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<i>(Hugh Laurie)</i>
<i>The ancient greeks believed</i>
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<i>that swans only sang once</i>
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<i>at the point of their death--</i>
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<i>one beautiful last lament.</i>
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<i>Well, this is</i>
<i>my last swanlike lament.</i>
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(Choral music playing)
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(Man) Okay.
(Engine revving)
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(Indistinct conversation)
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I got the cake!
I got the cake!
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This is what we do.
(Hugh) You feed
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anything between 200 and 500
people out of this truck.
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Yes. We all work together
and we take care of each other.
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People already believe
that everyone in show business

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lives on lobster and champagne.
Oh, really?
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Yeah. And that's a fact.
It's not-- it's not glamorous.
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It isn't, though,
is it?
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(Camera shutters clicking)
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<i>This is a celebration,</i>
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<i>and you can't</i>
<i>have a celebration</i>
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<i>without a cake.</i>
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<font color=#00FF00> House 8xS01 </font>
<font color=#00FFFF>Swan Song</font>
Original Air Date on May 21, 2012
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== sync, corrected by <font color="#00FF00">elderman</font> ==
[Massive Attack's <i>Teardrop]</i>
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<i>I'm not saying "House M.D."</i>
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<i>is the king of TV shows...</i>
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<i>Wait a minute,</i>
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<i>actually I am saying that.</i>
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<i>But more importantly,</i>
<i>if "House" is the king,</i>
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<i>then the people</i>
<i>who make "House"</i>
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<i>are Princes.</i>
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Oh, there's a man with a camera
out there. That's-31
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Ha ha, scared him off.
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(Hugh) Outstanding moments
in your memory
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of working on this show?
Do you have any?
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Any challenging, uh,
artists filling your chair
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who you wanted to strangle
but didn't?
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Fond memories?
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Uh, Hugh Laurie.
Oh, stop.
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<i>For the last eight years,</i>
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<i>an incredible journey for me</i>
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<i>and for a lot</i>
<i>of other people, too.</i>
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So, Ms. Morrison.
Yes, Mr. Laurie.
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Um, allow me
to show you around.
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I don't know if you've-Well, so far, it looks very familiar.
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It does, doesn't it?
Yes, very.
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Uh, I think we waxed the floors
since you were last here.
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Oh, wow.
You have couches?!
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I leave, and you get couches?
Just that moment.
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(Laughs)
There are some minuses, too.
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Your lovely arrow-cut
white coat
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does not hang over the back
(Laughs) of those chairs as nicely.
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"Gadolinium."
Oh, yeah.
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Do you remember that?
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Pilot, walking down
underneath this thing.
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I knew she was allergic
to gadolinium. Figured it was
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an easy way to get someone
to cut a hole in her throat.
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I do remember saying
"gadolinium."
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Gadolinium.
I'm sure I looked it up.
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I found all my old-you did.
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We didn't have cards
for all the seasons.
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You shamed-you shamed us all.
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Lupus, gout, glaucoma,
osteoarthritis, hypertension,
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diabetes-stop me anytime.
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The heart could point to sarcoidosis.
(Clears throat)
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I'll start
the ribavirin.
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It's great to have the old team
back together again, huh?
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(Hugh) Well, I know Omar
got very panicky
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at one time about-he was convinced
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that he had everything.
"This is a thing you can get?
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People get this?"
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It's not S.S.P.E.
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I checked your past vaccinations
against Joe's.
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No past matches.
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I might not come back.
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I've never done a will.
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I'll call a lawyer for you.
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I want you to be
my medical proxy.
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I need to know

that we're okay.


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We're all missing each other.
I did at one point sort of calculate,
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around season 3
that we'd done 284 scenes
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in the outer office.
That's a hell of a thing.
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That's a hell of a thing.
It <i>is</i> a hell of a thing.
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(Sighs)
Yeah, you were very missed.
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(Hugh) What is the white bucket
you're carrying?
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What does it signify?
Uh, white bucket
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is our $5 Friday bucket.
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And what we do is all the crew
members who want to indulge
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put their names on a $5 bill,
tuck it into the bucket here,
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and we have a winner
for $5 Friday.
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House is a guy
who has emotions,

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has feelings,
cares about-91
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amazingly good at reading people.
Right.
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We had this role of House,
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which sort of every role
sort of revolved around
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and had so much interaction
with this character,
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that we had to really get
that character perfectly,
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or the series
would not have worked.
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We read so many people
for this part.
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When auditioning,
I can remember thinking
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I feel as if I know
who this guy is,
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the character of House,
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but I also feel like I know
who this guy David Shore is-102

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the mind behind the mind,
as it were.
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I have tenure.
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Aren't you gonna grab my cane,
stop me from leaving?
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(Bryan Singer)
Hugh Laurie went on tape,
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and I watched it.
He had the right kind of voice.
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And he had
a good razor stubble going.
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And I thought, this-this guy feels like House.
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And thank goodness
he's an American,
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so he can pronounce all this-all this tough medical jargon.
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Thyrotoxic
periodic paralysis?
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I have no idea
what that is.
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Leukoencephalopathy?
You stop.
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If I knew what was wrong,


I would tell you.
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(Woman) Rolling,
rolling!
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Hey, hey, hey
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oh, baby
ah
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ooh
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oh, ah, this world...
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(House) Everybody lies.
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Is goin' up in flames
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If lying to a patient would save
their life, would you do it?
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No.
That's a lie.
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Everyone lies, but there's
an exception to every rule.
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Actually, there isn't.
Kinda what makes it a rule.
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"Interior. I.C.U.--Day.
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"He's revived, alive,

but very week.


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Stacy's beside herself
with worry."
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If this were any other patient,
what would you tell them to do?
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I would say
it's their choice.
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Not a chance.
You'd browbeat them
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until they made the choice
you knew was right.
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We've got to let 'em cut the leg off.
It's my leg.
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It's my life.
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(Hugh) How many canes
have we lost, do you think?
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Lost or broken?
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I would say probably
just slightly less than 100.
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Well, first of all,
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he was not always walking
around with a cane.
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In fact, we pictured him
in a wheelchair.
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But a wheelchair
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is not the best idea,
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because of
the obvious limitations.
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So then we briefly considered
a scar...
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and then a cane.
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Knowing that it was a cane
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and knowing
that I wanted someone
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who could walk down
those halls and hold the center,
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you know,
height became important,
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and physicality
became important.
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The truth is he's hiding,
because he's handicapped.
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That was where it all
sort of started from.

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(Wilson) What's the point
of putting together a team
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if you're not gonna
use them?
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You've got three overqualified
doctors working for you,
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getting bored.
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I don't need a team.
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You were bouncing ideas
off a janitor.
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Come on.
Gotta earn that fiver.
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The thing that I find
interesting about House
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as a character
is his, uh, distance
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and his apathy
and his, um,
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removal from any kind
of, uh, connection.
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House, you play a guitar
you got in ninth grade.
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Eighth.
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You're living in the same
apartment for 15 years.
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You drive a 10-year-old car.
You are not good with change.
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That used to be true,
but I changed.
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You're fired.
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What, because I-I yelled at you?
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It's time for a change.
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(Jesse) As an audience member,
we know these characters
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and to see them placed
in their individual situations
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and their--their quirks
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and, uh, you know, their
personalities come through.
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Have you even interviewed
anybody?
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You test-drive a car
before you buy it.
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You have sex
before you get married.
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I can't hire a team based
on a 10-minute interview.
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What if I don't like
having sex with 'em?
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(Plays guitar)
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I love it. I think--I enjoy
the humor of our writers.
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I mean, they are so clever.
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And just what we
get away with sometimes-185
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it's hilarious.
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<i>Every ship has its engine room.</i>
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<i>Every restaurant</i>
<i>has its kitchen.</i>
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<i>And every TV show has people--</i>
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<i>I don't know what they do.</i>
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What do you do in here?
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I make the trains

run on time.
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Every rule gets followed.
Yeah, they're apparent.
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Every rule is followed.
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You have to, um, you know,
be inventive
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to make it work.
Like, when we did
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the Coast Guard rescue
at sea...
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Unbelievable.
One of our people
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thought that we had
to bring in a real helicopter
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over the tank in Pacoima,
but that was a process.
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It's getting-You're spoiling the magic, Marcy.
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(Knocks on door)
That's more invoices
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than I've even seen
in my life,
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never mind gone through
for a single show.

