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ARCHITECTURE
Origins
• The triglyph, which alternates with the metopes, began as wooden beam ends.
• The metope [pronounced "met-o-pee"] is a plain, smooth stone section between triglyphs.
Sometimes the metopes had statues of heroes or gods on them. The triglyphs are a pattern of 3
vertical lines between the metopes.
Origins
• In moving from wood to stone,
builders had to adapt to the
differing properties of their
building materials.
• Stone has greater compressive
(resistance to crushing) strength
than wood, but lacks tensile
strength (resistance to bending or
twisting). Therefore, while
columns/posts might be relatively
thin, the entablature/beams, must
be quite thick.
Origins
Hephaistion, Athens
Origins
POSTERN
GATE
HOUSES
POSTERN
GATE
THIS INCOMPLETE PLAN SHOWS AREAS THAT HAVE BEEN EXCAVATED. THE FORTIFICATION WALLS EXTEND TO
PROVIDE ADDITIONAL PROTECTION AT THE ‘LION GATE’ AND THE SECONDARY GATE ON THE NORTH SIDE. THE
PALACE MEGARON, ONE OF THE LARGEST ROOMS IN THE CITY IS LOCATED AT THE CENTER.
It is the famous gate of the palace at
Tiryns. It consists of four massive
stones ,one for threshold , one for
lintel , (4.87 m long and 1m high )
and two for upright columns ,
spanning 3.2 m .above the lintel is a
triangular slab carved out of a pair
of lions one on either side , facing a
central column 3m high which is
tapering downward, a peculiar
feature of Mycenaean style.
– Doric
– Ionic
– Corinthian
The Doric Order
• This is the
monumental
entry point to
the acropolis.
Temple of Athena Nike
• This is a small temple
dedicated to the
victorious Athena.
• The ratio of height to
diameter of the
columns is 7:1 and not
the 9:1 or 10:1
generally found in
Ionic temples.
The Parthenon
• This is the most
important and
perfectly formed
temple on the
acropolis.
• Dedicated to Athena,
it housed an enormous
cult image.
Parthenon
• This building is the
culmination of
Classical Greek
architecture.
• Optical refinements
are many, and the
result is a building
reflecting the Greek
concept of arete,
perfection.
The Parthenon
• One of the Parthenon’s most
impressive features was not
seen by most worshippers –
the great frieze showing the
Panathenaic Procession.
• The colour of this
reconstruction is indicative
of what much of the
structure would have looked
like before being bleached
by centuries of
Mediterranean sun.
The Erechtheum
• Greek architecture
had a lasting impact
on the world.
• The Romans adopted
it as an ideal, but
modified it to meet
their practical needs.
The Greek Heritage
• Greek forms
have become an
integral part of
the vocabulary
of world
architecture
VIRTUALLY EVERY
GREEK CITY HAD ITS
OWN THEATER THAT
COULD ACCOMMODATE
A GOOD PORTION OF THE
POPULATION, AS
ATTENDING FRAMATIC
PERFORMANCES WERE
ENCOURAGED TO
PROMOTE CIVIC VALUES
5TH CENTURY ATHENIANS CONSTRUCTED THE THEATER OF DIONYSOS ON THE SOUTH SIDE OF
THE ACROPOLIS HILL, USING THE RISING EMBANKMENT TO PROVIDE SUPPORT FOR A
CONCENTRIC SEATING FOCUSED ON THE CIRCULAR ORCHESTRA, A FLAT AREA FOR DANCING.
BEHING THE ORCHESTRA WAS A BACKDROP STRUCTURE, THE SKENE, & THEY ARE DIRECTLY IN
FRONT, THE PROSKENION, WAS A RAISED PLATFORM FROM WHICH ACTORS DECLAIMED THEIR
LINES. (NOTE HOW THIS TERMINOLOGY CONTINUES TO BE USED TODAY; THE FRAMING ARCH
OVER THE STAGE OF TODAY’S THEATERS IS KNOWN AS THE PROSCENIUM, WHILE THE
ORCHESTRA SEATS ARE THOSE PLACED DIRECTLY IN FRONT OF THE STAGE). SEVERAL DOORS
SET IN THE SKENE SERVED AS ENTRANCES & EXISTS AS NEEDED IN THE DRAMA, AND ACTORS
SPOKE LINES FROM THE GODS FROM THE ROOF OF THE BUILDINGS.
GREEK ARCHITECTURE