The document provides information on various arts and crafts from the Mindanao region in the Philippines. It discusses the Sarimanok legendary bird symbol and okir wood carving designs among Moro groups. It also describes traditional Yakan wedding ceremonies including face makeup patterns and ornate costumes and accessories of the bride and groom. Details are given on distinctive T'boli jewelry pieces like heavy brass belts, wooden combs with beads, and large beaded necklaces. The document concludes with information on kulintang musical instruments made through lost-wax brass casting.
The document provides information on various arts and crafts from the Mindanao region in the Philippines. It discusses the Sarimanok legendary bird symbol and okir wood carving designs among Moro groups. It also describes traditional Yakan wedding ceremonies including face makeup patterns and ornate costumes and accessories of the bride and groom. Details are given on distinctive T'boli jewelry pieces like heavy brass belts, wooden combs with beads, and large beaded necklaces. The document concludes with information on kulintang musical instruments made through lost-wax brass casting.
The document provides information on various arts and crafts from the Mindanao region in the Philippines. It discusses the Sarimanok legendary bird symbol and okir wood carving designs among Moro groups. It also describes traditional Yakan wedding ceremonies including face makeup patterns and ornate costumes and accessories of the bride and groom. Details are given on distinctive T'boli jewelry pieces like heavy brass belts, wooden combs with beads, and large beaded necklaces. The document concludes with information on kulintang musical instruments made through lost-wax brass casting.
crafts in specific areas in Mindanao • Appreciates the artifacts an art object in terms of its utilization and their distinct use of art elements and principles. ANIMISM AND THE ISLAMIC RELIGION Sarimanok -legendary bird of the Maranao people who originate from Mindanao, a major island in the Philippines. - comes from the words “sari” and “manok.” “Sari” means cloth or garment, which is generally of assorted colors. Manòk, which makes up part of its name, is a Philippine word for chicken. Sarimanok - is derived from a totem bird of the Maranao people, called Itotoro. - According to the Maranao people, the Itotoro is a medium to the spirit world through its unseen twin spirit bird called Inikadowa. Okir -refers to traditional and unique carving and prominent to any design among the Moro ethnolinguistic communities. -comes from an old Malayan word which means carve or “ukit” in Filipino. It is referred to as okir in Maranao while okkil in Maguindanao. Okir -A new pattern now known as the okir motif has evolved from the Indian stylized bird-like and naga themes and the Islamic tradition of using flowing flowers, vine, and geometric patterns as well as local artisan styles. Okir 3 most common okil motifs used by the Muslim: • Sama are dauan-dauan (leaf motifs), • kaloon (curlicues and curved lines), and • agta-agta or buaya (fish or crocodile motifs). Face Makeup and Body Ornaments -Yakan is the facial make-up applied on brides and grooms. After applying a foundation of white powder, dots and lines are painted in various patterns on the faces, creating the effect of formal and elaborate masks which match the ornate costumes of the couple. T’boli Accessories The T’boli is known for their colourful clothing. Indeed their accessories have also magnificent significant to T’boli tribe. Brass Making – Kulintang -kulintang is a musical instrument composed of eight different-sized brass gongs laid upon a wooden rack. -made of brass with intricate designs and embossed top where it can be hit wooden mallets to produce music. Characteristics of some of the arts and crafts of Mindanao Different designs of Okir Yakan couples before the wedding ceremony Face Make up and Body Ornamentation of Yakan Tribes Tanyak Tanyak is a face painting custom is unique to Yakan tribal culture. Worn only for wedding ceremonies; circles, spots and diamond patterns are printed on the skin using bamboo implements and a thick mixture of white flour and water. Yakan couples before the wedding ceremony The bride and groom wear different accessories. Wedding attire: Male Pis – hand-woven head cloth; worn as symbolic protection from spears or knives Kandit – 15-m belth or sash made of gilim (red cloth) Shirts that are believed to be bulletproof with Arabic script designs prepared by immans and hadjis Yakan couples before the wedding ceremony Female Short skirt over trousers Both Saruk – hat worn to add elegance Yakan couples before the wedding ceremony Ornaments: Crocodile tooth necklace for fortune Triangular amulets with symbols wrapped in black cloth(anting- anting) against bullets Snake bone belts to guard from pain Yakan couples before the wedding ceremony Ornaments: Maniktegiyas – a necklace or bracelet of beads from dried fruit seeds to protect from illness caused by evil spirits Maniksembulan – necklace or bracelets made of a bamboo stems cut into short pieces; serves as added protection T’boli Accessories The jewelry pieces of the T’boli people are also extraordinary. For instance, the earrings and necklaces can be made from horse hair. They make a small chain and add beads. T’boli Accessories 1. Hilot T’noyong is a heavy brass belt worn by women during festivals. The T’boli nobility wear it with bracelets and anklets, furnished with ball- bearing that make a sound as the wearer walks. The bells that are hung from the distinctive brass or beaded belts signal the approach of a woman. T’boli Accessories 2. Suwatlmimot is a wooden comb with colored glass beads hanging from it, worn toward the back of the head. T’boli Accessories
3. L’mimot is a really big
necklace that practically covers the whole neck and chest area. T’boli Accessories 4. Brass bracelets called blonso are worn about 15-20 on each arm. 5. The Kayab is a piece of cloth worn like a turban. They use this to protect against the rain. Brass making – Kulintang Kulintang gongs are made using the cire perdue method, a lost-wax process used for casting the individual gongs. Performance Task: Sarimanok Paper Layering Art