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00:10:02,902 --> 00:10:06,054
(Knocking)
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00:10:06,105 --> 00:10:07,722
It says
"production designer."
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00:10:07,774 --> 00:10:09,825
What it means is,
uh, genius.
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00:10:11,528 --> 00:10:14,413
<i>Behind sets like these</i>
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<i>are people like them.</i>
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00:10:18,401 --> 00:10:20,202
What do you think
was your biggest, uh,
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00:10:20,253 --> 00:10:21,096
the biggest challenge?
211
00:10:21,121 --> 00:10:23,188
Mayfield was probably
the most fun, I think.
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00:10:23,506 --> 00:10:25,178
You sort of built
a wing of a hospital.
213
00:10:25,203 --> 00:10:26,124
Yeah.
214
00:10:26,125 --> 00:10:28,927
Right. We did a whole world.
We did the exterior.
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00:10:28,995 --> 00:10:31,129
We did the interior.
That was fun. Yeah.
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00:10:31,214 --> 00:10:33,932
"'Broken'--scene 53.

217
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"Interior.
E.R. waiting room--night.
218
00:10:36,486 --> 00:10:38,720
"Start on House
as he sits in a chair alone
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00:10:38,771 --> 00:10:40,305
"staring into space,
220
00:10:40,390 --> 00:10:44,259
"holding Freedom Master's
blood-speckled jacket.
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00:10:44,310 --> 00:10:46,928
Offscreen..."
(Nolan) He's lucky to be alive.
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00:10:49,265 --> 00:10:51,099
You don't care
about anything, House.
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00:10:53,436 --> 00:10:55,370
I'm transferring you
to Winslow Psychiatric.
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You'll have better luck pulling
the wool over their eyes.
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I'm done.
226
00:11:00,293 --> 00:11:01,910
Don't.
227
00:11:04,464 --> 00:11:06,164
I need help.
228
00:11:06,249 --> 00:11:08,116
We're all worried
my hero, House,
229
00:11:08,167 --> 00:11:09,668
is, you know, in trouble,

230
00:11:09,752 --> 00:11:11,970
and he's going
to a psychiatric hospital.
231
00:11:12,055 --> 00:11:14,289
And you should also welcome
Greg to the floor.
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00:11:14,340 --> 00:11:16,758
Don't worry about the name.
Just passing through.
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00:11:16,809 --> 00:11:19,127
(Hugh) I love "Broken."
I think it gave the whole-234
00:11:19,178 --> 00:11:21,980
not just the season,
but the whole six years-235
00:11:22,065 --> 00:11:24,483
it gave that a sort of shape
and a meaning
236
00:11:24,567 --> 00:11:26,568
and, uh, a kind of truth.
237
00:11:26,636 --> 00:11:30,188
I-I, uh, yes.
Yeah, a kind of truth.
238
00:11:30,273 --> 00:11:32,251
Don't want to break
any hearts.
239
00:11:32,252 --> 00:11:33,298
Can we go outside?
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00:11:33,323 --> 00:11:35,323
(Man) We built
an entire mental facility.
241
00:11:35,411 --> 00:11:38,330
(Man) Okay.
He's the claustrophobic one, right?
242
00:11:38,414 --> 00:11:40,365

We constructed a slave ship.


243
00:11:40,450 --> 00:11:42,918
As the show got more successful,
244
00:11:42,985 --> 00:11:44,920
it seemed like we built
a lot more.
245
00:11:44,987 --> 00:11:48,674
We provided work
for really thousands of people
246
00:11:48,758 --> 00:11:51,826
in the seven years
that I've been here.
247
00:11:51,878 --> 00:11:54,029
It's made a lot of people
very happy.
248
00:11:57,100 --> 00:11:59,935
(Violin playing)
249
00:12:02,438 --> 00:12:06,675
<i>And, lo, the sets were good.</i>
250
00:12:06,726 --> 00:12:09,561
This is Jesse's last time
he ever wears this.
251
00:12:09,646 --> 00:12:11,530
It is the last time I ever wear it. Look.
(Woman) Yeah, this is-252
00:12:11,614 --> 00:12:14,015
that's me when I was--yeah.
Jesse was 12, and now he's 19.
253
00:12:14,067 --> 00:12:16,285
You look great, Peter.
254
00:12:16,352 --> 00:12:18,954
Don't let the fans tell you
you don't.
255
00:12:19,021 --> 00:12:21,123

The difference is that


I actually look like a doctor.
256
00:12:21,190 --> 00:12:22,991
(Peter) Now whose blood
is it, really?
257
00:12:23,042 --> 00:12:25,127
(Jesse) O, a-negative...
(Man) It's mostly food coloring...
258
00:12:25,194 --> 00:12:27,362
And positive.
And, uh, corn syrup.
259
00:12:27,413 --> 00:12:30,299
(Chase) How long do you think
you'll work for House?
260
00:12:30,366 --> 00:12:32,033
As long as he lets me.
261
00:12:32,085 --> 00:12:34,469
(Man) All our instruments
are basically real,
262
00:12:34,537 --> 00:12:37,923
but as you can see,
we have tons and tons of...
263
00:12:38,007 --> 00:12:39,541
Ay-yi-yi-yi-yi-yi-yi-yi.
Ay-yi-yi.
264
00:12:39,592 --> 00:12:41,376
That come out.
265
00:12:41,427 --> 00:12:43,095
Look at it.
God, it's endless.
266
00:12:43,179 --> 00:12:45,347
(Man) And cut. Great, Peter. You happy?
(Peter) Yep.
267
00:12:45,398 --> 00:12:46,598
Oh, good.
(Man) All right, cutting.

268
00:12:46,683 --> 00:12:49,735
I'm gonna miss surgery
and Jeffrey...
269
00:12:49,819 --> 00:12:52,020
This is your last surgery.
This is my last surgery.
270
00:12:52,071 --> 00:12:54,022
(Foreman) Slow the heart down
so it doesn't-271
00:12:54,073 --> 00:12:56,108
(Chase) Damn. Clamp.
The leak is too fast.
272
00:12:56,192 --> 00:12:58,160
No, it's not.
We can fix this.
273
00:12:58,227 --> 00:13:00,329
(Monitor beeping)
274
00:13:00,396 --> 00:13:02,564
(Sustained tone)
275
00:13:02,615 --> 00:13:05,534
It worked.
(Heart beating)
276
00:13:05,585 --> 00:13:08,253
Omar, in my opinion,
on the show he has taken
277
00:13:08,338 --> 00:13:10,088
the worst...
(Jesse) Yes, he has taken it the worst.
278
00:13:10,173 --> 00:13:12,174
Having the exploding colon...
Why is that?
279
00:13:12,241 --> 00:13:14,843
(Peter) I remember that.
Because he's such a tense character.
280

00:13:14,910 --> 00:13:17,346


(Man) Maybe a little
more pressure.
281
00:13:17,413 --> 00:13:19,381
Not too much.
If it is the end and we-282
00:13:22,018 --> 00:13:25,437
(man) Yeah, let's do the high five.
(Imitates whip crack)
283
00:13:25,521 --> 00:13:29,307
Well, you're wrong, and-284
00:13:29,392 --> 00:13:32,611
either you're right,
and your friend is...
285
00:13:32,695 --> 00:13:34,112
(Man)
We record it on the day.
286
00:13:34,197 --> 00:13:36,031
We know right away
it's going to A.D.R.
287
00:13:36,098 --> 00:13:38,283
He sees it. He sees it.
He sees it.
288
00:13:38,368 --> 00:13:40,268
We hope that Peter gets it.
He sees it.
289
00:13:43,623 --> 00:13:45,157
He sees it!
290
00:13:45,241 --> 00:13:46,941
Did you get anything there
that'll work?
291
00:13:46,993 --> 00:13:49,110
(Man) I think one and two...
One and two work.
292
00:13:49,162 --> 00:13:51,380
May be the lone wolf on set.

He gets left out.


