Professional Documents
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PA
258
S5c-<
1877
Ex Libris
[ C. K. OGDEN
'th Introductions and Notes.
BY FRANCIS STORR, B.A.,
CHIEF MASTER OF MODERN SUBJECTS IN MERCHANT TAYLORS' SCHOOL, LAT*
SCHOLAR OF TRINITY COLLEGE, CAMBRIDGE, AND BELL
UNIVERSITY SCHOLAR.
Small 8v0.
THOMSON'S SEASONS: Winter.
With an Introduction to the Series, by the Rev. J. FRANCK BRIGHT, M.A.,
Fellow of University College, and Historical Lecturer in Balliol, New, and
University Colleges, Oxford, it.
COWPER'S TASK.
By FKANCIS STORR, B.A., Chief Master of Modem Subjects in Merchant
Taylors' School. 2*.
Part 1. (Book I. The Sofa ; Book II. The Timepiece.) gJ. Part II.
(Book I II. The Garden Book IV. The Winter Evening.) ait. Part III.
:
(Book V. The Winter Morning Walk; Book VI. The Winter Walk at
Noon.) ox/.
SCOTT'S LAY OP THE LAST MINSTREL.
By J. SURTEES PHILLPOTTS, M.A., Head-Master of Bedford Grammar
School as. 6d. ; or in Four Parts, grf. each.
SIMPLE POEMS.
By W. E. MULLINS, M.A., Assistant-Master at Marlborougn College. W.
SELECTIONS FROM WORDSWORTH'S POEMS.
By H. H. TURNER, B.A., Scholar of Trinity College, Cam bridge, u
WORDSWORTH'S EXCURSION: The Wanderer.
By H. H. TURNER, B.A., Scholar of Trinity College, Cambridge, i*
MILTON'S PARADISE LOST.
By FRANCIS STORR, B.A. Book I. gd. Book II. gd.
MACAULAY'S ESSAYS:
MOORE'S LIFE OF BYRON. By FRANCIS STORR, B.A. ad.
BOSWELL'S LIFE OF JOHNSON. By FRANCIS STORR, B.A. orf.
HALLAM'S CONSTITUTIONAL HISTORY. By H. F. BOYD, JaU
Scholar of Brasenose College, Oxford, it.
Elements of Geometry.
Containing Books I to 6, and portions of Books 1 1 and 12 of
EUCLID, with Exercises and Notes. 3*. 6d.
Part I., containing Books I and 2 of EUCLID, may be had sepa-
rately. Limp cloth, is. 6d.
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FOR HAMBLIN SMITH'S GEOMETRY, ALGEBRA, TRIGONO-
METRY, STATICS, AND HYDROSTATICS, is.
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THE OXFORD AND CAMBRIDGE SCHOOLS EXAMINATION BOARD.
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COLLEGE, CAMBRIDGE.
Crown %vo.
iLonHon ifort
2
KEY
BY A. SIDGWICK, M.A.
ASSISTANT-MASTER AT RUGBY, LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGK
AND EDITOR OF "SCENES FROM GREEK PLAYS."
RIVINGTONS
WATERLOO PLACE, LONDON
ifotfc anfc
MDCCCLXXVII
NOTE.
IN preparing this Key, I have attempted in the
superfluous.
1057589 A s '
EXERCISES.
PART I.
I.
36
^wroieetv' 6o-Tts Se />t^ ire^m T^V ^SeAdv^v, TOVTOV
T^
daveia-Oat. TravTes TOIVVV ol Bop/xeavoi Tas ySeAovas TW
II.
TTfOri, wore di/Ti TOV dpyvpiov eSe^aro TTJV TITOU /iv ov, dAAa
'Ofj.r)pov aTToy/xi^v, ovSe 8pa^jjLrj<s d[a.v ovcrav. yKtav otv KOI
TOUS traipovs CTV%C TO ^3i/5Atov dvoi'^as OTTOV 7re/)t
III.
fjifyav re
Kal TTIOTOV e^get (rvv airnp ets TOV flp^p-ivov TOTTOV. KCU
OVTWS eiroOtt TT)V irapBfvov ifciv OXTTC TroAu ST) Trpia'iaiTcpov eis T^V
\LfUnjV d(f>lKCTO. dS fJMKpOV ~)(pOVOV I8l (MVCIV, (T(f>68pa. 6epfJLOV
Se KV'WV ov*c eiSws TI'S CCTTI Sta TO yv/ivov eu/cu ov8 Trpoo-eA^eii' cia-
IV.
(j>i\ot ovv wepl avrov Aeyeiv eioj#rav, OTI ei TIS TOV iroSa aurou
iraToir), wyyvu>fJLY]v
av alrot ws e/wroSwv yevo/ievos. tv Se TTJ
raros Si)
wi/
aiAiyo^oa T^S AoiSo/itas xai, O,TI fpoiro IKCIVOS,
V.
dAAa TT)V yivaiKa. OUTCO 8 Sia T//V TC Tex v/r? 1' auT^s KUI TTICTTO-
e^e^vyev 6 Tvpavvos.
4 KEY TO GREEK PROSE COMPOSITION. [Part I.
VI.
eras Kai xw/noras Ka^' Iva iKacrrov, xAaSovs ISuiKCv, ous iTTt/xeAws
"
"
cwre T7//Div, ws Sia TOVTWV IAeyx^ 7? o o/ f vov5 c Tl truveiSeiev. ry jt
VII.
fj.a.Kpa.v
O.TTO
ys IIXTTC /i^e Tptwv av i/ze/Dwv Karyecrai,
avSpa ISeiv Iv Kv/zao-i veovra. TOVS S o~v/x7rAeovras l
Kai OfXeiv Is vaw Seco-^ai. TOV Se OVK l^ Aeiv 1
i,
OTI (rairpov 1*7
TO lAatov' wo"T dAet^d/ie^os /88eAvpcoTaTa
Part I.] EXERCISES.
VIII.
aAAa TOV CTITOV aTreSw/ce' r/Tvjo-e 8e TOV eYeyoov av@i<s CTTI TOIS
^>^ Swcretv,
6 8e Travv 6/xotav ai>T(p e
/cat
vfj,/3fjvai, rrjv /zev e^>' erepy Tepfj-ari KadrjarOai.^ TOV 8e <
IX.
irXr)yfj.evo<s,
oY opyrjs rjpeTO Sia ri ov irpoTepov wnj/cowf 6 Se
X.
f.cr6a.i
dvay/ca^civ. Aoxyos T6? TO/VVV iSwv irore ^wAov/syov
Barp,dfriov T(p fj-eyedei, Trap' eKtlvov e\6<av OrjKrjv /zeyaA^v vXivrjv
TTOICIV' TOV Se OITOUVTOS axpifttcrTepov e^yetcr^at OTTO
'AAA' ouSa/iws, ?^>^, fai u>s Sr^Aw OOT^ eo"Tt li'Sov /cei'cro/iar Acywv
8e /xoyis TTWS es O'I]KT)V KarefiaXcv eavrov eirel 8t Ta^icrTa TOUTO
eyevtTO, /cAetcras 6 Ao^ayos T^V Q-f\Ki]v
Kal jUO^Aw (riSrjptp
XI.
8vo TaAavra irapa 'A
XII.
a,6
a,7rdvTO)v, 7rei O,TI epotTo T6S Swao~l
rjpero TI OLV diroSoirj et TI oirra) ^aAeTrov IpotTO wo~T ^77 otoy T'
d<j)LKf(rdai..
o oe o"o^>to"T')]S
TOD ooAov OUK
i7T SeKa i^/xepwv- SeTjo'eii' 7re:S^ Sexa Trry^ewv
dva/jJds, as
Swo p7r6 T^S r]^kpa.<i TeAi;T(oo"7js TTJS erar^s
eiri TO a.Kpov a<f>ifTa.i.
o of o'o^to'T^s, KatVep dyavaKTwt', aTroSous /xti'Toi TO, TaAavra
Trpos aAAijv TroAtv a:
8 KEY TO GREEK PROSE COMPOSITION. [Part I.
"
XIII.
TTOTC, (5
Qav(j.a(TT, ex Seo-/ia5v, /cat Trjs evi'otas crov OUK 7riArjo-o/xat.
KaAtyoXov, aXAa
'
XIV.
Trore T|V /3ao-iAevs os TroAAa Ixcov/^rovetv Tr/awtatTaTa TT/S
etci^ei eyepOfjvai.
yrjpdo-KWV p.tvToi. wo~re voo-w KOU KOTT^
Tas avTov 6t
opyi6jj.evov iSotev, rjireiXrjcrev TJ fj-fjv
/coAao-etv avroi'S
T;V Trepa TOV TCTay/xevov xpovov KaOevSy. WO-TC eyepOeis irore VTTO
aTrtip'rjKeva.i.
6 8e SovAos OVK eta ev T(p Ae^et fj.Vfii>,
dAAa /cai
yovv e, e
ee/305 a9, Kai OVTCO 7Tt(TTa) yevo-
va(rTa9,
TaAavrov <rot
'.. ,
Part I.] EXERCISES.
XV.
'0 fj.lv Evpvros, ri Is Kopivdov a^t/cero, Travra TOV
ffteptov
Kai apyvpov irepl ov eyvto TOV 8f}p,ov 7rv0o/xevov,
l<o/2e?TO
fj-dXa TOVS KopivOiovs, ctSws TroAAovs Aycrras ev rfj TroAci ovTas,
a*o-T TOiovSe TI ffJLrjxavTqo-aTO. TriOovs rtvag /xryaAov9 -JA- a/?a)v /cat
Ayo-ras, Kai Sia TOUTO TOV XP vcr v TrapoL T)J ^e^i KaraOeiTO, iva
XVI.
'0 A7y/io^)(3v, os TraAat /t
fievov 7rt TIJ TrpOTfpaiy, irapa TO? ^>tA^) SeiTrv^o-as CTTI Tr}
<to ?
TOO-Ot'T<>
XVII.
"
'0 Se Aapeios TTOTC etw^ws Trept T^V TroAtv icvat, ns aStxa TTOU
TOTTOV, <>i;
6 Aapctos a)S o-^erAia^wV THUS ya/3 ov Setvov i OUTOS
5
Toi^wpvx 05 ^TOI raJi/ 8iKai<av
XVIII.
7JV
WO-T /JtlJT
TlTOV /t>/TC ToV dScA^OV ISeil' ToV 5/3KTOV /iy
fuedZcrdat. tj/j.eXXf,
uSe irpofrtovTa TOV d8eX<j)6v. Kal rjpfTO TI
TOfrovrov airecTTi' 6 8c TOVS otKot e<f>r) Sfnrvovvras evpeiv (OCTTC
v, TOT Si)
o Ttros, Kayw, <^/, ofxaSe a;
XIX.
'Ev KopivOy efa TraTijp its /itTa vtoiv Svo?v, OO-TIS ftwpos wv
ocra /iei' o~vvf(3ovXevov Trept TWV Trat'Swv ot <^>povifiot TWV ^>i'Awv
ouSev eiroui, ^p^o-/xoAoyois Se /<at <f>evai TravTOtois aTravra eTra-
^To. 17X^6 8e TTOTC yepatos TIS ftavTts Trpos Koptv^ov, os ou Sta
ov TrpoeiTrev Iv TrdAet yevvjcreo-^at, TOVS p-v iraiSas
jj.evoi
oe 01 TraiSts Trp&TOv pev KOCT/XICOS IXOVTCS orSev aAAo eSpwv i;
^wa- TeAos 8e Trpos TraiSiav Tpa.ir6fj.fvoi TO. ev TO? o?/c<) Kai TO, ^wa
l/3Aa7TTOV evpr)cra.v yap T^V aiAovpov, xat TOV iridrjicov T^S
KepKOv l/cpe/xao-av,
/cat TaAAa wo-avTws. (5o"Te TcA^r^wv eypa^e
XX.
TIS 1]V AtOKA^S, OlITU) 7TV7/S (0V WOTC OVK e
yap ei
fj.rj8fva xpwov ofos T' ? evpetv. et 5e eyw 6 evrav^a wv
fj.r)8ev T^S ripfpas 8vva.jj.ai evpicrK&v, TTWS apa ^pi) oiecr^ai WKTOS
XXL
'
e TTOTC Adrjvaios, irapa ry oS^) KOI
Boia>T(p Ka.6i]fJi,tv<p
TrapacrKeva^eiv, e(f>'
(S TC e/ceij/os, OTTOTC/O^ ri TrAeio-TOV irySwr) o
/io-e 8r TOVS
Part I.] EXERCISES. 13
XXII.
