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ﳎﻤﻮﻉ ﺩﻳﻮﺍﻥ
ﺣﺎﻓﻆ ﺍﻟﺸﲑﺍﺯﻱ
-١-
ﺗﺼﻤﻴﻢ ﺍﻟﻐﻼﻑ
ﺃﲪـﺪ ﻳﺰﺑـﻚ
-٢-
ﺗﺮﲨﺔ ﻭﺷﺮﺡ
ﺍﻟﺪﻛﺘﻮﺭ ﻋﻠﻲ ﻋﺒﺎﺱ ﺯﻟﻴﺨﺔ
ﻣﻨﺸﻮﺭﺍﺕ ﺍﳍﻴﺌﺔ ﺍﻟﻌﺎﻣﺔ ﺍﻟﺴﻮﺭﻳﺔ ﻟﻠﻜﺘﺎﺏ
ﻭﺯﺍﺭﺓ ﺍﻟﺜﻘﺎﻓﺔ – ﺩﻣﺸﻖ ٢٠١٤ﻡ
-٣-
ﳎﻤﻮﻉ ﺩﻳﻮﺍﻥ ﺣﺎﻓﻆ ﺍﻟﺸﲑﺍﺯﻱ /ﺗﺮﲨﺔ ﻭﺷﺮﺡ ﻋﻠﻲ ﻋﺒﺎﺱ ﺯﻟﻴﺨﺔ -.
ﺩﻣﺸﻖ :ﺍﳍﻴﺌﺔ ﺍﻟﻌﺎﻣﺔ ﺍﻟﺴﻮﺭﻳﺔ ﻟﻠﻜﺘﺎﺏ ٥٠٤ -. ٢٠١٤ ،ﺹ؛ ٢٤ﺳﻢ.
)ﺃﻋﻼﻡ ﺍﻷﺩﺏ ﺍﻟﻌﺎﳌﻲ؛ (١٠
-٣ﺍﻟﺸﲑﺍﺯﻱ ٨٩١,٥٥ -١ﺵ ﻱ ﺭ ﻡ -٢ﺍﻟﻌﻨﻮﺍﻥ
-٥ﺍﻟﺴﻠﺴﻠﺔ -٤ﺯﻟﻴﺨﺔ
ﻣﻜﺘﺒﺔ ﺍﻷﺳﺪ
ﺃﻋﻼﻡ ﺍﻷﺩﺏ ﺍﻟﻌﺎﳌﻲ
»«١٠
-٤-
ﻣﻘﺪﻣﺔُ ﺍﳌُﱰﺟِﻢ
) ﻗﹶﻠﹶﻤﻲ ﻁﺎﺌِﺭ ﻴﺭﺸﹶﺢ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻤِﻥ ﻤِﻨﻘﺎﺭِﻩِ ،ﺤﻤﺎﻩ ﺍﷲُ ﻓﻬﻭ ﻋﺎﻟﻲ ﺍﻟﻤﺸﹾﺭﺏ(
ﻫﺫِﻩِ ﺘﺭﺠﻤﺔﹲ ﻋﺭﺒﻴﺔﹲ ﻜﺎﻤِﻠﹶﺔﹲ ﻟﺩﻴﻭﺍﻥ ﺸﻤﺱِ ﺍﻟﺩﻴﻥ ﻤﺤﻤﺩ ) ١٣٨٩-١٣٢٠ﻡ(،
ﺍﻟﻤﻌﺭﻭﻑ ﺒﺤﺎﻓﻅ ﺍﻟﺸﻴﺭﺍﺯﻱ ،ﺍﻟﱠﺫﻱ ﻭﻟِﺩ ﻭﻋﺎﺵﹶ ﻭﺩﻓِﻥ ﻓﻲ ﺸﻴﺭﺍﺯ ،ﻤﻥ ﺒﻼ ﺩِ
ﺇﻴﺭﺍﻥ ﺍﻵﻥ.
ﺍﻋﺘﹶﻤﺩﺕﹸ ﺃﺴﺎﺴﺎﹰ ﻟﻬﺫﻩِ ﺍﻟﺘﱠﺭﺠﻤﺔِ ،ﻤﻥ ﺒﻴﻥِ ﺍﻟﻨﱡﺴﺦِ ﺍﻟﻌﺩﻴﺩﺓِ ﻟﺩﻴﻭﺍﻥ ﺤﺎﻓِﻅﹶ ،ﻨﹸﺴﺨﹶﺔﹶ
ﻤﺸﹾﻬﺩ ﻟﻠﻌﻠﹼﺎﻤﺔ ﻤﺤﻤﺩ ﻗﺯﻭﻴﻨﻲ ﻭﺍﻟﺩﻜﺘﻭﺭ ﻗﺎﺴﻡ ﻏﻨﻲ ،ﺍﻟﻤﻌﺭﻭﻓﹶﺔﹶ ﺃﻴﻀﺎﹰ ﺒﻨﹸﺴﺨﹶﺔ ﻗﺯﻭﻴﻨﻲ.
ﻭﻜﺎﻥ ﻗﺩ ﺘﺭﺠﻡ ﻏﺯﻟﻴﺎﺕ ﺩﻴﻭﺍﻥ ﺤﺎﻓﻅ ﺇﻟﻰ ﺍﻟﻌﺭﺒﻴﺔِ ﻗﺒﻠﻲ ﺍﻟﺩﻜﺘﻭﺭ ﺇﺒﺭﺍﻫﻴﻡ ﺃﻤﻴﻥ
ﺍﻟﺸﱠﻭﺍﺭﺒﻲ ﻤﻥ ﻤﺼﺭ ،ﺘﺭﺠﻤﺔﹰ ﺍﻋﺘﻤﺩ ﻓﻴﻬﺎ ﻋﻠﻰ ﻨﹸﺴﺨﺔِ ﻁﻬﺭﺍﻥ ﻟﻠﺴﻴﺩ ﻋﺒﺩ ﺍﻟﺭﺤﻴﻡ
ﺨﻠﺨﺎﻟﻲ ،ﺍﻟﻤﻌﺭﻭﻓﺔ ﺃﻴﻀﺎﹰ ﺒﻨﺴﺨﺔِ ﺨﻠﺨﺎﻟﻲ ،ﻭﻨﺸﺭﻫﺎ ﻓﻲ ﻜﺘﺎﺏٍ ﺒﻌﻨﻭﺍﻥ ﺃﻏﺎﻨﻲ ﺸﻴﺭﺍﺯ.
ﻴﻀﻡ ﺩﻴﻭﺍﻥ ﺤﺎﻓِﻅﹶ ﻤﺠﻤﻭﻉ ﺸﻌﺭِﻩِ ﺍﻟﻤﻌﺭﻭﻑ ،ﻭﺃﺸﻬﺭ ﻤﺎ ﻓﻴﻪِ ﺍﻟﻐﺯﻟﻴﺎﺕﹸ،
ﻭﻫﻲ ﻗﺼﺎﺌﺩ ﻏﹶﺯلٍ ﺘﻌﺩ ﺃﺭﺒﻌﻤﺎﺌﺔٍ ﻭﺨﹶﻤﺴﺎﹰ ﻭﺘِﺴﻌﻴﻥ ﻗﺼﻴﺩﺓﹰ.
ﺘﹸﺭﺠِﻤﺕﹾ ﺃﺸﻌﺎﺭ ﺤﺎﻓﻅ ﺇﻟﻰ ﻤﻌﻅﹶﻡِ ﻟﹸﻐﺎﺕِ ﺍﻟﻌﺎﻟﹶﻡِ ،ﻭﻜﺎﻥ ﻟﻬﺎ ﺍﻟﺘﱠﺄﺜﻴﺭ ﺍﻟﻜﺒﻴﺭ ﻓﻲ
ﺍﻟﺸﱢﻌﺭِ ﺍﻟﻌﺎﻟﻤﻲ ،ﻭﻗﺩ ﻋﺸﻘﹶﻬﺎ ﺍﻟﻨﱠﺎﺱ ،ﻭﺘﻐﻨﱠﻭﺍ ﺒﻬﺎ ،ﻭﻟﻡ ﺘﻔﻘﹸﺩ ﺠﻤﺎﻟﻬﺎ ﻭﻋﺫﻭﺒﺘﹶﻬﺎ ﻋﻠﻰ
ﻤﺭ ﺍﻟﺴﻨﻴﻥ ،ﻭﻟﻡ ﺘﻔﻘﺩ ﺍﻟﺠﻤﻬﻭﺭ ﺃﺒﺩﺍﹰ.
ﺸِﻌﺭ ﺤﺎﻓِﻅﹶ ﻏﹶﺯلٌ ﻋﺭﻓﺎﻨﻲ ﺼﺎﻑٍ ﻨﻘﻲ ،ﻟﻁﻴﻑﹲ ﺭﻗﻴﻕﹲ ﻋﺫﺏ ﺸﺠﻲ،
ﻤﺼﻭﻍﹲ ﻓﻲ ﻏﺎﻴﺔِ ﺍﻹﺘﻘﺎﻥ ،ﻤﺒﺜﻭﺙﹲ ﻓﻴﻪِ ﺍﻟﺴﺤﺭ ،ﻤﺸﺤﻭﻥ ﺒﺎﻷﺴﺭﺍﺭِ ،ﻜﺜﻴﺭ ﺍﻟﺭﻤﻭﺯِ
-٥-
ﻭﺍﻷﻟﻐﺎﺯِ ،ﻭﻤﻭﻀﻭﻋﻪ ﺍﻟﻌﺸﻕﹸ ﺍﻹﻟﻬﻲ ﺍﻟﱠﺫﻱ ﻫﻭ ﻓِﻁﺭﺓﹸ ﺍﷲِ ،ﻭﻟﻡ ﻴﺴﺘﻁِﻊ ﺸﺎﻋﺭ
ﺍﻟﺘﻌﺒﻴﺭ ﻋﻥ ﺍﻟﺭﻭﺡِ ﻭﺍﻟﻔﻜﺭِ ﻭﺍﻟﻤﺸﺎﻋﺭِ ﻜﺤﺎﻓﻅ ،ﺒﺄﺴﻠﻭﺏٍ ﻟﻁﻴﻑٍ ﻭﺘﻌﺎﺒﻴﺭ ﺒﺴﻴﻁﺔٍ
ﻭﺃﻭﺯﺍﻥٍ ﺴﻬﻠﺔٍ ﻭﻜﻠﻤﺎﺕٍ ﻭﺍﻀﺤﺔ ﺍﻟﺩﻻﻟﺔِ ،ﻭﻓﻲ ﺸﻌﺭﻩِ ﺘﻜﺭﺍﺭ ﺠﻤﻴل ،ﻭﻗﺩ ﻴﺠﻌلُ
ﺍﻟﻜﻠﻤﺔﹶ ﺍﻟﻭﺍﺤﺩﺓﹶ ﻗﺎﻓﻴﺔﹰ ﻟﻐﺯﻟﻴﺘﻪ.
ﻫﻨﺎﻙ ﻤﻴﺯﺓﹲ ﺍﻨﻔﹶﺭﺩ ﺒِﻬﺎ ﺤﺎﻓِﻅﹸ ،ﺃﻥ ﻜﹸلﱠ ﺒﻴﺕٍ ﻤِﻥ ﻜﹸلﱢ ﻗﺼﻴﺩﺓٍ ﻤِﻥ ﻗﺼﺎﺌِﺩِﻩِ
ﻤﺴﺘﻘِلﱞ ﻋﻥ ﺴﺎﺒِﻘِﻪ ،ﻭﻻ ﻴﺭﺘﹶﺒِﻁﹸ ﺒِﻼﺤِﻘِﻪ ،ﻓﻜﹸلﱡ ﺒﻴﺕٍ ﻗﺼﻴﺩﺓﹲ ،ﻭﻓﻲ ﻜﹸلﱢ ﺒﻴﺕٍ ﻟﻭﺤﺔﹲ
ﺭﺍﺌﻌﺔﹸ ﺍﻟﺠﻤﺎلِ ﻟِﺭﺴﺎﻡٍ ﻋﺒﻘﺭﻱ ﺍﻟﺨﻴﺎل.
ﻟﻡ ﻴﺫﻜﺭ ﺤﺎﻓِﻅﹸ ﺍﺴﻡ ﻤﻌﺸﻭﻗِﻪِ ﺃﺒﺩﺍﹰ ،ﺒل ﻜﻨﹼﻰ ﻋﻨﻪ ﺒﺄﺴﻤﺎﺀ ﻤﻥ ﻗﺒﻴل ﺴﻠﻤﻰ ﻭﻟﺒﻨﻰ
ﻭﺴﻌﺎﺩ ،ﺭﻋﺎﻴﺔﹰ ﻟﻠﺴﺘﺭِ ،ﻭﺘِﻠﻙ ﺴﻨﱠﺔﹲ ﻋﻨﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ ،ﻗﺎلَ ﺍﻟﻤﻜﺯﻭﻥ ﺍﻟﺴِﻨﺠﺎﺭﻱ:
ـﻰ
ـﺎ ﻟﹸﺒﻴﻨـ
ـﻭﺍﻙِ ﻭﻤـ
ـﺎ ﻫـ
ﻟﹸﺒﺎﻨﺘﹸﻨـ
ﺴﻭﻯ ﺍِﺴﻡٍ ﺒِـﻪِ ﻋﻨـﻪ ﻜﹶﻨﹶﻴﻨـﺎ
ﻟﻨﹶﻁﻭﻱ ﻤِﻥ ﺤﺩﻴﺜِﻙِ ﻤـﺎ ﻨـﺸﺭﻨﺎ
ﻭﻨﻨﺸﹸﺭ ﻤِﻥ ﺠﻤﺎﻟِﻙِ ﻤـﺎ ﻁﻭﻴﻨـﺎ
ﻭﺃﺜﻨﻴﻨﺎ ﻋﻠﻰ ﺃﻭﺼـﺎﻑِ ﺴـﻌﺩﻯ
ﻭﻤﻌﻨﻰ ﻏﻴﺭ ﺤﺴﻨِﻙِ ﻤﺎ ﻋﻨﻴﻨـﺎ
ﻭﻟﻭ ﻟﻡ ﺘﹶﻅﻬﺭﻱ ﺒﺤﻤﻰ ﺍﻟﻤﺼﻠﹼﻰ
ﻟﻤﺎ ﻁﹸﻔﻨـﺎ ﻫﻨـﺎﻙ ﻭﻻ ﺴـﻌﻴﻨﺎ
ﻅ ﻤﻥ ﻟﻡ ﻴﻜﹸﻥ ﻋﺎﺸِﻘﺎﹰ ﻜﺤﺎﻓﻅ ،ﻭﻋﻠﻰ ﻤﺘﺭﺠِﻡِ ﺸِﻌﺭِ
ﻻ ﻴﺤﺴِﻥ ﺘﺭﺠﻤ ﹶﺔ ﺸِﻌﺭِ ﺤﺎﻓِ ﹶ
ﺤﺎﻓِﻅﹶ ﺃﻥ ﻴﻜﺘﹸﺏ ﺒﺄﺴﻠﻭﺏِ ﺤﺎﻓِﻅﹶ ،ﻟﻴﻜﻭﻥ ﻤﻘﺒﻭلَ ﻁﺒﻊِ ﺸﺎﻩِ ﺍﻟﻔﹶﻥ ﻭﻤﻭﻀِﻊ ﻋﻨﺎﻴﺘِﻪ.
ﺍﷲَ ﺃﺴﺄلُ ﺃﻥ ﺘﻠﻘﻰ ﻫﺫِﻩِ ﺍﻟﺘﱠﺭﺠﻤﺔﹸ ﻗﺒﻭلَ ﺍﻟﻘﻠﻭﺏ.
-٦-
ﻏﺰﻝ ١
ﺒﺩﺍ ﻟﻲ ﺍﻟﻌِﺸﹾﻕﹸ ﻤﻴﺴﻭﺭﺍﹰ ﻭﻫـﺎ ﺠـﺎﹾﺀﺕﹾ ﻤـﺸﺎﻜِﻠﹸﻪ
)(١
ـﺎ
ـﺎ ﺍﻟ ـﺴﺎﻗﻲ ﺃﺩِﺭ ﻜﹶﺄْﺴ ـﺎﹰ ﻭﻨﺎﻭِﻟﻬـ
ـﺎ ﺃﻴﻬـ
ﺃﻻ ﻴـ
ﺃﺘﺕ ﺒﺎﻟﻤﺴﻙِ ﺘﺤﻤﻠﹸﻪ ﺍﻟـﺼﺒﺎ ﻤِـﻥ ﺠﻌـﺩِ ﻁﹸﺭﺘِـﻪِ
)(٢
ﻓﻀﺎﻋﺕ ﻤﻨﻪ ﺭﺍﺌِﺤﺔﹲ ﻓـﺴﺎ َل ﺩﻡ ﺍﻟﻘﹸﻠـﻭﺏِ ﻟﻬـﺎ
ﺃﻨﺎ ﻓﻲ ﻤﻨﺯلِ ﺍﻟﻤﺤﺒﻭﺏِ ﻤﺎ ﺃﻤﻨﻲ ﻭﺘﻘـﺭﻉ ﺴـﻤﻌﻲ
)(٣
ﺍﻷﺠﺭﺍﺱ :ﺃﻫـلَ ﺍﻟﻌِﻴـﺭِ ﺁﻥ ﻴـﺸﹶﺩ ﻤﺤﻤﻠﹸﻬـﺎ ﺴﻤﻌﻲ
ﺒﺨﻤﺭٍ ﻓﺎﺼﺒﻎِ ﺍﻟﺴﺠﺎﺩﺓﹶ ،ﺍﻟﻤﻭﺼﻲ ﺒـﺫﺍ ﺃﻭﺼـﻰ
)(٤
ﻭﺴﺎﻟِﻙ ﺩﺭﺒِﻬﺎ ﺃﺩﺭﻯ ﺒﺭﺴـﻡِ ﻁﺭﻴـﻕِ ﻤﻨﺯﻟﻬـﺎ
) (١ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﻁﹸﻑﹾ ﻋﻠﻰ ﺍﻟﺠﺎﻟﺴﻴﻥ ﻓﻲ ﺍﻟﺤﺎﻥِ ﺒﺎﻟﺨﻤﺭ ﻭﻨﺎﻭﻟﻨﻲ ﺍﻟﻜﺄﺱ ﺒﻴﺩِﻙ ،ﻓﺈﻥ ﻤﺸﺎﻜلَ
ﺍﻟﻌﺸﻕِ ﺍﻟﱠﺫﻱ ﺒﺎﻥ ﻟﻲ ﺴﻬﻼﹰ ﺃﻭلَ ﺍﻷﻤﺭِ ﺒﺩﺃﺕ ﺒﺎﻟﻭﻗﻭﻉ؛
) (٢ﻭﺍﻟﺼﺒﺎ ﺍﻟﺘﻲ ﺘﻌﻁﱠﺭﺕﹾ ﻤﻥ ﻤﻼﻤﺴﺔِ ﺠﺩﺍﺌلِ ﻤﻌﺸﻭﻗِﻨﺎ ،ﺠﺎﺀﺘﻨﺎ ﻤﻨﻬﺎ ﺒﻨﻔﺤﺔٍ ﻤﻥ ﺍﻟﻌﺒﻴﺭِ
ﺘﻨﺸﹸﺭﻫﺎ ،ﻭﻴﺎ ﷲِ ﻟﻤﺎ ﺴﺎلَ ﻤﻥ ﺫﻟﻙ ﺍﻟﻌﺒﻴﺭِ ﻤﻥ ﺩﻤﺎﺀِ ﺍﻟﻘﻠﻭﺏ؛
) (٣ﺃﻱ ﺃﻤﻥٍ ﻟﻲ ﻓﻲ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﻋﻠﻰ ﻗﺭﻉِ ﺠﺭﺱِ ﺍﻟﺭﺤﻴلِ ﺍﻟﱠﺫﻱ ﻻ ﻴﻨﻘﻁِﻊ ﻤﻨﺎﺩﻴﺎﹰ ﺒﺎﻟﺭﻜﺏِ
ﻴﺎ ﺃﻫلَ ﺍﻟﻘﺎﻓِﻠﹶﺔِ ﺸﺩﻭﺍ ﺍﻟﺭﺤﺎلَ ﻭﺘﻬﻴﺌﻭﺍ ﻟﻠﺭﺤﻴلِ ﻓﺎﻟﺭﺤﻴلُ ﻭﺸﻴﻙ؛
) (٤ﺇﺫﺍ ﻤﺎ ﺃﺭﺩﺕﹶ ﺍﻟﻭﺼﻭلَ ﺇﻟﻰ ﻤﻨﺯﻟِﻬﺎ ﺤﻘﹼﺎﹰ ﻓﺎﺼﺒﻎﹾ ﺴﺠﺎﺩﺘﹶﻙ ﺒﺎﻟﺨﻤﺭِ ،ﻓﺒﺫﻟِﻙ ﻴﺄﻤﺭﻙ ﺸﻴﺦﹸ
ﺍﻟﻤﺠﻭﺱِ ﻓﺄﻁِﻊ ﻓﺈﻥ ﺴﺎﻟِﻙ ﺍﻟﻁﱠﺭﻴﻕِ ﻻ ﻴﺠﻬﻠﹸﻪ) ﺍﻟﻤﺠﻭﺱ ﻋﺒﺩﺓﹸ ﺍﻟﻨﱠﺎﺭِ ﻭﻴﺭﻤﺯ ﺍﻟﺸﱠﺎﻋﺭ ﺒﻬﻡ
ﻟﻠﻌﺎﺸﻘﻴﻥ ،ﻭﺍﻟﻨﱠﺎﺭ ﻨﺎﺭ ﻟﻴﻠﻰ ،ﻭﺸﻴﺦﹸ ﺍﻟﻤﺠﻭﺱِ ﺍﻟﺩﻟﻴلُ ،ﻗﺎل ﺃﺤﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ:
ﻭﻤلﱠ ﺍﻟﺤـﺎﺩﻱ ﻭﺤـﺎﺭ ﺍﻟـﺩﻟﻴلُ ﻟﻤﻌﺕﹾ ﻨﺎﺭﻫﻡ ﻭﻗﺩ ﻋﺴﻌﺱ ﺍﻟﻠﹼﻴـلُ
ﻋﻠﻴــلٌ ﻭﻟﺤــﻅﹸ ﻋﻴﻨــﻲ ﻜﻠﻴــلُ ﻓﺘﺄﻤﻠﺘﹸﻬﺎ ﻭﻋﻴﻨـﻲ ﻤـﻥ ﺍﻟﺒـﻴﻥِ
ﻭﻏﺭﺍﻤﻲ ﺫﺍﻙ ﺍﻟﻐـﺭﺍﻡ ﺍﻟـﺩﺨﻴلُ ـﻰ
ـﺅﺍﺩ ﺍﻟﻤﻌﻨﹼـ
ـﺅﺍﺩﻱ ﺫﺍﻙ ﺍﻟﻔـ
ﻭﻓـ
ﻫﺫﻩِ ﺍﻟﻨﱠﺎﺭ ﻨـﺎﺭ ﻟﻴﻠـﻰ ﻓﻤﻴﻠـﻭﺍ ـﺎ ﻭﻗﹸﻠ ـﺕﹸ ﻟِ ـﺼﺤﺒﻲ
ﺜﹸـﻡ ﻗﺎﺒﻠﺘﹸﻬـ
-٧-
ﺒِﺒﺤــﺭٍ ﻤﻭﺠــﻪ ﻋــﺎﺕٍ ﻭﻟﹶﻴــلٍ ﻋﺎﺼِــﻑٍ ﺩﺍﺝٍ
)(١
ﻭﺇِﻋــﺼﺎﺭٍ ﻭﺃَﻫــﻭﺍلٍ ﻨﹶﺯﻴــلُ ﺍﻟﺒــﺭ ﺠﺎﻫِﻠﹸﻬــﺎ
ﺠﻨﻴﺕﹸ ﻤِﻥ ﺍﻟﻌﻨﺎﺩِ ﻓـﻀﻴﺤﺘﻲ ﻤِـﻥ ﻜﹸـلﱢ ﺃﻋﻤـﺎﻟﻲ
)(٢
ﺇﻻﻡ ﻴﻅــلﱡ ﻤﺨﻔﻴــﺎﹰ ﺤــﺩﻴﺙﹲ ﻓــﻲ ﻤﺤﺎﻓِﻠِﻬــﺎ
ﺕ ﻤﺤـﻀﺭﻩ ﺃﺤـﺎﻓِﻅﹸ ﻻ ﺘﹶﻐِـﺏ ﻋﻨﹾـﻪ
ﻤﺘﻰ ﺒﻠﱢﻐﹾـ ﹶ
)(٢
ﻕ ﻤﻥ ﺘﹶﻬـﻭﻯ ﺩﻉِ ﺍﻟـﺩﻨﹾﻴﺎ ﻭﺃَﻫﻤِﻠﹾﻬـﺎ
ﻤﺘﻰ ﻤﺎ ﺘﹶﻠﹾ ﹶ
ﻭﺃَﻫﻤِﻠﹾﻬﺎ)(٦
ﻏﺰﻝ ٢
ﻋﻤلُ ﺍﻟﺼﺎﻟِﺤﺎﺕِ ﻏﻴـﺭ ﺍﻟﺨـﺭﺍﺏِ ﺨﹶﺭِﺏ ﻤﺎ ﺍﻟﺼﻼﺡ ﻟـﻲ ﺒِﻁﺭﻴـﻕٍ
ﺃَﻴﻥ ﺫﹶﻴﺎﻙ ﻤِﻥ ﺼـﻔﺎﺀِ ﺍﻟـﺸﱠﺭﺍﺏِ ﻤلﱠ ﻗﻠﺒـﻲ ﻤِـﻥ ﻤﻌﺒـﺩٍ ﻭﺭِﻴـﺎﺀٍ
ﻭﻤِﻥ ﺍﻟﻭﻋﻅِ ﺃﻴﻥ ﻋﺯﻑﹸ ﺍﻟﺭﺒـﺎﺏِ ﺃﻴﻥ ﻤِﻥ ﺨﻤﺭﺓٍ ﺼﻼﺡ ﻭﺘﻘـﻭﻯ
ﺴﺭﺍﺝِ ﺍﻟﻔﺅﺍﺩِ ﻤِﻥ ﻋﺩﻭﻙ ﺍﻟﻤﺭﺘﺎﺏِ ﺃﻴﻥ ﻤِﻥ ﺸﹶﻤﻊِ ﺸﻤﺱِ ﻭﺠﻬِﻙ ﻤﻴﺕﹸ
) (١ﻭﻻ ﺒﺩ ﻟِﻘﺎﺼِﺩِ ﺤﺭﻤِﻬﺎ ﻤﻥ ﺍﻟﺴﻴﺭِ ﻓﻲ ﺍﻟﺒﺤﺎﺭِ ﺍﻟﻤﺎﺌﺠﺔِ ﻭﺍﻟﻠﹼﻴﺎﻟﻲ ﺍﻟﺩﺍﺠﻴﺔِ ﻭﺍﻟﻌﻭﺍﺼِﻑِ ﺍﻟﻬﺎﺌﻠﹶﺔ،
ﻓﻤﺘﻰ ﻴﺩﺭﻱ ﺍﻟﻤﻘﻴﻤﻭﻥ ﻓﻲ ﺃﻤﺎﻥٍ ﻋﻠﻰ ﺍﻟﺒﺭ ﺒِﺤﺎﻟِﻨﺎ؟!؛ ﻟﻡ ﺃﺠﻥِ ﻏﻴﺭ ﺍﻟﻔﻀﻴﺤﺔِ ﻤِﻥ ﺍﻟﻌِﻨﺎﺩِ ﻤﻥ
ﻨﻔﺴﻲ ﻤﻥ ﻜﹸلﱢ ﻤﺎ ﻗﻤﺕﹸ ﺒِﻪِ ﻤﻥ ﻋﻤلٍ ،ﻭﺴﺭﻱ ﺼﺎﺭ ﻓﻲ ﻤﺤﺎﻓِلِ ﺍﻟﺩﻨﻴﺎ ،ﺇﻟﻰ ﻤﺘﻰ ﻴﻅلﱡ ﺍﻟﺴﺭ
ﺍﻟﱠﺫﻱ ﺼﺎﺭ ﻓﻲ ﺍﻟﻤﺤﺎﻓِلِ ﻤﺨﻔﻴﺎ؛
) (٢ﺇﺫﺍ ﻭﻓﱢﻘﹾﺕﹶ ﺒﺎﻟﻭﺼﻭلِ ﺇﻟﻰ ﺤﻀﺭﺓِ ﺍﻟﻤﺤﺒﻭﺏِ ﻴﺎ ﺤﺎﻓﻅ ،ﻓﺎﺤﻔﻅ ﺍﻟﻤﺤﻀﺭ ﻭﻓﺭﻍﹾ ﻗﻠﺒﻙ
ﻟﻠﺤﺒﻴﺏِ ﻭﻻ ﺘﻨﺸﻐِلْ ﻋﻨﻪ ﺒِﻐﻴﺭِﻩِ ،ﻭﻤﺘﻰ ﻤﺎ ﻟﻘﻴﺕﹶ ﻤﻥ ﺘﹸﺤﺏ ﻓﺩﻉِ ﺍﻟﺩﻨﻴﺎ ﻭﺃﻫﻤِﻠﹾﻬﺎ)ﺍﻟﺼﻼﺓﹸ
ﺴﻔﹶﺭ ﻭﺍﻟﻤﺼﻠﹼﻲ ﻤﺴﺎﻓِﺭ ﺴﻔﹶﺭﺍﹰ ﻤﻌﻨﻭﻴﺎﹰ ﺇﻟﻰ ﺍﻟﺤﻕﹼ ،ﻓﺈﻥ ﻫﻭ ﻭﺼلَ ﺇﻟﻰ ﻤﺤﻀﺭِ ﺍﻟﺤﻕﱢ
ﻓﻲ ﺼﻼﺘِﻪِ ﻜﺎﻨﺕ ﺼﻼﺘﹸﻪ ﺤﻘﻴﻘﻴﺔﹰ ﻭﺇﻟﹼﺎ ﻓﻤﺠﺎﺯﻴﺔ ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ﻟﺠﻼل ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ،
ﺍﻟﻤﻌﺭﻭﻑ ﺒﺎﻟﻤﻭﻟﻭﻱ:
ـﻀﻭﺭ
ـﺎ ﺒﺎﻟﺤـ
ـﻼﺓﹰ ﺜﹶـﻡ ﺇﻟﹼـ
ﻻ ﺼـ ﺍﺴﻤﻊِ ﺍﻷﺨﺒﺎﺭ ﻤﻥ ﺼﺩﺭِ ﺍﻟﺼﺩﻭﺭ
-٨-
ـﺎﺏِ
ـﺈﻟﻰ ﺃﻴـﻥ ﺘﹶـﺭﻙ ﺫﺍﻙ ﺍﻟﺠﻨـ
ـﺭﺍﺏ ﺒﺄﻋﺘﺎﺒِ ـﻙ ،ﻓـ
ـﺼﺎﺭِﻨﺎ ﺍﻟﺘﱡـ
ﻜﹸﺤـلُ ﺃﺒـ
ﺍﻟﻘﻠﻴﺏ ،ﻤﺎ ﺴﺭﻋﺔﹲ ﻤﻨﻙ ﺒﺎﻟـﺫﱠﻫﺎﺏِ ﻗﹶﻠﹾﺏ ﻓﻲ ﺩﺭﺏِ ﺘﹸﻔﱠﺎﺤﺔِ ﺫﹶﻗﹾﻥِ ﺍﻟﺤﺒﻴﺏِ
ﻭﺴﻘﻴﺎ ﻟِﻨﻅﺭﺓِ ﺍﻟﺴﺤﺭِ ﻭﺍﻟﻌِﺘـﺎﺏِ ﻴــﺎ ﻋﻬــﻭﺩ ﺍﻟﻭﺼــﺎلِ ﻟﹸﻘﻴــﺎﻙِ
ﺍﻟﻨﱠﻭﻡ ﻭﺍﻟﻘﺭﺍﺭ ﻭﺍﻟﺼﺒﺭ ﻴﺎ ﺃﺼﺤﺎﺒﻲ ﺤﺎﻓِﻅﹸ ﻻ ﻴﻌﺭِﻑﹸ ﺍﻟﻨﱠﻭﻡ ﻭﺍﻟﻘﺭﺍﺭ ،ﻤﺎ
ﻨﺜﺭﺍﹰ :ﺃﻴﻥ ﺼﻼﺡ ﺍﻟﻌﻤلِ ﻤﻨﹼﻲ ﻭﺃﻨﺎ ﺍﻟﺨﹶﺭِﺏ ،ﺍﻨﻅﹸﺭ ﺘﻔﺎﻭﺕﹶ ﺍﻟﻁﱠﺭﻴﻕِ ﻤِﻥ ﺃﻴﻥ
ﺇﻟﻰ ﺃﻴﻥ)(١؛ ﻤلﱠ ﻗﻠﺒﻲ ﻤِﻥ ﺍﻟﺼﻭﻤﻌﺔِ ﻭﺨِﺭﻗﹶﺔﹶ ﺍﻟﺭﻴﺎﺀ ،ﺃﻴﻥ ﺩﻴﺭ ﺍﻟﻤﻐﺎﻥِ ﻭﺃﻴﻥ
ﺍﻟﺸﱠﺭﺍﺏ ﺍﻟﺼﺎﻓﻲ)(٢؟؛ ﻤﺎ ﻨِﺴﺒﺔﹸ ﺍﻟﺼﻼﺡِ ﻭﺍﻟﺘﱠﻘﻭﻯ ﺇﻟﻰ ﺍﻟﺨﻼﻋﺔِ ،ﺸﺘﱠﺎﻥ ﻤﺎ ﺒﻴﻥ
ﺼﻭﺕِ ﺍﻟﻭﺍﻋِﻅِ ﻭﻨﻐﻤﺔِ ﺍﻟﺭﺒﺎﺒﺔ)(٣؛ ﻤﺎ ﻴﺴﺘﻁﻴﻊ ﻗﻠﺏ ﺍﻟﻌﺩﻭ ﺃﻥ ﻴﺭﻯ ﻤﻥ ﻭﺠﻪِ
ﻤﻌﺸﻭﻗِﻨﺎ؟ ،ﺃﻴﻥ ﺍﻟﺴﺭﺍﺝ ﺍﻟﻤﻁﻔﹶﺄُ ﻤﻥ ﺸﹶﻤﻌﺔِ ﺍﻟﺸﱠﻤﺱِ؟؛ ﻭﻤﺎ ﺩﺍﻡ ﻜﹸﺤلُ ﻋﻴﻭﻨِﻨﺎ ﻤﻥ
ﺘﹸﺭﺍﺏِ ﺩﻴﺎﺭِﻙ ﻓﺈﻟﻰ ﺃﻴﻥ ﻨﺘﺤﻭلُ ﻋﻥ ﺠﻨﺎﺒِﻙ ،ﻗﹸلْ ﻟﻨﺎ ﺇﻟﻰ ﺃﻴﻥ)ﺇﻟﻰ ﻤﻥ ﻴﺫﻫﺏ ﺍﻟﻌﺒﺩ
ﺇﻟﹼﺎ ﺇﻟﻰ ﻤﻭﻻﻩ(؟؛ ﻭﻴﺎ ﻗﻠﺏ ﻤﺎ ﻟﻙ ﻤﺴﺭِﻋﺎﹰ ﺇﻟﻰ ﺘﹸﻔﱠﺎﺤﺔِ ﺫﻗﻨِﻪ ،ﺃﻻ ﺘﺭﻯ ﺍﻟﺒﺌﺭ ﻓﻲ
ﻁﺭﻴﻘِِﻬﺎ؛ ﺴﻘﻰ ﺍﻟﻠﹼﻪ ﺃﻴﺎﻡ ﺍﻟﻭِﺼﺎلِ ﻟﻘﺩ ﻤﻀﺕ ﻭﺒﻘﻴﺕ ﺫﻜﺭﺍﻫﺎ ،ﻓﺄﻴﻥ ﺫﻫﺏ ﺫﻟﻙ
ﺍﻟﺩﻻلُ ،ﻭﺃﻴﻥ ﺫﹶﻫﺏ ﺫﺍﻙ ﺍﻟﻌِﺘﺎﺏ؛ ﺃﻱ ﺤﺒﻴﺒﻲ ﻻ ﺘﻁﻤﻊ ﺒﻨﻭﻡِ ﺤﺎﻓِﻅ ﻭﺍﻟﻘﺭﺍﺭِ ﻤﻨﻪ،
ﻤﺎ ﻫﻭ ﺍﻟﻘﺭﺍﺭ ،ﻭﻜﻴﻑﹶ ﻴﻜﻭﻥ ﺍﻟﺼﺒﺭ ،ﻭﺃﻴﻥ ﻫﻭ ﺍﻟﻨﱠﻭﻡ؟.
) (١ﻴﺭﻤﺯ ﺒﺎﻟﺨﺭﺍﺏِ ﺇﻟﻰ ﺘﺤﻁﱡﻡِ ﺍﻷﻨﺎ ﻭﺍﻨﻬﺩﺍﻡِ ﺠﺒلِ ﺃﻨﺎﻨﻴﺔِ ﺍﻟﻌﺒﺩ ،ﻓﺈﺫﺍ ﺘﺤﻁﱠﻤﺕِ ﺍﻷﻨﺎﻨﻴﺔﹸ ﻭﺼﻌ ﹶ
ﻕ
ﺍﻟﻌﺒﺩ ،ﺒﻁﻠﺕﹾ ﺤﻭﺍﺱ ﺍﻟﺒﺩﻥِ ﻭﻋﻤﻠﺕ ﺤﻭﺍﺱ ﺍﻟﺭﻭﺡِ ،ﻭﺫﺍﻙ ﻋﻠﻰ ﻤﺎ ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ﺍﻨﺘﻘﺎلٌ ﻤﻥ
ﺍﻟﺘﺸﺒﻴﻪِ ﺇﻟﻰ ﺍﻟﺘﻨﺯﻴﻪ ،ﻭﻤﻥ ﺘﻬﺩﻤﺕﹾ ﺃﻨﺎﻨﻴﺘﹸﻪ ﻻ ﻴﻜﺘﺭﺙﹸ ﺒِﺭﻓﻌﺔِ ﺸﺄﻨِﻪِ ﺒﻴﻥ ﺍﻟﻨﱠﺎﺱ ،ﻭﻻ ﻴﺒﺤﺙﹸ
ﻋﻥ ﺼﻼﺡِ ﺍﻟﻅﹼﺎﻫﺭ ،ﻓﺘﻠﻙ ﺍﻟﺤﺴﻨﺔﹸ ﺘﹸﻌﺩ ﻟﻪ ﺴﻴﺌﺔ ،ﻭﻻ ﻴﺨﻀﻊ ﻟﻠﺘﱠﻜﻠﻴﻑِ ﺍﻟﺸﱠﺭﻋﻲ ،ﻷﻨﱠﻪ ﻓﻲ
ﺤﻜﻡِ ﺍﻟﻔﺎﻨﻲ ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ﻟﺠﻼل ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ:
ﻜﹶلﱠ ﻓﻬﻤﻲ ﻓﻬﻭ ﻻ ﻴﺤﺼﻲ ﺍﻟﺜﱠﻨـﺎ ـﻲ ﺍﻟﻔﻨــﺎ
ـﺈﻨﹼﻲ ﻓـ
ـﻲ ﻓـ
ﻻ ﺘﹸﻜﻠﱢﻔﻨـ
ﺇﻥ ﺘﹸﻜﻠﱢﻑﹾ ﺃﻭ ﺘﹸـﺼﻠﱢﻑﹾ ﻻ ﻴﻠﻴـﻕﹾ ﻜﹸلﱡ ﺸﻲﺀٍ ﻗﺎﻟـﻪ ﻏﻴـﺭ ﺍﻟﻤﻔﻴـﻕﹾ
) (٢ﻤلﱠ ﻗﻠﺒﻲ ﻤﻥ ﻋﻤلِ ﺍﻟﺭﻴﺎﺀِ ،ﻭﻋﺒﺎﺩﺓٍ ﺒﻐﻴﺭِ ﺼﻔﺎﺀٍ ،ﻭﺍﺸﺘﺎﻕﹶ ﺇﻟﻰ ﺍﻟﺨﻤﺭﺓِ ﺫﺍﺕِ ﺍﻟﻠﱡﻁﹾﻑِ ﻭﺍﻟﻨﱠﻘﺎﺀ؛
) (٣ﻤﺎ ﺃﻜﺒﺭ ﺍﻟﻔﺭﻕﹶ ﻤﺎ ﺒﻴﻥ ﺍﻟﺨﻤﺭﺓِ ﻭﺍﻟﺴﻜﺭِ ﻭﻤﺎ ﺒﻴﻥ ﺍﻟﺼﻼﺡِ ﻭﺍﻟﺘﱠﻘﻭﻯ ،ﻜﻤﺎ ﺸﺘﱠﺎﻥ ﻤﺎ ﺒﻴﻥ
ﺼﻭﺕِ ﺍﻟﻭﺍﻋِﻅِ ﻭﻨﻐﻤﺔِ ﺍﻟﺭﺒﺎﺒﺔ)ﺍﻟﻭﻋﻅﹸ ﻤﻥ ﺍﻟﻔﻘﻴﻪِ ،ﻭﻨﻐﻤﺔﹸ ﺍﻟﺭﺒﺎﺒﺔِ ﻤﻥ ﺍﻟﻌﺎﺸﻕ ،ﻭﺃﻴﻥ ﺘﺄﺜﻴﺭ
ﺍﻟﻭﻋﻅِ ﺍﻟﹼﺫﻱ ﻴﺨﺎﻁﺏ ﺍﻟﻌﻘلَ ،ﻤﻥ ﺘﺄﺜﻴﺭِ ﺍﻟﻨﱠﻐﻡ ﺍﻟﻤﺨﺎﻁِﺏِ ﻟﻠﻘﻠﺏ(.
-٩-
ﻏﺰﻝ ٣
ـﻰ ﻴـﺩﻱ ﻗﻠﺒـﻲ
ـﻴﺭﺍﺯٍ ﺃﻋـﺎﺩ ﺇﻟـ
ﺇﺫﺍ ﺘﹸﺭﻜـﻲ ﺸـ
ﺴﺄﻫﺩﻱ ﺨﺎﻟـﻪ ﺍﻟﻬِﻨـﺩﻱ ﺴـﻤﺭﻗﹶﻨﺩ ﻭ ﺒﺨﺎﺭﺍﻫـﺎ
ﻓﻬﺎﺕِ ﺍﻟﺨﻤﺭ ﻴـﺎ ﺴـﺎﻗﻲ ﺒـﻼ ﺒـﺎﻕٍ ﻓﺭﻜﹾﻨﺎﺒـﺎﺩ
ـﺎﺕِ ﺃﻭ ﺘﻠﻘـﻰ ﻤـﺼﻼﹼﻫﺎ
ـﺎﻩ ﻓـﻲ ﺍﻟﺠﻨﱠـ
ﻟـﻥ ﺘﻠﹾﻘـ
ـﺎﺭﺕﹾ ﻜﹸ ـلﱡ ﻓﺎﺘِﻨﹶ ـﺔٍ
ـﺩﻴﻨﺘﻨﺎ ﺃﺜـ
ـﻲ ﻤـ
ﺍﻀ ـﻁِﺭﺍﺒﺎﹰ ﻓـ
ﻓﺅﺍﺩﻱ ﻤِﻥ ﻀـﺤﺎﻴﺎﻫﺎ ﻭﺼـﺒﺭﻱ ﺒـﻴﻥ ﻗﺘﻼﻫـﺎ
ﺠﻤﺎلُ ﺤﺒﻴﺒِﻨﺎ ﻋﻥ ﻋِـﺸﹾﻘِﻨﺎ ﺍﻟﻤﻨﻘـﻭﺹِ ﻤـﺴﺘﹶﻐﹾﻥٍ
ﻭﺫﺍﺕﹸ ﺍﻟﺤــﺴﻥِ ﻻ ﻴﺤﺘــﺎﺝ ﺘﺠﻤــﻴﻼﹰ ﻤﺤﻴﺎﻫــﺎ
ﻭﺃﻋﻠﻡ ﺃﻥ ﺯﺍﺌﺩ ﺤﺴﻥِ ﻴﻭﺴﻑﹶ ﻜﹸـلﱠ ﻴـﻭﻡٍ ﻋِـﺸﹾﻘﹸﻪ
ﺃﻏــﺭﻯ ﺒِﺨﻠﹾــﻊِ ﺭِﺩﺍﺀِ ﻋِــﺼﻤﺘِﻬﺎ ﺯﻟﻴﺨﺎﻫــﺎ
ﻭﺇﻥ ﺘﺸﺘﹸﻡ ﻭﺇﻥ ﺘﹶﻠﹾﻌﻥ ،ﺩﻋـﺎﺌﻲ ﺩﺍﺌﻤـﺎﹰ ﺒـﺎﻟﺨﻴﺭِ
ﺸِﻔﺎﻫﻙ ﻤـﺎ ﺃُﺤﻴﻼﻫـﺎ ،ﻭﻤـﺭ ﺍﻟﻘـﻭلِ ﺃﺤﻼﻫـﺎ
ﻋﺯﻴﺯﻱ ﺍﻟﻨﱡﺼﺢ ﻓﻠﺘﹶﺴﻤﻊ ،ﻜﻌﺼﺒﺔِ ﻓِﺘﹾﻴـﺔٍ ﺴـﻌﺩﺕﹾ
ﺃﺤﺒﺕ ﻓﻭﻕﹶ ﺤﺏ ﺍﻟﺭﻭﺡِ ﻨـﺼﺢ ﺍﻟـﺸﱠﻴﺦِ ﺇﻴﺎﻫـﺎ
ﻓﻘﹸلْ ﻋﻥ ﻤﻁـﺭِﺏٍ ﻭﺍﻟﺨﻤـﺭِ ﻭﺍﺘـﺭﻙ ﺴِـﺭ ﻫـﺫﺍ
ﺍﻟﺩﻫﺭِ ﻤﺎ ﺸﺨﹾﺹ ﻷِﺴﺭﺍﺭِ ﺍﻟﻭﺠﻭﺩِ ﺠﻠﻰ ﻤﻌﻤﺎﻫـﺎ
ﻭﻗﹸلْ ﻏﺯﻻﹰ ﻭﺼِﻎﹾ ﺩﺭﺭﺍﹰ ﺃﺤـﺎﻓﻅﹸ ﻭﺍﺘﹾـلُ ﺃﺸـﻌﺎﺭﺍﹰ
ـﺎ
ـﺩﺍﹰ ﻤِ ـﻥ ﺜﹸﺭﻴﺎﻫـ
ـﻼﻙ ﻋِﻘﹾـ
ﻟِﻨﹶﻅﹾﻤِ ـﻙ ﺘﻨﺜﹸ ـﺭ ﺍﻷﻓـ
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ﺇﺫﺍ ﻤﺎ ﺃﻋﺎﺩ ﺫﻟﻙ ﺍﻟﺘﱡﺭﻜﻲ ﺍﻟﺸﱢﻴﺭﺍﺯﻱ ﺇﻟﻰ ﻴﺩﻱ ﻗﻠﺒﻲ ،ﻓﻌﻬﺩﺍﹰ ﺃﻥ ﺃﻫﺏ ﺴﻤﺭﻗﻨﺩ
ﻭﺒﺨﺎﺭﻯ ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﺨﺎلِ ﺍﻟﻬﻨﺩﻱ ﻋﻠﻰ ﺨﺩﻩ)(١؛ ﻟﻴﺱ ﻓﻲ ﺍﻟﺠﻨﱠﺔِ ﻤِﻥ ﻨﻬﺭٍ ﻜﺭﻜﻨﺎﺒﺎﺩ ،ﻭﻻﻓﻲ
ﺭﻴﺎﻀِﻬﺎ ﻤِﻥ ﺭﻭﻀﺔٍ ﻜﺭﻭﻀﺔِ ﺍﻟﻤﺼﻠﹼﻰ ،ﻓﻬﺎﺕِ ﻜﺄﺴﺎﹰ ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ،ﻭﺍﺴﻘﻨﻴﻬﺎ ﺇﻟﻰ ﺁﺨﺭِ
ﻗﻁﺭﺓ)(٢؛ ﺁﻩِ ﻤِﻥ ﺍﻟﺤﺴﻨﺎﻭﺍﺕِ ﺫﻭﺍﺕِ ﺍﻟﺩﻻلِ ﻓﻲ ﻤﺩﻴﻨﺘﻨﺎ ،ﻓﺈﻨﱠﻬﻥ ﺃﻏﹶﺭﻥ ﺩﻭﻨﻤﺎ ﺭﺤﻤﺔٍ ﻋﻠﻰ
ﻗﻠﺒﻲ ،ﻜﻤﺎ ﻴﻐﻴﺭ ﺍﻟﺘﱡﺭﻙ ﻋﻠﻰ ﺍﻟﺨﻭﺍﻥ ﻭﺴﻠﹶﺒﻥ ﺍﻟﺼﺒﺭ ﻤِﻨﻪ(٣)؛ ﻤﻌﺸﻭﻗﹸﻨﺎ ﻤﺴﺘﹶﻐﹾﻥٍ ﻋﻥ ﻋِﺸﹾﻘِﻨﺎ
ﺍﻟﻨﱠﺎﻗِﺹِ ،ﻤﺎ ﺤﺎﺠﺔﹸ ﺍﻟﻭﺠﻪِ ﺍﻟﻜﺎﻤِلِ ﺍﻟﺠﻤﺎلِ ﻟﻠﺘﱠﺠﻤﻴلِ ﺒﺎﻟﻤﺎﺀِ ﻭﺍﻟﻠﹼﻭﻥِ ﻭﺍﻟﺨﺎلِ ﻭﺍﻟﻜﹸﺤل)(٤؛
ﻋِﺸﹾﻕﹸ ﺠﻤﺎلِ ﻴﻭﺴﻑﹶ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻜﹸلﱢ ﻴﻭﻡٍ ﻓﻲ ﺍﺯﺩﻴﺎﺩٍ ،ﺃﺨﺭﺝ ﺯﻟﻴﺨﺎ ﻤِﻥ ﺭِﺩﺍﺀِ ﺍﻟﻌِﺼﻤﺔِ)(٥؛
ﻭﻟﻭ ﻟﻌﻨﺘﻨﻲ ﻭﺸﺘﻤﺘﻨﻲ ،ﻓﺴﻭﻑ ﺃﻅلﱡ ﺃﺩﻋﻭ ﻟﹶﻙ ﺒﺎﻟﺨﻴﺭ ،ﻤﺭ ﺍﻟﺠﻭﺍﺏِ ﻤِﻥ ﺸﹶﻔﹶﺘِﻙ ﺍﻟﱠﺘﻲ
ﺘﻤﻀﻎﹸ ﺍﻟﺴﻜﱠﺭ ﺯﻴﻨﹶﺔﹲ ﻟﻬﺎ؛ ﻭﺍﺴﻤﻊ ﻨﺼﻴﺤﺘﻲ ﺃﻴﻬﺎ ﺍﻟﻌﺯﻴﺯ ،ﻓﺈﻥ ﺍﻟﺸﱡﺒﺎﻥ ﺍﻟﺴﻌﺩﺍﺀ ﻴﺤﺒﻭﻥ
ﺃﻜﺜﺭ ﻤِﻥ ﺤﺏ ﺍﻟﺭﻭﺡِ ﻨﺼﻴﺤﺔﹶ ﺍﻟﺸﱠﻴﺦِ ﺍﻟﻌﺎﺭِﻑ؛ ﻭﺨﹸﺽ ﻓﻲ ﺤﺩﻴﺙِ ﺍﻟﻤﻁﺭِﺏِ ﻭﺍﻟﺨﻤﺭِ،
ﻭﺃﻗِلﱠ ﻤِﻥ ﺍﻟﺒﺤﺙِ ﻓﻲ ﺴِﺭ ﺍﻟﺩﻫﺭ ،ﻓﻤﺎ ﻜﺸﻑﹶ ﻫﺫﺍ ﺍﻟﺴﺭ ﺍﻟﻤﻌﻤﻰ ﺃﺤﺩ ،ﻭﻟﻥ ﻴﻜﺸِﻔﹶﻪ ﺸﺨﹾﺹ
) (١ﺍﻟﻤﻌﺸﻭﻕﹸ ﺘﹸﺭﻜﻲ ﻓﺎﺭﺴﻲ ﺸﻴﺭﺍﺯﻱ ﺒﺨﺎلٍ ﻫﻨﺩﻱ ﻓﻬﻭ ﺠﺎﻤﻊ ﺍﻟﺠﻤﺎلِ ﻭﺍﻟﻜﻤﺎلِ ،ﻭﻗﺩ ﺃﺨﺫ ﻗﻠﺒﻲ ﻭﺴﺒﺎ ﻩ
ﺒﺴﺤﺭِ ﺠﻤﺎﻟِﻪِ ،ﻓﺘﺠﺭﺩﺕﹸ ﻋﻥ ﻭﺠﻭﺩﻱ ﻭﻤﻠﻙِ ﺩﻨﻴﺎﻱ ،ﻓﺈﺫﺍ ﻤﺎ ﺃﻋﺎﺩ ﻟﻲ ﻗﻠﺒﻲ ،ﻭﻋﺩﺕﹸ ﺇﻟﻰ ﺍﻟﺩﻨﻴﺎ،
ﻓﺈﻨﱠﻨﻲ ﺴﺄﻫﺩﻱ ﺨﺎﻟﹶﻪ ﺍﻷﺴﻭﺩ ﺍﻟﻬﻨﺩﻱ ﺨﻴﺭ ﻤﺎ ﻓﻲ ﻫﺫﻩِ ﺍﻟﺩﻨﻴﺎ ﺴﻤﺭﻗﻨﺩ ﻭﺒﺨﺎﺭﻯ ،ﻭﻴﺭﻭﻯ ﺃﻥ ﺘﻴﻤﻭﺭ
ﻟﻨﻎ ﺤﻴﻥ ﺴﻤِﻊ ﺒِﻬﺫﺍ ﺍﻟﻐﺯل ﺃﺭﺍﺩ ﻤﻌﺎﻗﹶﺒﺔﹶ ﺤﺎﻓِﻅ ،ﻓﺎﺴﺘﺤﻀﺭﻩ ﻭﺨﺎﻁﹶﺒﻪ ﻗﺎﺌﻼﹰ :ﻟﻘﺩ ﺃﺨﻀﻌﺕﹸ ﻤﻌﻅﹶﻡ
ﺍﻟﻤﺴﻜﻭﻨﺔِ ﺒِﺤﺩ ﺴﻴﻔﻲ ﻟِﺄُﺯﻴﻥ ﺴﻤﺭﻗﻨﺩ ﻭﺒﺨﺎﺭﻯ )ﺴﻤﺭﻗﻨﺩ ﻋﺎﺼﻤﺔﹸ ﻤﻤﻠﻜﺘﻪ ﻭﺒﺨﺎﺭﻯ ﺃﺠﻤلُ ﻤﺩﻨِﻬﺎ(
ﻭﺃﻨﺕ ﺘﻬﺒﻬﻤﺎ ﻟِﺨﺎلٍ ﻋﻠﻰ ﺨﺩ ﻏﹸﻼﻡٍ ﺘﹸﺭﻜﻲ ﺸﻴﺭﺍﺯﻱ ،ﻓﺭﺩ ﺤﺎﻓِﻅﹸ ﻗﺎﺌﻼﹰ ﺃﻴﻬﺎ ﺍﻷﻤﻴﺭ ﺇﻨﱠﻨﻲ ﺭﺠلٌ
ﺘﺼﺩﺭ ﻤﻨﹼﻲ ﺍﻟﺸﱠﻁﺤﺎﺕ ،ﻭﻫﺫﺍ ﺴﺒﺏ ﻤﺎ ﺘﺭﺍﻨﻲ ﺒِﻪِ ﻤﻥ ﺍﻟﺒﺅﺱِ ﻭﺍﻟﻔﻘﺭِ ،ﻓﻌﻔﺎ ﻋﻨﻪ ﺘﻴﻤﻭﺭ ﻭﺃﻜﺭﻤﻪ؛
) (٢ﺍﻟﻤﺼﻠﹼﻰ ﺭﻭﻀﺔﹲ ﻓﻲ ﺸﻴﺭﺍﺯ ﻜﺎﻥ ﻓﻴﻬﺎ ﻤﻨﺯلُ ﺤﺎﻓِﻅ ﻭﻫﻭ ﺍﻵﻥ ﺤﺩﻴﻘﺔﹲ ﺠﻤﻴﻠﺔﹲ ﻓﻴﻬﺎ ﻗﺒﺭﻩ
ﻭﺘﹸﻌﺭﻑﹸ ﺃﻴﻀﺎﹰ ﺒﺎﻟﺤﺎﻓِﻅِﻴﺔ ،ﻭﺭﻜﻨﺎﺒﺎﺩ ﻨﻬﺭ ﻓﻲ ﺸﻴﺭﺍﺯ؛
) (٣ﺍﻟﺨﻭﺍﻥ)ﻤﺎﺌﺩﺓ ﺍﻟﻀﻴﺎﻓﺔ( ،ﻴﺭﻭﻯ ﺃﻥ ﻤﻠﻭﻙ ﺍﻟﺘﱡﺭﻙِ ﻜﺎﻥ ﻤﻥ ﻋﺎﺩﺘﻬﻡ ﻤﺩ ﻤﻭﺍﺌﺩ ﻴﻐﻴﺭ
ﻋﻠﻴﻬﺎ ﺍﻟﻤﺩﻋﻭﻭﻥ ﻓﻼ ﻴﻨﺎلُ ﺍﻟﻭﺍﺤِﺩ ﻤﻨﻬﺎ ﺇﻻﹼ ﻤﺎ ﻴﻘﺩِﺭ ﻋﻠﻰ ﺴﻠﺒﻪ ،ﻭﻓﻲ ﺘﺭﺠﻤﺔِ ﻫﺫﺍ
ﺍﻟﺒﻴﺕِ ﺸِﻌﺭﺍﹰ ﺘﹶﺼﺭﻑﹲ؛
) (٤ﻤﻌﺸﻭﻗﹸﻨﺎ ﻓﻲ ﻏِﻨﻰ ﻋﻥ ﻋِﺸﹾﻘِﻨﺎ ﺍﻟﱠﺫﻱ ﻟﻴﺱ ﺨﺎﻟِﺼﺎﹰ ﻤﻥ ﺍﻟﺸﱡﺒﻬﺎﺕ ،ﻭﻻ ﻴﻔﻴﺩﻩ ﻋِﺸﹾﻘﹸﻨﺎ
ﺸﻴﺌﺎﹰ ،ﻭﻻ ﻴﺯﻴﺩ ﻓﻲ ﺠﻤﺎﻟِﻪِ ،ﻭﻤﺎ ﺤﺎﺠﺔﹸ ﺍﻟﻭﺠﻪِ ﺍﻟﻜﺎﻤِلِ ﺍﻟﺠﻤﺎلِ ﻟﻠﺘﱠﺠﻤﻴلِ ﺒﺎﻟﻤﺎﺀِ ﻭﺍﻟﻠﹼﻭﻥِ
ﻭﺍﻟﺨﺎلِ ﻭﺍﻟﻜﹸﺤل؛
) (٥ﻓﺈﻥ ﻤِﻥ ﺃﻤﺭِ ﺍﻟﻌِﺸﹾﻕِ ﺃﻨﱠﻪِ ﻴﻜﺴِﺭ ﺍﻟﻘﻭﺍﻋِﺩ ،ﻭﻻ ﻴﻌﺘﺭِﻑﹸ ﺒِﺄﺤﻜﺎﻡِ ﺍﻟﻌﻘلِ.
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ﺒِﺎﻟﻌﻘلِ ﻭﺍﻟﺤِﻜﻤﺔ )ﺴﺭ ﺘﺤﺕﹶ ﺃﻟﻑِ ﻏﻼﻑ(؛ ﻭﻴﺎ ﺤﺎﻓِﻅ ُﺘﻐﺯلْ ،ﻭﺍﻨﻅﹸﻡِ ﺍﻟﺩﺭﺭ ﻭﺘﻌﺎلَ
ﻭﺘﺭﻨﱠﻡ ،ﻟﻜﻲ ﻴﻨﺜﹸﺭ ﻟﹶﻙ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﻌِﻘﺩ ﻤِﻥ ﺠﻴﺩِﻩِ ﻟِﺘﺼﻭﻍﹶ ﻤﻨﻪ ﺩﺭﺭ ﻜﻼﻤِﻙ.
ﻏﺰﻝ ٤
)(١
ﺘﺭﻜﺘﻨﻲ ﻫﺎﺌﻡ ﺍﻟﺒﻴﺩﺍﺀِ ﻭﺍﻟﺠﺒـلِ ﺼﺒﺎ ﺒﻠﻁﻔﻙِ ﻗﻭﻟﻲ ﻟﻠﻐـﺯﺍلِ ﻟﻘـﺩ
)(٢
ﻭﺜﻐﺭﻙ ﺍﻟﺴﻜﱠﺭ ﺍﻟﻤﻤﺯﻭﺝ ﺒﺎﻟﻌﺴلِ ـﻲ ﺴ ـﻜﱠﺭٍ ﺃﺭﺏ
ـﺎ ﻓـ
ـﺎﺀ ﻟﻬـ
ﺍﻟﺒﺒﻐـ
)(٣
ﻭﺤﺎﺫِﻕﹸ ﺍﻟﻁﱠﻴﺭِ ﻻ ﻴﺼﻁﺎﺩ ﺒﺎﻟﺤِﻴـلِ ﻴﺼﻁﺎﺩ ﺒﺎﻟﻠﱡﻁﻑِ ﻭﺍﻟﺤﺴﻨﻰ ﺃﺨﻭ ﻨﹶﻅﹶﺭٍ
)(٤
ﻏﺭﻭﺭِ ﺤﺴﻨِﻙ ﻋﻥ ﻤﻀﻨﺎﻙ ﻟﻡ ﺘﹶﺴلِ ﻴﺎ ﻭﺭﺩ ﺃﻀﻨﻰ ﻫﻭﺍﻙ ﺍﻟﻌﻨﺩﻟﻴﺏ ﻭﻤِﻥ
ﺫﻭﻭ ﺍﻟﻘﺩﻭﺩِ ﺍﻟﺒﺩﻭﺭ ﺍﻟﺴﻭﺩ ﻟﻠﻤﻘﹶـلِ ﻭﻟﺴﺕﹸ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﻻ ﻭﻓﺎﺀ ﻟﻬـﻡ
)(٥
ﺨﻤﺭﺍﹰ ﺘﺫﻜﱠﺭ ﻤﺤِﺒﺎﹰ ﻓﺎﻗِـﺩ ﺍﻷﻤـلِ ﺕ ﻤﻊ ﺍﻟﻤﺤﺒﻭﺏِ ﻤﺤﺘﺴِﻴﺎﹰ
ﺇﺫﺍ ﺠﻠﺴ ﹶ
ﻋﻠﻰ ﺠﻤﺎﻟِﻙ ﻟﻭﻻ ﺫﺍﻙ ﻤـﻥ ﺨﹶﻠﹶـلِ ﻟﻴﺱ ﺍﻟﻭﻓﺎﺀ ﺒﻁﺒﻊٍ ﻟﻠﺠﻤﻴـلِ ﻭﻤـﺎ
)(٦
ﻤﺎ ﻏﻨﱠﺕِ ﺍﻟﺯﻫﺭﺓﹸ ﺍﻷﺸﻌﺎﺭ ﻤِﻥ ﻏﺯﻟﻲ ﻭﻟﻴﺱ ﻤﺴﺘﹶﻐﹾﺭﺒﺎﹰ ﺭﻗﺹ ﺍﻟﻤﺴﻴﺢِ ﺇﺫﺍ
)(٦
) (١ﺭﻴﺢ ﺍﻟﺭﺒﻴﻊ ،ﻴﺎ ﺭﺴﻭلَ ﺍﻟﻌﺎﺸﻘﻴﻥ ،ﻗﻭﻟﻲ ﺒﻠﹸﻁﻑٍ ﻟﺫﻟِﻙ ﺍﻟﻐﺯﺍل ﺍﻷﺭﻋﻥ :ﻟﻘﺩ ﺼﻴﺭﺘﻨﻲ
ﻤﺠﻨﻭﻨﺎﹰ ﺒﻌﺸﻘِﻙ ﺃﻫﻴﻡ ﻋﻠﻰ ﻭﺠﻬﻲ ﻓﻲ ﺍﻟﺠﺒﺎلِ ﻭﺍﻟﻘﻔﺎﺭ ،ﻭﻓﻲ ﺍﻷﺼلِ ﻭﺭﺩ ﺍﻟﻐﺯﺍلُ ﺍﻷﺭﻋﻥ
ﻭﺍﻟﺭﻋﻭﻨﺔﹸ ﺼﻔﺔﹲ ﺠﻤﺎﻟﻴﺔﹲ ﻟﻠﻐﺯﺍل؛
) (٢ﺍﻟﺒﺒﻐﺎﺀ ﻁﺎﺌﺭ ﻤﻌﺭﻭﻑ ﻤﻭﻟﻊ ﺒﺎﻟﺴﻜﱠﺭ ﺘﺭﻤﺯ ﺇﻟﻰ ﺍﻟﺸﹼﺎﻋﺭ ﺍﻟﻤﻭﻟﻊ ﺒﻌﺫﺏ ﺍﻟﺤﺩﻴﺙ ،ﻭﻓﻲ
ﺘﺭﺠﻤﺔِ ﻫﺫﺍ ﺍﻟﺒﻴﺕِ ﺘﺼﺭﻑﹲ ،ﻭﺘﺭﺠﻤﺔﹸ ﺍﻟﺒﻴﺕ ﻜﻤﺎ ﻓﻲ ﺍﻷﺼلِ :ﻴﺎ ﺒﺎﺌﻊ ﺍﻟﺴﻜﱠﺭِ ﺃﻁﺎلَ ﺍﷲُ ﻓﻲ
ﻋﻤﺭﻙ ﻟﻤﺎﺫﺍ ﻻ ﺘﺘﻔﻘﱠﺩ ﻫﺫﻩِ ﺍﻟﺒﺒﻐﺎﺀ ﺍﻟﻤﺤﺒﺔﹶ ﻟﻠﺴﻜﱠﺭ ،ﻭﻤﻌﻨﺎﻩ :ﺍﻨﻅﹸﺭ ﺇﻟﻲ ،ﻭﺠﺩ ﻋﻠﻲ ﻤﻤﺎ
ﺒِﺜﻐﺭِﻙ ،ﻤﻥ ﺤﺩﻴﺜِﻙ ﺍﻟﻌﺫﺏِ ﻜﺎﻟﺴﻜﱠﺭ ،ﻓﺄﻨﺎ ﺸﺎﻋﺭ ﺃﻨﻅﹸﻡ ﺍﻟﺸﱢﻌﺭ ﺍﻟﻌﺫﹾﺏ؛
) (٣ﺒﺎﻟﻠﱡﻁﹾﻑِ ﻭﺍﻟﺨﹸﻠﹸﻕِ ﺍﻟﺤﺴﻥِ ،ﺘﺤﺼلُ ﻋﻠﻰ ﺍﻟﻠﱠﺒﻴﺏ ﺍﻟﻔﹶﻁِﻥ ،ﻭﻟﻴﺱ ﺒﺎﻟﺨﺩﻴﻌﺔ ﻭﺍﻟﻤﻜﺭ ،ﻭﺍﻟﻁﱠﺎﺌﺭ
ﺍﻟﺫﱠﻜِﻲ ﺍﻟﺤﺫِﺭ ﻻ ﻴﻘﻊ ﻓﻲ ﺍﻟﺸﱢﺒﺎﻙِ؛
) (٤ﺇﻥ ﻏﺭﻭﺭ ﺤﺴﻨِﻙ ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ﻻ ﻴﻌﻁﻴﻙ ﺇﺠﺎﺯﺓﹰ ﺒﺎﻟﺴﺅﺍلِ ﻋﻥ ﺤﺎلِ ﻫﺫﺍ ﺍﻟﻌﻨﺩﻟﻴﺏِ ﺍﻟﻤﺘﻴﻡِ ﺒِﺤﺒﻙ؛
) (٥ﺇﺫﺍ ﻜﻨﺕ ﻤﻤﻥ ﻴﻨﻌﻡ ﺒﻭﺼل ﺍﻟﺤﺒﻴﺏ ،ﻓﺘﺫﻜﺭ ﻏﻴﺭ ﺍﻟﻭﺍﺼﻠﻴﻥ ﻭﺍﻟﻀﺎﺌﻌﻴﻥ ﻓﻲ ﻁﺭﻴﻕ ﺍﻟﻌﺸﻕ
ﻤﻥ ﺃﻤﺜﺎﻟﻲ ،ﻭﺍﺫﻜﹸﺭﻨﺎ ﻋﻨﺩ ﺍﻟﺤﺒﻴﺏ؛
) (٦ﺇﺫﺍ ﺘﻐﻨﱠﺕِ ﺍﻟﺯﻫﺭﺓﹸ ﻓﻲ ﺍﻟﺴﻤﺎﺀِ ﺒِﺄﺸﻌﺎﺭ ﺤﺎﻓﻅ ،ﻓﻼ ﻋﺠﺏ ﺃﻥ ﻴﻁﺭﺏ ﻟﻬﺎ ﺍﻟﻤﺴﻴﺢ)ﻉ( ،ﻭﻴﻘﻭﻡ ﺭﺍﻗِﺼﺎﹰ.
-١٢-
ﻏﺰﻝ ٥
ﻗﻠﺒﻲ ﻴـﺭﻭﺡ ﻤـﻥ ﻴـﺩﻱ ﺃﻫـلَ ﺍﻟﻭﻓـﺎ ﻓِـﺭﺍﺭﺍ
)(١
ﺴﺭﻱ ﺴـﻴﻐﺩﻭ ﺫﺍﺌﻌـﺎﹰ ﺒـﻴﻥ ﺍﻟﻤـﻼ ﺠِﻬـﺎﺭﺍ
ﻭﻗﺩ ﻜﺴﺭﺕﹸ ﻤﺭﻜﺒـﻲ ﻴـﺎ ﺭﻴـﺢ ﻫﺒـﻲ ﻓﻌـﺴﻰ
)(٢
ﻭﺠــﻪ ﺍﻟﺤﺒﻴــﺏِ ﺃﻥ ﺃﺭﻯ ﻭﺃَﺒﻠﹸــﻎﹶ ﺍﻟﻤــﺯﺍﺭﺍ
ـﻼﻙِ ﺇﻻﱠ
ـﺎﻡِ ﻤِ ـﻥ ﻤﺤﺒ ـﺔِ ﺍﻷﻓـ
ـﺎ ﻋ ـﺸﹾﺭﺓﹸ ﺍﻷﻴـ
ﻤـ
ﺨِﺩﻋــﺔﹲ ﻓﺎﺴــﻌﺩ ﺒﻬــﺎ ﻤــﻊ ﺍﻟﺤﺒﻴــﺏِ ﺠــﺎﺭﺍ
ﺒــﺎﻷﻤﺱِ ﻤــﺎ ﺒــﻴﻥ ﺍﻟــﻭﺭﻭﺩِ ﺒﻠﺒــلٌ ﺘﻐﻨﱠــﻰ:
)(٣
ﻫﺎﺘﻭﺍ ﺍﻟﺼﺒﻭﺡ ﻫﺒـﻭﺍ ﻴـﺎ ﺃﻴﻬـﺎ ﺍﻟـﺴﻜﺎﺭﻯ
ﻴﺎ ﺼﺎﺤِﺏ ﺍﻟﻜﺭﺍﻤـﻪ ،ﺸﹸـﻜﹾﺭﺍﹰ ﻋﻠـﻰ ﺍﻟـﺴﻼﻤﻪ:
)(٤
ﻫﻼﱠ ﺫﹶﻜﹶـﺭﺕﹶ ﻋـﺎﺠِﺯﺍﹰ ﻴﻭﻤـﺎﹰ ﻤـﻥ ﺍﻟﺤﻴـﺎﺭﻯ
ـﺎﻥ:
ـﺴﻴﺭﻫﺎ ﺤﺭﻓــ
ـﺴﺎﻥ ﺘﻔــ
ﻭﺭﺍﺤـ ـﺔﹸ ﺍﻹﻨــ
)(٥
ﺍﻟﻭﻓــﺎﺀ ﻟﻠــﺼﺩﻴﻕِ ،ﺍﻟﻌــﺩﻭ ﺃﻥ ﻴــﺩﺍﺭﻯ
ـﺭﻭﺭ
ـﺎﺯﺓﹶ ﺍﻟﻤـ
ـﻰ ﺇﺠـ
ـﻲ ﺩﺭﺏِ ﺍﻟﺘﱡﻘـ
ﻟﹶـﻡ ﺃُﻋـﻁﹶ ﻓـ
)(٦
ﺇﻥ ﻜﹸﻨــﺕﹶ ﻟــﺴﺕﹶ ﺭﺍﻀــﻴﺎﹰ ﻓﻐﻴــﺭ ﺍﻷﻗــﺩﺍﺭﺍ
ﺼــﻭﻓﻲ ﻤــﺎ ﺃﺴــﻤﻴﺘﹶﻬﺎ ﺃُﻡ ﺍﻟﺨﺒﺎﺌــﺙِ ﻜﹸﻠﱢﻬــﺎ
)(٧
ـﺫﺍﺭﻯ
ـﻥ ﻗﹸﺒﻠـﺔِ ﺍﻟﻌـ
ـﻰ ﻤـ
ـﺎ ﻭﺃﺤﻠـ
ﺃﺸـﻬﻰ ﻟﻨـ
ﻓﻲ ﺍﻟﻔﻘﺭِ ﻋِﺵﹾ ﺴـﻌﻴﺩﺍﹰ ،ﺴـﻜﺭﺍﻥ ﻤِـﻥ ﻤﺩﺍﻤـﺔٍ
ﺸﹶـــﺤﺎﺫﹸﻫﺎ ﻗـــﺎﺭﻭﻥ ،ﻏﻨـــﺎﻩ ﻻ ﻴﺠـــﺎﺭﻯ
-١٣-
ﺍﻟﺼﺨﺭ ﻓﻲ ﻴـﺩِ ﺍﻟﺤﺒﻴـﺏِ ﺼـﺎﺭ ﻤﺜـلَ ﺸـﻤﻊٍ
ﻻ ﺘﹶﻌﺹِ ﺃﻭ ﻤِﻥ ﻏﹶﻴﺭﺓٍ ،ﻜﺎﻟـﺸﱠﻤﻊِ ﺘﹸـﺼلَ ﻨـﺎﺭﺍ
ﻤِــﺭﺁﺓﹸ ﺠــﺎﻡِ ﺍﻟﺨﹶﻤــﺭِ ،ﻤــﺭﺁﺓﹸ ﺫﻱ ﺍﻟﻘــﺭﻨﻴﻥ
ﺍﹸﻨﻅﹸــﺭ ﺒِﻬــﺎ ﺍﻷﺤــﻭﺍلَ ،ﻭﺍﻟﻤﻠﹾــﻙ ﻜﻴــﻑﹶ ﺩﺍﺭ
ﺤِــﺴﺎﻥ ﺃﻫــلِ ﻓــﺎﺭﺱٍ ،ﻟﻠﻌﻤــﺭِ ﻭﺍﻫِﺒﺎﺘﹸــﻪ
ﺴــﺎﻗﻲ ﻓﻜﹸــﻥ ﻤﺒــﺸﱢﺭﺍﹰ ﻭﺒــﺸﱢﺭِ ﺍﻟــﺴﻜﺎﺭﻯ
ـﺎﺭﺍ
ـﺒﺱِ ﺍﺨﺘﻴـ
ـﺎﻓِﻅﹲ ﻟ ـﻡ ﻴﻠـ
ـﺩﺍﻡِ ،ﺤـ
ﺜﹶ ـﻭﺏ ﺍﻟﻤـ
ﻴــﺎ ﺸــﻴﺨﹶﻨﺎ ﺍﻟﻨﱠﻘــﻲ ﺜﻭﺒــﺎﹰ ،ﺍِﻗﺒــلِ ﺍﻷﻋــﺫﺍﺭﺍ
ﻨﺜﺭﺍﹰ :ﻴﺎ ﺃﻫلَ ﺍﻟﻘﻠﻭﺏِ ﺒﺎﷲِ ﺃﺭﺸِﺩﻭﻨﻲ ﻓﺈﻥ ﻗﻠﺒﻲ ﺍﻟﻤﺒﺘﻠﻰ ﺒﺎﻟﻌِﺸﻕِ ﻟﻡ ﻴﻌﺩ
ﻴﻁﻴﻌﻨﻲ ﻭﺴﻭﻑ ﻴﺼﺒِﺢ ﺴﺭﻱ ﺍﻟﻤﺨﻔﻲ ﻤﻜﺸﻭﻓﺎﹰ ﻟﻠﻨﱠﺎﺱ)(١؛ ﻭﻗﺩ ﻜﺴﺭﺕﹸ ﻤﺭﻜﺒﻲ
ﺍﻟﱠﺫﻱ ﺃُﺒﺤِﺭ ﺒﻪِ ،ﻓﻼ ﺤﺭﺍﻙ ﻟﻪ ﺇﻻﱠ ﺃﻥ ﺘﻬﺏ ﻋﻠﻴﻪِ ﺭﻴﺢ ﻁﻴﺒﺔﹲ ﻤﻭﺍﺘﻴﺔﹲ ،ﻓﻴﺎ ﺭﻴﺢ
ﻫﺒﻲ ﻋﻠﱠﻨﻲ ﺃﺼلُ ﺩﻴﺎﺭ ﺍﻟﻤﺤﺒﻭﺏِ ﻓﺄﺭﺍﻩ(٢)؛ ﻋﺸﹾﺭﺓﹸ ﺃﻴﺎﻡِ ﻤﺤﺒﺔِ ﺍﻟﻔﻠﻙِ ﺤﻴﻠﹶﺔﹲ
ﻭﺨِﺩﺍﻉ ،ﻓﺎﻏﺘﻨِﻤﻬﺎ ﻓﹸﺭﺼﺔﹰ ،ﻭﺍﻨﻌﻡ ﺒِﻬﺎ ﺒﺠﻤﺎلِ ﺠﻭﺍﺭِ ﺍﻷﺤﺒﺎﺏ؛ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ،
ﻓﻲ ﻤﺤﻔﹶلِ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﺨﹶﻤﺭِ ،ﺘﺭﻨﱠﻡ ﺍﻟﺒﻠﺒلُ ﻴﻭﻗِﻅﹸ ﺍﻟﺴﻜﺎﺭﻯ ﺒﺼﻭﺘﻪ ﺍﻟﺠﻤﻴل ﻗﺎﺌﻼﹰ
ﻫﺒﻭﺍ ﻤﻥ ﻨﻭﻤﺘﻜﻡ ﺃﻴﻬﺎ ﺍﻟﺴﻜﺎﺭﻯ ،ﻭﻫﺎﺘﻭﺍ ﺍﻟﺸﱠﺭﺍﺏ ﻓﺈﻥ ﺍﻟﻔﺠﺭ ﻓﺩ ﻁﹶﻠﹶﻊ)(٣؛ ﻓﻴﺎ
) (١ﻗﻠﺏ ﺍﻟﻌﺎﺸﻕِ ﻴﻔﻀﺢ ﺴِﺭﻩ؛
) (٢ﻭﺭﺩ ﻓﻲ ﺒﻌﺽِ ﺍﻟﻨﱡﺴﺦ ﻤﺎ ﻤﻌﻨﺎﻩ ﻭﻗﺩ ﺃﺒﺤﺭﺕﹸ ﻓﻲ ﻤﺭﻜﺒﻲ ﺒﺩلَ ﻭﻗﺩ ﻜﺴﺭﺕﹸ ﻤﺭﻜﺒﻲ،
ﻭﺍﻟﻤﺭﻜﺏ ﺍﻟﻌﻤلُ ﺍﻟﺼﺎﻟﺢ ﺍﻟﱠﺫﻱ ﻫﻭ ﺴﻔﻴﻨﺔﹸ ﻨﺠﺎﺓِ ﺍﻟﻌﺒﺩ ،ﻭﺴﻭﺀ ﺍﻟﻔﻌلِ ﻤﻥ ﺍﻟﻌﺒﺩِ ﻜﺴﺭ ﻟﻠﻤﺭﻜﹶﺏِ،
ﻓﻠﻡ ﻴﺒﻕ ﻟﻲ ﺍﻋﺘﻤﺎﺩ ﻋﻠﻰ ﻋﻤﻠﻲ ﻭﻻ ﺃﻤلَ ﻟﻲ ﺇﻟﹼﺎ ﺒﺭﺤﻤﺔِ ﺍﻟﺤﺒﻴﺏِ ﻟﻠﻨﱠﺠﺎﺓ؛
) (٣ﺍﻟﻠﹼﻴلُ ﺭﺒﻴﻊ ﺍﻟﻌﺎﺸِﻘﻴﻥ ،ﻭﻤﻭﺴِﻡ ﺍﻟﻭﺭﺩِ ﻟﻬﻡ ،ﻭﺃﻓﻀلُ ﺍﻷﻭﻗﺎﺕِ ﻟِﺸﹸﺭﺒِﻬﻡ ﻤﻥ ﺨﻤﺭِ ﺍﻟﻤﻌﺸﻭﻕِ
ﻭﺴﻜﹾﺭِﻫِﻡ ﺒﺎﻟﻨﱠﻅﹶﺭِ ﺇﻟﻰ ﻭﺠﻬِﻪِ ﻭﻟﺫﻴﺫِ ﻤﻨﺎﺠﺎﺘِﻪ؛
-١٤-
ﻤﻥ ﺒﻠﻐﺕﹶ ﺍﻟﺭﺘﺒﺔﹶ ﺍﻟﻌﺎﻟﻴﺔﹶ ،ﺃﺩ ﺸﹸﻜﺭ ﻨﻌﻤﺔِ ﺍﻟﻭﺼﻭلِ ﺴﺎﻟﻤﺎﹰ ﺇﻟﻰ ﻤﻘﺎﻤِﻙ ﺍﻟﺭﻓﻴﻊِ
ﻭﺘﻔﻘﱠﺩ ﻴﻭﻤﺎﹰ ﻫﺩﺍ ﺍﻟﺩﺭﻭﻴﺵﹶ ﺍﻟﻌﺎﺠﺯ؛ ﺭﺍﺤﺔﹸ ﺍﻹﻨﺴﺎﻥِ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﺘﹸﺸﺭﺡ ﺒﻘﻠﻴلٍ
ﻤﻥ ﺍﻟﻜﻼﻡ :ﺍﻟﻤﺭﻭﺀﺓﹸ ﻤﻊ ﺍﻷﺼﺩِﻗﺎﺀ ﻭﺍﻟﻤﺩﺍﺭﺍﺓﹸ ﻤﻊ ﺍﻷﻋﺩﺍﺀ)(١؛ ﻟﻡ ﻴﻜﹸﻥ ﻟﻲ
ﻨﺼﻴﺏ ﻤﻥ ﺍﻟﺘﱡﻘﻰ ﻓﻲ ﺍﻟﻘﺴﻤﺔ ﺍﻟﹼﺘﻲ ﻜﺎﻨﺕ ﻓﻲ ﺍﻷﺯل ،ﻓﺈﻥ ﻜﺎﻨﺕ ﺍﻟﺤﺎلُ ﺍﻟﱠﺘﻲ ﺃﻨﺎ
ﻋﻠﻴﻬﺎ ﻻ ﺘﹸﺭﻀﻴﻙ ،ﻓﻼ ﺘﻠﹸﻤﻨﻲ ﻓﻲ ﺫﻟﻙ ،ﻭﻏﻴﺭ ﺍﻟﻘﻀﺎﺀ ﺇﻥ ﺸﺌﺕ؛ ﺫﻟِﻙ ﺍﻟﺸﱠﺭﺍﺏ
ﻤﺭ ﺍﻟﻁﱠﻌﻡِ ﺍﻟﱠﺫﻱ ﻴﺴﻤﻴﻪِ ﺍﻟﺼﻭﻓﻲ ﺃُﻡ ﺍﻟﺨﺒﺎﺌﺙِ ،ﺃﺸﻬﻰ ﻟﻨﺎ ﻭﺃﺤﻠﻰ ﻤﻥ ﻗﹸﺒﻠﹶﺔِ
ﺍﻟﻌﺫﺍﺭﻯ)(٢؛ ﺇﺫﺍ ﻀﺎﻕﹶ ﺒِﻙ ﺍﻟﻌﻴﺵﹸ ﻓﻌﻠﻴﻙ ﺒﺎﻟﺴﻜﹾﺭِ ﻭﺍﻟﺴﺭﻭﺭِ ،ﻓﺘِﻠﹾﻙ ﻫﻲ ﻜﻴﻤﻴﺎﺀ
ﺍﻟﻭﺠﻭﺩ ﺍﻟﱠﺘﻲ ﺘﺠﻌلُ ﺍﻟﺸﱠﺤﺎﺫﹶ ﻗﺎﺭﻭﻨﺎﹰ؛ ﻭﻻ ﺘﻌﺎﻨِﺩ ﻭﻻ ﺘﻌﺹِ ﻓﺘﺤﺘﹶﺭِﻕﹶ ﻜﺎﻟﺸﱠﻤﻊِ
ﻋﻠﻰ ﻴﺩِ ﺍﻟﺤﺒﻴﺏِ ﻤِﻥ ﻏﻴﺭﺘِﻙ ،ﻓﺈﻥ ﺍﻟﺼﺨﹾﺭ ﺍﻟﻘﺎﺴﻲ ﻴﺼﻴﺭ ﻓﻲ ﻜﻑﱢ ﺍﻟﺤﺒﻴﺏِ
ﺸﹶﻤﻌﺎﹰ)(٣؛ ﺇﻥ ﻤﺭﺁﺓﹶ ﺍﻹﺴﻜﻨﺩﺭ ﺍﻟﱠﺘﻲ ﻜﺎﻥ ﻴﺭﻯ ﻓﻴﻬﺎ ﺃﺤﻭﺍلَ ﻤﻠﻜِﻪِ ﻫﻲ ﻜﺄﺱ
ﺍﻟﺨﻤﺭِ ،ﻓﺎﻨﻅﹸﺭ ﺒﻬﺎ ﺘﹸﺒﺼِﺭ(٤)؛ ﻭﻜﻡ ﻤﻥ ﺠﻤﻴلٍ ﻴﺘﺤﺩﺙﹸ ﻟﹸﻐﹶﺔﹶ ﺍﻟﻔﹸﺭﺱِ ،ﺤﺩﻴﺜﹸﻪ
ﻴﻨﻌﺵﹸ ﺍﻟﺭﻭﺡ ﻭﻴﻁﻴلُ ﺍﻟﻌﻤﺭ ،ﺒﺸﱢﺭ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻷﺒﺭﺍﺭ ﻴﺎ ﺴﺎﻗﻲ؛ ﺤﺎﻓﻅﹸ ﻟﻡ ﻴﻠﺒ ﺱ
ﺒﺎﺨﺘﻴﺎﺭِﻩِ ﻫﺫﻩِ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﺍﻟﻤﻠﻭﺜﹶﺔﹶ ﺒﺎﻟﺨﻤﺭ ،ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺸﱠﻴﺦﹸ ﺍﻟﻨﱠﻘﻲ ﺍﻟﺜﱠﻭﺏِ )ﺍﻟﻌﻔﻴﻑﹸ(
ﺍﻗﺒل ﻋﺫﺭﻱ.
) (١ﺭﺍﺤﺔﹸ ﺍﻹﻨﺴﺎﻥِ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ)ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨﺭﺓ( ﺘﹸﺸﺭﺡ ﺒﻘﻠﻴلٍ ﻤﻥ ﺍﻟﻜﻼﻡ )ﺒﺤﺭﻓﹶﻴﻥ( :ﺍﻟﻤﺭﻭﺀﺓﹸ
ﻤﻊ ﺍﻷﺼﺩِﻗﺎﺀ ﻭﺍﻟﻤﺩﺍﺭﺍﺓﹸ ﻤﻊ ﺍﻷﻋﺩﺍﺀ ،ﻭﻗﺩ ﺼﺎﺭﺕﹾ ﻫﺫﻩِ ﺍﻟﻌِﺒﺎﺭﺓﹸ ﻤﻥ ﺸِﻌﺭِ ﺤﺎﻓِﻅﹶ ﻤﺜﹶﻼﹰ ﻤﻥ
ﺍﻟﺤِﻜﹾﻤﺔِ ﻴﺴﺭﻱ ﻋﻠﻰ ﺃﻟﺴﻥِ ﺍﻟﻨﱠﺎﺱ؛
) (٢ﺍﻟﺸﱠﺭﺍﺏ ﻤﺭ ﺍﻟﻁﱠﻌﻡِ ﺍﻟﺨﻤﺭﺓﹸ ،ﻭﻫﻲ ﺨﻤﺭﺓﹸ ﺍﻟﻌِﺸﹾﻕِ ﺍﻟﱠﺘﻲ ﻴﺭﻓﹸﻀﻬﺎ ﺍﻟﺯﺍﻫِﺩ ،ﻭﻴﺭﺍﻫﺎ ﺠﺎﻤِﻌﺔﹶ
ﺍﻵﺜﺎﻡ ،ﻭﺍﻟﻌﺫﺍﺭﻯ ﺍﻷﺒﻜﺎﺭ ،ﻭﻫﻥ ﻤﻥ ﻨﻌﻴﻡِ ﺍﻟﺠﻨﱠﺔِ ،ﻭﻷﺠﻠِﻬِﻥ ﻴﺯﻫﺩ ﺍﻟﺯﺍﻫِﺩ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ،ﻓﺯﻫﺩﻩ
ﻟﻴﺱ ﺨﺎﻟِﺼﺎﹰ ﻭﻋﺒﺎﺩﺘﹸﻪ ﻋﺒﺎﺩﺓﹸ ﺍﻟﺘﱡﺠﺎﺭ؛
) (٣ﺇﺫﺍ ﻭﻀ ﻊ ﺍﻟﺤﺒﻴﺏ ﻴﺩ ﻩ ﻋﻠﻰ ﻗﻠ ﺒِﻙ ﺍﻟﻘﺎﺴﻲ ﻜﺎﻟﺼﺨﹾﺭِ ،ﻻﻥ ﻜﺎﻟﺸﱠ ﻤﻊِ ،ﻭﺍﺸ ﺘﹶﻌ لَ ﺒِﻨﺎ ﺭِ
ﺍﻟﻌِﺸﻕ؛
) (٤ﻤﺭﺁﺓﹸ ﺍﻻﺴﻜﻨﺩﺭ ﻤﺭﺁﺓﹲ ﺼﻨﻌﻬﺎ ﺍﻻﺴﻜﻨﺩﺭ ﻭﻨﹶﺼﺒﻬﺎ ﻋﻠﻰ ﻤﻨﺎﺭﺓِ ﺍﻹﺴﻜﻨﺩﺭﻴﺔ ﻟﻼﺴﺘِﻁﻼﻉِ
ﻭﻤﺭﺍﻗﹶﺒﺔِ ﺍﻟﺴﻔﹸﻥ ﻓﻲ ﻋﺭﺽِ ﺍﻟﺒﺤﺭ.
-١٥-
ﻏﺰﻝ ٦
ﻤﻥ ﻤﺒﻠِﻎﹲ ﻫﺫﺍ ﺍﻟﺩﻋﺎﺀ ﻤﻼﺯِﻤﻲ ﺍﻟﺴﻠﹾﻁﺎﻥ :ﺸﹸﻜﹾﺭ ﺴـﻠﻁﺎﻨِﻙ ﻻ ﺘـﻭلِ ﺸـﺤﺎﺫﹶﻙ
ﺍﻟﺤﺭﻤﺎﻥ)(١؛
ﺃﺤﺘﻤﻲ ﺒﺎﷲِ ﻤﻥ ﺭﻗﻴﺏٍ ﺒﺴﻴﺭﺓِ ﺍﻟﺸﱠﻴﻁﺎﻥِ ،ﻤﺩﺩﺍﹰ ﻤﻨﻙ ﻴﺎ ﺭﺏ ﺒﺎﻟﺸﱢﻬﺎﺏِ ﺍﻟﺜﺎﻗِـﺏِ
ﺍﻵﻥ)(٢؛
ﻫﺩﺒﻙ ﺍﻷﺴﻭﺩ ،ﻤِﻥ ﺴِﺤﺭِﻩِ ،ﻟﻭ ﺃﺸﺎﺭ ﺇﻟﻰ ﺩِﻤﻨﺎ ﺇﺸﺎﺭﺓﹰ ﻷﺠﺎﺒـﻪ ،ﻓـﻼ ﺘﻐﹾﻠﹶـﻁﹾ
ﺒِﺸﺄﻨِﻨﺎ ،ﺃﻱ ﺤﺒﻴﺒﻨﺎ)(٣؛
ﻜﹶﺸﹶﻔﺕﹶ ﻋﻥ ﺍﻟﻌِﺫﺍﺭ ﻓﺄﺤﺭﻗﹾﺕﹶ ﻗﻠﺏ ﺍﻟﻌﺎﻟﹶﻡ ،ﻓﺄﻱ ﻨﻔﻊٍ ﺘﹸﺭﻯ ﻴﻌﻭﺩ ﻋﻠﹶﻴﻙ ﻤﻥ ﺫﻟِـﻙ
ﺤﺘﻰ ﺘﻔﻌلَ ﻭﻻ ﺘﹸﺩﺍﺭﻱ؛
ﺃﻨﺎ ﺃﻅلﱡ ﺍﻟﻠﱠﻴلَ ﻜﹸﻠﱠﻪ ﺒِﺄﻤلِ ﺃﻥ ﻴﺄﺘﻲ ﻨﺴﻴﻡ ﺍﻟﺼﺒﺎﺡِ ﻴﺤﻤِلُ ﻟﻬﺫﺍ ﺍﻟـﻭﻓﻲ ﺭِﺴـﺎﻟﹶﺔﹶ
ﺍﻷﺤِﺒﺔِ ﺍﻷﻭﻓﻴﺎﺀ؛
ﺃﻴﺔﹶ ﻗﻴﺎﻤﺔٍ ﺘﹸﺭﻱ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﺃﻱ ﺤﺒﻴﺏ ،ﺍﻟﺭﻭﺡ ﻭﺍﻟﻘﹶﻠﹾﺏ ﻓِﺩﺍﺀ ﻟِﻭﺠﻬِـﻙ ،ﺃﻅﻬِـﺭ
ﺍﻟﻌِﺫﺍﺭ؛
ﺒﺎﷲِ ﺃﻋﻁِ ﺠﺭﻋﺔﹰ ﻟِﺤﺎﻓِﻅﹶ ﺍﻟﻘﺎﺌﻡِ ﻓﻲ ﺍﻟﺴﺤﺭِ ،ﻓﺄﻨﺕﹶ ﻴﺅﺜﱢﺭ ﺒِﻙ ﺍﻟﺩﻋﺎﺀ ﻭﻗﹾﺕﹶ
ﺍﻟﺴﺤﺭ.
) (١ﺃﺩ ﺸﹸﻜﹾﺭ ﻨِﻌﻤﺔِ ﻤﺎ ﺃﻨﺕ ﻓﻴﻪِ ﻤﻥ ﺍﻟﻤﻠﹾﻙِ ﻭﻻ ﺘﺘﺭﻙ ﻫﺫﺍ ﺍﻟﺸﱠﺤﺎﺫﹶ ﻤﺤﺭﻭﻤﺎﹰ؛
) (٢ﺍﻟﺭﻗﻴﺏ ﺍﻟﺫﻱ ﻴﺭﺍﻗِﺒﻨﻲ ﻭﻴﻁﻠﹸﺏ ﺃﺨﺒﺎﺭﻱ ﻴﺴﻴﺭ ﺒِﺴﻴﺭﺓِ ﺍﻟﺸﱠﻴﻁﺎﻥِ ﺍﻟﱠﺫﻱ ﻴﻘﻌﺩ ﻤﻘﺎﻋِﺩ ﻟِﻠﺴﻤﻊِ ﻤﻥ
ﺍﻟﺴﻤﺎﺀ ﻭﻴﺴﺘﺭِﻕﹸ ﺍﻟﺴﻤﻊ ﻟِﻠﹾﻤﻠﹶﺄِ ﺍﻷﻋﻠﻰ ﻜﻤﺎ ﻓﻲ ﺍﻵﻴﺔ ﺍﻟﻌﺎﺸِﺭﺓ ﻤﻥ ﺴﻭﺭﺓِ ﺍﻟﺼﺎﻓﱠﺎﺕ
ﺍﻟﻤﺒﺎﺭﻜﺔ ،ﻓﻜﻤﺎ ﻴﺭﻤﻰ ﺍﻟﺸﱠﻴﻁﺎﻥ ﺒﺎﻟﺸﱢﻬﺎﺏِ ﺍﻟﺜﱠﺎﻗِﺏِ ﺃﺭﺠﻭ ﺃﻥ ﻴﻤﺩﻨﻲ ﺍﷲُ ﺒﺸﻬﺎﺏٍ ﺜﺎﻗِﺏٍ ﻟﺭﻤﻲ
ﺍﻟﺭﻗﻴﺏ؛
) (٣ﻟﻭ ﺃﺸﺎﺭ ﻭﺍﺤِﺩ ﻤِﻥ ﺃﻫﺩﺍﺒِﻙ ﺍﻟﺴﻭﺩﺍﺀِ ﺇﻟﻰ ﺩﻤﻨﺎ ﺇﺸﺎﺭﺓﹰ ﻭﺍﺤِﺩﺓﹰ ﻟﹶﺄﺴﺎﺤﻪ ،ﻤﻥِ ﺸِﺩﺓِ ﻤﺎ ﺒِﻬﺎ ﻤِﻥ
ﺍﻟﻔِﺘﹾﻨﹶﺔِ ﻭﺍﻟﺴﺤﺭ ،ﻓﻼ ﺘﹸﺨﻁِﺊ ﻓﻲ ﻨﹶﻅﹶﺭِﻙ ﻟﻨﺎ،
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ﻏﺰﻝ ٧
ﺍﻟﺼﻭﻓﻲ ﻭﺍﻨﻅﹸﺭ ﻓﻲ ﺼﻔﺎﺀِ ﺍﻟﻤﺩﺍﻡ ـﺎ
ـلْ ﺃﻴﻬـ
ـﺄﺱ ﻓﺄﻗﺒِـ
ﺼ ـﻔﹶﺕِ ﺍﻟﻜـ
ـﺎﻡ
ـﺎﻟﻲ ﺍﻟﻤﻘـ
ـﺴﺄلِ ﺍﻟﺯﺍﻫِ ـﺩ ﻋـ
ﺘـ ﺍِﺴﺄل ﻋﻥِ ﺍﻟـﺴﺭ ﺍﻟـﺴﻜﺎﺭﻯ ﻭﻻ
ﺒﺸﺒﺎﻙٍ ﻭﺍﻟﺤﻤـﻰ ﻤﻨﻬـﺎ ﺤـﺭﺍﻡ ﻭﺩﻉِ ﺍﻟﻌﻨﻘــﺎﺀ ﻟــﻥ ﺘــﺼﻁﺎﺩﻫﺎ
ـﺎﺕ ﻤِ ـﻥ ﺍﻟﻭﺼ ـلِ ﺩﻭﺍﻡ
ﺇﻥ ﻫﻴﻬـ ﻭﺍﺤﺱ ﻓﻲ ﺍﻟﻤﺠﻠﺱِ ﺭﺍﺤﻴﻥِ ﻭﺭﺡ
ﺃﻴﻬﺎ ﺍﻟﻤـﻭﻟﻰ ﺭﺤﻴﻤـﺎﹰ ﺒـﺎﻟﻐﹸﻼﻡ ﺨِﺩﻤﺘﻲ ﻭﻗﹾﻑﹲ ﻋﻠـﻰ ﺒﺎﺒِـﻙ ﻜﹸـﻥ
ﺼﻭﻓﻲ ﺘﻌﺎلَ ﻓﺎﻟﺠﺎﻡ ﻤِﺭﺁﺓﹲ ﺼﺎﻓﻴﺔﹲ ،ﻟِﺘﹶﺭ ﺒﻬﺎ ﺼﻔﺎﺀ ﺨﻤﺭﺓِ ﺍﻟﻌﻘﻴ ﻕِ
ﺍﻟﺼﺎﻓِﻴﺔ)(١؛ ﺍﻟﺴﺭ ﺍﻟﻤﺨﻔﻲ ﻓﻲ ﺍﻟﺤِﺠﺎﺏِ ﺍﻁﻠﹸﺒﻪ ﻤﻥ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻌﺭﺒِﺩﻴﻥ ،ﻓﻬﺫﻩِ
ﺍﻟﺤﺎلُ ﻟﻴﺴﺕﹾ ﺤﺎلَ ﺍﻟﺯﺍﻫِﺩِ ﻋﺎﻟﻲ ﺍﻟﻤﻘﺎﻡ)(٢؛ ﺍﻟﻌﻨﻘﺎﺀ ﻟﻴﺴﺕﹾ ﺼﻴﺩﺍﹰ ﻟِﺄﺤﺩٍ ﻓﺎﺠﻤﻊ
) (١ﻫﺎ ﻗﺩ ﺭﺍﻗﺕﹾ ﺍﻟﻜﺄﺱ ﻭﺼﻔﹶﺕﹾ ،ﻓﺸﻔﱠﺕﹾ ﻋﻤﺎ ﺤﻭﺕ ﻭﻅﻬﺭﺕﹾ ﺒﻬﺎ ﺍﻟﺨﻤﺭﺓﹸ ﺍﻟﺼﺎﻓﻴﺔ؛ ﻓﺘﻌﺎلَ
ﺃﻴﻬﺎ ﺍﻟﺼﻭﻓﻲ ،ﻭﺘﺄﻤلْ ﻓﻲ ﺼﻔﺎﺀِ ﺍﻟﺨﻤﺭﺓ ﻤﻥ ﺨﻼلِ ﺯﺠﺎﺝِ ﺍﻟﻘﺩﺡِ ﺍﻟﻠﹼﻁﻴﻑ ،ﻭﻴﻘﻭلُ
ﺍﻟﻌﺎﺭﻓﻭﻥ ﺇﻥ ﺍﻟﺨﻤﺭﺓﹶ ﺭﻤﺯ ﻟﻠﺤﻕﱢ ،ﻭﺇﻥ ﺍﻟﻜﺄﺱ ﺭﻤﺯ ﻟﻠﺴﺎﻟﻙ ،ﻓﺈﺫﺍ ﺼﻔﺕِ ﺍﻟﻜﺄﺱ ﺒﺼﻔﺎﺀِ
ﺍﻷﻋﻤﺎل ،ﺒﺎﻥ ﻤﻥ ﺨﻼﻟﻬﺎ ﺠﻤﺎلُ ﻭﺼﻔﺎﺀ ﻭﻀﻴﺎﺀ ﺍﻟﺤﻕﹼ ،ﻭﺃﺼﺒﺤﺕ ﻤﺭﺁﺓﹰ ﻟﻠﺤﻕ ،ﻭﻤﻅﻬﺭﺍﹰ
ﻟﻪ ،ﻭﺨﹶﺹ ﺍﻟﺼﻭﻓﻲ ﺒﺎﻟﺨﻁﺎﺏ ﻟِﻌﺩﻡِ ﺼﻔﺎﺀِ ﺃﻋﻤﺎﻟِﻪِ ،ﻭﻤﻤﺎ ﻴﻨﺴﺏ ﺇﻟﻰ ﺍﻟﺼﺎﺤﺏ ﺒﻥ ﻋﺒﺎﺩ
ﻤﻥ ﺸﻌﺭ )ﻭﺭﺒﻤﺎ ﻨﹸﺴِﺏ ﻷﺒﻲ ﻨﻭﺍﺱ(:
ﻓﺘــﺸﺎﺒﻬﺎ ﻭﺘــﺸﺎﻜل ﺍﻷﻤــﺭ، ـﺎﺝ ﻭﺭﺍﻗ ـﺕِ ﺍﻟﺨﻤ ـﺭ
ﺭﻕﱠ ﺍﻟﺯﺠـ
ﻭﻜﺄﻨﱠﻤــﺎ ﻗــﺩﺡ ﻭﻻ ﺨﻤــﺭ؛ ـﺩﺡ
ـﺎ ﺨﻤـ ـﺭ ﻭﻻ ﻗــ
ﻓﻜﺄﻨﻤــ
) (٢ﺍﻟﺴﺭ ﻤﻌﺎﺭِﻑﹸ ﺍﻟﺩﻴﻥ ﺍﻟﺒﺎﻁِﻨﺔ ،ﻭﺘﹸﻁﻠﺏ ﻋﻨﺩ ﺍﻟﺴﻜﺎﺭﻯ ﺒﺨﻤﺭﺓِ ﺍﻟﻤﻌﺭِﻓﹶﺔ ،ﻓﺎﻟﺴﺭ ﻋﻨﺩﻫﻡ ،ﻭﻤﻨﻪ
ﺴﻜﺭﻫﻡ ،ﻓﻼ ﺘﺴﺄلْ ﻋﻥ ﺫﻟِﻙ ﺍﻟﺴﺭ ﺘﻘﻴﺎﹰ ﻭﺭِﻋﺎﹰ ،ﻭﺇﻥ ﻜﺎﻥ ﻋﺎﻟﻲ ﺍﻟﻘﺩﺭِ ،ﻓﺈﻨﱠﻪ ﻻ ﻴﻌﺭﻓﹸﻪ ،ﻭﻟﻭ
ﻜﺎﻥ ﻴﻌﺭﻓﹸﻪ ﻟﺴﻜِﺭ ﻤﻨﻪ؛
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ﺸِﺒﺎﻜﹶﻙ ،ﻓﻁﺎﻟِﺒﻬﺎ ﻟﻡ ﻴﻘﹶﻊ ﻓﻲ ﻴﺩِﻩِ ﺴﻭﻯ ﺍﻟﺭﻴﺢ)(١؛ ﻓﻲ ﻤﺤﻔﹶلِ ﺍﻟﺸﱡﺭﺏِ ﻭﺍﻟﻁﱠﺭﺏِ
ﺍﺸﺭﺏ ﻗﹶﺩﺤﺎﹰ ﺃﻭ ﻗﹶﺩﺤﻴﻥِ ﻭﺍﻤﺽِ ،ﻴﻌﻨﻲ ﻻ ﺘﻜﹸﻥ ﻁﺎﻤِﻌﺎﹰ ﺒﺩﻭﺍﻡِ ﺍﻟﻭِﺼﺎل؛ ﻴﺎ ﻗﻠﺏ ﻤﺭ
ﺍﻟﺸﱠﺒﺎﺏ ﻭﻟﻡ ﺘﺠﻥِ ﻭﺭﺩﺓﹰ ﻤﻥ ﺍﻟﻌﻴﺵ ،ﺍﻵﻥ ﻭﺃﻨﺕﹶ ﺸﺎﺌﺏ ﺍﻟﺭﺃﺱِ ،ﻻ ﺘﻁﻠﹸﺏِ ﺍﻟﺸﱡﻬﺭﺓﹶ
ﻭﺍﻟﺠﺎﻩ)(٢؛ ﻭﺍﺠﺘﹶﻬِﺩ ﺃﻥ ﺘﻌﻴﺵﹶ ﻨﻘﺩﺍﹰ ،ﻓﺎﻟﻨﱠﺼﻴﺏ ﺤﻴﻥ ﺍﻨﺘﻬﻰ ،ﺘﹶﺭﻙ ﺁﺩﻡ ﺭﻭﻀﺔﹶ ﺩﺍﺭِ
ﺍﻟﺴﻼﻡ؛ ﻨﺤﻥ ﻟﻨﺎ ﻋﻠﻰ ﺠﻨﺎﺒِﻙ ﺤﻘﻭﻕﹸ ﺍﻟﺨِﺩﻤﺔِ ﺒﺄﻋﺘﺎﺒِﻙ ،ﺃﻱ ﺴﻴﺩ ،ﺍﻨﻅﹸﺭ ﻤﺠﺩﺩﺍﹰ
ﻨﹶﻅﹶﺭ ﺍﻟﺘﱠﺭﺤﻡِ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻐﹸﻼﻡ؛ ﺤﺎﻓِﻅﹸ ﻤﺭﻴﺩ ﺠﺎﻡِ ﺍﻟﺨﹶﻤﺭ ،ﻴﺎ ﺼﺒﺎ ﺍﺫﻫﺒﻲ ﻟِﺸﻴﺨﻲ
ﺠﺎﻤﻲ ،ﻭﺍﻋﺭِﻀﻲ ﻋﻠﻴﻪِ ﺨِﺩﻤﺘﻲ ﻭﺴﻼﻤﻲ.
ﻏﺰﻝ ٨
ﺴﺎﻗﻴﺎ ﻗﹸﻡ ﻭﺃﻋﻁِﻨﻲ ﺍﻟﺠﺎﻡ ،ﺍِﺩﻓِﻥ ﺒﺎﻟﺘﱡﺭﺍﺏِ ﻏﹶ ﻡ ﺍﻷﻴﺎﻡ؛ ﻀ ﻊ ﺒِﻜ ﻔﱢﻲ ﻜﺄﺱ
ﺍﻟﺨﹶ ﻤﺭِ ﻟِﺄﻨﻀ ﻭ ﻋﻨﱢﻲ ﻫﺫﺍ ﺍﻟ ﺜﱠﻭﺏِ ﺍﻷﺯﺭ ﻕِ ﺍﻟﺨﹶﻠﹶﻕ )(٣؛ ﺭﻏﻡ ﺃﻥ ﺘﹶﺭ ﻙ ﺍﻟ ﺸﱡﻬﺭﺓِ
ﻭﺍﻟﺠﺎﻩِ ﺴ ﻴﺊٌ ﻋﻨﺩ ﺍﻟ ﻌﻘﻼﺀِ ،ﻨﺤ ﻥ ﻻ ﻨﻁﻠﹸﺏ ﺍﻟﺸﱡﻬﺭﺓﹶ ﻭﺍﻟﺠﺎﻩ؛ ﻭﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ
ﻓﻜﻡ ﺃﺜﺎﺭﺕﹾ ﺭﻴﺢ ﺍﻟ ﻐﹸﺭﻭﺭِ ﻫﺫِﻩِ ﻤِ ﻥ ﻏﹸﺒﺎﺭٍ ﺩ ﺨﹶلَ ﻨﹶﻔﹶﺴﻲ ،ﻭﺃﺨﺎﻑﹸ ﺃﻥ ﺘﺴﻭ ﺀ ﻤﻨﻪ
ﻋﺎﻗِﺒﺘﻲ؛
) (١ﻤﻌﻨﻰ ﺍﻟﺒﻴﺕ ﻻ ﺘﹸﺤﺎﻭِلْ ﺍﺼﻁﻴﺎﺩ ﺍﻟﻌﻨﻘﺎﺀ ،ﻓﺈﻨﱠﻬﺎ ﻟﻡ ﺘﻘﻊ ﻓﻲ ﻓﺦﱢ ﺃﺤﺩٍ ،ﻭﺤﻤﺎﻫﺎ ﺤﺭﻡ ﻤﺤﺭﻡ،
)ﻴﺭﻤﺯ ﺍﻟﻌﺭﻓﺎﺀ ﺒﺎﻟﻌﻨﻘﺎﺀِ ﺍﻟﱠﺘﻲ ﻫﻲ ﻁﺎﺌﺭ ﺨﺭﺍﻓﻲ ﻟﻡ ﻴﺭ ﻗﹶﻁﱡ ﺇﻟﻰ ﺍﻟﺫﱠﺍﺕِ ﺍﻷﺤﺩﻴﺔ ﺍﻟﻤﻨﺯﻫﺔِ
ﻋﻥِ ﺍﻟﺘﱠﺠﻠﱢﻲ ،ﻗﺎل ﺍﺒﻥ ﻋﺭﺒﻲ ﻤﻨﻊ ﺃﻫلُ ﺍﷲِ ﺍﻟﺘﱠﺠﻠﹼﻲ ﻓﻲ ﺍﻷﺤﺩﻴﺔ ﻭﻗﺎل ﺃﻴﻀﺎﹰ ﺍﻷﺤﺩﻴﺔﹸ ﺍﻹﻟﻬﻴﺔﹸ
ﻤﺎ ﻟﻭﺍﺤﺩٍ ﻓﻴﻬﺎ ﻗﺩﻡ )ﻓﺼﻭﺹ ﺍﻟﺤِﻜﹶﻡ( ،ﺃﻭ ﺒﺘﻌﺒﻴﺭٍ ﺁﺨﺭ ،ﻫﻲ ﺍﻟﻜﻨﺯ ﺍﻟﻤﺨﻔﻲ ﻜﻤﺎ ﻓﻲ ﺍﻟﺤﺩﻴﺙِ
ﺍﻟﻘﺩﺴﻲ) :ﻜﻨﺕﹸ ﻜﻨﺯﺍﹰ ﻤﺨﻔﻴﺎﹰ ﻓﺄﺤﺒﺒﺕﹸ ﺃﻥ ﺃُﻋﺭﻑﹶ ﻓﺒﻲ ﻋﺭﻓﻭﻨﻲ( ،ﻗﺎل ﺍﻟﻤﻭﻟﻭﻱ ﻓﻲ ﺩﻴﻭﺍﻨِﻪِ
ﺍﻟﻤﻌﺭﻭﻑ ﺒﺎﻟﻤﺜﻨﻭﻱ ﺒﻠﺴﺎﻥِ ﺍﻟﻨﱠﺒﻲ)ﺹ( ،ﻋﻥ ﻤﻘﺎﻤِﻪِ ﺍﻟﻐﻴﺒﻲ ،ﺒﻨﻅﻡٍ ﻤﻨﻪ ﺒﺎﻟﻌﺭﺒﻴﺔ:
ﻓﺎﺒﺘﹸﻌِﺜﹾﺕﹸ ﺃُﻤـﺔﹰ ﻤﻬﺩﻴﺔﹰ؛ ﻜﻨﺕﹸ ﻜﻨﺯﺍﹰ ﺭﺤﻤﺔﹰ ﻤﺨﻔﻴﺔﹰ
) (٢ﻭﻓﻲ ﻨﺴﺨﹶﺔٍ ﻤﺎ ﻤﻌﻨﺎﻩ :ﺍﻵﻥ ﺒﻌﺩ ﺸﻴﺒِﻙ ﺍﺠﺘﻬِﺩ ﺃﻥ ﺘﻜﻭﻥ ﻋﺎﺸِﻘﺎ
) (٣ﺍﺠﻌلِ ﺍﻟﻜﺄﺱ ﻓﻲ ﻴﺩﻱ ﺤﺘﹼﻰ ﺃﺴﻜﺭ ﻭﺃﺼﻴﺭ ﻗﺎﺩِﺭﺍﹰ ﻋﻠﻰ ﺨﻠﻊِ ﻟﺒﺎﺱِ ﺍﻟﺭﻴﺎﺀِ ﻋﻥ ﺠﺴﺩﻱ.
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ﺍﻟﺩﺨﺎﻥ ﻤﻥ ﺁﻩِ ﺼﺩﺭﻱ ﺍﻟﻤﺤﺘﹶﺭِﻕِ ،ﺃﺤﺭﻕﹶ ﻫﺅﻻﺀِ ﺍﻟﺭﺠﺎلَ ﻏﻴﺭ ﺍﻟﻨﱠﺎﻀِﺠﻴﻥ؛
ﻤﺤﺭﻤﺎﹰ ﻟِﺴِﺭ ﻗﻠﺒﻲ ﺍﻟﻭﺍﻟِﻪِ ،ﻻ ﺃﺭﻯ ﺸﺨﹾﺼﺎﹰ ،ﻤِﻥ ﺨﺎﺹ ﻭﻋﺎﻡ؛ ﺴﻌﻴﺩ ﺨﺎﻁِﺭﻱ ﻤﻊ
ﻤﻌﺸﻭﻕِ ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﺴﻠﹶﺏ ﻗﹶﺭﺍﺭ ﻗﹶﻠﺒﻲ ﺩﻓﹾﻌﺔﹰ ﻭﺍﺤِﺩﺓ؛ ﻟﻥ ﻴﻨﻅﹸﺭ ﻤﺠﺩﺩﺍﹰ ﺃﺒﺩﺍﹰ ﺇﻟﻰ
ﺍﻟﺴﺭﻭِ ﻓﻲ ﺍﻟﺭﻭﺽِ ،ﻜﹸلﱡ ﻤﻥ ﺭﺃﻯ ﺴﺭﻭﻱ ﺍﻟﻔِﻀﻲ ﺍﻟﻬﻨﹾﺩﺍﻡ؛ ﺍﺼﺒِﺭ ﻋﻠﻰ ﺍﻟﺸﱢﺩﺓِ
ﺍﻟﻠﹼﻴلَ ﻭﺍﻟﻨﱠﻬﺎﺭ ﻴﺎ ﺤﺎﻓِﻅ ،ﻋﺎﻗِﺒﺘﹸﻙ ﺃﻥ ﺘﹶﺠِﺩ ﻋﻁﺎﺀﻙ ﻭﺘﻨﺎلَ ﺍﻟﻤﺭﺍﺩ.
ﻏﺰﻝ ٩
ﺒﺸﺭﺍﻙ ﺒﺎﻟﻭﺭﺩِ ﻴﺎ ﺒﻠﺒلُ ﻓﺎﻋﺯِﻑِ ﺍﻷﻟﺤﺎﻥ ﺭﻭﻨﻕﹸ ﻋﻬﺩِ ﺍﻟﺸﱠﺒﺎﺏِ ﻗﺩ ﻋﺎﺩ ﻟﻠﺒﺴﺘﺎﻥ
ﺍﺤﻤﻠﻲ ﻴﺎ ﺼﺒﺎ ﺇﻥ ﻤﺭﺭﺕِ ﻋﻠﻰ ﻓﺘﻴﺔِ ﺍﻟـﺭﻭﺽِ ﺴـﻼﻤﻲ ﻟﻠـﺴﺭﻭِ ﻭﺍﻟـﻭﺭﺩِ
ﺼﻥ
ﻭﻟﹶﺠﺎﻥِ ﻤِﻥ ﻋﻨﺒﺭٍ ﺼﺎﻑٍ ﻋﻠﻰ ﺍﻟﺒﺩﺭِ ﻻ ﺘﺯِﺩ ﺒﺎﻀﻁﺭﺍﺒﻲ ﻓﺈﻨﹼﻨﻲ ﺤﻴـﺭﺍﻥ ﻴﺤﺎ
ﻭﺍﻟﻊﺭﺍﻟ
ﺭﺍﻓِ
ﻗﹸلْ ﻟﻤﻥ ﺁﺨِﺭﺍﹰ ﻓﻲ ﺍﻟﺘﱡﺭﺍﺏِ ﻴﻨﺎﻡ ﻟﻤﺎﺫﺍ ﺘﹸﻌﻠﻲ ﺇﻟـﻰ ﺠـﻭﺍﺭِ ﺍﻟﻜﻭﺍﻜـﺏِ ﺍﻹﻴـﻭﺍﻥ
ﺤﺎﻓﻅﹸ ﺍﻟﺨﻤﺭ ﻓﺎﺸﺭﺏ ﻭﺍﺴﻜﹶﺭ ﻫﻨﻴﺌﺎﹰ ﻭﺸﺒﺎﻙ ﺍﻟﺘﱠﺯﻭﻴﺭِ ﺇﻴـﺎﻙ ﺃﻥ ﺘﺠﻌـلَ ﺍﻟﻘـﺭﺁﻥ
ﻟﻘﺩ ﻋﺎﺩ ﺍﻟﺭﺒﻴﻊ ﻓﺘﺠﺩﺩ ﺸﺒﺎﺏ ﺍﻟﺒﺴﺘﺎﻥ ،ﻓﻠﻙ ﺍﻟﺒﺸﺭﻯ ﺒﻌﻭﺩﺓِ ﺍﻟﻭﺭﺩِ ﺃﻴﻬﺎ
ﺍﻟﺒﻠﺒلُ ﺍﻟﻤﻐﺭﺩ ﻋﺫﺏ ﺍﻷﻟﺤﺎﻥ؛
ﻴﺎ ﺼﺒﺎ ﺇﻥ ﻤﺭﺭﺕِ ﺒﻔﺘﻴﺔِ ﺍﻟﺭﻭﺽِ ،ﺃﺒﻠﻐﻲ ﺴﻼﻤﻲ ﻟﻠﺴﺭﻭِ ﻭﺍﻟﻭﺭﺩِ ﻭﺍﻟﺭﻴﺤﺎﻥ؛
ﻟﻭ ﺘﺠﻠﹼﻰ ﺍﺒﻥ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﺒﺎﺌﻊِ ﺍﻟﺨﹶﻤﺭِ ﺠﻠﻭﺓﹰ ﻭﺍﺤِﺩﺓﹰ ،ﻟﻜﹶﻨﹶﺴﺕﹸ ﺒﺎﺏ ﺍﻟﺤﺎﻥِ
ﺒِﺄﻫﺩﺍﺏِ ﻋﻴﻨﻲ؛
ﻭﺠﻬﻙ ﺍﻟﺒﺩﺭ ﻭﺫﺅﺍﺒﺘﹸﻙ ﺍﻟﺴﻭﺩﺍﺀ ﺼﻭﻟﺠﺎﻥ ﻤﻥ ﺍﻟﻌﻨﺒﺭ ﺍﻟﺼﺎﻓﻲ ﻋﻠﻴﻪ،
ﻻ ﺘﺠﻌﻠﻨﻲ ﻤﻀﻁﹶﺭِﺏ ﺍﻟﺤﺎلِ ،ﺃﻨﺎ ﺍﻟﺤﻴﺭﺍﻥ؛
ﻫﺅﻻﺀِ ﺍﻟﻘﻭﻡ ﺍﻟﱠﺫﻴﻥ ﻴﻀﺤﻜﻭﻥ ﻋﻠﻰ ﺃﻫلِ ﺍﻟﺸﹼﺭﺍﺏ ،ﺃﺨﺸﻰ ﺃﻥ ﻴﻀﻴﻊ
ﺇﻴﻤﺎﻨﹸﻬﻡ ﻓﻲ ﺍﻟﺨﺭﺍﺒﺎﺕ؛
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ﻜﹸﻥ ﺸﹶﻬﻡ ﺍﻟﺭﺠﺎلِ ،ﻭﻜﹸﻥ ﻤﻊ ﺍﷲِ ،ﻓﻘﺩ ﻜﺎﻥ ﻓﻲ ﺴﻔﻴﻨﹶﺔِ ﻨﻭﺡٍ ﺘﹸﺭﺍﺏ ﻟﻡ ﻴﺄﺒﻪ
ﺒﺎﻟﻁﱡﻭﻓﺎﻥِ ،ﻭﻟﻡ ﻴﺭﻩ ﻏﻴﺭ ﻗﹶﻁﹾﺭﺓ؛
ﻤِﻥ ﻤﻨﺯلِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﺨﺭﺝ ﻭﻻ ﺘﻁﻠﹸﺏ ﺍﻟﺨﹸﺒﺯ ﻤﻨﻪ ،ﻓﻬﺫﺍ ﺍﻷﺴﻭﺩ ﺍﻟﻜﺄﺱِ ﺁﺨِﺭﺍﹰ
ﻴﻘﺘﹸلُ ﺍﻟﻀﻴﻑ؛
ﻗﹸل ﻟﻤﻥ ﺴﺭﻴﺭﻩ ﺁﺨِﺭﺍﹰ ﺤﻔﹾﻨﹶﺔﹲ ﻤِﻥ ﺘﹸﺭﺍﺏٍ ،ﻤﺎ ﺤﺎﺠﺘﹸﻙ ﻟِﺘﺭﻓﻊ ﻫﺫﺍ ﺍﻟﻘﺼﺭ ﺇﻟﻰ
ﺠﻭﺍﺭِ ﺍﻟﻜﻭﺍﻜﺏ؛
ﻴﺎ ﻗﻤﺭﻱ ﺍﻟﻜﻨﻌﺎﻨﻲ ،ﻟﻘﺩ ﻨِﻠﹾﺕﹶ ﻤﻘﺎﻡ ﺍﻟﻤﻠﹾﻙِ ﻤِﻥ ﻤِﺼﺭ ﺫﻟِﻙ ﺍﻟﻭﻗﹾﺕﹶ ﺍﻟﱠﺫﻱ
ﺃﺩﺨﻠﺕﹶ ﻓﻴﻪِ ﺍﻟﺴﻼﻡ ﺇﻟﻰ ﺍﻟﺴﺠﻥ)(١؛
ﻭﻴﺎ ﺤﺎﻓﻅﹸ ﺍﺸﺭﺏِ ﺍﻟﺨﻤﺭ ،ﻭﺍﺴﻜﺭ ﻭﺍﺴﻌﺩ ﻭﻋﺭﺒِﺩ ﻭﻟﻜِﻥ ،ﻻ ﺘﺠﻌلِ ﺍﻟﻘﹸﺭﺁﻥ
ﺸِﺒﺎﻙ ﺨِﺩﺍﻉٍ ﻭﺼﻴﺩٍ ﻜﺎﻵﺨﹶﺭﻴﻥ.
ﻏﺰﻝ ١٠
ﺠﺎﺀ ﺒﺎﻷﻤﺱِ ﺸﻴﺨﹸﻨﺎ ﺇﻟﻰ ﺍﻟﺤـﺎﻥِ ﺒﻌـﺩ ﺍﻟـﺼﻼﺓﹾ
ﻴﺎ ﺭﻓﺎﻗﺎﻩ ﺒﻌـﺩ ﻤـﺎ ﻜـﺎﻥ ﻤـﺎ ﻫـﻭ ﺍﻟﺘـﺩﺒﻴﺭ؟
ﻤــﺎ ﻟﻨــﺎ ﻨﺠﻌــلُ ﺍﻟﻘﺒﻠــﺔﹶ ﺍﺘﱢﺠــﺎﻩ ﺍﻟﻭﺠــﻭﻩ
ﻫــﻭ ﺫﺍ ﺍﻟــﺸﱠﻴﺦﹸ ﻟﻠﺤــﺎﻥِ ﺭﺍﺡ ﻭﺠﻬــﺎﹰ ﻴــﺩﻴﺭ
ﻤــﺎ ﺍﺨﺘﻴــﺎﺭﺍﹰ ﻤﻨــﺎ ﻨﺯﻟﻨــﺎ ﺍﻟﺨﺭﺍﺒــﺎﺕِ ﻟﻜــﻥ
ﺃﺯﻻﹰ ﻗــﺩ ﺠــﺭﻯ ﻟﻨــﺎ ﺒــﺫﻟﻙ ﺍﻟﺘﱠﻘــﺩﻴﺭ
ﻟﻭ ﺩﺭﻯ ﺍﻟﻌﻘﹾلُ ﻤﺎ ﺴﻌﺎﺩﺓﹸ ﺍﻟﻘﻠﺏِ ﻓﻲ ﺍﻟﻘﹶﻴـﺩِ ﻤِـﻥ
ﻓﹶﺭﻋِﻪِ ﻟﺠﻥ ﺍﻟﻌـﺎﻗﻠﻭﻥ ﻜـﻲ ﻴـﻀﻤﻬﻡ ﺯﻨﺠﻴـﺭ
) (١ﺍﻟﻘﻤﺭ ﺍﻟﻜﻨﻌﺎﻨﻲ :ﻴﻭﺴﻑ )ﻉ(.
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ﺁﻴﺔﹶ ﺍﻟﻠﱡﻁﻑِ ﺃﺒـﺩﻯ ﻟﻨـﺎ ﻭﺠﻬـﻙ ﺍﻟﺠﻤﻴـلُ ﻓـﻼ
ﻴﻌﺭﻑﹸ ﻏﻴﺭ ﺍﻟﺠﻤﺎلِ ﻭﺍﻟﻠﱡﻁـﻑِ ﻋﻨـﺩﻨﺎ ﺍﻟﺘﱠﻔـﺴﻴﺭ
ﻫل ﺘﹸـﺭﻯ ﻟﻴﻠـﺔﹰ ﺃﺜﱠـﺭ ﻓـﻲ ﻗﻠﺒِـﻙ ﺍﻟـﺼﺨﺭِ ﺁﻩ
ﺍﻟﻠﻬﻴــﺏِ ﻤﻨﹼــﺎ ﻭﻨــﺎﺭ ﺍﻟــﺼﺩﻭﺭِ ﺍﻟــﺴﻌﻴﺭ
ـﻙ،
ـﺎ ﻴﻌﺒ ـﺭ ﺍﻟﻔﹶﻠﹶـ
ـﺎﻓِﻅﹸ ﺍﺼ ـﻤﺕﹾ ،ﺴ ـﻬﻡ ﺁﻫِﻨـ
ﺤـ
ﺍِﺭﺤــﻡِ ﺍﻟــﺭﻭﺡ ﻤﻨــﻙ ،ﺤــﺫﺍﺭﻴﻙ ،ﺫﺍ ﺘﺤــﺫﻴﺭ
ﺇﻥ ﺸﻴﺨﻨﺎ ﻭﺇﻤﺎﻤﻨﺎ ﺘﻭﺠﻪ ﺒﺎﻷﻤﺱِ ﻤﻥ ﺍﻟﻤﺴﺠﺩِ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ،ﻓﻤﺎﺫﺍ ﻨﻔﻌلُ ﺃﻴﻬﺎ
ﺍﻟﺭﻓﺎﻕﹸ ﻭﻨﺤﻥ ﺃﺘﺒﺎﻋﻪ ﻭﻤﺭﻴﺩﻭﻩ)(١؛ ﻜﻴﻑ ﻨﹸﻭﺠﻪ ﻭﺠﻭﻫﻨﺎ ﺇﻟﻰ ﺍﻟﻜﻌﺒﺔ ﻭﺸﻴﺨﹸﻨﺎ ﻴﺩﻴﺭ
ﻭﺠﻬﻪ ﺇﻟﻰ ﺤﺎﻨﺔِ ﺍﻟﺨﻤﺎﺭ)(٢؛ ﺇﻥ ﻨﺯﻭﻟﹶﻨﺎ ﺒﺎﻟﺨﺭﺍﺒﺎﺕ ﻟﻡ ﻴﻜﹸﻥ ﺒﺎﺨﺘﻴﺎﺭﻨﺎ ﻭﺇﺭﺍﺩﺘﻨﺎ ،ﺒل ﻫﻭ
ﻗﻀﺎﺀ ﻤﻘﻀﻲ ﻜﹸﺘِﺏ ﻋﻠﻴﻨﺎ ﻭﻋﻬِﺩ ﺇﻟﻴﻨﺎ ﻓﻲ ﺍﻷﺯل ﻴﻭﻡ ﺨﻠﻕِ ﺃﺭﻭﺍﺤِﻨﺎ)(٣؛ ﺍﻟﻌﻘﹾلُ ،ﻟﻭ
ﻜﺎﻥ ﻴﺩﺭﻱ ﺒﺎﻟﺴﻌﺎﺩﺓِ ﺍﻟﱠﺘﻲ ﻴﺠِﺩﻫﺎ ﺍﻟﻘﹶﻠﹾﺏ ﻓﻲ ﻗﹶﻴﺩِ ﻓﹶﺭﻋِﻪِ ،ﻟﹶﺼﺎﺭ ﺍﻟﻌﻘﻼﺀ ﻤﺠﺎﻨﻴﻥ ﻓﻲ
ﻁﻠﹶﺏِ ﺯﻨﺠﻴﺭِﻨﺎ)(٤؛ ﺒﻤﺎ ﺃﻥ ﻭﺠﻬﻙ ﺁﻴﺔﹸ ﺍﻟﻠﱡﻁﻑِ ﻭﺍﻟﺠﻤﺎل ،ﻭﻨﺤﻥ ﻋﺎﺸﻘﻭﻩ ،ﻓﺎﻟﺩﻴﻥ ﻋﻨﺩﻨﺎ
ﻟﹸﻁﻑﹲ ﻭﺠﻤﺎلٌ ﻓﻲ ﺘﻔﺴﻴﺭِﻨﺎ ،ﻭﻟﻴﺱ ﻓﻲ ﻜﻼﻤﻨﺎ ﺇﻻﹼ ﺍﻟﻠﱡﻁﻑﹸ ﻭﺍﻟﺠﻤﺎل)(٥؛ ﻫل ﻟﻴﻠﹶﺔﹰ ﺃﺜﱠﺭﺕﹾ
ﻓﻲ ﻗﻠﺒﻙ ﺍﻟﺼﺨﹾﺭِ ﺁﻫﻨﺎ ﺍﻟﻤﻠﺘﻬﺒﺔﹸ ،ﻭﻨﺎﺭ ﺼﺩﺭِﻨﺎ ﺍﻟﻤﺴﺘﻌﺭﺓﹸ ﻓﻲ ﺍﻟﺴﺤﺭِ؛ ﺴﻬﻡ ﺁﻫِﻨﺎ ﻋﺒﺭ
ﺍﻟﻔﹶﻠﹶﻙ ،ﺤﺎﻓِﻅﹸ ﺍﺼﻤﺕﹾ ،ﺍﺭﺤﻡ ﺭﻭﺤﻙ ،ﻭﻜﹸﻥ ﻋﻠﻰ ﺤﺫﹶﺭٍ ﻤِﻥ ﺴﻬﺎﻤِﻨﺎ).(٦
) (١ﺍﻨﺘﻘﺎلٌ ﻤﻥ ﺼﻼﺓِ ﺍﻟﺒﺩﻥِ ﺃﻭ ﻗﺎﻟﺏِ ﺍﻟﺼﻼﺓِ ﺇﻟﻰ ﺼﻼﺓِ ﺍﻟﻘﻠﺏِ ﺃﻭ ﺭﻭﺡِ ﺍﻟﺼﻼﺓ؛
) (٢ﺍﻟﻜﻌﺒﺔﹸ ﻗﺒﻠﺔﹸ ﺍﻟﺒﺩﻥِ ،ﻭﻗﺒﻠﺔﹸ ﺍﻟﻘﻠﺏِ ﻤﻌﺸﻭﻗﹸﻨﺎ ﺍﻟﱠﺫﻱ ﻫﻭ ﻜﻌﺒﺔﹸ ﺍﻟﺤﺴﻥِ ،ﻗﺎل ﺍﺒﻥ ﺍﻟﻔﺎﺭﺽ :ﻴﺎ
ﻗﺒﻠﺘﻲ ﻓﻲ ﺼﻼﺘﻲ ﺇﺫﺍ ﻭﻗﻔﺕﹸ ﺃُﺼﻠﹼﻲ؛
) (٣ﺍﻟﻨﺯﻭلُ ﺒﺎﻟﺨﺭﺍﺒﺎﺕِ ،ﻜﻤﺎ ﻴﻘﻭلُ ﺍﻟﻌﺎﺭﻓﻭﻥ ،ﻴﺭﻤﺯ ﻹﺴﻘﺎﻁِ ﺍﻟﻤﻤﻜﻨﺎﺕِ ﻭﻋﺩﻡ ﺭﺅﻴﺘِﻬﺎ ،ﻭﺍﻟﻔﺭﺍﻍﹸ
ﻤﻤﺎ ﺴﻭﻯ ﺍﷲ ﺇﺸﺎﺭﺓﹰ ﺇﻟﻰ ﺍﻟﺘﱠﻭﺤﻴﺩِ ﺍﻟﺨﺎﻟﺹ؛
) (٤ﺍﻟﺯﻨﺠﻴﺭ ﺍﻟﻘﻴﺩ ﺍﻟﺤﺩﻴﺩﻱ ﺭﻤﺯﺍﹰ ﻟِﻘﻭﺘِﻪِ ﻭﺼﻌﻭﺒﺔِ ﺍﻟﺘﱠﺨﻠﱡﺹِ ﻤﻨﻪ؛
) (٥ﺇﻻﹼ ﻗﻴﻼﹰ ﺴﻼﻤﺎﹰ ﺴﻼﻤﺎﹰ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺃﺴﻔﺎﹰ ﺃﻥ ﻫﺫﺍ ﺍﻟﺩﻴﻥ ﺍﻟﻁﱠﺎﻫِﺭ ﻴﺘﺤﻭلُ ﺇﻟﻰ ﻫﻼﻙٍ ﺒﻴﻥ ﺍﻟﺠﺎﻫﻠﻴﻥ؛
) (٦ﻀﻊ ﺤﺩﺍﹰ ﻟﻬﺠﺭﻙ ﻟﻨﺎ.
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ﻏﺰﻝ ١١
ﻫﻭ َﺫﺍ ﺍﻟﻜﹶﻭﻥ ﺼﺎﺭ ﻭِﻓﹾﻕﹶ ﻤﺭﺍﻤـﻲ ﻟِﺘﹸﻀِﺊْ ﻤِﻥ ﻀﻴﺎﺀِ ﺨﹶﻤﺭِﻙ ﺠـﺎﻤﻲ
ﺁﻩِ ﻤِﻥ ﺠﺎﻫِـلٍِ ﺒﻁِﻴـﺏِ ﻤـﺩﺍﻤﻲ ﻗﺩ ﺒِﺠﺎﻤﻲ ﺭﺃﻴﺕﹸ ﻭﺠـﻪ ﺤﺒﻴﺒـﻲ
ﻓﻠــﻙِ ﺍﻟﺨﻴــﺭ ﺒﻠﹼﻐﻴــﻪِ ﺴــﻼﻤﻲ ﺭﻴﺢ ﺇﻥ ﺠﺯﺕِ ﺒﺎﻟﺭﻴﺎﺽِ ﻋﻠﻴـﻪِ
ﺇﻥ ﺨﹶﻴﺭﺍﹰ ﻤِﻨﹾﻬـﺎ ﺤـﺭﺍﻡ ﻤـﺩﺍﻤﻲ ﺨﹸﺒﺯﺓﹸ ﺍﻟﺸﱠﻴﺦِ ﻤِﻥ ﺤـﻼلٍ ﻭﻟﻜـﻥ
ﻁﺎﺌﺭ ﺍﻟﻭﺼـلِ ﻤﻘﹾﺒِـلٌ ﻟِﻁﹶﻌـﺎﻤﻲ ﻋﺒﺭﺍﺕﹸ ﺍﻟﻌﻴـﻭﻥِ ﻁﹸﻌـﻡ ﺸـﺒﺎﻜﻲ
ﺏ ﻗﹸلْ ﺼﺎﺭ ﺍﻟﻌﺎﻟﹶﻡ ﻭِﻓﹾﻕﹶ ﻤﺭﺍﺩِﻨﺎ؛ ﻨﺤﻥ
ﺴﺎﻗﻲ ﺒِﻨﻭﺭِ ﺍﻟﺨﹶﻤﺭِ ﺃﻀﺊ ﺠﺎﻤﻨﺎ ،ﻤﻁﺭِ
ﻓﻲ ﺍﻟﻜﺄﺱِ ﺭﺃﻴﻨﺎ ﺼﻭﺭﺓﹶ ﻭﺠﻪِ ﻤﻌﺸﻭﻗِﻨﺎ ،ﺃﻱ ﻤﻥ ﻻ ﺨﹶﺒﺭ ﻟﻙ ﻋﻥ ﻟﹶﺫﱠﺓِ ﺸﹸﺭﺏِ ﻤﺩﺍﻤِﻨﺎ!)(١؛
ﻤﻥ ﻗﻠﺒﻪ ﺤﻲ ﺒﺎﻟﻌِﺸﹾﻕِ ﻟﻥ ﻴﻤﻭﺕﹶ ﺃﺒﺩﺍﹰ ،ﺫﺍﻙ ﺜﹶﺒﺕﹲ ﻓﻲ ﺠﺭﻴﺩﺓِ ﻋﺎﻟﹶﻡِ ﺩﻭﺍﻤِﻨﺎ)(٢؛ ﻜﻡ ﻜﺎﻥ ﻓﻲ
ﺍﻟﺭﻭﺽِ ﻤﻥ ﺩﻻلِ ﺤِﺴﺎﻥِ ﺍﻟﻘﹸﺩﻭﺩِ ،ﺤﺘﹼﻰ ﺘﺠﻠﹼﻰ ﺒﺎﻟﺩﻻلِ ﺴﺭﻭ ﺼﻨﹶﻭﺒﺭِﻨﺎ)(٣؛ ﻴﺎ ﺭﻴﺢ ﺇ
ﻥ
ﻤﺭﺭﺕِ ﻓﻲ ﺭﻭﺽِ ﻭﺭﺩِ ﺍﻷﺤﺒﺎﺏِ ،ﺃﻤﺎﻨﹶﺔﹰ ﻓﺎﻋﺭِﻀﻲ ﻋﻠﻰ ﺍﻟﺤﺒﻴﺏِ ﺴﻼﻤﻨﺎ؛ ﻗﻭﻟﻲ ﻟﻪ
ﻟﻤﺎﺫﺍ ﻋﻤﺩﺍﹰ ﺘﻨﺴﻰ ﺍِﺴﻤﻨﺎ ،ﺴﻭﻑ ﻴﺄﺘﻲ ﻤﻥ ﻨﻔﺴِﻪ ﺍﻟﻭﻗﺕﹸ ﺍﻟﱠﺫﻱ ﺒِﻪِ ﺘﻨﺴﺎﻨﺎ؛ ﺍﻟﺴﻜﹾﺭ ﻓﻲ ﻋﻴ ِ
ﻥ
ﺸﺎﻫِﺩِﻨﺎ ﻴﺴﺒﻲ ﺍﻟﻘﹸﻠﻭﺏ ﻤِﻥ ﺠﻤﺎلٍ ،ﻤﻥ ﺠﻤﺎﻟِﻪِ ﺴﻠﱠﻤﻭﺍ ﻟﻠﺴﻜﹾﺭِ ﺯِﻤﺎﻤﻨﺎ؛ ﺨﻭﻓﻲ ﻴﻭﻡ ﺍﻟﻘﻴﺎﻤﺔِ
ﻭﺍﻟﺠﺯﺍﺀِ ،ﺃﻥ ﻻ ﻴﺭﺠﺢ ﺨﺒﺯ ﺍﻟﺸﱠﻴﺦِ ﺍﻟﺤﻼلُ ﻋﻠﻰ ﺤﺭﺍﻡِ ﻤﺎﺌﻨﺎ)(٤؛ ﺤﺎﻓِﻅﹸ ﻴﻨﺜﹸﺭ ﺤﺒﺎ ِ
ﺕ
ﺍﻟﺩﻤﻊِ ﻤِﻥ ﺍﻟﻌﻴﻥِ ،ﻋﺴﻰ ﺃﻥ ﻴﻘﻊ ﻁﺎﺌﺭ ﺍﻟﻭﺼلِ ﻓﻲ ﺸِﺒﺎﻜِﻨﺎ)(٥؛ ﺒﺤﺭ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻷﺨﻀﺭ
ﻭﺴﻔﻴﻨﹶﺔﹸ ﺍﻟﻬِﻼلِ ،ﻜﻼﻫﻤﺎ ﻏﺎﺭِﻗﺎﻥِ ﺒﻨﻌﻤﺔِ ﻗﻭﺍﻡِ ﺍﻟﺩﻴﻥِ ﻭﺯﻴﺭﻨﺎ.
) (١ﺃﺸﺭﻕﹶ ﻭﺠﻪ ﺍﻟﺤﺒﻴﺏ ﻓﻲ ﻜﺄﺱِ ﺸﺭﺍﺒﻲ ،ﻭﻜﻡ ﺃﺠﺩ ﻟﺫﹼﺓﹰ ﻓﻲ ﺍﻟﻨﱠﻅﺭِ ﺇﻟﻴﻪ ،ﻭﻴﺎ ﻟﺨﺴﺎﺭﺓ ﻭﺨﻴﺒﺔ
ﻤﻥ ﻟﻡ ﻴﻁﻌﻡ ﻟﺫﹼﺓ ﺨﻤﺭﻱ؛
) (٢ﻤﻥ ﻗﻠﺒﻪ ﺤﻲ ﺒﺎﻟﻌِﺸﹾﻕِ ﻻ ﻴﻤﻭﺕﹸ ﺃﺒﺩﺍﹰ ،ﺫﺍﻙ ﻤﺜﹾﺒﺕﹲ ﻓﻲ ﺠﺭﻴﺩﺓِ ﻋﺎﻟﹶﻡِ ﺍﻟﺩﻭﺍﻡ؛
) (٣ﻜﻡ ﻜﺎﻥ ﻤِﻥ ﺤِﺴﺎﻥِ ﺍﻟﻘﹸﺩﻭﺩِ ﻤِﻥ ﻏﹸﻨﹾﺞٍ ﻭﺩﻻلٍ ،ﺤﺘﹼﻰ ﻅﹶﻬﺭ ﺍﻟﺼﻨﻭﺒﺭ ﺒِﻘﺎﻤﺔِ ﺍﻟﺴﺭﻭِ ﻭﺘﻤﺎﻴلَ ﻓﻲ ﺩﻻل؛
) (٤ﺨﻭﻓﻲ )ﺃﻨﺎ ﻋﻠﻰ ﻴﻘﻴﻥٍ( ﺃﻥ ﺍﻟﺨﹸﺒﺯ ﺍﻟﺤﻼلَ ﺍﻟﱠﺫﻱ ﻴﺄﻜﹸﻠﹸﻪ ﺍﻟﺸﱠﻴﺦﹸ ﻟﻥ ﻴﺭﺠﺢ ﻋﻠﻰ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﱠﺘﻲ ﻨﺸﺭﺒﻬﺎ؛
) (٥ﺠﻌﻠﺕﹸ ﻤﻥ ﻗﻁﺭﺍﺕِ ﺩﻤﻌﻲ ﺍﻟﺸﱠﺒﻴﻬﺔِ ﺒﺤﺒﺎﺕ ﺍﻟﻘﻤﺢ ،ﻁﹸﻌﻤﺎﹰ ﻟِﻁﺎﺌﺭِ ﺍﻟﻭﺼل ،ﻟِﻴﻘﹶﻊ ﻋﻠﻴﻬﺎ ،ﻭﻴﻘﻊ
ﻓﻲ ﺸﺒﺎﻜﻲ ،ﻭﻫﺎ ﺃﻨﺎ ﺃﺭﺍﻩ ﻤﻘﺒِﻼﹰ.
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ﻏﺰﻝ ١٢
ﺫﻗﻨﹸﻙ ﺍﻟﺒﺌﺭ ﺤﻭﺕﹾ ﻤﺎﺀ ﺍﻟﺠﻤـﺎلْ ﻭﺠﻬﻙ ﺍﻟﻨﱡﻭﺭ ﻜﺴﻰ ﺒﺩﺭ ﺍﻟﺠﻤﺎلْ
ﻤﺎ ﺍﻟﱠﺫﻱ ﺘﻘﻀﻲ ﻓِﺭﺍﻕﹲ ﺃﻡ ﻭِﺼﺎلْ ﺒﻠﹶﻐﺕﹾ ﺭﻭﺤﻲ ﺸﻔﺎﻫﻲ ﻜﻲ ﺘﺭﺍﻙ
ﺤِﺭﺯ ﻤﻥ ﺘﻁﻠﺏ ﻋﻴﻨـﺎﻙ ﻤﺤـﺎلْ ﻤﺎ ﻟِﻤﻥ ﺘﻁﻠﺏ ﻋﻴﻨـﺎﻙ ﺃﻤـﺎﻥ
ﻨﺜﺭﺍﹰ :ﺍﻟﻘﻤﺭ ﺍﻟﺠﻤﻴلُ ﻴﺴﺘﻨﻴﺭ ﻤﻥ ﺸﻤﺱِ ﻭﺠﻬﻙ ،ﻭﻤﺎﺀ ﺍﻟﺠﻤﺎل ﻤﻭﺠﻭﺩ ﻓﻲ
ﺒﺌﺭِ ﺫﻗﻨِﻙ)(١؛ ﺭﻭﺤﻲ ﺍﻟﻤﺸﺘﺎﻗﹶﺔﹸ ﻟﺭﺅﻴﺘِﻙ ،ﻭﺼﻠﺕ ﺇﻟﻰ ﺸﻔﺎﻫﻲ ،ﻓﺒﻤﺎﺫﺍ ﺘﺄﻤﺭﻫﺎ
ﺍﻵﻥ؟)(٢؛ ﻻ ﺸﹶﺨﺹ ﻴﺘﱠﻘﻲ ﺴﺤﺭ ﻨﹶﺭﺠِﺱِ ﻋﻴﻨِﻙ ﻭﻴﺭﻭﺡ ﻤﻨﻬﺎ ﻓﻲ ﻋﺎﻓِﻴﺔٍ ،ﻓﺠﻤﻴلٌ
ﺃﻨﱠﻬﻡ ﻟﻡ ﻴﺒﻴﻌﻭﻨﺎ ﺍﻟﺘﱠﻘﻭﻯ ،ﻨﺤﻥ ﺍﻟﺴﻜﺎﺭﻯ؛ ﺒﺨﺘﻲ ﺍﻟﺫﱠﺍﻫِﺏ ﺒﺎﻟﻨﱠﻭﻡِ ﺴﻴﺼﺤﻭ ﺍﻵﻥ ،ﻟﻘﺩ
ﺭﺵﱠ ﻋﻠﻰ ﻋﻴﻨِﻪِ ﺍﻟﻤﺎﺀ ﻭﺠﻬﻙ ﺍﻟﻤﻨﻴﺭ؛ ﺃﺭﺴِلْ ﻤﻊ ﺍﻟﺼﺒﺎ ﺒﺎﻗﹶﺔﹰ ﻤِﻥ ﺍﻟﻭﺭﺩِ ﻤِﻥ ﺨﺩﻙ،
ﻋﺴﻰ ﺃﻥ ﺃﺸﹸﻡ ﺍﻟﻌﺒﻴﺭ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﺒﺴﺘﺎﻨِﻙ؛ ﻁﺎلَ ﻟﻜﹸﻡ ﺍﻟﻌﻤﺭ ﻭﻨﻠﺘﹸﻡ ﺍﻟﻤﺭﺍﺩ ﻴﺎ ﺴﻘﺎﺓﹶ
ﻤﺤﻔﹶلِ ﺠﻤﺸﻴﺩ ،ﻭﺇﻥ ﻜﺎﻥ ﻟﻡ ﻴﻤﺘﻠﺊْ ﻤِﻥ ﺩﻭﺭﺍﻨِﻜﹸﻡ ﺒﺎﻟﺨﹶﻤﺭِ ﺠﺎﻤﻲ؛ ﺍﻟﺤﺒﻴﺏ ﻴﺠﻌلُ
ﻗﻠﺒﻲ ﺨﺭﺍﺒﺎﹰ ،ﺃﺨﺒِﺭﻩ ﺫﻟِﻙ ،ﺤﺫﺍﺭِ ﻴﺎ ﺃﺤﺒﺎﺏ ،ﺭﻭﺤﻲ ﻭﺭﻭﺤﻜﹸﻡ؛ ﻤﺘﻰ ﻴﺘﻴﺴﺭ ﻫﺫﺍ
ﺍﻟﻐﹶﺭﺽ ﻴﺎ ﺭﺏ ،ﻭﻴﻜﻭﻨﻭﻥ ﺃﻋﻭﺍﻨﺎﹰ ﻟﻨﺎ ،ﺨﺎﻁِﺭﻨﺎ ﺍﻟﻤﺠﻤﻭﻉ ﻀﻔﻴﺭﺘﹸﻜﹸﻡ ﺍﻟﻤﺸﺘﱠﺘﹶﺔﹸ؛
ﺍﺭﻓﹶﻊِ ﺍﻟﺜﱠﻭﺏ ﻋﻥِ ﺍﻟﺘﱡﺭﺍﺏِ ﻭﺍﻟﺩﻡِ ﺇﺫﹾ ﺘﻤﺭ ﺒﻨﺎ ،ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻤﺎ ﺃﻜﺜﹶﺭ ﺍﻟﻘﹶﺘﻠﻰ
ﻗﹸﺭﺒﺎﻨﺎﹰ ﻟﻙ؛ ﺤﺎﻓِﻅﹸ ﻴﺩﻋﻭ ﺩﻋﺎﺀ ،ﺍِﺴﻤﻊ ﻭﻗﹸلْ ﺁﻤﻴﻥ :ﻓﻠﻴﻜﹸﻥ ﻗﹸﻭﺘﻲ ﻤِﻥ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻙ
ﺍﻟﺴﻜﱠﺭﻴﺔ؛ ﻴﺎ ﺼﺒﺎ ﻗﻭﻟﻲ ﻟِﺴﺎﻜِﻨﻲ ﻤﺩﻴﻨﹶﺔِ ﻴﺯﺩ ﻋﻨﹼﺎ ،ﻟﺘﻜﹸﻥ ﺭﺅﻭﺱ ﻤﻥ ﻻ ﻴﻌﺭِﻓﻭﻥ
ﺤﻘﱠﻜﹸﻡ ﻜﹸﺭﺍﺕٍ ﻓﻲ ﻤﻼﻋِﺒِﻜﹸﻡ؛ ﺭﻏﹾﻡ ﺃﻨﱠﺎ ﺒﻌﻴﺩﻭﻥ ﻋﻥ ﺒِﺴﺎﻁِ ﺍﻟﻘﹸﺭﺏِ ،ﻓﺎﻟﻬِﻤﺔﹸ ﻟﻴﺴﺕﹾ
ﺒﻌﻴﺩﺓﹰ ،ﻨﺤﻥ ﻋﺒﻴﺩ ﻤﻠﹾﻜِﻙ ،ﻭﺩﺍﻋﻭﻥ ﺒﺎﻟﺜﱠﻨﺎﺀِ ﻋﻠﻴﻙ؛ ﻴﺎ ﻤﻠِﻙ ﺍﻟﻤﻠﻭﻙِ ﺭﻓﻴﻊ ﺍﻟﻘﹶﺩﺭِ،
ﺒﺎﷲِ ﻗﻭ ﻫِﻤﺘﻲ ،ﻟِﺄُﻗﹶﺒلَ ﻜﻤﺎ ﻴﻘﺒلُ ﺍﻟﻨﱠﺠ ﻡ ﺘﹸﺭﺍﺏ ﺇﻴﻭﺍﻨِﻙ.
) (١ﻭﺸﺒﻬﺕ ﺍﻟﺫﱠﻗﻥ ﺒﺎﻟﺒﺌﺭ ﻷﻥ ﺒﻬﺎ ﺤﻔﺭﺓﹰ ﺘﺸﺒﻪ ﻓﺘﺤﺔﹶ ﺍﻟﺒﺌﺭ ﻭﻫﻲ ﻋﻨﻭﺍﻥ ﺠﻤﺎﻟﻬﺎ؛
) (٢ﺭﻭﺤﻲ ﺘﺨﺭﺝ ﻤﻥ ﺒﺩﻨﻲ ﻭﺘﺘﺭﻜﹸﻨﻲ ﺸﻭﻗﺎﹰ ﻟﺭﺅﻴﺎﻙ ﻭﻗﺩ ﻭﺼﻠﺕ ﺇﻟﻰ ﺸﻔﺎﻫﻲ ﻭﻭﻗﻔﺕﹾ ﺘﻨﺘﻅِﺭ
ﺤﻜﻤﻙ ﻭﺃﻤﺭﻙ ،ﻓﻤﺎ ﺃﻤﺭﻙ ﻟﻬﺎ ﺍﻵﻥ ،ﺃﺘﺨﺭﺝ ﻤﻥ ﺒﺩﻨﻲ ﺃﻡ ﺘﻌﻭﺩ ﺇﻟﻴﻪ؟.