293
00:13:51,447 --> 00:13:53,081
So we invite him in here
as much as possible
294
00:13:53,132 --> 00:13:55,217
so he feels at home.
I've always been surprised
295
00:13:55,284 --> 00:13:58,837
at just how smoothly
and respectfully
296
00:13:58,921 --> 00:14:01,122
you guys
all work together.
297
00:14:01,174 --> 00:14:03,058
It's pretty unbelievable.
It really is amazing.
298
00:14:03,125 --> 00:14:05,427
'Cause the actors
hate each other.
299
00:14:05,478 --> 00:14:07,512
Say the line.
Say the line.
300
00:14:07,597 --> 00:14:10,148
You know, to be honest,
it's kind of nice
301
00:14:10,233 --> 00:14:12,601
walking into a hair
and makeup trailer
302
00:14:12,652 --> 00:14:14,736
and knowing that you're
gonna get made up,
303
00:14:14,804 --> 00:14:16,321
and you don't have
to do a thing.
304
00:14:16,406 --> 00:14:18,323
You just sit in that chair,

relax,
305
00:14:18,408 --> 00:14:21,359
and let Marianna
do her work.
306
00:14:21,444 --> 00:14:23,645
They're so great.
(Odette) Talk about Charlyne.
307
00:14:23,696 --> 00:14:25,529
Charlyne's the troublemaker
of the trailer.
308
00:14:25,554 --> 00:14:26,164
Yes.
309
00:14:26,165 --> 00:14:28,149
The girls are in here.
It's very calm.
310
00:14:28,201 --> 00:14:30,168
It's a calm environment
until the guys get in here,
311
00:14:30,253 --> 00:14:32,087
and then all of 'em
come in at once,
312
00:14:32,154 --> 00:14:33,789
and then it's sort of nuts.
313
00:14:33,840 --> 00:14:36,541
I'd like to be able
to just sit back and do sudoku
314
00:14:36,626 --> 00:14:38,794
and be as quiet as Omar,
315
00:14:38,845 --> 00:14:40,962
but I-it's just
not in my nature.
316
00:14:41,013 --> 00:14:43,799
And I'm gonna miss,
you know, Jesse and, uh,
317

00:14:43,850 --> 00:14:45,500


Jesse was always
really willing
318
00:14:45,551 --> 00:14:47,469
to--to kibbutz
along with me.
319
00:14:47,520 --> 00:14:49,265
Do you know how to--do you
know what "kibbutzing" means?
320
00:14:49,290 --> 00:14:49,805
Yes.
321
00:14:49,806 --> 00:14:52,474
Yeah. I like to kibbutz
in the makeup trailer.
322
00:14:56,729 --> 00:14:58,230
(Odette) Everybody
gets along very well.
323
00:14:58,314 --> 00:14:59,981
It's very much like a family.
324
00:15:00,032 --> 00:15:01,733
I mean, after all,
we are spending
325
00:15:01,818 --> 00:15:05,570
more time with our crew
and our cast
326
00:15:05,655 --> 00:15:08,540
and everybody in production
more than our families.
327
00:15:08,624 --> 00:15:12,327
So it's a good thing
we get along.
328
00:15:12,378 --> 00:15:16,364
You hang out a--much longer
than you need to be in here for.
329
00:15:16,415 --> 00:15:18,250
I mean, you-- you actually like us.

(Charlyne) It's 'cause I'm lonely.


330
00:15:18,334 --> 00:15:20,034
It's 'cause I'm sad and lonely.
Oh, yeah, there's that.
331
00:15:23,205 --> 00:15:26,007
First thing we're gonna shoot
is with our real actors,
332
00:15:26,058 --> 00:15:27,843
with Charlyne for sure.
333
00:15:27,894 --> 00:15:30,011
Then the stunt people
will take over.
334
00:15:30,062 --> 00:15:32,180
(Man) Three, two, one,
action.
335
00:15:32,231 --> 00:15:38,219
Effects is hot. Here we go.
Action.
336
00:15:38,271 --> 00:15:40,071
It was, like,
not a big deal, right?
337
00:15:40,156 --> 00:15:41,270
Yeah, it was totally not
a big deal. Like, whatever.
338
00:15:41,295 --> 00:15:42,524
It was totally fine.
339
00:15:42,525 --> 00:15:44,276
I have five days left.
340
00:15:44,360 --> 00:15:47,061
Five days, dude.
341
00:15:47,113 --> 00:15:48,730
Five, six, seven, eight
342
00:15:48,781 --> 00:15:50,064
<i>Well, enough</i>

<i>with the pampering.</i>


343
00:15:50,116 --> 00:15:52,501
<i>Making me look good</i>
<i>takes real work.</i>
344
00:15:52,568 --> 00:15:54,786
(Hugh) And what you have
to do to me is a trifle
345
00:15:54,871 --> 00:15:57,589
compared to these guys.
346
00:15:57,673 --> 00:16:00,091
Whoa!
347
00:16:00,176 --> 00:16:03,044
Stabbed, shot,
348
00:16:03,095 --> 00:16:06,181
electrocuted...
Dr. House!
349
00:16:06,248 --> 00:16:08,750
Poisoned, overdosed,
350
00:16:08,801 --> 00:16:10,418
cardiac arrest,
351
00:16:10,469 --> 00:16:13,371
leg surgery--self-administered.
I died for a while.
352
00:16:13,439 --> 00:16:15,640
Oh, my God,
his blood pressure is dropping.
353
00:16:15,708 --> 00:16:17,692
(Flatline tone)
Sometimes they just don't make it.
354
00:16:19,946 --> 00:16:21,429
<i>It may look relaxed,</i>
355
00:16:21,480 --> 00:16:22,781
<i>but these fellows</i>
<i>have been working</i>

356
00:16:22,865 --> 00:16:24,399
<i>since about 4:00</i>
<i>in the morning,</i>
357
00:16:24,450 --> 00:16:27,319
<i>and they have power tools.</i>
358
00:16:27,403 --> 00:16:29,437
All set.
(Hugh) "Come Fly 'House'" wasn't it?
359
00:16:32,107 --> 00:16:34,793
Tell me what that sign means.
This means it's acting time.
360
00:16:34,877 --> 00:16:37,746
(Man) And... action.
361
00:16:37,797 --> 00:16:39,681
'Cause the only cage I see
is right there.
362
00:16:42,668 --> 00:16:45,253
(Hugh) Thoughts, Gary?
Three days to go.
363
00:16:45,304 --> 00:16:47,622
A look back,
poignant memories?
364
00:16:47,673 --> 00:16:51,059
I look forward to three
really, uh, busy days...
365
00:16:51,126 --> 00:16:52,894
Yeah.
And a quality final episode
366
00:16:52,962 --> 00:16:55,647
and a handshake and a hug
and a good-bye
367
00:16:55,731 --> 00:16:58,099
and a "good luck."
368
00:16:58,150 --> 00:17:01,653

<i>This is how</i>
<i>we control the crowds.</i>
369
00:17:01,737 --> 00:17:05,023
<i>They can either read the words,</i>
<i>or you can hit them with it.</i>
370
00:17:05,107 --> 00:17:08,326

371
00:17:13,616 --> 00:17:15,700
(Man) $5 Friday folks,
step on up and tuck a buck.
372
00:17:15,785 --> 00:17:18,820
It could be
your lucky day, brother!
373
00:17:18,871 --> 00:17:21,206
I think next, we can-we'll do this section first.
374
00:17:24,377 --> 00:17:26,628
Even before the director
starts placing the shots
375
00:17:26,679 --> 00:17:28,597
or whatever,
the crew's already out.
376
00:17:28,664 --> 00:17:30,632
Go on, sugar
377
00:17:30,683 --> 00:17:32,601
and move on down the road
378
00:17:32,668 --> 00:17:34,269
(Hugh) What do your friends
think you do during the day?
379
00:17:34,336 --> 00:17:35,937
Do you tell 'em you work
on something else?
380
00:17:38,007 --> 00:17:39,774
We spend a lot of time here,
and we like to have fun,

381
00:17:39,842 --> 00:17:43,445
so...
Yeah, we have a lot of fun on the set.
382
00:17:43,512 --> 00:17:45,397
All right,
so, ladies and gentlemen,
383
00:17:45,481 --> 00:17:48,516
our final $5 Friday
on "House."
384
00:17:48,567 --> 00:17:52,203
$2,865.
385
00:17:52,288 --> 00:17:54,739
I want to thank everybody
for participating.
386
00:17:57,493 --> 00:17:59,577
God, the pressure.
387
00:18:06,636 --> 00:18:09,254
Ron-- Ron, Drew, and Christine!
(Cheers and applause)
388
00:18:09,338 --> 00:18:11,506
Ron, Drew, and Christine!
389
00:18:11,557 --> 00:18:14,976
Heck, yeah! Thank you
very much, everybody!
390
00:18:15,044 --> 00:18:16,428
Bravo.
I love you all!
391
00:18:16,512 --> 00:18:19,514