'0 GeoSto/DO? ovTia cro<os T;V wore OTTOTe If (Ti'/iTTOcrt'^)
Aoy<j>
/cat
yeAam i^'Sovro. l^rjyetTO Se TTOTC Tre/at
Javrou /cat <t'Aou
<{>?],
et St/catoi ijcrav 06 avdptoTTLVot, vo/xoi, Kai Travres wi/ a^tot
eicrt
eTracr^ov, TTOU crv vvv ai/ Tjcr^a ;
6 S ^Hcrcrov ai/
l^>7^, i]i/.
Ilavu /xei/ ovv, e</)7^
6 (i'Aos, Set^as TOV KV^xa
XXIII.
'0 $e/3Jjs eVet rjp^aro /?acrtAevwv, u>s OUTW Tracrt
/JSeAvpos vjv 6
Trarrjp Sta TTJI' emopKiav nal ctTricrTt'av Stevoeiro avros yovv cr/coTreiv
'Io/cA7js
Se o ^>iAocro<^os Tavrr/ iraprjei, TOIS c^>tAot
ct 8e /A'/;, ifstvofj
tivai Kat atov TOV K
H KEY TO GREEK PROSE COMPOSITION. [Part I.
XXIV.
'0 8e <3?/3i7S vcos wv ITTCI act /xera KoXa/cwi/ Siijye TrdWas <>TO
T< Ki6apifiv TCXTOUTOV vixav tStrre /ti^Sc TOVS cAAoyi/jtous
eavraJ wrous ciVai. -TrvOop-fvo'S 8e TTOTC Toy 'Iwa^iov, os
ISpacre, OUK oio/zevos ?}(nra)v exeti/ov eivai, dA.A* Ti'a TT^V TC^J'^I'
uot. 6^
8e dirAws ^vvtevai 7r/JooT7Oiov/ievos Trei/scurecr^ai
6 ^eas erov(j.fvov eKflvov .fva.s OVK
XXV.
Tots 8e Ba^SuAwviots TroAAot T aAAoi Oavfiaa-Toi eurt vo/*oi,
Kw/ty kopT^i ecrTiv aira TOV evtavrov, TT/JOS T^V ^uAAeyovrai Tratrai
/zecrcj)
T.O o^A^) tajpv^ fKoo-Trjv ffa^fj? irtaXel' 6 8e oxAos del fieyas
XXVI.
*Hv Be TIS IId8tos os TraVtv OI'TW rr} re o-o<ta ijSov^v irdpecrxe,
7repiTi>xwv Se <f>iX(j>
jrore ev -n} TroAei, Trpos TT)V Katv^v oiKiav
XXVII.
'0 8e IlaStos KaiVep aAAore paSt'ws <f>ep(av rr]v Ai^njv, o/itos
wcrre aTraAAacrcreiv T^S Aumjs, Trpiv (f>iX.ov CTrw^eTo Trpos T^f TroAti/
XXVIII.
"AAAoTe Se 6 IldSios /zera $t'Aou oSotTropwv VUKTOS ei's TravSo-
IKCIVOV os yp6.<f>(av
Ki KaOrjTai Kat cuvov iriv<av ;
Mawvtov Ttva
ot/wu e^vai ov TraAat ev rrj irarpiSi tov eyiyvw<TKOV. 6 Se, 'ETrei
XXIX.
'Ev Se rg aurij TroAei TW IlaSi'cj) Newv Tts e^>/, ^ Tm'flovros'
larpov, 7Tt 4voo-, ISo^c tts St/ceAtav tevaf d>s Se ou/c eta /xovov
XXX.
Ot Be 0p^Kes ovT<a (TKX'rjpol AeyovTat Kal 8v<nrei6(.i<s fTvat ry
Stavoia, uxTTe cr^eSov dSwarov en/at OTIOVV Trewrat, KOLV TIS o-o<oS-
TaTa rt Aeyg' i/v Se TTOTC Qpp TIS ocrTrep /zovos <3v civeu vyyevan
OVTWS aKtVTjTWs Sirjytv, (otrre crKWTTTOvras Aeyetv TOVS f Tg iroAet
ovS' av et cretcr/ios yevotro ovSev av Spwrai irapa TO etw^os,
rocravras <^>aywv et
yap ei/cocrtv c^ayev, aTro^avetv xv. St
firpa was
Sta rai/ras diro^aveiv.
(^ayovra fj.rj
XXXI.
"Ej^Tj Sc ev rg iroAet dv^p Tts, ovo/xa TaAtpdvT^s, os OUTCO cro^>os
fj.iiTpa. ejrrjvet,
art TroAAy TWV ec/)' eavn/s KaAAwjTiy 117. TOUTO
U B
1 8 KEY TO GREEK PROSE COMPOSITION. [Parti.
(38eXvpbs 17
v TT) o^ef TrdvTtov Se o-ty<uVT<ov 6 TaAt/savT^s iJSecos
XXXII.
ITTIO^JMWV 6 TaAipdvTrys ore <ro<7T^s ns f^et
XXXIII.
"AAAoTC 8c 6 TaAi/oavTi/s ri TOV ftacrtXeiov otKOV eK\rjdi], iva.
T6 avTov /ieiiwcra to
atpaT^. <?;, ei 7recroi/iv yw TE
irav ai>T<>
XXXIV.
aAAore 5e a>|UoAoyijcr ry 'faXipavrrj </>t'Aos TIS wS KepS
o"eo-$cu e^vai.
dvayKaiov
erepos 8e at! <^t'Aos Trporepov aicr^icrTa 5^ {wy, e?ra vocr^cras
XXXV.
rots 8e ra /xeraAAa ev QpaKrj rlp:vovcrt TroAA?) ^)iAoTi/Aia Ka6e<r~
8r)
MS CIKOS <povouv. (is 8e Trdti/ra eSetev 6 'Apyvpovs, ofos TC
Kat ocros cvprj/ilvos efy 6 apyvpos, paXa a-Kvdpwiros eyiyvero 6
XXXVI.
.'0 Se TITOS, irepl ot 17877 eAe^a/xev, ev X<ap$ TeOpafJ.p.evo'S v/
KOI 6fjp[(j)v TravToiwv irA^pei, l//.7rpoTaTos eyiyvTO TOV
TOIS i^veo-ii
1
pveAAovo-av d<f>e6f)vai.
Kiv8vv(p fcrTi, ov8e TOV ouxTov otos T' c5i/ avci) ao-7riSos dp,vvc(r8a.i,
XXXVII.
'0 TaAlpaVTTJS 7TOT6 (^)tA(J)
TO) TTfptTl'XW, OS TCI /iV 5AAa
Saios ijv,
del 8e Trpoo-fTroteiTO TOIS euyeveo-i yvupipos fivat, KOI yvovs
6 8e ddvfieiv f<j>r)
StoVt SetvoV TI Set TO.VTQ TIJ 'fjl^fpf Tro.Qf.lv.
e<// etvcu TCO ecrrtwvTt wep aurou a7roAoyet(r#cu. Kat TOTE aTropwv
XXXVIII.
'0 'Iwvi'o?, (3ov\6[ievo<s oi/aav Kat TrapaSetcrov w
^o//.evos ^A^e Trporepov, ef TTOJS eAAtires Tt evpoi wcrre
f.lva.1 WCTTC /t^ tKava eft/at TO, SevSpa e^cr^at, VTTWTTTeve S?) /XT)
et TIS CTrt/ieAws yc
22 KEY TO GREEK PROSE COMPOSITION. [Part I.
XXXIX.
Mawvios ev DtfceAias opea-iv oSonropwv, Tracrav p.ev rj/j-fpav iinreve,
VVKTO. 8f [JifTa.
TWV SiKfAwv yewpywv 8if}ye. OVTOI S o-7rov8au
/AC I' fa)S
7Tl TO TToAv ISoKOW ?Vai $6/301 7T1X>VTS TC 7Tl/iAt3s aVTOV
Kat SiaAeyd/xevoi a>s av ot 5raia> tTTiTrjSfioi,' TOVTO Se yu,e/x^>eTO, OTI
7T/3WTOV OUK yVO), OlO/ACVOS OTt 8^SoK TOV Q-ITOV 6 ITTTTO'S' 7Tt 8t
f rjSir) yap TOV ITTTTOV, ci TOV O-ITOV <f>dyoi, TOVS Ai^ow OVK av
WCTTC Aet^^vat av TOVTOUS aei ev Tg ^drvy el Se KAe^-TOi
XL.
'0 fiev ovv Ev^eviys, Ta T^S TrdAew? SIOIKWV Kat evSo/ci/zos
a TI}V T CTO^tav Kai TT)V dyoeT^v, eo-e/xvvveTO S>)
/c
7rot7jo-ai,
a)o-T fj.r]8ev
eAAeiVetv /) ov TcAeiov yevea^ai TO
o Se i^Sews av 7roi^o-ai, et
irporepov e^et^ TOV
/xvij/xetov. </>ij
XLI.
ai/ TTOTC aAAot re TWI/ TroXtrwv Kat 6 GeoSw/aos ore
XLIL
'0 Se Mawi'ios r^v pr/ToptK^v /SouAo/ievos /ia^etf Trpos CTO
etSevat et eu e/xa^e et
p:^ 2py<p Tretpw/tevos, ovSev Setv aT
Souvat ews StKa^o/zevos Aoy^> Tretcrat TOVS SiKaoTas. iji'
Se
TotaSe' "2l
vv\(aprf(Ta.fav yap p.rj aTroSowat e/ie et /i^ Tmcrai/u TOVS
s. lav TOtvvv o^Aw T^V SIKTTJV,
CK T^S crvvO^Kr]<s ov8v
Q)' cAwv 8e, TW vo/t(j)
ouSev o^eiAiJcra). OTrorepov av ovv
ctTroAet TO apyvpiov 6
XLIIL
6 O-O<IO-T?)S aKOwas ayyeAov OTI 6 Evpn/iev^s, os
7*v /ecu
tAAdyt/xos av>jp, TOV viov /icAAot Trey^Trctv i'va
e^>jy, fJLurOos avTt /xeyaAov KepSovs ; T)V yap a<j>pova yvvaina ave-
AaAovo-av, <ro<J><aTa.TOV <f>iXoa~6<}>ov dn-oAavao/iat. axrre
XLIV.
*Hv TTOTe I/X7TO/30S Tts, os KaA^v T Kai TrAowt'av TrdpOtvov
tyr)fJ.c, avrijs /iv OVK dA6yov e/awv, fj-dXicna 8e TOV TrAot'TOV CTTI-
IpcoTOS, et
6 Ire/Do? avYwv a.TroOavoi, TOV erepov lavrov J3idea-dai.
/cai ov Sia TroAAov fTepav iSwv Koprjv irXovcriav re ovcrav /cat
/caA^v,
ai'Tl LV ' TTICTTOV TOIVVV
KlVr)S /3ovXeTO fX Aa/?WV OepaTTOVTOL,
ilvo ^/tepas aTToS^/xwv a7rrrAe e/ceti'oj/
Trpos TT)V ywai/ca, ws
Iv
an-ayyet'Aete TOV avSpa, (^ Trora/iov 8ia/?atvet, aTroAcoAoTcr /cai
dyiia TO IfJidriov
l/ceAeve Sei^at, ws Ttov aAAwv aTravTW crvv T(p
tavovn d^ai'icr^evTcov. 17
8e yvoucra dpyvpiov rt ov8ap.ov ov,
XLV.
'0 Se ^6/317?, CTTCI fidXicrra <i'Aei TO Ta KaAa Oewpeiv, ayaA/m
iroteiv ACVKOV XiOov, a>s av /cdAAto-TOV 7roi7j(rai 6 o~o<a>-
yap tSeii/
jttovov ITTI^V/ZWJ' T^V XtOivrjv irdpOevov, ws 8 Tas
o"a? ovaas, /xe/iv^cr^at TOV dvSptavTOwotov,
a.1
x^iTai. WO-TC d^eAetv otccr^at Sen/ TavTas, Ijrei ov St
XLVI.