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ﻏﺰﻝ ١٣
ﺍﻟﺼﺒﻭﺡ ﺍﻟﺼﺒﻭﺡ ﻴـﺎ ﺃﺼـﺤﺎﺏ ﻅﹶﻬﺭﺕﹾ ﻓﻲ ﺍﻟﺴﻤﺎ ﺨِﻴﺎﻡ ﺍﻟـﺴﺤﺎﺏ
ﺍﻟﻤــﺩﺍﻡ ﺍﻟﻤــﺩﺍﻡ ﻴــﺎ ﺃﺤﺒــﺎﺏ ﺍﻟﻨﱠــﺩﻯ ﻓﹶــﻭﻕﹶ ﺨﹶــﺩ ﺍﻟﺯﻫــﻭﺭ
ﺍِﺸﹾﺭﺒﻭﺍ ﺍﻟﺨﹶﻤـﺭ ﺨﹶﻴـﺭ ﺍﻟـﺸﱠﺭﺍﺏ ﻤِﻥ ﻤﺭﻭﺝِ ﺍﻟﺠِﻨﺎﻥِ ﻫـﺏ ﺍﻟﻨﱠـﺴﻴﻡ
ـﺎﺭ ﺍﻟــﺸﱠﺭﺍﺏ
ـﺄﺱ ﻨـ
ـﻸِ ﺍﻟﹾﻜﹶـ
ﺍِﻤـ ﺠﻠﹶﺱ ﺍﻟﻭﺭﺩ ﻓﻲ ﺯﻤﺭﺩِ ﺍﻟﹾﻤـﺭﺝ
ﺍِﻓﹾﺘــﺘِﺢ ﻴــﺎ ﻤﻔﹶــﺘﱢﺢ ﺍﻷﺒــﻭﺍﺏ ﺇﻨﱠﻬــﻡ ﺃﻏﹾﻠﹶﻘــﻭﺍ ﺍﻟﺤــﺎﻥ ﻓــﺎﻵﻥ
ﻋﻠﻰ ﺸﹶﻔﹶﺘﹶﻴﻙ ﻭﺃﺴـﻨﺎﻨِﻙ ﺍﻟﻌِـﺫﺍﺏ ﺼﺩﺭﻨﺎ ﻭﺃﺭﻭﺍﺤﻨـﺎ ﻟﻬـﺎ ﺤﻘـﻭﻕﹸ
ﻴﻐﻠِﻘﻭﺍ ﺍﻟﺤﺎﻥ ﻤﺴﺭﻋﻴﻥ ،ﻋﺠـﺎﺏ ﺢﺜﹾلِ ﺫﺍ ﺍﻟﻤﻭﺴِـﻡِ ﻋﺠـﺏ ﺃﻥ
ﻓﻲﻤِﻠﹾ ِﻤ ِ
ﺍﻟ
ﻤﻼﺌﻜﻲ ﺍﻟﺠِﺴﻡِ ،ﺼِﺭﻑﹶ ﺍﻟـﺸﱠﺭﺍﺏ ﻤﺜلَ ﺤﺎﻓِﻅﹶ ﺍﺸﺭﺏ ﻋﻠﻰ ﻭﺠﻪِ ﺴﺎﻕٍ
ﺸﺭﺡ :ﻅﻬﺭﺕ ﺍﻟﻐﻴﻭﻡ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﻜﺄﻨﱠﻬﺎ ﺍﻟﺨﻴﺎﻡ ،ﻭﺍﻟﺴﻤﺎﺀ ﺴﺘﹸﻤﻁﺭ،
ﻓﺘﻌﺎﻟﻭﺍ ﻴﺎ ﺭﻓﺎﻕﹸ ﻨﺸﺭﺏ ﺸﺭﺍﺏ ﺍﻟﺼﺒﺎﺡ؛ ﺨﺩ ﺍﻟﺯﻫﺭِ ﻴﻌﻠﻭﻩ ﺍﻟﻨﱠﺩﻯ ،ﻭﻴﻐﺭﻱ
ﺒﺎﻟﺸﱠﺭﺍﺏ ،ﻓﺎﻟﻤﺩﺍﻡ ﺍﻟﻤﺩﺍﻡ ﺃﻴﻬﺎ ﺍﻷﺤﺒﺎﺏ؛ ﺍﻟﻨﱠﺴﻴﻡ ﺍﻟﻌﻠﻴلَ ﻴﻬﺏ ﻋﻠﻴﻨﺎ ﻤﻥ ﻤﺭﻭ ﺝِ
ﺍﻟﺠﻨﱠﺔِ ،ﻓﺘﻌﺎﻟﻭﺍ ﻨﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻓﻬﻲ ﺨﹶﻴﺭ ﺍﻟﺸﱠﺭﺍﺏ؛ ﻟﻡ ﻴﻌﺩ ﺒﻤﻘﺩﻭﺭِﻨﺎ ﺍ ﻻِﻨ ﺘِﻅﺎﺭ
ﺃﻜﺜﺭ ،ﻓﻘﺩ ﺠﺎﺀ ﺍﻟﺭﺒﻴﻊ ﻭﻅﻬﺭ ﺍﻟﻭﺭﺩ ﺍﻷﺤﻤﺭ ﻜﺎﻟﻨﱠﺎﺭ ﻓﻲ ﻋﺸﹾﺏِ ﺍﻟﻤﺭﺝِ ﺍﻷﺨ ﻀﺭِ
ﻜﺎﻟﺯﺒﺭﺠﺩ ،ﻓﻬﺫﺍ ﺃﻭﺍﻥ ﺍﻟﺸﹼﺭﺍﺏِ ،ﻓﺼﺏ ﻟﻨﺎ ﺨﻤﺭﺓﹰ ﺘﺸﺘﻌِلُ ﻨﺎﺭﻫﺎ ﻓﻲ ﺍﻟﻜﺄ ﺱِ،
ﻭﺍﻤﻸِ ﺍﻟﻜﺄﺱ ،ﺍﻟﺯﻤﺭﺩ ﻴﺸﺒِﻪ ﺍﻟﺯﺒﺭﺠﺩ ،ﻭﻫﻭ ﺍﻷﺨﻀﺭ ﻤﻥ ﺍﻷﺤﺠﺎﺭ ﺍﻟﻜﺭﻴﻤﺔ؛
ﻟﻘﺩ ﻗﺎﻤﻭﺍ ﺒﺈﻏﻼﻕِ ﺍﻟﺤﺎﻥِ ،ﻴﺭﻴﺩﻭﻥ ﺤﺭﻤﺎﻨﻨﺎ ﻤﻥ ﺍﻟﺨﻤﺭِ ،ﻓﺎﻵﻥ ﻨﺤﻥ ﻨﺩﻋﻭﻙ ﻴﺎ
ﺭﺏ ،ﻴﺎ ﻤﻔﺘﱢﺢ ﺍﻷﺒﻭﺍﺏِ ،ﺃﻥ ﺘﻔﺘﹶﺢ ﻟﻨﺎ ﺒﺎﺏ ﺍﻟﺤﺎﻥِ ﺍﻟﻤﻐﻠﹶﻕ؛ ﺸﹶﻔﹶﺘﹸﻙ ﻭﺃﺴﻨﺎﻨﹸﻙ ﻋﻠﻴﻬﺎ
ﺤﻘﻭﻕﹸ ﺍﻟﻤِﻠﹾﺢِ ﻷﺭﻭﺍﺤِﻨﺎ ﻭﺼﺩﻭﺭِﻨﺎ ﺍﻟﻤﺤﺘﹶﺭِﻗﹶﺔِ )ﺒِﻀﺤﻜﹶﺔٍ ﺘﺒﻴﻥ ﺒﻬﺎ ﺃﺴﻨﺎ ﻨﹸﻙ( .ﻓﻲ
ﻤِﺜﹾلِ ﻫﺫﺍ ﺍﻟﻤﻭﺴِﻡِ ﺇﻨﱠﻪ ﻟﻌﺠﻴﺏ ،ﺃﻥ ﻴﻐﻠﻘﻭﺍ ﺒﺎﺏ ﺍﻟﺤﺎﻨﹶﺔِ ﺒِﻬﺫِﻩِ ﺍﻟﺴﺭﻋﺔِ.
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ﻏﺰﻝ ١٤
ﻗﹸﻠﹾﺕﹸ ﻴﺎ ﺴﻠﻁﺎﻥ ﺍﻟﺨﻴﺭﻴﻥ ،ﺍِﺭﺤﻡ ﻫﺫﺍ ﺍﻟﻐﺭﻴﺏ ،ﻗﺎلَ ﺨﻠﻑﹶ ﺍﻟﻘﹶﻠﹾﺏِ ﻜﻡ ﻀﺎﻉ ﻤِﻥ
ﻤِﺴﻜﻴﻥٍ ﻏﺭﻴﺏ؛
ﻗﹸﻠﹾﺕﹸ ﻻ ﺘﹶﻤﺽِ ﻭﺍﻤﻜﹸﺙﹾ ﻗﻠﻴﻼﹰ ،ﻗﺎلَ ﺍﻋﺫﹸﺭﻨﻲ ،ﻓﺎﻟﻤﻨﹶﺸﱠﺄُ ﻓﻲ ﺍﻟﻨﱠﻌﻴﻡِ ﻻ ﻴﺘﺄﺜﱠﺭ ﺒِﻐﹶﻡ
ﺍﻟﻐﺭﻴﺏ؛
ﻭﺃﻱ ﻏﻡ ﻴﻨﺎلُ ﻤﺩﻟﱠﻼﹰ ﻨﺎﻡ ﻋﻠﻰ ﻓﹶﺭﻭِ ﺍﻟﺴﻨﺠﺎﺏِ ﺍﻟﻤﻠﹶﻜﻲ ،ﺇﺫﺍ ﻨﺎﻡ ﻋﻠﻰ ﻓِﺭﺍﺵٍ ﻭﻭِﺴﺎﺩﺓٍ
ﻤِﻥ ﺤِﺠﺎﺭﺓٍ ﻭﺸﹶﻭﻙٍ ﺍﻟﻐﺭﻴﺏ؛
ﻴﺎ ﻤﻥ ﻓﻲ ﺯﻨﺠﻴﺭِ ﻓﹶﺭﻋِﻙ ﻤﺤلﱡ ﻜﺜﻴﺭٍ ﻤِﻥ ﺍﻟﻌﺎﺭِﻓﻴﻥ ،ﻭﻗﹶﻊ ﺠﻤﻴﻼﹰ ﺫﻟِﻙ ﺍﻟﺨﺎلُ
ﺍﻟﻤِﺴﻜِﻲ ﻋﻠﻰ ﺍﻟﺨﺩ ﺍﻟﻭﺭﺩﻱ ﺍﻟﻐﺭﻴﺏ؛
ﺘﹶﻅﹾﻬﺭ ﺍﻟﺨﹶﻤﺭﺓﹸ ﻓﻲ ﻟﻭﻥِ ﻭﺠﻬِﻙ ﺍﻟﱠﺫﻱ ﻴﺸﺒِﻪ ﺍﻟﻘﹶﻤﺭ ،ﻜﺄﻨﱠﻬﺎ ﻭﺭﻕﹸ ﺍﻷُﺭﺠﻭﺍﻥِ ﻋﻠﻰ
ﺼﻔﺤﺔِ ﻨِﺴﺭﻴﻥٍ ﻏﺭﻴﺏ؛
ﺨﻁﱡ ﺍﻟﻨﱠﻤلِ ﻓﻲ ﺃﺭﺽِ ﻋﺫﺍﺭِﻙ ،ﻤﺎ ﺃﻏﺭﺏ ،ﻭﺇﻥ ﻜﺎﻥ ﺨﻁﱡ ﺍﻟﻤِﺴﻙِ ﻓﻲ ﻤﻌﺭﺽِ
ﺍﻟﺨﻁﱢ ﻟﻴﺱ ﺒِﻐﺭﻴﺏ)(١؛
ﻗﹸﻠﺕﹸ ﺃﻱ ﻤﻥ ﻟﹶﻴلُ ﺍﻟﻐﹸﺭﺒﺎﺀ ﻁﹸﺭﺘﹸﻙ ﺒﻠﻭﻥِ ﺍﻟﻠﹼﻴلِ ،ﻜﻥ ﺤﺫِﺭﺍﹰ ﺃﻭﻗﺎﺕﹶ ﺍﻟﺴﺤِﺭ ،ﺤﻴﻥ
ﻴﺒﻜﻲ ﻫﺫﺍ ﺍﻟﻐﺭﻴﺏ؛
ﻗﺎلَ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﻟﻌﺎﺭِﻓﻭﻥ ﻓﻲ ﻤﻘﺎﻡِ ﺍﻟﺤﻴﺭﺓ ،ﻓﻠﻴﺱ ﺒﻌﻴﺩﺍﹰ ﻗﹸﻌﻭﺩ ﻤﺘﹾﻌﺏٍ ﻤِﺜﻠِﻙ ﻤِﺴﻜﻴﻥٍ
ﻏﺭﻴﺏ.
) (١ﺨﻁﱡ ﺍﻟﺸﱠﻌﺭِ ﺍﻟﻨﱠﺎﺒِﺕِ ﺤﺩﻴﺜﺎﹰ ﻋﻠﻰ ﻋﺫﺍﺭِﻙ ﺒﺩﺍ ﻏﺭﻴﺒﺎﹰ ﻜﺄﻨﱠﻪ ﺨﻁﱡ ﺍﻟﻨﱠﻤلِ ﻋﻠﻰ ﺍﻷﺭﺽ ،ﻟﻜﻥ ﺨﻁﱠ
ﺍﻟﻤِﺴﻙِ ﺍﻷﺴﻭﺩِ ﻟﻴﺱ ﻏﺭﻴﺒﺎﹰ ﻓﻲ ﻤﻌﺭﺽِ ﺍﻟﺨﻁﱢ ﺒﺎﻟﻘﹶﻠﹶﻡِ.
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ﻏﺰﻝ ١٥
ﻴﺎ ﻁﺎﺌﺭ ﺨﹸﻠﹾﺩٍ ﻤﻥ ﻟﻙ ﻴﻌﻁﻲ ﺤﺒﺎﹰ ﻭﺸﺭﺍﺒﺎ ﻴﺎ ﺸﺎﻫِﺩ ﻗﹸﺩﺱٍ ﻤﻥ ﺫﺍ ﺸﺩ ﻋﻠﻴﻙ ﻨﻘﺎﺒﺎ
ﻓﺒِﺄﻱ ﺍﻷﺤﻀﺎﻥِ ﺤﺒﻴﺏ ﺘﻨﺎﻡ ﻭﻨﻭﻤﻙ ﻁﺎﺒﺎ ﺍﻟﻨﱠﻭﻡ ﺠﻔﺎ ﻋﻴﻨﻲ ﻤﻤﺎ ﻴﺤﺭﻕﹸ ﻜﺒﺩﻱ
ﺨلﱢ ﺍﻟﺩﺭﻭﻴﺵﹶ ﻭﻻ ﺘﺴﺄﻟﹾﻪ ﻋﻥِ ﺍﻟﻌﻔﻭِ ﻓﻼ ﻓِﻜﹾﺭ ﻟﻪ ﺒﺎﻟﻌﻔﻭِ ﻭﻻ ﻴﻌﻁﻴـﻙ ﺜﻭﺍﺒـﺎ
ﺩﺭﺏ ﻗﻠﻭﺏِ ﺍﻟﻌﺸﹼﺎﻕِ ﺭﻤﺕﹾ ﻋﻴﻨﺎﻙ ﺍﻟﻨﱠﺎﻋِﺴﺘﺎﻥِ ﻤِﻥ ﺍﻟﺴﻜﺭِ ﻟﻘﺩ ﺃﻜﺜﺭﺕﹶ ﺸـﺭﺍﺒﺎ
ﺃﻁﻠﹶﻘﹾﺕﹶ ﺒﻐﻤﺯﺓِ ﻋﻴﻨﻴﻙ ﺍﻟﺴﻬﻡ ﻋﻠﻰ ﻗﻠﺒﻲ ﻓﻌﺩﺍ ﻗﻠﺒﻲ ﻓﺄﻋِﺩ ﺭﻤﻴﻙ ﻭﺍﺭﻡِ ﺼـﻭﺍﺒﺎ
ﻟﻡ ﺘﺴﻤﻊ ﻴﺎ ﻤﺤﺒﻭﺏ ﺃﻨﻴﻨﻲ ﻭﺼﺭﺍﺨﻲ ﺍﻟﻅﱠﺎﻫِﺭ ﺃﻨﱠﻙ ﻴﺎ ﻤﺤﺒﻭﺏ ﻋﻠﹶﻭﺕﹶ ﺠﻨﺎﺒـﺎ
ﻨﺒﻊ ﺍﻟﻤﺎﺀِ ﺒﻌﻴﺩ ﻓﻲ ﻫﺫﻱ ﺍﻟﺼﺤﺭﺍﺀِ ﺤﺫﺍﺭِ ﻓﻐﻭلُ ﺍﻟﺼﺤﺭﺍﺀِ ﻴﺭﻴﻙ ﻓﻼ ﺘﺘﺒﻌﻪ ﺴﺭﺍﺒﺎ
ﺴﻨﺭﻯ ﺴﻴﺭﻙ ﻓﻲ ﺍﻟﺸﱠﻴﺨﻭﺨﹶﺔِ ﻴﺎ ﻗﻠﺏ ﻓﻘﺩ ﺃﻨﻔﹶﻘﹾﺕﹶ ﻋﻠﻰ ﻏﹶﻠﹶﻁٍ ﺃﻴﺎﻤﺎﹰ ﻭﺃﻀﻌﺕﹶ ﺸﺒﺎﺒﺎ
ﺕ ﻤِﻥ ﺍﻷﻴﺎﻡِ ﺨﺭﺍﺒﺎ
ﻴﺎ ﻗﺼﺭ ﺴﺭﻭﺭِ ﺍﻟﻘﻠﹾﺏِ ﺍﻟﻌﺎﻤِﺭ ﺒﺎﻷُﻨﺱِ ﺤﻤﺎﻙ ﺍﷲُ ﻭﻻ ﺼِﺭ ﹶ
ﻭﺍﺭﺠِﻊ ،ﻭﺍﺭﺤﻡ ﻋﺒﺩﻙ ،ﻭﺍﻨﺱ ﻋﺘﺎﺒﺎ ﺤﺎﻓﻅﹸ ﻋﺒﺩ ﻻ ﻴﺄﺒﻕﹸ ﻤﻥ ﻤﻭﻻﻩ ،ﻓـﺼﺎﻟِﺢ
ﺸﺭﺡ :ﺃﻴﻬﺎ ﺍﻟﻤِﺜﺎلُ ﻋﻠﻰ ﺍﻟﺠﻤﺎلِ ﺍﻟﻘﹸﺩﺴﻲ ،ﻤﻥ ﺍﻟﱠﺫﻱ ﻭﻀﻊ ﻋﻠﻰ ﻭﺠﻬ
ﻙ
ﺍﻟﺤِﺠﺎﺏ ،ﻓﺼِﺭﺕﹶ ﻤﺤﺘﹶﺠِﺒﺎﹰ ﻋﻥ ﻋﻴﻭﻨِﻨﺎ ،ﻭﻟﻡ ﻨﻌﺩ ﻨﺭﺍﻙ؟؛ ﻭﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻁﺎﺌﺭ ﻓﻲ
ﺭﻴﺎﺽِ ﺍﻟﺠﻨﱠﺔِ ،ﻤﻥ ﺍﻟﱠﺫﻱ ﻴﻁﻌِﻤﻙ ﻭﻴﺴﻘﻴﻙ؟؛ ﻟﻘﺩ ﻓﻘﺩﺕﹸ ﺍﻟﻨﱠﻭﻡ ﻤﻥ ﺍﻟﻨﱠﺎﺭِ ﺍﻟﻤﺸﺘﻌِﻠﹶﺔ
ﻓﻲ ﺃﺤﺸﺎﺌﻲ ،ﻟِﻤﺎ ﺘﺭﻜﺘﹶﻨﻲ ،ﻭﻟﻡ ﻴﻌﺩ ﺤِﻀﻨﻲ ﺴﺭﻴﺭﺍﹰ ﻟﻙ ،ﻓﻔﻲ ﺤِﻀﻥِ ﻤﻥ ﻴﺎ ﺘﹸﺭﻯ
ﻴﻁﻴﺏ ﻨﻭﻤﻙ ﺒﻌﺩﻱ؟ ،ﻗﺎل ﺠﻼل ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ :ﺍﺠﻌلْ ﺴﺭﻴﺭ ﻗﻠﺒِﻙ ﻤﻁﻬﺭﺍﹰ ﻤﻥ
ﺵ ﺍﻟﺯﺍﻫِ ﺩ
ﺍﻟﻬﻭﻯ ﺘﺭ ﺍﻟﺭﺤﻤﻥ ﻋﻠﻰ ﺍﻟﻌﺭﺵِ ﺍﺴﺘﻭﻯ؛ ﺃﻴﻬﺎ ﺍﻟﻌﺎﺸﻕﹸ ﺩﻉِ ﺍﻟﺩﺭﻭﻴ ﹶ
ﻭﻻ ﺘﺴﺄﻟﻪ ﻋﻥِ ﺍﻟﻌﻔﻭِ ﻭﺍﻟﻤﻐﻔﺭﺓِ ،ﻓﻬﻭ ﻻ ﻴﻌﺭﻑﹸ ﺸﻴﺌﺎﹰ ﻋﻥِ ﺍﻟﻌﻔﻭ ،ﻭﻻ ﻴﻌﻠﻡ ﺃﻥ ﺍﷲَ
ﻏﻔﻭﺭ ،ﻭﻫﻭ ﻻ ﻴﺭﺘﻜِﺏ ﺍﻟﻤﻌﺎﺼﻲ ﻭﻻ ﻴﻘﺘﺭِﻑﹸ ﺍﻟﺫﱡﻨﻭﺏ ﺨﻭﻓﺎﹰ ﻤﻥ ﺍﻟﻌِﻘﺎﺏ ،ﻓﺈﻨﱠ
ﻙ
ل ﻤﻨﻪ ﺨﻴﺭﺍﹰ ﻭﻟﻥ ﻴﻬﺩﻴﻙ ﺇﻟﻰ ﺜﻭﺍﺏ؛ ﻋﻴﻨﹸﻙ ﺍﻟﻔﺎﺘﺭﺓﹸ ﻗﻁﻌﺕﹾ ﻁﺭﻴﻕَِ ﻗﻠﻭﺏِ
ﻟﻥ ﺘﻨﺎ َ
ﺍﻟﻌﺎﺸﻘﻴﻥ ،ﺘﺭﻤﻴﻬِﻡ ﺒﺴﻬﺎﻡِ ﺴِﺤﺭِﻫﺎ ،ﻭﻴﻅﻬﺭ ﻤﻤﺎ ﻴﺒﻴﻥ ﻋﻠﻴﻬﺎ ﻤﻥ ﺍﻟﻜﺴلِ ﺃﻨﱠﻙ
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ﺴﻜﺭﺕﹶ ﻤﻥ ﺍﻟﺸﱠﺭﺍﺏ؛ ﺇﻥ ﺍﻟﺴﻬﻡ ﺍﻟﱠﺫﻱ ﺭﻤﻴﺘﹶﻪ ﻋﻠﻰ ﻗﻠﺒﻲ ﺒﻐﻤﺯﺓٍ ﻤﻥ ﻋﻴﻨِﻙ ﺃﺨﻁﺄ
ﻙ ﺍﻟﺼﺎﺌﺏ ﻟﻠﻤﺭِ ﺓ
ﺍﻟﻬﺩﻑﹶ ،ﻭﻟﻴﺘﻪ ﻜﺎﻥ ﺃﺼﺎﺒﻪ ،ﻭﻻ ﺃﻋﺭِﻑﹸ ﻤﺎﺫﺍ ﻴﺩﺒﺭ ﻟﻲ ﻓﻜﺭ
ﺍﻟﻘﺎﺩِﻤﺔ)ﻫﺫﺍ ﻤﻌﻨﻰ ﺍﻷﺼل ﻷﻥ ﺍﻟﺸﹼﻁﺭ ﺍﻟﺜﹼﺎﻨﻲ ﻤﻥ ﺍﻟﺒﻴﺕِ ﻓﻲ ﺘﺭﺠﻤﺘﻪِ ﺸِﻌﺭﺍﹰ ﺘﺼﺭﻑ(؛
ﻟﻡ ﺘﺴﻤﻊ ﻟﻲ ﺃﻨﻴﻨﺎﹰ ﻭﻻ ﺼﺭﺍﺨﺎ ﻷﻨﱠﻙ ﻓﻲ ﻤﻘﺎﻡٍ ﻋﺎلٍ ﺭﻓﻴﻊ ﻜﻤﺎ ﻴﺒﺩﻭ ،ﻻ ﺒﺩ ﻟﺒﻠﻭ ِ
ﻍ
ﻤﺎﺀِ ﺍﻟﻭِﺼﺎل ﻤﻥ ﻗﻁﻊِ ﻁﺭﻴﻕِ ﺍﻟﺴﻠﻭﻙ ﺍﻟﻁﱠﻭﻴل ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀِ ﺍﻟﻭﺍﺴﻌﺔ ،ﻓﻜﹸﻥ
ﺤﺫِﺭﺍﹰ ﻻ ﻴﻀِﻠﱠﻙ ﻏﻭلُ ﺍﻟﺼﺤﺭﺍﺀ ﻗﺎﻁﻊ ﻁﺭﻴﻕِ ﺍﻟﺴﺎﻟﻜﻴﻥ ،ﻭﻴﺨﺩﻋﻙ ﺒﺎﻟﺴﺭﺍﺏ.
ﻏﺰﻝ ١٦
ﺍﻟﺜﱠﻨﻴﺔﹸ ﺍﻟﱠﺘﻲ ﺠﻌﻠﹶﻬﺎ ﺤﺎﺠِﺒﻙ ﺍﻟﺠﺴﻭﺭ ﻓﻲ ﺍﻟﻘﻭﺱِ ،ﺃﻋﺩﻫﺎ ﻗﺼﺩ ﺭﻭﺤﻲ ﺃﻨﺎ ،ﺍﻟﻀﻌﻴﻔﹶﺔِ
ﺍﻟﻌﺎﺠِﺯﺓ؛
ﻤِﻥ ﻗﹶﺒلِ ﻭﺠﻭﺩِ ﻨﹶﻘﹾﺵِ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ،ﻜﺎﻥ ﻟﻭﻥ ﺍﻹﻟﻔﹶﺔِ ﻤﻭﺠﻭﺩﺍﹰ ،ﺯﻤﺎﻥ ﻁﹶﺭﺡِ ﺍﻟﻤﺤﺒﺔِ
ﻟﻴﺱ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ(١)؛
ﻤِﻥ ﺩﻻلٍ ﻭﺍﺤِﺩٍ ﺒﺎﻋﻪ ﺍﻟﻨﱠﺭﺠِﺱ ﻟِﻨﹶﻔﺴِﻪِ ،ﺴِﺤﺭ ﻋﻴﻨِﻙ ﺃﻟﻘﻰ ﻤِﺌَ ﹶﺔ ﻓِﺘﻨﹶﺔٍ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ؛
ﺒﻌﺩ ﺃﻥ ﺘﹶﺸﹾﺭﺏ ﺍﻟﺸﱠﺭﺍﺏ ،ﺴِﺭ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻋﺭﻗﺎﻨﺎﹰ ،ﻟِﻴﺸﻌِلَ ﻤﺎﺀ ﻭﺠﻬِﻙ ﺍﻟﻨﱠﺎﺭ ﻓﻲ
ﺍﻷﺭﺠﻭﺍﻥ)(٢؛
ﻓﻲ ﻤﺤﻔﹶلِ ﻁﹶﺭﺏِ ﺍﻟﺭﻭﺽِ ،ﻤﺭﺭﺕﹸ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺴﻜﺭﺍﻨﺎﹰ ،ﻓﻘﺩ ﺃﺜﺎﺭ ﺍﻟﺒﺭﻋﻡ ﺨﻴﺎلَ
ﺜﻐﹾﺭِﻙ ﻓﻲ ﺨﻴﺎﻟﻲ؛
ﺡ ﻴﻌﻘِ ﺩ ﻁﹸﺭﺘﹶﻪ ﺍﻟﻤﻔﺘﻭﻟﹶﺔﹶ ﻓﻲ ﻓﹶﺨﹾﺭٍ ،ﺠﺎﺀﺕِ ﺍﻟﺼﺒﺎ ﺒِﺤِﻜﺎﻴﺔٍ ﻋﻥ
ﺍﻟﺒﻨﹶﻔﹾﺴﺞ ﺤﻴﻥ ﺭﺍ
ﻀﻔﻴﺭﺘِﻙ(٣)؛
ﻭﺍﻟﻴﺎﺴﻤﻴﻥ ﺤﻴﻥ ﺸﺒﻬﺘﹸﻪ ﺒِﻭﺠﻬِﻙ ،ﻤِﻥ ﺍﻟﺨﹶﺠلِ ﺃﻟﻘﻰ ﺍﻟﺘﱡﺭﺍﺏ ﻓﻲ ﻓﻤِﻪِ ﻋﻠﻰ ﻴﺩِ ﺍﻟﺼﺒﺎ؛
ﺏ ﻤﺨﻠﻭﻕﹲ ﻗﺒلَ ﺨﻠﻕِ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨِﺭﺓ؛) (١ﺍﻟﺤ
) (٢ﻏﻴﺭﺓﹰ؛
) (٣ﻓﺨﹶﺠِلَ؛
-٢٧-
ﺃﻨﺎ ﻤِﻥ ﻭﺭﻉٍ ﻟﻡ ﺃﻜﹸﻥ ﺃﺭﻯ ﺍﻟﻤﻁﹾﺭِﺏ ﻭﺍﻟﺨﹶﻤﺭ ﺃﻤﺎﻤﻲ ،ﻫﻭﻯ ﻓِﺘﻴﺎﻥِ ﺍﻟﻤﻐﺎﻥِ ﺃﻟﻘﻰ ﺒﻲ
ﺇﻟﻰ ﻫﺫﺍ ﻭﺘﻠﻙ)(١؛
ﻭﺃﻨﺎ ﺍﻵﻥ ﺃﻏﺴِلْ ﺨِﺭﻗﺘﻲ ﺒِﻤﺎﺀِ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀ ،ﺍﻟﻨﱠﺼﻴﺏ ﺍﻷﺯﻟﻲ ﻻ ﻴﻘﺩﺭ ﻋﻠﻰ
ﺭﺩﻩِ ﺃﺤﺩ؛
ﻓﹶﺭﺝ ﺤﺎﻓِﻅﹶ ﻜﺎﻥ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﺨﹶﺭﺍﺒﺔ ،ﻭﻋﻁﺎﺅﻩ ﺍﻷﺯﻟﻲ ﺃﻟﻘﻰ ﺒِﻪِ ﺇﻟﻰ ﺨﹶﻤﺭﺓِ ﺍﻟﻤﻐﺎﻥ؛
ﺍﻟﻌﺎﻟﹶﻡ ﺍﻵﻥ ﻴﺼﻴﺭ ﻭِﻓﹾﻕﹶ ﻤﺭﺍﺩﻱ ،ﺍﻟﺯﻤﺎﻥ ﺍﻟﻘﹶﺩﻴﻡ ﺠﻌﻠﹶﻨﻲ ﻋﺒﺩﺍﹰ ﻟِﺴﻴﺩِ ﺍﻟﻌﺎﻟﹶﻡ.
ﻏﺰﻝ ١٧
ﺼﺩﺭﻱ ﻤِﻥ ﻨﺎﺭِ ﻗﻠﺒﻲ ﻤِﻥ ﻏﹶﻡ ﺍﻟﺤﺒﻴﺏِ ﺍﺤﺘﹶﺭﻕ ،ﺍﺸﹾﺘﹶﻌﻠﹶﺕِ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻨﺯِلِ
ﻭﺍﻟﻌﺵﱡ ﺍﺤﺘﹶﺭﻕ؛
ﺫﺍﺏ ﻤِﻥ ﻭﺍﺴِﻁﹶﺔِ ﺒﻌﺩِ ﺍﻟﺤﺒﻴﺏِ ﺒﺩﻨﻲ ،ﺭﻭﺤﻲ ﻤِﻥ ﻨﺎﺭِ ﺸﹶﻤﺱِ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏِ ﺍﺤﺘﹶﺭﻕ؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺤﺭﻴﻕِ ﻗﻠﺒﻲ ،ﻓﻤِﻥ ﻨﺎﺭِ ﺩﻤﻌﻲ ﻗﻠﹾﺏ ﺍﻟﺸﱠﻤﻊِ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤِﻥ ﺃﺠﻠﻲ ﻤِﻥ
ﺼﻤﻴﻡِ ﺍﻟﻤﺤﺒﺔ ﻜﺎﻟﻔﹶﺭﺍﺸﹶﺔِ ﺍﺤﺘﹶﺭﻕ؛
ﻟﻴﺱ ﻏﹶﺭﻴﺒﺎﹰ ﺇﺫﺍ ﺘﺄﻟﱠﻡ ﻟﻲ ﺍﻟﻘﺭﻴﺏ ،ﻗﻠﺏ ﺍﻟﻐﺭﻴﺏِ ﻷﺠﻠﻲ ﺤﻴﻥ ﻀﻴﻌﺕﹸ ﻨﻔﺴﻲ ﺍﺤﺘﺭﻕ؛
ﺨِﺭﻗﹶﺔﹸ ﺯﻫﺩﻱ ﺃﺨﹶﺫﹶﻫﺎ ﻤﺎﺀ ﺍﻟﺨﺭﺍﺒﺎﺕ ،ﻤﻨﺯلُ ﻋﻘﻠﻲ ﺍﻟﱠﺫﻱ ﺃﺨﹶﺫﹶﺕﹾ ﺒﻪِ ﻨﺎﺭ ﺍﻟﺤﺎﻨﺔِ ﺍﺤﺘﺭﻕ؛
ﻤِﻥ ﺍﻟﺘﱠﻭﺒﺔِ ﺍﻟﱠﺘﻲ ﺘﹸﺒﺕﹸ ﻗﻠﺒﻲ ﺍﻨﻜﹶﺴﺭ ﻜﺎﻟﻜﺄﺱِ ،ﻜﺒِﺩﻱ ﻤِﻥ ﺩﻭﻥِ ﺨﻤﺭٍ ﻭﺨﻤﺎﺭﺓٍ
ﻜﺎﻟﺸﱠﻘﺎﺌﻕِ ﺍﺤﺘﺭﻕ؛
ﻗﺼﺭ ﺍﻟﺤﺩﻴﺙﹶ ﻓﻲ ﻤﺎ ﺠﺭﻯ ،ﻭﺍﺭﺠِﻊ ،ﻓﺈﻨﺴﺎﻥ ﻋﻴﻨﻲ ﺸﹸﻜﺭﺍﹰ ﺭﻤﻰ ﺍﻟﺜﱠﻭﺏ ﻓﻲ ﺍﻟﻨﱠﺎﺭِ
ﻓﺎﺤﺘﺭﻕ؛
ﺩﻉِ ﺍﻟﻘﹶﺼﺹ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻭﺍﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻨﹶﻔﹶﺴﺎﹰ ،ﻨﺤﻥ ﺍﻟﻠﹼﻴلَ ﻟﹶﻡ ﻨﹶﻨﹶﻡ ،ﻭﺍﻟﺸﱠﻤﻊ ﺒِﻘِﺼﺘِﺔِ ﺍﺤﺘﹶﺭﻕ.
) (١ﺍﻟﻤﻁﺭﺏ ﻭﺍﻟﺨﻤﺭ.
-٢٨-
ﻏﺰﻝ ١٨
ﺍﻟﻤﻭﺍﻋﻴﺩ ،ﻻ ﺘﺩﻋﻬﺎ ﺘﹸﻔﺎﺭِﻕﹸ ﺒﺎﻟﹶـﻙ ﺃﻗﹾﺒلَ ﺍﻟﻌﻴﺩ ،ﺴﺎﻗﻴﺎ ،ﻋﻠﻴﻙ ﻤﺒـﺎﺭﻙ
ﻗﻠﺒﻙ ﻓﻲ ﻫﺠﺭِ ﻋﺎﺸِﻘﻴﻙ ﺃﻁﺎﻋـﻙ ﻋﺠﺒﻲ ﻜﻴﻑ ﻤﺩﺓﹶ ﻋﻬـﺩِ ﺍﻟﻔِـﺭﺍﻕِ
ﻭﺍﻟﻐﻡ ﻗﻠﺏ ﻤﻥ ﻟﹶﻡ ﻴـﺭِﺩ ﺇﺴـﻌﺎﺩﻙ ـﺴﺭﻭﺭ
ـﺩﺍﻤﻙ ﺍﻟـ
ـﺎ ﺒﺄﻗـ
ﺯﺭ ﻴﺯﺭﻨـ
ﺠﺎﺀ ﺍﻟﻌﻴﺩ ،ﻤﺒﺎﺭﻙ ﻋﻠﻴﻙ ﻴﺎ ﺴﺎﻗﻲ ،ﻭﻻ ﺘﻐﻔﹶلْ ﻟﺤﻅﹶﺔﹰ ﻋﻥِ ﺍﻟﻤﻭﺍﻋﻴﺩِ ﺒﻴﻨﻨﺎ؛
ﻋﺠﺒﺎﹰ ﻤِﻥ ﻁﺎﻋﺔِ ﻗﻠﺒِﻙ ﻟﻙ ﻓﻲ ﻫﺠﺭِﻙ ﻋﺎﺸِﻘﻴﻙ ﻜﹸلﱠ ﻫﺫﻩِ ﺍﻟﻤﺩﺓِ ﺍﻟﻁﱠﻭﻴﻠﹶﺔِ؛
ﺃﻭﺼِلْ ﺨِﺩﻤﺘﻲ ﻟﺒﻨﺕِ ﺍﻟﻌﻨﻘﻭﺩِ ،ﻭﻗﹸلْ ﻟﻬﺎ ﺘﻁﻠﹶﻊ ﻋﻠﻴﻨﺎ ﻓﻘﺩ ﺤﺭﺭﻫﺎ ﻨﹶﻔﹶﺴﻨﺎ ﻭﻫِﻤﺘﹸﻨﺎ ﻤِﻥ
ﻭﺜﺎﻗِﻬﺎ؛
ﺴﻌﺎﺩﺓﹸ ﺃﻫلِ ﺍﻟﻤﺠﻠِﺱِ ﺒِﻘﹶﺩﻤِﻙ ﻭﻤﻘﹾﺩﻤِﻙ ،ﻭﻟﻴﻜﹸﻥ ﻤﻜﺎﻨﺎﹰ ﻟﻠﻐﹶﻡ ﺫﻟِﻙ ﺍﻟﻘﻠﺏ ﺍﻟﻤﺭﺍﻥ ﻋﻠﻴﻪِ
ﺍﻟﱠﺫﻱ ﻻ ﻴﺭﻴﺩ ﺇﺴﻌﺎﺩﻙ)(١؛
ﺍﻟﺤﻤﺩ ﷲِ ،ﺒﺴﺘﺎﻥ ﺸﻤﺸﺎﺩِﻙ ﻭﺍﻟﻴﺎﺴﻤﻴﻥِ ﻭﺍﻟﺴﺭﻭِ ﻭﺍﻟﻭﺭﺩِ ،ﺴﻠِﻡ ﻤِﻥ ﻏﺎﺭﺓِ ﺍﻟﺨﺭﻴﻑِ،
ﻭﻟﻡ ﻴﻤﺴﻪ ﺍﻷﺫﻯ)(٢؛
ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ﺒﻌﻴﺩﺓﹲ ﻋﻨﻙ ،ﻟﹶﻘﹶﺩ ﺃﻋﺎﺩﻙ ﻤِﻥ ﺍﻟﺘﱠﻔﺭِﻗﹶﺔﹶ ﺍﻟﻁﱠﺎﻟﹶﻊ ﺍﻟﺴﻌﻴﺩ ﻭﺩﻭﻟﹶﺔﹸ ﺍﻟﺤﻅﱢ ﺍﻟﱠﺘﻲ
ﻻ ﺘﹸﻔﺎﺭِﻗﹸﻙ؛
ﺤﺎﻓِﻅﹸ ﻻ ﺘﹶﺭﺠِﻊ ﻋﻥِ ﺍﻟﺩﺨﻭلِ ﻓﻲ ﺩﻭﻟﹶﺔِ ﺴﻔﻴﻨﹶﺔِ ﻨﻭﺡٍ ،ﺃﻭ ﻴﺠﺭِﻑﹶ ﻁﻭﻓﺎﻥ ﺍﻟﺤﻭﺍﺩِﺙِ
ﺒﻨﻴﺎﻨﹶﻙ.
) (١ﺍﻟﻘﻠﺏ ﺍﻟﻤﺭﺍﻥ ﻋﻠﻴﻪِ :ﺍﻟﻘﻠﺏ ﻏﻴﺭ ﺍﻟﻁﱠﺎﻫِﺭ ﻭﺍﻟﱠﺫﻱ ﻏﻠﺏ ﻋﻠﻴﻪِ ﺍﻟﻬﻭﻯ؛
) (٢ﺍﻟﺸﹼﻤﺸﺎﺩ ﺸﺠﺭﺓﹲ ﻋﺎﻟﻴﺔﹲ ﻗﻭﻴﻤﺔﹸ ﺍﻟﺠِﺫﹾﻉِ ﺨﺸﹶﺒﻬﺎ ﻏﺎﻴﺔﹲ ﻓﻲ ﺍﻟﺠﻭﺩﺓ.
-٢٩-
ﻏﺰﻝ ١٩
ﺸﺄﻨﹸﻪ ﻗﺘـلُ ﻋﺎﺸـﻘﻴﻪِ ﺍﻟﺤﻴـﺎﺭﻯ ﻴﺎ ﻨﺴﻴﻡ ﺍﻷﺴﺤﺎﺭِ ﺃﻴﻥ ﺤِﻤﻰ ﻤـﻥ
ﻗِﻑﹾ ﺒِﻨﺎ ﻨﻠﺘﻤِﺱ ﻋﻠﻰ ﺍﻟﻁﱡﻭﺭِ ﻨـﺎﺭﺍ ﺫﺍﻙ ﻭﺍﺩﻱ ﻁﹸﻭﻯ ،ﻭﺃﻅﹾﻠﹶـﻡ ﻟﻴـلٌ،
ﺃﻱ ﺼﺎﺡٍ ﻓﻲ ﺍﻟﺤﺎﻥِ ﺒﻴﻥ ﺍﻟﺴﻜﺎﺭﻯ؟ ﻜﹸلﱡ ﺁﺕٍ ﺇﻟـﻰ ﺍﻟﻭﺠـﻭﺩِ ﺴـﻴﻔﻨﻰ
ـﺭﺍﺭﺍ
ـﺩﻱ ﻟ ـﻪ ﺍﻷﺴـ
ـﻭﻡ ﺃﻫـ
ﻭﻜﺘـ ﻫلْ ﻟﺒﻴـﺏ ﻟـﻪ ﺍﻹﺸـﺎﺭﺓﹸ ﺘﻜﻔـﻲ
ـﺎﺭﺍ
ـﺎﺀٍ ﺩﻴـ
ﻏﻴ ـﺭ ﺃﻥ ﺍﻟﺤﺒﻴ ـﺏ ﻨـ ﻤﻁﺭِﺏ ﻋﻨـﺩﻨﺎ ﻭﺴـﺎﻕٍ ﻭﺨﻤـﺭ
ﻓﻲ ﺘﺭﺠﻤﺔِ ﻫﺫﻩ ﺍﻷﺒﻴﺎﺕ ﺸﻌﺭﺍﹰ ﺘﺼﺭﻑﹲ ﺒﺴﻴﻁﹲ ،ﻭﻫﺫِﻩِ ﺘﺭﺠﻤﺔﹲ ﻨﺜﺭﻴﺔﹲ
ﻟﻠﻐﺯل ﻜﹸﻠﱢﻪ:
ﻴﺎ ﻨﺴﻴﻡ ﺍﻟﺴﺤﺭِ ﺍﻟﻘﺎﺩﻡِ ﻤﻥ ﺤﻴﺙﹸ ﻴﺴﻜﹸﻥ ﺍﻟﺤﺒﻴﺏ ،ﺩﻟﱠﻨﻲ ﻋﻠﻰ ﺤﻤﻰ ﺫﻟﻙ ﺍﻟﻘﻤﺭ ﺍﻟﱠﺫﻱ
ﻴﻘﺘلُ ﻋﺎﺸﻘﻴﻪ)(١؛
ﻫﺎ ﻫﻭ ﺍﻟﻠﹼﻴلُ ﻗﺩ ﺃﻅﻠﻡ ،ﻭﺍﻟﻭﺍﺩﻱ ﺍﻷﻴﻤﻥ ﺃﻤﺎﻤﻨﺎ ،ﺃﻴﻥ ﺍﻟﻨﱠﺎﺭ ﻋﻠﻰ ﺍﻟﻁﱡﻭﺭ ،ﻭﻤﺘﻰ
ﻤﻭﻋﺩ ﺍﻟﻠﱢﻘﺎﺀ)(٢؛
) (١ﺠﻤﺎلُ ﺍﻟﺤﻕﱢ ﻴﺫﻫِلُ ﺍﻟﺴﺎﻟِﻙ ﻋﻥ ﻨﻔﺴِﻪِ ،ﻗﺎلَ ﺴﻌﺩﻱ :ﺍﻟﻌﺸﱠﺎﻕﹸ ﻗﺘﻠﻰ ﺍﻟﻤﻌﺸﻭﻕِ ،ﻭﻻ ﻴﺼﺩﺭ
ﻤﻨﻬﻡ ﺼﻭﺕﹲ ﺒﺎﻟﺸﱠﻜﻭﻯ ،ﻷﻨﱠﻬﻡ ﻤﻭﺘﻰ؛
) (٢ﻫﺎﻫﻭ ﺍﻟﻠﹼﻴلُ ﻗﺩ ﺃﻅﻠﹶﻡ ،ﻭﻓﻲ ﺍﻟﻠﻴلِ ﻴﻠﺘﻘﻲ ﺍﻟﻌﺎﺸﻕُِ ﺒﻤﻌﺸﻭﻗِﻪِ ،ﻭﺃﻨﺎ ﻗﺼﺩﺘﹸﻙ ﻭﺴِﺭﺕﹸ ﻟﻠﻘﺎﺌﻙ
ﻭﺭﺅﻴﺘِﻙ ،ﻓﺄﻅﻬِﺭ ﻟﻲ ﺩﻟﻴﻼﹰ ﻋﻠﻴﻙ ﻤﻥ ﻨﻭﺭِ ﺠﻤﺎﻟِﻙ ﻋﻠﻰ ﻁﻭﺭِ ﺠﺒلِ ﻗﻠﺒﻲ ،ﻷﺤﺩِﻫِﻡ :ﻭﻋﺩ
ﺍﻟﺒﺩﺭ ﻟﻲ ﺍﻟﺯﻴﺎﺭﺓﹶ ﻟﻴﻼﹰ ﻓﺈﺫﺍ ﻤﺎ ﻭﻓﻰ ﻗﻀﻴﺕﹸ ﻨﺫﻭﺭﻱ ،ﻗﻠﺕﹸ ﻴﺎ ﺴﻴﺩﻱ ﻭﻟِﻡ ﺘﺅﺜِﺭ ﺍﻟﻠﹼﻴلَ ﻋﻠﻰ
ﺒﻬﺠﺔِ ﺍﻟﻨﱠﻬﺎﺭِ ﺍﻟﻤﻨﻴﺭِ؟ ،ﻗﺎلَ ﻻ ﺃﺴﺘﻁﻴﻊ ﺘﻐﻴﻴﺭ ﺭﺴﻤﻲ ﻫﻜﺫﺍ ﺍﻟﺭﺴﻡ ﻓﻲ ﻁﻠﻭﻉِ ﺍﻟﺒﺩﻭﺭِ ،ﻭﻗﺩ
ﺃﺸﺭﻓﺕﹸ ﻋﻠﻰ ﺍﻟﻤﻜﺎﻥِ )ﺍﻟﻭﺍﺩﻱ ﺍﻷﻴﻤﻥ ﺃﻭ ﻭﺍﺩﻱ ﻁﻭﻯ( ،ﻭﺤﻕﱠ ﻟﻲ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻴﻙ ﺒﻌﺩ ﻗﻁﻊِ
ﺍﻟﻁﱠﺭﻴﻕ )ﻁﺭﻴﻕﹶ ﺍﻟﺴﻠﻭﻙ( ،ﻓﻬﺎ ﺃﻨﺎ ﺃﺸﻴﻡ ﺍﻟﻨﱠﺎﺭ ﻋﻠﻰ ﺠﺒلِ ﺍﻟﻁﹼﻭﺭ ،ﻭﺠﺒلُ ﺍﻟﻁﹼﻭﺭِ ﻴﺭﻤﺯ ﺇﻟﻰ
ﻗﻠﺏِ ﺍﻟﺴﺎﻟِﻙ ،ﻗﺎل ﺍﺒﻥ ﺍﻟﻔﺎﺭِﺽ:
ﺏ ﻁﹸـــﻭﺭ ﺍﻟﺘﱠﺠﻠﹼـــﻲ
ﻭﺍﻟﻘﹶﻠﹾـــ ﺠﻤـــﺎﻟﹸﻜﹸﻡ ﻨﹸـــﺼـﺏ ﻋﻴﻨـــﻲ
ﻭﺍﻟﻌﺎﺭِﻑﹸ ﻴﺼﻌﻕﹸ ﻤﻥ ﺘﺠﻠﱢﻰ ﺍﻟﺤﻕﱢ ﺴﺒﺤﺎﻨﹶﻪ ﻭﺘﻌﺎﻟﻰ ﻟِﻘﻠﺒِﻪِ ،ﻓﻴﻨﺩﻙ ﻗﻠﺒﻪ ﻜﻤﺎ ﺍﻨﺩﻙ ﻁﻭﺭ ﺴﻴﻨﺎﺀ ﻤﻥ
ﺘﺠﻠﹼﻲ ﺍﻟﺤﻕ ﺴﺒﺤﺎﻨﹶﻪ ﻭﺘﻌﺎﻟﻰ ﻟﻪ) ﻓﻠﻤﺎ ﺘﺠﻠﹼﻰ ﺭﺒﻪ ﻟﻠﺠﺒلِ ﺠﻌﻠﻪ ﺩﻜﱠﺎﹰ ﻭﺨﺭ ﻤﻭﺴﻰ ﺼﻌِﻘﺎﹰ(؛
-٣٠-
ﻜﹸلﱡ ﻤﻥ ﺠﺎﺀ ﺇﻟﻰ ﺍﻟﻌﺎﻟﹶﻡِ ﻴﺤﻤِلُ ﻨﻘﺵﹶ ﺍﻟﺨﺭﺍﺏ ،ﻭﺍﺴﺄلِ ﺍﻟﺠﻼﱠﺱ ﻓﻲ ﺍﻟﺤﺎﻨﺔ ﻫل ﺒﻘﻲ
ﻤﻥ ﺼﺎﺡٍ ﻫﻨﺎﻙ)(١؛
ﻫلْ ﺸﹶﺨﹾﺹ ﻤِﻥ ﺃﻫلِ ﺍﻟﺒِﺸﺎﺭﺓِ ،ﻭﻴﻔﻬﻡ ﺒﺎﻹﺸﺎﺭﺓِ ،ﺍﻷﺴﺭﺍﺭ ﻋﻨﺩﻱ ﻜﺜﻴﺭﺓﹲ ،ﺃﻴﻥ
ﻤﺤﺭﻡ ﺍﻷﺴﺭﺍﺭ)(٢؛
ﻜﹸلﱡ ﺸﹶﻌﺭﺓٍ ﻤِﻥ ﺭﺃﺴﻲ ﻟﻬﺎ ﻤﻌ ﻙ ﺃﻟﻑﹸ ﺸﹸ ﻐﹾلٍ ،ﺃﻴﻥ ﺃﻨﺎ ﻭﺃﻴﻥ ﻻﺌﻤﻲ ﺍﻟﱠﺫﻱ
ﻻ ﺸﹸﻐﹾلَ ﻟﻪ؛
ﺃﻋِﺩ ﺍﻟﺴﺅﺍلَ ﻋﻠﻰ ﻀﻔﻴﺭﺘِﻙ ﺍﻟﻤﻔﺘﻭﻟﹶﺔِ ،ﻋﻥ ﻫﺫﺍ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﻟﻬﺎﺌﻡِ ﺍﻟﻤﺼﺎﺏِ ﺒِﻐﹶﻤﺯﺘِﻙ،
ﺃﻴﻥ ﺤﺒِﺱ ﻓﻲ ﺘﺠﺎﻋﻴﺩِﻫﺎ؟؛
ﺍﻟﻌﻘﹾلُ ﺠﻥ ،ﻓﻘﹸلْ ﻟِﺘِﻠﻙ ﺍﻟﻀﻔﻴﺭﺓِ ﺍﻟﻤِﺴﻜﻴﺔِ ﺫﺍﺕِ ﺍﻟﺴﻼﺴِل ،ﺃﻴﻥ ﻗﻠﺒﻲ ﺍﻟﻤﻌﺘﹶﺯِلُ ﺘﺤﺕﹶ
ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏ؛
ﺍﻟﺴﺎﻗﻲ ﻭﺍﻟﻤﻁﹾﺭِﺏ ﻭﺍﻟﺨﹶﻤﺭ ﺠﻤﻠﹶﺔﹰ ﻫﻴﺌَﺕﹾ ﻟﻨﺎ ،ﺍﻟﻌﻴﺵﹸ ﺩﻭﻥ ﺍﻟﺤﺒﻴﺏِ ﻟﻴﺱ ﻤﻬﻴﺄً ،ﻓﺄﻴﻥ
ﺍﻟﺤﺒﻴﺏ؛
ﺤﺎﻓِﻅﹸ ﻤِﻥ ﺭﻴﺢِ ﺍﻟﺨﺭﻴﻑِ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻻ ﺘﺄﻟﹶﻡِ ﺍﻟﺩﻫﺭ ،ﻓﻜﱢﺭ ﻓِﻜﹾﺭﺍﹰ ﻤﻌﻘﻭﻻﹰ ،ﺃﻴﻥ ﻫﻭ
ﺍﻟﻭﺭﺩ ﺒﻼ ﺸﻭﻙ.
) (١ﻭﻫﺅﻻﺀِ ﺍﻟﺴﻜﺎﺭﻯ ﻓﻲ ﺍﻟﺤﺎﻥِ ﻗﺩ ﻓﻨﻲ ﺍﻟﻭﺠﻭﺩ ﻋﻨﻬﻡ ﻭﻓﻨﻭﺍ ﻋﻥ ﺍﻟﻭﺠﻭﺩ ﻭﻜلﱡ ﻤﻥ ﻓﻲ ﺍﻟﺤﺎﻥِ
ﻤﻐﺸﻲ ﻋﻠﻴﻪِ ﻤﻥ ﺍﻟﺴﻜﺭ؛
) (٢ﻻ ﺃﺒﻭﺡ ﺒِﺄﺴﺭﺍﺭﻱ ﺇﻟﹼﺎ ﻟِﺸﹶﺨﹾﺹٍ ﻤِﻥ ﺃﻫلِ ﺍﻟﺒِﺸﺎﺭﺓِ ،ﺃﻱ ﺇﻟﻰ ﺸﺨﺹٍ ﻟﺒﻴﺏٍ ﻓﻁِﻥٍ ،ﻭﻴﻔﻬﻡ
ﺒﺎﻹﺸﺎﺭﺓِ ،ﺃﻱ ﻴﻔﻬﻡ ﺒﺎﻟﺭﻤﺯ ،ﻭﻴﺠِﺏ ﺃﻥ ﻴﻜﻭﻥ ﺤﺎﻓِﻅﺎﹰ ﻟﻠﺴﺭ ،ﻓﺄﻴﻥ ﺫﻟﻙ ﺍﻟﻠﹼﺒﻴﺏ؟ ،ﻭﻜﺘﹾﻡ ﺍﻟﺴﺭ
ﻋﻨﺩ ﺃﻫلِ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﺠِﺏ ،ﻓﻠﻭ ﻋﻠﻡ ﺍﻟﺨﻠﻕﹸ ﺒﺄﺴﺭﺍﺭِ ﺃﻫلِ ﺍﻟﺤﻕ ﻟﻘﺘﻠﻭﻫﻡ ،ﻗﺎل ﺸﻬﺎﺏ ﺍﻟﺩﻴﻥ
ﻭﻜﺫﺍ ﺩﻤﺎﺀ ﺍﻟﻌﺎﺸﻘﻴﻥ ﺘﹸﺒﺎﺡ ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ: ﺍﻟﺴﻬﺭﻭﺩﻱ :ﺒﺎﻟﺴﺭ ﺇﻥ ﺒﺎﺤﻭﺍ ﺘﹸﺒﺎﺡ ﺩﻤﺎﺅﻫﻡ
ﻏﻁﱢ ﺴِﺭ ﺍﻟﺤﺒﻴﺏ.
-٣١-
ﻏﺰﻝ ٢٠
ﺍﻟﺼﻭﻡ ﻤـﻀﻰ ﻭﺍﻟﻌﻴـﺩ ﺃﺘـﻰ ﻭﺍﻟﻘﻠـﺏ ﺼـﺒﺎ
ـﺎ
ـﻭﺵﹸ ﻓﻘﹸـﻡ ﻁﹶﻠﹶﺒـ
ـﺎﺭِ ﻴﺠـ
ـﺩﻯ ﺍﻟﺨﻤـ
ﻭﺍﻟﺨﻤـﺭ ﻟـ
ﺒﻴـﺎﻉ ﺍﻟﺯﻫـﺩِ ﺜﻘﻴـلُ ﺍﻟـﺭﻭﺡِ ﻤـﻀﺕﹾ ﻨﻭﺒﺘﹸـﻪ
ﻓﺎﺸــﺭﺏ ﻭﺍﺴــﻜﹶﺭ ﻭﺍﻟﻌــﺏ ﻭﺍﺭﻗﹸــﺹ ﻁﹶﺭﺒــﺎ
ﻻ ﻟــﻭﻡ ﻋﻠــﻰ ﻤــﻥ ﻴــﺸﺭﺏ ﺃﻭ ﻋﻴــﺏ ﻭﻻ
ﺫﻨــﺏ ﺇﺫﺍ ﻤــﺎ ﺫﻫــﺏ ﺍﻟﻌﻘــلُ ﻭﻻ ﻋﺘﺒــﺎ
ﺸﻬﺭ ﺍﻟﺼﻭﻡ ﻭﻟﱠﻰ ،ﻭﻋﻴﺩ ﺍﻟﻔِﻁﺭِ ﺠﺎﺀ ،ﻭﺍﻟﻘﻠﻭﺏ ﻫﻔﺕ ﻟﻠﺸﱠﺭﺍﺏِ ﺒﻌﺩ ﺤﺭﻤﺎﻥٍ،
ﻭﺍﻟﺨﻤﺭ ﻓﻲ ﺍﻟﺤﺎﻥِ ﺘﻐﻠﻲ ﻓﻌﺠلْ ﺒِﻁﻠﺒﻬﺎ؛
ﻨﻭﺒﺔﹸ ﺒﺎﺌﻌﻲ ﺍﻟﺯﻫﺩِ ﺜﻘﻴﻠﻲ ﺍﻟﺭﻭﺡِ ﺍﻨﻘﻀﺕﹾ ،ﻭﺤﺎﻥ ﻭﻗﺕﹸ ﻋﺭﺒﺩﺓِ ﻭﻁﹶﺭﺏِ ﺍﻟﺴﻜﺎﺭﻯ)(١؛
ﻻ ﻟﻭﻡ ﻋﻠﻰ ﻤﻥ ﻴﺸﺭﺏ ﻤﺜلَ ﺨﻤﺭﺘِﻨﺎ ،ﻭﺃﻱ ﻋﻴﺏٍ ﻋﻠﻰ ﻤﻥ ﺫﻫﺏ ﻋﻘﻠﹸﻪ ﻭﺃﻱ
ﺨﹶﻁﹶﺄٍ)(٢؛
ﻭﺸﺎﺭﺏ ﺍﻟﺨﹶﻤﺭِ ﺍﻟﱠﺫﻱ ﻻ ﺭﻴﺎﺀ ﻋﻨﺩﻩ ﻭﻻ ﻨِﻔﺎﻕﹶ ،ﺨﻴﺭ ﻤِﻥ ﺒﺎﺌﻊِ ﺍﻟﺯﻫﺩِ ﺫﻱ ﺍﻟﻨﱢﻔﺎﻕِ
ﻭﺍﻟﺭﻴﺎﺀ؛
ﻨﺤﻥ ﻟﺴﻨﺎ ﻤﻌﺭﺒِﺩﻱ ﺭﻴﺎﺀٍ ،ﻭﺤﺭﻴﻔﻲ ﻨﻔﺎﻕٍ ،ﻭﺍﻟﱠﺫﻱ ﻫﻭ ﻋﺎﻟِﻡ ﺍﻟﺴﺭ ﺸﺎﻫِﺩ ﻋﻠﻰ ﻫﺫِﻩِ
ﺍﻟﺤﺎل؛
) (١ﺍﻟﻤﺘﻨﺴﻙ ﺍﻟﱠﺫﻱ ﻻ ﻴﺒﻬﺞ ﺍﻟﻘﻠﺏ ،ﺍﻨﺘﻬﺕ ﻓﺭﺼﺘﹸﻪ ﻹﻅﻬﺎﺭِ ﺯﻫﺩِﻩ ﻭﻭﺭﻋِﻪِ ﺭﻴﺎﺀ ﺍﻟﻨﱠﺎﺱِ ،ﻭﺠﺎﺀ
ﻭﻗﺕﹸ ﺍﻟﺴﻜﺎﺭﻯ ﻟﻠﺸﱡﺭﺏِ ﻭﺍﻟﺴﻜﺭِ ﻭﺍﻟﻁﱠﺭﺏ؛
) (٢ﻻ ﻴﻜﺘﹶﺏ ﻟﻪ ﺫﻨﺏ ﺃﻭ ﻴﻜﻭﻥ ﻋﻠﻴﻪِ ﻋﻴﺏ ﺒﻌﺩ ﺍﻟﺴﻜﺭِ ﻟﻐﻴﺎﺏِ ﺍﻟﻌﻘلِ ،ﻗﺎل ﺍﻟﺨﻭﺍﺠﺔ ﻋﺒﺩ ﺍﷲ
ﺍﻷﻨﺼﺎﺭﻱ :ﺼﺎﺤﺏ ﻏﻠﺒﺔِ ﺍﻟﻌﺸﻕِ ﻏﺎﻓلٌ ﻋﻥ ﻨﻔﺴِﻪِ ﻓﻬﻭ ﻜﺎﻟﺴﻜﺭﺍﻥ ﻭﻻ ﻴﻜﺘﹶﺏ ﻟﻪ ﺫﻨﹾﺏ؛
-٣٢-
ﻓﹶﺭﺽ ﺍﷲِ ﻨﺅﺩﻱ ﻭﻻ ﻨﻘﻭلُ ﺍﻟﺴﻭﺀ ﺒِﺸﹶﺨﹾﺹٍ ،ﻭﻜلﱡ ﻤﺎ ﻴﻘﻭﻟﻭﻥ ﻋﻨﻪ ﺤﺭﺍﻡ ،ﻻ ﻨﻘﻭلُ
ﻋﻨﻪ ﺤﻼل)(١؛
ﻓﻤﺎ ﻴﻜﻭﻥ ﺇﺫﺍ ﺸﺭﺒﺕﹸ ﺃﻨﺎ ﻭﻫﻭ ﺒِﻀﻊ ﺃﻗﺩﺍﺡٍ ﻤِﻥ ﺍﻟﺨﹶﻤﺭ ،ﻭﺍﻟﺨﻤﺭ ﻤِﻥ ﺩﻡِ ﺍﻟﻌﻨﻘﻭﺩِ،
ﻭﻟﻴﺴﺕﹾ ﻤِﻥ ﺩﻤِﻙ)(٢؛
ﻭﺃﻱ ﻋﻴﺏٍ ﻴﺤﺼلُ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺨﹶﻠﹶل ،ﻭﺤﺘﹼﻰ ﻟﻭ ﺤﺼلَ ،ﺃﻴﻥ ﺍﻹﻨﺴﺎﻥ ﺍﻟﱠﺫﻱ ﻫﻭ ﺒﻼ
ﻋﻴﺏ.
ﻏﺰﻝ ٢١
ﺩﻴﻨــﻲ ﻭﻗﻠﺒــﻲ ﺁﺨــﺫﹲ ﻭﻴﺭﻓــﻊ ﺍﻟﻤﻼﻤــﻪ
ﻭﻗــﺎل ﻻ ﺘﺠﻠــﺱ ﻤﻌــﻲ ﻭﺘﻁﻠــﺏِ ﺍﻟــﺴﻼﻤﻪ
ﺃﻴــﻥ ﺍﻟﻤﻘــﻴﻡ ﻫﺎﻨﺌــﺎﹰ ﻓــﻲ ﻤﺤﻔــلِ ﺍﻟﺤﻴــﺎﺓ
ـﺎﺓِ ﺒﺎﻟﻨﱠﺩﺍﻤ ـﻪ
ـﺤﺒﺔِ ﺍﻟﺤﻴـ
ـﻥ ﺼـ
ﻭﻟ ـﻡ ﻴ ـﺭﺡ ﻤـ
ـﺎﻷﻤﻼﻙِ ﺇﺫﹾ ﺭﺃﻭﻙ
ـﺯﺕﹶ ﺒـــ
ـﻜﺭﺍﻥ ﺠـــ
ﺴـــ
ﻜﺄﻨﱠﻤــﺎ ﻗﺎﻤــﺕﹾ ﻟﻬــﻡ ﻤــﻥ ﺤــﺴﻨِﻙ ﺍﻟﻘﻴﺎﻤــﻪ
ﺍﻟﻨﱠــﺎﺭ ﻁﺎﻟــﺕﹾ ﺨِﺭﻗــﺔﹶ ﺍﻟﺭﻴــﺎﺀِ ﻓﺎﻟﻨﱠﺠــﺎﺓﹾ
ـﺎﺀِ ﻭﺍﻟﻜﺭﺍﻤ ـﻪ
ـﺯﻉ ﺨِﺭﻗ ـﺔﹶ ﺍﻟﺭﻴـ
ـﺎﻓِﻅﹸ ﺍﻨـ
ـﺎ ﺤـ
ﻴـ
ﻓﻘﹶﺩﺕﹸ ﺩﻴﻨﻲ ﻭﻗﻠﺒﻲ ﻭﺍﻟﺤﺒﻴﺏ ﻗﺎﺌﻡ ﺒﻤﻼﻤﺘﻲ ،ﻭﻗﺎل ﻻ ﺘﹶﻁﹾﻠﹸﺏِ ﺍﻟﺴﻼﻤﺔﹶ ﺇﺫﺍ ﺃﺭﺩﺕ
ﺼﺤﺒﺘﻲ)(٣؛
) (١ﻨﺅﺩﻱ ﺍﻟﻔﺭﻭﺽ ،ﻤﻥ ﺼﻼﺓٍ ﻭﺼﻴﺎﻡٍ ﻭﺯﻜﺎﺓٍ ﻭﺤﺞ ،ﻭﻻ ﻨﻐﺘﺎﺏ ﺃﺤﺩﺍﹰ ،ﻭﻻ ﻨﺤلﱡ ﺸﻴﺌﺎﹰ ﻤﻥ ﺤﺭﺍﻡ؛
) (٢ﻭﻟﻴﺴﺕ ﻤﻥ ﺩﻤِﻙ :ﻻ ﺃﺼﻴﺒﻙ ﺒﺄﺫﻯ ﻤِﻥ ﺸﹸﺭﺒِﻬﺎ.
) (٣ﻓﺴﻭﻑ ﺘﻔﻘﺩ ﺍﻟﻌﻘﹾلَ ﺃﻴﻀﺎﹰ ﻭﺘﺼﻴﺭ ﻏﺭﻀﺎﹰ ﻟﻠﺒﻼﺀ؛
-٣٣-
ﺕ ﺒِﺄﺤﺩٍ ﺠﻠﹶﺱ ﻫﺎﻨﺌﺎﹰ ﻟِﻠﺤﻅﹶﺔٍ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﺤﻔﹶلِ ﺜﹸﻡ ﻟﻡ ﻴﺭﺡ ﻤﻥ ﺼﺤﺒﺘِﻪِ
ﻫل ﺴﻤِﻌ ﹶ
ﺒﺎﻟﻨﱠﺩﺍﻤﺔِ ﺃﺨﻴﺭﺍﹰ)(١؛
ﺍﻟﺸﱠﻤﻊ ﺍﻟﱠﺫﻱ ﺭﺍﺡ ﻴﻔﺘﺨِﺭ ﺒِﺸﹶﻔﹶﺘِﻪِ ﺍﻟﻀﺎﺤِﻜﹶﺔِ ،ﺒﻠِﺴﺎﻨِﻪِ ،ﺩﻓﻊ ﺍﻟﻐﺭﺍﻤﺔﹶ ﻟﻴﺎﻟﻲ ﻁﻭﻴﻠﹶﺔﹰ
ﻴﺸﺘﻌِلُ ﺃﻤﺎﻡ ﻋﺸﹼﺎﻗِﻙ؛
ﻓﻲ ﺍﻟﺭﻭﺽِ ،ﺭﻴﺢ ﺍﻟﺭﺒﻴﻊِ ﺍﻟﱠﺘﻲ ﻫﺒﺕﹾ ﺇﻟﻰ ﺠﻭﺍﺭِ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﺴﺭﻭِ ،ﺇﻨﱠﻤﺎ ﻫﺒﺕﹾ ﻓﻲ
ﻫﻭﻯ ﺫﻟِﻙ ﺍﻟﻌﺎﺭِﺽِ ﻭﺘِﻠﹾﻙ ﺍﻟﻘﺎﻤﺔ)(٢؛
ﻟﻤﺎ ﻤﺭﺭﺕﹶ ﺘﺘﺭﻨﱠﺢ ﻤﻥ ﺍﻟﺴﻜﹾﺭِ ﻓﻲ ﻤﺤﻔلٍ ﻤﻥ ﺍﻟﻤﻼﺌﻜﺔِ ﺍﻟﺠﺎﻟِﺴﻴﻥ ﻓﻲ ﺍﻟﺨﻠﻭﺓِ ،ﻜﺎﻥ
ﻤﻨﻬﻡ ﺍﻀﻁﺭﺍﺏ ﺤﺘﹼﻰ ﻜﺄﻥ ﺍﻟﻘﻴﺎﻤﺔﹶ ﻗﺎﻤﺕ ﻟﻬﻡ ﻤﻤﺎ ﺭﺃﻭﺍ ﻤﻥ ﺠﻤﺎﻟﻙ؛
ﺃﻤﺎﻡ ﺴﻴﺭِﻙ ﺤﻴﻥ ﺴِﺭﺕﹶ ﻓﻲ ﺩﻻلٍ ﻟﻡ ﻴﺭﻓﹶﻊِ ﺍﻟﻘﹶﺩﻡ ﻤﻥ ﺍﻟﺨﹶﺠلِ ﺍﻟﺴﺭﻭ ﺍﻟﻤﻐﺭﻭﺭ
ﺍﻟﱠﺫﻱ ﻁﺎﻟﻤﺎ ﺘﺒﺎﻫﻰ ﺒِﻘﺩﻩِ ﻭﻗﺎﻤﺘِﻪ؛
ﺇﻥ ﻨﺎﺭ ﺍﻟﺤﺭﺹِ ﻭﺍﻟﻁﱠﻤﻊِ ﺘﺸﺘﻌلُ ﻓﻲ ﺨﺭﻗﺔ ﺍﻟﺭﻴﺎﺀ ﺍﻟﹼﻨﻲ ﻴﻠﺒﺴﻬﺎ ﻤﺩﻋﻭ ﺍﻟﻜﺭﺍﻤﺎﺕ
ﻭﺍﻟﻤﻘﺎﻤﺎﺕ ﻓﻴﺎ ﺤﺎﻓﻅﹸ ﺍﻨﺯﻉ ﺜﻴﺎﺏ ﺍﻟﺭﻴﺎﺀِ ﻋﻥ ﺠﺴﺩِﻙ ﺇﺫﺍ ﺃﺭﺩﺕ ﻟﺭﻭﺤِﻙ ﺍﻟﻨﱠﺠﺎﺓﹶ.
ﻏﺰﻝ ٢٢
ﻭﺃﻨﺕﹶ ﺘﺴﻤﻊ ﺤﺩﻴﺙﹶ ﺃﻫلِ ﺍﻟﻘﹶﻠﹾﺏِ ﻻ ﺘﹶﻘﹸلْ ﺒِﻪِ ﺨﹶﻁﹶﺄٌ ،ﺤﺩﻴﺙﹸ ﺍﻟﻌﺎﺭِﻓﻴﻥ ﻴﺎ ﺭﻭﺤﻲ ﻟﻴﺱ
ﻓﻴﻪِ ﺨﹶﻁﹶﺄٌ؛
ﺭﺃﺴﻲ ﺇﻟﻰ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻟﻌﻘﹾﺒﻰ ﻻ ﺃﺭﻓﹶﻌﻪ ،ﺘﺒﺎﺭﻙ ﺍﷲُ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻔِﺘﹶﻥِ ﻓﻲ ﺭﺃﺴﻲ؛
ﺩﺍﺨِلَ ﻗﻠﺒﻲ ﺍﻟﻭﺍﻫِﻥِ ،ﻟﺴﺕﹸ ﺃﺩﺭﻱ ﻭﺃﻨﺎ ﺴﺎﻜِﺕﹲ ،ﻤﻥ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻫﻭ ﻓﻲ ﺼﺭﺍﺥٍ ﻭﻏﻭﻏﺎﺀٍ؛
ﻗﻠﺒﻲ ﺨﹶﺭﺝ ﻤِﻥ ﺍﻟﺤِﺠﺎﺏِ ،ﺃﻴﻥ ﺍﻟﻤﻁﺭِﺏ ﻟﻴﻌﺯِﻑﹶ ﻟﻲ ﺃﻟﺤﺎﻨﺎﹰ ﺤﺯﻴﻨﹶﺔﹰ ﻴﺤﺴﻥ ﺒﻬﺎ ﺤﺎﻟﻲ؛
) (١ﺍﺍﻟﻤﺤﻔل :ﺍﻟﺩﻨﻴﺎ؛
ﺕ ﺍﻟﻭﺭﺩ ﺒﻭﺠﻬِﻙ ﻭﻗﺎﻤﺔِ ﺍﻟﺴﺭﻭِ ﺒﻘﺎﻤﺘِﻙِ ﻓﻬﺒﺕﹾ ﺒﺠﻭﺍﺭِ ﺍﻟﻭﺭﺩِ
) (٢ﺭﻴﺢ ﺍﻟﺭﺒﻴﻊِ ﻓﻲ ﺍﻟﺭﻭﺽ ﺸﺒﻬِ
ﻭﺍﻟﺴﺭﻭِ ﺸﻭﻗﺎﹰ ﻟﻌﺎﺭِﻀِﻙ ﻭﻗﺎﻤﺘِﻙ.
-٣٤-
ﺃﺒﺩﺍﹰ ﻟﻴﺱ ﻤِﻨﹼﻲ ﺍﻟﺘِﻔﺎﺕﹲ ﻟِﺸﹸﻐﹾلِ ﺍﻟﺩﻨﻴﺎ ،ﺯﻴﻨﹶﺔﹸ ﺍﻟﺠﻤﺎلِ ﻭﺠﻬﻙ ﻓﻲ ﻨﹶﻅﹶﺭﻱ؛
ﻟﹶﻡ ﺃﻨﹶﻡ ﻤِﻥ ﺨﻴﺎلٍ ﻴﻌﺎﻟِﺞ ﻗﻠﺒﻲ ،ﻋِﻨﺩﻱ ﺨﹸﻤﺎﺭ ﻤِﺌﺔِ ﻟﻴﻠﹶﺔٍ ،ﻓﺄﻴﻥ ﺤﺎﻨﹶﺔﹸ ﺍﻟﺸﱠﺭﺍﺏ؛
ﺒﻤﺎ ﺃﻥ ﺍﻟﺼﻭﻤﻌﺔﹶ ﻗﺩ ﺘﻠﻭﺜﹶﺕﹾ ﻤِﻥ ﺩﻡِ ﻗﻠﺒﻲ ،ﺇﺫﺍ ﻏﹶﺴﻠﹾﺘﻨﻲ ﺒﺎﻟﺨﹶﻤﺭِ ،ﺒِﻴﺩِﻙ ﺍﻟﺤﻕﱡ؛
ﻤِﻥ ﻤﻌﺎﻤﻠﹶﺘﻲ ﻤﻌﺎﻤﻠﹶﺔﹶ ﺍﻟﻌﺯﻴﺯِ ﻓﻲ ﺩﻴﺭِ ﺍﻟﻤﻐﺎﻥ ،ﻨﺎﺭ ﻻ ﺘﻨﻁﻔِﺊُ ،ﺘﺸﺘﻌِلُ ﻓﻲ ﻗﻠﺒﻲ؛
ﻤﺎ ﻜﺎﻥ ﺫﻟِﻙ ﺍﻟﻠﱠﺤﻥ ﺍﻟﱠﺫﻱ ﺃﺘﻰ ﺒِﻪِ ﺍﻟﻤﻁﹾﺭِﺏ ﻤِﻥ ﺨﹶﻠﹾﻑِ ﺍﻟﺤِﺠﺎﺏ ،ﺫﹶﻫﺏ ﺍﻟﻌﻤﺭ
ﻭﻻ ﺃﺯﺍلُ ﻤﻤﻠﻭﺀﺍﹰ ﺩِﻤﺎﻏﻲ ﺒﺎﻟﻬﻭﻯ؛
ﻨﺩﺍﺀ ﻋِﺸﹾﻘِﻙ ،ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ،ﻨﺎﺩﻭﺍ ﺒِﻪِ ﺒﺩﺍﺨِﻠِﻨﺎ ،ﻓﹶﻀﺎﺀ ﺼﺩﺭِ ﺤﺎﻓِﻅﹶ ﻻ ﺯﺍلَ ﻤﻤﻠﻭﺀ ﺍﹰ
ﺒِﺼﺩﺍﻩ.
ﻏﺰﻝ ٢٣
ﻭﺨﹶﻴﺎلُ ﻭﺠﻬِﻙ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ﻤﺼﺎﺤِﺒﻲ ﻤﺸﹾﻐﻭﻟﺔﹲ ﺒِﻨﹶﺴﻴﻡِ ﺸﹶـﻌﺭِﻙ ﻤﻬﺠﺘـﻲ
ﻭﺠﻤﺎلُ ﻭﺠﻬِﻙ ﺤﺠﺘﻲ ﻟِﻤﻌـﺎﺘِﺒﻲ ﻤﻨﹶﻊ ﺍﻟﻐﹶﺭﺍﻡ ﺍﻟﻤـﺩﻋﻲ ﻭﻋـﺼﻴﺘﹸﻪ
ﻗﹶﺼﺭﺕﹾ ﻴﺩﺍﻱ ﻭﻋﻨﹾﻙ ﺫﹶﻨﹾﺒﻲ ﺤﺎﺠِﺒِﻲ ﻤﺎ ﻟﻲ ﺒﻔﹶﺭﻋِﻙ ﺤِﻴﻠﹶﺔﹲ ﻭﺃﻨﺎ ﺍﻟﱠـﺫﻱ
ﺨﻴﺎلُ ﻭﺠﻬﻙ ﻴﺭﺍﻓﻘﹸﻨﻲ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ﺤﻴﺜﹸﻤﺎ ﺫﻫﺒﺕﹸ ،ﻭﻨﺴﻴﻡ ﺸﹶﻌﺭِﻙ ﻋﻠﱢﻘﹶﺕﹾ ﺒِﻪِ ﺭﻭﺤﻲ
ﺍﻟﻭﺍﻋِﻴﺔ؛
ﻭﻟﻘﺩ ﻋﺼﻴﺕﹸ ﺍﻟﱠﺫﻴﻥ ﻴﺤﺭﻤﻭﻥ ﺍﻟﻌﺸﻕﹶ ،ﻭﻋﻨﺩﻱ ﻟﻌﺎﺫﻟﻲ ﻓﻲ ﺠﻤﺎلِ ﻭﺠﻬِﻙ ﺤﺠﺔﹲ
ﻜﺎﻓﻴﺔ؛
ﻻ ﺘﺴﺘﻁﻴﻊ ﻴﺩﻱ ﺍﻟﻘﺼﻴﺭﺓﹸ ﺒﻠﻭﻍﹶ ﺠﺩﻴﻠﺘﻙ ﺍﻟﻁﱠﻭﻴﻠﺔ ﻟﺫﻨﺒﻲ ﻭﻗﻠﱠﺔِ ﺤﻅﹼﻲ؛
ﺍﻨﻅﹸﺭ ﻟِﻤﺎ ﺘﻘﻭلُ ﺘﹸﻔﱠﺎﺤﺔﹸ ﺫﻗﻨِﻙ ،ﺇﻥ ﺃﻟﻔﺎﹰ ﻜﻴﻭﺴﻑﹶ ﺍﻟﻤﺼﺭﻱ ﻭﻗﹶﻊ ﻓﻲ ﺒﺌﺭﻱ؛
ﻭﻗﹸلْ ﻟِﻠﺤﺎﺠِﺏِ ﺒﺒﺎﺏِ ﺨﹶﻠﹾﻭﺓِ ﻗﺼﺭِﻙ ﺍﻟﺨﺎﺹ :ﺍﺠﻌلْ ﻓﹸﻼﻨﺎﹰ ﻤﻊ ﺍﻟﺠﺎﻟِﺴﻴﻥ ﻓﻲ ﺘﹸﺭﺍﺏِ
ﺃﻋﺘﺎﺒِﻨﺎ؛
-٣٥-
ﺭﻏﻡ ﺃﻨﱠﻙ ﻤﺤﺠﻭﺏ ﺼﻭﺭﺓﹰ ﻋﻥ ﻨﹶﻅﹶﺭِﻨﺎ ،ﺃﻨﺕﹶ ﺩﻭﻤﺎﹰ ﻓﻲ ﻨﹶﻅﹶﺭِ ﺨﺎﻁِﺭِﻨﺎ ﺍﻟﻤﺭﻓﱠﻪ؛
ﻭﻗﹸل ﻟﺤﺎﺠﺒﻙ :ﺇﺫﺍ ﻗﺭﻉ ﺤﺎﻓﻅﹸ ﺍﻟﺒﺎﺏ ﻤﺭﺓﹰ ﻓﻲ ﺍﻟﺴﻨﹶﺔِ ،ﻓﺎﻓﺘﺢ ﻟﻪ ،ﻷﻨﱠﻪ ﺃﻤﻀﻰ ﺴﻨﻴﻥ
ﻴﺸﺘﺎﻕﹸ ﻭﺠﻬﻨﺎ ﺍﻟﱠﺫﻱ ﻴﺸﺒﻪ ﺍﻟﻘﻤﺭ.
ﻏﺰﻝ ٢٤
ﺒِﺼﻼﺡِ ﻤِﺜﹾﻠﻲ ﻭﺍﻟﺘﱡﻘﻰ ﻓﻲ ﻤﻁﻤﻊِ ﺴﻜﹾﺭﻱ ﺒﻴﻭﻡِ ﺃَﻟﹶﺴﺕﹸ ﻜﺎﻥ ﻓﻼ ﺘﹶﻜﹸﻥ
ﻜﺒﺭﺕﹸ ﺃﺭﺒﻊ ﻟﻠﺠﻬـﺎﺕِ ﺍﻷﺭﺒـﻊِ ﺒﺎﻟﻌِﺸﻕِ ﻴﻭﻡ ﺘﹶﻭﻀﺌﻲ ﻤِﻥ ﻨﹶﺒﻌِﻪِ
ﻟِﺠﻤﺎﻟِﻪِ ﻋِﺸﹾﻘﻲ ﻭﻴﺨﹾﺒﺭ ﻤﻥ ﻤﻌﻲ ﻓﻠﺘﹶﺴﻘِﻨﻲ ﺨﹶﻤﺭﺍﹰ ﻟِﺘﹶﻌﻠﹶﻡ ﺴِـﺭ ﻤـﻥ
ﻓﻲ ﺍﻟﻜﹶﻭﻥِ ﻓﻲ ﺤﺴﻥٍ ﻭﺠﺎ َل ﺒِﻤﺴﻤﻊِ ﻤﺎ ﺃَﺒﺼﺭﺕﹾ ﻋﻴﻥ ﻜﹶﻭﺭﺩﺓِ ﺜﹶﻐﹾـﺭِﻩِ
ﻻ ﺘﻁﹾﻠﹸﺏِ ﺍﻟﻁﱠﺎﻋﺔﹶ ﻭﺍﻟﺘﱠﻘﻭﻯ ﻭﺍﻟﺼﻼﺡ ﻤِﻨﹼﻲ ،ﺃﻨﺎ ﺍﻟﺴﻜﺭﺍﻥ ،ﻭﺃﻨﺎ ﺍﻟﻤﺸﻬﻭﺭ ﺒِﺸﹸﺭﺏِ
ﺍﻟﻜﺄْﺱِ ﻴﻭﻡ ﺃﻟﹶﺴﺕ)(١؛
ﺃﻨﺎ ﻟﹶﺤﻅﹶﺔﹶ ﻗﹸﻤﺕﹸ ﺒﺎﻟﻭﻀﻭﺀِ ﻤِﻥ ﻨﹶﺒﻊِ ﺍﻟﻌِﺸﹾﻕِ ﻜﺒﺭﺕﹸ ﺃﺭﺒﻊ ﺘﻜﺒﻴﺭﺍﺕٍ ،ﻟِﻜﹸلﱢ ﺠِﻬﺔٍ ﻤِﻥ
ﺍﻟﺠِﻬﺎﺕ)(٢؛
) (١ﺸﺭﺒﺕﹸ ﺨﻤﺭﺓﹶ ﺍﻟﻌﺸﻕ ،ﻭﺴﻜﺭﺕﹸ ﻤﻨﺫ ﺃﻭلِ ﻴﻭﻡٍ ﻓﻲ ﺍﻷﺯل ،ﻴﻭﻡ ﺃﻟﺴﺕﹸ ،ﻴﻭﻡِ ﺍﻟﺨﻠﻕِ ﺍﻷﻭلِ،
ﻴﻭﻡ ﻜﺎﻨﺕِ ﺍﻟﺨﻼﺌﻕﹸ ﺃﺭﻭﺍﺤﺎﹰ ﺒِﻐﻴﺭِ ﺃﺒﺩﺍﻥٍ ،ﺨﻠﻘﻬﻡ ﺒﺎﺭﺌُﻬﻡ ،ﻭﺃﻗﺎﻤﻬﻡ ،ﻭﺨﺎﻁﹶﺒﻬﻡ ﺴﺒﺤﺎﻨﹶﻪ ﺨﻁﺎﺒﺎﹰ
ﻤﺒﺎﺸﹶﺭﺍﹰ ،ﺁﺨﺫﺍﹰ ﻋﻠﻴﻬِﻡ ﺍﻟﻌﻬﺩ ،ﻗﺎﺌﻼﹰ :ﺃﻟﺴﺕﹸ ﺒﺭﺒﻜﹸﻡ ﻗﺎﻟﻭﺍ ﺒﻠﻰ) ،ﺍﻵﻴﺔ ١٧٢ﻤﻥ ﺴﻭﺭﺓِ
ﺍﻷﻋﺭﺍﻑِ ﺍﻟﻤﺒﺎﺭﻜﺔ( ،ﻓﻼ ﺘﻁﻠﺏ ﺍﻟﺼﻼﺡ ﻭﺍﻟﺘﱡﻘﻭﻯ ﻤﻨﹼﻲ ،ﻓﺎﻟﺘﹼﻘﻭﻯ ﻭﻋﻤلُ ﺍﻟﺼﺎﻟﺤﺎﺕِ،
ﻭﺃﺩﺍﺀ ﺍﻟﻌﺒﺎﺩﺍﺕِ ،ﻻ ﺘﹸﻁﻠﹶﺏ ﻤِﻥ ﺍﻟﺴﻜﺭﺍﻥ ،ﻭﻴﺭﻤﺯ ﺒﺎﻟﺴﻜﹶﺭِ ﺇﻟﻰ ﺫﻫﻭﻟِﻪِ ﻋﻥ ﻨﻔﺴِﻪِ ،ﻭﻏﻔﻠﺘِﻪِ
ﻋﻥ ﺍﻟﻌﺎﻟﹶﻡ ﻭﻫﻭ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﺤﺎﻟﹶﺔِ ﻻ ﻴﺨﻀﻊ ﻟﻠﺘﱠﻜﻠﻴﻑِ ﻷﻥ ﺍﻟﺘﱠﻜﻠﻴﻑﹶ ﻴﺘﻌﻠﱠﻕﹸ ﺒﻤﻥ ﻴﻌﻘِلُ؛
) (٢ﺍﻟﺠﻬﺎﺕ ﺍﻷﺭﺒﻊ :ﺍﻟﺸﹼﺭﻕﹸ ﻭﺍﻟﻐﺭﺏ ﻭﺍﻟﺸﱢﻤﺎلُ ﻭﺍﻟﺠﻨﻭﺏ ،ﻭﺇﻟﻴﻬﺎ ﺘﻨﺘﻤﻲ ﻤﻭﺠﻭﺩﺍﺕ ﺍﻟﺩﻨﻴﺎ،
ﻭﺍﻟﺘﹼﻜﺒﻴﺭ ﺃﺭﺒﻊ ﻤﺭﺍﺕٍ ﻜﻤﺎ ﻓﻲ ﺼﻼﺓ ﺍﻟﻤﻴﺕ ،ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺍﻋﺘﺒﺎﺭِ ﺍﻟﻤﻜﺒﺭ ﻋﻠﻴﻪ ﻤﻴﺘﺎﹰ،
ﻭﺒﺎﻟﺘﱠﺎﻟﻲ ﻗﻁﻊ ﺍﻟﺭﺠﺎﺀِ ﻤﻨﻪ ،ﺃﻱ ﺃﻨﹼﻨﻲ ﺃﺴﻠﻤﺕﹸ ﻗﻠﺒﻲ ﻟﻠﻌﺸﻕِ ،ﻭﺘﺭﻜﺕﹸ ﻤﺎ ﺴﻭﺍﻩ ،ﻭﻗﺩ ﺍﺨﺘﻠﻑ
ﺍﻟﺸﹸﺭﺍﺡ ﻜﺜﻴﺭﺍﹰ ﻓﻲ ﻤﻌﻨﻰ ﻫﺫﺍ ﺍﻟﺒﻴﺕ؛
-٣٦-
ﺃﻋﻁِﻨﻲ ﺨﹶﻤﺭﺍﹰ ﻷُِﻋﻁِﻴﻙ ﺨﹶﺒﺭﺍﹰ ﻋﻥ ﺴِﺭ ﺍﻟﻘﻀﺎﺀ ،ﻭﺒِﻭﺠﻪِ ﻤﻥ ﻭﻗﹶﻌﺕﹸ ﻋﺎﺸِﻘﺎﹰ ،ﻭﺒﺭﻴﺢِ
ﻤﻥ ﺴﻜِﺭﺕﹸ)(١؛
ﺨﹶﺼﺭ ﺍﻟﺠﺒلِ ﺃﺩﻕﱡ ﻤِﻥ ﺨﹶﺼﺭِ ﺍﻟﻨﱠﻤﻠﹶﺔِ ﻫﺎ ﻫﻨﺎ ،ﻻ ﺘﻜﹸﻥ ﻴﺎﺌﺴﺎﹰ ﻤِﻥ ﺒﺎﺏِ ﺍﻟﺭﺤﻤﺔِ
ﻴﺎ ﻋﺎﺒِﺩ ﺍﻟﺨﹶﻤﺭﺓ)(٢؛
ﻤﺎ ﺨﻼ ﻨﺭﺠِﺱ ﻋﻴﻥِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺴﻜﹾﺭﻯ ،ﻻ ﺃﺤﺩ ﻴﺠﻠِﺱ ﻓﻲ ﺴﻼﻡٍ ﺘﺤﺕﹶ ﻫﺫِﻩِ ﺍﻟﻘﹸﺒﺔِ
ﺍﻟﻔﻴﺭﻭﺯﻴﺔ)(٣؛
ﺭﻭﺤﻲ ﺍﻟﻔِﺩﺍﺀ ﻟِﻔﹶﻤِﻪِ ،ﻓﻠﻡ ﻴﻘﹶﻊ ﻓﻲ ﺒﺴﺘﺎﻥِ ﺍﻟﻨﱠﻅﹶﺭِ ﺃﺠﻤلُ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺒﺭﻋﻡِ ﺍﻟﱠﺫﻱ ﺯﻴﻥ
ﺭﻭﺽ ﺍﻟﻌﺎﻟﹶﻡ)(٤؛
ﺤﺎﻓِﻅﹸ ﻓﻲ ﺩﻭﻟﹶﺔِ ﻋِﺸﹾﻘِﻙ ﺼﺎﺭ ﺴﻠﻴﻤﺎﻨﻴﺎﹰ ،ﻴﻌﻨﻲ ﻟﻡ ﻴﻘﹶﻊ ﻓﻲ ﻴﺩِﻩِ ﻤﻥ ﻭﺼﻠِﻙ ﺸﹶﻲﺀ
ﺴِﻭﻯ ﺍﻟﺭﻴﺢ.
ﻏﺰﻝ ٢٥
ﺼﻭﻓﻲ ﻴﺎ ﻋﺎﺒِﺩ ﺍﻟﺨﻤﺭِ ﺍﻟﺼﻼﺓﹸ ﺤﻠﺕﹾ ﺍﻟﻭﺭﺩﺓﹸ ﺍﻟﺒﻠﺒلَ ﺍﻟﺴﻜﺭﺍﻥ ﻗﺩ ﻗﺘﻠـﺕﹾ
ﺒﺎﻟﺠﺎﻡِ ﻭﻫﻭ ﺯﺠﺎﺝ ﻜﻴﻑ ﻗﺩ ﻜﹸﺴِﺭﺕﹾ ﻜﺼﺨﺭﺓٍ ﺘﻭﺒﺘﻲ ﺃﺤﻜﻤﺘﹸﻬـﺎ ﻋﺠﺒـﺎﹰ
ﻓﺄﻱ ﻓﹶﺭﻕٍ ﻋﻠﹶﺕﹾ ﺴﻘﻔﺎﹰ ﺃﻡ ﺍﻨﺨﻔـﻀﺕﹾ ﺩﺍﺭ ﺒﺒﺎﺒﻴﻥِ ﻋﻨﻬﺎ ﺃﻨـﺕﹶ ﻤﺭﺘﺤِـلٌ
ﻑ ﻤﻥ ﺃﻋﺸﻕﹸ ﻓﺎﺴﻘﻨﻲ ﺨﻤﺭﺍﹰ ﺤﺘﹼﻰ ﺃﺴﻜﺭ ،ﻭﻴﻁﻐﻰ ﻋﻠﻲ ﺍﻟﻭﺠﺩ،
) (١ﺃﻱ ﺇﺫﺍ ﺃﺭﺩﺕﹶ ﺃﻥ ﺘﹶﻌﺭ ﹶ
ﻭﺃﻓﻘﺩ ﺍﺨﺘﻴﺎﺭﻱ ،ﻓﺄﺒﻭﺡ ﺒﺴﺭﻱ ،ﻟﻠﻤﻜﺯﻭﻥ:
ـﻪِ ﺠﻬــﺩﻱ
ــﻲ ﻜﺘﻤﺎﻨِـ
ـﺫﻟﺕﹸ ﻓـ
ﻭﺒـ ﻭﻟﻁـﺎﻟـﻤـــﺎ ﺃﺨﻔﻴـــﺕﹸ ﺤــﺒﻜﹸﻡ
ـﺼﺩﻱ؛
ـﺎﻥ ﻟِﻌ ـﺫﱠﻟﻲ ﻗـ
ـﺘﺭﻱ ﻓﺒـ
ﺴـ ﻟﻜﻥ ﻁﻐﻰ ﺴـﻜﺭﻱ ﺒﻜﹸـﻡ ﻓﻁـﻭﻯ
) (٢ﺍﻟﺫﱠﻨﺏ ﺍﻟﻌﻅﻴﻡ ﻜﺎﻟﺠﺒلِ ﻴﺼﻴﺭ ﺃﺼﻐﹶﺭ ﻤِﻥ ﺍﻟﻨﹼﻤﻠﺔِ ﻟِﻤﻥ ﻴﺭﺠﻭ ﺭﺤﻤﺔﹶ ﺍﷲِ ﻓﻼ ﺘﻴﺄﺱ؛
ﻥ ﻭﻻ ﺍﻁﻤﺌﻨﺎﻥ ﻤِﻥ ﺤﻭﺍﺩِﺙِ ﺍﻟﺩﻫﺭِ ﻟِﺸﹶﺨﺹٍ ﺘﺤﺕﹶ ﻗﹸﺒﺔِ ﺍﻟﺴﻤﺎﺀِ ،ﺨﻼ ﻋﻴﻥ ﺤﺒﻴﺒِﻨﺎ
) (٣ﻻ ﺃﻤﺎ
ﺍﻟﺴﻜﺭﻯ؛
) (٤ﻟﻡ ﺘﺭ ﺍﻟﻌﻴﻥ ﻭﺭﺩﺓﹰ ﻓﻲ ﺍﻟﻭﺠﻭﺩ ﻟﻬﺎ ﺠﻤﺎل ﻭﺭﺩﺓِ ﺜﻐﺭِ ﺍﻟﺤﺒﻴﺏ.
-٣٧-
ﺒﻠﻰ ﺒﺤﻜﹾﻡِ ﺒﻼ ﻓﻲ ﺍﻟﻌﻬﺩِ ﻗﺩ ﻋﻘِﺩﺕﹾ ﻭﻤﺎ ﺘﻴﺴﺭ ﻋـﻴﺵﹲ ﺩﻭﻨﻤـﺎ ﺃﻟـﻡٍ
ﻋﻠﺕﹾ ﻫﻭﺍﺀ ﺯﻤﺎﻨﺎﹰ ﺜﹸﻡ ﻗﺩ ﺴﻘﻁﺕﹾ ﻓﻼ ﺘﻁِﺭ ﺒِﺠﻨﺎﺡٍ ﻓﺎﻟﻤﺭﺍﺸﹶـﺔﹸ ﻗـﺩ
ﺘﻔﺘﱠﺤﺕِ ﺍﻟﻭﺭﺩﺓﹸ ﺍﻟﺤﻤﺭﺍﺀ ،ﻓﺭﺁﻫﺎ ﺍﻟﺒﻠﺒلُ ﺍﻟﺴﻜﺭﺍﻥ ﻤﻥ ﺨﻤﺭﺓ ﺍﻟﺤﺏ ،ﻓﺴﻘ ﻁﹶ
ﺼﺭﻴﻌﺎﹰ ،ﻟﻘﺩ ﻁﺎﺒﺕ ﺍﻟﺼﻼﺓﹸ ،ﻓﻴﺎ ﻋﺒﺎﺩ ﺍﻟﺨﻤﺭﺓِ ،ﺃﻴﻬﺎ ﺍﻟﺼﻭﻓﻴﻭﻥ ،ﻫﻠﻡ ﺒﻨﺎ )(١؛
ﻜﺎﻨﺕ ﺘﻭﺒﺘﻲ ﻤﺤﻜﻤﺔﹶ ﺍﻷﺴﺎﺱِ ﻜﺎﻟﺼﺨﺭِ ،ﻭﺍﻟﻁﱠﺭﻴﻑﹸ ﺃﻨﱠﻬﺎ ﻜﹸﺴِﺭﺕﹾ ﺒﻜﺄﺱِ ﺍﻟﺨﻤﺭِ
ﺍﻟﺯﺠﺎﺠﻲ ﺍﻟﻠﻁﻴﻑ؛ ﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ ﻓﻔﻲ ﻤﻘﺎﻡِ ﺍﻻﺴﺘِﻐﻨﺎﺀ ،ﻤﺎ ﺍﻟﺤﺎﺠِﺏ ﻭﻤﺎ
ﺍﻟﺴﻠﻁﺎﻥ ،ﻭﻤﺎ ﺍﻟﻴﻘﻅﺎﻥ ﻭﻤﺎ ﺍﻟﺴﻜﹾﺭﺍﻥ؛ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻤﻀﺎﻓﹶﺔِ ﺫﺍﺕِ ﺒﺎ ﺒﻴ ﻥِ ،ﺃﻨﺕﹶ
ﻤﺠﺒﺭ ﻋﻠﻰ ﺍﻟﺭﺤﻴلِ ،ﻓﺄﻱ ﻓﹶﺭﻕٍ ﺒﻴﻥ ﺍﻟﻘﺼﺭِ ﺍﻟﻌﺎﻟﻲ ﻭﺍﻟﻜﻭﺥِ ﺍﻟﺼﻐﻴﺭِ ،ﻓﻲ ﺭﻭﺍ ﻕِ
ﻭﻁﺎﻕِ ﺍﻟﻤﻌﻴﺸﹶﺔ)(٢؛ ﻓﻲ ﻤﻘﺎﻡِ ﺍﻟﻌﻴﺵِ ﻤﺎ ﺘﻴﺴﺭ ﻋﻴﺵﹲ ﺒﻼ ﺃﻟﹶﻡٍ ،ﺒﻠﻰ ﺒِ ﺤﻜﹾ ﻡِ ﺒﻼ
ﻜﹸﺘِﺒﺕﹾ ﻴﻭﻡ ﻋﻬﺩِ ﺃﻟﹶﺴﺕﹸ)(٣؛ ﻻ ﺘﺠﻌلْ ﻀﻤﻴﺭﻙ ﻴﺄﻟﹶﻡ ﻤِﻥ ﻗﻀﻴﺔِ ﺍﻟﻭﺠﻭ ﺩِ ﻭﺍﻟﻌ ﺩ ﻡِ،
ﻭﻜﹸﻥ ﺴﻌﻴﺩﺍﹰ ،ﻓﺎﻟﻌﺩﻡ ﻨِﻬﺎﻴﺔﹸ ﻜﹸلﱢ ﻜﻤﺎلٍ ،ﻤﻬﻤﺎ ﻜﺎﻥ؛ ﻋﻅﹶﻤﺔﹸ ﺁﺼِ ﻑﹶ ،ﻭﺤِﺼﺎ ﻥ
ﺍﻟﺭﻴﺢِ ،ﻭﻤﻨﻁِﻕﹸ ﺍﻟﻁﱠﻴﺭِ ،ﺫﹶﻫﺒﺕﹾ ﻜﹸﻠﱡﻬﺎ ﻤﻊ ﺍﻟﺭﻴﺢ ،ﻭﺃﻓﻠﹶﺘﹶﺕﹾ ﻤِﻥ ﺍﻟ ﺴﻴﺩ؛ ﻻ ﺘﺨﹾﺭ ﺝ
) (١ﯾﺮﻣﺰ ﺑﺘﻔﺘﱡﺢِ اﻟﻮردةِ إﻟﻰ ﺗﺠﻠّﻲ اﻟﺤﺒﯿﺐ؛
) (٢اﻟﺪﱡﻧﯿﺎ دارٌ ذات ﺑﺎﺑﯿﻦ ،ﺑﺎبُ دﺧﻮلٍ وﺑﺎبُ ﺧﺮوج ،واﻟﺮﱠﺣﯿﻞُ ﻋﻨﮭﺎ ﻣﺤﺘﻮمٌ ،ﻓﺴﯿّﺎنَ ﻋﯿﺸُﻚَ ﻓﯿﮭﺎ
ﻓﻲ ﻧﻌﯿﻢٍ ،ﻓﻲ ﻗﺼﺮٍ ﻋﺎلٍ ،أم ﻓﻲ ﺿﯿﻖِ ﻋﯿﺶٍ ﻓﻲ ﺑﯿﺖٍ ﺻﻐﯿﺮ) ،ﻗﯿﻞَ ﻟﻨﻮحٍ ﻋﻠﯿﮫِ اﻟﺴﱠﻼمُ ،ﻋﻨﺪَ
ﻣﻮﺗِﮫِ ،ﻛﯿﻒَ وﺟﺪتَ اﻟﺪﱡﻧﯿﺎ ،ﻗﺎل وﺟﺪﺗُﮭﺎ ﻛﺪارٍ ﻟﮭﺎ ﺑﺎﺑﺎنِ دﺧﻠﺖُ ﻣﻦ أﺣﺪِھِﻤﺎ ،وﺧﺮﺟﺖُ ﻣﻦَ
اﻵﺧَﺮ ،وﻧﻮحٌ ﻋﻠﯿﮫِ اﻟﺴﱠﻼمُ ﻋﺎشَ أﻛﺜﺮَ ﻣﻦ أﻟﻒِ ﻋﺎمٍ ،وﻓﻲ ﻣﺜﻨﻮي ﺟﻼل اﻟﺪّﯾﻦ :ﻣﺎﺋﺔُ أﻟﻒِ
ﻋﺎمٍ وﺳﺎﻋﺔٌ واﺣﺪةٌ ﺷﻲءٌ واﺣﺪ(؛
) (٣ﻟﻦ ﯾﺘﯿﺴﱠﺮَ اﻟﻌﯿﺶُ اﻟﮭﻨﻲءُ ﻷﺣﺪٍ ﻓﻲ ھﺬهِ اﻟﺪﱡﻧﯿﺎ ﻓﻤﻦ ﻗﺎل ﺑﻠﻰ ﯾﻮم اﻟﻌﮭﺪِ واﻟﻤﯿﺜﺎق )أﻟﺴﺖُ ﺑﺮﺑﱢﻜﻢ ﻗﺎﻟﻮا
ﺑﻠﻰ( ،ﻛُﺘِﺐَ ﻟﮫُ ﺑﮭﺎ اﻟﺒﻼء؛ ﻭﻜﺜﻴﺭﺍﹰ ﻤﺎ ﻴﺘﻜﺭﺭ ﺫِﻜﹾﺭ ﻫﺫﺍ ﺍﻟﻤﻴﺜﺎﻕ ﻋﻨﺩ ﺤﺎﻓِﻅ ،ﺍﻟﱠﺫﻱ ﻴﺴﻤﻴﻪِ ﻋﻬﺩ
ﺃﻟﺴﺕﹸ ،ﻭﻫﻭ ﻋﻬﺩ ﻴﻌﺭﻓﻪ ﺍﻟﻌﺎﺭﻓﻭﻥ ،ﻗﺎل ﺍﺒﻥ ﻋﺭﺒﻲ :ﻓﻲ ﺃﺨﺫِﻩِ ﺍﻟﻌﻬﺩ ﺜﻡ ﺍﷲ ﺃﺸﻬﺩﻨﺎ ﺃﻟﺴ ﹸ
ﺕ
ﺭﺒﻜﹸﻡ ﻜﺎﻥ ﺍﻟﺠﻭﺍﺏ ﺒﻠﻰ ،ﻭﻗﺎل ﺍﺒﻥ ﺍﻟﻔﺎﺭﺽ :ﻟﻘﺩ ﻗﻠﺕ ﻓﻲ ﻤﺒﺩﺃ ﺃﻟﺴﺕﹸ ﺒﺭﺒﻜﻡ ﺒﻠﻰ ﻗﺩ ﺸﻬﺩﻨﺎ
ﻭﺍﻟﻭﻻ ﻤﺘﺘﺎﺒﻊ ،ﻭﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ )ﻭﻜﻨﱠﻰ ﻋﻥ ﺫﺍﺕِ ﺍﻟﻤﻌﺸﻭﻕ ﺍﻟﻤﻘﺩﺴﺔِ ﺒِﻌﻠﹾﻭﺓ(:
ﻋﻠﻰ ﺍﻟﺤﻔـﺎﻅِ ﻭﺠـﺎﻓﻭﺍ ﻜﹸـلﱠ ﺨـﻭﺍﻥِ ﻭﻓــﻭﺍ ﻟﻌﻠﹾــﻭﺓﹶ ﺒﺎﻟﻤﻴﺜــﺎﻕ ﻭﺍﺘﱠﺤــﺩﻭﺍ
ـﺎﺭﺍﻥِ
ـﺎل ﻓـ
ـﻴﻨﺎﺀ ﻤِـﻥ ﺃﺠﺒـ
ـﻭﺭ ﺴـ
ﺒِﻁﹸـ ﻭﺍﺴﺘﺄﻨﺴﻭﺍ ﺒﺎﻟﺩﺠﻰ ﺍﻟﻨﱠﺎﺭ ﺍﻟﱠﺘﻲ ﻅﹶﻬـﺭﺕﹾ
ﻜﻼﱠ ﻭﻟـﻡ ﻴﺜﹾـﻨِﻬِﻡ ﻋـﻥ ﺤﺒﻬـﺎ ﺜـﺎﻥِ ﻟﻡ ﻴﻨﹾـﺴِﻬِﻡ ﻋﻬـﺩﻫﺎ ﺘﺒـﺩﻴلُ ﻤﻌﻬـﺩِﻫﺎ
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ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻁﱠﺭﻴﻕِ ﺒِﺎﻟﺠﻨﺎﺡِ ﻭﺍﻟﺭﻴﺵ ،ﻓﺎﻟﺴﻬﻡ ﺍﻟﻤﺭﺍﺵﹸ ﻴﻌﻠﻭ ﻓﻲ ﺍﻟﻬﻭﺍﺀِ ﺯﻤﻨﺎﹰ ،ﺜﹸ ﻡ
ﻴﺴﻘﹸﻁﹸ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏ؛ ﻟِﺴﺎﻥ ﻗﹶﻠﹶﻤِﻙ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻜﻡ ﻗﻴلَ ﻓﻲ ﺤﻘﱢﻪِ ﻤِﻥ ﺍﻟﺸﱡ ﻜﹾﺭ ،ﺤﺩﻴﺜﹸ ﻙ
ﺍﻟﱠﺫﻱ ﻗﹸﻠﹾﺕﹶ ﻴﻨﺘﻘِلُ ﻤِﻥ ﻴﺩٍ ﺇﻟﻰ ﻴﺩ.
ﻏﺰﻝ ٢٦
ﺃﺸﻌﺙﹲ ،ﺒﺎﺴِﻡ ﺍﻟﺜﱠﻐﹾﺭِ ،ﻋﺭﻗﺎﻥ ﻭﺠﻪٍ ،ﻭﺴﻜﺭﺍﻥ ،ﻤﺯِﻕﹸ ﺍﻟﺜﱠﻭﺏِ ،ﻴﻨﺸِﺩ ﺍﻟﻐﹶﺯلَ ،ﻭﺍﻟﻜﺄﺱ
ﻓﻲ ﻴﺩِﻩ؛
ﻨﺭﺠﺱ ﻋﻴﻨِﻪِ ﻴﻌﺭﺒِﺩ ،ﻭﺸﹶﻔﹶﺘﹸﻪ ﺘﻨﻔﹸﺙﹸ ﺍﻟﺴﺤﺭ ،ﺠﺎﺀﻨﻲ ،ﺃﻤﺱِ ،ﻤﻭﻫﻨﺎﹰ ،ﻭﺠﻠﺱ ﺇﻟﻰ
ﻭﺴﺎﺩﺘﻲ)(١؛
ﺃﺩﻨﻰ ﺭﺃﺴﻪ ﻤِﻥ ﺃُﺫﹸﻨﻲ ،ﻭﻗﺎلَ ﻟﻲ ﺒِﺼﻭﺕٍ ﺤﺯﻴﻥ :ﻴﺎ ﻋﺎﺸِﻘﻲ ﺍﻟﻘﺩﻴﻡ ﻫل ﺃﻨﺕﹶ ﻨﺎﺌﻡ؟؛
ﺇﻥ ﻋﺎﺸِﻘﺎﹰ ﺃﻋﻁﹶﻭﻩ ﻤِﺜﹾلَ ﻫﺫﻩِ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﺴﺤﺭﻴﺔِ ،ﻜﺎﻓِﺭ ﺒﺎﻟﻌِﺸﹾﻕِ ﺇﺫﺍ ﻟﻡ ﻴﺭﺡ ﻋﺎﺒِﺩ
ﺍﻟﺨﹶﻤﺭﻩ)(٢؛
ﺃﻴﻬﺎ ﺍﻟﺯﺍﻫِﺩ ﺍﺫﻫﺏ ﻭﻻ ﺘﻠﹸﻡ ﺸﺎﺭﺒﻲ ﺍﻟﺜﱡﻤﺎﻟﻪ ،ﻨﺤﻥ ﻓﻲ ﻴﻭﻡِ ﺍﻷﺯل ﻟﻡ ﻨﹸﻌﻁﹶ ﻏﻴﺭﻫﺎ
ﺘﹸﺤﻔﹶﺔﹰ)(٣؛
ﻭﻟﻘﺩ ﺸﺭِﺒﻨﺎ ﻤﺎ ﺼﺏ ﻟﻨﺎ ﻓﻲ ﺍﻟﻜﺄﺱِ ،ﺃﻜﺎﻥ ﻤِﻥ ﺨﻤﺭِ ﺍﻟﺠﻨﱠﺔِ ﺃﻡ ﻜﺎﻥ ﺨﻤﺭ ﺴﻜﹾﺭ)(٤؛
ﺤﺎﻓِﻅﹸ ﻜﻡ ﺘﻭﺒﺔﹰ ﻤﺜلَ ﺘﻭﺒﺘِﻙ ﻜﺴﺭﺘﹾﻬﺎ ﻀﺤﻜﹶﺔﹸ ﻜﺄﺱِ ﺍﻟﺨﹶﻤﺭِ ﻭﻀﻔﺎﺌﺭ ﺍﻟﺤﺒﻴﺏِ
ﺍﻟﻤﺠﻌﺩﻩ
) (١ﻤﻭﻫﻨﺎﹰ :ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﻠﻴل؛
) (٢ﻻﺒﻥ ﻋﺭﺒﻲ :ﺍﺸﺭﺏ ﺭﺤﻴﻘﺎﹰ ﻋِﻨﹾﺩ ﻭﻗﺕ ﺍﻟﺴﺤﺭ؛
) (٣ﺍﻟﺜﹼﻤﺎﻟﺔ :ﺒﻘﻴﺔﹸ ﺍﻟﻤﺩﺍﻡِ ﻓﻲ ﺍﻟﻜﺄﺱ.
) (٤ﺸﺭﺒﻨﺎ ﻤﺎ ﺼﺏ ﻟﻨﺎ ﻓﻲ ﺍﻟﻜﺄﺱ :ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺴﺒﻕِ ﺍﻟﻘﻀﺎﺀ ﻭﺃﻥ ﻤﺎ ﻨﺤﻥ ﻓﻴﻪِ ﻤﻘﺩ ﺭ ﻟﻨﺎ )ﺠ ﱠ
ﻑ
ﻥ ﺍﻟﻜﺄﺱ ﺘﻀﺤﻙ ﻤﻥ ﻀﻴﺎﺌﻬﺎ ﻭﺼﻔﺎﺌﻬﺎ ﺍﻟﻘﻠﻡ( ،ﻀﺤﻜﺔﹸ ﺍﻟﻜﺄﺱِ ﺍﺴﺘﻌﺎﺭﺓﹲ ﻤﻜﻨﻴﺔ ،ﻜﺄ
ﻭﺍﻀﻁﺭﺍﺏِ ﺍﻟﺨﻤﺭِ ﻓﻴﻬﺎ.
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ﻏﺰﻝ ٢٧
ﺇﻟﻰ ﺩﻴﺭِ ﺍﻟﻤﻐﺎﻥ ﺠﺎﺀ ﺤﺒﻴﺒﻲ ﺒﻴﺩِﻩِ ﺍﻟﻘﹶﺩﺡ ،ﺴﻜﺭﺍﻥ ﻤِﻥ ﺍﻟﺨﹶﻤﺭِ ﻭﺍﻟﺸﱠﺎﺭِﺒﻭﻥ ﻤِﻥ
ﻨﹶﺭﺠِﺱ ﻋﻴﻨِﻪِ ﺍﻟﺴﻜﺭﺍﻥ ﺴﻜﺎﺭﻯ؛
ﻓﻲ ﻨﹶﻌلِ ﺠﻭﺍﺩِﻩِ ﺒﺩﺍ ﺸﹶﻜﹾلُ ﺍﻟﻬﻼلِ ﺍﻟﺠﺩﻴﺩ ،ﻭﻜﻡ ﺒﺩﺍ ﻗﺼﻴﺭﺍﹰ ﺍﻟﺼﻨﹶﻭﺒﺭ ﻓﻲ ﺇﺯﺍﺀِ ﻗﺩﻩِ
ﺍﻟﻌﺎﻟﻲ؛
ﻭﺒﻌﺩﻫﺎ ﻤﺎ ﺃﻗﻭلُ؟ ،ﺃَﺃُﺜﹾﺒِﺕﹸ ﻭﻻ ﺨﹶﺒﺭ ﺒﻲ ﻋﻥ ﻨﻔﺴﻲ ،ﺃﻡ ﺃﻨﻔﻲ ﻭﺃﻨﺎ ﺃﺭﻯ ﺭﺃﻱ ﺍﻟﻌﻴﻥ(١)؛
ﻭﺤﻴﻥ ﻗﺎﻡ ﻟِﻴﺭﺤلَ ﺍﻨﻁﹶﻔﹶﺄَ ﺴِﺭﺍﺝ ﻗﻠﺒﻲ ،ﻭﺤﻴﻥ ﻋﺎﻭﺩ ﺍﻟﺠﻠﻭﺱ ﻋﻼ ﺼﺭﺍﺥﹸ ﺍﻟﻨﱠﺎﻅِﺭﻴﻥ؛
ﻕ ﺒِﻪِ ﺍﻟﻌﺒﻴﺭ ،ﻭﺼﺎﺭ ﺍﻟﻭﺴﻤﺔﹸ ﺭﻤﺎﺩﺍﹰ ﻟِﻴﺭﺴﻡ ﻗﻭﺱ
ﻭﻗﺩ ﺘﹶﻌﻠﹼﻕﹶ ﺍﻟﻤِﺴﻙ ﺒِﻀﻔﺎﺌِﺭِﻩِ ﻓﻌﻠِ ﹶ
ﺤﺎﺠِﺒِﻪ)(٢؛
ﻓﻌﺩ ﻜﻲ ﻴﻌﻭﺩ ﻟِﺤﺎﻓِﻅﹶ ﻋﻤﺭﻩ ،ﻭﺇﻥ ﻜﺎﻥ ﺍﻟﺴﻬﻡ ﺍﻟﱠﺫﻱ ﺍﻨﻁﹶﻠﹶﻕﹶ ﻻ ﻴﻌﻭﺩ ﻟﻠﻘﻭﺱ
ﻏﺰﻝ ٢٨
ﻟِﻤﺠﺩِﻙ ﺃﺩﻋﻭ ﻁﻴﻠﹶﺔﹶ ﺍﻟﺩﻫﺭِ ﻓﻲ ﺍﻟﹾﻔﺠﺭِ ﻭﺤﻘﱢﻙ ﻭﺍﻟﺤﻕﱢ ﺍﻟﻘـﺩﻴﻡِ ﻭﺒﺎﻟﻌﻬـﺩِ
ﻭﻟﻜِﻨﱠﻪ ﻟﻡ ﻴﻤﺢ ﺭﺴﻤﻙ ﻤِﻥ ﺼﺩﺭﻱ ﻭﻁﻭﻓﺎﻥ ﻨﻭﺡٍ ﻓﺎﻗﹶﻪ ﺴﻴلُ ﺃﺩﻤﻌـﻲ
ﻟﹶﻴﻔﹾﻀلُ ﻤﻜﺴﻭﺭﺍﹰ ﺃُﻟﻭﻓﺎﹰ ﺒِﻼ ﻜـﺴﺭِ ﻓﻜﹸﻥ ﺸﺎﺭﻴﺎﹰ ﻗﻠﺒﻲ ﺍﻟﻜـﺴﻴﺭ ﻓﺈﻨﱠـﻪ
ﻭﻻﻤﺘﹾﻪ ﻓﻲ ﺨﹶﺘﹾﻡٍ ﺃﻀﺎﻉ ﺒِﻼ ﻋـﺫﹾﺭِ ﻟﻘﺩ ﺼﺭﺨﹶﺕﹾ ﻓﻲ ﻭﺠﻪِ ﺁﺼِﻑﹶ ﻨﻤﻠﺔﹲ
) (١ﻜﻴﻑ ﺃﺜﺒﺕﹸ ﻤﺎ ﺭﺃﻴﺕﹸ ،ﻭﻗﺩ ﻏﺒﺕﹸ ﻋﻥ ﻨﻔﺴﻲ) ﻤﻥ ﺍﻻﺴﺘﻐﺭﺍﻕ ﻓﻲ ﺍﻟﻤﺸﺎﻫﺩﺓ( ،ﺃﻡ ﻜﻴﻑﹶ
ﺃﻨﻔﻲ ،ﻭﺃﻨﺎ ﺃﺭﻯ ﺭﺃﻱ ﺍﻟﻌﻴﻥ )ﺍﻟﻭﺠﻭﺩ ﺍﻟﻌﻴﻨﻲ ﺍﻟﺨﺎﺭﺠﻲ(؛
) (٢ﺍﻟﻭﺴﻤﺔ ﻨﺒﺎﺕﹲ ﺘﹸﻁﺤﻥ ﺃﻭﺭﺍﻗﹸﻪ ﻓﺘﺼﻴﺭ ﺨِﻀﺎﺒﺎﹰ.
-٤٠-
ﻗﺩِ ﺍﺴﻭﺩ ﻤِﻥ ﻜِﺫﹾﺏٍ ﺒِﻪِ ﺃﻭلُ ﺍﻟﻔﹶﺠﺭِ ﻓﹶﺭﺡ ﺼﺎﺩِﻗﺎﹰ ﺘﹸﺸﹾﺭِﻕﹾ ﺒِﻙ ﺍﻟﺸﱠﻤﺱ ﺇﻨﱠﻪ
ﺘﹶﺭﺤﻡ ﻭﻋﻨﹼﻲ ﻓﹸﻙ ﺴﻠﹾﺴﻠﹶﺔﹶ ﺍﻟﻬﺠـﺭِ ﺠِﺒﺎلٌ ﻭﺒِﻴﺩ ﻓﻲ ﻁﺭﻴﻘـﻲ ﻭﻫـﺎﺌِﻡ
ﻭﻻ ﺘﺄْﺱ ﻤﺎ ﺫﹶﻨﹾﺏ ﺍﻟﺭﻴﺎﺽِ ﺒِﻼ ﺯﻫﺭِ ﺃﺤﺎﻓِﻅﹸ ﻻ ﺘﻁﹾﻠﹸـﺏ ﺤِﻔـﺎﻅﹶ ﺃﺤِﺒـﺔٍ
ﻭﺭﻭﺡِ ﺍﻟﺴﻴﺩِ ،ﻭﺍﻟﺤﻕﱢ ﺍﻟﻘﹶﺩﻴﻡِ ،ﻭﺍﻟﻌﻬﺩِ ﺍﻟﻤﺴﺘﻘﻴﻡِ ،ﺇﻥ ﻤﺅﻨِﺱ ﻨﹶﻔﹶﺱِ ﺼﺒﺤﻲ ،ﻫﻭ
ﺍﻟﺩﻋﺎﺀ ﻟِﺩﻭﻟﹶﺘِﻙ٭؛ ﺩﻤﻌﻲ ﺍﻟﱠﺫﻱ ﻓﺎﻕﹶ ﻁﻭﻓﺎﻥ ﻨﻭﺡٍ ،ﻤﺎ ﺍﺴﺘﹶﻁﺎﻉ ﺃﻥ ﻴﻐﺴِلَ ﺭﺴﻤﻙ ﻤِﻥ
ﻟﹶﻭﺡِ ﺼﺩﺭﻱ؛ ﻻ ﺘﹸﺴﺎﻭِﻡ ،ﻭﺍﺸﺘﹶﺭِ ﻤِﻨﹼﻲ ﻫﺫﺍ ﺍﻟﻘﹶﻠﹾﺏ ﺍﻟﻤﻜﺴﻭﺭ ﺍﻟﱠﺫﻱ ،ﻋﻠﻰ ﻜﹶﺴﺭِﻩِ ،ﻴﻘﻭﻡ
ﺒﻤﺌﺔِ ﺃﻟﹾﻑِ ﻗﻠﺏٍ ﺼﺤﻴﺢ؛ ﻟﻘﺩ ﻁﺎلَ ﻟِﺴﺎﻥ ﺍﻟﻨﱠﻤﻠﹶﺔِ ﻓﻲ ﻭﺠﻪِ ﺁﺼِﻑﹶ ،ﻭﺤﻕﱠ ﻟﻬﺎ ،ﺃﻥ ﻴﺎ ﺴﻴﺩ،
ﺘﹸﻀﻴﻊ ﺨﺎﺘﹶﻡ ﺍﻟﻤﻠﹾﻙِ ﻭﻻ ﺘﺒﺤﺙﹸ ﻋﻨﻪ؛ ﻴﺎ ﻗﻠﹾﺏ ﻻ ﺘﻘﻁﹶﻊِ ﺍﻟﻁﱠﻤﻊ ﻤِﻥ ﻟﹸﻁﹾﻑِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ
ﻻ ﻨِﻬﺎﻴﺔﹶ ﻟﻪ ،ﺃﻨﺕﹶ ﺘﺩﻋﻲ ﺍﻟﻌِﺸﹾﻕﹶ ،ﻓﺎﻟﻌﺏ ﺒِﺭﺃﺴِﻙ ﺒِﻤﻬﺎﺭﺓٍ؛ ﻭﻜﹸﻥ ﺼﺎﺩِﻗﺎﹰ ﺘﹸﻭﻟﹶﺩِ ﺍﻟﺸﱠﻤﺱ ﻤِﻥ
ﻨﹶﻔﹶﺴِﻙ ،ﻓﺎﻟﺼﺒﺢ ﺍﻷﻭلُ ﺍﺴﻭﺩ ﻭﺠﻬﻪ ﻤِﻥ ﺍﻟﻜﹶﺫِﺏ؛ ﺼِﺭﺕﹸ ﻤِﻨﹾﻙ ﻫﺎﺌﻤﺎﹰ ﻓﻲ ﺍﻟﺠِﺒﺎلِ
ﻭﺍﻟﺼﺤﺎﺭﻱ ،ﻭﺇﻟﻰ ﺍﻵﻥ ﻻ ﺘﹶﺭﺤﻤﻨﻲ ﻭﺘﹸﺭﺨﻲ ﻨِﻁﺎﻕﹶ ﻫﺫِﻩِ ﺍﻟﺴﻠﺴِﻠﹶﺔ؛ ﺤﺎﻓِﻅﹸ ﻻ ﺘﺄﻟﹶﻡ،
ﻅ ﻤِﻥ ﺍﻷﺤِﺒﺔِ ،ﻤﺎ ﺫﹶﻨﹾﺏ ﺍﻟﺨﹶﻤﻴﻠﹶﺔِ ﺇﻥ ﻟﹶﻡ ﻴﻨﺒﺕﹾ ﺒِﻬﺎ ﺍﻟﻨﱠﺒﺎﺕ.
ﻭﻻ ﺘﻁﻠﹸﺏِ ﺍﻟﺤِﻔﺎ ﹶ
ﺸﹶﺭﺡ :ﻗﺴﻤﺎﹰ ﺒِﺤﻘﱢﻙ ﺍﻟﻌﻅﻴﻡِ ،ﻭﺃﻨﺕﹶ ﺫﻭ ﺤﻕﱟ ﻋﻅﻴﻡ ،ﻭﻗﺴﻤﺎﹰ ﺒِﺤﻘﱢﻙ ﺍﻟﻘﺩﻴﻡِ ﻗِﺩﻡ ﺍﻷﺯلِ،
ﻭﺒِﻌﻬﺩِﻙ ﺍﻟﻤﺄﺨﻭﺫِ ﻓﻲ ﺍﻷﺯل ،ﺃﻨﱠﻪ ﺒﻠﻎﹶ ﻤﻥ ﺤﺒﻲ ﻟﻙ ﺃﻥ ﻤﺅﻨِﺱ ﺃﻨﻔﺎﺱِ ﺼﺒﺎﺤﻲ ﻫﻭ ﺍﻟﺩﻋﺎﺀ
ﻟﻙ ﻓﻲ ﺍﻟﻔﺠﺭِ ،ﺃﻭﺍﻥ ﺍﻟﺫﱢﻜﺭِ ،ﻋﻠﻰ ﻤﺩﺍﺭِ ﺍﻟﺩﻫﺭِ ،ﻴﺎ ﺼﺎﺤﺏ ﺍﻟﻌﺼﺭِ ،ﻟِﻴﺸﹸﺩ ﺍﷲُ ﻤﻠﹾﻜﹶﻙ،
ﻭﻴﻭﻁﱢﺩ ﺃﺭﻜﺎﻥ ﺩﻭﻟﺘِﻙ ﺍﻟﻜﺭﻴﻤﺔِ ،ﻭﻴﻌﻠﻲ ﺸﺄﻨﹶﻙ؛ ﻭﺃﻨﺕ ﻏﺎﺌﺏ ﻋﻥ ﻋﻴﻨﻲ ،ﻭﺭﺴﻤﻙ ﻓﻲ
ﺼﺩﺭﻱ ،ﻭﻟﻘﺩ ﻓﺎﻕ ﺴﻴلُ ﺩﻤﻌﻲ ﻓﻲ ﺒﻜﺎﺌﻲ ﻋﻠﻴﻙ ﻁﻭﻓﺎﻥ ﻨﻭﺡٍ ،ﻭﻟﻜﻨﱠﻪ ﻟﻡ ﻴﻤﺢ ﺼﻭﺭﺓﹶ
ﻤﺤﺒﺘِﻙ ﻤﻥ ﺼﺩﺭﻱ) ،ﻗﺎل ﺃﺒﻭ ﺴﻌﻴﺩ ﺃﺒﻭ ﺍﻟﺨﻴﺭ :ﺘﺼﻭﺭﺕﹶ ﻓﻲ ﻗﻠﺒﻲ ﻟﻔﺭﻁِ ﺼﺒﺎﺒﺘﻲ
ﻓﺸﺨﺼﻙ ﻟﻲ ﻨﺼﺏ ﺒﻜﹸلﱢ ﻤﻜﺎﻥِ(؛ ﻓﺘﻘﺒل ﻤﻨﹼﻲ ﺤﺒﻲ ﻟﻙ ،ﻭﺍﺸﺘﺭِ ﻤﻨﹼﻲ ﻫﺫﺍ ﺍﻟﻘﻠﺏ ﺍﻟﻜﺴﻴﺭ،
ﻓﺈﻨﱠﻪ ﻋﻠﻰ ﻋﻴﺏِ ﻜﺴﺭِﻩِ ،ﺨﻴﺭ ﻤﻥ ﻤﺌﺔِ ﺃﻟﻑِ ﻗﻠﺏٍ ﺼﺤﻴﺢ ،ﺍﻟﻘﻠﻭﺏ ﺍﻟﻤﻨﻜﺴﺭﺓﹸ ﺍﻟﻀﻌﻴﻔﺔﹸ ﻴﻘﺒﻠﹸﻬﺎ
ﺍﷲُ ﺴﺒﺤﺎﻨﹶﻪ ﻭﻴﺭﺤﻤﻬﺎ ،ﻜﻤﺎ ﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﺍﻟﻘﺩﺴﻲ :ﺃﻨﺎ ﻋﻨﺩ ﺍﻟﻘﻠﻭﺏِ ﺍﻟﻤﻨﻜﺴﺭﺓِ ،ﻗﺎل ﺠﻼلُ
ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ )ﺍﻟﺒﻠﺨﻲ( :ﺍﻟﺭﻴﺢ ﺍﻟﻘﻭﻴﺔﹸ ﺘﺭﺤﻡ ﺍﻟﻨﱠﺒﺎﺘﺎﺕِ ﺍﻟﻀﻌﻴﻔﹶﺔﹶ ،ﻓﻼ ﺘﻐﺘﺭ ﺒﻘﻭﺘِﻙ ﻴﺎ ﻗﻠﺒﻲ،
ﻭﻻ ﺘﻜﹸﻥ ﻗﺎﺴﻲ ﺍﻟﻘﻠﺏِ ﻜﺎﻟﺼﺨﺭ ،ﻭﻗﺎلَ ﺍﻟﻤﻜﺯﻭﻥ :ﻋﺠﺒﺎﹰ ﻟﻲ ﻗﻠﺒﻲ ﺒﻬﺠﺭِﻙ ﻤﻜﺴﻭﺭ ﻭﻓﻴﻪِ ﻟﻙ
-٤١-
ﺍﻟﻭﺩﺍﺩ ﺍﻟﺼﺤﻴﺢ؛ ﻭﺃﻨﺕ ﺫﻭ ﺸﺄﻥٍ ﻋﻅﻴﻡٍ ،ﻭﻤﻘﺎﻡٍ ﻜﺭﻴﻡٍ ،ﻭﻟﻜﻨﱠﻨﻲ ﺃﺴﺘﻁﻴﻊ ،ﻋﻠﻰ ﺼِﻐﹶﺭِ ﻗﹶﺩﺭﻱ،
ﺃﻥ ﺃُﻋﺎﺘِﺒﻙ ،ﻟِﻤﺎ ﻫﺠﺭﺘﻨﻲ ،ﻭﻀﻴﻌﺘﹶﻨﻲ ،ﻓﺈﻥ ﻨﹶﻤﻠﹶﺔﹰ ،ﻋﻠﻰ ﻀﺂﻟﹶﺔِ ﻗﹶﺩﺭِﻫﺎ ،ﻋﺎﺘﹶﺒﺕ ﺁﺼِﻑﹶ
)ﻭﺼﻲ ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴﻬﻤﺎ ﺍﻟﺴﻼﻡ( ،ﻭﻁﺎلَ ﻟِﺴﺎﻨﹸﻬﺎ ﻋﻠﻴﻪِ ،ﻭﻜﺎﻥ ﺍﻟﺤﻕﱡ ﻤﻌﻬﺎ ،ﺤﻴﻥ ﻗﺎﻟﺕ ﻟﻪ
ﻤﻌﺎﺘِﺒﺔﹰ )ﺘﹸﻀﻴﻊ ﺨﺎﺘﹶﻡ ﺴﻠﻴﻤﺎﻥ ﺃﻴﻬﺎ ﺍﻟﺴﻴ ﺩ ﺜﹸﻡ ﻻ ﺘﺒﺤﺙﹸ ﻋﻨﻪ!( ،ﻭﻗﻴلَ ﺃﻥ ﻓﻲ ﻫﺫﺍ ﺍﻟﺒﻴﺕِ ﻋﺘﺎﺒﺎﹰ
ﺒﺎﻟﺭﻤﺯِ ﻟِﻬﺎﺠﺭٍ ﻟﻪ؛ ﻓﺎﺴﻊ ﺼﺎﺩِﻗﺎﹰ ﻟِﺘﹸﺸﺭِﻕﹶ ﺍﻟﺸﱠﻤﺱ ﻓﻲ ﺃﻨﻔﺎﺴِﻙ ،ﻜﻤﺎ ﺘﹸﺸﺭِﻕﹸ ﻓﻲ ﺃﻨﻔﺎﺱِ ﺍﻟﻔﺠﺭِ
ﺍﻟﺼﺎﺩِﻕِ ،ﻭﻫﻭ ﺍﻟﻔﺠﺭ ﺍﻟﺜﹼﺎﻨﻲ ،ﻭﻻ ﺘﻜﹸﻥ ﻜﺎﻟﻔﺠﺭِ ﺍﻷﻭلِ ،ﺍﻟﱠﺫﻱ ﻴﺩﻋﻰ ﻜﺎﺫِﺒﺎﹰ ﻟِﺴﻭﺍﺩِﻩِ؛ ﻟﻘﺩ
ﺼﻴﺭﺘﻨﻲ ﻫﺎﺌﻤﺎﹰ ﻓﻲ ﺍﻟﺠِﺒﺎلِ ﻭﺍﻟﺼﺤﺎﺭﻱ ،ﻓﺄﻨﺎ ﻤِﻨﻙ ﻤﻥ ﻫﺠﺭٍ ﺇﻟﻰ ﻫﺠﺭ ،ﻓﻬﻠﹼﺎ ﺭﺤﻤﺘﻨﻲ،
ﻭﻓﻜﻜﺕﹶ ﻋﻨﹼﻲ ﻫﺫِﻩِ ﺍﻟﺴﻠﹾﺴﻠﺔ؛ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻻ ﺘﺄﺱ ،ﻭﻻ ﺘﹶﻁﻠﹸﺏ ﺤِﻔﻅﹶ ﻭﺩ ﻤِﻥ ﺍﻷﺤِﺒﺔِ ،ﻭﺃﻱ ﺫﻨﺏٍ
ﻟﻠﺨﻤﻴﻠﺔِ ﺇﻥ ﻟﻡ ﻴﺨﺭﺝ ﻓﻴﻬﺎ ﺍﻟﻨﹼﺒﺎﺕ.
ﻏﺰﻝ ٢٩
ﻓﻘﹸــلْ ﻟِﻠﺤــﺎﻥِ ﺘﹸﺒﻠــﻰ ﺒــﺎﻟﺨﺭﺍﺏِ ﺒِﻁﹶﻴﻔِﻙ ﻗﺩ ﻏﹶﻨِﻴـﺕﹸ ﻋـﻥِ ﺍﻟـﺸﱠﺭﺍﺏِ
ﻓﻌــﺫﹾﺏ ﺸــﺭﺍﺒِﻪِ ﻋــﻴﻥ ﺍﻟﻌــﺫﺍﺏِ ﺇﺫﺍ ﺨﹶﻤــﺭ ﺍﻟﺠِﻨــﺎﻥِ ﻭﻻ ﺤﺒﻴــﺏ
ـﺎﺏِ
ـﺎﺀ ﺘﺤﺭﻴ ـﺭ ﺍﻟﻜﺘـ
ﺒﻭﺠ ـﻪِ ﺍﻟﻤـ ﻜــﺄﻥ ﺨﻴﺎﻟــﻪ ﻭﺍﻟﻌــﻴﻥ ﺘﺠــﺭﻱ
ـﺎﺏِ
ـﻼ ﻨِﻘـ
ـﻭﻻ ﺍﻟﻐﻴ ـﺭ ﻤ ـﺭ ﺒـ
ﻭﻟـ ـﺎ
ﺒﻨـﺎ ﻤـﺭ ﺍﻟﺤﺒﻴـﺏ ﻭﻤـﺎ ﻋﻠﻤﻨـ
ﻭﻤِﻥ ﺸـﻭﻕٍ ﺒـﻪِ ﻨـﺎﺭ ﺍﻟﻌـﺫﺍﺏِ ﻓﺫﺍﺏ ﺍﻟـﻭﺭﺩ ﻤـﻥ ﺨﺠـلٍ ﺒﻤـﺎﺀٍ
ﻓﻘــﺩ ﻤﻸﺘــﻪ ﺃﺼــﻭﺍﺕﹸ ﺍﻟﺭﺒــﺎﺏِ ـﺎﻥ ﺒِ ـﻪِ ﻟﻨﹸ ـﺼﺢٍ
ـﺎﻏﻲ ﻻ ﻤﻜـ
ﺩﻤـ
ﺃﺤــﺎﻓِﻅﹸ ﺘﻠــﻙ ﻻﺯِﻤــﺔﹸ ﺍﻟــﺸﱠﺒﺎﺏِ ﻭﺃﻴﻥ ﺍﻟﻀﺭ ﻓﻲ ﻋﺸﻘﻲ ﻭﺴـﻜﺭﻱ
ﻤﻊ ﺨﻴﺎلِ ﻭﺠﻬِ ﻙ ﻻ ﺤﺎﺠﺔﹶ ﺒﻲ ﻟﻠﺸﱠﺭﺍﺏِ ،ﻓﻘﹸلْ ﻟﻠﺩﻥِ ﺍﺤﺘﺭِﻕﹾ ،ﻓﺎﻟﺨﻤﺎﺭﺓﹸ
ﺨﺭﺍﺏ(١) ؛ ﺃﺭِ ﻕﹾ ﺸﹶﺭﺍ ﺒﻙ ﻭﻟﻭ ﻜﺎﻥ ﺨﹶﻤﺭ ﺍﻟﺠﻨﱠﺔِ ،ﻓﻤِﻥ ﺩﻭﻥِ ﺍﻟﺤﺒﻴﺏِ ،ﻜﹸلﱠ
) (١ﺨﻴﺎﻟﻙ ﻴﺴﻜﺭﻨﻲ ،ﻭﻻ ﺤﺎﺠﺔ ﺒﻲ ﻤﻌﻪ ﻟﻠﺤﺎﻥ ﻭﺍﻟﺸﱠﺭﺍﺏ ،ﻓﺈﺫﺍ ﺯﺍﺭﻨﻲ ﺨﻴﺎﻟﹸﻙ ،ﻓﻠﺘﺨﺭﺏِ ﺍﻟﺤﺎﻥ؛
-٤٢-
ﺸﹸﺭﺒ ﺔٍ ﻋﺫﺒ ﺔٍ ﺘﹸﻌﻁﻴﻨﺎﻫﺎ ﻫﻲ ﻋﻴﻥ ﺍﻟ ﻌﺫﺍﺏ )(١؛ ﺃ ﺴﻔﺎﹰ ﺃﻥ ﺍﻟﺤﺒﻴﺏ ﺭﺍﺡ ،ﻭﻓﻲ
ﻋﻴﻨﻲ ﺍﻟﺒﺎﻜِ ﻴﺔِ ﺭﺴﻡ ﺨﻴﺎلِ ﺼﻭﺭﺘِﻪِ ﻨﹶﻘﹾﺵﹲ ﻋﻠﻰ ﺍﻟﻤﺎﺀ )(٢؛ ﺍِﺼﺤﻲ ﻴﺎ ﻋﻴﻨﻲ ﻓﻼ
ﺃﻤﺎﻥ ﻟﻙِ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺴﻴلِ ﺍﻟﻤﺘﻼﻁِ ﻡِ ﻓﻲ ﻤﻨﹾﺯِلِ ﺍﻟﻨﱠﻭﻡ؛ ﺍﻟ ﻤﻌﺸﻭﻕﹸ ﻴﻤﺭ ﺒِﻙ
ﻋﻴﺎﻨﺎﹰ ،ﻟ ﻜِﻨﱠ ﻪ ،ﻜﹶﻲ ﻻ ﻴﺭﺍﻩ ﺍﻷﻏﻴﺎﺭ ،ﺸﹶﺩ ﺍﻟﻨﱢﻘﺎﺏ )(٣؛ ﺍﻟﻭﺭﺩ ﻟِ ﻜﹶﻲ ﻴﺭﻯ ﻟﹸﻁﹾﻑﹶ
ﺍﻟﻌﺭ ﻕِ ﻋﻠﻰ ﺨﹶﺩ ﻙ ﺍﻟﻭﺭﺩﻱ ،ﻏﺭِﻕﹶ ﺒِﻤﺎﺀِ ﺍﻟﻭﺭﺩِ ،ﻓﻲ ﻨﺎﺭِ ﺍﻟﺸﱠﻭﻕِ ،ﻤِﻥ ﻏﹶﻡ
ﺍﻟﻘﹶﻠﹾﺏ؛ ﺍﻟﺠ ﺒلُ ﻭﺍﻟ ﺼﺤﺭﺍﺀ ﺨﻀﺭﺍﻭﺍﻥِ ،ﻓﺩﻋﻨﺎ ﻻ ﻨﻨﺘﻘِلْ ﻤِ ﻥ ﺠِﻭﺍﺭِ ﺍﻟﻤﺎﺀ،
ﻓﺎﻟﺩﻨﻴﺎ ﻜﹸﻠﱡﻬﺎ ﺠﻤﻠﹶ ﺔﹰ ﺴﺭﺍﺏ؛ ﻻ ﺘ ﻁﹾﻠﹸﺏ ﺍﻟﻤﻜﺎﻥ ﻟﻠﻨﱠﺼﻴﺤﺔِ ﻓﻲ ﺯﺍﻭﻴﺔٍ ﻤِﻥ ﺯﻭﺍﻴﺎ
ﺩِﻤﺎﻏﻲ ،ﻓﻜﹸلﱡ ﺯﺍﻭﻴﺔٍ ﻤِﻨﹾﻪ ﻤﻤﻠﻭﺀﺓﹲ ﺒِﺯﻤﺯﻤﺔِ ﺍﻟﻘﻴﺜﺎﺭﺓِ ﻭﺍﻟﺭﺒﺎﺏِ؛ ﺤﺎﻓِﻅﹸ ﺇﺫﺍ ﻜﺎﻥ
ﻋﺎﺸِﻘﺎﹰ ﻭﻋِﺭﺒﻴﺩ ﺍﹰ ﻭﻴﻠ ﻌﺏ ﺒﺎﻟﻨﱠﻅﹶﺭِ ﻤﺎ ﻴﻜﻭﻥ؟ ،ﺫﺍﻙ ﺍﻟﻁﱠﻭﺭ ﺍﻟﻌﺠﻴﺏ ﻻﺯِﻤﺔﹸ ﺃﻴﺎﻡِ
ﺍﻟﺸﱠﺒﺎﺏ ).(٤
ﻏﺰﻝ ٣٠
ﺨﺼﻠﺔﹲ ﻤﻨﻙ ،ﻭﺍﺤِﺩﺓﹲ ،ﻤﻥ ﺠﺩﻴﻠﺔٍ ،ﻋﻠﱠﻘﹶﺕﹾ ﺃﻟﻑﹶ ﻗﻠﺏٍ ﻤِﻥ ﺍﻟﻘﻠﻭﺏِ ،ﻭﻋﻠﻰ ﺃﻟﻑِ
ﻤﺠﺘﹶﻬِﺩٍ ،ﺃﻏﻠﹶﻘﹶﺕﹾ ﻤِﻥ ﺠﻤﻴﻊِ ﺍﻟﺠِﻬﺎﺕِ ،ﺠﻤﻴﻊ ﺍﻟﺩﺭﻭﺏ؛
ﻓﺘﹶﺤﺕﹾ ﻨﺎﻓِﺠﺔﹶ ﺍﻟﻤِﺴﻙِ ،ﻜﻲ ﻴﺴﻠِﻡ ﺍﻟﻌﺎﺸﻘﻭﻥ ﺃﺭﻭﺍﺤﻬﻡ ﺇﻟﻰ ﻨﺴﻴﻤِﻬﺎ ،ﻭﺒﺎﺏ ﺍﻷﻤل
ﺃﻏﻠﻘﹶﺕﹾ؛
ﺏ ﺨﻤﺭﻨﺎ ،ﻭﻋﻠﻰ ﺤﺒﻪِ ﺸﺭِﺒﻨﺎ ،ﻭﻟﻭﻻ ﺍﻟﺤﺒﻴﺏ ﻤﺎ ﻁﺎﺏ ﻟﻨﺎ ﺨﻤﺭ ﺍﻟﺠﻨﱠﺔِ، ) (١ﻤﻥ ﺍﻟﺤﺒﻴﺏِ ﻁﺎ
ﻭﻟﻜﺎﻥ ﺸﹸﺭﺏ ﻋﺫ ِﺒﻪِ ﻋﺫﺍﺒﺎﹰ ﻋﻠﻴﻨﺎ
) (٢ﺘﺤﺭﻴﺭ ﺍﻟﻜﺘﺎﺏِ :ﺍﻟﻜﺘﺎﺒﺔ ،ﻭﻤﻌﻨﻰ ﺍﻟﺒﻴﺕ ﻜﻤﺎ ﻻ ﻴﻤﻜﻥ ﺭﺴﻡ ﺍﻟﺤﺭﻭﻑ ﻋﻠﻰ ﺼﻔﺤﺔ ﺍﻟﻤﺎﺀ،
ﻓﺄﻨﺎ ﻻ ﺃﺴﺘﻁﻴﻊ ﺭﺴﻡ ﺼﻭﺭﺓ ﺍﻟﺤﺒﻴﺏ ﺍﻟﻐﺎﺌﺏ ﻓﻲ ﻋﻴﻨﻲ ﺍﻟﺒﺎﻜﻴﺔ ،ﻟﻐﺯﺍﺭﺓ ﺩﻤﻌﻲ؛
) (٣ﻟﻘﺩ ﻤﺭ ﺒﻨﺎ ﺍﻟﺤﺒﻴﺏ ﻋﻴﺎﻨﺎﹰ ﻭﻟﻡ ﻨﻌﺭﻓﻪ ،ﻷﻨﱠﻪ ﺃﺨﻔﻰ ﻭﺠﻬﻪ ﻭﺭﺍﺀ ﺍﻟﻨﱢﻘﺎﺏِ ،ﺤﺘﻰ ﻻ ﻴﺭﺍﻩ
ﺍﻷﻏﻴﺎﺭ ،ﻭﻟﻭﻻ ﺍﻷﻏﻴﺎﺭ ﻟﻤﺭ ﻤﻥ ﻏﻴﺭِ ﻨﻘﺎﺏ؛
) (٤ﺇﺫﺍ ﻜﺎﻥ ﺤﺎﻓِﻅﹸ ﻋﺎﺸِﻘﺎﹰ ﻭﺜﻤِﻼﹰ ﻭﻴﻨﻅﺭ ﻓﻲ ﻭﺠﻭﻩِ ﺍﻟﺤِﺴﺎﻥ ،ﻓﻼ ﻀﺭﺭ ﻓﻲ ﺫﻟِﻙ ﻟﻠﻨﹼﺎﺱ ،ﻭﺘﻠﻙ
ﺃﻤﻭﺭ ﻻﺯِﻤﺔﹲ ﻟﻠﺸﹼﺒﺎﺏ ﻴﺎ ﺤﺎﻓﻅ )ﻻ ﻴﻤﻜِﻥ ﻟﻠﺸﱠﺒﺎﺏِ ﺃﻥ ﻴﺨﻠﻭ ﻤﻨﻬﺎ(.
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ﻫِﻤﺕﹸ ﺇﺫ ﺃﻅﻬﺭ ﺍﻟﻤﺤﺒﻭﺏ ﺤﺎﺠِﺒﺎﹰ ﻜﻬﻼلِ ﺃﻭلِ ﺍﻟﺸﱠﻬﺭِ ،ﺜﹸﻡ ﺃﺴﻔﹶﺭ ،ﺜﹸﻡ ﺃﺨﻔﻰ ﺍﻟﻭﺠﻪ
ﺒﺎﻟﺤﺠﺎﺏ)(١؛
ﻜﻡ ﻟﻭﻨﺎﹰ ﻤِﻥ ﺍﻟﺨﹶﻤﺭِ ﺼﺏ ﺍﻟﺴﺎﻗﻲ ﻓﻲ ﺍﻟﻜﺄﺱ ،ﺍﹸﻨﻅﹸﺭ ﻤﺎ ﺃﺒﺩﻉ ﺍﻟﻨﱡﻘﻭﺵﹶ ﺍﻟﱠﺘﻲ
ﺍﻨﺒﺜﹶﻘﹶﺕﹾ ﻋﻨﻬﺎ؛
ﻴﺎ ﺭﺏ ﻤﺎ ﺘﻠﻙ ﺍﻟﻐﹶﻤﺯﺓﹸ ﻤِﻥ ﺍﻹﺒﺭﻴﻕِ ،ﺍﻟﱠﺘﻲ ﻤﻜﱠﻨﹶﺘﹾﻪ ﻤِﻥ ﺃﻥ ﻴﻤﺴِﻙ ﺩﻤﻪ ﻓﻲ ﺤﻠﻘِﻪِ،
ﺭﻏﻡ ﺍﻟﺼﺭﺨﺎﺕِ ﺍﻟﱠﺘﻲ ﺘﹸﻘﻠﻘِلُ ﺃﺤﺸﺎﺀﻩ؛
ﻭﻴﺎ ﺭﺏ ﻤﺎ ﺁﻟﹶﺔﹸ ﺍﻟﻐﻨﺎﺀِ ﺍﻟﱠﺘﻲ ﺍﺴﺘﻌﻤلَ ﺍﻟﻤﻁﺭﺏ ﺤﺘﱠﻰ ﺴﺩ ﺃﺒﻭﺍﺏ ﺍﻟﺼﺭﺍﺥِ ﻭﺍﻟﺼﻴﺎﺡِ
ﻓﻲ ﺍﻟﺨﹶﻠﻭﺓِ ﻋﻠﻰ ﺃﻫلِ ﺍﻟﻭﺠﺩِ ﻭﺍﻟﺤﺎلِ؛
ﺤﺎﻓِﻅﹸ ،ﻜلﱡ ﻤﻥ ﻴﻁﻠﹸﺏ ﺍﻟﻭِﺼﺎلَ ﻭﻟﹶﻡ ﻴﻌﺎﻥِ ﺍﻟﻌِﺸﹾﻕﹶ ،ﻤﺤﺭِﻡ ﻟﻠﻁﱠﻭﺍﻑِ ﺤﻭلَ ﻜﹶﻌﺒﺔِ
ﺍﻟﻘﻠﺏِ ﺒﻼ ﻭﻀﻭﺀ.
ﻏﺰﻝ ٣١
ﻟﻴﻠﺔﹸ ﺍﻟﻘﺩﺭِ ﻫﺫﻩِ ﺍﻟﻠﹼﻴﻠﹶﺔﹸ ﻋﻥ ﻗﹶﻭلِ ﺃﻫلِ ﺍﻟﺨﹶﻠﻭﺓِ ،ﻴﺎ ﺭﺏ ﺘﺄﺜﻴﺭ ﻫﺫﻩِ ﺍﻟﺩﻭﻟﹶﺔِ ﻤِﻥ ﺃﻱ ﻜﻭﻜﺏ(٢)؛
ﻓﺭﻋﻙ ﻜﻲ ﻻ ﺘﹶﻤﺱ ﻴﺩ ﺍﻟﻐﻴﺭِ ﻜﺎﻨﹶﺕﹾ ﺘﹸﺭﺩﺩ ﻓﻴﻪِ ﻗﹸﻠﻭﺏ ﺍﻟﻤﺤﺒﻴﻥ :ﻴﺎ ﺭﺏ ﻴﺎ ﺭﺏ(٣)ْ؛
) (١ﺃﺴﻔﺭ ﺍﻟﻘﻤﺭ :ﺼﺎﺭ ﺒﺩﺭﺍﹰ ،ﺃﺨﻔﻰ ﺍﻟﻘﻤﺭ ﺍﻟﻭﺠﻪ ﺒﺎﻟﺤﺠﺎﺏ :ﺼﺎﺭ ﻓﻲ ﺍﻟﻤﺤﺎﻕ ،ﻗﺎل ﺠﻼل
ﺍﻟﺩﻴﻥ :ﻗﻤﺭ ﺠﺩﻴﺩ ﻭﺫﻭ ﺜﻼﺜﺔِ ﺃﻴﺎﻡٍ ﻭﺒﺩﺭ ﻭﻟﻜﹸلﱟ ﻤﺭﺘﺒﺔﹲ ﻓﻲ ﺍﻟﻨﱡﻭﺭِ ﻭﺍﻟﻘﺩﺭ) ،ﻭﺍﻟﻘﻤﺭ ﻗﺩﺭﻨﺎﻩ
ﻤﻨﺎﺯل(؛ ﻜﻡ ﻟﻭﻨﺎﹰ ﻤﻥ ﺍﻟﺨﻤﺭِ ﺼﺏ ﺍﻟﺴﺎﻗﻲ ،ﺇﺸﺎﺭﺓﹲ ﺒﺎﻟﺭﻤﺯِ ﺇﻟﻰ ﻅﻬﻭﺭ ﺍﻟﻌﺎﻟﹶﻡ.
