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  • A Part 22

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    Carlo
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    1. Impressionist composers such as Claude Debussy and Maurice Ravel sought to capture moods and images through sound by using techniques like whole-tone patterns and extensive use of the pedal. 2. Using the two whole-tone patterns demonstrated, students are encouraged to improvise their own musical picture, borrowing the title of one of Debussy or Ravel's works. 3. Suggested titles include "The Sunken Cathedral", "The Sea is Dancing", and "Fireworks". Students should experiment playing the whole-tone sounds up and down the keyboard using the damper pedal.

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    a_Part_22

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    1. Impressionist composers such as Claude Debussy and Maurice Ravel sought to capture moods and images through sound by using techniques like whole-tone patterns and extensive use of the pedal. 2. Using the two whole-tone patterns demonstrated, students are encouraged to improvise their own musical picture, borrowing the title of one of Debussy or Ravel's works. 3. Suggested titles include "The Sunken Cathedral", "The Sea is Dancing", and "Fireworks". Students should experiment playing the whole-tone sounds up and down the keyboard using the damper pedal.

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    © All Rights Reserved
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    60 views1 page

    A Part 22

    Uploaded by

    Carlo
    1. Impressionist composers such as Claude Debussy and Maurice Ravel sought to capture moods and images through sound by using techniques like whole-tone patterns and extensive use of the pedal. 2. Using the two whole-tone patterns demonstrated, students are encouraged to improvise their own musical picture, borrowing the title of one of Debussy or Ravel's works. 3. Suggested titles include "The Sunken Cathedral", "The Sea is Dancing", and "Fireworks". Students should experiment playing the whole-tone sounds up and down the keyboard using the damper pedal.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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