392
00:18:38,730 --> 00:18:40,224
<i>House as a character</i>
393
00:18:40,227 --> 00:18:43,031
<i>is a strong cup of coffee.</i>
394

00:18:43,033 --> 00:18:45,218


<i>Every now and then,</i>
<i>he comes under attack.</i>
395
00:18:49,039 --> 00:18:50,606
You are Hugh Laurie.
I am.
396
00:18:50,658 --> 00:18:52,792
You portray the character
Dr. Gregory House.
397
00:18:52,876 --> 00:18:55,211
I do/did.
398
00:18:55,278 --> 00:18:57,780
You're English.
I am English, yes.
399
00:18:57,848 --> 00:18:59,082
I'm a citizen
of the United Kingdom,
400
00:18:59,133 --> 00:19:02,969
a subject of her majesty
Queen Elizabeth II.
401
00:19:03,053 --> 00:19:05,454
Hey. We're wondering if you
can clarify a few things
402
00:19:05,506 --> 00:19:08,224
about this character,
about his personality,
403
00:19:08,292 --> 00:19:10,459
about his methods.
I'll do my best.
404
00:19:10,511 --> 00:19:11,739
I can give you some examples.
405
00:19:11,764 --> 00:19:13,688
I'd like to hear them
from your mouth, yes.
406
00:19:16,650 --> 00:19:19,435
Frankly, sometimes he just seems

like he's being mean.


407
00:19:23,407 --> 00:19:25,942
What are you looking at?
Apparently a moron.
408
00:19:27,477 --> 00:19:29,996
You're a moron.
409
00:19:30,064 --> 00:19:32,148
Uh... (Chuckles)
410
00:19:32,199 --> 00:19:33,816
Chicago
has a great program,
411
00:19:33,867 --> 00:19:36,536
and you're a dumb-ass.
412
00:19:36,620 --> 00:19:38,204
Was there a point to that,
do you think?
413
00:19:38,288 --> 00:19:40,089
Well...
414
00:19:43,093 --> 00:19:45,128
Yes. Sorry.
415
00:19:45,179 --> 00:19:47,180
Stuck a thermometer up
Detective Tritter's rear end.
416
00:19:47,264 --> 00:19:49,265
Anus.
Oh!
417
00:19:49,332 --> 00:19:50,833
And his hiring practices
418
00:19:50,884 --> 00:19:54,103
are not much more
than an opportunity to mock.
419
00:19:54,171 --> 00:19:58,057
Good. Then can we do
a Secret Santa?

420
00:19:58,142 --> 00:19:59,726
I liked you better
15 seconds ago
421
00:19:59,810 --> 00:20:01,861
when you were afraid
for your job.
422
00:20:01,945 --> 00:20:04,897
If people find these
working conditions intolerable,
423
00:20:04,982 --> 00:20:06,249
they're free to leave.
424
00:20:06,316 --> 00:20:07,602
They can submit
their notice,
425
00:20:07,603 --> 00:20:08,807
and occasionally
some of them do.
426
00:20:08,832 --> 00:20:10,703
I didn't fail.
You fired me. Repeatedly.
427
00:20:10,704 --> 00:20:13,456
But if you walk away now,
after I just rehired you,
428
00:20:13,523 --> 00:20:15,875
that's quitting.
429
00:20:15,959 --> 00:20:17,877
(Hugh)
I love the world of "House."
430
00:20:17,961 --> 00:20:20,379
It can go
from the broadly comic
431
00:20:20,464 --> 00:20:23,199
to the angry satire
432
00:20:23,250 --> 00:20:25,885

to the sort of
gut-wrenching tragedy
433
00:20:25,969 --> 00:20:27,553
to a horror movie,
434
00:20:27,638 --> 00:20:29,222
um, in the space of seconds.
435
00:20:29,306 --> 00:20:31,140
(Helicopter whirring)
436
00:20:44,988 --> 00:20:47,023
Can anybody hear me?
437
00:20:49,326 --> 00:20:51,744
"Interior. The hole-night.
438
00:20:51,829 --> 00:20:55,248
"Cuddy, field amputation kit
at her side,
439
00:20:55,332 --> 00:20:57,583
"is talking
to intransigent Hanna.
440
00:20:57,668 --> 00:20:59,919
"Her angiocath
has been removed.
441
00:21:00,003 --> 00:21:02,588
"Hanna.
'No. Dr. House promised.'
442
00:21:02,673 --> 00:21:04,507
Cuddy. 'If there was...'"
If there was any other way...
443
00:21:04,574 --> 00:21:07,910
It doesn't hurt right now.
I can wait.
444
00:21:07,961 --> 00:21:10,079
(Man) It was an enormously
tight space.
445

00:21:10,130 --> 00:21:12,048


There was about 18 inches
of actual set.
446
00:21:12,099 --> 00:21:14,884
So if you're in there, you have
to crawl around on your belly.
447
00:21:14,935 --> 00:21:17,086
You have to act
in the actual space.
448
00:21:17,137 --> 00:21:18,354
It's not made any bigger
for camera.
449
00:21:18,421 --> 00:21:21,090
We really wanted to be
inside Hugh's head.
450
00:21:21,141 --> 00:21:23,259
This shallow depth of field-it's quite stunning.
451
00:21:23,310 --> 00:21:25,728
The focus was
unbelievably difficult
452
00:21:25,779 --> 00:21:27,763
for our assistant cameraman.
453
00:21:27,815 --> 00:21:29,765
Sometimes we're dealing
with literally focus,
454
00:21:29,817 --> 00:21:31,901
you know, of half an inch.
455
00:21:31,952 --> 00:21:34,070
Literally, if you just breathe
with the camera,
456
00:21:34,121 --> 00:21:35,938
you're soft in your shot.
You're soft.
457
00:21:35,989 --> 00:21:37,657
(Man) We took that camera

458
00:21:37,741 --> 00:21:40,109
and put it where it
had never been before.
459
00:21:40,160 --> 00:21:41,377
What we shot...
460
00:21:41,444 --> 00:21:43,379
Right. Yeah.
In a whole show
461
00:21:43,446 --> 00:21:46,215
forced us to really think
out of the box.
462
00:21:46,283 --> 00:21:48,251
(Man) And I was
uncharacteristically emotional
463
00:21:48,302 --> 00:21:49,952
when we were shooting,
464
00:21:50,003 --> 00:21:51,754
because the scene itself
is heartbreaking,
465
00:21:51,805 --> 00:21:54,173
and the characters devastated me
in that scene.
466
00:21:54,258 --> 00:21:57,393
I always thought
467
00:21:57,461 --> 00:21:59,395
if I did the right thing,
468
00:21:59,462 --> 00:22:01,430
if I treated people right,
469
00:22:01,481 --> 00:22:03,232
then good things
would happen to me.
470
00:22:05,819 --> 00:22:07,603
You think
that's how it works?

471
00:22:09,439 --> 00:22:11,473
I think it used to.
472
00:22:11,525 --> 00:22:13,475
Now I don't know.
473
00:22:13,527 --> 00:22:15,077
I love the week-to-week
of the show,
474
00:22:15,145 --> 00:22:17,163
but I really want to know
what this guy is about.
475
00:22:17,247 --> 00:22:18,981
I want to know
Lisa Cuddy better.
476
00:22:19,032 --> 00:22:21,200
I want to know
who these people are,
477
00:22:21,285 --> 00:22:23,252
and I want to know what
they're like in situations
478
00:22:23,320 --> 00:22:25,755
when they're taken outside
their everyday environment.
479
00:22:25,822 --> 00:22:28,958
(Breathing heavily)
480
00:22:29,009 --> 00:22:32,678
What?
It's not a clot.
481
00:22:32,763 --> 00:22:35,464
It's a fat embolism
482
00:22:35,515 --> 00:22:38,517
from the amputation.
What can we do?
483
00:22:38,602 --> 00:22:40,136
Do something. Please.