) (٢ﺃﻫلُ ﺍﻟﺨﻠﻭﺓِ ﺍﻟﻌﺎﺭﻓﻭﻥ ﺒِﻠﻴﻠﺔِ ﺍﻟﻘﺩﺭِ ،ﻴﻘﻭﻟﻭﻥ ﺃﻨﱠﻬﺎ ﻫﺫﻩِ ﺍﻟﻠﹼﻴﻠﺔﹸ ،ﻓﻴﺎ ﺭﺏ ﻤﻥ ﺃﻴﻥ ﺠﺎﺀ ﻫﺫِﻩِ ﺍﻟﻠﹼﻴﻠﹶ ﹶﺔ
ﺍﻟﻤﺒﺎﺭﻜﹶﺔﹶ ﻜﹸلﱡ ﻫﺫﺍ ﺍﻟﻔﻀلِ ﺍﻟﻌﻅﻴﻡِ؟ ،ﻤِﻥ ﺃﻱ ﻜﻭﻜﺏٍ ﻤﻥ ﺍﻟﻜﻭﺍﻜﺏ ﻴﺎ ﺘﹸﺭﻯ؟ )ﻭﻫﺫﺍ ﻤﻌﻨﻰ ﻅﺎﻫِﺭ،
ﻭﻴﻘﻭلُ ﺍﻟﻌﺎﺭﻓﻭﻥ ﺃﻥ ﻗﺩﺭ ﻟﻴﻠﺔِ ﺍﻟﻘﺩﺭِ ﻤﻥ ﺍﻟﺤﻀﺭﺓِ ﺍﻟﻤﺤﻤﺩﻴﺔ ﻭﺃﻥ ﻓﻀﻠﹶﻬﺎ ﻤﻥ ﻤﺤﻤﺩٍ)ﺹ( ﻭﺃﻨﱠﻪ
ﺤﻘﻴﻘﺔﹸ ﻴﻭﻡِ ﻭﻟﻴﻠﺔِ ﺍﻟﻘﺩﺭِ ،ﻴﻭﻤﻬﺎ ﻤﻥ ﺴﻨﺎ ﻀﻴﺎﺌﻪِ ،ﻭﻟﻴﻠﺘﹸﻬﺎ ﺍﻟﺸﱠﺭﻴﻔﺔﹸ ﺒﺩﻨﹸﻪ ﺍﻟﺸﱠﺭﻴﻑ ،ﻴﻘﻭل ﺠﻼل
ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺇﺫﺍ ﻟﻡ ﺘﺭ ﻫﺅﻻﺀِ ﺍﻷﻋﺯﺓﹶ ﺇﻟﹼﺎ ﺒﺸﺭﺍﹰ ،ﻓﺎﻋﻠﹶﻡ ﺃﻥ ﻫﺫﺍ ﺍﻟﻨﱠﻅﹶﺭ ﻤﻴﺭﺍﺙﹸ
ﺇﺒﻠﻴﺱ ،ﺍﻟﱠﺫﻱ ﻟﻡ ﻴﺭ ﻓﻲ ﺁﺩﻡ ﻏﻴﺭ ﻓﺭﻉٍ ﻤﻥ ﺍﻟﻁﱢﻴﻥ؛
ل ﻴﺩ ﻤﺨﺎﻟِﻔﻴﻙ ﺇﻟﻰ ﻀﻔﻴﺭﺘِﻙ ،ﻜﺎﻨﺕ ﻗﻠﻭﺏ ﻤﺤﺒﻴﻙ ﺍﻟﺴﺎﻜِﻨﹶﺔﹸ ﻓﻲ ﺤﻠﹶﻘﺎﺘِﻬﺎ ،ﺘﹸﻨﺎﺩﻱ
) (٣ﻟِﻜﻲ ﻻ ﺘﹶﺼِ َ
ل :ﻴﺎ ﺭﺏ ﻴﺎ ﺭﺏ؛ ﻭﺘﺩﻋﻭ ﺘﻘﻭ ُ
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ﻭﻗﺘﻴلٌ ﺃﻨﺎ ﺒِﺒِﺌﺭِ ﺫﻗﹾﻨِﻙ ﻭﺍﻷﺭﻭﺍﺡ ﻤِﻥ ﺤﻭﻟﻲ ﺒﺎﻵﻻﻑِ ،ﺘﺤﺕﹶ ﻁﹶﻭﻕِ ﺍﻟﻐﺒﻐﺏ(١)؛
ﻓﺎﺭِﺴِﻲ ﻭﺠﻪ ﺍﻟﺒﺩﺭ ﻤِﺭﺁﺘﹶﻪ ﺇﻟﻰ ﻭﺠﻬِﻪِ ،ﻭﻟﻠﺸﱠﻤﺱِ ﻤﻨﻪ ﺘﺎﺝ ﻋﻠﻴﻪِ ،ﻤِﻥ ﻏﹸﺒﺎﺭِ ﻨﹶﻌلِ
ﺍﻟﻤﺭﻜﹶﺏ(٢)؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻋﺭﻕِ ﻋﺎﺭِﻀِﻪِ ،ﻓﺎﻟﺸﱠﻤﺱ ﺍﻟﺤﺎﺭﺓﹸ ﺘﺴﻴﺭ ﻓﻲ ﻫﻭﻯ ﺫﻟِﻙ ﺍﻟﻌﺭﻕِ ،ﻤﺎ
ﺩﺍﻤﺕﹾ ،ﻭﺘﺤﺘﹶﺭِﻕﹸ؛
ﻤﺎ ﺃﻨﺎ ﻟِﻌﻘﻴﻕِ ﺍﻟﺤﺒﻴﺏِ ﻭﺍﻟﺠﺎﻡِ ﺒﺎﻟﺘﱠﺎﺭِﻙِ ،ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺯﺍﻫِﺩﻭﻥ ﺍﻋﺫﺭﻭﺍ ،ﻓﺫﻟﻙ ﻤﺫﻫﺏ(٣)؛
ﻴﻁﻠِﻕﹸ ﺍﻟﺴﻬﻡ ﺨِﻔﹾﻴﺔﹰ ﻋﻠﻰ ﻗﻠﺒﻲ ﻤِﻥ ﻋﻴﻨِﻪِ ،ﻭﺭﻭﺡ ﺤﺎﻓِﻅﹶ ﺘﺠِﺩ ﺍﻟﻘﹸﻭ ﹶﺓ ﻤِﻥ ﺍﻟﻀﺤﻜﹶﺔِ
ﺍﻟﺨﹶﻔِﻴﺔِ ﻓﻲ ﺸﹶﻔﹶﺘِﻪ؛
ﻤﺭﻜﹶﺒﻲ ﻅﹶﻬﺭ ﻨﻤﻠﺔٍ ،ﻜﻴﻑﹶ ﻟﻲ ﺒِﺭﻜﹾﺏِ ﺴﻠﹶﻴﻤﺎﻥ ،ﺇﺫﺍ ﻜﺎﻥ ﻅﹶﻬﺭ ﺍﻟﺼﺒﺎ ﻟِﺴﻠﻴﻤﺎﻥ
ﻤﺭﻜﹶﺏ(٤)؛
ﻗﹶﻠﹶﻤﻲ ﻁﺎﺌِﺭ ﻴﺭﺸﹶﺢ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻤِﻥ ﻤِﻨﻘﺎﺭِﻩِ ،ﺤﻤﺎﻩ ﺍﷲُ ﻓﻬﻭ ﻋﺎﻟﻲ ﺍﻟﻤﺸﹾﺭﺏ.(٥)
) (١ﻟﻘﺩ ﺃﻏﺭﺘﻨﻲ ﺘﹸﻔﱠﺎﺤﺔﹸ ﺫﻗﻨِﻙ ﻓﻁﻠﺒﺘﹸﻬﺎ ،ﻓﻭﻗﻌﺕﹸ ﻗﺘﻴﻼﹰ ﻓﻲ ﺒﺌﺭِﻫﺎ ،ﻭﻟﻡ ﺃﻜﹸﻥ ﻭﺤﺩﻱ ﺍﻟﻘﺘﻴلَ
ﻫﻨﺎﻙ ،ﻓﻘﺩ ﺭﺃﻴﺕﹸ ﻤﺌﺎﺕِ ﺍﻵﻻﻑِ ﻤﻥ ﺍﻷﺭﻭﺍﺡِ ﻤﻥ ﺤﻭﻟﻲ ﺼﺭﻋﻰ ﺘﺤﺕ ﻁﻭﻕ ﺍﻟﻌﻨﻕ
)ﺍﻟﻁﹼﻭﻕ :ﺍﻟﺤﻠﻲ ﺘﹸﺤﻴﻁﹸ ﺒﺎﻟﻌﻨﹸﻕ ﻭﺍﻟﺫﹼﻗﻥ ﺘﹸﺸﹾﺒِﻪ ﺘﹸﻔﱠﺎﺤﺔﹰ ﻭﻓﻴﻬﺎ ﻭﻫﺩﺓﹲ ﻫﻲ ﻋﻨﻭﺍﻥ ﺠﻤﺎﻟِﻬﺎ،
ﻓﻬﻲ ﺘﹸﻐﺭﻱ ،ﻭﻟﻜﻨﱠﻬﺎ ﻓﹸﺘﺤﺔﹲ ﻟِﺒﺌﺭٍ ﺘﺨﺘﻔﻲ ﺘﺤﺘﻬﺎ ﻭﻤﻥ ﺴﻘﻁﹶ ﻓﻴﻬﺎ ﻟﻡ ﻴﻨﺞ ﻤﻥ ﺍﻟﻬﻼﻙ ،ﻭﻜﻡ
ﺒِﻬﺎ ﻤﻥ ﺍﻟﻬﺎﻟﻜﻴﻥ(؛
) (٢ﻓﺎﺭِﺴﻲ ،ﻭﺠﻪ ﺍﻟﻘﹶﻤﺭ ﻤِﺭﺁﺘﹶﻪ ﺇﻟﻰ ﻭﺠﻬِﻪِ ،ﻭﺘﺎﺝ ﺍﻟﺸﱠﻤﺱِ ﺍﻟﻌﺎﻟِﻴﺔِ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﻨﹶﻌلِ ﻤﺭﻜﹶﺒِﻪ )ﺍﻟﻘﹶﻤ ﺭ
ﻴﺴﺘﻨﻴﺭ ﻤﻨﻪ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﻟﻴﺘﻨﻲ ﻜﻨﺕﹸ ﻏﺒﺎﺭﺍﹰ ﺘﺤﺕ ﺃﻗﺩﺍﻡِ ﺠﻭﺍﺩِ ﺫﻟﻙ ﺍﻟﻔﺎﺭﺱ(؛
) (٣ﻻ ﺃُﺭﻴﺩ ﺘﺭﻙ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﻭﺠﺎﻡِ ﺍﻟﺨﹶﻤﺭِ ،ﻴﺎ ﺯﺍﻫِﺩﻭﻥ ﺍﻋﺫﺭﻭﺍ ،ﻓﻬﺫﺍ ﻤﺫﻫﺒﻲ؛
) (٤ﺠﻭﺍﺩ ﺴﻠﻴﻤﺎﻥ ﺍﻟﺼﺒﺎ ﻭﻨﻤﻠﺔﹲ ﻤﺭﻜﺒﻲ ﻓﻤﻥ ﺃﻴﻥ ﻟﻲ ﺍﻟﻠﹼﺤﺎﻕﹸ ﺒﺴﻠﻴﻤﺎﻥ ﻭﺍﻟﺴﻴﺭ ﻤﻌﻪ ،ﺴﺎﻋﺔﹶ
ﻴﺴﺭﺠﻭﻥ ﻟﻪ ﻋﻠﻰ ﻅﻬﺭِ ﺍﻟﺼﺒﺎ؛
) (٥ﺇﻥ ﻗﻠﻤﻲ ﻁﺎﺌﺭ ﻴﺭﺸﺢ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻤﻥ ﻤِﻨﻘﺎﺭِ ﺒﻼﻏﹶﺘِﻪ ،ﺠﻌﻠﹾﺘﹸﻪ ﻓﻲ ﺤِﺭﺯِ ﺒِﺴﻡِ ﺍﷲِ ،ﻓﻬﻭ ﻋﺎﻟﻲ
ﺍﻟﻤﺸﹾﺭﺏ) ،ﻴﺭﺸﺢ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻤﻥ ﻤِﻨﻘﺎﺭِ ﺒﻼﻏﹶﺘِﻪ ﺒِﻤﺎ ﻴﻨﻅِﻡ ﻤﻥ ﻗﺼﺎﺌﺩ ﺘﹸﺤﻴﻲ ﺍﻟﻘﻠﻭﺏ ﺍﻟﻤﻴﺘﹶﺔﹶ
ﷲ ﻓﺈﻨﱠﻪ ﻴﺸﺭﺏ ﻤﻥ ﻤﺸﺭﺏٍ ﻋﺎل(. ﻓﺤﻤﺎﻩ ﺍ ُ
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ﻏﺰﻝ ٣٢
ﺤﻴﻥ ﺼﻭﺭ ﺍﻟﻠﱠﻪ ﺤﺎﺠِﺒﻙ ﺍﻟﺠﻤﻴلَ ،ﻋﻘﹶﺩ ﻓﻼﺤﻲ ﻭﺘﻴﺴﻴﺭ ﺃﻤﺭﻱ ﺒِﻐﻤﺯﺍﺘِﻙ؛
ﻭﻤﻨﺫﹸ ﺃﻥ ﻜﺎﻥ ﺍﻟﺯﻤﺎﻥ ﻴﺴﻭﻱ ﺤﺭﻴﺭ ﻗﺒﺎﺀِﻙ ﺍﻟﻤﺯﺭﻜﹶﺵِ ،ﺃﺠﻠﹶﺴﻨﻲ ﻭﺴﺭﻭ ﺍﻟﺨﻤﻴﻠﺔِ
ﻓﻲ ﺘﹸﺭﺍﺏِ ﺩﺭﺒِﻙ؛
ﻭﻫﺏ ﻨﺴﻴﻡ ﺍﻟﻭﺭﺩِ ﺍﻟﱠﺫﻱ ﺭﺒﻁﹶ ﺍﻟﻘﹶﻠﹾﺏ ﺒﺎﻟﻬﻭﻯ ﺘﺤﺕﹶ ﺃﻗﺩﺍﻤِﻙ ﻓﺤلﱠ ﻟﻨﺎ ﻭﻟِﻘﹶﻠﺏِ ﺍﻟﺒﺭﻋﻡِ
ﻤﺎﺌﺔﹰ ﻤِﻥ ﺍﻟﻌﻘﹶﺩِ ﻤِﻥ ﺃﻤﺭِﻨﺎ ﺍﻟﻤﻌﻘﱠﺩ؛
ﺼﻴﺭﻨﻲ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﺩﺍﺌﺭ ﺃﺴﻴﺭﺍﹰ ﻓﻲ ﺤﺒﺎﺌﻠِﻙ ﻭﺃﺭﻀﺎﻨﻲ ،ﻟﻜِﻥ ﻤﺎ ﺍﻟﻨﱠﻔﻊ ﻭﺍﻟﺤِﺒﺎلُ ﻓﻲ
ﻗﺒﻀﺘِﻙ ﻭﺍﻟﻘﻀﺎﺀ ﻴﻁﻴﻌﻙ؛
ﻲ ﺍﻟﻤﺴﻜﻴﻥِ ﺍﻟﻤﻐﻠﹶﻕِ ﻜﺎﻟﻨﱠﺎﻓِﺠﺔِ ،ﻭﻫﻭ ﺍﻟﱠﺫﻱ ﻋﻘﺩ ﺍﻟﻌﻬﺩ ﻤﻊ
ﻻ ﺘﺠﻌلِ ﺍﻟﻌﻘﹶﺩ ﻋﻠﻰ ﻗﻠﺒ
ﺠﺩﺍﺌﻠِﻙ ﺤﻠﱠﺎﻟﹶﺔِ ﺍﻟﻌﻘﹶﺩ؛
ﻴﺎ ﻨﺴﻴﻡ ﺍﻟﻭِﺼﺎلِ ،ﻟﻲ ﻓﻲ ﻫﺒﻭﺒِﻙ ﺤﻴﺎﺓﹲ ﺃُﺨﺭﻯ ،ﻓﻼ ﺘﻨﻅﹸﺭ ﺇﻟﻲ ﺨﻁﺄً ﻓﺭﺠﺎﺀ ﻗﻠﺒﻲ
ﻤﻌﻘﻭﺩ ﻋﻠﻰ ﻭﻓﺎﺌﻙ؛
ﻗﻠﺕﹸ ﻟﻪ ﺴﺄﻫﺠﺭ ﺍﻟﻤﺩﻴﻨﺔﹶ ﻫﺭﺒﺎﹰ ﻤِﻥ ﻴﺩِ ﺠﻭﺭِﻙ ،ﻀﺤِﻙ ﻭﻗﺎلَ ﻴﺎ ﺤﺎﻓﻅﹸ ﺍﺫﻫﺏ ﺇﻥ
ﺸِﺌﺕﹶ ،ﻟﻜﻨﱠﻨﻲ ﻗﻴﺩﺕﹸ ﻗﹶﺩﻤﻙ.
ﻏﺰﻝ ٣٣
ﺩﻴﺎﺭِﻙ ﻟﻠﺼﺤﺭﺍﺀِ ﻤﺎ ﻫﻲ ﺤﺎﺠﺘﻲ؟ ﺨﻠﻭﺕﹸ ﻓﻠﻠﺘﱢﻁﻭﺍﻑِ ﻤﺎ ﺤﺎﺠﺘﻲ؟ ﻭﻤِﻥ
ﻟﺩﻯ ﺁﺨِﺭِ ﺍﻷﻨﻔﺎﺱِ ﻤﺎ ﻫﻲ ﺤـﺎﺠﺘﻲ ﺒﻤﺎ ﻟﹶﻙ ﻋِﻨﹾﺩ ﺍﷲِ ﻤِﻥ ﺤﺎﺠﺔٍ ﻓـﺴلْ
ﻭﺃﻨﺕﹶ ﺃﺨﻭ ﻓﹶﻀلٍ ﻭﻋِﻨﺩﻙ ﺤـﺎﺠﺘﻲ ﻟِﺴﺎﻨﻲ ﺒﻼ ﻨﹸﻁﹾﻕٍ ﻭﻋِﻨـﺩﻱ ﺤﺎﺠـﺔﹲ
ﻟﻘﺘﻠﻲ ﻭﻻ ﻟﻠﺤﺭﺏِ ﺃﻨـﺕ ﺒﺤﺎﺠـﺔِ ﻫﻔﺕ ﻟﻙ ﺭﻭﺤﻲ ،ﻟﺴﺕﹶ ﺘﺤﺘﺎﺝ ﻗﺼﺔﹰ
ﻓﻤﺎ ﺤﺎﺠﺘﻲ ﻜﻴﻤﺎ ﺃﺒﻭﺡ ﺒِﺤـﺎﺠﺘﻲ؟ ﻥ ﻜﹸﻠﱡـﻪ
ﺒِﺠﺎﻡِ ﺤﺒﻴﺒﻲ ﻴﻅﻬﺭ ﺍﻟﻜﹶـﻭ
ﺤﺒﻴﺒﻲ ﻋِﻨﹾﺩﻱ ﻤﺎ ﺒِﺄﻋﺩﺍﻱ ﺤﺎﺠﺘﻲ؟! ﻭﻴﺎ ﻤﺩﻋﻲ ﻓﺎﺫﻫﺏ ﻓﻼ ﺸﹸﻐﹾلَ ﺒﻴﻨﻨﺎ
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ﻫﺫﺍ ﺍﻟﱠﺫﻱ ﺍﺨﺘﺎﺭ ﺍﻟﺨﹶ ﻠﹾﻭﺓﹶ ﻤﺎ ﺤﺎ ﺠﺘﹸﻪ ﻟﻠﺘﱠﻨﹶﺯﻩ ،ﻭﺤﻴﺙﹸ ﺘﻭﺠ ﺩ ﺩﻴﺎﺭ ﺍﻟﺤﺒﻴﺏِ
ﻤﺎ ﺍﻟﺤﺎﺠﺔﹸ ﻟﻠﺼﺤﺭﺍﺀ )(١؛
ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺤﺒﻴﺏ ،ﺃﺴﺄﻟﹸﻙ ﺒﻤﺎ ﻟﻙ ﻋﻨﺩ ﺍﷲ ﻤﻥ ﺤﺎﺠﺔٍ ﻤﻘﻀﻴﺔٍ ،ﺃﻥ ﺘﺴﺄﻟﻨﻲ ﻓﻲ
ﺁﺨِﺭِ ﺃﻨﻔﺎﺱِ ﺤﻴﺎﺘﻲ ﻋﻥ ﺤﺎﺠﺘﻲ؛
ﻭﻴﺎ ﻤﻠِﻙ ﺍﻟﺤﺴﻥِ ،ﻟِﺄﺠلِ ﺍﷲِ ،ﺃﻨﺎ ﺍﺤﺘﹶﺭﻗﹾﺕﹸ ،ﺍﺠﻌلْ ﺁ ﺨِﺭ ﺴﺅﺍلٍ ﻟِﻬﺫﺍ ﺍﻟﺸﱠ ﺤﺎﺫِ
ﻤﺎ ﺤﺎﺠ ﺘﹸﻙ؟؛
ﻨﺤﻥ ﺃﺭﺒﺎﺏ ﺤﺎﺠ ﺔٍ ،ﻭﻟﺴﺎﻥ ﺍﻟ ﺴﺅﺍلِ ﻻ ﻨﹶﻤﻠِﻙ ،ﻭﻨﺤﻥ ﻓﻲ ﺤﻀﺭﺘﻙ ،ﻭﻓﻲ
ﺤﻀﺭﺓِ ﺍﻟﻜﺭﻴﻡِ ﻻ ﺤﺎ ﺠﺔﹶ ﻟﻠﻁﱠ ﻠﹶﺏ )(٢؟؛
ﺇﺫﺍ ﻜﻨﺕ ﺘﺭﻴﺩ ﻗﺘﻠﻲ ،ﻓﻠﺴﺕﹶ ﺘﺤﺘﺎﺝ ﻟﺴﺭﺩِ ﻗ ﺼﺔٍ ﻁﻭﻴﻠ ﺔٍ ،ﺩﻤﻲ ﻤﻠﹾﻙ ﻟﹶﻙ،
ﻤﺎ ﺤﺎﺠ ﺘﹸﻙ ﻟِﻠﻐﺎﺭﺓ؛
ﺠﺎﻡ ﻤﻅﹾﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡِ ﻀﻤﻴﺭ ﺤﺒﻴﺒﻲ ﺍﻟﻤﻨﻴﺭ ،ﻓﻤﺎ ﺍﻟﺤﺎﺠﺔﹸ ﻹِﻅﻬﺎﺭِ ﺍﻟﺤﺎﺠﺔِ ﻫﻨﺎﻙ)(٣؛
ﺍﻨﺘﻬﻰ ﺍﻟﻭﻗﹾﺕﹸ ﺍﻟﱠﺫﻱ ﺃﺤﻤِلُ ﻓﻴﻪِ ﺤِﻤلَ ﻤِﻨﱠﺔِ ﺍﻟﻤ ﻠﱠﺎﺡ ،ﺍﻟﺠﻭ ﻫﺭ ﺇﺫﺍ ﺠﺎﺀﻙ،
ﻤﺎ ﺤﺎﺠ ﺘﹸﻙ ﻟﻠﺒ ﺤﺭ؟؛
ﺃﻱ ﻤﺩﻋﻲ ﺍﺫﻫﺏ ﻓﻼ ﺸﹸﻐﹾلَ ﻟﻲ ﻤﻌﻙ ،ﺍﻷﺤﺒﺎﺏ ﺤﺎﻀِﺭﻭﻥ ،ﻓﻤﺎ ﺍﻟﺤﺎﺠﺔﹸ ﻟِﻸﻋﺩﺍﺀِ؟؛
ﺃﻴﻬﺎ ﺍﻟﻌﺎﺸِﻕﹸ ﺍﻟﺸﱠ ﺤﺎﺫﹸ ﺒِﻤﺎ ﺃﻥ ﺸﹶﻔﹶﺔﹶ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺘﻲ ﺘﹶ ﻬﺏ ﺍﻟﺤﻴﺎﺓﹶ ﺠ ﻌﻠﹶﺕﹾ ﻟﹶﻙ
ﻭﻅﻴﻔﹶ ﺔﹰ ،ﻤﺎ ﺤﺎﺠ ﺘﹸﻙ ﻟﻠﺴﺅﺍل؟؛
ﺤﺎﻓِﻅﹸ ﺍﺨﺘِ ﻡ ﺍﻟﺤﺩﻴﺙﹶ ،ﻓﻀ ﻠﹸﻙ ﺼﺎﺭ ﺒﺎﺩﻴﺎﹰ ﻟﻠﻌﻴﺎﻥِ ،ﻻ ﺤﺎﺠﺔﹶ ﺒِ ﻙ ﻟﻠﻨﱢﺯﺍﻉِ
ﻭﺠِﺩﺍلِ ﺍﻟﻤﺩﻋﻲ.
) (١ﺇﻨﻨﻲ ﺍﺨﺘﺭﺕﹸ ﺍﻟﺨﻠﻭﺓ ﻟﺫﻜﺭِ ﺍﻟﺤﺒﻴﺏ ،ﻭﻻ ﺤﺎﺠﺔ ﺒﻲ ﻟﻠﺴﻴﺎﺤﺔِ ﻓﻲ ﺍﻟﺒﻠﺩﺍﻥ ،ﻓﺄﻨﺎ ﻓﻲ ﺨﻠﻭﺘﻲ
ﻓﻲ ﻨﻌﻴﻡٍ ﻤﻥ ﺫﻜﺭِﻩ ،ﺃﺭﺘﻊ ﻓﻲ ﺭﻴﺎﺽِ ﺩﻴﺎﺭِﻩِ ،ﻭﻻ ﺤﺎﺠﺔﹶ ﺒﻲ ﺒﻌﺩ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﻟﻠﺼﺤﺭﺍﺀ،
ﻗﺎل ﺠﻼلُ ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺭﻭﻀﺔﹸ ﺍﻟﺒﻠﺒلِ ﻓﻲ ﺼﺩﺭﻩ؛
) (٢ﺍﻟﻜﺭﻴﻡ ﻴﻌﻁﻲ ﺒﻐﻴﺭِ ﺴﺅﺍل؛
) (٣ﺍﻟﻌﺎﻟﻡ ﻜﻠﱡﻪ ﻅﺎﻫﺭ ﻭﻤﻜﺸﻭﻑﹲ ﻓﻲ ﻜﺄﺱِ ﻀﻤﻴﺭِ ﺤﺒﻴﺒﻲ ﺍﻟﻤﻨﻴﺭ ،ﻭﻫﻭ ﻴﻌﺭﻑﹸ ﺤﺎﺠﺘﻲ ﻤﻥ
ﻏﻴﺭِ ﺃﻥ ﺃﺫﻜﺭﻫﺎ.
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ﻏﺰﻝ ٣٤
ﺍﻟﺒﻴﺕﹸ ﺒﻴﺘﹸﻙ ،ﺤﻁﱠ ﺍﻟﺭﺤﺎلَ ،ﺘﻜـﺭﻡ ﻟﹶــﻙ ﺩﺍﺭ ﺭﻭﺍﻕﹸ ﻤﻨﻅﹶــﺭِ ﻋﻴﻨــﻲ
ﺨﺎﻁِﻑﹲ ﻗﹶﻠﺏ ﻜﹸلﱢ ﻋﺎﺭِﻑٍ ﻟﹸﻁﹾـﻑﹸ ﺨﺎﻟِـﻙ ﻭﺍﻟﺨﹶـﻁﱢ ،ﻭﻤﻨـﻙ ﺍﻟﻭِﺼـﺎلُ ﻤﺤـﺭﻡ
ﺘﻤﻸُ ﺍﻟﺭﻭﺽ ﻴﺎ ﺒﻠﺒلُ ﺃﻨﻐﺎﻡ ﻋِﺸﻘِﻙ ﻟﻠـﻭﺭﺩِ ،ﻫﻨﻴﺌـﺎﹰ ﻟـﻙ ﺍﻟﻭِﺼـﺎلُ ﺘـﻨﻌﻡ
ﻴﺭﻗﹸﺹ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻵﻥ ﻋﻠﻰ ﺸِﻌﺭِ ﺤﺎﻓِﻅﹶ ﻓﻲ ﺍﻟﻤﺠﻠِﺱِ ،ﺇﺫﹾ ﻜﺎﻥ ﻤِﻥ ﺤﺩﻴﺜِﻙ ﻴـﻨﻅﹶﻡ
ﺭﻭﺍﻕﹸ ﻤﻨﹾﻅﹶﺭِ ﻋﻴﻨﻲ ﻤﻨﺯلٌ ﺘﻤﻠﻜﹸﻪ ،ﺘﻜﺭﻡ ﺒﺎﻟﻨﱡﺯﻭلِ ،ﻓﺎﻟﺒﻴﺕﹸ ﺒﻴﺘﹸﻙ(١)؛
ﺨﹶﻁﹶﻔﺕﹶ ﻗﻠﻭﺏ ﺍﻟﻌﺎﺭﻓﻴﻥ ﺒﻠﹸﻁﹾﻑِ ﺍﻟﺨﺎلِ ﻭﺍﻟﺨﹶﻁﱢ ،ﻜﻡ ﻤِﻥ ﻟﻁﺎﺌﻑﹶ ﻋﺠﻴﺒﺔٍ ﺘﺤﺕﹶ
ﺸِﺒﺎﻜِﻙ ﻭﺤﺒﺔِ ﻁﹸﻌﻤِﻙ )ﺍﻟﺨﺎل(؛
ﻟِﻴﻬﻨﹶﺄْ ﻗﻠﺒﻙ ﺒِﻭِﺼﺎلِ ﺍﻟﻭﺭﺩِ ،ﻴﺎ ﺒﻠﺒلَ ﺍﻟﺼﺒﺎ ،ﻭﻟﺘﻤﻸْ ﺘﺭﺍﻨﻴﻡ ﻋِﺸﹾﻘِﻙ ﺍﻟﺭﻭﺽ ﻜﹸﻠﱠﻪ؛
ﻋِﻼﺝ ﻀﻌﻑِ ﻗﻠﺒِﻨﺎ ،ﺃﺤِلْ ﺇﻟﻰ ﺸﹶﻔﹶﺘِﻙ ،ﻓﺸﺭﺍﺏ ﺍﻟﻴﺎﻗﻭﺕِ ﺍﻟﻤﻔﺭِﺡ ﻓﻲ ﺨﺯﺍﺌِﻨِﻬﺎ)(٢؛
ﺒﺩﻨﻲ ﻤﻘﺼﺭ ﻓﻲ ﻤﻼﺯﻤﺔِ ﺩﻭﻟﺘِﻙ ،ﻟﻜِﻥ ﺨﹸﻼﺼﺔﹶ ﺭﻭﺤﻲ ﺘﹸﺭﺍﺏ ﻋﻠﻰ ﻋﺘﹶﺒﺘِﻙ؛
ﺃﻨﺎ ﻟﺴﺕﹸ ﻤﻥ ﻴﻌﻁﻲ ﺍﻟﻘﻠﺏ ﻨﹶﻘﹾﺩﺍﹰ ﻟِﻜﹸلﱢ ﻓﺘﱠﺎﻥٍ ،ﺒﺎﺏ ﺍﻟﺨﺯﺍﻨﺔِ ﻤﻤﻬﻭﺭ ﺒِﺨﺎﺘﹶﻤِﻙ ﻭﻋﻠﻴﻪِ
ﺸﺎﺭﺘﹸﻙ؛
ﺃﻨﺕﹶ ﻨﻔﹾﺴﻙ ﺃﻴﻬﺎ ﺍﻟﻔﺎﺭﺱ ﺤﺴﻥ ﺍﻟﻔِﻌﺎلِ ﻤﺎ ﻟﹸﻌﺒﺘﹸﻙ ﺤﺘﹼﻰ ﺭﻭﻀﺕﹶ ﺒِﺴﻭﻁِﻙ ﻫﺫﺍ
ﺍﻟﻌﻨﻴﺩ ،ﺍﻟﱠﺫﻱ ﻫﻭ ﺍﻟﻔﹶﻠﹶﻙ ،ﻓﻤﺸﻰ ﻤﻁﻴﻌﺎﹰ ﹶﻟﻙ؛
ﻭﻜﻴﻑﹶ ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃُﻗﺎﻭِﻤﻙ ،ﻭﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﻴﺴﻘﹸﻁﹸ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﻤﺸﻌﻭِﺫﹸ ﻤِﻥ ﺤِﻴﻠِﻙ ﺍﻟﱠﺘﻲ ﻓﻲ
ﺠﻌﺒﺔِ ﺴِﺤﺭِﻙ؛
ﺃﻏﻨﻴﺔﹸ ﻤﺠﻠِﺴِﻙ ﺍﻵﻥ ﺘﹸﺭﻗِﺹ ﺍﻟﻔﹶﻠﹶﻙ ،ﻟِﺄﻥ ﺸِﻌﺭ ﺤﺎﻓِﻅﹶ ﺍﻟﻌﺫﺏ ﻨﹶﻅﹾﻡ ﻤِﻥ ﺤﺩﻴﺜِﻙ).(٣
) (١ﺍﺭﺯﻗﻨﻲ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ ﻭﺠﻬِﻙ؛
) (٢ﻗﹸلْ ﻟﻬﺎ ﺘﺘﻜﻔﱠلْ ﺒِﻌﻼﺠِﻨﺎ؛
) (٣ﻤﺠﻠِﺴِﻙ :ﻤﺠﻠِﺱِ ﺫِﻜﺭِﻙ.
-٤٨-
ﻏﺰﻝ ٣٥
ﺍِﺫﻫﺏ ﻟِﺸﺄﻨِﻙ ﺃﻴﻬﺎ ﺍﻟﻭﺍﻋِﻅﹸ ،ﻤﺎ ﻫﺫﺍ ﺍﻟﺼﺭﺍﺥ؟ ،ﺃﻨﺎ ﻭﻗﹶﻊ ﻗﻠﺒﻲ ﻤِﻥ ﺍﻟﻠﱠﺤﻥِ ،ﺃﻨﺕﹶ ﻤﺎﺫﺍ
ﺠﺭﻯ ﻟﻙ؟)(١؛
ﻟﻪ ﺨﹶﺼﺭ ﺨﹶﻠﹶﻘﹶﻪ ﺍﷲُ ﻤِﻥ ﻋﺩﻡٍ ،ﻴﺎ ﻟﻬﺎ ﻤﺴﺄَﻟﹶﺔﹰ ﺩﻗﻴﻘﹶﺔﹰ ﻟﹶﻡ ﻴﺤﻠﱠﻬﺎ ﻓِﻜﹾﺭ ﻤﺨﻠﻭﻕ)(٢؛
ﻭﺇﻟﻰ ﺃﻥ ﺘﹸﺒﻠﱢﻐﹶﻨﻲ ﺸﹶﻔﹶﺘﹸﻪ ﻤﻨﺎﻱ ﻜﺎﻟﻨﱠﺎﻱ ،ﻨﺼﺎﺌﺢ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﹸﻠﱢﻪِ ﻫﻭﺍﺀ ﻓﻲ ﺃُﺫﹸﻨﻲ)(٣؛
ﻤﺴﺘﺠﺩﻱ ﺩﻴﺎﺭِﻙ ﻤﺴﺘﹶﻐﹾﻥٍ ﻋﻥ ﺠﻨﱠﺔِ ﺍﻟﺨﹸﻠﹾﺩِ ،ﺃﺴﻴﺭ ﻋِﺸﹾﻘِﻙ ﻤﺘﺤﺭﺭ ﻤِﻥ ﻜﻼ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ؛
ﺴﻜﹾﺭ ﺍﻟﻌِﺸﹾﻕِ ﺃﺤﺎﻟﻨﻲ ﺨﺭﺍﺒﺎﹰ ،ﻟﻜِﻥ ﺃﺴﺎﺱ ﻭﺠﻭﺩﻱ ﻋﺎﻤِﺭ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺨﺭﺍﺏ؛
ﻴﺎ ﻗﻠﺏ ﻻ ﺘﺒﻙِ ﻤِﻥ ﻅﹸﻠﹾﻡِ ﺍﻟﺤﺒﻴﺏِ ﻭﺠﻭﺭِﻩ ،ﻫﺫﺍ ﻨﺼﻴﺒﻙ ،ﻭﻫﺫﺍ ﻟﻙ ﻋﻁﺎﺀ ﻤﻥ ﺫﺍﻙ؛
ﺍِﺫﹾﻫﺏ ﻭﻻ ﺘﹶﺭﻭِ ﺍﻟﺨﹸﺭﺍﻓﹶﺔﹶ ،ﻭﻻ ﺘﹶﻨﹾﻔِﺙﹾ ﺍﻟﺴﺤﺭ ﻴﺎ ﺤﺎﻓِﻅ ،ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺨﹸﺭﺍﻓﹶﺔِ ﻭﻫﺫﺍ
ﺍﻟﺴﺤﺭِ ،ﻓﻲ ﺫﺍﻜِﺭﺘِﻲ ﺍﻟﻜﹶﺜﻴﺭ.
ﻏﺰﻝ ٣٦
ﻟﺤﻅﹶﺔﹶ ﻓﺭﻋﻙ ﻭﻗﻊ ﻓﻲ ﻴﺩِ ﺍﻟﻨﱠﺴﻴﻡِ ،ﻭﻗﻊ ﻗﻠﺒﻲ ﺍﻟﺴﻭﺩﺍﻭﻱ ﻤِﻥ ﻏﹸﺼﺔٍ ﻨِﺼﻔﹶﻴﻥ؛
ﻋﻴﻨﹸﻙ ﺍﻟﺴﺎﺤِﺭﺓﹸ ﻋﻴﻥ ﺴﻭﺍﺩِ ﺍﻟﺴﺤﺭِ ،ﻟﻜﻨﱠﻬﺎ ﺴﻘﻴﻤﺔﹲ ﻭﻴﻨﺒﻐﻲ ﺍﻻﻋﺘﺭﺍﻑ)(٤؛
) (١ﻤﻥ ﺘﹸﺭﻯ ﺃﺭﺴﻠﹶﻙ ﻋﻠﻲ ﺤﺎﻓِﻅﹰﺎ ﻴﺎ ﻭﺍﻋﻅﻲ ،ﻭﻤﺎ ﻫﺫﺍ ﺍﻟﺼﺭﺍﺥﹸ ﻤﻨﻙ؟ ،ﺩﻋﻨﻲ ﻓﺄﻨﺕﹶ ﻟﻡ ﺘﹸﻌﺎﻥِ
ﻤﺎ ﺃُﻋﺎﻨﻲ ،ﻭﺸﺄﻨﹸﻙ ﻏﻴﺭ ﺸﺄﻨﻲ؛
) (٢ﺨﺼﺭﻩ ﺍﻟﺩﻗﻴﻕﹸ ﺍﻟﱠﺫﻱ ﺨﹶﻠﹶﻘﹶﻪ ﺍﷲُ ﻤِﻥ ﺍﻟﻌﺩﻡِ ،ﺩﻗﻴﻕﹲ ﺩِﻗﱠﺔﹰ ﻟﻡ ﻴﻅﹾﻔﹶﺭ ﺒِﻬﺎ ﻓِﻜﹾﺭ ﻤﺨﻠﻭﻕ ،ﻓﻲ
ﺍﻟﺨﺼﺭِ ﺍﻟﱠﺫﻱ ﻻ ﻴﺭﻯ ﻭﻻ ﻴﺩﺭﻙ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺨﻠﻕِ ﺍﻟﻠﹼﻪِ ﺴﺒﺤﺎﻨﹶﻪ ﺍﻷﺸﻴﺎﺀ ﻤﻥ ﺍﻟﻌﺩﻡِ ،ﻓﻬﻲ
ﻤﺴﺄﻟﺔﹲ ﺘﹸﺤﻴﺭ ﺍﻟﻌﻘﻭلَ ،ﻭﻤﺎ ﺃﺩﺭﻙ ﺃﺤﺩ ﻤﻌﻨﺎﻫﺎ ﺃﺒﺩﺍﹰ؛
) (٣ﺇﻟﻰ ﺃﻥ ﺘﹸﻌﻁِﻴﻨﻲ ﺸﹶﻔﹶﺘﹸﻪ ﻤﺭﺍﺩﻱ ﺒﻘﹸﺒﻠﹶﺔٍ ﻜﻤﺎ ﺘﻔﻌلُ ﻤﻊ ﺍﻟﻨﱠﺎﻱ ،ﻨﺼﺎﺌﺢ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﹸﻠﱢﻪِ ﻫﻭﺍﺀ ﻓﻲ
ﺃﺫﻨﻲ :ﻨﺼﺎﺌﺢ ﺍﻟﻌﺎﻟﹶﻡِ ﻓﻲ ﺃُﺫﹸﻨﻲ ﺃﺼﻭﺍﺕﹲ ﺒِﻼ ﻤﻌﻨﻰ،ﻭﺸﺒﻴﻪ ﺒﻬﺫﺍ ﺍﻟﺒﻴﺕِ ﻗﻭلُ ﺍﻟﻤﻜﺯﻭﻥ:
ﺤﻤﻴﺕﹸ ﺤﻤﻰ ﺴﻤﻌﻲ ﺒﻬﺎ ﻋﻥ ﻋﻭﺍﺫﻟﻲ ،ﻭﻗﺩ ﻗﻴل ﺍﻟﺤﺏ ﻴﻌﻤﻲ ﻭﻴﺼﻡ.
) (٤ﻋﻴﻨﹸﻙ ﻋﻴﻥ ﺴِﺤﺭٍ ﺃﺴﻭﺩ؛
-٤٩-
ﻭﺫﻟﻙ ﺍﻟﺨﺎلُ ﺍﻷﺴﻭﺩ ﻓﻲ ﺤﻠﹾﻘﺔِ ﻓﹶﺭﻋِﻙ ﺃﺘﺩﺭﻱ ﻤﺎ ﻫﻭ؟ ،ﺇﻨﱠﻪ ﺍﻟﻨﱡﻘﻁﹶﺔﹸ ﺍﻟﺴﻭﺩﺍﺀ ﻭﻗﹶﻌﺕﹾ
ﻓﻲ ﺤﻠﹾﻘﹶﺔِ ﺍﻟﺠﻴﻡ؛
ﻭﺠﺩﻴﻠﺘﹸﻙ ﺍﻟﻤِﺴﻜﻴﺔﹸ ﻓﻲ ﺭﻭﺽِ ﻓﺭﺩﻭﺱِ ﻋﺫﺍﺭِﻙ ،ﺃﻱ ﻁﺎﻭﻭﺱٍ ﻭﻗﻊ ﻓﻲ ﺠﻨﱠﺔِ ﺍﻟﻨﱠﻌﻴﻡ؛
ﺃﻱ ﻤﺅﻨِﺱ ﺭﻭﺤﻲ ،ﻗﻠﺒﻲ ﻤِﻥ ﺍﻟﻬﻭﺱِ ﻟﺭﺅﻴﺔِ ﻭﺠﻬِﻙ ،ﺼﺎﺭ ﻏﹸﺒﺎﺭﺍﹰ ﻋﻠﻰ ﺍﻟﻁﱠﺭﻴﻕِ،
ﻭﻭﻗﹶﻊ ﻓﻲ ﻴﺩِ ﺍﻟﺭﻴﺢ؛
ﺃﻤﺎ ﺒﺩﻨﻲ ﺍﻟﺘﱡﺭﺍﺒﻲ ،ﻓﻁﻴﻥ ﺜﻘﻴلٌ ،ﻻ ﻴﻘﺩﺭ ﻋﻠﻰ ﺍﻟﻨﱡﻬﻭﺽِ ﻤِﻥ ﺤِﻤﺎﻙ؛
ﻅِلﱡ ﻗﺩﻙ ﻋﻠﻰ ﻗﺎﻟﹶﺒﻲ ﻴﺎ ﻋﻴﺴﻭﻱ ﺍﻟﻨﱠﻔﹶﺱ ،ﺼﻭﺭﺓﹸ ﺍﻟﺭﻭﺡِ ﻭﻗﻌﺕﹾ ﻋﻠﻰ ﺍﻟﻌﻅﹾﻡِ ﺍﻟﺭﻤﻴﻡ)(١؛
ﻭﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻤﻘﺎﻤﻪ ﺒِﺒﺎﺏِ ﺍﻟﻜﹶﻌﺒﺔِ ،ﺘﹶﺫﻜﱠﺭ ﺸﹶﻔﹶﺘﹶﻙ ﻓﺼﺎﺭ ﻤﻘﻴﻤﺎﹰ ﺒﺒﺎﺏِ ﺍﻟﺤﺎﻥ؛
ﺃﻱ ﻤﺤﺒﻭﺒﻲ ﺍﻟﻌﺯﻴﺯ ،ﺤﺎﻓﻅﹸ ﺍﻟﻀﺎﺌﻊ ﻭﻏﻡ ﻋِﺸﹾﻘِﻙ ،ﻭﻗﹶﻊ ﺒﻴﻨﻬﻤﺎ ﺍﻻِﺘﱢﺤﺎﺩ ﻓﻲ ﺍﻟﻌﻬﺩِ
ﺍﻟﻘﺩﻴﻡ.
ﻏﺰﻝ ٣٧
ﺘﻌﺎلَ ﻓﻘﺼﺭ ﺍﻷﻤلِ ﺃﺴﺎﺴﻪ ﻭﺍﻩٍ ،ﻭﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ ﻓﺒِﻨﺎﺀ ﺍﻟﻌﻤﺭِ ﻗﺎﺌﻡ ﻋﻠﻰ ﺍﻟﻬﻭﺍﺀ)(٢؛
ﺃﻨﺎ ﻏﻼﻡ ﻫﻤﺔِ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺘﺤﺕﹶ ﺩﻭﻻﺏِ ﺍﻟﻔﻠ ﻙِ ،ﻤِﻥ ﻜﹸلﱢ ﻟﻭﻥٍ ﻤِﻥ ﺃﻟﻭﺍﻥِ ﺍﻟﺘﱠﻌﻠﱡﻕ
ﺤﺭ؛
) (١ﻗﺎلَ ﺍﻟﺸﱠﻴﺦﹸ ﺍﻟﻜﺒﻴﺭ ﻤﺤﻲ ﺍﻟﺩﻴﻥ ﺒﻥ ﻋﺭﺒﻲ ﻅلﱡ ﺍﷲِ ﻭﺍﻗﻊ ﻋﻠﻰ ﻜلﱢ ﺇﻨﺴﺎﻥ ﺒل ﻋﻠﻰ ﻜﹸ ﱢ
ل
ﺃﻋﻴﺎﻥِ ﺍﻟﻤﻤﻜِﻨﺎﺕ )ﺃﻟﻡ ﺘﺭ ﺇﻟﻰ ﺭﺒﻙ ﻜﻴﻑﹶ ﻤﺩ ﺍﻟﻅﱢلﱠ( ،ﻭﺍﻟﻅﱢلﱡ ﻴﺭﻤﺯ ﺇﻟﻰ ﺍﻟﺨﻔﺎﺀ ﺃﻭ ﺍﻟﺒﺎﻁِﻥ
ﺃﻭ ﺍﻟﻐﻴﺏ ،ﻓﻅلﱡ ﺍﷲِ ﻓﻲ ﺍﻹﻨﺴﺎﻥِ ﻤﻘﺎﻡ ﺭﻭﺤِﻪِ ﺍﻟﱠﺘﻲ ﺃﺠﺭﺍﻫﺎ ﺍﷲُ ﺴﺒﺤﺎﻨﻪ ﻤﻥ ﺭﻴﺢِ ﺭﻭﺤِﻪ
)ﻗل ﺍﻟﺭﻭﺡ ﻤﻥ ﺃﻤﺭِ ﺭﺒﻲ( ﻭﻫﻲ ﻜﻠﻤﺔﹲ ﻤﻨﻪ ،ﻗﺎﺌﻤﺔﹲ ﺒِﻪِ ،ﻭﺇﻟﻴﻪِ ﺼﻌﻭﺩﻫﺎ ﻭﺭﺠﻭﻋﻬﺎ )ﺇﻟﻴﻪِ
ﻴﺼﻌﺩ ﺍﻟﻜﻠِﻡ ﺍﻟﻁﱠﻴﺏ ،ﻭﺇﻨﱠﺎ ﺇﻟﻴﻪِ ﺭﺍﺠﻌﻭﻥ( ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﻅلﱡ ﺍﷲِ ﻋﺒﺩ ﺍﷲِ ﺍﻟﻔﺎﻨﻲ ﻋﻥ
ﺍﻟﻌﺎﻟﹶﻡِ ،ﻭﺍﻟﺤﻲ ﺒﺎﷲ.
) (٢ﺍﻟﻌﻤﺭ ﺒﻨﺎﺀ ﻗﺎﺌﻡ ﻋﻠﻰ ﺍﻟﻬﻭﺍﺀ :ﻏﻴﺭ ﺜﺎﺒﺕ ﺍﻷﺴﺎﺱ ،ﺘﻨﻔﱡﺱ ﺍﻟﻬﻭﺍﺀ ﺃﺴﺎﺱ ﺍﻟﺤﻴﺎﺓ؛
-٥٠-
ﻤﺎ ﺃﻗﻭلُ ﻟﻙ ،ﻭﻗﺩ ﻜﹸﻨﺕﹸ ﺃﻤﺱِ ﻓﻲ ﺍﻟﺤﺎﻥِ ﺴﻜﺭﺍﻥ ﻭﺨﺭِﺒﺎﹰ ،ﻋﻥِ ﺍﻟﺒﺸﺎﺌﺭ ﺍﻟﱠﺘﻲ
ﺃﻋﻁﺎﻨﻲ ﻤﻼﻙ ﻋﺎﻟﹶﻡِ ﺍﻟﻐﻴﺏ؛
ﺃﻥ ﺃﻴﻬﺎ ﺍﻟﺒﺎﺯ ﺍﻟﻤﻠﹶﻜﻲ ﺍﻟﱠﺫﻱ ﻋﺸﱡﻙ ﻓﻲ ﺴِﺩﺭﺓِ ﺍﻟﻤﻨﺘﻬﻰ ،ﺇﻥ ﻫﺫﺍ ﺍﻟﻭﻜﺭ ﺍﻟﻤﻠﻲﺀ
ﺒﺎﻟﻤِﺤﻥ ﻻ ﻴﻠﻴﻕﹸ ﺒﻙ(١)؛
ﻭﻫﻡ ﻴﺭﺴِﻠﻭﻥ ﺇﻟﻴﻙ ﺒِﺼﻔﻴﺭِ ﺍﻟﻨﱢﺩﺍﺀِ ﻤِﻥ ﺃﺴِﺭﺓِ ﺍﻟﻌﺭﺵ ،ﻭﻻ ﺃﺩﺭﻱ ﻤﺎ ﺍﻟﱠﺫﻱ ﺠﺭﻯ
ﹶﻟﻙ ﻟِﺘﹶﺒﻘﻰ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﺸﱢﺒﺎﻙ؛
ﻨﺼﺤﺘﹸﻙ ﻓﺎﺫﻜﹸﺭ ﻨﺼﻴﺤﺘﻲ ﻭﺍﻋﻤلْ ﺒِﻬﺎ ،ﻓﺫﺍﻙ ﺤﺩﻴﺙﹲ ﺃﺨﹶﺫﹾﺘﹸﻪ ﻋﻥ ﺸﻴﺦِ ﻁﺭﻴﻘﺘﻲ)(٢؛
ﻭﻻ ﺘﻐﺘﻡ ﻭﻻ ﺘﹶﻨﹾﺱ ﻨﺼﻴﺤﺘﻲ ،ﻓﻠﻁﻴﻔﺔﹸ ﺍﻟﻌِﺸﹾﻕِ ﻫﺫِﻩِ ﺍﺴﺘﻔﺩﺘﹸﻬﺎ ﻤِﻥ ﻭﺍﺤِﺩٍ ﻤﻥ
ﺍﻟﺴﺎﻟِﻜﻴﻥ؛
ﻭﺍﺭﺽ ﺒِﻌﻁﺎﺌﻙ ﻭﻓﹸﻙ ﻋﻘﹾﺩﺓﹶ ﺠﺒﻴﻨِﻙ ،ﻓﺒﺎﺏ ﺍﻻِﺨﺘﻴﺎﺭِ ﻟﹶﻥ ﻴﻔﺘﹶﺢ ﻟﻲ ﻭﻟﻙ؛
ﻭﻻ ﺘﻁﻤﻊ ﺒﺎﻟﻭﻓﺎﺀِ ﺒﺎﻟﻌﻬﺩِ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺩﻨﻴﺎ ﺍﻟﻭﺍﻫﻴﺔِ ﺍﻷﺴﺎﺱ ،ﻓﺈﻥ ﻫﺫِﻩِ ﺍﻟﻌﺠﻭﺯ ﻫﻲ
ﻋﺭﻭﺱ ﻟﻶﻻﻑِ ﻤِﻥ ﺨﹸﻁﱠﺎﺒﻬﺎ؛
ﺸﺎﺭﺓﹸ ﺍﻟﻌﻬﺩِ ﻭﺍﻟﻭﻓﺎﺀِ ﻟﻴﺴﺕﹾ ﻓﻲ ﺘﺒﺴﻡِ ﺍﻟﻭﺭﺩِ ،ﻓﻠﹾﺘﻨﹸﺢ ﺃﻴﻬﺎ ﺍﻟﺒﻠﺒلُ ﺍﻟﻭﺍﻟِﻪ ،ﻓﻘﺩ ﺤﻕﱠ ﻟﻙ
ﺍﻟﺒﻜﺎﺀ؛
ﻟﻤﺎﺫﺍ ﺘﹶﺤﻤِلُ ﺍﻟﺤﺴﺩ ﻟِﺤﺎﻓﻅﹶ ﺃﻱ ﺭﻜﻴﻙ ﺍﻟﻨﱠﻅﹾﻡ ،ﻗﺒﻭلُ ﺍﻟﺨﺎﻁِﺭِ ﻭﻟﹸﻁﻑﹸ ﺍﻟﺤﺩﻴﺙِ
ﻋﻁﺎﺀ ﻤﻥ ﺍﷲ.
) (١ﺍﻟﺒﺎﺯ ﺍﻟﻤﻠﹶﻜﻲ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺍﻟﺭﻭﺡِ ،ﻭﺍﻟﻭﻜﺭ ﺍﻟﻤﻠﻲﺀ ﺒﺎﻟﻤِﺤﻥِ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺍﻟﺩﻨﻴﺎ ﺍﻟﱠﺘﻲ ﻨﺤﻥ ﻓﻴﻬﺎ
ﻟﻔﺘﺭﺓٍ ﻗﺼﻴﺭﺓٍ ،ﻭﻗﺩ ﺭﻜﻨﱠﺎ ﺇﻟﻴﻬﺎ ،ﻭﻜﺄﻨﱠﻨﺎ ﻨﻨﻜﺭ ﻤﺎ ﻭﺭﺍﺀﻫﺎ ،ﻗﺎل ﺍﻟﻤﻭﻟﻭﻱ :ﻟﻭ ﺃﻥ ﺸﺨﺼﺎﹰ ﻗﺎل
ﻟﺠﻨﻴﻥٍ ﻓﻲ ﺍﻟﺭﺤﻡِ ،ﺃﻥ ﻫﻨﺎﻙ ﻋﺎﻟﹶﻤﺎﹰ ﻓﻲ ﺍﻟﺨﺎﺭِﺝِ ،ﻭﺃﺭﻀﺎﹰ ﺫﺍﺕﹶ ﻁﻭلٍ ﻭﻋﺭﺽٍ ،ﻭﺃﻥ ﺒﻬﺎ
ﻤﺌﺎﺕِ ﺍﻟﻨﱢﻌﻡِ ﻷﻨﻜﺭ؛
) (٢ﻨﹶﺼﻴﺤﺘﻲ ﺒﺎﻟﻌﻤلِ ﻟﻠﺨﻼﺹِ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺴﺠﻥِ ﺍﻟﱠﺫﻱ ﻫﻭ ﺍﻟﺩﻨﻴﺎ ،ﻭﻗﺎل ﺠﻼل ﺍﻟﺩﻴﻥ :ﺇﻥ ﺃﺭﺩﺕﹶ
ﺍﻟﺨﻼﺹ ﻤﻥ ﺍﻟﺴﺠﻥِ ﺍﻟﺨﺭﺏ ﻻ ﺘﻌﺹِ ﺍﻟﺤﺒﻴﺏ ﻭﺍﺴﺠﺩ ﻭﺍﻗﺘﺭِﺏ.
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ﻏﺰﻝ ٣٨
ﻭﺍﻟﻌﻤﺭ ﻤﻨﹼﻲ ﺩﺠﻰ ﻟﻴلٍ ﻭﺩﻴﺠـﻭﺭ ﻤِﻥ ﺩﻭﻥِ ﻭﺠﻬِﻙ ﻴﻭﻤﻲ ﻤﺎ ﺒِﻪِ ﻨﻭﺭ
ﺒﻜﺘﻙ ﻋﻴﻨﻲ ﺤﺘﻰ ﻤﺎ ﺒﻬـﺎ ﻨـﻭﺭ ﻴﻭﻡ ﺍﻟﻭﺩﺍﻉِ ،ﻭﻗﺎﻙ ﺍﷲُ ﻤِﻥ ﻀﺭﺭٍ،
ﻫﻴﻬﺎﺕﹶ ﻴﺒﻘﻰ ﺒﻬﺫﺍ ﺍﻟﺒﻴﺕِ ﻤﻌﻤـﻭﺭ ﻤﻀﻰ ﺨﻴﺎﻟﹸﻙ ﻋﻥ ﻋﻴﻨﻲ ﻭﻗﺎلَ ﻟﻬﺎ
ﻟﻙ ﺍﻟﺒﻘﺎﺀ ،ﺍﻟﻌﻠﻴلُ ﺍﻟﺼﺏ ﻤﻘﺒـﻭﺭ ﻭﻋﻥ ﻗﺭﻴﺏٍ ﻴﻭﺍﻓﻴﻙ ﺍﻟﺭﻗﻴﺏ ﺒـﺄﻥ
ﻓﺎﻟﻁﱠﺭﻑﹸ ﺒﺎﻟﻤﺎﺀِ ﻴﺠﺭﻱ ﻤِﻨﹾﻪ ﻤﻌﺫﻭﺭ ﻕ ﻤِﻥ ﻜﺒﺩﻱ ،ﺇﻟﹼﺎ ﺃﺭﻴـﻕﹶ ،ﺩﻡ
ﻟﹶﻡ ﻴﺒ ﹶ
ﻻ ﺼﺒﺭ ﻟﻲ ﺒﻌﺩ ﻫﺫﺍ ﺍﻟﻴﻭﻡِ ﻤﻘﺩﻭﺭ ﻭﻜﺎﻥ ﻟﻲ ﺤﻴﻠﹶﺔﹰ ﺼﺒﺭﻱ ﺒِﻬﺠﺭِﻙ ﻟﻲ
ﺩﺍﻋﻲ ﺍﻟﺴﺭﻭﺭِ ﺍﻨﺘﻬﻰ ﻤﺎ ﻋﺩﺕﹸ ﺃﻀﺤﻙ ﻤِﻥ ﻏﻡ ﺍﻟﺒﻜﺎﺀِ ،ﺃﻨﺎ ﻟﻠﺤـﺯﻥِ ﻤﻨـﺫﻭﺭ
ﻨﺜﺭﺍﹰ :ﺍﻟﺨﻴﺭ ﻤﻨﻙ ،ﻭﺴﻌﺎﺩﺘﻲ ﻤﻨﻙ ،ﻭﻀﻴﺎﺀ ﻨﻬﺎﺭﻱ ﻤﻥ ﻨﻭﺭِ ﻭﺠﻬِﻙ ،ﻭﻟﻭﻻ ﻭﺠﻬﻙ
ﻟﻜﺎﻥ ﻋﻤﺭﻱ ﻟﻴﻼﹰ ﺤﺎﻟﻜﺎﹰ؛
ﻴﻭﻡ ﻭﺩﻋﺘﻨﻲ ،ﻻ ﺃﺼﺎﺏ ﻭﺠﻬﻙ ﻤﻜﺭﻭﻩ ،ﺒﻜﺕ ﻋﻠﻴﻙ ﻋﻴﻨﻲ ﺤﺘﹼﻰ ﺍﻨﻁﻔﺄﺕ)(١؛
ﻏﺎﺩﺭ ﺨﻴﺎﻟﹸﻙ ﻋﻴﻨﻲ ﻗﺎﺌﻼﹰ :ﺃﺴﻔﺎﹰ ﺇﻥ ﻫﺫﺍ ﺍﻟﻤﻨﺯلَ ﺼﺎﺭ ﺨﺭﺍﺒﺎﹰ ،ﻭﻟﻡ ﻴﻌﺩ ﺼﺎﻟِﺤﺎﹰ ﻟﻠﺴﻜﹶﻥِ؛
ﻭﺼﻠﹸﻙ ﻟﻲ ﻴﺒﻌِﺩ ﻋﻨﱢﻲ ﺃﺠﻠﻲ ،ﻭﺍﻵﻥ ﻤِﻥ ﺩﻭﻟﹶﺔِ ﻫﺠﺭِﻙ ﻟﻴﺱ ﺒﺒﻌﻴﺩ؛
ﺠﺎﺀﺕﹾ ﻟﺤﻅﹶﺔﹸ ﻴﻘﻭلُ ﻟﹶﻙ ﺍﻟﺭﻗﻴﺏ ،ﺒﻌﻴﺩ ﻋﻨﹾﻙ ،ﺍﻟﻌﺎﺠِﺯ ﺍﻟﻤﻌﺫﱠﺏ ﻤﺎﺕ؛
ﻭﻻ ﺤﻴﻠﹶﺔﹶ ﻓﻲ ﻫِﺠﺭﺍﻨِﻙ ﺴِﻭﻯ ﺍﻟﺼﺒﺭ ،ﻭﺍﻟﺼﺒﺭ ﻟﻴﺱ ﻓﻲ ﻤﻘﺩﻭﺭﻱ ،ﻭﻜﻴﻑﹶ ﺃﻗﺩِﺭ ﻋﻠﻰ
ﺍﻟﺼﺒﺭ)(٢؛
ﻤﺩﻤﻌﻲ ﺃﺭﺍﻕﹶ ﻜﹸلﱠ ﺩﻡِ ﻜﹶﺒِﺩِﻱ ،ﻓﺈﺫﺍ ﺴﺎلَ ﻤﺎﺀ ﺒِﻬﺠﺭِﻙ ﺍﻵﻥ ﻓﻬﻭ ﻤﻌﺫﻭﺭ؛
ﺤﺎﻓِﻅﹸ ﻤِﻥ ﻏﻡ ﺍﻟﺒﻜﺎﺀِ ﻻ ﻴﺭﻯ ﻀﺎﺤِﻜﺎﹰ ،ﻀﺭِﺏ ﺍﻟﻤﺄﺘﹶﻡ ،ﻟﻡ ﺘﺒﻕﹶ ﻟﻠﻌﺭﺱِ ﺩﺍﻋِﻴﺔ.
) (١ﻟﻠﻤﻜﺯﻭﻥ:
ﻭﺃﻁﻔﺄﺘﹸـﻡ ﺒﺎﻟﻨﹼـَﻭﻯ ﻨـﻭﺭ ﻋﻴﻨـﻲ؛ ﻓﺄﻀﺭﻤﺘﹸﻡ ﺒﺎﻟﺠـﻭﻯ ﻨــﺎﺭ ﻗﻠﺒـﻲ
) (٢ﻻﺒﻥ ﺍﻟﻔﺎﺭﺽ:
ﺃﺤﺴﻥ ﺍﷲ ،ﻓﻲ ﺍﺼﻁﺒﺎﺭﻱ ،ﻋﺯﺍﻜـﺎ ﻜﻨﺕﹶ ﺘﺠﻔﻭ ﻭﻜﺎﻥ ﻟﻲ ﺒﻌﺽ ﺼـﺒﺭٍ
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ﻏﺰﻝ ٣٩
ﺼﺤﻥ ﺩﺍﺭﻱ ﺸﻤﺸﺎﺩﻩ ﻟﹶﻴﺱ ﺃﺼﻐﹶﺭ ﻟﻴﺱ ﺭﻭﻀﻲ ﺒِﺤﺎﺠﺔِ ﺍﻟﺴﺭﻭِ ﻭﺍﻟﺼﻨﹶﻭﺒﺭ
ﺏ ﺃُﻤﻙ ﺍﻟﺤﻼلَ ﺍﻷﻜﺒـﺭ
ﺃﻨﹾﺕﹶ ﻴﺎ ﺍﺒﻥ ﺍﻟﺩﻻلِ ﻋﻠﻰ ﺃﻱ ﻤﺫﹾﻫﺏٍ ﻟﻴﻜﻭﻥ ﺩﻤﻲ ﻻ ﺤﻠﻴ
ﺸﹸﺨﱢﺹ ﺍﻟﺩﺍﺀ ﻤِﻨﹾﻙ ﻭﺍﻟﺩﻭﺍﺀ ﻤﻘﺭﺭ ﺇﻥ ﺃَﺘﹶﺘﹾﻙ ﺍﻟﻐﹸﻤﻭﻡ ﻓﺎﻁﹾﻠﹸـﺏ ﺸـﺭﺍﺒﺎﹰ
ﻓﻲ ﺴﺭﺍﻴﺎﻩ ﺩﻭﻟﹶﺔﹲ ﻭﺍﻟﻌﺴﻴﺭ ﻤﻴﺴﺭ ﻭﻟﺘﻜﹸﻥ ﻻﺯﻤﺎﹰ ﻟِﺄﻋﺘﺎﺏِ ﺸﻴﺦِ ﺍﻟﺤﺎﻥِ
ﻜﻴﻑﹶ ﻟﹶﻡ ﻴﺠِﺊ ﺒِﻬﺎ ﻋﻠﻰ ﻟِﺴﺎﻥٍ ﻤﻜﹶﺭﺭ ﻭﻋﺠﻴﺏ ﻭﺍﻟﻌِﺸﹾﻕﹸ ﻏﹶﻤﻪ ﻓﹶﺭﺩ ﻗِﺼﺔٍ
ﻤﺎﺅﻨﺎ ﻨﺤﻥ ﺴﺎ َل ﻤِﻥ ﻤﻨﺒﻊِ ﺍﷲُ ﺃﻜﺒﺭ ﻨﺒﻊ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ﻴﻨﺒﻊ ﻤﻥ ﻅﹸﻠﹾﻤﺔِ ﺍﻟﻅﱡﻠﹸﻤﺎﺕ
ﺤﺩﻴﻘﺘﻲ ﻟﻴﺴﺕﹾ ﺒِﺤﺎﺠﺔِ ﺍﻟﺴﺭﻭِ ﻭﺍﻟﺼﻨﻭﺒﺭ ،ﺸﻤﺸﺎﺩ ﺨﺎﻨﺘﻲ ﺍﻟﻤﺩﻟﱠلُ ،ﻤِﻥ ﺃﻴﺔِ ﺸﹶﺠﺭﺓٍ
ﻫﻭ ﺃﺼﻐﹶﺭ)(١؛
ﺕ ﺒِﺄﻱ ﻤﺫﻫﺏٍ ﺘﺩﻴﻥ ،ﺤﺘﹼﻰ ﻴﻜﻭﻥ ﺩﻤﻲ ﺃﺤلﱠ ﹶﻟﻙ ﻤِﻥ ﻟﹶﺒﻥِ
ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻭﻟﺩ ﺍﻟﻤﺩﻟﱠلُ ،ﺃﻨ ﹶ
ﺃُﻤﻙ)(٢؛
ﺇﺫﺍ ﺭﺃﻴﺕﹶ ﻨﹶﻘﹾﺵﹶ ﺍﻟﻐﹶﻡ ﻤِﻥ ﺒﻌﻴﺩٍ ،ﻓﺎﻁﻠﹸﺏِ ﺍﻟﺸﱠﺭﺍﺏ ،ﻓﺩﺍﺅﻙ ﻤﺸﺨﱠﺹ ،ﻭﺩﻭﺍﺅﻙ
ﻤﻘﺭﺭ(٣)؛
ﻤِﻥ ﺇﻴﻭﺍﻥِ ﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ،ﻜﻴﻑﹶ ﺃﺴﺤﺏ ﺭﺃﺴﻲ ،ﺍﻟﺩﻭﻟﹶﺔﹸ ﻓﻲ ﺫﻟِﻙ ﺍﻟﺴﺭﺍﻱِ ،ﻭﺍﻟﻔﹶﺭﺝ
ﻫﻨﺎﻙ ﻤﺤﻜﹶﻡ؛
ﻏﻡ ﺍﻟﻌِﺸﹾﻕِ ﻗِﺼﺔﹲ ﻭﺍﺤِﺩﺓﹲ ،ﻭﻟﻴﺱ ﻗِﺼﺼﺎﹰ ﺸﺘﹼﻰ ،ﻭﺍﻟﻌﺠﻴﺏ ﺃﻨﹼﻲ ﻤﺎ ﺴﻤﻌﺕﹸ ﺒﻤﻜﺭﺭٍ
ﻤﻨﻬﺎ ﻤِﻥ ﻟِﺴﺎﻥٍ؛
) (١ﻭﺃﻴﺔﹸ ﺸﺠﺭﺓٍ ﺘﻌﻠﻭ ﻋﻠﻰ ﺸﺠﺭﺓِ ﺍﻟﺸﱠﻤﺸﺎﺩِ ﺍﻟﻤﺩﻟﱠﻠﹶﺔِ ﺍﻟﺒﺎﺴِﻘﹶﺔِ ﻓﻲ ﺼﺤﻥِ ﺩﺍﺭﻱ؟
ﻭﻓـﻲ ﻗﺘﻠﻲ ﺒِﻪِ ﻟﻠﻤﻭﺕِ ﻗﺘلُ؛ ﺤﺭﺍﻡ ﺩﻤﻲ ﻟﻤﻥ ﺃﻫﻭﺍﻩ ﺤلﱡ ) (٢ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ:
) (٣ﻤﻘﺭﺭ :ﻻ ﺒﺩ ﻤِﻨﻪ؛
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ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺃﻋﻁﺎﻨﻲ ﺍﻟﻭﻋﺩ ﺒﺎﻟﻭﺼلِ ﻭﺍﻟﺸﱠﺭﺍﺏ ﻓﻲ ﺭﺃﺴِﻪ ،ﺍﻟﻴﻭﻡ ﻤﺎ ﺴﻴﻘﻭلُ ﻟﻲ
ﻭﻤﺎ ﻴﺩﻭﺭ ﻟﻲ ﻓﻲ ﺭﺃﺴِﻪ؛
ﻻ ﺘﻌِﺏ ﺸﻴﺭﺍﺯ ،ﻭﻤﺎﺀ ﺍﻟﺭﻜﻥِ ،ﻭﻫﺫﺍ ﺍﻟﻬﻭﺍﺀ ﺍﻟﻌﻠﻴلَ ﺍﻟﻨﱠﺴﻴﻡِ ،ﺇﻨﱠﻬﺎ ﺍﻟﺨﺎلُ ﻋﻠﻰ ﺨﺩ
ﺍﻟﻤﺩﺍﺌﻥِ ﺍﻟﺴﺒﻊ؛
ﻫﻨﺎﻙ ﻓﹶﺭﻕﹲ ﺒﻴﻥ ﻤﺎﺀِ ﺍﻟﺨِﻀﺭِ ،ﻭﻤﺤﻠﱡﻪ ﺍﻟﻅﱡﻠﹸﻤﺎﺕﹸ ،ﻭﻤﺎﺌﻨﺎ ﻨﺤﻥ ﺍﻟﱠﺫﻱ ﻴﻨﺒﻊ ﻤِﻥ ﻤﻨﹾﺒ ﻊِ
ﺍﷲُ ﺃﻜﺒﺭ)(١؛
ﻨﺤﻥ ﻻ ﻨﺘﺭﻙ ﺸﹶﺭﻑﹶ ﺍﻟﻔﹶﻘﹾﺭِ ﻭﺍﻟﻘﹶﻨﺎﻋﺔِ ،ﻭﻗﹸلْ ﻟﻠﻤﻠِﻙِ :ﺍﻟﺭﺯﻕﹸ ﻤﻘﺩﺭ؛
ﺤﺎﻓِﻅﹸ ﻤﺎ ﺃﻁﹾﺭﻑﹶ ﻏﹸﺼﻥ ﻨﺒﺎﺕِ ﻗﹶﻠﹶﻤِﻙ ،ﺇﻨﱠﻪ ﻴﺤﻤِلُ ﻓﺎﻜِﻬﺔﹰ ﺃﻋﺫﹶﺏ ﻤِﻥ ﺍﻟﺸﱠﻬﺩِ ﻭﺍﻟﺴﻜﱠﺭ.
ﻏﺰﻝ ٤٠
ﺃﺒﻭﺍﺒﻬﺎ ﻓﻌﺴﻰ ﻴﻘﻀﻰ ﺒِﻬﺎ ﺃﺭﺒـﻲ ـﺎﻥ ﻤ ـﺸﹾﺭﻋﺔﹲ
ﺍﻟﺤﻤ ـﺩ ﷲ ﺇﻥ ﺍﻟﺤـ
ﺨﻤﺭِ ﺍﻟﺤﻘﻴﻘﺔِ ﻻ ﻤِﻥ ﺨﹶﻤﺭﺓِ ﺍﻟﻌِﻨﹶـﺏِ ﺠﻴﺎﺸﹶﺔﹲ ﻤﻠِﺌَﺕﹾ ﻤِﻨﹾﻬﺎ ﺍﻷﺒﺎﺭِﻕﹸ ﻤِـﻥ
ﻓﹶﻘﹾﺭ ﻭﻓﹶﻘﺭﻱ ﺇﻟﻰ ﻨﻌﻤﺎﺌِـﻪِ ﺴـﺒﺒﻲ ﺒِﻪِ ﻏﹸﺭﻭﺭ ﻭﻜِﺒﺭ ﻭﺍﻟـﺩﻻلُ ﻭﺒـﻲ
ﻓﻠﹶﻴﺱ ﻴﺸﹾﺭﺡ ﺒـﺎﻷﻗﻼﻡِ ﻭﺍﻟﻜﹸﺘﹸـﺏِ ﻁﺎلَ ﺍﻟﺤﺩﻴﺙﹸ ﺍﻟﱠﺫﻱ ﺘﹶﺭﻭﻱ ﺠﺩﻴﻠﹶﺘﹸﻪ
ﺍﻟﻤﻨﱠﺔﹸ ﷲِ ﺃﻥ ﺒﺎﺏ ﺍﻟﺤﺎﻨﹶﺔِ ﻤﻔﺘﻭﺡ ،ﻓﻘﺩ ﻭﺠﻬﺕﹸ ﺇﻟﻰ ﺒﺎﺒِﻬﺎ ﻭﺠﻪ ﻤﺤﺘﺎﺝٍ؛
ﺩِﻨﺎﻥ ﺍﻟﺨﹶﻤﺭِ ﻓﻴﻬﺎ ﺘﺠﻭﺵﹸ ،ﺘﺼﺭﺥﹸ ﻤِﻥ ﺍﻟﺴﻜﹾﺭِ ،ﻭﺍﻟﺨﹶﻤﺭ ﻓﻴﻬﺎ ﺤﻘﻴﻘﹶﺔﹲ ،ﻻ ﻤﺠﺎﺯ)(٢؛
) (١ﺍﻟﻔﺭﻕﹸ ﺒﻴﻥ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻟِﻠﺨِﻀﺭِ )ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،(ﻭﻤﺎﺌﻨﺎ ،ﺃﻥ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ ﻤﺤﻠﱡﻪ ﺒﺤ ﺭ
ﺍﻟﻅﱡﻠﹸﻤﺎﺕ ﻭﻤﺎﺅﻨﺎ ﻴﻨﺒﻊ ﻤِﻥ ﻤﻨﺒﻊِ ﺍﷲُ ﺃﻜﺒﺭ)ﻗﻴلَ ﺃﻥ ﺍﻟﺨﻀﺭ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ﻭﺠﺩ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻓﻲ
ﺒﺤﺭِ ﺍﻟﻅﱡﻠﹸﻤﺎﺕ ﻭﻗﺼﺔﹸ ﻟﻘﺎﺀ ﻤﻭﺴﻰ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ﺒﻪِ ،ﻭﻤﺼﺎﺤﺒﺘِﻪِ ﺇﻴﺎﻩ ،ﻤﺫﻜﻭﺭﺓﹲ ﻓﻲ ﺍﻟﻘﹸﺭﺁﻥ،
ﻭﺍﷲُ ﺃﻜﺒﺭ ﻫﻨﺎ ،ﺍِﺴﻡ ﻤﻨﺒﻊِ ﻨﻬﺭِ ﺭﻜﻨﺎﺒﺎﺩ ،ﺍﻟﻭﺍﻗِﻊِ ﺒﻴﻥ ﺠﺒﻠﻴﻥ ﺸِﻤﺎلَ ﺸﻴﺭﺍﺯ(.
) (٢ﺍﻟﺩﻨﺎﻥ ﻓﻲ ﺤﺎﻨﺔِ ﺍﻟﻌﺸﻕ ﻤﻤﻠﻭﺀﺓﹲ ﺒﺎﻟﺨﻤﺭﺓِ ﺍﻟﱠﺘﻲ ﺘﺠﻭﺵﹸ )ﺘﻐﻠﻲ( ﻓﻴﻬﺎ ﻭﻫﻲ ﺨﻤﺭﺓﹸ ﺍﻟﻤﻌﺭﻓﺔ،
ﺃﻭ ﺍﻟﺨﻤﺭﺓﹸ ﺍﻟﺤﻘﻴﻘﻴﺔﹸ ،ﻻ ﺨﻤﺭﺓ ﺍﻟﻌﻨﺏ ﺍﻟﺒﺎﻁﻠﺔ؛
-٥٤-
ﻤِﻨﹾ ﻪ ﻜﹸلﱡ ﺴﻜﹾﺭٍ ﻭﻏﹸﺭﻭﺭٍ ﻭﺘﻜﺒﺭٍ ،ﻭﻤِﻨﹼﺎ ﻜﹸلﱡ ﻤﺴﻜﹶﻨﹶﺔٍ ﻭﻋﺠﺯٍ ﻭﺍﻓﺘِﻘﺎﺭ؛
ﺍﻟﺴﺭ ﺍﻟﱠﺫﻱ ﻟﹶﻡ ﺃﻗﹸلْ ﻟِﻠﻐﹶﻴﺭِ ،ﻭﻻ ﺃﻗﻭلُ ،ﻟﻠﺤﺒﻴﺏِ ﺃﻗﻭلُ ،ﻓﻬﻭ ﻤﺤﺭﻡ ﺍﻟﺴﺭ؛
ﻭﺼﻑﹸ ﻀﻔﻴﺭﺓِ ﺍﻟﻤﻌﺸﻭﻕ ﺍﻟﻤﺠﻌﺩﺓِ ﺍﻟﻤﺘﺩﺍﺨِﻠﹶﺔِ ﺤﻠﹶﻘﺎﹰ ،ﺍﻹﻴﺠﺎﺯ ﻓﻴﻪِ ﻻ ﻴﻤﻜِﻥ ،ﻓﻬﺫِﻩِ
ﻗﺼﺔﹲ ﻁﻭﻴﻠﺔﹲ)(١؛
)ﺘﺸﺭﺡ (ﺤِﻤلَ ﻗﻠﺏِ ﺍﻟﻤﺠﻨﻭﻥِ ،ﻭﺠﻌﺩ ﻁﹸﺭﺓِ ﻟﻴﻠﻰ ،ﻭﻭﻀﻊ ﻤﺤﻤﻭﺩ ﻭﺠﻬﻪ ﺘﺤﺕﹶ
ﺃﺨﹾﻤﺹِ ﻗﹶﺩﻡِ ﺇﻴﺎﺯ)(٢؛
ﺃﻏﻠﹶﻘﹾﺕﹸ ﻋﻴﻨﻲ ﻋﻥ ﺠﻤﻴﻊِ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﺎﻟﺒﺎﺯِ ،ﻟِﺄﻓﺘﹶﺤﻬﺎ ﻤﻥ ﺠﺩﻴﺩٍ ﻋﻠﻰ ﻭﺠﻬِﻙ ﺍﻟﺠﻤﻴل؛
ﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﻴﺠﻲﺀ ﺇﻟﻰ ﻜﹶﻌﺒﺔِ ﺤِﻤﺎﻙ ،ﻴﻜﻭﻥ ﻤِﻥ ﻗِﺒﻠﹶﺔِ ﺤﺎﺠِﺒِﻙ ﻓﻲ ﻋﻴﻥِ ﺍﻟﺼﻼﺓ؛
ﻴﺎ ﺃﻫلَ ﺍﻟﻤﺠﻠِﺱِ ،ﻋﻥ ﺍﺤﺘِﺭﺍﻕِ ﻗﻠﺏِ ﺤﺎﻓِﻅﹶ ﺍﻟﻤِﺴﻜﻴﻥ ﺍﺴﺄﻟﻭﺍ ﺍﻟﺸﹼﻤﻊ ،ﻓﻬﻭ ﻴﺤﺘﹶﺭِﻕﹸ
ﻭﻴﺫﻭﺏ ﻤِﺜﻠﹶﻪ ،ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ.
ﻏﺰﻝ ٤١
ﺭﻏﻡ ﺃﻥ ﺍﻟﺨﹶﻤﺭ ﻤﻔﺭِﺤﺔﹲ ،ﻭﺭﻴﺢ ﺍﻟﻭﺭﺩِ ﻤﻌﻁﱠﺭﺓﹲ ،ﻋﻠﻰ ﺼﺭﺍﺥِ ﺍﻟﺭﺒﺎﺏِ ﻻ ﺘﹶﺸﺭﺏ،
ﺍﻟﻤﺤﺘﹶﺴِﺏ ﺼﺎﺭِﻡ(٣)؛
ﻭﺇﺫﺍ ﻤﺎ ﺤﺼﻠﹾﺕﹶ ﻋﻠﻰ ﺼﺭﺍﺤﻴﺔٍ ﻭﺤﺭﻴﻑٍ ،ﻓﺎﺸﺭﺏ ﺒِﻌﻘﹾلٍ ،ﻓﺄﻴﺎﻡ ﺍﻟﻔِﺘﹾﻨﹶﺔِ ﻗﺎﻤﺕﹾ؛
ﻭﺃﺨﹾﻑِ ﺍﻟﻜﺄﺱ ﺘﺤﺕﹶ ﺜﻭﺒِﻙ ﺍﻟﻤﺭﻗﱠﻊِ ،ﻓﺎﻟﺯﻤﺎﻥ ﺴﻔﱠﺎﻙ ،ﻜﹶﻌﻴﻥِ ﺍﻟﺼﺭﺍﺤﻴﺔ)(٤؛
ﻕ ﻤِﻥ ﺍﻟﺨﹶﻤﺭِ ﺒﻤﺎﺀِ ﺍﻟﻌﻴﻥ ،ﻓﺫﺍ ﻤﻭﺴِﻡ ﺍﻟﻭﺭﻉِ ،ﻭﺯﻤﺎﻥ ﺍﻟﺘﱠﻘﻭﻯ؛
ﻭﻟﻨﹶﻐﹾﺴِلْ ﺍﻟﺨِﺭ ﹶ
) (١ﻓﺎﻟﻘﺼﺔﹸ ﻁﻭﻴﻠﺔﹲ ﻻ ﺘﺸﺭﺤﻬﺎ ﺍﻷﻗﻼﻡ ،ﻭﻻ ﺘﺴﻌﻬﺎ ﺍﻟﻜﹸﺘﹸﺏ ،ﻭﻻ ﺘﻜﻭﻥ ﺒﺤﺩﻴﺙٍ ﻗﺼﻴﺭ؛
) (٢ﻤﺤﻤﻭﺩ ﻫﻭ ﺍﻟﺴﻠﻁﺎﻥ ﻤﺤﻤﻭﺩ ﺍﻟﻐﺯﻨﻭﻱ ،ﻭﺇﻴﺎﺯ ﻏﻼﻡ ﺘﹸﺭﻜﻲ ﺠﻤﻴلٌ.
) (٣ﻓﻲ ﻫﺫﺍ ﺍﻟﻐﹶﺯل ﺩﻋﻭﺓﹲ ﻷﺨﹾﺫِ ﺍﻟﺤﺫﹶﺭِ ،ﻟِﺄﻥ ﺤﺎﻜِﻡ ﺸﻴﺭﺍﺯ ﺍﻟﱠﺫﻱ ﺭﻤﺯ ﻟﻪ ﺒﺎﻟﻤﺤﺘﹶﺴِﺏِ ،ﻭﻫﻭ
ﺤﺎﻜِﻡ ﺍﻟﻤﺩﻴﻨﹶﺔ ،ﺼﺎﺭِﻡ ،ﻭﻴﻌﺎﻗِﺏ ﻋﻠﻰ ﺍﻟﺸﱠﺭﺍﺏ؛
) (٤ﺍﻟﺼﺭﺍﺤﻴﺔ ﺇﺒﺭﻴﻕﹸ ﺍﻟﺨﹶﻤﺭ ،ﻭﻋﻴﻨﹸﻪ ﻤﺼﺏ ﺍﻟﺨﹶﻤﺭِ ﻤِﻨﻪ.
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ﻻ ﺘﹶﺒﺤﺙﹾ ﻋﻥِ ﺍﻟﻌﻴﺵِ ﺍﻟﺴﻌﻴﺩِ ﻓﻲ ﺩﻭﺭﺓِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﻤﻨﻜﻭﺱ ،ﺇﻨﱠﻪ ﻴﻤﺯِﺝ ﺼﺎﻓﻲ ﺍﻟﺨﹶﻤﺭ
ﺠﻤﻠﹶﺔﹰ ﺒﺎﻷﻟﹶﻡِ ﻓﻲ ﺍﻟﺩﻥ؛
ﺍﻟﻔﹶﻠﹶ ﻙ ﺍﻟﻌﺎﻟﻲ ﻏِﺭﺒﺎلٌ ﻭﺴﻔﱠﺎﻙ ﺩِﻤﺎﺀٍ ،ﻤﻥ ﻀﺤﺎﻴﺎﻩ ﺭﺃ ﺱ ﻜِﺴﺭﻯ ﻭﺘﺎﺝ ﭙﺭﻭﻴﺯ؛
ﺸِﻌﺭ ﺤﺎ ﻓِﻅﹶ ﻓﹶ ﺘﹶﺢ ﺍﻟ ﻌِﺭﺍﻕﹶ ﻭﻓﺎﺭِﺱ ،ﺃﻗ ﺒِلْ ﻓﻬ ﺫِﻩِ ﻨﻭﺒﺔﹸ ﺒﻐﺩﺍﺩ ﻭﻭﻗﹾﺕﹸ ﺘﺒﺭﻴﺯ.
ﻏﺰﻝ ٤٢
)(١
ﺴِﺭ ﻗﻠﺒِﻲ ﺃُﺒﺩﻱ ﻟﻜﹸـﻡ ،ﻫـﻭﺱ ﺤﺎلَ ﻗﻠﺒﻲ ﺃﺤﻜـﻲ ﻟﻜﹸـﻡ ،ﻫـﻭﺱ
)(٢
ﺫﺍﻉ ﺒﻴﻥ ﺍﻟﻤﻼ ﺼﻴﺘﹸﻬﺎ ،ﻫـﻭﺱ ﻗﺼﺘﻲ ﺴﺘﺭﻫﺎ ﻋﻥ ﺭﻗﻴـﺏٍ ﻭﻗـﺩ
)(٣
ﻤﻌﻙ ﺍﻟﻨﱠﻭﻡ ﻓﻲ ﻟﻴﻠﺔِ ﺍﻟﻘﺩﺭِ ،ﻤﺎ ﺃﻋﺯﻫﺎ ﻤﻥ ﺸﺭﻴﻔﺔٍ ،ﺇﻟﻰ ﻓﺠﺭِﻫـﺎ ،ﻫـﻭﺱ
)(٤
ﺜﻘﺒﻬﺎ ﻓﻲ ﻅﻼﻡِ ﻟﻴﻠﺘـﻲ ﻫـﻭﺱ ﺤﺒﺔﹸ ﺍﻟﺩﺭ ﻫﺫﻩِ ﻴﺎ ﻟﻬﺎ ﻤﻥ ﻟﻁﻴﻔـﺔٍ
)(٤
ﺒﺎﻷﻫﺩﺍﺏِ ﻋﺯ ﻭﻟـﻲ ﺒـﻪِ ﻫـﻭﺱ ﺱ ﻏﹸﺒﺎﺭِ ﺍﻟﻁﹼﺭﻴﻕِ ﻋـﻥ ﺩﺭﺒـﻙ
ﻜﻨ
ﻤﺩﺩﺍﹰ ﻴﺎ ﺼﺒﺎ ﻓﻌﻨـﺩﻱ ﻟﻜـﻲ ﺃﺘﻔـﺘﱠﺢ ﻓـﻲ ﺍﻟﻔﺠـﺭِ ﻤـﻥ ﻟﻴﻠﺘـﻲ ،ﻫـﻭﺱ
ﻨﻅﻡ ﺸِﻌﺭِ ﺍﻟﺴﻜﺎﺭﻯ ﻋﻠﻰ ﺭﻏﻡِ ﻤـﺎ ﻗـﺎلَ ﻋـﻥ ﺤـﺎﻓﻅﹶ ﺍﻟﻤـﺩﻋﻲ ﻫـﻭﺱ
) (١ﺒﻲ ﺭﻏﺒﺔﹲ ﺸﺩﻴﺩﺓﹲ ﺘﺒﻠﻎﹸ ﺤﺩ ﺍﻟﻬﻭﺱِ ،ﻷﺘﺤﺩﺙﹶ ﺇﻟﻴﻙ ﻋﻥ ﺤﺎلِ ﻗﻠﺒﻲ ،ﻭﺃﺭﺍﻙ ﺘﹸﺼﻐﻲ ﺇﻟﻰ ﺨﺒﺭِ
ﻗﻠﺒﻲ؛
) (٢ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻁﻤﻌﻲ ﺍﻟﺴﺎﺫﺝِ ،ﺍﻟﱠﺫﻱ ﺒﻠﻎﹶ ﺤﺩ ﺍﻟﻬﻭﺱِ ،ﺒﺈﺨﻔﺎﺀِ ﻗﺼﺘﻲ ﺍﻟﻔﺎﺸِﻴﺔِ ﻋﻥ ﺍﻟﺭﻗﺒﺎﺀِ؛
) (٣ﻭﺒﻲ ﺭﻏﺒﺔﹲ ﺘﺒﻠﻎﹸ ﺤﺩ ﺍﻟﻬﻭﺱِ ،ﻷﻜﻭﻥ ﻤﻌﻙ ﺒﻜلﱢ ﻜﻴﺎﻥِ ﻭﺠﻭﺩﻱ ،ﻓﻲ ﻟﻴﻠﺔِ ﺍﻟﻘﺩﺭِ ﺍﻟﺸﱠﺭﻴﻔﺔِ
ﺍﻟﻌﺯﻴﺯﺓِ ،ﺍﻟﱠﺘﻲ ﻫﻲ ﻟﻴﻠﺔﹸ ﻟﻘﺎﺌﻲ ﺒﻙ؛
) (٤ﺤﺒﺔﹸ ﺍﻟﺩﺭ ﺍﻟﻠﹼﻁﻴﻔﺔﹸ ،ﻭﺜﻘﺒﻬﺎ ﻓﻲ ﻅﻠﻤﺔِ ﺍﻟﻠﻴلِ ،ﻫل ﻫﻲ ﻗﺼﻴﺩﺓﹸ ﻏﺯلٍ ﻴﻨﻅﻤﻬﺎ؟ ﻭﻗﺎﻟﻭﺍ ﻓﻲ ﻫﺫﺍ
ﺍﻟﺒﻴﺕِ ﺇﺸﺎﺭﺓﹲ ﻟﻠﻴﻠﺔِ ﺍﻟﺯﻓﺎﻑ.
-٥٦-
ﻏﺰﻝ ٤٣
ﺒﺎﻋِﺙﹸ ﺍﻟﺸﱠﻭﻕِ ﺼﺤﻥ ﺍﻟﺒﺴﺘﺎﻥِ ،ﻭﻜﻡ ﺼﺤﺒﺔﹸ ﺍﻟﻨﹼﺩﺍﻤﻰ ﺘﹶﻁﻴﺏ ،ﻭﺭﻋﻰ ﺍﷲُ ﺼﺤﺒﺔﹶ
ﺍﻟﻭﺭﺩِ ،ﻓﻜﻡ ﻭﻗﹾﺕﹸ ﺃﻫلِ ﺍﻟﺸﱠﺭﺍﺏِ ﻤِﻨﻬﺎ ﻴﻁﻴﺏ(١)؛
ﺍﻟﺼﺒﺎ ،ﺒﺎﻟﺸﱠﺫﺍ ،ﻜﹸلﱠ ﺤﻴﻥٍ ،ﺘﹸﻁﹶﻴﺏ ﺃﻨﻔﺎﺱ ﺃﺭﻭﺍﺤِﻨﺎ ،ﻨﻌﻡ ﻨﻌﻡ ،ﻁﻴﺏ ﺃﻨﻔﺎﺱِ ﺃﻫلِ
ﺍﻟﻐﺭﺍﻡِ ﻴﻁﻴﺏ(٢)؛
ﻋﺯﻑﹶ ﺍﻟﻭﺭﺩ ﻨﹶﻐﹾﻤﺔﹶ ﺍﻟﺭﺤﻴلِ ﻗﺒلَ ﺃﻥ ﻴﺭﻓﹶﻊ ﺍﻟﻨﱢﻘﺎﺏ ،ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺒﻠﺒلُ ﺍﻟﺤﺯﻴﻥ ﺍﻨﺘﺤِﺏ،
ﻓﺎﻟﺤﺯﻴﻥ ﺍﻟﻨﱠﺤﻴﺏ ﻤﻨﻪ ﻴﻁﻴﺏ(٣)؛
ﺃﻴﻬﺎ ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﺤﺴﻥ ﺍﻟﺼﻭﺕِ ،ﺒﺸﺭﺍﻙ ،ﻓﻔﻲ ﺩﺭﺏِ ﻋﺸﻕِ ﺍﻟﺤﺒﻴﺏِ ﻟﻠﺴﺎﻫِﺭﻴﻥ ﻓﻲ
ﺍﻟﻠﹼﻴلِ ﻴﻌﺫﹸﺏ ﺍﻟﺒﻜﺎ ﻭﻴﻁﻴﺏ(٤)؛
) (١ﺼﺤﻥ ﺍﻟﺒﺴﺘﺎﻥِ ﻴﺒﻌﺙﹸ ﺍﻟﻨﱠﺸﺎﻁﹶ ،ﻭﺼﺤﺒﺔﹸ ﺍﻷﺤﺒﺎﺏِ ﺠﻤﻴﻠﹶﺔﹲ ،ﻁﺎﺏ ﻭﻗﹾﺕﹸ ﺍﻟﻭﺭﺩِ ،ﻓﻤِﻨﹾﻪ ﻴﻁﻴﺏ
ﻭﻗﹾﺕﹸ ﺍﻟﺸﱠﺎﺭِﺒﻴﻥ )ﺇﺫﺍ ﺩﺨﻠﻨﺎ ﺍﻟﺒﺴﺘﺎﻥ ﺫﻜﱠﺭﻨﺎ ﺒﺎﻟﺤﺒﻴﺏ ﻓﺜﺎﺭﺕ ﺃﺸﻭﺍﻗﹸﻨﺎ ،ﻭﻜﻡ ﺘﻁﻴﺏ ﻟﻨﺎ ﺼﺤﺒﺔﹸ
ﺍﻟﻌﺎﺸﻘﻴﻥ ﺍﻟﺫﹼﺍﻜﺭﻴﻥ ﻤﻌﻨﺎ ،ﻭﺇﺫﺍ ﻤﺎ ﻅﻬﺭ ﺍﻟﻭﺭﺩ ﻓﻲ ﺍﻟﺒﺴﺘﺎﻥِ ،ﻓﻲ ﺍﻟﺭﺒﻴﻊِ ﺃﻏﺭﺍﻨﺎ ﺒﺎﻟﺸﱠﺭﺍﺏِ
ﺍﻟﻁﱠﻴﺏِ ﻭﺍﻟﺴﻜﹾﺭ)ﺍﻟﺘﹼﺠﻠﱢﻴﺎﺕﹸ ﺍﻟﺠﻤﺎﻟﻴﺔﹸ ﻟﻠﻤﻌﺸﻭﻕِ ﺘﺒﻌﺙﹸ ﺍﻟﺸﱠﻭﻕﹶ ﻓﻲ ﻗﻠﺏِ ﺍﻟﻌﺎﺸﻕِ ﻭﺘﹸﻐﺭﻴﻪِ
ﺒﺎﻟﺸﹼﺭﺍﺏِ ﺍﻟﻤﺴﻜِﺭ)ﻤﻥ ﺫﻜﺭِ ﺍﻟﺤﺒﻴﺏ(؛
) (٢ﻤِﻥ ﺍﻟﺼﺒﺎ ،ﺘﻁﹶﻴﺏ ﻤﺸﺎﻡ ﺃﺭﻭﺍﺤِﻨﺎ ،ﻨﻌﻡ ﻨﻌﻡ ،ﻤﺎ ﺃﺠﻤلَ ﻁﻬﺎﺭﺓﹶ ﺃﻨﻔﺎﺱِ ﺍﻟﻤﺤﺒﻴﻥ) ﻭﺍﻟﺼﺒﺎ
ﺍﻟﺤﺎﻤﻠﺔﹸ ﻟِﻌِﻁﺭِ ﺍﻟﺤﺒﻴﺏ ،ﺘﻬﺏ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ ،ﻓﺘﹸﻁﻴﺏ ﺃﻨﻔﺎﺱ ﺃﺭﻭﺍﺤِﻨﺎ ،ﻭﺠﻤﻴﻊِ ﺍﻟﻌﺎﺸﻘﻴﻥ
ﺃﻨﻔﺎﺴﻬﻡ ﻁﻴﺒﺔﹲ ،ﻤﻥ ﻋﺒﻴﺭِ ﺍﻟﻤﻌﺸﻭﻕ)ﻭﻜلﱡ ﻋﺒﻴﺭٍ ﻤﻥ ﻋﺒﻴﺭِ ﻤﺤﻤﺩٍ(؛
) (٣ﺯﻤﺎﻥ ﺍﻟﻭﺭﺩِ ﻗﺼﻴﺭ ،ﻭﺍﻟﻭﺭﺩﺓﹸ ﻋﺯﻤﺕﹾ ﻋﻠﻰ ﺍﻟﺴﻔﹶﺭِ ﻗﹶﺒلَ ﺃﻥ ﺘﺘﻔﺘﱠﺢ؛
) (٤ﻟﻙ ﺍﻟﺒِﺸﺎﺭﺓﹸ ﺃﻴﻬﺎ ﺍﻟﻁﱠﺎﺌﺭ ﻋﺫﹾﺏ ﺍﻟﻐِﻨﺎﺀِ ،ﻓﻔﻲ ﻁﺭﻴﻕِ ﻋِﺸﹾﻕِ ﺍﻟﺤﺒﻴﺏ ﺘﻁﻴﺏ ﻟﻴﺎﻟﻲ ﺍﻟﺴﺎﻫِﺭﻴﻥ
ﺒﺎﻟﻨﱠﺤﻴﺏ )ﺇﺫﺍ ﻟﻡ ﻴﺘﺠلﱠ ﻟﻙ ﺍﻟﻤﻌﺸﻭﻕﹸ ﺃﻴﻬﺎ ﺍﻟﺒﻠﺒل )ﺍﻟﻌﺎﺸﻕ( ،ﻓﻌﻠﻴﻙ ﺒﺎﻟﺒﻜﺎﺀ ﻓﻠﻙ ﻓﻲ ﺍﻟﺒﻜﺎﺀِ
ﺴﻌﺎﺩﺓﹲ ،ﻭﻜلﱡ ﺤﺯﻴﻥٍ ﻴﺴﻌﺩ ﺒﺎﻟﺒﻜﺎﺀ ،ﻭﺍﻟﺒﻜﺎﺀ ﻤﻨﻪ ﻁﻴﺏ ﻭﺠﻤﻴلٌ :ﺍﻟﺒﻜﺎﺀ ﻻ ﻴﻜﻭﻥ ﺇﻻﹼ ﻤﻥ
ﺍﻟﻌﺎﺸﻘﻴﻥ ،ﻷﻨﱠﻪ ﺒﺤﻜﻡِ ﺍﻟﻘﻠﺏِ ﻭﺃﻤﺭِ ﺍﻟﺭﻭﺡِ ،ﻭﺃﻁﻴﺏ ﺃﻭﻗﺎﺘِﻪِ ﺍﻟﻠﱠﻴلُ ،ﻓﻬﻨﻴﺌﺎﹰ ﻟﻙ ﺍﻟﻠﹼﻴﺎﻟﻲ ﺍﻟﻁﱠﻭﻴﻠﺔﹶ
ﺃﻴﻬﺎ ﺍﻟﻌﺎﺸﻕﹸ ﺍﻟﺤﺴﻥ ﺍﻟﺼﻭﺕ )ﻭﺴﺒﺤﻪ ﻟﻴﻼﹰ ﻁﻭﻴﻼ(؛
-٥٧-
ﻤﺎ ﺒِﺒﺎﺯﺍﺭِ ﻋﺎﻟﹶﻡِ ﺍﻟﻭﺠﻭﺩِ ﺭﺍﺤﺔﹸ ﻗﻠﺏٍ ﺴﻭﻯ ﻋﻨﺩ ﺃﻫلِ ﺍﻟﻤﺠﻭﻥِ ،ﻭﻻ ﻋﻴﺵﹶ ﻏﻴﺭ
ﻋﻴﺵِ ﺍﻟﺴﻜﺎﺭﻯ ﻴﻁﻴﺏ(١)؛
ﻗﺎلَ ﻟﻲ ﺍﻟﺴﻭﺴﻥ ﺍﻟﺤﺭ ﺒﺎﻷﻤﺱِ ﻤِﻥ ﻟﺴﺎﻨِﻪِ ﺇﻟﻰ ﺃُﺫﹸﻨﻲ :ﻟﻴﺱ ﺒِﻬﺫﺍ ﺍﻟﺩﻴﺭِ ﺍﻟﻘﺩﻴﻡِ ،ﻏﻴﺭ
ﻋﻴﺵِ ﺍﻟﻤﺨِﻔﱢﻴﻥ ،ﻋﻴﺵﹲ ﻴﻁﻴﺏ؛
ﺤﺎﻓﻅﹸ ،ﺍﻟﻘﻭلُ ﺒِﺘﺭﻙِ ﺍﻟﺩﻨﻴﺎ ﻁﺭﻴﻕﹸ ﺍﻟﺴﻌﺎﺩﺓِ ﻟﻠﻘﻠﺏِ ،ﺩﻉِ ﺍﻟﺩﻨﻴﺎ ﻭﻻ ﺘﺤﺴﺒﻥ ﺃﺤﻭﺍلَ
ﻤﺎﻟﻜﻴﻬﺎ ﺘﻁﻴﺏ.
ﻏﺰﻝ ٤٤
ﺭﻓﻊ ﺍﻟﻭﺭﺩ ﺒِﺎﻟﻜﹶﻑﱢ ﻟِﻠﹾﺒﻠﹾﺒلِ ﺠﺎﻡ ﺨﹶﻤﺭٍ ﺼﺎﻑٍ ،ﻤﺎﺀﺓﹸ ﺃﻟﹾﻑِ ﻟِﺴﺎﻥٍ ﺼﺎﺭ ﻟِﻠﺒﻠﺒلِ ﺍﻟﻭﺼﺎﻑِ؛
ﻓﺎﺴﻠﹸﻙِ ﺍﻟﺩﺭﺏ ﻟِﻠﺼﺤﺎﺭﻱ ،ﻭﺨﹸﺫﹾ ﺩﻓﹾﺘﹶﺭِ ﺍﻟﺸﱢﻌﺭِ ،ﻓﻼ ﻭﻗﺕﹶ ﻟﻠﺩﺭﺱِ ،ﻭﺍﻟﺒﺤﺙِ،
ﻭﺍﻟﻜﹶﺸﹾﻑِ ﻓﻲ ﺍﻟﻜﺸﱠﺎﻑِ؛
ﻭﺍﻋﺘﹶﺯِلْ ﻋﻥِ ﺍﻟﺨﹶﻠﹾﻕِ ﺘﹶﺸﹾﺘﹶﻬِﺭ ،ﻭﻜﹸﻥ ﻤﺜﹶلَ ﺍﻟﻌﻨﻘﺎﺀِ ،ﺍﻟﱠﺘﻲ ﻁﺎﺭ ﻤِﻥ ﺍﻟﻘﺎﻑِ ﺼِﻴﺘﹸﻬﺎ ﻟِﻠﹾﻘﺎﻑِ؛
ﺤﺎﻓِﻅﹸ ،ﻫﺫﻱ ﺍﻟﻨﱢﻜﺎﺕﹸ ﻜﺎﻟﺫﱠﻫﺏِ ﺍﻷﺤﻤﺭِ ،ﻓﺎﺼﻤﺕﹾ ﻟِﻜﹶﻲ ﻻ ﺘﹶﺼﻴﺭ ﺇﻟﻰ ﺫﻟﻙ ﺍﻟﻤﺯﻴﻑِ
ﺍﻟﺼﺭﺍﻑِ.
ﻨﺜﺭﺍﹰ :ﺍﻵﻥ ﻭﺍﻟﻭﺭﺩﺓﹸ ﺘﺭﻓﻊ ﺒﺎﻟﻜﹶﻑﱢ ﻜﺄﺴﺎﹰ ﻤﻥ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺼﺎﻓﻴﺔِ ،ﻫﺎ ﻫﻭ ﺒﻠﹾﺒﻠﹸﻬﺎ ﻴﺫﻜﹸﺭ
ﺃﻭﺼﺎﻓﹶﻬﺎ ﺒِﻤِﺌَﺔِ ﺃﻟﻑِ ﻟِﺴﺎﻥ)(٢؛
) (١ﻟﻴﺱ ﻓﻲ ﺒﺎﺯﺍﺭِ ﺍﻟﻌﺎﻟﹶﻡِ ﺴﻌﺎﺩﺓﹸ ﻗﹶﻠﹾﺏٍ ﻟﻐﻴﺭِ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻌﺭﺒِﺩﻴﻥ ﻭﺍﻟﻌﻴﺎﺭﻴﻥ )ﻻ ﺴﻌﺎﺩﺓﹶ ﺇﻟﹼﺎ
ﻟﻠﻌﺎﺸﻘﻴﻥ ﻭﺃﻫلِ ﺍﻟﺴﻜﺭِ ﻭﺍﻟﻤﺠﻭﻥِ ﺍﻟﻔﺎﺭﻏﻴﻥ ﻤﻥ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻟﻤﺸﻐﻭﻟﻴﻥ ﺒﺫﻜﺭِ ﺍﻟﺤﺒﻴﺏ )ﺃﻻ ﺒﺫﻜﺭِ
ﺍﷲِ ﺘﻁﻤﺌﻥ ﺍﻟﻘﻠﻭﺏ(؛ ﺴﻤِﻌﺕﹾ ﺃُﺫﹸﻨﻲ ﻤِﻥ ﻟِﺴﺎﻥِ ﺍﻟﺴﻭﺴﻥِ ﺍﻟﺤﺭ ،ﺃﻥ ﺨﻔﻴﻔﻲ ﺍﻷﺤﻤﺎلِ ،ﻓﻲ ﻫﺫﺍ
ﺍﻟﺩﻴﺭِ ﺍﻟﻘﹶﺩﻴﻡِ ،ﺤﺎﻟﹸﻬﻡ ﺤﺴﻥ؛ ﺤﺎﻓِﻅﺎ ،ﺍﻟﻘﹶﻭلُ ﺒِﺘﹶﺭﻙِ ﺍﻟﺩﻨﻴﺎ ﻁﺭﻴﻕﹸ ﺴﻌﺎﺩﺓِ ﺍﻟﻘﹶﻠﺏِ ﻟِﻜﹶﻲ ﻻ ﺘﹶﻅﹸﻥ
ﺃﻥ ﺃﺤﻭﺍلَ ﻤﺎﻟِﻜﻲ ﺍﻟﺩﻨﻴﺎ ﺠﻤﻴﻠﹶﺔ.
) (٢ﺍﻵﻥ ﻭﻗﹶﺩ ﺘﻔﺘﱠﺢ ﺍﻟﺒﺭﻋﻡ ،ﻭﺃﻁﻠﱠﺕﹾ ﻤﻨﻪ ﺍﻟﻭﺭﺩﺓﹸ ﺍﻟﺤﻤﺭﺍﺀ ،ﻫﺎ ﻫﻭ ﺍﻟﺒﻠﺒلُ ﺍﻟﻌﺎﺸِﻕﹸ ﻭﻗﺩ ﺴﻜِﺭ
ﻭﺍﻨﺒﺭﻯ ﻴﺜﻨﻲ ﺒِﻤﺎﺀﺓِ ﺃﻟﻑِ ﻟِﺴﺎﻥٍ ﻋﻠﻰ ﺠﻤﺎﻟِﻬﺎ ﻭﺃﻭﺼﺎﻓِﻬﺎ؛
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ﺍﻁﻠﹸﺏ ﺩﻓﺘﹶﺭ ﺍﻷﺸﻌﺎﺭِ ،ﻭﺍﺴﻠﹸﻙ ﺴﺒﻴلَ ﺍﻟﺼﺤﺭﺍﺀِ ،ﻓﺎﻟﻭﻗﺕﹸ ﻗﺼﻴﺭ ﻓﻼ ﺘﹸﻀِﻌﻪ
ﺒﺎﻟﺩﺭﺱِ ﻓﻲ ﺍﻟﻤﺩﺭﺴﺔِ ﻭﺍﻟﺒﺤﺙِ ﻓﻲ ﺍﻟﺘﱠﻔﺎﺴﻴﺭ)(١؛
ﻓﻘﻴﻪ ﺍﻟﻤﺩﺭﺴﺔِ ﻜﺎﻥ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺴﻜﺭﺍﻨﺎﹰ ،ﻭﺃﻓﺘﻰ ﺃﻥ ﺍﻟﺨﹶﻤﺭ ﺤﺭﺍﻡ ﻭﻟﻜِﻨﱠﻬﺎ ﺨﻴﺭ ﻤِﻥ
ﻤﺎلِ ﺍﻷﻭﻗﺎﻑ)(٢؛
ﺒﺎﻟﺜﱡﻤﺎﻟﹶﺔِ ﻭﺍﻟﺼﺎﻓِﻴﺔِ ،ﻻ ﺤﻜﹾﻡ ﻟﻙ ،ﻓﺎﺸﺭﺏ ﻫﻨﻴﺌﺎﹰ ،ﻓﻜﹸلﱡ ﻤﺎ ﻓﹶﻌلَ ﺍﻟﺴﺎﻗﻲ ﻫﻭ ﻋﻴﻥ
ﺍﻷﻟﻁﺎﻑِ ﻟﻨﺎ)(٣؛
ﺍﻨﻘﹶﻁِﻊ ﻋﻥِ ﺍﻟﺨﹶﻠﹾﻕِ ،ﻭﺍﻨﺯﻭِ ،ﻭﺍﺘﱠﺨِﺫِ ﺍﻟﻌﻨﻘﺎﺀ ﻤﺜﻼﹰ ،ﻓﻼ ﻴﺭﺍﻙ ﺍﻟﻨﱠﺎﺱ ،ﻓﺈﻥ ﺼﻴﺕﹶ
ﺍﻟﻤﻨﻌﺯِﻟﻴﻥ ﺍﻟﺴﺎﻜﻨﻴﻥ ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ ﻭﺼلَ ﻤِﻥ ﺍﻟﻘﺎﻑِ ﺇﻟﻰ ﺍﻟﻘﺎﻑ)(٤؛
ﺤﺩﻴﺙﹸ ﺍﻟﻤﺩﻋﻴﻥ ﻭﺨﻴﺎلُ ﺃﻫلِ ﻤِﻬﻨﹶﺘﻲ ،ﻋﻴﻥ ﺤِﻜﺎﻴﺔِ ﻤﻁﹶﺭﺯِ ﺍﻟﺫﱠﻫﺏِ ﻭﺼﺎﻨِﻊِ
ﺍﻟﺤﺼﻴﺭ)(٥؛
ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﺼﻤﺕﹾ ،ﻫﺫِﻩِ ﺍﻟﻨﱢﻜﺎﺕﹸ ﻜﺎﻟﺫﱠﻫﺏِ ﺍﻷﺤﻤﺭِ ﻓﺎﺤﻔﹶﻅﹾﻬﺎ ،ﻓﺈﻥ ﻤﺯﻴﻑﹶ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻫﻭ
ﺍﻟﺼﺭﺍﻑ).(٦
) (١ﻓﺎﺴﻠﹸﻙ ﺴﺒﻴلَ ﺍﻟﺼﺤﺭﺍﺀِ ،ﻭﻜﹸﻥ ﻋﺎﺸِﻘﺎﹰ ﻭﺩﻉِ ﺍﻟﺩﺭﺱ ﻭﺍﻟﺒﺤﺙﹶ ﻓﻲ ﺍﻟﻜﺸﺎﻑِ ،ﻭﺍﻟﻜﺸﹼﺎﻑﹸ ﻫﻭ ﺘﻔﺴﻴ ﺭ
ﺍﻟﻘﺭﺁﻥ ﺍﻟﻤﺸﻬﻭﺭ ﻟﻠﺯﻤﺨﺸﺭﻱ ،ﻭﻤﻘﺼﺩ ﺍﻟﺸﹼﺎﻋِﺭِ ﻫﻭ ﺃﻥ ﺍﻟﻌِﻠﻡ ﻟﻴﺱ ﻫﺎﺩﻴﺎﹰ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺴﻠﻭﻙِ،
ﻭﺒﺎﻟﻌِﺸﻕِ ﻭﺤﺩﻩ ﻴﻤﻜِﻥ ﺍﻟﺴﻴﺭ ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕ ،ﻭﻤﺎ ﻟﻠﺴﺎﻟِﻙِ ﻏﻴﺭ ﺍﻟﻌِﺸﻕِ ﻓﻴﻪِ ﻤﻥ ﺩﻟﻴلٍ؛
) (٢ﺸﹸﺭﺏ ﺍﻟﺨﻤﺭﺓِ ﺤﺭﺍﻡ ﻭﻟﻜِﻨﱠﻪ ﺃﻓﻀلُ ﻤِﻥ ﺃﻜلِ ﻤﺎلِ ﺍﻷﻭﻗﺎﻑِ ﺍﻟﹼﺫﻱ ﻴﻜﻭﻥ ﻤِﻥ ﺍﻟﻭﻋﺎﻅِ ﻭﺍﻟﻔﹸﻘﻬﺎﺀ؛
) (٣ﻓﻲ ﺃﻤﺭِ ﻤﺎ ﺘﹸﻌﻁﻰ ،ﻤِﻥ ﺜﹸﻤﺎﻟﹶﺔٍ ﺃﻭ ﺨﹶﻤﺭﺓٍ ﺼﺎﻓﻴﺔٍ ،ﻻ ﺤﻜﹾﻡ ﻟﻙ ،ﻓﺎﺸﺭﺏ ﻤﺎ ﺃُﻋﻁﻴﺕﹶ ﻓﻲ
ل ﻤﺎ ﻴﺴﻘﻴﻨﺎ ﺍﻟﺴﺎﻗﻲ ﻫﻭ ﻋﻴﻥ ﺍﻷﻟﻁﺎﻑ؛ ﻫﻨﺎﺀٍ ،ﻓﻜ ﱡ
) (٤ﻭﺼلَ ﻤِﻥ ﺍﻟﻘﺎﻑِ ﺇﻟﻰ ﺍﻟﻘﺎﻑ ﺃﻱ ﻤﻠﹶﺄ ﺍﻟﺩﻨﻴﺎ ،ﻓﺎﻷﻗﺩﻤﻭﻥ ﻜﺎﻨﻭﺍ ﻴﻘﻭﻟﻭﻥ ﺇﻥ ﻫﻨﺎﻙ ﺠﺒﻠﻴ ِ
ﻥ
ﻴﺤﻴﻁﺎﻥِ ﺒﺎﻟﺩﻨﻴﺎ ،ﻭﺍﺴ ﻡ ﻜﹸلﱟ ﻤﻨﻬﻤﺎ ﻗﺎﻑ ،ﻭﻜلﱞ ﻤﻨﻬﻤﺎ ﻤﻥ ﺯﻤﺭﺩﺓٍ ﺨﻀﺭﺍﺀ ﻭﻤﻨﻬﻤﺎ ﺨﹸﻀﺭﺓﹸ
ﺍﻟﺴﻤﺎﺀ ،ﻭﺍﻟﻌﻨﻘﺎﺀ ﻁﺎﺌﺭ ﺨﹸﺭﺍﻓﻲ ﻟﻡ ﻴﺭ ﻗﻁﹼ ،ﻭﺼِﻴﺘﹸﻪ ﻴﻤﻸُ ﺍﻟﺩﻨﻴﺎ ،ﻭﺍﻟﺼﻴﺕﹸ ﺍﻟﺫﱢﻜﹾﺭ ﺍﻟﺤﺴﻥ؛
) (٥ﺤﺩﻴﺙﹸ ﺃﻫلِ ﺼﻨﹾﻌِ ﺔ ﺍﻟﺤﺩﻴﺙِ ﻭﺤﺩﻴﺜﻲ ،ﻋﻴﻥ ﺤِﻜﺎﻴﺔِ ﻨﺎﺴِﺞِ ﺍﻟﺤﺼﻴﺭِ ﻭﻤﻁﹶﺭﺯِ ﺍﻟﺫﱠﻫﺏ )ﺃﻴﻥ
ﺼﺎﻨِﻊ ﺍﻟﺤﺼﻴﺭِ ِﻤﻥ ﻨﺎﺴِﺞِ ﺍﻟﺤﺭﻴﺭ(؛
) (٦ﺇﻥ ﻤﻌﺎﻨﻲ ﺤﺩﻴﺜِﻙ ﻴﺎ ﺤﺎﻓﻅﹸ ﻭﺃﺴﺭﺍﺭﻩ ﺍﻟﻤﻜﻨﻭﻨﺔﹶ ﻜﺎﻟﺫﱠﻫﺏِ ﺍﻷﺤﻤﺭِ ،ﻓﺎﺼﻤﺕ ﻭﺼﻨﻬﺎ ﻋﻥِ
ﺍﻟﻤﺯﻴﻔﻴﻥ ﻤﻥ ﺍﻟﺼﺭﺍﻓﻴﻥ ﺍﻟﱠﺫﻴﻥ ﻴﺨﺩﻋﻭﻥ ﺍﻟﻨﱠﺎﺱ ﺒﻨﻘﺩِﻫِﻡ ﺍﻟﺯﺍﺌﻑ.
-٥٩-
ﻏﺰﻝ ٤٥
ﻜﹶﺼِﺭﻑِ ﺨﹶﻤﺭٍ ﻭﺃَﺸﹾﻌﺎﺭٍ ﻤِﻥ ﺍﻟﻐﹶـﺯلِ ﻤﺎ ﻓﻲ ﺍﻟﺯﻤﺎﻥِ ﺨﹶﻠﻴلٌ ﺨﺎﻟﻲ ﺍﻟﺨﹶﻠﹶـلِ
ﻭﺍﺸﺭﺏ ﻓﹶﻌﻤﺭ ﻋﺯﻴﺯ ﻏﹶﻴﺭ ﺫﻱ ﺒﺩلِ ﻓﹶﺠﺯ ﺨﹶﻔﻴﻔﺎﹰ ﻓﹶﺈﻥ ﺍﻟـﺩﺭﺏ ﻀـﻴﻘﺔﹲ
ﻜﹶﻡ ﻋﺎﻟِﻡٍ ﻤلﱠ ﻤِﻥ ﻋِﻠﹾﻡٍ ﺒِـﻼ ﻋﻤـلِ ﻟﹶﺴﺕﹸ ﺍﻟﻭﺤﻴﺩ ﻤﻠﻭﻻﹰ ﻤِﻥ ﺒِﻼ ﻋﻤـلٍ
ﻤﺎ ﺍﻟﺴﻌﺩ ﻭﺍﻟﻨﱠﺤﺱ ﻤِﻥ ﻋﺯﻯ ﻭﻻ ﺯﺤلِ ﺃﻤﺴِﻙ ﺒِﻁﹸﺭﺓِ ﻤﻥ ﻜﹶﺎﻟﹾﺒـﺩﺭِ ﻁﹶﻠﹾﻌﺘﹸـﻪ
ﻟﻜِﻥ ﺃﺨﺎﻑﹸ ﺒِﺩﺭﺒﻲ ﻏﹶﺩﺭﺓﹶ ﺍﻷَﺠـلِ ﻗﹶﻠﹾﺒﻲ ﻴﺭﺠﻲ ﻭﺼﺎﻻﹰ ﻤﻨﻙ ﻓﻲ ﻁﹶﻤﻊٍ
ﻷَﻨﱠﻪ ﺸـﺎﺭِﺏ ﻤِـﻥ ﺨﹶﻤـﺭﺓِ ﺍﻷﺯلِ ﻭﻟﻴﺱ ﺤﺎﻓِﻅﹸ ﻴﺼﺤﻭ ﺍﻟﺩﻫﺭ ﻤِﻥ ﺴﻜﹶﺭٍ
ﻕ ﺍﻟﺨﺎﻟﻲ ﻤِﻥ ﺍﻟﺨﹶﻠﹶلِ ﻓﻲ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ،ﺼﺭﺍﺤِﻴﺔﹸ ﺍﻟﺨﹶﻤﺭِ ﺍﻟﺼﺎﻓﻲ ﻨﺜﺭﺍﹰ :ﺍﻟﺭﻓﻴ ﹸ
ﻭﺴﻔﻴ ﹶﻨﺔﹸ ﺍﻟﻐﹶﺯل؛
ﻑ ﺤِﻤلٍ ﻓﺎﻟﻤﻌﺒﺭ ﻀﻴﻕﹲ ،ﻭﺍﺤﻤِلْ ﺍﻟﻜﺄﺱ ﻓﺎﻟﻌﻤﺭ ﺍﻟﻌﺯﻴﺯ ﺒﻼ ﻋِﻭﺽ)(١؛
ﺴِﺭ ﻤﺴﺭِﻋﺎﹰ ﺨﻔﻴ ﹶ
ﻟﺴﺕﹸ ﺃﻨﺎ ﺍﻟﻭﺤﻴﺩ ﺍﻟﻤﻠﻭلَ ﻤِﻤﻥ ﻫﻭ ﺒﻼ ﻋﻤلٍ ،ﺍﻟﻌﻠﹶﻤﺎﺀ ﺃﻴﻀﺎﹰ ﺒِﻬِﻡ ﻤﻼﻟﹶﺔﹲ ﻤِﻥ ﻋِﻠﹾﻡٍ ﺒﻼ
ﻋﻤل)(٢؛
ﻭﺒِﻌﻴﻥِ ﺍﻟﻌﻘﹾلِ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻌﺒﺭِ ﺍﻟﻤﻠﻲﺀِ ﺒﺎﻟﻔِﺘﹶﻥ ،ﺍﻟﻌﺎﻟﹶﻡ ﻭﺸﹸﻐﹾلُ ﺍﻟﻌﺎﻟﹶﻡِ ﺒﻼ ﺜﺒﺎﺕٍ ﻭﻻ ﻤﺤل؛
ﺃﻤﺴِﻙ ﺒِﻁﹸﺭﺓِ ﻤﻥ ﻭﺠﻬ ﻪ ﻜﺎﻟﺒﺩﺭ ﻭﻻ ﺘﺭﻭِ ﺍﻟﻘﹶﺼﺹ ﺃﻥ ﺍﻟﺴﻌﺩ ﻭﺍﻟﻨﱠﺤﺱ ﻤِﻥ ﺘﺄﺜﻴﺭِ
ﺍﻟﺯﻫﺭﺓِ ﻭﺯﺤل)(٣؛
) (١ﺠﺯ ﺨﻔﻴﻔﺎﹰ ،ﺃﻱ ﻻ ﺘﻜﹸﻥ ﻤﺜﻘﹶلَ ﺍﻟﻅﱠﻬﺭِ ﺒﺎﻟﺫﱡﻨﻭﺏ ،ﻓﺘﻌﺠﺯ ﻋﻥ ﻗﻁﻊ ﻁﺭﻴﻕ ﺍﻟﻨﹼﺠﺎﺓ ﺍﻟﺼﻌﺏ ،ﻓﻁﺭﻴ ﹸ
ﻕ
ﺍﻵﺨﺭﺓِ ﻀﻴﻕﹲ ﻭﺼﻌﺏ ﻭﺨﻁﻴﺭ ،ﻭﻻ ﻴﺠﻭﺯ ﻓﻴﻪِ ﻏﻴﺭ ﺍﻟﻤﺨﻔﱢﻴﻥ ﺍﻟﱠﺫﻴﻥ ﻻ ﻴﺤﻤﻠﻭﻥ ﺍﻷﻭﺯﺍﺭ ﻋﻠﻰ
ﻅﻬﻭﺭِﻫِﻡ )ﺍﻟﻭِﺯﺭ ﻴﺜﻘِلُ ﺍﻟﻅﱠﻬﺭ( ،ﻭﺍﺸﺭﺏ ﺍﻟﺨﻤﺭ ﻭﺍﻏﺘﻨﻡ ﻓﹸﺭﺼﺔﹶ ﻋﻤﺭﻙ ﺍﻟﹼﺘﻲ ﻟﻥ ﺘﺩﻭﻡ؛
) (٢ﺸﺠﺭﺓﹸ ﺍﻟﻤﺤﺒﺔِ ﻻﺒﺩ ﺃﻥ ﺘﹸﺜﹾﻤِﺭ ﺍﻟﻌﻤل ،ﻭﺍﻟﻤﺘﱠﻘﻭﻥ ﻫﻡ ﺍﻟﹼﺫﻴﻥ ﻴﻘﻭﻟﻭﻥ ﻭﻴﻔﻌﻠﻭﻥ )ﻜﺒﺭ ﻤﻘﺘﺎﹰ ﻋﻨﺩ
ﺍﷲِ ﺃﻥ ﺘﻘﻭﻟﻭﺍ ﻤﺎ ﻻ ﺘﻔﻌﻠﻭﻥ(؛
) (٣ﺃﻤﺴِﻙ ﺒﺤﺒلٍ ﻤﺘﻴﻥٍ ﻤﻥ ﻓﺭﻉِ ﺫﻟﻙ ﺍﻟﱠﺫﻱ ﻭﺠﻬﻪ ﻜﺎﻟﻘﻤﺭِ ﺘﹸﻜﺘﹶﺏ ﻟﻙ ﺍﻟﻨﱠﺠﺎﺓ ،ﻭﻏﻴﺭﻩ ﻻ ﻴﻤﻠﻙ ﻟﻙ
ﻀﺭﺍﹰ ﻭﻻ ﻨﻔﻌﺎﹰ.
-٦٠-
ﻗﻠﺒﻲ ﻟﻪ ﺍﻷﻤلُ ﺍﻟﻜﺒﻴﺭ ﺒِﻭِﺼﺎلِ ﻭﺠﻬِﻙ ،ﻟﻜِﻥ ﺍﻷﺠلَ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌﻤﺭِ ﻗﺎﻁِﻊ ﺍﻟﻁﱠﺭﻴﻕ؛
ﺤﺎﻓِﻅﹸ ﻟﻥ ﻴﺭﻯ ﺼﺎﺤِﻴﺎﹰ ﺒِﺄﻱ ﺩﻭﺭٍ ،ﻷﱠﻨﻪ ﺴﻜﺭﺍﻥ ﻤِﻥ ﺨﹶﻤﺭﺓِ ﺍﻷﺯل.
ﻏﺰﻝ ٤٦
ﺃﻱ ﻴﻭﻡٍ ﻤﻊ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﺨﻤﺭ ﻓﻲ ﺍﻟﻜﻑﱢ ﻭﺍﻟﺤﺒﻴﺏ ﻜﻤﺎ ﺃﺒﺘﻐﻲ ،ﻓﺴﻠﻁﺎﻥ ﺩﻨﻴﺎﻱ ﻋﻨﺩﻱ
ﻏﹸﻼﻡ؛
ﻗﹸل ﻟﻬﻡ ﻫﺫﻩِ ﺍﻟﻠﱠﻴﻠﺔﹶ ﻻ ﺘﹸﺤﻀﺭﻭﺍ ﺍﻟﺸﱠﻤﻊ ﻟﻠﺠﻤﻊِ ،ﻓﻔﻲ ﻤﺠﻠِﺱِ ﺍﻟﻴﻭﻡِ ﺒﺩﺭ ﻭﺠﻪِ
ﺍﻟﺤﺒﻴﺏِ ﺘﻤﺎﻡ؛
ﻭﺤﻼلٌ ﻓﻲ ﻤﺫﻫﺒﻲ ﺍﻟﺨﻤﺭ ﻟﻜﻨﱠﻬﺎ ﻓﻲ ﻏﻴﺎﺏِ ﻭﺠﻬِﻙ ﻴﺎ ﺴﺭﻭ ﻓﻲ ﻜﺴﻭﺓِ ﺍﻟﻭﺭﻭﺩِ ﺤﺭﺍﻡ؛
ﺃُﺫﹸﻨﻲ ﻟِﻠﱠﺫﻱ ﻗﺎﻟﺕِ ﺍﻟﺭﺒﺎﺒﺔﹸ ﻭﺍﻟﻨﱠﺎﻱ ،ﻭﻋﻴﻨﻲ ﺒِﺸِﻔﺎﻩِ ﺍﻟﻌﻘﻴﻕِ ﻤﺸﻐﻭﻟﺔﹲ ،ﻭﺃﻴﻥ ﺩﺍﺭ ﺍﻟﺠﺎﻡ؛
ﺠﻤﻌﻨﺎ ﻓﻲ ﻏِﻨﻰ ﻋﻥ ﻤﺯﻴﺞِ ﺍﻟﻌﻁﻭﺭِ ،ﻭﻓﻲ ﻜﹸلﱢ ﺁﻥٍ ﺘﹶﻁﻴﺏ ﻤﻥ ﻤِﺴﻙِ ﻓﺭﻋِﻙ ﻤﻨﱠﺎ ﺍﻟﻤﺸﺎﻡ؛
ﻻ ﺘﹸﺤﺩﺙﹾ ﻋﻥِ ﺍﻟﺴﻜﱠﺭِ ﺍﻟﻌﺫﺏِ ﻭﺍﻟﺸﱠﻬﺩِ ﻤﺜﻠﻲ ،ﻋﺫﺏ ﺸِﻔﺎﻫِﻙ ﻻ ﺍﻟﺸﱠﻬﺩ،
ﻤﺎ ﺃﺸﺘﻬﻲ ﻭﺍﻟﻤﺭﺍﻡ.
ﺍﻟﻭﺭﺩ ﻤِﻥ ﺤﻭﻟﻲ ،ﻭﺍﻟﺨﹶﻤﺭ ﻓﻲ ﻜﹶﻔﱢﻲ ،ﻭﺍﻟﻤﻌﺸﻭﻕﹸ ﻤﻭﺍﻓﻘﻲ ،ﺫﺍﻙ ﻴﻭﻡ ﺴﻠﻁﺎﻥ ﺍﻟﻌﻭﺍﺍﻟﻡِ
ﻓﻴﻪِ ﻏﹸﻼﻤﻲ)(١؛
ﻗﹸل ﻟﻬﻡ ﻻ ﺘﹸﺤﻀِﺭﻭﺍ ﺍﻟﺸﱠﻤﻊ ﺇﻟﻰ ﻫﺫﺍ ﺍﻟﺠﻤﻊِ ﻫﺫِﻩِ ﺍﻟﻠﹼﻴﻠﺔﹶ ،ﻓﺒﺩﺭ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏِ ﻜﺎﻤِلٌ
ﺒِﻤﺠﻠِﺴﻨﺎ؛
ﻓﻲ ﻤﺫﹾﻫﺒِﻨﺎ ﺍﻟﺨﹶﻤﺭﺓﹸ ﺤﻼلٌ ،ﻭﻟﻜِﻨﱠﻬﺎ ﻤِﻥ ﺩﻭﻥِ ﻭﺠﻬِﻙ ،ﻴﺎ ﺴﺭﻭ ﻓﻲ ﻫﻨﺩﺍﻡِ ﺍﻟﻭﺭﻭﺩِ،
ﺤﺭﺍﻡ)(٢؛
) (١ﻏﻼﻤﻲ :ﺨﺎﺩِﻤﻲ
) (٢ﺨﻤﺭ ﹸﺓ ﺍﻟﻌﺭﻓﺎﻥِ ﺍﻟﹼﺘﻲ ﺒﻬﺎ ﻨﺭﺍﻙ ﺤﻼلٌ ،ﻭﺍﻟﺨﻤﺭﺓﹸ ﻓﻲ ﻏﻴﺭِ ﻋﺸﻘِﻙ ﺤﺭﺍﻡ ،ﻴﺎ ﻤﻥ ﻟﻙ ﻗﻭﺍﻡ
ﺍﻟﺴﺭﻭِ ﻓﻲ ﻫﻨﺩﺍﻡِ ﺍﻟﻭﺭﻭﺩِ؛
-٦١-
ﺃُﺫﹸﻨﻲ ﻜﹸﻠﱡﻬﺎ ﺘﹸﺼﻐﻲ ﺇﻟﻰ ﺤﺩﻴﺙِ ﺍﻟﻨﱠﺎﻱِ ﻭﻨﻐﻤﺔِ ﺍﻟﻌﻭﺩِ ،ﻭﻋﻴﻨﻲ ﻜﹸﻠﱡﻬﺎ ﺘﹸﺭﺍﻗِﺏ ﺸﻔﺔﹶ ﺍﻟﻌﻘﻴﻕِ
ﻭﺩﻭﺭﺓﹶ ﺍﻟﺠﺎﻡ)(١؛
ﻻ ﺘﻤﺯﺠﻭﺍ ﺍﻟﻌﻁﻭﺭ ﻟِﻤﺠﻠِﺴِﻨﺎ ﻫﺫﺍ ،ﻀﻔﻴﺭﺘﹸﻙ ﻓﻴﻪِ ﺘﹸﻌﻁﱢ ﺭ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ ﻤﺸﺎﻤﻨﺎ)(٢؛
ﻻ ﺘﹸﺤﺩﺜﻨﻲ ﻋﻥِ ﺍﻟﻁﱠﻌﻡِ ﺍﻟﻌﺫﺏِ ﻟﻠﺸﱠﻬﺩِ ﻭﺍﻟﺴﻜﱠﺭِ ،ﻤﺭﺍﺩﻱ ﺸﻔﺘﹸﻙ ﺍﻟﻌﺫﺒﺔﹸ ﻭﺤﺩﻫﺎ)(٣؛
ﻟﻜﻲ ﻴﻅﹶلﱠ ﻜﹶﻨﹾﺯ ﻏﻤﻙ ﻤﻘﻴﻤﺎﹰ ﺩﺍﺌﻤﺎﹰ ﻓﻲ ﺨﹶﺭﺍﺒﺔِ ﻗﻠﺒﻲ ،ﺠﻌﻠﹾﺕﹸ ﻤﻘﺎﻤﻲ ﺍﻟﺩﺍﺌﻡ ﻓﻲ ﺤِﻤﻰ
ﺍﻟﺨﺭﺍﺒﺎﺕ؛
ﻤﺎ ﺘﻘﻭلُ ﻋﻥِ ﺍﻟﻌﺎﺭِ ،ﻭﺸﹸﻬﺭﺘﻲ ﻤِﻥ ﺍﻟﻌﺎﺭ ،ﻭﻤﺎ ﺘﻁﻠﹸﺏ ﻤِﻥ ﺍﻟﺸﱡﻬﺭﺓِ ،ﻭﻋﺎﺭﻱ ﻤِﻥ
ﺍﻟﺸﱡﻬﺭﺓ)(٤؛
ﻨﺤﻥ ﺸﺎﺭﺒﻭ ﺨﹶﻤﺭٍ ،ﻭﻋﺼﺎﺓﹲ ،ﻭﻤﻌﺭﺒِﺩﻭﻥ ،ﻭﻨﻠﻌﺏ ﺒﺎﻟﻨﱠﻅﺭ ،ﺃﻴﻥ ﻤﻥ ﻟﻴﺱ ﻤِﺜﻠﹶﻨﺎ ﻓﻲ ﻫﺫِﻩِ
ﺍﻟﻤﺩﻴﻨﺔ؛
ﻻ ﺘﻘﹸﻭﻟﻭﺍ ﺒﻲ ﺍﻟﻌﻴﺏ ﻋِﻨﹾﺩ ﺍﻟﻤﺤﺘﹶﺴِﺏِ ﻓﻬﻭ ﺃﻴﻀﺎﹰ ﻤﺘﻌﻠﱢﻕﹲ ﻤِﺜﻠﹶﻨﺎ ﺒِﻁﹶﻠﹶﺏِ ﻋﻴﺵِ ﺍﻟﻤﺩﺍﻡِ؛
ﺤﺎﻓِﻅﹸ ﻻ ﺘﹶﺠﻠِﺱ ﻟﹶﺤﻅﹶﺔﹰ ﻤِﻥ ﺩﻭﻥِ ﺨﹶﻤﺭٍ ﻭﻤﻌﺸﻭﻕ ،ﻫﺫِﻩِ ﺃﻴﺎﻡ ﻭﺭﺩٍ ﻭﻴﺎﺴﻤﻴﻥٍ ،ﻭﻫﺫﺍ ﻋﻴﺩ
ﺍﻟﺼﻴﺎﻡ.
ﻏﺰﻝ ٤٧
ﻋﺎﺭﻑﹲ ﺃﻥ ﺩﻕﱠ ﺒﺎﺏِ ﻏﻴﺭِﻫﺎ ﺒﺎﻁِـلُ ﻋﺎﺭﻑﹸ ﺩﺭﺏِ ﺍﻟﺤﺎﻥِ ﻤـﻥ ﺴـﺎﻟِﻙٍ
ﻟِﻤﻥ ﻴﻌﻠﹶﻡ ﺃﻥ ﺒِﻪِ ﻋِـﺯﻩ ﺤﺎﺼِـلُ ﻟﻴﺱ ﻴﻌﻁﻲ ﺍﻟﺯﻤﺎﻥ ﺘﺎﺝ ﺍﻟﻤﺠﻭﻥِ ﺇﻻﹼ
) (١ﺠﻼل ﺍﻟﺩﻴﻥ ﺍﻟﺭﻭﻤﻲ ﺍﺴﺘﻬلﱠَ ﺍﻟﻤﺜﻨﻭﻱ ﺒِﻬﺫﺍ ﺍﻟﺒﻴﺕ ﺍﻟﺠﻤﻴل ﻋﻥ ﺤﺩﻴﺙِ ﺍﻟﻨﱠﺎﻱ:
ﻭﻫﻲ ﺘﺭﻭﻱ ﻤﺎ ﺠﺭﻯ ﻋﻬﺩ ﺍﻟﻔﺭﺍﻕ؛ ﺍﺴــﺘﻤﻊ ﻟﻠﻨﹼﺎﻱ ﺘﺸـﻜﻭ ﺒـﺎﺤﺘﺭﺍﻕﹾ
) (٢ﺍﻟﺤﺒﻴﺏ ﺤﺎﻀِﺭ ﻓﻴﻪِ ،ﻭﻀﻔﺎﺌﺭ ﻩ ﺘﹸﻌﻁﱢﺭ ﺃﻨﻔﺎﺴﻨﺎ ﺒﺎﻟﻤِﺴﻙِ ﻓﻲ ﻜﹸلﱢ ﻟﺤﻅﺔ؛
) (٣ﻻ ﺘﹶﻤﺩﺡ ﻁﹶﻌﻡ ﺍﻟﺸﱠﻬﺩِ ﻭﺍﻟﺴﻜﱠﺭِ ﻟﻲ ﻟِﺘﹸﻐﺭِﻴﻨﻲ ﻟِﺄﺘﺭﻙ ﺸﹶﻔﹶﺘﹶﻙ ﺍﻟﻌﺫﺒﺔﹶ ،ﻓﻠﻥ ﺃﺩﻋﻬﺎ ﻷﻨﱠﻬﺎ ﻤﺒﺘﻐﺎﻱ
)ﺤﺩﻴﺜﹸﻙ ﺃﻋﺫﺏ ﻋﻨﺩﻱ ﻤﻥ ﺍﻟﺸﱠﻬﺩِ ﻭﺍﻟﺴﻜﹼﺭ(؛
) (٤ﻟﻤﺎﺫﺍ ﺘﺫﹸﻡ ﺍﻟﻌﺎﺭ ﺍﻟﱠﺫﻱ ﻟﺤِﻕﹶ ﺒﻲ ﻤﻥ ﺍﻟﻌِﺸﹾﻕِ ﻭﻤِﻨﹾﻪ ﺤﺼﻠﹾﺕﹸ ﻋﻠﻰ ﺸﹸﻬﺭﺘﻲ ،ﻭﻟﻤﺎﺫﺍ ﺘﻁﻠﹸﺏ
ﺍﻟﺸﱡﻬﺭﺓﹶ ﻭﻤِﻥ ﺍﻟﺸﱡﻬﺭﺓِ ﻟﺤِﻕﹶ ﺒﻲ ﺍﻟﻌﺎﺭ.
-٦٢-
ﻓﻴﺽِ ﺠﺎﻡِ ﺃﺴﺭﺍﺭِﻫﺎ ﻟـﻪ ﺤﺎﺼِـلُ ﻗﺎﺼِﺩ ﺍﻟﺤﺎﻥِ ﻻ ﺒﺩ ﺃﻥ ﻴﺤﺼلَ ﻤﻥ
ﻤﺫﻨِﺏ ﻋﻨﺩ ﺸﻴﺦِ ﻤﺫﻫﺒﻲ ﺍﻟﻌﺎﻗِـلُ ﻁﺎﻋﺔﹸ ﻏﻴﺭِ ﺍﻟﻤﺠﺎﻨﻴﻥ ﻤﻨﹼﻲ ﻫﻴﻬﺎﺕﹶ
ﻨﺜﺭﺍﹰ :ﻜﹸلﱡ ﺴﺎﻟِﻙٍ ﻴﻌﺭِﻑﹸ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺇﻟﻰ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﻴﺭﻯ ﺃﻥ ﻗﹶﺭﻉ ﺃﻱ ﺒﺎﺏٍ ﺁﺨﹶﺭ ﺘﻔﻜﻴﺭ
ﺒﺎﻁِل؛
ﺍﻟﺯﻤﺎﻥ ﻻ ﻴﻌﻁﻲ ﺘﺎﺝ ﺍﻟﺨﻼﻋﺔِ ﺇﻟﹼﺎ ﻟِﺸﹶﺨﹾﺹٍ ﻴﺩﺭِﻙ ﺃﻥ ﺭﻓﹾﻌﺔﹶ ﺍﻟﻌﺎﻟﹶﻡِ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺘﱠﺎﺝ؛
ﻜﹸلﱡ ﻤﻥ ﻭﺠ ﺩ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺇﻟﻰ ﺃﻋﺘﺎﺏِ ﺍﻟﺤﺎﻥ ،ﻋﺭِﻑﹶ ﺃﺴﺭﺍﺭ ﺍﻟﺨﺎﻨِﻘﺎﻩ ﻤِﻥ ﻓﹶﻴﺽِ ﺠﺎﻡِ
ﺍﻟﺨﹶﻤﺭ؛
ﻭﻜﹸلﱡ ﻤﻥ ﻗﹶﺭﺃَ ﺃﺴﺭﺍﺭ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﻤِﻥ ﺨﹶﻁﱢ ﺍﻟﺠﺎﻡ ،ﻋﺭِﻑﹶ ﺭﻤﻭﺯ ﺠﺎﻡِ ﺠﻤﺸﻴﺩ ﻤِﻥ ﻨﻘﺵِ
ﺘﹸﺭﺍﺏِ ﺍﻟﻁﱠﺭﻴﻕ؛
ﻻ ﺘﹶﻁﹾﻠﹸﺏ ﻤِﻨﹼﺎ ﻭﺭﺍﺀ ﻁﺎﻋﺔِ ﺍﻟﻤﺠﺎﻨﻴﻥ ،ﺸﻴﺦﹸ ﻤﺫﹾﻫﺒِﻨﺎ ﻴﺭﻯ ﺍﻟﻌﻘﹾلَ ﺫﹶﻨﺒﺎﹰ؛
ﻗﻠﺒﻲ ﻤﻥ ﻨﺭﺠِﺱِ ﺍﻟﺴﺎﻗﻲ ﻻ ﻴﻁﻠﹸﺏ ﺍﻷﻤﺎﻥ ﻟﺭﻭﺤﻲ ،ﻜﻴﻑﹶ ﻭﻫﻭ ﻴﻌﺭﻑﹸ ﺃُﺴﻠﻭﺏ ﺫﻟﻙ
ﺍﻟﺘﱡﺭﻜﻲ ﺃﺴﻭﺩِ ﺍﻟﻘﻠﺏ؛
ﻤﻥ ﺠﻭﺭِ ﻜﻭﻜﹶﺏِ ﻁﺎﻟﻊِ ﺃﻫلِ ﺍﻷﺴﺤﺎﺭِ ،ﺒﻜﺕ ﻋﻴﻨﻲ ﺤﺘﹼﻰ ﺭﺃﺘﻬﺎ ﺍﻟﺯﻫﺭﺓﹸ ،ﻭﻋﻠِﻡ ﺒِﻬﺎ
ﺍﻟﻘﻤﺭ؛
ﻭﺤﺩﻴﺙﹸ ﺤﺎﻓﻅﹶ ﻭﺍﻟﻜﺄﺱِ ﺍﻟﱠﺫﻱ ﻴﺘﺤﺩﺜﻭﻥ ﺒِﻪِ ﺴِﺭﺍﹰ ،ﺍﻟﻤﻠِﻙ ﻋﻠﻰ ﻋﻠﻡٍ ﺒِﻪِ ،ﻓﻤﺎ ﺸﺄﻥ ﺍﻟﻌﺩﻭ
ﻭﺍﻟﻤﺤﺘﺴِﺏِ؛
ﺸﺎﻩ ﻋﺎﻟﻲ ﺍﻟﻤﺭﺘﹶﺒﺔِ ،ﻟﻴﺱ ﺭﻭﺍﻕﹸ ﺍﻟﻔﹶﻠﹶﻙِ ﺇﻟﹼﺎ ﺃُﻨﻤﻭﺫﹶﺠﺎﹰ ﻋﻥ ﺤﻨﻴﺔِ ﻁﺎﻕِ ﻤﺠﻠِﺴِﻪ.
ﻏﺰﻝ ٤٨
ﻴﺭﻯ ﺍﻟﺩﺭﻭﻴﺵﹸ ﺠﻭﻫﺭ ﻜﹸـلﱢ ﻓـﺎﻥِ ﺒِﻨﻭﺭِ ﺍﻟﺨﹶﻤﺭِ ﻴﺴﻁﹶﻊ ﻓﻲ ﺍﻷﻭﺍﻨـﻲ
ﻭﻜﹶﻡ ﻤِﻥ ﻗـﺎﺭِﺉٍ ﺠﻬِـلَ ﺍﻟﻤﻌـﺎﻨﻲ ﻭﻴﻌــﺭﻑﹸ ﻗﻴﻤــﺔﹶ ﺍﻷﻭﺭﺍﺩِ ﻁﹶﻴــﺭ
ﻓﻌــﺸﻘﹸﻙ ﺨﺎﻟِــﺩ ﻭﺴــﻭﺍﻩ ﻓــﺎﻥِ ﻋﺭﻀﺕﹸ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﻋﻠﻰ ﻓـﺅﺍﺩﻱ
ﻭﻴﻔﻨﻰ ﻏﻴﺭ ﻋِﺸﹾﻘِﻙ ﻤِـﻥ ﺠﻨـﺎﻨﻲ ﻴﺩﻭﻡ ﺍﻟﺩﻫﺭ ﺤﺒـﻙ ﻓـﻲ ﻜﻴـﺎﻨﻲ
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ﻭﻗﺩ ﻋﻠِﻡ ﺍﻟﺭﻗﻴﺏ ﺒِﻤـﺎ ﺩﻫـﺎﻨﻲ ﻭﻗــﺎلَ ﺍﻟﻤﻨﻜِــﺭﻭﻥ ﻭﻻ ﺃُﺒــﺎﻟﻲ
ـﺎﻨﻲ
ـﻼﺡ ﺸـ
ـﺎﺭِﻍﹲ ﺇﺼـ
ﻭﻗﹶﻠﺒـﻲ ﻓـ ﻭﻟﹶﻡ ﻴﺸﹶﺄْ ﺍﻟﺤﺒﻴـﺏ ﻭﻗـﺩ ﺭﺁﻨـﻲ
ﺤﺒﻴﺕﹸ ﻭﺁﺼﻑﹸ ﺍﻟﺜﹼـﺎﻨﻲ ﺤﺒـﺎﻨﻲ ﻭﻫﺫﺍ ﺍﻟﺠـﻭﻫﺭ ﺍﻟﻤﻨﻅـﻭﻡ ﻤﻤـﺎ
ﻨﺜﺭﺍﹰ :ﺍﻟﺼﻭﻓﻲ ،ﻤِﻥ ﻀﻴﺎﺀِ ﺍﻟﺨﹶﻤﺭﺓِ ،ﻋﺭِﻑﹶ ﺍﻟﺴﺭ ﺍﻟﺨﻔﻲ ،ﻭﺠﻭﻫ ﺭ ﻜﹸلﱢ ﺸﹶﺨﹾﺹٍ،
ﻑ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻠﱡﺅﻟﺅ)(١؛
ﻴﻤﻜِﻥ ﺃﻥ ﻴﻌﺭ ﹶ
ﻤﺠﻤﻭﻋﺔﹸ ﺍﻟﻭﺭﺩِ ﻴﻌﺭِﻑﹸ ﻗﹶﺩﺭﻫﺎ ﻁﺎﺌﺭ ﺍﻟﺴﺤﺭِ ،ﻭﻤﺎ ﻜﹸلﱡ ﻤﻥ ﻗﹶﺭﺃَ ﺍﻷﻭﺭﺍﻕﹶ ﻓﹶﻬِﻡ
ﺍﻟﻤﻌﺎﻨﻲ)(٢؛
ﻋﺭﻀﺕﹸ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﻋﻠﻰ ﻗﻠﺒﻲ ﺍﻟﺨﺒﻴﺭ ،ﻜﹸلﱡ ﺸﻲﺀٍ ﻓﺎﻥٍ ﺴِﻭﻯ ﻋِﺸﹾﻘِﻙ ﺍﻟﺒﺎﻗﻲ)(٣؛
ﺍﻵﻥ ﻤﺎ ﻋﺩﺕﹸ ﺃﺤﺴِﺏ ﺍﻟﺤِﺴﺎﺏ ﻟِﺄﺒﻨﺎﺀِ ﺍﻟﻌﻭﺍﻡ ،ﻭﺍﻟﻤﺤﺘﹶﺴِﺏ ﺃﻴﻀﺎﹰ ﻴﺩﺭﻱ ﺒﻌﻴﺸﻲ
ﻭﺸﹸﺭﺒﻲ ﻓﻲ ﺍﻟﺨﻔﺎﺀ؛
ﺍﻟﺤﺒﻴﺏ ﻟﻡ ﻴﺭ ﻤﺼﻠﹶﺤﺔﹶ ﺍﻟﻭﻗﹾﺕ ﻓﻲ ﺭﺍﺤﺘِﻨﺎ ،ﻭﺇﻥ ﻜﺎﻥ ﻴﻌﻠﹶﻡ ﺃﻥ ﻗﻠﻭﺒﻨﺎ ﺘﻨﺘﻅﹶﺭ؛
ﺇﻥ ﻤﻥ ﻴﻤﻠِﻙ ﻗﹶﺩﺭ ﻨﹶﻔﹶﺱٍ ﻤِﻥ ﺍﻟﺭﻴﺢِ ﺍﻟﻴﻤﺎﻨﻴﺔِ ،ﻴﺠﻌلُ ﺍﻟﺼﺨﹾﺭ ﻭﺍﻟﻁﱢﻴﻥ ﻤِﻥ ﻴﻤﻥِ
ﺍﻟﻨﱠﻅﹶﺭِ ﻟﺅﻟﺅﺍﹰ ﻭﻋﻘﻴﻘﺎﹰ؛
ﺃﻱ ﻤﻥ ﺘﻘﺭﺃُ ﺁﻴﺔﹶ ﺍﻟﻌِﺸﹾﻕِ ﻤِﻥ ﺩﻓﹾﺘﹶﺭِ ﺍﻟﻌﻘﹾلِ ،ﺃﺨﺸﻰ ﺃﻥ ﺘﺠِﺩ ﻫﺫِﻩِ ﺍﻟﻨﱡﻜﹾﺘﹶﺔﹶ ﻏﻴﺭ ﻗﺎﺒِﻠﹶﺔٍ ﻟﻠﺘﱠﺤﻘﻴﻕ؛
) (١ﻴﺴﺘﻁﻴﻊ ﺍﻟﺼﻭﻓﻲ ﺒﻨﻭﺭِ ﺍﻟﺨﻤﺭﺓِ ،ﺍﻟﱠﺘﻲ ﺘﻨﻴﺭ ﺍﻟﻤﻭﺠﻭﺩﺍﺕِ ﺒِﻀﻴﺎﺌﻬﺎ ،ﻤﻌﺭﻓﺔﹶ ﺍﻟﺴﺭ ﺍﻟﺨﻔﻲ ،ﻭﻴﺴﺘﻁﻴ ﻊ
ﻤﻥ ﻟﺅﻟﺅِ ﺍﻟﺨﻤﺭﺓِ ،ﻤﻌﺭِﻓﹶﺔﹶ ﺠﻭﻫﺭِ ﻜﹸلﱢ ﺇﻨﺴﺎﻥ )ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﻨﻭﺭ ﻨﻭﺭِ ﺍﻟﻘﻠﺏِ ﻤﻥ ﻨﻭﺭِ ﺍﻹﻟﻪ ،ﻓﺎﻟﻤﺅﻤﻥ
ﺍﻟﺴﺎﻟِﻙ ،ﻻﺒِﺱ ﻟﺒﺎﺱِ ﺍﻟﻔﻘﺭِ ﺇﻟﻰ ﺍﷲِ ،ﻴﺴﺘﻨﻴﺭ ﺒﻨﻭﺭِ ﺍﷲ ،ﻭﻴﻨﻅﹸﺭ ﺒﻨﻭﺭِ ﺍﷲ ،ﻓﻴﻨﻜﺸِﻑﹸ ﻟﻪ ﺍﻟﻐِﻁﺎﺀ،
ﻭﻴﺭﻯ ﺤﻘﺎﺌﻕﹶ ﺍﻷﺸﻴﺎﺀ ،ﻭﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﺍﻟﺸﱠﺭﻴﻑِ ﺍﺘﻘﻭﺍ ﻓﺭﺍﺴﺔﹶ ﺍﻟﻤﺅﻤﻥِ ﻓﺈﻨﱠﻪ ﻴﻨﻅﹸﺭ ﺒﻨﻭﺭِ ﺍﷲ؛
) (٢ﻁﺎﺌﺭ ﺍﻟﺴﺤﺭِ )ﺍﻟﺒﻠﺒلُ( ،ﻴﻌﺭِﻑﹸ ﻗﻴﻤﺔﹶ ﺍﻟﻭﺭﺩِ ،ﻭﻴﻘﺩﺭﻩ ﺤﻕﱠ ﻗﺩﺭِﻩ ،ﻷﻨﱠﻪ ﻴﻘﺭﺃُ ﻜﺘﺎﺏ ﺃﻭﺭﺍﻗِﻪِ،
ﻭﻴﻔﻬﻡ ﻤﻌﺎﻨﻴﻪ ،ﻭﻻ ﻴﻔﻬﻡ ﻤﻌﺎﻨﻲ ﻜﺘﺎﺏِ ﺍﻟﻭﺭﺩِ ،ﺇﻻﱠ ﺍﻟﺒﻠﺒلُ ﺍﻟﻌﺎﺸﻕﹸ ،ﻭﻜﻡ ﻤﻥ ﻗﺎﺭﺉٍ ﻓﻲ
ﺍﻷﻭﺭﺍﻕِ ﻴﺠﻬلُ ﻤﻌﺎﻨﻲ ﻤﺎ ﻴﻘﺭﺃُ ،ﻜﺫﻟِﻙ ﻤﻌﺸﻭﻗﹸﻨﺎ ﻓﻠﻴﺱ ﻜﹸلﱡ ﻤﻥ ﻴﺭﺍﻩ ﺃﻭ ﻴﻘﺭﺃُ ﻋﻨﻪ ﻴﻌﺭِﻓﹸﻪ
ﺤﻕﱠ ﻤﻌﺭِﻓﹶﺘِﻪِ ،ﻭﻴﻘﺩﺭﻩ ﺤﻕﱠ ﻗﺩﺭِﻩ؛
) (٣ﻭﻟﻘﺩ ﻨﻅﺭﺕﹸ ﻓﻲ ﺃﻤﺭِ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨِﺭﺓِ ،ﻓﻭﺠﺩﺕﹸ ﺤﻘﻴﻘﹶﺘﻬﻤﺎ ﻓﻲ ﻋِﺸﻘِﻙ ﺍﻟﺨﺎﻟِﺩِ ،ﻭﺭﺃﻴﺕﹸ ﻤﺎ ﺴﻭﻯ
ﻋِﺸﹾﻘِﻙ ﻓﺎﻨﻴﺎﹰ)ﻭﻫﺫِﻩِ ﺤﺎﻟﺔﹸ ﺍﻟﻔﻨﺎﺀ ﺒﺎﷲ ﺍﻟﹼﺘﻲ ﻴﺼﻔﹸﻬﺎ ﺃﺤﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ ﺒﺄﻨﱠﻬﺎ ﻤﻼﺤﻅﹶﺔﹸ ﺠﻤﺎلِ ﺍﷲِ ﻭﺠﻼﻟِﻪ،
ﻭﻗﺼﺭِ ﺍﻟﻨﱠﻅﹶﺭِ ﻋﻠﻰ ﻜﻤﺎﻟِﻪ ،ﻭﻗﺎل ﺁﺨﹶﺭ :ﺍﻟﻌﺎﻟﹶﻡ ﻋﻨﺩ ﺍﻷﺤﺭﺍﺭِ ﺨﻴﺎلٌ ﻓﻲ ﺨﻴﺎل(؛
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ﺍﺤﻤِلْ ﻟﻲ ﺍﻟﺨﹶﻤﺭ ،ﻓﻼ ﻴﺒﺎﻫﻲ ﺒﻭﺭﺩِ ﺭﻭﺽِ ﺍﻟﻌﺎﻟﹶﻡِ ﻤﻥ ﻋﺭِﻑﹶ ﺃﻥ ﻏﺎﺭﺓﹶ ﺭﻴﺢِ
ﺍﻟﺨﺭﻴﻑ ﺴﺘﹸﺼﻴﺒﻪ؛
ﺤﺎﻓِﻅﹸ ﻋﺎﻟِﻡ ﺃﻥ ﻫﺫﺍ ﺍﻟﺠﻭﻫﺭ ﺍﻟﻤﻨﻅﻭﻡ ﺍﻟﱠﺫﻱ ﻴﻨﺒﻌِﺙﹸ ﻤِﻥ ﻁﺒﻌِﻪِ ،ﻫﻭ ﻤِﻥ ﺃَﺜﹶﺭِ ﺘﹶﺭﺒﻴﺔِ
ﺁﺼِﻑﹶ ﺍﻟﺜﱠﺎﻨﻲ).(١
ﻏﺰﻝ ٤٩
ﺭﻓﻌﺔﹸ ﺍﻟﻤﺭﺀِ ﺨﺩﻤـﺔﹸ ﺍﻟـﺩﺭﺍﻭﻴﺵﹾ ﺭﻭﻀﺔﹸ ﺍﻟﺨﻠﺩِ ﺨﻠـﻭﺓﹸ ﺍﻟـﺩﺭﺍﻭﻴﺵﹾ
ﻤﻔﺘﺎﺤﻬﺎ ﻨﻅﺭﺓﹲ ﻤـﻥ ﺍﻟـﺩﺭﺍﻭﻴﺵﹾ ﻁﻠﺴﻤﺎﺕﹸ ﻋﺠﺎﺌﺏِ ﻜﻨـﺯِ ﺍﻟﻌﺯﻟـﺔِ
ﻤﻨﻅﺭ ﻗﺼـﺭِ ﺍﻟـﻔـﺭﺩﻭﺱِ ﻭﺭﻀـــﻭﺍﻥ ﻤﻥ ﺭﻭﺽِ ﻨﹸﺯﻫﺔِ ﺍﻟـﺩﺭﺍﻭﻴﺵﹾ
ﻜﻴﻤﻴﺎﻫﺎ ﻓﻲ ﺼـﺤﺒﺔِ ﺍﻟـﺩﺭﺍﻭﻴﺵﹾ ﻭﺠﻼﺀ ﺍﻟﻘﻠـﻭﺏِ ﺒﻌـﺩ ﺍﺴـﻭﺩﺍﺩٍ
ﻨﺜﺭﺍﹰ :ﺭﻭﻀﺔﹸ ﺍﻟﺨﹸﻠﺩِ ﺍﻟﻌﻠﻴﺎ ﺨﻠﻭﺓﹸ ﺍﻟﺩﺭﺍﻭﻴﺵ ،ﻭﺍﻟﺭﻓﻌﺔﹸ ﺍﻟﻜﺎﻤﻠﺔﹸ ﻭﺍﻟﺤِﺸﻤﺔﹸ ﺍﻟﺘﱠﺎﻤﺔﹸ ﺨﺩﻤﺘﹸﻬﻡ؛
ﻜﻨﺯ ﺍﻟﻌﺯﻟﺔِ ﺍﻟﱠﺫﻱ ﻓﻴﻪِ ﻁﻼﺴِﻡ ﺍﻟﻌﺠﺎﺌﺏِ ،ﻓﹶﺘﹾﺤﻪ ﻓﻲ ﻨﻅﺭﺓِ ﺭﺤﻤﺔٍ ﻤﻨﻬﻡ)(٢؛
ﻭﻗﺼﺭ ﺍﻟﻔﺭﺩﻭﺱِ ﺍﻟﱠﺫﻱ ﺒﻭﺍﺒﻪ ﺭﻀﻭﺍﻥ ﺨﺎﺯﻥ ﺍﻟﺠﻨﺎﻥِ ،ﻤﻨﻅﹶﺭ ﻤﻥ ﺭﻭﺽِ ﻨﺯﻫﺘِﻬِﻡ)(٣؛
) (١ﺇﻥ ﺸِﻌﺭﻱ ﺍﻟﻤﻨﻅﻭﻡ ،ﻜﺎﻟﺠﻭﻫﺭ ﺍﻟﻤﻨﻅﻭﻡِ ،ﻫﻭ ﻤﻥ ﺃﺜﺭِ ﺘﻌﻠﻴﻡِ ﻭﺘﺭﺒﻴﺔِ ﺁﺼِﻑ ﺍﻟﺜﹼﺎﻨﻲ ،ﻗﺎﻟﻭﺍ
ﻴﻘﺼِﺩ ﺒِﺫﻟِﻙ ﺍﻹﻤﺎﻡ ﻋﻠﻴﺎﹰ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،ﻭﻴﺭﻭﻯ ﺃﻨﱠﻪ ﺠﺎﺀﻩ ﻓﻲ ﺍﻟﻤﻨﺎﻡِ ،ﻭﻋﻠﱠﻤﻪ ﺍﻟﺸﱢﻌﺭ ﻓﻲ
ﻗِﺼﺔٍ ﻤﺸﻬﻭﺭﺓ ،ﻭﺁﺼﻑﹸ ﺍﻷﻭلُ ﻫﻭ ﺁﺼﻑﹸ ﺒﻥ ﺒﺭﺨﻴﺎ ،ﻭﺼﻲ ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴﻬﻤﺎ ﺍﻟﺴﻼﻡ،
ﺍﻟﱠﺫﻱ ﺃﺤﻀﺭ ﻋﺭﺵﹶ ﺒﻠﻘﻴﺱ ﻤﻥ ﺴﺒﺄ ﺇﻟﻰ ﺒﻴﺕِ ﺍﻟﻤﻘﺩﺱ ﻓﻲ ﻁﺭﻓﹶﺔِ ﻋﻴﻥٍ ،ﻜﻤﺎ ﻭﺭﺩ ﻓﻲ
ﺍﻟﻘﺭﺁﻥ ،ﻭﺫﻟِﻙ ﺒﻤﺎ ﻜﺎﻥ ﻋﻨﺩﻩ ﻤﻥ ﻋِﻠﻡِ ﺍﻟﻜِﺘﺎﺏ.