BacriAeus 8e TIS irapa TOV Trarpos Sa/cTuAiov iroXvTeXrj eSeaTo,
T^v 8uva/uv l^ovTa, too-re oo-Tts 7T/Di#aTO VTTO TrdvTcov
TifJ.a<rOai re
/cat <f>i\i(r@ai. TOVTOV 8e /cai 01
irpoyovoi irporepov
O, TrapaoiSovTes eKacrros TW /^aAt(TTa lavrov tftiXovvri TWV
TOUTOV 8e 6 Trarrfp /xoyos StKaor^s, Sta TT)V /zeyaArjv Si)
v. roury 8e ry /3a<riA.i T/3is ^crai/ vtot, li/tore juev aTret-
Traprjvfi
Koi Sa/crvAiov Iva CKOCTT^) TrcpieOrjKC. davovros Se TOU
Trarpos, avveA^ovres
ot viot ^tiaxrav auros l/cao-ros Kpa.rf.lv, ws
TOV tepov SaKTvAiov KCKTTjftlvos. 7ret Sc OTryx ft)/De ' l/ o^^ Suvavro,
vvv ovv d^>ijo-(o v/xas, iJ'^ovTas TraAiv //era e/caTov ITTJ eirl
TT)V
Kptcriv,
OT yevvaia SpouravTes ^>avepov jreTrotrjKOTes ZcrecrOe, TI'STOV
XLVII.
'0 Se Aox 10? e/MrpoTaTos ??v TO^OTT/S, OKTTC
aAAa Swiv
Part I.] EXERCISES. 27
TOU TTpoVepOV. epl^COV Se' 7TOTC TTpOS XeOTptaV TIVO, Kai jU,oAlS
vtKTja-as,
at$ts e<?j ireipacrOai 6eXeiv i(j>' yre ToV erepoj/ 6<
XLVIII.
6 Tijpavvos TOV TOTTOV e^eAo/xei'os ov O6KoSo/xetv Set TO
/3a<Ti\eiov, e/3ov\ev<rev,
eTret StKatos t'jdeXe (f>aive(r@ai KOL StKacr-
ev TroAet
Tripiov /3aonAetov ry KarecrT^cre, /ai) dj/ayKa^etv TOVS
fierpiov dpyvpcov.
TOUTOV Se ovSevt rpoTTU) eireide TOV KeKTfjfjLevov
TrwAetv. aTreAoyetTO yap OTt TraAai o TC Trar^p efye Kal ot
Trpoyovot,
WCTT dcre/3es SOKCIV etVat ^ei/y aTroSocr^at. ^aAfTrat'vwv
Se 6 ^epr^s, Tt Se av, e^, 8pdo-ais ct
p;a$ots awov TOV Tupavvov
XLIX.
'Ei/
$ rjpxov oi Tlovperavol TT/S \wpas Travras ovra> o-c/>o6pa
wpos ri)v iroXiv d<^t/CTO, ITTI TO Qcarpov yet ^ewp^crwv T^V Tpay^>-
Stav. xpovt^orrwv 8e TWV UTro/cptTwv dyava*cTwv 6 ^8ao-iAevs
fTrfjL\l/f
Tiva 7revo-o/icvov TI yi'yveTai /cat TIVOS Ive/ca OVTTW 7rapto*t.
^ 'ArTiydi''
1
j
TUV jrwywva a
Part II.] EXERCISES. 29
PART II.
L.
n/s vocrov. fopvas roivw TTJV y>}v, et p-ev TIS piKpov ri /taivoiTO
fJ-fXP
1 v yovaTwv $a7TTev, 6 S TrAeov, ^XP L
0"nJ$ow TOVS 8e
IS^Aov OTI ets SovAovs Kai Kwas Kat T?)V TWV opviOuiv
LI.
LI I.
^av vioi' KaAov 8< vopifov TO dpyov
ctVai (TO yap TrA^os Sciv TTOVCIV) Tots Trawriv cAe^cv, arTts dpyo-
r^XP 05 7"P TTOTC <3v, Kat TOVS SovAow Trvp aTrreiv KtAeucras,
Kadi<rai ourus fixrre ^>Aeyeiv T(J> Kav/naTi Tot <rKf\y dAA' o/zws,
yap VTT'
dpyias TO o'KeAos, TOV Sf T^V yao-repa jSAaTrrtiv, TOUTW
Sc Trdvra TOV jSiov.
Part II.] EXERCISES. 31
LIII.
'0 IlaA^s ScvSpov fv T(J> dyp Ofls "va TOV Kapirov cwroAavcrai
firfl
fyrjfifv aur^v, tvSai^ovcos ftev e p.fjvas per' avnjs St^yev 17
TrAowtos eyeveTO.
LIV.
yafif.lv fjSovXfvcrfv. ij
8e ws IKOS /A^ OTI e^)iAet TOV TraiSa dAA'
TOTC 8i) ^atpetv CITTCOV T^> Trarpl TroAAas <>7 \wyoas iSetv
0ave T^V Te^vrjv, os TWV <' eaurov o-o^)WTaTOS ^v. ovap Se TTOTC
ywai/cos etre St' c^^pav eirc aAyei VOO-IJO-CUTTJS, ynj(rc TOV viov
Kat Tavrrjv iacrOau 6 8e aTre/cpi'varo rotaSe' "0,rt av TIS vocrcoj'
'
LV.
Tov Se 'EpyoXeovra irdw /iev ITI/XWV ot o-vcrr/aaTew/ievoi, ws
Travu dya^ov ovra KCU 8t/catov /ie^vo-^evra Se, ota &) o~T/oaTiwrai,
7Ti
K(j>aXr)<; crTavTas i^crv^iav ayeiv 6 Se 7retyo)nevos 6io-^t /cat
TOV TOI^OV e^eTrAay^, a>s dveo-T/Da/x/Aevwv 8?) TWI/
/cat 8e
o"tywv ee<vye. 6av/j.d(ravTC<s Ty WTe/aata
ejrrjpovTO avrov et TI e?6e TWV Trapa TO eiw^os* TOU 8e ou <^ao-/covTos
/cat ITTI
ayaa tpvOpido-avTos, /cc<^aA^s e<^a(rav TravTes m;/9tx$ai,
TOTC 81) Ni) TOV Ata, ^ 8' os, fiavOavd) yap- aveo-T/Da/x/ievovs 8
t8wv v/ias ava7rawo/>ivos dffy^oyLt^v, SetVas /A^ avros apa VTTO TOU
TrAetov Tt 7T7ra)K6vai e
LVI.
'ESlW/COV 7TOT6 'A/3/cdSa TlVa BotWTOt T/3t9, VTTOTJTCVOVTeS WS
/3r)Teiv [Mr]
OVK atrtov eTvau eA0ovT(ov Se ITT' otKtav TIVO, o5 eVi
/AeAAovriov rj[Ji(av
avrov ^rrfreiv. 6 Se T/OITOS vjroAa/3wv, Kat
ci'Sws ye, ec^r/, OUTO) cro^ous i^fias ovras wo-re TO.VTT] fj.rj
LVII.
H MaAwvtou Ttvos pvOov TOtovSe Aeyowtv 01 BOIWTOI,
os Kat avros BOIWTOS wv det Ixav^aTO ws TO)V
cTepwv iroAu
K/3tcrcroves etev ot BotWTOi, eucre/3o{!vTes TC /iaAAov es TOVS ^eovs,
cat VTTO o-w^>/3ovos dAtyap^ias evSat/zoi/ws ^WVTCS.
6 Se ev VTJ? eTv^e TTOT TrAewv x 61/^^ 170 ? 8e ^aAeTrov eTrtyevo-
aAAov Ttva etSe Trapa Tg 6S^> Kei^evov Kai ^Qvovra.' t'Swv 8e, T i2
^eot, e^r;, dAtyapx i/a > /
SryTrov e^et 17 X^a ^5 ^crepas Kai <f>povi-
c
34 KEY TO GREEK PROSE COMPOSITION. [Part II.
LVIII.
eort, eu^vs uyzoAoyei tti'ai, Kai Tpia ^81^ err) e/ca ^v.
6 St ayyeAos SvAAa/i/Javw o~
TOtwv, ^17, as o-wayxanjv, a/ta
TOIS (TTpaTtwTais etTrwv aTTOKTeii'at. ei/Taxj^a 8c 6 TA^/twv
O OTt ^evSoiTO' P.OVOV yap Oepa.TT<av elvai. 6 S cbrAaJs
LIX.
,
7ri TToAAovs 8^ evictv eldtOei' T^KOVTOS Se, Ta^ecus
o 'Polios, KGU aicr^d/tevos OTI ^aveto-^at p.eAA, TOV
AiTwAov fj.eTaTrep.\f/dfjLevo<i ypap.p.aTea KeAevo"ev dyayeii/' /iAAu>f
SovAos <i>S
rjTrj(r<j)v
TOV ypa/i/mrea, eireiSr) evpev, lAe^e
o Ztvs OTWOI (rot TOV /3iov, (5 TTO.VTWV cro^coTare* o SecrjroT^s 'Pottos
>/,
6 SecrTronjs e/te raTreivw? KeAevei o~ a
alreiv i Tt o-e fJ.a.Tr)V a^iwv krapa^a.' /ierayvovra Se
vKcrt Tra/aa.
(Tou ax^eAet'as Seto-^ai, eTrei
LX.
s,
Kat irepifj-evovres es vAijv rtva St'
^s eSet TrapeA&iv, ITTI-
oi/ras a/r
36 KEY TO GREEK PROSE COMPOSITION. [Part II.
LXI.
av irorf r)s TroAews a/j^ovres TOV 'IwvtSijv, Is Aoyous
T< Kidimi Ev/3tKo>, eiriOvfiovvrfS fifv irdXai TroAA^s X^
6/ClVOS ^PX f >
KC" TOUTOV OlO/iCVOt 7TlCreiV aVTOV TJ7
T^S (TO<f>l<j.
diroSoV&u. d<f>top(JLa.TO
roiwv o 'Itovi'S^s ITTI AiOtmrias irapa-
8?)
KOI TTfTrAovs 7Tin-e /3a<riAeiov9 OVTW fieyaXoirpfTTfis oiras <3<rT
fievos 8e TT)V /^v lo-^ra ovc ISw/cc, c/caXei 8e TOV (BcuriXfa irpos
[t-eya.
Tt SCITTVOV, cv <^ SITJ/COVOUV aury 8ouAoi irtvre Ty TC o^
LXII.
'0 /SacrtAei.'S ATJ/OIO-KOS, OTTOTC TrpoatXOoi CTT/aaTiwTT/s fiovXo-
/ivos ev TOIS c/>i'Aa^tv f-yypd(j>e<rOai, rpia TO.VTO. cito^et epcorav,
''
7roo-a /cat TTOCTOV
x/3O o /cai
'
en; ycyovws ct
?>; ecrT/aaTcv/ievos,
Traw dpfo-KOi o re /j.ur6os KOI rj
StatTa. II epo~>/s 8c TIS veos TTOTC
),
TavTa /xoyts TTWS
/cat
/xa/cpov /iAcTjo~as Tra/Deo-Ket'acrro
Part II.] EXERCISES. 37
erv^ev e/jd/Ltevos
GT ep et'ci#ei Seirrepov, 6
Kat BvfMovfj.evo'S TI
Ov/c oi8a, ^, Trorepov <rv /xaiVei ourw yeAota
</)Avapwv, 1} eyco,
w SOKCIS fiev raura Aeyeiv, Aeyeis Se ou.
'A/ic^ore/aa, I^TJ,
<5
/3acri\ev. a>s Se e^eTrAay^cr
LXIII.
TIVWV IT/DOS o-
TrapeXdtav' ei 8e T/Dicr/iV/ai'wv
LXIV.
'0 KovSatos, Trept o$ rjSg pot etpJiTai, o>s Sid re TTJV dypoiKiav
eVto-Ti/Aos rji/
Kai TT)V e? iroAe/xov Te^v^v, rots eTat'pois TTOTC e^Tj
TTv^o/^evos Se 6 Ileicrevwv
ITTCI TT/OWTOV
OJOVTO. c^v Trapa
TI atTiarat 6 Kai IK TWV
iJA^e T^a epoiro av^j/o, (is
e /xev a/cowras
6 KovSaiog, airc/cptvaro Se SvcrKoAws, ovSev
oiei e/xe o-e IxOpuv vo/ii^civ ; 6 Se, AIOTI, ^77, KaiVep TWV </>0oj'epwv
TroAAa Trept O-OTJ ^evSws AotSopov/ievwv, ovSet's TTW OUTWS dvatSws
tToAjtirjo-e \f/ev8ecr6ai
wo-re fifracrTpa^evTa Aeyetv rots :roAe/uoi9
LXV.