Please, do something.
484
00:22:40,187 --> 00:22:43,222
Please, come on, do something!
485
00:22:43,307 --> 00:22:46,192
(Foreman) This wasn't your fault.
That's the point!
486
00:22:46,276 --> 00:22:49,061
I did everything right.
She died anyway.
487
00:22:49,146 --> 00:22:51,213
Why the hell do you think that
would make me feel any better?
488
00:22:58,605 --> 00:23:01,574
You think
I can fix myself?
489
00:23:01,658 --> 00:23:03,159
I don't know.
490
00:23:06,330 --> 00:23:08,798
'Cause I'm the most screwed-up
person in the world.
491
00:23:08,865 --> 00:23:10,800
I know.
492
00:23:10,867 --> 00:23:12,218
I love you.
493
00:23:17,057 --> 00:23:19,842
(Hugh) I think this is
the unending challenge
494
00:23:19,893 --> 00:23:21,510
of trying to love
someone like House.
495
00:23:21,561 --> 00:23:23,813
You may not think him worth
loving. I personally do.
496
00:23:23,880 --> 00:23:25,564

I do love him
and think him worth loving.
497
00:23:29,152 --> 00:23:30,903
(House) Figure out a way
to resolve our differences.
498
00:23:30,988 --> 00:23:32,905
There already is a mechanism
for that.
499
00:23:32,990 --> 00:23:35,157
(Laughing) You're laughing.
Stop.
500
00:23:35,225 --> 00:23:36,558
(Lisa)
The House/Cuddy relationship
501
00:23:36,610 --> 00:23:39,028
I've always thought
had layers to it.
502
00:23:39,079 --> 00:23:41,998
I think in the pilot it's clear
that it has a history.
503
00:23:42,065 --> 00:23:45,567
It's 5:00.
I'm going home.
504
00:23:45,619 --> 00:23:49,038
To what?
Nice.
505
00:23:49,089 --> 00:23:51,457
Trying to convince
an insane person
506
00:23:51,541 --> 00:23:54,427
not to do insane things
is in itself insane.
507
00:23:54,511 --> 00:23:57,513
You can't stop our love!
508
00:23:57,580 --> 00:24:00,549
(Robert) The fun is in watching

them, uh, struggle. - No!


509
00:24:00,600 --> 00:24:03,519
The fun is watching them
struggle not getting together
510
00:24:03,586 --> 00:24:05,087
or maybe getting together
511
00:24:05,138 --> 00:24:07,023
or thinking
about getting together.
512
00:24:07,090 --> 00:24:08,590
Actually being together
might not be much fun.
513
00:24:08,642 --> 00:24:11,360
People who get close to you
get hurt. That's a fact.
514
00:24:11,428 --> 00:24:13,813
I slept with Cuddy.
515
00:24:13,897 --> 00:24:16,232
This is fantastic.
How are you gonna screw it up?
516
00:24:18,735 --> 00:24:20,736
I feel hurt.
517
00:24:20,787 --> 00:24:23,406
It didn't really necessarily
get explored for a long time,
518
00:24:23,457 --> 00:24:25,458
but to me,
it was always there.
519
00:24:25,542 --> 00:24:28,077
(Woman) You drove your car
into your ex-girlfriend's house
520
00:24:28,128 --> 00:24:30,129
and then fled the country
for three months.
521

00:24:30,213 --> 00:24:31,710


(Man) Are you sorry
about what you did?
522
00:24:31,735 --> 00:24:32,465
(House) Yes.
523
00:24:32,466 --> 00:24:34,417
We need you
to show us remorse.
524
00:24:34,468 --> 00:24:36,802
Is that how
our system works?
525
00:24:36,887 --> 00:24:39,588
Release the best actors?
526
00:24:39,639 --> 00:24:42,224
Everyone has
a very specific
527
00:24:42,292 --> 00:24:44,093
and personal experience
with House.
528
00:24:44,144 --> 00:24:47,730
Pull my ribbon,
if you know what I mean.
529
00:24:49,733 --> 00:24:51,517
That's not what I meant.
House.
530
00:24:51,601 --> 00:24:54,987
"'House's Head.' Scene 54.
531
00:24:55,072 --> 00:24:57,323
"Interior. Bus. Driving-night.
532
00:24:57,407 --> 00:25:00,159
"Inside House's mind.
"Woman in black. 'House?'
533
00:25:00,243 --> 00:25:02,811
"the woman in black is there
once again,

534
00:25:02,863 --> 00:25:04,830
"but this time, her black pants
are now blue,
535
00:25:04,915 --> 00:25:06,982
"her black shirt and jacket
are now tan,
536
00:25:07,034 --> 00:25:09,118
and her black scarf
is now red."
537
00:25:09,169 --> 00:25:11,537
Why are you here?
There must be a reason?
538
00:25:11,605 --> 00:25:14,040
You have something
to tell me.
539
00:25:14,124 --> 00:25:16,175
Yes. Who am I?
540
00:25:16,259 --> 00:25:18,094
Why the guessing game?
541
00:25:18,161 --> 00:25:20,829
Because you don't know
the answer.
542
00:25:20,881 --> 00:25:22,498
What's my necklace
made of?
543
00:25:22,549 --> 00:25:24,467
You know the clues.
544
00:25:24,534 --> 00:25:26,185
Who am I?
545
00:25:26,269 --> 00:25:28,237
Amber?
546
00:25:29,890 --> 00:25:33,059
On the one hand,
we had a practical bus,

547
00:25:33,143 --> 00:25:35,861
but when it was a flashback
or an hallucination,
548
00:25:35,946 --> 00:25:38,447
then it was surreal.
549
00:25:38,515 --> 00:25:41,317
And then suddenly,
it becomes real at the very end.
550
00:25:41,368 --> 00:25:42,785
(Man) Removing
the safety clamps!
551
00:25:42,810 --> 00:25:44,737
Everything in the production
needed to be coordinated.
552
00:25:44,738 --> 00:25:48,324
(Man) We rehearsed this stunt,
you know, in its entirety,
553
00:25:48,375 --> 00:25:50,793
from flipping this gimbal rig
all the way over.
554
00:25:50,860 --> 00:25:52,495
And then once we've eliminated
all the variables
555
00:25:52,546 --> 00:25:54,696
and know where people
are gonna land basically
556
00:25:54,748 --> 00:25:57,216
and what they're gonna need
as far as safety goes,
557
00:25:57,300 --> 00:25:59,335
I put all the elements together,
558
00:25:59,386 --> 00:26:01,170
and then we turned it over
with everybody.
559

00:26:01,221 --> 00:26:03,172


In the very ultimate thing
with Amber,
560
00:26:03,223 --> 00:26:06,509
we had background
that was shot practically.
561
00:26:06,560 --> 00:26:09,711
We added a C.G. dump truck
to the background.
562
00:26:09,763 --> 00:26:12,481
We also had
our special effects people
563
00:26:12,549 --> 00:26:15,434
throwing rubber glass
through the window.
564
00:26:15,519 --> 00:26:17,570
Through the use
of physical models
565
00:26:17,654 --> 00:26:20,389
and things that are created
entirely in the computer,
566
00:26:20,440 --> 00:26:22,274
he was able to create
that world.
567
00:26:22,359 --> 00:26:23,993
(Elan) We had fans going,
568
00:26:24,060 --> 00:26:26,278
lots and lots of bits
and pieces.
569
00:26:26,363 --> 00:26:28,447
(Olivia) There's that moment
where Amber-570
00:26:28,532 --> 00:26:32,084
It's the point of impact
when the bus was hit,
571
00:26:32,169 --> 00:26:33,752

and her body


going forward-572
00:26:33,837 --> 00:26:36,038
I thought that
was extraordinary.
573
00:26:46,099 --> 00:26:49,018

574
00:27:06,500 --> 00:27:09,886

575
00:27:20,898 --> 00:27:22,949
Good thing I brought
my ax cane.
576
00:27:23,016 --> 00:27:25,618
I'm David Shore,
and I've done 177 episodes.
577
00:27:25,686 --> 00:27:28,238
Robert Sean Leonard.
I play Wilson,
578
00:27:28,322 --> 00:27:30,623
and, uh, it's been
177 episodes.
579
00:27:32,826 --> 00:27:36,045
House. 177 episodes.
(Laughter)
580
00:27:37,915 --> 00:27:41,968
Uh, Omar Epps, Foreman pilot.
(Laughter and applause)
581
00:27:42,035 --> 00:27:45,088
Um, 265 episodes?
582
00:27:45,172 --> 00:27:47,307
(Laughter)
583
00:27:47,374 --> 00:27:51,210
I think I'm, like, 98.
21 episodes.
584

