Professional Documents
Culture Documents
The Sociology
of Time
A Critical Overview
Jir ̌í Šubrt
Faculty of Humanities
Charles University
Praha, Czech Republic
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Acknowledgements
The topic of time first came to me in 1980, when I was studying sociology
at Charles University, then still in so-called normalizing Czechoslovakia. In
my interest, I was supported by Associate Professor Eduard Urbánek, who
gave me valuable early advice. As a student, I formed an opinion very close
to Georges Gurvitch’s idea of the multiplicity of social times, but after
some time I abandoned this view and leaned towards a monistic concept of
time. Access to foreign professional literature was very limited in then-
socialist Prague, so a more significant shift in my studies could only occur
when I got internships at universities after 1989 in Austria (Vienna and
Graz), Germany (Berlin, Tübingen, Konstanz, Hamburg, and Nuremberg,
Erlangen), and the United Kingdom (Cambridge). Occasionally, I had the
opportunity to consult questions with foreign colleagues, who at various
times included, for example, Prof. Thomas Luckmann, Prof. Ilja Srubar,
Prof. Werner Bergmann, Prof. Hans Joas, Prof. Patrick Baert, Prof. Johan
Goudsblom, Prof. Kurt Lüscher, and Prof. Reinhold Knoll, and also Prof.
Jiří Musil and Prof. Richard Jung in the Czech Republic. I should add that
my interest in time has since intertwined with other thematic areas, espe-
cially the history of sociology, contemporary sociological theory, and his-
torical sociology. At first I thought that the perspective of time would allow
me to look into these areas from a unique, privileged position, but gradu-
ally I abandoned this notion. However, I did not abandon the belief that
the study of the sociology of time provides a number of intellectual chal-
lenges, inspirational stimuli, riddles, and puzzles, for which the topic
deserves deeper attention. Over the past decades, I have managed to study
dozens of books and articles on the subject; what I have not been able to
v
vi Acknowledgements
vii
viii Contents
10 Epilogue245
Bibliography250
Bibliography253
Index273
CHAPTER 1
• Time as Passing. Every day human life brings large amounts of evi-
dence of the unstoppable and irreversible march of time, in which
many (new) things come, but also (often forever) go. The general
variability of the world was expressed by Heraclitus of Ephesus in his
memorable thesis Panta Rhei. As far as narration is concerned, order
is necessary to make it clear and comprehensible. Even if narration is
not structured in time, its logical succession must be identifiable.
• Time as Duration. The basic human experience means that life and
things around us “endure”. Some things, in our human perspective,
last but briefly, while others last longer, and some last so long that
they seem everlasting. Unlike the Heraklitean picture of a flowing
river, the term duration may encourage us to believe in the image of
a time “reservoir” (Giddens would say “container”), in which indi-
vidual partial durations are as it were “embedded”. Philosophers
sometimes define time as a “way of duration”. Because different
1 LABYRINTH OF QUESTIONS AND ANSWERS: INTRODUCTION 3
things and human lives last for variable periods, there is, among
other things, what can be described as the problem of the “non-
present present”.
• Time as Measure. As Sorokin and Merton showed, in ancient societ-
ies there were very diverse, locally differentiated systems of counting
and measuring of time, influenced by the nature of the activities
engaged in (for example, the word “harvest” used to mean what we
call the year). Modern industrial society established a uniform, finely
dispersed time-slot pattern of hours, minutes, and seconds. Perhaps
it is not necessary to emphasize that for historical narration the pre-
cise definition of the time coordinates in which stories happen is
crucially important, as the location of action in these coordinates is
one of the prerequisites for appropriate understanding.
• Time for Something. In archaic consciousness, time was often attrib-
uted certain qualities, which could be “good” or “bad”, “favour-
able” or “unfavourable”. The ancient Greeks used the notion of
kairos as markers of time, representing favourable moments for
action not to be missed. The necessity of deciding what action is
appropriate for what time is something even today people have not
dispensed with. In historical reflection, we encounter formulations
such as “the moment of decision”, testing times, or fruitful times
of action.
• Time as Change. If nothing changed, we could not perceive time.
Particularly in ancient consciousness, which attributed certain quali-
ties to time; time was recorded only when something took place. If
nothing happened, it was as if time had stopped. Examples of this
tendency can, however, be found in contemporary thinking. Let us
recall for instance that in some literary-philosophical reflections, the
period of normalization in Czechoslovakia in the 1970s and 1980s
was referred to as “timelessness”.
