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CLASSICS

Art Forms in Nature


This is an unusual Classics, as we are reproducing here, not Ernst Haeckel’s writings but his illustrations
of the biological world instead. Haeckel was not only a biologist par excellence but also an accomplished
artist with outstanding power of observation and a passion for Nature. Kunstformen der Natur (Art Forms
in Nature) is a marvellous collection of biological illustrations, in which Haeckel highlighted the diversity,
geometry, and beauty of the living world. The Kunstformen consists of 100 lithographic and halftone prints
based on Haeckel’s sketches and watercolours, which were often created on the spot during his field trips.
Many of the organisms were also first described by Haeckel himself. The book has organisms ranging
from radiolarians, foraminiferans, and flagellates to diatoms, red algae, fungi, sponges, corals, jellyfish,
siphonophores, brittlestars, spiders, boxfish, hummingbirds, and antelope. The emphasis is not so much on
taxonomy (which Haeckel has contributed to elsewhere, see General Article on Haeckel in this issue), but on
symmetry, shape, and texture. As one goes through the pages of the Kunstformen (full book available at
http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/Haeckel_Kunstformen.pdf and at
https://archive.org/details/ArtFormsOfNatureByErnstHaeckl/page/n1 and plates available
at various sites), the diversity of shapes and forms is striking. Ethereally floating, beautifully coloured
jellyfish and siphonophores provide a striking contrast to the spiny spicules of corals and rigid spirals of
ammonites detailed in black and white. Radiolarians and foraminiferans are rendered in almost unbe-
lievably intricate detail – their fine structures have been subsequently confirmed with the use of electron
microscopy. Many plates offer views of organisms from various angles, illustrating symmetry of form and
some anatomical details. The emphasis on form and geometry and contrasts of delicate details and sharp
edges leave one marvelling at Nature itself and Haeckel’s visualisation of it. Haeckel’s tendency to idealise
Nature is evident in some plates and this style of almost surreal depiction has had a strong emotional appeal
to artists and is thought to be a forerunner of the Art Nouveau movement.

I hope you will enjoy the selection of plates from the Kunstformen reproduced here and are inspired to visit
the complete book.

T N C Vidya
Evolutionary and Organismal Biology Unit
Jawaharlal Nehru Centre for Advanced Scientific Research
Jakkur
Bengaluru 560064, India.
Email: tncvidya@gmail.com

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CLASSICS

Kunstformen der Natur (Art Forms in Nature), Haeckel 1904. Published in installments
of 10 plates between 1899 and 1904.

Book in public domain. Please see page 1283 for links to the book.

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