00:27:51,262 --> 00:27:53,596


(David S.) We start
the final episode
585
00:27:53,681 --> 00:27:55,715
on House's face,
586
00:27:55,766 --> 00:27:57,433
completely passed out
on the floor.
587
00:27:59,486 --> 00:28:04,056
And as we go to frame,
we end the series.
588
00:28:04,108 --> 00:28:06,058
(Hugh) I know
I was grumpy today.
589
00:28:06,110 --> 00:28:08,027
I was just trying
to hold it together,
590
00:28:08,078 --> 00:28:10,997
because that was a very,
very emotional moment.
591
00:28:11,064 --> 00:28:13,333
We'd come right to the end.
592
00:28:21,709 --> 00:28:25,244
Downtown somewhere in L.A.
593
00:28:25,296 --> 00:28:27,547
I have no clue where I'm at.
594
00:28:29,717 --> 00:28:31,217
These are the last days.
595
00:28:31,268 --> 00:28:34,520

596
00:28:39,443 --> 00:28:41,778
There are so many
different layers to the show.
597
00:28:41,862 --> 00:28:43,780

There's sound. There's the


acting. There's the directing.
598
00:28:43,864 --> 00:28:46,432
There's the writing.
There's the casting.
599
00:28:46,483 --> 00:28:47,950
There's the wardrobe.
There's the makeup.
600
00:28:48,035 --> 00:28:50,102
There's the special effects,
so many different components
601
00:28:50,154 --> 00:28:52,622
working towards a common theme
602
00:28:52,706 --> 00:28:54,657
in every frame of the show.
603
00:28:58,445 --> 00:29:00,163
I am wearing pants
with dogs on them,
604
00:29:00,247 --> 00:29:02,332
and the reason for that
is I'm sick. I have the flu.
605
00:29:05,803 --> 00:29:08,388
I arrived here at 6:30 p.m.,
which is my call.
606
00:29:08,455 --> 00:29:10,673
I think we're shooting
till 4:30 a.m.
607
00:29:10,758 --> 00:29:12,975
I've gotta work with Omar,
which always makes me
608
00:29:13,060 --> 00:29:15,144
slightly sleepy,
just his acting style.
609
00:29:15,229 --> 00:29:16,979
(Growling)
We go to war, baby.

610
00:29:21,068 --> 00:29:22,935
Our department's
interfaced with the public.
611
00:29:22,986 --> 00:29:25,071
We do so much prep work
and so much groundwork
612
00:29:25,138 --> 00:29:26,773
everything's on a deadline.
It's a lot of fun.
613
00:29:26,824 --> 00:29:28,974
12 different departments
on time, ready to go,
614
00:29:29,026 --> 00:29:30,827
with every single piece
of equipment.
615
00:29:30,911 --> 00:29:32,745
They're like the marines.
They're the first ones in.
616
00:29:32,813 --> 00:29:34,393
So you guys like
when we wrap early.
617
00:29:34,418 --> 00:29:35,498
Oh, yeah.
618
00:29:35,499 --> 00:29:38,284
(Omar) That's what
it's all about.
619
00:29:38,335 --> 00:29:40,169
<i>If you want</i>
<i>to know people well,</i>
620
00:29:40,254 --> 00:29:42,321
<i>you should see them</i>
<i>at 5:00 in the morning.</i>
621
00:29:42,373 --> 00:29:44,540
<i>You'll either like them</i>
<i>more or less.</i>

622
00:29:44,625 --> 00:29:47,760
<i>With these people,</i>
<i>it's definitely more.</i>
623
00:29:47,828 --> 00:29:49,178
(Man) Cut!
624
00:29:49,263 --> 00:29:51,464
(Indistinct conversation)
625
00:29:51,515 --> 00:29:53,099
I only want to say
as we go
626
00:29:53,166 --> 00:29:54,801
into the last show
that we will ever make,
627
00:29:54,852 --> 00:29:56,219
that none of us
really get a chance
628
00:29:56,303 --> 00:29:57,603
to look each other
in the eye and say
629
00:29:57,671 --> 00:29:59,722
"that was an incredible thing
that you did."
630
00:29:59,807 --> 00:30:01,607
That there was a set
that was drawn on a Monday,
631
00:30:01,675 --> 00:30:03,943
built on a Tuesday, and acted on
on a Wednesday
632
00:30:04,010 --> 00:30:07,363
is just mind-bending.
This show belongs to all of us,
633
00:30:07,448 --> 00:30:09,699
and it's something
I'm extraordinarily proud of.
634
00:30:13,987 --> 00:30:16,656

Three, two, one!


635
00:30:16,707 --> 00:30:19,459
(Cheering)
636
00:30:22,362 --> 00:30:25,465

637
00:30:47,688 --> 00:30:51,357
<i>So this is it.</i>
<i>Here's to the last day.</i>
638
00:30:51,425 --> 00:30:55,628
<i>8 years and 177 shows.</i>
639
00:30:58,665 --> 00:31:01,534
<i>It's almost</i>
<i>5 million man-hours,</i>
640
00:31:01,585 --> 00:31:05,538
<i>or if you prefer,</i>
<i>566.6 years.</i>
641
00:31:05,589 --> 00:31:09,008
<i>4,074 miles of film.</i>
642
00:31:09,075 --> 00:31:12,011
<i>Just 1 more mile to go.</i>
643
00:31:13,747 --> 00:31:17,099
(Multiple voices) Rolling!
644
00:31:17,184 --> 00:31:17,952
(Man) And action.
645
00:31:17,977 --> 00:31:19,602
I think it's because
all of me believes
646
00:31:19,603 --> 00:31:21,888
that Foreman is a sucker
for an emotional plea.
647
00:31:21,939 --> 00:31:23,940
Cut.
(Exhales)

648
00:31:26,360 --> 00:31:29,946
(Man) Good.
All right, that's a wrap, guys!
649
00:31:30,030 --> 00:31:32,532
(Cheering)
650
00:31:34,284 --> 00:31:36,285
(Man) Mr. Hugh Laurie!
(Cheering)
651
00:31:36,370 --> 00:31:39,539
Mr. Hugh Laurie.
652
00:31:48,114 --> 00:31:50,716
Morning, Hugh.
<i>And they're all being very polite to me,</i>
653
00:31:50,784 --> 00:31:52,502
<i>because I've laid on a plane</i>
654
00:31:52,586 --> 00:31:54,554
<i>for our very last trip.</i>
655
00:32:02,763 --> 00:32:04,764
<i>It was either that</i>
<i>or nine hours in a van,</i>
656
00:32:04,815 --> 00:32:06,682
<i>and I thought, well,</i>
<i>if anybody's deserved it,</i>
657
00:32:06,767 --> 00:32:09,602
<i>they have.</i>
658
00:32:09,653 --> 00:32:11,437
<i>That's the international sign</i>
659
00:32:11,488 --> 00:32:13,773
<i>of someone going up</i>
<i>in a helicopter.</i>
660
00:32:17,155 --> 00:32:18,823
(Robert) So proud of myself
I forget the next thing.
661

00:32:19,614 --> 00:32:21,531


You tell 'em they're not losing
their boyish good looks
662
00:32:21,599 --> 00:32:23,750
or becoming worn out.
I, uh, okay.
663
00:32:23,818 --> 00:32:26,436
(Muttering)
664
00:32:26,487 --> 00:32:30,106
Your husband continues
to decline.
665
00:32:30,158 --> 00:32:32,159
I'm sorry.
(Man laughs)
666
00:32:32,243 --> 00:32:34,628
Did you just give me the nod
to do that?
667
00:32:34,712 --> 00:32:36,963
(Laughing)
668
00:32:37,048 --> 00:32:39,800
I cannot abide that.
669
00:32:39,884 --> 00:32:44,137
Oy, can I do that again?
I'm so sorry.
670
00:32:44,222 --> 00:32:46,289
And we rest
in this sleepless stall
671
00:32:46,341 --> 00:32:51,345
until the morning
shows light on it all
672
00:32:51,429 --> 00:32:55,015
(Man) All right,
one more time, here we go.
673
00:32:55,099 --> 00:32:57,984
(Woman) Going again.
(Laughing)

674
00:32:58,069 --> 00:33:01,638
(Man) You're so cute.
(Man) I'm sorry. Cut.
675
00:33:06,411 --> 00:33:09,246
(Hugh) We started in this room...
(Woman) July 13...
676
00:33:09,313 --> 00:33:12,249
July 13, 2004.
2004.
677
00:33:12,316 --> 00:33:14,084
(Hugh) God sake.
(Cathy) Our very first fitting
678
00:33:14,151 --> 00:33:16,920
on the TV show "House."
Wow.
679
00:33:16,987 --> 00:33:21,324
I look just like my son.
I know, right?
680
00:33:21,376 --> 00:33:23,710
Well, you're not supposed to go
for that so quickly, Cathy.
681
00:33:23,795 --> 00:33:26,096
You're gonna ruin it.
(Laughs) Our very first fitting.
682
00:33:26,163 --> 00:33:29,433
And, uh, this is our very last
fitting for "House."
683
00:33:32,303 --> 00:33:33,937
It says it all.
684
00:33:34,004 --> 00:33:36,139
Ira Hurvitz-I've called him out many times.
685
00:33:36,190 --> 00:33:37,441
I've actually
seen him asleep.