Let us add that in philosophical thinking, time can have many different
aspects. It can be measured, and thus calculated. In Aristotle’s conception,
time is what makes it possible to measure movement. Yet time is not only
what happens outside us, but something we perceive and experience. For
this reason, another Greek philosopher, Plotinus, associated time with
changes of states in the life of the soul. St. Augustine considered that the
perception of time, both by counting and in experience, was connected
with the soul and memory. John Lock later associated time with duration
4 J. ŠUBRT
and movement taking place in our minds. For Immanuel Kant, time, like
space, was what allowed us, as an a priori equipment of our reason, to
organize chaotic perceptions into certain, understandable units. From
similar positions, the phenomenology of Edmund Husserl approached the
study of acts of inner temporal consciousness. Henri Bergson distinguished
between time as an external measurable variable, and internal duration,
associated with the experience of flow, stability, and change. Martin
Heidegger claimed that our existence, Dasein, took place over time, but at
the same time related to time in some way and thus co-created it in a cer-
tain way. People lived in the circumstances into which they were cast, but
also projected circumstances themselves; meanwhile in the background
there was what Heidegger called Sein zum Tode (Being to death).
English philosopher John Ellis McTaggart (1866–1925) spoke of two
conceptions of time: an objective one, distinguishing between earlier and
later stages, and a subjective one, including observers in its analysis.
If event X happened before event Y, X would always precede Y (for
example, Caesar died before Queen Victoria, people are young before
they grow old, and the car at first is shiny and later rusts). McTaggart
termed these relationships time series B. Time series A, however, put
McTaggart himself into a relationship with the past, present, and future.
In this sense, time was relative, because marking something as past, pres-
ent, or future depended on the author of the statement and the context
[Adam 1990: 20].
Series B was considered sufficient to describe and explain nature. To
explore the human world, however, it was considered necessary to use both
types of series, because the human consciousness of time included both the
experience of real successions and the ability to remember, think, and
expect. Series B (before/after) formed a time structure related to events
(thus excluding the person from the analysis as a creator of symbols). The
relationship thus described was the same for all observers. In series A (past,
present, and future), by contrast, the definition of today, tomorrow, and
yesterday changed in dependence on the observer and his consciousness.
Contemporary sociologist Barbara Adam shares the view that all societ-
ies distinguish events according to both time series A and B, even those
societies that do not distinguish between times in their speech, or do not
have a separate concept for what we call time [Ibid.: 21]. Nature without
a human element can be characterized and even understood on the basis
of four dimensions: three spatial and one temporal. When we think of
human societies, we consider the creators of the symbols made to describe
past, present, and future things.
1 LABYRINTH OF QUESTIONS AND ANSWERS: INTRODUCTION 5
Bibliography
Adam, B. 1990. Time and Social Theory. Cambridge: Polity Press.
Nowotny, H. 1992. “Time in the Social Sciences. Theoretical and Empirical
Approaches.” In: Dierkes, M.; Biervert, B. (eds.) European Social Science in
Transition: Assessment and Outlook. Frankfurt am Main: Campus
Verlag: 481–525.
Sokol, J. 1996. Č as a rytmus. (Time and Rhytm). Praha: OIKOYMENH.
Wallerstein, I. 1999. “Dědictví sociologie – pr ̌íslib společenských věd.” (“The
Heritage of Sociology—The Promise of Social Science”) In: Sociologický c ̌asopis,
Vol. 35, No. 1: 3 – 15.
CHAPTER 2
Human ideas about time evolve and change as knowledge and ways of life
change. In the work Über den Prozeß der Zivilisation: Soziogenetische und
psychogenetische Untersuchungen (1939)—The Civilizing Process:
Sociogenetic and Psychogenetic Investigations, Norbert Elias formulated a
theoretical conception of the process of the long-term, continuous change
that led to the creation of modern society. This conception concerned the
development of the personality structures of humanity and its conduct
(psychogenetic investigation), as well as the development of social struc-
tures of inequality, power, and order (sociogenetic investigation).
Elias dealt with an expanse of history dating from the Early Middle
Ages to so-called modern times. He understood psychogenesis as a pro-
cess of the gradual creation of psychic structures regulating individual
actions (in Freudian terminology, these structures were termed the Super-
ego). This process was characterized by the gradual suppression of instincts
and affections in human action. The shift towards the control of impulses
and affections was first of all effected by pressure from outside, by others
(Fremdzwang, external restraint), which, however, to be permanent, had
to be transformed into self-restraint (Selbstzwang, self-restraint) [Šubrt
1996: 39].
