Professional Documents
Culture Documents
Performing &
Production Arts
Unit 8 Project Proposal
Section 1: Review
Since the start of this course, I have gained knowledge on creating a wider understanding of catering for
all ages when devising a piece, understanding what goes on behind the scenes when performing and
how to achieve a performance open to the public with little time and little resources. From being at BTA
my social skills have improved immensely from having an incredible year to work with and I am now
able to contribute all my ideas in the rehearsal space. When I first joined BTA I was expecting an action-
packed course and always being able to perform to an audience as well as always being able to share
my creative ideas, which is exactly what has been offered. I was nervous to work with unfamiliar faces
at the start and how all our personalities would come together as one when creating a show. I realized
soon after joining how wrong I was. We all seem to work so well together and having so many different
personalities help us produce the most mesmerizing performances. I have never done so much theatre
within six months and I have taken on everything I have learned. I now know how to work and move as
an ensemble and how to involve everyone in the rehearsal space, I have learned how to create sets
from scratch and what that might look like, whether it is a diorama or a presentation, and I am able to
produce a piece of theatre from the concept of one word into a performance for the public. I am
impressed by how much knowledge I have about what works best when approaching a performance
and whose skills lie where and I hope to take these abilities into my future in theatre. In the future I
aspire to perform on stage, specializing in musicals so i can share my dancing abilities as well as my
acting. Aside from that I would love to get involved in short films. The concept of creating a mini film
from an idea you had once and being able to film this wherever you may desire amazes me. I also like
the idea of directing as we had a few sessions where we were able to direct a scene with our class,
which I really enjoyed. I loved seeing my ideas come to life in front of me. I am not sure exactly what
path I want to go down just yet, but I know in the next year all the information I learn will lead me down
the right route for me.
Section 2: Project Concept
I am taking part in a play called ‘The Sad Club’ written by Luke Barnes. It is a concept musical based
around the struggles young people face in secondary school years. To many of us the topics shown,
such as comparing ourselves to others, expectations of us and an aspiration to fit in, we resonate with,
which helps us gain a better understanding of The Sad Club. We aim to create an ensemble piece of
theatre including songs, where we are having lessons to harmonize within these songs and sets of
movement choreography during a character's monologue. I enjoy how we have hardly any scenes of the
main characters interacting together and how they have their own monologues highlighting how their
brains work and what their life is like. Since most of this concept musical is monologues, we can really
let our brains run free when producing ideas for what occurs during the monologue and how as a cohort,
we execute this. We have ideas such as during the ‘Younger you and you scene’ we will have baby
photos of the character playing You to put the audience in awe and highlight the comparison of growing
up. We also thought of having a child from the young company at the egg theatre to play younger you
which helps us have a range of ages for this production. I aspire to choreograph a spy scene for ‘The
Internet’ as we want The Sad Club to be other – worldly and I like the idea of going down a Wes
Anderson route which is seen in our Pinterest board. Using a spy scene for lines such as “I'm
devastated” enhances comedy for the audience as the monologues can become quite upsetting. I like
the idea of adding light entertainment in and out during our piece so the audience can feel a wide range
of emotions. Instead of backing tracks when we sing, we have cast a band within our group which
includes guitar, bass, and drums. From the start of intensives, we will have these instruments in the
space with us so we can start getting used to a live band whilst performing. I aspire to write down all the
feedback I am given from our directors and any people taking part in this production. I will either look at
it during my breaks or take it home with me and explore how I can bring this feedback into my acting
and devising. I am excited to build these characters into our perceptions of them and see our work come
to life on stage.
Section 3: Evaluation
In order to reflect and evaluate my work I will keep notes of what I did during each day and what I will
improve for days to come. I will make a schedule of everything I need to achieve once I am home after a
day of intense rehearsals which will include running over lines, so they are finalized in my head and
reflecting on how I worked that day and if I need to refine how I presented myself in a professional
setting. I will make sure to complete weekly reflection videos of mine and the group’s process of
creating our stage production as well as taking time to think about why I made the decisions I made and
how I can develop my work. This will help me keep track of how I operate during intensives and take my
work to the next level by always reflecting. When given feedback from my peers, I can sometimes take it
as unnerving due to feeling unheard, but I will use it as a learning curve to enhance my performance. I
will try different techniques my peers give me whilst remembering it is a lot of trial and error to get to the
stage where everyone is comfortable with how a character or scene is presented. We have many bold
personalities in our group which can clash when creating a play, however I always make sure to take on
board everyone's ideas even if it is not what I initially agreed with. A few people take over in the
rehearsal space when we start to share scenes which I see as useful for them to take initiative. However
sometimes it is best to take a step back to see how everything is going along. In the rehearsal space I
will take moments to observe so I can give ideas with a fresh mind instead of not being able to watch
our play from an outsider's point of view. Working with so many people is so important as we have many
different perspectives and minds to take this play to the next level. I find it useful to see someone else's
perspective and figure out how we can cater for their ideas and how I can add to it, which creates a
pleasurable mix of approaches to our play.
Week Date Week Activity / What you are intending to do - Resources / What you will need to do it -
Beginning including independent study including access to workshops
This week we introduced our final major I struggled with understanding the
19th project, The Sad Club. We were given the script at first due to there being so
February script and read it out between people in much going on withing the story
2024 our class, sharing a few lines each. This including many setting and time
was useful as I now have an acceptable changes. However, I will keep reading
knowledge of the play. We did an over the script until I am familiar
exercise to make sure we were all enough with it. I have started to look at
comfortable with each other where we characters I might want to play by
had a couple pieces of paper that reading out their monologues in my
everyone had to work together with to all own time and starting to become
fit on these pieces of paper. I was able to familiar with the characters.
produce the idea of a couple people
going on someone's back to minimize
space so we could all fit. We then chose
a part of the script we liked and
performed it to the rest of the class in
pairs to start feeling secure on
performing in front of our cohort.
On Wednesday we had our first
movement session with Lindsey where
we created simple movements led by our
partner. I was chosen to present it but
instead of performing led down like how
she instructed at the start I did it against
the wall as we were exploring levels and
dimensions.
On Tuesday morning Krista assigned us I was cast as Lady Homerton and Terri,
18th to create a scene for Sarah’s monologue. which I am excited about. I was a bit
March We split into two groups for this so we disappointed that I did not get Chloe,
2024 could have a wide range of ideas and but I will make sure to put as much
take ideas from each group. It was effort into these characters. I now need
interesting seeing how we interpret this to start learning lines for my characters.
scene and how both groups decided to I also am focusing on completing a lot
have Stacey stand out when Sarah talks of the theory work as the deadline isn’t
about her. Later, we were given a sheet that far away and i don’t want to rush.
of paper to draw the set of any scene in
the play. I chose Chloe’s bedroom as I
already had a lot of ideas for her
character. I thought about having used
tissues hanging from the ceiling to
create the visual that being unwell is
what surrounds her. I also liked the idea
of having short skirts and tops scattered
over her floor and bed as if she tried
them on but knows she can’t wear them
out anywhere, e.g. a party. I enjoyed
hearing everyone's visual ideas of the
play as Krista can take this into account
when deciding on the set.