Professional Documents
Culture Documents
INFORMATIO
N LANGUAGE
OBJECTIVES
CONVENTIO
N
CODES
Are systems of signs that are put
together to create meaning
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TYPES
OF
CODES
TYPES OF CODES
1. Technical codes
2. Symbolic Codes
3. Written Codes
1. Technical codes
Ways in which
materials are used to
tell the story such as
camera angles and
techniques, framing,
lightning and
exposure
CAMERA
Camerawork refers to
how the camera is
operated, positioned and
moved for specific
effects.
HIGH ANGLE LOW ANGLE SHOT
SHOT
Graphic edits
Rhythmic edits
Spatial edits
Temporal edits
AUDIO
Audio is the expressive or naturalistic use of sound
Dialogue
Sound Effects
Music
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LIGHTING
Lighting is the manipulation of natural or artificial light to
selectively highlight specific elements of the scene
Quality
Direction
Source
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1. Technical codes
Camera
Audio
Editing
Lighting
2. Symbolic Codes
Comprise of objects,
setting, body language,
and actions that signify
things more than what is
seen by the audience. It
includes hands gesture,
and colors.
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SETTING
Setting is the time and place of the narrative. When
discussing setting, you can describe the setting of the
whole story or just a specific scene.
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MISE EN SCENE
is a French term that means ‘everything within the frame’. In media
terms it has become to mean the description of all the objects within a
frame of the media product and how they have been arranged.
Set Design
Costume
Props
ACTING
Actors portray characters in media products and contribute to
character development, creating tension or advancing the narrative.
Facial expression
Body Language
Vocal qualities
Movement
Body contact
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COLOUR
Colour has highly cultural and strong connotations
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2. Symbolic codes
Setting
Mise En Scene
Acting
Colour
3. Written Codes
are the formal written language
used in a media product.
FORM CONVENTION
STORY CONVENTION
GENRE
CONVENTION
1. FORM
The certain ways we expect types of media’s codes to
CONVENTION
be arranged
CONNOTATION
DENOTATION
Is the literal aspect of an information.
Black Cat
BAD LUCK
MEDIA
REPRESENTATION
Media representations are not the whole realities of the world,
but only results of selection processes that highlight some
aspects of reality and neglect the others.