) (٢ﻴﺭﻤﺯ ﺒﺎﻟﻁﱠﻼﺴﻡ ﺇﻟﻰ ﺭﻤﻭﺯِ ﻤﻔﺎﺘﻴﺢِ ﻜﻨﻭﺯِ ﺍﻟﻐﻴﺏ ،ﻭﺍﻟﺩﺭﺍﻭﻴﺵ ﺍﻟﱠﺫﻴﻥ ﻓﻨﻭﺍ ﻋﻥ ﺍﻟﺨﻠﻕ
ﻭﻋﺎﺸﻭﺍ ﺒﺎﻟﺤﻕ ،ﺼﺎﺭﻭﺍ ﻤﻔﺎﺘﻴﺢ ﺭﺤﻤﺘِﻪ ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺤﻴﻥ ﻤﺕﱡ ﻋﻥ ﺤﻭﺍﺱ ﺍﻟﺒﺸﺭ
ﺼﺎﺭ ﺍﻟﺤﻕﱡ ﻟﻲ ﺍﻟﺴﻤﻊ ﻭﺍﻹﺩﺭﺍﻙ ﻭﺍﻟﺒﺼﺭ ،ﺃﺼﺤﺎﺏ ﺍﻟﻜﻬﻑِ ﺍﻋﺘﺯﻟﻭﺍ ﻭﻨﺎﻤﻭﺍ ،ﻓﻬﻡ ﻴﺘﻘﻠﱠﺒﻭﻥ
ﺫﺍﺕﹶ ﺍﻟﻴﻤﻴﻥِ ﻭﺫﺍﺕﹶ ﺍﻟﺸﱢﻤﺎلِ ﻭﻫﻡ ﻓﻲ ﻏﻔﻠﺔٍ ﺭﻗﻭﺩ ،ﻭﺍﻟﻤﻌﻨﻰ ﺃﻨﹼﻙ ﻟﻥ ﺘﺴﺘﻁﻴﻊ ﺍﻟﺤﺼﻭلَ ﻋﻠﻰ
ﻜﻨﺯ ﺃﺴﺭﺍﺭ ﻁﺭﻴﻕ ﺍﻟﺴﻠﻭﻙ ﺇﻻﹼ ﺒﻤﺩﺩٍ ﻭﻋﻭﻥٍ ﻭﻋﻨﺎﻴﺔٍ ﻤﻥ ﺍﻟﺩﺭﺍﻭﻴﺵ ،ﺍﻟﱠﺫﻴﻥ ﻗﻁﻌﻭﺍ ﻫﺫﺍ
ﺍﻟﻁﱠﺭﻴﻕ ﻭﻭﺼﻠﻭﺍ ﺇﻟﻰ ﺍﻟﻤﻨﺯل ﺍﻟﻤﻘﺼﻭﺩ؛
) (٣ﺭﻴﺎﺽ ﻨﺯﻫﺔ ﺍﻟﺩﺭﺍﻭﻴﺵ ﺍﻟﺫﱢﻜﹾﺭ ،ﻭﻓﻲ ﺍﻟﺤﺩﻴﺙ :ﺍﺭﺘﻌﻭﺍ ﻓﻲ ﺭﻴﺎﺽِ ﺍﻟﺠﻨﱠﺔ ،ﻗﺎﻟﻭﺍ :ﻭﻤﺎ
ﺭﻴﺎﺽ ﺍﻟﺠﻨﱠﺔ ،ﻓﻘﺎل)ﺹ( :ﺍﻟﺫﱢﻜﹾ ﺭ ﻏﹸﺩﻭﺍﹰ ﻭﺭﻭﺍﺤﺎﹰ ﻓﺎﺫﻜﺭﻭﺍ؛
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ﻭﺍﻹﻜﺴﻴﺭ ﺍﻟﱠﺫﻱ ﻴﺠﻠﻭ ﺍﻟﻘﻠﺏ ﺍﻷﺴﻭﺩ ﻭﻴﺠﻌﻠﹸﻪ ﻴﺒﺭﻕﹸ ﺒﺭﻴﻘﺎﹰ ﻴﺤﻴلُ ﻜﹸلﱠ ﺸﻲﺀٍ ﺫﹶﻫﺒﺎﹰ
ﺼﺤﺒﺘﹸﻬﻡ)(١؛
ﻭﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺘﹶﻀﻊ ﺍﻟﺸﱠﻤﺱ ﺃﻤﺎﻤﻪ ﺘﺎﺝ ﺭِﻓﹾﻌﺘِﻬﺎ ،ﻜِﺒﺭﻴﺎﺅﻩ ﻤِﻥ ﺤِﺸﹾﻤﺘِﻬِﻡ)(٢؛
ﻭﺍﻟﺩﻭﻟﹶﺔﹸ ﺍﻟﱠﺘﻲ ﻻ ﻴﺼﻴﺒﻬﺎ ﻏﻡ ﺃﺫﻯ ﺍﻟﺯﻭﺍلِ ،ﻭﺃﻗﻭﻟﹸﻬﺎ ﺒﻼ ﺘﻜﻠﱡﻑٍ ﻓﺎﺴﻤﻊ ،ﺩﻭﻟﺘﹸﻬﻡ؛
ﻭﺍﻟﻤﻠﻭﻙ ﻗﺒﻠﺔﹸ ﺤﺎﺠﺎﺕِ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ ،ﻭﻟﻜﻨﱠﻬﻡ ﺼﺎﺭﻭﺍ ﻜﺫﻟِﻙ ﻤﻥ ﺨِﺩﻤﺘِﻬِﻡ ﺒﺄﻋﺘﺎﺒِﻬِﻡ؛
ﻭﺍﻟﻭﺠﻪ ﺍﻟﻤﻘﺼﻭﺩ ﺍﻟﱠﺫﻱ ﻴﻁﻠﺏ ﺍﻟﻤﻠﻭﻙ ﻓﻲ ﺩﻋﺎﺌﻬِﻡ ﺃﻥ ﻴﺭﻭﻩ ،ﻴﺘﺠﻠﹼﻰ ﻓﻲ ﻤﺭﺁﺓِ
ﻁﻠﻌﺘِﻬِﻡ)(٣؛
ﺠﻴﺵﹸ ﺍﻟﻅﱡﻠﻡِ ﻴﻤﻸُ ﻤﺎ ﺒﻴﻥ ﺍﻟﺨﺎﻓِﻘﹶﻴﻥِ ،ﻟﻜِﻥ ﻓﹸﺭﺼﺔﹶ ﺍﻟﺩﺭﺍﻭﻴﺵِ ﻟﻠﻨﱠﺼﺭِ ﻤﻭﺠﻭﺩﺓﹲ ﺩﺍﺌﻤﺎﹰ،
ﻭﺒﺎﻗﻴﺔﹲ ﻤﻥ ﺍﻷﺯلِ ﺇﻟﻰ ﺍﻷﺒﺩ؛
ﻭﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻐﻨﱢﻲ ﺍﻟﻤﻘﺘﺩِﺭ ﻻ ﺘﺘﺒﺎﻩ ﻭﻻ ﺘﹶﺒِﻌﻨﺎ ﻜﹸلﱠ ﻫﺫﻩِ ﺍﻟﻨﱠﺨﻭﺓﹶ ،ﻓﺈﻥ ﺭﺃﺴﻙ ﻭﺫﹶﻫﺒﻙ ﻓﻲ
ﻜﹶﻨﹶﻑِ ﻫِﻤﺔِ ﺍﻟﺩﺭﺍﻭﻴﺵ)(٤؛
ﻭﻜﻨﺯ ﻗﺎﺭﻭﻥ ﻻ ﻴﺯﺍلُ ﻴﺨﹾﺴﻑﹸ ﻗﹶﻬﺭﺍﹰ ﺇﻟﻰ ﺍﻵﻥ ،ﻗﹸﺭِﺀ ﻋﻠﻴﻨﺎ ﻟﻴﻠﹶﺔﹰ ﺃﻥ ﺫﻟِﻙ ﺃﻴﻀﺎﹰ ﻜﺎﻥ
ﻤﻥ ﻏﻴﺭﺓِ ﺍﻟﺩﺭﺍﻭﻴﺵ؛
ﺤﺎﻓﻅﹸ ﺇﻥ ﻜﻨﺕﹶ ﺘﻁﻠﺏ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﺍﻷﺯﻟﻴﺔِ ،ﻓﻬﻭ ﻴﻨﺒﻊ ﻤﻥ ﺘﹸﺭﺍﺏِ ﺒﺎﺏِ ﺨﻠﻭﺓِ
ﺍﻟﺩﺭﺍﻭﻴﺵ ،ﺃﻨﺎ ﻏﹸﻼﻡ ﻨﹶﻅﹶﺭِ ﺁﺼِﻑِ ﻋﻬﺩﻱ ﺍﻟﱠﺫﻱ ﻟﻪ ﻭﺠﻪ ﺍﻟﺴﻴﺎﺩﺓِ ﻭﺴﻴﺭﺓﹸ
ﺍﻟﺩﺭﺍﻭﻴﺵ.
) (١ﻴﻘﻭلُ ﺍﻟﻌﺎﺭِﻓﻭﻥ :ﻴﺠﺏ ﺼﻘلُ ﻤﺭﺁﺓِ ﺍﻟﻘﻠﺏ ﺤﺘﹼﻰ ﺘﺼﻔﻭ ،ﻓﺈﺫﺍ ﺼﻔﺕ ﻗﺒﻠﺕ ﺍﻟﺘﱠﺠﻠﹼﻴﺎﺕ
ﻭﺍﻟﺭﺴﻭﻡ؛
) (٢ﻋﻅﹶﻤﺘﹸﻪ ﻤﻥ ﺨِﺩﻤﺘِﻪِ ﻟﻬﻡ ﻭﺭﻋﺎﻴﺘِﻪِ ﻟِﺤﺭﻤﺘِﻬِﻡ؛
) (٣ﻷﻥ ﻤﺭﺁﺓﹶ ﻗﻠﺏِ ﺍﻟﺩﺭﻭﻴﺵِ ﻤﺼﻘﻭﻟﺔﹲ ﺒﺎﻟﺫﱢﻜﺭ؛
) (٤ﻟﻴﺴﺎ ﻓﻲ ﻤﺄﻤﻥٍ ﻤﻥ ﺍﻟﺩﺭﺍﻭﻴﺵ )ﺇﺫﺍ ﻤﺎ ﺩﻋﻭﺍ ﻋﻠﻴﻙ(.
-٦٦-
ﻏﺰﻝ ٥٠
ﻭﻗﹶﻊ ﻗﻠﹾﺒﻲ ﺍﻟﻤﺒﺘﻠﻰ ﻗﺎﺼِﺩﺍﹰ ﻤﺘﻌﻤﺩﺍﹰ ﻓﻲ ﺸِﺒﺎﻙِ ﻓﺭﻋِﻙ ،ﻓﺠﺯﺍﺀ ﻟﻪ ﺍﻟﻘﺘلُ ،ﻓﺎﻗﺘﹸﻠﻪ
ﺒِﻐﻤﺯﺓٍ ﻤﻨﻙ(١)؛
ﻭﻤﺭﺍﺩ ﺨﺎﻁِﺭِﻨﺎ ﻫﺫﺍ ﻓﻲ ﻴﺩِﻙ ،ﻓﺤﻘﱢﻘﹾﻪ ﻟﻨﺎ ،ﻭﺇﻨﱠﻬﺎ ﻟﻔﹸﺭﺼﺔﹲ ﻟﻙ ﻟﻠﺨﻴﺭِ ،ﻓﺎﻏﺘﻨِﻤﻬﺎ؛
ﻭﺤﻕﱢ ﺭﻭﺤِﻙ ﺃﻴﻬﺎ ﺍﻟﺼﻨﹶﻡ ﺍﻟﺠﻤﻴلُ ﺍﻟﺜﱠﻐﺭِ ،ﺇﻥ ﻤﺭﺍﺩﻱ ﻫﻭ ﻓﻨﺎﺀ ﻨﻔﺴﻲ
ﻜﺎﻟﺸﱠﻤﻊِ ﻓﻲ ﺍﻟﻠﹼﻴﺎﻟﻲ ﺍﻟﻤﻅﹾﻠِﻤﺔ؛
ﺃﻟﹶﻡ ﺃﻜﹸﻥ ﻗﹸﻠﹾﺕﹸ ﻟﻙ ﺤﻴﻥ ﺍﺭﺘﺄﻴﺕﹶ ﺍﻟﻌِﺸﹾﻕﹶ ﻴﺎ ﺒﻠﺒلُ ،ﻻ ﺘﻔﻌلْ ﻓﺫﺍﻙ ﺍﻟﻭﺭﺩ ﺍﻟﻀﺎﺤِﻙ
ﺃﻨﺎﻨﻲ؛
ﺕ ﺭِﺒﺎﻁِ ﻗﺒﺎﺌﻪِ
ﻭﺫﻟﻙ ﺍﻟﻭﺭﺩ ﻟﻴﺱ ﻓﻲ ﺤﺎﺠﺔٍ ﺇﻟﻰ ﺍﻟﻤِﺴﻙِ ﺍﻟﺼﻴﻨﻲ ﻭﺍﻟﺘﱡﺭﻜﻲ ،ﻭﺘﺤ ﹶ
ﻨﻭﺍﻓِﺞ ﺍﻟﻤِﺴﻙ؛
ﻻ ﺘﺫﻫﺏِ ﺍﻟﺩﻫﺭ ﺇﻟﻰ ﻤﻨﺯِلِ ﻤﻥ ﻫﻡ ﺒﻼ ﻤﺭﻭﺀﺓٍ ،ﻜﻨﺯ ﺍﻟﻌﺎﻓﻴﺔِ ﻤﻭﺠﻭﺩ ﻓﻲ ﻗﹶﺼﺭِﻙ
ﺃﻨﺕ؛
ﺤﺎﻓﻅﹸ ﺍﺤﺘﺭﻕﹶ ﻤﺭﺍﻋﻴﺎﹰ ﺸﹶﺭﻁﹶ ﻟﹸﻌﺒﺔِ ﺍﻟﻌِﺸﹾﻕِ ،ﻭﻫﻭ ﻻ ﻴﺯﺍلُ ﺇﻟﻰ ﺍﻵﻥ ﻋﻠﻰ ﺍﻟﻭﻓﺎﺀِ
ﺒﺎﻟﻌﻬﺩ.
) (١ﻤﻌﻨﻰ ﺍﻗﺘﻠﻪ ،ﻋﺭﻓﺎﻨﻴﺎﹰ ،ﻋﻴﻥ ﻤﻌﻨﻰ ﺃﺤﻴِﻪِ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺍﻗﺘﻠﻭﻨﻲ ﻴﺎ ﺜﻘﺎﺘﻲ ،ﺇﻥ ﻓﻲ ﻗﺘﻠﻲ
ﺤﻴﺎﺘﻲ ،ﻷﻥ ﺍﻟﻤﻭﺕﹶ ﺭﺠﻭﻉ ﺇﻟﻰ ﺍﷲ ،ﺇﻨﹼﺎ ﺇﻟﻴﻪِ ﺭﺍﺠﻌﻭﻥ ،ﻭﺍﻟﺭﺍﺠﻊ ﻋﺎﺌﺩ ﺇﻟﻰ ﻭﻁﻨِﻪِ ﺒﻌﺩ
ﻏﺭﺒﺘِﻪ؛ ﻭﻫﻭ ﻨﻔﺱ ﻤﻌﻨﻰ ﻗﻭﻟِﻪِ ﺃﻥ ﻤﺭﺍﺩﻩ ﺍﻟﻔﻨﺎﺀ ﻜﺎﻟﺸﱠﻤﻊ ،ﻭﺃﻤﺎ ﺍﻟﺼﻨﹶﻡ ﻓﺎﻟﻤﻘﺼﻭﺩ ﻤِﻨﻪ
ﺍﻟﻤﻅﻬﺭ ﺍﻟﻌﻴﻨﻲ ﻻﺴﻡ ﺍﷲِ ﺍﻷﻋﻅﻡ ،ﻓﻲ ﺍﻟﻨﱠﺸﺄﺓِ ﺍﻟﺨﻠﻘﻴﺔِ ﺍﻟﻅﱠﺎﻫﺭﺓ ،ﻭﺍﻟﺼﻭﺭﺓِ ﺍﻹﻨﺴﺎﻨﻴﺔِ ،ﺍﻟﱠﺘﻲ
ﻫﻲ ﺃﻜﺒﺭ ﺤﺠﺔٍ ﷲِ ﻋﻠﻰ ﺨﻠﻘِﻪ ،ﻜﻤﺎ ﻗﺎل ﻋﺎﺭﻑﹲ:
ﺴــﺭ ﺴــﻨﺎ ﻻﻫﻭﺘِــﻪِ ﺍﻟﺜﱠﺎﻗِــﺏِ ـﻭﺘﹶﻪ
ـﻥ ﺃﻅﻬ ـﺭ ﻨﺎﺴـ
ﺴ ــﺒﺤﺎﻥ ﻤـ
ـﻭﺭﺓِ ﺍﻵﻜِ ـلِ ﻭﺍﻟ ـﺸﱠﺎﺭِﺏِ.
ـﻲ ﺼـ
ﻓـ ﺤﺘﹼﻰ ﻏـﺩﺍ ﻓـﻲ ﺨﻠﻘِـﻪِ ﻅـﺎﻫِﺭﺍﹰ
ﻭﻻﺒﻥ ﻋﺭﺒﻲ:
ﻤﻥ ﻻ ﻴﺭﻯ ﺍﻟﺤﻕﱠ ﻓﻲ ﺍﻷﺯﻻﻡِ ﻭﺍﻟﻨﱡﺼﺏِ ﻓﻼ ﻴﺭﻯ ﺍﻟﺤﻕﱠ ﻋﻴﻨﺎﹰ ﻓﻲ ﻤـﺸﺎﻫﺩﺓٍ
-٦٧-
ﻏﺰﻝ ٥١
ﺍﻟﻠﱡﺅﻟﹸﺅُ ﺍﻟﻌﻁﺸﺎﻥ ﻟﻠﺩﻡِ ﺸﹶﻔﹶﺔﹸ ﺤﺒﻴﺒﻲ ،ﻭﺍﻟﺴﻌﻲ ﻟﺭﺅﻴﺘِﻪِ ﺒِﺒﺫﹾلِ ﺍﻟﺭﻭﺡِ ﺸﹸﻐﻠﻲ ﻭﺩﻴﺩﻨﻲ؛
ﻓﻠﻴﺼِﺏِ ﺍﻟﺨﹶﺠلُ ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﻌﻴﻥِ ﺍﻟﺴﻭﺩﺍﺀِ ﻭﺍﻟﺭﻤﻭﺵِ ﺍﻟﻁﱠﻭﻴﻠﹶﺔِ ،ﻜﹸلﱠ ﻤﻥ ﺭﺃﻯ ﻜﻴﻑﹶ
ﻴﺴﺒﻲ ﺍﻟﻘﹸﻠﻭﺏ ﻭﻫﻭ ﻴﻨﻜِﺭ ﺤﺎﻟﻲ؛
ﺃﻴﺘﹸﻬﺎ ﺍﻟﻌﻴﺭ ﻫﺎ ﻫﻨﺎ ﻻ ﺘﺤﻁﹼﻭﺍ ﻤﺘﺎﻋﻲ ،ﺩﺍﺭ ﺤﺒﻴﺒﻲ ﻋﻠﻰ ﺭﺃﺱِ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ؛
ﺃﻨﺎ ﻋﺒﺩ ﻁﺎﻟﻌﻲ ،ﻭﻗﺩ ﺍﺸﺘﺭﻴﺕﹸ ﻋِﺸﻕﹶ ﺫﻟِﻙ ﺍﻟﻅﱠﺭﻴﻑِ ﺍﻟﻤﺨﻤﻭﺭِ ﻓﻲ ﻫﺫﺍ ﺍﻟﺯﻤﻥِ ﻤِﻥ
ﻗﺤﻁِ ﺍﻟﻭﻓﺎﺀِ؛
ﻗﺎﺭﻭﺭﺓﹸ ﻋِﻁﺭِ ﺍﻟﻭﺭﺩِ ﻭﻨﺸﺭ ﻋﺒﻴﺭِ ﻁﹸﺭﺘِﻪِ ،ﻓﻴﺽ ﻨﹶﻔﹾﺤﺔٍ ﻭﺍﺤِﺩﺓٍ ﻤِﻥ ﺸﺫﺍ ﻋﺒﻴﺭِ ﻋﻁﹼﺎﺭﻱ؛
ﺃﻱ ﺒﺴﺘﺎﻨﻲ ﻻ ﺘﹶﺭﺩﻨﻲ ﻋﻥ ﺒﺎﺒِﻪِ ﻜﺎﻟﻨﱠﺴﻴﻡ ،ﺇﻥ ﻤﺎﺀ ﻭﺭﺩِ ﺒﺴﺘﺎﻨِﻙ ﻤِﻥ ﺩﻤﻌﻲ ﺍﻷﺤﻤﺭ
ﻜﺎﻟﺠﻠﱠﻨﺎﺭ؛
ﺸﹸﺭﺒﺔﹶ ﺍﻟﻘﹶﻨﹾﺩِ ﺒﻤﺎﺀِ ﺍﻟﻭﺭﺩِ ﻤِﻥ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﺼﻑﹶ ﻟﻲ ﻨﹶﺭﺠِﺱ ﻋﻴﻨِﻪِ ،ﺍﻟﱠﺫﻱ ﻫﻭ
ﻁﺒﻴﺏ ﻗﻠﺒﻲ ﺍﻟﻌﻠﻴل؛
ﺍﻟﱠﺫﻱ ﻋﻠﱠﻡ ﺤﺎﻓِﻅﹶ ﺍﻟﺴﺭ ﻓﻲ ﻁﹶﺭﺯِ ﺍﻟﻐﹶﺯلِ ،ﻫﻭ ﺫﺍﻙ ﺍﻟﺤﺒﻴﺏ ﻋﺫﹾﺏ ﺍﻟﻜﻼﻡِ ،ﻨﺎﺩِﺭ ﺍﻟﻤﻘﺎل.
ﻏﺰﻝ٥٢
ﻏﻡ ﺸﹸﻐﻠﻲ ﻨﺸﺎﻁﹸ ﻗﻠﺒـﻲ ﺍﻟﺤـﺯﻴﻥِ ﺸﹸﻐلُ ﻗﻠﺒﻲ ﺤﺏ ﺍﻟﺤِﺴﺎﻥِ ﻭﺩﻴﻨـﻲ
ﺃﻴﻥ ﻤِﻥ ﺫﺍﻙ ﻋﻴﻥ ﺩﻨﻴـﺎ ﻜﹶﻌﻴﻨـﻲ ـﺭﺍﻙ
ـﺭﻭﺡٍ ﺘـ
ـﺭﻯ ﺒِـ
ﺇﻥ ﻋﻴﻨ ـﺎﹰ ﺘـ
ﺯﻴﻨﺔﹸ ﺍﻟﺩﻫﺭِ ﻋِﻘـﺩ ﺃﺩﻤـﻊِ ﻋﻴﻨـﻲ ﻜﹸﻥ ﺼﺩﻴﻘﻲ ﻴﺎ ﺯﻴﻨﹶﺔﹶ ﺍﻟﻔﹸﻠـﻙِ ﺇﻨﹼـﻲ
ﻓﻤﺩﺤﻴﻙ ﻟﻲ ﺍﻟﺸﱡﻐلُ ﻓﻲ ﻜﹸلﱢ ﺤـﻴﻥِ ﻗﺩ ﺘﻌﻠﱠﻤﺕﹸ ﻤِـﻥ ﻋِـﺸﹾﻘِﻙ ﺍﻟﻜـﻼﻡ
-٦٨-
٭ﻜﺎﻨﺕ ﺃﻴﺎﻡ ﻜﺎﻥ ﺒِﻬﺎ ﺸﹸﻐﻠﻲ ﻤﻊ ﺍﻷﺼﻨﺎﻡِ ﺍﻟﺠﻤﻴﻠﹶﺔِ ﺩِﻴﻨﻲ ،ﻭﻜﺎﻥ ﻏﻡ ﻫﺫﺍ ﺍﻟﺸﱡﻐﹾلِ
ﻴﺒﻌﺙﹸ ﺍﻟﻨﱠﺸﺎﻁﹶ ﻓﻲ ﻗﻠﺒﻲ ﺍﻟﺤﺯﻴﻥ)(١؛
ﺭﺅﻴﺔﹸ ﻭﺠﻬِﻙ ﻻ ﺘﻜﻭﻥ ﺇﻻﹼ ﺒِﻌﻴﻥِ ﺍﻟﺭﻭﺡِ ،ﺃﻴﻥ ﻤﺭﺘﹶﺒﺔﹸ ﻋﻴﻨﻲ ﺍﻟﻨﱠﺎﻅِﺭﺓِ ﻟﻠﺩﻨﻴﺎ ﻤِﻥ ﻫﺫﺍ)(٢؛
ﻜﹸﻥ ﺤﺒﻴﺒﻲ ،ﻓﺠﻤﺎلُ ﺍﻟﻔﹶﻠﹶﻙِ ﻭﺯﻴﻨﹶﺔﹸ ﺍﻟﺩﻫﺭِ ،ﻤِﻥ ﺒﺩﺭِ ﻭﺠﻬِﻙ ﻭﻋِﻘﹾﺩِ ﺩﻤﻌﻲ)(٣؛
ﻭﻤﻨﺫﹸ ﺃﻥ ﻋﻠﱠﻤﻨﻲ ﻋِﺸﹾﻘﹸﻙ ﺍﻟﻜﻼﻡ ،ﺼﺎﺭ ﻤﺩﺤﻲ ﻟﹶﻙ ﻭﻏﺯﻟﻲ ﻓﻴﻙ ﺃﻭﺭﺍﺩﺍﹰ ﻋﻠﻰ ﺃﻟﺴِﻨﹶﺔِ
ﺍﻟﺨﻠﻕ؛
ﺩﻭﻟﹶ ﹶﺔ ﺍﻟﻔﹶﻘﹾﺭِ ﺭﺏ ﻫﺏ ﻟﻲ ،ﻫ ِﺫﻩِ ﺍﻟﻜﺭﺍﻤﺔﹸ ﺴ ﺒﺏ ﺤِﺸﹾﻤﺘﻲ ﻭﺘﻤﻜﻴﻨﻲ؛
ﻭﻗﹸلْ ﻟﻠﻭﺍﻋِﻅِ ،ﺃﻫلِ ﺍﻟﺸﱠﺤﻨﺎﺀِ ،ﻻ ﺘﹶﺒِﻌﻨﻲ ﺍﻟﻌﻅﹶﻤﺔﹶ ،ﻓﻤﻨﺯِلُ ﺍﻟﺴﻠﻁﺎﻥِ ﻓﻲ ﻗﻠﺒﻲ ﺍﻟﻤِﺴﻜﻴﻥ؛
ﻴﺎ ﺭﺏ ﻫﺫِﻩِ ﺍﻟﻜﹶﻌﺒﺔﹸ ﺍﻟﻤﻘﺼﻭﺩﺓﹸ ﺃﻱ ﻤﺘﹶﻨﹶﺯﻩٍ ﻫﻲ ،ﻓﹶﺸﹶﻭﻙ ﺍﻟﻘﺘﺎﺩِ ﻓﻲ ﻁﺭﻴﻘِﻬﺎ ﻭﺭﺩ ﻭﻨِﺴﺭﻴﻥ؛
ﺤﺎﻓِﻅﹸ ،ﺤِﺸﹾﻤﺔﹰ ،ﻻ ﺘﹶﺫﻜﹸ ﺭ ﻗِﺼﺔﹶ ﭙﺭﻭﻴﺯ ،ﺍﻟﱠﺫﻱ ﺭﺸﹶﻔﹶﺕﹾ ﺸﹶﻔﹶﺘﹸﻪ ﺠﺭﻋﺔﹰ ﻤِﻥ ﻤﻠِﻜﹶﺔِ
ﺍﻟﺤﺴﻥِ ﺸﻴﺭﻴﻥ). (٤
ﻏﺰﻝ ٥٣
ﻭﻭِﺭﺩ ﺼﺒﺎﺤﻲ ﺃﺩﻋﻭ ﻟِﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻴﺎ ﺨﻠﻴﻠﻲ ﺭﻜﻥ ﺨﻤـﺎﺭﺓٍ ﻤﻨﺯﻟـﻲ
ﻤﻥ ﺍﻟﻨﱠﻭﺡِ ﻤﺴﻤﻌﻲ ﺴﺤﺭﺍﹰ ﻓﺎﻋﺫﹸﺭﺍﻨﻲ ﻓﺈﺫﺍ ﻟﻡ ﻴﺼِلْ ﻋﺯﻑﹸ ﻗﻴﺜﺎﺭﺓِ ﺍﻟﺼﺒﻭﺡِ
ﺒِﺤﻤﺩِ ﺍﷲِ ﻤﻥ ﺴﺎﺌلٍ ﻭﻤﻥ ﺴﻠﻁﺎﻥِ ﺴﺎﺌلُ ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ﺴﻠﻁﺎﻨﻲ ﻭﻓﺎﺭﻍﹲ
ﻏﹶﺭﻀﻲ ﻭﺼﻠﹸﻙ ﻤـﺎ ﻟـﻲ ﻏﺭﺽ ﻏـﻴـﺭﻩ ﻴﺸﻬﺩ ﺍﷲُ ﻤِﻥ ﻤﺴﺠﺩﻱ ﻭﺤﺎﻨﻲ
) (١ﺤﺏ ﺍﻷﺼﻨﺎﻡِ ﺍﻟﺠﻤﻴﻠﹶ ِﺔ ﺩﻴﻨﻲ ﻭﺸﹸﻐلُ ﻗﻠﺒﻲ ،ﻭﻻ ﺸﹸﻐﹾلَ ﻟﻘﻠﺒﻲ ﺴﻭﺍﻩ ،ﻭﻟﻲ ﻓﻲ ﺤﺒﻬﺎ ﻏﻡ
ﻭﺤﺯﻥ ﻭﻜﹸﻠﱠﻤﺎ ﺯﺍﺩ ﻏﻤﻲ ﻭﺤﺯﻨﻲ ﻓﻲ ﺤﺒﻬﺎ ﺯﺍﺩ ﻓﻴﻪِ ﻨﺸﺎﻁﹸ ﻗﻠﺒﻲ؛
) (٢ﻻ ﺒﺩ ﻟﺭﺅﻴﺔِ ﻭﺠﻬِﻙ ﻤﻥ ﻋﻴﻥٍ ﺘﹸﺒﺼِﺭ ﻤﺎ ﻭﺭﺍﺀ ﺍﻟﺩﻨﻴﺎ ،ﻭﺃﻴﻥ ﻤﻥ ﺫﻟِﻙ ﻤﺭﺘﺒﺔﹸ ﻋﻴﻨﻲ ﺍﻟﺩﻨﻴﻭﻴﺔ،
ﻓﺎﻟﻌﻴﻥ ﺍﻟﻤﺘﻌﻠﱢﻘﺔﹸ ﺒﺎﻟﺩﻨﻴﺎ ﻜﻌﻴﻨﻲ ﺃﻨﺎ ﻻ ﺘﺭﺍﻙ؛
) (٣ﺃﻨﺕ ﻭﺃﻨﺎ ﻓﺭﻴﺩﺍﻥِ ،ﺃﻤﺎ ﺃﻨﺕ ﻓﺯﻴﻨﺔﹸ ﺍﻟﻔﹶﻠﹶﻙ ،ﻭﺃﻤﺎ ﺃﻨﺎ ﻓﻌِﻘﺩ ﻵﻟِﺊِ ﺩﻤﻌﻲ ﺯﻴﻨﺔﹸ ﺍﻟﺩﻫﺭِ ،ﻓﺘﻌﺎلَ
ﻨﺘﺼﺎﺩﻕﹾ؛
) (٤ﻓﻲ ﺇﺸﺎﺭﺓٍ ﻟِﻘﺼﺔِ ﺤﺏ ﭙﺭﻭﻴﺯ ﺍﻟﻤﻠِﻙِ ﺍﻟﺴﺎﺴﺎﻨﻲ ﻟِﺠﺎﺭﻴﺘِﻪِ ﺸﻴﺭﻴﻥ.
-٦٩-
٭ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﺯﺍﻭﻴﺔﹸ ﺍﻟﺤﺎﻥِ ﺨﺎﻨﻘﺎﻫﻲ ،ﻭﺩﻋﺎﺌﻲ ﻟِﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻭِﺭﺩ ﺼﺒﺎﺤﻲ)(١؛
ﻨﹶﻐﻤﺔﹸ ﻗﻴﺜﺎﺭﺓِ ﺍﻟﺼﺒﻭﺡِ ،ﺇﻥ ﻟﹶﻡ ﺘﻜﹸﻥ ﻋِﻨﺩﻱ ﻓﻼ ﺨﹶﻭﻑﹶ ،ﻋﺫﺭﻱ ﺃﻨﻴﻨﻲ ﻭﺁﻫﺎﺕﹸ ﺴﺤﺭﻱ؛
ﻤِﻥ ﻤﻠِﻙٍ ﻭﺴﺎﺌلٍ ،ﺃﻨﺎ ﻓﺎﺭِﻍﹲ ﺒِﺤﻤﺩِ ﺍﻟﻠﹼﻪ ،ﺍﻟﺴﺎﺌلُ ﻓﻲ ﺘﹸﺭﺍﺏِ ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ﻤﻠِﻜﻲ؛
ﺍﻟﻐﹶﺭﺽ ﻤِﻥ ﻤﺴﺠِﺩﻱ ﻭﺤﺎﻨﺘﻲ ﻭِﺼﺎﻟﹸﻙ ،ﻻ ﺃُﻓﻜﱢﺭ ﺒِﻐﹶﻴﺭِﻩِ ،ﺍﷲُ ﻴﺸﻬﺩ؛
ﺴﻭﺍﺀ ﺭﻓﹶﻊ ﺴﻴﻑﹸ ﺍﻷﺠلِ ﺨﻴﻤﺔﹶ ﻭﺠﻭﺩِﻱ ،ﺃﻡ ﻟﻡ ﻴﺭﻓﹶﻊ ،ﺍﻟﻁﱠﺭﻴﻕﹸ ﺍﻟﱠﺫﻱ ﻻ ﻴﺅﺩﻱ ﺇﻟﻰ
ﺒﺎﺏِ ﺩﻭﻟﹶﺘِﻪِ ،ﻟﻴﺱ ﻁﺭﻴﻘﺎﹰ ﻟﻲ؛
ﻤﻥ ﺫﻟِﻙ ﺍﻟﺯﻤﺎﻥِ ﺍﻟﱠﺫﻱ ﻭﺠﻬﺕﹸ ﻓﻴﻪِ ﻭﺠﻬﻲ ﺇﻟﻰ ﺒﺎﺏِ ﻗﺼﺭِﻙ ﺍﻟﻌﺎﻟﻲ ،ﻭﻤﺴﻨﹶﺩ
ﺍﻟﺸﱠﻤﺱِ ﺍﻟﻌﺎﻟﻴﺔِ ﻤﺘﱠﻜﹶﺌﻲ؛
ﺍﻟﺫﱠﻨﹾﺏ ﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﺒﺎﺨﺘﻴﺎﺭِﻨﺎ ﻴﺎ ﺤﺎﻓِﻅ ،ﻓﻲ ﻁﺭﻴﻕِ ﺍﻷﺩﺏِ ﻜﹸﻥ ،ﻭﻗﹸلْ ﺍﻟﺫﱠﻨﺏ ﺫﹶﻨﺒﻲ.
ﻏﺰﻝ ٥٤
ﻭﺒﺎﻟﻭﺭﻯ ﻤِﺜلُ ﺤﺎﻟﻲ ﻓﻴﻙ ﻤِﻥ ﺃَﻟﹶـﻡِ ﺇِﻨﹾﺴﺎﻥ ﻋﻴﻨﻲ ﻟِﻨﹶﻭﺤﻲ ﻏﺎﺭِﻕﹲ ﺒِـﺩﻡِ
ﻤِﻥ ﺃﺤﻤﺭِ ﺍﻟﺨﹶﻤﺭِ ﺠﺎﻡ ﻤﺘﹾﺭﻉ ﺒِﺩﻤﻲ ﻟﻲ ﻤِﻥ ﺘﹶﺫﹶﻜﱡﺭِ ﻋﻴﻥٍ ﻤِﻨﹾﻙ ﺃﻭ ﺸﹶـﻔﹶﺔٍ
ﺇﺫﹾ ﺩﺍﺭ ﻟﻲ ﻓﹶﻠﹶﻜﻲ ﺒﺎﻟﻀﺭ ﻭﺍﻷﻟﹶـﻡِ ﺃﺴﺎﻗﻴﺎ ﺭﻭﺡ ﺭﻭﺤِﻲ ﺍﻟﺭﺍﺡ ﺩﺍﺌِﺭﺓﹲ
ﻜﹸﻨﻭﺯ ﻗﺎﺭﻭﻥ ﻴﺭﺠﻭﻫﺎ ﺃﺨﻭ ﻋـﺩﻡِ ﻭﺼل ﺍﻟﺤﺒﻴﺏِ ﺍﻟﹼﺫﻱ ﺃﺭﺠﻭ ﺒﻼ ﺃﻤلٍ
ﺇﻨﺴﺎﻥ ﻋﻴﻨﻲ ،ﻤِﻥ ﺍﻟﺒﻜﺎ ِﺀ ،ﻏﺎﺭِﻕﹲ ﺒِﺩﻤﻲ ،ﺍﹸﻨﻅﹸﺭ ﻜﻴﻑﹶ ﻫﻭ ﺤﺎلُ ﺍﻟﻨﱠﺎﺱِ ﻓﻲ ﻁﹶﻠﹶﺒِﻙ)(٢؛
ﺇﺫﺍ ﺘﺫﻜﱠﺭﺕﹸ ،ﻋﻠﻰ ﺍﻟﺒﻌﺩِ ،ﻋﻴﻨﹶﻙ ﺍﻟﻤﺨﻤﻭﺭﺓﹶ ،ﺃﻭ ﺸﻔﹶﺘﹶﻙ ﺍﻟﻌﻘﻴﻕﹶ ،ﻓﺎﺽ ﺒﺎﻟﺨﻤﺭﺍﻷﺤﻤﺭِ،
ﺠﺎﻡ ﻏﻤﻲ ﻤﻤﺎ ﻴﺴﻴلُ ﻤﻥ ﺩﻤﺎﺀِ ﻗﻠﺒﻲ؛
) (١ﺍﻟﺨﺎﻨﻘﺎﻩ ﺒﻴﺕﹲ ﻴﺠﺘﻤﻊ ﻓﻴﻪ ﺍﻟﺩﺭﺍﻭﻴﺵ ﻹﺤﻴﺎﺀ ﻁﻘﻭﺴِﻬِﻡ.
ﺕ ﻋﻴﻨﻲ ﺒﺎﻟﺩﻤﺎﺀ ﻤﻥ ﻜﺜﺭﺓِ ﺍﻟﺒﻜﺎﺀ ،ﻭﻗﺩ ﺃﺼﺎﺏ ﺍﻟﻨﱠﺎﺱ ﻓﻲ ﻁﻠﺒﻙ ﻤﺜل ﻤﺎ ﺃﺼﺎﺒﻨﻲ
) (٢ﻟﻘﺩ ﻏﺭﻗ ﹾ
ﻤﻥ ﺍﻟﺒﻼﺀ؛
-٧٠-
ﺇﺫﺍ ﻜﺎﻥ ﻁﹸﻠﻭﻉ ﻁﺎﻟﹶﻌﻲ ﻤِﻥ ﻤﺸﹾﺭِﻕِ ﺸﹶﻤﺱِ ﻁﹶﻠﻌﺘِﻙ ،ﻓﻬﻭ ﻁﺎﻟﻊ ﻤﺒﺎﺭﻙ؛
ﺤِﻜﺎﻴﺔﹸ ﺸﹶﻔﹶﺔِ ﺸﻴﺭﻴﻥ ﺤﺩﻴﺙﹸ ﻓﺭﻫﺎﺩ ،ﺠﻌ ﺩ ﻁﹸﺭﺓِ ﻟﻴﻠﻰ ﻤﻘﺎﻡ ﺍﻟﻤﺠﻨﻭﻥ)(١؛
ﺍﻁﻠﹸﺏ ﻗﻠﺒﻲ ﻓﻘﺩﻙ ﻜﺎﻟﺴﺭﻭِ ﻴﺴﺒﻲ ﺍﻟﻘﹸﻠﻭﺏ ،ﻗﹸلْ ﺤﺩﻴﺜﺎﹰ ﻓﻜﻼﻤﻙ ﻟﻁﻴﻑﹲ ﻭﻤﻭﺯﻭﻥ؛
ﻤِﻥ ﺩﻭﺭﺓِ ﺍﻟﻘﹶﺩﺡِ ﺃﻭﺼِلْ ﺍﻟﺭﺍﺤ ﹶﺔ ﻟِﺭﻭﺤﻲ ﺃﻱ ﺴﺎﻗﻲ ،ﻓﺈﻥ ﺃﻟﹶﻡ ﺨﺎﻁِﺭﻱ ﻤِﻥ ﺠﻭﺭِ
ﺩﻭﺭﺓِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﺒﻌﻴﺩ)(٢؛
ﻤِﻥ ﻟﹶﺤﻅﹶﺔِ ﺭﺍﺡ ﻋﻥ ﻋﻴﻨﻲ ﺍﻟﻌﺯﻴﺯ ﻓﻲ ﺴﻔﹶﺭٍ ،ﺼﺎﺭ ﻤِﻥ ﺤﻭﻟﻲ ﻜﹶﻨﹶﻬﺭِ ﺠﻴﺤﻭﻥ؛
ﻜﻴﻑﹶ ﻟﻲ ﺃﻥ ﺃﺴﻌﺩ ﻭﺴﻁﹶ ﺍﻟﻐﻤﻭﻡِ ﻭﺍﻷﺤﺯﺍﻥ ،ﺫﺍﻙ ﺍﺨﺘﻴﺎﺭ ﺨﺎﺭِﺝ ﺍﻻﺨﺘﻴﺎﺭ؛
ﺤﺎﻓِﻅﹸ ﻴﻁﻠﹸﺏ ﺍﻟﺤﺒﻴﺏ ﺒِﻀﻴﺎﻉِ ﻨﹶﻔﹾﺴِﻪ ،ﻤِﺜﹾلَ ﻤﻔﻠِﺱ ﻴﻁﻠﹸﺏ ﻜﹶﻨﹾﺯ ﻗﺎﺭﻭﻥ).(٣
ﻏﺰﻝ ٥٥
ﺒِــﺄَﻥ ﺸِــﺒﺎﻜﹶ ﻪ ﻜﹸﻔﹾــﺭ ﻭﺩﻴــﻥ ﻭﺃﺼﻐﹶﺭ ﻤﺎ ﻟِﻔﺭﻋِـﻙ ﻤِـﻥ ﻓِﻌـﺎلٍ
ﺒِﻐﹶﻤﺯِﻙ ﻴﺤـﺩﺙﹸ ﺍﻟـﺴﺤﺭ ﺍﻟﻤﺒـﻴﻥ ﺠﻤﺎﻟﹸﻙ ﻤﻌﺠِـﺯ ﺒﺎﻟﺤـﺴﻥ ﻟﻜِـﻥ
ﻭﻓﻴﻬﺎ ﺘﺤـﺕﹶ ﺤﺎﺠِﺒِـﻙ ﺍﻟﻜﹶﻤِـﻴﻥ ﻭﻋﻴﻨﹸﻙ ﻜﻴﻑﹶ ﺘﻨﺠﻭ ﺍﻟﺭﻭﺡ ﻤِﻨﹾﻬـﺎ
ﺒِﻘﹶﺘﹾــلِ ﺍﻟﻌﺎﺸِــﻘﻴﻥ ﻟﻬــﺎ ﻓﹸﻨــﻭﻥ ﻓﹶﺒﻭﺭِﻙ ﻤِﻨﹾﻙ ﺴِﺤﺭ ﺴـﻭﺍﺩِ ﻋـﻴﻥٍ
ﻀﻔﻴﺭﺘﹸﻙ ﺍﻟﻤﺠﻌﺩﺓﹸ ﺸﺒﻜﹶﺔﹸ ﻜﹸﻔﹾﺭٍ ﻭﺩﻴﻥ ،ﻭﺘﻠﻙ ﻨﹶﻔﺤﺔﹲ ﻭﺍﺤِﺩﺓﹲ ﻤِﻥ ﻓِﻌﺎﻟِﻬﺎ)(٤؛
) (١ﻓﺭﻫﺎﺩ ﻻ ﻴﺘﺤﺩﺙﹸ ﺇﻻﹼ ﻋﻥ ﺸﹶﻔﹶﺔِ ﺸﻴﺭﻴﻥ ،ﻭﻤﺠﻨﻭﻥ ﻟﻴﻠﻰ ﻻ ﻤﻘﺎﻡ ﻟﻪ ﺇﻻﹼ ﻓﻲ ﺠﻌﺩِ ﻁﹸﺭﺘِﻬﺎ؛
) (٢ﺃﺩِﺭ ﺍﻷﻗﺩﺍﺡ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ،ﻓﺭﺍﺤﺔﹸ ﺭﻭﺤﻲ ﻓﻲ ﺩﻭﺭﺍﻨﻬﺎ ﺒﻌﺩ ﺃﻥ ﺩﺍﺭ ﻟﻲ ﺍﻟﻔﻠﻙ ﺒﺎﻟﻌﺫﺍﺏِ
ﻭﺍﻷﻟﻡ؛
) (٣ﻁﻤﻌﺕﹸ ﻤﻨﻙ ﺒﺎﻟﻭﺼﺎل ﻭﻫﻭ ﻤﺤﺎلٌ ،ﻜﻤﺎ ﻴﻁﻤﻊ ﻓﻘﻴﺭ ﻤﻌﻭِﺯ ﺒﻜﻨﻭﺯ ﻗﺎﺭﻭﻥ.
) (٤ﺸﹶﻌﺭﻙ ﻓﻴﻪِ ﺍﻟﻀﻼلُ ﻭﺍﻟﻬﺩﺍﻴﺔ ،ﻭﻫﺫﺍ ﺃﺼﻐﺭ ﻓﻥ ﻤﻥ ﻓﻨﻭﻨﻪ ،ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ ﺍﻟﺴﻨﺠﺎﺭﻱ:
ﻭﻤﻥ ﻓﺭﻗِﻬﺎ ﺼﺒﺢ ﺍﻟﻬﺩﺍﻴـﺔِ ﻁـﺎﻟِﻊ ﻓﻤﻥ ﻓﺭﻋِﻬﺎ ﻟﻴلُ ﺍﻟـﻀﻼﻟﺔِ ﻤـﺴﺒلٌ
-٧١-
ﺠﻤﺎﻟﹸﻙ ﻤﻌﺠِﺯ ﺤﺴﻥٍ ﻭﻟﻜِﻥ ،ﺤﺩﻴﺙﹸ ﻏﹶﻤﺯﺘِﻙ ﻫﻭ ﺍﻟﺴﺤﺭ ﺍﻟﻤﺒﻴﻥ)(١؛
ﺍﻟﺭﻭﺡ ﻤﺘﻰ ﺘﺴﺘﻁﻴﻊ ﺍﻟﻬﺭﺏ ﻤِﻥ ﻋﻴﻨِﻙ ﺍﻟﺴﺎﺤِﺭﺓِ ،ﻭﺍﻟﻘﻭﺱ ﺩﺍﺌﻤﺎﹰ ﻤﻌﻬﺎ ،ﻭﻫﻲ
ﺩﺍﺌﻤﺎﹰ ﻓﻲ ﻜﻤﻴﻥ)(٢؛
ﺘﻠﻙ ﺍﻟﻌﻴﻥ ﺍﻟﺴﻭﺩﺍﺀ ﻤﺭﺤﻰ ﻟﻬﺎ ﻤﺌﺔﹶ ﻤﺭﺓٍ ،ﻴﺎ ﻟﻬﺎ ﻤِﻥ ﺴﺎﺤِﺭﺓٍ ﺒِﻘﺘﹾلِ ﺍﻟﻌﺎﺸِﻕ)(٣؛
ﻋِﻠﹾﻡ ﻫﻴﺌﺔِ ﺍﻟﻌِﺸﹾﻕِ ،ﻋﺠﻴﺏ ﻤِﻥ ﻋِﻠﹾﻡٍ ،ﻓﹶﻠﹶﻜﹸﻪ ﺍﻟﺜﱠﺎﻤِﻥ ﺍﻷﺭﺽ ﺍﻟﺴﺎﺒِﻌﺔ؛
ﺃﺘﺤﺴﺏ ﻗﺎﺌلَ ﺍﻟﺴﻭﺀِ ﺫﻫﺏ ﻭﻨﺠﺎ ﺒِﺭﻭﺤِﻪ ،ﻜﻠﹼﺎ ،ﺤِﺒﺎﻟﹸﻪ ﻓﻲ ﻴﺩِ ﺍﻟﻜِﺭﺍﻡِ ﺍﻟﻜﺎﺘﺒﻴﻥ؛
ﻻ ﺘﺄﻤﻥ ﻜﹶﻴﺩ ﻓﹶﺭﻋِﻪِ ﻴﺎ ﺤﺎﻓِﻅ ،ﻟﻘﹶﺩ ﺃﺨﹶﺫﹶ ﺍﻟﻘﹶﻠﹾﺏ ،ﻭﻫﻭ ﺍﻵﻥ ﻴﺼﻴﺩ ﺍﻟﺩﻴﻥ.
ﻏﺰﻝ ٥٦
ـﻭﻨﻲ ﻤِ ـﺭﺁﺓﹸ ﺘِﻠ ـﻙ ﺍﻟﻁﱠﻠﹾﻌ ـﻪ
ﻭﻋﻴـ ﺇﻥ ﻗﻠﺒــﻲ ﻟِﺤﺒــﻪِ ﺩﺍﺭ ﺴــﻜﻨﻰ
ﺕ ﺤِﻤـلِ ﺍﻟﻤِﻨﱠـﻪ
ﻋﻨﹸﻘﻲ ﻤﻨﻪ ﺘﺤـ ﹶ ﻟﺴﺕﹸ ﺃﺤﻨﻲ ﻟﻠﻜﻭﻥِ ﺭﺃﺴﻲ ﻟﻜـﻥ
ﻓِﻜ ﺭ ﻜﹸـلﱟ ﻋﻠـﻰ ﺴـﻤﻭ ﺍﻟﻬِﻤـﻪ ﻟﻙ ﻁﻭﺒﻰ ﺩﻋﻨﻲ ﻭﺘﻠـﻙ ﺍﻟﻘﺎﻤـﻪ
ﻥ ﻜﹸﻠﱡﻪ ﻟـﻪ ﺒﺎﻟﻌِـﺼﻤﻪ
ﺸﻬِﺩ ﺍﻟﻜﻭ ﺃﻨـﺎ ﺇﻥ ﻜﹸﻨﹾـﺕﹸ ﻤـﺫﹾﻨِﺒﺎﹰ ﻓﺤﺒﻴﺒـﻲ
ﻗﻠﺒﻲ ﻤﺴﻜﹶﻥ ﻟِﻤﺤﺒﺘِﻪِ ،ﻭﻋﻴﻨﻲ ﻤِﺭﺁﺓﹲ ﻋﻠﻰ ﻁﹶﻠﹾﻌﺘِﻪ)(٤؛
ﺕ ﺤِﻤلِ ﻤِﻨﱠﺘِﻪ)(٥؛
ﻭﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻻ ﺃﺭﻓﹶﻊ ﺍﻟﺭﺃﺱ ﻟِﻠﻜﻭﻨﹶﻴﻥ ،ﻋﻨﹸﻘﻲ ﺘﹶﺤ ﹶ
ﻻ ﺃﻥ ﻏﻤﺯﺓ ﻋﻴﻨِﻙ ﻫﻲ ﺼﺎﺤِﺒﺔﹸ ) (١ﺃﻨﺕﹶ ﺁﻴﺔﹸ ﺍﻟﺠﻤﺎلِ ،ﻭﻗﺩ ﺒﻠﻐﺕﹶ ﺒﺎﻟﺠﻤﺎلِ ﺤﺩ ﺍﻹﻋﺠﺎﺯ ،ﺇ ﱠ
ﺍﻟﺴﺤﺭِ ﺍﻟﻤﺒﻴﻥ ،ﻭﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﺘﺨﺘﺎﺭ ﻤﻥ ﺘﺴﺤﺭ ﺒِﻐﻤﺯﺓِ ﻋﻴﻨِﻙ؛
) (٢ﺍﻟﻜﻤﻴﻥ ﻤﻨﺼﻭﺏ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ ﺘﺤﺕ ﻗﻭﺱِ ﺤﺎﺠﺒﻙ ﺍﻟﹼﺫﻱ ﻴﺭﻤﻲ ﺃﺭﻭﺍﺡ ﺍﻟﻤﺤﺒﻴﻥ ﺒﺴﻬﺎﻡِ
ﻋﻴﻨﻙ ﺍﻟﹼﺘﻲ ﻻ ﺘﹸﺨﻁﺊُ؛
) (٣ﺒﺎﺭﻙ ﺍﷲ ﺒﺴﺤﺭ ﻋﻴﻨﻙ ﺍﻟﺴﻭﺩﺍﺀ ﺍﻟﺘﻲ ﺘﺘﻔﻨﹼﻥ ﺒﻘﺘل ﺍﻟﻌﺎﺸﻘﻴﻥ ﺩﻭﻥ ﺴﻭﺍﻫﻡ.
) (٤ﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﻋﻥ ﺍﻟﺼﺎﺩِﻕِ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ :ﺍﻟﻘﻠﺏ ﺤﺭﻡ ﺍﷲِ ﻓﻼ ﺘﹸﺴﻜِﻥ ﺤﺭﻡ ﺍﷲِ ﻏﻴﺭ ﺍﷲ؛
) (٥ﻭﺃﻨﺎ ﺍﻟﻌﺯﻴﺯ ﺍﻟﱠﺫﻱ ﺒﻠﻎﹶ ﻤﻥ ﻋِﺯﺘﻲ ﺃﻨﱠﻨﻲ ﻻ ﺃﺭﻓﹶﻊ ﻟِﻠﻌﺎﻟﹶﻤﻴﻥِ ﺭﺃﺴﻲ ،ﻭﺍﻟﺫﱠﻟﻴلُ ﺃﻤﺎﻤﻪ ،ﻭﻗﺩ
ﺃﺤﻨﺕﹾ ﻤِﻨﹶﻨﹸﻪ ﻋﻠﻲ ﻟﻪ ﻋﻨﻘﻲ؛
-٧٢-
ﺃﻨﺕﹶ ﻭﻁﹸﻭﺒﻰ ،ﻭﻨﹶﺤﻥ ﻭﻗﺎﻤﺔﹸ ﻤﻌﺸﻭﻗِﻨﺎ ،ﻓِﻜﹾ ﺭ ﻜﹸلﱢ ﺸﹶﺨﹾﺹٍ ﻋﻠﻰ ﻗﹶﺩﺭِ ﻫِﻤﺘِﻪ)(١؛
ﺇﻥ ﺃﻜﹸﻥ ﻤﻠﻭﺙﹶ ﺍﻟﺜﱠﻭﺏِ ﻤﺎ ﺍﻟﻌﺠﺏ ،ﺍﻟﻌﺎﻟﹶ ﻡ ﻜﹸﻠﱡﻪ ﺸﺎﻫِﺩ ﺒِﻌِﺼﻤﺘِﻪ)(٢؛
ﻓﻤﺘﻰ ﺃﺩﺨﹸلُ ﻓﻲ ﺫﻟِﻙ ﺍﻟﺤﺭﻡِ ،ﻭﺍﻟﺼﺒﺎ ﺤِﺠﺎﺏ ﻋﻠﻰ ﺤﺭﻴﻡِ ﺤﺭﻤﺘِﻪ؛
ﺤﺎﺸﻰ ﺘﻨﻅﹸﺭ ﻋﻴﻨﻲ ﻟِﻐﹶﻴﺭِ ﺨﻴﺎﻟِﻪ ،ﺫﻟِﻙ ﺍﻟﻜﹶﻬﻑﹸ ﻤﺤلﱡ ﺨﹶﻠﻭﺘِﻪ)(٣؛
ﻜﹸلﱡ ﻭﺭﺩٍ ﻅﹶﻬﺭ ﻓﻲ ﺍﻟﺭﻭﺽِ ﺯﻴﻨﹶﺔﹰ ،ﺃﺜﺭ ﻤِﻥ ﻟﻭﻥِ ﻭﺭﻴﺢِ ﺼﺤﺒﺘِﻪ؛
ﺩﻭﺭ ﺍﻟﻤﺠﻨﻭﻥِ ﺍﻨﻘﻀﻰ ﻭﺃﺘﹶﺕﹾ ﻨﻭﺒﺘﻲ ،ﻜﹸلﱡ ﺸﹶﺨﺹٍ ﻟﻪ ﺨﹶﻤﺴﺔﹶ ﺃﻴﺎﻡٍ ﻨﻭﺒﺘﹸﻪ؛
ﻤﻤﻠﹶﻜﹶﺔﹸ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﻜﹶﻨﹾﺯ ﺍﻟﻁﱠﺭﻴﻑﹸ ،ﻭﻜﹸلﱡ ﻤﺎ ﺃﻤﻠِﻙ ،ﻤِﻥ ﻴﻤﻥِ ﻫِﻤﺘِﻪ؛
ﺇﺫﺍ ﻓﹶﺩﻴﺘﹸﻪ ،ﺃﻨﺎ ﻭﻗﻠﺒﻲ ،ﻤﺎ ﺍﻟﺨﹶﻭﻑﹸ ﻤﺎ ﺩﺍﻡ ﺍﻟﻐﹶﺭﺽ ﺴﻼﻤﺘﹸﻪ؛
ﻻ ﺘﻨﻅﹸﺭ ﺇﻟﻰ ﻓﹶﻘﺭﻱ ﺍﻟﻅﱠﺎﻫِﺭِ ﻓﺤﺎﻓِﻅﹸ ،ﺼﺩﺭﻩ ﺨِﺯﺍﻨﹶﺔﹲ ﺒِﻬﺎ ﻤﺤﺒﺘﹸﻪ.
ﻏﺰﻝ ٥٧
ﺠﺎ َل ﺴِﺤﺭ ﻓـﻲ ﻤﻘﹾﻠﹶﺘﹶﻴـﻪِ ﻭﻓِﻴـﻪِ ﻥ ﻜﹸـلﱢ ﺸﹶـﻲﺀٍ ﻟﹶﺩﻴـﻪِ
ﺃﺴﻤﺭ ﺤﺴ
ﻭﺴﻠﹶﻴﻤﺎﻥ ﺨﹶﺎﺘﹶﻡ ﺍﻟﺠﻤـﺎلِ ﻟﹶﺩﻴـﻪِ ﺤﺴﻥ ﺍﻟﺜﱠﻐﹾﺭِ ﻓﻲ ﺍﻟﻭﺠـﻭﺩِ ﻤﻠﻴـﻙ
ﻗﹶﻤﺤــﺔﹲ ﻗﹶﻁﹶﻌــﺕﹾ ﺩﺭﺏ ﺁﺩﻡ ﻓﻴــﻪِ ﺨﺎلُ ﻤِـﺴﻙٍ ﻟﹶـﻪ ﺒِـﺼﻔﹾﺤﺔِ ﺨﹶـﺩ
ﻓﻴﻪِ ﺠﺭﺡ ﻭﻤﺭﻫﻤﻲ ﻓـﻲ ﻴﺩﻴـﻪِ ﻟﻲ ﺤﺒﻴﺏ ﻨﻭﻯ ﺍﻟﺭﺤﻴـلَ ﻭﻗﹶﻠﹾﺒـﻲ
ﻗﺎﺘِﻠﻲ ﻭﺃﻨﻔـﺎﺱ ﻋﻴـﺴﻰ ﻟﹶﺩﻴـﻪِ ﻭﻟِﻤ ـﻥ ﺃﺸﹾ ـﺘﹶﻜﻴﻪِ ﻗﺎﺴِ ـﻲ ﻗﹶﻠﹾ ـﺏٍ
) (١ﻓﻴﺎ ﻁﺎﻟِﺏ ﺍﻟﺠﻨﱠﺔِ ﻭﺃﺸﺠﺎﺭِﻫﺎ ،ﺨﹸﺫﹾ ﺸﹶﺠﺭﺓﹶ ﻁﻭﺒﻰ ﻭﺩﻉ ﻟﻲ ﻗﺎﻤﺔﹶ ﺍﻟﺤﺒﻴﺏ ،ﻓﻜﹸلﱞ ﻴﻔﻜﱢﺭ ﻋﻠﻰ
ﻗﺩﺭِ ﻋﻠﹸﻭ ﻫِﻤﺘِﻪ) ﻁﻭﺒﻰ ﺸﺠﺭﺓﹲ ﻓﻲ ﺍﻟﺠﻨﱠﺔِ ﻟﻭ ﺴﺎﺭ ﺭﺍﻜﺏ ﻤﺠﺩ ﻓﻲ ﻅﻠﱢﻬﺎ ﺨﻤﺴﻤﺎﺌﺔ ﻋﺎﻡٍ ﻤﺎ
ﺨﺭﺝ ﻤﻨﻪ؛ ﻗﺎل ﻋﻠﻲ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ :ﻗﺩﺭ ﺍﻟﺭﺠلِ ﻋﻠﻰ ﻗﺩﺭِ ﻫﻤﺘِﻪ(؛
) (٢ﻭﺃﻱ ﻋﺠﺏٍ ﻓﻲ ﻜﻭﻨﻲ ﻤﻠﻭﺙﹶ ﺍﻟﺭﺩﺍﺀِ ﺒﺎﻟﺫﱡﻨﻭﺏ ،ﻓﺈﻨﱠﻪ ﻻ ﻤﺠﺎلَ ﻤﻥ ﺫﻟِﻙ ﻟﻠﻁﱠﻌﻥِ ﻓﻲ ﻤﻌﺸﻭﻗﻲ
ﺍﻟﱠﺫﻱ ﻴﺸﻬﺩ ﺒِﻌِﺼﻤﺘِﻪ ﻜﹸلﱡ ﻤﺎ ﻓﻲ ﺍﻟﻭﺠﻭﺩ؛
) (٣ﺍﻟﻜﻬﻑﹸ ﻤﺴﻜﹶﻥ ﺍﻟﻌﻴﻥ ﻓﻬﻲ ﺘﺴﻜﹸﻥ ﻓﻲ ﺠﻭﻑٍ ﻜﺎﻟﻜﻬﻑِ ﻴﺩﻋﻰ ﻓﻲ ﺍﻟﻁﱢﺏ ﺍﻟﺤﺠﺎﺝ.
-٧٣-
ﺫﻟﻙ ﺍﻷﺴﻤﺭ ﺍﻟﱠﺫﻱ ﺠﻤﺎلُ ﺍﻟﻌﺎﻟﹶﻡ ﻤﻌﻪ ،ﻋﻴﻥ ﺨﹶﻤﺭﻴﺔﹲ ﻭﺸﹶﻔﹶﺔﹲ ﻀﺎﺤِﻜﹶﺔﹲ ﻭﻗﻠﺏ ﻤﺴﺭﻭﺭ
ﻤﻌﻪ)(١؛
ﻭﻋِﺫﺍﺏ ﺍﻟﺜﱡﻐﻭﺭِ ﻜﹸﻠﱡﻬﻡ ﻤﻠﻭﻙ ،ﻭﻟﻜِﻨﱠﻪ ﺴﻠﻴﻤﺎﻥ ﺍﻟﺯﻤﺎﻥِ ﻭﺍﻟﺨﺎﺘﹶﻡ ﻤﻌﻪ)(٢؛
ﻭﺠﻪ ﺨﹶﻴﺭٍ ﻭﻜﻤﺎلُ ﺍﻨﺴِﺠﺎﻡٍ ﻭﺜﻭﺏ ﻁﺎﻫِ ﺭ ،ﻻ ﺠﺭﻡ ﻫِﻤﺔﹸ ﺍﻟﻁﱠﺎﻫِﺭﻴﻥ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﻤﻌﻪ؛
ﻭﺫﻟِﻙ ﺍﻟﺨﺎلُ ﺍﻟﻤِﺴﻜﻲ ﻜﺎﻟﻘﹶﻤﺤﺔِ ﻓﻭﻕﹶ ﻋﺎﺭِﻀِﻪ ،ﺴِﺭ ﺘِﻠﹾﻙ ﺍﻟﺤﺒﺔِ ﺍﻟﱠﺘﻲ ﻗﹶﻁﹶﻌﺕﹾ ﺩﺭﺏ
ﺁﺩﻡ ﻤﻌﻪ)(٣؛
ﺒﺎﷲِ ﻴﺎ ﺃﺤِﺒﺘﻲ ،ﻤﺎ ﺃﺼﻨﹶﻊ ﻤﻊ ﻗﻠﺒﻲ ﺍﻟﻤﺠﺭﻭﺡِ ،ﻭﺤﺒﻴﺒﻲ ﻋﺯﻡ ﻋﻠﻰ ﺍﻟﺴﻔﹶﺭِ،
ﻭﺍﻟﻤﺭﻫﻡ ﻤﻌﻪ)(٤؛
ﻭﻟِﻤﻥ ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃﻗﻭلَ ﻫﺫﻩِ ﺍﻟﻨﱡﻜﹾﺘﹶﺔﹶ ،ﺃﻥ ﺫﻟﻙ ﺍﻟﻘﺎﺴﻲ ﺍﻟﻘﹶﻠﹾﺏِ ﻗﹶﺘﹶﻠﹶﻨﻲ ،ﻭﻨﹶﻔﹶﺱ ﻋﻴﺴﻰ
ﻤﺭﻴﻡ ﻤﻌﻪ(٥)؛
ﺤﺎﻓِﻅﹸ ﻤِﻥ ﺍﻟﻤﻌﺘﹶﻘِﺩﻴﻥ ﻓﺄﻜﺭِﻤﻪ ،ﺒﻤﺎ ﺃﻥ ﻋﻁﺎﺀ ﺃﺭﻭﺍﺡٍ ﻤﻜﺭﻤﺔٍ ﻜﺜﻴﺭﺓٍ ﻤﻌﻪ.
) (١ﻜﹸلﱡ ﺠﻤﺎلِ ﺍﻟﻌﺎﻟﻡِ ﻓﻲ ﻴﺩﻴﻪِ ،ﻭﺍﻟﺴﺤﺭ ﻓﻲ ﻤﻘﻠﺘﻴﻪِ ،ﻭﻓﻲ ﺸﻔﺘﻴﻪ) :ﻟﻠﻤﻜﺯﻭﻥ :ﻜلﱡ ﺍﻟﻤﺤﺎﺴِﻥِ
ﺠﺯﺀ ﺤﺴﻥِ ﻤﺤﻤﺩٍ(؛
) (٢ﻜلﱡ ﺠﻤﻴلِ ﺜﻐﺭٍ ﻤﻠﻴﻙ ﻓﻲ ﺍﻟﺠﻤﺎل ﺒﺤﻕﱟ ،ﻭﻟﻜِﻥ ﻤﻌﺸﻭﻗﹶﻨﺎ ﻫﻭ ﺍﻟﻤﻠﻴﻙ ﺍﻟﻤﻁﻠﻕﹸ ﻭﺤﺎﻜﻡ ﻤﻤﻠﻜﺔِ
ﺍﻟﺠﻤﺎل ،ﻓﻬﻭ ﺴﻠﻴﻤﺎﻥ ﺯﻤﺎﻨﻪِ ،ﻭﻓﻲ ﻴﺩﻴﻪ ﺨﺎﺘﹶﻡ ﻤﻠﻙِ ﻤﻤﻠﻜﺔ ﺍﻟﺠﻤﺎل؛
) (٣ﺫﻟِﻙ ﺍﻟﺨﺎلُ ﻤﻥ ﺍﻟﻤِﺴﻙِ ﺍﻟﺤِﻨﻁﻲ ﺍﻟﻠﹼﻭﻥِ ﻋﻠﻰ ﻋﺎﺭِﺽِ ﺍﻟﺤﺒﻴﺏِ ،ﻓﻴﻪِ ﺴﺭ ﺤﺒﺔِ ﺍﻟﺤِﻨﻁﹶﺔِ ﺍﻟﱠﺘﻲ
ﻗﻁﻌﺕﹾ ﻁﺭﻴﻕﹶ ﺁﺩﻡ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،ﻓﻘﺩ ﺫﹸﻜِﺭ ﻓﻲ ﺍﻟﺘﱠﻔﺎﺴﻴﺭِ ﺃﻥ ﺍﻟﺸﱠﺠﺭﺓﹶ ﺍﻟﱠﺘﻲ ﻨﹸﻬِﻲ ﺁﺩﻡ ﻋﻠﻴﻪِ
ﺍﻟﺴﻼﻡ ﻋﻨﻬﺎ ﻭﻜﺎﻨﺕ ﺴﺒﺒﺎﹰ ﻟﻬﺒﻭﻁِﻪِ ﻤﻥ ﺍﻟﺠﻨﱠﺔِ ﺇﻟﻰ ﺍﻷﺭﺽ ،ﻜﺎﻨﺕ ﺸﺠﺭﺓﹶ ﺍﻟﺤِﻨﹾﻁﹶﺔ )ﻤﻌﻨﻰ
ﻜلﱢ ﻨﺒﺘﺔٍ ﻤﻭﺠﻭﺩ ﻓﻲ ﺍﻟﺤﺒﺔ(؛
) (٤ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ﺃﻨﺕﹶ ﻁﺒﻴﺏ ﺃﻟﻡِ ﺠﺭﺤِﻲ ﺍﻟﻘﺩﻴﻡ:
ﻜﻤﺭﻴﺽٍ ﻗﺩ ﻨـﺄﻯ ﻋﻨـﻪ ﺍﻟﻁﱠﺒﻴـﺏ ﺃﻨﺎ ﻓﻲ ﺒﻌـﺩﻙ ﻋﻨﹼـﻲ ﻴـﺎ ﺤﺒﻴـﺏ
) (٥ﻭﻟﻤﻥ ﺃﺸﺘﻜﻴﻪِِ ،ﻭﻗﺩ ﻗﺘﻠﻨﻲ ﺒﻼ ﺭﺤﻤﺔٍ ،ﻭﻫﻭ ﺍﻟﱠﺫﻱ ﺃﻨﻔﺎﺴ ﻪ ﺘﹸﺤﻴﻲ ﺍﻟﻤﻭﺘﻰ )ﻁﺏ ﺠﺎﻟﻴﻨﻭﺱ
ﻫﺒﺎﺀ ﻋﻨﺩ ﻨﹶﻔﹶﺱِ ﻋﻴﺴﻰ(.
-٧٤-
ﻏﺰﻝ ٥٨
ﻓﻜلﱡ ﻤﺎ ﻓﻴﻪِ ﻴﺄﺘﻲ ،ﻴﺄﺘﻲ ﺒِﺄﻤﺭِ ﺍﻟﺤﺒﻴﺏ ﺭﺃﺴﻲ ﺍﻟﻤﺭﻴﺩ ﻤﻘﻴﻡ ﺒﺒﺎﺏِ ﺩﺍﺭِ ﺍﻟﺤﺒﻴﺏ
ﻨﺼﺒﺕﹸ ﻜلﱠ ﺍﻟﻤﺭﺍﻴﺎ ﺘﻠﻘﺎﺀ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏ ﻟﻡ ﺘﹸﺒﺼِﺭ ﺍﻟﻌﻴﻥ ﻤﻨﱢﻲ ﻤِﺜﹾلَ ﺍﻟﺤﺒﻴﺏِ ﻭﺇﻨﱢﻲ
ﻤﺘﻰ ﻴﻘﺎلُ ﻟِﻘﻠﺒﻲ ﻨﺼﺭ ﻭﻓﺘﺢ ﻓﺭﻴﺏ ﻻ ﺘﺴﺘﻁﻴﻊ ﺍﻟﺼﺒﺎ ﻟِﻀﻴﻕِ ﻗﻠﺒﻲ ﺸﺭﺤﺎﹰ
ﺭﺃﺴﻲ ﺍﻟﹼﺫﻱ ﺘﺘﻌﻠﱠﻕﹸ ﺒِﻪِ ﺇﺭﺍﺩﺘﻲ ،ﻤﺘﻌﻠﱢﻕﹲ ﺒﻌﺘﺒﺔِ ﺤﻀﺭﺓِ ﺍﻟﺤﺒﻴﺏ ،ﻓﻜلﱡ ﻤﺎ ﻴﺠﻲﺀ
ﺒﺭﺃﺴﻲ ﻫﻭ ﺒﺈﺭﺍﺩﺓِ ﺍﻟﺤﺒﻴﺏ؛
ﻟﻘﺩ ﻨﺼﺒﺕﹸ ﺍﻟﻤﺭﺍﻴﺎ ﻗﺒﺎﻟﺔﹶ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏ ،ﻭﺍﻟﺸﱠﻤﺱ ﻭﺍﻟﻘﻤﺭ ﻨﺼﺒﺘﹸﻬﻤﺎ ،ﻭﻟﻜﻨﱠﻨﻲ ﻟﹶﻡ ﺃﺭ
ﻨﹶﻅﻴﺭ ﺍﻟﺤﺒﻴﺏ؛
ﻤِﻥ ﺤﺎلِ ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﻀﺎﻕﹶ ،ﻤﺎ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﹶﺸﺭﺡ ﺍﻟﺼﺒﺎ؟ ،ﻭﻫﻭ ﻤﻐﻠﻕﹲ ﻜﺒﺭﻋﻡٍ
ﺃﻭﺭﺍﻗﹸﻪ ﻁﺒﻘﺎﺕﹲ ﺒﻌﻀﻬﺎ ﻓﻭﻕ ﺒﻌﺽ)ﺤﺠﺏ ﺍﻟﻘﻠﺏ(؛
ﻟﺴﺕﹸ ﺃﻨﺎ ﻭﺤﺩﻱ ﺸﺎﺭِﺏ ﺍﻹﺒﺭﻴﻕِ ،ﻭﺍﻟﻌِﺭﺒﻴﺩ ﺍﻟﻤﺤﺘﹶﺭِﻕﹶ ﻓﻲ ﻫﺫﺍ ﺍﻟﺩﻴﺭِ ،ﻤﺎ ﺃﻜﹾﺜﹶﺭ
ﺍﻟﺭﺅﻭﺱ ﺍﻟﱠﺘﻲ ﺼﺎﺭﺕﹾ ﺤِﺠﺎﺭﺓﹰ ﻭﻓﺨﱠﺎﺭﺍﹰ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﺸﻐﹶل؛
ﻫﻠﱠﺎ ﻤﺸﱠﻁﺕ ﻀﻔﺎﺌﺭﻙ ﺍﻟﱠﺘﻲ ﺘﻨﺸﹸﺭ ﺍﻟﻌﺒﻴﺭ ،ﻟِﺘﹶﻨﺸﹸﺭ ﺍﻟﺭﻴﺢ ﻋِﻁﺭ ﺍﻟﻐﺎﻟﻴﺔِ ﻭﻴﺘﻌﻨﺒﺭ ﺍﻟﺘﱡﺭﺍﺏ؛
ﻨﺜﺎﺭ ﻟﻭﺠﻬِﻙ ﻜلﱡ ﻭﺭﻗﺔِ ﻭﺭﺩٍ ﻓﻲ ﺍﻟﺭﻭﺽِ ،ﻭﻓﺩﺍﺀ ﻟِﻘﺩﻙ ﻜﹸلﱡ ﺴﺭﻭﺓٍ ﻗﺎﻤﺕ ﻋﻠﻰ
ﻀِﻔﱠﺔِ ﺠﺩﻭل؛
ﺍﻟﻠﺴﺎﻥ ﺍﻟﻨﱠﺎﻁِﻕﹸً ﻋﻥ ﻭﺼﻑِ ﺸﻭﻗِﻨﺎ ﺇﻟﻴﻙ ﻋﺎﺠِﺯ ،ﻓﺄﻱ ﻤﺠﺎلٍ ﻟﻠﻘﻠﻡِ ﺍﻟﻤﺨﺭﻑِ ﻤﻘﻁﻭﻉِ
ﺍﻟﻠﱢﺴﺎﻥ؛
ﻅﻬﺭﺕ ﺼﻭﺭﺓﹸ ﻭﺠﻬِﻙ ﻓﻲ ﻗﻠﺒﻲ ،ﻓﺴﻭﻑﹶ ﺃﻨﺎلُ ﺍﻟﻤﺭﺍﺩ ،ﻷﻥ ﺍﻟﺤﺎلَ ﺍﻟﺤﺴﻥ ﻴﺘﺒﻊ
ﺍﻟﻔﺄلَ ﺍﻟﺤﺴﻥ؛
ﻫﻭﺱ ﻗﻠﺏِ ﺤﺎﻓﻅ ﺒﺎﻟﻨﱠﺎﺭِ ﻟﻴﺱ ﻤﻥ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ،ﻫﺫﺍ ﺍﻟﻤﺤﺘﹶﺭِﻕﹸ ﻴﺴﻴﺭ ﺒﺴﻴﺭﺓِ
ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻤﻥ ﺍﻷﺯل.
-٧٥-
ﻏﺰﻝ ٥٩
ﺫﹶﻨﹾﺒﺎﹰ ﻋﻤِﻠﹾﺕﹸ ﻭﻟﻲ ﻓﻲ ﻋﻔﻭِﻩِ ﺃَﻤـلُ ﻋﻁﻑﹸ ﺍﻟﺤﺒﻴﺏِ ،ﺒِﻪِ ﻗﹶﻠﺒﻲ ﻟﹶﻪ ﺃﻤـلُ
ﻭﺒﺎﻟﻴﻘﻴﻥِ ﺒِﻪِ ﻟـﻲ ﻴﻐﹾﻔﹶـﺭ ﺍﻟﺯﻟﹶـلُ ﺸﹶﺒﻴﻪ ﺠِﻥ ﻭﻓـﻲ ﺨﹶﻴـﺭٍ ﻤﻼﺌِﻜﹶـﺔﹲ
ﺒﻴﻥ ﺍﻟﺨﻼﺌﻕِ ﺃﻀﺤﻰ ﻴﻀﺭﺏ ﺍﻟﹾﻤﺜﹶلُ ﻟﹶﻜﹶﻡ ﺒﻜﹶﻴﺕﹸ ﻓﹶﺩﻤﻌﻲ ﺠـﺩﻭلٌ ﻭﺒِـﻪِ
ﻭﺍﻟﺨﹶﺼﺭ ﺩﻕﱠ ﻓﻠﹶﻡ ﺘﹶﻅﹾﻔﹶﺭ ﺒِﻪِ ﺍﻟﹾﻤﻘﹶـلُ ﺍﻟﺜﹼﻐﹾﺭ ﻀﺎﻕﹶ ﻓﻠﹶﻡ ﻴﻅﻬﺭ ﻟـﻪ ﺃَﺜﹶـﺭ
ﻭﻜﹸلﱠ ﺤِﻴﻥٍ ﻟﹶﻬﺎ ﺒﺎﻟـﺩﻤﻊِ ﻤﻐﹾﺘﹶـﺴلُ ﻁ ﻋﻴﻨِـﻲ ﻻ ﻴﻔﺎﺭِﻗﹸﻬـﺎ
ﺨﹶﻴﺎﻟﹸﻪ ﻭﺴ ﹶ
ﻟﻲ ﺃﻤلٌ ﺒﺎﻟﻌ ﻁﹾﻑِ ﻤِ ﻥ ﺠﻨﺎﺏِ ﺍﻟﺤﺒﻴﺏ ،ﻋﻤِﻠﹾﺕﹸ ﺠﻨﺎﻴﺔﹰ ،ﻭﻟﻲ ﺃﻤلٌ ﺒﻌﻔﻭِﻩ؛
ﻟﻘﺩ ﻋﻠِﻤﺕﹸ ﺃﻨﱠﻪ ﺴﻴﺘﺠﺎﻭﺯ ﻋﻥ ﺠﺭﻤﻲ ،ﻓﻬﻭ ﻭﺇﻥ ﻜﺎﻥ ﺸﺒﻴﻬﺎﹰ ﺒﺎﻟﺠِﻥ ،ﻤﻼﻙ ﺒﺎﻟﻁﱢﻴﻨﹶﺔِ)(١؛
ﻭﻟﻘﺩ ﺒﻜﻴﺕﹸ ﺤﺘﹼﻰ ﻜﺎﻥ ﻜﹸلﱡ ﺸﺨﺹٍ ﻴﻤﺭ ﺒﻲ ﻭﻴﺭﻯ ﻤﺴﻴلَ ﺩﻤﻌﻲ ،ﻴﺴﺄلُ ﻤﺎ ﺍﺴﻡ
ﻫﺫﺍ ﺍﻟﻨﱠﻬﺭ؛
ﺫﺍﻙ ﺍﻟﺜﱠﻐﹾﺭ ﻜﺄﻨﱠﻪ ﻻ ﺸﻲﺀ ،ﻻ ﺃﺜﹶﺭ ﻤﻨﻪ ﻴﺭﻯ ،ﻭﺸﹶﻌﺭﺓﹸ ﺫﻟِﻙ ﺍﻟﺨﹶﺼﺭِ ﺃﻴﺔﹸ ﺸﻌﺭﺓٍ ﻫِﻲ
ﻓﻼ ﺘﻜﺎ ﺩ ﺘﹸﺭﻯ)(٢؛
ﺵ ﺨﻴﺎﻟِﻪ ،ﺃﻥ ﻜﻴﻑﹶ ﻟﻡ ﻴﺫﹾﻫﺏ ﻤِﻥ ﻋﻴﻨﻲ ﺍﻟﱠﺘﻲ ﺘﻐﺘﺴِلُ ﺒﺎﻟﺩﻤﻊِ
ﻋِﻨﺩﻱ ﺍﻟﻌﺠﺏ ﻤِﻥ ﻨﹶﻘﹾ ِ
ﻟﺤﻅﹶﺔﹰ ﺒِﻠﹶﺤﻅﹶﺔ)(٣؛
ﻓﺭﻋﻙ ﻴﺄﺴِﺭ ﺍﻟﻘﹶﻠﹾﺏ ﺩﻭﻥ ﻗﺎلٍ ﻭﻗﻴل ،ﻤﺎ ﻷﺤﺩٍ ﻤﻊ ﺫﻟِﻙ ﺍﻟﻔﺭﻉِ ﺁﺴِﺭِ ﺍﻟﻘﻠﻭﺏِ ﻗﺎلٌ ﻭﻗﻴل؛
ﻗﻀﻴﺕﹸ ﺍﻟﻌﻤﺭ ﻟِﺄﺸﹸﻡ ﻋﺒﻴﺭ ﻓﺭﻋِﻙ ،ﺫﻟِﻙ ﺍﻟﻌﺒﻴﺭ ﻻ ﻴﺯﺍلُ ﻓﻲ ﻤﺸﺎﻡ ﻗﻠﺒﻲ؛
ﺤﺎﻓﻅﹸ ﻤﻨﻙ ﺴﻲﺀ ﺍﻟﺤﺎلِ ﻤﻀﻁﺭﺏ ،ﻟﻜِﻥ ﺍﻀﻁِﺭﺍﺒﻪ ﻤِﻥ ﻋﺒﻴﺭِ ﻓﺭﻋِﻙ ﺠﻤﻴل.
) (١ﺍﻟﺤﺒﻴﺏ ﻤﺨﺘﻑٍ ﻋﻥ ﺍﻟﻌﻴﻥ ﻓﻼ ﻴﻅﻬﺭ ،ﻜﺄﻨﱠﻪ ﻤﻥ ﺍﻟﺠﻥ ،ﺃﻤﺎ ﻓﻌﻠﹸﻪ ﻓﻔﻌلُ ﺍﻟﻤﻼﺌﻜﺔ ،ﺍﻟﱠﺘﻲ
ﻻ ﻴﺼﺩﺭ ﻤﻨﻬﺎ ﺇﻻﹼ ﺍﻟﺨﻴﺭ ،ﻭﺒﺎﻟﻴﻘﻴﻥ ﺃﻗﻁﻊ ﺃﻨﱠﻪ ﺴﻴﻜﻭﻥ ﺴﺒﺏ ﻏﻔﺭﺍﻥ ﺫﻨﺒﻲ؛
) (٢ﺜﻐﺭﻩ ﻀﻴﻕﹲ ﻓﻼ ﻴﻜﺎﺩ ﻴﺭﻯ ،ﻭﺨﺼﺭﻩ ﺩﻗﻴﻕﹲ ﻴﺨﻔﻰ ﻋﻠﻰ ﺍﻟﻌﻴﻭﻥ؛
) (٣ﻴﻐﺴلُ ﺍﻟﺩﻤﻊ ﻋﻴﻨﻲ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ ﻟﻜﺜﺭﺓِ ﺒﻜﺎﺌﻲ ،ﻭﻟﻜﻨﱠﻪ ﻻ ﻴﻤﺤﻲ ﺨﻴﺎﻟﻙ ﻤﻨﻬﺎ.
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ﻏﺰﻝ ٦٠
ﻤﺭﺴلُ ﺍﻟﺴﻌﺩِ ﺍﻟﱠﺫﻱ ﻭﺼلَ ﻤﻥ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ،ﺠﺎﺀ ﺒِﺤِﺭﺯِ ﺍﻟﺭﻭﺡِ ﻤِﻥ ﺨﻁﱢﻪِ ﺍﻟﻤﻌﻁﱠﺭ)(١؛
ﺸﺎﺭﺓﹸ ﺍﻟﺠﻼلِ ﻭﺍﻟﺠﻤﺎلِ ﻋﻨﺩ ﺍﻟﺤﺒﻴﺏِ ﺘﹸﺒﻬِﺞ ،ﺤﻜﺎﻴﺔﹸ ﺍﻟﻌﺯ ﻭﺍﻟﻭﻗﺎﺭِ ﻋﻨﺩ ﺍﻟﺤﺒﻴﺏِ ﺘﹸﺴﻌِﺩ؛
ﺍﻟﻘﻠﺏ ﺃﻫﺩﻴﺘﹸﻪ ﺒِﺒﺸﺭﻯ ﻭﺒﻲ ﺨﹶﺠلٌ ،ﻤﻥ ﺠﻌلِ ﻨﹶﻘﹾﺩِ ﻗﻠﺒﻲ ﺍﻟﺯﺍﺌِﻑِ ﻋﻁﺎﺀ ﻟﻠﺤﺒﻴﺏ؛
ﺍﻟﺤﻤﺩ ﷲِ ،ﻤِﻥ ﻤﺩﺩِ ﺍﻟﺒﺨﹾﺕِ ﺍﻟﻤﺴﺎﻋِﺩِ ،ﺴﺎﺭ ﻜﹸلﱡ ﺸﹸﻐﹾلِ ﺍﻟﺤﺒﻴﺏِ ﻭِﻓﻕﹶ ﻤﺭﺍﻤﻲ؛
ﺃﻱ ﺍﺨﺘﻴﺎﺭٍ ﻟﻠﻔﹶﻠﹶﻙِ ﺍﻟﺴﺎﺌِﺭِ ﻭﺍﻟﻘﻤﺭِ ﺍﻟﺩﺍﺌﺭ؟ ،ﺇﻨﱠﻬﻤﺎ ﺩﺍﺌﺭﺍﻥِ ﺤﺴﺏ ﺍﺨﺘﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ؛
ﺇﺫﺍ ﺭﻴﺢ ﺍﻟﻔﺘﻨﺔِ ﻀﺭﺒﺕﹾ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ،ﻨﺤﻥ ﻭﺴﺭﺍﺝ ﻋﻴﻭﻨِﻨﺎ ،ﻭﺩﺭﺏ ﺍﻨﺘِﻅﺎﺭِ ﺍﻟﺤﺒﻴﺏِ؛
ﺍﺤﻤلْ ﻟﻲ ﻴﺎ ﻨﺴﻴﻡ ﺍﻟﺼﺒﺢِ ﻜﹸﺤلَ ﺍﻟﺠﻭﺍﻫﺭﻱ ،ﻤﻥ ﺫﻟِﻙ ﺍﻟﺘﱡﺭﺍﺏِ ﺍﻟﻤﺴﻌِﺩِ ﺍﻟﱠﺫﻱ ﻤ ﺭ
ﻋﻠﻴﻪِ ﺍﻟﺤﺒﻴﺏ)(٢؛
ﻨﺤﻥ ﻭﺒﻭﺍﺒﺔﹸ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﻔﺎﻗﹶﺔﹸ ،ﻟﻴﺄﺨﹸﺫﹶﻨﺎ ﺍﻟﻨﱠﻭﻡ ﺍﻟﺠﻤﻴلُ ﻓﻲ ﺠِﻭﺍﺭِ ﺍﻟﺤﺒﻴﺏ؛
ﺍﻟﻌﺩﻭ ﺇﻥ ﺴﻌﻰ ﺒِﻘﹶﺼﺩِ ﺤﺎﻓِﻅﹶ ﻤﺎ ﺍﻟﺨﻭﻑ ،ﺍﻟﻤِﻨﱠﺔﹸ ﷲِ ﻟﺴﺕﹸ ﺨﺠِﻼﹰ ﻤِﻥ ﺍﻟﺤﺒﻴﺏ.
ﻏﺰﻝ ٦١
ﺃﺤﻀِﺭﻱ ﺍﻟﻁﱢﻴﺏ ﻤِﻥ ﺸﹶﻌﺭِﻩِ ﺍﻟﻤﻌﻨﹾﺒﺭ ﻴﺎ ﺼﺒﺎ ﺇﻥ ﻤـﺭﺭﺕِ ﺩﺍﺭ ﺤﺒﻴﺒـﻲ
ﻏﹶﻴﺭ ﺤﻠﹾﻡٍ ﺒﺎﻟﻨﱠﻭﻡِ ﺃﻭ ﻁﹶﻴﻑِ ﻤﻨﹾﻅﹶـﺭ ﻁﻤﻌﻲ ﺒﺎﻟﻭﺼـﺎلِ ﻤِﻨﹾـﻪ ﻤﺤـﺎلٌ
ﺒِﻬﻭﻯ ﻗﹶـﺩﻩِ ﺸﹶـﺒﻴﻪِ ﺍﻟـﺼﻨﹶﻭﺒﺭ ﺇﻥ ﻗﹶﻠﹾﺒــﻲ ﺍﻟــﺼﻨﹶﻭﺒﺭِﻱ ﺨﹶﻔــﻭﻕﹲ
ﺼﺒﺎ ﺇﺫﺍ ﻜﺎﻥ ﻟﻙِ ﻤﻤﺭ ﻓﻲ ﻤﻭﻁِﻥِ ﺍﻟﺤﺒﻴﺏ ،ﺍﺤﻤِﻠﻲ ﻨﻔﺤﺔﹰ ﻤِﻥ ﻋﺒﻴﺭِ ﻓﹶﺭﻋِﻪِ ﺍﻟﻤﻌﻨﺒﺭ؛
ﻗﹶﺴﻤﺎﹰ ﺒِﺭﻭﺤِﻪِ ﺃﻥ ﺃﻨﺜﹸﺭ ﺍﻟﺭﻭﺡ ﺸﹸﻜﹾﺭﺍﹰ ،ﺇﻥ ﺤﻤﻠﹾﺕِ ﻟﻲ ﺭِﺴﺎﻟﹶﺔﹰ ﻤِﻥ ﺍﻟﺤﺒﻴﺏ؛
) (١ﻗﺩﻴﻤﺎﹰ ،ﻜﺎﻥ ﺤِﺒﺭ ﺍﻟﺭﺴﺎﺌلِ ﻴﻤﺯﺝ ﺒﺎﻟﻌِﻁﺭ؛
) (٢ﻜﺤلُ ﺍﻟﺠﻭﺍﻫﺭﻱ ﻨﻭﻉ ﻤﻥ ﺍﻟﻜﹸﺤلِ ﺜﻤﻴﻥ.
-٧٧-
ﻭﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﻟﻙِ ﺭﺨﹾﺼﺔﹸ ﺍﻟﺤﻀﻭﺭِ ﻓﻲ ﺘِﻠﹾﻙ ﺍﻟﺤﻀﺭﺓ ،ﺍﺤﻤﻠﻲ ﺍﻟﻐﹸﺒﺎﺭ ﻟِﻌﻴﻨﻲ ﻋﻥ
ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏ؛
ﺘﻤﻨﱢﻲ ﻭﺼﻠﹶﻪ ،ﻭﺃﻨﺎ ﺍﻟﺸﱠﺤﺎﺫﹸ ،ﻫﻴﻬﺎﺕﹶ ،ﻏﻴﺭ ﺃﻥ ﺃﺭﻯ ﺒﻨﻭﻡٍ ﺨﻴﺎلَ ﻤﻨﻅﹶﺭِ ﺍﻟﺤﺒﻴﺏ؛
ﻗﻠﺒﻲ ﺍﻟﺼﻨﻭﺒﺭﻱ ﻴﺭﺘﹶﺠِﻑﹸ ﻜﺎﻟﺼﻔﺼﺎﻑِ ،ﺤﺴﺭﺓﹰ ﻟِﻘﹶﺩ ﻭﻗﺎﻤﺔِ ﺼﻨﻭﺒﺭِ ﺍﻟﺤﺒﻴﺏ)(١؛
ﺭﻏﹾﻡ ﺃﻥ ﺍﻟﺤﺒﻴﺏ ﻻ ﻴﺸﺘﺭﻴﻨﻲ ﺒِﺸﹶﻲﺀٍ ،ﺃﻨﺎ ﻻ ﺃﺒﻴﻊ ﺒﺎﻟﻌﺎﻟﹶﻡِ ﺸﹶﻌﺭﺓﹰ ﻤِﻥ ﺭﺃﺱِ ﺍﻟﺤﺒﻴﺏِ؛
ﻤﺎ ﻴﻜﻭﻥ ﺇﺫﺍ ﺘﹶﺤﺭﺭ ﻤِﻥ ﻗﻴﺩِ ﻏﻡ ﻗﹶﻠﺒِﻪِ ﺤﺎﻓِﻅﹸ ﺍﻟﻤِﺴﻜﻴﻥ ،ﺒﻤﺎ ﺃﻨﱠ ﻪ ﻏﹸﻼﻡ ﻭﺨﺎﺩِﻡ ﻟﻠﺤﺒﻴﺏ.
ﻏﺰﻝ ٦٢
ﻤﺭﺤﺒﺎﹰ ﻴﺎ ﺭﺴﻭلَ ﺍﻟﻤﺸﺘﺎﻗﻴﻥ ،ﻫﺎﺕِ ﺭِﺴﺎﻟﺔﹶ ﺍﻟﺤﺒﻴﺏِ ،ﻷﺠﻌلَ ﻋﻥ ﺭﻏﺒﺔٍ ،ﺭﻭﺤﻲ
ﻓﺩﺍﺀ ﺍِﺴﻡِ ﺍﻟﺤﺒﻴﺏ؛
ﻭﺍﻟﻪ ﻫﺎﺌﻡ ﺩﺍﺌﻤﺎﹰ ﻜﺒﻠﹾﺒلٍ ﻓﻲ ﺍﻟﻘﻔﺹِ ،ﻟﻲ ﻁﺒﻊ ﺍﻟﺒﺒﻐﺎﺀِ ﻓﻲ ﻋﺸﻕِ ﺍﻟﺴﻜﱠﺭِ ،ﻭﺃﻨﺎ ﻓﻲ
ﺸﺒﺎﻙِ ﺍﻟﺤﺒﻴﺏ؛
ﻀﻔﻴﺭﺘﹸﻪ ﺸِﺒﺎﻙ ،ﻭﺤﺒﺔﹸ ﺨﺎﻟِﻪِ ﻁﹸﻌﻡ ﺘﻠﻙ ﺍﻟﺸﱢﺒﺎﻙ ،ﻤِﻥ ﻁﹶﻤﻊٍ ﺒﺎﻟﺤﺒﺔِ ﻭﻗﻌﺕﹸ ﻓﻲ ﺸِﺒﺎﻙِ
ﺍﻟﺤﺒﻴﺏ؛
ﻟﻥ ﻴﺭﻓﹶﻊ ﺍﻟﺭﺃﺱ ﻤِﻥ ﺍﻟﺴﻜﹾﺭِ ﺇﻟﻰ ﺼﺒﺎﺡِ ﻴﻭﻡِ ﺍﻟﺤﺸﺭِ ،ﻜلﱡ ﻤﻥ ﺸﺭِﺏ ﻤِﺜﻠﻲ ،ﻓﻲ
ﺍﻷﺯلِ ،ﺠﺭﻋﺔﹰ ﻤﻥ ﺠﺎﻡِ ﺍﻟﺤﺒﻴﺏ؛
ﺃﻨﺎ ﻻ ﺃﺴﺘﻁﻴﻊ ﺸﹶﺭﺡ ﺸﹶﻭﻗﻲ ،ﺃﺨﺎﻑﹸ ﺃﻥ ﺃُﺴﺒﺏ ﺍﻟﺴﺄﻡ ﻭﺇﺒﺭﺍﻡ ﺍﻟﺤﺒﻴﺏ؛
ﻟﻜِﻨﱠﻨﻲ ﺇﺫﺍ ﺘﻤﻜﱠﻨﹾﺕﹸ ﻓﺴﻭﻑﹶ ﺃﻤﺴﺢ ﻋﻴﻨﻲ ﺒِﻜﹸﺤلٍ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﻤ ﺸﹶﺭ ﻑِ ﺒِﺄﻗﺩﺍ ﻡِ
ﺍﻟﺤﺒﻴﺏ؛
) (١ﻴﺸﺒﻪ ﺍﻟﻘﻠﺏ ﺒﺸﻜﻠﻪِ ﺍﻟﻤﺨﺭﻭﻁﻲ ﺜﻤﺭﺓﹶ ﺍﻟﺼﻨﻭﺒﺭ ﻜﻤﺎ ﺘﹸﺸﺒﻪ ﻗﺎﻤﺔﹸ ﺍﻟﺤﺒﻴﺏ ﺴﺎﻕﹶ ﺍﻟﺼﻨﻭﺒﺭ
ﺒﺎﺴﺘﻘﺎﻤﺘﻬﺎ ﻭﺭﺸﺎﻗﺘﻬﺎ ﻭﻁﻭﻟﻬﺎ.
-٧٨-
ﻤﻴﻠﻲ ﺇﻟﻰ ﺠِﻬﺔِ ﺍﻟﻭِﺼﺎلِ ،ﻭﻗﹶﺼﺩﻩ ﺠِﻬﺔﹸ ﺍﻟﻔِﺭﺍﻕ ،ﺘﻌﻠﱠﻘﹾﺕﹸ ﺒِﺘﹶﺭﻙِ ﻤﺭﺍﺩﻱ ﻟﻴﺤﺼلَ
ﻤﺭﺍﺩ ﺍﻟﺤﺒﻴﺏ؛
ﺤﺎﻓِﻅﹸ ﺍﺤﺘﺭﻕﹶ ﻓﻲ ﺃﻟﹶﻤِﻪِ ﻭﻟﻡ ﻴﺄﺨﹸﺫِ ﺍﻟﺩﻭﺍﺀ ،ﻻ ﺩﻭﺍﺀ ﻟِﺫﻟِﻙ ﺍﻷﻟﹶﻡِ ﺍﻟﱠﺫﻱ ﻻ ﻴﺴﻜﹸﻥ
ﻤِﻥ ﺍﻟﺤﺒﻴﺏ.
ﻏﺰﻝ ٦٣
ﺃﻤﻥ ﻻ ﺘﹸُﺭﻯ ،ﺩﻭﻥ ﻭﺠﻬِﻙ ﺃﻟﹾﻑﹸ ﺭﻗﻴﺏ ،ﻤﺎﺀﺓﹰ ﺤﻭﻟﻙ ﻴﺎ ﺒﺭﻋﻡ ﻤِـﻥ ﻋﻨﹾـﺩﻟﻴﺏ
ﻨﺯﻟﺕﹸ ﺤﻤﺎﻙ ﻭﻟﺴﺕﹸ ﺒﻬﺎ ﺒﺎﻟﻭﺤﻴﺩِ ﺍﻟﻐﹶﺭﻴﺏ ،ﺒﻬﺎ ﺤلﱠ ﻤِﻥ ﻗﺒلُ ﻤﺜﻠﻲ ﺃﻟﻑﹸ ﻏﺭﻴﺏ
ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﻓﹶﺭﻕﹶ ﻤﺎ ﺒﻴﻥ ﺤﺎﻥٍ ﻭﺨﺎﻥ ﻓﻜﹸلﱡ ﻤﻜﺎﻥٍ ﻴﻀﺎﺀ ﺒﺈﺸﺭﺍﻕِ ﻭﺠﻪِ ﺍﻟﺤﺒﻴـﺏ
ﻭﻜﹸلﱡ ﻤﻜﺎﻥٍ ﺠﺭﻯ ﻤﺎ ﺠﺭﻯ ﻓﻲ ﺍﻟﺼﻭﺍﻤِﻊِ ﻓﻴﻪِ ،ﺩﻴﺭ ﻭﻨﺎﻗﻭﺱ ﺩﻴﺭٍ ﻋﻠﻴﻪِ ﻭﺍِﺴﻡ ﺍﻟﺼﻠﻴﺏ
ﻭﻴﺎ ﻋﺎﺸﻘﺎﹰ ﻗﺩ ﺠﻔﺎﻩ ﺍﻟﺤﺒﻴﺏ ﻟِﺘﺸﻙ ﻓﻠﻴﺱ ﻴﺩﺍﻭﻱ ﺍﻟﱠﺫﻱ ﻟﻴﺱ ﻴﺸﻜﻭ ﺍﻟﻁﱠﺒﻴـﺏ
ﻭﺼﻴﺤﺔﹸ ﺤﺎﻓِﻅﹶ ﻟﹶﻴﺴﺕﹾ ﺒِﻠﹶﻬﻭِ ﺍﻟﺤﺩﻴﺙِ ،ﻏﹶﺭﻴﺏ ﻤﻥ ﺍﻷﻤﺭِ ﻓﻴﻬﺎ ﻭﻓﻴﻬﺎ ﺤﺩﻴﺙﹲ ﻋﺠﻴﺏ
ﻟﻡ ﻴﺭ ﺃﺤﺩ ﻭﺠﻬﻙ ﻷﻨﱠﻙ ﻤﺤﺘﺠﺏ ،ﻭﺁﻻﻑﹸ ﺍﻟﺭﻗﺒﺎﺀِ ﺤﻭﻟﻙ ،ﻻ ﺯِﻟﹾﺕﹶ ﺒﺭﻋﻤﺎﹰ ،ﻭﺤﻭﻟﻙ
ﻤﺌﺔﹸ ﻋﻨﺩﻟﻴﺏٍ ﻤﺸﺘﺎﻕٍ)(١؛
ﺇﻥ ﻜﹸﻨﺕﹸ ﺠِﺌﺕﹸ ﺇﻟﻰ ﺤِﻤﺎﻙ ﻓﻠﺴﺕﹸ ﺒﺎﻟﻐﺭﻴﺏِ ﻜﺜﻴﺭﺍﹰ ،ﻷﻥ ﻓﻲ ﺘِﻠﹾﻙ ﺍﻟﺩﻴﺎﺭِ ﺁﻻﻑﹶ
ﺍﻟﻐﹸﺭﺒﺎﺀِ)(٢؛
ﻻ ﻓﺭﻕﹶ ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﺒﻴﻥ ﺍﻟﺨﺎﻨﻘﺎﻩ ﻭﺍﻟﺨﺭﺍﺒﺎﺕ ،ﻻ ﻤﻜﺎﻥ ﻟﻴﺱ ﻓﻴﻪِ ﻨﻭﺭ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏ)(٣؛
) (١ﻟﻡ ﻴﺭ ﺃﺤﺩ ﻭﺠﻬﻙ ﻷﻨﱠﻙ ﻤﺤﺘﺠﺏ ،ﻭﺒﺎﻨﺘﻅﺎﺭِ ﺃﻥ ﺘﺘﻔﺘﱠﺢ ،ﻴﺎ ﺒﺭﻋﻡ ﺍﻟﻭﺭﺩِ ،ﺤﻭﻟﹶﻙ ﻤﺌﺔﹸ ﺒﻠﺒلٍ ﻴﻨﺘﻅِﺭ؛
) (٢ﺴﺎﻓﺭﺕﹸ ﻋﻥ ﻭﻁﻨﻲ ﻭﻨﺯﻟﺕﹸ ﻓﻲ ﺤﻤﺎﻙ ،ﻓﻠﻡ ﺃﺤﺱ ﺒﺎﻟﻐﺭﺒﺔِ ﻜﺜﻴﺭﺍﹰ ،ﻷﻨﻨﻲ ﻭﺠﺩﺕﹸ ﺍﻵﻻﻑﹶ
ﻤﻥ ﻨﺎﺯﻟﻲ ﺤﻤﺎﻙ ﻤﻥ ﺍﻟﻐﺭﺒﺎﺀ ﺃﻤﺜﺎﻟﻲ)ﻭﻜلﱡ ﻏﺭﻴﺏٍ ﻟﻠﻐﺭﻴﺏِ ﻗﺭﻴﺏ ،ﻗﺎﻟﻭﺍ ﺍﻟﻐﺭﺒﺎﺀ
ﺍﻟﻤﺅﻤﻨﻭﻥ ﻭﺼِﻔﻭﺍ ﺒﺫﻟﻙ ﻟﻘﻠﱠﺔِ ﻋﺩﺩِﻫِﻡ(؛
) (٣ﻻ ﻓﹶﺭﻕﹶ ﻟﻠﻌﺎﺸﻘﻴﻥ ﺒﻴﻥ ﺨﺎﻥِ ﺍﻟﺩﺭﺍﻭﻴﺵ ﻭﺤﺎﻨﺔِ ﺍﻟﺴﻜﺎﺭﻯ ،ﻤﺎ ﺩﺍﻤﻭﺍ ﻴﻁﻠﺒﻭﻥ ﺸﻤﺱ ﻭﺠﻪِ
ﺍﻟﻤﻌﺸﻭﻕ ﺍﻟﹼﺘﻲ ﺘﹸﺸﺭﻕﹸ ﻓﻲ ﻜﹸلﱢ ﻤﻜﺎﻥ)ﺍﷲُ ﻨﻭﺭ ﺍﻟﺴﻤﻭﺍﺕِ ﻭﺍﻷﺭﺽ(؛
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ﺤﻴﺜﹸﻤﺎ ﺤﺼلَ ﺸﹸﻐﹾلُ ﺍﻟﺼﻭﻤﻌﺔِ ،ﻫﻨﺎﻙ ﻨﺎﻗﻭﺱ ﺩﻴﺭِ ﺍﻟﺭﺍﻫِﺏِ ،ﻭﺍﺴﻡ ﺍﻟﺼﻠﻴﺏ)(١؛
ﻗﹸلْ ﻟِﻠﻌﺎﺸِﻕِ ﺍﻟﹼﺫﻱ ﻻ ﻴﻨﻅﹸﺭ ﺍﻟﺤﺒﻴﺏ ﻓﻲ ﺤﺎﻟِﻪِ ،ﺃﻱ ﺴﻴﺩ ،ﺍﻟﻁﱠﺒﻴﺏ ﻤﻭﺠﻭﺩ ﻭﻟﻜِﻨﱠﻙ
ﻻ ﺘﺸﻜﻭ)(٢؛
ﻅ ﻟﻬﻭﺍﹰ ﺒﻼ ﻤﻌﻨﻰ ﻤﻥ ﺍﻟﺤﺩﻴﺙ ،ﻭﺤﻘﱠﺎﹰ ﺃﻗﻭلُ ﺇﻥ ﺥ ﻤﻥ ﺤﺎﻓِ ﹶ ﻟﻴﺱ ﺍﻟﻌﻭﻴلُ ﻭﺍﻟﺼﺭﺍ ﹸ
ﻓﻴﻪِ ﻟﻘِﺼﺔﹰ ﻏﺭﻴﺒﺔﹰ ﻻ ﺘﹸﺸﺭﺡ ،ﻭﺤﺩﻴﺜﺎﹰ ﻋﺠﻴﺒﺎﹰ ﻻ ﻴﻘﺎلُ.
ﻏﺰﻝ ٦٤
ﻋﺭﺽ ﻓﻨﹼﻲ ﻋﻠﻰ ﺍﻟﺤﺒﻴﺏِ ﻗِﻠﱠﺔﹸ ﺍﻷﺩﺏِ ،ﺼﺎﻤِﺕﹸ ﺍﻟﻠﱢﺴﺎﻥِ ﻭﺇﻥ ﻓﻲ ﻓﻤﻲ ﺒﻼﻏﺔ ﺍﻟﻌﺭﺏِ
ﻜﻴﻑﹶ ﺃﺨﻔﻰ ﺍﻟﻤﻼﻙ ﻤﺎ ﻋﻨﺩﻩ ﻤﻥ ﺠﻤﺎلٍ ،ﻭﺃﺘﻰ ﻴﻠﺒﺱ ﺍﻟﺤﺴﻥ ﺇﺒﻠﻴﺱ ،ﻭﺍﻋﺠﺒـﻲ
ﻟﻴﺱ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻭﺭﺩﺓﹲ ﺘﹸﻨﺎلُ ﺒﻼ ﺸﻭﻙٍ ،ﺴِﺭﺍﺝ ﺍﻟﻤﺼﻁﻔﻰ ﻟﻪ ﺸﹶﺭﺭ ﻤِﻥ ﺃﺒﻲ ﻟﹶﻬﺏِ
ﺕ ﻟِﺴﺎﻨﻲ ﻭﻓﻤﻲ ﻤﻠﻲﺀ ﺒِﻠﹸﻐﹶﺔِ
ﻥ ﻋِﻨﹾﺩ ﺍﻟﺤﺒﻴﺏِ ﻟﻴﺱ ﻤِﻥ ﺍﻷﺩﺏِ ،ﺼﻤ ﹶ
ﻷﻥ ﻋﺭﺽ ﺍﻟﻔﹶ
ﺍﻟﻌﺭﺏ)(٣؛
ﺍﻟﻤﻼﻙ ﻴﺨﻔﻲ ﻭﺠﻬﻪ ﺍﻟﺠﻤﻴلَ ،ﻭﺇﺒﻠﻴﺱ ﻴﻅﻬﺭ ﺍﻟﺤﺴﻥ ﺨِﺩﺍﻋﺎﹰ ،ﺍﺤﺘﹶﺭﻗﹶﺕﹾ ﻋﻴﻨﻲ
ﺤﻴﺭﺓﹰ ،ﻤﺎ ﻫﺫﺍ ﺍﻟﻌﺠﺏ ﺍﻟﻌﺠﺎﺏ!؛
ﻓﻲ ﻫﺫﺍ ﺍﻟﺭﻭﺽِ ﻻ ﻴﺠﻨﻲ ﺍﻤﺭﺅٌ ﻭﺭﺩﺓﹰ ﺒﻼ ﺸﹶﻭﻙٍ ،ﺤﺘﹼﻰ ﺴِﺭﺍﺝ ﺍﻟﻤﺼﻁﹶﻔﻰ )ﺹ(
ﺤﻭﻟﹶﻪ ﺸﹶﺭﺭ ﻤِﻥ ﺃﺒﻲ ﻟﹶﻬﺏ)(٤؛
) (١ﺇﻥ ﻁﻘﻭﺱ ﺍﻟﻌﺒﺎﺩﺓ ﻫﻲ ﺍﻟﱠﺘﻲ ﺘﻌﻁﻲ ﺍﻻِﺴﻡ ﺍﻟﻤﺴﺘﺤﻕﱠ ﻟﻠﻤﺼﻠﹼﻰ ﻓﺤﻴﺜﹸﻤﺎ ﺠﺭﺕﹾ ﻁﻘﻭﺱ ﺍﻟﻌﺒﺎﺩﺓِ
ﻤﻥ ﺍﻟﺭﻫﺒﺎﻥ ،ﻓﺎﻟﻤﻜﺎﻥ ﻜﻨﻴﺴﺔﹲ ﻜﺎﻤﻠﺔﹲ ،ﺒﻨﺎﻗﻭﺴِﻬﺎ ﻭﺼﻠﻴﺒِﻬﺎ؛
) (٢ﻋﻠﻴﻙ ﺃﻥ ﺘﺭﻭﺡ ﺸﺎﻜﻴﺎﹰ ﺒﺎﻜﻴﺎﹰ ﻟﺘﻨﺎل ﻋﻁﻑﹶ ﺍﻟﺤﺒﻴﺏ ،ﻜﻤﺎ ﻴﻔﻌلُ ﺍﻟﻤﺭﻴﺽ ﺍﻟﱠﺫﻱ ﻴﺸﻜﻭ ﻤﺭﻀﻪ
ﻟﻠﻁﱠﺒﻴﺏ ،ﻓﺎﻟﻤﺭﻴﺽ ﺍﻟﱠﺫﻱ ﻻ ﻴﺸﻜﻭ ﻤﺎ ﺒِﻪِ ﻟﻠﻁﱠﺒﻴﺏِ ﻻ ﻴﺩﺍﻭﻴﻪِ ﺍﻟﻁﱠﺒﻴﺏ ،ﻭﻓﻲ ﺫﻟﻙ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ
ﺃﻫﻤﻴﺔِ ﺍﻟﺩﻋﺎﺀ ،ﻭﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﺍﻟﻘﺩﺴﻲ ﻤﻥ ﻟﻡ ﻴﺩﻋﻨﻲ ﻟﻡ ﺃﺒﺎلِ ﻓﻲ ﺃﻱ ﻭﺍﺩٍ ﻫﻠﻙ ،ﻭﻓﻲ
ﺍﻟﻤﺜﻨﻭﻱ ﺒﻴﺕﹲ ﻤﻌﻨﺎﻩ :ﻟﻜﻲ ﺘﹸﻐﺎﺙ ﻻ ﺒﺩ ﺃﻥ ﺘﹸﻁﻠِﻕﹶ ﺼﺭﺨﺔﹶ ﺍﻻِﺴﺘﻐﺎﺜﹶﺔِ ﺃﻭﻻﹰ.
) (٣ﺇﻥ ﻋﺭﻀﻲ ﻟﻔﻨﹼﻲ ﻭﻓﻀﻠﻲ ﺃﻤﺎﻡ ﺍﻟﺤﺒﻴﺏ ﺍﻟﻜﺎﻤلِ ﺍﻟﻔﻀل ﻭﺍﻟﻔﻥ ﻤﻨﺎﻑٍ ﻟﻸﺩﺏ ﻟﺫﻟﻙ ﺘﺭﻜﺕﹸ
ﻨﻅﻡ ﺍﻟﺸﻌﺭ ﺍﻟﻌﺭﺒﻲ ﻤﻊ ﻤﻘﺩﺭﺘﻲ ﻋﻠﻰ ﺫﻟﻙ ،ﺍﻟﺤﺒﻴﺏ ﻋﺭﺒﻲ؛
) (٤ﺍﻟﻭﺭﺩﺓﹸ ﺤﻭﻟﻬﺎ ﺍﻟﺸﱠﻭﻙ ﻭﺍﻟﺴﺭﺍﺝ ﺍﻟﻤﻨﻴﺭ ﻟﻠﻤﺼﻁﻔﻰ)ﺹ( ﺤﻭﻟﻪ)ﻤﻥ ﻗﺭﺍﺒﺘﻪ( ﺸﺭﺭ ﻴﺘﻤﺜﱠلُ
ﺒِﺄﺒﻲ ﻟﻬﺏ ﻭﻫﻭ ﻋﻡ ﺍﻟﻨﱠﺒﻲ.
-٨٠-
ﺍﻟﻔﹶﹶﻠﻙ ﻴﺭﻋﻰ ﺍﻟﺴﻔﹶﻠﹶﺔﹶ ،ﻻ ﺘﹶﺴلْ ﻋﻥِ ﺍﻟﺴﺒﺏ ،ﺇﻨﱠﻪ ﻴﻌﻁﻲ ﺒﻼ ﺍﺴﺘِﺤﻘﺎﻕٍ ﻭﻻ ﺴﺒﺏ؛
ﺃﻨﺎ ﻻ ﺃﺸﺘﺭﻱ ﻁﺎﻕﹶ ﺍﻟﺨﺎﻨِﻘﺎﻩ ﻭﺍﻟﻨﱡﺯلِ ﺒِﻨِﺼﻑِ ﺤﺒﺔِ ﺸﹶﻌﻴﺭٍ ،ﻤﻨﺯِﻟﻲ ﻤﺼﻁﹶﺒﺔﹸ ﺍﻹﻴﻭﺍﻥِ
ﻭﺤﺎﻓﱠﺔﹸ ﺍﻟﺩﻥ؛
ﻨﻭﺭ ﻋﻴﻨﻲ ﺠﻤﺎلُ ﺒِﻨﺕِ ﺍﻟﻌﻨﻘﻭﺩِ ،ﺭﻏﻡ ﺃﻨﱠﻬﺎ ﻓﻲ ﻨﻘﺎﺏٍ ﺯﺠﺎﺠﻲ ﻭﺤِﺠﺎﺏٍ ﻤِﻥ ﺍﻟﻌِﻨﹶﺏ؛
ﻟﻘﺩ ﻜﺎﻥ ﻋِﻨﺩﻱ ﺃﻟﻑﹸ ﻋﻘﹾلٍ ﻭﺃﺩﺏٍ ﻴﺎ ﺴﻴﺩ ،ﺍﻵﻥ ﻭﺃﻨﺎ ﺨﺭﺍﺏ ﻤِﻥ ﺍﻟﺴﻜﹾﺭِ ،ﺼﻼﺤﻲ
ﻟﻴﺱ ﻤِﻥ ﺍﻷﺩﺏ؛
ﻅ ﺒِﻬﺎ ﺃﻟﹾﻑﹶ ﺍﺴﺘِﻅﹾﻬﺎﺭٍ ﻋﻠﻰ ﺒﻜﺎﺀِ ﺍﻟﺴﺤﺭِ ﻭﻓﺎﻗﹶﺔِ ﻤﻨﺘﹶﺼﻑِ ﺍﻟﻠﹼﻴل.
ﻓﻬﺎﺕِ ﺍﻟﺨﹶﻤﺭ ﻓﺈﻥ ﻟِﺤﺎﻓِ ﹶ
ﻏﺰﻝ ٦٥
ﺃﻴﻥ ﻫﻭ ﺍﻟﺴﺎﻗﻲ ﻭﻗﹸل ﻟِﻡ ﺍﻻِﻨﹾﺘِﻅـﺎﺭ ﺍﻟﻌِﺸﹾﻕﹸ ﻭﺍﻟﺼﺤﺏ ﻭﺍﻟﺭﻭﺽ ﻭﺍﻟﺭﺒﻴﻊ
ﻟﻴﺱ ﻨﺩﺭﻱ ﻜﻴﻑﹶ ﺘﻨﺘﻬﻲ ﺒﻨﺎ ﺍﻷﻋﻤﺎﺭ ﺍﻟﻭﻗﺕﹸ ﺇﻥ ﻁﺎﺏ ﻓﺎﻏﺘﻨِﻤـﻪ ﺴـﺭﻴﻌﺎﹰ
ﺃﻱ ﻤﻌﻨﻰ ﺘﹸـﺭﻯ ﻴﻜـﻭﻥ ﻟﻠﻐﻔﱠـﺎﺭ ﺨﹶﻁﹶﺄُ ﺍﻟﻌﺒﺩِ ﺇﻥ ﻴﻜﹸﻥ ﺒﻐﻴﺭِ ﺍﻋﺘِﺒـﺎﺭٍ
ﺃﻱ ﺸﻲﺀٍ ﺃﺤﻠﻰ ﻤﻥ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺼﺤﺒﺔِ ﻭﺍﻟﺭﻭﺽِ ﻭﺍﻟﺭﺒﻴﻊ ،ﺃﻴﻥ ﺍﻟﺴﺎﻗﻲ ﻭﻗﹸلْ ﺴﺒﺏ
ﺍﻻﻨﺘﻅﺎﺭ ﻤﺎ ﻫﻭ؟؛
ﻜﹸلﱡ ﻭﻗﺕٍ ﺠﻤﻴلٍ ﺘﻴﺴﺭ ﻟﻙ ﻋﺩﻩ ﻏﻨﻴﻤﺔﹰ،ﻻ ﺸﹶﺨﹾﺹ ﻴﺩﺭﻱ ،ﻨِﻬﺎﻴﺔﹸ ﻫﺫﺍ ﺍﻟ ﺸﱡ ﻐﹾل ﻤﺎ
ﺘﻜﻭﻥ)(١؛
ﺭِﺒﺎﻁﹸ ﺍﻟﻌﻤﺭِ ﻤﻌﻘﻭﺩ ﺒِﺸﹶﻌﺭﺓٍ ،ﻓﻜﹸﻥ ﺼﺎﺤِﻴﺎﹰ ،ﻜﹸﻥ ﻤﺸﻐﻭﻻﹰ ﺒِﻐﻡ ﻨﹶﻔﹾﺴِﻙ ،ﻤﺎ ﻟﻙ ﻭﻏﻡ ﺍﻟﺩﻫﺭ؛
ﻤﻌﻨﻰ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ﻭﺭﻭﻀﺔِ ﺃﺭﻡ ﻏﻴﺭ ﻀﻔﱠﺔِ ﺍﻟﺠﺩﻭلِ ﻭﺍﻟﺨﻤﺭﺓِ ﺍﻟﻤﺒﻬِﺠﺔِ ،ﻤﺎ ﻫﻭ؟)(٢؛
) (١ﺇﺫﺍ ﻁﺎﺏ ﻟﻙ ﺍﻟﻭﻗﺕﹸ ﻓﺎﻏﺘﻨﻡ ﺍﻟﻔﹸﺭﺼﺔ ﻗﺒل ﻀﻴﺎﻋِﻬﺎ )ﺒﺎﺩﺭ ﺍﻟﺸﱠﺭﺍﺏ(؛
) (٢ﺭﻭﻀﺔِ ﺃﺭﻡ :ﺭﻭﻀﺔﹲ ﻤﺸﻬﻭﺭﺓﹲ ﻓﻲ ﺸﻴﺭﺍﺯ ،ﻜﺎﻨﺕ ﻋﻠﻰ ﻋﻬﺩِ ﺤﺎﻓِﻅ ،ﻭﻻ ﺘﺯﺍلُ ﺇﻟﻰ ﺍﻵﻥ،
ﻭﺘﹸﻌﺩ ﻤﻥ ﺃﺠﻤلِ ﺤﺩﺍﺌﻕِ ﺍﻟﺩﻨﻴﺎ؛
-٨١-
ﺍﻟﺴﺭ ﻓﻲ ﺍﻟﺤِﺠﺎﺏِ ،ﻻ ﻴﻌﻠﹶﻡ ﺒِﻪِ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﺼﺎﻤِﺕﹸ،ﺃﻱ ﻤﺩﻋﻲ،ﻤﺎ ﻨِﺯﺍﻋﻙ ﻤﻊ ﺍﻟﺤﺎﺠِﺏ؛
ﺨﻁﺄُ ﺍﻟﻌﺒﺩِ ﻭﺴﻬﻭﻩ ﺇﻥ ﻴﻜﻭﻨﺎ ﺒِﻐﹶﻴﺭِ ﺍﻋﺘِﺒﺎﺭ ،ﺃﻱ ﻤﻌﻨﻰ ﻟﻠﻌﻔﻭِ ﻭﺍﻟﺭﺤﻤﺔِ ﻤِﻥ ﺍﻟﻐﻔﹼﺎﺭ)(١؛
ﻁﹶﻠﹶﺏ ﺍﻟﺯﺍﻫِﺩ ﺸﹶﺭﺍﺏ ﺍﻟﻜﻭﺜﹶﺭِ ،ﻭﺤﺎﻓﻅﹸُ ﻁﹶﻠﹶﺏ ﺍﻟﻜﺄﺱ ،ﺴﻨﺭﻯ ﻤﻥ ﻤِﻨﻬﻤﺎ ﺴﻴﺒ ﻠﹸ ﻎﹸ
ﺍﻟﻘﺼﺩ.
ﻏﺰﻝ ٦٦
ﻓﻨﺤﻥ ﻫﻨﺎ ﻋﺎﺸِﻘﺎﻥِ ﻭﻜﹸلﱞ ﻏﺭﻴﺏ ﺩﻴﺎﺭ ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﻟﻲ ﻤﺴﻌِﺩﺍﹰ ﻨﹸﺢ ﻤﻌﻲ ﺒﻠﹾﺒـلُ
ﻓﺄﻱ ﻤﺠﺎلٍ ﻟﻴﻨ ﹶﻔﺢ ﻤِﺴﻙ ﻏﺯﺍلِ ﺍﻟﺘﱠﺘﺎﺭ ﺇﺫﺍ ﻫﺏ ﻓﻲ ﺍﻷﺭﺽِ ﻤِﻥ ﻁﹸﺭﺘﹶﻴﻪِ ﺍﻟﻨﱠﺴﻴﻡ
ﻓﻬﺎﺕِ ﻟِﻲ ﺍﻟﺨﻤﺭ ﺃﺼﺒﻎﹾ ﺜﻴﺎﺏ ﺍﻟﺭﻴﺎﺀِ ،ﻓﺴﻜﹾﺭﻱ ﺒِﺠﺎﻡِ ﺍﻟﻐﹸﺭﻭﺭِ ﻭﻟﻲ ﺒﺎﻟﻠﹼﺒﻴﺏِ ﻴـﺸﺎﺭ
ﻭﻟﻴﺱ ﺍﻟﺠﻤﺎلُ ﺒِﻌﻴﻥٍ ﻭﻓﹶﺭﻉٍ ﻭﺨﹶﺩ ﻭﺨﺎلْ ﺃﻟﻭﻑﹸ ﻨِﻜﺎﺕِ ﺍﻟﺠﻤﺎلِ ﻫﻨﺎﻙ ﻭﺭﺍﺀ ﺴِـﺘﺎﺭ
ﻭﺃﻫلُ ﺍﻟﺤﻘﻴﻘﺔِ ﺒﺎﻟﻔِﻠﺱِ ﻻ ﻴﺸﺘﺭﻭﻥ ﺍﻟﺭﺩﺍﺀ ﺍﻟﺠﻤﻴل ﻟِﺸﹶﺨﹾﺹٍ ﺠﻤﻴلٍ ﻤِﻥ ﺍﻟﻔﹶﻀلِ ﻋﺎﺭ
ﻭﻟﻴﺱ ﺍﻟﻌﺭﻭﺝ ﺇﻟﻰ ﻓﹶﻠﹶﻙِ ﺍﻟﺨﹶﻴﺭِ ﺩﻭﻥ ﻋﻨﺎﺀٍ ﻜﺫﺍﻙ ﺍﻟﻌﻨﺎﺀ ﻟِﻤﻥ ﺭﺍﻡ ﻴﺒﻠﹸﻎﹸ ﻤِﻨﹾﻙ ﺍﻟﺩﻴﺎﺭ
ﺇﺫﺍ ﻜﻨﺕﹶ ﻤﺴﻌِﺩﻱ ﺃﻴﻬﺎ ﺍﻟﺒﻠﺒلُ ،ﻓﺄﻋﻨﱢﻲ ﻋﻠﻰ ﺍﻟﻨﱡﻭﺍﺡِ ﻭﻨﹸﺢ ﻤﻌﻲ ،ﻓﺄﻨﺕﹶ ﻤﺜﻠﻲ ﻋﺎﺸﻕﹲ
ﻭﻏﺭﻴﺏ)(٢؛
ﻓﻲ ﺍﻷﺭﺽِ ﺍﻟﱠﺘﻲ ﻴﻬﺏ ﺒِﻬﺎ ﻨﺴﻴ ﻡ ﻁﹸﺭﺓِ ﺍﻟﺤﺒﻴﺏ ،ﺃﻱ ﻤﺠﺎلٍ ﻟِﺘﹶﺘﹶﻨﹶﻔﱠﺱ ﻨﻭﺍﻓِﺞ ﺍﻟﻤِﺴﻙِ
ﺍﻟﺘﹼﺎﺘﺎﺭﻱ(٣)؛
) (١ﺇﺫﺍ ﻜﺎﻥ ﺍﻟﺴﻬﻭ ﻭﺍﻟﺨﻁﺄُ ﻤﻥ ﺍﻟﻌﺒﺩِ ﻴﻘﻌﺎﻥِ ﺒِﺈﺠﺒﺎﺭٍ ﻻ ﺒﺎﺨﺘﻴﺎﺭٍ ،ﻓﻤﺎ ﻫﻭ ﻤﻌﻨﻰ ﺍﻟﻌﻔﻭِ ﻭﺍﻟﺭﺤﻤﺔِ
ﻤﻥ ﺍﷲ ﺇﺫﻥ.
) (٢ﻟﻴﺴﺕ ﺍﻟﺩﻨﻴﺎ ﻭﻁﻨﺎﹰ ﻟﻲ ﻭﻟﻙ؛
ﺡ ﻋﺒﻴﺭﻩ
) (٣ﺇﺫﺍ ﺤﻤﻠﹶﺕِ ﺍﻟﺭﻴﺢ ﻋِﻁﹾﺭ ﻀﻔﺎﺌﺭِ ﻤﻌﺸﻭﻗِﻨﺎ ،ﻓﻼ ﻤﺠﺎلَ ﻟِﻤِﺴﻙِ ﺍﻟﻐﺯﺍلِ ﺍﻟﺘﹼﺎﺘﺎﺭﻱ ﻟﻴﻔﻭ
)ﻤِﺴﻙ ﺍﻟﻐﺯﺍل ﺍﻟﺘﱠﺎﺘﺎﺭﻱ ،ﻓﻲ ﺒﻼﺩِ ﺍﻟﺘﹼﺘﹶﺭ ،ﻤﻭﺠﻭﺩ ﻓﻲ ﺠﺭﺍﺏٍ ﻋﻨﺩ ﺴﺭﺘِﻪ ،ﻭﻴﻀ ﺭﺏ ﺒﻁﻴﺏِ
ﺭﺍﺌﺤﺘِﻪِ ﺍﻟﻤﺜﹶلُ(؛
-٨٢-
ﻲ ﺍﻟﺨﻤﺭﺓﹶ ﺍﻟﺼﺎﻓِﻴﺔﹶ ﺃﺼﺒﻎﹾ ﺒِﻬﺎ ﺜﻭﺏ ﺍﻟﺭﻴﺎﺀِ ،ﻓﺄﻨﺎ ﻤﺨﻤﻭﺭ ﺠﺎﻡِ ﺍﻟﻐﹸﺭﻭﺭ،
ﻓﺎﺤﻤِلْ ﻟ
ﻭﺇﻥ ﻜﹸﻨﺕﹸ ﺃُﺩﻋﻰ ﻟﺒﻴﺒﺎﹰ ﺼﺎﺤِﻴﺎﹰ)(١؛
ﺕ ﺴِﻠﺴِﻠﹶﺘِﻪِ ﺘﹶﻤﺭ ﻁﺭﻴﻕﹸ
ﻤﻌﺎﻟﹶﺠﺔﹸ ﺨﻴﺎلِ ﻓﹶﺭﻋِﻙ ﻟﻴﺴﺕﹾ ﺸﹸﻐﻼﹰ ﻟِﻜﹸلﱢ ﻓِﻜﹾﺭٍ ﺨﺎﻡٍ ،ﺘﺤ ﹶ
ﺍﻟﻌﻴﺎﺭﻴﻥ)(٢؛
ﺇﻨﱠﻬﺎ ﻟﻁﻴﻔﹶﺔﹲ ﺨﻔﻴﺔﹲ ﺘِﻠﹾﻙ ﺍﻟﱠﺘﻲ ﻴﻨﺒﻌِﺙﹸ ﻤِﻨﻬﺎ ﺍﻟﻌِﺸﹾﻕﹸ ،ﻭﻟﻴﺱ ﺍﺴﻤﺎﹰ ﻟﻬﺎ ﺍﻟﺸﹼﻔﹶﺔﹸ ﺍﻟﻠﺅﻟﺅﻴﺔﹸ
ﻭﺍﻟﺨﻁﱡ ﺍﻟﺯﻨﺠﺎﺭﻱ)(٣؛
ﺠﻤﺎلُ ﺍﻟﺸﱠﺨﺹِ ﻟﻴﺱ ﺒِﺎﻟﻌﻴﻥِ ﻭﺍﻟﻔﺭﻉِ ﻭﺍﻟﺨﺩ ﻭﺍﻟﺨﺎل ،ﻫﻨﺎﻙ ﺁﻻﻑﹸ ﺃﺴﺭﺍﺭِ ﺍﻟﺠﻤﺎلِ
ﺘﺴﺘﻬﻭﻱ ﺍﻟﻘﹸﻠﻭﺏ؛
ﺃﻫلُ ﺍﻟﺤﻘﻴﻘﹶﺔِ ﺍﻷﺤﺭﺍﺭ ﻻ ﻴﺸﺘﺭﻭﻥ ﺒِﻨِﺼﻑِ ﺤﺒﺔِ ﺸﻌﻴﺭٍ ،ﺍﻟﻘﺒﺎﺀ ﺍﻟﺤﺭﻴﺭِﻱ ﺍﻟﱠﺫﻱ
ﻴﺭﺘﺩﻴﻪِ ﺸﹶﺨﹾﺹ ﻋﺎﺭٍ ﻤِﻥ ﺍﻟﻔﹶﻀلِ)(٤؛
ل ﻷﻋﺘﺎﺒِﻙ ﻤﺸﻜِلٌ ﻭﻓﻴﻪِ ﻋﻨﺎﺀ ،ﻤﺜﻠﻤﺎ ﺍﻟﻌﺭﻭﺝ ﺇﻟﻰ ﻓﻠﻙِ
ﻨﻌﻡ ﺇﻥ ﺇﻤﻜﺎﻥ ﺍﻟﻭﺼﻭ ِ
ﺍﻟﺴﺭﻭﺭِ ﻓﻴﻪِ ﺍﻟﻌﻨﺎﺀ؛
ﺭﺃﻴﺕﹸ ﺴِﺤﺭ ﻏﹶﻤﺯﺓِ ﻋﻴﻨِﻙ ﻓﻲ ﻨﻭﻤﻲ ،ﻨِﻌﻡ ﻤﺭﺍﺘِﺏ ﻨﻭﻡٍ ﺨﻴﺭ ﻤِﻥ ﺍﻟﻴﻘﹶﻅﹶﺔ؛
ﺃﻨﺕ ﺘﺅﺫﻱ ﻗﻠﺒﻪ ﺒﺎﻟﺒﻜﺎﺀِ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻓﺎﺨﺘِﻡ ،ﺍﻟﻨﱠﺠﺎﺓﹸ ﺍﻷﺒﺩﻴﺔﹸ ﻓﻲ ﺘﺭﻙِ ﺍﻷﺫﻯ.
ﻏﺰﻝ ٦٧
ﺤﺎﺭﻕﹸ ﺍﻟﻘﻠﺏِ ،ﺫﻟِﻙ ﺍﻟﺸﱠﻤﻊ ،ﺭﺏ ﻤﻥ ﺩﺍﺭِ ﻤﻥ؟ ﺍﺤﺘﺭﻗﺕﹾ ﺭﻭﺤﻨﺎ ﻤﻨﻪ ،ﺴﻠﹾﻪ ﻤﻌﺸﻭﻕﹸ
ﻤﻥ؟)(٥؛
ﻀﺎﻉ ﺩﻴﻨﻲ ﻤﻨﹼﻲ ﻭﻗﻠﺒﻲ ﻟِﺄﻋﺭِﻑﹶ ﻓﻲ ﺤﻀﻥِ ﻤﻥ ﻴﻨﺎﻡ ﻫﻭ ﺍﻵﻥ ،ﻭﻓﻲ ﺒﻴﺕِ ﻤﻥ؟؛
) (١ﻟﺘﺼﻴﺭ ﺃﻋﻤﺎﻟﻲ ﺼﺎﻓﻴﺔﹰ ﺨﺎﻟﺼﺔﹰ؛
) (٢ﺍﻟﻌﻴﺎﺭ ﻜﺜﻴﺭ ﺍﻟﺴﻔﹶﺭ ﻭﻁﻭﻴﻠﹸﻪ ﻭﺍﻟﺸﹸﺠﺎﻉ ﺫﻭ ﺍﻟﻤﺭﻭﺀﺓ؛
) (٣ﺍﻟﺨﻁﱡ ﻫﻭ ﺍﻟﺸﹼﻌﺭ ﺍﻟﻨﱠﺎﺒِﺕﹸ ﺤﺩﻴﺜﺎﹰ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻟﻔﺘﻰ ﺍﻟﺤﺩﺙ ،ﺨﺎﺼﺔﹰ ﻓﻲ ﻨﺎﺤﻴﺔِ ﺍﻟﻌﺫﺍﺭ )ﺃﻤﺎﻡ
ﺍﻷﺫﻥ( ﻭﺤﻭلَ ﺍﻟﺸﱠﻔﹶﺘﻴﻥ ،ﻭﺍﻟﺯﻨﺠﺎﺭﻱ ﺒﻠﻭﻥِ ﺍﻟﺯﻨﺠﺎﺭ ،ﻭﻫﻭ ﻟﻭﻥ ﻤﺸﺘﹶﻕﱞ ﻤِﻥ ﺍﻷﺨﻀﺭ؛
ﻑ ﻓِﻠﺱٍ ﻋِﻨﺩ ﺃﻫلِ ﺍﻟﺤﻘﻴﻘﺔ.
) (٤ﺍﻟﺠﻤﺎلُ ﺍﻟﻅﱠﺎﻫﺭﻱ ﻟِﻌﺩﻴﻡِ ﺍﻟﻔﻀلِ ﻻ ﻴﺴﺎﻭﻱ ﻨِﺼ ﹶ
)(٥ﺍﻟﺸﻤﻊ ﺍﻟﻤﺸﺘﻌل :ﻴﺭﻤﺯﻟﻠﻤﺤﺒﻭﺏ؛
-٨٣-
ﻴﺎ ﺘﹸﺭﻯ ﺨﻤﺭ ﻋﻘﻴﻕِ ﺍﻟﺸﱢﻔﺎﻩِ ﻤﻨﻪ ،ﻻ ﺃﺒﻌﺩ ﺍﷲُ ﻋﻥ ﺸﻔﺎﻫﻲ ،ﺭﺍﺡ ﻟﺭﻭﺡِ ﻤﻥ ﻭﻓﻲ
ﻜﹶﺄﺱِ ﻤﻥ؟؛
ﺩﻭﻟﺔﹸ ﺼﺤﺒﺔِ ﺸﻤﻊِ ﻀِﻴﺎﺀِ ﺍﻟﺴﻌﺎﺩﺓِ ﺫﻟِﻙ ،ﺒﺎﷲِ ﺴلْ ﻤِﻥ ﺠﺩﻴﺩٍ ،ﺃُﺠﻴﺯﺕﹾ ﻟﻤﻥ؛
ﺍﻟﻤﺤِﺒﻭﻥ ﻜﹸلﱞ ﻟﻪ ﻴﻌﻤلُ ﺍﻟﺴﺤﺭ ﻭﻻ ﻨﻌﺭﻑﹸ ﻤﻥ ﻗﻠﺒِﻪِ ﺍﻟﻠﹼﻁﻴﻑِ ﺴﻴﻬﻔﻭ ﺇﻟﻰ ﺴِﺤﺭِ ﻤﻥ؟؛
ﻴﺎ ﺭﺏ ﺫﻟﻙ ﺍﻟﺸﱠﺎﻩ ﺒﺩﺭ ﺍﻟﻭﺠﻪِ ،ﺠﺒﻴﻥ ﺍﻟﺯﻫﺭﺓِ ،ﺍﻟﺩﺭ ﺍﻟﻔﹶﺭﺩ ،ﻭﺍﻟﺠﻭﻫﺭ ﺍﻟﻔﹶﺭﻴﺩ ،ﻟِﻤﻥ؟؛
ﻗﻠﺕﹸ ﻟﻪ ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﻤﻥ ﺩﻭ ﻨِﻙ ﺠ ﻥ ﻓﻘﺎلَ ﻭﻗﺩ ﺨﺒﺄَ ﺍﻟﻀﺤﻜﹶﺔﹶ ﺘﺤﺕﹶ ﺍﻟ ﺸﱢﻔﺎﻩِ
ﻤﺠﻨﻭﻥ ﻤﻥ؟ )(١؛
ﻏﺰﻝ ٦٨
ﻭﺤﺎلَ ﻫﺠﺭِﻙ ﻟﻲ ﻜﻡ ﺃﺸﻜﹶلَ ﺍﻟﺤﺎلُ ﻏﺎﺏ ﺍﻟﺤﺒﻴﺏ ﻷﺴﺒﻭﻉٍ ﺒﺩﺍ ﺴـﻨﺔﹰ
ﺇﻨﺴﺎﻥ ﻋﻴﻨﻲ ﻓﺨﺎﻟﺕﹾ ﺃﻨﱠـﻪ ﺍﻟﺨـﺎلُ ﺒﺩﺍ ﻟﻌﻴﻨﻲ ﻋﻠﻰ ﻤـﺭﺁﺓِ ﻭﺠﻨﺘِـﻪِ
ﻭﻜﹸلﱡ ﻫﺩﺏٍ ﻤـﻥ ﺍﻷﻫـﺩﺍﺏِ ﻗﺘﱠـﺎلُ ﺸِﻔﺎﻫﻪ ﺴﻜﱠﺭ ﺠـﺎﺭٍ ﺒﻬـﺎ ﻟـﺒﻥ
ﻭﻟﻠﻐﺭﻴﺏِ ﻋﺠﻴﺏ ﻤﻨـﻙ ﺇﻫﻤـﺎلُ ﻴﺎ ﻤﻥ ﺇﻟﻴﻪِ ﻴﺸﻴﺭ ﺍﻟﻨﱠﺎﺱ ﻓﻲ ﻜﹶﺭﻡٍ
ﻟﻁﻴﻑﹸ ﺜﻐﺭِﻙ ﻓﻲ ﺍﻟﻤﻭﻀﻭﻉِ ﺇﺩﻻلُ ﻓﻲ ﺍﻟﺠﻭﻫﺭِ ﺍﻟﻔﺭﺩِ ﻟﻲ ﻟﻡ ﻴﺒﻕﹶ ﺸﺎﺌﺒﺔﹲ
ﻨﹶﻭﻴﺕﹶ ﺨﻴﺭﺍﹰ ﻭﻟﻲ ﻗﺩ ﺒﻭﺭِﻙ ﺍﻟﻔـﺎلُ ﻗﺎﻟﻭﺍ ﻨﻭﻴﺕﹶ ﻏﺩﺍﹰ ﺒﻲ ﺃﻥ ﺘﻤﺭ ﻭﻗـﺩ
ﺒِﺤﻤلِ ﻏﻡ ﻓِـﺭﺍﻕٍ ﻭﻫـﻭ ﺃﺠﺒـﺎلُ ﻭﺠِﺴﻡ ﺤﺎﻓِﻅﹶ ﺨﻴﻁﺎﹰ ﺼﺎﺭ ﻜﻴﻑﹶ ﻟﻪ
ﺇﻥ ﺍﻷﺴﺒﻭﻉ ﺍﻟﹼﺫﻱ ﻏﺎﺒﻪ ﻗﻤﺭﻱ ﺒﺩﺍ ﻟﻌﻴﻨﻲ ﺒﻁﻭلِ ﻋﺎﻡٍ ﻜﺎﻤلٍ ،ﺁﻩ ﻟﻭ ﺘﻌﻠﻡ ﻓﻲ ﻏﻴﺎﺒﻙ
ﻜﻡ ﺴﺎﺀ ﺤﺎﻟﻲ؛
ﺇﻨﺴﺎﻥ ﻋﻴﻨﻲ ﺭﺃﻯ ﻋﻠﻰ ﺨﺩﻩِ ﻤِﻥ ﻟﻁﺎﻓﹶﺔِ ﺨﺩﻩِ ﺨﻴﺎلَ ﻨﻔﺴِﻪ ﻓﺨﺎلَ ﺃﻨﱠﻪ ﺍﻟﺨﺎلُ)(٢؛
) (١ﻤﺠﻨﻭﻥ ﻤﻥ؟ :ﻤﺠﻨﻭﻥ ﺒﺤﺏ ﻤﻥ؟.
) (٢ﺨﺩﻩ ﺍﻟﻠﻁﻴﻑﹸ ،ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔِ ،ﻤﺭﺁﺓﹲ ﺼﺎﻓﻴﺔﹲ ﺒﻼ ﺃﺜﺭ ﻟﻠﺴﻭﺍﺩِ ﻋﻠﻴﻬﺎ)ﺘﻨﺯﻴﻪ( ،ﻭﺫﻟﻙ ﺍﻟﺨﺎلُ
ﺍﻷﺴﻭﺩ ﺍﻟﱠﺫﻱ ﺘﺭﺍﻩ ﻋﻴﻨﻲ ﻋﻠﻰ ﺨﺩﻩِ ،ﻤﺎ ﻫﻭ ﺇﻟﹼﺎ ﺼﻭﺭﺓﹸ ﺨﻴﺎل ﺤﺩﻗﺘﻲ ﺍﻟﺴﻭﺩﺍﺀ ﺘﻨﻌﻜﺱ ﻋﻠﻰ
ﺘﻠﻙ ﺍﻟﻤﺭﺁﺓ)ﺘﺸﺒﻴﻪ( ،ﻗﺎل ﺍﻟﻤﻭﻟﻭﻱ :ﻻ ﻴﻤﻜﻥ ﻭﺼﻑﹸ ﺠﻤﺎﻟِﻪِ ﺒﺎﻟﺒﻴﺎﻥ ،ﻷﻥ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﺼﻭﺭﺓﹸ
ﺨﺎﻟِﻪ )ﺇﻨﺴﺎﻥ ﺍﻟﻌﻴﻥ :ﺍﻟﺤﺩﻗﺔ ﻭﺘﺩﻋﻰ ﺃﻴﻀﺎﹰ ﺍﻟﺒﺅﺒﺅ ﻭﻫﻲ ﺍﻟﺩﺍﺌﺭﺓﹸ ﺍﻟﺴﻭﺩﺍﺀ ﻭﺴﻁ ﺍﻟﻤﻘﻠﺔ(؛
-٨٤-
ﻻ ﻴﺯﺍلُ ﺍﻟﻠﱠﺒﻥ ﻴﻘﻁِﺭ ﻤِﻥ ﺸﹶﻔﹶﺘِﻪِ ﺍﻟﺴﻜﱠﺭﻴﺔِ ،ﻭﻜﹸلﱡ ﻫﺩﺏٍ ﻤِﻥ ﺃﻫﺩﺍﺒِﻪِ ﺍﻟﱠﺘﻲ ﺘﺭﻤﻲ
ﺍﻟﺴﻬﺎﻡ ﻗﺘﹼﺎل)(١؛
ﻴﺎ ﻤﻥ ﻴﺸﻴﺭ ﺇﻟﻴﻪ ﺃﻫلُ ﺍﻟﻤﺩﻴﻨﺔِ ﺒﺎﻟﺒﻨﺎﻥِ ﺒﺎﻟﻜﺭﻡ ،ﻤﺎ ﺃﻋﺠﺏ ﺇﻫﻤﺎﻟﹶﻙ ﻟﻠﻐﹸﺭﺒﺎﺀِ ﺃﻤﺜﺎﻟﻲ!؛
ﺒﺎﻻﺴﺘﺩﻻلِ ﺒﺜﻐﺭِﻙ ﺍﻟﱠﺫﻱ ﻻ ﻨﻅﻴﺭ ﻟﻪ ،ﻻ ﺘﺒﻘﻰ ﺸﺎﺌﺒﺔﹲ ﻓﻲ ﻗﻀﻴﺔِ ﺍﻟﺠﻭﻫﺭِ ﺍﻟﻔﺭﺩِ)(٢؛
ﻑ ﻟِﺤﺎﻓِﻅﹶ ﺍﻟﻤﺘﹾﻌﺏِ ﺒِﺤﻤلِ ﺠﺒلِ ﺤﺯﻥِ ﻓِﺭﺍﻗِﻙ ،ﻭﻫﻭ ﺍﻟﱠﺫﻱ ﻤِﻥ ﺍﻷﻨﻴﻥِ ﺼﺎﺭ ﻜﺎﻟﻨﱠﺎﻱ.
ﻜﻴ ﹶ
ﻏﺰﻝ ٦٩
ﺃﻱ ﺸﺨﺹٍ ﻨﺠﺎ ﻤﻥ ﺸﺒﺎﻙِ ﺍﻟـﺒﻼﺀ ﻟﻴﺱ ﺸﺨﺹ ﺒِﻤﻔﻠﺕٍ ﻤﻥ ﻀﻔﻴﺭﺘِﻙ
ﻤِﻥ ﺍﻟﺯﻫﺎﺩِ ﻤﺎ ﻋﺎﺩ ﺴﻴﺭﻨﺎ ﺇﻟﻴﻙ ﺨﻁﺎﺀ ﻭﺒﻤﺎ ﺃﻥ ﻋﻴﻨﹶﻴﻙ ﺘﺴﺒﻴﺎﻥِ ﺍﻟﻘﻠـﻭﺏ
ﺇﻨﱠﻪ ﻟﹶﺫﺍﻙ ﻤﻥ ﺩﻭﻥِ ﻭﺠـﻪِ ﺭﻴـﺎﺀ ﻭﺠﻬﻙ ﻤﺭﺁﺓﹸ ﻟﹸﻁﻑٍ ﺇﻟﻬﻴﺔٍ ،ﻭﺘـﺎﷲِ
ﻁﻠﺏ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﺠﺎﻫِلُ ﺒﺎﻟﺴﺭ ﺴِﺤﺭ ﻏﻤـــﺯﺓِ ﻋﻴﻨﻴـﻙ ،ﻋﻴﻨـﺎﻩ ﺩﻭﻥ ﺤﻴـﺎﺀ
ﻋﺩ ﻟﻨﺎ ﺃﻴﻬﺎ ﺍﻟﺸﱠﻤﻊ ﻓﻤﻥ ﺒﻌﺩِ ﻭﺠﻬِﻙ ﻋﻥ ﻤﺤﻔلِ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻏﺎﺏ ﺍﻟﺼﻔﺎ ﻭﺍﻟﻀﻴﺎﺀ
) (١ﻋﺫﺏ ﺍﻟﻠﹼﻤﻰ ﻭﻤﻥ ﺸﻔﺎﻫِﻪِ ﺍﻟﺴﻜﱠﺭﻴﺔِ ﻻ ﻴﺯﺍلُ ﺍﻟﻠﱠﺒﻥ ﻴﺴﻴلُ )ﻻ ﻴﺯﺍلُ ﻁِﻔﻼﹰ ﺭﻀﻴﻌﺎﹰ( ،ﻟﻜﻥ
ﺃﺴﻠﻭﺒﻪ ﺍﻟﻘﹶﺘﹾلُ ﺒِﺴِﻬﺎﻡِ ﺃﻫﺩﺍﺒِﻪِ ﺍﻟﻔﺘﱠﺎﻜﺔ ،ﻓﻜﹸلﱡ ﻫﺩﺏٍ ﻤِﻥ ﺃﻫﺩﺍﺒِﻪِ ﻗﺘﱠﺎل ،ﻭﻗﺩ ﻴﻜﻭﻥ ﺭﻤﺯ ﺒﺎﻟﻠﹼﺒﻥِ
ﻟﻠﻌﻠﻡ ،ﻭﺒﺴﻜﱠﺭِ ﺍﻟﺸﱢﻔﺎﻩِ ﻟِﻌﺫﻭﺒﺔِ ﺍﻟﺤﺩﻴﺙ؛ ﺍﻟﻐﺭﺒﺎﺀ ﻫﻡ ﺍﻟﻤﺅﻤﻨﻭﻥ ،ﺴﻤﻭﺍ ﺒﺫﻟﻙ ﻟﻘﻠﱠﺔِ ﻋﺩﺩِﻫﻡ،
ﻭﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﻁﻭﺒﻰ ﻟﻠﻐﹸﺭﺒﺎﺀ) ،ﺨﻠﱢﺼﻨﻲ ﻤﻥ ﻏﺭﺒﺘﻲ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﺒﻘﺘﻠﻲ ﻷﻋﻭﺩ ﺇﻟﻰ ﻭﻁﻨﻲ،
ﺇﻨﹼﺎ ﺇﻟﻴﻪِ ﺭﺍﺠﻌﻭﻥ(؛
) (٢ﺍﻟﺠﻭﻫﺭ ﺍﻟﻔﺭﺩ ﻫﻭ ﺍﻟﱠﺫﻱ ﻻ ﻴﻨﻘﺴﻡ ﻭﻻ ﻴﺘﺠﺯﺃُ ،ﻭﻓﻲ ﺍﻟﻜﻼﻡِ ﺍﻟﻤﻜﺘﻭﺏِ ،ﻴﻤﻜِﻥ ﺘﺸﺒﻴﻪ ﺍﻟﺠﻭﻫﺭِ
ﺍﻟﻔﺭﺩِ ﺒﺎﻟﻨﱡﻘﻁﹶﺔِ ﺍﻟﱠﺘﻲ ﻻ ﺘﺘﺠﺯﺃُ ،ﻭﻫﻲ ﺃﺼلُ ﻭﺒﺩﺍﻴﺔﹸ ﺍﻟﺨﻁﱢ ،ﺒﻬﺎ ﻴﺒﺩﺃُ ﺍﻟﺨﻁﱡ ،ﻭﻤﻥ ﺘﻜﺜﱡﺭِﻫﺎ
ﺘﺼﻴﺭ ﺍﻟﺤﺭﻭﻑﹸ ﻭﺍﻟﻜﻠﻤﺎﺕﹸ ،ﻭﻗﺩ ﺸﺒﻪ ﺍﻟﺸﱠﺎﻋِﺭ ﺜﻐﺭ ﻤﻌﺸﻭﻗِﻪِ ﺒﺎﻟﻨﱡﻘﻁﺔِ ﻓﻲ ﻏﻴﺭِ ﻤﻜﺎﻥٍ ﻤﻥ
ﺍﻟﺩﻴﻭﺍﻥ ﻜﻘﻭﻟِﻪِ
ﻗﹸﻠﹾﺕﹸ ﺃﻭﻀِﺢ ﻟِﻨﹸﻘﹾﻁﹶﺔِ ﺍﻟﺜﱠﻐﹾﺭِ ﺩﺭﺒﻲ ﻗﺎلَ ﺇﻥ ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﻗِﺼﺔﹶ ﺫﺍﻙ) ﺍﻟﻐﺯل (١٩٨
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ﻟﻴﺱ ﻫﻨﺎﻙ ﻤِﻥ ﺸﹶﺨﹾﺹٍ ﻟﻡ ﻴﻘﹶﻊ ﻓﻲ ﺸِﺒﺎﻙِ ﻀﻔﻴﺭﺘﹶﻴﻙ ،ﺃﻱ ﺸﹶﺨﹾﺹٍ ﻫﻭ ﻓﻲ ﺃﻤﻥٍ ﻤِﻥ
ﺸِﺒﺎﻙِ ﺍﻟﺒﻼﺀِ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ؛
ﻭﺒﻤﺎ ﺃﻥ ﻋﻴﻨﹶﻙ ﺘﺴﻠﺏ ﺍﻟﻘﹸﻠﻭﺏ ﻤِﻥ ﺍﻟﺯﻫﺎﺩِ ﺍﻟﻤﻨﺯﻭﻴﻥ ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ ،ﻓﺼﺤﺒﺘﹸﻙ ﻤِﻥ
ﺠﺎﻨِﺒِﻨﺎ ﻻ ﺘﹸﻌﺩ ﺫﹶﻨﺒﺎﹰ ﻟﻨﺎ؛
ﺃﻟﻴﺱ ﻭﺠﻬﻙ ﻤِﺭﺁﺓﹶ ﻟﹸﻁﹾﻑٍ ﺇﻟﻬﻴﺔٍ ،ﺒﻠﻰ ﺇﻨﱠﻪ ﻟﻜﺫﺍﻙ ﺤﻘﱠﺎﹰ ،ﻭﻻ ﻨِﻔﺎﻕﹶ ﻓﻲ ﻫﺫﺍ ﻭﻻ ﺭﻴﺎﺀ؛
ﺱ ﺃُﺴﻠﻭﺏ ﺴِﺤﺭِ ﻋﻴﻨِﻙ ،ﺃﺠﻤِلْ ﺒِﻬﺎ ﻋﻴﻨﺎﹰ ،ﺫﺍﻙ ﺍﻟﻤِﺴﻜﻴﻥ ﺠﺎﻫِلٌ
ﻁﹶﻠﹶﺏ ﺍﻟﻨﱠﺭﺠِ
ﺒﺎﻟﺴﺭ ،ﻭﻋﻴﻨﹸﻪ ﺒِﻐﹶﻴﺭِ ﺤﻴﺎﺀ؛
ﻷﺠلِ ﺍﷲِ ﻻ ﺘﹸﺯﻴﻥ ﻀﻔﻴﺭﺘﹶﻙ ،ﻨﺤﻥ ﻻ ﺘﻤﺭ ﻟﻴﻠﹶﺔﹲ ﺇﻟﹼﺎ ﻭﻟﻨﺎ ﻤﻨﻬﺎ ﻤﺌﺔﹸ ﻋﺭﺒﺩﺓٍ ﻤﻊ ﺭﻴﺢِ
ﺍﻟﺼﺒﺎ؛
ﻓﺎﺭﺠِﻊ ﻓﻤِﻥ ﺩﻭﻥِ ﻭﺠﻬِﻙ ﺃﻴﻬﺎ ﺍﻟﺸﱠﻤﻊ ﻤﻨﻴﺭ ﺍﻟﻘﻠﻭﺏِ ﻻ ﺃﺜﹶﺭ ﻓﻲ ﻤﺤﻔﹶلِ ﺍﻟﺤﺭﻴﻔﻴﻥ
ﻟﻠﻨﱡﻭﺭِ ﻭﺍﻟﺼﻔﺎﺀ؛
ﺃﺜﹶﺭ ﺭِﻋﺎﻴﺔِ ﺍﻟﻐﹸﺭﺒﺎﺀِ ﺍﻟﺫﱢﻜﹾﺭ ﺍﻟﺠﻤﻴلُ ،ﺃﻱ ﺭﻭﺤﻲ ﻜﺄ ﻥ ﻫﺫِﻩِ ﺍﻟﻘﺎﻋِﺩﺓﹶ ﻟﻴﺴﺕﹾ ﻓﻲ
ﻤﺩﻴﻨﹶﺘِ ﻜﹸﻡ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﹸﻠﹾﺕﹸ ﻟﻪ ،ﻭﻫﻭ ﻴﺭﻭﺡ ،ﻴﺎ ﺼﻨﹶﻤﻲ ﺃﻭﻑِ ﺒِﺎﻟﻌﻬﺩِ ،ﻗﺎلَ ﺃﺨﻁﺄﺕﹶ ﻴﺎ ﺴﻴﺩ،
ﻫﺫﺍ ﺍﻟﻌﻬﺩ ﻻ ﻭﻓﺎﺀ ﻓﻴﻪ؛
ﺃﻱ ﻓﺭﻕٍ ﺇﺫﺍ ﻜﺎﻥ ﺸﹶﻴﺦﹸ ﺍﻟﻤﻐﺎﻥِ ﻤﺭﺸِﺩﻨﺎ ،ﻻ ﺭﺃﺱ ﺇﻟﱠﺎ ﻭﻓﻴﻪِ ﺴِﺭ ﻤِﻥ ﺍﷲ؛
ﻤﺎ ﻴﻔﻌلُ ﺍﻟﻌﺎﺸِﻕﹸ ﺇﻥ ﻟﹶﻡ ﻴﺤﻤِلْ ﺤِﻤلَ ﺍﻟﻤﻼﻤﺔ ،ﻟﻴ ﺱ ﻟِﺒﻁﹶلٍ ﺩِﺭﻉ ﻴﻘﻴ ﻪِ ﺴﻬ ﻡ
ﺍﻟﻘﻀﺎﺀ؛
ﻓﻲ ﺼﻭﻤﻌﺔِ ﺍﻟﺯﺍﻫِﺩِ ﻭﻓﻲ ﺨﹶﻠﻭﺓِ ﺍﻟﺼﻭﻓﻲ ،ﻤِﺤﺭﺍﺏ ﺍﻟﺩﻋﺎﺀِ ﻟﻴﺱ ﻏﻴﺭ ﺭﻜﹾﻥِ
ﺤﺎﺠِﺒِﻙ؛
ﻴﺎ ﻤﻥ ﻗﺒﻀﺘﹸﻙ ﻤﺨﻀﻭﺒﺔﹲ ﻤِﻥ ﺩﻡِ ﻗﹶﻠﹾﺏِ ﺤﺎﻓِﻅ ،ﻤﺎ ﺃﺭﻯ ﻓِﻜﹾﺭﻙ ﻜﺎﻥ ﻤِﻥ ﻏﹶﻴﺭﺓٍ ﻋﻠﻰ
ﺍﷲِ ﻭﺍﻟﻘﹸﺭﺁﻥِ.