C
Q Se ^ept'Siys ore ^ui^yopos i}v TroAAaKts -^yava/cTei on ourws
dvaiSets e?ev at ex T}S iroAecos ywai/ces /cat TO,
/3SAupa d/couo-at
emOvjioifv, wo-re
et Trore rts ws Seivov dSi77(ras <euyoi, a.0p6a<s ev
01 <uAa/ces e/c/JaAovo-tv.
LXVI.
'0 'AA/3dvtos c/>ixra /u.ef TT/>OS i;i/ T^V Stai/otav, OTTOTC Se
LXVII.
i
/A^ Ke<f>dXr)v /idvov eKaAwrrcs aAAa /cat T^V o^tv.
LXVIII.
'0 Ev/xen/s vlos fc>v OVTWS vf3pumKo<s ?]v axrrc cf TI
aTreAixrav TOV v
LXIX.
'0 Ki'etos TWV Iv 'Atrip TroAewv ap^wv, 7rei Tas 8t*cas eS
KaT^yopowTa
p.rj ov^ OVTWS etvai. /J.ev
TO TT^WTOV aSi/cov
6 8e Kveios r^iropei
TTOCTOV xpo^ov Set Suc^v Sovvai, 7rct ov8ev vrept TOV OTTOTC
LXX.
Tov *"Avvi/?aAov <j)a<riv avSpiavra xpvcrovv IK TOV vea> T^S
^ TO
"
Ty cvt o(f>6aX[j.(
< ITI pXeirei. TOV 8e, KatVep ov Traw ixrf(3rj
Tg ^c^i
dva^etvai Tva Traixrcie avr?)v T^S opy^s.
AeyeTai Se /cat 6 'A/itAxa/Dos Tas 2v/)aKovo-as iroXiopKuv Ofiav
t8tv Ttva /iop^v, ^Tts TrpoeiTrfv (is 7~y iwTe/)ata Iv Tg irdAct 8et7r-
LXXI.
LXXII.
'0 AoAtos, /siovos
iv 0(T(7aAots wv opecruv, rci ovSei/
p.a\\ov
!<i'Aei TOV Orjptvfiv, TroAAa liraBe VTTO TWV c/c
T^S KWfj.rjs, oiirfp
aTraAAayetev, SeSot-
Part II.] EXERCISES. 43
evov XvjKvdtp eTTif, o 8e dXa e<aye Qav[j,a(Tiav oo"t]V KCU ovrfa iroXi)
/MCV
KCU p,dXa dcrdevtis ^^OVTO, xaipovTes Se ort
tfjiovvres, <j>xpol
l^f)vo<s /iTao x
-
e ' l/
>
^5 avros es SetTrvov ^/ccav* ot
aAts
LXXIII.
ews rjv Tts TTOTC, os ev eroupois eXeyero Trdu/Ttov d
LXXIV.
Tts /cvva e^e 1^ 'HTret'pov Ko/xwr^evTa, os aAAa TC o-o^)o
iyv,
at Trpos otKiav Ttva twv Kpeas a'w$ei TW Sea-irorr) an-
,
TO SCITTVOV uis TrpoYepov </>optuv, eiBe 8vo> Kvvas or
Sdryv TO) Kvre lir' aurov Kai /ztTa TOCTOVTOV dopvfiov axrre Sta
TToAAou d/cowrai es fj.d^r}v <ruVT)\8ov. KCU TrpaJrov /iv ws CIKOS
TOVTO /xaXTTa evXa/Seiro on-ws TOV </>o/>/iov <j>v\dfi' rd^a Se TOI'
LXXV.
'Ev TOts'IvSots 1^ Bpa/iiwi' TI yevos, oiTTfp /xeya 8^ t<f>p6i>ovv
ori T^5 evyevffTTepoi efvai TOV 7rAiJ$ovs Kai txTKarepoi TTJV SiaiTav.
eis ov x* /
3 '? exao-Tov Seoi Tpv/3Aiov KaTa^eiv TOV oivov ovrw Se
jrapayevo/ievr/s
Se T^S ij/tiepas, ^epovre? Ta rpv/3Xia f
LXXVI.
Meyapevs TIS lAAoyi/ios wi/ T TC yeyei /cat 7rAovY(j>, ITTCI TWV
OVTWV TO, TToAAa dv^AoKrc, Is TOVTO d<uceTO Trevtas axrre TC^VT;
fjV fJLfTO. TOCTOVTOV TTOVOV (KT^CTdTO, TfJ TTplV KTrjO'aO' 6<ll. TtAoS 8e,
LXXVI I.
'0 Se ITpoKAos fBovXevrr/'S tfv /3ao-iAea)s, evSo^os wi/ ev Ty 7roA
as dyxivoi'S TC Kat oibs avrocrxcSta^eiv ijv Tt Sey, KCU to-cos /cai
fiaXXov fTrel
ai'o'X'o-Tos ifv TjJ o^et. TOT/T^) Se ^A^e TTOTC aAAos
TIS TroAmys, ovo/iaT6 Sw^os, os Kai a.i(ryiwv tfv l/<etvov,
et
ya/o ofrros aTre^ave, ovSeis av ^v TWV viro crov d^o/ievwv aur^iajv
LXXVIII.
IIoXA.a /lev ^Siy Trepi IlaSiov XeAeKTat ota yeAwTOS a^ia
f T}V Se TIS Tryv IlaStK^v eireXOrj oo^/wpai yvwo~eTat Totoirrov
Tt d/cowov WCTTC ci 7ravTa o<ra yeXoia Aeyowrt Kai Spakriv 01
IlaSioi mipipTo TIS ypdfaiv, OVK av p^Siws TO fpyov C
ve)(0r) avev Ke(j>dXr)s 6 V!KVS. atTeiv 8' ovv TO, vevojJLicrfjLeva vjrep
ocr<j)
8e TijuiajTaTOv dvOpwirov Ke<j>dXr), Tocrovr<p dpviov
GXTTC ^V dv6pU>TT(p cAAlTi^S ^ KC^dXlf, SlKdlOV eiVai KO.L
LXXIX.
O Mopios (TO^os /tev ov irdw ^v, OO-TCMI Be TroAAa eAeye ev
o-u/XTTOo-t'^),
(Sore xaAeiv TroAAous KaiVep ou <iAouvTas. es SCITTVOV
os o-e/^vos TTCOS ?]v KO.I crKv#pa>7ros, ovSe auTos iroXv e'Aeye, TOVTO Se
iSeiv OVOVTO., Kal lp.driov p.fv <f>opovvTa podov ^ow/xa cx oi/) fao~Tr)pa
8f /cepacrov. 6 Se 8iJcr/<oAos ''Pe^Set ovi/, <^>i/* Tt's
yap OI!TCOS a/za^s
OXTTC ayvoe? TO /zei/ l^anov XCVKOV etVcu np tepet, TOV Se
ifXava 2v .tev ow
yap ry
ivr) 8e ry Kepao-<^). yeAwvTWi/ Se jrai/Tcai'
Kap8ap.a
LXXX.
M.aXaf3pi(av eari Tt /3dp/3apov yevos, or TroAAa TC aAAa
So^a^ovo-t axrre p.r]8eva
Trei^etv />i^
OVK dXrjOyj efvaf Kal Tas
LXXXI.
*Hv 8e TTOTC AmoAos TIS 'Aios ovo/tari os <fvcrei pev irdvu
7riet/o)s tfv
/cat
xpyo-TOS, TOVTO Sc /ie/xTrros, on ovirore Sewrvov
yeA.Wl'TCS,
TO(70UTO fa)S l(00t CTTteV ttX7T OtKaSf f3a8i(J)V OV Tt
ovrot
LXXXII.
wv ^SacrtAews aAAwv re ?v/ca eAAoyijuos ^
Kttt on OVTO) cro^os ^v alcrrc et irore e^at^)V7^s es KivSvvov e\6ot,
det efjifj^avaro Tt wore K<^uyetv. KaO^evov Se TTOTC ITTI TOU
)'^)
os eOfpaireve, o/i<os avros yepatre/aos wv ^ OKTTC /3i'a di
i,
fl TTJV aiXovpov (>} TrapfKadrjro) irporepov KO.TO.-
LXXXIII.
Ot 'HTreipwrai Kaimp eV opecrt ^wvres /cat TroAAa/cts j3dp/3apot
LXXXIV.
'Ev Svpa/covo-ats dproTrwA^s TIS ?yv os /cAeos etX ev ^s ""Aa/covv-
^'o-^r/
Se /cat 6 apTOirwAiys et VTTO 'Ap^iov vp-veirai, 7ret 8e ou TrdVu
avrti) TO, K0fj,\fa Tavra TO. e/c TOV /teAovs, Toiaimx eyary-
Trpaai' a~v ftev yap /xeAos eiri TOUS (fiovs TrAa/couvras erroi'eis, eyw
LXXXV.
AvSos TIS TroTe, ov KaTfAiTTCv 6 Tra-rijp OVK fyovTa oiroOev rpo-
irpoo-fXOwv ITTCI
eSe^avro ere Tt ySovAo/xcvos ^A^e.
01 Se aurOofievoi avrov ur^vpov re 6Vra TW <rw/iTt xat dyx i/VOV1 '
LXXXVI.
"AAAorc Se 6 MOO-T/JOS TTTTTOV KAI^as ex p.&rov TOV OTpaTOTreSov
TWV Aa/ceSai/ioviwv, dAors S two cnpaTKOTiov omves TOV iinrov
dveyvwcrav
Part II.] EXERCISES. 51
8e Is TOVTO dyaywv TOU ret^ovs Kat p^Stws TTWS VTrepftas wSe aTre-
LXXXVII.
Ap/cros rts VTTO "Ii'Sov drjpevTOV TO^evdeis, eVet
Sifppdyi] rj
LXXXVIII.
'HTreipamjs 7rAouo"ta>TaTos //.ev
wv TOU TrAot/rou
Souvat, lyvw TTOT 6Vt TWV dypot'/ccov Ttvt TWV fuo-dov eaury yewp-
52 KEY TO GREEK PROSE COMPOSITION. [Part II.
cirel
TTCV^S rjv 6 dvyp xat TroAAovs c?x e vai8a^ T)V Trap' avrov
A$tuv eprjTai 7ra>s apa Trpdcrcret rj yvvrf. d<j>iKo/j.evov 8e StSi'/xovs
^>iAe, ^>iy, otKTeipw f*i/ o-e TToAu* fj.fp.vrj<TO fjievrot TOVS Oeovs,
OTTOTCLV TratSas av^pajTrots Sakri, SiSovras dei /cai OTTO^CV 0pf\fov(ri.
LXXXIX.
2oAt/tavy TTOTC 'PtxapSov TOV ySacriAews, ei TTWS
TO icpov (rijfw.
lAoi oVcp vn-o TWV MwvAa/ua>v caAw, ^yavdtKTet
e/ceivos yvovs Kai (ftavXov Ao^ov rwi' TroAe/iicov TroAu TrAeiovas TWV
Swa/zevov Ka.6urTa.vai. (3ovXfva-dp.evos ofiv
6 2oAip,dvr^s 7rei
yo~^TO o^o^wTepov ovTa TOV /3ao~iAea ^ wore
Part II.] EXERCISES. 53
XC.
r\v TTJV
Sidvoiav axrre dei eKewre et^otra OTTOV [j.r)8evl /ie
XCI.
Ot 8e Trporepov ^vfj.p,a^oi ovres 2a/mTai /cat Aovxavoi
^?ea ITI
opyifapfvi) StWKei, WQ-TC T^V crT/JaTiav ijoxrw/iev^i/ diro-
XCIL
'Ev 8 Tovry K <f>avXr)<s aiTtas yevo/ienys OTao-ews, p-tyuna. av
VVKTOS
Part III.] EXERCISES. 55
XCIII.
Se d.6vfj.ws TWV TroAtrwv Kat Suo-^epws StaKei/^evwi/, ot
,
OVK e^acrav ets T^V a/cpo7roAti/ ^eAeiv etcreA^ovres ra
porjOrjcroiv,
aAAa re TroAAa Kat otKtav irpocts rots iroAe/itois,
XCIV.
