm saws leave
much to be desired
‘To get an accurate
justable protractor, (Sco Talking Shop in
Woodsinith No. 20.) This type of pro-
tractor can easily be adjusted to fractions
‘ofadegree, ani is well worth having inthe
hop, Adjustable protractors ean be fourd
at almost any art supply store, or in the
Garrett Wade Catalog.
MAKING THE CUT
tting I use an
Eveniftheangle is accurate, the mitereut
self can still be off. The eulprithere isthe
saw blade, Its the nature of a saw blade to
cither pull the workpiece into the blade as
8
the eit is being made, or pushitan
“creeping” throws the cut out of Tine
get arotind this problem, I use the follow
Ing procedure.
First, [cut all the workpieces to rough
length — about 1" longer than needed for
thefinal length, Then I set the miter gauge
to the proper angle,
ENCE AND stor. When working on a
table saw, Tattach a plywood fence to the
miter gauge. The fenes supports the work-
piece all the way to the blade, and also
Pushes the waste out of the way.
To provent the “creeping” mentioned
‘above, [fasten a stop block to the fence,
see Fig. 1. The stop is helpful in three
ways, Ifthe saw blade tends to push the
workpiece away, the stop prevents it. If
the blade tends to pull the workpiece, vou
ean counteract this aetion by pushing the
workpiece toward the stop. Also, the stop
s very handy for cutting several pieces 10
the same length.
MAKING THE CUT, I like to sneale up on
mitered euts — making two cats on eaeh
ritered end. Although this two-cut prv-
cedure is rather time-consuming, the
reault is an accurate miter
‘As mentioned above, all of the work
pieces have been ext to rough
length, Then the first eat for
the miter Is made, This cut
clears away most of the waste
ononly one end of each pieeo. 1
tse the stop to make thiseut so
all pieses are cat to the same
Jongth,
The second cutis a trimming
operation. I move the stop
Vos" doser to the blade,
SS ind tin off the very end of
each piece. Since only one sie
of the blade is in eontact with
the wood, It has less tendenc
to pull or push, and the eut
cleaner and more accurate.
Next, I mark the final lengih on the
other end of each picee, and repeat the
tiwo-cut procedure, This time, both cuts
an be lined up by using the kerf in the
fonce as a guide,
SPLINE GROOVE: CONSIDERATIONS
Now that the miters are cut, a groove
rust be eut for the eplines that join the
pleces together. These grooves can be cut
on either a table saw or radial arm saw.
However, i's difficult to cut a stopped
groove — especially in narrow pieces, |
‘There is another way. Ever since we
builttherouter table chown in Woodsmith
No. 20), F've come to rely on it as an easy
anv accurate way to eut spline grooves —
teapecially if the groove must be stopped.
‘After experimenting with this type of
operation a little, T found three helpful!
‘additions to the router table,
SECONDARY TOF. The router table's top
is designed with a 1%'-dismeter opening
for the router bit. made a secondary top,
by driling a 4’ hole in a plece of ssrap
Masonite. This top is temporarily clamped
to the old top to provide a amooth surface
(on all sides of the bit (which is neces-
sary when working with very small
workpieces).
‘CARBIDE BITS. Since we usually work
with hardwoods, I dug; deep in my pocket
fend bought a 1” carbide-tipped straight
miter bit. Although this bits expensive,
it's excellent for entting spline grooves,
AUXILIARY FENCE. When cutting @
spline groove in a eross miter, it’s ery
helpful to clamp a higher fence to the ad-
Justable fence on the ronter table. T just
use a 4” stp of 4" plywood, see Fig:
For an end miter, you'll need a fence
that's beveled at the same angle as the
miter. Here I simply bevel-rip the edge of
a 2xt, see Fig.
WoopsMiTHa
ROUTING A SPLINE GROOVE
‘Before cutting a spline groove, mark the
face side of all pieces with an “X". Ifthe
X" side is always placed against the fence,
{you'll be sure the grooves on both pieces
line up properly.
‘THROUGH GRoovES. Cutting a through
groove (from one edge to the other) is
relatively easy on both types of miters,
Simply place the “X" side of each work
‘piece against the fence, and make the cut.
‘The workpicee should always move from
rrightto let. With this direction of feed the
rotation of the router bit forees the work-
piece against the fence.