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ﻏﺰﻝ ٧٠
ﺃﻭ ﻓﺅﺍﺩﻱ ﺒِﻐﹶﻴـﺭِ ﺫِﻜﹾـﺭِﻙ ﺫﺍﻜِـﺭ ﻟﹶﻴﺱ ﻁﹶﺭﻓﻲ ﻟِﻐﹶﻴﺭِ ﻭﺠﻬِـﻙ ﻨـﺎﻅِﺭ
ﻨﹶﻔﹶﺴِﻲ ﻤِﻥ ﺩﻡِ ﺍﻟﺤﺸﺎ ﻏﹶﻴﺭ ﻁـﺎﻫِﺭ ﻤﺤﺭِﻡ ﻟﻠﻁﱠـﻭﺍﻑِ ﺩﻤﻌـﻲ ﻭﻟﻜـﻥ
ﺇﻥ ﻜﺎﻥ ﻓﻲ ﺇﺜﹾـﺭِﻜﹸﻡ ﻏﹶﻴـﺭ ﻁـﺎﺌﺭ ﺃﻭﻗﹶﻊ ﺍﷲُ ﻁﺎﺌِﺭ ﺍﻟﺴﺩﺭﺓِ ﻓﻲ ﺍﻷﺴﺭ
ﻭﻟِﺩﻓﹾﻊِ ﺍﻟـﺼﺭﻴﻑِ ﻟﹶـﺴﺕﹸ ﺒِﻘـﺎﺩِﺭ ﻋﺎﺸِﻕﹲ ﻤﻔﹾﻠِـﺱ ﺩﻓﹶﻌـﺕﹸ ﻓـﺅﺍﺩﻱ
ﻜﻡ ﺘﹸﻤﺩ ﺍﻷﻴـﺩﻱ ﺇﻟـﻰ ﺴـﺭﻭِﻙ ﺍﻟﻌـﺎﻟﻲ ،ﻭﻟـﻴﺱ ﺍﻟﻭﺼـﻭلُ ﺇﻻﹼ ﻟِـﺼﺎﺒِﺭ
ﺇﻨﺴﺎﻥ ﻋﻴﻨﻲ ﻟِﻐﹶﻴﺭِ ﻭﺠﻬِﻙ ﻏﻴﺭ ﻨﺎﻅِﺭٍ ،ﻭﻗﻠﺒﻲ ﺍﻟﻭﺍﻟِﻪ ﻟِﻐﹶﻴﺭِﻙ ﻏﹶﻴﺭ ﺫﺍﻜِﺭ)(١؛
ﺩﻤﻌﻲ ﻋﻘﹶﺩ ﺇﺤﺭﺍ ﻡ ﺍﻟﻁﱠﻭﺍﻑِ ﻟِﺤﺭﻤِﻙ ،ﺭﻏﻡ ﺃﻨﱠﻪ ﻏﻴﺭ ﻁﺎﻫِﺭٍ ﻤِﻥ ﺩﻡِ ﺍﻟﻘﻠﺏِ ﺍﻟﺠﺭﻴﺢِ
ﻭﺍﻟﺨﹶﻤﺭ)(٢؛
ﻓﻠﻴﻘﹶﻊ ﻁﺎﺌﺭ ﺍﻟﺴﺩﺭﺓِ ﻓﻲ ﺍﻟﺸﱢﺒﺎﻙِ ﻭﺍﻟﻘﹶﻔﹶﺹِ ،ﻜﻁﺎﺌﺭٍ ﻭِﺤﺸﻲ ،ﺇﺫﺍ ﻜﺎﻥ ﻻ ﻴﻁﻴﺭ ﻓﻲ
ﻁﹶﻠﹶﺒِﻙ)(٣؛
ﻑ ﻨِﺜﺎﺭﺍﹰ ،ﻻ ﺘﹸﻌِﺒﻪ ،ﻓﻬﻭ ﻻ ﻴﻤﻠِﻙ ﺍﻟﻤﺎلَ ﻤﻥ
ﺍﻟﻌﺎﺸِﻕﹸ ﺍﻟﻤﻔﹾﻠِﺱ ﺇﺫﺍ ﺠﻌلَ ﻗﹶﻠﹾﺒﻪ ﺍﻟﺯﺍﺌ ﹶ
ﺫﹶﻫﺏٍ ﻭﻓِﻀﺔٍ)(٤؛
ﻋﺎﻗِﺒﺘﹸﻪ ﺃﻥ ﺘﹶﺼِلَ ﻴﺩﻩ ﺇﻟﻰ ﻫﺫِﻩِ ﺍﻟﺴﺭﻭﺓِ ﺍﻟﻌﺎﻟﻴﺔِ ،ﻜﹸلﱡ ﻤﻥ ﻟﹶﻡ ﺘﻜﹸﻥ ﻫِﻤﺘﹸﻪ ﻗﺎﺼِﺭﺓﹰ ﻓﻲ
ﻁﹶﻠﹶﺒِﻙ)(٥؛
) (١ﻤﺸﻐﻭلٌ ﺒﺫﻜﺭﻙ ﻓﻼ ﻴﺫﻜﹸﺭ ﺴﻭﺍﻙ :ﺃﺴﺘﻐﻔﺭﻙ ﻤﻥ ﻜﹸلﱢ ﻟﺫﱠﺓٍ ﺒﻐﻴﺭِ ﺫِﻜﺭِﻙ؛
) (٢ﺃﻨﺕ ﻜﻌﺒﺔﹸ ﺍﻟﺤﺴﻥ ﻭﺃﻨﺎ ﺃُﺭﻴﺩ ﺍﻟﻁﱠﻭﺍﻑ ،ﻭﻻ ﺒﺩ ﻟﻠﻁﹼﻭﺍﻑ ﻤﻥ ﺍﻹﺤﺭﺍﻡ ،ﻭﻻ ﺒﺩ ﻟﻺﺤﺭﺍﻡِ ﻤﻥ
ﺍﻟﻁﱠﻬﺎﺭﺓ ،ﻟِﺄﻥ ﺍﻟﻜﻌﺒﺔﹶ ﻤﻘﺩﺴﺔﹲ ،ﻟﻜِﻥ ﺩﻤﻌﻲ ﻻ ﻁﻬﺎﺭﺓﹶ ﻟﻪ ﺃﺒﺩﺍﹰ ،ﻭﻟﻭ ﻟﻠﺤﻅﹶﺔٍ ﻭﺍﺤِﺩﺓٍ ،ﻻﺨﺘﻼﻁﻪ
ﺒﺩﻡِ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢ ،ﻭﺒﺎﻟﺨﹶﻤﺭﺓِ ﺍﻟﱠﺘﻲ ﺃﺸﺭﺏ ،ﻓﻘﺩ ﺃﺤﺭﻡ ﺒِﻐﹶﻴﺭِ ﻁﹶﻬﺎﺭﺓ؛
) (٣ﺍﻟﺴﺩﺭﺓ ﺸﺠﺭﺓﹲ ﻓﻲ ﺍﻟﺠﻨﱠﺔِ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﺍﻟﺴﺎﺒﻌﺔ ﻴﺤﺘﺎﺝ ﺍﻟﻁﹼﺎﺌﺭ ﺇﻟﻰ ﺨﻤﺴﻤﺎﺌﺔ ﻋﺎﻡ ﻟﻴﻘﻁﻊ
ﺍﻟﻤﺴﺎﻓﺔ ﺒﻴﻥ ﺃﺼﻠﻬﺎ ﻭﺃﻋﻠﻰ ﻓﺭﻭﻋﻬﺎ؛
) (٤ﺍﻟﺼﺭﻴﻑ :ﺍﻟﻨﹼﻘﺩ ﺍﻟﺭﺍﺌﺞ ﻤﻥ ﺍﻟﺫﹼﻫﺏ ﻭﺍﻟﻔﻀﺔ ،ﻭﺍﻟﻤﻌﻨﻰ ﺩﻓﻌﺕﹸ ﻓﻲ ﺤﺒﻙ ﻗﻠﺒﻲ ﻭﻟﻭ ﻜﺎﻥ
ﻋﻨﺩﻱ ﻤﺎلٌ ﻟﺩﻓﻌﺘﹸﻪ ﺃﻴﻀﺎﹰ ﻭﻟﻜﻨﹼﻲ ﻤﻔﻠﺱ ﻭﻻ ﺃﻤﻠﻙ ﺍﻟﻤﺎل؛
) (٥ﻻ ﻴﻨﺎلُ ﻤﺎ ﻋﻨﺩﻙ ﺒﺴﻬﻭﻟﺔٍ ﻭﺍﻟﻭﺼﻭلُ ﺇﻟﻰ ﺴﺭﻭﺘِﻙ ﺍﻟﻌﺎﻟﻴﺔِ ﻴﺤﺘﺎﺝ ﺇﻟﻰ ﻫﻤﺔٍ ﻋﺎﻟﻴﺔ ﻭﻻ ﻴﻨﺎلُ
ﺫﻟِﻙ ﺇﻻﹼ ﺒﺎﻟﺼﺒﺭ.
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ﻭﻻ ﺃﻁﺭﻱ ﻋﻠﻰ ﺇﺤﻴﺎﺀِ ﻋﻴﺴﻰ ﺍﻟﻤﻭﺘﻰ ﺃﺒﺩﺍﹰ ،ﻓﻠﻡ ﻴﻜﹸﻥ ﻤﺎﻫِﺭﺍﹰ ﻓﻲ ﻤﻨﹾﺢِ ﺍﻟﺭﻭﺡِ ﻤﺜلَ
ﺸﹶﻔﹶﺘِﻙ؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻻ ﺃُﻁﻠِﻕﹸ ﺍﻵ ﻩ ﻓﻲ ﻨﺎﺭِ ﻋﺫﺍﺒِﻙ ،ﻤﻥ ﻴﻘﺩِﺭ ﺃﻥ ﻴﻘﻭلَ ﺃﻥ ﻗﻠﺒﻲ ﻏﻴﺭ ﺼﺎﺒِﺭٍ
ﻋﻠﻰ ﺍﻟﺤﺭﻴﻕ؟؛
ﻓﻲ ﺍﻟﻴﻭﻡِ ﺍﻷﻭلِ ﺍﻟﱠﺫﻱ ﺭﺃﻴﺕﹸ ﻓﻴ ِﻪ ﻀﻔﻴﺭﺘﹶﻙ ﻗﹸﻠﺕﹸ :ﺍﻟﻬﺎﺌﻤﻭﻥ ﺒِﻬﺫِﻩِ ﺍﻟﺴﻠﺴِﻠﹶﺔِ ﺍﻟﱠﺘﻲ
ﻻ ﻨِﻬﺎﻴﺔﹶ ﻟﻬﺎ ،ﻻ ﻨِﻬﺎﻴﺔﹶ ﻟﻬﻡ؛
ﻁ ﺒِﻙ ،ﻭﺃﻱ ﺸﹶﺨﹾﺹٍ ﻟﻴﺱ ﻓﻲ ﺨﺎﻁِﺭِﻩِ ﺃﻥ ﻴﺭﺒِﻁﹶ
ﻟﻴﺱ ﻗﹶﻠﹾﺏ ﺤﺎﻓِﻅﹶ ﻭﺤﺩﻩ ﺍﻟﻤﺭﺒﻭ ﹶ
ﺍﻟﺭﺃﺱ ﺒِﻙ.
ﻏﺰﻝ ٧١
ﻋﺎﺒِﺩ ﺍﻟﻅﱠﺎﻫِﺭِ ﺍﻟﺯﺍﻫِﺩ ﺒﻲ ﻟﻴﺱ ﻴﺩﺭﻱ ،ﻤﺎ ﻗﺎلَ ﻤﺎ ﻗﺎلَ ﻜﹸﺭﻫﺎﹰ ﺒﻲ ﻭﻟﻜِﻨﱠﻪ ﺍﺸﺘِﺒﺎﻩ؛
ﺭ ،ﺒﺎﻟﺼﺭﺍﻁِ ﺍﻟﻤﺴﺘﻘﻴﻡِ ﻴﺎ ﻗﹶﻠﹾﺏ ﻻ ﺸﹶﺨﹾﺹ ﺘﺎﻩ؛
ﺍﻟﺴﺎﻟِﻙ ﻜﹸلﱠ ﻤﺎ ﻨﺎلَ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻘﹶﺔِ ﺨﹶﻴ
ﺃﺩﻓﹶﻊ ﺍﻟﺒﻴﺩﻕﹶ ﺤﺘﹼﻰ ﻨﹶﺭﻯ ﻤﺎ ﺴﻴﻔﻌلُ ﺍﻟﺭﺥﱡ ،ﻓﻲ ﻋﺭﺼﺔِ ﺸﻁﺭﻨﹾﺞِ ﺍﻟﺨﻠﻴﻌﻴﻥ ﻻ ﻤﺠﺎلَ
ﻟِﻠﺸﱠﺎﻩ؛
ﺫﻟِﻙ ﺍﻟﻁﱠﺎﻕﹸ ﺫﻭ ﺍﻟﻨﱡﻘﻭﺵِ ﺍﻟﺭﻓﻴﻊ ﺍﻟﻔﺴﻴﺢ ،ﻟﻴﺱ ﻓﻲ ﺍﻟﻜﻭﻥِ ﻤِﻥ ﻋﺎﻟِﻡٍ ﺠﻼ ﻤﻌﻤﺎﻩ؛
ﺕ ﻤِﻥ ﻏﻨﻲ ﺤﻜﻴﻡٍ ﻗﺩﻴﺭٍ ،ﺍﻟﺠِﺭﺍﺤﺎﺕﹸ ﻤﺨﻔﻴﺔﹲ ﻜﹸﻠﱡﻬﺎ ﻭﻻ ﻤﺠﺎلَ ﻟِﻶﻩ؛
ﺭﺏ ﺴﺒﺤ ﹶ
ﺼﺎﺤِﺏ ﺩﻴﻭﺍﻨِﻨﺎ ﺨِﻠﹾﺕﹸ ﻻ ﻴﺤﺴِﻥ ﺍﻟﺤِﺴﺎﺏ ،ﻟﻴﺱ ﻓﻲ ﺤِﺴﺎﺒﺎﺘِﻪِ ﻗﻁﱡ ﺤِﺴﺒﺔﹰ ﻟِﻠﹼﻪ؛
ﺤﺎﻓِﻅﹲ ﻟﻴﺱ ﺠﺎﻟِﺴﺎﹰ ﻓﻲ ﺍﻟﺼﺩﺍﺭﺓِ ،ﻟﻜِﻨﱠﻪ ﻋﺎﻟِﻲ ﺍﻟﻤﺸﹾﺭﺏِ ﻤِﻥ ﻋﺎﺸِﻕٍ ﺒِﻼ ﻗﹶﻴﺩِ ﻤﺎلٍ
ﻭﺠﺎﻩ.
ﺍﻟﺯﺍﻫِﺩ ﻋﺎﺒِﺩ ﺍﻟﻅﱠﺎﻫِﺭِ ﻟﻴﺱ ﻟﻪ ﻋِﻠﹾﻡ ﺒِﺤﺎﻟِﻨﺎ ،ﻓﻁﻌﻨﹸﻪ ﻓﻴﻨﺎ ﺴﺒﺒﻪ ﺠﻬﻠﹸﻪ ﺒﻨﺎ ،ﻻ ﻜﹸﺭﺍﻫﻴﺘﹸﻪ
ﻟﻨﺎ )ﺍﻟﻨﱠﺎﺱ ﺃﻋﺩﺍﺀ ﻤﺎ ﺠﻬﻠﻭﺍ()(١؛
) (١ﻋﺎﺒِﺩ ﺍﻟﻅﱠﺎﻫِﺭ ﻫﻭ ﺍﻟﻤﺘﻤﺴﻙ ﺒﺎﻟﻅﱠﺎﻫِﺭِ ﺇﻟﻰ ﺤﺩ ﺍﻟﻌِﺒﺎﺩﺓِ ،ﻭﻤﻥ ﻴﻬﺘﹶﻡ ﺒِﺄﻤﻭﺭِ ﺍﻟﺸﱠﺭﻉِ ﺍﻟﻅﱠﺎﻫِﺭ
ﺍﻟﻤﺘﻌﻠﱢﻕِ ﺒﺎﻟﺒﺩﻥ ﻭﻻ ﻴﻠﺘﻔِﺕﹸ ﻟﺒﺎﻁِﻥِ ﺍﻟﺸﱠﺭﻉِ ﺍﻟﻤﺘﹶﻌﻠﱢﻕِ ﺒﺎﻟﻘﹶﻠﺏ؛
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ﻜﹸلﱡ ﻤﺎ ﻴﺤﺼلُ ﻟِﺴﺎﻟِﻙِ ﻁﺭﻴﻘﺘﻨِﺎ ﺨﻴﺭ ﻟﻪ ،ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﻤﺴﺘﻘﻴﻡِ ﻴﺎ ﻗﻠﺏ ﻻ ﻴﻀِلﱡ
ﺸﹶﺨﹾﺹ(١)؛
ﺴﻭﻑﹶ ﺃﺩﻓﹶﻊ ﺒﻴﺩﻗﺎﹰ ﻷﺭﻯ ﻤﺎ ﻴﻔﻌلُ ﺍﻟﺭﺥﱡ ،ﻓﺎﻟﺸﱠﺎﻩ ﻻ ﻤﺠﺎلَ ﻟﻪ ﻓﻲ ﻋﺭﺼﺔِ ﺸﹶﻁﺭﻨﹾﺞِ
ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻌﺭﺒِﺩﻴﻥ)(٢؛
ﻫﺫِﻩِ ﺍﻟﺴﻤﺎﺀ ﺫﺍﺕﹸ ﺍﻟﻨﱡﻘﻭﺵِ ،ﺫﺍﺕﹸ ﺴِﺭ ﺨﻔﻲ ﻻ ﻴﻌﻠﻤﻪ ﻋﺎﻟِﻡ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ؛
ﺼﺎﺤِﺏ ﺍﻟﺩﻴﻭﺍﻥِ ﺠﺎﻫِلٌ ﺒﺎﻟﺤِﺴﺎﺏِ ،ﻜﺄﻨﱠﻪ ﻻ ﻴﻌﻠﻡ ﺃﻥ ﺍﻟﻤﺎلَ ﻟِﻠﹼﻪ ﻓﻠﻴﺱ ﺒﻴﻥ ﺃﺨﺘﺎﻤِﻪِ
ﺨﺘﻡ ﻨﻘﺸﹸﻪ :ﺤﺴﺒﺔﹰ ﻟِﻠﹼﻪ)(٣؛
ﻗﹸلْ ﻟِﻤﻥ ﻴﺭﻴﺩ ﺍﻟﻘﹸﺩﻭﻡ ﺃﻗﺒِلْ ،ﻭﻗﹸلْ ﻟِﻤﻥ ﻴﺭﻴﺩ ﺍﻟﻤﻘﺎلَ ﻗﹸلْ ،ﻓﻠﻴﺱ ﻓﻲ ﻫﺫﺍ ﺍﻟﺠﻨﺎﺏِ ﻜِﺒﺭ
ﻭﻓﹶﺨﹾﺭ ﻭﺤﺎﺠِﺏ ﻭﺒﻭﺍﺏ؛
ﻜﹸلﱡ ﻤﺎ ﺒﻲ ﻤِﻥ ﻗﺎﻤﺘﻲ ﻏﻴﺭِ ﺠﻤﻴﻠﹶﺔِ ﺍﻟﻬﻨﺩﺍﻡِ ﻭﻏﻴﺭِ ﺍﻟﻘﻭﻴﻤﺔِ ،ﻭﺇﻟﹼﺎ ﻓﺘﹶﺸﺭﻴﻔﹸﻙ ﻻ ﻴﻘﹶﺼ ﺭ
ﺒﺎﻟﺨِﻠﹾﻌﺔِ ﻋﻠﻰ ﺸﺨﹾﺹٍ؛
ﺃﻨﺎ ﻋﺒﺩ ﻟِﺸﹶﻴﺦِ ﺍﻟﺨﺭﺍﺒﺎﺕِ ﺍﻟﱠﺫﻱ ﻟﹸﻁﹾﻔﹸﻪ ﺩﺍﺌﻡ ،ﻭﻟﹸﻁﹾﻑﹸ ﺍﻟﺸﱠﻴﺦِ ﻭﺍﻟﺯﺍﻫِﺩِ ﻴﻭﺠﺩ ﺤﻴﻨﺎﹰ
ﻭﺤﻴﻨﺎﹰ ﻻ ﻴﻭﺠﺩ؛
ﻗﺼﺩ ﺒﺎﺏِ ﺍﻟﺨﻤﺎﺭﺓِ ﺸﹸﻐلُ ﺃﺼﺤﺎﺏ ﺍﻟﻠﻭﻥ ﺍﻟﻭﺍﺤﺩِ ،ﻭﺃﻤﺎ ﺒﺎﺌﻊ ﻨﻔﺴِﻪِ ﻓﺈﻨﱠﻪ ﻻ ﻴﻬﺘﺩﻱ
ﺍﻟﻁﱠﺭﻴﻕ ﺇﻟﻰ ﺒﺎﺌﻊِ ﺍﻟﺨﻤﺭ).(٤
) (١ﻜﹸلﱡ ﻤﺎ ﻴﺤﺼلُ ﻟِﺴﺎﻟِﻙِ ﻁﺭﻴﻘﺘﻨِﺎ ﺨﻴﺭ ﻟﻪ ،ﻨِﻌﻤﺔﹰ ﻜﺎﻥ ﺃﻡ ﺒﻼﺀ ،ﻭﻜلﱡ ﺸﻲﺀٍ ﻤﻥ ﺍﻟﻅﱠﺭﻴﻑِ
ﻅﺭﻴﻑﹲ ،ﻜﻤﺎ ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ،ﻭﻤﻥ ﺴﻠﹶﻙ ﺍﻟﺼﺭﺍﻁﹶ ﺍﻟﻤﺴﺘﻘﻴﻡ ﻻ ﻴﻀِلﱡ ﻴﺎ ﻗﻠﺒﻲ ،ﻭﻗﺎﻟﻭﺍ ﻴﻘﺼ ﺩ
ﺒﺎﻟﺼﺭﺍﻁِ ﺍﻟﻤﺴﺘﻘﻴﻡِ ﻋﻠﻴﺎﹰ)ﻉ( ،ﻭﻴﻨﺴﺏ ﺇﻟﻴﻪِ ﺒﻴﺕﹲ ﻤﻌﻨﺎﻩ :ﺇﻥ ﻤﻥ ﻻ ﻴﺤﺏ ﻋﻠﻴﺎﹰ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ
ﻜﺎﻓِﺭ ﻭﻟﻭ ﻜﺎﻥ ﺃﺯﻫﺩ ﺃﻫلِ ﺍﻷﺭﺽِ ﻜﹸﻠﱢﻬِﻡ ﺠﻤﻴﻌﺎﹰ؛
) (٢ﺍﻟﺒﻴﺩﻕ ﻭﺍﻟﺭﺥ ﻭﺍﻟﺸﹼﺎﻩ ﻤﻥ ﻗِﻁﻊِ ﺍﻟﺸﹼﻁﺭﻨﺞ ،ﻭﺍﻟﺒﻴﺩﻕ ﺃﻭ ﺍﻟﺠﻨﺩﻱ ﺃﻀﻌﻔﹸﻬﺎ ،ﻭﻗﺩ ﻴﻀﺤﻲ ﺒِﻪِ
ﺍﻟﻼﻋِﺏ ﻟﻴﺭﻯ ﻤﺎ ﻴﻔﻌلُ ﺍﻟﺨﺼﻡ ،ﻭﺍﻟﺭﺥ ﻭﺍﻟﺸﱠﺎﻩ ﻴﺩﻋﻴﺎﻥ ﺃﻴﻀﺎﹶ ﺍﻟﻘﻠﻌﺔ ﻭﺍﻟﻤﻠﻙ؛
) (٣ﺼﺎﺤِﺏ ﺍﻟﺩﻴﻭﺍﻥ)ﺍﻟﺤﺎﺴِﺏ ،ﺍﻟﻤﺄﻤﻭﺭ ﻤﻥ ﻗِﺒلِ ﺍﻟﺤﺎﻜِﻡ ،ﻤﺤﺘﺴِﺏ ﺍﻟﺒﻠﺩ(؛
) (٤ﺃﺼﺤﺎﺏ ﺍﻟﻠﻭﻥ ﺍﻟﻭﺍﺤﺩ ﺍﻟﻤﺨﻠِﺼﻭﻥ ﻭﺃﻫلُ ﺍﻟﺼﻔﺎﺀ ،ﻭﺍﻟﺘﱠﻠﻭﻥ ﻫﻭ ﺍﻟﻨﱢﻔﺎﻕﹸ.
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ﻏﺰﻝ ٧٢
ﺩﺭﺏ ﺍﻟﻌﺸﹾﻕِ ﺩﺭﺏ ﺒﻼ ﻨﻬﺎﻴﺔٍ ،ﻻ ﺨﻴﺎﺭ ﻟﻠﻌﺎﺸِﻕِ ﻓﻴﻪِ ﺇﻟﹼﺎ ﺨﻴﺎﺭ ﺘﺴﻠﻴﻡِ ﺭﻭﺤِﻪِ؛
ﻭﻗﹾﺕﹶ ﺘﹸﺴﻠِﻡ ﻗﻠﺒﻙ ﻟﻠﻌِﺸﹾﻕِ ﺃﻨﺕﹶ ﺘﻔﻌلُ ﺍﻟﺨﻴﺭ ،ﻭﻓﻲ ﻋﻤلِ ﺍﻟﺨﻴﺭِ ﻻ ﺘﻠﺯِﻡ ﺍﻻﺴﺘِﺨﺎﺭﻩ؛
ﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ ﻭﻻ ﺘﹸﺨﹶﻭﻓﹾﻨﺎ ﺒِﻤﻨﻊِ ﺍﻟﻌﻘلِ ،ﺫﺍﻙ ﺍﻟﺤﺎﻜِﻡ ﺍﻟﻅﱠﺎﻟِﻡ ﻻ ﻴﺤﻜﹸﻡ ﻓﻲ ﻫﺫِﻩ ﺍﻹﻤﺎﺭﻩ؛
ﻓﻠﺘﺴلْ ﻋﻴﻨﹶﻙ ﻋﻥِ ﺍﻟﱠﺫﻱ ﻴﻘﺘﹸﻠﹸﻨﺎ ،ﺃﻱ ﺤﺒﻴﺒﻲ ،ﺇﻨﱠﻪ ﻟﻴﺱ ﺫﻨﺏ ﺍﻟﻁﱠﺎﻟِﻊِ ﻭﻻ ﺠﺭﻡ
ﺍﻟﻜﻭﺍﻜِﺏِ ﺍﻟﺴﻴﺎﺭﻩ؛
ﺒﺎﻟﻌﻴﻥِ ﺍﻟﻁﱠﺎﻫِﺭﺓِ ﺘﺴﺘﻁﻴﻊ ﺭﺅﻴﺘﹶﻪ ﻜﺎﻟﻬِﻼلِ ،ﻭﻤﺎ ﻜﹸلﱡ ﻋﻴﻥٍ ﺘﺼﻠﹸﺢ ﻤﻜﺎﻨﺎﹰ ﻟِﺘﺠﻠﱢﻲ ﻭﺠﻪِ
ﺫﻟِﻙ ﺍﻟﻘﹶﻤﺭ؛
ﻋﺩ ﻁﺭﻴﻘﹶﺔﹶ ﺍﻟﺨﻼﻋﺔِ ﻓﹸﺭﺼﺔﹰ ﻟﻙ ﻓﻬﺫِﻩِ ﺍﻟﻌﻼﻤﺔﹸ ،ﻜﺎﻟﻁﱠﺭﻴﻕِ ﺇﻟﻰ ﺍﻟﻜﻨﺯِ ،ﻟﻴﺴﺕ
ﻭﺍﻀِﺤﺔﹰ ﻟِﻜﹸلﱢ ﺸﹶﺨﹾﺹ؛
ﻅ ﺒِﺄﻱ ﺸﹶﻜﹾلٍ ،ﺤﻴﺭﺘﻲ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﻟﱠﺫﻱ ﻻ ﻴﻘِلﱡ ﻗﺴﺎﻭﺓﹰ
ﻟﹶﻡ ﻴﺅﺜﱢﺭ ﺒِﻙ ﺒﻜﺎﺀ ﺤﺎﻓِ ﹶ
ﻋﻥِ ﺍﻟﺼﺨﹾﺭِ ﺍﻟﻘﺎﺴﻲ.
ﻏﺰﻝ ٧٣
ﻻ ﻨﹶﻅﹶﺭ ﺇﻻﹼ ﻭﻓﻴﻪِ ﻤِﻥ ﻀﻴﺎﺀِ ﻭﺠﻬِﻙ ﻨﻭﺭ ،ﻭﻻ ﺒﺼﺭ ﺇﻻﹼ ﻭﻋﻠﻴﻪِ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﺒﺎﺏِ
ﺩﺍﺭِﻙ ﻤِﻨﱠﺔﹲ؛
ﺍﻟﻨﱠﺎﻅِﺭﻭﻥ ﺇﻟﻰ ﻭﺠﻬِﻙ ﺃﺼﺤﺎﺏ ﺍﻟﻨﱠﻅﹶﺭِ ﺤﻘﱠﺎﹰ ،ﻭﻻ ﺭﺃﺱ ﺇﻻﹼ ﻭﻓﻴﻪِ ﺴِﺭ ﻤِﻥ
ﻀﻔﻴﺭﺘِﻙ ،ﻜﺎﺌﻨﺎﹰ ﻤﻥ ﻜﺎﻥ؛
ﺩﻤﻌﻲ ﺍﻟﻐﻤﺎﺯ ﺇﺫﺍ ﺴﺎلَ ﺃﺤﻤﺭ ﺍﻟﻠﹼﻭﻥِ ﻤﺎ ﺍﻟﻌﺠﺏ ،ﻓﹶﻀﺢ ﺍﻟﺴﺭ ﻓﺨﹶﺠِلَ ،ﻭﻤﻥ ﺫﺍ ﺍﻟﱠﺫﻱ
ﻻ ﻴﺨﺠلُ ﻤِﻥ ﺴﻭﺀِ ﻓِﻌﻠِﻪ؛
-٩٠-
ﻕ ﺒِﺜﻭﺒِﻙ ﻏﹸﺒﺎﺭ ﻤِﻥ ﺍﻟﻨﱠﺴﻴﻡ ،ﺴﻴلُ ﺩﻤﻊِ ﻋﻴﻨﻲ ﺠﺭﻯ ﺒِﻜﹸلﱢ ﻁﹶﺭﻴﻕ؛
ﺤﺘﱠﻰ ﻻ ﻴﻌﻠﹶ ﹶ
ﻭﻜﹶﻲ ﻻ ﻴﺘﺤﺩﺜﻭﺍ ﻋﻥ ﻟﻴلِ ﻓﹶﺭﻋِﻙ ﺒﻜﹸلﱢ ﻤﻜﺎﻥٍ ،ﻻ ﺴﺤﺭ ﺇﻻﱠ ﻭﻟﻲ ﺠِﺩﺍلٌ ﻤﻊ ﺍﻟﺼﺒﺎ؛
ﺃﻨﺎ ﻓﻲ ﺃﻟﹶﻡٍ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻁﱠﺎﻟﻊِ ﺍﻟﻤﻀﻁﹶﺭِﺏِ ،ﺭﻏﹾﻡ ﺃﻥ ﺍﻟﺤﻅﱠ ﻟﹶﻡ ﻴﻭﺍﻓِﻕِ ﺃﺤﺩﺍﹰ ﺒﺎﻟﻭﺼﻭلِ
ﺇﻟﻰ ﺒﺎﺒِﻙ ،ﻜﺎﺌﻨﺎﹰ ﻤﻥ ﻜﺎﻥ؛
ﺤﻴﺎﺀ ﻤِﻥ ﺸﹶﻔﹶﺘِﻙ ﺍﻟﻌﺫﹾﺒﺔِ ﻴﺎ ﻋﻴﻥ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ،ﻟﻡ ﻴﺒﻕﹶ ﺸﹶﻬﺩ ﻭﻻ ﺴﻜﱠﺭ ﻟﻡ ﻴﻐﺭﻕﹾ
ﺒﺎﻟﻤﺎﺀِ ﻭﺍﻟﻌﺭﻕِ؛
ﻻ ﻤﺼﻠﹶﺤﺔﹶ ﻓﻲ ﺨﺭﻭﺝِ ﺍﻟﺴﺭ ﺨﺎﺭِﺝ ﺍﻟﺤﺠﺎﺏِ ،ﻭﺇﻟﱠﺎ ،ﻓﻼ ﺨﹶﺒﺭ ﺇﻟﹼﺎ ﻭﻫﻭ ﻓﻲ ﻤﺠﻠِﺱِ
ﺍﻟﺴﻜﺎﺭﻯ؛
ﺍﻷﺴﺩ ﻓﻲ ﺒﺎﺩِﻴﺔِ ﻋِﺸﹾﻘِﻙ ﻴﺼﻴﺭ ﺜﹶﻌﻠﹶﺒﺎﹰ ،ﺁﻩِ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﱠﺫﻱ ﻻ ﺨﹶﻁﹶﺭ ﺇﻻﱠ ﻭﻫﻭ ﻓﻴﻪ؛
ﺏ ﻜﹸلﱢ ﺒﺎﺏ؛
ﺕ ﻤِﺌﺔٍ ﻤِﻨﱠﺔٍ ﻤِﻨﹾ ﻪ ﺘﹸﺭﺍ
ﻤﺎﺀ ﻋﻴﻨﻲ ﺍﻟﱠﺫﻱ ﻋﻠﹶﻴﻪِ ﻤِﻨﱠﺔﹸ ﺍﻟﺘﱡﺭﺍﺏِ ﻓﻲ ﺒﺎﺒِﻙ ،ﺘﺤ ﹶ
ﻫﻨﺎﻙ ﻗﹶﺩﺭ ﻤِﻥ ﺍﻟﺠﺎﻩِ ﻭﺍﻟﺸﱡﻬﺭﺓِ ﻤِﻥ ﻭﺠﻭﺩﻱ ،ﻭﺇﻥ ﻗﹶلﱠ ،ﻭﻟﻭﻻﻩ ،ﻤِﻥ ﺍﻟﻀﻌﻑِ ،ﻟﻡ
ﻴﻜﹸﻥ ﻫﻨﺎﻙ ﻤِﻨﱢﻲ ﻤِﻥ ﺃﺜﹶﺭٍ ،ﻭﺇﻥ ﻗﹶلﱠ؛
ﺤﺎﻓِﻅﹸ ﻤِﻨﹾﻙ ﻟﻴﺱ ﻓﻲ ﺭﺍﺤﺔٍ ﻭﻫﻨﺎﺀٍ ،ﻭﺨﻼ ﻫﺫِﻩِ ﺍﻟﻨﱡﻜﹾﺘﹶﺔﹶ ،ﻻ ﻜﻤﺎلَ ﺇﻻﱠ ﻭﻫﻭ ﻓﻲ ﻜﻴﺎﻥِ
ﻭﺠﻭﺩِﻙ ﻤِﻥ ﺍﻟﺭﺃﺱِ ﺇﻟﻰ ﺍﻟﻘﹶﺩﻡ
ﻏﺰﻝ٧٤
ﺤﺎﺼِلُ ﻤﺸﻐﹶلِ ﺍﻟﻜﹶﻭﻥِ ﻭﺍﻟﻤﻜﺎﻥِ ،ﻜﹸﻠﱡﻪ ﻻ ﺸﻲﺀ ،ﻗﺭﺏِ ﺍﻟﺨﹶﻤﺭ ،ﻓﺄﺴﺒﺎﺏ ﺍﻟﻭﺠﻭﺩِ ﻜﹸﻠﱡﻬﺎ
ﻻ ﺸﻲﺀ؛
ﺍﻟﻐﹶﺭﺽ ﻤِﻥ ﺍﻟﻘﹶﻠﹾﺏِ ﻭﺍﻟﺭﻭﺡِ ﺸﹶﺭﻑﹸ ﺼﺤﺒﺔِ ﺍﻟﻤﺤﺒﻭﺏ ،ﻫﻭ ﺫﺍ ﺍﻟﻐﹶﺭﺽ ،ﻭﻟﻭﻻﻩ
ﻓﺎﻟﻘﹶﻠﹾﺏ ﻭﺍﻟﺭﻭﺡ ﻻ ﺸﻲﺀ؛
ﻻ ﺘﺤﻤِلِ ﺍﻟﻤِﻨﱠﺔﹶ ﻋﻠﻰ ﺍﻟﻅﱢلّ ﻟﻠﺴﺩﺭﺓِ ﻭﻁﻭﺒﻰ ،ﺃﻴﻬﺎ ﺍﻟﺴﺭﻭ ،ﻫﺫﺍ ﻜﹸﻠﱡﻪ ﺇﺫﺍ ﻤﺎ ﻨﹶﻅﹶﺭﺕﹶ
ﺠﻴﺩﺍﹰ ﻻ ﺸﻲﺀ؛
-٩١-
ﺍﻟﺩﻭﻟﹶﺔﹸ ﺘِﻠﹾﻙ ﺍﻟﱠﺘﻲ ﺘﺄﺘﻲ ﺇﻟﻴﻙ ﺒﻼ ﺒﺫﹾلِ ﺩﻡِ ﺍﻟﻘﹶﻠﹾﺏ ،ﻭﺇﻻﱠ ،ﻓﺒﺎﻟﺴﻌﻲِ ﻭﺍﻟﻌﻤلِ ﺭﻭﺽ
ﺍﻟﺠِﻨﺎﻥِ ﻜﹸﻠﱡﻪ ﻻ ﺸﻲﺀ؛
ﻥ ﻜﹸﻠﱡﻪ ﻻ ﺸﻲﺀ)(١؛
ﺍﻟﺨﹶﻤﺴﺔﹶ ﺃﻴﺎﻡٍ ﺍﻟﱠﺘﻲ ﺘﹶﻤﻠِﻙ ﻤﻬﻠﹶﺔﹰ ﺒِﻬﺫِﻩِ ﺍﻟﻤﺭﺤﻠﹶﺔِ ،ﺍِﺴﺘﹶﻤﺘِﻊ ﺯﻤﺎﻨﺎﹰ ﺒﻬﺎ ،ﻓﺎﻟﺯﻤﺎ
ﻨﺤﻥ ﻋﻠﻰ ﺸﹶﻔﹶﺔِ ﺒﺤﺭِ ﺍﻟﻔﹶﻨﺎﺀِ ﻨﻨﺘﹶﻅِﺭ ،ﺍﻏﺘﹶﻨِﻡِ ﺍﻟﻔﹸﺭﺼﺔﹶ ،ﺴﺎﻗﻲ ،ﺍﻟﻤﺴﺎﻓﹶﺔﹸ ﺒﻴﻥ ﺍﻟﺸﱠﻔﹶﺔِ
ﻭﺍﻟﻔﹶﻡِ ﻻ ﺸﻲﺀ)(٢؛
ﻥ ﺁﻤِﻨﺎﹰ ﻟﹶﻌِﺏ ﺍﻟﻐﹶﻴﺭﺓِ ،ﻭﺨﹸﺫﹾ ﺤِﺫﹾﺭﻙ ،ﻓﺎﻟﻁﱠﺭﻴﻕﹸ ﻤِﻥ ﺍﻟﺼﻭﻤﻌﺔِ ﺇﻟﻰ ﺩﻴﺭِ
ﺯﺍﻫِﺩ ﻻ ﺘﻜﹸ
)(٣
ﺍﻟﻤﻐﺎﻥِ ﻻ ﺸﻲﺀ ؛
ﺃﻟﹶﻤﻲ ﻭﺤﺭﻗﺘﻲ ،ﺃﻨﺎ ﺍﻟﻀﻌﻴﻑﹸ ﺍﻟﻨﱠﺤِﻴلُ ،ﻅﺎﻫِﺭﺍﹰ ﻟﻴﺴﺎ ﺒِﺤﺎﺠﺔِ ﺍﻟﺒﻴﺎﻥِ ﻭﺍﻟﺘﱠﻘﺭﻴﺭِ ،ﻫﺫﺍ
ﻜﹸﻠﱡﻪ ﻻ ﺸﻲﺀ؛
ﻅ ﺭﻗﹶﻡ ﻤﺸﻬﻭﺭ ﺒﺎﻟﺨﹶﻴ ِﺭ ﻭﺍﻟﺠﻤﺎلِ ﻭﻟﻜِﻥ ،ﻋِﻨﺩ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻷﺤﺭﺍﺭِ ﺭﻗﹶﻡ
ﺍﺴﻡ ﺤﺎﻓِ ﹶ
ﺍﻟﻨﱠﻔﹾﻊِ ﻭﺍﻟﻀﺭ ﻜﹸﻠﱡﻪ ﻻ ﺸﻲﺀ.
ﻏﺰﻝ ٧٥
ﻨﹶﻭﻡ ﻨﹶﺭﺠِﺱِ ﻋﻴﻨِﻙ ﺍﻟﻔﺘﱠﺎﻥِ ﻟﻴﺱ ﺒﻼ ﻋِﻠﱠﺔٍ ،ﻭﺘﹶﺠﻌﻴﺩ ﻓﹶﺭﻋِﻙ ﺍﻟﻤﻨﺸﻭﺭِ ﻟﻴﺱ ﻋﺒﺜﺎﹰ؛
ﻜﺎﻥ ﻴﺴﻴلُ ﺍﻟﻠﱠﺒﻥ ﻤِﻥ ﺸﹶﻔﹶﺘِﻙ ﻓﻘﹸﻠﺕﹸ :ﺇﻥ ﻫﺫﺍ ﺍﻟﺴﻜﱠﺭ ﻤِﻥ ﺤﻭلِ ﺜﻐﹾﺭِﻙ ﻟﻴﺱ ﺒﻼ ﻫﺩﻑٍ؛
ﻓﻠﻴﻁﹸلْ ﻁﻭﻴﻼﹰ ﻋﻤﺭﻙ ،ﻓﺄﻨﺎ ﺃﻋﻠﹶﻡ ﻴﻘﻴﻨﺎﹰ ﺃﻥ ﺴِﻬﺎﻡ ﺃﻫﺩﺍﺒِﻙ ﻓﻲ ﺍﻟﻘﻭﺱِ ﻟﻴﺴﺕﹾ ﺒﻼ ﻫﺩﻑ؛
ﺃﻴﻬﺎ ﺍﻟﻤﺒﺘﻠﻰ ﺒِﻐﻡ ﺍﻟﻤِﺤﻨﹶﺔِ ﻭﺃﻟﹶﻡِ ﺍﻟﻔِﺭﺍﻕِ ،ﻴﺎ ﻗﹶﻠﺏ ،ﺃﻨﻴﻨﹸﻙ ﻭﺍﻟﻌﻭﻴلُ ﻤِﻨﹾﻙ ﻟﻴﺴﺎ ﺒﻼ ﺃﺜﹶﺭ؛
) (١ﺍﻟﺨﻤﺴﺔﹸ ﺃﻴﺎﻡ ،ﺭﺒﻤﺎ ﻋﻨﻰ ﺒﻬﺎ ﺍﻟﺨﻤﺴﻴﻥ ﻋﺎﻤﺎﹰ ﻤِﻥ ﺍﻟﻌﻤﺭ؛
) (٢ﻨﺤﻥ ﻋﻠﻰ ﺸﹶﻔﹶﺔِ ﺒﺤﺭِ ﺍﻟﻔﻨﺎﺀِ ﻨﻨﺘﹶﻅِﺭ ،ﻭﺴﺭﻴﻌﺎﹰ ﻨﺼﻴﺭ ﻓﻲ ﻓﻤِﻪِ ،ﻓﺎﻏﺘﹶﻨِﻡ ﺍﻟﻔﹸﺭﺼﺔﹶ ﻭﺍﺴﻘِﻨﺎ
ﺴﺭﻴﻌﺎﹰ ﻓﺎﻟﻤﺴﺎﻓﹶﺔﹸ ﺒﻴﻥ ﺍﻟﺸﱠﻔﹶﺔِ ﻭﺍﻟﻔﹶﻡِ ﻻ ﺸﻲﺀ؛
) (٣ﺃﻴﻬﺎ ﺍﻟﺯﺍﻫِﺩ ﺇﻥ ﺍﻟﻔﺎﺼِلَ ﺒﻴﻥ ﺼﻭﻤﻌﺔِ ﺍﻟﺯﻫﺩِ ﻭﺍﻟﺘﱠﻘﻭﻯ ﻭﺤﺎﻨﹶﺔِ ﺍﻟﺨﹶﻤﺭِ ﻻ ﺸﻲﺀ)ﻴﻤﻜِﻥ ﺃﻥ
ﺘﻨﺘﹶﻘِلَ ﺒِﻠﹶﺤﻅﹶﺔٍ ﻤِﻥ ﺼﻭﻤﻌﺔِ ﺍﻟﺯﻫﺩِ ﻭﺍﻟﺘﱠﻘﻭﻯ ﺇﻟﻰ ﺤﺎﻨﹶﺔِ ﺍﻟﺨﹶﻤﺭِ ﻭﺍﻟﻘِﻤﺎﺭ ،ﻭﺘﺘﺤﻭلَ ﻤِﻥ ﺯﺍﻫِﺩٍ
ﺘﻘﻲ ﺇﻟﻰ ﺸﺎﺭِﺏِ ﺨﹶﻤﺭٍ ﻭﻋِﺭﺒﻴﺩ( ﻜﺄﻨﱠﻬﺎ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﻗِﺼﺔِ ﺍﻟﺸﱠﻴﺦِ ﺼﻨﻌﺎﻥ ﺍﻟﱠﺫﻱ ﺒﻌﺩ ﺘﻘﻭﺍﻩ
ﻭﻁﻭلِ ﻋﺒﺎﺩﺘِﻪِ ،ﻭﻜﺎﻥ ﺤﺞ ﺨﻤﺴﻴﻥ ﻤﺭﺓﹰ ،ﺍﻨﺘﻬﻰ ﺒِﻪِ ﺍﻟﻤﻁﺎﻑﹸ ﺒِﺭﻫﻥِ ﺜﻭﺒِﻪِ ﻟﻠﺨﹶﻤﺎﺭ.
-٩٢-
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤﺭﺕِ ﺍﻟﺭﻴﺢ ﻓﻲ ﺤِﻤﺎﻩ ،ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ،ﺃﻨﺕﹶ ﻟﻡ ﺘﺸﹸﻕﱠ ﺍﻟﺠﻴﺏ ﻓﻲ ﺍﻟﺭﻭ ﺽِ
ﺒﻼ ﺴﺒﺏ؛
ﺭﻏﹾﻡ ﺃﻥ ﺍﻟﻘﹶﻠﹾﺏ ﻴﺤﺎﻓِﻅﹸ ﻋﻠﻰ ﺃﻟﹶﻡِ ﺍﻟﻌِﺸﹾﻕِ ﻤﺨﻔﻴﺎﹰ ﻋﻥِ ﺍﻟﺨﹶﻠﹾﻕِ ،ﻋﻴﻨﹸﻙ ﺍﻟﺒﺎﻜﻴﺔﹸ ﻴﺎ ﺤﺎﻓِﻅﹸ
ﻻ ﺘﺒﻜﻲ ﺒﻼ ﺴﺒﺏ.
ﻏﺰﻝ ٧٦
ﻻ ﻤﻠﹾﺠﺎﹶ ﻟﻲ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﺇﻻﹼ ﺇﻟﻰ ﺃﻋﺘﺎﺒِﻙ ،ﻭﻻ ﺃﻀﻊ ﺍﻟﺭﺃﺱ ﺇﻻﹼ ﻋﻠﻰ ﺒﺎﺒِﻙ؛
ﺇﺫﺍ ﺭﻓﹶﻊ ﻋﻠﻴﻨﺎ ﺍﻟﻌﺩﻭ ﺍﻟﺴﻴﻑﹶ ﻨﺭﻤﻲ ﺍﻟﺩﺭﻉ ،ﻨﺤﻥ ﻻ ﺴﻴﻑﹶ ﻟﻨﺎ ﻏﻴﺭ ﺍﻷﻨﻴﻥِ ﻭﺍﻵﻩ؛
ﻭﻟِﻤﺎﺫﺍ ﺃُﺩﻴﺭ ﺍﻟﻭﺠﻪ ﻋﻥ ﺤِﻤﻰ ﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﻭﻻ ﺭﺴﻡ ﻟﻲ ﻭﻻ ﻁﺭﻴﻕﹶ ﻓﻲ ﺍﻟﻜﻭﻥِ
ﺃﻓﻀلُ ﻤِﻨﻬﺎ؛
ﺤﻘﹾلُ ﻋﻤﺭﻱ ،ﺇﺫﺍ ﺃﺸﻌلَ ﺍﻟﺯﻤﺎﻥ ﺒِﻪِ ﺍﻟﻨﱠﺎﺭ ،ﻗﹸلْ ﻟﻪ ﻓﻠﻴﺤﺘﹶﺭِﻕﹾ ،ﻓﻬﻭ ﻻ ﻴﻌﺩِلُ ﻭﺭﻕﹶ
ﺍﻟﻌﺸﹾﺏِ ﻋِﻨﺩﻱ؛
ﺃﻨﺎ ﻏﹸﻼﻡ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﺴﺎﺤِﺭِ ﻟِﺫﻟِﻙ ﺍﻟﺴﺭﻭِ ﺍﻟﻌﺎﻟﻲ ﺍﻟﱠﺫﻱ ﻤِﻥ ﺸﹶﺭﺍﺏِ ﻏﹸﺭﻭﺭِﻩِ ﻻ ﻴﻨﻅﹸﺭ
ﺇﻟﻰ ﺃﺤﺩ؛
ﻻ ﺘﹶﺴﻊ ﻓﻲ ﺍﻷﺫﻯ ﻭﺍﻓﹾﻌلْ ﻤﺎ ﺘﺸﺎﺀ ،ﻓﻲ ﺸﹶﺭﻴﻌﺘِﻨﺎ ﻻ ﺫﹶﻨﹾﺏ ﻏﻴﺭ ﻫﺫﺍ ﺍﻟﺫﱠﻨﹾﺏ؛
ﺸﹸﺩ ﻋِﻨﺎﻥ ﺍﻟﺠﻭﺍﺩِ ﻓﻲ ﺍﻟﺴﻴﺭِ ﺃﻱ ﻤﻠﻴﻙ ﺒِﻼﺩِ ﺍﻟﺤﺴﻥِ ،ﻓﻼ ﻁﺭﻴﻕﹶ ﺇﻟﹼﺎ ﻋﻠﻴﻪِ ﻤﻥ ﻟﻪ
ﺸِﻜﺎﻴﺔﹲ ﻭﻴﺴﺄﻟﹸﻙ ﺍﻟﻌﻁﺎﺀ؛
ﻭﺒِﻤﺎ ﺃﻨﱢﻲ ﺃﺭﻯ ﺸِﺒﺎﻙ ﺍﻟﻁﱠﺭﻴﻕِ ﻤِﻥ ﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩٍ ،ﻓﻼ ﻤﻠﺠﺄً ﻟﻲ ﺨﻴﺭ ﻤِﻥ ﺤِﻤﺎﻴﺔِ
ﻀﻔﻴﺭﺘِﻪ؛
ﻻ ﺘﹸﺴﻠِﻡ ﺨﹶﺯﻴﻨﹶﺔﹶ ﺍﻟﻘﹶﻠﹾﺏِ ﻟِﻠﻔﹶﺭﻉِ ﻭﺍﻟﺨﺎل ﻴﺎ ﺤﺎﻓِ ﻅﹸ ،ﻟﻘﺩ ﺠﺎﻭﺯﺍ ﺒِﻔﻌﻠِﻬِﻤﺎ ﺤﺩ ﻜﹸلﱢ
ﺴﻭﺍﺩ.
-٩٣-
ﻏﺰﻝ ٧٧
ﺭﺃﻴﺕﹸ ﺒﻠﺒﻼﹰ ﻴﻤﺴِﻙ ﺒِﻤِﻨﻘﺎﺭِﻩِ ﻭﺭﻗﺔﹰ ﻤِﻥ ﻭﺭﺩﺓٍ ﺠﻤﻴﻠﺔِ ﺍﻟﻠﹼﻭﻥ ﻭﻫﻭ ﻴﺌﻥ ﻭﻴﺒﻜﻲ ﻭﻴﺭﺴِلُ
ﺍﻵﻫﺎﺕِ؛
ﻥ ﺍﻟﻭﺼلِ ﻓﻤﺎ ﻫﺫﺍ ﺍﻟﺒﻜﺎﺀ ﻭﺍﻟﻨﱠﺤﻴﺏ؟ ،ﻗﺎلَ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻌﻤلِ
ﻗﹸﻠﺕﹸ ﻟﻪ ﺃﻨﺕﹶ ﻓﻲ ﻋﻴ ِ
ل ﻟﻨﺎ ﺠﻠﻭﺓﹸ ﺍﻟﻤﻌﺸﻭﻕ؛
ﺘﺤﺼ ُ
ﻟﻴﺱ ﻤﺤلﱠ ﺍﻋﺘﺭﺍﺽٍ ﺇﺫﺍ ﻟﻡ ﻴﺠﻠﺱِ ﺍﻟﻤﻌﺸﻭﻕﹸ ﻤﻌﻨﺎ ،ﺍﻟﻤﻠﻭﻙ ﻴﻠﺤﻕﹸ ﺒِﻬِﻡ ﺍﻟﻌﺎﺭ ﻤِﻥ
ﻤﺠﺎﻟﹶﺴﺔِ ﺍﻟﺸﱠﺤﺎﺫﻴﻥ؛
ﻤﺎ ﺃﺜﱠﺭ ﻓﻲ ﺤﺴﻥِ ﺍﻟﺤﺒﻴﺏِ ﻋﺭﺽ ﻓﺎﻗﺘﻲ ﻭﻋﺯﺘﻲ ،ﻴﺎ ﺴﻌﺎﺩﺓﹶ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻨﺎلَ ﺒﺨﹾﺕﹶ
ﻗﺒﻭلِ ﺃﻫلِ ﺍﻟﺩﻻل؛
ﻙ ﺍﻟﻨﱠﻘﱠﺎﺵِ ﺍﻟﹼﺫﻱ ،ﺒِﺩﻭﺭﺓٍ ﻭﺍﺤﺩﺓٍ ﻤﻥ ﺍﻟﺒِﺭﻜﺎﺭِ ﺃﻅﹾﻬﺭ
ﻗﹸﻡ ﺒﻨﺎ ﻨﻨﺜﹸﺭِ ﺍﻟﺭﻭﺡ ﻟﺭﻴﺸﺔِ ﺫﻟ
ﻜﹸلﱠ ﻫﺫِﻩِ ﺍﻟﻨﱡﻘﻭﺵِ ﺍﻟﻌﺠﻴﺒﺔ؛
ﺇﺫﺍ ﻜﻨﹾﺕﹶ ﻤﺭﻴﺩ ﻁﺭﻴﻕِ ﺍﻟﻌﺸﹾﻕِ ،ﻻ ﺘﹸﺒﺎلِ ﺒﺴﻭﺀِ ﺍﻟﺴﻤﻌﺔِ ،ﺍﻟﺸﱠﻴﺦﹸ ﺼﻨﻌﺎﻥ ﺭﻫﻥ
ﺨﺭﻗﹶﺘﹶﻪ ﻓﻲ ﺨﺎﻨﺔِ ﺍﻟﺨﻤﺎﺭ)(١؛
ﺠﻤﻴلٌ ﻭﻗﹾﺕﹸ ﺫﻟِﻙ ﺍﻟﺭﺠلِ ﺍﻟﻤﺠﺭﺩِ ﺍﻟﺠﻤﻴلِ ﺍﻟﱠﺫﻱ ،ﻓﻲ ﺃﻁﻭﺍﺭِ ﺍﻟﺴﻴﺭِ ،ﺫِﻜﹾﺭ ﺘﺴﺒﻴﺢِ
)(٢
ﺍﻟﻤﻠﹶﻙِ ﻓﻲ ﺤﻠﹾﻘﹶﺔِ ﺯﻨﱠﺎﺭِﻩ
ﻋﻴﻥ ﺤﺎﻓِﻅﹶ ﺘﺤﺕﹶ ﺴﻘﻑِ ﻗﺼﺭِ ﺫﻟِﻙ ﺍﻟﺤﻭﺭﻱ ﺍﻟﻁﱢﻴﻨﹶﺔِ ،ﻜﺄﻨﱠﻬﺎ ﺠﻨﱠﺎﺕﹲ ﺘﺠﺭﻱ ﻤِﻥ
)(٣
ﺘﺤﺘِﻬﺎ ﺍﻷﻨﻬﺎﺭ
) (١ﺍﻟﺸﹼﻴﺦ ﺼﻨﻌﺎﻥ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻤﺸﻬﻭﺭﺍﹰ ﺒﺎﻟﺘﱠﻘﻭﻯ ،ﻋﺸِﻕﹶ ﻓﻲ ﺁﺨِﺭِ ﻋﻤﺭِﻩِ ،ﻓﺎﻀﻁﹸﺭ ﻟِﺭﻫﻥِ ﺨِﺭﻗﹶﺘِﻪِ
ﻋِﻨﺩ ﺨﹶﻤﺎﺭٍ ،ﻓﺈﻥ ﻜﻨﺕﹶ ﺘﺨﺎﻑﹸ ﻤﻥ ﺴﻭﺀِ ﺍﻟﺴﻤﻌﺔِ ﻓﻼ ﺘﺴﻠﹸﻙ ﺴﺒﻴلَ ﺍﻟﻌِﺸﹾﻕ؛
) (٢ﺍﻟﺭﺠل ﺍﻟﻤﺠﺭﺩ ﺍﻟﻤﺘﺤﺭﺭ ﻤﻥ ﺍﻟﺩﻨﻴﺎ ﻴﻠﺒﺱ ﻟِﺒﺎﺱ ﺍﻟﺩﺭﺍﻭﻴﺵ ،ﺍﻟﺨِﺭﻗﹶﺔﹶ ﻭﺍﻟﺯﻨﹼﺎﺭ ،ﺇﻟﹼﺎ ﺃﻨﱠﻪ ﻴﺴﺒﺢ ﺒﺘﺴﺒﻴﺢِ
ﺍﻟﻤﻼﺌﻜﹶﺔِ)ﺫِﻜﺭ ﺘﺴﺒﻴﺢِ ﺍﻟﻤﻠﹶﻙِ ﺍﻟﱠﺫﻱ ﻴﺠﻬﻠﹸﻪ ﺍﻟﺒﺸﹶﺭ ،ﻫﻭ ﻴﻌﺭِﻓﹸﻪ ،ﻭﻫﻭ ﻤﻌﻪ ﺘﺤﺕﹶ ﺤﻠﻘﹶﺔِ ﺯﻨﱠﺎﺭِﻩ(؛
ﺕ ﺴﻘﻑِ ﺫﻟِﻙ
) (٣ﺤﻴﻥ ﺩﺨلَ ﺤﺎﻓِﻅﹸ ﺇﻟﻰ ﻗﺼﺭِ ﺫﻟِﻙ ﺍﻟﱠﺫﻱ ﻁﻴﻨﹶﺘﹸﻪ ﻁﻴﻨﹶﺔﹸ ﺍﻟﺠﻤﺎلِ ﻭﺼﺎﺭ ﺘﺤ ﹶ
ﺍﻟﻘﺼﺭِ ،ﺼﺎﺭﺕﹾ ﻋﻴﻨﺎﻩ ﺘﺠﺭﻴﺎﻥ ﻜﺎﻷﻨﻬﺎﺭِ ،ﻓﺄﺸﺒﻬﺘﺎ ﺠﻨﺎﺕٍ ﺘﺠﺭﻱ ﻤِﻥ ﺘﺤﺘِﻬﺎ ﺍﻷﻨﻬﺎﺭ.
-٩٤-
ﻏﺰﻝ ٧٨
ﻫل ﺘﺭﻯ ﻟﻴﺱ ﻋِﻨﹾﺩ ﺍﻟﺤﺒﻴﺏِ ﻏﻴﺭ ﻅﹸﻠﹾﻡٍ ﻭﺠﻭﺭٍ ،ﻨﻘﹶﺽ ﺍﻟﻌﻬﺩ ﻻ ﻴﺒﺎﻟﻲ ﺒﻤﺎ ﺒﻲ ﺃَﻟﹶﻡ
ﻤِﻥ ﺃَﻟﹶﻡ؛
ﺼﺎﺩ ﺼﻴﺩ ﺍﻟﺤﻤﺎﻡِ ﺒﺎﻟﺭﻤﻲِ ﻭﺍﻟﻘﹶﺘﹾلِ ﻗﻠﺒﻲ ،ﺭﺏ ﺴﺎﻤِﺤﻪ ﻤﺎ ﺭﻋﻰ ﻋِﺯﺓﹶ ﺍﻟﺼﻴﺩِ ﻓﻲ
ﺍﻟﺤﺭﻡ؛
ﺨﺎﺏ ﻤﻥ ﺩﺭﺒﻪ ﻴﻨﺘﻬﻲ ﺇﻟﻰ ﻏﻴﺭِ ﺫﺍﻙ ﺍﻟﺤﺭﻴﻡِ ،ﺠﺎﺏ ﺫﺍﻙ ﺍﻟﻭﺍﺩﻱ ﻭﻟﻡ ﻴﻬﺘﹶﺩِ ﺍﻟﺩﺭﺏ
ﻟِﻠﹾﺤﺭﻡ
ﺤﺎﻓِﻅﹸ ﺠلْ ﻅﺎﻓِﺭﺍﹰ ﺒِﻤﻠﹾﻌﺏِ ﺍﻟﻔﺼﺎﺤﺔِ ﻓﺎﻟﻤﺩﻋﻲ ،ﻻ ﻴﻤﻠِﻙ ﺍﻟﻔﻥ ﻭﻻ ﺍﻟﺫﱠﻭﻕﹶ ﻭﻻ ﻋﺎﻟﻲ
ﺍﻟﻬِﻤﻡ
ﻨﺜﺭﺍﹰ :ﻫل ﺘﺭﻯ ﻜﻴﻑﹶ ﺃﻥ ﺍﻟﺤﺒﻴﺏ ﻻ ﻴﻤﻠِﻙ ﻏﻴﺭ ﺍﻟﻅﱡﻠﹾﻡِ ﻭﺍﻟﺠﻭﺭ ،ﻨﻘﺽ
ﺍﻟﻌﻬﺩ ﻭﻟﻡ ﻴﻙ ﻤﻨﻪ ﺃﻱ ﻏﻡ ﻟِﻐﻤﻨﺎ)(١؛ ﻴﺎ ﺭﺏ ﻻ ﺘﺅﺍﺨِﺫﹾﻩ ﺭﻏﹾﻡ ﺃﻨﱠﻪ ﺃﻭﻗﹶﻊ ﻜﺤﻤﺎﻤﺔٍ
ﻗﻠﺒﻲ ﻭﻗﺘﹶﻠﹶﻪ ،ﻭﺤﺭﻤﺔﹶ ﺍﻟﺼﻴﺩِ ﻓﻲ ﺍﻟﺤﺭﻡ ﻟﻡ ﻴﺭﻉ(٢)؛ ﻓﻘﺩ ﺠﺎﺀﻨﻲ ﺍﻟﺠﻔﺎﺀ ﻤِﻥ ﺍﻟﺒﺨﹾﺕِ
ﻭﻟﻭﻻﻩ ﻓﺎﻟﺤﺒﻴﺏ ﺤﺎﺸﺎﻩ ﺃﻥ ﻻ ﻴﻤﻠِﻙ ﺭﺴﻡ ﺍﻟﻠﱡﻁﹾﻑِ ﻭﻁﺭﻴﻕﹶ ﺍﻟﻜﹶﺭﻡ؛ ﻭﻤﻊ ﻫﺫﺍ ﻜﹸﻠﱢﻪِ،
ﻓﺈﻥ ﻜﹸلﱠ ﻤﻥ ﻻ ﻴﺤﺘﹶﻤِلُ ﻤِﻨﹾﻪ ﺍﻷﺫﻯ ،ﺤﻴﺜﹸﻤﺎ ﺭﺍﺡ ﺃﻭ ﺤلﱠ ﻏﻴﺭ ﻤﺤﺘﹶﺭﻡٍ؛ ﺴﺎﻗﻲ ﺍﺤﻤِلْ
ﺍﻟﺨﹶﻤﺭ ﻭﻗﹸلْ ﻟﻠﻤﺤﺘﹶﺴِﺏ :ﻻ ﺘﻘﹸﻡ ﺒﺈﻨﻜﺎﺭِﻨﺎ ،ﻓﺠﻤﺸﻴﺩ ﻻ ﻴﻤﻠِﻙ ﺠﺎﻤﺎﹰ ﻤِﺜﹾلَ ﺠﺎﻤِﻨﺎ؛ ﻜﹸلﱡ
) (١ﻴﺸﻴﺭ ﺍﻟﻌﺎﺭﻑﹸ ﺒﻭﺼﻑِ ﺍﻟﻤﻌﺸﻭﻕ ﺒﺄﻭﺼﺎﻑٍ ﻤﻥ ﻗﺒﻴلِ ﺍﻟﻐﺩﺭِ ﻭﺍﻟﺠﻭﺭِ ﻭﺍﻟﻤﻜﺭ ﺇﻟﻰ ﻤﻌﻨﻰ
ﺍﻟﻔﺘﻨﺔِ ﺍﻟﻤﺫﻜﻭﺭﺓِ ﻓﻲ ﺍﻟﻘﺭﺁﻥ )ﺇﻥ ﻫﻲ ﺇﻻﹼ ﻓﺘﻨﺘﹸﻙ( ،ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ :ﻓﺎﺴﺘﺨﻠﻑﹶ ﺍﻟﺴﻘﻡ ﻓﻲ
ﺠﺴﻤﻲ ﻭﻏﺎﺩﺭﻨﻲ ﻤﻥ ﻏﺩﺭِﻩ ﻓﻲ ﺩﻤﻭﻋﻲ ﺒﻴﻥ ﻏﺩﺭﺍﻥِ؛
) (٢ﻭﻟﻡ ﻴﻜﹸﻥ ﻤﻨﻪ ﺭِﻓﻕﹲ ﻓﻲ ﺼﻴﺩِ ﻁﺎﺌِﺭِ ﻗﻠﺒﻲ ﺍﻟﻤﺴﻜﻴﻥ ،ﺇﺫﹾ ﺭﻤﺎﻩ ﻭﻗﺘﻠﹶﻪ ﻜﻤﺎ ﺘﹸﺭﻤﻰ ﻭﺘﹸﻘﺘﹶ ُ
ل
ﺍﻟﺤﻤﺎﻤﺔﹸ ﺍﻟﺒﺭﻴﺌﺔﹸ ﻓﻲ ﺍﻟﺤﺭﻡِ ،ﻓﻴﺎ ﺭﺏ ﺴﺎﻤِﺤﻪ ﻟِﻤﺎ ﻟﻡ ﻴﺭﻉ ﺤﺭﻤﺔﹶ ﺍﻟﺼﻴﺩِ ﻓﻲ ﺍﻟﺤﺭﻡ)ﻗﻠﺏ
ﺍﻟﻤﺅﻤِﻥِ ﺤﺭﻡ ﻜﺎﻟﻜﻌﺒﺔِ ﻷﻨﱠﻪ ﻤﺜﻠﻬﺎ ﺒﻴﺕﹸ ﺍﷲِ ،ﻗﺎلَ ﺍﻟﺼﺎﺩِﻕﹸ)ﻉ(:ﺍﻟﻘﻠﺏ ﺤﺭﻡ ﺍﷲِ ﻓﻼ ﺘﹸﺴﻜِﻥ
ﺤﺭﻡ ﺍﷲِ ﻏﻴﺭ ﺍﷲ(؛
-٩٥-
ﺴﺎﻟِﻙٍ ﺩﺭﺒﻪ ﻻ ﻴﻨﺘﻬﻲ ﺇﻟﻰ ﺤﺭﻴﻡِ ﺒﺎﺒِﻪِ ،ﻤﺴﻜﻴﻥ ﺠﺎﺏ ﺍﻟﻭﺍﺩﻱ ﻭﻟﻡ ﻴﻬﺘﺩِ ﺍﻟﺩﺭﺏ
ﻟﻠﺤﺭﻡ)(١؛ ﺤﺎﻓِﻅﹸ ﺠلْ ﻓﻲ ﻤﻴﺩﺍﻥِ ﺍﻟﻔﺼﺎﺤﺔِ) ،(٢ﻭﺍﺨﻁِﻑﹾ ﻜﹸﺭﺓﹶ ﺍﻟﻔﹶﺼﺎﺤﺔِ ،ﻓﺎﻟﻤﺩﻋﻲ
ﺫﺍﻙ ﻟﻥ ﻴﺒﺎﺭﻴﻙ ،ﻭﻻ ﻓﹶﻥ ﻋِﻨﹾﺩﻩ ﻭﻻ ﺨﹶﺒﺭ ﻟﺩﻴﻪِ.
ﻏﺰﻝ ٧٩
ﺍﻵﻥ ﻭﻨﺴﻴﻡ ﺍﻟﺠﻨﱠﺔِ ﻴﻬﺏ ﻤﻥ ﺍﻟﺒﺴﺘﺎﻥِ ،ﺨﻠﱢﻨﻲ ﻭﺍﻟﺸﱠﺭﺍﺏ ﺍﻟﻤﻔﺭِﺡ ﻭﺤﻭﺭ ﺍﻟﺠﻨﺎﻥ؛
ﻜﻴﻑﹶ ﻻ ﻴﺘﺒﺎﻫﻰ ﺍﻟﺸﱠﺤﺎﺫﹸ ﺍﻟﻴﻭﻡ ﺒِﻤﻤﻠﹶﻜﹶﺘِﻪِ ،ﻭﻅِلﱡ ﺍﻟﺴﺤﺎﺏِ ﺨﻴﻤﺘﹸﻪ ،ﻭﺍﻟﺤﻘﻭلُ ﺒِﺴﺎﻁﹸﻪ؛
ﺤِﻜﺎﻴﺔﹸ ﺸﻬﺭِ ﺃُﺭﺩﻴﺒِﻬِﺸﺕﹾ ﻓﻲ ﺍﻟﺭﻭﺽِ ﺘﻘﻭلُ :ﻟﻴﺱ ﻋﺎﻗِﻼﹰ ﻤﻥ ﻴﺸﺘﺭﻱ ﻨﺴﻴﺌﺔﹰ ﻭﻴﺩﻉ
ﺍﻟﺸﱢﺭﺍﺀ ﻨﻘﺩﺍﹰ)(٣؛
ﺍﻋﻤﺭ ﻗﻠﺒﻙ ﺒﺎﻟﺨﻤﺭﺓِ ﻓﻬﺫﺍ ﺍﻟﻌﺎﻟﹶﻡ ﺍﻟﺨﺭِﺏ ﻴﻨﻭﻱ ﺃﻥ ﻴﺼﻨﹶﻊ ﻤﻥ ﺘﹸﺭﺍﺒِﻨﺎ ﺁﺠﺭﺍﹰ؛
ﻭﻻ ﺘﻁﻠﺏِ ﺍﻟﻭﻓﺎﺀ ﻤﻥ ﺍﻟﻌﺩﻭ ﺍﻟﱠﺫﻱ ﻻ ﻭﻓﺎﺀ ﻟﹶﻪ ،ﻜﻤﺸﻌِلِ ﺸﻤﻊِ ﺍﻟﺼﻭﻤﻌﺔِ ﻤِﻥ ﺴِﺭﺍﺝِ
ﺍﻟﻜﻨﻴﺱ)(٤؛
ﻻ ﺘﻠﹸﻤﻨﻲ ﻭﺃﻨﺎ ﺍﻟﺴﻜﺭﺍﻥ ﻋﻠﻰ ﺼﺤﻴﻔﺘﻲ ﺍﻟﺴﻭﺩﺍﺀِ ،ﻭﺤﺫﺍﺭِ ﻓﻼ ﺃﺤﺩ ﻴﺩﺭﻱ
ﺒﺎﻟﻤﺨﻁﻭﻁِ ﻟﻪ ﻓﻲ ﻟﻭﺡِ ﺍﻟﻘﹶﺩﺭ؛
ﻭﻻ ﺘﺘﺭﺩﺩ ﻓﻲ ﺍﻟﺴﻴﺭِ ﻓﻲ ﺠﻨﺎﺯﺓِ ﺤﺎﻓﻅ ،ﻓﻬﻭ ،ﻭﺇﻥ ﻜﺎﻥ ﻏﺎﺭﻗﺎﹰ ﻓﻲ ﺍﻟﺫﱡﻨﻭﺏِ ،ﺫﺍﻫﺏ
ﺇﻟﻰ ﺍﻟﺠﻨﱠﺔ.
ﺏ ﻭﺍﺩﻱ ﻤﻜﱠ ﹶﺔ ﻭﻟﻡ ﻴﻬﺘﺩِ ﺍﻟﺩﺭﺏ ﻟِﻠﻜﻌﺒﺔ ،ﺤﺞ ﺤﺞ ﺍﻟﺒﺩﻥ ﻭﻟﻡ ) (١ﻤﺴﻜﻴﻥ ﻭﻤﺤﺭﻭﻡ ،ﻜﺤﺎﺝ ﺠﺎ
ﻴﺤِﺞ ﺤﺞ ﺍﻟﻘﻠﺏ ،ﻗﺎل ﺍﻟﻤﻭﻟﻭﻱ :ﻗﻁﻊ ﻤﻨﺯلٍ ﺇﻟﻰ ﻋﺒﻴﺭِ ﺍﻟﻤﺴﻙِ ،ﺨﻴﺭ ﻤﻥ ﻗﻁﻊِ ﻤﺎﺌﺔِ ﻤﻨﺯلٍ
ﺒﺎﻟﺨﻁﻭﺍﺕِ ﻭﺍﻟﻁﱠﻭﺍﻑ؛
) (٢ﺤﺎﻓِﻅﹸ ﺠِﺊْ ﺒﺎﻟﺒﺩﻴﻊِ ﻤِﻥ ﺍﻟﺤﺩﻴﺙِ ،ﻭﺠلْ ﻓﻲ ﻤﻴﺩﺍﻥِ ﺍﻟﻔﺼﺎﺤﺔِ ﻭﺍﻟﺒﻴﺎﻥ ﻓﺫﻟِﻙ ﺍﻟﻤﺩﻋﻲ ﻻ ﺫﻭﻕﹶ
ﻟﹶﺩﻴﻪِ ﻭﻻ ﺨﹶﺒﺭ ﻋِﻨﺩﻩ ﻭﻫﻭ ﻋﺎﺠِﺯ ﻋﻥ ﺍﻹﺘﻴﺎﻥِ ﺒﻤﺜلِ ﺤﺩﻴﺜِﻙ ﻭﻟﻥ ﻴﺼِلَ ﺇﻟﻴﻙ.
) (٣ﻓﻲ ﺍﻟﺭﺒﻴﻊِ ،ﻓﻲ ﺸﹶﻬﺭِ ﺃُﺭﺩﻴﺒِﻬِﺸﺕﹾ ،ﻟﻴﺱ ﻋﺎﻗِﻼﹰ ﻤﻥ ﻴﺸﺘﺭﻱ ﺍﻟﺠﻨﱠﺔﹶ ﺍﻟﻤﺅﺠﻠﹶﺔﹶ ﻭﻴﺘﺭﻙ ﺍﻟﺠﻨﱠﺔﹶ
ﺍﻟﺤﺎﻀِﺭﺓﹶ؛
) (٤ﺍﻟﻜﻨﻴﺱ ﻤﻌﺒﺩ ﺍﻟﻴﻬﻭﺩ ،ﺸﹶﻤﻊ ﺼﻭﻤﻌﺔِ ﺍﻟﺯﺍﻫِﺩِ ﻻ ﻴﺸﺘﻌِلُ ﻤِﻥ ﺴِﺭﺍﺝِ ﻜﻨﻴﺱِ ﺍﻟﻴﻬﻭﺩ.
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ﻏﺰﻝ٨٠
ﺃﻴﻬﺎ ﺍﻟﺯﺍﻫِﺩ ﻁﺎﻫِﺭ ﺍﻟﻤﺴﻠﹶﻙِ ،ﻻ ﺘﻘﹸلِ ﺍﻟﻌﻴﺏ ﻓﻲ ﺍﻟﺴﻜﺎﺭﻯ ،ﻓﺫﻨﻭﺏ ﺍﻵﺨﹶﺭﻴﻥ ﻟﹶﻥ
ﺘﹸﻜﹾﺘﹶﺏ ﻋﻠﹶﻴﻙ؛
ﻭﺃﻨﺎ ﺴﻭﺍﺀ ﻜﹸﻨﹾﺕﹸ ﺼﺎﻟِﺤﺎﹰ ﺃﻡ ﻁﺎﻟِﺤﺎﹰ ،ﻤﺎ ﺸﺄﻨﹸﻙ ﺒﻲ ،ﺍِﺫﹾﻫﺏ ﻭﻜﹸﻥ ﻓﻲ ﺸﹸﻐﹾلِ ﻨﻔﺴِﻙ
ﻓﻜﹸلﱡ ﺸﺨﺹٍ ﻋﺎﻗِﺒﺘﹸﻪ ﺃﻥ ﻴﺤﺼﺩ ﻤﺎ ﺯﺭﻉ؛
ﻭﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﻁﺎﻟِﺏ ﺤﺒﻴﺏٍ ،ﻤِﻥ ﺼﺎﺡٍ ﻭﺴﻜﺭﺍﻥ ،ﻭﻜﹸلﱡ ﻤﻜﺎﻥٍ ﺨﺎﻨﹶﺔﹸ ﻋِﺸﹾﻕٍ ،ﻤِﻥ
ﻤﺴﺠِﺩٍ ﻭﻜﻨﻴﺱ؛
ﺭﺃﺱ ﺍﻟﺘﱠﺴﻠﻴﻡِ ﻤِﻨﹼﻲ ﻭﺒﺎﺏ ﺍﻟﺤﺎﻨﹶﺔِ ﻤِﻥ ﺍﻵﺠﺭ ،ﺇﺫﺍ ﻟﹶﻡ ﻴﻔﻬﻡِ ﺍﻟﻤﺩﻋﻲ ﺍﻟﺤﺩﻴﺙﹶ ﻗﹸلْ ﻟﻪ:
ﺍﻟﺭﺃﺱ ﻭﺍﻵﺠﺭ(١)؛
ﻻ ﺘﻘﻁﹶﻊِ ﺍﻷﻤلَ ﻤِﻥ ﺴﺎﺒِﻘﹶﺔِ ﻟﹸﻁﹾﻑِ ﺍﻷﺯل ،ﻭﺃﻨﺕﹶ ﺨﻠﻑﹶ ﺍﻟﺤِﺠﺎﺏِ ﻤﺎ ﻴﺩﺭﻴﻙ ﻤﺎ
ﺍﻟﺤﺴﻥ ﻭﻤﺎ ﺍﻟﻘﺒﻴﺢ)(٢؛
ﻟﺴﺕﹸ ﻭﺤﺩﻱ ﺍﻟﱠﺫﻱ ﺨﹶﺭﺠﺕﹸ ﻤِﻥ ﺤِﺠﺎﺏِ ﺍﻟﺘﱠﻘﻭﻯ ،ﺃﺒﻲ ﺃﻴﻀﺎﹰ ﺘﹶﺭﻙ ﺠﻨﱠﺔﹶ ﺍﻟﺨﹸﻠﹾﺩِ ﺘﻀﻴﻊ
ﻤِﻥ ﻴﺩِﻩِ؛
ﺤﺎﻓِﻅﺎ ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﻓﻲ ﻴﻭﻡِ ﺍﻷﺠلِ ﺘﺤﻤِلُ ﺍﻟﺠﺎﻡ ﻓﻲ ﺍﻟﻜﹶﻑﱢ ،ﻴﺤﻤﻠﻭﻨﹶﻙ ﺴﺭﻴﻌﺎﹰ ﻤِﻥ ﺩﻨﻴﺎ
ﺍﻟﺨﺭﺍﺒﺎﺕِ ﺇﻟﻰ ﺍﻟﺠﻨﱠﺔ.
) (١ﺍﻟﺭﺃﺱ ﻭﺍﻵﺠﺭ ﺃﻱ ﺍﻀﺭِﺏِ ﺍﻟﺭﺃﺱ ﺒﺎﻵﺠﺭ ،ﻭﻴﻤﻜِﻥ ﺃﻥ ﺘﹸﺘﹶﺭﺠﻡ :ﺍﻟﺭﺃﺱ ﻭﺍﻵﺠﺭ ،ﺒﻤﻌﻨﻰ
ﺃﻥ ﺭﺃﺱ ﺍﻟﻤﺩﻋﻲ ﺍﻟﱠﺫﻱ ﻻ ﻴﻔﻬﻡ ﺍﻟﺤﺩﻴﺙﹶ ﻴﺎﺒِﺱ ﻜﺎﻵﺠﺭ؛
) (٢ﺍﻟﺴﺎﺒِﻘﹶﺔﹸ ﺍﻟﺭﺤﻤﺔ ،ﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﺍﻟﻘﹸﺩﺴﻲ) ﺴﺒﻘﹶﺕﹾ ﺭﺤﻤﺘﻲ ﻏﹶﻀﺒﻲ(.
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ﻏﺰﻝ ٨١
ﻗﺎل ﻁﺎﺌﺭ ﺍﻟﺨﻤﻴﻠﺔِ ﻟﻭﺭﺩﺓٍ ﺘﻔﺘﱠﺤﺕﹾ ﻤﻊ ﺍﻟﻔﺠﺭ ،ﺃﻗﻠﹼﻲ ﺍﻟﺩﻻلَ ﻓﻘﺩ ﺘﻔﺘﱠﺢ ﻤﺜﻠﻙِ ﺍﻟﻜﺜﻴﺭ
ﻓﻲ ﺍﻟﺭﻭﺽ؛
ﻀﺤﻜﺕﹾ ﺍﻟﻭﺭﺩﺓﹸ ﻗﺎﺌﻠﹶﺔﹰ ﻻ ﺍﺴﺘﻴﺎﺀ ﻤﻥ ﺍﻟﺤﻕﱢ ﻟﻜﻥ ،ﻤﺎ ﻤِﻥ ﻋﺎﺸِﻕٍ ﻴﻘﻭلُ ﻜﻼﻤﺎﹰ ﻗﺎﺴﻴﺎﹰ
ﻟِﻤﻌﺸﻭﻗِﻪ؛
ﻓﺈﺫﺍ ﻜﹸﻨﺕﹶ ﺘﻁﻤﻊ ﺒﺎﻟﺨﻤﺭِ ﺍﻷﺤﻤﺭِ ﻤِﻥ ﺫﻟﻙ ﺍﻟﺠﺎﻡِ ﺍﻟﻤﺭﺼﻊ ،ﻓﻜﻡ ﻋﻠﻴﻙ ﺃﻥ ﺘﻨﻅﹸﻡ
ﻤﻥ ﻵﻟِﺊَ ﺘﺜﻘﹸﺒﻬﺎ ﺒِﺄﻁﺭﺍﻑِ ﺃﻫﺩﺍﺒِﻙ؛
ﻭﻋﺒﻴﺭ ﺍﻟﻤﺤﺒﺔِ ﺴﻭﻑﹶ ﻟﻥ ﻴﺼِلَ ﺇﻟﻰ ﺍﻷﺒﺩِ ﺇﻟﻰ ﻤﺸﺎﻡ ﻤﻥ ﻟﻡ ﻴﺼِلْ ﺇﻟﻰ ﻭﺠﻬِﻪِ
ﻏﹸﺒﺎﺭ ﺒﺎﺏِ ﺍﻟﺤﺎﻥ؛
ﻓﻲ ﺭﻭﻀﺔِ ﺍﻟﻭﺭﺩِ ﻤِﻥ ﺃﺭﻡ ،ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ،ﺸﻭﺵﹶ ﺍﻟﻬﻭﺍﺀ ﻤﻥ ﺍﻟﻠﱡﻁﹾﻑِ ﻓﺭﻉ ﺍﻟﺴﻨﺎﺒِلِ
ﺒِﻨﺴﻴﻡِ ﺍﻟﺴﺤﺭ)(١؛
ﻗﹸﻠﺕﹸ ﻴﺎ ﻤﺴﻨﹶﺩ ﺠﻤﺸﻴﺩ ﺤﺩﺜﻨﻲ ﻋﻥ ﺠﺎﻤِﻙِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻤﺭﺁﺓﹶ ﺍﻟﻌﺎﻟﹶﻡ ،ﻗﺎل ﺃﺴﻔﺎﹰ ﺃﻥ ﺘﻠﻙ
ﺍﻟﺩﻭﻟﺔﹶ ﺍﻟﺼﺎﺤﻴﺔﹶ ﻨﺎﻤﺕﹾ؛
ﺤﺩﻴﺙﹸ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺱ ﺤﺩﻴﺜﺎﹰ ﻴﺠﺭﻱ ﻋﻠﻰ ﺍﻟﻠﱢﺴﺎﻥِ ،ﺴﺎﻗﻴﺎ ﻫﺎﺕِ ﺍﻟﺨﻤﺭ ﻭﺃﻗﺼِﺭ ﻫﺫﺍ ﺍﻟﺠِﺩﺍل؛
ﺩﻤﻊ ﺤﺎﻓﻅﹶ ﺃﻟﻘﻰ ﺍﻟﻌﻘلَ ﻭﺍﻟﺼﺒﺭ ﻓﻲ ﺍﻟﺒﺤﺭ ،ﻤﺎ ﻴﻔﻌلُ؟ ،ﺍﺸﺘﻌﺎلُ ﻏﻡ ﺍﻟﻌِﺸﹾﻕِ ﻨﺎﺭﻩ
ﻻ ﺘﺨﻔﻰ.
ﻏﺰﻝ ٨٢
ﻤﻠﹶﻜﻲ ﺍﻟﻭﺠﻪِ ﺘﹸﺭﻜﻲ ﺒﻨﺎ ﺃﻤﺱِ ﻤﺸﻰ ﻤﺎ ﺨﻁﺎ ﻓﻴﻨﺎ ﺭﺃﻯ ﺤﺘﹼﻰ ﻤﺸﺎ ﺩﺭﺏ ﺨﻁﺎ
ﻤﻨﺫﹸ ﻋﻨﹼﻲ ﺭﻓﻊ ﺍﻟﻌﻴﻥ ﺍﻟﱠﺘﻲ ﺘﺠﻠﻭ ﺍﻟﺩﻨﻰ ﻟﻴﺱ ﺸﺨﺹ ﻋﺎﺭِﻓﺎﹰ ﻤﺎﺫﺍ ﻤﻥ ﺍﻟﻌﻴﻥِ ﺠﺭﻯ
ﻟﻴﺱ ﻟﻠﺸﱠﻤﻊِ ﻤﻥ ﺍﻟﻨﱠﺎﺭِ ﺍﻟﹼﺘﻲ ﻓﻲ ﻗﻠﺒِﻪِ ﻤِﻥ ﺩﺨﺎﻥٍ ﻤﺜﹾلَ ﻤﺎ ﺒﻲ ﻤﻥ ﻨﺎﺭِ ﺍﻟﺤﺸﺎ
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ﺴﺎل ﺩﻤﻌﻲ ﻤﻨﺫﹸ ﻋﻨﹼﻲ ﻭﺠﻬﻪ ﻏﺎﺏ ﻜﻤﺎ ﺠﺎﺭِﻑﹸ ﺍﻟﺴﻴلِ ﻭﻋﻨﺩﻱ ﻤﺜلَ ﻁﻭﻓﺎﻥِ ﺍﻟﺒﻼ
ﻗﺩ ﺘﺩﺍﻋﻴﺕﹸ ﻟِﻐﻡ ﺍﻟﻬﺠﺭِ ﻟﻤﺎ ﺃﻥ ﺃﺘﻰ ﻭﺃﺘﻰ ﺍﻟﻤﻭﺕﹸ ﺒﺄﻭﺠﺎﻋﻲ ﻭﻤﺎ ﻟﻲ ﻤﻥ ﺩﻭﺍ
ﺩﺍﻋِﻴﺎﹰ ﺭﺤﺕﹸ ﻭﻗﺩ ﺃﻨﹾﻔﹶﻘﹾﺕﹸ ﻋﻤﺭﻱ ﺒﺎﻟﺩﻋﺎ ﻗﺎلَ ﻗﻠﺒﻲ ﺭﺒﻤﺎ ﻋﺎﺩ ﻭِﺼﺎلٌ ﺒﺎﻟﺩﻋﺎ
ﻜﻴﻑﹶ ﺇﺤﺭﺍﻤﻲ ﻭﻤﺎ ﻤﻥ ﻗِﺒﻠﺔٍ ﻓﻴﻤﺎ ﻫﻨﺎ ﻜﻴﻑﹶ ﺴﻌﻴﻲ ﻭﺃﺭﻯ ﺍﻟﻤﺭﻭﺓﹶ ﺘﻨﺄﻯ ﻋﻥ ﺼﻔﺎ
ﻗﺎلَ ﻟﻲ ﺃﻤﺱِ ﻁﺒﻴﺒﻲ ﻤﺫﹾ ﺭﺁﻨﻲ ﺃﺴﻔﺎﹰ ﻭﺠﻌﻲ ﻫﻴﻬﺎﺕﹶ ﺃﻥ ﻴﺸﻔﻰ ﺒِﻘﺎﻨﻭﻥِ ﺍﻟﺸﱢﻔﺎ
ﻴﺎ ﺤﺒﻴﺒﻲ ﻟِﺘﺴلْ ﻋﻥ ﺤﺎﻓِﻅٍ ﻤﻥ ﻗﺒلِ ﺃﻥ ﺘﺄﺘﻲ ﺍﻷﺨﺒﺎﺭ ﺃﻥ ﻗﺩ ﺭﺍﺡ ﻋﻥ ﺩﺍﺭِ ﺍﻟﻔﻨﺎ
ﺫﻟﻙ ﺍﻟﺘﱡﺭﻜﻲ ﺫﻭ ﺍﻟﻭﺠﻪِ ﺍﻟﻤﻼﺌﻜﻲ ﺍﻟﹼﺫﻱ ﻤﺭ ﺒﻨﺎ ﺒﺎﻷﻤﺱِ ،ﻫل ﺭﺃﻯ ﻓﻴﻨﺎ ﺨﻁﺄً ﻴﺎ
ﺘﹸﺭﻯ ﺤﺘﹼﻰ ﺘﹶﺭﻜﹶﻨﺎ ﻭﺴﺎﺭ ﻓﻲ ﻁﺭﻴﻕِ ﺨﻁﺎ)(١؛ ﺤﻴﻥ ﺼِﺭﺕﹸ ﺨﺎﺭِﺝ ﻨﹶﻅﹶﺭِ ﻋﻴﻨِﻪِ
ﺍﻟﱠﺘﻲ ﺘﻨﻅﹸ ﺭ ﻜﹸلﱠ ﺍﻟﻌﺎﻟﹶﻡِ ،ﻻ ﺸﹶﺨﹾﺹ ﻭﺍﻗِﻑﹲ ﻋﻠﻰ ﻤﺎ ﺠﺭﻯ ﻤِﻥ ﻋﻴﻨﻲ)(٢؛ ﻭﻟﻡ
ﻴﺨﹾﺭﺝ ﻤِﻥ ﺍﻟﺸﱠﻤﻊِ ،ﻤﻥ ﺍﺸﺘِﻌﺎلِ ﺍﻟﻨﱠﺎﺭِ ﻓﻲ ﻗﻠﺒِﻪِ ،ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ،ﺫﻟﻙ ﺍﻟﺩﺨﺎﻥ
ﺍﻟﱠﺫﻱ ﺨﹶﺭﺝ ﻤِﻨﹼﻲ ،ﻤﻥ ﺍﺤﺘِﺭﺍﻕِ ﻜﺒﺩﻱ)(٣؛ ﺒﻌﻴﺩﺍﹰ ﻋﻥ ﻭﺠﻬِﻙ ،ﻟﺤﻅﹶﺔﹰ ﺒِﻠﹶﺤﻅﹶﺔٍ ﻤِﻥ ﺯﺍﻭﻴﺔِ
ﻋﻴﻨﻲ ﺴﻴلُ ﺩﻤﻊٍ ﻴﺄﺘﻲ ﻭﻁﻭﻓﺎﻥ ﺒﻼﺀٍ ﻴﺫﻫﺏ؛ ﻭﻗﹶﻌﻨﺎ ﻓﻠﹶﻡ ﺘﺤﻤِﻠﹾﻨﺎ ﺍﻷﻗﺩﺍﻡ ،ﺤﻴﻥ ﺠﺎﺀ
ﻏﻡ ﺍﻟﻬِﺠﺭﺍﻥ ،ﻭﻤِﺘﻨﺎ ﺒﺂﻻﻤِﻨﺎ ،ﺤﻴﺙﹸ ﻓﹶﻘﹶﺩﻨﺎ ﺍﻟﺩﻭﺍﺀ ﻤِﻥ ﻴﺩِﻨﺎ؛ ﻗﺎلَ ﺍﻟﻘﻠﺏ ﺭﺒﻤﺎ ﻴﻌﻭﺩ
ﻭﺼﺎﻟﹸﻪ ﺒﺎﻟﺩﻋﺎﺀِ ،ﺍﻨﻘﻀﻰ ﻋﻤﺭﻱ ،ﻭﻗﺩ ﻗﻀﻴﺕﹸ ﺍﻟﻌﻤﺭ ﻜﹸﻠﱠﻪ ﺒﺎﻟﺩﻋﺎﺀ)(٤؛ ﻜﻴﻑﹶ
ﺃﻋﻘِﺩ ﺍﻹﺤﺭﺍﻡ ﻭﺍﻟﻘِﺒﻠﹶﺔﹸ ﻟﻴﺴﺕ ﻓﻲ ﻫﺫﺍ ﺍﻟﺠﺎﻨِﺏِ ،ﻭﻜﻴﻑﹶ ﺃﺴﻌﻰ ﻓﻲ ﺍﻟﺴﻌﻲِ،
) (١ﺨﻁﺎ ﺍﻟﺜﹼﺎﻨﻴﺔ ﻤﺴﻜﻥ ﺍﻷﺘﺭﺍﻙ ﻴﻘﺼﺩ ﺒِﻼﺩ ﺍﻟﺘﱡﺭﻙ؛
) (٢ﺤﻴﻥ ﺭﻓﹶﻊ ﻨﹶﻅﹶﺭ ﻋﻴﻨِﻪِ ﺍﻟﱠﺘﻲ ﺘﺠﻠﻭ ﺍﻟﻌﺎﻟﹶﻡ ﻋﻨﹼﻲ ﺃﺴﺎلَ ﻤﻥ ﺍﻟﺩﻤﻊِ ﻤﻥ ﻋﻴﻨﻲ ﻤﺎ ﻻ ﻴﻘﺩِﺭ ﺸﺨﺹ
ﻋﻠﻰ ﺃﻥ ﻴﺩﺭِﻜﹶﻪ؛
) (٣ﻟﻡ ﺘﺄﺨﹸﺫِ ﺍﻟﻨﱠﺎﺭ ﻤﻥ ﺍﻟﺸﱠﻤﻊِ ﻤﺎ ﺃﺨﹶﺫﺕﹾ ﻤﻨﹼﻲ؛
) (٤ﻭﻤﻨﱠﺎﻨﻲ ﻗﻠﺒﻲ ﺒﻌﻭﺩﺓِ ﺍﻟﻭﺼلِ ﺒﺎﻟﺩﻋﺎﺀِ ﻓﺎﻨﺒﺭﻴﺕﹸ ﺩﺍﻋﻴﺎﹰ ﻭﻫﺎ ﻗﺩ ﺃﻨﻔﻘﺕﹸ ﻋﻤﺭﻱ ﻜﹸﻠﱠﻪ ﺒﺎﻟﺩﻋﺎﺀ؛
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ﻭﻗﺩ ﺭﺤلَ ﺍﻟﺼﻔﺎ ﻋﻥ ﻤﺭﻭﺓ)(١؛ ﺒﺎﻷﻤﺱِ ﻤِﻥ ﺤﺴﺭﺓٍ ﺇﺫﹾ ﺭﺁﻨﻲ ﺍﻟﻁﱠﺒﻴﺏ ﻗﺎل :ﻫﻴﻬﺎﺕﹶ
ﺃﻥ ﻴﻜﻭﻥ ﺸِﻔﺎﺀ ﺃﻟﹶﻤِﻙ ﺒِﻘﺎﻨﻭﻥِ ﺍﻟﺸﱢﻔﺎﺀ)(٢؛ ﺃﻱ ﺤﺒﻴﺏ ،ﻟِﻌﻴﺎﺩﺓِ ﺤﺎﻓِﻅﹶ ،ﺴِﺭ ﻗﹶﺩﻤﺎﹰ ،ﻗﺒلَ
ﺃﻥ ﻴﻘﺎ َل ﺭﺤلَ ﻋﻥ ﺩﺍﺭِ ﺍﻟﻔﻨﺎﺀ.
ﻏﺰﻝ ٨٣
ﺇﺫﺍ ﻜﺎﻥ ﻤِﻥ ﻓﺭﻋِﻙ ﺍﻟﻤِﺴﻜﻲ ﺨﻁﺎﺀ ﻋﻠﻴﻨﺎ ﻤﻀﻰ ﻓﻘﺩ ﻤﻀﻰ ،ﻭﺇﻥ ﻜﺎﻥ ﻤِﻥ ﺨﺎﻟِﻙ
ﻱ ﺠﻔﺎﺀ ﻋﻠﻴﻨﺎ ﻤﻀﻰ ﻓﻘﺩ ﻤﻀﻰ؛ ﺍﻟﻬِﻨﺩ
ﻕ ﺤﻘﹾلَ ﻻﺒِﺱِ ﺍﻟﺼﻭﻑِ ،ﻻ ﻀﻴﺭ ،ﻭﺇﻥ ﻜﺎﻥ ﺠﻭﺭ ﻤﻥ
ﻭﺇﺫﺍ ﻜﺎﻥ ﺒﺭﻕﹸ ﺍﻟﻌِﺸﻕِ ﺃﺤﺭ ﹶ
ﺍﻟﻤﻠِﻙ ﺍﻟﻤﻁﺎﻉِ ﻋﻠﻰ ﺍﻟﺴﺎﺌلِ ﺍﻟﻔﻘﻴﺭِ ﻤﻀﻰ ﻓﻘﺩ ﻤﻀﻰ؛
ﺃﻟﹶﻡ ﺍﻟﺨﺎﻁِﺭِ ﻟﻴﺱ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻘﹶﺔِ ،ﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ ،ﻓﻜﹸلﱡ ﻜﹶﺩﺭٍ ﺭﺃﻴﺕﹶ ،ﻤِﻥ ﺍﻟﺼﻔﺎﺀِ ﺍﻟﱠﺫﻱ
ﻤﻀﻰ ﻗﺩ ﻤﻀﻰ؛
ﺤِﻤلُ ﻟﹸﻌﺒﺔِ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﺠِﺏ ﺍﻟﺤﻤلِ ،ﻴﺎ ﻗﻠﺏ ﺜﺒﺎﺘﺎﹰ ،ﺇﺫﺍ ﻜﺎﻥ ﻤﻼلٌ ﺃﻭ ﺨﻁﺎﺀ ﻤِﻥ
ﺍﻟﺤﺒﻴﺏِ ﻤﻀﻰ ﻓﻘﺩ ﻤﻀﻰ؛
ﺇﺫﺍ ﺤﻤلَ ﺍﻟﻘﻠﺏ ﺤِﻤلَ ﺍﻟﺤﺯﻥِ ﻤِﻥ ﺩﻻلِ ﺍﻟﺤﺒﻴﺏِ ﻓﻼ ﺸﻜﻭﻯ ،ﻭﺇﺫﺍ ﻜﺎﻥ ﺒﻴﻥ ﺍﻟﻤﺤِﺏ
ﻭﺍﻟﺤﺒﻴﺏِ ﺃﻤﺭ ﻤﻀﻰ ﻓﻘﺩ ﻤﻀﻰ؛
ل ﺍﻟﻤﻼﻻﺕﹸ ﻅﹶﻬﺭﺕِ ،ﻟﻜِﻥ ﺒﻴﻥ ﺍﻷﺤﺒﺎﺏِ ﺇﺫﺍ ﻤﺎ ﻻ ﻴﻠﻴﻕﹸ
ل ﺍﻟﺠِﺩﺍ ِ
ﻤِﻥ ﺤﺩﻴﺙِ ﺃﻫ ِ
ﺠﺭﻯ ﻓﻘﺩ ﻤﻀﻰ؛
ﺃﻱ ﻭﺍﻋِﻅﹸ ﻻ ﺘﻘﹸلِ ﺍﻟﻌﻴﺏ ﺒِﺤﺎﻓِﻅﹶ ﺍﻟﱠّﺫﻱ ﺭﺍﺡ ﻤِﻥ ﺍﻟﺨﺎﻨِﻘﺎﻩ ،ﺃﻱ ﻗﹶﻴﺩٍ ﻟِﻘﹶﺩﻡِ ﺍﻟﺤﺭ؟،
ﺍﻟﺤﺭ ﺤﻴﺜﹸﻤﺎ ﺸﺎﺀ ﻤﻀﻰ.
) (١ﻜﻴﻑ ﺃُﺤﺭِﻡ ﻭﺘﻠﻙ ﺍﻟﻘِﺒﻠﺔﹸ ﻟﻴﺴﺕ ﻫﻨﺎ ﻭﻜﻴﻑﹶ ﺃﺴﻌﻰ ﻭﻗﺩ ﻨﹶﺄَﺕ ﻋﻥِ ﺍﻟﻤﺭﻭﺓِ ﺍﻟﺼﻔﺎ ﻓﻼ ﻴﺼِﺢ
ﺍﻹﺤﺭﺍﻡ ﻤﻥ ﺩﻭﻥِ ﺍﻟﻘﺒﻠﺔ ﻭﻗﺒﻠﺔﹸ ﺍﻟﻌﺎﺸﻘﻴﻥ ﺍﺒﺘﻌﺩﺕ؛
) (٢ﻗﺎﻨﻭﻥ ﺍﻟﺸﱢﻔﺎﺀ ﻜﺘﺎﺏ ﺍﻟﻁﹼﺏ ﺍﻟﻤﺸﻬﻭﺭ ﻻﺒﻥ ﺴﻴﻨﺎ.
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ﻏﺰﻝ ٨٤
ﻭﻫﺎﺕِ ﻜﺄﺴﺎﹰ ﻓﻔﺼلُ ﺍﻟﺯﻫﺩِ ﻗﺩ ﺫﻫﺏ ﺍﺤﻤل ﻟﻨﺎ ﺍﻟﺨﻤﺭ ﺴﺎﻗﻲ ﺍﻟﺼﻭﻡ ﻗﺩ ﺫﻫﺏ
ﻤﺎ ﺩﻭﻥ ﺠﺎﻡِ ﻭﺇﺒﺭﻴﻕٍ ﻟﻨـﺎ ﺫﻫـﺏ ﻋﺯﻴﺯ ﻭﻗﺕٍ ﻤﻀﻰ ﻗﹸﻡ ﻨﻘﺽِ ﻤﻥ ﻋﻤﺭٍ
ﻭﻻ ﺃُﺒﺎﻟﻲ ﺒﻤﻥ ﻴﺄﺘﻲ ﻭﻤﻥ ﺫﻫـﺏ ﻭﻟﺘﹶﺴﻕِ ﺤﺘﹼﻰ ﺘﺭﺍﻨﻲ ﻻ ﺃﺭﻯ ﺃﺤﺩﺍﹰ
ﻜﻼ ﻤﺴﺎﺌﻲ ﻭﺼﺒﺤﻲ ﺒﺎﻟﺩﻋﺎ ﺫﻫﺒﺎ ﺇﻨﹼﻲ ﻟِﻨﻔﺤﺔِ ﺠـﺎﻡٍ ﻤﻨـﻙ ﺘﺒﻠﹸﻐﹸﻨـﻲ
ﻤﻥ ﻋِﻁﹾﺭِ ﺨﻤﺭِﻙ ﻓﻲ ﺃﻨﻔﺎﺴِﻪِ ﺫﻫﺏ ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﻤﺎﺕﹶ ﺃﺤﻴﺎﻩ ﺍﻟﻨﱠﺴﻴﻡ ﺒِﻤﺎ
ﺴﺎﻗﻲ ﺍﺤﻤِلِ ﺍﻟﺨﹶﻤ ﺭ ﻓﺸﹶﻬﺭ ﺍﻟﺼﻴﺎﻡِ ﺭﺍﺡ ،ﻭﻫﺎﺕِ ﺍﻟﻘﹶﺩﺡ ﻓﻤﻭﺴِﻡ ﺍﻟﻨﱠﺎﻤﻭ ِ
ﺱ
ﻭﺍﻟﺸﱡﻬﺭﺓِ ﺫﻫﺏ؛ ﻀﺎﻉِ ﻤﻨﱠﺎ ﻭﻗﹾﺕﹲ ﻋﺯﻴﺯ ﻓﺘﻌﺎلَ ﻨﹶﻘﺽِ ﺍﻟﻌﻤﺭ ﺍﻟﱠﺫﻱ ﺭﺍﺡ ﻤِﻨﹼﺎ ﺒﻼ
ﺤﻀﻭﺭِ ﺼﺭﺍﺤﻴﺔٍ ﻭﺭﺍﺡ؛ ﻭﺃﺴﻜِﺭﻨﻲ ﺇﻟﻰ ﺃﻥ ﺘﺭﺍﻨﻲ ،ﻤِﻥ ﻓﹶﻘﹾﺩِ ﻨﹶﻔﺴﻲ ،ﻻ ﺃﻋﺭِﻑﹸ،
ﻓﻲ ﻋﺭﺼﺔِ ﺍﻟﺨﻴﺎلِ ،ﻤﻥ ﺃﺘﻰ ﻭﻤﻥ ﺭﺍﺡ؛ ﻨﺤﻥ ﻋﻠﻰ ﻤﺼﻁﹶﺒﺔِ ﺩﻋﺎﺌِﻙ ﺃﻨﻔﹶﻘﻨﺎ ﻜﹸلﱠ
ﺼﺒﺎﺡٍ ﻭﻤﺴﺎﺀٍ ﺒِﺄﻤلِ ﺍﻟﺤﺼﻭلِ ﻋﻠﻰ ﺠﺭﻋٍ ﺔ ﻤِﻥ ﺠﺎﻤِﻙ؛ ﻭﻜﺎﻥ ﺍﻟﻘﹶﻠﹾﺏ ﻤﻴﺘﺎﹰ ﻓﻠﻤﺎ
ﺩﺨﹶلَ ﻋﺒﻴﺭ ﺍﻟﺨﹶﻤﺭﺓِ ﺇﻟﻰ ﻤﺸﺎﻤﻪِ ﻭﺼﻠﹶﺕ ﺇﻟﻴﻪِ ﺍﻟﺤﻴﺎﺓ؛ ﺍﻟﺯﺍﻫِﺩ ﺍﻟﻤﻐﺘﹶﺭ ﺒﺎﻟﺴﻼﻤﺔِ ﻟﻡ
ﻴﺴﻠﹸﻙِ ﺍﻟﻁﱠﺭﻴﻕﹶ ،ﻭﺍﻟﺨﻠﻴﻊ ﺴﺎﺭ ﻤﻥ ﻁﺭﻴﻕِ ﺍﻟﻔﺎﻗﹶﺔِ ﻓﻭﺼلَ ﺇﻟﻰ ﺩﺍﺭِ ﺍﻟﺴﻼﻡ؛ ﻨﹶﻘﹾﺩ ﻗﻠﺒﻲ
ﺼﺭﻓﹾﺘﹸﻪ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺨﹶﻤﺭ ،ﺇﻨﱠﻪ ﻜﺎﻥ ﺃﺴﻭﺩﺍﹰ ،ﻭﻤِﻥ ﺫﺍﻙ ﺫﹶﻫﺏ ﻓﻲ ﺍﻟﺤﺭﺍﻡ؛ ﺇﻻﻡ
ﺃﻗﺩِﺭ ﻋﻠﻰ ﺍﻻﺤﺘﺭﺍﻕِ ﻜﺎﻟﻌﻭ ِﺩ ﻓﻲ ﻨﺎﺭِ ﺍﻟﺘﱠﻭﺒِ ﺔ ﺍﻟﺤﺎﺭﺓِ ،ﺃﻋﻁِﻨﻲ ﺍﻟﺨﹶﻤ ﺭ ﻓﻘﺩ ﻤﺭ ﺍﻟﻌﻤ ﺭ
ﻅ ﻓﻬﻭ ﻟﻥ ﻴﺠِﺩ ﻓﻲ ﻫﺫﻩِ ﺍﻟﻔِﻜﹾﺭﺓِ ﺍﻟﺴﺎﺫﹶﺠﺔ؛ ﻭﻻ ﺘﻘﹸﻡ ﻤ ﺭﺓﹰ ﺃُﺨﺭﻯ ﺒِﻨﹸﺼﺢِ ﺤﺎﻓِ ﹶ
ﺍﻟﻁﱠﺭﻴﻕﹶ ،ﺒﻌﺩ ﺃﻥ ﻫﺎﻡ ﻤِﻥ ﺸﹸﺭﺏِ ﺨﻤﺭﺓٍ ﺼﺎﻓِﻴﺔٍ ﻭﺤﺼلَ ﻋﻠﻰ ﻤﺭﺍﺩِ ﻗﻠﺒِﻪ.
ﺸﺭﺡ :ﺍﺤﻤل ﻟﻨﺎ ﺍﻟﺨﻤﺭ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ،ﻓﺈﻥ ﺸﻬﺭ ﺍﻟﺼﻴﺎﻡ ﻗﺩ ﺍﻨﺘﻬﻰ ،ﻭﻨﺎﻭﻟﻨﻲ
ﺍﻟﻜﺄﺱ ﺒﻴﺩﻱ ،ﻓﻤﻭﺴِﻡ ﺍﻟﺘﱠﻘﻭﻯ ﻭﺍﻟﻭﺭﻉ ﻗﺩ ﺫﻫﺏ ،ﻗﹸﻡ ﺒﻨﺎ ﻨﻘﺽِ ﻤﺎ ﻤﺭ ﻤﻥ ﻋﻤﺭﻨﺎ ﺒﻐﻴﺭِ
ﺸﺭﺍﺏٍ ،ﻓﻘﺩ ﻀﺎﻉ ﻤﻨﹼﺎ ﻭﻗﺕﹲ ﻋﺯﻴﺯ ،ﻭﺍﺴﻘﻨﻲ ﺇﻟﻰ ﺃﻥ ﺃﻏﻴﺏ ﻋﻥ ﻨﻔﺴﻲ ﻤﻥ ﺍﻟﺴﻜﺭِ،
ﻭﻻ ﻴﻌﻭﺩ ﻟﻲ ﺸﻌﻭﺭ ﺒﻤﺎ ﺤﻭﻟﻲ ﻭﻻ ﺃﺒﺎﻟﻲ ﺒﻤﻥ ﻴﺤﻀﺭ ﺃﻭ ﻴﻐﻴﺏ؛ ﺃﺩﻋﻭ ﻟﻙ ﻜﹸلﱠ ﺼﺒﺎﺡٍ
ﻭﻤﺴﺎﺀٍ ،ﻭﻗﺩ ﺃﻨﻔﻘﺕﹸ ﻜﹸلﱠ ﺼﺒﺎﺡٍ ﻭﻤﺴﺎﺀٍ ﻤﻥ ﻋﻤﺭﻱ ﻤﺒﺘﻬِﻼﹰ ﻋﻠﻰ ﻤﺼﻁﺒﺔِ ﺍﻟﺩﻋﺎﺀ؛ ﻭﻜﺎﻥ
ﻗﻠﺒﻲ ﻤﻴﺘﺎﹰ ﻓﺄﺤﻴﺎﻩ ﺍﻟﻌﺒﻴﺭ ﻤﻥ ﺨﻤﺭﺓِ ﺤﺒﻙ ﺤﻴﻥ ﺩﺨل ﺇﻟﻴﻪِ ﻤﻊ ﺍﻷﻨﻔﺎﺱ.
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ﻏﺰﻝ ٨٥
ﺃﻭ ﺘﹶﺭ ﺍﻟﻌﻴﻥ ﻤﻨﻪ ﺒـﺩﺭ ﺍﻟﻤﺤﻴـﺎ ﻕ ﺸِـﻔﺎﻩٍ
ﺭﺍﺡ ﻟﻡ ﻴـﺴﻘِﻨﻲ ﺭﺤﻴـ ﹶ
ﻭﻤﻀﻰ ﻤـﺴﺭِﻋﺎﹰ ﻴﺤـﺙﱡ ﺍﻟﻤِﻁﻴـﺎ ﺨِﻠﺘﹸﻪ ﻀـﺎﻕﹶ ﺒـﻲ ﻓـﺸﺩ ﺭِﺤـﺎﻻﹰ
ﻓﺘﻠﹶــﻭﺕﹸ ﺍﻟﺤِــﺭﺯ ﺍﻟﻴﻤــﺎﻨﻲ ﻭﺍﻹﺨــﻼﺹ ﻭﺍﻟﺤﻤــﺩ ﻟــﻡ ﺃﻨﹾــﺱ ﺸــﻴﺎ
ﺇﻨﱠــﻪ ﺭﺍﺠِــﻊ ﻗﺭﻴﺒــﺎﹰ ﺇﻟﻴــﺎ ﻗﺎلَ ﺼﺤﺒﻲ ﻭﻜﺎﻥ ﻤـﻨﻬﻡ ﺨِـﺩﺍﻋﺎﹰ
ﻟﻡ ﻨﺭﺸﹸﻑﹾ ﺸﹸﺭﺒﺔﹰ ﻤِﻥ ﺸﹶﻔﹶﺘِﻪِ ﺍﻟﻌﻘﻴﻕِ ،ﻭﺭﺍﺡ ،ﻟﻡ ﻨﹶﺭ ﻭﺠﻬﻪ ﻋﻠﻰ ﺸﹶﻜﹾلِ ﺒﺩﺭٍ ﻜﺎﻤِلٍ،
ﻭﺭﺍﺡ)(١؛
ﻕ ﺼﺩﺭﺍﹰ ﺒِﺼﺤﺒﺘِﻨﺎ ،ﻓﺸﺩ ﺍﻟﺭﺤﺎلَ ﻭﻟﻡ ﻨﹶﻠﹾﺤﻕﹾ ﺒِﻪِ ،ﻭﺭﺍﺡ)(٢؛
ﻜﺄﻨﱠﻤﺎ ﻀﺎ ﹶ
)(٣
ﻭﻗﺭﺃﻨﺎ ﺍﻟﻔﺎﺘِﺤﺔﹶ ﻭﺍﻟﺤِﺭﺯ ﺍﻟﻴﻤﺎﻨﻲ ،ﻭﻤِﻥ ﻭﺭﺍﺌِﻬِﻤﺎ ﺴﻭﺭﺓﹶ ﺍﻹﺨﻼﺹِ ﻗﺭﺃﻨﺎ ،ﻭﺭﺍﺡ ؛
ﻭﻗﺩ ﺨﹶﺩﻋﻭﻨﺎ ﺇﺫﹾ ﻗﺎﻟﻭﺍ ﺃﻨﱠﻪ ﺴﻴﻤﺭ ﺒﻨﺎ ،ﻓﺎﻨﻅﹸﺭ ﺃﺨﻴﺭﺍﹰ ﻜﻴﻑﹶ ﺍﺸﺘﺭﻴﻨﺎ ﺍﻟﺨِﺩﺍﻉ ،ﻭﺭﺍﺡ؛
ﻤﻀﻰ ﻴﺨﺘﺎلُ ﻓﻲ ﺤﺩﻴﻘﹶﺔِ ﺍﻟﺤﺴﻥِ ﻭﺍﻟﻠﱠﻁﺎﻓﹶﺔِ ،ﻭﻟﻡ ﻨﺠﻥِ ﺸﻴﺌﺎﹰ ﻤِﻥ ﺒﺴﺘﺎﻥِ ﻭِﺼﺎﻟِﻪِ،
ﻭﺭﺍﺡ؛
ﻭﻜﺤﺎﻓِﻅﹶ ،ﻗﻀﻴﻨﺎ ﺍﻟﻠﱠﻴلَ ﺒِﻁﻭﻟِﻪِ ،ﺒﺎﻷﻨﻴﻥِ ﻭﺍﻟﻨﱠﺤﻴﺏِ ،ﺃﺴﻔﺎﹰ ﻟِﺄﻨﱠﻨﺎ ﻟﻡ ﻨﹶﺼِلْ ﻟِﻭﺩﺍﻋِﻪِ،
ﻭﺭﺍﺡ.
) (١ﻟﻘﺩ ﺴﺎﻓﺭ ﺍﻟﺤﺒﻴﺏ ﺩﻭﻥ ﺃﻥ ﻴﻭﺩﻋﻨﻲ ﻭﻴﺤﺩﺜﻨﻲ ﺤﺩﻴﺜﹶﻪ ﺍﻟﻌﺫﺏ ﻗﺒل ﺍﻟﺭﺤﻴل ﻭﺩﻭﻥ ﺃﻥ ﺃﺭﻯ
ﻭﺠﻬﻪ ﺍﻟﺠﻤﻴلَ ﻜﺎﻟﻘﻤﺭ؛
) (٢ﺃﻅﻨﱡﻪ ﻀﺎﻕ ﺫﺭﻋﺎﹰ ﺒﺼﺤﺒﺘﻲ ﻓﺸﺩ ﺍﻟﺭﺤﺎلَ ﻟﻠﺭﺤﻴل ﻭﺴﺎﺭ ﻤﺴﺭِﻋﺎﹰ ﺩﻭﻥ ﺃﻥ ﺃﺘﻤﻜﹶﻥ ﻤﻥ
ﺍﻟﻠﱠﺤﺎﻕِ ﺒﻪ؛
) (٣ﺍﻟﺤﺭﺯ ﺍﻟﻴﻤﺎﻨﻲ ﺩﻋﺎﺀ ﻋﻠﱠﻤﻪ ﺍﻟﻨﱠﺒﻲ)ﺹ( ﻋﻠﻴﺎﹰ )ﻉ( ﻋﻨﺩﻤﺎ ﺃﺭﺴﻠ ﻪ ﺇﻟﻰ ﺍﻟﻴﻤﻥ ،ﺍﻹﺨﻼﺹ:
ﺴﻭﺭﺓ ﻗل ﻫﻭ ﺍﷲ ﺃﺤﺩ ،ﺍﻟﺤﻤﺩ ﻓﺎﺘﺤﺔﹸ ﺍﻟﻜﺘﺎﺏ ،ﻭﺍﻟﻤﻌﻨﻰ ﻗﺭﺃﺕﹸ ﺍﻟﺤﻤﺩ ﻭﺍﻟﺤﺭﺯ ﺍﻟﻴﻤﺎﻨﻲ
ﻭﺍﻹﺨﻼﺹ ﻟﻤﻨﻌﻪِ ﻤﻥ ﺍﻟﺭﺤﻴل ﻭﻟﻜﻨﱠﻪ ﻤﻀﻰ؛
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ﻏﺰﻝ ٨٦
ﻓﻴﺎ ﺴﺎﻗﻲ ﺘﹶﻌـﺎلَ ﻟـﻙ ﺍﻟﺜﱠـﻭﺍﺏ ﻟﻘﺩ ﺭﻓﹶﻊ ﺍﻟﺤﺒﻴﺏ ﺤِﺠـﺎﺏ ﻭﺠـﻪٍ
ـﺎﻭﺩﻩ ﺍﻟ ـﺸﱠﺒﺎﺏ
ﻭﺫﺍﻙ ﺍﻟ ـﺸﱠﻴﺦﹸ ﻋـ ﻭﻋﺎﺩ ﺴِﺭﺍﺝ ﺃﻫلِ ﺍﻟﻌِﺸﻕِ ﻴﺯﻜـﻭ
ﺘﻠﻁﱠــﻑﹶ ﻓﺎﻟﻌــﺩﻭ ﻟــﻪ ﻏﻴــﺎﺏ ـﻲ ﺒﻌﻴــﺩﺍﹰ
ـﺎﻨﺜﻨﻰ ﺍﻟﻤﻔﺘـ
ـﺩﻟﱠلَ ﻓـ
ﺘـ
ﻤﺯﻴﺞ ﺤﺩﻴﺜِﻪِ ﺍﻟﻌـﺫﹾﺏِ ﺍﻟﺭﻀـﺎﺏ ﺴﺒﻰ ﺒِﺤـﻼﻭﺓِ ﺍﻟﻜﻠِﻤـﺎﺕِ ﻗﻠﺒـﻲ
ﺴﺎﻗﻲ ﺘﻌﺎلَ ،ﻓﺎﻟﻤﻌﺸﻭﻕﹸ ﻗﺩ ﺭﻓﻊ ﺍﻟﻨﱢﻘﺎﺏ ﻋﻥ ﺍﻟﻭﺠﻪِ ،ﻓﺎﺸﺘﻌلَ ﻤِﻨﹾﻪ ﺴِﺭﺍﺝ ﺃﻫلِ
ﺍﻟﺨﻠﹾﻭﺓِ ﻤِﻥ ﺠﺩﻴﺩ)(١؛
ﻭﺫﺍﻙ ﺍﻟﺸﱠﻤﻊ ﻤﻘﻁﻭﻉ ﺍﻟﺭﺃﺱِ ﺃﻀﺎﺀ ﻭﺠﻬﻪ ﻤِﻥ ﺠﺩﻴﺩٍ ،ﻭﺫﻟِﻙ ﺍﻟﺸﹼﻴﺦﹸ ﺍﻟﻬﺭِﻡ ﻋﺎﺩ ﻟﻪ
ﺍﻟﺸﱠﺒﺎﺏ)(٢؛
ﻭﻜﺎﻨﹶﺕﹾ ﻤِﻥ ﺍﻟﻌِﺸﹾﻕِ ﻏﻤﺯﺓﹲ ،ﻓﺭﺍﺡ ﺍﻟﻤﻔﺘﻲ ﻤِﻥ ﺍﻟﻁﱠﺭﻴﻕ ،ﻭﻜﺎﻥ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ﻟﹸﻁﹾﻑﹲ،
ﻓﺼﺎﺭ ﺍﻟﻌﺩﻭ ﻋﻠﻰ ﺤﺫﹶﺭ)(٣؛
ﺘﻠﻙ ﺍﻟﻌِﺒﺎﺭﺓﹸ ﺍﻟﺤﻠﻭﺓﹸ ﺍﻟﺴﺎﺤِﺭﺓﹸ ،ﺍﻷﻤﺎﻥ ﻤِﻨﹾﻬﺎ ،ﻜﺄﻥ ﻓﹶﻤﻙ ﻴﻤﺯﺝ ﺤﺩﻴﺜﹶﻙ ﺒﺎﻟﺴﻜﱠﺭِ)(٤؛
ﻭﻜﺎﻥ ﺤِﻤلُ ﺍﻟﻐﻡ ﻗﺩ ﺠﻌلَ ﺨﺎﻁِﺭﻨﺎ ﻓﻲ ﻋﻨﺎﺀٍ ،ﻓﺄﺭﺴلَ ﻟﻨﺎ ﺍﷲُ ﻋﻴﺴﻭﻱ ﺍﻟﻨﱠﻔﹶﺱِ،
ﻓﺭﻓﹶﻌﻪ ﻋﻨﱠﺎ؛
) (١ﺍﺸﺘﻌلَ ﻤﻥ ﻨﻭﺭِ ﺠﻤﺎﻟِﻪِ ﺴِﺭﺍﺝ ﺍﻟﻌﺎﺸﻘﻴﻥ ﻓﻲ ﺍﻟﺨﻠﻭﺓ ،ﻗﺎل ﺃﺒﻭ ﺴﻌﻴﺩ ﺃﺒﻭ ﺍﻟﺨﻴﺭ :ﺍﺭﻓﻊِ
ﺍﻟﻨﱢﻘﺎﺏ ﻋﻥ ﻭﺠﻬِﻙ ﻓﻲ ﺍﻟﻠﱠﻴلِ ﺍﻟﺩﺍﻤِﺱِ ،ﻭﺴﻭﻑﹶ ﻴﺭﻯ ﺍﻷﻋﻤﻰ ﺍﻟﻁﱠﺭﻴﻕ؛
) (٢ﻭﺸﻤﻌﺔﹸ ﺍﻟﻌﺎﺸﻘﻴﻥ ﺍﻟﻤﻁﻔﹶﺄﺓﹸ ﺘﻭﻫﺠﺕﹾ ﻤﻥ ﺠﺩﻴﺩ ،ﻓﻌﺎﺩ ﺫﻟﻙ ﺍﻟﺸﹼﻴﺦﹸ ﺍﻟﻬﺭِﻡ ﺍﻟﻌﺎﺸِﻕﹸ ﺸﺎﺒﺎﹰ؛
) (٣ﻅﻬﺭ ﻤﻌﺸﻭﻗﹸﻨﺎ ﻭﺃﻅﻬﺭ ﺍﻟﺩﻻلَ ﻓﻐﺎﺏ ﻤﻥ ﻁﺭﻴﻘِﻨﺎ ﺍﻟﻤﻔﺘﻲ ،ﻭﺘﻠﱠﻁﻑﹶ ﻋﻠﻴﻨﺎ ،ﻓﺼﺎﺭ ﺍﻷﻋﺩﺍﺀ
ﻋﻠﻰ ﺤﺫﹶﺭ؛
) (٤ﻭﻴﺎ ﺤﺒﻴﺏ ﺍﻷﻤﺎﻥ ﺍﻷﻤﺎﻥ ﻤﻥ ﻋﺒﺎﺭﺍﺕِ ﺤﺩﻴﺜِﻙ ﺍﻟﹼﺘﻲ ﺘﺴﺤﺭ ﺍﻟﻘﻠﻭﺏ ﺒﺤﻼﻭﺓِ ﻤﺎ ﺨﺎﻟﻁﻬﺎ ﻤﻥ
ﺴﻜﱠﺭِ ﺜﻐﺭِﻙ.
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ﻭﻜﻡ ﻜﺎﻥ ﻤِﻥ ﺫﻭﻱ ﻗﹸﺩﻭﺩٍ ﻜﺎﻟﺴﺭﻭِ ،ﻴﺒﻴﻌﻭﻥ ﺍﻟﺠﻤﺎلَ ﻟﻠﻘﹶﻤﺭِ ﻭﻟﻠﺤﻭﺭِ ،ﺤﺘﱠﻰ ﺇﺫﺍ ﺃﺘﻴﺕﹶ
ﻓﻁﹶﻠﹶﺒﻭﺍ ﺸﹸﻐﹾﻼﹰ ﺁﺨﹶﺭ؛
ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔِ ﺍﻟﱠﺘﻲ ﺴﺒﻊ ﻗِﺒﺎﺏِ ﺍﻷﻓﻼﻙِ ﻤﻤﻠﻭﺀﺓﹲ ﺒِﺼﺩﺍﻫﺎ ،ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﻗﺼﻴﺭِ
ﺍﻟﻨﱠﻅﹶﺭِ ﻜﻴﻑﹶ ﻴﺠﻌلُ ﺍﻟﺤﺩﻴﺙﹶ ﻤﺨﺘﹶﺼﺭﺍﹰ؛
ﺙ ﻤِﻤﻥ ﺘﹶﻌﻠﱠﻤﺕﹶ ،ﺤﺘﹼﻰ ﺠﻌلَ ﺍﻟﺒﺨﹾﺕﹸ ﻤِﻥ ﺸِﻌﺭِﻙ ﺘﻌﻭﻴﺫﹶﺓﹰ
ﺤﺎﻓِﻅﹸ ﺃﻨﺕﹶ ﻫﺫﺍ ﺍﻟﺤﺩﻴ ﹶ
ﻭﻜﹶﺘﹶﺒﻬﺎ ﺒﺎﻟﺫﱠﻫﺏ.
ﻏﺰﻝ ٨٧
ﻓﻬﻤــﺎ ﺍﻟﻜــﻭﻥ ﻜﹸﻠــﻪ ﻴﺤﻜﹸﻤــﺎﻥ ـﺎ
ﺤـ ـﺴﻨﹸﻙ ﻭﺍﻟﻤﻼﺤـ ـﺔﹸ ﺍﺘﱠﻔﻘــ
ـﺴﻜﹶﺕﹾ ﺒِــﻪِ ﺍﻟﻨﱠــﺎﺭ ﺒﺎﻟﻠﱢــﺴﺎﻥ
ﺃﻤـ ﺭﺍﻡ ﺒﺎﻟــﺴﺭ ﻴﻨﹾﻁِــﻕﹸ ﺍﻟــﺸﱠﻤﻊ
ﺸﹸﻌﻠﹶﺔﹸ ﺍﻟـﺸﱠﻤﺱِ ﻭﺴـﻁﹶ ﺃﺴـﻤﺎﻥ ﻁ ﺼــﺩﺭﻱ
ﻭﻤِــﻥ ﺍﻟﻨﱠــﺎﺭِ ﻭﺴــ ﹶ
ﻓِــﺘﹶﻥٍ ﻋِﻨﹾــﺩ ﺁﺨِــﺭِ ﺍﻟﺯﻤــﺎﻥ ﺼــﻨﹾﺕﹸ ﺒﺎﻟﺤــﺎﻥِ ﺜــﻭﺒِﻲ ﻤِــﻥ
ـﺎﻷﺭﺠﻭﺍﻥ
ـﺭﺒﻭﺍ ﺍﻟﺨﹶﻤـﺭ ﻜـ
ـﻲ ﻭﺭﻕِ ﺍﻟـﻭﺭﺩِ ﺍﺸـ
ﻤِـﻥ ﺩﻡِ ﺍﻟﺯﻫـﺭِ ﺨﹸـﻁﱠ ﻓـ
ﻅ ﻴﻘﻁِـﺭ ﻤـﺎ ﻴﻔﹾﻌـلُ ﺍﻟﺤـﺴﻭﺩ ﺫﻭ ﺍﻟـﺸﱠﻨﹶﺂﻥ
ﻤﺎ ﺀ ﻟﹸﻁﹾﻑٍ ﻤِـﻥ ﻨﹶﻅﹾـﻡِ ﺤـﺎﻓِ ﹶ
ﺤﺴﻨﹸﻙ ﻤﻊ ﻤﻼﺤﺘِﻙ ﺒﺎﻻﺘﱢﻔﺎﻕِ ﺴﻴﻁﺭﺍ ﻋﻠﻰ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺤﻘﱠﺎﹰ ﺒﺎﻻﺘﱢﻔﺎﻕِ ﺘﹸﻤﻜِﻥ ﺍﻟﺴﻴﻁﹶﺭﺓﹸ
ﻋﻠﻰ ﺍﻟﻌﺎﻟﹶﻡ)(١؛
ﻭﺃﺭﺍﺩ ﺍﻟﺸﱠﻤﻊ ﺇﻓﺸﺎﺀ ﺴِﺭ ﺃﻫلِ ﺍﻟﺨﹶﻠﹾﻭﺓِ ،ﻭﺍﻟﺸﱡﻜﹾﺭ ﷲِ ﺃﻥ ﻟِﺴﺎﻨﹶﻪ ﺍﻨﹾﻌﻘﹶﺩ ﻤِﻥ ﺴِﺭ ﻗﻠﺒِﻪ)(٢؛
) (١ﺍﺠﺘﻤﻊ ﻟﻙ ﺍﻟﺤﺴﻥ ﻭﺍﻟﻤﻼﺤﺔﹸ ﻭﺍﺘﹼﻔﻘﹶﺎ ،ﻓﺼﺎﺭ ﻟﻬﻤﺎ ﺍﻟﺤﻜﹾﻡ ﻓﻲ ﺍﻟﻭﺠﻭﺩ ﻭﺘﺤﻜﱠﻤﺎ ﺒﺎﻟﻌﺎﻟﹶﻡ ،ﻭﺤﻘﹼﺎﹰ
ﺒﺎﻻﺘﱢﻔﺎﻕ ﻴﻤﻜِﻥ ﺍﻟﺘﱠﺤﻜﱡﻡ ﺒﺎﻟﻌﺎﻟﹶﻡ؛
) (٢ﻜﺎﻥ ﺍﻟﺸﱠﻤﻊ ﻴﺭﻴﺩ ﺇﻓﺸﺎﺀ ﺴِﺭ ﺃﻫلِ ﺍﻟﺨﻠﻭﺓِ ﻭﺍﻟﺤﻤﺩ ﷲِ ﺃﻥ ﻟِﺴﺎﻨﹶﻪ ﺍﻨﻌﻘﹶﺩ ﻭﺃﻤﺴﻙ ﺴِﺭ ﻗﻠﺒِﻪ ﻓﻠﻡ
ﻴﺒﺢ ﺒِﻪ؛
-١٠٤-
ﺇﻥ ﺸﹸﻌﻠﹶﺔﹶ ﺍﻟﺸﱠﻤﺱِ ﺍﻟﱠﺘﻲ ﻓﻲ ﺍﻟﺴﻤﺎﺀِِ ،ﻨﺎﺭﻫﺎ ﺠﺫﻭﺓﹲ ﻤِﻥ ﺍﻟﻨﱠﺎﺭِ ﺍﻟﻤﺨﻔﻴﺔِ ﺍﻟﱠﺘﻲ ﺘﺸﺘﹶﻌِلُ
ﻓﻲ ﺼﺩﺭﻱ؛
ﻭﺍﻟﻭﺭﺩ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﺭﻴﺩ ﺃﻥ ﻴﻔﺘﹶﺨِﺭ ﺒِﻠﹶﻭﻥِ ﻭﺭﺍﺌﺤﺔِ ﺍﻟﺤﺒﻴﺏ ،ﻤِﻥ ﻏﻴﺭﺓِ ﺍﻟﺼﺒﺎ ﺤﺒﺱ
ﻨﹶﻔﹶﺴﻪ ﻓﻲ ﻓﹶﻤِﻪ)(١؛
ﻭﻟﻘﺩ ﺴﻜﹶﻨﹾﺕﹸ ﺇﻟﻰ ﺍﻟﻌﺯﻟﹶﺔِ ﻭﺼِﺭﺕﹸ ﻤﺜلَ ﺍﻟﺒﺭﻜﺎﺭ ،ﺃﺩﻭﺭ ﻜﻨﹸﻘﻁﹶﺔٍ ،ﻭﻋﺎﻗِﺒﺘﻲ ﺃﻥ ﺃﺼﻴﺭ
ﻭﺴﻁﹶ ﺍﻟﺩﺍﺌﺭﺓ؛
ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ،ﺸﹶﻭﻕﹶ ﻜﺄﺱِ ﺍﻟﺨﻤﺭِ ،ﺍﺤﺘﹶﺭﻕﹶ ﺒﻴﺩﺭﻱ ،ﻓﻘﺩ ﺃﺨﹶﺫﹶﺕﹾ ﺒِﻪِ ﺍﻟﻨﱠﺎﺭ ﻤِﻥ ﺼﻭﺭﺓِ
ﻋﺎﺭِﺽِ ﺍﻟﺴﺎﻗﻲ؛
ﻭﻓﻲ ﻨﻴﺘﻲ ﺍﻟﺫﹶﻫﺎﺏ ﺇﻟﻰ ﺤِﻤﻰ ﺍﻟﻤﻐﺎﻥِ ﻨﺎﻓِﻀﺎﹰ ﺍﻷﻜﻤﺎﻡ ﻤﻥ ﻫﺫِﻩِ ﺍﻟﻔِﺘﹶﻥِ ﺍﻟﱠﺘﻲ ﻋﻠِﻘﹶَﺕﹾ
ﺒِﺜﻭﺏِ ﺁﺨِﺭِ ﺍﻟﺯﻤﺎﻥ)(٢؛
ﻓﻠﺘﹶﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻓﻜﹸلﱡ ﻤﻥ ﺭﺃﻯ ﺁﺨِﺭ ﺃﻤﺭِ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺨﻔﱠﻑﹶ ﻤﻥ ﺍﻟﻐﻡ ،ﻭﺤﻤلَ ﺭﻁﻼﹰ
ﺜﻘﻴﻼﹰ)(٣؛
ﻤﻜﺘﻭﺏ ﻋﻠﻰ ﺃﻭﺭﺍﻕِ ﺍﻟﻭﺭﺩِ ﺒِﺩﻡِ ﺍﻟﺸﱠﻘﺎﺌِﻕِ ﺍﻟﺤﻤﺭﺍﺀِ ،ﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﺒﻠﹶﻎﹶ ﺍﻟﻨﱡﻀﺞ ﺸﹶﺭِﺏ
ﺍﻟﺨﹶﻤﺭﺓﹶ ﺍﻷﺭﺠﻭﺍﻨﻴﺔ)(٤؛
ﻤﺎ ﺩﺍ ﻡ ﻤﺎﺀ ﺍﻟﻠﱡ ﻁﹾﻑِ ﻴﻘ ﻁِﺭ ﻤﻥ ﻨﻅﹾﻤِﻙ ﻴﺎ ﺤﺎ ﻓِﻅﹸ ،ﻜﻴﻑﹶ ﻴﻤﻜِﻥ ﻟﻠﺤﺎ ﺴِﺩِ ﺃﻥ ﻴﻁﻌﻥ
ﻓﻴﻪ.
) (١ﺃﺭﺍﺩ ﺍﻟﻭﺭﺩ ﺃﻥ ﻴﻔﺘﹶﺨِﺭ ﺒﺎﻟﻘﹶﻭلِ ﺃﻨﱠﻪ ﻴﻨﺘﺴِﺏ ﻟﻠﺤﺒﻴﺏِ ﺒﻠﻭﻨِﻪِ ﻭﻋِﻁﹾﺭِﻩِ ﻓﺫﻜﹶﺭ ﻏﻴﺭﺓﹶ ﺍﻟﺼﺒﺎ ﺍﻟﱠﺘﻲ
ﻫﻲ ﺭﺍﻭﻴﺔﹸ ﺤﺩﻴﺙِ ﺍﻟﺤﺒﻴﺏِ ﻓﺴﻜﹶﺕﹶ؛
) (٢ﺁﺨِﺭ ﺍﻟﺯﻤﺎﻥِ ﺘﹶﻜﺜﹸﺭ ﺍﻟﻔِﺘﹶﻥ؛
) (٣ﺨﻔﱠﻑﹶ ﻤﻥ ﺍﻟﻐﻡ ﻭﺸﺭِﺏ ﺭﻁﻼﹰ ﺜﻘﻴﻼﹰ ﻤِﻥ ﺍﻟﺨﹶﻤﺭِ؛
) (٤ﺍﻟﹼﺘﻲ ﻫﻲ ﺸﺭﺍﺏ ﺍﻟﻨﱠﺎﻀِﺠﻴﻥ
-١٠٥-
ﻏﺰﻝ ٨٨
ﻭﺼﻑﹸ ﻓِﺭﺍﻕِ ﺍﻟﺤﺒﻴﺏِ ﻟﻴﺱ ﺒﺎﻹﻤﻜﺎﻥ ﺃﺤﺴﻥ ﺍﻟﻘﻭلَ ﺇﺫﹾ ﻗﺎلَ ﺸﻴﺦﹸ ﻜﻨﻌـﺎﻥ
ﻭﺍﻋِﻅِ ﺍﻟﺤﻲ ﺇﻻﹼ ﻜِﻨﺎﻴﺔﹰ ﻋﻥِ ﺍﻟﻬﺠﺭﺍﻥ ﻤﺎ ﺃﺭﻯ ﻭﺼﻑﹶ ﻫﻭلِ ﻴﻭﻡِ ﺍﻟﻘﻴﺎﻤﺔِ ﻤﻥ
ﻜﺎﻥ ﺴﻬﻼﹰ ﻋﻠﻴﻪِ ﺘﺭﻙ ﺼﺤﺒﺔِ ﺍﻟﺨِﻼﹼﻥ ﺃَﺴﻔﺎﹰ ﺃﻥ ﺫﻟﻙ ﺍﻟﺒﺩﺭ ﻏﻴﺭ ﺍﻟـﻭﻓﻲ
ﺫﺍ ﺃﺴﺎﺱ ﺍﻟﻬﻨﺎﺀِ ﻓﻲ ﻤﺫﻫﺏِ ﺍﻟﺩﻫﻘﺎﻥ ﺒِﻘﺩﻴﻡِ ﺍﻟﻤﺩﺍﻡِ ﺍِﺩﻓﹶﻊ ﻗـﺩﻴﻡ ﺍﻟﻐﻤـﻭﻡِ
ﺃﻨﺎ ﻟﻡ ﺃﻗﹸلْ ﻭﻤﻥ ﻗﺎلَ ﻗﻭﻟﹸﻪ ﺒﻬﺘـﺎﻥ ﺒِﻙ ﻤﻥ ﻗﺎلَ ﺤﺎﻓﻅﹲ ﺘﺎﺭِﻙ ﺍﻟﺘﱠﻔﻜﻴـﺭِ
ﺴﻤﻌﺕﹸ ﻗﻭﻻﹰ ﺠﻤﻴﻼﹰ ﻗﺎﻟﹶﻪ ﺸﻴﺦﹸ ﻜﻨﻌﺎﻥ :ﻓﻌلُ ﻓﺭﺍﻕﹸ ﺍﻟﺤﺒﻴﺏِ ﻻ ﻴﻤﻜِﻥ ﺃﻥ ﻴﻘﺎل)(١؛
ﺤﺩﻴﺙﹸ ﻫﻭلِ ﺍﻟﻘﻴﺎﻤﺔِ ﺍﻟﱠﺫﻱ ﻗﺎلَ ﻭﺍﻋِﻅﹸ ﺍﻟﻤﺩﻴﻨﹶﺔِ ،ﻗﺎﻟﹶﻪ ﻜﻨﺎﻴﺔﹰ ﻋﻥ ﺯﻤﺎﻥِ ﺍﻟﻬِﺠﺭﺍﻥ؛
ﻭﻤﻥ ﻋﺴﺎﻱ ﺃﺴﺄلُ ﻋﻼﻤ ﹰﺔ ﻋﻥ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻤﺴﺎﻓِﺭ ،ﻭﻜﹸلﱡ ﻤﺎ ﻗﺎلَ ﻟﻲ ﺒﺭﻴﺩ ﺍﻟﺼﺒﺎ
ﻜﺎﻥ ﺤﺩﻴﺜﺎﹰ ﻤﺸﻭﺸﺎﹰ؛
ﻓﺂﻩِ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺒﺩﺭِ ﺍﻟﻅﱠﺎﻟِﻡِ ﻗﺎﻁِﻊِ ﺃﺴﺒﺎﺏِ ﺍﻟﻤﻭﺩﺓِ ،ﻜﻡ ﻜﺎﻥ ﺴﻬﻼﹰ ﻋﻠﻴﻪِ ﻗﺭﺍﺭ ﺘﹶﺭﻙِ
ﺼﺤﺒﺔِ ﻤﺤِﺒﻴﻪ)(٢؛
ﻓﻜﺎﻥ ﺃﻥ ﻻﺯﻤﺕﹸ ﻤﻘﺎﻡ ﺍﻟﺭﻀﺎ ﺒﻌﺩ ﻫﺫﺍ ،ﻭﺸﹸﻜﹾﺭ ﺍﻟﺭﻗﻴﺏ ،ﻭﺍﻋﺘﺎﺩ ﻗﻠﺒﻲ ﻋﻠﻰ ﺃﻟﹶﻤِﻙ،
ﻭﻗﺭﺭ ﺘﹶﺭﻙ ﺍﻟﻌِﻼﺝ؛
ﺍﺩﻓﹶﻊ ﻗﺩﻴﻡ ﺍﻟﻐ ﻡ ﺒﺎﻟﺨﹶﻤﺭﺓِ ﺍﻟﻘﺩﻴﻤﺔِ ،ﻓﻬﻲ ﻋﻠﻰ ﻗﻭلِ ﺍﻟﻤﺯﺍﺭِﻉِ ﺍﻟﻘﺩﻴﻡ ،ﺒِﺫﹾﺭﺓﹸ
ﺍﻟﺴﻌﺎﺩﺓ)(٣؛
ﷲ ﻴﻌﻘﻭﺏ ﻭﺍﻟﺤﺒﻴﺏ ﻭﻟﺩﻩ ﻴﻭﺴﻑ ﻋﻠﻴﻬﻤﺎ ﺍﻟﺴﻼﻡ
) (١ﻴﻌﺠِﺯ ﻋﻨﻪ ﺍﻟﺒﻴﺎﻥ ،ﻭﺸﻴﺦﹸ ﻜﻨﻌﺎﻥ ﻫﻭ ﻨﺒﻲ ﺍ ِ
ﻭﻗﺼﺔﹸ ﻓِﺭﺍﻗِﻬِﻤﺎ ﻤﺸﻬﻭﺭﺓﹲ ﻤﺫﻜﻭﺭﺓﹲ ﻓﻲ ﺍﻟﻘﺭﺁﻥ؛
) (٢ﺃﺴﻔﺎﻩ ﻜﻡ ﻜﺎﻥ ﺴﻬﻼﹰ ﻋﻠﻰ ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺘﱠﺎﻡ ﺍﻟﺠﻤﺎل ﺍﻟﻘﺎﺴﻲ ﺍﻟﻘﻠﺏ ﻫﺠﺭ ﻤﺤﺒﻴﻪ؛
) (٣ﻻﺍﻟﺩﻫﻘﺎﻥ ﻋﻨﺩ ﺍﻟﻔﹸﺭﺱِ ﻫﻭ ﺍﻟﻤﺯﺍﺭِﻉ ﺍﻟﻜﺒﻴﺭ ،ﺫﻭ ﺍﻷﺭﺽِ ﺍﻟﻭﺍﺴِﻌﺔِ ،ﻭﺫﻭ ﺍﻟﺨِﺒﺭﺓِ ﻓﻲ
ﺍﻟﺯﺭﺍﻋﺔ؛
-١٠٦-
ﻭﻻ ﺘﹶﻌﻘِﺩِ ﺍﻷﻤلَ ﻋﻠﻰ ﺍﻟﺭﻴﺢِ ﻭﻟﻭ ﺴﺎﺭﺕﹾ ﺒِﻤﺭﺍﺩِﻙ ،ﻓﻘﺩ ﻗﺎﻟﹶﺕِ ﺍﻟﺭﻴﺢ ﻤِﺜﹾلَ ﻫﺫﺍ
ﺍﻟﺤﺩﻴﺙِ ﻟِﺴﻠﻴﻤﺎﻥ؛
ﻭﻻ ﺘﻜﹸﻥ ﻤﻐﺭﻭﺭﺍﹰ ﺒﺎﻟﻤﻬﻠﹶﺔِ ﺍﻟﱠﺘﻲ ﺃﻋﻁﺎﻜﹶﻬﺎ ﺍﻟﻔﹶﻠﹶﻙ ،ﻭﻤﻥ ﻗﺎلَ ﻟﻙ ﺃﻥ ﻫﺫﺍ ﺍﻟﻌﺠﻭﺯ
ﻜﹶﻑﱠ ﻋﻥ ﺴﺭﺩِ ﺍﻟﻘِﺼﺹ؛
ﻭﻻ ﺘﹸﺠﺎﺩِلْ ﺒِﻜﻴﻑﹶ ﻭﻟِﻤﺎﺫﺍ ،ﻓﺎﻟﻌﺒﺩ ﺍﻟﻤﻘﺒِلُ ﻴﻘﺒلُ ﺒﺎﻟﺭﻭﺡِ ﻜﹸلﱠ ﻗﻭلٍ ﻤِﻥ ﺍﻟﺤﺒﻴﺏ)(١؛
ﻅ ﺭﺠﻊ ﻋﻥِ ﺍﻟﺘﱠﻔﻜﻴﺭِ ﺒِﻙ ،ﺃﻨﺎ ﻟﹶﻡ ﺃﻗﹸلْ ﻫﺫﺍ ،ﻭﻤﻥ ﻗﺎلَ ﻫﺫﺍ ﻴﻜﺫِﺏ
ﻤﻥ ﻗﺎلَ ﺃﻥ ﺤﺎﻓِ ﹶ
ﻭﻴﻐﺘﺎﺏ.
ﻏﺰﻝ ٨٩
ﻴــﺎ ﺭﺏ ﺴــﺒﺏ ﻋــﻭﺩﺓﹶ ﺍﻟﺤﺒﻴــﺏِ ﺒﺎﻟــﺴﻼﻤﻪ
ﺤﺘﹼــﻰ ﻴﻔﹸــﻙ ﻗﻴــﺩﻱ ﻭﻴﻘﻁــﻊ ﺍﻟﻤﻼﻤــﻪ
ﺴﺕﱡ ﺍﻟﺠﻬـﺎﺕِ ﺃُﻏﻠِﻘﹶـﺕﹾ ﻤـﻥ ﺨﻁﱢـﻪِ ﻭﺍﻟـﺸﱠﺎﻤﻪ
ـﺩﻏِﻪِ ﻭﻭﺠﻬِـ ـﻪِ ﻭﺍﻟﻘﺎﻤـ ـﻪ
ﻭﻓﺭﻋِـ ـﻪِ ﻭﺼــ
ـﺩﻴﻙ
ـﺎ ﺩﻤ ـﺕﹸ ﻓ ـﻲ ﻴـ
ـﺎﻟﻲ ﻤـ
ﻫ ـﻼﱠ ﺭﺤﻤ ـﺕﹶ ﺤـ
ﻤﻥ ﺒﻌﺩِ ﻤـﻭﺘﻲ ﻤـﺎ ﺍﻟﱠـﺫﻱ ﺴـﺘﻨﻔﻊ ﺍﻟﻨﱠﺩﺍﻤـﻪ
ﻻ ﺘﺸﹾﻙ ﻴﺎ ﺩﺭﻭﻴـﺵﹸ ﻤـﻥ ﺴـﻴﻑِ ﻤـﻥ ﺘﹸﺤـﺏ
ﺇﻥ ﺍﻟﻘﺘﻴــ َل ﻋِﻨــﺩﻫﻡ ﻗــﺩ ﻴــﺩﻓﹶﻊ ﺍﻟﻐﺭﺍﻤــﻪ
ﻴﺎ ﺭﺏ ﻫﻴﺊ ﺴﺒﺒﺎﹰ ﻟِﻴﻌﻭﺩ ﺍﻟﺤﺒﻴﺏ ﺒﺎﻟﺴﻼﻤﺔِ ،ﻭﻴﺤﺭﺭﻨﻲ ﻤِﻥ ﻗﻴﺩِ ﺍﻟﻤﻼﻤﺔِ؛
ﺍﺤﻤﻠﻭﺍ ﻟﻲ ﻏﹸﺒﺎﺭ ﻁﺭﻴﻕِ ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻤﺴﺎﻓِﺭِ ﻷﺠﻌلَ ﻟﻪ ﻤِﻥ ﻋﻴﻥِ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻟﻨﱠﺎﻅِﺭﺓِ
ﻤﺤلﱠ ﺇﻗﺎﻤﺔ؛
) (١ﺍﻟﻌﺒﺩ ﺍﻟﻤﻘﺒِلُ :ﺍﻟﻌﺒﺩ ﺴﻌﻴﺩ ﺍﻟﺤﻅﱢ.
-١٠٧-
ﺍﻟﻐﻴﺎﺙﹶ ﻓﻘﺩ ﺴﺩﺕﹾ ﻋﻠﻲ ﺍﻟﺠِﻬﺎﺕِ ﺍﻟﺴﺕﱠ ﺴِﺘﹼﺔﹲ :ﺨﹶﻁﱡ ﻭﺨﺎلٌ ﻭﻓﹶﺭﻉ ﻭﻭﺠﻪ ﻭﻋﺎﺭِﺽ
ﻭﻗﺎﻤﺔﹲ)(١؛
ﺍﺭﺤﻤﻨﻲ ﺍﻵﻥ ﻓﺄﻨﺎ ﺍﻵﻥ ﻓﻲ ﻴﺩِﻙ ،ﻏﺩﺍﹰ ﺇﺫﺍ ﺼِﺭﺕﹸ ﺘﹸﺭﺍﺒﺎﹰ ،ﻤﺎ ﻴﻨﻔﹶﻊ ﺩﻤﻊ ﺍﻟﻨﱠﺩﺍﻤﺔِ)(٢؛
ﻭﻴﺎ ﻤﻥ ﺘﺭﻭﻱ ﺤﺩﻴﺙﹶ ﺍﻟﻌِﺸﹾﻕِ ﺒﺎﻟﺘﱠﻘﺭﻴﺭِ ﻭﺍﻟﺒﻴﺎﻥ ،ﻤﻘﺎﻟﹸﻨﺎ ﺍﻟﱠﺫﻱ ﻨﻘﻭلُ ﻟﹶﻙ ﻟﻴﺱ ﺨﻴﺭﺍﹰ
ﻭﺴﻼﻤﺔﹰ)(٣؛
ﺩﺭﻭﻴﺵﹸ ،ﻤِﻥ ﻀﺭﺏِ ﺴﻴﻑِ ﺍﻷﺤِﺒﺔِ ﻻ ﺘﹸﻁﹾﻠِﻕِ ﺍﻵﻩ ،ﻫﺅﻻﺀِ ﺍﻟﻘﻭﻡ ﻴﻁﺎﻟِﺒﻭﻥ ﺍﻟﻘﺘﻴلَ
ﺒﺎﻟﻐﺭﺍﻤﻪ)(٤؛
ﺃﺸﻌِلِ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﺍﻟﺨِﺭﻗﹶﺔِ ﻓﺈﻥ ﺤﻨﻴﺔﹶ ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏِ ﻫﺩﻤﺕﹾ ﺭﻜﹾﻥ ﻤِﺤﺭﺍﺏِ ﺼﻼﺓِ
ﺍﻹﻤﺎﻤﺔ)(٥؛
ﺤﺎﺸﺎ ﺃﻜﻭﻥ ﺸﺎﻜِﻴﺎﹰ ﻤِﻥ ﺠﻭﺭِﻙ ﻭﺠﻔﺎﻙ ،ﻅﹸﻠﹾﻡ ﺍﻟﻠﱢﻁﺎﻑِ ﻜﹸﻠﱡ ﻪ ﻟﹸﻁﹾﻑﹲ ﻭﻜﺭﺍﻤﻪ؛
ﺤﺎﻓِﻅﹸ ﻟﻥ ﻴﺠﻌلَ ﺍﻟﺒﺤﺙﹶ ﻓﻲ ﺴِﺭ ﻓﹶﺭﻋِﻙ ﻗﺼﻴﺭﺍﹰ ،ﺇﻨﱠﻪ ﺴِﻠﺴِﻠﹶ ﹲﺔ ﻤﺘﱠﺼِﻠﹶﺔﹲ ﺇﻟﻰ ﻴﻭﻡِ
ﺍﻟﻘﻴﺎﻤﺔ.
) (١ﺍﻟﺠﻬﺎﺕﹸ ﺍﻟﺴﺕﱡ :ﺍﻷﻋﻠﻰ ﻭﺍﻷﺴﻔل ﻭﺍﻷﻤﺎﻡ ﻭﺍﻟﺨﻠﻑ ﻭﺍﻟﻴﻤﻴﻥ ﻭﺍﻟﻴﺴﺎﺭ؛
) (٢ﺍِﻋﻁﻑﹾ ﻋﻠﻲ ﻗﺒلَ ﻤﻭﺘﻲ ،ﻓﺎﻵﻥ ﺘﹶﻘﹾﺩِﺭ ﺃﻥ ﺘﺭﺤﻤﻨﻲ ﻭﺃﻨﺎ ﻋﻠﻰ ﻗﹶﻴﺩِ ﺍﻟﺤﻴﺎﺓِ ،ﻭﺒﻴﻥ ﻴﺩﻴﻙ ،ﻭﺇﻻﹼ
ﻓﻤِﻥ ﺒﻌﺩِ ﻤﻭﺘﻲ ﻏﺩﺍﹰ ،ﻤﺎ ﺍﻨﺘﻔﺎﻋﻲ ﺇﺫﺍ ﻨﺩِﻤﺕﹶ ﻭﺫﹶﺭﻓﹾﺕﹶ ﺩﻤﻭﻉ ﺍﻟﻨﱠﺩﻡِ ﻋﻠﻲ ،ﻓﺩﻤﻭﻉ ﺍﻟﻨﱠﺩﻡِ ﻤِﻨﹾﻙ
ﻻ ﺘﻨﻔﹶﻌﻨﻲ؛
ﻥ ﻻ ﻨﹸﺜﻨﻲ ﻋﻠﻴﻪِ ،ﻭﻻ ﻨﻘﻭلُ
) (٣ﺍﻟﻌِﺸﹾﻕﹸ ﻻ ﻴﺸﹾﺭﺡ ﺒﺎﻟﺒﻴﺎﻥ ،ﻓﻤﻥ ﻗﻌﺩ ﻴﺸﺭﺡ ﺍﻟﻌِﺸﹾﻕﹶ ﺒﺎﻟﺒﻴﺎﻥ ،ﻨﺤ
ﻓﻴﻪِ ﺍﻟﺨﻴﺭ ،ﻭﻻ ﻨﺩﻋﻭ ﻟﻪ ﺒﺎﻟﺴﻼﻤﺔ؛
) (٤ﺃﻴﻬﺎ ﺍﻟﺩﺭﻭﻴﺵﹸ ﺍﻟﻔﻘﻴ ﺭ ﻻ ﺘﹸﻁﻠﻕ ﺍﻵﻫﺎﺕ ﻭﻻ ﺘﺸﻙ ﺇﺫﺍ ﻀﺭﺒﻙ ﺍﻟﺤﺒﻴﺏ ﺒﺴﻴﻔﻪ ﻓﺈﺫﺍ ﻓﻌﻠﺕﹶ
ﻓﺈﻨﱠﻙ ﺒﻌﺩ ﻗﺘﻠﻙ ﺘﺩﻓﻊ ﺍﻟﻐﺭﺍﻤﺔ )ﻏﺭﺍﻤﺔﹸ ﺍﻟﺘﱠﺄﻭﻩ ﻤﻥ ﺴﻴﻔﻪ(؛
) (٥ﺃﺤﺭِﻕ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﺍﻟﱠﺘﻲ ﺘﻠﺒﺱ ﻟﻠ ﺼﻼﺓِ ،ﻓﻠﺴﺕﹶ ﻓﻲ ﺤﺎﺠﺔٍ ﻟﻬﺎ ﺒﻌﺩ ﺍﻵﻥ ،ﻷﻥ ﻤﺤﺭﺍ ﺏ
ﺤﺎﺠِ ﺏِ ﺍﻟﺤﺒﻴﺏ )ﺤﻴﺙﹸ ﺼﻼﺓﹸ ﺍﻟﺭﻭﺡ( ﻫﺩﻡ ﻤِﺤﺭﺍﺏ ﺼﻼﺓِ ﺍﻟﺠﻤﺎﻋ ﺔِ ﻤﻊ ﺍﻹﻤﺎﻡ)ﺤﻴ ﺙﹸ
ﺼﻼﺓﹸ ﺍﻟﺒﺩﻥ(.
