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A CLOSER LOOK AT

LEEROY NEW’S ARTWORKS

INSTALLATION, FASHION AND DESIGN


 He is a graduate of the Philippine High School
for the Arts, major in Visual Arts, and the UP -
College of Fine Arts.
AWARDS:
1. Grand prize for sculpture in the 2005
Metrobank Art Awards;
2. 2009 Ateneo Art Awards;
3. A nomination for the 2011 Signature Art
Prize, Singapore;
4. 2012 Cultural Center of the Philippines 13
Artists Award and
5. 2014 Metrobank Foundation Award for
Continuing Excellence and Service
Psychopomp’s Reef Installation
"Balete"
“BANGAW”
“BAKAWAN FLOATING ISLAND”
Terratoma II (War of the
Worlds) in Singapore
Biennale 2008
Singapore City Hall
“ADAM AND THE TREE
OF LIFE”
SCULPTED DRESS
SHOES
FILIPINO FASHION ARTISTS
PITOY MORENO
a pillar of Philippine fashion
Is known for his
sophisticated Baro’t Saya, the
national costume of the
Philippines for women, costumes
made from raw materials from
Philippines like jusi, pina and
lepanto
MICHAEL CINCO
RAJO LAUREL
FRANCIS LIBIRAN
MONIQUE LHUILLIER
OLIVER TOLENTINO
Theatre and Performance Arts on
Stage and on the Streets
Theatre Production
1. Performance Arts
Performing arts may include dance, music,
opera, theatre and musical theatre, magic,
illusion, mime, spoken word, puppetry,
circus arts, performance art, recitation and
public speaking. There is also a specialized
form of fine art, in which
the artists perform their work live to an
audience.
2. Theatre Arts
Theatre or theater is a
collaborative form of fine art that
uses live performers, typically
actors or actresses, to present the
experience of a real or imagined
event before a live audience in a
specific place, often a stage.
Example : Performance Arts
Example : Theatre Arts
The elements of dramatic theatrical
performance
1. Plot
The main events of a
play, novel, movie, or
similar work, devised
and presented by the
writer as an
interrelated sequence.
2.Character

-a person
in a novel,
play, or
movie.
3. Thought - the action or process of
thinking
4. Language or diction
Diction -its original, primary meaning,
refers to the writer's or the speaker's
distinctive vocabulary choices and style
of expression in a poem or story.
Language definition, a body of words
and the systems for their use common to
a people who are of the same community
or nation, the same geographical area
5. Song or Music –refers to the speaking,
dancing and singing part in the performance.
6. Spectacle - an event or scene regarded in terms of its
visual impact.
7. Director - a person who supervises the
actors, camera crew, and other staff for a
movie, play, television program, or similar
production
8. Playwright - A playwright, also
known as a dramatist, is a person
who writes plays.
9.Theater Space - (with a focus on
Proscenium, Thrust
Stage, Theatre in the Round, Black
Box Theater) 
The Four basic theatre stages are the
following:
1. Proscenium -The
Proscenium Arch was the
most common form of
theatre building in the 18th,
19th and 20th centuries. The
“Arch” acts like a picture
frame through which the
action can be seen. The
picture above shows the
Proscenium Arch of the York
Theatre Royal in the UK.
2. Arena or circle stage-
In theatre and performing
arts, the stage is a
designated space for the
performance of ... In
theatre in the round, the
audience is located on all
four sides of the stage. 
3.Thrust Stage
a stage that extends
into the auditorium
so that the audience
is seated around
three sides.
4. Created and Found
A stage can also be
improvised where ever a
suitable space can be
found. Examples may
include staging a
performance in a non
traditional space such as
a basement of a building,
a side of a hill or, in the
case of a busking troupe,
the street. In a similar
manner, a makeshift
stage can be created by
modifying an
environment. 
Style in Philippine Theatre Arts
Theater, as the performing art that
consists of acting in front of an audience,
uses a combination of gesture, music,
dance, sound, speech ,or a narrative.
Theater takes many forms, such as plays,
musical, opera, ballet or a combination of
contemporary forms.
According to Nicanor Tiangson
Most of the Original plays
of today were written for
literary contests or evolved
through workshops or
created for semi-
professional companies
,student drama
organizations and
numerous community
theatre groups all over the
country.
Outstanding directors who have
contributed to the development
of Modern Philippine Theater
Lamberto Avellana y Vera was
born in Bontoc in the Mountain
Province on 12 February 1915. He
studied at Ateneo de Manila, where
he learned about his passion and
talent for the theater arts. He
became a teacher at Ateneo, and
aspired to promote Filipino theater.