A central theme of Elias’s sociogenetic investigation was the process of
state formation, the question of how and why large absolutist states
emerged from the sixteenth century, where power was concentrated in the
hands of one person, so that all, including the aristocracy, obeyed it. Elias
showed that the formation of the state coincided with changes in human
instinctive and affectual life towards its increasing control, and what’s
more, that these developmental processes—psychogenesis and sociogen-
esis—were mutually dependent.
The early developmental stages, compared to the later ones, were deter-
mined by the dominance of the natural economy and the low degree of
centralization of sovereign power, characterized by a low level of pacifica-
tion, a high level of physical danger, and the resulting constant uncertainty
of individuals. The formation of the state was accompanied by a process of
transformation. The government and the power apparatus, the laws, and
police power began to govern social coexistence and force individuals to
control themselves, while at the same time having power over these affec-
tions. Psychogenesis and regulation of affects thus correspond with the
sociogenesis of the state [Ibid. p. 52].
Norbert Elias looked at the problems of time through the lens of the soci-
ology of knowledge. Time for him was not a priori given, or something
corresponding to human nature, but rather a social phenomenon, a prod-
uct of the synthesizing power of a long process of development of knowl-
edge. The historical development of human understanding of marking
and measurement of time is an example of a long-term social process. Elias
put this area of his research in the context of civilizational theory and
examined the development of the understanding and determination of
time from early forms of society up to the period of industrialism.
The genesis of the terms referring to time reaches deep into the past via
two types of evolutionary process: the first was the ability of people to cre-
ate through thought processes a certain synthesis accustomed to chrono-
logical arrangement and synchronization; the second concerned the
development of societies themselves. In Elias’s civilizational theory, the
perception and recording of time are interpreted as examples of social
pressures leading to self-control and “self-constraint” (in early develop-
ment a person ate when hungry and slept when tired; today these animal
cycles are regulated by social organization and structured to the point
where our “physiological clock” is set according to the “social clock”).
2 TIME AND THE CIVILIZING PROCESS 9
Elias critically addressed both the Newtonian concept that time is like
any other physical given of the eternal natural order, and Kant’s assump-
tion that time is the universal structure of human knowledge [Elias 1988:
101–102]. Time, according to Elias, was neither an attribute of an object,
nor a priori equipment of knowledge, but a synthetic human performance
following a lengthy process of learning. The problem of time could not be
understood in isolation but must be seen in its essential social contexts
(mainly represented by issues of power and control) and social functions
(coordination and integration). Elias understood time as an orientational
tool. What we call time is, according to him, a framework of a certain ref-
erence serving people to create landmarks within a continuous stream of
change and at the same time allowing the comparison of individual phases
of processes (socially standardized landmarks include a variety of repetitive
or unique events: the seasons, low tide and high tide, the return of the full
moon, the continuum of movement of the Earth and the Sun, the birth of
Christ or the prophet Muhammad).
Elias concentrated his efforts on the attempt to develop an approach to
capture developmental changes in the perception of time. The difficulties
which this effort encountered were in his opinion caused by the absence
of an evolutionary theory to enable the creation of the abstraction, and
respectively synthesis of human knowledge. The situation was further
complicated by the tendency to ascribe time to properties of the process
itself. According to Elias, timing arose from the ability to interconnect two
or more different sequences of continuous change, one of which serves as
a benchmark for the other(s). The concept of time is based on what is
common to these sequences, regardless of their substantive differences;
the word time is a symbol for the relationship that human groups (which
means groups of animals with biologically given abilities to remember and
synthesize) establish between two or more courses of events [Elias 1988:
12] (continuums of this kind can include the movement of the Sun or
Moon although people may choose a different measure).
To mark certain events as “time” means the connection between at
least three elements: between people and two or more continuums of
change, one of which is a human group selected as the standard contin-
uum, as a reference framework. Humankind first used continuous
sequences of what we call natural events, then increasingly mechanical
sequences. In this act of thought, memory is of crucial importance. Terms
like “before” and “after” were manifestations of the human ability to put
together what had not happened simultaneously, and what was not even
10 J. ŠUBRT
* * *
1
See chapter 3.1.