-١٠٨-
ﻏﺰﻝ ٩٠
ﺃﻴﻥ ﻤﻥ ﺃﻴﻥ ﺃُﺭﺴِﻠﹾﺕﹶ ﻴﺎ ﻫﺩﻫﺩ ﺍﻟﺼﺒﺎ ﺒﺴﺒﺎ ﺃﻨﺕ ﻤﺭﺴلٌ ﻫﺩﻫﺩ ﺍﻟﺼﺒﺎ ﻓﺘﺄﻤلْ
ﻓﺒﻌﻴﻨﻲ ﺃﺭﺍﻙ ﺤﻴﻥ ﺃُﺯﺠﻲ ﻟﻙ ﺍﻟﺩﻋﺎ ﻤﺴﻠﹶﻙ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺱ ﻓﻴﻪِ ﻗﹸﺭﺏ ﻭﺒﻌﺩ
ﻟﻙ ﺃﺭﺴﻠﹾﺕﹸ ﻓﻲ ﺼﺤﺒﺔِ ﺍﻟﺸﱢﻤﺎلِ ﻭﺍﻟﺼﺒﺎ ﻜﻡ ﺩﻋﺎﺀ ﺒﺎﻟﺨﻴﺭِ ﺼﺒﺤﺎﹰ ﻭﻓﻲ ﺍﻟﻤﺴﺎ
ﻗﺒﻠﻤﺎ ﻤﻠﹾﻙ ﻗﻠﺒﻲ ﻴﺼﻴﺭ ﻤﻨﻙ ﻋﻔـﺎ ﻭﺃﻨﺎ ﻤﺭﺴِلٌ ﻟﻙ ﺍﻟﻌﺯﻴﺯﺓﹶ ﺭﻭﺤـﻲ
ﺃﻱ ﻫﺩﻫﺩ ﺍﻟﺼﺒﺎ ﺇﻨﹼﻲ ﻤﺭﺴِﻠﹸﻙ ﺇﻟﻰ ﺴﺒﺄ ،ﻓﺎﻨﻅﹸﺭ ﻤِﻥ ﺃﻴﻥ ﺇﻟﻰ ﺃﻴﻥ ﺃُﺭﺴِﻠﹸﻙ)(١؛
ﺤﻴﻑﹲ ﻋﻠﻰ ﻁﺎﺌﺭٍ ﻤِﺜﻠِﻙ ﻴﻘﻴﻡ ﻓﻲ ﻤﺘﹾﺭﺒﺔِ ﺍﻟﻐﹶﻡ ،ﺇﻨﱠﻨﻲ ﻤﺭﺴِﻠﹸﻙ ﻤِﻥ ﻫﻨﺎ ﺇﻟﻰ ﻋﺵﱢ
ﺍﻟﻭﻓﺎﺀ)(٢؛
ﻟﻴﺱ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ﻤﺭﺤﻠﹶﺔﹸ ﻗﹸﺭﺏٍ ﻭﺒﻌﺩٍ ،ﺃﺭﺍﻙ ﻋﻴﺎﻨﺎﹰ ﻭﺃُﺭﺴِلُ ﻟﻙ ﺍﻟﺩﻋﺎﺀ)(٣؛
ﻗﺎﻓِﻠﹶﺔﹰ ﻤِﻥ ﺩﻋﺎ ِﺀ ﺍﻟﺨﻴﺭِ ،ﻜﹸلﱠ ﺼﺒﺢٍ ﻭﻤﺴﺎﺀٍ ،ﺃﺭﺴِﻠﹸﻬﺎ ﻟﻙ ﻓﻲ ﺼﺤﺒﺔِ ﺍﻟﺸﱢﻤﺎلِ
ﻭﺍﻟﺼﺒﺎ)(٤؛
) (١ﺸﺭﺡ :ﻴﺎ ﻫﺩﻫﺩ ﻨﺴﻴﻡِ ﺍﻟﺭﺒﻴﻊِ ﺇﻨﱠﻨﻲ ﻤﺭﺴِلٌ ﺒِﻙ ﺇﻟﻰ ﺴﺒﺄ ﻓﺎﻨﻅﹸﺭ ﻤﺎ ﺃﺒﻌﺩ ﻤﺎ ﺃﺭﺴﻠﹾﺘﹸﻙ )ﺴﺒﺄ ﻤﺩﻴﻨ ﹸﺔ
ﺒﻠﻘﻴﺱ ﻓﻲ ﺍﻟﻴﻤﻥ ﻋﻠﻰ ﻋﻬﺩِ ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،ﻭﺘﺭﻤﺯ ﻟِﺩِﻴﺎﺭِ ﺍﻟﻤﻌﺸﻭﻕ ،ﻭﻜﺎﻥ ﺍﻟﻬﺩﻫﺩ
ﺭﺴﻭلَ ﺴﻠﻴﻤﺎﻥ ﺇﻟﻴﻬﺎ ،ﻭﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﱠﺫﻱ ﻫﻭ ﺍﻟﻬﺩﻫﺩ ﻫﻨﺎ ﻴﺭﻤﺯ ﻟِﺭﻭﺡِ ﺍﻟﻌﺎﺸِﻕِ ،ﻭﻗﺩ ﺭﻤﺯ ﺍﺒﻥ ﺴﻴﻨﺎ
ﻟﻠﺭﻭﺡِ ﺒﺎﻟﺤﻤﺎﻤﺔِ ﺤﻴﺙﹸ ﻗﺎل :ﻫﺒﻁﹶﺕﹾ ﺇﻟﻴﻙ ﻤﻥ ﺍﻟﻤﺤلﱢ ﺍﻷﺭﻓﹶﻊِ ﻭﺭﻗﺎﺀ ﺫﺍﺕﹸ ﺘﺩﻟﱡلٍ ﻭﺘﻤﻨﱡﻊِ،
ﻓﺎﻟﺭﻭﺡ ﺍﻟ ﻤﺘﻌﻠﱢ ﻘﹶﺔﹸ ﺒﺎﻟﺒﺩﻥِ ﻫﺎﺒِﻁﹶﺔﹲ ﺇﻟﻴﻪِ ﻤﻥ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻷﻋﻠﻰ ،ﻓﻬﻲ ﺘﻬﻔﻭ ﺇﻟﻰ ﻤﻭﻁِ ﻥِ
ﻋِﺸﹾﻘِﻬﺎ ( ؛
ﻙ ﺍﻟﻤﻘﺎﻡ ﺃﺴﻴﺭﺍﹰ ﺒﺩﻨﻴﺎ ﺍﻟﻐﻡ ﻫﺫﻩِ ﻓﺴﺎﻓِﺭ ﻭﻁِﺭ ﻤﺴﺭِﻋﺎﹰ ﻓﺈﻨﱢﻲ ﻤﺭﺴِﻠﹸﻙ
) (٢ﻁﺎﺌﺭ ﺃﻨﺕ ﻭﺤﻴﻑﹲ ﻋﻠﻴ
ﺇﻟﻰ ﻋِﺵﱢ ﺍﻟﻭﻓﺎﺀ ﻓﻲ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ؛
ﻙ ﺤﻴﻥ ﺃﺩﻋﻭﻙ ) (٣ﺃﻱ ﻤﻌﻨﻰ ﻟِﻠﻘﹸﺭﺏِ ﻭﺍﻟﺒﻌﺩِ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕ؟ ﻴﺎ ﺤﺒﻴﺒﻲ ﺍﻟﺒﻌﻴﺩ ﺇﻨﱠﻨﻲ ﺃﺭﺍ
)ﻴﺒﻠﹸﻎﹸ ﻤﻥ ﺴﺭﻋﺔِ ﺭﻭﺤﻲ ﺇﻟﻴﻙ ﺃﻨﱠﻨﻲ ﺃﺭﺍﻙ ﺤﻴﻥ ﺃﺩﻋﻭﻙ ،ﻭﺴﺭﻋﺔﹸ ﺍﻟﺭﻭﺡ ﻻ ﺘﹸﻘﺎﺱ ،ﻭﺴﻔﹶﺭ
ﺍﻟﺭﻭﺡِ ﻻ ﻴﻌﺭِﻑﹸ ﺒﻌﺩ ﺍﻟﻤﻨﺎﺯِل(؛
) (٤ﻜلﱠ ﺼﺒﺎﺡٍ ﻭﻤﺴﺎﺀٍ ﺃُﺭﺴِلُ ﻟﻙ ﻗﻭﺍﻓِلَ ﺍﻟﺩﻋﺎﺀِ ﺒﺎﻟﺨﻴﺭ ﺒِﺼﺤﺒﺔِ ﺭﻴﺢِ ﺍﻟﺸﱢﻤﺎلِ ﻭﺭﻴﺢِ ﺍﻟﺠﻨﻭﺏ؛
-١٠٩-
ﻭﻤِﻥ ﻗﺒلِ ﺃﻥ ﻴﺠﻌلَ ﺠﻴﺵﹸ ﻏﻤﻙ ﻤﻠﹾﻙ ﻗﻠﺒﻲ ﺨﺭﺍﺒﺎﹰ ،ﺃُﺭﺴِلُ ﻟﻙ ﻭﺩﻴﻌﺔﹰ ﺭﻭﺤﻲ
ﺍﻟﻌﺯﻴﺯﺓﹶ)(١؛
ﺃﻱ ﻏﺎﺌﺒﺎﹰ ﻋﻥ ﻨﹶﻅﹶﺭﻱ ﻭﺠﻠﻴﺴﺎﹰ ﻟِﻘﻠﺒﻲ ،ﺃﻗﺭﺃُ ﻟﹶﻙ ﺍﻟﺩﻋﺎﺀ ،ﻭﺃُﺭﺴِلُ ﻟﹶﻙ ﺍﻟﺜﱠﻨﺎﺀ)(٢؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺼﻨﹾﻊِ ﺍﷲ ﻓﻲ ﻭﺠﻬِﻙ ﻭﺍﺴﻌﺩ ،ﻫﺫِﻩِ ﻤِﺭﺁﺓﹲ ﻴﻅﻬﺭ ﺒﻬﺎ ﺍﷲ ﺃُﺭﺴِﻠﹸﻬﺎ ﺇﻟﻴﻙ(٣)؛
ﻭﻟِﻜﹶﻲ ﻴﻘﻭﻡ ﺒﺈﻋﻼﻥِ ﺸﻭﻗﻲ ﺇﻟﻴﻙ ﺍﻟﻤﻁﺭِﺒﻭﻥ ،ﺃُﺭﺴِلُ ﻟﻙ ﺍﻟﻘﻭلَ ﻭﺍﻟﻐﹶﺯلَ ﺒﺎﻟﻠﹼﺤﻥِ
ﻭﺍﻟﻨﱠﻐﹶﻡ)(٤؛
ﺴﺎﻗﻲ ﺘﻌﺎلَ ﻓﻬﺎﺘِﻑﹸ ﻏﻴﺒﻲ ﻗﺎلَ ﻟﻲ ﻤﺒﺸﱢﺭﺍﹰ :ﺍﺼﺒِﺭ ﻋﻠﻰ ﺍﻷﻟﹶﻡِ ﻓﺄﻨﺎ ﻤﺭﺴِلٌ ﻟﻙ ﺍﻟﺩﻭﺍﺀ)(٥؛
ﺤﺎﻓِﻅﹸ ﺫِﻜﹾﺭ ﺨﻴﺭِﻙ ﻨﺸﻴﺩ ﻤﺠﻠِﺴِﻨﺎ ،ﻫﻠﹸﻡ ﺇﻟﻴﻨﺎ ﻭﺃﺴﺭِﻉ ،ﻟﻘﺩ ﺃﺭﺴﻠﹾﻨﺎ ﻟﻙ ﺍﻟﺠﻭﺍﺩ ﻭﺍﻟﻘﺒﺎﺀ).(٦
ﻏﺰﻝ٩١
ﺘﹶﺤﺭﻕﹸ ﺭﻭﺤﻲ ﻤِﻨﹾﻙ ﻭﺍﻟﻘﹶﻠﹾﺏ ﻴﻌﺸﹶﻘﹸﻙ ﻕ ﻋﻴﻨﻲ ﺃﺴﺄَلُ ﺍﻟﻠﹼﻪ ﻴﺤﻔﹶﻅﹸـﻙ
ﻤﻔﺎﺭِ ﹶ
ﻤِﺌﺎﺕِ ﻓﹸﻨﻭﻥِ ﺍﻟﺴﺤﺭِ ﻜﹶﻴﻤﺎ ﺃﻭﺍﺼِﻠﹸﻙ ﺴﺄَﻋﻤلُ ﻟﹶﻭ ﺒﻠﱢﻐﹾﺕﹸ ﻫـﺎﺭﻭﺕﹶ ﺒﺎﺒِـلٍ
ﺘﹶﻔﹶﻘﱠﺩ ﻤﺭﻴﻀﺎﹰ ﺇﻨﱠﻨﻲ ﻜﹸﻨﹾـﺕﹸ ﺃﻨﹾﻁﹸـﺭﻙ ﻭﻤِﻥ ﻗﹶﺒلِ ﺃَﻗﹾﻀﻲ ﻴﺎ ﻁﹶﺒﻴﺒﺎﹰ ﺒِﻼ ﻭﻓـﺎ
) (١ﻋﻨﺩﻱ ﻤِﻨﻙ ﺠﻴﻭﺵﹲ ﻤﻥ ﺍﻟﻐﻡ ﺃﻗﺒﻠﹶﺕﹾ ﻋﻠﻰ ﻤﻤﻠﹶﻜﹶﺔِ ﻗﻠﺒﻲ ،ﻭﺴﻭﻑﹶ ﺘﹸﺤﻴلُ ﻤﻠﻙ ﻗﻠﺒﻲ ﺨﺭﺍﺒﺎﹰ ،ﻭﻻ
ﺃﻤﻠﻙ ﺃﻋﺯ ﻤﻥ ﺭﻭﺤﻲ ،ﻓﺴﺄُﺭﺴِﻠﹸﻬﺎ ﺇﻟﻰ ﺩﻴﺎﺭِﻙ ،ﻭﺃﺠﻌﻠﻬﺎ ﻭﺩﻴﻌﺔﹰ ﻋﻨﺩﻙ ،ﻓﺎﺤﻔﻅﹾﻬﺎ ﻟﻲ ﻓﺄﻨﺕ
ﺘﺤﻔﻅﹸ ﺍﻟﻭﺩﺍﺌﻊ؛
) (٢ﻓﻴﺎ ﻏﺎﺌﺒﺎﹰ ﻋﻥ ﻨﻅﺭﻱ ﻭﺠﻠﻴﺴﺎﹰ ﻟِﻘﻠﺒﻲ ﺃﺭﺴِلُ ﻟﻙ ﺒﺜﻨﺎﺌﻲ ﻭﺩﻋﺎﺌﻲ )ﺍﻟﺜﹼﻨﺎﺀ ﻗﺒلَ ﺍﻟﺩﻋﺎﺀ ﻭﻤﻥ
ﺍﻟﺠﻤﻴلِ ﺃﻥ ﻴﺜﻨﻰ ﻋﻠﻰ ﺍﻟﻤﺩﻋﻭ ﻗﺒل ﺃﻥ ﻴﺴﺄل(؛
) (٣ﻭﺠﻬﻙ ﻤﺭﺁﺓﹸ ﺍﻟﺘﱠﺠﻠﹼﻲ ﻓﺘﺄﻤلْ ﻓﻲ ﻭﺠﻬِﻙ ﺼﻨﹾﻊ ﺍﷲ؛
) (٤ﺃُﺭﺴِلُ ﻟﻙ ﻤﻘﺎﻟﻲ ﻭﺃﻏﺎﻨﻲ ﻭﻏﺯﻟﻲ ﻟﻜﻲ ﻴﻌﺒﺭ ﺒﻬﺎ ﺍﻟﻤﻁﺭِﺒﻭﻥ ﻋﻥ ﺸﻭﻗﻲ ﺇﻟﻴﻙ؛
) (٥ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﺘﻌﺎلَ ﻓﻬﺎﺘِﻑﹸ ﺍﻟﻐﻴﺏِ ﺒﺸﱠﺭﻨﻲ ﻭﻗﺎل :ﺍِﺼﺒِﺭ ﻋﻠﻰ ﺍﻷﻟﹶﻡ ﻓﺴﻭﻑﹶ ﺃُﺭﺴِلُ ﻟﻙ ﺍﻟﺩﻭﺍﺀ؛
) (٦ﺃُﻏﻨﻴﺔﹸ ﻤﺠﻠِﺴِﻨﺎ ﻴﺎ ﺤﺎﻓِﻅ ﻤﻥ ﺫِﻜﺭِﻙ ﺍﻟﺨﻴﺭ ﻓﺄﺴﺭِﻉ ﺇﻟﻴﻨﺎ ﻓﻘﺩ ﺃﺭﺴﻠﻨﺎ ﺇﻟﻴﻙ ﺒﺎﻟﻔﹶﺭﺱِ ﻭﺍﻟﺭﺩﺍﺀ
)ﻜﺎﻥ ﺍﻟﻤﻠِﻙ ﺇﺫﺍ ﺩﻋﺎ ﺫﺍ ﺸﺄﻥٍ ﺃﺭﺴلَ ﺇﻟﻴﻪِ ﻓﹶﺭﺴﺎﹰ ﻭﺭﺩﺍﺀ.(
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ﺃﻱ ﻏﺎﺌﺒﺎﹰ ﻋﻥِ ﺍﻟﻨﱠﻅﹶﺭِ ﺃﺴﺘﹶﺤﻔِﻅﹸﻙ ﺍﷲَ ،ﺭﻭﺤﻲ ﺘﺤﺘﺭِﻕﹸ ﻤِﻨﻙ ،ﻭﺒِﻘﻠﺒﻲ ﺃُﺤِﺒﻙ)(١؛
ﺇﻟﻰ ﺃﻥ ﻴﺼﻴﺭ ﺜﻭﺏ ﻜﹶﻔﹶﻨﻲ ﺘﹶﺤﺕﹶ ﺍﻟﺘﱡﺭﺍﺏ،ﻻ ﺘﻅﹸﻥ ﺃﻥ ﻴﺩﻱ ﺴﺘﺘﺭﻙ ﺜﻭﺒﻙ؛
ﺃﻅﻬِﺭ ﻟﻲ ﻤِﺤﺭﺍﺏ ﺤﺎﺠِﺒِﻙ ﺤﺘﹼﻰ ،ﻭﻗﺕﹶ ﺍﻟﺴﺤﺭِ ،ﺃﺭﻓﹶﻊ ﻴﺩﻱ ﺒﺎﻟﺩﻋﺎﺀِ ﻭﺃﻨﺕﹶ ﻀﺎﻤِﻥ
ﻟِﺩﻋﺎﺌﻲ؛
ﺇﺫﺍ ﻭﺠﺏ ﻋﻠﻲ ﺍﻟﺫﱠﻫﺎﺏ ﺇﻟﻰ ﻫﺎﺭﻭﺕﹶ ﺍﻟﺒﺎﺒِﻠﻲ ،ﺴﺄﻋﻤلُ ﻤِﺌﺔﹶ ﻓﻥ ﻤِﻥ ﻓﻨﻭﻥِ ﺍﻟﺴﺤﺭِ
ﻟِﺄُﻋﻴﺩﻙ(٢)؛
ﺕ ﻋِﻨﺩﻱ ،ﻴﺎ ﻁﺒﻴﺒﺎﹰ ﺒﻼ ﻭﻓﺎﺀٍ ،ﺍِﺴﺄلْ ﻋﻥ ﻤﺭﻴﻀِﻙ ﻓﺄﻨﺎ
ﺃُﺭﻴﺩ ﺃﻥ ﺃﻤﻭﺕﹶ ﻭﺃﻨ ﹶ
ﻤﻨﺘﻅِ ﺭﻙ(٣)؛
ﺃﺴﻠﹾﺕﹸ ﻤِﻥ ﻋﻴﻨﻲ ﻤِﻥ ﺤﻭﻟﻲ ﻤِﺌ ﹶﺔ ﺠﺩﻭلِ ﻤﺎﺀٍ ،ﻋﻠﻰ ﺃﻤلِ ﺃﻥ ﺃﺯﺭﻉ ﺒِﺫﹾﺭﺓﹶ ﺍﻟﻤﺤﺒﺔِ
ﻓﻲ ﻗﻠﺒِﻙ؛
ﺃﻫﺭﻗﹾﺕﹶ ﺩﻤﻲ ﻭﺨﻠﱠﺼﺘﻨﻲ ﻤِﻥ ﻏﻡ ﺍﻟﻌِﺸﹾﻕِ ،ﺃﻨﺎ ﻤﻤﺘﹶﻥ ﻟِﺨﹶﻨﹾﺠﺭِ ﻏﻤﺯﺘِﻙ ﺍﻟﻘﺎﻁِﻊِ؛
ﺃﺒﻜﻲ ﻭﻤﺭﺍﺩﻱ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺴﻴلِ ﻤِﻥ ﺍﻟﺩﻤﻊِ ﺃﻥ ﺃﺯﺭﻉ ﺒِﺫﹾﺭﺓﹶ ﺍﻟﻤﺤﺒﺔِ ﻓﻲ ﻗﻠﺒِﻙ(٤)؛
ﻭﺠﻪ ﺭﺤﻠﻲ ﺇﻟﻴﻙ ﻜﹶﺭﻤﺎﹰ ﻤِﻨﹾﻙ ﺤﺘﱠﻰ ﺃﺴﻜﹸﺏ ﻟﺤﻅﹶﺔﹰ ﺒِﻠﺤﻅﹶﺔٍ ،ﺒِﻘﹶﻠﺏٍ ﻤﺤﺘﹶﺭِﻕٍ ،ﺠﻭﻫﺭ
ﺍﻟﺩﻤﻊِ ﻤِﻥ ﻋﻴﻨﻲ ﻋﻠﻰ ﻗﹶﺩﻤِﻙ؛
ﺤﺎﻓِﻅﹸ ﻟﻴﺱ ﻭﺼﻔﺎﹰ ﻟﻙ ﺍﻟﺸﱠﺭﺍﺏ ﻭﺍﻟﺸﱠﺎﻫِﺩ ﻭﺍﻟﺴﻜﹾﺭ ،ﺨﹸﻼﺼﺔﹰ ﺃﻨﺕﹶ ﺘﻔﻌلُ ﺫﻟِﻙ ﻭﺃﻨﺎ
ﺘﺠﺎﻭﺯﺕﹸ ﻋﻨﻙ).(٥
) (١ﻋﻴﻥ ﺍﷲ ﺘﺭﻋﺎﻙ ﻴﺎ ﻤﻥ ﻫﺠﺭﺘﻨﻲ ،ﺭﻭﺤﻲ ﺘﻜﺘﻭﻱ ﺒﻨﺎﺭ ﻫﺠﺭﻙ ﻭﺤﺒﻲ ﻟﻙ ﻓﻲ ﺍﺯﺩﻴﺎﺩ؛
) (٢ﺇﺫﺍ ﻜﺎﻥ ﻻ ﺒﺩ ﻤِﻥ ﺍﻟﺫﱠﻫﺎﺏِ ﻫﺎﺭﻭﺕ ﺍﻟﺒﺎﺒﻠﻲ ﺍﻟﹼﺫﻱ ﻋﻠﹼﻡ ﺍﻟﻨﹼﺎﺱ ﺍﻟﺴﺤﺭ ﻷُﻋﻴﺩﻙ ﻓﺴﺄﺫﻫﺏ
ﻭﺃﻋﻤلُ ﻤﺌﺎﺕِ ﻓﻨﻭﻥِ ﺍﻟﺴﺤﺭِ ﻟِﺫﻟِﻙ؛
) (٣ﻴﺎ ﻁﺒﻴﺒﺎﹰ ﻻ ﻴﺒﺎﻟﻲ ﺒﻤﺭﻀﺎﻩ ﻫﻼﹼ ﻤﺭﺭﺕ ﻋﻠﻲ ﻟِﻌﻴﺎﺩﺘﻲ ﻗﺒل ﻤﻭﺘﻲ ،ﻓﺄﻨﺎ ﻤﺭﻴﺽ ﻋﺸﻘِﻙ
ﻤﻨﺘﻅﺭ ﺯﻴﺎﺭﺘﹶﻙ ﻭﻤﺎ ﻟﻲ ﻁﺒﻴﺏ ﺴﻭﺍﻙ؛
) (٤ﻜﺄﻥ ﻫﺫﺍ ﺍﻟﺒﻴﺕﹶ ﻤﻜﹶﺭﺭ ﺒﻴﺕٍ ﺴﺎﺒﻕٍ؛
) (٥ﺃﻫلُ ﺍﻟﺸﹼﺭﺍﺏِ ﻭﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﻤﻌﺸﻭﻕِ ﻫﻡ ﺍﻷﺤﺭﺍﺭ ،ﻭﻫﺫﺍ ﻟﻴﺱ ﻭﻀﻌﺎﹰ ﻟﻙ ﻴﺎ ﺤﺎﻓِﻅﹾ ،ﻭﺃﻨﺕﹶ
ﺘﻘﻭﻡ ﺒﺫﻟِﻙ ﺒِﺸﻜلٍ ﻋﺎﻡٍ ﻭﻏﻴﺭِ ﺘﺎﻡ ﻭﻨﺤﻥ ﻗﺒِﻠﻨﺎ ﺫﻟِﻙ ﻤِﻨﻙ ﺘﺠﺎﻭﺯﺍﹰ.
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ﻏﺰﻝ ٩٢
ﺘِﻪ ﺩﻻﻻﹰ ،ﺃﻤﻴﺭﻱ ﺃﻨﺎ ﺍﻟﻔِﺩﺍﺀ ﻟِﺭﺃﺴِﻙ ﻭﻗﹶﺩﻤِﻙ ،ﻭﺘﻤﺎﻴلْ ﻓﻲ ﺴﻴﺭِﻙ ﻷﻫﺏ ﺭﻭﺤﻲ
ﻟِﻘﺩﻙ ﺍﻷﺭﻋﻥ؛
)(١
ﻭﻁﻠﺒﻙ ﺠﻤﻴلٌ ،ﻭﺴﺄﻤﻭﺕﹸ ﻗﺒلَ ﻗﹸﻠﺕﹶ ﻟﻲ ﻤﺘﻰ ﺴﺘﻘﻀﻲ ﺃﻤﺎﻤﻲ ﻋﻼﻡ ﺍﻻِﺴﺘِﻌﺠﺎلُ؟
ﻁﻠﹶﺒِﻙ؛
ﻋﺎﺸِﻕﹲ ﻭﻤﺨﻤﻭﺭ ﻭﻤﻬﺠﻭﺭ ،ﺃﻴﻥ ﺼﻨﹶﻡ ﺍﻟﺴﺎﻗﻲ؟ ﻗﹸلْ ﻟﹶﻪ ﺘﻤﺎﻴلْ ﺃﻨﺎ ﺍﻟﻔِﺩﺍﺀ ﻟِﺴﺭﻭِﻙ
ﺍﻟﻌﺎﻟﻲ)(٢؛
ﻭﻗﹸلْ ﻟِﻤﻥ ﻗﻀﻴﺕﹸ ﺍﻟﻌﻤﺭ ﻷﺼﻴﺭ ﻤﺭﻴﺽ ﻋِﺸﹾﻘِﻪِ ،ﺍﹸﻨﹾﻅﹸﺭ ﺇﻟﹶﻲ ﻨﹶﻅﹾﺭﺓﹰ ﻟِﺄﻤﻭﺕﹶ ﺃﻤﺎﻡ
ﻋﻴﻨِﻙ ﺍﻟﺸﱠﻬﻼﺀ؛
ﻗﹸﻠﺕﹶ ﻋﻘﻴﻕﹸ ﺸﹶﻔﹶﺘِﻲ ﻤﻨﻪ ﻤﺭﺽ ﻭﻤﻨﻪ ﺩﻭﺍﺀ ،ﺁﺘﻴﻙ ﻁﹶﻠﹶﺒﺎﹰ ﻟﻠﻤﺭﺽِ ﺤﻴﻨﺎﹰ ،ﻭﺤﻴﻨﺎﹰ ﺁﺘﻴﻙ
ﻟﻠﺩﻭﺍﺀ؛
ﻓﺴِﺭ ﻓﻲ ﺩﻻﻟِﻙ ﺍﻟﺠﻤﻴلِ ،ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ﻋﻥ ﻭﺠﻬِﻙ ﺒﻌﻴﺩﺓﹲ ،ﻓﺎﻟﺨﻴﺎلُ ﺒِﺭﺃﺴﻲ ﺃﻥ ﺃُﺴﻠِﻡ
ﺍﻟﺭﻭﺡ ﻟِﻘﹶﺩﻤِﻙ؛
ﺭﻏﻡ ﺃﻥ ﻤﻜﺎﻥ ﺤﺎﻓِﻅﹶ ﻟﻴﺱ ﻓﻲ ﺨﻠﻭﺓِ ﻭِﺼﺎﻟِﻙ ،ﻜﹸلﱡ ﻤﺎ ﻴﻨﺘﺴِﺏ ﺇﻟﻴﻙ ﺠﻤﻴلٌ ،ﺃﻨﺎ
ﺍﻟﻔﺩﺍﺀ ﻟﻜﹸلﱢ ﻤﺎ ﻴﻨﺘﺴِﺏ ﺇﻟﻴﻙ.
) (١ﺸﺭﻁﹸ ﺍﻟﻠﻘﺎﺀ ﻤﻊ ﺍﻟﻤﺤﺒﻭﺏ ﺩﻓﻊ ﺍﻟﺭﻭﺡِ ﺜﻤﻨﺎﹰ ﺴﻠﻔﺎﹰ ،ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ :ﻭﻟﻘﺎﻙ ﺃﻗﺼﻰ ﻤﻨﻴﺘﻲ ﻴﺎ
ﻤﻨﺘﻬﻰ ﺃﻤﻠﻲ ﻭﻗﺩ ﺸﹸﺭِﻁﹶﺕﹾ ﻟﺩﻴﻪِ ﻤﻨﻴﺘﻲ؛
) (٢ﺘﺩﻟﱠلْ ﻓﻲ ﺴﻴﺭِﻙ ﻟِﺄﻤﻭﺕﹶ ﺃﻤﺎﻡ ﺴﺭﻭﺘِﻙ ﺍﻟﻌﺎﻟﻴﺔ.
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ﻏﺰﻝ ٩٣
ﻋﺭﻀﺕﹾ ﺤﻕﱠ ﺨِﺩﻤﺘﻲ ﻋﻠﻰ ﻜﹶﺭﻤِـﻙ ﺃﻱ ﻟﹸﻁﹾﻑٍ ﻓﻲ ﺭﺸﹾﺤﺔٍ ﻋﻠﻰ ﻗﹶﻠﹶﻤِـﻙ
ﻻ ﺘﺩﻭﺭ ﺍﻟﺩﻨﻴﺎ ﻟﻨـﺎ ﺒـﻼ ﺭﻗﹶﻤِـﻙ ﻗﹶﻠﹶﻡ ﻤِﻥ ﻟِﺴﺎﻨِﻪِ ﺨﹶـﻁﱠ ﻟـﻲ ﺭﻗﹶﻤـﺎﹰ
ﻓﻲ ﺤِﺴﺎﺏِ ﺍﻟﻌﻘﻭلِ ﻻ ﺴﻬﻭ ﻓﻲ ﻗﹶﻠﹶﻤِﻙ ﻟﻡ ﺃﻗﹸلْ ﺴﻬﻭﺍﹰ ﺫﹶﻜﹶﺭﺘﻨﻲ ﺃﻨﺎ ﺍﻟﻭﻟﻬﺎﻥ
ﻻ ﺘﺠﻌﻠﹾﻨﻲ ﺍﻟﺫﱠﻟﻴلَ ،ﺸﹸﻜﹾﺭﺍﹰ ﻋﻠﻰ ﻨِﻌﻤِﻙ ﺃﻨﺕﹶ ﻋﺯﻴﺯ ﻭﻤﺤﺘﹶﺭﻡ ﺍﻟﺩﻭﻟﺔِ ﺍﻟﺴﺭﻤﺩﻴﺔِ،
ﺘﹸﻘﹾﻁﹶﻊ ﺭﺃﺴﻲ ﻭﻻ ﺘﺯﻭلُ ﻋﻥ ﻗﹶﺩﻤِﻙ ﻨِﻴﺘﻲ ﺃَﻋﻘِﺩ ﺍﻟﻌﻬﺩ ﻤـﻊ ﺠـﺩﺍﺌﻠِﻙ
ﺤﺎﻟﹶﻨﺎ ﻻ ﺘﺭﻯ ﺇﺫﺍ ﺍﻟﺸﱠﻘﺎﺌِﻕﹸ ﻟـﻡ ﺘﻨﺒـﺕﹾ ﻋﻠـﻰ ﺘﹸـﺭﺍﺏِ ﺍﻟﻘﺘﻴـلِ ﻤِـﻥ ﺃَﻟﹶﻤِـﻙ
ﺠﺭﻋﺔﹶ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ﻤِﻥ ﺠﺎﻡِ ﺠﻤﺸﻴﺩ ﻫﺏ ﻷﺭﻭﺍﺤِﻨﺎ ﺍﻟﻅﱠﺎﻤِﺌﺎﺕِ ،ﻤِﻥ ﺭﺤﻴﻕِ ﻓﹶﻤِﻙ
ﻁِﺒﺕﹶ ﻭﻗﺘﺎﹰ ﻋﻴﺴﻰ ﺍﻟﺼﺒﺎ ﺩﺍﺌﻤﺎﹰ ﻓﺭﻭﺡ ﺤﺎﻓِﻅﹶ ﺒﻌﺩ ﺍﻟﻤﻭﺕِ ﺃﺤﻴﺎﻫﺎ ﻨﺴﻴﻡ ﻓﻤِـﻙ
ﺸﺭﺡ :ﻜﻡ ﻜﺎﻥ ﻤﻨﻙ ﻤﻥ ﺍﻟﻠﱡﻁﻑِ ﺒﻲ ﺤﻴﻥ ﺴﺎلَ ﻤِﺩﺍﺩ ﻗﹶﻠﹶﻤِﻙ ﺒِﺫِﻜﺭﻱ ،ﻭﺤﺭﺭ ﻤﺎ ﻜﺎﻥ
ﻤﻨﹼﻲ ﻤﻥ ﺨِﺩﻤﺔٍ ﻟﻙ ،ﻭﻋﺭﺽ ﺤﻕﱠ ﺨِﺩﻤﺘﻲ ﻋﻠﻰ ﻜﺭﻤِﻙ؛
ﺜﹸﻡ ﺨﻁﱠ ﻗﻠﻤﻙ ﺍﻟﺴﻼﻡ ﻟﻲ ﻤِﻨﹾﻙ ،ﻭﺍﻟﺩﻫﺭ ﻻ ﻴﺩﻭﺭ ﺒﻼ ﺨﻁﱢ ﻗﻠﹶﻤِﻙ؛
ﻭﻻ ﺃﻗﻭلُ ﺃﻨﱠﻙ ﻜﹸﻨﺕﹶ ﻟﻲ ﻨﺎﺴﻴﺎﹰ ﻤﻥ ﻗﺒلُ ،ﻭﺃﻨﺎ ﺒِﻙ ﺍﻟﻭﻟﻬﺎﻥ ،ﻓﺎﻟﻌﻘلُ ﻴﺤﻜﹸﻡ ﺃﻥ ﻗﹶﻠﹶﻤﻙ
ﻻ ﻴﺴﻬﻭ ﻭﻻ ﻴﺠﺭﻱ ﻋﻠﻴﻪِ ﺍﻟﻨﱢﺴﻴﺎﻥ؛
ﻻ ﺘﹸﺭﺠِﻌﻨﻲ ﺫﻟﻴﻼﹰ ﺸﹸﻜﹾﺭﺍﹰ ﻤﻨﻙ ﻟﻬﺫِﻩِ ﺍﻟﻨﱢﻌﻤﺔِ ﺍﻟﱠﺘﻲ ﺃﻋﻁﹶﺘﹾﻙ ﺍﻟﺩﻭﻟﹶﺔﹸ ﺍﻟﺴﺭﻤﺩﻴﺔﹸ ﻓﺄﻨﺕﹶ ﺍﻟﻌﺯﻴﺯ
ﻭﺍﻟﻤﺤﺘﹶﺭﻡ؛
ﻓﺘﻌﺎلَ ﺇﻟﻲ ﻓﺈﻨﱠﻨﻲ ﻤﺘﱠﺨِﺫﹲ ﻗﺭﺍﺭﺍﹰ ﻜﺠﺩﻴﻠﺘﹶﻙ ،ﺃﻥ ﻻ ﺃﺭﻓﹶﻊ ﺍﻟﺭﺃﺱ ﻭﻟﻭ ﻗﹸﻁِﻌﺕ ﻋﻥ ﻗﹶﺩﻤِﻙ(١)؛
) (١ﺃﻨﺎ ﻤﺘﹼﺨِﺫﹲ ﻗﺭﺍﺭﺍﹰ ﻜﻘﺭﺍﺭِ ﺠﺩﻴﻠﹶﺘِﻙ ﺍﻟﻁﹼﻭﻴﻠﹶﺔِ ﺍﻟﻭﺍﺼِﻠﺔِ ﺇﻟﻰ ﻗﹶﺩﻤِﻙ ،ﺒِﺄﻥ ﺃﻀﻊ ﺭﺃﺴﻲ ﻤﺜﻠﹶﻬﺎ ﻋﻠﻰ
ﻗﺩﻤِﻙ ،ﻓﻼ ﺃﺭﻓﻌﻬﺎ ﺤﺘﹼﻰ ﻭﻟﻭ ﻗﹸﻁِﻌﺕ ،ﺃﻱ ﺃﻜﻭﻥ ﻋﺒﺩﺍﹰ ﺨﺎﻀﻌﺎﹰ ﻟﻙ ،ﻭﻓﻲ ﻫﺫﻩِ ﺍﻟﺼﻭﺭﺓِ
ﻏﺎﻴﺔﹸ ﺍﻟﺨﻀﻭﻉ ﻟﻠﺤﺒﻴﺏ؛
-١١٣-
ﻻ ﻴﻌﺘﻨﻲ ﻗﻠﺒﻙ ﺒﺤﺎﻟِﻨﺎ ﺇﻻﱠ ﻭﻗﺕﹶ ﺘﻨﺒﺕﹸ ﺍﻟﺸﱠﻘﺎﺌﻕﹸ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﺍﻟﻤﻘﺘﻭﻟﻴﻥ ﻤِﻥ ﻏﻤﻙ)(١؛
ﺃﺩﺭِﻙ ﺒِﺠﺭﻋﺔٍ ﺭﻭﺤﻨﺎ ﺍﻟﻅﱠﻤﺄﻯ ،ﻭﻗﹾﺕﹶ ﺘﹸﻌﻁﻰ ﺯﻻلَ ﺍﻟﺨِﻀﺭِ ﻤﻥ ﺠﺎﻡِ ﺠﻤﺸﻴﺩ؛
ﺃﻱ ﻋﻴﺴﻰ ﺍﻟﺼﺒﺎ ﺩﺍﻡ ﻭﻗﺘﹸﻙ ﺩﺍﺌﻤﺎﹰ ﻋﺫﺒﺎﹰ ﺠﻤﻴﻼﹰ ،ﻓﺈﻥ ﺭﻭﺡ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺘﻌﺒﺔﹶ ﺃﺤﻴﺎﻫﺎ ﻨﹶﻔﹶﺴﻙ.
ﻏﺰﻝ ٩٤
ﻟﻲ ﻓـﻲ ﺤﺒﻴـﺏٍ ﻁﻴـﺏٍ ﺸﹸـﻜﹾﺭ ﻭﻟـﻲ ﺸِـﻜﺎﻴﻪ
ﺇِﻥ ﻜﹸﻨﹾــﺕﹶ ﻴﻭﻤــﺎﹰ ﻋﺎﺸِــﻘﺎﹰ ﻓﻠﺘــﺴﻤﻊِ ﺍﻟﺤِﻜﺎﻴــﻪ
ﻻ ﻴﻌﺭِﻑﹸ ﺍﻟﻌِﺭﻓـﺎﻥ ﻟـﻲ ﺃﻭ ﻴﻌﺘﻨـﻲ ﺒﺨـﺩﻤﺘﻲ
ﻴــﺎ ﺭﺏ ﻤﺜﻠــﻲ ﺨــﺎﺩِﻡ ﻻ ﻴﺤــﺭﻡِ ﺍﻟﻌِﻨﺎﻴــﻪ
ﻟﻡ ﻴﺴﻕِ ﻫﺫﺍ ﺍﻟﻅﱠـﺎﻤﺊَ ﺍﻟﻤﺨﻤـﻭﺭ ﻤـﺎﺀ ﻭﺍﺤِـﺩ
ﻫلْ ﻋﺎﺭِﻓﻭ ﻗﺩﺭ ﺍﻟﻭﻟﻲ ﻗـﺩ ﻏـﺎﺩﺭﻭﺍ ﺍﻟﻭﻻﻴـﻪ؟
ـﺎﻟﺭﺅﻭﺱ
ـﺎ ﻗﻠ ـﺏ ﻓـ
ـﺒﺎﻙ ﺸﹶ ـﻌﺭِﻩِ ﻴـ
ﺍِﺤ ـﺫﹶﺭ ﺸِـ
ﻗــﺩ ﻗﹸﻁﱢﻌــﺕﹾ ﻓﻴﻬــﺎ ﺒــﻼ ﺠــﺭﻡٍ ﻭﻻ ﺠِﻨﺎﻴــﻪ
ـﺎﻙ
ـﺭﺍﻡ ﺃﻫﺭﻗﹶ ـﺕﹾ ﻤِ ـﻥ ﻏﹶﻤ ـﺯﺓٍ ﻋﻴﻨـ
ـﻲ ﺍﻟﺤـ
ﺩﻤـ
ـﺎﺘِﻠﻲ ﺍﻟﺤِﻤﺎﻴ ـﻪ!
ـﺎ ﻗـ
ـﻴﺎﹰ ،ﻴـ
ﻭﺃﻨـﺕﹶ ﻜﹸﻨﹾـﺕﹶ ﺭﺍﻀـ
ـﺎﺀ
ـﻲ ﻟﻴﻠﺘ ـﻲ ﺍﻟﻅﱠﻠﻤـ
ـﺼﺩﻱ ﻓـ
ـﻌﺕﹸ ﺩﺭﺏ ﻗـ
ﺃﻀـ
ﺍِﻁﻠــﻊ ﻋﻠــﻲ ﻫﺎﺩﻴــﺎﹰ ﻴــﺎ ﻜﻭﻜــﺏ ﺍﻟﻬﺩﺍﻴــﻪ
ـﺸﺔﹸ ﺍﻟــﺩﺭﻭﺏ
ـﻲ ﻭﺤـ
ـﺕﹸ ﻭﺠﻬـ
ـﺎ ﻭﺠﻬـ
ﻭﺤﻴﺜﹸﻤـ
ﺍﻟﻐﻭﺙﹶ ﻤـﻥ ﺼـﺤﺭﺍ ﻭﻤـﻥ ﺩﺭﺏٍ ﺒـﻼ ﻨﻬﺎﻴـﻪ
ﻭﻜﻴﻑ ﺴـﻭﻑ ﺘﻨﺘﻬـﻲ ﻤـﻥ ﺩﺭﺒﻨـﺎ ﺍﻟﻨﱢﻬﺎﻴـﻪ
ﻭﺃﻟــﻑﹸ ﺃﻟــﻑِ ﻤﻨــﺯلٍ ﻜﺎﻨــﺕ ﻟــﺩﻯ ﺍﻟﺒﺩﺍﻴــﻪ
) (١ﻻ ﻴﺭﻕﱡ ﻗﻠﺒﻙ ﻟِﻤﺤﺒﻴﻙ ﻭﻴﺭﺜﻲ ﻟِﺤﺎﻟِﻬِﻡ ﺇﻟﹼﺎ ﺒﻌﺩ ﺃﻥ ﻴﻘﺘﹸﻠﹶﻬﻡ ﺍﻟﻐﻡ ﻤﻨﻙ ﻭﺒﻌﺩ ﺃﻥ ﺘﺴﻴلَ ﺩﻤﺎﺅﻫﻡ
ﺍﻟﺤﻤﺭﺍﺀ ﻭﺘﻨﺒﺕﹶ ﻋﻠﻰ ﻗﺒﻭﺭِﻫِﻡ ﻤﻥ ﺩﻤﺎﺌﻬِﻡ ﺍﻟﺤﻤﺭﺍﺀ ﺸﻘﺎﺌﻕﹸ ﺍﻟﻨﱡﻌﻤﺎﻥِ ﺍﻟﺤﻤﺭﺍﺀ ،ﻭﻫﺫﻩِ ﺇﺸﺎﺭﺓﹲ
ﺇﻟﻰ ﺤﺎﻟﹶﺔِ ﺍﻟﻔﻨﺎﺀ ﻓﻲ ﺍﷲ ﻋﻨﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ.
-١١٤-
ـﺫﺍﺒﻜﹸﻡ
ـﺎﺏ ﻟ ـﻲ ﻋـ
ـﺩ ﻁـ
ـﺎﺒﻜﹸﻡ ،ﻗـ
ـﺫﻫﺒﻲ ﻟﺒـ
ﻭﻤـ
ﺠــﻭﺭ ﺍﻟﺤﺒﻴــﺏِ ﺃﺒﺘﻐــﻲ ﻻ ﻤــﺩﻋﻲ ﺍﻟﺭﻋﺎﻴــﻪ
ﻨﺜﺭﺍﹰ :ﻟﻲ ﻤﻊ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻌﻁﻭﻑِ ﺸﹸﻜﹾﺭ ﻤﻊ ﺸِﻜﺎﻴﺔٍ ،ﺇﻥ ﻜﹸﻨﺕﹶ ﻋﺎﺭِﻓﺎﹰ ﺒِﺄﺴﺭﺍﺭِ ﺍﻟﻌِﺸﹾﻕِ
ﺍﺴﻤﻊ ﻫﺫِﻩِ ﺍﻟﺤِﻜﺎﻴﺔ؛
ﻜﹸلّ ﺨِﺩﻤﺔٍ ﻓﻌﻠﺘﹸﻬﺎ ﻜﺎﻨﺕﹾ ﺒﻼ ﺃﺠﺭٍ ﻭﻻ ﻤِﻨﱠﺔٍ ،ﻴﺎ ﺭﺏ ﻻ ﻜﺎﻥ ﻤﺨﺩﻭﻡ ﺸﹶﺨﹾﺹٍ
ﺒﻼ ﻋﻨﺎﻴﺔ)(١؛
ﻫﺅﻻﺀِ ﺍﻟﺴﻜﺎﺭﻯ ﻅﺎﻤﺌﻭ ﺸِﻔﺎﻩٍ ،ﻭﻻ ﺃﺤﺩ ﻴﻌﻁﻴﻬِﻡ ﺍﻟﻤﺎﺀ ،ﻜﺄﻥ ﻋﺎﺭﻓﻲ ﻗﹶﺩﺭ ﺍﻟﻭﻟﻲ
ﺘﺭﻜﻭﺍ ﻫﺫِﻩِ ﺍﻟﻭﻻﻴﺔ)(٢؛
ﻻ ﺘﹶﻌﻠﹶﻕﹾ ﺒِﻔﺭﻋِﻪِ ﺍﻟﱠﺫﻱ ﻜﺎﻟﺸﱢﺒﺎﻙِ ﻴﺎ ﻗﻠﺏ ،ﺍﹸﻨﻅﹸﺭ ﺒِﻪِ ﺍﻟﺭﺅﻭﺱ ﻤﻘﻁﻭﻋﺔﹰ ﺒﻼ ﺠﺭﻡٍ
ﻭﻻ ﺠﻨﺎﻴﺔ)(٣؛
ﻋﻴﻨﹸﻙ ﺃﻫﺩﺭﺕﹾ ﺒِﻐﻤﺯﺓٍ ﺩﻤﻲ ،ﻭﺃﻨﺕﹶ ﺃﻱ ﺤﺒﻴﺏ ﺭﺍﺽٍ ،ﺫﺍﻙ ﻻ ﻴﺠﻭﺯ ،ﻴﺎ ﻗﺎﺘﻠﻲ
ﺍﻟﺤﻤﺎﻴﺔ )ﺒِﻙ ﻤﻨﻙ ﺃﺤﺘﻤﻲ(؛
ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻠﱠﻴﻠﹶﺔِ ﺍﻟﻅﱠﻠﻤﺎ ِﺀ ﻀﻠﹶﻠﹾﺕﹸ ﻋﻥِ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﻤﻘﺼﻭﺩ ،ﺍِﻁﻠﹶﻊ ﻋﻠﻲ ﻤِﻥ ﺯﺍﻭﻴﺔٍ ﻴﺎ
ﻜﻭﻜﹶﺏ ﺍﻟﻬِﺩﺍﻴﺔ)(٤؛
ﻭﺤﻴﺜﹸﻤﺎ ﺘﻭﺠﻬﺕﹸ ﻟﻡ ﺃﺯﺩﺩ ﻏﻴﺭ ﻭﺤﺸﹶﺔٍ ،ﻭﺍﻏﻭﺜﺎﻩ ﻤﻥ ﻫﺫِﻩِ ﺍﻟﺼﺤﺭﺍﺀِ ﻭﺩﺭﺏٍ ﺒﻼ ﻨﻬﺎﻴﺔٍ؛
ﻴﺎ ﺸﹶﻤﺱ ﺍﻟﺤِﺴﺎﻥِ ﺃﺤﺸﺎﺌﻲ ﺘﺠﻭﺵﹸ ،ﺴﺎﻋﺔﹰ ﻭﺍﺤِﺩﺓﹰ ﺃﺩﺨِﻠﹾﻨﻲ ﻤﻨﻙ ﺒِﻅِلﱢ ﺍﻟﻌﻨﺎﻴﺔ؛
) (١ﻻ ﻜﺎﻥ ﺨﺎﺩِﻡ ﻤِﺜﻠﻲ ﻤﺤﺭﻭﻤﺎﹰ ﻤِﻥ ﻋِﻨﺎﻴﺔِ ﻤﺨﺩﻭﻤِﻪ ،ﺍﻟﻤﺨﺩﻭﻡ :ﺍﻟﻤﻭﻟﻰ؛
) (٢ﻫﺅﻻﺀِ ﺍﻟﺴﻜﺎﺭﻯ ،ﻤﻥ ﺨﻤﺭﺓِ ﺍﻟﺤﺏ ،ﺍﻟﻅﱠﻤﺄﻯ ،ﻟﻤﺎﺀِ ﺍﻟﺭﺤﻤﺔِ ﺍﻟﱠﺫﻱ ﺒﻪِ ﺴﺭ ﺍﻟﺤﻴﺎﺓِ ﻭﺃﺼ ُ
ل
ﺍﻟﻤﻌﺭِﻓﹶﺔِ ،ﻻ ﺃﺤﺩ ﻴﻌﻁﻴﻬِﻡ ﺠﺭﻋﺔﹰ ﻤﻥ ﺍﻟﻤﺎﺀِ ﺍﻟﻔﹸﺭﺍﺕ ،ﻜﺄﻥ ﺍﻟﱠﺫﻴﻥ ﻴﻌﺭﻓﻭﻥ ﻗﺩﺭ ﺍﻟﺴﻜﺎﺭﻯ،
ﺃﻭﻟﻴﺎﺀ ﺍﻟﺤﻕ ،ﺘﺭﻜﻭﺍ ﻫﺫﺍ ﺍﻟﺒﻠﺩ ﻭﻟﻡ ﻴﺒﻕﹶ ﻤﻨﻬﻡ ﺃﺤﺩ ،ﺍﻟﻭﻻﻴﺔ ﻫﻨﺎ ﺘﻌﻨﻲ ﺍﻟﻤﺩﻴﻨﺔ ﺃﻭ ﺍﻟﻤﻘﺎﻁﻌﺔ؛
) (٣ﺃﺭﺍﻙ ﺘﻨﻭﻱ ﺍﻟﺘﱠﻨﺯﻩ ﻓﻲ ﻀﻔﺎﺌﺭِﻩِ ﻟﻼِﺴﺘﻤﺘﺎﻉِ ﺒﺎﻟﺠﻤﺎلِ ﻴﺎ ﻗﻠﺒﻲ ،ﺇﻴﺎﻙ ﺃﻥ ﺘﻔﻌلَ ﻓﻜﻡ ﺒﻬﺎ ﻤﻥ
ﺭﺃﺱٍ ﻗﻁﻴﻊٍ ﺒﻐﻴﺭِ ﺠﺭﻡٍ ﻭﻻ ﺠِﻨﺎﻴﺔ؛
) (٤ﺃﻨﺎ ﻤﺴﺎﻓِﺭ ﺇﻟﻴﻙ ﻓﻲ ﻅﹸﻠﻤﺔِ ﺍﻟﻠﹼﻴلِ ﻭﻻ ﺃﺴﺘﺒﻴﻥ ﺩﺭﺒﻲ ﻤﻥ ﺸِﺩﺓِ ﺍﻟﻅﱠﻼﻡِ ﻓﻴﺎ ﻜﻭﻜﹶﺏ ﺍﻟﻬﺩﺍﻴﺔِ ﻜﻥ
ﻫﺎﺩﻴﺎﹰ ﻟﻲ ﻭﺍﻁﻠﹶﻊ ﻋﻠﻲ ﻭﺃﻨِﺭ ﻁﺭﻴﻘﻲ؛
-١١٥-
ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕﹸ ﻜﻴﻑﹶ ﻴﻤﻜِﻥ ﺘﺼﻭﺭ ﻨِﻬﺎﻴﺘِﻪِ ،ﻭﻫﻨﺎﻙ ﻤِﺌﺔﹸ ﺃﻟﻑِ ﻤﻨﺯِلٍ ﻗﺒلَ ﺍﻟﺒِﺩﺍﻴﺔ)(١؛
ﻭﻤﻬﻤﺎ ﺃﺭﻗﹾﺕﹶ ﻤﺎﺀ ﻭﺠﻬﻲ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏِ ﻓﻠﻥ ﺃﺭﺠِﻊ ﺒِﻭﺠﻬﻲ ﻋﻥ ﺒﺎﺒِﻙ ،ﻓﺈﻥ ﺠﻭﺭ
ﺍﻟﺤﺒﻴﺏِ ﺃﺠﻤلُ ﻤِﻥ ﺭِﻋﺎﻴﺔِ ﻤﺩﻋﻲ ﺍﻟﺭﻋﺎﻴﺔ)(٢؛
ﺕ ﻤِﺜﹾلَ ﺤﺎﻓِﻅﹶ ﺘﻘﺭﺃُ ﺍﻟﻘﹸﺭﺁﻥ ﻋﻠﻰ ﺃﺭﺒﻊ ﻋﺸﺭﺓﹶ
ﻑ ﻴﻠﹶﺒﻲ ﺍﺴﺘِﻐﺎﺜﹶﺘﹶﻙ ﺇﺫﺍ ﻜﹸﻨﹾ ﹶ
ﻋِﺸﻘﹸﻙ ﺴﻭ ﹶ
ﺭﻭﺍﻴﺔﹰ.
ﻏﺰﻝ ٩٥
ﻤﺩﺍﻤﻲ ﻤﺴﻜِﺭﻱ ﺩﻫﺭﻱ ﻨـﺴﻴﻡ ﻤـﻥ ﻀـﻔﺎﺌﺭِﻙ
ﻤﺩﺍﺭ ﺍﻟـﺩﻫﺭِ ﻴﺒﻘﻴﻨـﻲ ﺨﺭﺍﺒـﺎﹰ ﺴِـﺤﺭ ﻨـﺎﻅِﺭِﻙ
ﻓﻜﻡ ﻴﺎ ﺭﺏ ﻤﻥ ﻟﻴلٍ ﺴﺄﻗﻀﻲ ﻜـﻲ ﺃﺭﻯ ﺒـﺼﺭﻱ
ﻭﺸﻤﻊ ﺍﻟﻌﻴﻥِ ﻤـﺸﹾﺘﹶﻌِلٌ ﻟـﺩﻯ ﻤﺤـﺭﺍﺏِ ﺤﺎﺠِﺒِـﻙ
ﺴﻴﺒﻘﻰ ﻁﺎﻫِﺭﺍﹰ ﺩﻫﺭﻱ ﺴﻭﺍﺩ ﺍﻟﻠﹼﻭﺡِ ﻤـﻥ ﻨﹶﻅﹶـﺭﻱ
ﻭﺫﺍﻙ ﻟِﺄﻨﱠــﻪ ﻨﹶــﺴﺦﹲ ﻟِــﺸﺎﻤﺔِ ﻟــﻭﺡِ ﻋﺎﺭِﻀِــﻙ
ﺍﻟﺼﺒﺎ ﻭﺃﻨﺎ ﻜﻤـﺴﻜﻴﻨﹶﻴﻥِ ﻗـﺩ ﻀِـﻌﻨﺎ ﺒـﻼ ﺃَﺜـﺭٍ
ﺃﻨﺎ ﺴﻜﹾﺭﻱ ﺒِﺴِﺤﺭِ ﺍﻟﻌﻴﻥِ ﻭﻫـﻲ ﺒِﻨﹶـﺸﹾﺭِ ﻁﹸﺭﺘِـﻙ
ﻭﺤﺎﻓِﻅﹸ ﻻ ﻴﺭﻯ ﺸﻴﺌﺎﹰ ﻤﻥ ﺍﻟـﺩﻨﻴﺎ ﻭﻤـﻥ ﻋﻘﺒـﻰ
ﻭﻟﻴﺱ ﻫﻨﺎﻙ ﻓﻲ ﻋﻴﻨﻴـﻪِ ﻏﻴـﺭ ﻏﹸﺒـﺎﺭِ ﺘﹸﺭﺒﺘِـﻙ
ﺃﻨﺎ ﻓﻲ ﺴﻜﹾﺭٍ ﺩﺍﺌﻡٍ ﻭﻤﺩﺍﻤﻲ ﻨﺴﻴﻡ ﺠﻌﺩِ ﻀﻔﻴﺭﺘِﻙ ،ﻭﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻴﺤﻴﻠﹸﻨﻲ ﺨﺭﺍﺒﺎﹰ ﺴِﺤﺭ
ﻋﻴﻨِﻙ ﺍﻟﺴﺎﺤِﺭﺓ؛
) (١ﺩﺭﺏ ﺍﻟﻌﺸﻕ ﻭﺍﻟﺴﻴﺭِ ﺇﻟﻰ ﺍﻟﺤﻕ ﻻ ﻴﻤﻜﻥ ﺘﺼﻭﺭ ﻨﻬﺎﻴﺘﻬﺎ ،ﻭﻻ ﺒﺩ ﻤﻥ ﻗﻁﻊِ ﺁﻻﻑِ ﺍﻟﻤﺭﺍﺤل
ﻟﺒﻠﻭﻍ ﺒﺩﺍﻴﺘﻬﺎ؛
) (٢ﻟﻥ ﺃﺫﻫﺏ ﺇﻻﱠ ﺇﻟﻴﻜﹸﻡ ﻤﻬﻤﺎ ﻨﺎﻟﻨﻲ ﻤﻥ ﻅﹸﻠﻡٍ ﻭﻋﺫﺍﺏٍ ﻋﻨﺩﻜﹸﻡ ﻓﻅﻠﻡ ﺍﻟﺤﺒﻴﺏِ ﺃﺤﺏ ﺇﻟﻲ ﻤﻥ
ﻨﺎﺼﺢٍ ﻴﺩﻋﻲ ﺼﺩﺍﻗﺘﻲ ﻭﺭﻋﺎﻴﺘﻲ.
-١١٦-
ﺭﺒﺎﻩ ،ﻜﻡ ﻟﻴﻠﹶﺔﹶ ﺼﺒﺭٍ ﺴﺄﻗﻀﻲ ﻷﺴﺘﻁﻴﻊ ﺃﻥ ﺃﺭﻯ ﺸﹶﻤﻊ ﻋﻴﻨﻲ ﻭﻗﺩ ﺍﺸﺘﹶﻌلَ ﻓﻲ
ﻤِﺤﺭﺍﺏِ ﺤﺎﺠِﺒِﻙ؛
ﺏ ﻨﹸﺴﺨﹶﺔﹲ ﻤِﻥ ﻟﹶﻭﺡِ ﺨﺎﻟِﻙ ﺍﻟﻬِﻨﹾﺩﻱ
ﺴﻭﺍﺩ ﻟﻭﺡِ ﺍﻟﻨﱠﻅﹶﺭِ ﺃُﺤﺎﻓِﻅﹸ ﻋﻠﻴﻪِ ﻋﺯﻴﺯﺍﹰ ﻷﻨﱠﻪ ﻴﺎ ﺤﺒﻴ
)ﺍﻷﺴﻭﺩ ﺍﻟﻤﺴﻜﻲ(١)(؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﹸﺭﻴﺩ ﺃﻥ ﺘﹸﺠﻤلَ ﺍﻟﺨﺎﻟِﺩﻴﻥ ﻓﻲ ﺍﻟﻭﺠﻭﺩِ ﺠﻤﻴﻌﺎﹰ ،ﻗﹸلْ ﻟﻠﺼﺒﺎ ﺘﺭﻓﹶﻊِ ﺍﻟﺒﺭﻗﹸﻊ
ﻟﺤﻅﹶﺔﹰ ﻋﻥ ﻭﺠﻬِﻙ؛
ﻭﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﹸﺭﻴﺩ ﺃﻥ ﺘﺭﻓﹶﻊ ﺭﺴﻡ ﺍﻟﻔﻨﺎﺀِ ﻤِﻥ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺍﻨﺸﹸﺭ ﻀﻔﻴﺭﺘﹶﻙ ﻓﺘﻨﺘﹶﺸِﺭ ﺁﻻﻑﹸ
ﺍﻷﺭﻭﺍﺡِ ﻤِﻥ ﻜﹸلﱢ ﺸﹶﻌﺭﺓٍ ﻤﻨﻬﺎ؛
ﺃﻨﺎ ﻭﺭﻴﺢ ﺍﻟﺼﺒﺎ ﻤِﺴﻜﻴﻨﺎﻥِ ﻫﺎﺌﻤﺎﻥِ ﻋﻠﻴﻼﻥ ،ﺃﻨﺎ ﺴﻜﺭﻱ ﻤﻥ ﺴِﺤﺭِ ﻋﻴﻨِﻙ ،ﻭﻫﻲ ﻤِﻥ
ﻋﺒﻴﺭِ ﻓﹶﺭﻋِﻙ؛
ﻴﺎ ﻟِﻬِﻤﺔِ ﺤﺎﻓِﻅﹶ ﺍﻟﱠﺫﻱ ،ﻏﻴﺭ ﻏﹸﺒﺎﺭِ ﺤِﻤﺎﻙ ،ﻻ ﻴﺩﺨﹸلُ ﺇﻟﻰ ﻋﻴﻨِﻪِ ﺸﻲﺀ ﻤﻥ ﺍﻟﺩﻨﻴﺎ ﻭﻻ
ﻤِﻥ ﺍﻟﻌﻘﺒﻰ.
ﻏﺰﻝ ٩٦
ﻤﺎ ﻟﻬﺠﺭﻱ ﺃﻤﺩ ﻴﻘـﻀﻰ ﺍﻟﻐﻴـﺎﺙﹾ ﻤﺎ ﻟﺩﺍﺌﻲ ﻤـﺎ ﻴﺩﺍﻭﻴـﻪِ ﺍﻟﻐﻴـﺎﺙﹾ
ﻁﻤﻊ ﺒـﺎﻟﺭﻭﺡِ ﻴـﺎ ﺭﺏ ﺍﻟﻐﻴـﺎﺙﹾ ﺃﺨــﺫﻭﺍ ﺩﻴﻨــﻲ ﻭﻗﻠﺒــﻲ ﻭﻟﻬــﻡ
ـﺎﺙﹾ
ـﻲ ﻗﹸﺒﻠﹶ ـﺔٍ ،ﺭﺏ ﺍﻟﻐﻴـ
ﺜﹶﻤﻨ ـﺎﹰ ﻓـ ﺴﻠﺒﻭﺍ ﺭﻭﺤـﻲ ﻭﻗﻠﺒـﻲ ﻁﻠﺒـﻭﺍ
ﺃُﻤــﺔﹶ ﺍﻹﺴــﻼﻡِ ﺒــﺎﷲ ﺍﻟﻐﻴــﺎﺙﹾ ﻜﺎﻓﺭﻭﺍ ﻗﻠﺏٍ ﺩﻤـﻲ ﻗـﺩ ﻫـﺩﺭﻭﺍ
ﻀﺎﺌﻊ ﻴﺒﻜـﻲ ﻓﻴـﺎ ﺭﺏ ﺍﻟﻐﻴـﺎﺙﹾ ﻭﺒِﻠﻴـــلٍ ﻭﻨﻬـــﺎﺭٍ ﺤـــﺎﻓﻅﹲ
) (١ﺍﻟﺸﹼﺎﻤﺔﹸ ﺃﻭ ﺍﻟﺨﺎلُ ﻫﻲ ﺍﻟﻨﱡﻘﻁﺔﹸ ﺍﻟﺴﻭﺩﺍﺀ ﻋﻠﻰ ﺍﻟﺨﺩ ،ﻭﻫﻲ ﺭﻤﺯ ﻋﺭﻓﺎﻨﻲ ،ﻗﺎل ﺍﻟﻤﻭﻟﻭﻱ ﻓﻲ
ﺍﻟﻤﺜﻨﻭﻱ :ﻻ ﻴﻤﻜﻥ ﻭﺼﻑﹸ ﺠﻤﺎﻟِﻪِ ﺒﺎﻟﺒﻴﺎﻥِ ﻷﻥ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﺼﻭﺭﺓﹸ ﺨﺎﻟِﻪ.
-١١٧-
ﻨﺜﺭﺍﹰ :ﺍﻟﻐﻴﺎﺙﹶ ﻤﻥ ﺩﺍ ِﺀ ﻋﺸﻘﻲ ﺍﻟﱠﺫﻱ ﻤﺎ ﻟﻪ ﻤﻥ ﺩﻭﺍﺀٍ ،ﻭﺍﻟﻐﻴﺎﺙﹶ ﻤﻥ ﻫﺠﺭِ ﺍﻟﺤﺒﻴﺏِ ﻟﻲ
ﻭﻫﻭ ﺒﻼ ﻨﻬﺎﻴﺔ؛
ﺙ ﻤِﻥ ﺠﻭﺭِ ﺍﻟﺤِﺴﺎﻥِ ﺍﻟﻐﻴﺎﺙ؛
ﺃﺨﹶﺫﻭﺍ ﻤﻨﹼﻲ ﺍﻟﺩﻴﻥ ﻭﺍﻟﻘﹶﻠﹾﺏ ﻭﻴﻘﺼﺩﻭﻥ ﺍﻟﺭﻭﺡ ،ﺍﻟﻐﻴﺎ ﹶ
ﺃﻭﻟﺌﻙ ﺍﻟﺴﺎﻟﺒﻭﻥ ﻟﻠﻘﻠﻭﺏِ ،ﺜﹶﻤﻨﺎﹰ ﻟِﻘﹸﺒﻠﹶﺔٍ ﻭﺍﺤِﺩﺓٍ ،ﻴﻁﻠﺒﻭﻥ ﺃﻴﻀﺎﹰ ﺍﻟﺭﻭﺡ ،ﺍﻟﻐﻴﺎﺙﹶ؛
ﻜﺎﻓِﺭﻭ ﺍﻟﻘﻠﻭﺏِ ﺃﻫﺭﻗﻭﺍ ﺩﻤﻲ ،ﻴﺎ ﻤﺴﻠِﻤﻭﻥ ﻤﺎ ﺍﻟﺩﻭﺍﺀ ،ﺍﻟﻐﻴﺎﺙ؛
ﻤِﺜﹾلَ ﺤﺎﻓِﻅٍ ﺼِﺭﺕﹸ ﻏﺎﺌﺒﺎﹰ ﻋﻥ ﻨﹶﻔﺴﻲ ،ﺃﺒﻜﻲ ﻭﺃﺤﺘﺭِﻕﹸ ﺍﻟﻠﹼﻴلَ ﻭﺍﻟﻨﱠﻬﺎﺭ ،ﺍﻟﻐﻴﺎﺙ.
ﻏﺰﻝ ٩٧
ﻟﻙ ﺤﻕﱞ ﻋﻠﻰ ﺫﻭﻱ ﺍﻟﺠﻤﺎلِ ﺍﻟﺨِﺭﺍﺝ ﻓﻭﻕﹶ ﺭﺅﻭﺱِ ﺍﻟﺤِﺴﺎﻥِ ﺃﻨﺕﹶ ﻜﺘـﺎﺝ
ﺸﹶﻌﺭﻙ ﺍﻷﺴـﻭﺩ ﺍﻟﻅﱠـﻼﻡ ﺍﻟـﺩﺍﺝ ﻭﺠﻬﻙ ﺍﻷﺒﻴﺽ ﺍﻟﻨﱠﻬﺎﺭ ﺍﻟﻤـﻀﻲﺀ
ﻗﹶﻨﹾﺩِ ﻤِﺼﺭ ﻤﻊ ﺸﹶـﻬﺩِ ﻓﻴـﻙ ﺭﻭﺍﺝ ﻤﺎ ﻟﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ﻤـﻊ ﺸﹶـﻔﹶﺘﹶﻴﻙ ﺃﻭ
ﻤﺎ ﻟِﻘﹶﻠﺏِ ﺍﻟﻤﺭﻴﺽِ ﻤِﻨـﻙ ﻋِـﻼﺝ ـﻔﺎﺀ
ـﻲ ﻻ ﺃُﺭﻴ ـﺩ ﻤِﻨ ـﻪ ﺸِـ
ﻤﺭﻀـ
ﺍﻟﺤﻴﺎﺓِ ﻭﺍﻟﻘﺩ ﺴﺭﻭ ﻭﺍﻟﺼﺩﺭ ﻋﺎﺝ ﺸﹶﻔﹶﺔﹶ ﺍﻟﺨِﻀﺭِ ﺤﺯﺕﹶ ﻭﺍﻟﺜﱠﻐﺭ ﻤـﺎﺀ
ﻜﹶﺴﺭ ﻗﻠﺒﻲ ﺍﻟﻀﻌﻴﻑِ ﻤِﺜﹾلَ ﺯﺠـﺎﺝ ﻟﻜِﻥِ ﺍﻟﻘﹶﻠﹾﺏ ﻤِﺜﹾـ َل ﺼـﺨﹾﺭٍ ﻭﻤِﻨﹾـﻪ
ﻨﺜﺭﺍﹰ :ﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﻋﻠﻰ ﺭﺅﻭﺱِ ﺤِﺴﺎﻥِ ﺍﻟﺒﻼﺩِ ﻜﺘﺎﺝٍ ،ﺤﻕﱞ ﺇﺫﺍ ﻜﹸلﱡ ﺍﻟﺤِﺴﺎﻥِ ﻤﺎ ﺩﻓﻌﻭﺍ
ﻟﻙ ﺍﻟﺨِﺭﺍﺝ)(١؛
ﻋﻴﻨﺎﻙ ﺍﻟﺴﺎﺤِﺭﺘﺎﻥِ ﺃﺜﺎﺭﺘﺎ ﻓﻲ ﺒﻼﺩِ ﺍﻟﺘﱡﺭﻙِ ﻭﺍﻟﺤﺒﺵِ ﺍﻻﻀﻁﺭﺍﺏ ،ﻭﺍﻟﺼﻴﻥ ﻭﺍﻟﻬِﻨﹾﺩ
ﺘﺩﻓﻌﺎﻥِ ﻟِﺠﻌﺩِ ﻓﹶﺭﻋِﻙ ﺍﻟﺨِﺭﺍﺝ)(٢؛
ﺒﻴﺎﺽ ﻭﺠﻬِﻙ ﻨﺎﺼِﻊ ﻜﻌﺎﺭِﺽِ ﻭﺠﻪِ ﺍﻟﻨﱠﻬﺎﺭ ،ﺴﻭﺍﺩ ﻓﺭﻋِﻙ ﺍﻷﺴﻭﺩِ ﻅﻼﻡ ﺩﺍﺝ؛
) (١ﺠﻤﺎلُ ﻜﹸلﱢ ﺠﻤﻴل ﻓﻴﺽ ﻤﻥ ﺠﻤﺎﻟِﻙ ﻭﻋﻁﻴﺔﹲ ﻤﻥ ﻋﻁﺎﻴﺎﻙ ،ﻭﻤﻠﻭﻙ ﺍﻟﺠﻤﺎلِ ﻤﻨﻙ ﺘﻴﺠﺎﻨﹸﻬﺎ،
ﻓﻠﻙ ﺍﻟﺤﻕﱡ ﺒﺎﻟﺠِﺯﻴﺔِ ﻋﻠﻰ ﻜﹸلﱢ ﺫﻱ ﺠﻤﺎلٍ؛
) (٢ﻋﻴﻨﺎﻙ ﺃﺜﺎﺭﺘﺎ ﺒِﺴِﺤﺭِﻫِﻤﺎ ﺍﻻِﻀﻁِﺭﺍﺏ ﻓﻲ ﺒﻼﺩِ ﺍﻟﺘﱡﺭﻙِ ﻭﺍﻟﺤﺒﺵ ،ﻭﺍﻟﺼﻴﻥ ﻭﺍﻟﻬﻨﺩ ﺩﻓﻌﺘﺎ ﻁﻭﻋﺎﹰ
ﺍﻟﺨِﺭﺍﺝ ﻟِﻀﻔﻴﺭﺓِ ﺸﻌﺭِﻙ ﺍﻟﻤﺠﻌﺩ )ﺍﻟﺼﻴﻨﻴﻭﻥ ﻭﺍﻟﻬﻨﻭﺩ ﺍﻟﺒﺎﺭِﻋﻭﻥ ﺒﺎﻟﺭﺴﻡِ ﻋﺎﺠﺯﻭﻥ ﻋﻥ ﺭﺴﻡِ
ﻀﻔﻴﺭﺘِﻙ ﺍﻟﻤﺠﻌﺩﺓ(؛ ﻭﺍﻟﺒﻴﺎﺽ ﻏﺎﻴﺘﹸﻪ ﻓﻲ ﻭﺠﻬِﻙ ﻭﺍﻟﺴﻭﺍﺩ ﻤﻨﺘﻬﺎﻩ ﻓﻲ ﺸﻌﺭِﻙ.
-١١٨-
ﺸﹶﻬﺩ ﺜﹶﻐﹾﺭِﻙ ﻤﻨﻊ ﺭﻭﺍﺝ ﻤﺎﺀِ ﺤﻴﺎﺓِ ﺍﻟﺨِﻀﺭ ،ﺸﻔﺘﹸﻙ ﺍﻟﺴﻜﱠﺭﻴﺔﹸ ﺴﻠﹶﺒﺕﹾ ﻤﻥ ﺴﻜﱠﺭِ ﺍﻟﻨﱠﺒﺎﺕِ
ﺍﻟﻤِﺼﺭﻱ ﺍﻟﺭﻭﺍﺝ؛
ﻤِﻥ ﻫﺫﺍ ﺍﻟﻤﺭﺽِ ﻓﻲ ﺍﻟﺤﻘﻴﻘﹶﺔِ ﻻ ﺃﺭﻴﺩ ﺍﻟﺸﱢِﻔﺎﺀ ،ﻭﺠﻊ ﺍﻟﻘﻠﺏِ ﻤﻨﻙ ﻴﺎ ﺤﺒﻴﺏ ﺒﻼ ﻋﻼﺝ؛
ﺸﻔﺔﹸ ﺍﻟﺨِﻀ ِﺭ ﻋﻨﺩﻙ ،ﻭﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻓﻲ ﺜﻐﺭِﻙ ،ﻭﻗﺩﻙ ﺍﻟﻘﻭﻴﻡ ﺴﺭﻭﺓﹲ ،ﻭﺨﺼﺭﻙ
ﺍﻟﻨﱠﺤﻴلُ ﺸﹶﻌﺭﺓﹲ ،ﻭﺼﺩﺭﻙ ﻋﻠﻰ ﻫﻴﺌﺔِ ﻋﺎﺝ؛
ﻟﻜﻥ ﻗﻠﺒﻙ ﻻ ﻴﺭﻕﱡ ﻟﻌﺎﺸِﻘﻴﻙ ،ﻟِﻤﺎﺫﺍ ﻴﺎ ﺭﻭﺤﻲ ،ﺒﻘﻠﺒِﻙ ﺍﻟﻘﺎﺴﻲ ﻜﺎﻟﺼﺨﹾﺭ ،ﺘﹶﻅﹶلﱡ
ﻕ ﻤِﺜﹾلَ ﺍﻟﺯﺠﺎﺝ؛
ﺘﻜﺴِﺭ ﻗﻠﺒﻲ ﺍﻟﻀﻌﻴﻑﹶ ﺍﻟﺭﻗﻴ ﹶ
ﻭﻗﹶﻊ ﻫﻭﺍﻙ ﻓﻲ ﻗﻠﺏِ ﺤﺎﻓِﻅﹶ ﺃﻴﻬﺎ ﺍﻟﺸﱠﺎﻩ ﺍﻟﻌﻅﻴﻡ ،ﻴﺎ ﻟﻴﺘﹶﻪ ﻜﺎﻥ ﺃﺼﻐﹶﺭ ﺫﹶﺭﺓِ ﺘﹸﺭﺍﺏٍ ﺒﺒﺎﺒِﻙ.
ﻏﺰﻝ ٩٨
ﻓﻲ ﺸﺭﻋِﻪِ ﻭﺃﻨﺎ ﺒـﺫﺍﻙ ﺼـﻼﺤﻲ ﻟﻙ ﻤﺫﻫﺏ ﻗﺘـلُ ﺍﻟﻤﺤِـﺏ ﻤﺤﻠﱠـلٌ
ﻭﺒﻴﺎﺽِ ﻭﺠﻬِﻙ ﻓـﺎﻟِﻕِ ﺍﻹﺼـﺒﺎﺡِ ﺴﻘﻴﺎ ﻟِﺸﹶﻌﺭِﻙ ﺠﺎﻋِـلِ ﺍﻟﻅﱡﻠﹸﻤـﺎﺕِ
ﻭﻟِﺴﻬﻡِ ﻋﻴﻨِـﻙ ﺨـﺎﻁِﻑِ ﺍﻷﺭﻭﺍﺡِ ﻭﻀﻔﺎﺌِﺭٍ ﻟﹶـﻙ ﻻ ﻴﻔﹶـﻙ ﺃﺴـﻴﺭﻫﺎ
ـﻰ ﺍﻟﻤ ـﻼﱠﺡ
ـﻰ ﻋﻠـ
ﻓﹶﻌﺒﺎﺒ ـﻪ ﻴﻁﹾﻐـ ﻴﺎ ﻤﻥ ﺠﺭﻯ ﺩﻤﻌﻲ ﺒِﺤﺒﻙ ﺩﺍﻓِﻘـﺎﹰ
ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻭﻤِﻨﹾﻙ ﺫِﻜﹾـﺭ ﺭﻭﺍﺤـﻲ ﺭﻭﺤﻲ ﻗﹸﻭﺍﻫﺎ ﻤِﻥ ﺸﹶﻔﺎﻫِﻙ ﺇﻨﱠﻬـﺎ
ﺴﻜﺭﻱ ﻭﻋِﺸﹾﻘﻲ ﻭﺍﻟﺠﻨﻭﻥ ﺼﻼﺤﻲ ﻻ ﻴﺭﺘﹶْﺠﻰ ﻤِﻨﱢﻲ ﺍﻟـﺼﻼﺡ ﻭﺘﹶﻭﺒـﺔﹰ
ﺇﺫﺍ ﻜﺎﻥ ﺩﻡ ﺍﻟﻌﺎﺸﻕِ ﻓﻲ ﻤﺫﻫﺒﻙ ﻤﺒﺎﺤﺎﹰ ،ﻓﺼﻼﺤﻨﺎ ﺠﻤﻴﻌﺎﹰ ﻓﻴﻤﺎ ﺘﺭﺍﻩ ﻟﻨﺎ ﺼﻼﺤﺎﹰ)(١؛
ﺴﻭﺍﺩ ﻓﺭﻋِﻙ ﺍﻷﺴﻭﺩ ﺠﺎﻋِلُ ﺍﻟﻅﱡﻠﹸﻤﺎﺕ ،ﺒﻴﺎﺽ ﻭﺠﻬِﻙ ﻜﺎﻟﺒﺩﺭِ ﻓﺎﻟِﻕﹸ ﺍﻹﺼﺒﺎﺡ)(٢؛
) (١ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ:
ـﻭﺕِ ﻗﺘ ـلُ؛
ـﻲ ﺒ ـﻪِ ﻟﻠﻤـ
ـﻲ ﻗﺘﻠـ
ﻭﻓـ ـﻭﺍﻩ ﺤ ـلﱡ
ـﻥ ﺃﻫـ
ـﻲ ﻟﻤـ
ـﺭﺍﻡ ﺩﻤـ
ﺤـ
) (٢ﻅﻠﻤﺔﹸ ﺸﻌﺭﻙ ﻟﻴلٌ ﺩﺍﺝٍ ﻴﻐﺸﻰ ﻭﻀﻴﺎﺀ ﻭﺠﻬِﻙ ﺍﻟﱠﺫﻱ ﻴﺸﺒﻪ ﺍﻟﻘﻤﺭ ﻨﻬﺎﺭ ﻤﻨﻴﺭ ،ﻓﻜﻡ ﻤﻥ ﻀﺎﺌﻊٍ
ﻓﻲ ﻟﻴلِ ﺸﹶﻌﺭِﻙ ﻭﻜﻡ ﻤﻥ ﻤﻬﺘﹶﺩٍ ﺒِﻨﹶﻬﺎﺭِ ﻭﺠﻬِﻙ ،ﻭﻗﺎل ﻋﻔﻴﻑ ﺍﻟﺩﻴﻥ ﺍﻟﺘﹼﻠﻤﺴﺎﻨﻲ:
ﻭﻫــﺩﺘﻨﺎ ﻤﻨﻬــﺎ ﻟﻬــﺎ ﺍﻷﻀــﻭﺍﺀ؛ ﻗﺩ ﻀﻠﻠﻨﺎ ﺒِـﺸﹶﻌﺭِﻫﺎ ﻭﻫـﻭ ﻤﻨﻬـﺎ
-١١٩-
ﻤِﻥ ﺤِﺒﺎلِ ﺸِﺒﺎﻙِ ﻀﻔﻴﺭﺘِﻙ ﻻ ﺸﹶﺨﹾﺹ ﻴﺠِﺩ ﺍﻟﺨﻼﺹ ،ﻤﻥ ﻗﻭﺱِ ﺤﺎﺠِﺒِﻙ ﻭﺴﻬﻡِ
ﻋﻴﻨِﻙ ،ﺃﻱ ﻨﺠﺎﺡ)(١؛
ﻨﺒﻊ ﻤﺎﺀِ ﻋﻴﻨﻲ ﺍﻟﺠﺎﺭﻱ ،ﻋﻠﻰ ﺸﻁﱢﻪِ ﻻ ﻴﺤﺴِﻥ ﺍﻟﺴﺒﺎﺤﺔﹶ ﺍﻟﻤﻠﹼﺎﺡ؛
ﺸﹶﻔﹶﺘﹸﻙ ﻜﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ﻤﻨﻬﺎ ﻗﻭﺓﹸ ﺍﻟﺭﻭﺡِ ،ﻭﻤِﻨﻬﺎ ﻟﻭﺠﻭﺩﻱ ﺍﻟﺘﱡﺭﺍﺒﻲ ﺫِﻜﹾﺭ ﺭﻭﺍﺡٍ)(٢؛
ﻤِﻥ ﻋﻁﺎﺀِ ﺸﹶﻔﹶﺘِﻙ ﻨِﻠﹾﺕﹸ ﻗﹸﺒﻠﹶﺔﹰ ﺒﻤِﺌﺔِ ﺒﻜﺎﺀِ ﺤﺭﻗﹶﺔٍ ،ﻭﻨِﻠﹾﺕﹸ ﻤﺭﺍﺩ ﻗﻠﺒﻲ ﺒﻌﺩ ﻤِﺌﺔِ ﺃﻟﻑِ
ﺇﻟﺤﺎﺡٍ؛
ﺍﻟﺩﻋﺎﺀ ﻟﺤﻴﺎﺘِﻙ ﻭِﺭﺩ ﻟِﺴﺎﻥِ ﺍﻟﻤﺸﺘﺎﻗﻴﻥ ،ﻤﺘﱠﺼِلٌ ﺩﺍﺌﻤﺎﹰ ﻤﺎ ﺍﺘﱠﺼلَ ﺍﻟﻤﺴﺎﺀ ﺒﺎﻟﺼﺒﺎﺡِ؛
ﻻ ﺘﺒﺤﺙﹾ ﻋﻥِ ﺍﻟﺼﻼﺡِ ﻭﺍﻟﺘﱠﻭﺒﺔِ ﻭﺍﻟﺘﱠﻘﻭﻯ ﻋِﻨﹾﺩﻨﺎ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﻻ ﺸﹶﺨﺹ ﻴﺠِﺩ ﻋﻨﺩ
ﺨﻠﻴﻊٍ ﻭﻋﺎﺸِﻕٍ ﻭﻤﺠﻨﻭﻥٍ ﺍﻟﺼﻼﺡ.
ﻏﺰﻝ ٩٩
)(٣
ﻤــﺸﺘﱠﺕﹲ ﻜــﺸﻌﺭِﻩِ ﺍﻟﻤﺒــﺎﺭﻙ ـﺎﺭﻙ
ـﻲ ﺒﺤ ـﺏ ﻭﺠﻬِ ـﻪِ ﺍﻟﻤﺒـ
ﻗﻠﺒـ
)(٤
ﻤﻥ ﺃَﺤـﺩٍ ﺒﻭﺠﻬِـﻪِ ﺍﻟﻤﺒـﺎﺭﻙ ﻏﻴﺭ ﺴـﻭﺍﺩِ ﺸـﻌﺭِﻩِ ﻟـﻡ ﻴﻠﹾﺘﹶـﻕِ
) (١ﺍﻟﻭﺍﻗﻊ ﻓﻲ ﺸﺒﺎﻙِ ﺸﻌﺭﻙ ﻻ ﺃﻤلَ ﻟ ﻪ ﺒﺎﻟﺨﻼﺹ ،ﻓﻘﻴﻭﺩ ﺸﹶﻌﺭِﻙ ﻻ ﺘﹸﺤلﱡ ،ﻭﺴﻬﻡ ﻋﻴﻨﻙ ﺍﻟﱠﺫﻱ
ﻴﺭﻤﻴﻪِ ﻗﻭﺱ ﺤﺎﺠﺒﻙ ﻗﺎﺘلٌ ﺒﻼ ﺭﻴﺏ؛
)) (٢ﻭﻤﻨﻙ ﺫِﻜﺭ ﺭﻭﺍﺤﻲ( ﺃﻱ ﻤِﻥ ﺫِﻜﺭِﻙ ﺃﺠِﺩ ﺍﻟﺭﻭﺍﺡ ﻭﻫﻭ ﺭﺍﺤﺔﹸ ﺍﻟﻨﱠﻔﺱِ ﺍﻟﻨﱠﺎﺘِﺠﺔﹸ ﻋﻥِ ﺍﻟﻴﻘﻴﻥِ ﻜﻤﺎ
ﻓﻲ ﺍﻟﻤﻌﺠﻡ ،ﻜﻤﺎ ﺘﺄﺘﻲ ﻜﻠِﻤﺔﹸ ﺭﻭﺍﺡ ﺒﺎﻟﻔﺎﺭﺴﻴﺔِ ﺒِﻤﻌﻨﻰ ﺍﻟﻠﻴل ،ﻭﻋﻠﻴﻪِ ﻴﻜﻭﻥ ﺍﻟﻤﻌﻨﻰ ﻤﻨﻙ ﻤﺎ ﻴﻜﻭﻥ
ﻤﻨﹼﻲ ﻤِﻥ ﺍﻟﺫﹼﻜﺭِ ﻓﻲ ﺍﻟﻠﻴل ،ﻭﻗﺩ ﻭﺭﺩ ﻓﻲ ﺒﻌﺽِ ﺍﻟﻨﱡﺴﺦِ )ﻭﻤﻨﻙ ﻟﺫﱠﺓﹸ ﺭﺍﺤﻲ( ﺒﺩلَ )ﻭﻤﻨﻙ ﺫِﻜﺭ
ﺭﻭﺍﺤﻲ( ،ﻭﻋﻠﻰ ﺫﻟِﻙ ﻴﻜﻭﻥ ﺍﻟﻤﻌﻨﻰ :ﻋﻴﻥ ﺍﻟﺤﻴﺎﺓِ ﻓﻲ ﺸﻔﺎﻫﻙ ﻭﻤﻨﻬﺎ ﻤﺎ ﺒﺭﻭﺤﻲ ﻤﻥ ﻗﻭﺓٍ ،ﻭﺇﻥ
ﻭﺠﻭﺩﻱ ﺍﻟﺘﱡﺭﺍﺒﻲ ﻴﺘﻠﺫﱠﺫﹸ ﺒﺫﻜﺭﻙ ،ﻭﺍﻟﻠﱠﺫﺓﹸ ﺍﻟﱠﺘﻲ ﺃﺠﺩﻫﺎ ﻓﻲ ﻜﺄﺱِ ﺸﺭﺍﺒﻲ ﻫﻲ ﻤﻨﻙ.
) (٣ﻗﻠﺒﻲ ﺒِﺤﺏ ﻭﺠﻬِﻪِ ﺍﻟﻤﺒﺎﺭﻙِ ،ﻤﺸﺘﱠﺕﹲ ﻜﺸﹶﻌﺭِﻩِ ﺍﻟﻤﺸﺘﱠﺕِ ﺍﻟﻤﺒﺎﺭﻙ)،ﺍﻟﻘﻠﺏ ﺍﻟﻤﺸﺘﱠﺕﹸ ﺃﻱ ﺍﻟﺤﺎﺌ ﺭ
ﺍﻟﻭﺍﻟِﻪ ،ﻭﺍﻟﺸﱠﻌﺭ ﺍﻟﻤﺸﺘﱠﺕﹸ ﺃﻱ ﺍﻟﻤﺘﻜﺜﱢﺭ ﺍﻟﻤﺘﻔﺭﻕﹸ ،ﻭﺍﻟﺸﱠﻌﺭ ﺭﻤﺯ ﻟﻠﻐﻴﺏِ ﺃﻭ ﺍﻟﺒﻁﻭﻥ ،ﻭﺍﻟﺘﱠﺸﺘﱡﺕﹸ
ﻴﺭﻤﺯ ﻟﻠﻜﺜﺭﺓِ ﺍﻟﻨﱡﻭﺭﻴﺔِ ﻭﻫﻲ ﻋﺎﻟﹶﻡ ﺍﻟﻌﻘﻭلِ ﻭﺍﻷﺭﻭﺍﺡ ،ﻭﺍﻟﻭﺠﻪ ﺭﻤﺯ ﻟﻠﻅﱡﻬﻭﺭ ﻓﻬﻭ ﻋﺎﻟﹶﻡ
ﺍﻟﺼﻭﺭ ﻭﺍﻟﻤﺤﺴﻭﺴﺎﺕ(؛
) (٤ﻏﻴﺭ ﺴﻭﺍﺩِ ﻓﺭﻋِﻪِ ﺍﻟﻬِﻨﺩﻱ ﻻ ﺸﺨﺹ ﻗﺩِ ﺍﻟﺘﻘﻰ ﺒﻭﺠﻬِﻪِ ﺍﻟﻤﺒﺎﺭﻙ؛
-١٢٠-
)(١
ﺩﻭﻤﺎﹰ ﺠﻠﻴﺱ ﻭﺠﻬِـﻪِ ﺍﻟﻤﺒـﺎﺭﻙ ﺍﻟــﺴﻭﺍﺩ ﺤــﻅﱞ ﻤــﺴﻌِﺩ ﻷﻨﱠــﻪ
)(٢
ﺭﺍﺡ ﻫﺎﺌﻤــﺎﹰ ﺒﻘــﺩﻩِ ﺍﻟﻤﺒــﺎﺭﻙ ﻭﻟــﻭ ﺭﺁﻩ ﺍﻟــﺴﺭﻭ ﺫﺍﻙ ﺍﻟﺤــﺭ
)(٣
ﺒِﺫِﻜﹾﺭِ ﺴﺤﺭِ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﻤﺒـﺎﺭﻙ ﻫﺎﺕِ ﺸﺭﺍﺏ ﺍﻷﺭﻏـﻭﺍﻥِ ﺴـﺎﻗﻴﺎ
)(٤
ﻤﻥ ﻗﻭﺱِ ﺫﺍﻙ ﺍﻟﺤﺎﺠِﺏِ ﺍﻟﻤﺒﺎﺭﻙ ﻜﺎﻟﻘﻭﺱِ ﺼﺎﺭﺕ ﻗﺎﻤﺘﻲ ﻭﻤﺤﻨﹶﺘـﻲ
)(٥
ﻤﻥ ﻁﻴﺏِ ﻋﺭﻑِ ﻓﺭﻋِﻪِ ﺍﻟﻤﺒﺎﺭﻙ ﻤﺴﻙ ﺍﻟﺘﱠﺘـﺎﺭِ ﻴـﺴﺘﺤﻲ ﻨـﺴﻴﻤﻪ
)(٦
ﻓﹶﻤﻴلُ ﻗﻠﺒـﻲ ﻭﺠﻬـﺔﹶ ﺍﻟﻤﺒـﺎﺭﻙ ﺏ ﻜﹸلﱢ ﺸﹶﺨﹾﺹٍ ﻭﺠﻬـﺔﹰ
ﺇﻥ ﻤﺎلَ ﻗﻠ
)(٧
ﻗﺩ ﺼﺎﺭ ﻋﺒـﺩ ﺫﻟِـﻙ ﺍﻟﻤﺒـﺎﺭﻙ ﺃﻨﺎ ﻏﹸـﻼﻡ ﻫِﻤـﺔِ ﺍﻟﱠـﺫﻱ ﻜﺤـﺎﻓِﻅٍ
ﻏﺰﻝ ١٠٠
ﺃﻤﺱِ ،ﺸﻴﺦﹸ ﺍﻟﻤﺠﻭﺱِ ،ﺩﺍﻡ ﺫِﻜﹾﺭﻩ ﺒﺎﻟﺨﹶﻴﺭِ ،ﻗﺎلَ :ﺍﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻭﺍﻨﹾﺱ ﻏﻡ ﻗﻠﺒِﻙ؛
ﻗﻠﺕﹸ :ﺍﻟﺨﻤ ﺭ ﺘﹸﻌﻁﻲ ﻟﻠﺭﻴﺢِ ﺴﻤﻌﺘﻲ ﻭﻓﻀﻠﻲ ،ﻗﺎلَ :ﺍﻗﺒلِ ﺍﻟﻜﻼﻡ ﻭﻟﻴﻜﹸﻥ ﻤﺎ ﻴﻜﻭﻥ؛
ﺍﻟﺨﺴﺎﺭﺓﹸ ﻭﺍﻟﺭﺒﺢ ﻭﺍﻟﺜﱠﺭﻭﺓﹸ ﺇﻟﻰ ﺫﻫﺎﺏٍ ،ﻟِﺫﺍ ﻟِﺄﺠلِ ﻫﺫِﻩِ ﺍﻟﺘﱢﺠﺎﺭﺓِ ﻻ ﺘﹶﺴﻌﺩ ﻭﻻ ﺘﻐﺘﹶﻡ؛
ﻓﺴﻭﻑﹶ ﺘﺠِﺩ ﺍﻟﺭﻴﺢ ﻓﻲ ﻴﺩِﻙ ﺇﻥ ﺭﺒﻁﹾﺕﹶ ﻗﻠﺒﻙ ﺒﻼ ﺸﻲﺀٍ ،ﻓﻲ ﺍﻟﻤﻌﺭﺽِ ﺍﻟﱠﺫﻱ ﺫﻫﺏ
ﻓﻴﻪِ ﺘﺨﺕﹸ ﺴﻠﻴﻤﺎﻥ ﻤﻊ ﺍﻟﺭﻴﺢ)(٨؛
ﺤﺎﻓِﻅﹸ ﺇﻥ ﻜﺎﻨﹶﺕﹾ ﺒِﻙ ﻤﻼﻟﺔﹲ ﻤﻥ ﻤﻭﺍﻋِﻅِ ﺍﻟﺤﻜﹶﻤﺎﺀِ ،ﻟِﻨﹶﺠﻌلِ ﺍﻟﻘِﺼﺔﹶ ﻗﺼﻴﺭﺓﹰ ،ﻭﻜﺎﻥ
ﻋﻤﺭﻙ ﻁﻭﻴﻼﹰ.
) (١ﺍﻟﺴﻭﺍﺩ ﺤﻅﱞ ﺠﻤﻴلٌ ﻷﻥ ﻓﺭﻋﻪ ﺍﻷﺴﻭﺩ ﺩﻭﻤﺎﹰ ﺭﻓﻴﻕﹸ ﺴِﺭ ﻭﺠﻠﻴﺱ ﻟﻭﺠﻬِﻪِ ﺍﻟﻤﺒﺎﺭﻙ؛
) (٢ﺍﻟﺴﺭﻭ ﺍﻟﺤﺭ ﻴﺼﻴﺭ ﻋﺎﺸِﻘﺎﹰ ﻤﻀﻁﹶﺭِﺒﺎﹰ ﺇﺫﺍ ﺭﺃﻯ ﻗﹶﺩﻩ ﺍﻟﻠﱠﻁﻴﻑﹶ ﺍﻟﻤﺒﺎﺭﻙ؛
) (٣ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺍﻟﺸﱠﺭﺍﺏ ﺍﻷُﺭﺠﻭﺍﻨﻲ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﺫﺍﻙ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﺴﺎﺤِﺭِ ﺍﻟﻤﺒﺎﺭﻙ؛
) (٤ﻗﺎﻤﺘﻲ ﺍﻨﺤﻨﺕﹾ ﻤِﺜﹾلَ ﻗﻭﺱٍ ﻤِﻥ ﻏﻡ ﻤﺘﱠﺼِلٍ ﻜﺤﺎﺠِﺒِﻪِ ﺍﻟﻤﺒﺎﺭﻙ؛
) (٥ﻨﺴﻴﻡ ﺍﻟﻤِﺴﻙِ ﺍﻟﺘﱠﺎﺘﺎﺭﻱ ﺃﺨﹾﺠﻠﹶﻪ ﻁﻴﺏ ﻋﺒﻴﺭِ ﻋﻨﺒﺭِ ﻓﺭﻋِﻪِ ﺍﻟﻤﺒﺎﺭﻙ؛
ﺏ ﻜﹸلﱢ ﺸﹶﺨﹾﺹٍ ﺇﻟﻰ ﻤﻜﺎﻥٍ ،ﻤﻴلُ ﻗﻠﺒﻲ ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﻤﺒﺎﺭﻙ؛ ) (٦ﺇﺫﺍ ﻤﺎلَ ﻗﻠ
) (٧ﺃﻨﺎ ﻏﹸﻼﻡ ﻫِﻤﺔِ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻫﻭ ﻤِﺜلَ ﺤﺎﻓِﻅﹶ ﻏﻼﻡ ﻟﻪ ﻭﻋﺒﺩ ﻤﺒﺎﺭﻙ.
) (٨ﺴﺘﺤﺼﺩ ﺍﻟﺭﻴﺢ ﺇﻥ ﺭﺒﻁﹾﺕﹶ ﻗﻠﺒﻙ ﺒﺎﻟﺩﻨﻴﺎ ﺍﻟﱠﺘﻲ ﻫﻲ ﻻ ﺸﻲﺀ ،ﻭﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻌﺭﺽِ )ﺍﻟﺩﻨﻴﺎ(،
ﻜﺭﺴﻲ ﻤﻠﹾﻙِ ﺴﻠﻴﻤﺎﻥ ﺍﻟﻌﻅﻴﻡ ﺫﻫﺏ ﻤﻊ ﺍﻟﺭﻴﺢ.
-١٢١-
ﻏﺰﻝ ١٠١
ﺍﻟﺸﱡﺭﺏ ﻓﻲ ﺍﻟﺴﺭ ﺃﻤﺭ ﺒِﻼ ﺭﺸـﺎﺩ ﻻ ﺃُﺒﺎﻟﻲ ﺩﺨﻠﹾﺕﹸ ﺼـﻑﱠ ﺍﻟـﺴﻜﺎﺭﻯ
ﻋﻘﹶﺩ ﺍﻟﻘﹶﻠﹾﺏِ ﺤلﱠ ﺩﻉ ﻋﻘﹶﺩ ﺍﻟﻔﹸﻠﹾﻙِ ﺍﻟﱠﺘـﻲ ﻟﹶـﻡ ﻴﺤِـلﱠ ﻓِﻜﹾـﺭ ﺍﻟﻤﻬﻨﹾـﺩِﺱِ ﺍﻟﻭﻗﱠـﺎﺩ
ﻻﻨﹾﻘِــﻼﺏِ ﺍﻟﺯﻤــﺎﻥِ ﻻ ﺘﹶﻌﺠــﺏِ ﺍﻷﻓــﻼﻙ ﻋﻠــﻰ ﺁﻻﻑِ ﺃﺤﺩﺍﺜِــﻪِ ﺃﺸﹾــﻬﺎﺩ
ﺍِﺭﻓﹶﻊِ ﺍﻟﻜـﺄْﺱ ﻓـﻲ ﺃَﺩﺏٍ ﻓﻬـﻭ ﻤِـﻥ ﺠﻤـﺎﺠِﻡ ﺠﻤـﺸِﻴﺩ ﻭﺒﻬﻤـﻥٍ ﻭﻗﺒـﺎﺩ
ﺤﺴﺭﺓﹰ ﻟِﺸِﻔﺎﻩِ ﺸﻴﺭﻴﻥ ﻻ ﺘﺯﺍلُ ﺍﻟﺸﱠﻘﺎﺌِﻕﹸ ﺘﻨﻤـﻭ ﻋﻠـﻰ ﺩِﻤـﺎﺀِ ﺩﻤـﻊِ ﻓﹶﺭﻫـﺎﺩ
ﻨﹶﺴﻴﻡ ﺭﻴﺢِ ﺍﻟﻤﺼﻠﹼﻰ ﻭﻤﺎﺀ ﺭﻜﻨﺎﺒﺎﺩ ﻟﹶــﻡ ﻴﻌﻁﻴــﺎﻨﻲ ﺇﺠــﺎﺯﺓﹰ ﻟِﻠــﺴﻔﹶﺭ
ﺍﻟﺸﱠﺭﺍﺏ ﻭﺍﻟﻌﻴﺵﹸ ﻓﻲ ﺍﻟﺨﻔﺎﺀ ،ﺃﻱ ﻋﻤلٍ ﺒﻼ ﺃﺴﺎﺱ! ،ﺩﺨﻠﻨﺎ ﻓﻲ ﺼﻑﱢ ﺍﻟﺴﻜﺎﺭﻯ
ﺍﻟﺨﻠﻴﻌﻴﻥ ،ﻭﻟﻴﻜﹸﻥ ﻤﺎ ﻴﻜﻭﻥ)(١؛
ﺤلﱠ ﻋﻘﹾﺩﺓﹶ ﺍﻟﻘﻠﺏِ ﻭﻻ ﺘﹸﻔﻜﱢﺭ ﺒﺎﻟﻔﹶﻠﹶﻙ ،ﻓﻠﻡ ﻴﺤلﱠ ﻓِﻜﹾﺭ ﺃﻱ ﻤﻬﻨﺩِﺱٍ ﻤِﺜﹾلَ ﻫﺫِﻩِ ﺍﻟﻌﻘﹾﺩﺓ)(٢؛
ﻭﻻ ﺘﻌﺠﺏ ﻤﻥ ﺍﻨﻘﻼﺏِ ﺍﻟﺯﻤﺎﻥِ ﻓﺎﻟﻔﹶﻠﹶﻙ ﻴﺫﻜﹸﺭ ﺁﻻﻑﹶ ﺍﻵﻻﻑِ ﻤِﻥ ﻫﺫِﻩِ ﺍﻷﺴﺎﻁﻴﺭ)(٣؛
ﺃﻤﺴِﻙِ ﺍﻟﻘﹶﺩﺡ ﺒِﺸﹶﺭﻁِ ﺍﻷﺩﺏِ ﻓﺘﺭﻜﻴﺒﻪ ﻤِﻥ ﻜﺄﺱِ ﺭﺃﺱِ ﺠﻤﺸﻴﺩ ﻭﺒﻬﻤﻥ ﻭﻗﺒﺎﺩ؛
ﻤﻥ ﻟﻪ ﺍﻟﺨﹶﺒﺭ ﺃﻴﻥ ﺫﹶﻫﺏ ﻜﹶﺎﻭﺱ ﻭﻜﹶﻲ؟ ،ﻤﻥ ﻭﺍﻗِﻑﹲ ﻜﻴﻑﹶ ﺫﻫﺏ ﺘﺨﺕﹸ ﺠﻤﺸﻴﺩ ﻤﻊ
ﺍﻟﺭﻴﺢ؟؛
ﻤِﻥ ﺤﺴﺭﺓٍ ﻋﻠﻰ ﺸﹶﻔﹶﺔِ ﺸﻴﺭﻴﻥ ﻻ ﺃﺯﺍلُ ﺃﺭﻯ ﺍﻟﺸﱠﻘﺎﺌﻕﹶ ﺘﻨﺒﺕﹸ ﻤِﻥ ﺩﻡِ ﻋﻴﻥِ ﻓﺭﻫﺎﺩ)(٤؛
) (١ﻟﻡ ﺃﻋﺩ ﺃُﺒﺎﻟﻲ ﺒﻤﺎ ﻴﻘﺎلُ ﺒﻲ ﻭﺼِﺭﺕﹸ ﻭﺍﺤِﺩ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻔﻀﻭﺤﻴﻥ ﻓﺎﻟﺸﱡﺭﺏ ﻓﻲ ﺍﻟﺴﺭ) ﺒِﻐﻴﺭِ
ﺴﻜﺭٍ( ﻻ ﺨﻴﺭ ﻓﻴﻪ؛
) (٢ﺤلﱠ ﻋﻘﹶﺩ ﻗﻠﺒِﻙ) ﻻ ﺘﻜﹸﻥ ﻤﻌﻘﱠﺩﺍﹰ ﻭﻜﹸﻥ ﺴﻌﻴﺩﺍﹰ( ﻭﻻ ﺘﹸﺸﻐِلْ ﻓِﻜﺭﻙ ﺒِﻤﺴﺎﺌِلِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﻤﻌﻘﱠﺩﺓِ ﺍﻟﹼﺘﻲ
ﻟﻡ ﻴﺤلﱠ ﻋﻘﹶﺩﻫﺎ ﺨﻴﺎلُ ﺃﻱ ﻤﻬﻨﺩِﺱٍ )ﺍﻟﻤﺴﺎﺌل ﺍﻟﻐﻴﺒﻴﺔ ﺍﻟﱠﺘﻲ ﻻ ﺴﺒﻴلَ ﻟﻠﻌﻘلِ ﺇﻟﻴﻬﺎ(؛
) (٣ﻭﻻ ﺘﻌﺠﺏ ﻤﻥ ﺍﻨﻘﻼﺏِ ﺍﻟﺯﻤﺎﻥِ ﻭﺘﻐﻴﺭِ ﺍﻷﺤﻭﺍلِ ﻭﻫﺫﻩِ ﺍﻷﻓﻼﻙ ﺸﺎﻫِﺩﺓﹲ ﻋﻠﻰ ﺁﻻﻑِ ﺍﻵﻻﻑِ ﻤﻨﻬﺎ؛
) (٤ﻜﻡ ﺒﻜﻰ ﻓﺭﻫﺎﺩ ﺩﻤﺎﹰ ﻤﻥ ﺤﺴﺭﺓٍ ﻋﻠﻰ ﺸِﻔﺎﻩِ ﺸﻴﺭﻴﻥ ،ﻭﻻ ﺘﺯﺍلُ ﺍﻟﺸﹼﻘﺎﺌِﻕﹲ ﺘﻨﺒﺕﹸ ﻤﻥ ﺩِﻤﺎﺀِ
ﺩﻤﻭﻋِﻪ)ﺍﻟﺸﹼﻘﺎﺌﻕﹸ ﺤﻤﺭﺍﺀ ﺍﻟﻠﹼﻭﻥِ ﻜﺎﻟﺩﻡ ،ﻗﺼﺔﹸ ﺤﺏ ﻓﺭﻫﺎﺩ ﻭﺸﻴﺭﻴﻥ ﻓﻲ ﺍﻷﺩﺏِ ﺍﻟﻔﺎﺭﺴﻲ ﺘﹸﺸﺒِﻪ
ﻗِﺼﺔﹶ ﺤﺏ ﻗﻴﺱ ﻭﻟﻴﻠﻰ ﻓﻲ ﺍﻷﺩﺏِ ﺍﻟﻌﺭﺒﻲ(؛
-١٢٢-
ﻟﹶﻌلﱠ ﺯﻫﺭﺓﹶ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻜﺎﻨﹶﺕﹾ ﺘﹶﺩﺭﻱ ﺒِﻐﹶﺩﺭِ ﺍﻟﺩﻫﺭِ ،ﻓﻤﻨﹾﺫﹸ ﻭﻟِﺩﺕﹾ ﺇﻟﻰ ﺃﻥ ﻤﺎﺘﹶﺕﹾ ،ﻟﻡ
ﺘﻀﻊِ ﺍﻟﺠﺎﻡ ﻤِﻥ ﺍﻟﻜﹶﻑﹼ؛
ﺘﹶﻌﺎلَ ﺘﻌﺎلَ ﻟِﻨﺼﻴﺭ ﺯﻤﺎﻨﺎﹰ ﻤِﻥ ﺍﻟﺸﱠﺭﺍﺏِ ﺨﺭﺍﺒﺎﹰ ،ﻋﻠﱠﻨﺎ ﻨﹶﺼِلُ ﺇﻟﻰ ﺍﻟﻜﹶﻨﹾﺯِ ﻓﻲ ﻫﺫﺍ
ﺍﻟﺨﺭﺍﺏِ ﺍﻟﻌﺎﻤِﺭ؛
ﻟﻡ ﻴﻌﻁﻴﺎﻨﻲ ﺇﺠﺎﺯﺓﹰ ﻟﻠﺴﻔﺭ ،ﻨﺴﻴﻡ ﺍﻟﻤﺼﻠﹼﻰ ﻭﻤﺎﺀ ﺭﻜﻨﺎﺒﺎﺩ)(١؛
ﻻ ﻋﻠﻰ ﺃﻨﻴﻥِ ﺍﻟﻘﻴﺜﺎﺭﺓ ،ﻓﺈﻥ ﺴﻌﺎﺩﺓﹶ ﺍﻟﻘﹶﻠﹾﺏِ ﻤﺭﺒﻭﻁﹶﺔﹲ
ﺡ ﻜﺤﺎﻓِﻅ؛ ﺇ ﹼﻻ ﺘﺄﺨﹸﺫِ ﺍﻟﻘﹶﺩ
ﺒﺄﻭﺘﺎﺭِﻫﺎ ﻤﻥ ﺍﻟﺤﺭﻴﺭ.
ﻏﺰﻝ ١٠٢
ﺃﻫﺩﺘﻪ ﻟﻲ ﻋﻥ ﺤﺒﻴﺏٍ ﻏﺎﺏ ﻓﻲ ﺴﻔﹶﺭِ ﺒﺎﻷﻤﺱِ ﺃﻫﺩﻴﺕﹸ ﻗﻠﺒﻲ ﺍﻟﺭﻴﺢ ﻋﻥ ﺨﺒﺭٍ
ﻟﻭﺍﻤﻊ ﺍﻟﺒﺭﻕِ ﻭﺍﻵﻫﺎﺕﹸ ﻓﻲ ﺴﺤﺭﻱ ﻫﺫﺍ ﻤﺂﻟﻲ ،ﻤﺴﺎﺌﻲ ﻤﻨﻙ ﺘﺼﺤﺒﻨﻲ
ﻟﻬﻔﻲ ﺇﻟﻰ ﺍﻟﻤﺴﻜﹶﻥِ ﺍﻟﻤﺄﻟﻭﻑِ ﻓﻲ ﺍﻟﺤﻀﺭِ ﻓﻲ ﺠﻌﺩِ ﺸﻌﺭِﻙ ﻗﻠﺒﻲ ﻟﻡ ﻴﻘﹸلْ ﺃﺒﺩﺍﹰ
ﺭﻴﺢ ﻋﺭﻯ ﺜﹶﻭﺏِ ﻭﺭﺩِ ﺍﻟﺭﻭﻀﺔِ ﺍﻟﻌﻁِﺭِ ﻗﻠﺒﻲ ﻟِﺫِﻜﹾﺭِﻙ ﻴﺩﻤﻰ ﻜﹸﻠﱠﻤـﺎ ﻓﹶﺘﹶﺤـﺕﹾ
ﺢ ﺒﺨﺒﺭٍ ﻋﻥِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻤﺴﺎﻓِﺭِ ،ﻭﺃﻨﺎ ﺃﻋﻁﻴﺕﹸ ﻗﻠﺒ ﻲ
ﻨﺜﺭﺍﹰ :ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱ ﺠﺎﺀﺕِ ﺍﻟﺭﻴ
ﻟﻠﺭﻴﺢِ ،ﻭﻟﻴﻜﹸﻥ ﻤﺎ ﻴﻜﻭﻥ؛
ﺼِﺭﺕﹸ ﻤﺘﱠﺨِﺫﺍﹰ ﺭﻓﻴﻕﹶ ﺴِ ﺭ ﺍﻟﺒﺭﻕﹶ ﺍﻟﻠﹼﺎﻤِﻊ ﻜﹸلﱠ ﻤﺴﺎﺀٍ ،ﻭﺍﻟﺭﻴﺢ ﻜﹸلﱢ ﻓ ﺠﺭٍ ،ﻫﻜﺫﺍ
ﺍﻨﺘﻬﻰ ﺒﻲ ﺍﻷﻤﺭ(١)؛
ﻗﻠﺒﻲ ﺍﻟﻤﺘﻬﻭﺭ ﺍﻷﺴﻴﺭ ﻓﻲ ﺤﻠﻘﺎﺕِ ﻁﹸﺭﺓِ ﺸﻌﺭِﻙ ،ﻤﺎ ﻗﺎلَ ﻤﺭﺓﹰ ﺃﺒﺩﺍﹰ ﺃﻨﱠﻪ ﺒِ ﺸﹶﻭ ﻕٍ ﺇﻟﻰ
ﻤﻨﺯﻟﻪِ ﺍﻟﻤﺄﻟﻭﻑِ )ﻓﻲ ﺼﺩﺭﻱ(؛
ﺍﻵﻥ ﺼﺭﺕﹸ ﺃﻋﺭﻑﹸ ﻗﺩﺭ ﺍﻟﻨﱠﺼﻴﺤﺔِ ﻤﻥ ﺍﻷﻋﺯﺓِ ﺍﻟﱠﺫﻴﻥ ﻨﺼﺤﻭﻨﻲ ،ﻴﺎ ﺭﺏ ﺃﺴﻌِ ﺩ
ﺭﻭﺡ ﻨﺎﺼﺤﻨﺎ؛
) (١ﺍﻟﻤﺼﻠﹼﻰ ﻤﻬﺏ ﻨﺴﻴﻡٍ ،ﻭﻫﻭ ﻤﻜﺎﻥ ﺇﻗﺎﻤﺔِ ﺤﺎﻓِﻅ ﻤﻥ ﺸﻴﺭﺍﺯ ﻓﻲ ﺤﻴﺎﺘِﻪِ ،ﻭﻓﻴﻪِ ﻗﺒﺭﻩ ،ﻭﻫﻭ
ﺍﻵﻥ ﺤﺩﻴﻘﺔﹲ ﻜﺒﻴﺭﺓﹲ ﻋﺎﻤِﺭﺓ ﻭﺭﻜﻨﺎﺒﺎﺩ ﻨﻬﺭ ﻋﺫﺏ ﺍﻟﻤﺎﺀ ﻴﻌﺒﺭ ﺸﻴﺭﺍﺯ ﻴﻨﺒﻊ ﻤﻥ ﺸِﻤﺎﻟِﻬﺎ.
-١٢٣-
ﻗﻠﺒﻲ ﻴﺴﻴلُ ﺩﻤﺎﹰ ﻟِﺫِﻜﺭِﻙ ﻜﹸﻠﱠﻤﺎ ﺤﻠﱠﺕﹾ ﺍﻟﺭﻴﺢ ﺭِﺒﺎﻁﹶ ﻗﺒﺎﺀِ ﺒﺭﻋﻡِ ﺍﻟﻭﺭﺩِ ﻓﻲ ﺍﻟﺭﻭﺽِ)(٢؛
ﺕ ﻤِﻥ ﻴﺩﻱ ،ﻭﻓﻲ ﺼﺒﺤﻲ ﺃﻋﺎﺩﺕِ ﺍﻟﺭﻴ ﺢ ﺭﻭﺤﻲ
ﻭﻜﺎﻥ ﻭﺠﻭﺩﻱ ﺍﻟﻀﻌﻴﻑﹸ ﺃﻓﻠﹶ ﹶ
ﻋﻠﻰ ﻋﺒﻴﺭِ ﻭﺼﻠِﻙ؛
ﺤﺎﻓِﻅﹸ ﻁﻴﻨﹶﺘﹸﻙ ﺍﻟﺨﹶﻴﺭﺓﹸ ﺴﺘﺄﺘﻴﻙ ﺒﺎﻟﻤﺭﺍﺩ ،ﺍﻷﺭﻭﺍﺡ ﻓِﺩﺍﺀ ﻟﻠﻘﻭﻡِ ﻁﺎﻫﺭﻱ ﺍﻟﻁﱢﻴﻨﹶﺔِ.
ﻏﺰﻝ ١٠٣
ﻴﺎ ﻴﻭﻡ ﻭﺼلِ ﺍﻷﺤﺒﺎﺏِ ﺫِﻜﺭﺍﻙ ،ﺫِﻜﺭﺍﻙِ ﻴﺎ ﺘﻠﻙ ﺍﻟﺫﱢﻜﺭﻴﺎﺕﹸ ﺫﻜﺭﺍﻙِ؛
ﻓﻲ ﻓﻤﻲ ﺍﻟﺴﻡ ﻤِﻥ ﻤﺭﺍﺭﺓِ ﺍﻟﻐﻡ ،ﻴﺎ ﺼﺭﺨﹶﺎﺕِ ﺸﹸﺭﺏِ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﺴﻌﺩﺍﺀِ ﺫِﻜﺭﺍﻙِ؛
ﺭﻏﹾﻡ ﺃﻥ ﺍﻷﺼﺤﺎﺏ ﻓﺎﺭِﻏﻭﻥ ﻤﻨﱢﻲ ﻭﻻ ﻴﻔﻜﱢﺭﻭﻥ ﺒﻲ ،ﺁﻻﻑﹶ ﺍﻟﻤﺭﺍﺕِ ﺫِﻜﺭﺍﻫﻡ؛
ﺼِﺭﺕﹸ ﻤﺒﺘﻠﻰ ﻓﻲ ﻫﺫﺍ ﺍﻟﻘﹶﻴﺩِ ﻭﺍﻟﺒﻼﺀِ ،ﺴﻌﻲ ﺭﻋﺎﺓِ ﺤﻘﻭﻕِ ﺍﻷﺼﺤﺎﺏِ ﺫِﻜﺭﺍﻙ(١)؛
ﺭﻏﹾﻡ ﺃﻥ ﻟﻲ ﻤِﻥ ﻋﻴﻨﻲ ﻤِﺌﺔﹶ ﻨﻬﺭٍ ﺩﺍﺌﻡِ ﺍﻟﺠﺭﻴﺎﻥ ،ﻨﻬﺭ ﺯﻨﱠﺭﻭﺩ ﻭﺤﺩﻴﻘﺔﹶ ﻜﺎﺭﺍﻥ،
ﺫِﻜﺭﺍﻜﹸﻤﺎ)(٢؛
ﺃﺴﻔﺎﹰ ،ﺴِﺭ ﺤﺎﻓِﻅﹶ ﺒﻌﺩ ﺍﻵﻥ ﺴﻴﺒﻘﻰ ﻤﺨﻔﻴﺎﹰ ،ﻴﺎ ﻤﻥ ﻜﻨﺘﹸﻡ ﺘﺤﻔﻅﻭﻥ ﺍﻟﺴﺭ ﺫِﻜﺭﺍﻜﹸﻡ).(٣
ﻏﺰﻝ ١٠٤
ﻜﺎﻥ ﺠﻤﺎﻟﹸﻙ ﺸﹶﻤﺴﺎﹰ ﻟﻜﹸلﱢ ﻨﹶﻅﹶﺭ ،ﻜﺎﻥ ﻭﺠﻬﻙ ﺍﻟﺤﺴﻥ ﻤِﻥ ﺍﻟﺤﺴﻥِ ﻜﹸلﱠ ﻴﻭﻡٍ ﺃﺤﺴﻥ؛
ﻭﻟﺘﻜﹸﻥ ﻜﹸلﱡ ﻗﻠﻭﺏِ ﻤﻠﻭﻙِ ﺍﻟﻌﺎﻟﹶﻡ ﺘﺤﺕﹶ ﺭﻴﺵِ ﻁﹶﺎﺌﺭِ ﻫﻤﺎ ﺠﻨﺎﺡِ ﺸﺎﻫﻴﻥِ ﻓﹶﺭﻋِﻙ؛
) (١ﺃﻨﺎ ﻓﻲ ﻗﻴﺩِ ﻤﻥ ﻻ ﻴﺭﻋﻰ ﺤﻕﱠ ﺼﺤﺒﺘﻲ ﻭﻻ ﻴﻌﺘﻨﻲ ﺒﻲ ،ﺫﻜﹶﺭ ﺍﷲُ ﺒِﺨﻴﺭٍ ﻤﻥ ﻜﺎﻥ ﻴﺭﻋﻰ ﺤﻕﱠ
ﺍﻟﺼﺤﺒﺔ؛
) (٢ﺯﻨﺩﻩ ﺭﻭﺩ ﻨﻬﺭ ﻴﻤﺭ ﻓﻲ ﺃﺼﻔﻬﺎﻥ ،ﻭﺤﺩﻴﻘﺔﹸ ﻜﺎﺭﺍﻥ ﺤﺩﻴﻘﺔﹲ ﻓﻲ ﺃﺼﻔﻬﺎﻥ ﻤﺸﺭِﻓﺔﹲ ﻋﻠﻰ ﻨﻬﺭ
ﺯﻨﺩﻩ ﺭﻭﺩ؛
) (٣ﻟﻡ ﻴﻌﺩ ﻫﻨﺎﻙ ﻤﻥ ﻴﺤﻔﹶﻅﹸ ﺍﻟﺴﺭ ،ﺫﻜﹶﺭ ﺍﷲُ ﺒﺎﻟﺨﹶﻴﺭِ ﻤﻥ ﻜﺎﻨﻭﺍ ﻴﺤﻔﻅﻭﻥ ﺍﻟﺴﺭ.
-١٢٤-
ﺸﺨﺹ ﻻ ﺍﺭﺘﺒﺎﻁﹶ ﻟﻪ ﺒﻔﺭﻋِﻙ ،ﻓﻠﻴﻜﹸﻥ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡِ ﻏﺎﺭِﻗﺎﹰ ﻓﻲ ﺩﻡِ ﺍﻟﻜﺒِﺩ)ِ(١؛
ﺃﻱ ﺼﻨﹶﻤﻲ ،ﺒِﻤﺎ ﺃﻥ ﻏﹶﻤﺯﺘﹶﻙ ﺘﹸﻁﻠِﻕﹸ ﺍﻟﺴﻬﺎﻡ ،ﻜﺎﻥ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢ ﺘِﺭﺴﺎﹰ ﻟﻬﺎ ﻤﻥ
ﺃﻤﺎﻤِﻬﺎ؛
ﺤﻴﻥ ﻴﻌﻁﻴﻨﻲ ﻟﹶﻌﻠﹸﻙ ﺍﻟﺴﻜﱠﺭﻱ ﻗﹸﺒﻠﹶ ﹰﺔ ،ﻟﻴﻜﹸﻥ ﻤﺫﺍﻕﹸ ﺭﻭﺤﻲ ﻤﻤﻠﻭﺀﺍﹰ ﺒﺎﻟﺴﻜﱠﺭِ ﻤﻨﻬﺎ؛
ﺃﻨﺎ ﻟﻲ ﻤِﻨﹾﻙ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻋِﺸﹾﻕﹲ ﺠﺩﻴﺩ ،ﻜﺎﻥ ﻟﻙ ﻓﻲ ﻜﹸلﱢ ﺴﺎﻋﺔٍ ﺤﺴﻥ ﺠﺩﻴﺩ؛
ﺒِﺭﻭﺡِ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺸﺘﺎﻗﹶﺔِ ﺇﻟﻰ ﻭﺠﻬِﻙ ،ﺇﻻﹼ ﻨﹶﻅﹶﺭﺕﹶ ﻓﻲ ﺤﺎلِ ﺍﻟﻤﺸﺘﺎﻗﻴﻥ.
ﻏﺰﻝ ١٠٥
ﺍﻟﺼﻭﻓﻲ ﺇﻥ ﻜﺎﻥ ﻴﺸﺭﺏ ﺍﻟﺨﹶﻤﺭ ﺒﺎﻋﺘِﺩﺍلٍ ﻓﻠﻴﻬﻨِﻪِ ﺍﻟﺸﱠﺭﺍﺏ ،ﻭﺇﻟﹼﺎ ﻓﻠﻴﻜﹸﻥ ﻓِﻜﹾﺭﻩ ﻨﺎﺴﻴﺎﹰ
ﺍﻟﺘﱠﻔﻜﻴﺭ ﺒِﻬﺫﻩِ ﺍﻟﺤِﺭﻓﹶﺔ؛
ﻕ ﺒِﺘِﻠﹾﻙ ﺍﻟﻴﺩِ ﻟِﺤﻀﻥِ
ﻭﻜﹸلﱡ ﻤﻥ ﻴﻘﺩِﺭ ﻋﻠﻰ ﺃﻥ ﻴﻌﻁﻲ ﺠﺭﻋﺔﹰ ﻤِﻥ ﺍﻟﺨﹶﻤﺭِ ﻤِﻥ ﻴﺩِﻩ ،ﻭﻓﱢ ﹶ
ﺍﻟﺸﱠﺎﻫِﺩِ ﺍﻟﻤﻘﺼﻭﺩِ؛
ﺸﻴﺨﹸﻨﺎ ﻗﺎلَ :ﺍﻟﺨﻁﺄُ ﻋﻠﻰ ﻗﹶﻠﹶ ﻡِ ﺍﻟ ﺼﻨﹾﻊِ ﻻ ﻴﺠﺭﻱ ،ﻁﻭﺒﻰ ﻟِﻨﹶﻅﹶﺭِﻩِ ﺍﻟﻁﱠﺎ ﻫِﺭِ ﺍ ﻟﱠﺫﻱ ﻴﺴ ﺘﹸ ﺭ
ﺍﻟﺨﻁﺄ؛
ﺸﺎﻩ ﺍﻷﺘﺭﺍﻙِ ﻴﺼﻐﻲ ﻟِﺤﺩﻴﺙِ ﺍﻟﻤﺩﻋﻴﻥ ،ﻓﻠﻴﺼِﺒﻪ ﺍﻟﺨﹶﺠلُ ﻤِﻥ ﻤﻅﹾﻠﹶﻤﺔِ ﺩﻡِ ﺴﻴﺎﻭﻭﺵ)(٢؛
) (١ﻓﻲ ﻨﹸﺴﺨﹶﺔٍ :ﺸﺨﺹ ﻻ ﺍﺭﺘﺒﺎﻁﹶ ﻟﻪ ﺒﻔﺭﻋِﻙ ،ﻓﻠﻴﻜﹸﻥ ﻤِﺜﹾلَ ﻓﺭﻋِﻙ ﻤﺸﺘﱠﺘﺎﹰ ﻭﻤﻀﻁﺭِﺒﺎﹰ؛ ﻭﻗﻠﺏ
ﻟﻴﺱ ﻋﺎﺸِﻘﺎﹰ ﻟِﻭﺠﻬِﻙ ،ﻓﻠﻴﻜﹸﻥ ﻏﺭﻴﻘﹶﺎﹰ ﺒِﺩﻡِ ﺍﻟﻜﺒِﺩِ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡِ.
) (٢ﻤﻠِﻙ ﺍﻷﺘﺭﺍﻙ ،ﻭﺍﺴﻤﻪ ﺃﻓﺭﺍﺴﻴﺎﺏ ،ﺍﺴﺘﻤﻊ ﻟِﻘﻭلِ ﺍﻟﻤﺩﻋﻴﻥ ﺍﻟﱠﺫﻴﻥ ﺍﺩﻋﻭﺍ ﻨﹸﺼﻴﺤﺘﻪ ،ﺤﻴﻥ
ﺃﺸﺎﺭﻭﺍ ﻋﻠﻴﻪِ ﺒِﻘﺘلِ ﺴﻴﺎﻭﺵ ،ﻭﺴﻴﺎﻭﺵ ﻫﺫﺍ ﺍﺒﻥ ﻤﻠﻙِ ﺍﻟﻔﹸﺭﺱ ﻜﻴﻜﺎﻭﺱ ،ﻭﻗﺩ ﺨﺎﻟﹶﻑﹶ ﺃﺒﺎﻩ
ﻭﻋﻘﺩ ﺼﻠﺤﺎﹰ ﻤﻊ ﺃﻓﺭﺍﺴﻴﺎﺏ ،ﻭﺘﺯﻭﺝ ﺍﺒﻨﺘﻪ ﻓﺄﺜﺎﺭ ﻏﻴﺭﺓﹶ ﺨﺼﻭﻤِﻪِ ﻓﺴﻌﻭﺍ ﺒِﻪِ ﺒﺎﻟﻨﹼﻤﻴﻤﺔِ ﻋﻨﺩ
ﺃﻓﺭﺍﺴﻴﺎﺏ ﻓﻘﺘﻠﹶ ﻪ ﻅﹸﻠﹾﻤﺎﹰ ﻓﻨﹶﺩِﻡ)،ﻓﻼ ﺘﺴﺘﻤِﻊ ﻟﻜﻼﻡِ ﺍﻟﻭﺍﺸﻴﻥ ﻓﻲ ﺸﺄﻨﻲ(؛
-١٢٥-
ﻥ ﺍﻟﻜِﺒﺭِ ﻻ ﻴﺘﻜﻠﱠﻡ ﻤﻌﻲ ﺃﻨﺎ ﺍﻟﺩﺭﻭﻴﺵ ،ﺭﻭﺤﻲ ﺍﻟﻔِﺩﺍﺀ ﻟِﺜﹶﻐﹾﺭِﻩِ ﺍﻟﺴﻜﹼﺭﻱ
ﺭﻏﹾﻡ ﺃﻨﱠﻪ ﻤِ
ﺍﻟﻤﻐﹶﻠﻕِ ﺍﻟﺴﺎﻜِﺕ؛
ﻋﻴﻨﻲ ﻋﺎﻴﻨﹶﺕﹾ ﺨﻁﱠﻪ ﻭﺨﺎﻟﹶﻪ ﻓﻲ ﺃﺼﺤﺎﺏِ ﺍﻟﻤﺭﺍﻴﺎ ،ﻓﻠﺘﻜﹸﻥ ﺸﹶﻔﹶﺘﻲ ﺒﻴﻥ ﻤﻥ ﻴﺨﻁﻔﻭﻥ
ﺍﻟﻘﹸﺒلَ ﻤِﻥ ﺼﺩﺭِﻩِ ﻭﻜﹶﺘِﻔِﻪ)(١؛
ﻨﹶﺭﺠِﺴﻪ ﺍﻟﺴﻜﺭﺍﻥ ﺍﻟﻠﹼﻁﻴﻑﹸ ﺍﻟﺭﺤﻴﻡ ،ﺇﺫﺍ ﺸﹶﺭِﺏ ﺩﻡ ﺍﻟﻌﺎﺸِﻕِ ﻓﻲ ﺍﻟﻘﹶﺩﺡِ ،ﻫﻨﻴﺌﺎﹰ ﻟﻪ
ﺍﻟﺸﹼﺭﺍﺏ؛
ﺼﺎﺭ ﺤﺎﻓِﻅﹸ ﻤﺸﻬﻭﺭ ﺍﻟﻌﺎﻟﹶﻡِ ﺒِﺄﻨﱠ ﻪ ﻏﹸﻼﻤﻙ ،ﻓﻠﺘﻜﹸﻥ ﺤﻠﹾﻘﹶﺔﹸ ﺍﻟﻌﺒﺩِ ﻓﻲ ﺃُﺫﹸﻨِﻪِ ﻤِﻥ ﻓﹶﺭﻋِﻙ.
ﻏﺰﻝ ١٠٦
ﺠِﺴﻤﻙ ﻻ ﻜﺎﻥ ﻓﻲ ﺤﺎﺠﺔِ ﺍﻷﻁِﺒﺎﺀ ،ﻻ ﺃﺼﺎﺏ ﺍﻟﻭﺠﻭﺩ ﺍﻟﻠﱠﻁﻴﻑﹶ ﻤﻨﻙ ﺒﻼﺀ؛
ﺴﻼﻤﺔﹸ ﻜﹸلﱢ ﺍﻵﻓﺎﻕِ ﻓﻲ ﺴﻼﻤﺘِﻙ ،ﺒﺄﻱ ﻋﺎﺭِﺽٍ ﻻ ﻜﺎﻥ ﺸﹶﺨﺼﻙ ﻤﺒﺘﻠﻰ؛
ﻤِﻥ ﺃﻤﻥِ ﺼِﺤﺘِﻙ ﺠﻤﺎلُ ﺼﻭﺭﺓٍ ﻭﻤﻌﻨﻰ ،ﻻ ﻜﺎﻥ ﻅﺎﻫِ ﺭﻙ ﻤﻐﻤﻭﻤﺎﹰ ﻭﻻ ﺒﺎ ﻁِ ﻨﹸﻙ
ﻤﻬﻤﻭﻤﺎﹰ؛
ﻓﻲ ﻫﺫﺍ ﺍﻟﺭﻭﺽِ ﺤﻴﻨﹶﻤﺎ ﻴﻤﺭ ﻓﻲ ﻏﺎﺭﺓٍ ﺍﻟﺨﺭﻴﻑﹸ ،ﻻ ﻜﺎﻨﺕﹾ ﻟﻪ ﺍﻟﻁﱠﺭﻴﻕﹸ ﺇﻟﻰ ﺴﺭﻭﺓِ
ﻗﺎﻤﺘِﻙ ﺍﻟﻘﻭﻴﻤﺔِ ﺍﻟﻌﺎﻟﻴﺔ؛
ﻭﻓﻲ ﺫﻟِﻙ ﺍﻟﺒِﺴﺎﻁِ ﺍﻟﱠﺫﻱ ﺘﺠﻠﹼﻰ ﺒِﻪِ ﺤﺴﻨﹸﻙ ،ﻻ ﻜﺎﻥ ﻤﺠﺎلٌ ﻟﻠﻁﱠﻌﻥِ ﺒِﻌﻴﻥِ ﺴﻭﺀٍ ،ﻭﻻ
ﺒﺄﻱ ﺴﻭﺀ؛
ﻜﹸلﱡ ﻤﻥ ﻨﻅﹶﺭ ﺇﻟﻰ ﻗﹶﻤﺭِ ﻭﺠﻬِﻙ ﺒِﻌﻴﻥِ ﺴﻭﺀٍ ،ﻻ ﻜﺎﻥ ﻤِﻨﹾﻪ ﺴِﻭﻯ ﺍﻟﺭﻭﺡِ ﻭﻗﻭﺩﺍﹰ ﻟِﻨﺎﺭِﻙ؛
ﺍﺒﺤﺙﹾ ﻋﻥِ ﺍﻟﺸﱢﻔﺎﺀِ ﻓﻲ ﺤﺩﻴﺙِ ﺤﺎﻓِﻅﹶ ﺍﻟﱠﺫﻱ ﻴﻨﺸﹸﺭ ﺍﻟﺴﻜﱠﺭ ،ﻻ ﺤﺎﺠ ﹶﺔ ﺒِﻙ ﻟﻠﻌِﻼﺝِ ﺒﻤﺎﺀِ
ﺍﻟﻭﺭﺩِ ﻭﺍﻟﻘﹶَﻨﹾﺩ.
) (١ﺃﺼﺤﺎﺏ ﺍﻟﻤﺭﺍﻴﺎ ﺍﻟﱠﺫﻴﻥ ﻤﻥ ﺼﻔﺎﺀِ ﺃﻋﻤﺎﻟِﻬِﻡ ﺼﺎﺭﻭﺍ ﻤﺭﺍﻴﺎ ﻟﻠﺤﻕﱢ ،ﻴﻅﻬﺭ ﺍﻟﺤﻕﱡ ﺒﻬﺎ.
-١٢٦-
ﻏﺰﻝ ١٠٧
ﻓﹶﻠﻴﻜﹸﻥ ﺤﺴﻨﹸﻙ ﺩﻭﻤﺎﹰ ﺒﺎﺯﺩﻴﺎﺩٍ ،ﺩﺍﻡ ﻟِﻭﺠﻬِﻙ ﻤﺩﺍﺭ ﺍﻟﻌﺎﻡِ ﻟﹶﻭﻥ ﻭﺭﺩِ ﺍﻟﺸﱠﻘﺎﺌﻕ؛
ﻭﻟﻴﺯِﺩ ﺨﻴﺎلُ ﻋﺸﻘﻙ ﻓﻲ ﺭﺃﺴِﻨﺎ ﻜﻠﱠﻤﺎ ﻤﺭ ﻴﻭﻡ؛
ﻭﻟﻴﻜﹸﻥ ﻜﹸلﱡ ﺴﺭﻭٍ ﺠﺎﺀ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻤﺤﻨﻲ ﺍﻟﻘﺎﻤﺔِ ﻓﻲ ﺨِﺩﻤﺔِ ﻗﺎﻤﺘِﻙ؛
ﻭﻟﺘﻐﺭﻕﹾ ﻜﹸلﱡ ﻋﻴﻥٍ ﺭﺃﺘﻙ ﻓﻠﻡ ﺘﻔﺘﺘِﻥ ﺒِﻙ ﻤِﻥ ﺠﻭﻫﺭِ ﺍﻟﺩﻤﻊِ ﺒﺎﻟﺩﻡ؛
ﻭﺩﺍﻡ ﻟِﻌﻴﻨِﻙ ﻓﻲ ﺴﺒﻲِ ﺍﻟﻘﻠﻭﺏِ ﺫﻟﻙ ﺍﻟﺴﺤﺭ ﺫﻭ ﺍﻟﻔﻨﻭﻥِ ﻗِﻼﺩﺓﹰ ﻓﻲ ﺍﻟﻌﻨﹸﻕ؛
ﻭﻗﻠﺏ ﺒﻪِ ﻏﻤﻙ ﻻ ﻗﹶﺭ ﻟﻪ ﻗﺭﺍﺭ ﻭﻻ ﻜﺎﻥ ﻟﻪ ﺼﺒﺭ ﻭﻻ ﺴﻜﻭﻥ؛
ﻭﻟﻴﻨﺤﻥِ ،ﻤﺜلَ ﻨﻭﻥٍ ،ﻗﺩ ﻜﹸلﱢ ﺫﻱ ﻗﺩ ﺠﻤﻴلٍ ﺃﻤﺎﻡ ﺃﻟِﻑِ ﻗﺩﻙ ﺍﻟﻤﺴﺘﻘﻴﻡ؛
ﻭﻜﹸلﱡ ﻗﻠﺏٍ ﺨﺎلٍ ﻤِﻥ ﻋﺸﹾﻘِﻙ ﻓﻠﻴﺨﹾﺭﺝ ﻤِﻥ ﺤﻠﹾﻘﺔِ ﻭﺼﻠِﻙ؛
ﺭﻭﺡ ﺤﺎﻓِﻅﹶ ﻓﻲ ﺸﻔﺘِﻙ ﺍﻟﻌﻘﻴﻕ ،ﺃﺒﻌﺩ ﺍﷲُ ﺸِﻔﺎﻩ ﺍﻷﺩﻨﻴﺎﺀِ ﻋﻨﹾﻬﺎ.
ﻏﺰﻝ ١٠٨
)(١
ﻋﺭﺼﺔﹸ ﻤﻴﺩﺍﻨﻙ ﺍﻟﻜﻭﻥ ﻭﺍﻟﻤﻜﺎﻥ ﺸﺎﻩ ، ﻓـﻲ ﺼـﻭﻟﺠﺎﻨﻙ ﺍﻷﻓـﻼﻙ
)(٢
ﻤﻌﻙ ﺍﻟﻔﺘﺢ ﻴﻌـﺸﻕﹸ ﺍﻟﺠـﻭﻻﻥ ـﺼﺭ
ـﺭﻕﹸ ﺍﻟﻨﱠـ
ﻓﺭﻋ ـﻙ ﺍﻟﺠﻌ ـﺩ ﺒﻴـ
)(٣
ــﺎﺭِﺩ ﻭﺍﻟﻌﻘــلُ ﺨــﺎﺩِﻡ ﺍﻟــﺩﻴﻭﺍﻥ
ـﻔﺔﹸ ﺍﻟﺒــﺄﺱِ ﻤﻨــﻙ ﻓِﻌــلُ ﻋﻁــ
ﺼـ
)(٤
ﻅــلﱡ ﻁــﻭﺒﻰ ﺍﻟﻠﻁﻴــﻑﹸ ﻓــﻲ ﻗــــﺩﻙ ﻭﺍﻟﺨﹸﻠــﺩ ﻴﺤــﺴﺩ ﺍﻟﺒــﺴﺘﺎﻥ
)(٥
ﻭﺍﻟﺠﻤﺎﺩﺍﺕﹸ ﻭﺍﻟﻨﱠﺒﺎﺕﹸ ﻭﺍﻟﺤﻴـﻭﺍﻥ ﻋــﺎﻟﹶﻡ ﺍﻷﻤــﺭِ ﻁــﻭﻉ ﺃﻤــﺭﻙ
) (١ﺃﻴﻬﺎ ﺍﻟﺴﻠﻁﺎﻥ ﺇﻥ ﺍﻷﻓﻼﻙ ﻁﻭﻉ ﺃﻤﺭﻙ ﻭﺭﻫﻥ ﺇﺸﺎﺭﺘﻙ ﻭﺍﻟﻜﻭﻥ ﻜﻠﱡﻪ ﻤﻠﻌﺒﻙ؛
) (٢ﺍﻟﻨﱠﺼﺭ ﻴﺘﺒﻌﻙ ﻭﻴﺠﻭلُ ﻤﻌﻙ ﺤﻴﺜﻤﺎ ﺠﻠﺕﹶ ﻭﻀﻔﻴﺭﺘﹸﻙ ﺍﻟﺠﻌﺩﺍﺀ ﻋﻠﻡ ﺍﻟﻨﱠﺼﺭ ﺍﻟﱠﺫﻱ ﻻ ﻴﻔﺎﺭﻗﹸﻙ؛
) (٣ﻓﻌلُ ﻋﻁﺎﺭﺩ )ﺴﻔﻴﺭ ﺍﻟﻔﻠﻙ( ﺭﻤﺯ ﻟﻘﻭﺘﻙ ﻭﺍﻟﻌﻘلُ ﺍﻟﺠﺎﻤﻊ ﺨﺎﺩﻡ ﻟِﻜﺎﺘِﺏِ ﺩﻴﻭﺍﻨﻙ؛
) (٤ﻅلﱡ ﺴﺭﻭﺓِ ﻗﺎﻤﺘﻙ ﻟﻁﻴﻑﹲ ﻜﻅلﱢ ﺸﺠﺭﺓ ﻁﻭﺒﻰ ﻭﺠﻨﱠﺔﹸ ﺍﻟﺨﻠﺩِ ﺘﺤﺴﺩ ﺒﺴﺘﺎﻨﻙ؛
) (٥ﻋﺎﻟﻡ ﺍﻷﻤﺭ :ﻋﺎﻟﻡ ﺍﻟﻐﻴﺏ ﻭﺍﻟﻤﻠﻜﻭﺕ ،ﻭﺍﻟﻤﻌﻨﻰ ﻟﻴﺱ ﻋﺎﻟﻡ ﺍﻟﻤﻠﻙ )ﺍﻟﺠﻤﺎﺩﺍﺕﹸ ﻭﺍﻟﻨﱠﺒﺎﺕﹸ ﻭﺍﻟﺤﻴﻭﺍﻥ(
ﻭﺤﺩﻩ ﻁﻭﻉ ﺃﻤﺭﻙ ﺒل ﻋﺎﻟﻡ ﺍﻟﻤﻠﻜﻭﺕ ﺃﻴﻀﺎﹰ.
-١٢٧-
ﻏﺰﻝ ١٠٩
ﻭﻻ ﺒِﻜــﻼﻡٍ ﺠــﺎﺩ ﺃﻭ ﺒِــﺴﻼﻡِ ﻟﹶﻘﹶﺩ ﻁﺎ َل ﻋﻬﺩ ﻤﺎ ﺍﻟﺤﺒﻴﺏ ﻤﻜـﺎﺘِﺒﻲ
ـﻼﻡِ
ﺇﻟﹶﻴـﻪِ ﻭﻟـﻡ ﺃﻅﹾﻔﹶـﺭ ﺒِـﺭﺩ ﺴـ ﻭﻜﻡ ﻤِﺌَﺔﹰ ﺃﺭﺴﻠﹾﺘﹸﻬﺎ ﻤِـﻥ ﺭﺴـﺎﺌﻠﻲ
ﻭﻟﻡ ﻴﺭﺙِ ﻟﻲ ﺃﻭ ﻴﻜﺘﹶﺭِﺙﹾ ﺒِﻬﻴـﺎﻤﻲ ﻭﻴﻌﻠﻡ ﺃﻨﹼﻲ ﻀﺎﻉ ﻗﻠﺒﻲ ﻤِﻥ ﻴـﺩﻱ
ﻓﻠﻡ ﻴﺭﺴِلِ ﺍﻟﺴﺎﻗﻲ ﺇﻟـﻲ ﺒِﺠـﺎﻡِ ﺼﺭﺨﺕﹸ ﺇﻟﻰ ﺍﻟﺴﺎﻗﻲ ﺍﻟﻌِﺫﺍﺏِ ﺸِﻔﺎﻫﻪ
ﻓﻠﻡ ﻴﺭﻨـﻲ ﺃﻫـﻼﹰ ﻟـﺭﺩ ﻜﻼﻤـﻲ ﻭﺃﻅﻬﺭﺕﹸ ﻓﻀﻠﻲ ﻋﻨﺩﻩ ﻭﻜﺭﺍﻤﺘـﻲ
ﻤﺭ ﺯﻤﻥ ﻁﻭﻴلٌ ﻟﻡ ﻴﺭﺴِلِ ﺍﻟﺤﺒﻴﺏ ﺨِﻁﺎﺒﺎﹰ ،ﻭﻟﻡ ﻴﻜﺘﹸﺏ ﺴﻼﻤﺎﹰ ،ﻭﻟﻡ ﻴﺭﺴِلْ
ﻜﻼﻤﺎﹰ؛
ﺃﺭﺴﻠﹾﺕﹸ ﻤﺎﺌﺔﹶ ﺭِﺴﺎﻟﹶﺔٍ ﻭﺸﺎﻩ ﺍﻟﻔﹸﺭﺴﺎﻥِ ﺫﺍﻙ ،ﻟﻡ ﻴﺴﻴﺭ ﺭﺴﻭﻻﹰ ﻭﻟﻡ ﻴﺭﺴِلْ ﺴﻼﻤﺎﹰ؛
ﺃﻨﺎ ﻭﺤﺸﻲ ﺍﻟﺼﻔﹶﺔِ ﻓﺯِﻉ ﺍﻟﻌﻘﹾلِ ،ﻭﻤﺎ ﺃﺭﺴلَ ﻟﻲ ﺒﺄﺴﻠﻭﺏِ ﺍﻟﻐﺯﺍلِ ﻭﺘﺒﺨﹾﺘﹸﺭِ
ﺍﻟﺤﺠل؛
ﻭﻴﻌﻠﹶﻡ ﺃﻥ ﻁﺎﺌﺭ ﺍﻟﻘﻠﺏِ ﺴﻴﻔﻠِﺕﹸ ﻤِﻥ ﻴﺩﻱ ،ﻭﻤِﻥ ﺫﻟِﻙ ﺍﻟﺨﻁﱢ ﻜﺎﻟﺴﻠﺴِﻠﹶﺔِ ﻟﻡ ﻴﺭﺴِلْ
ﺇﻟﻲ ﺤِﺒﺎﻟﹶﺔﹰ)(١؛
ﻭﺍﻏﻭﺜﺎﻩ ﻓﺫﻟِﻙ ﺍﻟﺴﺎﻗﻲ ﺍﻟﺴﻜﱠﺭﻱ ﺍﻟﺸﱠﻔﹶﺔِ ﺍﻟﺜﱠﻤِلُ ﺍﻟﺭﺃﺱِ ،ﻴﺩﺭﻱ ﺒِﺄﻨﱢﻲ ﻤﺨﻤﻭﺭ ﻭﻟﻡ
ﻴﺭﺴِلْ ﺇﻟﻲ ﺒِﺠﺎﻡٍ؛
ﻭﻜﻡ ﺘﻔﺎﺨﹶﺭﺕﹸ ﺒﺎﻟﻜﺭﺍﻤﺎﺕِ ﻭﺍﻟﻤﻘﺎﻤﺎﺕ ،ﻓﻠﻡ ﻴﺭﺴِلْ ﺇﻟﻲ ﺒِﺄﻱ ﺨﹶﺒﺭٍ ﻋﻥ ﺃﻱ ﻤﻘﺎﻡٍ؛
ﺤﺎﻓِﻅﹸ ﻜﹸﻥ ﻤﺅﺩﺒﺎﹰ ﻓﻠﻴﺱ ﻤﺤلﱠ ﺍﻨﺘﻘﺎﺩٍ ،ﺇﺫﺍ ﻟﻡ ﻴﺭﺴِلْ ﺍﻟﺸﱠﺎﻩ ﺭِﺴﺎﻟﹶﺔﹰ ﺇﻟﻰ ﻏﹸﻼﻡ.
ﺕ ﻤﺘﱠﺼِﻠﹶﺔٍ ﻜﺴِﻠﹾﺴِﻠﹶﺔٍ ﻟﻡ ﻴﺭﺴِلْ ﺇﻟﻲ ﺒِﺤﺒلٍ ﺃﺭﺒِﻁﹸ ﺒﻪِ ﻁﺎﺌﺭ
) (١ﻭﻤﻥ ﺸﹶﻌﺭِﻩِ ﺍﻟﻤﺠﻌﺩِ ﺍﻟﻤﻠﺘﹶﻑﱢ ﺤﻠﻘﺎ ٍ
ﻗﻠﺒﻲ ﺍﻟﻌﺎﺸِﻕِ ﺍﻟﱠﺫﻱ ﺴﻴﻁﻴﺭ ﻭﻴﺘﺭﻜﹸﻨﻲ.
-١٢٨-
ﻏﺰﻝ ١١٠
ﻭﺴِﺭﻱ ﺍﻟﱠﺫﻱ ﺃﺨﹾﻔﹶﻴﺕﹸ ﺒﻴﻥ ﺍﻟﻤﻼ ﻭﻗﹶﻊ ﺒِﺭﺃﺴِﻲ ﺒﻌﺩ ﺍﻟﺸﱠﻴﺏِ ﻋِﺸﹾﻕﹸ ﺍﻟﺼﺒﺎ ﻭﻗﹶﻊ
ﻓﻴﺎ ﻨﺎﻅِﺭﻱ ﺭﺍﻗِﺏ ﺒِﺸﹶﺒﻜﹶﺔِ ﻤﻥ ﻭﻗﹶﻊ ﻭﻁﺎﺌِﺭ ﻗﹶﻠﺒﻲ ﻁﺎﺭ ﻓﻲ ﺍﻟﺠﻭ ﻋﺎﻟﻴـﺎﹰ
ﻭﻤﻥ ﺴِﺤﺭﻩِ ﻜﻡ ﻤﻥ ﺩﻡٍ ﻓﻲ ﺍﻟﺤﺸﺎ ﻭﻗﹶﻊ ﻏﺯﺍلٌ ﺒِﻤِﺴﻙٍ ،ﻤﻥ ﺴـﻭﺍﺩٍ ﺒِﻌﻴﻨِـﻪ
ﻤﻥ ﺍﻟﻤِﺴﻙِ ﻓﻲ ﻜﻑﱢ ﺍﻟﺼﺒﺎ ﺴﺤﺭﺍﹰ ﻭﻗﹶﻊ ﻤﺭﻭﺭ ﺍﻟﺼﺒﺎ ﻓﻲ ﺘﹸﺭﺏِ ﺤﻴﻙ ،ﻤﻨﻪ ﻤﺎ
ﻨﺜﺭﺍﹰ :ﺸﺎﺌﺏ ﺍﻟﺭﺃﺱِ ﻫﺭِﻡ ،ﻭﻗﹶﻊ ﻋﺸﻕﹸ ﺍﻟﺸﱠﺒﺎﺏ ﺒِﺭﺃﺴﻲ ،ﻭﺫﻟِﻙ ﺍﻟﺴﺭ ﺍﻟﱠﺫﻱ ﻜﺎﻥ
ﻤﺨﻔﻴﺎﹰ ﻓﻲ ﻗﻠﺒﻲ ،ﺨﺭﺝ ﺇﻟﻰ ﺍﻟﻤﻸ؛
ﻭﻁﺎﺌﺭ ﻗﻠﺒﻲ ﻁﺎﺭ ﻓﻲ ﺍﻟﻬﻭﺍﺀِ ﻤﺒﺘﻌِﺩﺍﹰ ﻋﻥ ﻨﹶﺎﻅِﺭﻱ ،ﻴﺎ ﻋﻴﻥ ﺍﻨﻅﹸﺭﻱ ﻟِﺘﹶﺭﻱ ﻓﻲ
ﺸِﺒﺎﻙِ ﻤﻥ ﻴﻘﹶﻊ؛
ﻸ ﻤِﻥ ﺩﻡِ ﺍﻟﻘﻠﺏِ ﻜﺒِﺩﻱ ﻜﻘﺎﺭﻭﺭﺓِ ﺍﻟﻤِﺴﻙِ؛
ﺃﻟﹶﻤﻲ ﺃﻥ ﺫﻟِﻙ ﺍﻟﻐﺯﺍلَ ﺍﻟﻤِﺴﻜِﻲ ﺃﺴﻭﺩ ﺍﻟﻌﻴﻥِ ﻤ َ
ﻜﹸلﱡ ﻨﺎﻓِﺠﺔِ ﻋِﻁﹾﺭٍ ﻭﻗﻌﺕﹾ ﻓﻲ ﻴﺩِ ﻨﺴﻴﻡِ ﺍﻟﺴﺤﺭِ ﻜﺎﻨﹶﺕﹾ ﻤِﻥ ﻤﺭﻭﺭِﻩِ ﻓﻲ ﺘﹸﺭﺍﺏِ ﺤﻴﻜﹸﻡ؛
ﺤﻴﻥ ﺘﹸﺠﺭﺩ ﺃﻫﺩﺍﺒﻙ ﺍﻟﺴﻴﻑﹶ ﻤﺨﹾﻀِﻊ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺃﺤﻴﺎﺀ ﺍﻟﻘﹸﻠﻭﺏِ ﻴﺴﻘﹸﻁﹸﻭﻥ ﻗﺘﻠﻰ ﺒﻌﻀﻬﻡ
ﻋﻠﻰ ﺒﻌﺽ؛
ﻜﻡ ﻜﺎﻥ ﻟﻲ ﻤِﻥ ﺘﺠﺭِﺒﺔٍ ﻓﻲ ﺩﻴﺭِ ﺍﻟﻤﻜﺎﻓﺎﺓِ ﻫﺫﺍ ،ﻜﹸلﱡ ﻤﻥ ﺨﺎﺼﻡ ﺸﺎﺭﺒﻲ ﺍﻟﺜﱡﻤﺎﻟﹶﺔِ
ﺍﺠﺘﹸﺙﱠ ﻤِﻥ ﺍﻟﺠﺫﻭﺭ؛
ﺍﻟﺤﺠﺭ ﺍﻷﺴﻭﺩ ﻟﻥ ﻴﺼﻴﺭ ﻟﺅﻟﺅﺍﹰ ﻭﻟﻭ ﺩﻓﹶﻊ ﺍﻟﺭﻭﺡ ،ﻤﺎ ﻴﻔﻌلُ ﻤﻊ ﻁﻴﻨﹶﺘِﻪِ ﺍﻷﺼﻠﻴﺔِ ﻤﻥ
ﻜﺎﻥ ﺭﺩﻱﺀ ﺍﻟﺠﻭﻫﺭ؟!؛
ﺤﺎﻓِﻅﹸ ﺍﻟﱠﺫﻱ ﻜﺎﻨﺕﹾ ﻴﺩﻩ ﻓﻲ ﺸﺒﺎﺒِﻪِ ﺘﺼِلُ ﺇﻟﻰ ﺠﺩﻴﻠﹶﺔِ ﺃﻫلِ ﺍﻟﺠﻤﺎلِ ،ﻫﻭ ﺍﻵﻥ ﺸﻴﺦﹲ
ﻭﻓِﻌلُ ﺍﻟﺤﺭﻴﻑِ ﺍﻟﻌﺎﺸِﻕِ ﻓﻲ ﺭﺃﺴِﻪِ.