686
00:33:37,508 --> 00:33:39,192
I've actually caught him
falling asleep.
687
00:33:39,277 --> 00:33:41,144
I'm just gonna
draw out three at random.
688
00:33:41,195 --> 00:33:43,897
(Laughter)
689
00:33:43,981 --> 00:33:45,899
And everyone else
can just lump it.
690
00:33:45,983 --> 00:33:47,617
I'd like to thank
691
00:33:47,685 --> 00:33:51,238
the script supervisor Ira Hurvitz.
(Cheering)
692
00:33:51,322 --> 00:33:53,123
There are so many good people
working on this show.
693
00:33:53,190 --> 00:33:55,409
I have to watch the continuity
to make sure,
694
00:33:55,493 --> 00:33:57,461
since we're shooting
out of order,
695
00:33:57,528 --> 00:33:59,195
we don't forget any details.
696
00:33:59,247 --> 00:34:02,332
I mean, I can so heavily rely
on the makeup and hair people.
697
00:34:02,383 --> 00:34:05,085
(Laughing) I doubt it.
You're welcome.
698
00:34:05,169 --> 00:34:08,505
Um, where were you this morning

when I woke up?


699
00:34:12,727 --> 00:34:15,595
Here getting ready
for the "House" big wrap party.
700
00:34:20,067 --> 00:34:22,819
(Group singing in Spanish)
701
00:34:28,693 --> 00:34:31,912
<i>Yes, indeed,</i>
<i>this is a big wrap party.</i>
702
00:34:31,996 --> 00:34:33,897
<i>Of course,</i>
<i>we have a wrap party</i>
703
00:34:33,948 --> 00:34:35,832
<i>at the end of every season,</i>
704
00:34:35,900 --> 00:34:39,119
<i>but this is the end</i>
<i>of everything--eight years.</i>
705
00:34:39,203 --> 00:34:43,457
<i>Almost 1,000 people</i>
<i>have worked on this show.</i>
706
00:34:43,541 --> 00:34:45,709
<i>There's a lot of stories</i>
<i>to be told,</i>
707
00:34:45,760 --> 00:34:48,745
<i>a lot of tears to be shed,</i>
708
00:34:48,796 --> 00:34:51,264
<i>a lot of songs to be sung.</i>
709
00:34:51,349 --> 00:34:54,518
The night
710
00:34:54,585 --> 00:34:56,970
and the Tennessee waltz
711
00:34:57,054 --> 00:34:59,723
<i>That, by the way,</i>
<i>is not a prop Martini.</i>

712
00:34:59,774 --> 00:35:04,811
The Tennessee waltz
713
00:35:04,896 --> 00:35:07,481
(Cheers and applause)
714
00:35:07,565 --> 00:35:08,982
(Man) Good night.
715
00:35:18,125 --> 00:35:21,962
Some people call me a junker
716
00:35:22,046 --> 00:35:26,115
'cause I'm loaded
all the time
717
00:35:26,167 --> 00:35:27,918
Did you just take a pill?
No.
718
00:35:27,969 --> 00:35:30,253
I just feel happy
719
00:35:30,304 --> 00:35:33,640
and I feel good all the time
720
00:35:33,724 --> 00:35:35,792
I have been watching it
from the beginning.
721
00:35:35,843 --> 00:35:37,477
I've heard
from a lot of people,
722
00:35:37,562 --> 00:35:39,145
and I've had
this experience myself
723
00:35:39,230 --> 00:35:41,631
where we'll wear a "House" hat
or a "House" T-shirt,
724
00:35:41,682 --> 00:35:43,767
and people really do
come up to us and say,

725
00:35:43,818 --> 00:35:45,435
"do you work on 'House'?"
726
00:35:45,486 --> 00:35:47,237
It's nice.
And Jamie takes advantage of that.
727
00:35:47,304 --> 00:35:49,189
I'm not saying I take advantage of that.
And she gets free stuff.
728
00:35:49,273 --> 00:35:52,192
Please don't air that
on national TV.
729
00:35:52,260 --> 00:35:55,829
I just want to thank "House"
for having me out
730
00:35:55,897 --> 00:35:58,398
and inspiring me in making
one of the biggest decisions
731
00:35:58,466 --> 00:35:59,933
in my life,
732
00:36:00,001 --> 00:36:03,820
that I want to continue
to med school and be a doctor.
733
00:36:03,871 --> 00:36:06,339
Rita from
Battle Creek, Michigan,
734
00:36:06,424 --> 00:36:08,955
wants to know why millions
of people around the world...
735
00:36:08,980 --> 00:36:09,509
Around the world.
736
00:36:09,510 --> 00:36:11,595
Are invested in the character
of Gregory house.
737
00:36:11,662 --> 00:36:14,347
I think it's because

of your blue eyes.


738
00:36:14,432 --> 00:36:16,266
Right.
739
00:36:16,333 --> 00:36:18,184
I think that's it.
That's pretty much what I was saying,
740
00:36:18,269 --> 00:36:19,803
but more condensed.
741
00:36:19,854 --> 00:36:23,023

742
00:36:26,944 --> 00:36:28,778
Dr. House, if you're
gonna save this patient,
743
00:36:28,846 --> 00:36:31,114
you'll need this.
744
00:36:31,182 --> 00:36:34,701
Get this thing
out of my sight!
745
00:36:34,785 --> 00:36:36,119
Can you help me?
746
00:36:36,186 --> 00:36:38,788
Well, let's see now.
(Laughter)
747
00:36:40,541 --> 00:36:43,910
(Gasps)
The genitals seem healthy.
748
00:36:43,995 --> 00:36:46,046
You are a woman, right?
(Laughter)
749
00:36:46,130 --> 00:36:48,748
(Whispering)
I'm hosting the Emmys.
750
00:36:48,833 --> 00:36:52,252
Oh. What a feather

in your cap.
751
00:36:52,336 --> 00:36:54,971
Mr. Laurie, I'm proud
to present you the-752
00:36:55,039 --> 00:36:56,973
with
the Golden Camera Award.
753
00:36:57,041 --> 00:36:59,426
All artists
must travel a lot.
754
00:37:03,314 --> 00:37:05,381
(Bleep)
755
00:37:05,433 --> 00:37:07,434
It's made me think.
It's made me laugh a lot.
756
00:37:07,501 --> 00:37:09,202
It's made me cry.
757
00:37:09,270 --> 00:37:12,055
Thank you, "House."
Thank you for eight great seasons.
758
00:37:12,106 --> 00:37:13,940
Thank you.
Thank you.
759
00:37:14,008 --> 00:37:17,444
I know I am never,
ever going to forget it.
760
00:37:17,528 --> 00:37:20,396

761
00:37:23,661 --> 00:37:25,795
(Playing piano)
762
00:37:37,758 --> 00:37:41,311
<i>"I left Holmes seated in front</i>
<i>of the smoldering fire.</i>
763
00:37:41,378 --> 00:37:43,880

<i>"And long into the watches</i>


<i>of the night</i>
764
00:37:43,931 --> 00:37:47,016
<i>"I heard the low, melancholy</i>
<i>wailings of his violin</i>
765
00:37:47,067 --> 00:37:49,719
<i>"and knew</i>
<i>that he was still pondering</i>
766
00:37:49,770 --> 00:37:52,722
<i>over the strange problem which</i>
<i>he had set himself to unravel."</i>
767
00:37:52,773 --> 00:37:55,825
Call radiology.
I want to see the music.
768
00:38:00,281 --> 00:38:01,648
Am I right in saying
769
00:38:01,715 --> 00:38:04,734
Conan Doyle based
Sherlock Holmes on a doctor.
770
00:38:04,785 --> 00:38:08,070
I don't want to say you based
House on the doctor,
771
00:38:08,122 --> 00:38:09,756
but the similarities are...
Yeah, a little-- inspired.
772
00:38:09,840 --> 00:38:11,674
There are parallels,
and because of those parallels,
773
00:38:11,742 --> 00:38:13,760
there was a wink of the eye,
774
00:38:13,844 --> 00:38:17,430
but it was never intended to be
a modern-day Holmes,
775
00:38:17,498 --> 00:38:21,083
a doctor who fundamentally isn't
interested in saving lives...