12 J. ŠUBRT
measured. Kairos was not the subject of measurement, but was regarded
in relation to the goal to be achieved; it was the time of opportunity for
human action. Chronos was, as Ivan Dubsky says, the passing time of the
seasons or human age, while kairos meant a favourable moment for action,
the “right time” determined by destiny, the cosmic constellation of God,
which, if missed, could not be regained [Dubský 1990: 4–2]. Chronos was
time flowing objectively and impersonally, kairos was the humanly experi-
enced time of intentions and goals [Jaques 1990: 33–34].
A considerable number of works have attempted to capture the histori-
cal changes that the understanding of time has gone through [Whitrow
1999; Hart-Davis 2011; Cave 1989].
To sketch a picture of the world as seen by medieval man, Romano
Guardini returned to the features shared with ancient man. In his opinion,
both lacked the idea of infinite spatial and temporal connection common
to modern man; they perceived the world as a limited entity. Nevertheless,
according to Guardini, there were significant differences in the framework
of this relationship. Ancient man did not exceed this world, with feelings,
ideas and thoughts rooted in this world, “ignoring the question of what
could be beyond … or above” [Guardini 1992: 9]. This was partly due to
a certain self-limitation of ancient man, founded in an ancient ethos (the
Greek mind was oriented to boundaries and limits), and partly due to the
lack of a fixed point outside the world needed for such a step, because even
the supreme deity was not outside the world, but within it.
By the Middle Ages, this view had changed. Man believed in a God
who was in the world, but sovereign over it, being also above the world,
and therefore out of it. According to Guardini, this created a distance and
overview which could be obtained neither purely on the basis of myths nor
on the ground of philosophy. The attachment of humanity to the world
was loosening. Although the old, Ptolemaic idea of the outer cosmos was
still valid, it was elaborated and given a different character. Guardini char-
acterized this as follows: “The cosmic whole seems like a ball. At its center
is the Earth, which also has a spherical shape. Spheres are circling around
round it, cosmically coated with imperishable substances that carry the
constellations. (…) There are nine spheres: the last, referred to as ‘primum
mobile’, encloses the world. An empyreum is spreading all around, a fiery
brightness … this empyreum is the place of God” [Ibid. pp. 15–16]. The
counterpart of the empyreum was the centre of the terrestrial sphere, its
deepest core, associated with the idea of damnation and hell.
14 J. ŠUBRT
2
Historian Zdenek Kalista in the book The Face of Baroque [1983] shows in many places
how the Baroque culture was fascinated by the phenomenon of infinity in its spatial and
temporal meaning. According to Kalista, the Baroque was characterized by birefringence, an
attempt to capture, behind the visible world accessible to the senses, another world, a differ-
ent life, of different spatiality and also atmosphere. Infinity was something that could not be
contained in any sensory experience, being “just as absolute as Nothing” [Kalista 1983: 71]
and only death could be the path to real knowledge. “To the Baroque man death was an
open gate to that immeasurable infinity, into which he wants to penetrate. It is a look into
the ‘other’ ‘second’ world … a place where the real meets the unreal” [Ibid. p. 65].
2 TIME AND THE CIVILIZING PROCESS 15
3
The Judeo-Christian tradition is associated with certain notions of the end of the world
and history; it has a strong eschatological character. The term “eschaton” (according to the
Greek “eschatos”—the last) expresses the last things of man and the world, in Christianity
especially the expectation of the Last Judgement and the enthronement of the Kingdom of
God. Eschatological opinion influenced European thought for a long time, being a source of
inspiration for the philosophy of history; it significantly stimulated reflections on the mean-
ing of history. From the Renaissance, secularization tendencies began to manifest themselves
in this thinking, gaining the upper hand in the Enlightenment, which replaced the perspec-
tive of salvation with the idea of progress. The logical outcome of this tendency was Marxism,
in which the end of history took the form of a classless society.
The German theologian Rudolf Bultmann [(1957) 1994] dealt with the issue of the rela-
tionship between eschatology and the philosophy of history in his book History and
Eschatology.
16 J. ŠUBRT
the pace of life and work was controlled by natural rhythms, there was no
greater need for the accurate measurement and determination of time.
The basic time categories in the agricultural environment were seasons,
months, and days, but not hours, and much less minutes. Medieval time is
often characterized as lengthy, slow, and epic.
Other characteristic features included uncertainty and variability. The
boundaries of the working day under normal circumstances were deter-
mined by the variable times of light and darkness. Such a day was more
compact, because its division was roughly determined by the passage of
the sun, especially in two time units—in today’s words, “morning” and
“afternoon” [Smetánka 1992: 117]. An alternative time orientation was
provided by the sound of temple bells inviting devotees to regular services.