'0 Se AeKe/iJaAos aAAo rt /iTj^avarai rotovSe' Aoyyivov yap
A^) Xaf3(bv TWV irp(oT<av TWO. Pw/tatajv S^Aaxrat iKeAeaxre O,TI
56 KEY TO GREEK PROSE COMPOSITION. [Part III.
Tpatavov 7re/x,^as, ws rt
StaAAayy TWV crT/jarTjywv, Xddpa
e/ceAewev ctTreiv ort 8eot a>s TrpoOvfJiOTara StaTroAe/iiJcrai. aTreA^dv/-
xcv.
'Eiret Se T Tr
dvojitao-^^vai ISet TOV rjyefMva VTTO TOV eTe/Dov TWV VTraTwv, ovSe
TOV Ma/3/aov ^8ei ouScis O,TI TTOTC Treirovdev, Trpeo-/3ei<s CTre/i^av es
XCVL
8e Ty fid^y, ^ Ma/oyapmj e^vye /^era TOV TratSos
els V\TIV Ttva, v y KpvTTTecrdai eireipaTO wo-re /x?) a7ro#aviv.
t,
worre /^Tj/cert Karavoeti/ o,rt fy>, Aa/Joucra TOV
XCVII.
Twv Se o-T/oaTOTreSwv KaTa TO TOTC ftw^o? T/oets /x<xAto-Ta
815 Sc Trapa r$
Sxrre yvous 6 'AcrSpu/JaAos OTI afj,<f><o irdpeuriv ol o-TpaTrjyol ov8e
ofos T* &v uvivai OTTOS 877
6 Nepwv fKirf<J>evye TOV 'Avvi/3aAov,
dAAa Seiicras /M^ rot lo-^ara Tra^awi, Troppwre/DW wro^wpeiv e^Sov-
Aevo-f Kai ra Trvpa d.Trocr/3ffras TO o~TpaTt'U/ia a/xa
7ri TOU TrorafjLov dr
XCVIII.
'Es (frvyrjv
o?v KaraoTavrcs 01 /lev as eKaoros otx^a rt 1801
XCIX.
Aeu/. OUTOS Se TOTC //.ey i^cru^a^etv $TO Seiv, Kai ^cro-wv Sr)
wi/ 77
c.
KtvSwewat.
60 KEY TO GREEK PROSE COMPOSITION. [Part III.
CI.
CII.
ei Sc
/x^, ou Sid p.aKpov Xe\v<re<r6ai' Ivravda. oe ol p.ev avTiKpus
efaarav d^ccrTavai TOUS TOiauVa AeyovTas' oi Se irAetoves ovSev
TOIOUTOV evt^v/iouvro, /cat 6 crrpaTTjyos Trpos TOUS euyeveorciTOUs
cm.
Ot 8e 'Pwp-aioi, OUTW5 ev X 10 / ''*^ diretXr)p,p.vot wnrep KOI irpo-
CIV.
Se TTOTC Aox^yov, ovTTep ws o*i;o-T/3aTewra/ievos apurTov
QVTO. rjoei. o-T/DaTiamjv, vw Si'
dyo/aas ayo/xevov TT/OOS TO epyao-TTJ-
o-vvayeipto-Oai.
62 KEY TO GREEK PROSE COMPOSITION. [Part III.
CV.
Ou fJLYjV
dXXaL jroXXous y8r) wo/xravTas axrre aTroKTtivai
lavrov, ous OVK WCTO T /Jao-iXei u>s dA^^ws euvoiav l^eiv Toy S
,
iravv dya0ov avSpa Kai irporepov irp6dvfj.ov ovra, os
t rtvt TVT CTT'
ourw Oapcrovvra
oua-dai SoKfiv KOI en diroKrevetv, KCU <f>avepov yevea-dai on
TroXXot ewrt /cat
lre/)ot ^wo/ioo-avres aS^Xoi, ov^ T^O-CTOV Oapo-ovv-
TS' fTTCt 8c 8l7T/3a^aTO OKTTe KaTaKplOvjVOil, TOIOVTOS O/itoS T^)
re cr^/xaTi >cat TOIS Xoyois eSoKei efvat ofos av TIS TTCTTOI^WS p.r)8tv
CVI.
Xi)<f>0fj
civ ov/cert 8wiyo-eo"^ai' 6 8e atTetv /iv l<^?j
Setv lavrov,
CVII.
'O 8e '0/D//.ovStos cra^ws ^817 tTnjyyei'AaTO ry ySacrtAct XdOpa
avros s 'AyyAtav lA^wv rots irpodvp.oi'i <ri>yyevr$ai' Kai ei
jitfv
Trpo<T')(<ap(.lv i
fl Se jU^Trw Soai erot/xa efvat, /caTCUTKevcuretv
6 Se 6eo-[j,odeT'r]<s
OVK r/^eAe crvy^wpeti', oto/xevos avrov
CTTI TO, aSwara wp^a-dai, ovSe e^tov OTTWS TI aTr' avroG e
CVIII.
Se KtvSwov /iev Aeyotxrt eveyeAao-c Kai t^pero TI apa <f)0/3ovv-
Tat crT/aaT^youvTos avTo Kat wrep avTtSv Kai aTro^avetv ^e-
i.
Tavry o~T/3aTtc3Tai, Kai rjcfy
eva
64 KEY TO GREEK PROSE COMPOSITION. [Part III.
CIX.
[jLeyuTTrjv.
6 Se avretTrev on ci dATj^fs ?>/ oVep Aeyoicv d^tot
avrovs TrpoOvfJuas feat dTrpo^ourtcrTWs TWV T^S TroAews crweTTtAa-
dv6afj.LXXS.Tat.,
OVK dvcecrdar apxwv fj.fv yap OVK dKpijBoXoyr}-
crea-Oai, ocra 8e Ivvo/tov
Kat 8i'/caiov fir) d^twcrai, ovSeva edcrctv
ex.
i,
eTret ow/cerc Trept TrarpiSos SVVO.IVTO
6p9ov<r6ai TI
fv da-OevecrTaTrj TroAei Kaprepovvra (T(f>aXf)vai. '0 Se
O.TO aicTTe
Aoyy povov o-TpaT^ywv eKetvo) TravTa e/)y<{)
\v e'etv TO
yovv
CXI.
'EvTau^a Se \povov Tiva ITTIO-XWV, ITTCI
//.ev
6 o-T/Dcmjyos, TO Se crr^^eiov laAw, o WTC/DOV e
(rvp-ftaa-iv e*X#eiv
6 Se TOV 0eov fp-apTvpero tf p,rjv a^0f(r0ai ?<'
o?s fTraOov, Kal fva TO, TTC/DI ei/^v^s irpaavoi es TroXtv e$eXeiv
CXII.
CXIII.
AyyAias
CXIV.
IVovs Se fdavfj.a^e (j,ev
6 AafJ-/3epTrj<s, iSwv 8e TroAAw jrAetovas
eTreyM^ev COCTTC es
Aoyot'S !A$tv. Tretcras 5e,
)
SQKCLV TOV 'Pt^apSov av^ts Ka6i<rTava.i, avros Se cu
'
TOV TroAe/Aiov, <vy]j av JU.DVOV ^TO (no^vot a>s Ta^vM Sr) e'^wi/ TOI/
?7nrov. Trypwv Se exeti/os ouS' rjcrcrct) e'^wv TTTTTOV Kai awov, KaTa-
Aa^Swv l^wypei, TroAAa xai Setva fJLarrjv fj.apTvp6fj.fvov MTTC diro-
(frvyeiv.
cxv.
'0 S ^lAtTTTros OVK e^eAwv S^ TOIS Ki TrAeov crvyytyvecr^ai,
v, a>s t/cetvov /iev i^Sews Se^eTai, TOIS 6"e aAAois ovSev eirt-
Ti/xvjcrei.
OTI 8e OUK avev /avSwou dc^tKCTO, o-ry/xeiov ITI Kai vuv
a.7ro8rjfj.(av
6 ayyeAos, StKrjv Xijif/ecrOai iKavrjv fire irapa. 3?iX<i>v8ov
CXVI.
fiaXXov TI
TOU Kouvy ^v/z<^epoi/Tos iTri/jteAov/zevoi' TOVTO yap (TKOTTCIV
CXVII.
Tovs Se opviOas o dep<nrev<j)V T< (rTparrjy^ aTT^yyeiAev art OUTW
T7//.U/
TOI/ atrtov 8^ iTip-wpr/o-avTO. en 8k Alyovros,
T6s tfjnrpocrdev TTETo/xfvos fifya e^^fy^aro' 6 Se
CXVIII.
/CtCT d</)tKO/XVOt SftVa iTTacr^O/iEV WO aVffJLOV KOI
ei tKavoi Adywv 8e
^ /xaAAov o-p;v dvay/cd^Etv.
CXIX.
O Se tv $ ra^u TTOpevfTai TOTC irpwrov eyvco OVTIVO. rpoirov
i/cos TOUS Mao-criAitoTas dfj,vvf(T0a.f TOVTWV Se OUTW x/jijo-t/ios 17
"
776 e
TOX l ra OTOl aTTy^OVTO, -KaTttyO/ifl/OV TOV
es TOV Ai/ieva /nera TWV vewv wpo^i'/icus 01 TroAiTcu
i
Trpodvfj.ovfJ.fvoi, fiovov <rTpa.Tr)yov OVK eT^ov ovSeva.
cxx.
'0 Of ILxrrov/iios, a>$ TTUVTU avTtf) Trapfo-KevacTTO TOI
/3ovXy f<j)f)
ravra ireidfcrOai' fir' avro yap TOVTO $ fTTi\fipfl,
//.GITCOV.
CXXL
Kat ov Sta TroAAou TT/JOS TOV wov Trepicrrpa^ets os
^/ieAAe Trecrcov
Sticrxv/aietcr^ai, 6Vt Tracry re)(yy Stavoetrat TOIOVTOV
CXXII.
*0 8e /?ao"tAvs, ?va Aavc^avot Sr) Seivos cov 7rpoSorjs,
a>s a^tov ySr^ ov TWV (.KtiOev yevop-iviav, Kal OVTW crtfjivol etfraivovro
wore fj.r)8fv
av Beivorepov Xfyfffdai. irdi>T(av
yap TJJ o^ei (TKv0p(0-
wovvrwv, /cat
trtyg bxnrepel VVKTOS l^>' aTravro ra
wv, dv8/3wv re KCU ywaiKWi' eKarepwo-e
os cure d.oTrao[JLevov ovrc euvot'ji 7r/)<xr/3A.rovTos i's
avr^
CXXIII.
C
H 8 "EXicro-a, TruOofifvr) rd re aXXa /cat OTI ravra dp.<f>i<r(3T)-
(XTTOKV^o-ctv In fJLTjSfv
8civov avrrjs KaTrjyopeiv, ySecrOai tcfr-r]
OTI
cxxrv.
8e TOUTO fidXta-ra f<f>r]
ecrecrOai avrois, T^
ovSe yap i
f<T(aOrj TO vairriKov ovSev av \prpraa-dai ITTI ravrrjv y
Part HI.] EXERCISES. 73
^v T^V Aeiav K
cxxv.
Se TWV ye^VjOwv, fTrefiifev 6 o-Tpar^yos TT/JOS
^>o/?oij/xevot
Kai evSov Sva-Ov/jiovvre's re xal Seiva Trocovfievoi TTO.VV
CXXVI.
"AAAa 8e e/ii/^avaro 6 vrrarcs tva TijSe (pavepov ytvoiTO TO
jrpayp,a* ei-pwv yap Ttvas TWV o-u/zTrpao-o-dirtov TOIS IK TJ)S TrdAeios
ret
ypa.fip.ara. e^ovras, aVeyvw raura, o~vXXt)(f>di]vai
TOVS avSpas Kai \<apls IKOOTOV Trpos TTJV fiovXrjv *^'/A.ey^e
5v aurol ^7T/t7rov, Sei'as a/ia a avroi f<r<j>pdyiov
ol 8c fiovXevral e^ra^ov TO.
Kpv<f>fj e-yKA^/naTa,
ofa eS^Aaxrav 01 a~uvwfj.oTai. ISiy. yap VTTO rovrtov O,TI
TO. oTj/iewx
lAeyeTO Ta (rvy/cet/itva,
/cat oVws Se^o-oi Siave/ieiv T^V
Aetav. 7rei Se e^eAeyx^^ 1'^? KaTfKpidrjfrav, irpos TOV Srjfiov
CXXVII.
