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Textbook Ebook Project Management For Dummies 3Rd Edition Uk Edition Nick Graham All Chapter PDF
Textbook Ebook Project Management For Dummies 3Rd Edition Uk Edition Nick Graham All Chapter PDF
by Nick Graham
Project Management For Dummies®, 3rd Edition
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Table of Contents v
Matching People to Tasks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135
Working out the skill sets and knowledge that you
need on the teams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Growing your people . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Identifying skills sets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Honing Your Task Duration Estimates. . . . . . . . . . . . . . . . . . . . . . . . . . 138
Documenting your estimates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Factors in activity timing and estimates. . . . . . . . . . . . . . . . . . . . . . 139
Estimating required work effort . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Factoring in productivity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Taking care with historical data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Accounting for availability . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Smoothing the Resource . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Checking for resource conflict. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Resolving resource conflicts – the steps . . . . . . . . . . . . . . . . . . . . . 147
Co-ordinating assignments across multiple projects. . . . . . . . . . . 149
Table of Contents ix
CHAPTER 16: Keeping Everyone Informed. . . . . . . . . . . . . . . . . . . . . . . . . . 307
Looking At Communications Failure. . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Communications breakdown – the big project killer. . . . . . . . . . . 308
Identifying causes of communications problems. . . . . . . . . . . . . . 309
Communicating Effectively. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Distinguishing between one-way and two-way
communication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Can you hear me? Listening actively. . . . . . . . . . . . . . . . . . . . . . . . . 312
Choosing the Appropriate Medium . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Writing reports. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Meeting up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Setting up a project website . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Making a business presentation. . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Preparing a Communications Plan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Identifying the communications. . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Writing a Communications Plan . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Table of Contents xi
CHAPTER 22: Project Governance and Why It’s Really
Important. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Seeing Why It’s a No-brainer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394
Looking At Other Guidance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Understanding What’s Involved . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Understanding the Organisational Level. . . . . . . . . . . . . . . . . . . . . . . . 396
Standards and approaches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Reviewing governance and standards. . . . . . . . . . . . . . . . . . . . . . . 397
Checking an Individual Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Checking the project’s Outline Charter . . . . . . . . . . . . . . . . . . . . . . 399
Checking the Charter and PMP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Checking the project while it’s running . . . . . . . . . . . . . . . . . . . . . . 400
Evaluating the project at the end . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Maintaining the ‘Big Divide’ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Coordinating Your Project Training . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
INDEX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
So, if you are new to projects, or fairly new and are wondering if there is a better
way of doing things, this book gives you two bits of very good news at the outset.
First, you don’t have to reinvent the wheel. There is no need to struggle to come
up with ways of planning and controlling a project when some really helpful
things are already out there that do just what you need . . . and do it well. Second,
using an orderly approach and effective techniques will make your project man-
agement life very much easier. This book gives you a sensible and flexible frame-
work for you to plan and manage your project, together with a wealth of powerful
and proven techniques, explained clearly and without assuming any previous
knowledge of them.
It’s not enough to do your best. You must know what to do, and then
do your best.
Now, perhaps you are running a project, or are about to, because it’s part of your
job, or you may have chosen to focus on this for a career. Either way, project man-
agement can be rewarding. There is a definite – and deserved – buzz when you
deliver your project successfully and everything works.
Just in case you have heard bad things about some approaches to project manage-
ment, this introduction also gives you some reassurance. The book is definitely
not about making a ‘paper mountain’ of pointless documentation. Neither does it
insist that you hold up your right hand and vow to stick to a long list of project
rules and regulations. Instead you will find an emphasis on keeping your brain in
gear and focusing on what is best and most appropriate for each individual proj-
ect, even if that means doing something unusual.
Introduction 1
Finally, if you are a bit nervous because you have seen or read about project fail-
ures both large and small then you can rest a bit easier. If you look at accounts of
those projects you will find that many, if not most, of the failures were both pre-
dictable and preventable – as covered in Chapter 1! So, you really can be successful
where so many others have fallen by the wayside.
But knowledge alone won’t make you a successful Project Manager – you need to
apply it. This book’s theme is that project management skills and techniques
aren’t burdensome tasks you perform because some process requires it. Rather,
they’re a way of thinking, communicating and behaving to help you achieve suc-
cessful delivery.
Like all ‘For Dummies’ books, this one is written to be direct and easy to under-
stand. But don’t be misled – the simple text still navigates all the critical tools and
techniques you’ll need to support your project planning, scheduling, budgeting,
organising and controlling.
You’ll find that the information is presented in a logical and modular progression.
Hints and tips are plentiful, and there’s some attempt at humour from time to
time to keep the writing down to earth. The idea is that you finish this book feel-
ing that good project management is a necessity and that you’re determined to
practise it!
Foolish Assumptions
When writing this book, I have assumed that a widely diverse group of people will
read it, including the following:
Above all, I assume that you want to be successful in running projects! After read-
ing this book, I hope you wonder (and rightfully so) why all projects aren’t well
managed – because you’ll think these techniques are so logical, straightforward
and easy to use. But I also assume you recognise the big difference between know-
ing what to do and doing it. You’ll have to work hard to overcome pressures that
will work to dissuade you from using these tools and techniques. Pressures include
any people senior to you who think that if you don’t plan and control a project, it
all works out fine just the same, only you’ll have saved time and so deliver faster.
Interestingly, the same people don’t take that view when organising their family
holidays.