According to Z. Smetanka, “farmers of the early Middle Ages did not
know any shorter units of time, nor did they know the instrument by
which to measure them, and they gestated a rough calendar in their heads
and, most importantly, they found it around them in night and day, with
the year only auxiliary, divided by month into individual longer sections,
seven-day weeks with one day of rest. Shorter time units, hours, minutes,
seconds, were a ‘gift’ of the High Middle Ages and the Modern Age”
[Ibid. p. 119].
Gustav Bilfinger dealt with the counting of time in the Early Middle
Ages, and his work from 1892 is still considered exemplary. Bilfinger
stated that the division of time into 12 day- and 12 night-time hours was
known already in ancient times, but their length changed as the length of
day and night changed during the year. In addition to this division of time,
the division of day and night into quarters was used in the Roman Empire
(to this day they are known as the four night-time watches); the day was
divided into four parts by three hours, referred to as tertia, sexta, and
nona. In his study, Bilfinger described the further development of time-
counting, which led to the medieval division of the day into seven canoni-
cal watches: matutina (before sunrise), prima (early morning), tertia
(morning), sexta (noon), nona (afternoon), vespers (sunset), compline (late
evening) [Bilfinger 1969: 1–5]. Only with the invention of mechanical
clocks, which began to spread from the fourteenth century, did the count-
ing of time in regular periods prevail.
Historian J. Le Goff states that the measures of time and space were an
important tool of social control. The measuring of time in the Middle
Ages was a privilege of the powerful. According to Le Goff, the time of the
nobility was primarily a military time (determined by the part of the year
2 TIME AND THE CIVILIZING PROCESS 17
suitable for campaigns) and the time of rural benefits (in which the harvest
period dominated). Medieval time, however, was primarily ecclesiastical
and priestly time [Le Goff 1991: 187–188].4
Until the beginning of the fourteenth century, time-measuring devices
were a rarity. The sundial showed only in nice weather; the water clock or
hourglass was more of a luxury object or curiosity. Time was, if necessary,
also determined by the burning down of torches, candles, or lamp oil. In
the church environment, the number of prayers, pages of sacred books
read or psalms sung was used for orientation. From the fourteenth cen-
tury, mechanical watches (invented in the late thirteenth century) began
to spread in Europe, but lacked the long minute hand.
astronomical phenomena at the same time. In the Early Middle Ages, such
clocks became a sought-after gift in the highest aristocratic circles.
The hourglass was based on a similar principle, but used the movement
of sand caused by gravity through two glass bulbs vertically placed one
above the other and connected by a narrow neck. Once the measured
period of time had elapsed (depending on the amount of sand and the
throughput of the neck) and the upper bulb was empty, the clock had to
be turned so that another period of time could be measured, thus measur-
ing not the time of day, but time intervals.
The candle clock was based on the principle of gradual burning, princi-
pally directed at lighting, but also measuring time intervals. The length of
the night could be measured by the candles burned. From the beginning
of the thirteenth century, candles were often complemented with a time
scale, and metal nails or balls sometimes attached to the side of the candle
which fell off as the wax melted, giving an audible time signal on contact
with the metal bowl of the candlestick.
The oil clock was also based on the principle of gradual burning, similar
to the candle clock; the oil level indicated the time scale of a certain lim-
ited period of time. However, this oil clock did not come into use until
much later; it was known in the Middle Ages, but only widely used in the
eighteenth and nineteenth centuries. Such a clock could be set only by
means of a different type of clock (e.g. a mechanical clock). The glass oil
bulb was complemented with an open wick burner, meeting not only the
function of lighting, but household time measurement.
Water clocks, hourglasses, candle clocks, and oil clocks were suited only
to measuring time intervals, and therefore relied on the continuous moni-
toring of uniform time by other means, beginning with the sundial clock
and its gnomon predecessor.
Gnomon comes from the ancient Greek (noumon—a pointer, an indica-
tor) and usually means a sundial indicator (often a pole, but sometimes an
obelisk), perpendicular to the plane of the drawn dial, and thus determin-
ing the angular height of the Sun and the time according to the length and
the direction of the shadow it casts. With the gnomon showing the instan-
taneous position of the Sun by its cast shadow, so-called local time could
be determined, as long as the sun was shining (most sundials go from 6:00
to 18:00).
Sundials represent probably the oldest and at the same time the most
widespread type of clock, before the expansion of mechanical clocks.