8c TravTa ^v Kat aTropos o 'AvTamos, WOTC cvvovs
wrorTVTO e'vai KCU wrws /cai TI (rvp.7rpdcr(rciv TOIS TroXe/JLiois ovs
CXXVIII.
'0 fiev ovv Eu/Dv/xeSwv Seiva Troiov/zevos OTI 17 /v X^/ 301
Te/ivrrai,
ravra ^pia oO(.v JJLOVOV eATris tfv Tropic<rdat TO. eTTiT^Seia, TWV Se
/3Aa/37ycreTai,
/cat TOO-OVTOVS Is ovSev dvaAwcrov(rt o re riyov
irjcHo
v Trpd<T(rovTa TI
roiaura Si' Sv ^yueAAov 01 ev reAei a
etre a^toi S^ etcri eire Kai ou* TOVTOV o5v eKciOev
CXXIX.
Kai TOUS /*ev 'IcTTravous eXaOe yevo/xevov TOUTO, TrdvTwv
7r/3ao"o-ovT(oV
6 Se crTpar^yos ovSe Ka^evSwv ^/xeAAe
Oepovs TWV <f>vXdi<(av TIS TroAAous i8wv 'IvSovs 8ia fiaxpov tr^icrt
J>s eiprjrai, irapa TOIS oVAois, TWV ITTTTCOV TrArjcriov SeSe/tefwv Kai
cxxx.
TOI'VW Tapao-cro/xevos o Bi/?uAos fat aTropwv, lirei 8ry-
^-
cri'av eio"<epeiv. a.9poot, 8c eu>0ev Is dyopav <rvva.yeip6fi.evoi iva fj.rj
CXXXI.
Twv 8e 8?;jLtdp^(ov Svo TO /xev StdSij/ia tKeAeixrav IK TOU o~T(f>(ivov
i,
ovTiva <vcr (jiiXdvOpwTrov ovTa rj
ro.va.VTia Set TrpoVo-etv
CXXXII.
oSv TOIIS vean'as erpe^ev o 2e/?ao-TO?, a
j3wfj.ov Karao-TJjcrat.
CXXXIII.
ovra TO,
Trpay/xara fj
omves roAjuy re KCU op"/]} ><^povS yevo/zei'oi TT)V TroAtv Iri ofov
78 KEY TO GREEK PROSE COMPOSITION. [Part III.
ctp'
eavrov rfrv^w^ KaTaxei/ievos TO TeAcvratov e
CXXXIV.
Tov Se as /iaATTa TauTa irpd^avra /ieTeTre/i^aTO 6 Tvpavvos,
ITI dyvoouvra OTI <^>avpos yeyenjTat, /cat Trap' laurov Ka^wras
cxxxv.
Ot 8 'OAAdvSioi ev T0iovr(i) KivSvva) 7re/3teiA^jLtjuei/oi Kara TV^IJV
Ttva fcrwOrja-av. TOV yap ap^ovros 6^at<^v>js TeAevrwvTOS 01
o-T/oaTtwTcu Swxe/oa''voi/Tes
re Sta purdov evSetav, /cat draKTOvvres
d)S ovSevos ^yoiyjieVov, /?iaiws l/ravao-Tavres Travra eYdpaorcrov.
CXXXVI.
'0 8e KopTrjs, /IT)
oTt ^yavd/CTei CTTI
T^> (3iai(p rf
Kal CIIJTOS
CXXXVII.
8e trporepov /xr/^avi^v rtva Stavoov/xcvos Tore 81) fj3ov\ewe
irpa^at. 6iSa>s yap ocra fj.ev avros re Kai 01 cforoiKOi vewcrri
Kat a^tov Ktvov y Swpovvrat. Kai TavTa vvv evSovTas etKos cu/at
CXXXVIII.
'0 8e TravTa Trpa^as 6Va Trpos T^V TrdAiv ISei Kai ovScv (Si
eATrt'Si ?]V Trapa TOVTOV TJ/CWV, ws avrov />tev ToXprjpov re ovra Kat
Kat apery Siac^opov 6Wa, oi're dvo^rov ov8ev etKos eTvat Scavoet-
i,
ovre vTroirrevefrdai. ws KUKCOS cr^tcrt <j)povovvra- Sxrre acr/xevws
awou 6 /3acriAei's.
CXXXIX.
Maraia Se aTretpaivev ovra mal 6Trt,Kiv8vva a eypaifsev 6 BeAevs,
Xei.poiri, <f>avepov
8elv TroXep-iov i/o//.tetv. TO yap yu,^
lav ^prjcrOai
CXL.
Kat ot /xev vrrep TWV dp^ovrwv AeyovTes o-c/ioSpa e/ceAevov
F
82 KEY TO GREEK PROSE COMPOSITION. [Part III.
?}V TOV ye Sij/iov pr) ediXeiv Kvpiav eivcu Trepl davdrov rrjv fBovXrjv
ov yap evvofj.ov eTvcu el p,rj <f)fvyew l/ceivofs ^ SeS&rOat. /cat 01
ju,ev
UTTOWTTCVOVTO a>s 8uc}>6apfj.evoi 77
OVKCTI Tricrrot ovres, 6 Se Karwv
UTT/) TWV dXiywv, ore TroAe/itot eicriv O6
CXLI.
S'
ov^ ^o-(rov 17 Mapta TTJV xpurw,
Tt)(yy Kal (jLrjxavfj ^prjcrapfvi) $ "EAto-tra /ioAis TTWS CTreurf TOIS
l^ret Se TOtavra
irept <3v ISpacrav. evrrpeTrws 7rayyeAAo-
CTreicre, (rvvc)(w/3>/(rev 17 Mapta axrre
CXLII.
8e TOV Kwcepwvos oAiya jitev
dvTi7rev 6
CXLIII.
Tavra Sc iKOuo-avTes, ot 'LrTravot TOV /xev Napiov OTJ
CXLIV.
'0 Se OVK ^yvoet ev o?y 87)
KivSww eo"Tt, yvovs Kat irporepov Si
ayvoiav Kai (f>6/3ov SixrKoAaivovTas TOVS avSpas, Kai
CXLV.
Karayd/xevos 8 Is Ao/it-yywva oKTWKai'ScKa vaug
ye/iowas iJS^ Kat otKaSe jMeAAoixras aVorrActv, wo-re
evOvs eSiyAuxrev OTTOI re w/a/xryrat Kat r^v vp.(f>opav 8t'
CXLVI.
Kai ry /u,ev TrputTy ^/xe/aa yaA^v^s owrjs oAtyov TI Trpoyei, ry
e
Stvre/aaia ras XAcuptaSas aVoK/oityavTes TroAAoi TWV vavralv
Part III.] EXERCISES. 85
(i.) RHETORICAL.
CXLVII.
Kai eya> yap, <3
avSpes, wpos eu^u^ovs Tivas
ovSev Sia <j)6f3ov Trpdoxrowriv, dAAa xaiTrep eyvwKoVes TOV KivSuvov
CXLVIII.
*ETI 8c ev rfj via eKKA^o-ia diropiav Aeyovo'iv ecrco'^ai TO>V
c7n)VTt3v Kai <j>povifJMv dvSpaiv TrdvTas yap /jieTpiovs Kai <f>avX.ov<s
dAAa ev orifjup
Set
Srjfurjyopiav emu, a>s /cooy-iov Ttva e^ dva
//,6V
Kat 7ri;Kvr)v y^v fvpys cvravOa Spvs otSa av^avo/ttvas, T)V Se
CXLIX.
Nvv STJ,
ore Travro^ev Kai IK TrdV^s yJs o\edpos eKCtvots eT
ore rj ^yueTepa Trarpis TT)V TraAat aperrjv ert crw^et, Kai <f>v\dcrcrovo'iv
ITI ot dvOputiroL TO. TrarpoOev fj.vvip.ela. p.era Trodov rtvos l
Kai (rracrtv, /ir^Se TO /^eya <^>povetv tTri T<^ Tavra dei Kai
,
Kai rrdvTa Ta aV$ow7rtva dvaTerpafj.fj.eva.
88 KEY TO GREEK PROSE COMPOSITION. [Part IV.
CL.
Ei yap /zeya TO do-<aAa>s a TIS l^et KeKTTjcr^ai, ei Sia TOVTO
TrdvTa rdXXa 8i^>Krjrai^ /cat e/c TOVTOV CTrto-Trjya^ re TraVa eyevtTo
*ai ep,7ropia, Kai irdvO' o<ra epyd^ovTai }
(J<eAovvTai 01
7rdv$' oVa TWV Trap' a>Kav<>
/AT)
Seti' ws KT^/ara ovra l/cetva o-e/3r$ai a ovSe TO TrapaTrav
fjund ecm. ei
yap TO. aSixws ev Ty TrdAei Ka^ecrTtyKOTa, Tva
O-W^TC WQ-TC /xi) /iicrou/xei/a UTTO TOI! S^/iov Sia^>^ap^vat, Sia TOUTO
tos KT^fj-ara OVTO. d^iovre Sta^vAa^at, irws OTJ
Trpoo^ooKav avay/crj
TO KTij^ara oi>x ^O-Q-OV CKetvwi/ /iicrefcr^ai ; TOVS yap Ta 8id(f>opa
ofJiov crvfj./j.iyvvvTa.S)
iva crvvap-^OTepa o-w^Tat, evAa^tto-^ai Sei
CLI.
OVTW Sid TO fTTiOvfif.iv Tives e^aTraTwvTai, Kav avTOi
,
TOVTO dei TC ^TOVVTS Kai CITC opwo-i TI eiT aKOVo
Part IV.] EXERCISES.
fjioi
SoKova-iv o/zoioi etVcu T$ i>?ro
'OpaTiov Aeyo/xei/(>, os tiri rats
Trapa.^(apy'j(Tfiv,
ovre d(f)dovov /cat
fiaOeiav etSws oixrav T?)V Kpijvrjv
odev ewp[j.r)Tai, ovre at'Siov peov Kai pevcro/Jievov. OVTW /cat ot'Se
pvpias 8r)
CLII.
CLIII.
8e Kai jueTO, (f>6vov, o /xi) yevotTO <3 Zeu Kat $eor KwAvo-at 8e OVK
ov yap /xaT^v es TOCTOVTO rerdpaKTai 6 Sry/xos ou8' eTri
90 KEY TO GREEK PROSE COMPOSITION. [Part IV.
dyovTwv eiTe o-TacriaovTa>v, ctrc ewvros TOU vo/zov etTC /cat ou,
t
fjidi-qv {T;TOVVTCS, Tavra ^/xets eup^xa/tev,
TroXtreiav iiravopdovvrfs-
CUV.
OlO/iCU S TOVS OTTOvSaiOVS TWV TToAtTWV, OVS ftOVOVS d^l(3
crBai^ aXoya 8rj Trpoa"8oKwv TOVS ^eous T^> OVTI aiTictTat TTJ
vop,towt TOUS St/cacrras etvat /cat TOU /*ev VTTO TWV ofioiwv Kpidfjvai
CLV.
"Hv Se Karop^cocras /cai TreiV^s wo-re e/cetvov
<f>vyeiv, oirep
crvvat-
CLVI.
!/0tvoi yu,ev e/xoi TjTTtcrTovv, Seav TrwrTeveiv, eya Se croi
ere e/c
T^S o"airrou eK7reo~dvTa Ip.e av 8uvao~^at ev Ty ep,y o^akrai.
Kai eyw p:ev ws ao"a<^^s /catdo-Ta^p^Tos ^ ^X 7? "Ats ^8^ p;ep:a-
^/cws owe v(3pi6v 7TO)
evrv^wv OVTC SixrT^^^o-as ddvpyad),
ei
vn)v paStws av, ^v ^eAy, p,eTa/3aAo{xrav ^aptVao"^af
92 KEY TO GREEK PROSE COMPOSITION. [Part IV.
8f ^,77,
dAAa Ka/c?) o&ra StareAei, Trap' ovSev 8r) vo/u<3, as <a{!Adv
Tt ov ev roiavry TroAet Stayeiv 6Voi> T/TTOVOS TrotovvTai TOI>S v6fj,ov<i
r}
<5v av firidvfj.fi
o 8etva. et
yap f \fcrOat,
ee7, fKfivr) p.oi av CITJ
CLVII.
apa aTTwAero, v}
avrov c
veKpwv dvacrr^crai, Trorepov v oiecrOe
2<5ei
^toov ycveo-^ai, o8' av kdf.fif.6a.