He met Daisy Hontiveros who


acted in plays staged by the
University of the Philippines.
Hontiveros and Avellana formed a
theater arts group called the
Barangay Theater Guild, which has
had members such as Leon Ma.
Guerrero III and Raul Manglapus.
Founder of Repertory Philippines
Zenaida Amador
THE “MOTHER” of the
country’s oldest theater group,
Repertory Philippines, Zenaida
“Bibot” Amador left behind a
legacy of theater excellence and
a “brood” of world-class stage
artists when she died of lung
cancer last Nov. 28.
Amador formed Repertory
Philippines Foundation Inc. as
president and artistic director in
1967, training theater hopefuls
including Lea Salonga and
Monique Wilson of Miss Saigon
fame.
Antonio Mabesa
Professor Emeritus Antonio “Tony”
Mabesa received this year’s Gawad CCP
Para sa Sining, the highest award given
by the Cultural Center of the Philippines
(CCP) every three years. This recent
achievement, though, is just one of Prof.
Mabesa’s many accomplishments in a
career that spans more than six
productive decades.
Prof. Mabesa is best known for his works
in the theater and is widely considered
one of the country’s finest directors,
having directed some 170 productions.
He is also a prolific actor, having acted in
countless plays, films, and TV shows.
Behn Cervantes
Theater and film director and
activist Benjamin “Behn” Cevantes
A renowned activist who was jailed
during Martial Law alongside his
friend, the late National Artist for
Film Lino Brocka, Cervantes was a
leading figure in Philippine theater,
both as director and actor.
From the 1970s through the late
1980s, the mercurial Cervantes
staged numerous political plays with
the student actors of UP Repertory.
He was also acclaimed for directing
the landmark political film
“Sakada”.
 
Lutgardo Labad
 A native of Baclayon, Bohol, where Cesar
Montano and director Maryo, are
distinguished province-mates, Labad was
one of the original members of PETA
(Philippine Educational Theater
Association) in the early ’70s where
Brocka and actor-director Cecile Guidote
Alvarez were two of the pioneers. “I
started composing for PETA in 1968
through the prodding of Cecile (Guidote)
who inspired me to do creative music for
her theater  works starting with production
of Crucible and her own version of
Larawan. It was at PETA where I met Lino
(Brocka) who was then our publicity
officer. He wanted me to compose music
for his movies. I would say that it was in
Tinimbang where I got my first big break.
It was his first produced film and almost
all of PETA got involved. It was a very
exciting time for me.
Cecile (Guidote) Alvarez
Cecile Guidote-Alvarez
(born November 13,
1943) founded the
Philippine Educational
Theater Association
(PETA), a pioneering
theater group that honed
creative artists and
audiences through
children’s, college, and
community theater. She
was recognized as
National Artist for
Theater in 2009.
Soxy Topacio
Soxy has been also a Resident
Artist of PETA since 1969, a
Program director of
Kalinangan Ensemble from
1982-1986, PETA Executive
Director from 1986-1994, a
member of the Board of
Trustees from 1995 to present,
a member of Afredo Salanga
Foundation Board of Trustees
from 1990-1992, a member of
the PETA Artistic Com from
2004-2006 and a membership
committee from 2005 to
present.
Joel Lamangan
In 2013, Lamangan was
named as the artistic director
of Gantimpala Theater
Foundation. Lamangan will
direct an original musical
titled "Katipunan: Mga Anak
ng Bayan" and it will star
actors Sandino Martin and
Anna Fegi. The show toured
in August and September of
2013 around provinces of
Manila to celebrate the
150th anniversary of the
birth of Philippine hero,
Andres Bonifacio.
Baby Barredo
Ms Baby Barredo, one of the
founders of Repertory
Philippines, is better known
in the theater community as
“Tita Baby”. Being almost
everyone’s “tita” really made
this community one big
happy family. And just like
how in any family, the
children grow up and start
putting up their own
families, most of the new
theater companies that get
built up are mostly alumni of
Repertory Philippines
Joonee Gamboa
Filipino actor and
voice actor. As
veteran actor, he
appeared in more
than 145 movies and
television shows.
STYLES THAT DOMINATE
PHILIPPINE THEATER
Realism
The Filipino Playwrights adopted realism
as a style in theater arts.Realism in the
contemporary modern theater follows two
tendencies: the psychological ,which
focuses on the problems of individuals
and the social,which situates and roots
individual problems within the larger
framework of a class society.
Psychological Realism
Outstanding psychological studies of
character are found in some English plays
Wilfrido Maria Guerrero
Filipino playwright, director, teacher and
theater artist. Guerrero wrote well over
100 plays, 41 of which have been
published. His unpublished plays have
either been broadcast over the radio or
staged in various parts of the Philippines
Nick Joaquin
dfg
Orlando Nadres
oyu
Bienvenido Noriega Jr.
Tony Perez
sdre
Bobby Flores Villasis
Demigod
Elsa Victoria Martinez Coscoluela
Social Realism
Social Realism is a
naturalistic realism focusing specifically
on social issues and the hardships of
everyday life. The term usually refers to
the urban American Scene artists of the
Depression era, who were greatly
influenced by the Ashcan School of early
20th century New York.
Alberto Florentino

sdfgh
Reuel Molina Aguila
Paul Dumol
Chris Millado
The Theater in different Regions

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