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A Journey Into The History of Architecture and Interior Design
A Journey Into The History of Architecture and Interior Design
A J O U R N E Y I N T O T H E H I S T O RY O F A R C H I T E C T U R E A N D I N T E R I O R D E S I G N
Everywhere inlaid
polychrome
marble
revetments are
relieved by
gilding, frescoed
barrel vaults
enrich the ceiling
and rhetorical
white stucco and
marble sculptures
break out of their
tectonic framing.
The concave-convex
facade of San Carlo
undulates in a non-
classic way.
Tall Corinthian
columns stand on
plinths and bear the
main entablatures;
these define the main
framework of two
storeys and the
tripartite bay division.
Between the columns,
smaller columns with
their entablatures
weave behind the
main columns and in
turn they frame
niches, windows, a
variety of sculptures
as well as the main
door,
Francesco Borromini was the master of curved-wall architecture. Though he designed many large buildings, Borromini's most
famous and influential work may be the small church of San Carlo alle Quattro Fontane ("Saint Charles at the Four
Fountains").
The three
principal parts can
be identified
vertically as the
lower order at
ground level, the
transition zone of
the pendentives
and the oval
coffered dome
with its oval
lantern.
The pendentives are part of the transition The oval entablature to the dome has a
area where the undulating almost cross- 'crown' of foliage and frames a view of
like form of the lower order is reconciled deep set interlocking coffering of
with the oval opening to the dome. The octagons, crosses and hexagons which
arches which spring from the diagonally diminish in size the higher they rise.
placed columns of the lower wall order Light floods in from windows in the lower
frame the altars and entrance. dome that are hidden by the oval opening
and from windows in the side of the
lantern. In a hierarchical structuring of
light.
The church of
Sant'Andrea al
Quirinale, an
important example of
Roman Baroque
architecture, was
designed by Gian
Lorenzo Bernini
with Giovanni
de'Rossi.
An oval cylinder
encases the dome,
and large volutes
transfer the lateral
thrust. The main
façade to the street
has a pedimented
frame at the center of
which a semicircular
porch with two Ionic
columns marks the
main entrance.
In contrast to the dark side
chapels, the high altar niche
is well lit from a hidden
source and becomes the
main visual focus of the
lower part of the interior. As
a result, the congregation
effectively become
‘witnesses’ to the theatrical
narrative of St Andrew
which begins in the High
Altar chapel and culminates
in the dome.
(1) Main
entrance,
(2) Chapel of
Saint Francis
Xavier,
(3) Chapel of the
Passion,
(4) Chapel Saint
Stanislas
Kostka,
(5) Chapel of
Saint Ignatius
of Loyola,
(6) Main altar,
(7) Entrance to
novitiate and
access to the
rooms of
Saint
Stanislas
Kostka.
Inside, the main entrance is located on
the short axis of the church and
directly faces the high altar. The oval
form of the main congregational space
of the church is defined by the wall,
pilasters and entablature, which
frame the side chapels, and the golden
dome above. Large paired columns
supporting a curved pediment
differentiate the recessed space of the
high altar from the congregational
space.
Baroque in Residencies and Palaces
The Late Baroque marks the ascent of France as the
heart of Western culture. Baroque art of France tends to
be restrained.
The most distinctive element of French Baroque
architecture is the double-sloped mansard roof.
The most famous Baroque structures of France are
magnificent chateaux (grand country residences),
greatest of which is the Palace of Versailles. The Palace
of Louvre in France and Blenheim Palace in England are
other fine examples.
Vaux-le-Vicomte
The Château de Vaux-le-Vicomte is a baroque French château located in
Maincy.
The château was an influential work of architecture in mid-17th-century
Europe. At Vaux-le-Vicomte, the architect Louis Le Vau, the landscape
architect André le Nôtre, and the painter-decorator Charles Le Brun
worked together on a large-scale project for the first time.
Their collaboration marked the beginning of the "Louis XIV style"
combining architecture, interior design and landscape design.
THE LOUVRE
• The LOUVRE museum is one of the
world's largest museums and a historic
monument in Paris,France on the right
bank of the river Seine. Presently used
as a very famous art museum , design /
textile museum , historic site
transformed from a royal palace . The
building was first made with an
intention of a fortress by Philippe ||
France .
Borromini developed an
inventive and distinctive, if
somewhat peculiar,
architecture employing
manipulations of Classical
architectural forms,
geometrical rationales in his
plans and symbolic meanings in
his buildings.
Rembrandt's greatest
creative triumphs are
exemplified especially in his
portraits of his
contemporaries, self-
portraits and illustrations of
scenes from the Bible. His
self-portraits form a unique
and intimate biography, in
which the artist surveyed
himself without vanity and
with the utmost sincerity.
Baroque Art: Johannes, Jan or Johan Vermeer was a Dutch painter who specialized in domestic interior
scenes of middle-class life.
Vermeer Vermeer painted mostly domestic interior scenes. "Almost all his paintings are apparently
set in two smallish rooms in his house in Delft; they show the same furniture and
decorations in various arrangements and they often portray the same people, mostly
women.“
Vermeer's painting techniques have long been a source of debate, given their almost
photorealistic attention to detail, despite Vermeer having had no formal training.
Rococo
Rococo style, in interior design,
the decorative arts, painting,
architecture, and sculpture that
originated in Paris in the early
18th century but was soon
adopted throughout France and
later in other countries,
principally Germany and
Austria.
It is characterized by lightness,
elegance, and an exuberant use
of curving, natural forms in
ornamentation. The word
Rococo is derived from the
French word rocaille, which
denoted the shell-covered rock
work that was used to decorate
artificial grottoes.
Hall of Mirrors, Versailles
Hall of Mirrors, Louvre
At the outset the Rococo style
represented a reaction against
the ponderous design of Louis
XIV’s Palace of Versailles and
the official Baroque art of his
reign.