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ﻏﺰﻝ ١١١
ﺼﻭﺭﺓﹸ ﻭﺠﻬِﻙ ﺤﻴﻥ ﻭﻗﻌﺕﹾ ﻓﻲ ﻤﺭﺁﺓِ ﺍﻟﺠﺎﻡِ ،ﺍﻟﻌﺎﺭِﻑﹸ ﻤِﻥ ﻀﺤﻜﹶﺔِ ﺍﻟﺨﹶﻤﺭِ ﻭﻗﹶﻊ ﻓﻲ
ﻁﹶﻤﻊٍ ﺨﺎﻡ؛
ﺤﺴﻥ ﻭﺠﻬِﻙ ﻤِﻥ ﺠﻠﻭﺓٍ ﻭﺍﺤِﺩﺓٍ ﻤﻨﻪ ﻓﻲ ﺍﻟﻤﺭﺁﺓ ،ﻭﻗﹶﻌﺕﹾ ﻜﹸلﱡ ﻫﺫِﻩِ ﺍﻟﻨﱡﻘﻭﺵِ ﻓﻲ ﻤﺭﺁﺓِ
ﺍﻷﻭﻫﺎﻡ؛
ﻜﹸلﱡ ﻫﺫِﻩِ ﺍﻟﺼﻭﺭِ ﻤِﻥ ﺍﻟﺨﹶﻤﺭﺓِ ،ﻭﻜﹸلﱠ ﻫﺫِﻱ ﺍﻟﺭﺴﻭﻡِ ﺍﻟﻤﻠﻭﻨﹶﺔِ ﺍﻟﱠﺘﻲ ﺃﻅﹾﻬﺭﺕﹾ ،ﻷﻻﺀ
ﻭﺠﻪِ ﺍﻟﺴﺎﻗﻲ ﻭﻗﹶﻊ ﻓﻲ ﺍﻟﺠﺎﻡ؛
ﻏﹶﻴﺭﺓﹸ ﺍﻟﻌِﺸﹾﻕِ ﻗﻁﻌﺕﹾ ﻟِﺴﺎﻥ ﻜﹸلﱢ ﺃﻫلِ ﺍﻟﺨﺎﺼﺔِ ،ﻓﻤِﻥ ﺃﻴﻥ ﺠﺎﺀ ﺴِﺭ ﻏﹶﻤﻪِ ﺇﻟﻰ ﻓﹶﻡِ ﺍﻟﻌﺎﻤﺔ؛
ﺃﻨﺎ ﻟﹶﻡ ﺃﺫﻫﺏ ﻤِﻥ ﺍﻟﻤﺴﺠِﺩِ ﻟﻠﺨﺭﺍﺒﺎﺕِ ﻤِﻥ ﻨﹶﻔﺴﻲ ،ﻫﺫﺍ ﺤﺎﺼِلُ ﻗﹶﺩﺭﻱ ﻤِﻥ ﻋﻬﺩِ ﺃﺯﻟﻲ؛
ﻤﺎ ﻴﻔﻌلُ ﻤﻥ ﻻ ﻴﺫﻫﺏ ﻓﻲ ﺍﻟﺩﻭﺭﺍﻥِ ﻜﺎﻟﺒﺭﻜﺎﺭ ،ﻤِﻥ ﺍﻟﱠﺫﻴﻥ ﻭﻗﻌﻭﺍ ﻓﻲ ﺩﻭﺭﺓِ ﺩﺍﺌﺭﺓِ
ﺍﻷﻴﺎﻡِ؟؛
ﻕ ﺒِﺤﺒلٍ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ ﻭﺨﺭﺝ ﻤِﻥ ﺒﺌﺭِ ﺫﻗﻨِﻙ ،ﺁﻩِ ﻟﻪ ﺨﹶﺭﺝ ﻤِﻥ ﺍﻟﺠﺏ
ﻗﻠﺒﻲ ﺘﹶﻌﻠﱠ ﹶ
ﻭﻭﻗﹶﻊ ﻓﻲ ﺍﻟﺸﱢﺒﺎﻙ؛
ﺃﻱ ﺴﻴﺩ ،ﺍﻨﺘﻬﻰ ﻭﻗﻭﻓﻲ ﻓﻲ ﺍﻟﺼﻭﻤﻌﺔِ ﻟﻠﺤِﺴﺎﺏِ ،ﺼﺎﺭ ﺸﹸﻐﻠﻲ ﻤﻊ ﺠﺒﻴﻥِ ﺍﻟﺴﺎﻗﻲ
ﻭﺸﹶﻔﹶﺔِ ﺍﻟﺠﺎﻡ؛
ﺤﻕﱠ ﺍﻟﺫﱠﻫﺎﺏ ﺭﻗﹾﺼﺎﹰ ﺇﻟﻰ ﺘﺤﺕِ ﺴﻴﻑِ ﻏﻤﻪِ ،ﻷﻥ ﻤﻥ ﺼﺎﺭ ﻗﺘﻴﻠﹶﻪ ﻤﺤﻤﻭﺩ ﺍﻟﻌﺎﻗِﺒﺔ؛
ﺃﻨﺎ ﺍﻟﻤﺤﺘﹶﺭِﻕﹸ ﺍﻟﻘﹶﻠﹾﺏِ ﻟﻲ ﻤِﻨ ﻪ ﻟﹸﻁﹾﻑﹲ ﺠﺩﻴﺩ ﻤﻊ ﻜﹸلﱢ ﻨﹶﻔﹶﺱٍ ﺠﺩﻴﺩ ،ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﻫﺫﺍ
ﺍﻟﺸﱠﺤﺎﺫِ ﻜﻴﻑﹶ ﺼﺎﺭ ﻻﺌﻘﺎﹰ ﻟﻜﹸلﱢ ﻫﺫﺍ ﺍﻹﻨﻌﺎﻡ!؛
ﺍﻟﺼﻭﻓﻴﻭﻥ ﺠﻤﻠﹶﺔﹰ ﺤﺭﻴﻔﻭﻥ ﻭﻴﻠﻌﺒﻭﻥ ﺒﺎﻟﻨﱠﻅﹶﺭِ ،ﻟﻜِﻥ ﺤﺎﻓِﻅﹶ ﻤﻥ ﺒﻴﻨِﻬِﻡ ﺼﺎﺭ
ﺍﻟﻤﻔﻀﻭﺡ ﻭﺍﻟﻤﺸﻬﻭﺭ ﺒﺎﻟﺴﻭﺀ.
ﺸﺭﺡ :ﺃﻗﻭلُ ﻭﺃﻨﺎ ﺨﺠِلٌ ،ﻭﻻ ﺃﻗﻭلُ ﻷﻫلِ ﺍﻟﻌﺭﻓﺎﻥِ ،ﺒل ﺃﻗﻭلُ ﻟِﻤﻥ ﻫﻭ ﻤِﺜﻠﻲ
ﺃﻭ ﺃﻗلﱡ ﻤِﻨﹼﻲ ﺇﻥ ﻭﺠِﺩ ﻭﺃﻋﺘﹶﺫِﺭ :ﺃﻥ ﺍﻟﺨﻤﺭﺓﹶ ﺭﻤﺯ ﻟﻠﺫﹼﺍﺕ ،ﻭﺃﻥ ﺍﻟﺼﻭﺭ ﻭﺍﻟﺭﺴﻭ ﻡ
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ﺍﻟﻤﻠﻭﻨﹶﺔﹶ ﺍﻟﹼﺘﻲ ﻅﻬﺭﺕﹾ ﻤﻨﻬﺎ ﺭﻤﺯ ﻟﻠﻤﺨﻠﻭﻗﺎﺕ ،ﺍﻟﺼﺎﺩِﺭﺓِ ﻋﻥِ ﺍﻟﺫﹼﺍﺕِ ﻭﺍﻟﺩﺍﻟﹶﺔِ ﻋﻠﻴﻬﺎ،
ﻗﺎلَ ﻋﻠﻲ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ :ﻜﹸلﱡ ﺨﹶﻠﹾﻕٍ ﺤﺠﺔﹲ ﷲِ ﻭﺩﻟﻴلٌ ﻋﻠﻴﻪِ ،ﻭﺍﻟﺤﻤﺩ ﷲِ ﺍﻟﺩﺍلِ ﻋﻠﻰ
ﻭﺠﻭﺩِﻩِ ﺒِﺨﹶﻠﹾﻘِﻪ ،ﻜﻤﺎ ﻓﻲ ﻨﻬﺞِ ﺍﻟﺒﻼﻏﹶﺔ ،ﻭﺍﻟﻤﻭﺠﻭﺩﺍﺕﹸ ﻨﻘﻭﺵﹲ ﻅﺎﻫِﺭﺓﹲ ﻓﻲ ﻤِﺭﺁ ﺓِ
ﺍﻷﻭﻫﺎﻡ ،ﻭﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡ ﻓﻲ ﺤﻘﻴﻘﹶﺘِﻪِ ﻓﻲ ﻨﹶﻅﹶﺭِ ﺍﻟﻌﺎﺭِﻓﻴﻥ ﺨﻴﺎلٌ ﻓﻲ ﺨﻴﺎلٍ ،ﻭﻴﻌﺒﺭﻭﻥ ﻋﻨﻪ
ﺒﺎﻟﻜﺜﺭﺓِ ﺍﻟﻤﻭﻫﻭﻤﺔ؛ ﺤﺭﻴﻔﻭﻥ :ﺃﻫلُ ﺸﺭﺍﺏٍ.
ﻏﺰﻝ ١١٢
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺃﻋﻁﻰ ﺨﺩﻙ ﻟﻭﻥ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﻨﱢﺴﺭﻴﻥ ،ﻜﺎﻥ ﻴﻘﺩِﺭ ﺃﻥ ﻴﻌﻁﻴﻨﻲ ﺍﻟﺼﺒﺭ
ﻭﺍﻟﺴﻠﻭﺍﻥ ﺃﻨﺎ ﺍﻟﻤِﺴﻜﻴﻥ؛
ﻭﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻋﻠﱠﻡ ﺠﺩﻴﻠﹶ ﹶﺘﻙ ﺭﺴﻡ ﺍﻟﺘﱠﻁﺎﻭلِ ،ﻜﺎﻥ ﻴﺴﺘﻁﻴﻊ ﻜﹶﺭﻤﺎﹰ ﺃﻥ ﻴﻌﻁﻴﻨﻲ ﻋﻁﺎﺌﻲ
ﺃﻨﺎ ﺍﻟﻤﻐﻤﻭﻡ؛
ﺃﻨﺎ ﻗﹶﻁﹶﻌﺕﹸ ﺍﻟﻁﱠﻤﻊ ﻤِﻥ ﻓﺭﻫﺎﺩ ،ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ﺍﻟﱠﺫﻱ ﺃﻋﻁﻰ ﺒِﻪِ ﻋِﻨﺎﻥ ﺍﻟﻘﻠﺏِ ﺍﻟﻭﺍﻟِﻪِ ﻟِﺸﹶﻔﹶﺔِ
ﺸﻴﺭﻴﻥ؛
ﻜﻨﺯ ﺍﻟﺫﱠﻫﺏِ ﺇﻥ ﻟﻡ ﻴﻜﹸﻥ ،ﺭﻜﹾﻥ ﺍﻟﻘﻨﺎﻋﺔِ ﺒﺎﻕٍ ،ﻭﺍﻟﱠﺫﻱ ﺃﻋﻁﻰ ﺫﺍﻙ ﻟﻠﺴﻼﻁﻴﻥ ﺃﻋﻁﻰ
ﻫﺫﺍ ﻟﻠﻤﺴﺎﻜﻴﻥ؛
ﺍﻟﺩﻨﻴﺎ ﻋﺭﻭﺱ ﺠﻤﻴﻠﹶﺔﹲ ﻤِﻥ ﺤﻴﺙﹸ ﺍﻟﺼﻭﺭﺓِ ﻟﻜِﻥ ،ﻜﹸلﱡ ﻤﻥ ﻋﻘﹶﺩ ﻋﻠﻴﻬﺎ ﺩﻓﹶﻊ ﻟﻬﺎ ﻋﻤﺭﻩ
ﻤﻬﺭﺍﹰ)(١؛
ﻟِﺫﺍﻙ ﺒﻌﺩ ﻫﺫﺍ ﻴﺩﻱ ﻭﺭﺩﺍﺀ ﺍﻟﺴﺭﻭِ ﻭﺸﹶﻔﹶﺔﹶ ﺍﻟﺠﺩﻭل ،ﺨﺎﺼﺔﹰ ﻭﺍﻟﺼﺒﺎ ﺘﺯﻑﱡ ﺍﻟﺒﺸﺭﻯ
ﺒِﻔﺭﻭﺭﺩِﻴﻥ)(٢؛
ﻓﻲ ﻜﹶﻑﱢ ﺍﻟﻐﹸﺼﺔِ ﻤِﻥ ﺍﻷﻴﺎﻡِ ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﻴﺩﻤﻰ ،ﺁﻩِ ﻤِﻥ ﻓِﺭﺍﻕِ ﻭﺠﻬِﻙ ﺃﻱ ﺴﻴﺩ ﻗﻭﺍﻡ ﺍﻟﺩﻴﻥ.
) (١ﺩﻓﹶﻊ ﺍﻟﻌﻤﺭ ﻤﻬﺭﺍﹰ ﻟﻬﺎ :ﻗﹶﺘﹶﻠﹶﺘﹾﻪ؛
) (٢ﻓﺭﻭﺭﺩﻴﻥ ﺸﻬﺭ ﻓﺎﺭﺴﻲ ﻤِﻥ ﺸﻬﻭﺭِ ﺍﻟﺭﺒﻴﻊ.
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ﻏﺰﻝ ١١٣
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﺎلَ ﺍﻟﺒﻨﻔﺴﺞ ﻟﻠﻭﺭﺩِ ﻓﻲ ﺠﻤﻴلِ ﺒﻴﺎﻥٍ :ﻟﻘﺩ ﻀﻴﻌﺘﻨﻲ ﻭﺃﻋﺩﻤﺘﹾﻨﻲ ﺼﺒﺭﻱ
ﻀﻔﻴﺭﺓﹲ ﻟِﻔﹸﻼﻥ؛
ﺕ ﺒﺎﺒﻬﺎ ﻴﺩ ﺍﻟﻘﻀﺎﺀِ ﻭﺃﻋﻁﹶﺕﹾ ﻤِﻔﺘﺎﺤﻬﺎ ﻟِﺫِﻟﻙ ﺍﻟﻔﺘﱠﺎﻥ؛
ﻥ ﻗﻠﺒﻲ ﺨِﺯﺍﻨﹶﺔﹶ ﺍﻷﺴﺭﺍﺭِ ﺃﻏﻠﹶﻘﹶ ﹾ
ﻜﺎ
ﺠِﺌﺕﹸ ﻤﻨﻜﺴِﺭﺍﹰ ﺇﻟﻰ ﺒﺎﺒِﻙ ،ﺍﻟﻁﱠﺒﻴﺏ ﻫﻭ ﺍﻟﱠﺫﻱ ﺃﺸﺎﺭ ﻋﻠﻲ ﺒِﻤﻭﻤﻴﺎﺀِ ﻟﹸﻁﹾﻑِ ﻜﻴﺎﻨِﻙ؛
ﻓﻠﻴﻜﹸﻥ ﻤﻠﹾﻙ ﻴﺩِﻩِ ﺍﻟﺒﺩﻥ ﺍﻟﺴﻠﻴﻡ ﻭﺍﻟﻘﻠﺏ ﺍﻟﺴﻌﻴﺩ ﻭﺍﻟﺨﺎﻁِﺭ ﺍﻟﻤﺴﺭﻭﺭ ،ﻭﻋﻁﺎﺀ ﻤﺤﺒﻪِ ﺍﻟﻌﺠﺯ؛
ﺍﺫﻫﺏ ﻓﻲ ﻋِﻼﺝِ ﻨﹶﻔﹾﺴِﻙ ﺃﻴﻬﺎ ﺍﻟﻨﱠﺎﺼِﺢ ،ﺍﻟﺸﱠﺭﺍﺏ ﻭﺍﻟﺸﱠﺎﻫِﺩ ﺍﻟﺠﻤﻴلُ ﻴﻌﻁﻴﺎﻥِ ﻜﹸلﱠ ﻫﺫﻴﺎﻥ؛
ﻤﺭ ﻋﻠﻲ ،ﺃﻨﺎ ﺍﻟﻤِﺴﻜﻴﻥِ ،ﻭﻗﺎلَ ﻟﻠﺭﻗﺒﺎﺀ :ﺃﺴﻔﺎﹰ ﺇﻥ ﺤﺎﻓِﻅﹶ ﺍﻟﻤِﺴﻜﻴﻥ ﺃﺴﻠﹶﻤﻨﻲ ﺍﻟﺭﻭﺡ!.
ﻏﺰﻝ ١١٤
ﻭﻟﻭ ﺯﺍﺭﻙ ﺍﻟﻤﺫﻜﻭﺭ ﺯﺭﺕﹶ ﻤﻘﺎﻤﻨـﺎ ﻟﻘﺩ ﺼﺎﺭ ﻁﻴﺭ ﺍﻟﺴﻌﺩِ ﺭﻫﻥ ﺸِﺒﺎﻜِﻨﺎ
ﺇﺫﺍ ﺯﺍﺭ ﺭﺴﻡ ﻤﻥ ﻤﺤﻴﺎﻙ ﺠﺎﻤﻨـﺎ ﻤﺤِﺒﻭﻙ ﻨﹸﻠﻘﻲ ﺒﺎﻟﻌﻤﺎﻤـﺔِ ﻨـﺸﻭﺓﹰ
ﻭﺃﻱ ﻤﺠﺎلٍ ﻜﻲ ﻨـﺯﻑﱠ ﺴـﻼﻤﻨﺎ ﻭﻗﺼﺭﻙ ﺃﻨﱠﻰ ﺘﺒﻠﹸﻎﹸ ﺍﻟـﺭﻴﺢ ﺒﺎﺒـﻪ
ﻭﻜﻡ ﻤﺜلَ ﻫﺫﺍ ﺍﻟﺼﻴﺩِ ﺃﻡ ﺸـﺒﺎﻜﹶﻨﺎ ﻭﻓﺭﻋﻙ ﻗﺎلَ ﺍﻟﺭﻭﺡ ﻟﻴﺴﺕﹾ ﻭﺴﻴﻠﹶﺔﹰ
ﺘﻨﻔﱠﺱ ﺯﺍﺭ ﺍﻟﻌِﻁﺭ ﻤﻨـﻙ ﻤـﺸﺎﻤﻨﺎ ﺘﹸﺭﺍﺏ ﺤِﻤﺎﻙ ﺍﻟﻤِﺴﻙ ،ﺤﺎﻓﻅﹸ ﻜﹸﻠﹼﻤـﺎ
ﻁﺎﺌﺭ ﺃﻭﺝِ ﺍﻟﺴﻌﺎﺩﺓِ ﻭﻗﹶﻊ ﻓﻲ ﺸِﺒﺎﻜِﻨﺎ ،ﻭﻟﻭ ﻤﺭ ﺒِﻙ ﻟﹶﺼِﺭﺕﹶ ﻓﻲ ﻤﻘﺎﻤِﻨﺎ)(١؛
ﺃﻨﺎ ﻜﺎﻟﺤﺒﺎﺏِ ﺃُﻟﻘﻲ ﻋﻤﺎﻤﺔﹶ ﺭﺃﺴﻲ ﻤِﻥ ﺍﻟﻨﱠﺸﺎﻁِ ،ﺇﺫﺍ ﻭﻗﹶﻌﺕﹾ ﺼﻭﺭﺓﹲ ﻤِﻥ ﻭﺠﻬِﻙ ﻓﻲ
ﺠﺎﻤِﻨﺎ)(٢؛
) (١ﻁﺎﺌﺭ ﺍﻟﺴﻌﺎﺩﺓِ ،ﻭﺍﺴﻤﻪ ﺒﺎﻟﻔﺎﺭﺴﻴﺔِ ﺍﻟﻬﻤﺎ ،ﻁﺎﺌﺭ ﺨﺭﺍﻓﻲ ،ﺇﺫﺍ ﻭﻗﻊ ﻅِﻠﱡﻪ ﻋﻠﻰ ﺸﺨﺹٍ ﺴﻌِﺩ
ﻭﻨﺎلَ ﻜﹸلﱠ ﻤﺭﺍﺩ؛
) (٢ﺍﻟﺤﺒﺎﺏ ﺍﻟﻔﻘﺎﻗﻴﻊ ﺘﻌﻠﻭ ﺍﻟﺸﱠﺭﺍﺏ ،ﺇﺫﺍ ﺍﻨﻌﻜﺴﺕﹾ ﺼﻭﺭﺓﹸ ﻭﺠﻬِﻙ ﻓﻲ ﻜﺄﺱِ ﺸﺭﺍﺒﻲ ،ﺍﺨﺘﻔﻴﺕﹸ
ﻜﺎﻟﺤﺒﺎﺏِ ﻓﻲ ﺍﻟﺸﱠﺭﺍﺏ.
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ﻗﺼﺭﻙ ﻻ ﺴﺒﻴلَ ﺇﻟﻴﻪِ ﻟﻠﺭﻴﺢِ ،ﻓﻤﺘﻰ ﻴﺤﺼلُ ﺍﻟﻤﺠﺎلُ ﻟﻨﺎ ﻟِﻨﹸﻠﻘﻲ ﻋﻠﻴﻙ ﺴﻼﻤﻨﺎ؛
ﻟﻴﻠﹶ ﹶﺔ ﺒﺩﺭ ﺍﻟﻤﺭﺍﺩِ ﻴﻁﻠﻊ ﻤِﻥ ﺍﻷُﻓﹸﻕِ ﻋﺴﻰ ﻴﺴﻘﹸﻁﹸ ﻤﻨ ﻪ ﺸﹸﻌﺎﻉ ﻨﻭﺭٍ ﻋﻠﻰ ﺩﺍﺭِﻨﺎ؛
ﻭﺤﻴﺙﹸ ﺃﻨﱢﻲ ﺠﻌﻠﹾﺕﹸ ﺍﻟﺭﻭﺡ ﻓﺩﺍﺀ ﻟِﺸﹶﻔﹶﺘِﻪِ ﻓﺈﻥ ﺭﺠﺎﺌﻲ ﻤﻌﻘﻭﺩ ﻋﻠﻰ ﺃﻥ ﺘﺠﻲﺀ ﻗﻁﺭﺓﹲ
ﻤﻥ ﺯﻻﻟِﻬﺎ ﺒِﻤﺭﺍﺩﻨﺎ؛
ﺨﻴﺎلُ ﻓﺭﻋِﻙ ﻗﺎلَ ﻻ ﺘﺘﱠﺨِﺫﹾ ﻭﺴﻴﻠﹶﺔﹰ ﺍﻟﺭﻭﺡ ،ﻓﻜﻡ ﻤِﺜﹾلَ ﻫﺫﺍ ﺍﻟﺼﻴﺩِ ﻭﺍﻗِﻊ ﻓﻲ ﺸِﺒﺎﻜِﻨﺎ؛
ﻤِﻥ ﻫﺫﺍ ﺍﻟﺒﺎﺏِ ﻻ ﺘﺭﺡ ﻴﺎﺌﺴﺎﹰ ﻭﺍﻀﺭِﺏ ﻓﺄﻻﹰ ،ﻓﺭﺒﻤﺎ ﻭﻗﹶﻌﺕﹾ ﻗﹸﺭﻋﺔﹸ ﺍﻟﺩﻭﻟﹶﺔِ ﻋﻠﻰ ﺍﺴﻤِﻨﺎ؛
ﺤﺎﻓِﻅﹸ ﻜﹸﻠﱠﻤﺎ ﺃﺨﹶﺫﹶ ﺍﻟﻨﱠﻔﹶﺱ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﺤِﻤﺎﻙ ،ﺩﺨﹶلَ ﻨﺴﻴﻡ ﻭﺭﺩِ ﺭﻭﺽِ ﺍﻟﺭﻭﺡِ ﻓﻲ ﻤﺸﺎﻤﻨﺎ.
ﻏﺰﻝ ١١٥
ﺸﺠﺭ ﺍﻟﺤﺏ ،ﺍﺯﺭﻋﻪ ﺜِﻤﺎﺭ ﺍﻟﺨﻴﺭِ ﺜِﻤﺎﺭﻩ ،ﻭﻨﺒﺎﺕﹶ ﺍﻟﺤِﻘﹾﺩِ ،ﺍﻗﻠﹶﻌﻪ ﻓﻼ ﺘﹸﺤﺼﻰ ﺃﻀﺭﺍﺭﻩ؛
ﻭﺍﻋﺭِﻑﹾ ﻗﹶﺩﺭ ﺍﻟﻤﺨﻤﻭﺭِ ﺇﺫﺍ ﺯﺭﺕﹶ ﺍﻟﺨﻤﺎﺭﺍﺕِ ﻟﻜﻲ ﻻ ﻴﺄﺘﻴﻙ ،ﻤﻥ ﺍﻟﺴﻜﹾﺭِ ،ﻤِﻥ
ﺍﻟﺨﹶﻤﺭِ ﺨﹸﻤﺎﺭﻩ)(١؛
ﻴﺎ ﺭﺏ ﻭﻤﻨﹾﺯِلُ ﻟﻴﻠﻰ ﻓﻲ ﺍﻟﺤﻜﹾﻡِ ﻜﻤﻬﺩِ ﺍﻟﺒﺩﺭِ ﻓﻼ ﻴﺤﺭﻡ ﻤﺎ ﻜﺎﻥ ﻋﻠﻰ ﻗﻠﺏِ ﺍﻟﻤﺠﻨﻭﻥِ
ﺠﺭﻯ ﺯﻭﺍﺭﻩ)(٢؛
ﻭﻗﺭﺍﺭ ﻓﺅﺍﺩﻱ ﺍﻟﻤﺠﺭﻭﺡِ ﺒِﻔﺭﻋِﻙ ﻤﺭﺒﻭﻁﹲ ،ﻤﺭ ﺒﺎﻟﻘﹸﺒﻠﹶﺔِ ﺸﹶﻔﹶﺘﹶﻴﻙ ﻟﻪ ﻟﻴﻘِﺭ ﻗﺭﺍﺭﻩ؛
ﺤﺎﻓِﻅﹸ ﺸﺎﺏ ﺃﺨﻴﺭﺍﹰ ﻭﻤﻥ ﺍﷲِ ﺭﺠﺎ ﺃﻥ ﻴﺠﻠِﺱ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻋﻠﻰ ﺍﻟﺠﺩﻭلِ ﻭﺍﻟﺴﺭﻭﺓﹸ
ﺠﺎﺭﻩ).(٣
) (١ﺩﺍﺭ ﻟﻴﻠﻰ ﻟﻬﺎ ﺤﻜﹾﻡ ﻤﻬﺩِ ﺍﻟﻘﹶﻤﺭ ،ﻴﺎ ﺭﺏ ﺍﻗﺫِﻑﹾ ﺒِﻘﻠﺏِ ﻋﺎﻤِﺭِﻫﺎ ﻤﺎ ﺠﺭﻯ ﻋﻠﻰ ﺍﻟﻤﺠﻨﻭﻥ
)ﻴﺎ ﺭﺏ ﺃﻟﻕِ ﻓﻲ ﻗﹶﻠﹾﺏِ ﻋﺎﻤِﺭِ ﺘِﻠﹾﻙ ﺍﻟﺩﺍﺭِ ﻋِﺸﹾﻕﹶ ﻤﺠﻨﻭﻥِ ﻟﻴﻠﻰ(؛
) (٢ﺍﻟﺨﹸﻤﺎﺭ ﺼﺩﺍﻉ ﻴﺼﻴﺏ ﺍﻟﻤﺨﻤﻭﺭ؛
) (٣ﺤﺎﻓﻅﹸ ﺍﻵﻥ ﺸﺎﺌﺏ ،ﻭﻓﻲ ﺁﺨِﺭِ ﻋﻤﺭﻩِ ،ﻭﻴﺴﺄلُ ﺍﷲَ ﺃﻥ ﻴﻜﻭﻥ ﻗﺒﺭﻩ ﻋﻠﻰ ﻀﻔﱠﺔِ ﺍﻟﺠﺩﻭلِ ﺘﺤﺕﹶ
ﻅِلﱢ ﺍﻟﺴﺭﻭﺓ.
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*ﻋﺩ ﺼﺤﺒﺔﹶ ﺍﻟﻠﹼﻴلِ ﻏﻨﻴﻤﺔﹰ ﻓﻤِﻥ ﺒﻌﺩِ ﺯﻤﺎﻨِﻨﺎ ﻫﺫﺍ ،ﺴﻴﺩﻭﺭ ﻜﺜﻴﺭﺍﹰ ﺍﻟﻔﹶﻠﹶﻙ ،ﻭﺴﻴﺠﻲﺀ
ﺒﺎﻟﻜﺜﻴﺭِ ﻤِﻥ ﺍﻟﻠﱠﻴﺎﻟﻲ ﻭﺍﻷﻴﺎﻡ؛
ﺍﻏﺘﻨِﻡ ﺭﺒﻴﻊ ﺍﻟﻌﻤﺭِ ﻴﺎ ﻗﻠﺏ ﻭﺇﻟﹼﺎ ﻓﻬﺫﺍ ﺍﻟﺭﻭﺽ ﻜﹸلﱠ ﻋﺎﻡٍ ﻴﺠﻲﺀ ﺒﻤﺌﺔِ ﻭﺭﺩﺓٍ
ﻜﺎﻟﻨﱢﺴﺭﻴﻥ ﻭﻴﺠﻠﺏ ﺃﻟﻑﹶ ﻁﺎﺌﺭٍ ﻜﺎﻟﺒﻠﺒل.
ﻏﺰﻝ ١١٦
)(١
ﺍﻟﺸﱠﺨﺹ ﺍﻟﱠﺫﻱ ﺤﺴﻥ ﻭﺨﻁﱡ ﺍﻟﺤﺒﻴﺏِ ﻓﻲ ﻨﹶﻅﹶﺭِﻩِ ،ﻤﺤﻘﱠﻕﹲ ﺃﻨﱠﻪ ﺤﺎﺼِلٌ ﻋﻠﻰ ﺍﻟﺒﺼﺭ؛
ﺠﻌﻠﹾﻨﺎ ﺭﺃﺴﻨﺎ ﻴﺠﺭﻱ ﺒِﻁﺎﻋﺔِ ﺃﻤﺭِﻩِ ﻜﺎﻟﻘﹶﻠﹶﻡِ ،ﻓﻠﹶﻴﺘﹶﻪ ﻴﻘﻁﹶﻌﻪ ﺒﺎﻟﺴﻴﻑ)(٢؛
ﺕ ﺴﻴﻔِﻙ ﻴﺴﺘﺒﺩِلُ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﺭﺃﺴﺎﹰ؛
ﺍﻟﺸﱠﺨﺹ ﺍﻟﱠﺫﻱ ﻟﻪ ﺇﺠﺎﺯﺓﹲ ﺒﻭﺼﻠِﻙ ﻜﺎﻟﺸﱠﻤﻊِ ،ﺘﺤ ﹶ
ﻭﺍﻟﺸﱠﺨﺹ ﺍﻟﱠﺫﻱ ﻴﺤﺎﻓِﻅﹸ ﻋﻠﻰ ﺍﻟﺭﺃﺱِ ﺩﺍﺌﻤﺎﹰ ﻋﻠﻰ ﻋﺘﹶﺒﺔِ ﻗﺼﺭِﻙ ﺭﺒﻤﺎ ﻴﺼِلُ ﺇﻟﻰ
ﺘﻘﺒﻴلِ ﻗﹶﺩﻤِﻙ؛
ﺃﻨﺎ ﻤِﻥ ﺍﻟﺯﻫﺩِ ﺍﻟﻴﺎﺒِﺱِ ﻤﻠﻭلٌ ،ﺃﻴﻥ ﺍﻟﺨﹶﻤﺭﺓﹸ ﺍﻟﺼﺎﻓِﻴﺔﹸ ،ﺭﻴﺢ ﺍﻟﻤﺩﺍﻡِ ﺘﺠﻌلُ ﺩِﻤﺎﻏﻲ
ﺭﻁﹾﺒﺎﹰ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ؛
ﻭﺇﻥ ﻜﺎﻨﹶﺕِ ﺍﻟﺨﹶﻤﺭ ﻋﻨﺩﻙ ﺒﻼ ﻗﻴﻤﺔٍ ،ﺨﹸﺫﻫﺎ ﻟِﺘﺠﻌﻠﹶﻙ ﺒﻼ ﺨﹶﺒﺭٍ ﻋﻥ ﻭﺴﻭﺴﺔِ ﺍﻟﻌﻘﹾل
ﻟﺤﻅﹶﺔﹰ ﻤِﻥ ﺍﻟﺯﻤﺎﻥ؛
ﺸﺨﹾﺹ ﻟﻡ ﻴﻀﻊ ﻗﹶﺩﻤﺎﹰ ﺨﺎﺭِﺝ ﻁﺭﻴﻕِ ﺍﻟﺘﱠﻘﻭﻯ ،ﺒِﻌﺯﻡِ ﺍﻟﺨﻤﺎﺭﺓِ ،ﻫﻭ ﺍﻵﻥ ﻓﻲ ﻁﺭﻴﻕِ
ﺍﻟﺴﻔﹶﺭ؛
ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﻜﺴﻭﺭ ﺴﻴﺤﻤِلُ ﺇﻟﻰ ﺍﻟﺘﱡﺭﺍﺏ ،ﻤﺎ ﻋِﻨﺩﻩ ﻤِﻥ ﻫﻭﻯ ﺤﺎﺭ ﻋﻠﻰ ﻜﹶﺒِﺩِﻩ
ﻤِﺜلَ ﺯﻫﺭﺓِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺍﻟﺤﻤﺭﺍﺀ.
) (١ﺇﺫﺍ ﺃﻜﺜﺭ ﺸﺨﺹ ﺍﻟﻨﱠﻅﺭ ﻭﺍﻟﺘﱠﻤﻌﻥ ﻓﻲ ﺠﻤﺎل ﻭﺠﻪ ﺍﻟﺤﺒﻴﺏ ﻓﺈﻨﱠ ﻪ ﺼﺎﺤﺏ ﺒﺼﺭٍ ﺼﺤﻴﺢ،
ﻭﻫل ﻴﺸﺘﻐلُ ﺍﻟﺒﺼﺭِ ﺒﺄﻓﻀلَ ﻤﻥ ﺍﻟﻨﱠﻅﺭِ ﺇﻟﻰ ﺠﻤﺎل ﻭﺠﻪ ﺍﻟﻤﺤﺒﻭﺏ؛
) (٢ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺍﻟﻌﺎﺭﻑﹸ ﻜﺎﻟﻘﻠﻡِ ﺘﻘﻠﱢﺒﻪ ﻜﻑﱡ ﺍﻟﺭﺤﻤﻥ.
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ﻏﺰﻝ ١١٧
ﻗﻠﺒﻲ ﺒِﺩﻭﺭِ ﻭﺠﻬِﻙ ﻓﺎﺭﻍﹲ ﻤﻥ ﺍﻟﺭﻭﺽ ،ﻜﺄﻨﱠﻪ ﺍﻟﺴﺭﻭ ﻓﻲ ﻗﹶﺩﻤِﻪِ ﺍﻟﻘﹶﻴﺩ ،ﻭﺯﻫﺭ
ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻓﻴﻪِ ﺤﺭﺍﺭﺓﹸ ﺍﻟﻨﱠﺎﺭ؛
ﺭﺃﺴﻲ ﻻ ﻴﺩﺨﹸلُ ﺘﺤﺕﹶ ﻗﻭﺱِ ﺤﺎﺠِﺏِ ﺸﺨﺹٍ ،ﻓﻬﻭ ﻓﻲ ﺨﻠﻭﺓِ ﺍﻟﺯﺍﻫﺩﻴﻥ ﻓﺎﺭﻍﹲ
ﻤﻥ ﺍﻟﻌﺎﻟﹶﻡ)(١؛
ﺃﻨﺎ ﻓﻲ ﻏﹶﻀﺏٍ ﻤِﻥ ﺍﻟﺒﻨﻔﺴﺞِ ﺍﻟﱠﺫﻱ ﻴﻘﻴﺱ ﻨﻔﺴﻪ ﺇﻟﻰ ﺫﺅﺍﺒﺘِﻪ ،ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﻫﺫﺍ
ﺍﻷﺴﻭﺩِ ﺍﻟﻭﺠﻪِ ﺍﻟﺭﺨﻴﺹِ ﺒﻤﺎﺫﺍ ﻴﻔﻜﱢﺭ؛
ﺘﻤﺵﱠ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻭﺘﺄﻤلْ ﺸﺎﻩ ﺍﻟﻭﺭﺩِ ﻋﻠﻰ ﺴﺭﻴﺭِ ﺴﻠﻁﺎﻨِﻪِ ،ﻭﺍﻟﺸﱠﻘﺎﺌﻕﹸ ﻭﺍﻗﻑﹲ
ﻴﻨﺎﺩِﻤﻪ ،ﻭﺍﻟﻜﺄﺱ ﻓﻲ ﻜﻔﱢﻪ؛
ﻓﻲ ﻅﹸﻠﹾﻤﺔِ ﺍﻟﻠﹼﻴلِ ﻭﺍﻟﺼﺤﺭﺍﺀِ ،ﺃﻴﻥ ﻴﻤﻜِﻥ ﺍﻟﻭﺼﻭلُ ،ﻤﺎ ﻟﹶﻡ ﻴﻜﹸﻥ ﻤﻌﻲ ﺴِﺭﺍﺝ
ﺍﻟﻁﱠﺭﻴﻕِ ﻤِﻥ ﺸﻤﻊِ ﻭﺠﻬِﻙ؛
ﺃﻨﺎ ﻭﺸﻤﻊ ﺍﻟﺼﺒﺎﺡِ ﻨﺒﻜﻲ ﻤﻌﺎﹰ ،ﺍﺤﺘﺭﻗﻨﺎ ﻭﺼﻨﹶﻤﻨﺎ ﺍﻟﻤﻌﺒﻭﺩ ﻓﺎﺭﻍﹲ ﻤﻨﹼﺎ؛
ﺤﻕﱠ ﻟﻲ ﺍﻟﺒﻜﺎﺀ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺭﻭﺽِ ﻜﻐﹶﻴﻡِ ﺒﻬﻤﻥ ،ﺍﹸﻨﻅﹸﺭ ﻓﻘﺩ ﺘﻤﻠﱠﻙ ﻓﻴﻪِ ﺍﻟﻐﹸﺭﺍﺏ
ﻋِﺵﱠ ﺍﻟﺒﻠﺒل؛
ﻗﻠﹾﺏ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺘﺄﻟﱢﻡ ﻓﻴﻪِ ﺴِﺭ ﺩﺭﺱِ ﺍﻟﻌِﺸﹾﻕ ،ﻟﻴﺱ ﻓﻴﻪِ ﺨﺎﻁِﺭ ﺍﻟﺘﱠﻨﹶﺯﻩِ ،ﻭﻻ ﻫﻭﻯ
ﺍﻟﺒﺴﺘﺎﻥ.
) (١ﻗﻭﺱ ﺍﻟﺤﺎﺠِﺏِ ﻴﺭﻤﺯ ﻟﻠﺸﱠﺭ ﻑِ ﻭﺍﻟﺭﻓﻌﺔ ،ﻭﺍﻟﻤﻌﻨﻰ :ﻻ ﺃﺭﻯ ﻋﻅﻴﻤﺎﹰ ﻏﻴﺭ ﻙ ،ﻭﻻ ﺃﻟﺠ ﺄُ
ﻭﻻ ﺃﺨ ﻀ ﻊ ﻟِ ﻐﹶﻴﺭِ ﻙ ،ﻭﻻ ﺃﻜﻭﻥ ﻓﻲ ﻋِﻨﺎ ﻴﺔِ ﺃﺤﺩٍ ﻏﻴﺭِﻙ ،ﺃﻨﺎ ﺒﻭﺠﻭﺩِﻙ ﻓﺎﺭِﻍﹲ ﻤِ ﻥ
ﺍﻟﻌﺎ ﻟﹶﻡِ .
-١٣٥-
ﻏﺰﻝ ١١٨
ـﻙ ﺍﻟﻤــﺩﺍﻡ
ـﻠﹶﻴﻤﺎﻥ ﺘﻤﻠـ
ـﻙ ﺴـ
ﻤﻠﹾـ ﻤﻠِﻙ ﻤـﻥ ﻟﹶﺩﻴـﻪِ ﺨﹶﻤـﺭ ﻭﺠـﺎﻡ
ﻁﺎﻟِﺏ ﻤﺎﺀِ ﺍﻟﺤﻴـﺎﺓِ ،ﻤـﺎﺀ ﺍﻟﺤﻴــــﺎﺓِ ﻓـﻲ ﺍﻟﺤـﺎﻥِ ﻗـﺩ ﺤـﻭﺍﻩ ﺠـﺎﻡ
ﺇﻥ ﺫﺍﻙ ﺍﻟﺯﻤــﺎﻡ ﻓﻴــﻪِ ﺍﻟﻨﱢﻅــﺎﻡ ﻭﺯﻤﺎﻡ ﺍﻟﺤﻴـﺎﺓِ ﺒﺎﻟﺠـﺎﻡِ ﻓﺎﻋﻘِـلْ
ﻨﺤﻥ ﻭﺍﻟﺨﻤﺭ ﺃﻭ ﺯﺍﻫِـﺩ ﻭﺘﻘـــﻭﻯ ﺴـﻨﺭﻯ ﻤـﻥ ﻟـﻪ ﻴﺤـﺴﻥ ﺍﻟﺨِﺘـﺎﻡ
ـﺭﺍﻡ
ـﺎﻟﺒﻴﻥ ﻤـ
ـﻀﻰ ﻟِﻠﻁﱠـ
ﻤﻨ ـﻪ ﻴﻘـ ﺴﺎﻗﻴﺎ ﻤـﺎ ﻭﺭﺍ ﺸِـﻔﺎﻫِﻙ ﺸـﻲﺀ
ﻓﺭﻋﻙ ﻭﺍﻟﻭﺠﻪ ﻭِﺭﺩ ﺍﻟﻤﺴﺎ ﻭﺍﻟﺼﺒـــﺎﺡِ ﻴـﺩﻋﻭ ﺒِـﻪِ ﻗﻠﺒـﻲ ﺍﻟﻤـﺴﺘﹶﻬﺎﻡ
ﺍﻟﺸﱠﺨﺹ ﺍﻟﱠﺫﻱ ﻴﻤﻠﻙ ﺍﻟﺠﺎﻡ ،ﻴﻤﻠﻙ ﺴﻠﻁﺎﻥ ﺠﻤﺸﻴﺩ ﻓﻲ ﺍﻟﻤﺩﺍﻡ؛ ﺍﻟﻤﺎﺀ ﺍﻟﱠﺫﻱ
ﻭﺠﺩ ﺍﻟﺨِﻀﺭ ﻤِﻨﹾﻪ ﺍﻟﺤﻴﺎﺓﹶ ،ﺍﺒﺤﺙﹾ ﻋﻨﻪ ﻓﻲ ﺍﻟﺤﺎﻥِ ﻓﻬﻭ ﻓﻲ ﺍﻟﺠﺎﻡ؛ ﺴﻠﱢﻡ ﺯِﻤﺎﻡ ﺭﻭﺤِﻙ
ﻟﻠﺠﺎﻡِ ﻓﻬﺫﺍ ﺍﻟﺤﺒلُ ﻫﻭ ﺍﻟﻨﱢﻅﺎﻡ)(١؛ ﺃﻨﺎ ﻭﺨﻤﺭﻱ ﻭﺍﻟﺯﺍﻫِﺩﻭﻥ ﻭﺍﻟﺘﱠﻘﻭﻯ ،ﺴﻨﺭﻯ ﻤﻥ
ﺴﻴﺨﺘﺎﺭ ﺍﻟﺤﺒﻴﺏ؛ ﻜﹸلﱡ ﻤﺎ ﻋِﻨﺩ ﺍﻟﻨﱠﺭﺠِﺱِ ﻤِﻥ ﻓﻨﻭﻥِ ﺍﻟﺴﻜﹾﺭِ ،ﻗﺭﺽ ﻤﺴﺘﻌﺎﺭ ﻤِﻥ
ﻋﻴﻨِﻙ ﺍﻟﺠﻤﻴﻠﹶﺔ؛ ﺫِﻜﹾﺭ ﺠﺒﻴﻨِﻙ ﻭﻓﹶﺭﻋِﻙ ﻭِﺭﺩ ﻟِﻘﹶﻠﺒﻲ ﻴﺩﻋﻭ ﺒِﻪِ ﺼﺒﺎﺤﺎﹰ ﻭﻤﺴﺎﺀ؛ ﻟﺅﻟﺅُ
ﺸﹶﻔﹶﺘِﻙ ﻓﻴﻪِ ﺍﻟﻤِﻠﹾﺢ ﺍﻟﺘﱠﺎﻡ ﻟﻠﺼﺩﻭﺭِ ﺍﻟﺠﺭﻴﺤﺔِ ﻟِﺄﻫلِ ﺍﻵﻻﻡِ؛ ﺃﻱ ﺤﺒﻴﺒﻲ ،ﻓﻲ ﺒﺌﺭِ ﺍﻟﺫﱠﻗﹾﻥِ،
ﺤﺴﻨﹸﻙ ﻋِﻨﹾﺩﻩ ﻤﺎﺌﺘﺎ ﻏﹸﻼﻡٍ ﻜﺤﺎﻓِﻅﹶ.
ﻏﺰﻝ ١١٩
ﺍﻟﻘﻠﹾﺏ ﺍﻟﹼﺫﻱ ﻫﻭ ﻤﺭﺁﺓﹲ ﻟﻠﻐﻴﺏِ ﻭﻋﻨﺩﻩ ﺠﺎﻡ ﺠﻤﺸﻴﺩ ،ﺃﻱ ﻏﹶﻡ ﻴﺼﻴﺒﻪ ﻤِﻥ ﻀﻴﺎﻉِ ﺨﺎﺘﹶﻡٍ
ﻟﻠﺤﻅﹶﺔ؟)(٢؛
ﻻ ﺘﹸﻌﻁِ ﺨﺯﻴﻨﹶﺔﹶ ﻗﻠﹾﺒِﻙ ﻟِﻭﺍﺤِﺩٍ ﻤِﻥ ﺍﻟﺸﱠﺤﺎﺫﻴﻥ ﻭﻟﻭ ﻜﺎﻥ ﺠﻤﻴلَ ﺍﻟﻭﺠﻪِ ﻭﺍﻟﺨﺎل ،ﻀﻌﻬﺎ
ﻓﻲ ﻴﺩِ ﺸﺒﻴﻪِ ﻤﻠِﻙٍ ﻴﺤﺘﹶﺭِﻡ ﺍﻟﻤﺤﺘﹶﺭﻡ؛
) (١ﺍﻟﻨِﻅﺎﻡ ﻫﻭ ﺍﻟﺨﹶﻴﻁﹸ ﺍﻟﱠﺫﻱ ﻴﻨﹾﻅﹶﻡ ﻓﻴﻪِ ﺍﻟﻠﺅﻟﺅ.
ﻉ ﺨﺎﺘﻡِ ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ؛
) (٢ﻀﻴﺎﻉ ﺨﺎﺘﻡٍ :ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﻤﺎ ﺴﺒﻘﺕ ﺍﻹﺸﺎﺭﺓﹸ ﺇﻟﻴﻪِ ﻤﻥ ﻀﻴﺎ ِ
-١٣٦-
ﻤﺎ ﻜﹸلﱡ ﺸﹶﺠﺭﺓٍ ﺘﻘﹾﺩﺭ ﻋﻠﻰ ﺘﺤﻤلِ ﺠﻔﺎﺀِ ﺍﻟﺸﱢﺘﺎﺀ ،ﺍﻟﺴﺭﻭﺓﹸ ﺍﻟﱠﺘﻲ ﺃﻨﺎ ﺨﺎﺩِﻤﻬﺎ ﻟﻬﺎ ﺍﻟﻘﹶﺩﻡ
ﻫﺎ ﻫﻨﺎ)(١؛
ﺠﺎﺀ ﻤﻭﺴِﻡ ﻴﻘِﻑﹸ ﻓﻴﻪِ ﻤِﻥ ﻁﹶﺭﺏٍ ﺃﻤﺎﻡ ﺍﻟﻘﹶﺩﺡِ ﻜﺎﻟﻨﱠﺭﺠِﺱِ ﺍﻟﺴﻜﹾﺭﺍﻥِ ﻜﹸلﱡ ﻤﻥ ﻴﻤﻠﻙ
ﺴﺘﱠﺔﹶ ﺩﺭﺍﻫِﻡ ﻴﻨﺜﹸﺭﻫﺎ ﻋﻠﻰ ﻗﺩﻤِﻪ)(٢؛
ﺍﺠﻌلِ ﺍﻟﺫﱠﻫﺏ ﺜﹶﻤﻨﺎﹰ ﻟﻠﺨﹶﻤﺭِ ﻜﺎﻟﻭﺭﺩِ ،ﻭﻻ ﺘﺄﺴﻑﹾ ،ﻟﻜﻲ ﻻ ﺘﻜﹸﻭﻥ ﻤﺘﱠﻬﻤﺎﹰ ﺒﻤﺎﺌﺔٍ ﻤﻥ
ﺍﻟﻌﻴﻭﺏِ ﻋِﻨﺩ ﺍﻟﻌﻘﹾلِ ﺍﻟﻜﹸﻠﱢﻲ)(٣؛
ﻻ ﺃﺤﺩ ﻴﺩﺭﻱ ﺒِﺴِﺭ ﺍﻟﻐﻴﺏِ ﻓﻼ ﺘﺭﻭِ ﺍﻟﻘِﺼﺹ ﻓﻤﺎ ﻟﻤﺤﺭِﻡِ ﻗﻠﺏٍ ﻁﺭﻴﻕﹲ ﺇﻟﻰ ﺩﺍﺨِلِ
ﻫﺫﺍ ﺍﻟﺤﺭﻡ؛
ﻭﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﺩﻋﻲ ﺍﻟﺘﱠﺠﺭﺩ ،ﻫﺎ ﻫﻭ ﺍﻵﻥ ﻭﻟﹶﻪ ﻤﺎﺌﺔﹸ ﺸﹸﻐﹾلٍ ﺒﺎﻟﻌﺒﻴﺭِ ﺍﻟﱠﺫﻱ ﺘﺤﻤِلُ
ﺭﻴﺢ ﺍﻟﺼﺒﺎﺡِ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ؛
ﻭﻤِﻤﻥ ﻋﺴﺎﻱ ﺃﻁﻠﹸﺏ ﻤﺭﺍﺩ ﻗﻠﺒﻲ ﻭﻟﻴﺱ ﻫﻨﺎﻙ ﻤِﻥ ﺤﺒﻴﺏٍ ﻴﻤﻠﻙ ﻀﻴﺎﺀ ﺍﻟﻨﱠﻅﹶﺭِ
ﻭﺃﺴﻠﻭﺏ ﺍﻟﻜﹶﺭﻡ؛
ﺨِﺭﻗﹶﺔﹸ ﺍﻟﺩﻋﻭﻯ ﺍﻟﱠﺘﻲ ﻴﺭﺘﺩﻴﻬﺎ ﺤﺎﻓِﻅﹸ ﻻ ﻗﻴﻤﺔﹶ ﻟﻬﺎ ،ﻭﻨﺤﻥ ﻻ ﻨﺸﺘﺭﻴﻬﺎ ﺒِﺸﹶﻲﺀٍ ،ﻟﻘﺩ
ﻁﻠﺒﻨﺎ ﻤﻨﻪ ﺃﻥ ﻴﻌﺒﺩ ﺍﻟﺼﻤﺩ ،ﻭﻫﻭ ﻜﺎﻥ ﻴﻌﺒﺩ ﺍﻟﺼﻨﹶﻡ). (٤
) (١ﻟﻬﺎ ﺍﻟﻘﹶﺩﻡ ﻫﺎ ﻫﻨﺎ :ﺩﻭﻤﺎﹰ ﺨﻀﺭﺍﺀ؛
) (٢ﺴﺘﺔ ﺩﺭﺍﻫﻡ ،ﻴﻌﻨﻲ ﺒﻬﺎ ﻜﹸلﱠ ﻤﺎ ﻴﻤﻠﻙ ،ﻭﻴﻨﺜﹸﺭﻫﺎ ﻋﻠﻰ ﻗﹶﺩﻡِ ﺍﻟﻘﹶﺩﺡ ﻴﻌﻨﻲ ﻴﺼﺭِﻓﹸﻬﺎ ﻓﻲ
ﻁﺭﻴﻕِ ﺍﻟﺨﹶﻤﺭ؛
) (٣ﺇﻥ ﻟﻡ ﺘﺸﺘﺭِ ﺍﻟﺨﻤﺭ ﺒﺄﻏﻠﻰ ﻤﺎ ﺘﻤﻠﻙ ﻓﻠﺴﺕﹶ ﺒﺎﻟﻌﺎﻗل ،ﻭﺍﻟﻌﻘل ﺍﻟﱠﺫﻱ ﺒِﻪِ ﺘﹸﻌﻘﹶلُ ﺤﻘﺎﺌﻕﹸ
ﺍﻷﺸﻴﺎﺀ ﻴﺭﻯ ﻓﻴﻙ ﻤﺎﺌﺔﹶ ﻋﻴﺏ ،ﻗﺎل ﺼﺎﺤﺏ ﺍﻟﻤﺜﻨﻭﻱ ﻋﻥ ﺍﻟﻌﻘلِ ﺍﻟﻜﻠﹼﻲ :ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡ
ﻓﻜﺭﺓﹲ ﻤﻥ ﺍﻟﻌﻘلِ ﺍﻟﻜﻠﹼﻲ؛
) (٤ﻁﻠﺒﻨﺎ ﻤﻨﻪ ﺃﻥ ﻴﻌﺒﺩ ﺍﻟﺼﻤﺩ ﻭﻫﻭ ﻴﻌﺒ ﺩ ﺍﻟﺼﻨﹶﻡ :ﻋﺒﺎﺩﺘﹸﻪ ﻟﻴﺴﺕ ﺨﺎﻟﺼﺔﹰ ﻟﺒﻘﺎﺀِ ﺍﻷﻨﺎﻨﻴﺔ
ﻓﻴﻪ)ﺃﻡ ﺍﻷﺼﻨﺎﻡِ ﻨﻔﺴﻙ ﺍﻟﱠﺘﻲ ﺒﻴﻥ ﺠﻨﺒﻴﻙ(.
-١٣٧-
ﻏﺰﻝ١٢٠
ﻋِﻨﺩﻱ ﺼﻨﹶﻡ ﻟﻪ ﻭﺠﻪ ﻭﺭﺩٍ ﺘﹸﻅِﻠﱡﻪ ﺍﻟﺴﻨﺎﺒلُ ،ﻨﹶﻭﺭ ﻋﺎﺭِﻀِﻪِ ﺒِﻪِ ﺨﹶﻁﱞ ﻤِﻥ ﺩﻡِ
ﺍﻷُﺭﺠﻭﺍﻥ)(١؛
ﻏﹸﺒﺎﺭ ﺍﻟﺨﻁﱢ ﻏﻁﹼﻰ ﺸﹶﻤﺱ ﻭﺠﻬِﻪ ،ﺭﺏ ﺃﻋﻁِﻪِ ﺍﻟﺒﻘﺎﺀ ﺍﻟﺨﺎﻟِﺩ ﻜﻤﺎ ﻟﻪ ﺍﻟﺤﺴﻥ ﺍﻟﺨﺎﻟِﺩ؛
ﻭﺃﻨﺎ ﺃﺒﺩﺃُ ﺍﻟﻌِﺸﹾﻕﹶ ﻗﹸﻠﺕﹸ ﻟِﻨﻔﺴﻲ ﺤﺼﻠﹾﺕﹸ ﻋﻠﻰ ﺍﻟﺠﻭﻫﺭِ ﺍﻟﻤﻘﺼﻭﺩِ ،ﻟﻡ ﺃﻜﹸﻥ ﺃﺩﺭﻱ ﺃﻥ
ﻫﺫﺍ ﺍﻟﺒﺤﺭ ﻴﻤﻭﺝ ﺒﺎﻟﺩﻡِ ﺍﻟﻤﺭﺍﻕ؛
ﻤِﻥ ﻋﻴﻨِﻙ ﻻ ﻤﻬﺭﺏ ﺒﺎﻟﺭﻭﺡِ ﻓﺤﻴﺜﹸﻤﺎ ﻨﹶﻅﹶﺭﺕﹸ ﺃﺭﻯ ﻋﻴﻨﹶﻙ ﻓﻲ ﺍﻟﻜﻤﻴﻥِ ﻭﺍﻟﺴﻬﺎﻡ ﻓﻲ
ﻗﻭﺴِﻬﺎ)(٢؛
ﺸِﺒﺎﻙ ﻁﹸﺭﺘِﻪِ ﺤﻴﻥ ﻨﹶﺸﹶﺭﺕﹾ ﻗﹸﻠﻭﺏ ﺍﻟﻌﺸﱠﺎﻕِ ﻜﺎﻟﻐﹸﺒﺎﺭِ ﻓﻲ ﺍﻟﺭﻴﺢ ،ﻗﺎﻟﹶﺕﹾ ﻟِﻐﻤﺎﺯﺓِ ﺍﻟﺼﺒﺎ
ﺍﻜﺘﹸﻤﻲ ﺍﻟﺴﺭ؛
ﺼﺏ ﺠﺭﻋﺔﹰ ﻋﻠﻰ ﺘﹸﺭﺒﺘِﻨﺎ ،ﻭﺍﺴﻤﻊ ﺤﺎلَ ﺃﻫلِ ﺍﻟﻘﻠﹾﺏِ ،ﻭﻜﻡ ﻋﻨﺩﻫﻡ ﻤﻥ ﺍﻟﻘِﺼﺹِ
ﻋﻥ ﺠﻤﺸﻴﺩ ﻭﻜﻴﺨﺴﺭﻭ)(٣؛
ﺇﺫﺍ ﻀﺤِﻙ ﻓﻲ ﻭﺠﻬِﻙ ﺍﻟﻭﺭﺩ ﻻ ﺘﻘﻊ ﻓﻲ ﺸِﺒﺎﻜِﻪِ ﻴﺎ ﺒﻠﺒل ،ﻻ ﺍﻋﺘِﻤﺎﺩ ﻋﻠﻰ ﺍﻟﻭﺭﺩِ
ﺤﺘﹼﻰ ﻭﻟﻭ ﻤﻠﹶﻙ ﺤﺴﻥ ﺍﻟﻌﺎﻟﹶﻡ)(٤؛
ﺒﺎﷲِ ﻋﻠﻴﻙ ﺃﻨﺼِﻔﻨﻲ ﻤﻨﹾﻪ ،ﺃﻱ ﻤﺴﺅﻭلَ ﺍﻟﻤﺠﻠِﺱِ ،ﺇﻨﱠﻪ ﻤﻊ ﺍﻵﺨﹶﺭﻴﻥ ﻴﺸﹾﺭﺏ ﺍﻟﺨﻤﺭ
ﻭﻋﻠﻲ ﻴﺘﻜﺒﺭ؛
) (١ﺍﻟﺨﻁﱡ :ﺍﻟﺸﱠﻌﺭ ﺍﻟﻨﱠﺎﺒِﺕﹸ ﺤﺩﻴﺜﺎﹰ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻟﺤﺩﺙ؛
) (٢ﺘﺨﺘﺒﺊُ ﺍﻟﻌﻴﻥ ﻓﻲ ﺤﻔﺭﺓٍ ﺘﹸﺩﻋﻰ ﺍﻟﺤﺠﺎﺝ ،ﻫﻭ ﻤﺴﻜﹶﻨﹸﻬﺎ ،ﻜﺄﻨﹼﻬﺎ ﻓﻲ ﻜﻤﻴﻥ ،ﻭﺍﻟﺤﺎﺠِﺏ ﺍﻟﻤﻘﻭﺱ
ﻗﻭﺴﻬﺎ ﺍﻟﱠﺫﻱ ﺘﺭﻤﻲ ﺒِﻪ ،ﻭﺍﻟﺴﻬﺎﻡ ﺍﻷﻫﺩﺍﺏ؛
) (٣ﺇﺫﺍ ﺸﹶﺭِﺒﺕﹶ ﺍﻟﺨﹶﻤﺭ ﻤِﻥ ﺒﻌﺩِ ﻤﻭﺘِﻨﺎ ﻓﺎﺫﻜﹸﺭﻨﺎ ﺒِﺠﺭﻋﺔٍ ،ﻟِﺘﺴﻤﻊ ﻤﺎ ﺠﺭﻯ ﻟِﺄﻫلِ ﺍﻟﻘﻠﻭﺏ ،ﻓﻌِﻨﺩﻫﻡ
ﻜﺜﻴﺭ ﻤﻥ ﺍﻟﻘِﺼﺹِ ﻋﻥ ﻋﻅﻤﺎﺀِ ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡِ ﻤِﻥ ﺃﻤﺜﺎلِ ﺠﻤﺸﻴﺩ ﻭﻜﻴﺨﺴﺭﻭ؛
) (٤ﻻ ﺘﻘﻊ ﻓﻲ ﺸﺒﺎﻜِﻪ ﺃﻱ ﻻ ﺘﻌﺸﹶﻘﹾﻪ ،ﻭﻻ ﺍﻋﺘِﻤﺎﺩ ﻋﻠﻰ ﺍﻟﻭﺭﺩ ﺃﻱ ﻻ ﻭﻓﺎﺀ ﻟﻪ ﻭﻻ ﻋﻬﺩ؛
-١٣٨-
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﹸﺭﻴﺩ ﺃﻥ ﺘﺭﺒِﻁﹶﻨﻲ ﺇﻟﻰ ﺴﺭﺝِ ﺠﻭﺍﺩِﻙ ،ﻷﺠلِ ﺍﷲِ ﻋﺠلْ ﺒﺎﺼﻁﻴﺎﺩﻱ،
ﺍﻟﺘﱠﺄﺨﻴﺭ ﻓﻴﻪِ ﺍﻵﻓﺎﺕﹸ ﻭﺍﻟﻁﱠﺎﻟِﺏ ﻴﺨﺴﺭ؛
ﻻ ﺘﺤﺭِﻡ ﻋﻴﻨﻲ ﻤِﻥ ﺴﺭﻭِ ﻗﺩﻙ ﺍﻟﻠﹼﻁﻴﻑ ،ﺍﺯﺭﻋﻪ ﻋﻠﻰ ﻋﻴﻨِﻬﺎ ﻓﻌﺫﹾﺏ ﺍﻟﻤﺎﺀ ﻤﻨﻬﺎ
ﺩﺍﺌﻤﺎﹰ ﻴﺠﺭﻱ؛
ﺍﺠﻌﻠﹾﻨﻲ ﻓﻲ ﺃﻤﺎﻥٍ ﻤِﻥ ﺨﻭﻑِ ﺍﻟﻬﺠﺭِ ﺇﻥ ﻜﹸﻨﺕﹶ ﺭﺍﻏِﺒﺎﹰ ﻓﻴﻪ ،ﺠﻌﻠﹶﻙ ﺍﷲُ ﻓﻲ ﺃﻤﺎﻥٍ ﻤِﻥ
ﻋﻴﻥِ ﻜﹸلﱢ ﻤﻥ ﺃﺭﺍﺩ ﺒِﻙ ﺴﻭﺀﺍﹰ؛
ﻤﺎ ﻋﺫﺭﻱ ﺍﻟﱠﺫﻱ ﺃﻗﻭلُ ﻟِﺤﻅﹼﻲ ،ﺍﻟﻌﻴﺎﺭ ﻓﺎﺘِﻥ ﺍﻟﻤﺩﻴﻨﺔِ ،ﺍﻟﺴﻜﱠﺭ ﻓﻲ ﻓِﻴﻪِ ،ﻭﻗﺘلَ ﺤﺎﻓِﻅﹶ
ﺒﺎﻟﻤﺭ.(١)
ﻏﺰﻝ ١٢١
ﻜﹸلﱡ ﻤﻥ ﻟﻪ ﺨﺎﻁِﺭ ﻤﺠﻤﻭﻉ ﻭﻤﺤﺒﻭﺏ ﻴﻤﻠﻙ ﺍﻟﺤﺴﻥ ﻭﺍﻟﺩﻻل ،ﺍﻟﺴﻌﺎﺩﺓﹸ ﺭﻓﻴﻘﹶﺘﹸﻪ
ﻭﺍﻟﺩﻭﻟﹶﺔﹸ ﺠﻠﻴﺴﺘﹸﻪ؛
ﺤﺭﻴﻡ ﺍﻟﻌِﺸﹾﻕِ ﻟﻪ ﺒﺎﺏ ﺃﻋﻠﻰ ﻜﺜﻴﺭﺍﹰ ﻤِﻥ ﺍﻟﻌﻘﹾل ،ﻭﻜﹸلﱡ ﻤﻥ ﺃﺭﺍﺩ ﺘﻘﺒﻴلَ ﻋﺘﹶﺒﺘِﻪ ﺤﻤلَ
ﺍﻟﺭﻭﺡ ﻋﻠﻰ ﻜﻔﱢﻪ؛
ﺜﹶﻐﹾﺭﻩ ﺍﻟﻀﻴﻕﹸ ﺍﻟﻌﺫﹾﺏ ﻤﻠﹾﻙ ﺴﻠﻴﻤﺎﻥ ،ﺃﻭ ﻜﺄﻨﱠﻪ ﻫﻭ ،ﻭﺘﹶﺤﺕﹶ ﻨﹶﻘﹾﺵِ ﺠﻭﻫﺭﺓِ ﺨﺎﺘﹶﻤِﻪِ
ﺍﻟﺜﱠﻤﻴﻨﹶﺔِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﺍﻟﺸﱠﻔﹶﺔﹸ ﺍﻟﻠﺅﻟﹸﺌﻴﺔﹸ ﻭﺍﻟﻌِﺫﺍﺭ ﺍﻟﻤِﺴﻜِﻲ ،ﻫﺫﻩِ ﻟﻬﺎ ﺤﺴﻥ ﻭﺫﺍﻙ ﻟﻪ ﺤﺴﻥ ،ﻭﺃﻨﺎ ﺃﻓﺘﺨِﺭ ﺒﺄﻥ
ﺤﺒﻴﺒﻲ ﻴﻤﻠﻙ ﻫﺫﺍ ﺍﻟﺤﺴﻥ ﻭﺫﺍﻙ ﺍﻟﺤﺴﻥ؛
ﺃﻱ ﻤﻨﹶﻌﻡ ،ﻻ ﺘﻨﻅﹸﺭ ﺒﺎﺤﺘِﻘﺎﺭٍ ﺇﻟﻰ ﺍﻟﻀﻌﻔﺎﺀِ ﻭﺍﻟﻨﱡﺤﻔﺎﺀِ ،ﻓﺸﺤﺎﺫﹸ ﺍﻟﻁﱠﺭﻴﻕِ ﻴﻤﻠﻙ ﺼﺩﺭ
ﻤﺠﻠِﺱِ ﺍﻟﻌِﺸﹾﺭﺓ؛
) (١ﺍﻟﻌﻴﺎﺭ ﻫﻨﺎ :ﺯﺍﺌﺩ ﺍﻟﺠﻤﺎل ﻜﺜﻴﺭ ﺍﻟﺘﱢﺠﻭﺍل.
-١٣٩-
ﻤﺎ ﺩﻤﺕﹶ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻷﺭﺽِ ﺍﻋﺭِﻑﹾ ﻏﻨﻴﻤﺔﹶ ﺍﻟﻘﹸﺩﺭﺓِ ،ﻓﻜﹶﻡ ﺘﹶﺤﺕﹶ ﺍﻷﺭﺽِ ﻤﻥ
ﻋﺎﺠِﺯِﻴﻥ ﻭﻜﺎﻨﻭﺍ ﺃﻗﻭﻴﺎﺀ؛
ﺩﻋﺎﺀ ﺍﻟﻤﺤﺘﺎﺠﻴﻥ ﻭﺍﻟﻤﺴﺎﻜﻴﻥ ﻴﺩﻓﹶﻊ ﺍﻟﺒﻼﺀ ﻋﻥِ ﺍﻟﺭﻭﺡِ ﻭﺍﻟﺠِﺴﻡِ ،ﻤﻥ ﺭﺃﻯ ﺍﻟﺨﹶﻴﺭ
ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻤﺤﺼﻭلِ ﺍﻟﱠﺫﻱ ﺒﺨلَ ﺠﺎﻨﻴﻪِ؟؛
ﺼﺒﺎ ﻗﻭﻟﻲ ﺭﻤﺯﺍﹰ ﻤِﻥ ﻋِﺸﹾﻘﻲ ﻟِﺸﺎﻩِ ﺍﻟﺤِﺴﺎﻥِ ،ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻴﻤﻠِﻙ ﻤِﺌﺔ ﺠﻤﺸﻴﺩ
ﻭﻜﹶﻴﺨﹶﺴﺭﻭ ﻤﻥ ﻏﹸﻼﻡٍ ﺭﺨﻴﺹ؛
ﻭﺇﺫﺍ ﻗﺎلَ ﻻ ﺃُﺭﻴﺩ ﻋﺎﺸِﻘﺎﹰ ﻤﻔﻠِﺴﺎﹰ ﻤِﺜﹾلَ ﺤﺎﻓِﻅ ،ﻗﻭﻟﻲ ﻟﻪ ﺍﻟﺴﻠﻁﺎﻥ ﻓﻲ ﻤﺠﻠِﺴِﻪِ ﺍﻟﺸﱠﺤﺎﺫﹶُ
ﺃﻴﻀﺎﹰ.
ﻏﺰﻝ ١٢٢
ﻜﹸلﱡ ﻤﻥ ﻴﺤﻔﹶﻅﹸ ﺠﺎﻨِﺏ ﺃﻫلِ ﺍﷲِ ،ﻜﺎﻥ ﺍﷲُ ﻟﻪ ﻓﻲ ﺠﻤﻴﻊِ ﺍﻷﺤﻭﺍلِ ﺤﺎﻓِﻅﺎﹰ ﻤِﻥ ﺍﻟﺒﻼﺀ؛
ﺤﺩﻴﺙﹶ ﺍﻟﺤﺒﻴﺏِ ﻻ ﺃﻗﻭلُ ﺇﻻﹼ ﺒِﺤﻀﺭﺓِ ﺤﺒﻴﺏٍ ،ﺍﻟﻌﺎﺭِﻑﹸ ﻴﺤﻔﹶﻅﹸ ﺤﺩﻴﺙﹶ ﺍﻟﻌﺎﺭﻑ؛
ﺏ ﻜﹸﻥ ﻓﻲ ﺍﻟﻤﻌﺎﺵِ ﺒﺤﻴﺙﹸ ﺇﺫﺍ ﺯﻟﱠﺕﹾ ﻤِﻨﹾﻙ ﺍﻟﻘﹶﺩﻡ ﺭﻓﹶﻊ ﻤﻠﹶﻜﹸﻙ ﻜِﻠﺘﹶﻲ ﻴﺩﻴﻪِ
ﺃﻱ ﻗﻠ
ﺒﺎﻟﺩﻋﺎﺀِ ﻟﻴﺤﻔﹶﻅﹶﻙ؛
ﺇﺫﺍ ﻜﺎﻥ ﻟﻙ ﺭﻏﺒﺔﹲ ﺒﺄﻻﱠ ﻴﻨﻘﹸﺽ ﻟﹶﻙ ﺍﻟﻤﻌﺸﻭﻕﹸ ﺍﻟﻌﻬﺩ ،ﺍِﺤﻔﹶﻅﹾ ﻁﹶﺭﻑﹶ ﺍﻟﺨﻴﻁِ ﻟﻴﺤﻔﹶﻅﹶﻪ؛
ﺼﺒﺎ ﺇﺫﺍ ﻋﺎﻴﻨﹾﺕِ ﻓﻲ ﺘِﻠﹾﻙ ﺍﻟﻀﻔﻴﺭﺓِ ﻗﻠﺒﻲ ،ﻗﻭﻟﻲ ﻟﹶﻪ ﺒﻠﹸﻁﹾﻑٍ ﺃﻥ ﻴﺤﺎﻓِﻅﹶ ﻋﻠﻰ ﻤﻜﺎﻨِﻪ؛
ﺤﻴﻥ ﻗﹸﻠﹾﺕﹸ ﻟﻪ ﺍﺭﻉ ﻗﻠﺒﻲ ،ﻤﺎ ﻗﺎل ،ﻫﺫﺍ ﻟﻴﺱ ﻟﻲ ﺸﹸﻐﻼﹰ ،ﺤﻔِﻅﹶﻪ ﺍﷲُ؛
ﺍﻟﺭﺃﺱ ﻭﺍﻟﺫﱠﻫﺏ ﺍﻟﺨﺎﻟِﺹ ﻭﺍﻟﻘﹶﻠﹾﺏ ﻭﺍﻟﺭﻭﺡ ﻓِﺩﺍﺀ ﻟِﺫﺍﻙ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻴﺤﺎﻓِﻅﹸ ﻋﻠﻰ
ﺍﻟﻤﺤﺒﺔِ ﻭﻋﻨﺩﻩ ﺍﻟﻭﻓﺎﺀ ﻟِﺤﻕﱢ ﺍﻟﺼﺤﺒﺔ؛
ﺃﻴﻥ ﺍﻟﻐﹸﺒﺎﺭ ﻤﻥ ﻁﺭﻴﻕٍ ﻤ ﺸﹶﻴﺕﹶ ﻋﻠﻴ ﻪِ ﻟﻴﺤ ﺘﹶﻔِﻅﹶ ﺒِﻪِ ﺤﺎﻓِﻅﻙ ﻜﺘِﺫﻜﺎﺭٍ ﻤِﻥ ﻨﺴﻴﻡِ
ﺍﻟ ﺼﺒﺎ.
-١٤٠-
ﻏﺰﻝ ١٢٣
ﻜلﱡ ﻟﺤـﻥ ﻏﻨﱠـﺎﻩ ﻋـﺩلٌ ﺴـﻭﺍﺀ ﻤﻁﺭِﺏ ﺍﻟﻌِﺸﹾﻕِ ﻤﻨﻪ ﻁﺎﺏ ﺍﻟﻐﻨـﺎﺀ
ﻻ ﺨــﻼ ﺍﻟﻜــﻭﻥ ﻤــﻥ ﺃﻨــﻴﻥِ ﺍﻟﻌــﺸﱠﺎﻕِ ﻓﻌــﺫﺏ ﺃﻨﻴــﻨﹸﻬﻡ ﻭﺍﻟﺒﻜــﺎﺀ
ـﺎﺀ
ـﺎلَ ﺒـلِ ﺍﻟﻌﻔـﻭ ،ﻨِﻌـﻡ ﺍﻟﻌﻁـ
ـﺎﺭﺏ ﺍﻟﺜﱡﻤﺎﻟﹶـﺔِ ﻻ ﻴﻤﻠـﻙ ﺍﻟﻤـ
ـﻴﺨﹸﻨﺎ ﺸـ
ﺸـ
ﺍﻟﻌِﺸﹾﻕﹸ ﺩﺍﺀ ﻜﻲ ﺍﻟﺤﺸﺎ ﻟـﻪ ﺩﻭﺍﺀ ﻗﺎلَ ﺇﺫﹾ ﺭﺃﻯ ﺩﻤﻌﻲ ﺍﻷﺤﻤﺭ ﺍﻟﻁﱠﺒﻴﺏ
ﻻ ﺘﻜﹸﻥ ﻅﺎﻟﻤـﺎﹰ ﺒﻐﻤـﺯﺓِ ﻋﻴﻨﻴـﻙ ،ﻓـﻲ ﺍﻟﻌِـﺸﹾﻕِ ﻜﹸـلﱡ ﻓِﻌـلٍ ﻟـﻪ ﺠـﺯﺍﺀ
ﻤﻁﺭِﺏ ﺍﻟﻌِﺸﹾﻕِ ﻋِﻨﺩﻩ ﺃﻨﻐﹶﺎﻡ ﻋﺠﻴﺒﺔﹲ ،ﻜﹸلﱢ ﻨﹶﻐﹾﻤﺔٍ ﻤﻨﻪ ﺃﺜﹶﺭﻫﺎ ﻴﻘﻁﹶﻊ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻓﻲ ﺍﻟﻤﻜﺎﻥ؛
ﻻ ﻜﺎﻥ ﺍﻟﻌﺎﻟﹶﻡ ﺨﺎﻟﻴﺎﹰ ﻤِﻥ ﺃﻨﻴﻥِ ﺍﻟﻌﺸﱠﺎﻕ ﻓﻠﺤﻨﹸﻪ ﻋﺫﹾﺏ ﻭﺇﻴﻘﺎﻋﻪ ﻴﻬﺏ ﺍﻟﻔﹶﺭﺡ؛
ﺸﻴﺨﹸﻨﺎ ﺸﺎﺭِﺏ ﺍﻟﺜﱡﻤﺎﻟﹶﺔِ ﺭﻏﻡ ﺃﻨﱠﻪ ﻻ ﻴﻤﻠﻙ ﺍﻟﺫﱠﻫﺏ ﻭﺍﻟﺴﻠﹾﻁﹶﺔﹶ ﻓﻬﻭ ﻴﻌﻁﻲ ﺍﻟﻌﻁﺎﺀ
ﺍﻟﺠﻤﻴلَ ﻭﻋِﻨﺩﻩ ﺴﺘﹾﺭ ﺨﻁﺄٍ ﺭﺤﻤﺎﻨﻲ؛
ﻋﺎﻤِلْ ﺒﺎﺤﺘِﺭﺍﻡٍ ﻗﻠﺒﻲ ﻓﻬﺫِﻩِ ﺍﻟﺫﱡﺒﺎﺒﺔﹸ ﻋﺎﺒِﺩﺓﹸ ﺍﻟﻘﹶﻨﹾﺩ ،ﻓﻲ ﻁﹶﻠﹶﺒِﻙ ﺼﺎﺭ ﻟﻬﺎ ﺸﺄﻥ ﻁﺎﺌﺭِ
ﺍﻟﺴﻌﺩِ)ﺍﻟﻬﻤﺎ(؛
ﺍﻟﺴﻠﻁﺎﻥ ﺍﻟﱠﺫﻱ ﻟﻪ ﺠﺎﺭ ﺸﺤﺎﺫﹲ ،ﻟﻴﺱ ﺒﻌﺩﺍﹰ ﻋﻥِ ﺍﻟﻌﺩﺍﻟﹶﺔِ ﺇﻥ ﺴﺄلَ ﻋﻥ ﺤﺎﻟِﻪ؛
ﻋﺭﻀﺕﹸ ﺩﻤﻌﻲ ﺍﻷﺤﻤﺭ ﻋﻠﻰ ﺍﻷﻁِﺒﺎﺀِ ﻗﺎﻟﻭﺍ :ﻫﺫﺍ ﻤﺭﺽ ﺍﻟﻌِﺸﹾﻕِ ﻭﺩﻭﺍﺅﻩ ﺤﺭﻕﹸ
ﺍﻟﻜﹶﺒِﺩ؛
ﻻ ﺘﺘﹶﻌﻠﱠﻡ ﺍﻟﻅﱡﻠﹾﻡ ﺒﺎﻟﻐﹶﻤﺯِ ﻓﻔﻲ ﻤﺫﻫﺏِ ﺍﻟﻌِﺸﹾﻕِ ﻜﹸلﱡ ﻋﻤلٍ ﻟﻪ ﺃﺠﺭ ﻭﻜﹸلﱡ ﻓِﻌلٍ ﻟﻪ ﺠﺯﺍﺀ؛
ﺫﻟِﻙ ﺍﻟﺼﻨﹶﻡ ﺍﻟﺠﻤﻴلُ ﺍﺒﻥ ﺍﻟﺭﺍﻫِﺏِ ﻋﺎﺒِﺩِ ﺍﻟﺨﹶﻤﺭ ﻗﺎلَ ﺤﺩﻴﺜﺎﹰ ﺒﺩﻴﻌﺎﹰ :ﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ
ﻋﻠﻰ ﺴﻌﺎﺩﺓِ ﻭﺠﻪِ ﺸﹶﺨﺹٍ ﻴﻤﻠﻙ ﺍﻟﺼﻔﺎﺀ؛
ﻴﺎ ﻤﻠِﻜﻲ ،ﺤﺎﻓِﻅﹸ ﺒﺎﻟﻌﺘﹶﺒﺔِ ﺠﺎﻟِﺱ ﻭﻗﺩ ﻗﺭﺃ ﺍﻟﻔﺎﺘِﺤﺔﹶ ،ﻭﻤِﻥ ﻟِﺴﺎﻨِﻙ ﻴﺘﻤﻨﱠﻰ ﺩﻋﺎﺀ.
-١٤١-
ﻏﺰﻝ ١٢٤
ﻋﺎﺩ ﻟِﻠﹾﻌﺎﺸِﻘﻴﻥ ﺒﺎﻟـﺩلﱢ ﻭﺍﻟﻌِﺘـﺎﺏ ﻤﻥ ﺘﹶﻐﺎﺭ ﻤِﻥ ﻁِﻴﺏِ ﻓﺭﻋِﻪِ ﺍﻟﻐﺎﻟﻴـﻪ
ﺇﻨﱠﻪ ﺍﻟﻌﻤﺭ ﻤﺴﺭِﻉ ﺍﻟﻤﺭﻭﺭِ ،ﻭﻏﺎﺏ ﻤﺭ ﻜﺎﻟﺭﻴﺢِ ﺒﺎﻟﻭﺍﻟِﻪِ ،ﻤـﺎ ﺃﻓﹾﻌـلُ؟
ﻑ ﺤِﺠﺎﺏِ ﺸﻌﺭِﻩِ ﺒﺎﻥ ﻜﺎﻟﺸﱠﻤﺱِ ﻤـﻥ ﻭﺭﺍﺀ ﺍﻟـﺴﺤﺎﺏ
ﺒﺩﺭ ﺸﹶﻤﺱِ ﻭﺠﻬِﻪِ ﺨﻠ ﹶ
ﺫﻟِﻙ ﺍﻟﺴﺭﻭ ﻤِﻥ ﻁﹶﺭِﻱ ﺍﻟـﺸﱠﺭﺍﺏ ﺩﻤﻊ ﻋﻴﻨﻲ ﻜﺎﻟﺴﻴلِ ﺴﺎ َل ﻟِﻴـﺴﻘِﻲ
ﻓﺎﻟﱠﺫﻱ ﻜﺎﻥ ﻟِﻠﹾﺨِﻀﺭِ ﻤﺤﺽ ﺴﺭﺍﺏ ﺇﻥ ﻴﻜﹸﻥ ﻤﺎ ﺒِﻔﹶﻴﻙ ﻟﻴﺱ ﻤﺎﺀ ﺤﻴـﺎﺓٍ
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺘﻐﺎﺭ ﺍﻟﻐﺎﻟﻴﺔﹸ ﻤﻥ ﻀﻔﻴﺭﺘِﻪِ ،ﻋﺎﺩ ﻤﺠﺩﺩﺍﹰ ﺒﺎﻟﺩﻻلِ ﻭﺍﻟﻌِﺘﺎﺏِ ﻟﻤﺤﺒﻴﻪِ
ﺍﻟﻭﺍﻟِﻬﻴﻥ)(١؛
ﻴﻤﺭ ﺒﻌﻠﻴﻠِﻪِ ﺍﻟﻭﺍﻟِﻪِ ﻤﺴﺭِﻋﺎﹰ ﻜﺄﻨﱠﻪ ﺍﻟﺭﻴﺢ ،ﻤﺎ ﻨﺴﺘﻁﻴﻊ ﺃﻥ ﻨﻔﻌلَ ،ﻫﻭ ﺍﻟﻌﻤﺭ ،ﻴﻤﺭ
ﻤﺴﺭِﻋﺎﹰ؛
ﻑ ﺤِﺠﺎﺏِ ﻏﺭﺘِﻪِ ،ﻜﺄﻨﱠﻪ ﺍﻟﺸﱠﻤﺱ ﻤﻥ ﺃﻤﺎﻤِﻬﺎ ﺍﻟﺴﺤﺎﺏ؛
ﺒﺩﺭ ﺸﻤﺱِ ﻭﺠﻬِﻪِ ﺨﻠ ﹶ
ﺴﺎلَ ﺩﻤﻊ ﻋﻴﻨﻲ ﻏﺯﻴﺭﺍﹰ ﻟِﻴﺴﻘﻲ ﺴﺭﻭﺘﹶﻙ ﺍﻟﻔﺎﺭِﻋﺔﹶ ﺃﻁﺭﻯ ﻭﺃﻋﺫﺏ ﺍﻟﺸﱠﺭﺍﺏ؛
ﻏﻤﺯ ﺘﹸﻙ ﺍﻟﻔﺎﺘِﻨﹶﺔﹸ ﺘﺭﻴﻕﹸ ﺩﻤﻲ ﺨﹶﻁﹶﺄً ) ،(٢ﺩﺍ ﻤﺕﹾ ﻟﻬﺎ ﺍﻟﻔﹸﺭﺼﺔﹸ ﻓﻌِﻨﺩﻫﺎ ﺍﻟﻔِﻜﹾﺭ
ﺍﻟ ﺼﻭﺍﺏ؛
) (١ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺸﺫﺍ ﻋﺒﻴ ﺭِ ﻀﻔﺎﺌﺭِ ﻩِ ﻴﺒﻌﺙﹸ ﺍﻟﻐﻴﺭ ﺓﹶ ﻓﻲ ﻤﺯﻴ ﺞِ ﻋﻁﻭﺭِ ﺍﻟﻐﺎﻟﻴﺔ ﻋﺎﻭﺩ ﺍﻟﺩﻻ لَ
ﻋﻠﻰ ﻤﺤ ﺒﻴﻪِ ،ﻭﺠﺎﺀ ﻴﻠﻭﻤﻨﺎ ﻭﻴﻌﺎﺘِﺒﻨﺎ ﻋﻠﻰ ﺍﻟﺘﱠﻘﺼﻴﺭِ ﻓﻲ ﺍﻟﺤﺏ ﻭﻨﺤﻥ ﻗﺘﻠﻰ ﺤﺒ ﻪِ،
ﻭﺍﻟﻐﺎﻟﻴﺔ ﻨﻭﻉ ﻤﻥ ﺍﻟﻌﻁﺭِ ﻤﺸﻬﻭﺭ ﻤﺭﻜﹼﺏ ﻤﻥ ﻤﺯﻴﺞٍ ﻤﻥ ﺃﻨﻭﺍﻉٍ ﺸﺘﹼﻰ ﻤﻥ ﺍﻟ ﻌﻁﻭ ﺭِ
ﺍﻟ ﺫﱠﻜﻴﺔ؛
) (٢ﺨﻁﺄً :ﺒﻼ ﺫﹶﻨﹾﺏٍ؛
-١٤٢-
ﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺒِﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ،ﻓﻤِﻥ ﺍﻟﺠﻠﻲ ﺃﻥ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻜﺎﻥ
ﻟِﻠﺨِﻀﺭِ ﻫﻭ ﺍﻟﺴﺭﺍﺏ)(١؛
ﻋﻴﻨﹸﻙ ﺍﻟﻤﺨﻤﻭﺭﺓﹸ ﻤﺭﺕﹾ ﻤِﻥ ﻗﻠﺒﻲ ﺘﻘﺼِﺩ ﻜﺒﺩﻱ ،ﺘﹶﺭﻜﹶﺕِ ﺍﻟﺴﻜﹾﺭ ﻜﺄﻥ ﺒِﻬﺎ ﻤﻴﻼﹰ
ﻟﻠﻜﹶﺒﺎﺏ)(٤؛
ﺭﻭﺤﻲ ﺍﻟﻤﺭﻴﻀﺔﹸ ﻟﻴﺱ ﻟﻬﺎ ﻤِﻨﹾﻙ ﻭﺠﻪ ﺍﻟﺴﺅﺍل ،ﺠﻤﻴلٌ ﻟِﺘِﻠﻙ ﺍﻟﻤﺘﻌﺒﺔِ ﺃﻥ ﺘﺤﺼلَ ﻤِﻥ
ﺍﻟﺤﺒﻴﺏِ ﻋﻠﻰ ﺠﻭﺍﺏ؛
ﻋﻴﻨﹸﻪ ﺍﻟﺴﻜﺭﻯ ﺍﻟﱠﺘﻲ ﺘﻨﺸﹸﺭ ﺍﻟﺨﺭﺍﺏ ﻓﻲ ﻜﹸلﱢ ﺯﺍﻭﻴﺔٍ ،ﻤﺘﻰ ﺘﻨﻅﹸﺭ ﻨﹶﻅﹾﺭﺓﹰ ﺇﻟﻰ ﺠِﻬﺔِ
ﻗﻠﺏِ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺘﹾﻌﺏ.
ﻏﺰﻝ ١٢٥
ﻟِﺘﻜﹸﻥ ﻋﺒﺩ ﻁﹶﻠﹾﻌﺔِ ﺍﻟﻠﹼﻁﻴﻑِ ﺍﻟﻜﹶﻴـﺎﻥ ﻟﻴﺱ ﺤﺴﻥ ﺍﻟﺤﺒﻴﺏِ ﺨﺼﺭﺍﹰ ﻭﻓﺭﻋﺎ
ﺇﻨﱠﻤﺎ ﺍﻟﺤﺴﻥ ﻭﺍﻟﻠﱡﻁﹾﻑﹸ ﻤـﺎ ﻟِﻔﹸـﻼﻥ ﻭﻟﹶﻁﻴﻑﹲ ﻁﹶﺒﻊ ﺍﻟﻤﻼﺌـﻙِ ﻭﺍﻟﺤـﻭﺭِ
ﻋﻴﻨﺎﻱ ﻋﻴﻨﺎﻥِ ﺒﺎﻟﻤـﺎﺀِ ﺠﺎﺭﻴﺘـﺎﻥ ﻀﺎﺤِﻙ ﺍﻟـﻭﺭﺩِ ﺸﹶـﻭﻗﺎﹰ ﻟِﺭﺅﻴـﺎﻙ
ﻟﻴﺴﺕﹾ ﺍﻟﺸﱠﻤﺱ ﺃﻫلَ ﺫﻟِﻙ ﺍﻟﻤﻴـﺩﺍﻥ ﻓﻲ ﺴِﺒﺎﻕِ ﺍﻟﺠﻤﺎلِ ﻤﻥ ﺫﺍ ﻴﺒﺎﺭﻴـﻙ
) (١ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻓﻲ ﻓﻤِﻙ)ﺤﺩﻴﺜﹸﻙ ﻴﺤﻴﻲ ﺍﻷﺭﻭﺍﺡ ﺍﻟﻤﻴﺘﹶﺔ( ،ﻭﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﻤﺎ ﺒِﻔﻤِﻙ ﻤﺎﺀ ﺤﻴﺎﺓٍ ﻓﻼ
ﻭﺠﻭﺩ ﻟﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ،ﻭﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻟِﻠﺨِﻀﺭِ ﻤﺎ ﻫﻭ ﺇﻟﹼﺎ ﺴﺭﺍﺏ) ﺍﻟﺨِﻀﺭ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ﻭﺠﺩ
ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ ﻭﺸﺭﺏ ﻤﻨﻪ ﻓﻬﻭ ﺇﻟﻰ ﺍﻵﻥ ﺤﻲ ،ﻭﻫﻭ ﺍﻟﻌﺒﺩ ﺍﻟﺼﺎﻟِﺢ ﺍﻟﻌﺎﻟِﻡ ﺍﻟﱠﺫﻱ ﺃﻤﺭ ﺍﷲُ
ﺴﺒﺤﺎﻨﹶﻪ ﻤﻭﺴﻰ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ﺃﻥ ﻴﺘﱠﺒِﻌﻪ ﻭﻴﺘﻌﻠﱠﻡ ﻤﻨﻪ ﺒﻌﺩ ﺃﻥ ﺩﺨلَ ﻓﻲ ﻨﻔﺱِ ﻤﻭﺴﻰ ﺃﻥ ﺍﷲَ ﻤﺎ
ﺨﻠﻕﹶ ﺨﻠﻘﺎﹰ ﺃﻋﻠﻡ ﻤﻨﻪ ،ﻓﺫﻫﺏ ﻤﻊ ﻓﺘﺎﻩ )ﻴﻭﺸﻊ ﺒﻥ ﻨﻭﻥ( ﻴﺒﺤﺜﺎﻥِ ﻋﻨﻪ ،ﻓﺄﻟﻔﻴﺎﻩ ﻋﻨﺩ ﺼﺨﺭﺓٍ
ﻋﻨﺩ ﻤﻠﺘﻘﻰ ﺍﻟﺒﺤﺭﻴﻥِ ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ﻤﻥ ﺃﺭﺍﺩ ﺃﻥ ﻴﻜﻭﻥ ﻤﺼﺤﻭﺏ ﺴﻠﻁﺎﻥِ ﺍﻟﺯﻤﻥِ ﻋﻠﻴﻪِ ﺃﻥ
ﻴﺴﻴﺭ ﺤﺘﹼﻰ ﻴﺒﻠﻎﹶ ﻤﺠﻤﻊ ﺍﻟﺒﺤﺭﻴﻥ ،ﻜﻨﺎﻴﺔﹰ ﻋﻥ ﺒﻌﺩِ ﺍﻟﻤﺴﺎﺭ ﻭﻜﺜﺭﺓِ ﺍﻷﺨﻁﺎﺭ ﻓﻲ ﺩﺭﺏِ ﻁﺎﻟﺏِ
ﺍﻟﻌﻠﻡ ،ﻭﺍﻟﻘِﺼﺔﹸ ﻤﺫﻜﻭﺭﺓﹲ ﻓﻲ ﺍﻟﻘﹸﺭﺁﻥِ ﺍﻟﻜﺭﻴﻡ ﻓﻲ ﺴﻭﺭﺓِ ﺍﻟﻜﻬﻑِ ﺍﻟﻤﺒﺎﺭﻜﺔ(؛ )(٤ﻋﻴﻨﹸﻙ
ﺍﻟﺴﻜﺭﻯ ﻜﺎﻨﺕ ﺘﺸﺭﺏ ﺩﻡ ﻗﻠﺒﻲ ،ﻭﺍﻵﻥ ﺘﻘﻭلُ ﺒِﺘﺭﻙِ ﺍﻟﺴﻜﹾﺭِ ﻭﺘﻘﺼِﺩ ﻜﺒِﺩﻱ ﺒﺎﻟﻨﱠﺎﺭ ،ﻜﺄﻥ َﺒﻬﺎ
ﻤﻴﻼﹰ ﻟﻠﻜﺒﺎﺏ)ﺍﻟﻠﺤﻡ ﺍﻟﻤﺸﻭﻱ.(
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)(١ﺍﻟﺸﱠﺎﻫِﺩ ﻟﻴﺱ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻴﻤﻠﻙ ﺍﻟﻔﹶﺭﻉ ﻭﺍﻟﺨﹶﺼﺭ ،ﻜﹸﻥ ﻋﺒﺩ ﻁﻠﻌﺔِ ﻤﻥ ﻴﻤﻠﻙ ﺍﻟﻜﻴﺎﻥ
ﺍﻟﻠﻁﻴﻑﹶ؛
ﻁﺒﻊ ﺍﻟﻤﻼﺌﻜﹶﺔِ ﻭﺍﻟﺤﻭﺭِ ﻟﻁﻴﻑﹲ ،ﻟﻜِﻥ ﺍﻟﺤﺴﻥ ﻭﺍﻟﻠﹼﻁﺎﻓﹶﺔﹶ ﻫﻤﺎ ﺍﻟﻠﱠﺫﺍﻥِ ﻋﻨﺩ ﻓﻼﻥ)(٢؛
ﻋﻴﻨﻲ ﻋﻴﻥ ﻤﺎﺀٍ ﺘﹶﺠﺭﻱ ،ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ﺍﻟﻀﺎﺤِﻙ ،(٣)ﺃﺴﺭِﻉ ،ﻤﺎﺅﻫﺎ ﺍﻟﻌﺫﹾﺏ ﺴﺎلَ ﺸﻭﻗﺎﹰ
ﺇﻟﻴﻙ)ﻓﺘﻌﺎلَ ﺍﺸﺭﺏ(؛
ﻤﻥ ﺫﺍ ﺍﻟﱠﺫﻱ ﻴﺄﺨﹸﺫﹸ ﻜﹸﺭﺓﹶ ﺍﻟﺤﺴﻥِ ﻤِﻨﻙ ﻓﻲ ﻤﻠﻌﺏِ ﺍﻟﺠﻤﺎلِ ،ﺍﻟﺸﱠﻤﺱ ﻟﻴﺴﺕﹾ ﻤﻥ
ﻓﹸﺭﺴﺎﻥِ ﺫﻟِﻙ ﺍﻟﻤﻴﺩﺍﻥِ ﻭﻗﺩ ﺸﺩﺕِ ﺍﻟﻌِﻨﺎﻥ)(٤؛
ﺤﺩﻴﺜﻲ ﻁﺎﺏ ﻟﻴﻨﺎلَ ﻤﻨﹾﻙ ﺍﻟﻘﺒﻭل ،ﺤﻘﹼﺎﹰ ﺤﻘﱠﺎﹰ ﺇﻥ ﺍﻟﺤﺩﻴﺙﹶ ﺸﺎﺭﺓﹸ ﺍﻟﻌِﺸﹾﻕ؛
ﻗﻭﺱ ﺤﺎﺠِﺒِﻙ ﻓﻲ ﺼﻨﻌﺔِ ﺍﻟﺭﻤﻲِ ﻏﹶﻠﹶﺏ ﻜﹸلﱠ ﻤﻥ ﺭﻤﻰ ﻋﻠﻰ ﻗﻭﺱ؛ ﻓﻲ ﻁﺭﻴ ِ
ﻕ
ل ﺸﺨﺹٍ ﻋﻠﻰ ﻤِﻘﺩﺍﺭِ
ﺍﻟﻌِﺸﹾﻕِ ﻻ ﺸﺨﺹ ﻤﺤﺭِﻡ ﻫﺫﺍ ﺍﻟﺴﺭ ﻋﻠﻰ ﺍﻟﻴﻘﻴﻥ ،ﻭﻜﹸ ﱡ
ﻓِﻜﺭِﻩِ ﻴﺘﹶﺼﻭﺭ؛
ﻻ ﺘﹶﺒﺎﻩ ﺒﺎﻟﻜﺭﺍﻤﺎﺕِ ﻋﻠﻰ ﺍﻟﺠﺎﻟﺴﻴﻥ ﻓﻲ ﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﻜﹸلﱡ ﺤﺩﻴﺙٍ ﻟﻪ ﻭﻗﺕﹲ ،ﻭﻜﹸلﱡ ﻨﹸﻜﺘﹶﺔٍ
ﻟﻬﺎ ﻤﻜﺎﻥ؛
ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﺫﱠﻜِﻲ ﻻ ﻴﻨﺼِﺏ ﺍﻟﺨﻴﻤﺔﹶ ﻓﻲ ﺭﻭﻀِﻪِ ،ﻓﻜﹸلﱡ ﺭﺒﻴﻊٍ ﺒﻌﺩﻩ ﺨﺭﻴﻑﹲ ﻤِﻥ ﺨﻠﹾﻔِﻪ؛
ﻗﹸلْ ﻟﻠﻤﺩﻋﻲ ﻻ ﺘﹶﺒِﻊ ﺍﻟﻠﱡﻐﺯ ﻭﺍﻟﻨﱡﻜﺘﹶﺔﹶ)ﺍﻟﻤﻌﻨﻰ ﺍﻟﺩﻗﻴﻕ( ﻟِﺤﺎﻓِﻅ ،ﻗﹶﻠﹶﻤﻨﺎ ﺃﻴﻀﺎﹰ ﻋِﻨﹾﺩﻩ ﻟِﺴﺎﻥ
ﻭﻟﻪ ﺒﻴﺎﻥ )ﻗﻭﺍلٌ ﻓﺼﻴﺢ(.
) (١ﺠﻤﺎلُ ﻤﻌﺸﻭﻗِﻨﺎ ﻟﻴﺱ ﻤﻥ ﻗﺒﻴلِ ﺍﻟﺠﻤﺎلِ ﺍﻟﻤﺎﺩﻱ ﻭﺠﻤﺎلِ ﺍﻟﺒﺩﻥِ ﺍﻟﻤﺘﻤﺜﱢلِ ﺒﺠﻤﺎلِ ﺍﻟﺨﺼ ِﺭ
ﻭﺍﻟﻔﺭﻉِ ﻭﺴﻭﺍﻫﻤﺎ ﻤﻥ ﻋﻨﺎﺼِﺭِ ﺍﻟﺠﻤﺎلِ ﺍﻟﻤﻌﺭﻭﻑِ ﻷﻫلِ ﺍﻟﺠﻤﺎلِ ،ﺇﻥ ﻤﻌﺸﻭﻗﹶﻨﺎ ﻤﺼﻭﻍﹲ ﻤﻥ
ﺠﻭﻫﺭِ ﺍﻟﻠﱡﻁﻑ ﻭﻫﻭ ﻟﻁﻴﻑﹲ ﺒﻜﺎﻤِلِ ﻭﺠﻭﺩِﻩِ ﻭﻜﹸلﱢ ﻜﻴﺎﻨِﻪِ ،ﻓﺈﺫﺍ ﺃﺭﺩﺕﹶ ﺃﻥ ﺘﺒﻠﻎﹶ ﻓﻲ ﺍﻟﺤﺏ
ﻤﺭﺘﺒﺔﹶ ﺍﻟﻌِﺸﹾﻕِ ﻓﺼِﺭ ﻋﺒﺩﺍﹰ ﻟﻤﻌﺸﻭﻗِﻨﺎ؛
) (٢ﻻ ﻴﻘﺎﺱ ﺃﺤﺩ ﺒِﻤﻌﺸﻭﻗِﻨﺎ )ﻓﹸﻼﻥ( ﻓﻲ ﺍﻟﻠﱡﻁﻑِ ﻭﺍﻟﺠﻤﺎل ،ﻭﻻ ﺍﻟﺤﻭﺭ ﻭﺍﻟﻤﻼﺌﻜﺔﹸ ﻋﻠﻰ ﻤﺎ ﻟﻬﺎ ﻤﻥ
ﻟﹸﻁﹾﻑٍ ﻭﺠﻤﺎل ،ﻭﻟﻡ ﻴﺼﺭﺡ ﺤﺎﻓِﻅﹸ ﺒﺎﺴﻡِ ﺍﻟﺤﺒﻴﺏ ﻟﻜِﻨﱠﻪ ﻫﻨﺎ ﻴﻐﺭﻴﻙ ﺒﺎﻜﺘِﺸﺎﻓِﻪِ ﻭﺤلﱢ ﻟﹸﻐﺯِﻩِ ﻓﻬﻭ ﻓﹸﻼﻥ
ﺍﻟﻐﻨﻲ ﻋﻥِ ﺍﻟﺘﱠﻌﺭﻴﻑِ ﺒِﺫِﻜﺭِ ﺍﺴﻤِﻪ ،ﺍﻟﱠﺫﻱ ﻻ ﻨﹶﻅﻴﺭ ﻟﻪ ﻭﻻ ﻤﺜﻴل ،ﺍﻟﺸﱠﺩﻴﺩ ﺍﻟﻭﻀﻭﺡِ ﻭﺍﻟﻅﱡﻬﻭﺭ؛
) (٣ﺍﻟﻭﺭﺩ ﺍﻟﻀﺎﺤِﻙ :ﺍﻟﺒﺭﻋﻡ ﺍﻟﱠﺫﻱ ﺘﻔﺘﱠﺢ ﻓﺼﺎﺭ ﻭﺭﺩﺍﹰ؛
) (٤ﻓﺎﺭﺱ ﺍﻟﺸﹼﻤﺱِ ﺸﺩ ﺍﻟﻌِﻨﺎﻥ ﺃﻱ ﺍﻤﺘﻨﹶﻊ ﻋﻥِ ﺍﻟﺴﺒﺎﻕِ ﺃﻱ ﺃﺒﺕِ ﺍﻟﺸﱠﻤﺱ ﺘﻌﺭﺽ ﺠﻤﺎﻟﹶﻬﺎ ﻤﻊ ﺠﻤﺎﻟِﻙ.
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ﻏﺰﻝ١٢٦
ﻤﻥ ﻟﻴﺱ ﻴﻤﻠﻙ ﻫﺫﺍ ﻓﺘِﻠﹾﻙ ﻻ ﻴﻤﻠﻙ ﺍﻟﺭﻭﺡ ﻟﻭﻻ ﺍﻟﺤﺒﻴﺏ ﻟﻡ ﺘﹶﻤِلْ ﻟِـﺩﻨﻴﺎ
ﺨﹶﺒﺭﺍﹰ ﻟﻡ ﺃﺠِﺩ ﻤِﻨﹾﻪ ﺃﻭ ﻋﻼﻤﺔﹰ ﻻ ﻴﻤﻠِﻙ ﻟﹶﻡ ﺃﺠِﺩ ﺸﺎﺭﺓﹰ ﻋﻠﻰ ﺍﻟﺤﺒﻴﺏِ ﺒِﺸﹶﺨﹾﺹٍ
ﺃﺴﻔﺎﹰ ﺃﻥ ﻫﺫﺍ ﺍﻟﻤﻌﻤﻰ ﺍﻟﺒﻴﺎﻥ ﻻ ﻴﻤﻠﻙ ﻤﺎﺌﺔﹸ ﺒﺤﺭٍ ﻤِﻥ ﺍﻟﻨﱠﺎﺭِ ﻗﻁﺭﺓﹸ ﺩﺭﺒـﻲ
ﺤﺎﺩﻴﺎ ﻗِﻑﹾ ﻓﹶﺩﺭﺒﻨﺎ ﻨِﻬﺎﻴﺔﹰ ﻻ ﻴﻤﻠـﻙ ﻤﺎ ﺒِﻭﺴﻌﻲ ﺘﺭﻜﺎﹰ ﻟِﻤﻨﹾـﺯِلِ ﻋﻴـﺸﻲ
ﺍﻟﺭﻭﺡ ﻟﻭﻻ ﺠﻤﺎلُ ﺍﻟﺤﺒﻴﺏِ ﻟﻡ ﻴﻜﹸﻥ ﻟﻬﺎ ﻤﻴلٌ ﻟﻠﺩﻨﻴﺎ ،ﻤﻥ ﻻ ﻴﻤﻠِﻙ ﺤﺒﻴﺒﺎﹰ ﻻ ﻴﻤﻠِﻙ ﺭﻭﺤﺎﹰ)(١؛
ﻟﻡ ﺃﺭ ﻋﻼﻤﺔﹰ ﻋﻠﻰ ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏِ ﻋﻨﺩ ﺸﺨﺹٍ ،ﺃﻭ ﺃﻨﺎ ﺒﻼ ﺨﹶﺒﺭٍ ﻋﻨﹾﻪ ،ﺃﻭ ﻫﻭ ﺒﻼ
ﻋﻼﻤﺔٍ)(٢؛
ﻜﹸلﱡ ﻗﹶﻁﺭﺓِ ﻨﺩﻯ ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﻤِﺌﺔﹸ ﺒﺤﺭٍ ﻤِﻥ ﺍﻟﻨﱠﺎﺭ ،ﺃﻟﹶﻤﻲ ﺃﻥ ﻫﺫﺍ ﺍﻟﻤﻌﻤﻰ ﺨﺎﺭِﺝ
ﺍﻟﺸﱠﺭﺡِ ﻭﺍﻟﺒﻴﺎﻥ؛
ﻟﻡ ﺃﻋﺩ ﺃﺴﺘﻁﻴﻊ ﺘﺭﻙ ﻤﻨﺯلِ ﺭﺍﺤﺘﻲ)ﺍﻟﺩﻨﻴﺎ( ﺤﻁﱠ ﺍﻟﺭﺤﺎلَ ﺃﻱ ﺤﺎﺩﻱ ،ﻫﺫِﻱ ﺍﻟﻁﱠﺭﻴﻕﹸ
ﺒﻼ ﻨِﻬﺎﻴﺔ؛
) (١ﻟﻭﻻ ﻭﺠﻭﺩ ﺍﻟﺤﺒﻴﺏِ ﻜﺎﻤِلِ ﺍﻟﺠﻤﺎلِ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﻟﻡ ﺃﺭﻏﺏ ﻓﻲ ﺍﻟﺤﻴﺎﺓِ ﻭﻟﻡ ﺘﻤِلْ ﺭﻭﺤﻲ ﻟﻠﻌﺎﻟﻡ،
ﻭﻤﻥ ﻴﻌِﺵﹾ ﺒﻐﻴﺭِ ﺤﺏ ﻤﻴﺕﹲ ،ﻷﻨﱠﻪ ﻴﺤﻴﺎ ﺒﻼ ﺭﻭﺡٍ ،ﻭﻟﻭ ﻜﺎﻥ ﻴﻤﺘﻠِﻙ ﺭﻭﺤﺎﹰ ﻷﺤﺏ ﺒِﻬﺎ،
ﻓﺎﻟﺤﺏ ﻻ ﻴﻜﻭﻥ ﺒﻐﻴﺭِ ﺍﻟﺭﻭﺡ؛
) (٢ﻗﺩ ﻴﻜﻭﻥ ﺍﻟﺤﺒﻴﺏ ﺒﻐﻴﺭِ ﻋﻼﻤﺔٍ ،ﻭﻗﺩ ﺘﻜﻭﻥ ﺍﻟﻌﻼﻤﺔﹸ ﻋﻠﻴﻪِ ﻤﻭﺠﻭﺩﺓﹰ ﻭﻟﻜﻨﱠﻨﻲ ﻟﻡ ﺃﺩﺭِ ﺒِﻬﺎ) ،ﺍﻟﺤﺒﻴﺏ ﻟﻡ
ﻴﺨﺒِﺭ ﺃﺤﺩﺍﹰ ﻓﻲ ﻏﻴﺎﺒِﻪِ ﻋﻥ ﻤﻜﺎﻥِ ﻭﺠﻭﺩِﻩ ﺃﻭ ﺃﻨﱠﻪ ﺃﺨﺒﺭ ﺒِﺫﻟِﻙ ﻤﻥ ﻴﻜﺘﹸﻤﻪ(؛ *ﺃﺴﻔﻲ ﺃﻥ ﻫﺫﺍ ﺍﻟﻤﻌﻤﻰ
)ﺍﻟﺴﺭ ﺍﻟﺨﻔﻲ (ﻻ ﻴﻤﻜِﻥ ﺸﺭﺤﻪ ﺒﺎﻟﻜﻠﻤﺎﺕِ ﻭﻟﻭ ﻜﺎﻥ ﺍﻟﺘﱠﻌﺒﻴﺭ ﻋﻥ ﻫﺫﺍ ﺍﻟﺴﺭ ﺒﺎﻟﻜﻠﻤﺎﺕِ ﻤﻤﻜِﻨﺎﹰ ﻟﻔﻌﻠﺕﹸ
)ﺇﻥ ﻋﻨﺩ ﺍﻟﻤﺠﺫﻭﺒِﻴﻥ ﻤِﻥ ﺍﻟﻌﺎﺭِﻓﻴﻥ ﺤﺎﻻﺕٍ ﻻ ﺘﹸﻭﺼﻑﹸ ﺒﺎﻟﻜﻠِﻤﺎﺕ ﻭﻻ ﺘﹸﺸﺭﺡ ﺒﺎﻟﻌﺒﺎﺭﺍﺕ ،ﻭﻻ ﺘﺯﻴﺩ
ﺍﻟﻌِﺒﺎﺭﺓﹸ ﻤِﺜلَ ﺘِﻠﻙ ﺍﻷﺴﺭﺍﺭِ ﺇﻻﹼ ﺨﻔﺎﺀ ﻭﻏﻤﻭﻀﺎﹰ ،ﻭﻤﻥ ﺤﺼلَ ﻟﻪ ﻋﻠﻡ ﺒﻬﺎ ﻟﻡ ﻴﺄﺕِ ﻤﻨﻪ ﺨﺒﺭ ﻋﻨﻬﺎ،
ﻭﻻ ﻴﻌﺭِﻓﹸﻬﺎ ﺇﻟﹼﺎ ﻤﻥ ﺫﺍﻗﻬﺎ(؛ *)ﺼﻼﺓﹸ ﺍﻟﻌﺎﺭِﻑِ ﺍﻟﺴﺎﻟِﻙِ ﺭﺤﻴلٌ ﻋﻥ ﺍﻟﺩﻨﻴﺎ ،ﻭﺒﺫﻟِﻙ ﻴﻜﻭﻥ ﺍﻟﺘﱠﺴﻠﻴﻡ ﻓﻲ
ﻨﻬﺎﻴﺔِ ﺍﻟﺼﻼﺓ ﺇﺸﺎﺭﺓﹰ ﻟِﻌﻭﺩﺓِ ﺍﻟﻤﺴﺎﻓِﺭِ ﺒﺎﻨﻘﻀﺎﺌﻬﺎ ﺇﻟﻰ ﺍﻟﻤﻨﺯِلِ ﺍﻟﱠﺫﻱ ﺍﻨﻁﻠﹶﻕﹶ ﻤﻨﻪ ﻭﻫﻭ ﻫﻨﺎ ﺍﻟﺩﻨﻴﺎ ،ﻭﻓﻲ
ﺃﺤﻭﺍلِ ﺍﻟﻌﺎﺭِﻓﻴﻥ ﻓﻲ ﺍﻟﺼﻼﺓِ ﻴﺫﻜﹸﺭﻭﻥ ﺍﻟﻤﺤﻭ ﻭﻫﻭ ﻏﻴﺎﺏ ﻋﻥِ ﺍﻟﺩﻨﻴﺎ ،ﺃﻭ ﻤﻭﺕﹲ ﺇﺭﺍﺩﻱ ،ﻭﻫﻭ
ﻤﻨﺯِﻟﺔﹲ ﻓﻲ ﺍﻟﺴﻠﻭﻙِ ﺒﻌﺩﻫﺎ ﻤﻨﺎﺯِل ،ﻭﻁﺭﻴﻕﹸ ﺍﻟﺴﻔﺭ ﺇﻟﻰ ﺍﻟﻼﻤﺘﻨﺎﻫﻲ ﻻ ﻨِﻬﺎﻴﺔﹶ ﻟﻪ.(
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ﺍﻟﺭﺒﺎﺒﺔﹸ ﻤﻨﺤﻨﻴﺔﹸ ﺍﻟﻘﺎﻤﺔِ ﺘﺩﻋﻭﻙ ﻟِﻌﻴﺵِ ﺍﻟﺴﺭﻭﺭِ ﻓﺎﺴﻤﻌﻬﺎ ،ﻓﻨﺼﻴﺤﺔﹸ ﺍﻟﺸﱡﻴﻭﺥِ
ﻻ ﺘﹸﺴﺒﺏ ﻟﻙ ﺃﻱ ﺃﺫﻯ؛
ﺃﻱ ﻗﻠﹾﺏ ﺘﹶﻌﻠﱠﻡ ﻁﺭﻴﻕﹶ ﺍﻟﺤﻴﻠﹶﺔِ ﻤﻥ ﺍﻟﻤﺤﺘﹶﺴِﺏ ،ﺇﻨﱠﻪ ﺴﻜﺭﺍﻥ ﻭﻻ ﺃﺤﺩ ﻴﻅﹸﻥ ﺒِﻪِ ﻫﺫﺍ ﺍﻟﻅﱠﻥ؛
ﺃﺤﻭﺍلَ ﻜﻨﺯِ ﻗﺎﺭﻭﻥ ﺍﻟﱠﺫﻱ ﺫﹶﺭﺘﹾﻪ ﺍﻷﻴﺎﻡ ﻓﻲ ﺍﻟﺭﻴﺢِ ،ﺍِﻗﺭﺃﻫﺎ ﻋﻠﻰ ﺃُﺫﹸﻥِ ﻗﻠﺒِﻙ ﺤﺘﱠﻰ
ﻻ ﻴﻜﻨِﺯ ﺍﻟﺫﱠﻫﺏ؛
ﻑ ﻋﻨﻪ ﺍﻷﺴﺭﺍﺭ ،ﺫﺍﻙ ﺍﻟﻤﺘﻬﻭﺭ ﻤﻘﻁﻭﻉ
ﻭﻟﻭ ﻜﺎﻥ ﺍﻟﺸﱠﻤﻊ ﻨﻔﺴﻪ ﻋﻠﹶﻴﻙ ﺭﻗﻴﺒﺎﹰ ،ﺍﺨ ِ
ﺍﻟﺭﺃﺱِ ﻻ ﻴﻤﻠِﻙ ﺍﻟﻠﱢﺠﺎﻡ ﻋﻠﻰ ﺍﻟﻠﱢﺴﺎﻥ؛
ﻻ ﺸﹶﺨﹾﺹ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﻋِﻨﹾﺩﻩ ﻋﺒﺩ ﻤِﺜلَ ﺤﺎﻓِﻅ ،ﻷﻨﱠﻪ ﻻ ﻤﻠﻴﻙ ﻤِﺜﻠﹶﻙ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﻟِﺸﹶﺨﹾﺹٍ.
ﻏﺰﻝ ١٢٧
ﻭﺍﻟﻭﺭﺩ ﻋِﻨﹾـﺩﻙ ﺭﻭﻨﹶﻘﹶـﺎﹰ ﻻ ﻴﻤﻠـﻙ ﻟﹶﻙ ﻁﹶﻠﹾﻌﺔﹲ ﻟﻴﺴﺕﹾ ﻟِﺒﺩﺭٍ ﻓﻲ ﺍﻟـﺴﻤﺎ
ﻤﻠِﻙ ﺍﻟﻤﻠـﻭﻙِ ﻨﹶﻅِﻴـﺭﻩ ﻻ ﻴﻤﻠـﻙ ﻓﻲ ﻅِلﱢ ﺤﺎﺠِﺒِﻜﹸﻡ ﻟِﺭﻭﺤِﻲ ﻤـﺴﻜﹶﻥ
ﻤِﺭﺁﺓﹸ ﻭﺠﻬـﻙ ﺼـﺩﻫﺎ ﻻ ﺘﹶﻤﻠـﻙ ﺁﻫﺎﺕﹸ ﻗﹶﻠﺒﻲ ﻤﻥ ﺩﺨﺎﻥٍ ﻓﺎﺤـﺫﹶﺭﻥ
ﺨﹶﻁِلُ ﺍﻟﻌﻴﻭﻥِ ،ﺨﹶﻔـﺎﺭﺓﹰ ﻻ ﻴﻤﻠـﻙ ﻓﹶﺘﹶﺢ ﺍﻟﻌﻴﻭﻥ ﺃﻤﺎﻡ ﻭﺠﻬﻙ ﻨﹶـﺭﺠِﺱ
ﻟﻴﺱ ﻟﻠﺒﺩﺭِ ﺠﻤﺎلُ ﻁﹶﻠﹾﻌﺘِﻙ ،ﻭﺍﻟﻭﺭﺩ ﺃﻤﺎﻤﻙ ﻻ ﻴﻤﻠِﻙ ﺭﻭﻨﹶﻕﹶ ﺍﻟﻌﺸﹾﺏ؛
ﺯﺍﻭﻴﺔﹸ ﺤﺎﺠِﺒِﻙ ﻤﻨﺯلٌ ﻟﺭﻭﺤﻲ ،ﺍﻟﻤﻠِﻙ ﻻ ﻴﻤﻠِﻙ ﺃﺠﻤلَ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺯﺍﻭﻴﺔ؛
ﺍﻟﺩﺨﺎﻥ ﻤﻥ ﻗﻠﺒﻲ ﻤﺘﻰ ﻴﺅﺜﱢﺭ ﻓﻲ ﻭﺠﻬِﻙ ،ﺍِﻋﻠﹶﻡ ﺃﻥ ﺍﻟﻤِﺭﺁﺓﹶ ﻻ ﺘﹶﻘﺩِﺭ ﻋﻠﻰ ﻤﻘﺎﻭﻤﺔِ
ﺍﻵﻫﺎﺕ)(١؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﻤﺘﹶﻬﻭﺭِ ﻜﻴﻑﹶ ﺘﹶﻔﺘﱠﺢ ﺃﻤﺎﻤﻙ ،ﺸﹸﻘﱠﺕﹾ ﺠﻔﻭﻨﹸﻪ ،ﻻ ﺤﻴﺎﺀ ﻓﻲ ﻋﻴﻨِﻪِ،
ﻭﻻ ﻴﻤﻠِﻙ ﺃﺩﺏ ﺍﻟﻨﱠﻅﹶﺭ؛
ﺕ ﻗﻠﺒﻲ ﻤﻥ ﺩﺨﺎﻥٍ ﻟِﻤﺎ ﺒﻪِ ﻤﻥ ﺍﻟﻨﱠﺎﺭِ
ﻑ ﻤﺭﺁﺓﹲ ﻭﺍﻟﻤﺭﺁﺓﹸ ﻴﻜﺩﺭﻫﺎ ﺍﻟﺩﺨﺎﻥ ﻭﺁﻫﺎ ﹸ
) (١ﻭﺠﻬﻙ ﺍﻟﻠﹼﻁﻴ ﹸ
ﺍﻟﻤﺸﺘﻌﻠﺔ ﻓﺎﺤﺫﺭ ﻤﻥ ﺁﻫﺎﺕِ ﻗﻠﺒﻲ ﻻ ﺘﹸﻜﺩﺭ ﻤﺭﺁﺓﹶ ﻭﺠﻬﻙ.
-١٤٦-
ﺭﺃﻴﺕﹸ ﻋﻴﻨﹶﻙ ﺴﻭﺩﺍﺀ ﺍﻟﻘﹶﻠﹾﺏِ ﻻ ﺘﹸﻠﻘﻲ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ ﺠِﻬﺔِ ﺃﻱ ﻋﺎﺭِﻑٍ؛
ﺃﻋﻁِﻨﻲ ﺭﻁﻼﹰ ﺜﻘﻴﻼﹰ ﻴﺎ ﻤﺭﻴﺩ ﺍﻟﺨﹶﺭﺍﺒﺎﺕ ،ﻨﹶﺨﹾﺏ ﺸﹶﻴﺦٍ ﻻ ﻴﻤﻠِﻙ ﺍﻟﺨﺎﻨﻘﺎﻩ؛
ﺘﺠﺭﻉِ ﺍﻟﻐﹸﺼﺹ ﻭﺍﺠﻠِﺱ ﺴﺎﻜِﺘﺎﹰ ،ﻓﺫﻟِﻙ ﺍﻟﻘﹶﻠﺏ ﺍﻟﻠﹼﻁﻴﻑﹸ ﻟﻡ ﻴﻌﻁﹶ ﻁﺎﻗﹶﺔﹶ ﺍﻟﺼﺭﺍﺥِ
ﻁﹶﻠﹶﺏ ﺍﻹﻨﺼﺎﻑ؛
ﻕ ﺒِﺩﻡِ ﺍﻟﻜﺒِﺩ؛
ﻗﹸلْ ﻟﻤﻥ ﻻ ﻴﻤﻠِﻙ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺇﻟﻰ ﻫﺫِﻩِ ﺍﻷﻋﺘﺎﺏ ،ﺍﺫﻫﺏ ﻭﺍﻏﺴِلْ ﺍﻟﻁﱠﺭﻴ ﹶ
ﻟﺴﺕﹸ ﻭﺤﺩﻱ ﻗﺘﻴلَ ﺘﻁﺎﻭلِ ﻀﻔﻴﺭﺘِﻙ ،ﻤﻥ ﺫﺍ ﺍﻟﱠﺫﻱ ﻟﻡ ﻴﺼِﺒﻪ ﺍﻷﺫﻯ ﻤِﻥ ﺘِﻠﻙ ﺍﻟﺴﻭﺩﺍﺀ؛
ﺇﺫﺍ ﺴﺠﺩ ﺤﺎﻓِﻅﹸ ﹶﻟﻙ ﺴﺠﺩﺓﹰ ﻻ ﺘﹸﻌِﺒﻪ ،ﻜﺎﻓِﺭ ﺍﻟﻌِﺸﹾﻕِ ﻴﺎ ﺼﻨﹶﻡ ﻻ ﺫﹶﻨﹾﺏ ﻟﻪ.
ﻏﺰﻝ ١٢٨
ﻟﻴﺱ ﻓﻲ ﻤﺩﻴﻨﺘِﻨﺎ ﺤﺒﻴﺏ ﻴﺄﺴِﺭ ﺍﻟﻘﻠﻭﺏ ،ﺇﺫﺍ ﺴﺎﻋﺩ ﺍﻟﺒﺨﹾﺕﹸ ﺴﺄﺤﻤِلُ ﻤﺘﺎﻋﻲ ﻤِﻥ ﻫﻨﺎ؛
ﺃﻴﻥ ﺍﻟﺤﺭﻴﻑﹸ ﺍﻟﻔﺘﱠﺎﻥ ﺍﻟﺴﻜﺭﺍﻥ ﻟﻴﻘﻭلَ ﺍﻟﻌﺎﺸِﻕﹸ ﻤﺤﺘﺭِﻕﹸ ﺍﻟﻘﻠﺏِ ﺃُﻤﻨﻴﺘﹶﻪ ﺃﻤﺎﻡ ﻜﹶﺭﻤِﻪ)(١؛
ﺃﻱ ﺒﺴﺘﺎﻨﻲ ﺃﺭﺍﻙ ﺩﻭﻨﻤﺎ ﺨِﺒﺭﺓٍ ﻋﻥِ ﺍﻟﺨﺭﻴﻑ ،ﺁﻩِ ﻤﻥ ﺫﻟِﻙ ﺍﻟﻴﻭﻡِ ﺍﻟﱠﺫﻱ ﺘﺤﻤِلُ ﻓﻴﻪِ
ﺍﻟﺭﻴﺢ ﻭﺭﺩﻙ ﺍﻷﺭﻋﻥ؛
ﺍﻟﺩﻫﺭ ﻗﺎﻁِﻊ ﺍﻟﻁﱠﺭﻴﻕِ ﻻ ﻴﻨﺎﻡ ،ﻻ ﺘﻜﹸﻥ ﻤﻨﻪ ﻓﻲ ﺃﻤﺎﻥٍ ،ﺇﻥ ﻫﻭ ﻟﻡ ﻴﺄﺨﹸﺫﹾﻙ ﺍﻟﻴﻭﻡ
ﻴﺄﺨﹸﺫﹸﻙ ﻏﺩﺍﹰ؛
ﻓﻲ ﺨﻴﺎﻟﻲ ﺃﻟﻌﺏ ﻫﺫﻩِ ﺍﻟﻠﱡﻌﺒﺔﹶ ﻜﹸﻠﱠﻬﺎ ﻓﻲ ﻫﻭﺱٍ ،ﺭﺒﻤﺎ ﺠﺎﺀ ﺼﺎﺤِﺏ ﻨﹶﻅﹶﺭٍ ﻴﻘﹶﺩﺭ ﺍﻟﻔﻥ
ﻓﻨﻅﹶﺭ ﻓﻴﻬﺎ)(٢؛
ﺃﺨﺎﻑﹸ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﺴﻜﺭﺍﻥ ﺃﻥ ﻴﺄﺨﹸﺫﹶ ﻓﻲ ﻏﺎﺭﺘِﻪِ ﻜﹸلﱠ ﻤﺎ ﺠﻤﻊ ﻗﻠﺒﻲ ﻤِﻥ
ﺍﻟﻌِﻠﻡِ ﻭﺍﻟﻔﻀل ﻓﻲ ﺃﺭﺒﻌﻴﻥ ﻋﺎﻤﺎﹰ؛
) (١ﺤﺭﻴﻔﻲ ﻤﻥ ﻴﻌﻤلُ ﺒﺤﺭﻓﺘﻲ؛
) (٢ﻟﹸﻌﺒﺔﹸ ﺍﻟﺨﻴﺎلِ ﺍﻟﹼﺘﻲ ﻴﻠﻌﺒﻬﺎ ﻨﻅﻤﻪ ﺍﻟﺸﱢﻌﺭ.
-١٤٧-
ﺨﹸﻭﺍﺭ ﺍﻟﻌِﺠلِ ﺇﺫﺍ ﻋﺎﺩ ﺼﺩﺍﻩ ﻤِﻥ ﺠﺩﻴﺩٍ ﻻ ﺘﻨﺨﹶﺩِﻉ ،ﺃﻱ ﺴﺎﻤﺭﻱ ﺘﻐﻠِﺏ ﻴﺩﻩ ﺍﻟﻴﺩ
ﺍﻟﺒﻴﻀﺎﺀ؟؛
ﺍﻟﻜﺄﺱ ﺍﻟﻠﹼﺎﺯﻭﺭﺩﻱ ﻟﻠﺨﹶﻤﺭِ ﺴﺩ ﻋﻠﻰ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﻀﻴﻕِ ﻟﻠﻘﹶﻠﹾﺏِ ،ﻻ ﺘﻀﻌﻪ ﻤﻥ ﻴﺩِﻙ
ﻓﻴﺠﺭِﻑﹶ ﻗﹶﻠﹾﺒﻙ ﺴﻴلُ ﺍﻟﻐﻡ؛
ﺭﻏﻡ ﺃﻥ ﺍﻷﻋﺩﺍﺀ ﻓﻲ ﻜﻤﻴﻥٍ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕ ،ﻜﹸلﱡ ﻤﻥ ﺭﺍﺡ ﺒِﻪِ ﺨﺒﻴﺭﺍﹰ ﻨﺠﺎ ﻤِﻨﻬﻡ؛
ﺤﺎﻓِﻅﹸ ،ﺇﺫﺍ ﻏﻤﺯﺓﹸ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺴﻜﺭﺍﻥ ﻁﹶﻠﹶﺒﺕﹾ ﻤﻨﻙ ﺍﻟﺭﻭﺡ ﻓﺎﺒﻥِ ﺒﻴﺘﺎﹰ ﺁﺨﹶﺭ ﻭﺃﻋﻁِﻬﺎ
ﺍﻟﺭﻭﺡ.
ﻏﺰﻝ ١٢٩
ﻟﻭ ﻟﻡ ﺘﻜﹸﻥِ ﺍﻟﺨﻤﺭﺓﹸ ﺘﹸﻨﺴﻴﻨﺎ ﻏﻡ ﻗﻠﺒﻨﺎ ،ﻟﻜﺎﻥ ﺍﻟﺭﻫﺏ ﻤﻥ ﺍﻟﺤﻭﺍﺩِﺙِ ﻴﺠﺭِﻑﹸ ﺒﻨﻴﺎﻨﻨﺎ؛
ﻭﻟﻭ ﻟﻡ ﻴﻜﹸﻥِ ﺍﻟﻌﻘلُ ﻤﻥ ﺍﻟﺴﻜﹾﺭِ ﻴﻠﻘﻲ ﺍﻟﻤﺭﺴﺎﺓﹶ ،ﻜﻴﻑﹶ ﻜﺎﻨﹶﺕ ﺘﻨﺠﻭ ﺍﻟﺴﻔﻴﻨﹶﺔﹸ ﻤﻥ
ﻭﺭﻁﺔِ ﺍﻟﺒﻼﺀِ ﻫﺫﻩ؛
ﻭﺍﻏﻭﺜﹶﺎﻩ ﻤﻥ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﱠﺫﻱ ﻏﺵﱠ ﻓﻲ ﺍﻟﻠﱠﻌِﺏِ ﻤﻊ ﻜﹸلﱢ ﺸﺨﺹٍ ،ﻭﻤﺎ ﻤِﻥ ﺸﺨﺹٍ
ﺍﻨﺘﺼﺭ ﻋﻠﻰ ﺩﻏﹶﻠِﻪِ ﺇﻟﻰ ﺍﻵﻥ؛
ﻁﺭﻴﻘﹸﻨﺎ ﻴﻤﺭ ﻓﻲ ﺍﻟﻅﱡﻠﹸﻤﺎﺕِ ،ﺃﻴﻥ ﺨِﻀﺭ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻜﻲ ﻻ ﺘﹶﺫﻫﺏ ﻨﺎﺭ ﺍﻟﺤِﺭﻤﺎﻥِ ﺒﻤﺎﺀِ
ﺤﻴﺎﺘِﻨﺎ؛
ﻗﻠﺒﻲ ﺍﻟﻀﻌﻴﻑﹸ ﻤِﻤﺎ ﺠﺭﻯ ﻟﻪ ﻁﹶﺭﻑﹶ ﺍﻟﺭﻭﺽِ ﺤﻤلَ ﺍﻟﺭﻭﺡ ﻤِﻥ ﺍﻟﻤﻭﺕِ ﺇﻟﻰ ﻋﻠﻴﻠﹶﺔِ
ﺍﻟﺼﺒﺎ؛
ﺃﻨﺎ ﻁﺒﻴﺏ ﺍﻟﻌِﺸﻕِ ﻓﻨﺎﻭِﻟﹾﻨﻲ ﺍﻟﺨﹶﻤﺭ ،ﻓﻬﺫﺍ ﺍﻟﻤﻌﺠﻭﻥ ﻴﻬﺏ ﺍﻟﺭﺍﺤﺔﹶ ﻭﻴﺫﻫﺏ ﺒﺎﻟﺘﻔﻜﻴﺭِ
ﺒﺎﻟﺫﱡﻨﻭﺏ؛
ﺤﺎﻓِﻅﹸ ﺍﺤﺘﹶﺭﻕﹶ ﻭﻻ ﺸﺨﺹ ﻨﻘﹶلَ ﻤﺎ ﺒِﻪِ ﻟﻠﺤﺒﻴﺏ ،ﻴﺎ ﻨﺴﻴﻡ ،ﻟِﺄﺠلِ ﺍﷲِ ،ﻫلْ ﹶﻟﻙ ﺒِﺤﻤلِ
ﺭﺴﺎﻟﺘﻲ.
-١٤٨-
ﻏﺰﻝ١٣٠
ﻭﻗﺎ َل ﺒِﻌِﺸﹾﻕِ ﺍﻟﻭﺭﺩِ ﺤلﱠ ﺒِﻲ ﺍﻟـﺒﻼ ﺤﻜﻰ ﺍﻟﺒﻠﹾﺒلُ ﺍﻟﻔﹶﺠﺭ ﺍﻟﺤِﻜﺎﻴﺔﹶ ﻟﻠﺼﺒﺎ
ﻭﻓﻲ ﺭﻭﻀِﻪِ ﺸﹶﻭﻙ ﺒِﻪِ ﺭﺤﺕﹸ ﻤﺒﺘﹶﻠﻰ ﻓﻤِﻥ ﺨﺩﻩِ ﻟﻭﻥ ﺍﻟـﺩﻤﺎﺀِ ﺒِﻤﻬﺠﺘـﻲ
ﻭﺍﻟﺨﻴﺭ ﻓﻲ ﻓِﻌلِ ﺨﻴﺭٍ ﺩﻭﻥ ﻭﺠﻪِ ﺭِﻴﺎ ﻟﹶﻁِﻴﻑﹸ ﺸﹶﻜﹾلٍ ﺃﻨـﺎ ﻋﺒـﺩ ﻟِﻬِﻤﺘِـﻪِ
ﻓﻜﹸلﱡ ﻤﺎ ﺒﻲ ﻤِﻥ ﺫﺍﻙ ﺍﻟﺤﺒﻴﺏِ ﺃﺘـﻰ ﻭﻟﹶﺴﺕﹸ ﺃﺸﻜﻭ ﻤِﻥ ﺍﻷﻋﺩﺍﺀِ ﻤﻅﹾﻠﻤﺔﹰ
ﻭﺒﺎﻟﻭﻓﺎ ﻨِﻠﹾﺕﹸ ﻤِﻥ ﻋِﻨﹾﺩِ ﺍﻟﺤﺒﻴﺏِ ﺠﻔﺎ ﺃﺨﻁﺄﺕﹸ ﺇﺫﹾ ﺭﺤﺕﹸ ﻟﻠﺴﻠﹾﻁﺎﻥِ ﻓﻲ ﻁﹶﻤﻊٍ
ﻭﻗﺩ ﻜﺎﻥ ﻤِﻥ ﺫﺍﻙ ﺍﻟﺘﱠـﻨﹶﻌﻡ ﻟﻠـﺼﺒﺎ ﺒِﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩٍ ﺒﻠﹾﺒـلُ ﺍﻟﻌِـﺸﹾﻕِ ﻨـﺎﺌِﺢ
ﻓﺤﺎﻓِﻅﹸ ﻋﻥ ﺯﻫﺩٍ ﻴﺘﻭﺏ ،ﻭﻋﻥ ﺭﻴﺎ ﺍﻟﺒِﺸﺎﺭ ﹶﺓ ﻟِﻠﹾﺨﻤﺎﺭِ ،ﺇﻥ ﻜﹸﻨﹾﺕﹶ ﺤـﺎﻤِﻼﹰ
ﻓﻲ ﺍﻟﺴﺤﺭ ﺤﻜﻰ ﺍﻟﺒﻠﺒلُ ﺒِﺄﻨﻐﺎﻤِﻪِ ﺍﻟﺸﱠﺠﻴِ ﺔ ﺤﻜﺎﻴﺔﹶ ﺤﺒﻪِ ﻟِﻠﺼﺒﺎ ،ﻗﺎلَ ﻤﺎ ﺃﻜﺜﺭ ﻤﺎ ﺃﻟﻡ
ﺒﻲ ﺍﻟﺒﻼﺀ ﻤﻥ ﻋﺸﻘﻲ ﻟﻭﺠﻪِ ﺍﻟﻭﺭﺩ؛
ﻓﻌﻠﻰ ﻟﻭﻥِ ﻭﺠﻨﺘِﻪِ ﺴﺎلَ ﺩﻡ ﻗﻠﺒﻲ ،ﻭﻓﻲ ﺭﻭﻀِﻪِ ﺍﺒﺘﹸﻠﻴﺕﹸ ﺒﺎﻷﺸﻭﺍﻙ؛
ﺃﻨﺎ ﻋﺒﺩ ﻟِﻬِﻤِ ﺔ ﺫﻟﻙ ﺍﻟﻠﹼﻁﻴﻑِ ﺍﻟﻜﻴﺎﻥِ ﺍﻟﺫﹶﻱ ﻋﻠﻰ ﻴﺩﻴﻪِ ﺼﺎﺭ ﻋﻤﻠﻲ ﺨﹶﻴﺭﺍﹰ ﻤﺤﻀﺎﹰ،
ﺨﺎﻟِﺼﺎﹰ ﻤِﻥ ﺃﻱ ﻭﺠﻪِ ﺭﻴﺎﺀ؛
ﻭﻟﺴﺕﹸ ﺃﺸﻜﻭ ﻅﹸﻼﻤﺔﹰ ﻤﻥ ﺍﻟﻐﺭﺒﺎﺀ ﻓﻜلﱡ ﻤﺎ ﺠﺭﻯ ﻋﻠﻲ ﻜﺎﻥ ﻤِﻥ ﻓﻌلِ ﺍﻟﺤﺒﻴﺏ؛
ﻟﻤﺎ ﻜﺎﻥ ﻟﻲ ﻁﹶﻤﻊ ﻤِﻥ ﺍﻟﺴﻠﻁﺎﻥِ ﺃﺨﻁﺄﺕﹸ ،ﻭﻟﻤﺎ ﻁﹶﻠﹶﺒﺕﹸ ﺍﻟﻭﻓﺎﺀ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ﺠﻔﺎﻨﻲ؛
ﺩﺍﻡ ﻁِﻴﺏ ﺫﺍﻙ ﺍﻟﻨﱠﺴﻴﻡِ ﻭﻗﺕﹶ ﺍﻟﺼﺒﺎﺡ ،ﻓﻘﺩ ﺤﻤلَ ﺍﻟﺩﻭﺍﺀ ﻟِﺄﻟﹶﻡ ﺭِﻓﺎﻕِ ﺍﻟﻠﱠﻴل؛ )ﺇﺫ( ﺭﻓﹶﻊ
ﺍﻟﻨﱢﻘﺎﺏ ﻋﻥ ﻭﺠﻪِ ﺍﻟﻭﺭﺩِ ﻭﻓﹶﺭﻉِ ﺍﻟﺴﻨﺒلِ ،ﻭﻓﹶﺘﹶﺢ ﺍﻟﻌﺭﻯ ﻤِﻥ ﺜﻭﺏِ ﺍﻟﺒﺭﻋﻡِ؛
ﺡ ﺇﻟﻰ ﻜلﱢ ﻨﺎﺤﻴﺔٍ ﻭﻴﺼﺭﺥﹸ ﻓﻲ ﻜلﱢ ﺍﺘﱢﺠﺎﻩٍ ،ﻭﻜﺎﻥ ﻟﺭﻴﺢِ
ل ﺍﻟﻌﺎﺸﻕﹸ ﻴﻨﻭ ﻭﺭﺍﺡ ﺍﻟﺒﻠﺒ ُ
ﺍﻟﺼﺒﺎ ﺍﻟﺘﱠﻨﹶﻌﻡ ﺒِﻌﻭﻴﻠِﻪ؛
ﻓﺎﺤﻤِلْ ﺍﻟﺒِﺸﺎﺭﺓﹶ ﺇﻟﻰ ﺒﺎﻋﺔِ ﺍﻟﺨﻤﺭِ ﺒِﺄﻥ ﺤﺎﻓِﻅﹶ ﻗﺩ ﺘﺎﺏ ﻋﻥ ﺍﻟﺯﻫﺩِ ﻭﺍﻟﺭﻴﺎﺀ)(١؛
) (١ﻭﺴﻴﺼﻴﺭ ﻤﻥ ﺸﺎﺭﺒﻲ ﺍﻟﺨﻤﺭ ﺍﻟﺫﻴﻥ ﻻ ﺯﻫﺩ ﻋﻨﺩﻫﻡ ﻭﻻ ﺭﻴﺎﺀ؛
-١٤٩-
ﺍﻟﻭﻓﺎﺀ ﻤِﻥ ﺴﺎﺩﺓِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﺇﻟﻲ ﻜﺎﻥ ﻤِﻥ ﻜﻤﺎلِ ﺍﻟﺩﻭﻟﹶﺔِ ﻭﺍﻟﺩﻴﻥِ ،ﺃﺒﻭ ﺍﻟﻭﻓﺎﺀ).(١
ﻏﺰﻝ ١٣١
ـﺎﺭﻩ
ـﺩﺡِ ﺍﻹﺸـ
ـﻼلُ ﺍﻟﻌﻴ ـﺩِ ﻟﻠﻘـ
ﻫـ ﻤﻀﻰ ﺸﻬﺭ ﺍﻟﺼﻴﺎﻡِ ﺘﻌـﺎلَ ﺃﻗﺒِـلْ
ﺇﺫﺍ ﻟﻠﺤــﺎﻥِ ﺃﺩﻴــﺕﹶ ﺍﻟﺯﻴــﺎﺭﻩ ﺘﻨﺎلُ ﺍﻷﺠﺭ ﻤـﻥ ﺤـﺞ ﻭﺼـﻭﻡٍ
ﺃﺜــﺎﺏ ﺍﷲُ ﺠﺎﻋﻠﹶﻬــﺎ ﻋﻤــﺎﺭﻩ ﻭﻓﻲ ﻜﹶﻨﹶﻑِ ﺍﻟﺨﺭﺍﺌﺏِ ﻟـﻲ ﻤﻘـﺎﻡ
ﻓﺈﻥ ﻤﻥِ ﺍﺸﺘﺭﻯ ﺭﺒـﺢ ﺍﻟﺘﹼﺠـﺎﺭﻩ ﻟﻌﻘﻠﻙ ﻓﺎﺸﺘﺭِ ﺍﻟﺨﻤـﺭ ﺍﻟﻤـﺼﻔﱠﻰ
ﻭﻗﺩﻡ ﻤـﻥ ﺩﻡِ ﺍﻟﻜﹶﺒِـﺩِ ﺍﻟﻁﱠﻬـﺎﺭﻩ ـﺼلﱢ
ـﺭﺍﺏِ ﺤﺎﺠﺒ ـﻪِ ﻓـ
ـﻲ ﻤﺤـ
ﻭﻓـ
ﻭﻟﻴﺱ ﻟـﻭﺍﻋﻅٍ ﺤـﺴﻥِ ﺍﻟﻌﺒـﺎﺭﻩ ﻟﺤﺎﻓﻅﹶ ﻓﻲ ﺤﺩﻴﺙِ ﺍﻟﻌﺸﻕِ ﻓﺎﺴﻤﻊ
ﺘﻌﺎلَ ﻓﺘﹸﺭﻜﻲ ﺍﻟﻔﹶﻠﹶﻙِ ﺃﻏﺎﺭ ﻋﻠﻰ ﺴﻔﹾﺭﺓِ ﺍﻟﺼﻭﻡِ ،ﻫﺫﺍ ﻫﻼلُ ﻋﻴﺩِ ﺍﻟﻔﻁﺭِ ﻅﻬﺭ
ﺏ ﺍﻟﺼﻴﺎﻡِ ﻭﻗﹶﺒﻭ َ
ل ﻋﻠﻰ ﻫﻴﺌ ِﺔ ﺍﻟﻘﺩﺡ ﻤﻌﻁﻴﹰﺎ ﺍﻹﺸﺎﺭ ﹶﺓ ﺒِﺩﻭﺭﺓِ ﺍﻟﻘﹶﺩﺡ؛ ﻭﻗﺩ ﻨﺎلَ ﺜﻭﺍ
ﺍﻟﺤﺞ ﹸﻜلﱡ ﺸﹶﺨﹾﺹٍ ﻗﺎ ﻡ ﺒﺎﻟﺯﻴﺎﺭﺓِ ﻟِﺜﺭﻯ ﺤﺎﻨﹶﺔِ ﺍﻟﻌِﺸﹾﻕ؛ ﻤﻘﺎﻤﻨﺎ ﺍﻷﺼﻠﻲ ﺭﻜﹾﻥ
ﺍﻟﺨﺭﺍﺒﺎﺕ ،ﺃﺜﺎﺏ ﺍﷲُ ﻤﻥ ﻋﻤﺭ ﺍﻟﺨﺭﺍﺒﺎﺕ؛ ﺜﹶﻤﻨﺎﹰ ﻟِﺨﹶﻤﺭﺓٍ ﻜﺎﻟﻠﱡﺅﻟﺅِ ﻤﺎ ﺠﻭﻫﺭ ﺍﻟﻌﻘﹾل،
ﺘﻌﺎلَ ﻓﻘﺩ ﺭﺒِﺢ ﺸﺨﺹ ﻗﺎﻡ ﺒِﻬﺫِﻩِ ﺍﻟﺘﱢﺠﺎﺭﺓ)(٢؛ ﺇﻥ ﺍﻟﺼﻼﺓﹶ ﻓﻲ ﻤﺤﺭﺍﺏِ ﺤﺎﺠﺏِ
ﺍﻟﺤﺒﻴﺏ ﻻ ﺘﻜﻭﻥ ﺇﻻﹼ ﻟِﺸﹶﺨﹾﺹٍ ﺘﻁﻬﺭ ﺒِﺩﻡِ ﺍﻟﻔﺅﺍﺩ)(٣؛ ﺍﻟﻐﹶﻭﺙﹶ ،ﻓﺎﻟﻨﱠﺭﺠِﺱ ﺍﻟﻔﹶﺘﱠﺎﻥ ﻟِﺸﹶﻴ ِ
ﺦ
ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻨﻅﹶﺭ ﺇﻟﻰ ﺍﻟﺸﹼﺎﺭﺒﻴﻥ ﺍﻟﺨﹶﻤﺭ ﻨﹶﻅﹾﺭﺓﹶ ﺍﻟﺤﻘﺎﺭﺓ؛ ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏِ ﻭﻜﹸﻥ
ﺫﺍ ﻤِﻨﱠﺔٍ ﻋﻠﻰ ﻋﻴﻨِﻙ ،ﻓﺎﻟﻌﻴﻥ ﺍﻟﺨﺒﻴﺭﺓﹸ ﺘﻨﻅﹸﺭ ﻨﹶﻅﹶﺭ ﺍﻟﺒﺼﻴﺭﺓ؛ ﺍﺴﻤﻊ ﺤﺩﻴﺙﹶ ﺍﻟﻌﺸﻕِ
ﻤﻥ ﺤﺎﻓﻅﹶ ،ﻻ ﻤِﻥ ﺍﻟﻭﺍﻋِﻅِ ﻭﻟﻭ ﺃﻜﺜﹶﺭ ﺍﻟﺼﻨﻌﺔﹶ ﻓﻲ ﺍﻟﻌِﺒﺎﺭﺓ).(٤
) (١ﺨﻭﺍﺠﺔ ﻜﻤﺎل ﺍﻟﺩﻭﻟﺔ ﻭﺍﻟﺩﻴﻥ ﺍﻟﺴﻴﺩ ﺃﺒﻭ ﺍﻟﻭﻓﺎﺀ ﺍﻟﺸﹼﻴﺭﺍﺯﻱ ،ﻜﺎﻥ ﺼﺩﻴﻘﺎﹰ ﻟِﺤﺎﻓِﻅ ،ﻗﺒﺭﻩ ﺍﻵﻥ
ﻤﺯﺍﺭ ﻗﹸﺭﺏ ﺸﻴﺭﺍﺯ.
) (٢ﺒﺎﻟﺨﻤﺭﺓِ ﻴﺼﻔﻭ ﺍﻟﻔﻜﺭ ﻭﻴﺫﻫﺏ ﻋﻨﻪ ﺍﻟﺸﱠﻙ ﻭﻟﻴﺱ ﻟﻠﺨﻤﺭﺓِ ﺜﻤﻥ ﻓﺎﺸﺘﺭِﻫﺎ ﻭﺇﻨﱠﻬﺎ ﻟﺘﺠﺎﺭﺓﹲ ﻤﺭﺒِﺤﺔﹲ؛
) (٣ﻜﻨﺎﻴﺔﹰ ﻋﻥ ﺸﺩﺓِ ﺍﻟﻤﻌﺎﻨﺎﺓ؛
) (٤ﺍﺴﻤﻊ ﺤﺩﻴﺙﹶ ﺍﻟﻌﺸﻕِ ﻤﻥ ﺤﺎﻓﻅ ﺍﻟﱠﺫﻱ ﻋﺎﻨﺎﻩ ﻭﻟﻴﺱ ﻤِﻥ ﻭﺍﻋﻅٍ ﻤﺘﻜﻠﱢﻑٍ ﻭﺇﻥ ﺃﺤﺴﻥ ﺼﻭﻍﹶ
ﺍﻟﻌﺒﺎﺭﺓ )ﺴل ﻋﻥ ﺍﻟﻨﱠﺎﺭ ﺠﺴﻡ ﻤﻥ ﻋﺎﻨﺎﻫﺎ(.
-١٥٠-
ﻏﺰﻝ ١٣٢
ﺒﻤﺎﺀِ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﻤﻨﻴﺭِ ﺘﻁﻬﺭ ﺍﻟﻌﺎﺭﻑﹸ ،ﻋﻠﻰ ﺍﻟﺼﺒﺎﺡِ ،ﻭﻗﺩ ﺯﺍﺭ ﺍﻟﺤﺎﻥ؛
ﻑ ﺤِﺠﺎﺏِ ﺍﻷُﻓﹸﻕِ ،ﻅﹶﻬﺭ ﻫﻼلُ ﺍﻟﻌﻴﺩِ ﻭﺃﺸﺎﺭ
ﺤﻴﻥ ﺍﺨﺘﻔﻰ ﻜﺄﺱ ﺍﻟﺸﱠﻤﺱِ ﺍﻟﺫﱠﻫﺒﻲ ﺨﻠ ﹶ
ﺒﺩﻭﺭﺓِ ﺍﻟﻘﹶﺩﺡ)(١؛
ﻭﻴﺎ ﻟﺤﻼﻭﺓِ ﺼﻼﺓِ ﻭﺍﻓﺘِﻘﺎﺭِ ﺫﻟِﻙ ﺍﻟﺸﱠﺨﹾﺹِ ﺍﻟﱠﺫﻱ ﺘﻁﻬﺭ ،ﻓﻲ ﺤﺯﻥٍ ﻭﺃَﻟﹶﻡٍ ،ﺒﻤﺎﺀِ
ﺍﻟﻌﻴﻥِ ﻭﺩﻡِ ﺍﻟﻜﹶﺒِﺩ؛
ﺍﻹﻤﺎﻡ ﺍﻟﺴﻴﺩ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻓﻲ ﻨﻴﺘِﻪِ ﺃﻥ ﻴﻁﻴلَ ﺍﻟﺼﻼﺓﹶ ،ﻏﹶﺴلَ ﺍﻟﺨِﺭﻗﹶ ﹶﺔ ﺒِﺩﻡِ ﺍﺒﻨﺔِ
ﺍﻟﻌﻨﻘﻭﺩِ؛
ﺍﺸﺘﺭﻯ ﻗﻠﺒﻲ ﺍﻟﻔﺘﻨﹶﺔﹶ ﺒﺎﻟﺭﻭﺡِ ﻤﻥ ﺤﻠﻘﹶﺔٍ ﺒِﻀﻔﻴﺭﺘِﻪ ،ﺃﻱ ﻨﻔﹾﻊٍ ﺭﺃﻯ ،ﻻ ﺃﺩﺭﻱ ،ﺤﺘﹼﻰ
ﻗﺎﻡ ﺒِﻬﻜﹶﺫﺍ ﺘِﺠﺎﺭﺓ؛
ﺇﺫﺍ ﺴﺄلَ ﻋﻨﹼﻲ ﺇﻤﺎﻡ ﺍﻟﺠﻤﺎﻋﺔِ ﺍﻟﻴﻭﻡ ،ﺃﺨﺒِﺭﻭﻩ ﺃﻥ ﺤﺎﻓﻅﹶ ﺘﻁﻬﺭ ﺒﺎﻟﺨﻤﺭﺓ.
ﻏﺰﻝ ١٣٣
ﻭﺭﺍﺡ ﻤﻊ ﺍﻷﻓﻼﻙِ ﻴﻠﻌﺏ ﺒـﺎﻟﻤﻜﺭِ ﻟﻘﺩ ﻨﺼﺏ ﺍﻟﺼﻭﻓﻲ ﺸِﺒﺎﻙ ﺨِﺩﺍﻋِﻪِ
ﺠﺯﺍﺀ ﻋﻠﻰ ﺍﺴﺘِﻬﺯﺍﺌِﻪِ ﺒِﺫﻭﻱ ﺍﻟﺴﺭ ﻓﺠﺎﺀ ﻤﻥ ﺍﻷﻓﻼﻙِ ﺭﻤـﻲ ﺒِﺭﺃﺴِـﻪِ
ﻭﺃﺘﺒﻊ ﺒﺎﻟﻠﹼﺤﻥِ ﺍﻟﺤِﺠﺎﺯﻱ ﻜﺎﻟـﺴﺤﺭِ ﺘﺭﻨﱠﻡ ﺒـﺎﻟﻠﱠﺤﻥِ ﺍﻟﻌِﺭﺍﻗـﻲ ﻤﻁـﺭِﺏ
) (١ﻟﺤﻅﹶﺔﹶ ﻏﺎ ﺒﺕﹾ ﺍﻟﺸﱠَﻤﺱ ﻤﻌﻠِﻨﹶﺔﹰ ﻨﻬﺎﻴ ﺔﹶ ﺭﻤﻀﺎﻥ ،ﻅﻬ ﺭ ﻫﻼلُ ﺍﻟﻌﻴ ﺩِ ﻤﻌﻠﻨﺎﹰ ﺒِﺩﺀ ﺩﻭﺭ ﺓِ
ﺍﻷﻗﺩﺍﺡ .
-١٥١-
ﺍﻟﺼﻭﻓﻲ ﻨﹶﺼﺏ ﺍﻟﺸﱢﺒﺎﻙ ﻭﻋﺎﺩ ﻴﻠﻌﺏ ﺍﻟﺸﱠﻌﻭﺫﹶﺓﹶ ،ﻭﺒﻨﻰ ﺒﻨﺎﺀ ﺍﻟﻤﻜﹾﺭِ ،ﻭﺭﺍﺡ ﻴﺸﻌﻭﺫﹸ
ﻤﻊ ﺍﻟﻔﹶﻠﹶﻙِ)(١؛
ﻤﻜﹾﺭ ﺍﻟﻔﹶﻠﹶﻙِ ﻜﹶﺴﺭ ﻟﻪ ﺒﻴﻀﺔﹰ ﻓﻲ ﺍﻟﻘﹸﺒﻌﺔِ ،ﻷﻨﱠﻪ ﻗﺎﻡ ﺒِﻌﺭﺽِ ﺍﻟﺸﱠﻌﻭﺫﹶﺓِ ﻤﻊ ﺃﻫلِ ﺍﻟﺴﺭ(٢) ؛
ﺴﺎﻗﻲ ﺘﻌﺎلَ ﻓﺸﺎﻫِﺩ ﺍﻟﺼﻭﻓﻴﻴﻥ ﺠﻤﻴلُ ﺍﻟﻘﺎﻤﺔِ ﻭﺍﻟﻘﺩ ،ﺭﻓﹶﻊ ﺍﻟﻨﱢﻘﺎﺏ ﻤﺠﺩﺩﺍﹰ ﻭﺃﻅﻬﺭ ﻟﻨﺎ
ﺍﻟﺩﻻل؛
ﻤِﻥ ﺃﻴﻥ ﻫﻭ ﻫﺫﺍ ﺍﻟﻤﻁﺭِﺏ ﺍﻟﱠﺫﻱ ﻋﺯﻑﹶ ﻨﻐﹶﻡ ﺍﻟﻌِﺭﺍﻕِ ﻭﻋﺎﺩ ﺇﻟﻰ ﻟﺤﻥِ ﺍﻟﺤِﺠﺎﺯ)(٣؛
ﻴﺎ ﻗﻠﺏ ﺘﻌﺎلَ ﺃﻨﺎ ﺫﺍﻫِﺏ ﺃﺤﺘﻤﻲ ﺒﺎﷲِ ﻤِﻥ ﻜﹸلﱢ ﻗﺼﻴﺭِ ﺍﻷﻜﻤﺎﻡِ ﻁﻭﻴلِ ﺍﻟﻴﺩ؛
ﻻ ﺘﺘﺼﻨﱠﻊِ ﺍﻟﻤﺤﺒﺔﹶ ﻓﻜﹸلﱡ ﻤﻥ ﻟﻡ ﺘﻜﹸﻥ ﻤﺤﺒﺘﹸﻪ ﺼﺤﻴﺤﺔﹰ ،ﻋِﺸﻘﹸﻪ ﻴﻐﻠِﻕﹸ ﻓﻲ ﻭﺠﻪِ ﻗﻠﺒِﻪِ
ﺒﺎﺏ ﺍﻟﻤﻌﻨﻰ؛
ﻏﺩﺍﹰ ﻋِﻨﺩ ﻅﻬﻭﺭِ ﻤﺠﻠﺱِ ﺍﻟﺤﻜﹾﻡِ ﺒﺎﻟﺤﻘﻴﻘﹶﺔِ ،ﺴﻴﺨﺠلُ ﺍﻟﺴﺎﻟِﻙ ﻷﻥ ﻋﻤﻠﹶﻪ ﺍﻟﱠﺫﻱ ﻋﻤِلَ
ﻜﺎﻥ ﻋﻠﻰ ﺍﻟﻤﺠﺎﺯ؛
ﺃﻴﺘﹸﻬﺎ ﺍﻟﺤﻤﺎﻤﺔﹸ ﺍﻟﺴﺎﺌﺭﺓﹸ ﻓﻲ ﺩﻻلٍ ﺠﻤﻴلٍ ،ﺃﻴﻥ ﺘﺫﻫﺒﻴﻥ ،ﻻ ﻴﻐﹸﺭﻨﱠﻙِ ﺃﻥ ﻗِﻁﹶﺔﹶ ﺍﻟﺯﺍﻫِﺩِ
ﺘﹸﺼﻠﹼﻲ)(٤؛
ﺤﺎﻓﻅﹸ ﻻ ﺘﻘﹸﻡ ﺒﻤﻼﻤﺔِ ﺍﻟﺴﻜﺎﺭﻯ ،ﻨﺤﻥ ﻓﻲ ﺍﻷﺯلِ ﺠﻌﻠﹶﻨﺎ ﺍﷲُ ﻓﻲ ﻏِﻨﻰ ﻋﻥ ﺯﻫﺩِ
ﺍﻟﺭﻴﺎﺀ.