TO TrapaTrav.
CLVIII.
p.r)
OTI w^eAryTat dAAa aTt^vws Ka/ctov Sta/cetrat TOU
CLIX.
8e, <3
KcmAtva, a>s o-iWTrwo-t Kat ^o-v^ot etcriv ot
8c CTOV, (5
KaTtAtva, o'waivovo't TTOU o~iyc3vTes, ^(Tiixa^ovTes
p.r]V
OVTOL /iovov, wv TO /tev a^i'ayia Ti[J.f)o-at irpocnroiei T^S Se
o~ctmy/3ias dAtywpeis, dAAa Kat ot'Se ot dya^ot /cat o~7rov8aiot
tTT^ets, /cat aAAot eAAoyi/xoi TroAtTai, or7re/o T^V ecroSov T^S (BovXrjs
(j>vXdo-o-ov<ri' ovs IBflv o-ol erjv oVoi Trapetcri, /cat et'Sevat ota
CLX.
d8iKots p-ovov /teya SvvavTat, dAAd Kai Trapd TOIS ev?y^eo-iv, Kai
O'a^ws av, ei Trap' c/xov ovroo-i a^ia ciraOtv &v I8pao"ev, /3i'as Kai
CLXI.
Aeyovo-i 8e Tives, (5
avSpes 'Pw/iaioi, OTI eyw 8) Tovrovi t^e/3a Aov*
5
dAAd /t^v i TI Aoycj) ofos T ?^v, OVK av diroKvoirjv pr) ov Kai
fjievov IvofJLifov,
/cat ov p.aXXov TroAe/ziov /ziapamiTOV ; l^fc
CLXII.
'IcTTTttVOt 7T7rAOV, T)
7Tt
Tg ttVTtTTe/DaV ttKT^ e(TT/OaTO7rcSeVVTO 04
FaAAot. /cartao-t 8e raura Kare^etv /?/3ovAeu/>ievoi, aTrep u>s
aSiKa. OVTO. 6 STJ/XOS /ca^eAetv f\frr)<f>UTTa.u KOL /careA^ovTe? o
CLXIII.
TOV 8e crvyypaffrfa Set TWV TroAe/uKwv rt eir'urrrjfiova 6Wa, TW^
oVAwv T6 /cat p.^-)(avwv^ Ka ' iroXcpav crweivai as 8taTXTTTat,
dAAa firj
TOtovrov TWO. eivai oTos 810. TravTos olicovpiov TrdWa Trap*
ifsa(T0ai
Kal TO TOU 'A\Kif3id8ov KTeArai' dAA' erret
ou^ ofos T'
CLXIV.
'Eyw Se, dirot\ofj.evov TOV 'AAa/3iaSov, TrpoTtpov /iev yap 'Q(J'X
V~
ato-\t'vei avSpos ot'ou e/zov OVTW T^J Aoyy KaTa<^povwV) xav o-ou
vcoirepos ST^
to /cat ^cro-ov Setvos T< SiaAeyea^at ; CTTCI olcrdd ye
Part IV.] EXERCISES. 97
Trvra ra
ct 'ITTTTIOV re Kat IIwAov a.Kpoup.'rjv KOI Yopjiov KOI
,
ovSe yevvaioVepoi/ ov(5ev ^yovp.a.1 TOV yvwvai TO
CLXV.
Ata Se TO eATTi'^etv TOiavTa TC iravTa. ti^eAouvTat ot o.v6p(anroi
dyada irepl TrAetovos 7roie?o-$ai. TIS yap OVK aKTjKoev TOV //.eyav
CLXVI.
Kai [irjv Toifj.6s dpi, f<f>r)
6 /?oo-iAeus' opas yap, as dp/idrrer
Kttl
SfJM TTpOS TO CVOTTTpOV fJTf(TTpd<pr), d)OTT6/3ei TJJV f(r6fJTa. aU0lS
eaipetv ri Trpoo-TTOtrjo-a/xevoi
/3ao-tAeus a>s AcyoKTWv 8^ TI, (VfdvjjieiTO o/xcos OTI TTfpaivetv 8ei TO.
TTj<5 TTO/ITT^S' Ot St ^CpCtTTOVTCS Tt (TffJLVOTepOV /3a8t^OV TOU ITpOCrdtV,
TO fropfJM. TO fiirjSafjLOV 877 Trapov
CLXVII.
'
'0 St Xafiwv KOI T<p (Tfp<j) yepovri, Sovs
/i^,
avreiTrev 6 ap^wv, ovScts /AOV avawr^rjTOTepos' yvtixrecr^c yap
ci ovx iKavds ci/it
Kat Treurav i^v Scy T^V TroAtTCiav StotKeiv.
r/yovfj.fvov
TOV deov d/3^a5s av St/ca^otev.
CLXVIII.
Ilpoayei 8e aAAa T TroAAa TOUS av^/3W7rovs, WCTTC
ve^v t'va {'wv eri TTJS Sd^rjs aTroAaixry TTJS CTreiTa Tt^vewTi p.e\\ova"r)<;
yevecr^ai.
Kai TO /ACV TOiawa <^>iAoTi/ito-^ai fj,eya\oOvfj.ov 817
7re/)a TrpojSfjvai
TOV OVTOS. TO awd 8e (Trade So^s Trept IIAtvios
6 vewT/)os, <r<a(f>pQvvvr)v /xevTOi /cat aiSw TrAeiova cb
CLXIX.
OvSets lyft^eo-^Tiycre TTOJ
jur)
ou Trao-iv e^elvai Ayo-Tas TroXffj.(p
<5
IIo/iTretos TOUS Ayo-Tas KaTeo-T/ae^aTO, /leywrTov TOVTO Kai
TOVTO, eAAeiTTei jUeVTOl Tt, OvSe /i^V AeyOVQ-l TOVTO U)S 776 TO TToAv'
TO yap dAry^9 /cat 7rao-iv
6/ioAoyov/x.evov CKCIVO o?/xa6 ?vat, OTI
CLXX.
oSv ov^ 6/Aovoov/zev, aKO7ra)/xv OTTOS ai/
apia-ra. TOVTO
A. <^>^)iit yd/o.
A. vravv ye.
Ovp-eiv TOV eva /ca/cov TOVS TroAAovs /5Ad^at, CITC dya^ovs ovras
etre KOKOVS, Kai TOVTO yaipovra. ;
A. ro)?.
3>. oi'Se ovv dyadol 6Wes TOVS dya$ovs Ka/ca>v TV^CIV /JovAovTar
A. eoiKe yd/3.
CLXXI.
rt TOtvvv Ata MeviTrrrov TOV <tAocro<ov av$ts es ovpavov dpd-
CLXXIL
Se aAAov Ttva vewo~Tt vavv ye/xuravTa, Ty Att ev^o/
^v cTrt/xeAov/xevos TrAovTOV e^u,7rAeav /caTaydy^,
OITI v}v
Irt c^etvar 0au/xdovros Sc TOU MevtTnrov, oimo 6vfj.ov(rdai
TOV Ata ^euSo/xevots TOIS dvOptaTrois wore ra /!' a7ro</>wrwi'Ta ra
crepa di
CLXXIII.
Ou /x^v TOVS <ro<fx>v<s fJLfj,<f>o[juii
on Tous TrAowiovs Ounrevowi
T Kttt V7TI]pTlV TTpOaipOVVTO.1. KaA(JS y/3 O AlOyV7y
7TOT6 Kttt O-KW7TTOVTOS TtVOS, Altt Tl TOIS TrAoiXTtOlS
/cat
a/xa 8pifj.e(a<s TTWS, OTI 01 /xev CTrtcrTavrat OTOV
tj
oi 8 ov. u)o~airro)s 8e 6 "AVTITTTTOS, CTTCI Atovwiov Tt
oi5S
Aoyou TV^WV 7rpoo-7reo-' 6 Sc CTTUT^V /cat Sous
CLXXIV.
4. 'O/xoAoyets ouV dSuvaTos eti/at VTroXa^Setv OTTWS TWV ato-^^Twv
Tt VTra.px<eiv olov TC, /x^ v ^v^y ov. TJ
ou ;
d\-r)9f) ewai.
TTJV a-\r]vr)v KOU TO. ao-rpa Sta tia/cpou oiTa aur$avo/*0a ; TOUTO
8c T^ aUrOrjo-ei TTOV etid^o/xev.
$. ou/covv /cat /ca0i56'a>v TOtauTa ovap ytyvaxr/ccis ;
FA.
4>. OVK av op$ws a/Da u7roAd/3ots TO. ala-$rjTa e^co
ctvat -njs
CLXXV.
2. &/> vw, Tr/aos Aoyov o"e aTTa eptop.a.1'
oiSa yap a
Ttvo5 Kat cvSews Trpos O-QU l^ovres, avrou Si) TOVTOU Aeyw 6Vcp <ri;
PART I.
Ex. line
15. irXtvovo, T&V ej>dpov] Tertiary predicate, 'their tribute more,' lit.
14. rip Tiroi] Observe the reg. usage of dative after perf. pass.
4. 2. Read irpoos for -irpavs, which seems not to occur masc. sing.
15. dv ^.e^oy] 'I would have been saying' literally, because the
supposition is excluded.
poetical.
3. TWV . . .
4>CXv] Observe the gen. of separation, used idiom-
atically after XeXet/^voj.
7. TcXevrwv] 156.
7. 2. ofl
4>Tjtri is found even after d, the ot)
really belonging to the
4. If 7reipu|j.6voi . . .
\Jmj86[j.evos is felt to be too harsh, say r<f>
\f/evdf<rdat. virepj3a\eiv.
11. 3. k9av\Mlv . . .
cl] 32.
. .
7. |xf|
.
S#-acr6cu] 130.
12. 2. firel . . .
Svvao-Oai.] Inf., because it is part of the pretence, and
so oblique. See 38.
105
io6 NOTES.
Ex. line
15. 8. iropd rig 6t$\ It would perhaps be rather neater to use the
19. 4. oil 8tol iroXXov] Observe that adverbs of time tend to come early
in the sentence.
23. I.
pcuri\Viv is commoner, so that the statement about apxtffOai in
1 68 is
misleading.
33. 10. Observe ov yap vciv ; the yap implies the answer, so that the
38. 12. (if) \|/v8T<u] The pres. ind. is much the most dramatic and vivid
tense to use here, cf. 192 (a).
8. ^ ov] 132.
PART II.
59. iwro-yv^vra] Ace., because the verb understood is not 'he says
that,
'
in which case, by inf. attraction, it would
but
'
he bids me say that'
Ex. line
74. 9. ^m]8drr]v . . .
<rvvfj\0ov] The dual and plural are constantly
found together in fact, the dual is only a form of the plural,
:
83. n. SioXunJvTo, . . .
&r<r6ai] This change to ace. inf. is common
as the orat. obliq. proceeds, though usually after a full stop
or colon. We might read dia\nruv . . . ^roi/tos ZITOITO.
PART III.
103. 6. 88v by a not uncommon attraction for tKeWfv o5, which may
be put instead if preferred.
asserting).
107. 1 6. Perhaps for 8 irpbs p. 8iKeiTO use the simpler &v etivow 6vra
fjirtffTavTO Ty /JctcriXe?.
108. 8.
'
It was vain to argue.' This means '
Ex. line
117. The last word iir-geaav I have ventured to insert for the sake
of the directness so much desired in Greek.
118. 10. If this sudden oratio obliqua is thought harsh (though I believe
ft is natural) insert ?<paffKOi> after
121.
'
God bless you ! God bless you !
'
The repetition is un-
natural in Greek, and so is" best given by ovx #n-a, or some
such turn.
124. i.
f>Tj
is inserted to make clear the oratio obliqua.
130. IO. gjAirXews is given in Liddell and Scott as having two termina-
tions,though TrX^wj makes ?rX^a in fern. Is this true ? I
Ex. line
' '
136. 12. dvaOlorSai] Metaph. from draughts, to take back a move.
139. 9- irapd TOV |3a<riX.&os] irapb, 'from the side of,' 'from the house
' ' '
9. &r<riv] 191.
1 6. is subj.
e^cXevOcpoi
140. 3. irepl 0a.vd.Tov] I have put this rather than what the note
recommends, to avoid repeating dnroKTeivai.