Archaeological discoveries suggest that the first sundials were probably
2 TIME AND THE CIVILIZING PROCESS 19
assembled 7000 years ago. Various findings show their use around the year
3500 BC in Egypt, Babylonia, India, and China. Later, even portable
clocks began to be constructed; a clock with a vertically positioned dial
and a horizontally fitted pointer appeared; a nodus (usually in the shape of
a ball) began to be placed on the top of the pointer bar, time being deter-
mined by its shadow; and the clock could have dials with scales for differ-
ent time periods.5 These improvements were mainly made in ancient
Greece and later by Arab scholars (in the Arab world, the placement of the
gnome was changed from perpendicular to the surface of its location to
the direction of the Pole Star). In the sixteenth century, portable pocket
sundials made of brass, ivory, or wood appeared in Europe, as well as the
horizontal tambour clock. The sundial (which measures the true solar
time of the local meridian), through the later introduction of zonal mean
solar time, was moved into status of decorative object.
This was due to the appearance of the mechanical clock in the thirteenth
century, which gradually evolved over centuries to ever greater perfection
and accuracy. For a long time driven by the movement of a descending
weight, it was later sprung, and in modern times electric powered. The
weight was hung on a chain wound on a drum. The drive wheel then
transmitted energy via several wheel gears (usually three up to five) to the
oscillator. Time was measured by mechanical clock in discrete steps, and so
the biggest design problem was keeping it running smoothly. This was
provided by an oscillator, which in the first mechanical clock was a rocker,
but later a pendulum. The most important principle for measuring time
was therefore the reading of regular oscillating movements.6 The clock
indicators became hands—raffia (until the beginning of the seventeenth
century only one hand) and a circular dial.
Clocks with rocker arm had to be wound after only a few hours.
Although the error in the operation of this clock could be many minutes
a day, it functioned as oscillator until the end of pre-modern times. In the
Middle Ages, such clocks appeared in a number of places, built into town
halls or cathedrals in the form of an astronomical clock complemented by
a mechanism displaying indicators of the position of celestial bodies.
5
The analemmatic clock (sundial) solved this problem by moving the pointer along the
scale inside the dial.
6
In the Middle Ages, at the time of the commencement of the mechanical clock, sundials
were still used to adjust it.
20 J. ŠUBRT
The balance wheel (in German Unruh) brought progress to the con-
struction of mechanical clocks in the seventeenth century, with a certain
component added to the rocker arm, which itself could act as a directional
force—most often a spring. This mechanism was adapted for the produc-
tion of the pocket watch, being mounted on bearings to minimize friction
losses. In the nineteenth century, accurate timekeeping became a general
need, which led to the mass production of such watches.
The nautical chronometer represented a specific and at the same time
important chapter in the history of time measurement, in the era of sailing
ships. Before this device, only latitude could be found relatively accurately
by means of the stars in conjunction with older devices such as the mari-
ner’s (sea) astrolabe. However, longitude could only be estimated, because
its determination was made by comparing time differences. An inaccuracy
of 10 minutes could mean an error in determining the position of the ship
by more than 200 kilometres. After many years of experimentation and
some setbacks, John Harrison (1693–1776) succeeded in solving this
problem by placing a mechanical clock in a special case that removed the
influence of gravity, keeping the clock mechanism in a horizontal position,
and protecting it from extreme temperatures. Nowadays, even for a lay-
man, the task of determining position is a much simpler matter thanks to
the Global Positioning System (GPS).
The pendulum clock, in the seventeenth century, was mainly thanks to
Christiaan Huygens,7 preceded by the use of a pendulum for measuring
short time intervals in the scientific experiments of Galileo Galilei. The pen-
dulum clock brought a significant increase in accuracy, instead of a rocker
using an anchor with a pendulum hung at the back of the device. When the
pendulum swings, one of the ends of the anchor is stuck between the teeth
of the gear and stops it for a moment; then, however, the constant pulling
of the weight forces the wheel to push the anchor away and the pendulum
swings to the opposite side; in this way the oscillating course proceeds. Its
accuracy allowed the pendulum clock to be complemented with a minute
and a second hand. The disadvantage of the pendulum was that it could not
be used with portable clocks, but it represented the peak of accuracy until
the twentieth century, when electric, electronic, and atomic clocks were built.
* * *
7
Christiaan Huygens (1629–1695) was an outstanding Dutch physicist and watchmaker
who, among many other inventions, in the year 1657 invented the pendulum clock.
Independently of the Englishman Robert Hook, Huygens also invented the balance wheel.
2 TIME AND THE CIVILIZING PROCESS 21
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