STOPPED GROVES. The first step for
ceutting a stopped groove is tomark where
‘you want the gronve to stop on the mitered
fend. Then measure the distance from this
mark to the pointed end of the miter.
‘This socond measurement is used to
mark start and stop lines on the router
table—one to the eft, and one tothe right
of the router bit, see Figs. 2 and 3.
‘The actual cutting of a stopped groove
presents a problem, Sinee the "X" side
‘must always be against the fonce, the right
and left ends of the workpiece are cut in
slightly different ways.
Yeah, but which is the right end and
which is the tet end?
Ifyou hold the mitered piece so the long
points are on top, the right end is the right
‘end, and the left end istheleftend, (This is
the only way 1 could figure out how to
explain what follows.)
Coss MITER. Tocuta stopped grooveon
‘ cross-mitered piece, I make the first cut
onthe right end ofthe workpiece, stopping
at the “stop” line, as shown in Fig. 2,
‘To make the eut on the left end, I posi-
tion the pointed ond of the miter directly
over the “start” line. Then Tslowly plange
the workpiece onto the bit, and finish the
cut moving to the left, see Fig. 3.
END atTen. For an end miter, both cuts
tre made the same way as the eross miter,
except a beveled fence must be used. For
the right end, Just feed the workpiece from.
Tight to left, stopping at the “stop” Tine,
Bat for the other end (tho left end), the
workpiece must be plunged. Hold the
ieee firmly against the beveled edge
‘of the fence with tho loft edge lined up with
the “start” tine. Then slowly push the
Iitered surface onto the hit, The bit will
males sliding cut until the miteris resting
flat on the router table, but i's usually not
4 problem if you're using a 4" bit.
CUTTING THE SPLINES
‘Now all you have todo fseut the}
fit the grooves. For greatest strength, the
splines should be cut so the grain is going
across the joint line, Cutting this type: of
spline is very similar to cuttinga rabbet on
the end of a board — exeept in this ease,
the waste is the part you want,
‘This is usually a precarious operation
because the tiny waste piece (whieh is the
spline you want to Keep), usually. gets
‘caught hy the blade and is hurled across
the rom, never to be seen again,
After fighting with this aggravation,
‘Ted (our Design Director) eame up with a
procedure to solve this problem,
CUTMNGTHE SPLINE, Tout asolid-wwood
spline, the first eut is made by setting the
rip fenee the “proper distanee” from the
inside of the blade. This distance should
‘equal the width of the groove.
‘What you're trying to achieve is a spline
that fits the groove with a good friction fit
— not £0 tight that it has to be hammered
{n, and not so loose that it rattles around,
‘The depth of ent (height ofthe blade) i
also important. Measure the combined
depths of the two spline grooves. ‘The
spline should be slightly less than this m
surement soit doesnt prevent the miteres
ends Hitting together.
Ifyou're working witha stopped groove,
raise the blade about ¥" fess than this
combined measurement. For a through
‘groove, raise the blade about Ys loss than
the combined measurement. Now, stand
the board on enel and make one eut on one
side of the board, and another ext on the
other side, see Pig. 5.
SECOND CUT. ‘To make the second eut,
guide the workpiece with the miter gauge
and use the rip fence as a stop. This is
normally considered an unsafe practice,
oeause tho small waste pice ean easily
bind between the blade and the rip fence,
and then is thrown back at vou,
However, if the rip fonce is adjusted so
the cut is made Just a tad (about ")
beyond the end of the first cat, the waste
jece (the spline) remains attachell to the
tain body of the workpiece, and doesn't
come flying off.
After tho sevand eutis made i's simply a
‘matter ofsnapping off tespline and elean-
ing off the ragged comer.
GLUING UP MITERED PIECES
After the miters, the spline grooves, and
the splinos are eat, you're retlytojainthe
Hlecestoyether. But what ifall ths effort,
fails to prodace clean tight joints?
Refore rushing for the alie bottle, the
best procedure Is to drysissemble every
thing (without inserting the spines). You
may havo to malke« fow little trim eats to
get good joint tines.
Once you're sure all joints it proper!
brush some glucon the miteredends and in
the spline grooves, Then applya very thin
vat to the spline. Now just push the joint,
together with hand pressure.
‘Wait # minute...» you mean you dort
clamp the pieces together?