PART IV.
165. 1 1.
'
The tradition of the fall of man '
is translated at some length ;
ZSmfonrBttg
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these too far apart, and the intercourse of the defenders with an army
of relief under the Count of Clermont at Blois was not broken off.
Early in the following year, this army hoped to raise the siege by
falling on a large body of provisions coming to the besiegers from
Batue of tiia Paris under Sir John Fastolf. The attack was made at
Herringi.
Rouvray, but Fastolf had made careful preparations.
The waggons were arranged in a square, and, with the stakes of the
archers, formed a fortification on which the disorderly attack of the
French made but little impression. Broken in the assault, they fell
an easy prey to the English, as they advanced beyond their lines.
The skirmish is known by the name of the Battle of the Herrings.
"This victory, which deprived the besieged of hope of external succour,
seemed to render the capture of the city certain.
Already at the French King's court at Chinon there was talk of a
Danger of hasty withdrawal to Dauphine, Spain, or even Scotland ;
M A TEAR'S BOTANY.
of all of them open by two
slits turned towards the centre of the
Fig. 12.
comes between two long ones,
Dust-spikes of gorse (enlarged), this
though OUght to be the case.
The seed-organ is in the form of a longish rounded
pod, with
a curved neck, stretching out beyond the The top
dust-spikes.
of it is sticky, and if you look at a bush of will see
gorse, you
it
projecting beyond the keel in most of the fully-blown flowers,
because the neck has become more curved than in Cut
fig. 12.
open the pod ; it contains only one cavity (not, as that of the
wall-flower, two separated by a thin partition), and the grains
are suspended by shors cords from the
top
(fig. 13). These grains may be plainly seen in
S^*tffi2jg'\5)
the -seed-organ of even a young flower. It is ^"^"^s^
evident that they are the most important part &e- 13 -
44 COWPER'S TASK.
I say the pulpit (in the sober use
Of its legitimate peculiar pow'rs)
Must stand acknowledged, while the world shall stand,
The most important and effectual guard,
'Support and ornament of virtue's cause.
There stands the messenger of truth there stands :
Practice. '57
3^. $d. is of i I
,2478 = cost of the articles at \ each.
each.
2 is 2 x i I
2897 . 0.0 = cost at i each.
12 .
1.5= i</.....
^7640 . 16 .
9 = 2. i2s.gfi.Qzch.
each,
^ ^
and
l
}i tne shortest course
to subtract from it
is
the cost at
to find
' -
r
425 . 0.0 = cost at ,1 each.
^4. D "El
O ABCD
Then must be double of A EBC.
Join A C.
Then A ABG= A EBG, v they are on the same base and
between the same ||s ; I. 37.
Q. E. D.
parallelogram.
goes out, or even burns very dimly, there is enough of the gas
to make the descent perilous. A
man going down a well shoxild
always take a candle with him, which he should hold a consider-
able distance below his mouth. If the light burns dimly, he
should at once stop, before his mouth gets any lower and he
takes some of the gas into his lungs.
When this gas is in a well or pit, of course it must be ex-
pelled before a man can descend. There are several expedients
for doing this. One is to let a bucket down frequently, turning
it upside down, away from the
mouth of the well, every time it
isbrought up, a plan which will
remind you of the experiment
represented in Fig. 24.
But a better way is to let down
a bundle of burning straw or shav-
ings, so as to heat the gas. Now
heated bodies expand, gases very
much more than solids or liquids,
and, in expanding, the weight of a
certain volume, say of a gallon,
becomes lessened. So that if we can
heat the carbonic anhydride enough
to make a gallon of it weigh less than a gallon of air, it will
rise out of the well just as hydrogen gas would do. Fig. 25
shows how you may perform this experiment upon a small scale.
cold, the soldiers dropped down to rise no more. The next day,
in spite of all remonstrance, the
general halted his army, expecting
in vain provisions from Akbar Khan. That day the ladies, the
children, and the married were given up. The march was
officers
original number survived. Even the haste which might once havo
saved now added nothing to the chances of life. In the middle of
the pass a barrier was prepared. There twelve
died sword officers
in hand. A handful of the bravest or the strongest
only reached
the further side alive as men hurry for
they hurried on
:
life,
their way, but were surrounded and cut to pieces, all save a few
that had yet escaped. Six officers better mounted or more fortu-
nate than the rest, reached a spot within sixteen miles of the
goal ;
but into the town itself rode
painfully on a jaded steed, with tho
stump of a broken sword in his hand, but one.
II.
ARIADNE'S LAMENT.
Madam, 'twas Ariadne passioning
For Theseus' perjury and nnjust flight.
Two GENTLEMEN OF VERONA, IV. 4, 173.
ARGUMENT.
ARIADNE tells of herfirst -waking, to find herself abandoned by
the story
Theseus and left on an unknown island, exposed to a host of
dangers. (HEROIDES, x.)
The story "
is beautifully told by Catullus, in the Epithalamium Pelei
"
et Thetidos:" it also
1
forms one of the episodes in Chaucer's Legende of
Goode Women:
II. IV.
ARIADNE.
THIS and the two following extracts, though taken from different
works, form a definite sequence. Ariadne, daughter of Minos, king of
Crete, has helped Theseus to conquer the Minotaur, by giving him a
clew to the maze in which the monster was hid, and, being in love with
him, has fled in his company. They put in for the night to the island of
Dia, and Theseus on the next morning treacherously sails away, leaving
the poor girl alone. The first extract is part of an epistle which she is
supposed to write on the day when she discovers his perfidy.
The name Dia, which belonged properly to a small island off the
north coast of Crete, was also a poetical name for Naxos, one of the
largest of the Cyclades. It may have been this fact which led to the
further legend which is recounted in the next extract, how Ariadne,
lorn of Theseus, becomes the bride of Bacchus ; for Naxos was the
home of the Bacchic worship. As the completion of the legend she is
raised to share in Bacchus' divine honours, and as the Cretan Crown
becomes one of the signs of the heavens.
II.
ARIADNE'S LAMENT,
i. Hlo, sc. Diae.
4. Per facinus, criminally.
5. Describing apparently the early dawn, or the hour that precedes
it, when the night is at its coldest, and the birds, half-awake,
50-7 1 j BOOK XL
Comp. Gear. ii. 80, Nee longuni ternpus et exiit . . arbos, C. . . . ,
But as these are the only two instances of the construction adduced it is
perhaps safer to take et even. =
51 nil lam, etc.] The father is making vows to heaven in his son's
behalf, but the son is gone where vows are neither made nor paid.
55 haec mea magna fides] 'Is this the end ol all my promises?'
Magna may be taken as 'solemn,' or 'boastful.'
pudendis volnerious] All his wounds are on his breast.
hymn, Gear. ii. 393 ; (3) beauty, Aen. x. 24 ; (4) the leafy honours of
trees, Gear. ii. 404 ; (5) funeral rites, vi. 333, and here. See below, /. 76.
63 solatia] In apposition to the whole sentence ; whether it is nom. or
ace. depends on how we resolve the principal sentence ; here, though
solatia applies to the whole sentence, its construction probably depends on
the last clause, which we may paraphrase, ut praesentes (ri> fureiycu) suit
solatia ; therefore it is nom.
71] Contrast the force of neque adhuc, nee dum, and non iam ; 'the
' '
brightness not all gone,' the lines where beauty lingers,' and the support
and nurture of mother earth cut off once and for all.'
c^apicrarol C v. 21.
PAGE i
PAGE
ABBOTT (E.), Selections from Lucian 19
'
English-Greek Lexicon .
Foster (George Carey), Electricity 12
First French Book . Sound . 12
First German Book . .
Fradersdorff (J. W.) English-Greek
First Greek Book . . .
Lexicon 25
^-^^ First Hebrew Book. . .
GANTILLON G. F.), Classical Ex-
(P.
FirstVerse Book . . . amination Papers 16, 22
Greek Accidence . . .
Gedge (J. W.), Young Churchman's
Greek Prose Composition .
Companion to the Prayer Book . 28
Henry's First Latin Book. Gepp (C. G.), Latin Elegiac Verse . 15
Homer for Beginners . . Girdlestone (W. H.), Arithmetic n
Homer's Iliad
Latin Prose Composition
.... .
Goolden (W. T.), and Rigg (A.),
.
Chemistry 13
Madvig's Greek Syntax .
Goulburn (Dean), Manual of Con-
Sophocles firmation 29
Greek Testament, by Dean Alford 23
BAKER'S (W.) Manual of Devotion by Chr. Wordsworth 23
for School-boys 28 Green (W. C.), Aristophanes . . 26
24,
Barrett (W. A.), Chorister's Guide . 31 Grenfell's (E. F.) First German Exer-
Bennett (G. L.), Easy Latin Stories 14 cises 30
Bigg (Ch.), Exercises in Latin Prose 14 Gross (E. J.), Algebra, Part n.
Thucydides
Blunt (J. H.), Household Theology
....
25, 26 Kinematics and Kinetics
.
.
.
.
10
10
28
Keys to Christian Knowledge : HERODOTUS (Stories from), by J.
The Holy Bible.The Prayer Book, Surtees Phillpotts 19
Church History. (Ancient and by H. G. Woods . . 24, 26
Modern), Church Catechism . . 29 Heslop (G. H.), Demosthenes . .
22, 26
Bowen (E.), Napoleon's Campaigns 30 Historical Biographies, edited by M.
Bridge (C.), French Literature . . 4 Creighton 5
Bright (J. Franck), English History i Historical Handbooks, edited by
Hist, of French Revolution .
4 Oscar Browning 2-4
Browning (Oscar), Great Rebellion. 4 Holmes (Arthur), Demosthenes . 22, 26
PAGE
lOPHON 19 Sargent ( J.Y.) Latin Version of (60)
Isocrates, by J. E. Sandys . . .22, 26 Selected Pieces 16
Saward (R.), Selections from Livy . 15
JEBB (R. C.), Sophocles . . . . 24, 26 Science Class Books 12
Supremacy of Athens 4
Shakspere's As You Like Mac- It,
Juvenal, by G. A. Simcox . . . 17, 26
beth, Hamlet, and King Lear, by
KEYS TO CHRISTIAN KNOWLEDGE 29 C. E. Moberly 8
Kitchener (F. E.), Botany for Class Coriolanus, by R. Whitelaw 8
Teaching 12 Tempest, by J. S. Phillpotts 8
(F. A.), a Year's Botany 13 Merchant of Venice, by R.W.
Taylor 8
LA FONTAINE'S FABLES, by P.
Sidgwick (Arthur), Scenes from
Bowden-Smith 30 Greek Plays 20
Latham (R. G.) Dictionary of the Greek Prose Composition . 1 8
English Language 8 - Homer's
Iliad, Books l.-iv. . 21
Laun( Henri Van), French Selections 31 Simcox (G. A.), Juv
Tuvenal
, . . . .
17, 26
Laverty's (W. H.), Astronomy . . 12
Thu cydides . 25, 20
Livy, Selections from, by R. Saward Simcox (W. H.), Tacitus . 17, 26
and E. Calvert 15
Lucian, by Evelyn Abbott ... 19
Smith (J. H.), Arithmetic
Key to Arithmetic .
Shakspere's Tempest. . 30
Homer's Iliad, Book vi. 20 Thucydides, by C. Bigg .... 25, 26
Pretor (A.), Persii Satirae . .
.17, 26 by G. A. Simcox . . 25, 26
REID History of Roman VECQUERAY (J. W. J.), First Ger- ,
(J. S.),
Political Institutions .... 4 man Accidence
Books xi. xn., by
30
Reynolds (S. H.), Homer's Iliad .
21, 26 Vergil's Aeneid,
Richardson (G.), Conic Sections . n F. Storr 16
Rigg (A.), and Goolden (W. T.), WAY OF LIFE 29
Introduction to Chemistry . .
13 Whitelaw (Robert), Coriolanus . . 8
Science Class-books. . 12 Willert (F.), Reign of Lewis XI. . 2
Rivington's Mathematical Series .
9 Wilson (R. K.), History of Modern
Rogers (J. E. T.), Aristotle's Ethics 25 English Law 3
Woods (H. G.), Herodotus . . .24, 26
STE. BEUVE'S Marechal de Villars,
Wordsworth (Bp.), Greek Testament 23
byH. W.Eve
Sanderson (L.), and Firman (F. B.),
30 Wormell (R.), Dynamics .... 1 1
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