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MELODRAMA

KEY ASSESSMENT 3
1) You will be given a Melodrama scenario from which to base
your group’s scene but you can develop this in any way that you
Assessment
see as appropriate.
Task
You will have 25 minutes to
rehearse with your group.
2) You will be given suggested lines of dialogue to include and
Make sure by the end of the
suggested characters, that you can use to help you get started. You
must include at least 2 lines of dialogue in your performance. time that you know:
Your piece must be exaggerated and each character should use at - Exactly what you are
least 2 melodrama gestures. saying and when
- Who your character is and
how they behave.
3) You will need to collaborate together effectively, listen to one - What poses you are holding
another’s ideas and then start practically exploring them as soon and when.
as you can.
- How the scene ends.
Lines of Dialogue: You must include at least 2 lines of
dialogue!
Scenario: The Hallows are too old to work
“Prepare to meet your doom, Sir Jasper! You’ll
and Daisy doesn’t earn enough with her
not escape justice this time!”
strawberry picking to support them so they
are very poor. Sir Jasper wants them off his
“Alas! My poor heart is broken forever!”
land where they live, unless Daisy will
marry him. She hates his evil ways….what
“Ha Ha Ha! Now, my beauty, you are mine, all
will happen?
mine!”

“Oh, my poor daughter, what will become of


you?”
Stock Characters Names
“Go and capture that fool immediately.” Hero Sam Catchalot
Damsel Daisy Hallows

Don’t forget that you must also use melodrama gestures Villain Sir Jasper Conway
appropriate to your character at 2 moments in the scene when Sidekick Jim Boots
you will hold your pose for a couple of seconds to make it Aged parents Mr. and Mrs. Hallows
clear to the audience
Assessment Criteria (what you are aiming for)

Voice Body Language Creativity


You are creative in your approach to voice, You demonstrate high-energy, focused Within your scene, you consider
which is appropriate to the scene and and exaggerated body language which what you have developed about
chosen stock character, demonstrating a clearly suits the character, style and the your character’s background and
wide range of skills such as accent, pitch, specific details of that moment within their relationships with others and
pace, volume and tone. You are able to the scene. You demonstrate original ways of developing the
fully sustain a believable character voice understanding that body language and plot and given scenario. You are
throughout your piece. proxemics should change as the tension always looking to make
rises. You are able to hold exaggerated improvements and are willing to
gesture poses at moments of impact try out new ideas before moving
throughout the scene. on.

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