Clamping mitered pieces i dificale at
est, and usually causes more problems
than it solves. Resiles, the strength of a
miter and-spline joints not where the two
mitered ends meet, Rather, is thespline,
ttiued into the grooves on each miter, that
supplies all the strength.
‘The spline should fin the grooves with
good friction fit. Then, as glaeis applied,
the spline wil pick up moisture and swell,
taking the Joint very tight. In fact, atver
thant 30 seconds i almost impossible to
got the joint apart, even if you wanted to.Spinning Seryer
ROTATE THE RELISH, PLEA
This little Lazy Susan should knock some
of the dust off your router and put it to.
good use. I used a roator for two different
‘operations on th rst, to cut the
‘exposed spline joints for the frame, and
then to cut the frame into a cirele.
However, I have to admit that the
router needs a little help in order to get
this project under way
Tp cut the grooves for the splines (that
join the eight pieces for the frame to-
‘gether), I used the roater table shown in
Woodsraith No. 20. 1 also used the new
Sears combination edge guide and trem-
mel point attachment (No. 9 HT 25179) to
rrout the eircles on the fram
‘Armed with these two attachments and
Twas reedy to cut some wood.
THE WOOD FRAME
‘The Lazy Susan consists of two parts: the
reular Wood frame, and a creular
‘The wood frame actually starts out as an
‘octagon, see Fig. 8.
eat ‘the eight pleses for the octagon
from an oak board 3” wide and 48° long.
Each pieve is cut to a rough length of 6,
and then 22s" miters are cut on both ends
‘of each piece 20 their final length (from
point to point) is 51",
SPLINE GRDOVES, Next, grooves for the
plines are cut on the mitered ends of each
piece. [ used the router table
Straight bit to through-cut these grooves
Grom edge to edge) 30 the spline would
show on the perimeter of the
"The router table is ideal for t
‘exposedl-spline joint beeause the roater tit
teuts a nice flat-bottomed groove, (See page
for more on this technique.)
‘Tojoin the cight pieces, Tent splines out
of some scrap walnut, These splines are a
litte trieky to cut because they must St
tight enough so there's no gap in the
rvoves, but not so large that you can’t got
aa tight ft at the joint lines. (it took three
times before I got the size I wanted)
Next, [started gluing-up the frame. 1
elued pleees together to forma total offour
‘Then [ glued pairs together to form
.ssembling the two
halves, [used the jig deseribed on page 17
to trim the four mating edges of the halves
for a youd fit
‘THE CIRCULAR INSERT
Before doing any routingon the frame, it
best to cut the cireular insert frst. ‘The
incort shown kerestarts out asa 14" square
made by laminating a piece of white For
‘nica to a piece of % plywood. However
before laminating, drill a ¥° hole in the
center of the plywood, (This will bo the
pivot hole for the trammel
ment.) Then bond the Formica and
plywoed with eontact coment.
“To cut out the cirealar insert, tack the
four corners of the laminated square to a.
plywood backing board. Then I used a
‘Seers router and trammel-point aitach=
ment to rout a 4¥/"radius cirele, Fig, 1
‘There is one problem hore. The stem of
the trammel attachment is too long tofitin
the shallow pivot hole in the plywood. This
may cause the trammel attachment to
end as you're roating — thus creating a
slightly beveled edge on the circular in-
ert, This edge ean he sanded equare, or
Taft as is; either way will work,
ROUTING THE FRAME
‘Three circular euts must be made on the
‘octagonal frame. To hold the frame stealy
for these eats, Teut small holding bloekto
fit (very tight) between two inside edges of
the frame, Fig. 2, This block is tacked to |
the plywood backing board.
‘Tofind the center point forthe pivot hole
place a ruler st each joint line and mark a
center “star” on the holding: block
‘OUTSIDE CIRCLE, In arder tocut the out:
side perimeter of the frame, Idrilleda plot
hhole in the frame so Td have a place to |
Tower the bit for each pass and to start the
‘eu: Without tilting the router, Fig, 3, This |
hole is drilled so the insite edge is 6 from
the center pivot hele.
|] Begeinae Farle 04 pigwondand
tack it (faer down) to a plynvood back-
ing board. Use trammel point attackment
to rout outside perimeter 9 in diarceter
DSi iat pieces for otagon ane join
‘eith splines, Then cuta holding block
tofit beticeen inside edges. Find eonter for
pivot hole by marking a “star” on block.
10
WoopsMiTH