776
00:38:21,135 --> 00:38:22,769
(Gunshot)
But is interested in the puzzle.
777
00:38:22,853 --> 00:38:25,021
There's also
the implication, though,
778
00:38:25,088 --> 00:38:27,590
in the art of the puzzle,
779
00:38:27,641 --> 00:38:30,643
that the person who thrives
on puzzle-solving
780
00:38:30,728 --> 00:38:32,929
must be less empathetic,
781
00:38:32,980 --> 00:38:35,315
less, uh, emotional.
782
00:38:35,399 --> 00:38:37,734
What were you doing
up in Middletown?
783
00:38:37,801 --> 00:38:39,869
You know what's more interesting
than what I was doing
784
00:38:39,937 --> 00:38:42,455
is the reason you are
so obsessed
785
00:38:42,540 --> 00:38:44,274
with what I was doing.
786
00:38:44,341 --> 00:38:46,326
House and Wilson,
Holmes and Watson-787
00:38:46,410 --> 00:38:49,145
the names are a clear homage.
Robert does carry
788
00:38:49,213 --> 00:38:52,649
a sort of Watson-Ian

solid citizen...
789
00:38:52,716 --> 00:38:54,784
Yeah.
Aura about him.
790
00:38:54,852 --> 00:38:56,419
I love House and Wilson's
relationship,
791
00:38:56,470 --> 00:38:58,805
because there's
a sense of mutual respect
792
00:38:58,889 --> 00:39:01,791
and honestly
(Grunts)
793
00:39:01,842 --> 00:39:04,627
(Winces)
I always feel like
794
00:39:04,678 --> 00:39:08,264
Hugh has a twinkle in his eye
that you only see
795
00:39:08,315 --> 00:39:09,983
when he's talking to-to Wilson.
796
00:39:16,657 --> 00:39:18,241
<i>Well, what would you do?</i>
797
00:39:18,308 --> 00:39:20,410
<i>You know the show's finished.</i>
798
00:39:20,477 --> 00:39:22,111
<i>Never gonna use</i>
<i>these sets again.</i>
799
00:39:25,249 --> 00:39:27,533
<i>And at 9:00 tomorrow morning,</i>
800
00:39:27,618 --> 00:39:30,954
<i>large men with chain saws</i>
<i>are coming in.</i>
801

00:39:39,380 --> 00:39:42,682


<i>Well, obviously,</i>
<i>there's only one thing to do.</i>
802
00:39:42,766 --> 00:39:45,602

803
00:40:32,566 --> 00:40:33,916
(Groans)
804
00:40:39,273 --> 00:40:41,190
(Hugh)
It was a fun night, though.
805
00:40:41,241 --> 00:40:43,926
The strangest thing,
isn't it?
806
00:40:43,994 --> 00:40:47,780
Eight years
that we have been walking-807
00:40:47,865 --> 00:40:51,233
(paintball gun fires)
Now that's very satisfying. Yeah.
808
00:40:51,285 --> 00:40:54,754
(Paintball gun firing)
809
00:40:54,838 --> 00:40:58,091
(Laughs)
810
00:40:58,175 --> 00:41:01,177
(Paintball gun firing
on automatic fire)
811
00:41:01,244 --> 00:41:02,101
What the...
812
00:41:02,126 --> 00:41:04,047
I did not know you had
that capability.
813
00:41:04,048 --> 00:41:06,632
I dare you to shoot your own foot.
No, I'm not going to,
814

00:41:06,717 --> 00:41:08,768


because I actually did
this once, and it hurts.
815
00:41:08,852 --> 00:41:12,388
I'm gonna shoot my own foot.
Go ahead.
816
00:41:12,439 --> 00:41:15,858
Oh! F...
817
00:41:15,926 --> 00:41:17,894
(Laughs)
818
00:41:17,945 --> 00:41:20,229
Oddly enough,
that does sting-819
00:41:20,280 --> 00:41:22,264
that does sting
a little bit.
820
00:41:22,316 --> 00:41:24,951
Yeah, that'll-- you'll feel that.
Oh! (Laughs)
821
00:41:25,035 --> 00:41:27,120
Yeah.
I-I didn't want to warn you,
822
00:41:27,204 --> 00:41:29,605
'cause, like, I enjoy--I knew
I would enjoy you in pain.
823
00:41:29,656 --> 00:41:31,507
So I didn't want
to warn you too strongly,
824
00:41:31,575 --> 00:41:33,409
but it does hurt.
But the things I am prepared to do
825
00:41:33,460 --> 00:41:37,113
to entertain the general public.
It really is pathetic.
826
00:41:37,164 --> 00:41:39,348
Should we end this?

Yeah, let's end it.


827
00:41:39,416 --> 00:41:41,751
We just end it now.
828
00:41:41,819 --> 00:41:46,506
You've got to win a little
829
00:41:46,590 --> 00:41:49,392
lose a little
830
00:41:49,459 --> 00:41:55,765
yes, and always have
the blues a little
831
00:41:55,816 --> 00:41:58,985
that's the story of
832
00:41:59,069 --> 00:42:01,904
that's the glory of love...
833
00:42:01,972 --> 00:42:04,073
There obviously is no show
without the fans,
834
00:42:04,141 --> 00:42:06,025
and more fundamentally,
there's no point to the show
835
00:42:06,110 --> 00:42:07,527
without the fans.
836
00:42:12,583 --> 00:42:15,001
<i>This is the exact spot</i>
837
00:42:15,085 --> 00:42:18,204
<i>where I stood, sat,</i>
<i>paced nervously</i>
838
00:42:18,288 --> 00:42:20,623
<i>before my very first audition</i>
<i>for the role of House</i>
839
00:42:20,674 --> 00:42:23,543
<i>back in 2004.</i>
840

00:42:23,627 --> 00:42:25,995


<i>Since then, it's been</i>
<i>an incredible journey,</i>
841
00:42:26,046 --> 00:42:28,297
<i>an unforgettable part</i>
<i>of my life,</i>
842
00:42:28,348 --> 00:42:30,349
<i>an unforgettable part</i>
<i>of many people's lives--</i>
843
00:42:30,434 --> 00:42:32,685
<i>these people.</i>
844
00:42:32,770 --> 00:42:36,806
As long as there's
just the two of us
845
00:42:36,857 --> 00:42:41,077
oh, we've got the world
and its charms
846
00:42:44,098 --> 00:42:47,784
and when the world
is through with us
847
00:42:49,570 --> 00:42:53,372
we've got each other's arms
848
00:42:53,457 --> 00:42:55,541
you've got to
849
00:42:55,626 --> 00:42:58,494
win a little
850
00:42:58,545 --> 00:43:01,864
lose a little
851
00:43:01,915 --> 00:43:07,503
yes, and always have
the blues a little
852
00:43:07,554 --> 00:43:10,306
that's the story of
853
00:43:10,373 --> 00:43:14,177

that's the glory of love


854
00:43:16,680 --> 00:43:19,348
oh
855
00:43:19,399 --> 00:43:22,685
that's the story of
856
00:43:22,736 --> 00:43:25,387
that's the glory
857
00:43:25,439 --> 00:43:29,058
of love
858
00:43:31,906 --> 00:43:35,906
== sync, corrected by <font color="#00FF00">elderman</font> ==

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