Finally, you’ll find that you can read this book repeatedly and find out something
new each time. Think of this book as a comfortable resource that has more to
share as you experience new situations.
This icon indicates a point that is key to making you effective as a project manager.
This icon to points out important information you want to keep in mind as you
apply the techniques and approaches.
This icon helps you get to grips with ‘project speak’ terms or issues that are a bit
more technical (or at least sound more technical until they’re explained).
Introduction 3
This icon highlights something you can use to improve your project management
practices.
If you’re new to project management and are just starting to plan a project, first
read Parts 1 and 2, which explain how to plan outcomes, activities, schedules and
resources. If you want to find out how to identify and organise your project’s team
and other key people, start with Chapter 12 and Part 3. Or feel free to jump back
and forth, hitting the topics that interest you the most, or where you want to
refresh your knowledge as you approach a particular stage of your project.
No matter how you make your way through this book, plan on reading all the
chapters more than once – the more you read a chapter, the more sense its
approaches and techniques will make and the more it will all just become the way
that you think and work. And in all cases, have fun – project management really
can be enjoyable!
Sale of Governors. Visit from Mr. Allen. Operation of the Engine Sold to Easton,
Amos & Sons. Manufacture of the Indicator. Application on Locomotives.
The diagrams from the Great Eastern engines were, on the whole,
the best which were taken by us. On one of these trips I was able to
get the accompanying most interesting pair of diagrams, which were
published by me in the appendix to my treatise on the Indicator. One
of them was taken at the speed of 50 revolutions per minute, and the
other at the speed of 260 revolutions per minute, running in the
same notch with wide-open throttle. The steam pressure was higher
at the rapid speed. They afford many subjects of study, and show the
perfect action of the indicator as at first turned out, at this great
speed. I learned afterwards that the almost entire freedom from
vibration at the most rapid speed was due to the gradual manner in
which the pressure fell from the beginning of the stroke. This fall of
pressure before the cut-off I fancy was caused largely by a small
steam-pipe.
Our last diagrams were taken from a locomotive on the London
and Northwestern, by the same four operators as on the Great
Eastern trips. We ran from London to Manchester. On our return trip
Mr. Webb joined us at Crewe, and accompanied us to London. I am
sorry to say that in one respect the revelation of the indicator here
was almost inconceivably bad. Mr. Ramsbottom did not protect his
cylinders, but painted these and the steam-chests black, and in this
condition sent them rushing through the moist air of England. If the
steam cooled by “Mr. Beattie’s refrigerators” was wet, that in Mr.
Ramsbottom’s cylinders seemed to be all water. A jet of hot water
was always sent up from each of the holes in the cover of the spring
case to a height of between one and two feet. We had much trouble
to protect ourselves from it, and it nearly always drenched the
diagram. I never saw this phenomenon before or since. I have seen
the steam blow from the indicator cocks white with water when the
indicators were removed. But I never saw water spurt through the
spring-case cover, except in this instance. Truly, we said to each
other, Mr. Ramsbottom has abundant use for his trough and scoop to
keep water in his tanks. It was on this trip that I observed how
enormously the motion of a black surface increased the power of the
surrounding air to abstract heat from it. While we were running at
speed I many times laid my hand on the smoke-box door without
experiencing any sensation of warmth. I wondered at this, for I knew
that a torrent of fire issuing from the tubes was impinging against the
opposite surface of this quarter-inch iron plate. In approaching
Rugby Junction I observed that the speed had not slackened very
much when I could not touch this door, and when we stopped,
although the draft had mostly ceased, I could not come near it for the
heat. At the full velocity with which the air blew against this door the
capacity of the air to absorb heat evidently exceeded the conducting
power of the metal.
W. H. Maw
CHAPTER IX
Engine Bed Designed by Mr. Porter. Engraving made from an Old Print.
It occurred to me that the best features of the Corliss and the
Richards designs might be combined to advantage. This idea I
worked out in the bed shown in the accompanying illustration, taken
from a circular issued by Ormerod, Grierson & Co., of Manchester,
and which was made from a photograph of an engine sent by that
firm to the Oporto International Exhibition in 1865. It will be seen that
this is Mr. Richards’ bed with the cylinder bolted to the end after Mr.
Corliss’ plan. The great strength of the bed enabled the supports
under the cylinder to be dispensed with. This left the cylinder free to
expand by heat, and made it convenient to attach the steam or
exhaust connections or both underneath. This bed has remained
without change, except in one important respect. I made the first
cylinders with a bracket which was keyed up from the base of the
bed. In the illustration a corner of this bracket appears. At the Paris
Exposition in 1867 Mr. Beyer, of the firm of Beyer & Peacock, the
Manchester locomotive-builders, when he saw it, told me I did not
need that bracket. I then left it off, but found the cylinder to wink a
little on every stroke when the heavy piston was at the back end. To
find the weak place, I tried the following experiment on an engine
built for the India Mills in Manchester. I filed two notches in the edges
of the brackets on the bed, opposite each other and about ten inches
forward of the head, and fitted a piece of wire between them. This
wire buckled very decidedly on every revolution of the engine, when
the piston was at the back end of its stroke. I then united these
brackets into a hood, and lengthened the connection with the surface
of the bed, as it is now made. This affords a perfect support for the
cylinder. Experiments tried at the Cambria Iron Works on a cylinder
of 40-inch bore and 48-inch stroke, with a piston weighing 3600
pounds and running at 100 double strokes per minute, showed the
back end of the cylinder standing absolutely motionless. This
experiment will be described hereafter.