ﻙ ﻋﻠﻰ ﺍﻟﻤ ِ
ﻸ ) (١ﺍﻟﺼﻭﻓﻲ ﺃﻅﻬﺭ ﺍﻟﺨﺸﻭﻉ ﺒﻤﺎ ﻟﺒﺱ ﻤﻥ ﺜﻭﺏٍ ﻤﺭﻗﱠﻊٍ ﻭﺒﻤﺎ ﺭﺍﺡ ﻴﻌﺭﺽ ﻤﻥ ﻨﹸﺴٍ
ﻟﻴﺼﻁﺎﺩ ﻗﻠﻭﺏ ﺍﻟﻨﱠﺎﺱِ ﺒﺸﺒﻜﺔِ ﺨﺩﺍﻋِﻪ ،ﻭﻫﻭ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔِ ﺨﺎلٍ ﻤﻥ ﺍﻟﻭﺭﻉ ،ﺇﱠﻨﻪ ﻭﺍﻋﻅﹲ ﻓﻲ
ﺍﻟﻅﱠﺎﻫِﺭِ ﻭﺼﺎﺌﺩ ﻓﻲ ﺍﻟﺒﺎﻁِﻥ ،ﻴﺤﺘﺎلُ ﻋﻠﻰ ﺍﻟﻔﹶﻠﹶﻙِ ﻭﻴﺒﻨﻲ ﺒﻨﺎﺀ ﻤﻥ ﺍﻟﻤﻜﺭ ﻟﻪ؛
) (٢ﻓﻘﺎﻡ ﺍﻟﻔﹶﹶﻠﻙ ﺒِﻔﻀﺤِﻪ)ﻜﺴﺭ ﻟﻪ ﺒﻴﻀﺔﹰ ﻓﻲ ﻗﹸﺒﻌﺘِﻪ( ﺒﻤﺎ ﻜﺎﻥ ﻤﻨﻪ ﻤﻥ ﺍﻟﻌﺠﺏِ ﺒﻨﻔﺴِﻪِ ﻭﻟِﺘﻁﺎﻭﻟِﻪِ
ﻋﻠﻰ ﺃﻫلِ ﺍﻟﺴﺭ؛
) (٣ﻤﻥ ﺃﻴﻥ ﻫﻭ ﺫﻟﻙ ﺍﻟﻤﻁﺭﺏ ﺍﻟﱠﺫﻱ ﺘﻐﻨﱠﻰ ﺒﺎﻟﻠﺤﻥِ ﺍﻟﻌﺭﺍﻗﻲ ﻭﺃﺘﺒﻌﻪ ﺒﺎﻟﻠﺤﻥِ ﺍﻟﺤﺠﺎﺯﻱ؛
) (٤ﺃﻴﺘﹸﻬﺎ ﺍﻟﺤﻤﺎﻤﺔﹸ ﺍﻨﺘﺒﻬﻲ ﻻ ﺘﻜﻭﻨﻲ ﺼﻴﺩﺍﹰ ﻟﻠﻘِﻁﱠﺔﹶ ﺍﻟﱠﺘﻲ ﺘﹸﺼﻠﱢﻲ ﻤﻜﻴﺩﺓﹰ ،ﺇﻨﱠﻬﺎ ﺘﹸﺭﻴﺩ ﺼﻴﺩﻙِ ﺒﻤﺎ
ﺘﹸﻅﻬِﺭ ﻤِﻥ ﺍﻟﺘﱠﻘﻭﻯ ﻭﺍﻟﻭﺭﻉ ،ﻓﻼ ﺘﻘﺘﺭﺒﻲ ﻤِﻨﻬﺎ ،ﻭﺫﻜﹶﺭﻭﺍ ﺃﻨﱠﻪ ﻴﻌﻨﻲ ﺒﺫﻟِﻙ ﻏﺭﻴﻤﺎﹰ ﻟﻪ ﻴﺩﻋﻲ
ﺍﻟﻜﺭﺍﻤﺎﺕ ،ﻭﻜﺎﻨﺕﹾ ﻟﻪ ﻗﻁﱠﺔﹲ ﻋﻠﱠﻤﻬﺎ ﺤﺭﻜﺎﺕِ ﺍﻟﺼﻼﺓ ﻓﻜﺎﻨﺕ ﺘﺅﺩﻴﻬﺎ ﻤﻌ ﻪ.
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ﻏﺰﻝ ١٣٤
ﺼﺎﺭﺕِ ﺍﻟﻭﺭﺩﺓﹸ ﻟﻤﺎ ﺸﹶﺭِﺏ ﺍﻟﺒﻠﺒلُ ﻤِﻥ ﻗﹶﻠﹾﺏٍ ﺩﻤﺎﹰ ﺜﹸﻡ ﻟِﻠﺼﺩ ﻤِﻥ ﺍﻟﻐﹶﻴﺭﺓِ ﺃﻀﺤﻰ ﺤﻭﻟﻬﺎ
ﺸﹶﻭﻙ ﺍﻟﺒﻼ؛
ﻜﺎﻥ ﻗﹶﻠﹾﺏ ﺍﻟﺒﺒﻐﺎ ﺒﺎﻟﺴﻜﱠﺭِ ﺍﻟﻌﺫﹾﺏِ ﺴﻌﻴﺩﺍﹰ ﻓﺈﺫﺍ ،ﻓﺠﺄﺓﹰ ﺴﻴلُ ﺍﻟﻔﻨﺎ ﻨﹶﻘﹾﺵﹶ ﺍﻟﺭﺠﺎ ﻗﺩ ﺃﺒﻁلَ؛
ﺕ ﻟِﻠﺭﺍﺤﺔِ ﺭﺤﺕﹶ ﻭﻟﻜِﻥ ،ﺼﺎﺭ ﺃﻤﺭﻱ
ﻗﹸﺭﺓﹶ ﺍﻟﻌﻴﻥِ ﻭﻴﺎ ﺜﹶﻤﺭﺓﹶ ﻗﹶﻠﹾﺒِﻲ ﻻ ﻨﹸﺴِﻴﺕﹶ ،ﺃﻨ ﹶ
ﻤﺸﹾﻜِﻼ؛
ﻤﺎلَ ﺤِﻤﻠﻲ ،ﺤﺎﺩِﻴﺎ ﺒﺎﻟﻠﹼﻪِ ﻋﻭﻨﺎﹰ ﻓﺄﻨﺎ ﺍﺨﺘﺭﺕﹸ ﻟِﻤﺎ ﺃﻋﺭِﻑﹸ ﻤِﻥ ﺠﻭﺩِﻙ ﻫﺫﺍ ﺍﻟﻤﺤﻤلَ؛
ﺁﻩِ ﻤِﻥ ﻋﻴﻨِﻙ ،ﻤِﻥ ﺤﺎﺴِﺩﺓٍ ،ﻴﺎ ﻗﹶﻤﺭ ﺍﻟﻔﹸﻠﹾﻙِ ﻭﺃﻭﺍﻩ ﻓﻘﺩ ﺼﺎﺭ ﻟِﺒﺩﺭﻱ ﺍﻟﻠﹼﺤﺩ ﻤِﻨﹾﻬﺎ
ﻤﻨﹾﺯِﻻ؛
ﻤﺎ ﺍﻟﹼﺫﻱ ﺘﹶﻔﹾﻌلُ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻗﹶﺘﹾلُ ﺍﻟﺸﱠﺎﻩِ ﻓﺎﺕﹶ ،ﻟﹶﻌِﺏ ﺍﻷﻴﺎﻡِ ﻤِﻥ ﻋﻤﺭﻱ ﺨﻠﹼﺎﻨﻲ ﻗﺩﻴﻤﺎﹰ
ﻏﺎﻓِﻼ.
ﺤﺎﻓِﻅﹸ ﺸﺎﻋِﺭ ﺍﻟﺭﻤﻭﺯ ﻻ ﻴﺼﺭﺡ ﺒﺎﺴﻡِ ﺍﻟﻤﺨﺎﻁﹶﺏ ﺘﹶﻌﻅﻴﻤﺎﹰ ﻟِﺸﺄﻨِﻪ ﻭﺇﻏﺭﺍﺀ ﺒﺎﻟﺒﺤﺙِ
ﻟِﻤﻌﺭِﻓﺘِﻪ ﻭﻋﻠﻰ ﺍﻟﻘﺎﺭﺉِ ﺃﻥ ﻴﻜﺘﺸِﻑ ،ﻭﻗﺎﻟﻭﺍ ﺇﻥ ﺍﻟﺸﹼﺎﻋِﺭ ﻴﺭﺜﻲ ﺍﺒﻨﻪ ﻓﻲ ﻫﺫﻩِ ﺍﻟﻘﺼﻴﺩﺓ:
ﻟﻡ ﻴﺤﺼلِ ﺍﻟﺒﻠﺒل)ﺍﻟﺸﱠﺎﻋﺭ( ﻋﻠﻰ ﺍﻟﻭﺭﺩﺓ ﺇﻻﹼ ﺒﻌﺩ ﺍﻟﻌﺫﺍﺏِ ﺍﻟﺸﱠﺩﻴﺩ ﻭﺤﻴﻥ
ﺼﺎﺭﺕ ﻟﻪ ﺍﻟﻭﺭﺩﺓﹸ ﻤﻨﹶﻌﺘﹾﻪ ﻤِﻨﻬﺎ ﺃﺸﻭﺍﻙ ﺍﻟﺒﻼﺀِ ﻭﺼﺩﺘﹾﻪ ﻋﻨﻬﺎ ﻤِﻥ ﻏﻴﺭﺓٍ ﻋﻠﻴﻬﺎ؛ ﻭﻟﻘﺩ
ﻜﺎﻥ ﻗﻠﺏ ﺍﻟﺒﺒﻐﺎﺀِ)ﺍﻟﺸﺎﻋﺭ( ﺴﻌﻴﺩﺍﹰ ﻭﻫﻭ ﻴﺘﺨﻴلُ ﺃﻥ ﺘِﻠﹾﻙ ﺍﻟﻘِﻁﹾﻌ ﹶﺔ ﻤِﻥ ﺍﻟﺴﻜﱠﺭِ ﻟﻪ ﻓﺈﺫﺍ
ﺃَﻤﻠﹸﻪ ﻨﹶﻘﺵﹲ ﻋﻠﻰ ﺍﻟﺭﻤﺎلِ ﻭﺠﺎﺀ ﺴﻴلُ ﺍﻟﻔﻨﺎﺀِ ﻓﺠﺄﺓﹰ ﻓﻤﺤﺎﻩ؛ ﺩﺍﻡ ﺫِﻜﹾ ﺭ ﻗﹸﺭﺓِ ﻋﻴﻨﻲ ﻭﺜﻤﺭﺓﹸ
ﻓﺅﺍﺩﻱ ﺍﻟﱠﺫﻱ ﺭﺤلَ ﻋﻥ ﺩﺍﺭِ ﺍﻟﺒﻼﺀِ ﺇﻟﻰ ﺩﺍﺭِ ﺍﻟﺭﺍﺤﺔِ ﻭﺘﺭﻙ ﻟﻲ ﺍﻟﻬﻤﻭﻡ ﻭﺍﻷﺤﺯﺍﻥ
ﻭﺘﺸﺘﱠﺕﹶ ﺃﻤﺭﻱ ﻤِﻥ ﺒﻌﺩِﻩ؛ ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺤﺎﺩﻱ ﻟﻘﺩ ﻭﻗﹶﻊ ﺤِﻤﻠﻲ ﻓﺒِﺤﻕﱢ ﺍﷲِ ﺃﻋِﻨﹼﻲ ﻋﻠﻰ
ﺭﻓﻌِﻪ ﻓﻘﺩِ ﺍﺨﺘﺭﺕﹸ ﺍﻟﺴﻴﺭ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻘﺎﻓِﻠﹶﺔِ ﻟِﻤﺎ ﺃﻋﺭِﻑﹸ ﻤِﻥ ﺠﻭﺩِﻙ ﻭﻜﹶﺭﻤِﻙ؛
ﻻ ﺘﺤﺘﻘِﺭ ﺘﹸﺭﺍﺏ ﻭﺠﻬﻲ ﻭﻨﺩﻯ ﻋﻴﻨﻲ ﻓﻘﺩ ﻤﺯﺠﻬﻤﺎ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﻔﻴﺭﻭﺯﻱ ﻭﺒﻨﻰ ﺒﻬﻤﺎ ﺒﻴﺘﺎﹰ
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ﻟﻠﻁﱠﺭﺏِ ﻤِﻥ ﺍﻟﻁﱢﻴﻥِ؛ ﺁﻩِ ﻤِﻥ ﻋﻴﻨِﻙ ﺍﻟﺤﺎﺴﺩﺓِ ﻴﺎ ﻗﹶﻤﺭ ﺍﻷﺒﺭﺍﺝ ﻓﻤِﻥ ﺤﺴﺩِﻫﺎ ﻨﹶﺯلَ
ﻗﻤﺭﻱ ﻓﻲ ﺍﻟﻠﹼﺤﺩ)ﻤﺎﺕ ﻭﻟﺩﻱ( ،ﻭﻓﻲ ﺸﻌﺭِ ﺤﺎﻓِﻅ ﻜﻤﺎ ﻴﻅﻬﺭ ﻟِﻠﻤﺘﺄﻤل ﺘﺄﺨﹸﺫﹸ ﺍﻟﻤﻔﺭﺩﺓﹸ
ﺍﻟﻭﺍﺤِﺩﺓﹸ ﺃﻜﺜﹶﺭ ﻤِﻥ ﻤﻌﻨﻰ ،ﻭﻗﺩ ﺘﺄﺨﹸﺫﹸ ﻤﻌﻨﻰ ﻤِﻥ ﻤﻌﺎﻨﻲ ﺍﻟﺠﻤﺎل ﻤﺭﺓﹰ ﻭﻤﻌﻨﻰ ﻤﻘﺎﺒﻼﹰ
ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﻓﺎﻟﻘﻤﺭ ﺍﻟﱠﺫﻱ ﻴﺭﻤﺯ ﻟِﻠﺤﺒﻴﺏ ﺒِﺠﻤﺎﻟﻪ ﻏﻴﺭ ﻗﹶﻤﺭِ ﺍﻟﻔﻠﻙ ﺍﻟﺤﺎﺴِﺩ ﻫﻨﺎ؛ ﻟﻘﺩ
ﻓﺎﺕﹶ ﺃﻭﺍﻥ ﻗﺘلِ ﺍﻟﺸﱠﺎﻩِ)ﺍﻟﻤﻠﻙ( ﺒﺎﻟﺭﺥ)ﻗﻁﻌﺔﹲ ﻤﻥ ﻗِﻁﹶﻊِ ﺍﻟﺸﹼﻁﺭﻨﺞ ﻋﻠﻰ ﺸﻜل ﺒﺭﺝ
ﻭﺘﹸﺩﻋﻰ ﺍﻟﻘﻠﻌﺔ ﺃﻴﻀﺎﹰ( ﻓﻲ ﻟﹸﻌﺒﺔِ ﺸﻁﺭﻨﺞِ ﺤﻴﺎﺘِﻙ ﻴﺎ ﺤﺎﻓﹶﻅﹸ ﻓﻠﻡ ﻴﻌﺩ ﻤﻤﻜِﻨﺎﹰ ،ﻓﺎﻟﻠﹼﻬﻭ
ﻓﻲ ﺍﻷﻴﺎﻡِ ﺍﻟﺨﺎﻟﻴﺔِ ﺠﻌﻠﻨﻲ ﻏﺎﻓِﻼﹰ ﻋﻥ ﺍﻷﺸﻴﺎﺀِ ﺍﻟﻤﻬِﻤﺔ ﻓﻤﺎﺫﺍ ﺃﻓﻌلُ ﺍﻵﻥ؟.
ﻏﺰﻝ ١٣٥
ﺴﺄﻋﺯِﻡ ﻜﺎﻟﺭﻴﺢِ ﻋﻠﻰ ﺯﻴﺎﺭﺓِ ﺤِﻤﻰ ﺤﺒﻴﺒﻲ ،ﺃُﺭﻴﺩ ﺃﻥ ﺃُﻋﻁﱢﺭ ﺃﻨﻔﺎﺴﻲ ﺒﻌﺒﻴﺭِ ﺍﻟﻤِﺴﻙِ
ﻤﻥ ﺘﹸﺭﺍﺒِﻬﺎ؛
ﻜﹸﻨﺕﹸ ﻋﺎﻁِﻼﹰ ﻋﻤﺭﻱ ﺍﻟﱠﺫﻱ ﻤﺭ ﺩﻭﻥ ﺨﻤﺭٍ ﻭﻤﻌﺸﻭﻕ ،ﻭﺍﻵﻥ ﻭﺠﺩﺕﹸ ﺍﻟﻌﻤلَ ،ﻭﻤِﻥ
ﺍﻵﻥ ﺴﺄﻋﻤلُ؛
ﻜﹸلﱠ ﺠﺎﻩٍ ﺠﻤﻌﺕﹸ ﻤﻥ ﻋِﻠﻡٍ ﻭﺩﻴﻥٍ ﺴﺄﺠﻌﻠﹸﻪ ﻨﺜﺎﺭﺍﹰ ﻟِﺘﹸﺭﺍﺏِ ﻁﺭﻴﻕِ ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏ؛
ﻭﺒِﻤﺎ ﺃﻥ ﺸﻤﻊ ﺼﺒﺤﻲ ﺍﺸﺘﹶﻌلَ ﻀﻴﺎﺀ ﻤِﻥ ﺸﻤﺴِﻪِ ،ﺴﺄﻗﻀﻲ ﻜﹸلﱠ ﻋﻤﺭﻱ ﺒِﻬﺫِﻩِ
ﺍﻟﻤﺸﻐﹶﻠﹶﺔ؛
ﻋﻠﻰ ﺫِﻜﺭِ ﻋﻴﻨِﻙ ﺴﻭﻑﹶ ﺃﻋﻤﺭ ﻨﻔﺴﻲ ﺍﻟﺨﺭﺍﺏ ،ﻭﺴﻭﻑﹶ ﺃُﻋﻴﺩ ﺒﻨﺎﺀ ﺍﻟﻌﻬﺩِ ﺍﻟﻘﺩﻴﻡِ
ﻤﺴﺘﻘﻴﻤﺎﹰ؛
ﺃﻴﻥ ﻫﻲ ﺍﻟﺼﺒﺎ ﻷﺠﻌلَ ﻫﺫﻩِ ﺍﻟﺭﻭﺡ ﺍﻟﻤﺨﻀﺒﺔﹶ ﺒﺎﻟﺩﻡِ ﻜﻭﺭﺩﺓٍ ،ﻓﺩﺍﺀ ﻟﻨﻜﹾﻬﺔِ ﻋﺒﻴﺭِ
ﻓﺭﻉِ ﺍﻟﺤﺒﻴﺏ؛
ﺍﻟﻨﱢﻔﺎﻕﹸ ﻭﺍﻟﺭﻴﺎﺀ ﻻ ﻴﻬﺒﺎﻥِ ﺍﻟﺼﻔﺎﺀ ﻟﻘﹶﻠﹾﺏِ ﺤﺎﻓِﻅ ،ﺴﺄﺠﻌلُ ﻁﺭﻴﻕﹶ ﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﻌِﺸﹾﻕِ
ﺍﺨﺘﻴﺎﺭﻱ.
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ﻏﺰﻝ ١٣٦
ﻭﻋﻬﺩﻙ ﻭﺍﻟﺼﺒﺎ ﺃﻴـﻥ ﺍﻟـﻀﻤﺎﻥ؟ ـﺎلُ
ـﺎلِ ﺸﹶ ـﻌﺭِﻙ ﻻ ﺘﻨـ
ﻴ ـﺩِﻱ ﻟِﺤِﺒـ
ﻭﻟﻴﺱ ﺒِﻤـﺎﻨِﻌﻲ ﺇﻨﹾـﺱ ﻭﺠـﺎﻥ ﻭﻤِﻥ ﺴﻌﻲٍ ﻟِﺄَﺠﻠِﻙ ﺴﻭﻑﹶ ﺃَﺴـﻌﻰ
ﻭﻟﻲ ﺸـﺎﻥ ﻭﻟِﻠﹾﺨﹸـﺼﻤﺎﺀِ ﺸـﺎﻥ ﺒِﺜﹶﻭﺒِﻙ ﻗﹶـﺩ ﺒـﺫﹶﻟﹾﺕﹸ ﺩِﻤـﺎﺀ ﻗﹶﻠﹾﺒـﻲ
ﻭﻋِــﺯﻙ ﻻ ﻴﺩﺍﻨﻴــﻪِ ﺍﻟﻬــﻭﺍﻥ ﺠﺒﻴﻨﹸــﻙ ﻻ ﻴﻘــﺎلُ ﻜﹶﻤِﺜﹾــلِ ﺒــﺩﺭٍ
ﻭﻫــلْ ﺒِﻜﹶــﺩﻴﺭِ ﻤــﺭﺁﺓٍ ﻋﻴــﺎﻥ ﻭﻭﺠﻬﻙ ﻻ ﻴﺭﻯ ﺒِﻜﹶـﺩِﻴﺭِ ﻁﹶـﺭﻑٍ
ـﺎﻥ
ـﺩﻯ ﻓِﻜﹾـﺭٍ ﺒﻴـ
ـﻴﺱ ﻟـﻪ ﻟـ
ﻭﻟـ ﻭﻋِﺸﹾﻘﹸﻙ ﻟﻴﺱ ﺘﹶﺸﹾﺭﺤﻪ ﺍﻟﻤﻌـﺎﻨﻲ
ﻴﺩﻱ ﻻ ﺘﺼلُ ﺇﻟﻰ ﺤﻠﻘﺎﺕ ﺸﻌﺭﻙ ،ﻭﻋﻬﺩﻙ ﻤِﺜلَ ﺭﻴﺢِ ﺍﻟﺼﺒﺎ ﻻ ﺜﺒﺎﺕ ﻟﻪ،
ﻭﻻ ﻴﻤﻜﻥ ﺍﻻﻋﺘﻤﺎﺩ ﻋﻠﻴﻪ؛
ﺴﺄﺴﻌﻰ ﻜﹸلﱠ ﺴﻌﻲٍ ﻓﻲ ﻁﻠﺒِﻙ ،ﻫﺫﺍ ﻫﻭ ﺍﻟﻘﹶﺩﺭ ﻭﺘﻐﻴﻴﺭ ﺍﻟﻘﻀﺎﺀِ ﻻ ﻴﻤﻜِﻥ)(١؛
ﻭﻗﻊ ﺜﻭﺏ ﺍﻟﺤﺒﻴﺏِ ﺒﻴﺩﻱ ﺒﻤﺎﺌﺔِ ﺩﻡِ ﻗﻠﺏٍ ﺒﺫﻟﺕﹸ ،ﻟﻥ ﺃﺘﺭﻜﹶﻪ ﻻﺴﺘﻬﺯﺍﺀِ ﺍﻟﺨﹶﺼﻡِ ﺒﻲ؛
ﻻ ﻴﻤﻜﻥ ﺘﺸﺒﻴﻪ ﻋﺎﺭِﻀِﻪِ ﺒﺒﺩﺭِ ﺍﻟﻔﹶﻠﹶﻙِ ،ﻭﻻ ﻴﻤﻜِﻥ ﻗﻴﺎﺱ ﻗﻠﻴلِ ﺍﻟﻘﹶﺩﺭِ ﺒﺎﻟﺤﺒﻴﺏِ؛
ﺴﺭﻭﻱ ﺍﻟﻌﺎﻟﻲ ﺤﻴﻥ ﻴﻘﺒِلُ ﻟﻠﺴﻤﺎﻉ ،ﻤﺎ ﻗﹶﺩﺭ ﺜﻭﺏِ ﺍﻟﺭﻭﺡِ ﻜﻲ ﻻ ﻴﺘﻤﺯﻕ؛
ﺍﻟﻨﱠﻅﹶﺭ ﺍﻟﻁﱠﺎﻫِﺭ ﻴﻘﺩِﺭ ﻋﻠﻰ ﺭﺅﻴﺔِ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏ ،ﻻ ﻴﻤﻜِﻥ ﺍﻟﻨﱠﻅﹶﺭ ﻓﻲ ﻤِﺭﺁﺓٍ ﺒﻼ ﺼﻔﺎﺀ)(٢؛
ﻤﺸﻜِﻠﹶﺔﹸ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺴﺕﹾ ﻓﻲ ﺤﻭﺼﻠﹶﺔِ ﻋِﻠﻤِﻨﺎ ،ﺤلﱡ ﻫﺫِﻩِ ﺍﻟﻤﺴﺄﻟﹶﺔِ ﺍﻟﺩﻗﻴﻘﹶﺔِ ﻻ ﻴﻜﻭﻥ ﺒِﻬﺫﺍ
ﺍﻟﻔِﻜﹾﺭِ ﺍﻟﺨﻁﱠﺎﺀ؛
) (١ﻫﺫﺍ ﻤﻌﻨﻰ ﺃﺼل ﺍﻟﺒﻴﺕ ﻭﻓﻲ ﺘﺭﺠﻤﺘﻪ ﺍﻟﺸﱢﻌﺭﻴﺔِ ﺘﺼﺭﻑ؛
) (٢ﻴﺠﺏ ﺃﻥ ﻴﻜﻭﻥ ﺍﻟﻨﱠﻅﺭ ﺼﺎﻓﻴﺎﹰ ﻁﺎﻫﺭﺍﹰ ﻜﻲ ﻴﺘﻤﻜﱠﻥ ﻤﻥ ﻤﻌﺎﻴﻨﺔِ ﻭﺠﻪ ﺍﻟﺤﺒﻴﺏ ﻤﺜﻠﹸﻪ ﻜﻤﺜلِ
ﺍﻟﻤﺭﺁﺓ ﺍﻟﱠﺘﻲ ﻻ ﺘﻅﻬﺭ ﻓﻴﻬﺎ ﺍﻷﺸﻴﺎﺀ ﺇﻻﹼ ﺇﺫﺍ ﻜﺎﻨﺕ ﺼﺎﻓﻴﺔﹰ )ﺍﻟﻤﺭﺁﺓ(.
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ﻗﺘﻠﺘﻨﻲ ﺍﻟﻐﹶﻴﺭﺓﹸ ﻤِﻥ ﻜﻭﻨِﻙ ﻤﺤﺒﻭﺏ ﺍﻟﻌﺎﻟﹶﻡِ ﻟﻜِﻥ ،ﻻ ﺘﹸﻤﻜِﻥ ﺍﻟﻌﺭﺒﺩﺓﹸ ﺍﻟﻠﱠﻴلَ ﻭﺍﻟﻨﱠﻬﺎﺭ ﻤﻊ
ﺍﻟﺨﹶﻠﹾﻕ؛
ﺃﻨﺎ ﻤﺎ ﺃﻗﻭلُ ﻭﺃﻨﺕﹶ ﻟﻙ ﻁﹶﺒﻊ ﻟﻁﻴﻑﹲ ﻭﻤِﻥ ﺍﻟﻠﱡﻁﹾﻑِ ﺒِﺤﺩ ﺃﻨﱠﻪ ﻻ ﻴﺤﺘﹶﻤِلُ ﺍﻟﺩﻋﺎﺀ
ﺍﻟﺭﻗﻴﻕ؛
ﻏﻴﺭ ﺤﺎﺠِﺒِﻙ ﻻ ﻤِﺤﺭﺍﺏ ﻟِﻘﻠﺏِ ﺤﺎﻓِﻅ ،ﻁﺎﻋﺔﹸ ﻏﻴﺭِﻙ ﻓﻲ ﻤﺫﻫﺒِﻨﺎ ﻻ ﺘﻜﻭﻥ.
ﻏﺰﻝ ١٣٧
ﺨﹶﻁﹶﻑﹶ ﻗﻠﺒﻲ ﻭﺃﺨﻔﻰ ﻋﻨﹼﻲ ﻭﺠﻬﻪ ،ﻤِﻥ ﺃﺠلِ ﺍﷲ ،ﻗﹸلْ ﻤﻊ ﻤﻥ ﻴﻤﻜِﻥ ﻟﻌِﺏ ﻫﺫﺍ
ﺍﻟﻘِﻤﺎﺭ؟؛
ﻜﹸﻨﱠﺎ ﻭﺤﻴﺩﻴﻥِ ﻓﻲ ﺍﻟﻠﹼﻴلِ ،ﻭﻜﺎﻥ ﻓﻲ ﻗﹶﺼﺩِ ﺭﻭﺤﻲ ،ﻭﺨﻴﺎﻟﹸﻪ ﺼﻨﹶﻊ ﻟﻲ ﺃﻟﻁﺎﻓﺎﹰ ﻻ ﺤﺩﻭﺩ
ﻟﻬﺎ؛
ﻜﻴﻑﹶ ﻻ ﻴﺼﻴﺭ ﻗﻠﺒﻲ ﻜﺎﻟﺸﱠﻘﺎﺌﻕِ ﺍﻟﺤﻤﺭﺍﺀ ﻭﻨﹶﺭﺠِﺱ ﻋﻴﻨِ ﻪِ ﻟﻡ ﻴﻅﻬِﺭ ﺒﻲ ﺃﻱ
ﺍﻋﺘﻨﺎﺀٍ؛
ﻻ ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃﻗﻭلَ ﻟِﺄﻱ ﺸﺨﺹٍ ،ﻤﻊ ﻫﺫﺍ ﺍﻷَﻟﹶﻡِ ﺤﺎﺭِﻕِ ﺍﻟﺭﻭﺡِ ،ﺃﻥ ﻁﺒﻴﺒﻲ ﻫﻭ
ﻤﻥ ﻗﹶﺼﺩ ﺭﻭﺤﻲ ﺍﻟﻀﻌﻴﻔﹶﺔ؛
ﻫﺎ ﺃﻨﺫﺍ ،ﺘﹶﺭﻜﹶﻨﻲ ﺍﻟﺤﺒﻴﺏ ،ﺃﺤﺘﺭِﻕﹸ ﻜﺎﻟﺸﱠﻤﻊ ،ﺘﺒﻜﻲ ﻋﻠﻲ ﺍﻟﻜﺄﺱ ﻭﻴﻨﺘﺤِﺏ ﻋﻠﻲ
ﺍﻟﻌﻭﺩ؛
ﺇﺫﺍ ﻜﺎﻨﺕ ﺍﻟﺼﺒﺎ ﺘﹸﺭﻴﺩ ﺃﻥ ﺘﻌﻤلَ ﺍﻟﻌﻤلَ ﺍﻟﺼﺤﻴﺢ ،ﻓﻬﺫﺍ ﻫﻭ ﺍﻟﻭﻗﺕﹸ ﺍﻟﺼﺤﻴﺢ ،ﺃﻟﹶﻡ
ﺍﻻﺸﺘﻴﺎﻕِ ﻴﻭﺩﻱ ﺒِﺭﻭﺤﻲ )ﻓﻠﺘﺤﻤِلْ ﺨﺒﺭﻱ ﺇﻟﻰ ﺤﺒﻴﺒﻲ(؛
ﺒﻴﻥ ﺍﻷﺤﺒﺔِ ﻤﺘﻰ ﻴﻤﻜِﻥ ﺍﻟﺤﺩﻴﺙﹸ ﻋﻥِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﻤﺎ ﻜﺎﻥ ﻗﺎلَ ﻟﻨﺎ ﻭﻤﺎ ﻓﹶﻌلَ ﺒﻨﺎ؛
ﻟﻡ ﻴﻔﻌلِ ﺍﻟﻌﺩﻭ ﺒﺭﻭﺡِ ﺤﺎﻓِﻅﹶ ﻤﺎ ﻓﹶﻌلَ ﺴﻬﻡ ﻋﻴﻥِ ﻗﹶﻭﺱِ ﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏ.
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ﻏﺰﻝ ١٣٨
ﺒِﻤﺎﺌﺔِ ﻋﻴﻥٍ ﻗﹶﺩ ﻨﹶﻅﹶﺭﺕﹸ ﻭﻤﺎ ﻨﹶﻅﹶـﺭ ﺠﻌﻠﹾﺕﹸ ﻟﹶﻪ ﻭﺠﻬﻲ ﻭﺒﺎﻟﹾﻘﹸﺭﺏِ ﻤﺎ ﻋﺒﺭ
ﻭﻓﻲ ﺍﻟﺼﺨﹾﺭﺓِ ﺍﻟﺼﻭﺍﻥِ ﻤﺎ ﻴﻔﹾﻌلُ ﺍﻟﻤﻁﹶﺭ ﻭﺴﺎﻟﺕﹾ ﺩﻤﻭﻋﻲ ﺩﻭﻥ ﺘﹶﻠﻴﻴﻥِ ﻗﹶﻠﹾﺒِﻪِ
ﺕ ﺴِﻬﺎﻡِ ﺍﻵﻩِ ﻴﻤﺸﻲ ﺒِﻼ ﺤﺫﹶﺭ
ﻓﺘﺤ ﹶ ﻓﻴﺎ ﺭﺒﻨﺎ ﻜﹸﻥ ﺤﺎﻓِﻅﹶﺎﹰ ﺫﹶﻟِـﻙ ﺍﻟﻔﹶﺘـﻰ
ﺒﻜﺎﺌﻲ ﻭﺃﻏﹾﻔﻰ ﻤِﺜﹾ َل ﻤﻥ ﻤﺎ ﻟﹶﻪ ﺨﹶﺒﺭ ﻟﻘﺩ ﺤﺭﻡ ﺍﻷﺴﻤﺎﻙ ﻭﺍﻟﻁﱠﻴﺭ ﻨﹶﻭﻤﻬﺎ
ﻭﻟﻡ ﻴﺄْﺕِ ﺫﹶﻴﺎﻙ ﺍﻟﻨﱠﺴِﻴﻡ ﻟﹶﺩﻯ ﺍﻟﺴﺤﺭ ﻷَﻗﹾﺩﺍﻤِﻪِ ﺃَﺴﻠﹶﻤﺕﹸ ﺭﻭﺤِﻲ ﻟﹶـﻭ ﺃﺘـﻰ
ﺠﻌﻠﹾﺕﹸ ﻭﺠﻬﻲ ﻋﻠﻰ ﻁﺭﻴﻘِﻪِ ﻓﻠﻡ ﻴﻤﺭ ﺒﻲ ،ﻨﹶﻅﹶﺭﺕﹸ ﺒﻤﺌﺔِ ﻋﻴﻥٍ ﻤِﻥ ﺍﻟﻠﱡﻁﻑِ ﻭﻟﻡ ﻴﻨﻅﹸﺭ
ﺇﻟﻲ(١)؛
ﺴﻴلُ ﺩﻤﻊِ ﻋﻴﻨﻲ ﻟﻡ ﻴﻤﺢ ﺍﻟﺨﹸﺼﻭﻤ ﹶﺔ ﻤِﻥ ﻗﻠﺒِﻪِ ،ﻤﺎ ﺘﻔﻌلُ ﻗﻁﺭﺓﹸ ﺍﻟﻤﻁﹶﺭِ ﻓﻲ ﺍﻟﺼﺨﺭﺓِ
ﺍﻟﻘﺎﺴﻴﺔِ؟)(٢؛
ﻅ ﻫﺫﺍ ﺍﻟﺸﱠﺎﺏ ﺍﻟﺸﱡﺠﺎﻉ ،ﺇﻨﱠﻪ ﻻ ﻴﺤﺫﹶﺭ ﺴﻬﺎﻡ ﺁﻫﺎﺕِ ﺍﻟﻤﺤﺒﻴﻥ ﺍﻟﺠﺎﻟِﺴﻴﻥ
ﻴﺎ ﺭﺏ ﺃﻨﺕﹶ ﺍﺤﻔﹶ ﹾ
ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ؛
ﺍﻷﺴﻤﺎﻙ ﻭﺍﻟﻁﱠﻴﺭ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻟﻡ ﺘﹶﻨﹶﻡ ﻤِﻥ ﻨﺤﻴﺒﻲ ،ﻭﺍﻨﻅﹸﺭ ﻟِﺫﻟِﻙ ﺍﻟﻔﺎﺘِﻥِ ﺍﻟﻌﻴﻥِ ﻟﹶﻡ ﻴﺭﻓﹶﻊ
ﺍﻟﺭﺃﺱ ﻤِﻥ ﺍﻟﻨﱠﻭﻡِ)(٣؛
ﻜﹸﻨﺕﹸ ﺃﺭﻴﺩ ﺃﻥ ﺃُﺴﻠِﻡ ﺍﻟﺭﻭﺡ ﻜﺎﻟﺸﱠﻤﻊ ﺘﺤﺕﹶ ﻗﹶﺩﻤِﻪِ ،ﻓﻠﻡ ﻴﻤﺭ ﺒﻲ ﻤﺭﻭﺭ ﻨﺴﻴﻡِ ﺍﻟﺴﺤﺭ)(٤؛
ﺕ ﻀﺭﺒﺔِ ﺴﻴﻔِﻙ؛
ﺃﻱ ﺤﺒﻴﺒﻲ ،ﺃﻱ ﻗﻠﺏٍ ﻗﺎﺱٍ ﻴﺒﻠﹸﻎﹸ ﺒِﻪِ ﺍﻟﻨﱠﻘﹾﺹ ﺃﻨﱠﻪ ﻻ ﻴﺴﻠِﻡ ﺍﻟﺭﻭﺡ ﺘﺤ ﹶ
ﻗﹶﻠﹶﻡ ﺤﺎﻓِﻅﹶ ﻤﻘﻁﹸﻭﻉ ﺍﻟﻠﱢﺴﺎﻥِ ﻓﻲ ﺍﻟﻤﺤﻔﹶلِ ،ﻟﻥ ﻴﻘﻭلَ ﺴِﺭﻙ ﻟِﺸﹶﺨﹾﺹٍ ﺤﺘﱠﻰ ﻴﺘﺭﻙ ﺍﻟﺭﺃﺱ.
) (١ﺍﻋﺘﺭﻀﺕﹸ ﻁﺭﻴﻕ ﺍﻟﺤﺒﻴﺏ ﻓﻠﻡ ﻴﻤﺭ ﺒﻲ ﻭﺼﺭﺕﹸ ﺒﻜﻠﱢﻲ ﻋﻴﻭﻨﺎﹰ ﻨﺎﻅﺭﺓﹰ ﺇﻟﻴﻪ ﻭﻟﻡ ﻴﻠﻕِ ﻋﻠﻲ
ﻨﻅﺭﺓﹰ ﻭﺍﺤﺩﺓﹰ؛
) (٢ﻓﻘﹸﻠﺕﹸ ﺃﺴﺘﺩﺭ ﻋﻁﻔﹶﻪ ﺒﺎﻟﺒﻜﺎﺀ ﻭﺒﻜﻴﺕﹸ ﻓﻠﻡ ﺘﺅﺜﹼﺭ ﺩﻤﻭﻋﻲ ﻓﻲ ﻗﻠﺒﻪ ﺍﻟﻘﺎﺴﻲ ﻜﻤﺎ ﻻ ﻴﺅﺜﱢﺭ ﺍﻟﻤﻁﺭ
ﻓﻲ ﺍﻟﺼﺨﺭﺓﹸ ﺍﻟﻘﺎﺴﻴﺔ؛
) (٣ﺇﻥ ﺃﺴﻤﺎﻙ ﺍﻟﺒﺤﺭ ﻭﻁﻴﻭﺭ ﺍﻟﺠﻭ ﻟﻡ ﺘﺴﺘﻁﻊ ﺍﻟﻨﱠﻭﻡ ﻤﻥ ﺒﻜﺎﺌﻲ ﻭﻫﻭ ﻟﻡ ﻴﺒﺎلِ ﺒﻲ ﻭﻅلﱠ ﻨﺎﺌﻤﺎﹰ؛
) (٤ﻟﻭ ﺨﻁﺎ ﻟﺯﻴﺎﺭﺘﻲ ﻟﻨﺜﺭﺕﹸ ﺭﻭﺤﻲ ﻋﻨﺩ ﻗﺩﻤﻴﻪ ﻭﻟﻡ ﻴﺄﺕِ ﺒﻌﺒﻘِﻪِ ﺍﻟﱠﺫﻱ ﻴﺸﺒﻪ ﻨﺴﻴﻡ ﺍﻟﺴﺤﺭ.
-١٥٧-
ﻏﺰﻝ ١٣٩
ﺫﹶﻫﺏ ﺍﻟﺤﺒﻴﺏ ﻟﻡ ﻴﺨﺒِﺭ ﻋﺎﺸِﻘﻴﻪِ ﻭﻟﻡ ﻴﺫﻜﹸﺭ ﺤﺭﻴﻑﹶ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻭﻟﻡ ﻴﺄﺨﹸﺫﹾ ﺭﻓﻴﻘﺎﹰ ﻟﻠﺴﻔﹶﺭ؛
ﺇﻤﺎ ﺃﻥ ﺒﺨﺘﻲ ﺃﺨﻁﺄَ ﻁﺭﻴﻕﹶ ﺍﻟﻤﺭﻭﺀﺓِ ،ﺃﻭ ﺃﻨﱠﻪ ﻟﻡ ﻴﻤﺭ ﻓﻲ ﺸﺎﺭِﻉِ ﺍﻟﻁﱠﺭﻴﻘﺔ)(١؛
ﻗﻠﺕﹸ ﻋﺴﻰ ﺃﻥ ﺃﺠﻌلَ ﻗﻠﺒﻪ ﻴﻠﻴﻥ ﺒﺎﻟﺒﻜﺎﺀ ،ﻟﻜِﻥ ﻗﻠﺒﻪ ﻜﺎﻥ ﻗﺎﺴِﻴﺎﹰ ﻜﺎﻟﺼﺨﹾﺭ ﻭﻟﻡ ﻴﺅﺜﱢﺭ
ﺒِﻪِ ﺒﻜﺎﺌﻲ؛
ﻻ ﺘﻬﺯﺃْ ﺒﻲ ﻓﹶﻁﹶﺎﺌﺭ ﻗﻠﺒﻲ ﺍﻟﹼﺫﻱ ﻻ ﻴﻌﺭِﻑﹸ ﺍﻟﻘﹶﺭﺍﺭ ﻟﻥ ﻴﻨﺴﻰ ﺍﻟﻬﻭﺱ ﺒِﺄﻥ ﻴﺼﻴﺭ
ﺼﻴﺩﺍﹰ ﻓﻲ ﺸﺒﺎﻙِ ﺍﻟﻌِﺸﹾﻕِ؛
ﻜﹸلﱡ ﻤﻥ ﺭﺃﻯ ﻭﺠﻬﻙ ﻗﺒلَ ﻋﻴﻨﻲ ،ﻓِﻌلُ ﻋﻴﻨﻲ ﻫﺫﺍ ﻻ ﻴﻔﻌﻠﹸﻪ ﻋﺩﻴﻡ ﺍﻟﻨﱠﻅﹶﺭ)(٢؛
ﻭﻗﻔﹾﺕﹸ ﻜﺎﻟﺸﱠﻤﻊِ ﻜﻲ ﺃﺠﻌلَ ﺭﻭﺤﻲ ﻓِﺩﺍﺀ ﻟﻪ ،ﻓﻠﻡ ﻴﻤﺭ ﺒﻲ ﻤﺭﻭﺭ ﻨﺴﻴﻡِ ﺍﻟﺴﺤﺭ.
ﻏﺰﻝ١٤٠
ﻭﻤﻌﺸﻭﻕﹶ ﺼﺏ ﻤﺎ ﺒِﻌﺎﺸِﻘِﻪِ ﻓﹶﻌـلْ ﺃﻴﺎ ﻗﹶﻠﹾﺏ ﻓﺎﻨﹾﻅﹸﺭ ﻏﹶﻡ ﻋِﺸﹾﻘِﻙ ﻤﺎ ﻓﹶﻌلْ
ﻓﺴﺎﺌِلْ ﺫﹶﻭﻱ ﺍﻷﻟﹾﺒﺎﺏِ ﻤﺎﺫﺍ ﺒِﻬِﻡ ﻓﹶﻌلْ ﻭﻨﹶﺭﺠِﺱِ ﻋﻴﻥٍ ﻴﻨﹾﻔﹸﺙﹸ ﺍﻟﺴﺤﺭ ﻓِﺘﹾﻨﹶﺔﹰ
ﻓﹶﺄَﺒﺼِﺭ ﺒِﺤﺎﻟﻲ ﻗﺎﺴِﻲ ﺍﻟﻘﹶﻠﹾﺏِ ﻤﺎ ﻓﹶﻌلْ ﺩﻤﻭﻋﻲ ﻟﹶﻬﺎ ﻟﹶﻭﻥ ﺍﻟﻐﹸﺭﻭﺏِ ﻟِﻐﹶﺩﺭِﻩِ
ﻓﺴلْ ﺒﻴﺩﺭ ﺍﻟﻤﺠﻨﻭﻥِ ﻤﺎﺫﺍ ﺒﻪِ ﻓﹶﻌـلْ ﺒِﻤﻨﹾﺯِلِ ﻟﹶﻴﻠﻰ ﺃﻭﻤﺽ ﺍﻟﺒﺭﻕﹸ ﺴﺤﺭﺓﹰ
ﻟﹶﺩﻯ ﺩﻭﺭﺓِ ﺍﻟﺒِﺭﻜﺎﺭِ ﻤﺎ ﻜﺎﻥ ﻗﹶﺩ ﻓﹶﻌلْ ﻭﺩﺍﺌِﺭﺓﹸ ﺍﻵﺯﻭﺭِ ﻻ ﺸﹶﺨﹾﺹ ﻋﺎﺭِﻑﹲ
ﻓﺄﺤﺭﻗﹶﻪ ،ﻴﺎ ﻟﻠﺤﺒﻴﺏِ ،ﻟﻤـﺎ ﻓﹶﻌـلْ ﺭﻤﻰ ﺍﻟﻌِﺸﹾﻕﹸ ﻨﺎﺭ ﺍﻟﻐﻡ ﻓﻲ ﻗﻠﺏِ ﺤﺎﻓِﻅٍ
) (١ﺇﻤﺎ ﺃﻨﱠﻨﻲ ﻟﻡ ﺃﺴﻠﹸﻙ ﻤﺴﻠﹶﻙ ﺃﻫلِ ﺍﻟﻤﺭﻭﺀﺓِ ﻟِﻘِﻠﱠﺔِ ﺤﻅﱢﻲ ،ﺃﻭ ﺃﻥ ﺍﻟﺤﺒﻴﺏ ﻟﻡ ﻴﻤﺭ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ
ﺍﻷﻋﻅﹶﻡِ ﻟِﻁﺭﻴﻘﺘِﻨﺎ؛
) (٢ﻜﹸلﱡ ﻤﻥ ﺭﺃﻯ ﻭﺠﻬﻙ ،ﺃﻱ ﻋﺭِﻓﹶﻙ ،ﺃﺜﻨﻰ ﻋﻠﻰ ﻋﻴﻨﻲ ﺍﻟﱠﺘﻲ ﺭﺃﺘﻙ ،ﺃﻱ ﻋﺭِﻓﹶﺘﹾﻙ ﻓﻭﺼﻔﹶﺘﹾﻙ،
ﻭﻫﺫﺍ ﺍﻟﺸﱡﻐﹾلُ ﻟﻴﺱ ﺸﹸﻐﻼﹰ ﻟِﻜﹸلﱢ ﻋﻴﻥٍ ،ﻭﻻ ﺒﺩ ﻟﻪ ﻤِﻥ ﻋﻴﻥٍ ﺒﺼﻴﺭﺓ.
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ﺍﻨﻅﹸﺭ ﻴﺎ ﻗﻠﺏ ﻤﺎ ﻓﻌلَ ﺒِﻙ ﻏﻡ ﺍﻟﻌِﺸﹾﻕِ ﻤﻥ ﺠﺩﻴﺩٍ ،ﻭﻜﻴﻑﹶ ﺫﹶﻫﺏ ﺍﻟﻤﺤﺒﻭﺏ ﻭﻤﺎ ﻓﹶﻌلَ
ﺒِﻤﺤِﺒﻪِ ﺍﻟﻭﻓﻲ(١)؛
ﺁﻩِ ﻤﻥ ﺫﻟِﻙ ﺍﻟﻨﱠﺭﺠﺱِ ﺍﻟﺴﺎﺤِﺭِ ﻭﻤﻥ ﻟﹸﻌﺒﺘِﻪِ ،ﻭﺁﻩِ ﻤﻥ ﺫﻟِﻙ ﺍﻟﺴﻜﺭﺍﻥ ﻭﻤﺎ ﻓﹶﻌلَ
ﺒﺎﻟﺼﺎﺤِﻴﻥ)(٢؛
ﺩﻤﻌﻲ ﺼﺎﺭ ﺒِﻠﻭﻥِ ﺍﻟﺸﱠﻔﹶﻕِ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ﻏﻴﺭِ ﺍﻟﻭﻓِﻲ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻁﺎﻟﻌﻲ ﻏﻴﺭِ ﺍﻟﺸﱠﻔﻴﻕِ
ﻤﺎﺫﺍ ﻓﹶﻌل؛
ﺒﺭﻕﹲ ﻤِﻥ ﻤﻨﺯِلِ ﻟﻴﻠﻰ ﻟﹶﻤﻊ ﺴﺤﺭﺍﹰ ،ﻭﻱ ﻟِﻤﺎ ﻓﻲ ﺤﻘﹾلِ ﻤﺠﻨﻭﻥِ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﻟﻤﺒﺘﻠﻰ ﻓﹶﻌلَ)(٣؛
ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺠﺎﻡ ﺨﹶﻤﺭﻱ ﻓﻜﺎﺘِﺏ ﺍﻟﻐﹶﻴﺏ ،ﻟﻴﺱ ﻤﻌﻠﻭﻤﺎﹰ ﻓﻲ ﺤِﺠﺎﺏِ ﺍﻷﺴﺭﺍﺭ ﻤﺎ ﻓﹶﻌل؛
ﺤﻴﻥ ﻭﻀﻊ ﺍﻟﻨﱡﻘﻭﺵﹶ ﻋﻠﻰ ﻫﺫِﻩِ ﺍﻟﺩﺍﺌﺭﺓﹶ ﺍﻟﻼﺯﻭﺭﺩﻴﺔ ،ﻻ ﺸﹶﺨﹾﺹ ﻴﺩﺭﻱ ﻓﻲ ﺩﻭﺭﺓِ
ﺍﻟﺒِﺭﻜﺎﺭِ ﻤﺎ ﻓﹶﻌلَ)(٤؛
ﻓِﻜﹾﺭ ﺍﻟﻌِﺸﹾﻕِ ﺃﺸﹾﻌلَ ﻨﺎﺭ ﺍﻟﻐﻡ ﻓﻲ ﻗﻠﺏِ ﺤﺎﻓﻅ ﻭﺃﺤﺭﻗﹶﻪ ،ﺍﹸﻨﻅﹸﺭﻭﺍ ﻟﻠﻤﺤﺒﻭﺏ ﺍﻟﻘﺩﻴﻡِ ﻤﺎ ﻓﹶﻌلَ
ﺒﺎﻟﻤﺤِﺏ ﺍﻟﻭﻓﻲ.
ﻙ ﻏﻡ ﺍﻟﻌِﺸﹾﻕ ﻴﺎ ﻗﻠﺏ ،ﻭﺍﻨﻅﹸﺭ ﻤﺎﺫﺍ ﻓﻌلَ ﺒِﻙ ﺍﻟﺤﺒﻴﺏ ﻤﻥ ﺒﻌﺩِ ﺍﻟﻭﻓﺎﺀِ ﻤﻨﻙ
) (١ﺍﻨﻅﹸﺭ ﻤﺎ ﻓﻌلَ ﺒِ
ﻟﻪ ،ﻭﻜﻴﻑﹶ ﺠﻔﺎﻙ؛
) (٢ﺍﻟﻨﱠﺭﺠﺱ ﺍﺴﺘﻌﺎﺭﺓﹲ ﻟﻌﻴﻥ ﺍﻟﺤﺒﻴﺏ ﺍﻟﺴﺎﺤﺭﺓ ،ﻭﺍﻟﺴﻜﺭﺍﻥ ﺍﻟﹼﺫﻱ ﻴﺘﻤﺎﻴلُ ﻓﻲ ﻤِﺸﻴﺘِﻪِ ،ﻜﻨﺎﻴﺔﹰ ﻋﻥِ
ﺍﻟﺩﻻل؛
) (٣ﻟﻴﻠﻰ ﺍﺴﻡ ﻋﻠﹶﻡٍ ﻋﻠﻰ ﺍﻟﻤﻌﺸﻭﻕ ،ﻭﺍﻟﻤﺠﻨﻭﻥ ﻫﻭ ﻋﺎﺸﻕﹸ ﻟﻴﻠﻰ ﺍﻟﻤﻌﺭﻭﻑ ﺒﻤﺠﻨﻭﻥ ﻟﻴﻠﻰ ،ﻭﻫﻭ
ﻴﺭﻤﺯ ﻟﻠﺸﱠﺎﻋﺭِ ﻨﻔﺴﻪ ،ﻭﺍﻟﺒﻴﺩﺭ ﻫﻭ ﻤﻜﺎﻥ ﺠﻤﻊِ ﺍﻟﻤﺤﺼﻭلِ ﻤﻥ ﻗﻤﺢٍ ﻭﻏﻴﺭﻩ ،ﻭﺍﻟﻤﻌﻨﻰ ﺃﻥ
ﺍﻟﺒﺭﻕ ﻟﻤﻊ ﻤﻥ ﺩﻴﺎﺭ ﻟﻴﻠﻰ ﻓﺄﺼﺎﺏ ﺸﺭﺭ ﻤﻨﻪ ﺒﻴﺩﺭ ﺍﻟﻤﺠﻨﻭﻥ ﻓﺎﺤﺘﺭﻕ ،ﻭﻴﺭﻤﺯ ﺒﺎﻟﻤﺤﺼﻭلِ
ﻤﻥ ﺍﻟﻘﻤﺢِ ﺇﻟﻰ ﻤﺤﺼﻭلِ ﻋِﺒﺎﺩﺘِﻪ ،ﻭﺒﺈﻴﻤﺎﺽِ ﺍﻟﺒﺭﻕِ ﺇﻟﻰ ﺘﺠﻠﹼﻲ ﺍﻟﺤﻕﹼ ﻟِﻁﹸﻭﺭِ ﻗﻠﺒِﻪ ،ﻭﻜﻤﺎ
ﺘﺤﺭﻕﹸ ﺍﻟﺸﱠﺭﺍﺭﺓﹸ ﺍﻟﻭﺍﺤِﺩﺓﹸ ﻤﻥ ﺍﻟﻨﱠﺎﺭِ ﺤﻘﻼﹰ ﻤﻥ ﺍﻟﻘﻤﺢِ ،ﺘﺤﺭِﻕﹸ ﺍﻟﺸﹼﺭﺍﺭﺓﹸ ﺍﻟﻭﺍﺤِﺩﺓﹸ ﻤﻥ ﺍﻟﻨﱠﺎﺭِ ﺍﻟﱠﺘﻲ
ﺘﻭﻤِﺽ ﻟِﺄﻫلِ ﺍﻟﺠﺫﺏِ ﻤﻥ ﺍﻟﺴﺎﻟِﻜﻴﻥ ﻤﺎ ﻗﺩﻤﻭﺍ ﻤﻥ ﻋﻤلٍ ،ﺃﻱ ﺘﻜﻭﻥ ﺃﻓﻀلَ ﻭﺃﺨﻁﹶﺭ ﻤﻨﻪ،
ﻭﻗﻴل ﺠﺫﺒﺔﹲ ﻤﻥ ﺠﺫﺒﺎﺕِ ﺍﻟﺤﻕﹼ ﺘﻭﺍﺯﻱ ﻋﻤلَ ﺍﻟﺨﻠﻕ؛
) (٤ﺩﺍﺌﺭ ﹸﺓ ﺍﻵﺯﻭﺭ ﺍﻟﻔﻠﻙ ﺍﻟﻼﺯﻭﺭﺩﻱ ،ﻭﺍﻟﺒﺭﻜﺎﺭ ﺁﻟﺔﹲ ﻫﻨﺩﺴﻴﺔﹲ ﺘﹸﺭﺴﻡ ﺒﻬﺎ ﺍﻟﺩﺍﺌﺭﺓ ،ﻭﻫﻭ ﻫﻨﺎ
ﺒﺭﻜﺎﺭ ﺍﻟﺨﻠﻕ ﺍﻟﱠﺫﻱ ﺒﺩﻭﺭﺘِﻪِ ﺨﹸﻠِﻕﹶ ﺍﻟﻭﺠﻭﺩ ﻭﺨﹸﻁﱠﺕ ﺃﻗﺩﺍﺭ ﺍﻟﺨﻼﺌﻕ ﺍﻟﱠﺘﻲ ﻻ ﻴﻌﺭﻓﻬﺎ ﺃﺤﺩ.
-١٥٩-
ﻏﺰﻝ ١٤١
ﺃﻴﻬﺎ ﺍﻷﺤﺒﺎﺏ ،ﺒﻨﺕﹸ ﺍﻟﻌِﻨﹶﺏِ ﺘﺎﺒﺕﹾ ﻋﻥِ ﺍﻟﺴﺘﹾﺭ ،ﺫﻫﺒﺕﹾ ﺇﻟﻰ ﺍﻟﻤﺤﺘﹶﺴِﺏِ ﻭﺼﺎﺭ ﻋﻤﻠﹸﻬﺎ
ﻭِﻓﻕﹶ ﺍﻟﺩﺴﺘﻭﺭ؛
ﺠﺎﺀﺕﹾ ﻤﻥ ﺨﻠﻑِ ﺍﻟﺤِﺠﺎﺏِ ﺇﻟﻰ ﺍﻟﻤﺠﻠِﺱِ ﻓﺎﻤﺴﺤﻭﺍ ﻋﺭﻗﹶﻬﺎ ﻜﻲ ﻻ ﻴﻘﻭلَ ﺍﻟﺤﺭﻴﻔﻭﻥ
ﻟﻤﺎﺫﺍ ﺍﺒﺘﹶﻌﺩﺕﹾ)(١؛
ﻫﺎﺕِ ﺍﻟﺒِﺸﺎﺭﺓﹶ ﻴﺎ ﻗﻠﺏ ،ﻤﻁﺭِﺏ ﺍﻟﻌِﺸﻕِ ﻋﺎﺩ ﻤﻥ ﺠﺩﻴﺩٍ ،ﻋﺯﻑﹶ ﻟﹶﺤﻥ ﺍﻟﺴﻜﹾﺭِ ﻭﺃﻨﻌﺵﹶ
ﺍﻟﻤﺨﻤﻭﺭ؛
ﺨِﺭﻗﹶﺔﹸ ﺍﻟﺯﺍﻫِﺩِ ﺇﺫﺍ ﻏﹸﺴِﻠﹶﺕﹾ ﺒﺨﻤﺭِ ﺍﻟﻌِﻨﹶﺏِ ،ﻻ ﻴﺫﻫﺏ ﻟﻭﻨﹸﻬﺎ ﺒﺴﺒﻌﺔِ ﻤﻴﺎﻩٍ ﻭﻻ ﺒﻤﺎﺌﺔِ ﻨﺎﺭ)(٢؛
ﺘﻔﺘﱠﺢ ﺒﺭﻋﻡ ﺸﹶﺠﺭﺓِ ﻭﺭﺩِ ﻭﺼﻠﻲ ﻋﻠﻰ ﻨﺴﻴﻤِﻪِ ،ﻭﺍﻟﻁﱠﺎﺌﺭ ﻋﺫﺏ ﺍﻟﻐﻨﺎﺀِ ﻏﻨﹼﻰ ﻋﻠﻰ
ﻭﺭﻕِ ﻭﺭﺩِﻩِ ﺍﻷﺤﻤﺭ؛
ﺤﺎﻓِﻅﹸ ﻻ ﺘﺘﺭﻙِ ﺍﻟﻤﺴﻜﹶﻨﹶﺔﹶ ﻭﺍﻟﺘﱠﻭﺍﻀﻊ ،ﺍﻟﺤﺴﻭﺩ ﻤﻐﺭﻭﺭ ﺒﺎﻟﻌﺭﺽِ ﻭﺍﻟﻤﺎلِ ﻭﺍﻟﻘﻠﺏِ ﻭﺍﻟﺩﻴﻥ.
ﻏﺰﻝ ١٤٢
ﺏ ﻜﹸلﱠ ﺸﻲﺀٍ ﻤِﻥ
ﺴﻨﻴﻥ ﻭﻗﻠﺒﻲ ﻴﻁﹾﻠﹸﺏ ﻤﻨﱢﻲ ﺠﺎﻡ ﺠﻤﺸﻴﺩ ،ﻭﻜﹸلﱡ ﺸﻲﺀٍ ﻟﹶﺩﻴﻪِ ،ﻭﻴﻁﻠﹸ
ﺍﻟﻐﺭﻴﺏ)(٣؛
ﻑ ﺍﻟﻜﻭﻥِ ﻭﺍﻟﻤﻜﺎﻥ ،ﻴﻁﻠﹸﺒﻪ ﻤِﻥ ﻏﺭﻴﻕٍ ﻋﻠﻰ ﺸﺎﻁﺊِ
ﺍﻟﺠﻭﻫﺭ ﺍﻟﱠﺫﻱ ﻫﻭ ﺨﺎﺭِﺝ ﺼﺩِ
ﺍﻟﺒﺤﺭِ ﻻ ﻴﺤﺴِﻥ ﺍﻟﺴﺒﺎﺤﺔ؛
ﺤﻤﻠﹾﺕﹸ ﻤﺸﻜِﻠﹶﺘﹶﻪ ﺃﻤﺱِ ﺇﻟﻰ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ،ﻟﻴﻘﻭﻡ ﺒﺘﺄﻴﻴﺩِ ﺍﻟﻨﱠﻅﹶﺭِ ﺒِﺤلﱢ ﻫﺫﺍ ﺍﻟﻤﻌﻤﻰ؛
) (١ﺠﺎﺀﺕ ﻤﻥ ﺨﻠﻑِ ﺍﻟﺤِﺠﺎﺏِ ﻤِﻥ ﺍﻟﻌِﻨﹶﺏِ ﺃﻭ ﻤِﻥ ﺍﻟﺩﻥ؛
) (٢ﺒﺴﺒﻌﺔ ﻤﻴﺎﻩ :ﺒﺎﻟﻐﺴلِ ﺴﺒﻊ ﻤﺭﺍﺕٍ ﺒﺎﻟﻤﺎﺀ.
) (٣ﺠﺎﻡ ﺠﻤﺸﻴﺩ ،ﺠﺎﻡ ﻤﻅﻬﺭ ﺍﻟﻐﻴﺏ ،ﻴﻅﻬِﺭ ﺃﺤﻭﺍلَ ﺍﻟﻌﺎﻟﹶﻡِ ﻟﻠﻨﱠﺎﻅِﺭِ ﻓﻴﻪ؛
-١٦٠-
ﺭﺃﻴﺘﹸﻪ ﻤﺴﺭﻭﺭﺍﹰ ﻭﻤﺒﺘﺴِﻤﺎﹰ ﻭﻗﹶﺩﺡ ﺍﻟﺨﻤﺭِ ﻓﻲ ﻴﺩِﻩ ،ﻭﻴﻨﻅﹸﺭ ﻓﻲ ﺘﻠﻙ ﺍﻟﻤِﺭﺁﺓِ ﺫﺍﺕِ ﺍﻟﻤﺎﺌﺔِ
ﻤِﻥ ﺍﻟﻭﺠﻭﻩ؛
ﻗﹸﻠﹾﺕﹸ :ﺠﺎﻡ ﻤﻅﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡِ ﻫﺫﺍ ﻤﺘﻰ ﺃﻋﻁﺎﻜﹶﻪ ﺍﻟﺤﻜﻴﻡ؟ ،ﻗﺎل :ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ﺍﻟﱠﺫﻱ ﺒﻨﻴﺕﹾ
ﻓﻴﻪِ ﺍﻟﺴﻤﺎﺀ؛
ﻭﺍﻟِﻪ ﻜﺎﻥ ﻤﻌﻪ ﺍﷲُ ﻓﻲ ﺠﻤﻴﻊِ ﺍﻷﺤﻭﺍل ،ﻭﻜﺎﻥ ﻻ ﻴﺭﺍﻩ ،ﻭﻴﺸﻜﻭ ﺍﻟﺒﻌﺩ ﻋﻥِ ﺍﷲ؛
ﻜلﱡ ﻫﺫِﻩِ ﺍﻟﺸﻌﺒﺫﹶﺓِ ﻤِﻥ ﺍﻟﻨﱠﻔﺱِ ﻫﺎ ﻫﻨﺎ ،ﻗﺎﻡ ﺒﻬﺎ ﺍﻟﺴﺎﻤﺭﻱ ﻗﹸﺒﺎﻟﹶﺔﹶ ﺍﻟﻌﺼﺎ ﻭﺍﻟﻴﺩِ ﺍﻟﺒﻴﻀﺎﺀ)(١؛
ﻗﺎلَ :ﺫﻟِﻙ ﺍﻟﻌﺎﺸِﻕﹸ ﺍﻟﱠﺫﻱ ﻨﺼﺒﻭﺍ ﻟﻪ ﺍﻟﻤﺸﻨﻘﹶﺔﹶ ﺍﻟﻌﺎﻟﻴﺔﹶ ،ﻜﺎﻥ ﺠﺭﻤﻪ ﺃﻨﱠﻪ ﺃﺫﺍﻉ
ﺃﺴﺭﺍﺭ ﺍﻟﺤﻕﹼ)(٢؛
ﻓﻴﺽ ﺭﻭﺡِ ﺍﻟﻘﹸﺩﺱِ ﺇﺫﺍ ﺃﻋﻁﻰ ﺍﻟﻤﺩﺩ ،ﺍﻵﺨﹶﺭﻭﻥ ﺃﻴﻀﺎﹰ ﻴﻔﻌﻠﻭﻥ ﻜﹸلﱠ ﻤﺎ ﻓﹶﻌلَ ﺍﻟﻤﺴﻴﺢ؛
ﻗﹸﻠﺕﹸ ﻟﻪ :ﺴِﻠﺴِﻠﹶﺔﹸ ﻀﻔﻴﺭﺓِ ﺃﻫلِ ﺍﻟﺠﻤﺎلِ ﻤﺎ ﺸﹸﻐﹾﻠﹸﻬﺎ؟ ﻗﺎلَ :ﺤﺎﻓﻅﹸ ﻴﺸﺘﻜﻲ ﻤِﻥ ﻗﻠﹾﺒِﻪِ ﺍﻟﻭﻟﻬﺎﻥ.
ﻏﺰﻝ ١٤٣
ﺒِﺴِﺭ ﺠﺎﻡِ ﺠﻤﺸﻴﺩ ﺘﺴﺘﹶﻁﻴﻊ ﺍﻟﻨﱠﻅﹶﺭ ،ﺤﻴﻥ ﺘﹶﺠﻌلُ ﻤﻥ ﺘﹸﺭﺍﺏِ ﺍﻟﺤﺎﻥِ ﻜﹸﺤلَ ﺍﻟﺒﺼﺭ؛
ﻻ ﺘﻜﹸﻥ ﺩﻭﻥ ﺨﻤﺭٍ ﻭﻤﻁﺭِﺏٍ ﺘﺤﺕﹶ ﺴﻘﻑِ ﺍﻟﺴﻤﺎﺀِ ،ﻓﺒِﻬﺫﺍ ﺍﻟﻨﱠﻐﹶﻡِ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻁﺭﺩ
ﺍﻟﻐﹶﻡ ﻤِﻥ ﻗﻠﺒِﻙ؛
ﻭﺭﺩ ﻤﺭﺍﺩِﻙ ﻴﺭﻓﹶﻊ ﻟﻙ ﺍﻟﻨﱢﻘﺎﺏ ﺤﻴﻥ ﺘﻘﹾﺩِﺭ ﻋﻠﻰ ﺨِﺩﻤﺘِﻪِ ﻜﻤﺎ ﻴﻔﻌلُ ﻨﺴﻴﻡ ﺍﻟﺴﺤﺭ؛
ﻋﻁﺎﺀ ﺍﺴﺘِﺠﺩﺍﺀِ ﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ﺍﻹﻜﺴﻴﺭ ﺍﻟﻌﺠﻴﺏ ،ﺇﻥ ﺘﻌﻤلْ ﻫﺫﺍ ﺍﻟﻌﻤلَ ﺘﻘﺩِﺭ ﺘﹸﺤﻴلُ
ﺍﻟﺘﱡﺭﺍﺏ ﺫﹶﻫﺒﺎﹰ؛
ﺒِﻌﺯﻡِ ﻤﺭﺤﻠﹶﺔِ ﺍﻟﻌِﺸﹾﻕِ ﺴِﺭ ،ﻭﺴﻭﻑﹶ ﺘﺠﻨﻲ ﺍﻟﻤﻨﺎﻓِﻊ ﺇﻥ ﻗﺩﺭﺕﹶ ﻋﻠﻰ ﺍﻟﻘﻴﺎﻡِ ﺒِﻬﺫﺍ ﺍﻟﺴﻔﹶﺭ؛
) (١ﻤِﻥ ﺍﻟﻨﱠﻔﺱ ﻓﻲ ﻨﹸﺴﺨﹶﺔٍ :ﻤِﻥ ﺍﻟﻌﻘﹾل؛
) (٢ﺍﻟﻌﺎﺸﻕﹸ ﺍﻟﻤﻘﺼﻭﺩ ﻫﻭ ﺍﻟﺤﻠﱠﺎﺝ ،ﻭﻫﻭ ﺍﻟﻘﺎﺌلُ ﻴﺭﻤﺯ ﻟِﻭﺤﺩﺓِ ﺍﻟﻭﺠﻭﺩ :ﺃﻨﺎ ﺍﻟﺤﻕﱡ ،ﻭﻟﻴﺱ ﻓﻲ
ﺠﺒﺘﻲ ﺇﻻﹼ ﺍﷲ.
-١٦١-
ﻍ ﺤِﻤﻰ ﺍﻟﻁﱠﺭﻴﻘﺔ؟؛
ﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﻻ ﺘﺨﹾﺭﺝ ﻤﻥ ﺒﻴﺕِ ﺍﻟﻁﱠﺒﻴﻌﺔِ ،ﻜﻴﻑﹶ ﺘﺴﺘﻁﻴﻊ ﺒﻠﻭ ﹶ
ﺠﻤﺎلُ ﺍﻟﺤﺒﻴﺏِ ﻻ ﻨﻘﺎﺏ ﻋﻠﻴﻪِ ﻭﻻ ﺤِﺠﺎﺏ ،ﺃﺯِلْ ﻏﹸﺒﺎﺭ ﺍﻟﻁﱠﺭﻴﻕ ﻟِﺘﺘﻤﻜﱠﻥ ﻤﻥ ﺍﻟﻨﱠﻅﹶﺭ؛
ﺕ ﺘﹶﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻨﺎلَ ﺫﹶﻭﻕِ ﺍﻟﺤﻀﻭﺭِ ﻭﻨﹶﻅﹾﻡ ﺍﻷﻤﻭﺭِ ،ﺒِﻔﹶﻀلِ ﻓﻴﺽِ ﻋﻁﺎﺀِ ﺘﻌﺎلَ ﻓﺄﻨ ﹶ
ﺃﻫلِ ﺍﻟﻨﱠﻅﹶﺭ؛
ﻟﻜِﻥ ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﺘﻁﻠﹸﺏ ﺸﹶﻔﹶﺔﹶ ﺍﻟﻤﻌﺸﻭﻕِ ﻭﺠﺎﻡ ﺍﻟﺨﻤﺭِ ،ﻻ ﺘﻁﻤﻊ ﺃﻥ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻌﻤلَ
ﻋﻤﻼﹰ ﺁﺨﹶﺭ؛
ﻥ ﻨﻭﺭِ ﺍﻟﻬِﺩﺍﻴﺔِ ﺃﺜﹶﺭﺍﹰ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﺘﺭﻙ ﺭﺃﺴﻙ ﻀﺎﺤِﻜﺎﹰ
ﻴﺎ ﻗﻠﺏ ﺇﺫﺍ ﻭﺠﺩﺕﹶ ﻤ
ﻭﻤﺴﺭﻭﺭﺍﹰ ﻜﺎﻟﺸﱠﻤﻊ؛
ﺇﻥ ﺘﺴﺘﹶﻤِﻊ ﺇﻟﻰ ﻫﺫِﻩِ ﺍﻟﻨﱠﺼﻴﺤﺔﹶ ﺍﻟﻤﻠﹶﻜﻴﺔِ ﻴﺎ ﺤﺎﻓِﻅ ،ﺘﻘﺩِﺭ ﻋﻠﻰ ﻋﺒﻭﺭِ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻷﻋﻅﹶﻡِ
ﻟﻠﺤﻘﻴﻘﺔ.
ﻏﺰﻝ ١٤٤
ﺃﻭ ﺫﺍﻜِﺭﻱ ﺃﻭ ﻤـﺴﻌﺩﻱ ﺒِﻌِﻨـﺎﻗﻲ ﻴﺎ ﻴﻭﻡ ﺴﺎﻓﹶﺭ ﻟﻡ ﻴﻜﹸﻥ ﺒﻤـﻭﺩﻋﻲ
ﻭﺍﻟﺨﻴﺭ ﻤﻨﻙ ﺃﻟﹶـﻡ ﻴـﺌِﻥ ﺇﻋﺘـﺎﻗﻲ ﻋﺒﺩ ،ﺒﻠﻐﺕﹸ ﺍﻟﺸﱠﻴﺏ ﻋِﻨﹾﺩﻙ ﻴﺎ ﻓﹶﺘـﻰ
ﺇﻥ ﺍﻟﺤﺒﻴﺏ ﻤﻀﻰ ﺒِﺄَﺭﺽِ ﻋِﺭﺍﻕِ ﻴﺎ ﻤﻁﹾﺭِﺒﺎﹰ ﻨﹶﻐﹶﻡ ﺍﻟﻌِﺭﺍﻕِ ﻓﹶﻐﹶﻥ ﻟـﻲ
ﻟﻥ ﺃﻨﺴﻰ ﻴﻭﻡ ﺴﺎﻓﹶﺭ ﺍﻟﺤﺒﻴﺏ ﺩﻭﻥ ﺃﻥ ﻴﺫﻜﹸﺭﻨﺎ ﺃﻭ ﻴﻁﻴﺏ ﺨﺎﻁِﺭ ﻗﻠﺒِﻨﺎ ﺍﻟﻤﻐﻤﻭﻡِ ﺒﺎﻟﻭﺩﺍﻉِ؛
ﺫﻟﻙ ﺍﻟﻔﺘﻰ ﺍﻟﻤﺴﻌِﺩ ﺍﻟﱠﺫﻱ ﻴﺭﻗﹸﻡ ﺭﻗﹶﻡ ﺍﻟﺨﻴﺭِ ﻭﺍﻟﻘﹶﺒﻭلِ ،ﻻ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﻟﻡ ﻴﻁﻠِﻕﹾ ﺴﺭﺍﺡ
ﺍﻟﻌﺒﺩِ ﺍﻟﺸﱠﻴﺦ)(١؛
) (١ﺃﻨﺎ ﻋﺒﺩﻩ ،ﻭﻗﺩ ﺼِﺭﺕﹸ ﺸﻴﺨﺎﹰ ﻭﻻ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﻟﻡ ﻴﻁﻠِﻕﹾ ﺴﺭﺍﺤﻲ ،ﺇﺫﺍ ﺃُﻁﻠِﻕﹶ ﺴﺭﺍﺡ ﺍﻟﻌﺒﺩِ ﺴﻘ ﹶ
ﻁ
ﺍﻟﺘﱠﻜﻠﻴﻑﹸ ﻋﻨﻪ ،ﻭﻴﺭﻭﻯ ﺃﻥ ﻟﻘﻤﺎﻥ ﺴﺭﺨﺱ ﻜﺎﻥ ﻤﺘﺼﻭﻓﺎﹰ ﻭﺭﻋﺎﹰ ﺘﻘﻴﺎﹰ ،ﻭﺃﻨﱠﻪ ﺩﻋﻰ ﺭﺒﻪ ﻗﺎﺌﻼﹰ :ﺇﻟﻬﻲ
ﺇﻥ ﺍﻟﻤﻠﻭﻙ ﺭﺃﻭﻨﻲ ﺼﺭﺕﹸ ﺸﻴﺨﺎﹰ ﻓﺤﺭﺭﻭﻨﻲ ،ﻭﺃﻨﺕ ﺍﻟﻤﻠﻙ ﺍﻟﻌﺯﻴﺯ ﻭﺃﻨﺎ ﻋﺒﺩﻙ ،ﻭﻫﺎ ﻗﺩ ﺼﺭﺕﹸ
ﺸﻴﺨﺎﹰ ﻓﻲ ﻋﺒﻭﺩﻴﺘِﻙ ،ﻓﺄﻁﻠِﻕﹾ ﺴﺭﺍﺤﻲ ،ﻓﺠﺎﺀﻩ ﺍﻟﻨﱢﺩﺍﺀ ﺃﻥ ﻴﺎ ﻟﹸﻘﻤﺎﻥ ﻗﺩ ﺤﺭﺭﺘﹸﻙ ﻓﺫﻫﺏ ﻋﻘﻠﹸﻪ ،ﻓﻜﺎﻥ
ﻴﻘﺎلُ ﻟﻘﻤﺎﻥ ﺤﺭﺭﻩ ﺍﷲُ ﻭﻟﻡ ﻴﻌﺩ ﻤﻜﻠﱠﻔﺎﹰ ،ﻓﻘﺩ ﺘﺤﺭﺭ ﻤﻥ ﻗﻴﻭﺩِ ﺍﻟﻌﻘل ،ﻫﺫﺍ ﻭﺍﻟﻤﺤﺒﻭﺏ ﻓﺘﻰ ﻋﻠﻰ
ﺍﻟﺩﻭﺍﻡ ،ﻭﻻ ﻴﺘﺼﻭﺭ ﻓﻲ ﺤﻘﱢﻪِ ﺍﻟﻬﺭﻡ )ﺃﺼﺤﺎﺏ ﺍﻟﻜﻬﻑِ ﺍﻟﻭﺍﺭﺩِ ﺫِﻜﺭﻫﻡ ﻓﻲ ﺍﻟﻘﹸﺭﺁﻥِ ﻜﺎﻨﻭﺍ ﺸﻴﻭﺨﺎﹰ
ﻤﻥ ﺤﻴﺙﹸ ﺃﻋﻤﺎﺭﻫﻡ ﻭﺴﻤﺎﻫﻡ ﺍﻟﻘﺭﺁﻥ ﻓِﺘﻴﺔﹰ(.
-١٦٢-
ﺴﺄﻏﺴِلُ ﺜﻭﺏ ﺍﻟﺩﻓﺘﹶﺭِ ﺒﺎﻟﺩﻤﻊِ ﺍﻷﺤﻤﺭِ ،ﻓﺎﻟﻔﹶﻠﹶﻙ ﻻ ﻴﻬﺩﻱ ﺍﻟﺴﺎﻟِﻙ ﺒِﻘﹶﺩﻡِ ﺍﻟﻌِﻠﻡِ
ﻭﻻ ﻴﻌﻁﻴﻪِ ﻋﻁﺎﺀﻩ؛
ﻗﻠﺒﻲ ﺒِﺭﺠﺎﺀِ ﺃﻥ ﻴﺼِلَ ﺼﻭﺘﹸﻪ ﺇﻟﻰ ﺒﺎﺒِﻙ ﺃﻁﻠﹶﻕﹶ ﺍﻟﺼﺭﺨﺎﺕِ ﻓﻲ ﻫﺫﻩ ﺍﻟﺠِﺒﺎلِ ﻜﻤﺎ ﻟﻡ
ﻴﻔﻌلْ ﻓﺭﻫﺎﺩ؛
ﺕ ﻋﻥِ ﺍﻟﺭﻭﺽِ ﻟﻡ ﻴﻌﺩ ﻁﺎﺌﺭ ﺍﻟﺴﺤﺭِ ﻴﺒﻨﻲ ﺍﻟﻌﺵﱠ ﺒﻴﻥ ﺃﻏﺼﺎﻥِ ﻁﹸﺭﺓِ ﺍﻟﺸﱠﻤﺸﺎﺩ؛
ﻤﻨﺫﹸ ﺍﺒﺘﹶﻌﺩ ﹶ
ﺃﻭﻟﻰ ﺒﺭﺴﻭلِ ﺍﻟﺼﺒﺎ ﺃﻥ ﻴﺘﻌﻠﱠﻡ ﻤﻨﻙ ﺍﻟﺸﱡﻐلَ ،ﻷﻨﺕﹶ ﺃﺴﺭﻉ ﺤﺭﻜﹶﺔﹰ ﻓﻲ ﻤﺭﻭﺭِﻙ ﻤﻥ
ﺍﻟﺭﻴﺢ؛
ﻻ ﺭﺴﻡ ﻗﹶﻠﹶﻡ ﻤﺸﱠﺎﻁﹶﺔِ ﺍﻟﺼﻨﻊِ ﺭﺴﻡ ﺍﻟﻤﺭﺍﺩِ ﻟِﻜﹸلﱢ ﻤﻥ ﻟﻡ ﻴﻜﹸﻥ ﻤﻨﻪ ﺍﻹﻗﺭﺍﺭ ﺒﺤﺴﻨِﻙ
ﺍﻟﱠﺫﻱ ﺃﻋﻁﺎﻙ ﺍﷲ؛
ﺃﻱ ﻤﻁﺭﺏ ،ﻏﻴﺭِ ﺍﻟﻠﹼﺤﻥ ﻭﺍﻋﺯِﻑﹾ ﻟﻨﺎ ﻨﹶﻐﹶﻡ ﺍﻟﻌِﺭﺍﻕِ ﻓﺎﻟﺤﺒﻴﺏ ﺫﻫﺏ ﻓﻲ ﻁﺭﻴﻕِ
ﺍﻟﻌِﺭﺍﻕِ ﻭﻟﻡ ﻴﺫﻜﹸﺭﻨﺎ؛
ﺍﻟﻐﺯﻟﻴﺎﺕﹸ ﺍﻟﻌِﺭﺍﻗِﻴﺔﹸ ﻤﻥ ﺸِﻌﺭِ ﺤﺎﻓِﻅ ،ﻤﻥ ﺍﻟﱠﺫﻱ ﺴﻤِﻊ ﻨﻐﻤﺘﹶﻬﺎ ﺍﻟﺤﺯﻴﻨﹶﺔﹶ ﻭﻟﻡ ﻴﺼﺭﺥﹾ؟.
ﻏﺰﻝ ١٤٥
ﻟﺴﺕﹸ ﺃﺩﺭﻱ ﻤﻥ ﻜﺎﻥ ﺫﻟﻙ ﺍﻟﺴﻜﺭﺍﻥ ﺍﻟﱠﺫﻱ ﺃﻗﹾﺒلَ ﻋﻠﻲ ﺒﻭﺠﻬِﻪ ،ﻭﻤﻥ ﻜﺎﻥ ﺫﻟﻙ
ﺍﻟﺴﺎﻗﻲ ،ﻭﻤِﻥ ﺃﻴﻥ ﺠﺎﺀ ﺒﺘﻠﻙ ﺍﻟﺨﻤﺭﺓ؟؛
ﺃﻨﺕﹶ ﺃﻴﻀﺎﹰ ﺍِﺤﻤِلْ ﺍﻟﺨﻤﺭ ﻋﻠﻰ ﻋﺯﻑِ ﺍﻟﻘﻴﺜﺎﺭﺓِ ﻭﺍﺴﻠﹸﻙ ﺴﺒﻴلَ ﺍﻟﺼﺤﺭﺍﺀ ،ﻓﻁﺎﺌﺭ
ﺍﻟﻨﱠﻐﹶﻡِ ﻋﺫﺏ ﺍﻟﺼﻭﺕِ ﺒﺩﺃ ﻴﻌﺯﻑﹸ ﻟﺤﻨﺎﹰ ﺠﻤﻴﻼﹰ؛
ﻴﺎ ﻗﻠﺏ ﻻ ﺘﻘﹸﻡ ﺒﺎﻟﺸﱢﻜﺎﻴﺔِ ﻜﺎﻟﺒﺭﻋﻡِ ﻤِﻥ ﺘﻌﻘﱡﺩِ ﺃﻤﻭﺭِﻙ ،ﺭﻴﺢ ﺍﻟﺼﺒﺎﺡِ ﺘﺤﻤلُ ﺍﻟﻨﹼﺴﻴﻡ
ﺍﻟﱠﺫﻱ ﻴﺤلﱡ ﺍﻟﻌﻘﹶﺩ؛
ﻓﻠﻴﻜﹸﻥ ﻭﺼﻭلُ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﻨﱢﺴﺭﻴﻥِ ﺒﺎﻟﺨﻴﺭِ ﻭﺍﻟﺠﻤﺎل ،ﻓﻘﺩ ﺠﺎﺀ ﺍﻟﺒﻨﻔﺴﺞ ﺒﺎﻟﺤﺴﻥِ
ﻭﺍﻟﺒﻬﺠﺔِ ﻭﺍﻟﻴﺎﺴﻤﻴﻥ ﺒﺎﻟﺼﻔﺎﺀ؛
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ﺍﻟﺼﺒﺎ ،ﺒﻤﺎ ﺘﺤﻤِلُ ﻤِﻥ ﺨﹶﺒﺭٍ ﺠﻤﻴلٍ ،ﻫﺩﻫﺩ ﺴﻠﻴﻤﺎﻥ ﻴﺤﻤلُ ﺍﻟﺒﺸﺎﺭﺓﹶ ﺒﺎﻟﻁﱠﺭﺏِ ﻤِﻥ
ﺭﻭﻀﺔِ ﺴﺒﺄ؛
ﻋﻼﺝ ﻀﻌﻑِ ﻗﻠﻭﺒﻨﺎ ﻏﻤﺯﺓﹸ ﺍﻟﺴﺎﻗﻲ ،ﺍﺭﻓﹶﻊِ ﺍﻟﺭﺃﺱ ﻓﺎﻟﻁﱠﺒﻴﺏ ﺠﺎﺀ ﻴﺤﻤلُ ﺍﻟﺩﻭﺍﺀ؛
ﺃﻨﺎ ﻤﺭﻴﺩ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ،ﺃﻱ ﺸﻴﺦﹶ ﺍﻟﻔِﻘﹾﻪِ ﻻ ﺘﻨﺯﻋِﺞ ﻤﻨﹼﻲ ،ﻷﻥ ﺍﻟﱠﺫﻱ ﻭﻋﺩﺘﹶﻨﻴﻪِ ﻫﻭ
ﺃﻋﻁﺎﻨﻴﻪ)(١؛
ﺃﻨﺎ ﺍﻟﻔِﺩﺍﺀ ﻟِﻀﻴﻕِ ﻋﻴﻥِ ﺫﻟِﻙ ﺍﻟﺠﻴﺵِ ﺍﻟﺘﱡﺭﻜﻲ ﺍﻟﱠﺫﻱ ﺤﻤلَ ﻋﻠﹶﻲ ﻭﺃﻨﺎ ﺍﻟﺩﺭﻭﻴﺵﹸ ﺍﻟﱠﺫﻱ
ﻻ ﺃﻤﻠِﻙ ﺇﻻﹼ ﺜﻭﺒﺎﹰ ﻭﺍﺤِﺩﺍﹰ؛
ﺍﻟﻔﹶﻠﹶﻙ ﻴﺠﻲﺀ ﻁﻭﻋﺎﹰ ﺍﻵﻥ ﻏﹸﻼﻤﺎﹰ ﻟِﺤﺎﻓِﻅﹶ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺍﻟﺘﺠﺎﺅﻩ ﺇﻟﻰ ﺒﺎﺏِ ﺩﻭﻟﹶﺘِﻙ.
ﻏﺰﻝ ١٤٦
ﺍﻟﺼﺒﺎ ﻭﻗﺕﹶ ﺍﻟﺴﺤﺭِ ﺘﺤﻤِلُ ﺍﻟﻌﺒﻴﺭ ﻤِﻥ ﻀﻔﻴﺭﺓِ ﺍﻟﺤﺒﻴﺏ ،ﻭﺘﺤﻤِلُ ﺍﻟﺸﱡﻐﹾلَ ﺒﺎﻟﻌﺒﻴﺭِ
ﻟﻘﻠﺒِﻨﺎ ﺍﻟﻤﻀﻁﺭِﺏ؛
ﺃﻨﺎ ﺃﻗﺘﻠﻌﺕﹸ ﻤﻥ ﺤﺩﻴﻘﺔِ ﻋﻴﻨﻲ ﺫﻟِﻙ ﺍﻟﱠﺫﻱ ﻟﻪ ﺸﹶﻜﹾلُ ﺍﻟﺼﻨﻭﺒﺭ ،ﻓﺈﻥ ﻜﹸلﱠ ﻭﺭﺩﺓٍ ﺘﻔﺘﱠﺤﺕﹾ
ﻤِﻥ ﻏﻤﻪِ ﺤﻤﻠﹶﺕﹾ ﺤِﻤلَ ﺍﻟﻤِﺤﻨﹶﺔ؛
ﻜﹸﻨﺕﹸ ﺃﺭﻯ ﻨﻭﺭ ﺍﻟﻘﹶﻤﺭِ ﻤِﻥ ﻋﻠﻰ ﻗﺼﺭِﻩِ ﻤﻀﻴﺌﺎﹰ ،ﺤﺘﱠﻰ ﺃﻥ ﺍﻟﺸﱠﻤﺱ ﻤِﻥ ﺍﻟﺨﹶﺠلِ
ﻜﺎﻨﹶﺕﹾ ﺘﹸﺨﻔﻲ ﺍﻟﻭﺠﻪ ﻭﺘﺘﻭﺍﺭﻯ ﺨﻠﻑﹶ ﺍﻟﺠِﺩﺍﺭ؛
ﻓﻲ ﻏﺎﺭﺓِ ﻋِﺸﻘِﻪِ ،ﻤِﻥ ﺍﻟﺭﻫﺏِ ،ﺘﺭﻜﹾﺕﹸ ﻗﻠﺒﻲ ﺍﻟﻤﺠﺭﻭﺡ ،ﻟﻜِﻥ ﺍﻟﺩﻡ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﻘﻁِﺭ
ﻤِﻨﻪ ﺭﺴﻡ ﺍﻟﻁﱠﺭﻴﻕ)(٢؛
) (١ﻤﺎ ﻭﻋﺩﺘﻨﻴﻪِ ﻭﻋﺩﺍﹰ )ﻨﻌﻴﻡ ﺍﻟﺠﻨﹼﺔ( ﻫﻨﺎﻙ ،ﻫﻭ ﺃﻋﻁﺎﻨﻴﻪِ ﻨﻘﺩﺍﹰ ﻫﻨﺎ.
) (٢ﻓﺴﺄﻗﺩِﺭ ﻋﻠﻰ ﺃﻥ ﺃﺠِﺩ ﻗﻠﺒﻲ ﺤﻴﻥ ﺃﻋﻭﺩ ﻟﻠﺒﺤﺙِ ﻋﻨﻪ ﺒﺎﻗﺘِﻔﺎﺀِ ﺁﺜﺎﺭِ ﺍﻟﺩﻡِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﻘﻁِﺭ ﻤﻨﻪ
ﻋﻠﻰ ﺍﻟﻁﱠﺭﻴﻕ.
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ﻋﻠﻰ ﻗﻭلِ ﺍﻟﻤﻁﺭِﺏِ ﻭﺍﻟﺴﺎﻗﻲ ﻜﹶﻡ ﺨﺭﺠﺕﹸ ﻓﻲ ﻭﻗﺕٍ ﻭﻏﹶﻴﺭِ ﻭﻗﺕٍ ،ﻓﻤِﻥ ﻫﺫﺍ
ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﺨﻁﻴﺭِ ﻴﺄﺘﻴﻙ ﺒﺎﻟﺨﹶﺒﺭِ ﺍﻟﺨﻁﻴﺭِ ﺤﺎﻤِلُ ﺍﻷﺨﺒﺎﺭ؛
ﻜﹸلﱡ ﻋﻁﺎﺀٍ ﻤﻥ ﺍﻟﺤﺒﻴﺏِ ﻟﹸﻁﻑﹲ ﻭﺇﺤﺴﺎﻥ ،ﺃﻤﺭﻙ ﺒﺎﻟﺘﱠﺴﺒﻴﺢِ ﺃﻡ ﺃﻋﻁﺎﻙ ﺍﻟﺯﻨﹼﺎﺭ؛
ﻋﻔﺎ ﺍﷲُ ﻋﻥ ﺤﺎﺠِﺒِﻪِ ﺍﻟﻤﻨﺜﻨﻲ ،ﻓﺭﻏﻡ ﺃﻨﱠﻪ ﺃﻤﺭﻀﻨﻲ ،ﺃﺭﺴلَ ﻟﻲ ﺭِﺴﺎﻟﹶﺔﹶ ﻤﻭﺍﺴﺎﺓٍ ﺇﻟﻰ
ﻓِﺭﺍﺵِ ﻤﺭﻀﻲ؛
ﻟﻴﻠﺔﹶ ﺍﻷﻤﺱِ ﻜﹸﻨﺕﹸ ﺃﺘﻌﺠﺏ ﻤِﻥ ﺤﺎﻓِﻅ ﻭﺠﺎﻤِﻪِ ﻭﻜﺄﺴِﻪ ،ﻟﻜِﻨﹼﻨﻲ ﻟﻡ ﺃﻗﹸﻡ ﺒِﻤﻨﹾﻌِﻪِ ،ﻓﻘﺩ ﺠﺎﺀ
ﺒِﻬِﻤﺎ ﻜﺼﻭﻓﻲ.
ﻏﺰﻝ ١٤٧
ﻨﺴﻴﻡ ﺭﻴﺢِ ﺍﻟﺼﺒﺎ ﺠﺎﺀ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺒﺎﻟﺨﺒﺭِ ،ﺃﻥ ﻴﻭﻡ ﺍﻟﻤﺤﻨﺔِ ﻭﺍﻟﻐﹶﻡ ﺍﺘﱠﺠﻪ ﻟﻠﻘِﺼﺭ؛
ﺴﻨﹸﻌﻁﻲ ﻤﻁﺭﺒﻲ ﺍﻟﺼﺒﻭﺡِ ﺜﻭﺒﻨﺎ ﺍﻟﻤﻤﺯﻕﹶ ﻋﻠﻰ ﻫﺫِﻩِ ﺍﻟﺒﺸﺭﻯ ﺍﻟﱠﺘﻲ ﺤﻤﻠﹶﺘﹾﻬﺎ ﺍﻟﺭﻴﺢ
ﻓﻲ ﺍﻟﺴﺤﺭ؛
ﺘﻌﺎلَ ﺘﻌﺎل ،ﻓﻘﺩ ﺃﺤﻀﺭ ﻟﻙ ﺭِﻀﻭﺍﻥ ﺤﻭﺭ ﺍﻟﺠﻨﱠﺔِ ﺇﻟﻰ ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡِ ﻫﺩﻴﺔﹰ ﻟِﻘﻠﺒﻙ؛
ﻨﺤﻥ ﺫﺍﻫِﺒﻭﻥ ﺇﻟﻰ ﺸﻴﺭﺍﺯ ﺒﻌِﻨﺎﻴﺔِ ﺍﻟﺒﺨﹾﺕ ،ﻨﻌﻡ ﺍﻟﺭﻓﻴﻕﹸ ﺍﻟﱠﺫﻱ ﺠﺎﺀ ﺒِﻪِ ﺍﻟﺒﺨﹾﺕﹸ
ﻟِﻤﺭﺍﻓﹶﻘﺘﻲ)(١؛
ﺒﺠﺒﺭِ ﺨﺎﻁِﺭِﻨﺎ ﺍِﺴﻊ ﻓﻬﺫِﻩِ ﺍﻟﻘﹸﺒﻌﺔﹸ ﻤِﻥ ﺍﻟﺼﻭﻑِ ﻜﺜﻴﺭﺍﹰ ﻤﺎ ﻜﹶﺴﺭﺕﹾ ﺘﺎﺝ ﺍﻟﻤﻠِﻙ؛
ﻜﻡ ﻤِﻥ ﺍﻷﻨﱠﺎﺕِ ﻤِﻥ ﻗﻠﺒﻲ ﻭﺼلَ ﺇﻟﻰ ﻫﺎﻟﹶﺔِ ﺍﻟﻘﹶﻤﺭِ ،ﻋِﻨﺩﻤﺎ ﺘﹶﺫﹶﻜﱠﺭ ﻋﺎﺭِﺽ ﺫﻟِﻙ ﺍﻟﻘﹶﻤﺭِ
ﺍﻟﻤﺤﺘﺠِﺏِ ﻓﻲ ﺨﻴﻤﺘِﻪ؛
ﺃﻭﺼلَ ﺭﺍﻴﺔﹶ ﻤﻨﺼﻭﺭ ﺇﻟﻰ ﺍﻟﻔﹶﻠﹶﻙِ ،ﺤﺎﻓِﻅﹸ ﺍﻟﱠﺫﻱ ﺍﻟﺘﹶﺠﺄَ ﺇﻟﻰ ﺠﻨﺎﺏِ ﻤﻠِﻙِ ﺍﻟﻤﻠﻭﻙ.
) (١ﻴﻘﺼﺩ ﺒﺫﻟِﻙ ﺍﻟﺸﹼﺎﻩ ﻤﻨﺼﻭﺭ ،ﻜﻤﺎ ﻴﻅﻬﺭ ﻤﻥ ﺍﻟﺒﻴﺕِ ﺍﻷﺨﻴﺭ ،ﻭﻗﺩ ﻭﺭﺩ ﻓﻲ ﻨﹸﺴﺨﹶﺔٍ )ﺒﻌﻨﺎﻴﺔِ
ﺍﻟﺤﺒﻴﺏ( ﺒﺩلَ)ﺒﻌﻨﺎﻴﺔِ ﺍﻟﺒﺨﹾﺕ(.
-١٦٥-
ﻏﺰﻝ ١٤٨
ﻤﻌﺸﻭﻗﻲ ﺇﺫﺍ ﺃﻤﺴﻙ ﺍﻟﻘﹶﺩﺡ ﺒﺎﻟﻴﺩِ ،ﻜﹶﺴﺭ ﺒﺎﺯﺍﺭ ﺍﻷﺼﻨﺎﻡِ؛
ﻜﹸلﱡ ﺸﺨﺹٍ ﺭﺃﻯ ﻋﻴﻨﹶﻪ ﻗﺎلَ ﺃﻴﻥ ﺍﻟﻤﺤﺘﺴِﺏ ﻟﻴﻘﺒِﺽ ﻫﺫﺍ ﺍﻟﺴﻜﺭﺍﻥ؛
ﺃﻟﻘﻴﺕﹸ ﻨﻔﺴﻲ ﻓﻲ ﺍﻟﺒﺤﺭِ ﻜﺴﻤﻜﹶﺔٍ ﻟﻴﺄﺨﹸﺫﹶﻨﻲ ﺍﻟﺤﺒﻴﺏ ﺒِﺼﻨﱠﺎﺭﺘِﻪ؛
ﻋﻠﻰ ﻗﹶﺩﻤِﻪِ ﻭﻗﻌﺕﹸ ﺒِﻌﺠﺯٍ ،ﺃﺘﹸﺭﺍﻩ ﻴﺄﺨﹸﺫﹸ ﺒﻴﺩﻱ؟؛
ﺴﻌﻴﺩ ﻗﻠﺏ ﻤﻥ ﻫﻭ ﻜﺤﺎﻓِﻅﹶ ،ﻴﻤﺴِﻙ ﺒﺎﻟﺠﺎﻡِ ﻤِﻥ ﺨﻤﺭِ ﺃَﻟﹶﺴﺕﹸ.
ﻏﺰﻝ ١٤٩
ﻗﻠﺒﻲ ﻏﻴﺭ ﺤﺏ ﺫﻭﻱ ﺍﻟﻭﺠﻭﻩ ﻜﺎﻟﺒﺩﻭﺭِ ﻻ ﻴﺨﺘﺎﺭ ﻁﺭﻴﻘﺎﹰ ،ﻤﻥ ﻜﹸلﱢ ﺒﺎﺏٍ ﺁﺘﻴﻪِ
ﺒﺎﻟﻨﱠﺼﻴﺤﺔِ ﻓﻼ ﺘﺅﺜﱢﺭ ﻓﻴﻪ؛
ﻷﺠلِ ﺍﷲِ ،ﺃﻱ ﻨﺎﺼِﺢ ،ﻗﹸلْ ﺤﺩﻴﺙﹶ ﺍﻟﻜﺄﺱِ ﻭﺍﻟﺨﻤﺭِ ،ﻓﻼ ﺘﺄﺜﻴﺭ ﺃﺠﻤلُ ﻤِﻥ ﺘﺄﺜﻴﺭِﻩِ ﻓﻲ
ﺨﻴﺎﻟِﻨﺎ؛
ﺘﻌﺎلَ ﺃﻱ ﺴﺎﻗﻲ ﻭﺭﺩﻱ ﺍﻟﺨﺩ ،ﻫﺎﺕِ ﺍﻟﺨﻤﺭﺓﹶ ﺍﻟﺤﻤﺭﺍﺀ ،ﻻ ﻓِﻜﹾﺭﺓﹶ ﺃﻓﻀلُ ﺘﺄﺜﻴﺭﺍﹰ ﺒِﻨﺎ
ﻤﻥ ﻫﺫﻩِ ﺍﻟﻔِﻜﹾﺭﺓ؛
)(١
ﻭﺍﻟﻨﱠﺎﺱ ﻴﻅﻨﹼﻭﻨﻬﺎ ﺩﻓﺘﺭ ﺍﻟﺩﻋﺎﺀ ،ﻭﺍﻋﺠﺒﻲ ﺇﺫﺍ ﻟﻡ ﺘﺄﺨﹸﺫِ ﺍﻟﻨﹼﺎﺭ ﺃﻨﺎ ﺃُﺨﻔﻲ ﺍﻟﺼﺭﺍﺤﻴﺔﹶ
ﺒﻬﺫﺍ ﺍﻟﺯﻭﺭِ ﻓﻲ ﺍﻟﺩﻓﹾﺘﹶﺭ؛
) (١اﻟﺼّﺮاﺣﯿّﺔُ إﻧﺎءُ اﻟﺨﻤﺮ.
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ﺃﻨﺎ ﺃُﺭﻴﺩ ﺃﻥ ﺃﺤﺭِﻕﹶ ﻫﺫﺍ ﺍﻟﺜﱠﻭﺏ ﺍﻟﺨﹶﻠﹶﻕﹶ ﺍﻟﻤﺭﻗﱠﻊ ﻴﻭﻤﺎﹰ ،ﺍﻟﺸﱠﻴﺦﹸ ﺒﺎﺌﻊ ﺍﻟﺨﻤﺭِ ﻻ ﻴﺸﺘﺭﻴﻪِ
ﻤﻨﹼﻲ ﺒِﺠﺎﻡٍ ﻭﺍﺤﺩٍ؛
ﺍﻷﺤﺒﺔﹸ ﻋِﻨﺩﻫﻡ ﺍﻟﺼﻔﺎﺀ ﻤِﻥ ﺨﹶﻤﺭِ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻪِ ،ﺫﻟِﻙ ﺍﻟﺠﻭﻫﺭ ﻻ ﺃﺜﹶﺭ ﻟِﻐﻴﺭ ﺍﻟﺤﻘﻴﻘﺔِ
ﻓﻴﻪِ؛
ﺭﺃﺴﻙ ﻭﺍﻟﻌﻴﻥ ﺘﺴﺒﻴﺎﻥِ ﺍﻟﻘﻠﻭﺏ ﻭﺘﻘﻭلُ ﻟﻲ ﺃﻥ ﺃﺭﻓﻊ ﻋﻴﻨﻲ ﻋﻨﻬﻤﺎ ،ﺍِﺫﻫﺏ ﻓﻬﺫﺍ
ﺍﻟﻭﻋﻅﹸ ﺒﻼ ﻤﻌﻨﻰ ﻻ ﻴﺅﺜﱢﺭ ﻓﻲ ﺭﺃﺴﻲ؛
ﻨﺎﺼِﺢ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﱠﺫﻱ ﻴﺤﺎﺭِﺏ ﺤﻜﹾﻡ ﺍﻟﻘﻀﺎﺀ ﺃﺭﺍﻩ ﻀﻴﻘﺎﹰ ﻜﺜﻴﺭﺍﹰ ﻗﻠﺒﻪ ،ﺇﻻﹼ ﺃﻥ ﻴﺄﺨﹸﺫﹶ
ﺍﻟﻜﺄﺱ؛
ﺃﻨﺎ ﺒﻴﻥ ﺍﻟﺒﻜﺎﺀِ ﺃﻀﺤﻙ ﻜﺎﻟﺸﱠﻤﻊِ ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﺠﻠِﺱ ،ﻋِﻨﺩﻱ ﻟﺴﺎﻥ ﻤﻥ ﺍﻟﻨﹶﺎﺭِ ﻭﻟﻜِﻥ
ﻻ ﻴﺅﺜﱢﺭ ﻓﻲ ﺃﻫلِ ﺍﻟﻤﺠﻠﺱ؛
ﺼِﺩﺕﹶ ﻗﻠﺒﻲ ،ﻴﺎ ﻟﻪ ﻤِﻥ ﺼﻴﺩٍ ﺠﻤﻴلٍ ،ﺃﺤﺴﻨﹶﺕﹾ ﻋﻴﻨﹸﻙ ﺍﻟﺴﻜﹾﺭﻯ ﻓﻠﻡ ﻴﺼِﺩ ﺸﺨﺹ
ﻁﺎﺌﺭﺍﹰ ﻭﺤﺸﻴﺎﹰ ﺃﺠﻤلَ ﻤِﻨﹾﻪ؛
ﻤﺎ ﻨﻔﻊ ﺍﻟﺤﺩﻴﺙِ ﺒﺎﺤﺘﻴﺎﺠِﻨﺎ ﻭﺍﺴﺘِﻐﻨﺎﺀِ ﺍﻟﻤﻌﺸﻭﻕِ ،ﻤﺎ ﻓﺎﺌﺩﺓﹸ ﺍﻟﺴﺤﺭِ ﻴﺎ ﻗﻠﺒﻲ ﺇﺫﺍ ﻜﺎﻥ
ﻻ ﻴﺅﺜﱢﺭ ﻓﻲ ﺍﻟﺤﺒﻴﺏ؟؛
ﺃﻨﺎ ﺴﺄﺤﻤِلُ ﺘِﻠﻙ ﺍﻟﻤِﺭﺁﺓﹶ ﻓﻲ ﻴﺩﻱ ﻴﻭﻤﺎﹰ ﻜﺎﻹﺴﻜﻨﺩﺭ ،ﺃﺨﹶﺫﹶﺕﹾ ﺒﻲ ﺍﻟﻨﱠﺎﺭ ﺯﻤﺎﻨﺎﹰ ﺃﻡ ﻟﻡ
ﺘﺄﺨﹸﺫﹾ؛
ﺇﻟﻬﻲ ،ﺭﺤﻤﺔﹰ ،ﺃﻱ ﻤﻨﻌِﻡ ،ﻓﺩﺭﻭﻴﺵﹸ ﺤﻤﺎﻙ ﻻ ﻴﻌﺭِﻑﹸ ﺒﺎﺒﺎﹰ ﺁﺨﹶﺭ ،ﻭﻻ ﻴﺴﻠﹸﻙ ﻁﺭﻴﻘﺎﹰ
ﺁﺨﹶﺭ؛
)(١
ﻜﻴﻑﹶ ﻻ ﻴﻐﻤﺭ ﺤﺎﻓِﻅﹶ ﺒﺎﻟﺫﹼﻫﺏِ ﻤِﻥ ﺒﻬﺫﺍ ﺍﻟﺸﱢﻌﺭِ ﺍﻟﻌﺫﺏِ ،ﻋﺠﺒﻲ ﻤِﻥ ﺍﻟﺸﹼﺎﻫﻨﺸﺎﻩ
ﺍﻟﺭﺃﺱِ ﺇﻟﻰ ﺍﻟﻘﹶﺩﻡ.
) (١ﺍﻟﺸﹼﺎﻫﻨﺸﺎﻩ ﻤﻠﻙ ﺍﻟﻤﻠﻭﻙ.
-١٦٧-
ﻏﺰﻝ ١٥٠
ﺍﻟﺴﺎﻗﻲ ﺇﺫﺍ ﺼﺏ ﺍﻟﺨﻤﺭ ﻋﻥ ﻴﺩٍ ﺒﺎﻟﺠﺎ ﻡِ ،ﻴﺩﻓﹶﻊ ﺍﻟ ﻌﺎﺭﻓﻴﻥ ﺠﻤﻴﻌﺎﹰ ﻟِﺸﹸﺭﺏ
ﺍﻟﻤﺩﺍﻡ؛
ﻭﺇﺫﺍ ﻤﺎ ﺃﻅﻬﺭ ﻗﻤﺤﺔﹶ ﺍﻟﺨﺎلِ ﻤِﻥ ﺘﺤﺕِ ﻓﺭﻋِﻪِ ﺍﻟﻤﺠﻌﺩِ ،ﻜﻡ ﻤﻥ ﻁﺎﺌﺭِ ﻋﻘلٍ ﻴﺄﺨﹸﺫﹸ ﻓﻲ
ﺍﻟﺸﱢﺒﺎﻙ؛
ﻴﺎ ﻟﹶﻠﹾﺤﻅﱢ ﺍﻟﺠﻤﻴلِ ﻟﺫﻟِﻙ ﺍﻟﺴﻜﱢﻴﺭِ ﺍﻟﱠﺫﻱ ﻻ ﻴﻌﺭِﻑﹸ ﻤﺎ ﻴﻠﻘﻲ ﻋﻠﻰ ﻗﹶﺩﻡِ ﺍﻟﺤﺭﻴﻑِ :ﺍﻟﺭﺃﺱ
ﺃﻡِ ﺍﻟﻌﻤﺎﻤﺔﹶ؛
ﺫﻟِﻙ ﺍﻟﺯﺍﻫﺩ ﺍﻟﺴﺎﺫﹶﺝ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﻨﻜِﺭ ﺍﻟﺨﻤﺭ ﻭﺍﻟﺠﺎﻡ ،ﺼﺎﺭ ﻨﺎﻀِﺠﺎﹰ ﺒﻌﺩ ﺃﻥ ﺃﻟﻘﻰ
ﻨﻅﺭﺓﹰ ﻋﻠﻰ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺨﺎﻟِﺼﺔ؛
ﺍﺸﺘﻐِلْ ﻨﻬﺎﺭﻙ ﺒﻜﹶﺴﺏِ ﺍﻟﻔﻀلِ ﻓﺈﻥ ﺸﹸﺭﺏ ﺍﻟﺨﻤﺭِ ﺒﺎﻟﻨﱠﻬﺎﺭِ ﻴﻠﻘﻲ ﺒﻤﺭﺁﺓِ ﺍﻟﻘﻠﺏِ ﻓﻲ
ﻅﹶﻼﻡِ ﺍﻟﺼﺩﺇ)(١؛
ﺇﻥ ﻭﻗﺕﹶ ﺍﻟﺨﹶﻤﺭِ ﺍﻟﻤﻀﻴﺌﺔِ ﻜﺎﻟﺼﺒﺢِ ،ﻫﻭ ﺯﻤﺎﻥ ﻴﻠﻘﻲ ﺍﻟﻠﹼﻴلُ ﺤِﺠﺎﺏ ﺍﻟﻤﺴﺎﺀِ ﻋﻠﻰ
ﺨﻴﻤﺔِ ﺍﻷُﻓﹸﻕ؛
ﻻ ﺘﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻤﻊ ﺍﻟﻤﺤﺘﹶﺴِﺏ) ،(٢ﺤﺫﺍﺭِ ،ﻴﺸﺭﺏ ﺨﻤﺭﻙ ﻭﻴﺭﻤﻲ ﺤﺠﺭﺍﹰ ﻋﻠﻰ
ﺍﻟﺠﺎﻡ؛
ﺤﺎﻓِﻅﹸ ﺇﺫﺍ ﻤﺎ ﺠﻌﻠﹶﻙ ﺒﺨﺘﹸﻙ ﺘﻔﻭﺯ ﺒﺎﻟﻘﹸﺭﻋﺔِ ﻟﻭﺼﺎلِ ﺫﻟِﻙ ﺍﻟﺒﺩﺭِ ﺍﻟﺘﱠﻤﺎﻡ ﻓﺎﺭﻓﻊ ﺭﺃﺴﻙ
ﻓﻭﻕﹶ ﺘﺎﺝِ ﻋﺎﻟﻴﺔِ ﺍﻟﺸﱠﻤﺱ.
) (١ﺸﹸﺭﺏ ﺍﻟﺨﹶﻤﺭِ ﺯﻤﺎﻨﹸﻪ ﺍﻟﻠﹼﻴل؛
) (٢ﺍﻟﻤﺤﺘﺴِﺏ ﻫﻭ ﺍﻟﻤﺄﻤﻭﺭ ﺃﻭ ﺍﻟﻤﻭﻅﱠﻑﹸ ﺍﻟﻤﻌﻴﻥ ﻋﻠﻰ ﺒﻠﹶﺩٍ ﻤﺎ ﻤﻥ ﻗِﺒلِ ﺍﻟﺤﺎﻜﻡِ ﺍﻟﻌﺎﻡ.
-١٦٨-
ﻏﺰﻝ ١٥١
ﺍﻟﻌﺎﻟﹶﻡ ﺒِﺄﺴﺭِﻩِ ﻻ ﻴﺴﺘﺤِﻕﱡ ﺤﻤلَ ﻏﹶﻡ ﻟﻠﺤﻅﹶﺔٍ ،ﺒِﻊ ﺨِﺭﻗﺘﻨﺎ ﺒﺎﻟﺨﹶﻤﺭِ ،ﻻ ﺜﹶﻤﻥ ﻟﻬﺎ ﺃﻓﻀلُ
ﻤﻥ ﻫﺫﺍ؛
ﻓﻲ ﺒﻼﺩِ ﺍﻟﺨﹶﻤﺭِ ،ﺍﻟﺨﻤﺎﺭ ﻻ ﻴﺸﺘﺭﻱ ﺴﺠﺎﺩﺓﹶ ﺍﻟﺘﱠﻘﻭﻯ ﺒِﺠﺎﻡٍ ،ﻴﺎ ﻟﺴﺠﺎﺩﺓٍ ﻻ ﺘﹸﺴﺎﻭﻱ
ﻜﺄﺴﺎﹰ ﻭﺍﺤِﺩﺓ!؛
ﻻﻤﻨﻲ ﺩﻭﻥ ﺒﺎﺒِﻬِﻡ ﺭﻗﻴﺒﻲ ﻭﻗﺎلَ ﺍﺭﺠِﻊ ﻋﻥ ﻫﺫﺍ ﺍﻟﺒﺎﺏ ،ﻤﺎ ﺤﺼلَ ﻟﺭﺃﺴﻲ ﺤﺘﹼﻰ
ﻻ ﻴﺴﺎﻭﻱ ﺘﹸﺭﺍﺏ ﺍﻷﻋﺘﺎﺏ؛
ﺘﺎﺝ ﺍﻟﺴﻠﻁﺎﻥِ ﺃُﺒﻬﺘﹸﻪ ﺨﹶﻁﹶﺭ ﻋﻠﻰ ﺍﻟﺭﻭﺡ ،ﻫﻭ ﻟﻠﺭﺃﺱِ ﺘﺎﺝ ﺠﻤﻴلٌ ﻟﻜِﻨﱠﻪ ﻻ ﻴﺴﺘﺤﻕﱡ
ﺍﻟﻤﺠﺎﺯﻓﹶ ﹶﺔ ﺒِﺘﹶﺭﻙِ ﺍﻟﺭﺃﺱ؛
ﻏﻡ ﺍﻟﺒﺤﺭِ ﺒِﺄﻤلِ ﺍﻟﺭﺒﺢِ ﻜﹶﻡ ﺘﺭﺍﺀﻯ ﻟﻲ ﺴﻬﻼﹰ ﺃﻭﻻﹰ ،ﻟﻘﹶﺩ ﻏﹶﻠﻁﹾﺕﹸ ،ﻤﺌﺎﺕﹸ ﺍﻟﺠﻭﺍﻫِﺭِ
ﻻ ﺘﻌﺩِلُ ﻫﺫﺍ ﺍﻟﻁﱡﻭﻓﺎﻥ؛
ﺇﺨﻔﺎﺀ ﻭﺠﻬِﻙ ﻋﻥِ ﺍﻟﻤﺸﺘﺎﻗﻴﻥ ﺨﻴﺭ ﻟﻙ ،ﺴﻌﺎﺩﺓﹸ ﺍﻟﺴﻴﻁﹶﺭﺓِ ﻋﻠﻰ ﺍﻟﻌﺎﻟﹶﻡِ ﻻ ﺘﻌﺩِلُ ﻏﻡ
ﺠﻴﺵِ ﺍﻟﻤﺤﺒﻴﻥ؛
ﺍﺴﻊ ﺃﻥ ﺘﻜﹸﻭﻥ ﻓﻲ ﺍﻟﻘﻨﺎﻋﺔِ ﻜﺤﺎﻓِﻅﹶ ،ﻭﺍﺘﺭﻙِ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺴﺎﻓِﻠﹶﺔﹶ ﻓﺈﻥ ﻓِﻠﹾﺴﺎﹰ ﻴﻤﻥ ﺒِﻪِ
ﺍﻷﺩﻨﻴﺎﺀ ﻻ ﻴﻌﺩِلُ ﻤِﺌﺘﹶﻲ ﺭﻁﹾلٍ ﻤِﻥ ﺍﻟﺫﹼﻫﺏ.
ﻏﺰﻝ ١٥٢
ﻁﺎﻓﹶﺕﹾ ﻋﻠﻰ ﺍﻟﻜﻭﻥِ ﻨﺎﺭ ﺍﻟﻌِﺸﹾﻕِ ﺒﺎﻟﺸﱡﻌلِ ﻟﹶﻤﺎ ﺴﻨﺎﻙ ﺘﹶﺠﻠﹼﻰ ﻤِﻥ ﻟﹶـﺩﻯ ﺍﻷﺯلِ
ﺒﻪِ ﺠﻤﺎﻟـﻙ ﻟﹶﻤـﺎ ﺒـﺎﻥ ﻟِﻠﹾﻤﻘﹶـلِ ﻭﻏﺎﺭ ﻤِﻥ ﺁﺩﻡٍ ﺇﺒﻠﻴﺱ ﺤـﻴﻥ ﺭﺃﻯ
ﻨﺎﺭﺍﹰ ﻓﹶﺄﻭﻤﺎ ﺒِﺒﺭﻕٍ ﻤِﻨﹾـﻪ ﻤـﺸﹾﺘﹶﻌِلِ ﺘﹶﻘﹶﺩﻡ ﺍﻟﻌﻘﹾلُ ﻨﹶﺤﻭ ﺍﻟﻨﱡـﻭﺭِ ﻤﻘﹾﺘﹶﺒِـﺴﺎﹰ
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ﻓﻲ ﻤِﺤﺭﻡِ ﺍﻟﺴﺭ ﻟﻜِﻥ ﺼﺩ ﻓﻲ ﻋﺠلِ ﻭﺭﺍﻡ ﺨﹶﻠﹾﻑﹶ ﺍﻟﺴﺘﺎﺭِ ﺍﻟﻤﺩﻋﻲ ﻨﹶﻅﹶﺭﺍﹰ
ﻭﻗﹸﺭﻋﺘﻲ ﺤﺯﻥ ﻟﻠﻘﹶﻠﹾﺏِ ﻭﺍﻟﻤﻘﹶـلِ ﻭﻗﹸﺭﻋﺔﹸ ﺍﻵﺨﹶﺭﻴﻥ ﺍﻟﻌﻴﺵﹸ ﻓﻲ ﺭﻏﹶﺩٍ
ﻓﻲ ﺍﻷﺯلِ ﻀﻴﺎﺀ ﺤﺴﻨِﻙ ﺘﹶﻨﹶﻔﱠﺱ ﻤِﻥ ﺍﻟﺘﱠﺠﻠﹼﻰ ،ﻅﹶﻬﺭ ﺍﻟﻌِﺸﹾﻕﹸ ﻭﺃﺸﹾﻌلَ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﹸﻠﹼﱢﻪ؛
ﺘﺠﻠﹼﻰ ﻭﺠﻬﻙ ﺠﻠﻭﺓﹰ ،ﺭﺁﻩ ﻤﻠﹶﻙ ،ﻟﹶﻡ ﻴﻜﹸﻥ ﻴﻤﻠﻙ ﺍﻟﻌِﺸﹾﻕﹶ ،ﻓﻜﺎﻨﺕﹾ ﻋﻴﻥ ﻨﺎﺭٍ ﻤِﻥ ﻫﺫِﻩِ
ﺍﻟﻐﹶﻴﺭﺓِ ﺭﻤﻰ ﺒﻬﺎ ﺁﺩﻡ؛
ﺃﺭﺍﺩ ﺍﻟﻌﻘﹾلُ ﺃﻥ ﻴﺸﻌِلَ ﺍﻟﺴﺭﺍﺝ ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﺸﱡﻌﻠﹶﺔِ ﻓﻠﹶﻤﻊ ﺒﺭﻕﹸ ﺍﻟﻐﹶﻴﺭﺓِ ﻭﺃﺜﺎﺭ
ﺍﻻﻀﻁِﺭﺍﺏ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ؛
ﺃﺭﺍﺩ ﺍﻟﻤﺩﻋﻲ ﺍﻟﻨﱠﻅﹶ ﺭ ﻓﻲ ﻤﻌﺭﺽِ ﺍﻟﺴﺭ ،ﻓﺠﺎﺀﺕﹾ ﻴﺩ ﺍﻟﻐﻴﺏِ ﻭﺩﻓﹶﻌﺘﻪ ﻤِﻥ ﺍﻟﺼﺩﺭِ
ﻏﻴﺭِ ﺍﻟﻤﺤﺭِﻡ؛
ﻤِﻥ ﻗﹸﺭﻋﺔِ ﺍﻟﻘِﺴﻤﺔِ ﻁﻠﺏ ﺍﻵﺨﺭﻭﻥ ﺃﺠﻤﻌﻭﻥ ﻋﻴﺸﺎﹰ ﺭﻏﻴﺩﺍﹰ ،ﻭﻗﻠﺒﻨﺎ ﺍﻟﻤﺤﺯﻭﻥ ﻁﹶﻠﹶﺏ
ﺍﻟﻬﻡ ﻋﻠﻰ ﺍﻟﻐﹶﻡ؛
ﺍﻟﺭﻭﺡ ﺍﻟﻌﻠﻭﻴﺔﹸ ﻋﻨﺩﻫﺎ ﻫﻭﺱ ﻟِﺒﺌﺭِ ﺫﻗﹾﻨِﻙ ،ﻭﻗﺩ ﻭﻀﻌﺕِ ﺍﻟﻴﺩ ﻓﻲ ﺤﻠﻘﹶﺔٍ ﻤِﻥ ﺤﻠﻘﺎﺕِ
ﻓﺭﻋِﻙ ﺍﻟﻤﺠﻌﺩ؛
ﺤﺎﻓِﻅﹸ ،ﻓﻲ ﺫﻟِﻙ ﺍﻟﻴﻭﻡِ ﺍﻟﱠﺫﻱ ﻜﺘﺏ ﻓﻴ ِﻪ ﺍﻟﻘﹶﻠﹶﻡ ﺭِﺴﺎﻟﹶﺔﹶ ﻁﹶﺭﺏِ ﻋِﺸﹾﻘِﻙ ،ﻤﺭ ﻋﻠﻰ ﺃﺴﺒﺎﺏِ
ﺍﻟﺴﺭﻭﺭِ ﻟِﻠﻘﻠﺏِ ﺠﻤﻠﹶﺔﹰ ﻓﻤﺤﺎﻫﺎ.
ﺸﺭﺡ :ﻓﻲ ﺍﻟﻴﻭﻡِ ﺍﻷﻭلِ ﻟﻠﺨﻠﻕ ﺤﻴﻥ ﻅﻬﺭ ﺠﻤﺎﻟﹸﻙ ﻟﻠﺨﻼﺌﻕ ﻜﺎﻨﺕ ﻭﻻﺩﺓﹸ ﺍﻟﻌﺸﻕ ﺍﻟﱠﺫﻱ ﺃﺸﻌلَ
ﺍﻟﻭﺠﻭﺩ ﺒﻨﺎﺭﻩ؛ ﻭﺤﻴﻥ ﺭﺃﻯ ﺇﺒﻠﻴﺱ ﺍﻟﱠﺫﻱ ﻟﻴﺱ ﻓﻲ ﻓﻁﺭﺘﻪِ ﺍﻟﻌﺸﻕﹸ ﺠﻤﺎﻟﻙ ﻅﺎﻫﺭﺍﹰ ﻓﻲ
ﺁﺩﻡ )ﻉ( ،ﻜﺎﻨﺕ ﻋﻴﻥ ﻨﺎﺭٍ ﻤﻥ ﺍﻟﻐﻴﺭﺓِ ﺭﻤﻰ ﺒﻬﺎ ﺁﺩﻡ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﻋِﻠﱠﺔﹸ
ﺇﺒﻠﻴﺱ ﺃﻨﺎ ﺨﻴﺭ ﻤﻨﻪ ،ﻭﻜﻴﻤﻴﺎﺀ ﺍﻟﺸﱠﻘﻲ ﺴﻡ؛ ﺃﺭﺍﺩ ﺍﻟﻌﻘلُ ﺃﻥ ﻴﺸﻌِلَ ﺴﺭﺍﺠﻪ ﻤﻥ ﺫﻟﻙ
ﺍﻟﻨﱡﻭﺭ ﻓﻠﻤﻊ ﺒﺭﻕﹸ ﺍﻟﻐﻴﺭﺓِ ﻭﻜﺎﻥ ﺍﻀﻁﺭﺍﺏ ﻀﺭﺏ ﺍﻟﻌﺎﻟﹶﻡ؛ ﺃﺭﺍﺩ ﺍﻟﻤﺩﻋﻲ ﻤﻌﺭﻓﺔﹶ
ﺍﻷﺴﺭﺍﺭِ ﺍﻟﻐﻴﺒﻴﺔ ﻓﻅﻬﺭﺕﹾ ﻴﺩ ﺍﻟﻐﻴﺏ ﻤﻥ ﺨﻠﻑِ ﺍﻟﺴﺘﺎﺭِ ﻭﺩﻓﻌﺘﻪ ﻤﻥ ﺼﺩﺭِﻩ ﻷﻨﱠﻪ ﻟﻡ
ﻴﻜﹸﻥ ﻤﺤﺭِﻤﺎﹰ ،ﻭﺍﻟﻤﺩﻋﻲ ﻫﻭ ﺼﺎﺤِﺏ ﺍﻷﻨﺎﻨﻴﺔ ﻭﻋﺎﺒﺩ ﺍﻟﻨﱠﻔﺱِ ،ﻭﻻ ﻴﻤﻜِﻥ ﻟﻤﻥ ﻓﻴﻪِ ﺃﺜﺭ
ﻤﻥ ﺍﻷﻨﺎﻨﻴﺔِ ﺃﻥ ﻴﺘﻘﺩﻡ ﻓﻲ ﻤﺴﻠﹶﻙِ ﺍﻟﻘﺭﺏِ ﻭﺘﻨﻜﺸﻑﹶ ﻟﻪ ﺍﻟﺤﺠﺏ ،ﻭﺍﻟﻤﺤﺭِﻡ ﻫﻭ ﺍﻟﻤﻬﺎﺠِﺭ
ﻋﻥ ﺍﻟﻨﹼﻔﺱ ﻭﺍﻟﻤﺘﺨﻠﱢﺹ ﻤﻥ ﺍﻷﻨﺎﻨﻴﺔ.
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ﻏﺰﻝ ١٥٣
ﻓﻲ ﺍﻟﺴﺤﺭِ ﻭﻗﹶﺩ ﻨﹶﺼﺏ ﻤﻠِﻙ ﺍﻟﻤﺸﺭِﻕِ ﺍﻟﻌﻠﹶﻡ ﻋﻠﻰ ﺍﻟﺠِﺒﺎل ،ﻁﹶﺭﻕﹶ ﺤﺒﻴﺒﻲ ﺒﻴﺩِ
ﺍﻟﻤﺭﺤﻤﺔ ﺒﺎﺏ ﺍﻟﺭﺍﺠﻴﻥ(١)؛
ﻭﻟﻤﺎ ﺒﺎﻥ ﻟﻠﺼﺒﺢِ ﺤﺎلُ ﺸﹶﻤﺱِ ﺍﻟﻔﹶﻠﹶﻙِ ﻤﺎ ﻫﻭ ،ﺠﺎﺀ ﻴﻀﺤﻙ ﻀﺤﻜﹶﺔﹰ ﺠﻤﻴﻠﹶﺔﹰ ﻤِﻥ
ﻏﺭﻭﺭِ ﺍﻟﻤﻠﻭﻙِ ﺍﻟﺴﻌﺩﺍﺀ؛
ﻤﺤﺒﻭﺒﻲ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺤﻴﻥ ﻗﺎﻡ ﻓﻲ ﺍﻟﻤﺠﻠِﺱِ ﺒِﻌﺯﻡِ ﺍﻟﺭﻗﺹِ ،ﻓﻙ ﻋﻘﺩﺓﹰ ﻤِﻥ ﺍﻟﺤﺎﺠِﺏِ
ﻭﺭﺒﻁﹶ ﺒﻬﺎ ﻗﻠﻭﺏ ﺍﻟﻤﺤﺒﻴﻥ؛
ﺃﻨﺎ ﻟﺤﻅﹶﺔﹶ ﻏﹶﺴﻠﹾﺕﹸ ﺍﻟﻴﺩ ﻤِﻥ ﻟﻭﻥِ ﺍﻟﺼﻼﺡِ ﺒِﺩﻡِ ﺍﻟﻘﻠﺏِ ،ﻋﻴﻨﹸﻪ ﺍﻟﻤﺨﻤﻭﺭﺓﹸ ﺃﻭﻗﹶﺩﺕﹾ
ﻟﻠﻌﻘﻼﺀِ ﺍﻟﻨﱠﺎﺭ؛
ﻤﻥِ ﺍﻟﱠﺫﻱ ﻋﻠﱠﻡ ﻗﻠﺒﻪ ﻤِﻥ ﺍﻟﺤﺩﻴﺩِ ﺍﻟﻘﺎﺴﻲ ﺃُﺴﻠﻭﺏ ﺍﻟﻌﻴﺎﺭﻴﻥ) ،(٢ﻓﻤﻨﺫﹸ ﺃﻭلِ ﻤﺎ ﺨﹶﺭﺝ
ﻗﻁﻊ ﻁﺭﻴﻕﹶ ﺍﻟﻘﺎﺌﻤﻴﻥ ﺒﺎﻟﻠﹼﻴل؛
ﻭﻟﹶﻘﹶﺩ ﻁﹶﻤِﻊ ﻗﻠﺒﻲ ﺍﻟﻤِﺴﻜﻴﻥ ﺒﺒﻠﻭﻍِ ﺸﺎﻩِ ﺍﻟﻔﹸﺭﺴﺎﻥِ ،ﻭﻓﺠﺄﺓﹰ ﺘﹶﺭﻜﹶﻨﻲ ،ﻴﺎ ﺭﺏ ﺍﺤﻔﹶﻅﹾﻪ ﻓﻘﺩ
ﺩﺨﹶلَ ﻭﺴﻁﹶ ﺍﻟﻔﹸﺭﺴﺎﻥِ؛
ﺒﻤﺎﺀِ ﻭﻟﻭﻥِ ﻋﺎﺭِﻀِﻪِ ﻜﻡ ﻤِﻥ ﺭﻭﺡٍ ﺩﻓﹶﻌﻨﺎ ﻭﻜﻡ ﻤِﻥ ﺩﻡٍ ﺸﹶﺭِﺒﻨﺎ ،ﻭﺤﻴﻥ ﺍﺭﺘﹶﺴﻡ ﻟﻨﺎ
ﺭﺴﻤﻪ ﻜﺎﻥ ﺃﻭلُ ﺭﻗﹶﻡٍ ﻓﻴﻪِ ﺃﻥ ﻨﹸﺴﻠِﻡ ﺍﻟﺭﻭﺡ)(٣؛
) (١ﻤﻠﻙ ﺍﻟﻤﺸﺭﻕ ﺍﻟﺸﹼﻤﺱ ،ﻭﻨﹶﺼﺏ ﺍﻟﻌﻠﹶﻡ ﻋﻠﻰ ﺍﻟﺠِﺒﺎلِ ﺍﺴﺘﻭﻟﻰ ﻋﻠﻴﻬﺎ ،ﻭﺍﻷﺒﻴﺎﺕﹸ ﺍﻷﺨﻴﺭﺓ ﻓﻲ
ﻤﺩﺡِ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ ﻜﻤﺎ ﻫﻭ ﻅﺎﻫﺭ؛
) (٢ﺍﻟﻌﻴﺎﺭﻭﻥ :ﻗﹸﻁﹼﺎﻉ ﺍﻟﻁﱡﺭﻕ؛
) (٣ﻟِﻨﹶﺭﺴﻡ ﺼﻭﺭﺓﹶ ﻭﺠﻬِﻪِ ﺒﺎﻟﻤﺎﺀِ ﻭﺍﻟﻠﹼﻭﻥِ ﻓﻲ ﻤﺭﺴﻡِ ﺨﻴﺎﻟِﻨﺎ ،ﻜﻡ ﺘﻌﺫﱠﺒﻨﺎ ،ﺤﺘﱠﻰ ﺇﺫﺍ ﻤﺎ ﺒﺩﺃﺕ
ﺘﺭﺘﺴِﻡ ﻟﻨﺎ ﻅﻬﺭ ﻓﻴﻬﺎ ،ﺃﻭلَ ﻤﺎ ﻅﹶﻬﺭ ،ﺭﻗﹶﻡ ﻴﻁﻠﹸﺏ ﻤِﻨﱠﺎ ﺃﻥ ﻨﺩﻓﹶﻊ ﺍﻟﺭﻭﺡ.
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ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻟِﺒﺎﺴﻲ ﺨِﺭﻗﹶﺔﹲ ﻤِﻥ ﺍﻟﺼﻭﻑِ ،ﻤﺘﻰ ﺃﻤﺴِﻙ ﻓﻲ ﺸﹶﺒﻜﹶﺘﻲ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺫﻭﺍﺌﺒﻪ ﻤِﻥ
ﺍﻟﺫﱠﻫﺏِ ،ﻭﺃﻫﺩﺍﺒﻪ ﺘﻘﺘﹸلُ ﺍﻟﻤﺎﻫﺭﻴﻥ ﻓﻲ ﻀﺭﺏِ ﺍﻟﺨﹶﻨﺠﺭ؛
ﻨﹶﻅﹶﺭﺕﹸ ﻓﺭﺃﻴﺕﹸ ﻗﹸﺭﻋﺔﹸ ﺍﻟﺘﱠﻭﻓﻴﻕِ ﻭﺍﻟﻴﻤﻥِ ﻟِﺩﻭﻟﹶﺔِ ﺍﻟﺸﱠﺎﻩ ،ﺃﻋﻁِ ﻤﺭﺍﺩ ﺍﻟﻘﹶﻠﺏِ ﺤﺎﻓِﻅﹶ ﻓﻘﺩ
ﻀﺭﺏ ﻟﻙ ﻓﹶﺄلَ ﺍﻟﺴﻌﺩﺍﺀ؛
ﻤﻠِﻙ ﺍﻟﻤﻠﻭﻙِ ﺍﻟﻤﻅﹶﻔﱠ ﺭ ﺸﹸﺠﺎﻉ ﻤﻨﺼﻭﺭ ،ﻤﺎﻟِﻙ ﻤﻠﹾﻙٍ ﻭﺩﻴﻥ ،ﺠﻭﺩﻩ ﺍﻟﺨﺎﻟِﺹ ﻴﻀﺤﻙ
ﻋﻠﻰ ﻏﻴﻡِ ﺍﻟﺭﺒﻴﻊ؛
ﻭﻤﻨﺫﹸ ﺘﻠﻙ ﺍﻟﺴﺎﻋﺔِ ﺍﻟﱠﺘﻲ ﺘﹶﺸﺭﻑﹶ ﺒﻬﺎ ﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﺒﻴﺩِﻩِ ،ﻭﺍﻟﺯﻤﺎﻥ ﻴﻘﺭﻉ ﻜﺄﺱ
ﺍﻟﺴﺭﻭﺭِ ﺒِﺫِﻜﹾﺭِ ﺍﻟﺸﹼﺎﺭﺒﻴﻥ ﺍﻟﻤﻌﺎﻗﺭﻴﻥ؛
ﻤِﻥ ﻴﻭﻡ ﺒﺭِﻕﹶ ﺍﻟﻅﱠﻔﹶﺭ ﻤِﻥ ﺴﻴﻔِﻪِ ﺍﻟﱠﺫﻱ ﻴﻘﻁﹶﻊ ﺍﻟﺭﺅﻭﺱ ،ﻭﻫﻭ ﻜﺎﻟﺸﱠﻤﺱِ ﺤﺎﺭِﻗﹶﺔِ
ﺍﻷﻨﺠﻡِ ،ﻴﻬﺯﻡ ﺍﻷﻟﻭﻑﹶ ﻭﺤﺩﻩ؛
ﺍﻁﻠﹸﺏ ﺩﻭﺍﻡ ﻋﻤﺭِﻩِ ﻭﻤﻠﻜِﻪِ ﻤﻥ ﻟﹸﻁﹾﻑِ ﺍﻟﺤﻕﱢ ﻴﺎ ﻗﻠﺒﻲ ،ﻟﻴﺩﻭﻡ ﻤﻠﻜﹸﻪ ﻭﺴﻠﻁﺎﻥ ﺩﻭﻟﹶﺘِﻪِ ﻤﺎ
ﺩﺍﻤﺕِ ﺍﻷﺯﻤﺎﻥ.
ﻏﺰﻝ ١٥٤
ﻭﺍﺸﺩ ﺸِﻌﺭﺍﹰ ﻴﺩﻋﻭ ﻟِﺨﻤﺭِ ﺍﻟـﺩﻨﺎﻥ ﻏﻥ ﻟﺤﻨـﺎﹰ ﺒِـﻪِ ﻴﻁﻴـﺏ ﺍﻟﺒﻜـﺎﺀ
ﺒﺎﻟِﻎﹲ ﻤِﻥ ﺃﻋﺎﻟﻲ ﺍﻟـﺴﻤﺎﺀِ ﺍﻟﻌﻨـﺎﻥ ﺍﻟﺼﻭﺕﹸ ﻭﺍﻟﺭﺃﺱ ﻓﻲ ﺠﻨﺎﺏِ ﺍﻟﺤﺒﻴﺏ
ﺒﺎﻥ ﺴﻬﻼﹰ ﻗﺩﻱ ﺍﻟﱠﺫﻱ ﺍﻨﺤﻨﻰ ﻜﻘـﻭﺱٍ ﻭﻤـﺎ ﻟِﻌـﻴﻥِ ﺍﻟﻌـﺩﻭ ﻤِﻨـﻪ ﺍﻷﻤـﺎﻥ
ﺍِﺸﹾﺭﺏ ﻭﺸﹶﻴﺦﹶ ﺍﻟﻤﻐﺎﻥِ ﺠﺎﻡ ﺍﻟﻤﻐﺎﻥ ﻜﻨ ﺯ ﻟﹸﻌﺒﺔﹶ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺱ ﻓﻲ ﺍﻟﺨﺎﻨِﻘﺎﻩ
ـﺭﺍﻥ
ـﺴﺒﻨﺎ ﺨِﺭﻗﹶـﺔﹲ ﺘﺄﻜﹸـلُ ﺍﻟﻨﱢﻴـ
ﺤـ ﺍﻟﺩﺭﻭﻴﺵﹸ ﻟﻴﺱ ﻴﻘﹾﺼﺩ ﺍﻟـﺴﻠﹾﻁﺎﻥ
ﻴﻤﻜِﻥ ﺍﻟﻀﺭﺏ ﻓﻲ ﻤﻌﺎﻨﻲ ﺍﻟﺒﻴـﺎﻥ ﺒﺎﺠﺘِﻤﺎﻉِ ﺍﻟﺸﱠﺒﺎﺏِ ﻭﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﻌِﺸﹾﻕِ
ﻓﻠﺘﹶﻜﹸﻥ ﺘﺎﺭِﻙ ﺍﻟﺭﻴﺎ ﺒِﺤـﻕﱢ ﺍﻟﻘﹸـﺭﺁﻥ ﺤﺎﻓِﻅﹸ ﻁِﻴـﺏ ﺍﻟﺤﻴـﺎﺓِ ﺒﺎﻻِﻤﻜـﺎﻥِ
-١٧٢-
ﺍﻋﺯِﻑﹾ ﻟﻨﺎ ﻟﺤﻨﺎﹰ ﺤﺯﻴﻨﺎﹰ ﻨﺴﺘﻁﻴﻊ ﺍﻟﺘﱠﺄﻭﻩ ﻋﻠﻴﻪِ ﻭﺍﻟﺒﻜﺎﺀ ،ﻭﺍﻗﺭﺃْ ﻋﻠﻴﻨﺎ ﺸِﻌﺭﺍﹰ
)(١
؛ ﺇﺫﺍ ﻜﻨﺕﹶ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻀﻊ ﺍﻟﺭﺃﺱ ﻓﻲ ﻨﺴﺘﻁﻴﻊ ﻤﻌﻪ ﺃﻥ ﻨﺸﺭﺏ ﺭﻁﻼﹰ ﺜﻘﻴﻼﹰ
ﺃﻋﺘﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ،ﺼﻭﺕﹸ ﺼﺭﺍﺥِ ﺭﺃﺴِﻙ ﺍﻟﻌﺎﻟﻲ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺒﻠﹸﻎﹶ ﻋِﻨﺎﻥ ﺍﻟﺴﻤﺎﺀ)(٢؛ ﻗﺩﻱ
ﺍﻟﻤﻨﺤﻨﻲ ﺒﺎﻥ ﺴﻬﻼﹰ ﻟﻙ ﻟﻜِﻥ ﺍﻟﺴﻬﻡ ﻤﻥ ﻫﺫِﻩِ ﺍﻟﻘﻭﺱِ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺼﻴﺏ ﻋﻴﻥ
ﺍﻷﻋﺩﺍﺀِ)(٣؛ ﺒﺎﺏ ﺍﻟﺨﺎﻨﻘﺎﻩ ﻻ ﻴﻜﻨﺯ ﺃﺴﺭﺍﺭ ﻟﹸﻌﺒﺔِ ﺍﻟﻌِﺸﹾﻕِ ،ﺃﻨﺕﹶ ﻗﺎﺩِﺭ ﻋﻠﻰ ﻗﺭﻉِ ﺠﺎﻡِ ﺨﻤﺭِ
ﺍﻟﻤﻐﺎﻥِ ﻤﻊ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥ)(٤؛ ﺴﺭﺍﻴﺎ ﺍﻟﺴﻠﻁﺎﻥِ ﻻ ﻴﺠِﺏ ﺃﻥ ﺘﻜﻭﻥ ﻤﺠﻠِﺴﺎﹰ ﻟﻠﺩﺭﻭﻴﺵ،
ﺤﺴﺒﻨﺎ ﺨِﺭﻗﹶﺔﹲ ﻗﺩﻴﻤﺔﹲ ﺘﺄﻜﹸﻠﹸﻬﺎ ﺍﻟﻨﱠﺎﺭ)(٥؛ ﺃﻫلُ ﺍﻟﻨﱠﻅﹶﺭِ ﻴﻘﺎﻤِﺭﻭﻥ ﺒﺎﻟﻌﺎﻟﹶﻤﻴﻥِ ﻋﻠﻰ ﻨﹶﻅﹾﺭﺓٍ
ﻭﺍﺤِﺩﺓ ،ﻫﻭ ﺍﻟﻌِﺸﹾﻕﹸ ﻭﺃﻭلُ ﻟﹸﻌﺒﺔٍ ﻓﻴﻪِ ﺘﹸﻠﻌﺏ ﺒِﻨﻘﺩِ ﺍﻟﺭﻭﺡِ)(٦؛ ﺇﺫﺍ ﻜﺎﻨﺕﹾ ﺩﻭﻟﹶﺔﹸ ﻭِﺼﺎﻟِﻙ ﺘﹸﺭﻴﺩ
ﺃﻥ ﺘﹶﻔﺘﹶﺢ ﺍﻟﺒﺎﺏ ،ﺍﻟﺭﺅﻭﺱ ﺒﻬﺫﺍ ﺍﻟﺘﱠﺨﻴلِ ﺘﹸﻼﻤِﺱ ﺍﻷﻋﺘﺎﺏ؛ ﺍﻟﻌِﺸﹾﻕﹸ ﻭﺍﻟﺴﻜﹾﺭ ﻭﺍﻟﺸﱠﺒﺎﺏ
ﻤﺠﻤﻭﻋﺔﹸ ﺍﻟﻤﺭﺍﺩِ ،ﺇﺫﺍ ﺍﺠﺘﹶﻤﻌﺕﹾ ﻴﻤﻜِﻥ ﺍﻟﻠﱠﻌِﺏ ﺒﻜﹸﺭﺓِ ﺍﻟﺒﻴﺎﻥ)(٧؛ ﻓﺭﻋﻙ ﻗﺎﻁِﻊ ﻁﺭﻴﻕِ
ﺍﻟﺴﻼﻤﺔِ ،ﻻ ﻋﺠﺏ ﻟﻭ ﻜﹸﻨﺕﹶ ﻗﺎﻁِﻊ ﻁﺭﻴﻕٍ ﺃﻥ ﺘﺴﺘﻭﻟﻲ ﻋﻠﻰ ﻤﺌﺔِ ﻗﺎﻓﻠﹶﺔ؛ ﺤﺎﻓﻅﹸ ﺒِﺤﻕﱢ
ﺍﻟﻘﹸﺭﺁﻥِ ﻋﺩ ﻋﻥِ ﺍﻟﻤﻜﹾﺭِ ﻭﺍﻟﺭﻴﺎﺀ ،ﻋﺴﻰ ﻴﻁﻴﺏ ﻋﻴﺸﹸﻙ ﻓﻲ ﻫﺫﻩِ ﺍﻟﺩﻨﻴﺎ ﻭﺘﺤﻴﺎ ﻓﻲ ﻫﻨﺎﺀ.
) (١ﺃﻴﻬﺎ ﺍﻟﻤﻁﺭِﺏ ﻏﻥ ﻟﻨﺎ ﻟﺤﻨﺎﹰ ﺤﺯﻴﻨﺎﹰ ﻤﻥ ﻤﻘﺎﻤﺎﺕِ ﺃﻟﺤﺎﻨِﻙ ﺍﻟﺤﺯﻴﻨﺔِ ﻭﺃَﺜِﺭ ﺸﺠﻭﻨﹶﻨﺎ ﻭﻫﻴﺞ
ﺒﻜﺎﺀﻨﺎ ،ﻭﺍﻗﺭﺃْ ﻋﻠﻴﻨﺎ ﺸِﻌﺭﺍﹰ ﻴﻁﺭِﺒﻨﺎ ﻭﻴﻐﺭﻴﻨﺎ ﺒﺎﻟﺸﱠﺭﺍﺏِ ﻟِﻨﺸﺭﺏ ﺭﻁﻼﹰ ﺜﻘﻴﻼﹰ ﻤﻥ ﺍﻟﺨﻤﺭ؛
ﺕ ﻓﻲ ﺃﻋﺘﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ﺘﹶﻔﺘﱠﺢ ﻟﻙ ﺃﺒﻭﺍﺏ ﺍﻟﺴﻤﺎﺀِ ﻭﻴﺼﻌﺩ ﻤﻨﻙ ﺍﻟﺼﻭﺕﹸ ﺇﻟﻰ
)(٢)(٢ﺇﺫﺍ ﺩﻋﻭ ﹶ
ﺃﻋﺎﻟﻲ ﺍﻟﺴﻤﺎﺀ؛
) (٣ﺃﻨﺎ ﺃﺒﺩﻭ ﻟﻙ ﻀﻌﻴﻔﺎﹰ ﺒِﻘﺎﻤﺘﻲ ﺍﻟﻤﻨﺤﻨﻴِ ﺔ ﻜﺄﻨﱠﻬﺎ ﻗﻭﺱ ،ﻟﻜﻥ ﻗﻭﺱ ﻗﺎﻤﺘﻲ ﻟﻴﺴﺕ ﺴﻬﻠﺔﹰ ﻭﺘﺴﺘﻁﻴﻊ
ﺃﻥ ﺘﺼﻴﺏ ﺒِﺴِﻬﺎﻤِﻬﺎ ﻋﻴﻭﻥ ﺍﻷﻋﺩﺍﺀ؛
) (٤ﻜﻨ ﺯ ﻟﹸﻌﺒﺔِ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺱ ﻓﻲ ﺍﻟﺨﺎﻨﻘﺎﻩ)ﺨﺎﻥ ﺍﻟﺩﺭﺍﻭﻴﺵ( ،ﻟﻥ ﺘﺠِﺩ ﺨﻤﺭ ﺍﻟﻤﺠﻭﺱِ ﺇﻟﱠﺎ ﻋِﻨﺩ
ﺍﻟﻤﺠﻭﺱ ،ﻭﺃﻨﺕﹶ ﺘﻘﺩِﺭ ﺃﻥ ﺘﺸﺭﺏ ﺨﻤﺭ ﺍﻟﻤﺠﻭﺱِ ،ﺤﺘﱠﻰ ﻤﻊ ﺸﻴﺦِ ﺍﻟﻤﺠﻭﺱ؛
) (٥ﺩﺭﻭﻴﺸﹸﻨﺎ ﻨﺤﻥ ﻻ ﻴﻌﺭِﻑﹸ ﺃﺒﻭﺍﺏ ﺍﻟﺴﻼﻁﻴﻥ ،ﻭﻻ ﻴﻘﺼﺩﻫﺎ ،ﻭﻻ ﻴﺴﺄلُ ﺃﺤﺩﺍﹰ ﺸﻴﺌﺎﹰ ،ﻭﻨﺤﻥ
ﻴﻜﻔﻲ ﺍﻟﻭﺍﺤِﺩ ﻤﻨﹼﺎ ﺜﻭﺏ ﻤﺭﻗﱠﻊ ﺘﺄﻜﹸﻠﹸﻪ ﺍﻟﻨﱠﺎﺭ ،ﺃﻱ ﻴﻜﻭﻥ ﻤﻘﺒﻭﻻﹰ ﻤﻥ ﺍﷲ ﻜﻘﹸﺭﺒﺎﻥٍ ﺘﺄﻜﹸﻠﹸﻪ ﺍﻟﻨﱠﺎﺭ؛
) (٦ﻟﻴﺱ ﺍﻟﻌِﺸﹾﻕﹸ ﺒﺎﻷﻤﺭِ ﺍﻟﻴﺴﻴﺭِ ،ﺇﻨﱠﻪ ﻟﹶﺸﹶﻲﺀ ﺨﻁﻴﺭ ،ﺩﻋﺔﹸ ﺍﻟﻌﻴﺵِ ﻻ ﺘﻜﻭﻥ ﻤﻌﻪ ،ﻭﻻ ﻴﻨﺎلُ ﺇﻻﹼ
ﺒِﺒﺫلِ ﺍﻟﺭﻭﺡِ ،ﻭﺃﻫلُ ﺍﻟﻨﱠﻅﹶﺭِ ﻴﺩﻓﻌﻭﻥ ﺍﻟﻌﺎﹶﻟﹶﻤﻴﻥِ ،ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨِﺭﺓﹶ ،ﻟﻴﻅﻔﺭﻭﺍ ﺒِﻨﻅﺭﺓٍ ﻭﺍﺤِﺩﺓ؛
) (٧ﻻ ﺒﺩ ﻟِﻨﹶﻴلِ ﺍﻟﻤﺭﺍﺩِ ﻤﻥ ﺘﻬﻴﺌ ِﺔ ﺍﻷﺴﺒﺎﺏ ،ﻭﺠﻤﻊ ﺍﻟﻤﺭﺍﺩِ ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﺸﱠﺒﺎﺏ ،ﺒﻬﺎ
ﺘﺤﺼلُ ﻋﻠﻰ ﺍﻟﻤﻌﺎﻨﻲ ﻭﺘﻤﺘِﻠﻙ ﺍﻟﻔﺼﺎﺤﺔﹶ.
-١٧٣-
ﻏﺰﻝ ١٥٥
ﺇﺫﺍ ﻤﺎ ﺘﻘﺩﻤﺕﹸ ﻨﺤﻭﻩ ﻴﺜﻴﺭ ﺍﻟﻔِﺘﹶﻥ ﺃﻤﺎﻤﻲ ،ﻭﺇﺫﺍ ﻗﻌﺩﺕﹸ ﻋﻥ ﻁﹶﻠﹶﺒِﻪِ ﻴﻌﺎﺩﻴﻨﻲ؛
ﻭﺇﺫﺍ ﻟﺤﻅﹶﺔﹰ ﻤﺎ ﺃﺘﻴﺕﹸ ﻤِﻥ ﺍﻟﻭﻓﺎﺀِ ﺇﻟﻰ ﻁﺭﻴﻘِﻪِ ﻭﻭﻗﻌﺕﹸ ﻜﺎﻟﻐﹸﺒﺎﺭِ ﻋﻠﻰ ﻗﹶﺩﻤِﻪِ ،ﻴﻔﺭ
ﻜﺎﻟﺭﻴﺢ ﻤﺴﺭِﻋﺎﹰ؛
ﻭﺇﺫﺍ ﻤﺎ ﻁﹶﻠﹶﺒﺕﹸ ﻤِﻨﻪ ﻨِﺼﻑﹶ ﻗﹸﺒ ﻠﹶﺔٍ ﺘﺨﺭﺝ ﻤِﻥ ﺤﻘﱠ ﺔِ ﻓِﻴﻪِ ﻤﺎﺌ ﺔﹸ ﻤﻼﻤﺔٍ ﻋﺫﺒﺔٍ
ﻜﺎﻟ ﺴﻜﱠﺭ )(١؛
ﺫﻟِﻙ ﺍﻟﺨِﺩﺍﻉ ﺍﻟﱠﺫﻱ ﺃﺭﻯ ﻓﻲ ﻨﺭﺠِﺱِ ﻋﻴﻨِﻙ ،ﻜﹶﻡ ﻤﺯﺝ ﻤﺎﺀ ﻭﺠﻬﻲ ﺒﺘﺭﺍﺏِ ﺍﻟﻁﱠﺭﻴﻕ؛
ﺼﺤﺭﺍﺀ ﺍﻟﻌِﺸﹾﻕِ ،ﺸﺒﻜﺔﹸ ﺍﻟﺒﻼﺀِ ﻓﻲ ﻤﺭﺘﹶﻔﹶﻌِﻬﺎ ﻭﻤﻨﹾﺨﹶﻔﹶﻀِﻬﺎ ،ﺃﻴﻥ ﻤﻥ ﻟﻪ ﻗﻠﹾﺏ ﺍﻷﺴﺩِ
ﻭﻻ ﻴﺨﺎﻑﹸ ﺍﻟﺒﻼﺀ؛
ﺍﻁﻠﹸﺏِ ﺍﻟﻌ ﻤﺭ ﻭﺍﻟﺼﺒﺭ ،ﻓﺎﻟﻔﹶﻠﹶﻙ ﺍﻟﻤﺸﻌ ﺒِﺫﹸ ﻋﺎﺩ ﺜﺎﻨﻴﺔﹰ ﺒِﺄﻟ ﻑِ ﻟﹸﻌﺒﺔٍ ﺠﺩﻴﺩﺓٍ ﺘ ﻠِﺩ
ﺍﻟﺤﻭﺍﺩِﺙ؛
ﻀﻊ ﺭﺃﺴﻙ ﻋﻠﻰ ﻋﺘﹶﺒﺔِ ﺍﻟﺘﱠﺴﻠﻴﻡِ ﻴﺎ ﺤﺎﻓِﻅ ،ﻷﻨﱠﻙ ﺇﺫﺍ ﺨﺎﺼﻤﺕﹶ ،ﺨﺎﺼﻤﻙ ﺍﻟﺩﻫﺭ.
ﻏﺰﻝ ١٥٦
ﻭﻭﻓــﺎﺀٍ ،ﻭﻤــﺎ ﻟِــﺫﺍ ﺇﻨﻜــﺎﺭ ﻟﻲ ﺤﺒﻴﺏ ﻤﺎ ﻤﺜﻠـﻪ ﻓـﻲ ﺠﻤـﺎلٍ
ﻻ ﺘﺭﻯ ﻤِﺜـلَ ﺤـﺴﻨِﻪِ ﺍﻷﺒـﺼﺎﺭ ﻭﺇﺫﺍ ﺒﺎﻋــﺔﹸ ﺍﻟﺠﻤــﺎلِ ﺘﺠﻠﱠــﻭﺍ
ـﻪ ﺇﻅﻬــﺎﺭ
ـﺩﻫﺭِ ﻤــﺎ ﻟـ
ـﺩ ﺍﻟـ
ﺃﺒـ ﻋﻬﺩﻩ ﺒﺎﻟﻭﻓـﺎﺀِ ﻤﻨﹼـﻲ ﻭﺴـﺭﻱ
ـﺎﺭ
ـﻠﻁﺎﻨﹶﻙ ﺍﻷﺨﺒـ
ـﺎﻓِﻅﹸ ﻻ ﺘﺒﻠﹸ ـﻎﹶ ﺴـ
ـﺎ ﺤـ
ـﻭﻑﹸ ﻴـ
ـﺎﺭِ ﻭﺍﻟﺨـ
ـﻲ ﺍﻟﻨﱠـ
ـﺕ ﻓـ
ﺃﻨـ
) (١ﺍﻟﺤﻘﱠﺔ :ﺍﻟﻭﻋﺎﺀ ﺍﻟﺼﻐﻴﺭ.
-١٧٤-
ﻻ ﺸﹶﺨﹾﺹ ﻴﺼِلُ ﺇﻟﻰ ﺤﺴﻥِ ﻭﺨﹸﻠﹸﻕِ ﻭﻭﻓﺎﺀِ ﺤﺒﻴﺒِﻨﺎ ،ﻭﻻ ﻴﺤﻕﱡ ﻟﻙ ﺒِﻬﺫﺍ ﺍﻟﺤﺩﻴﺙِ
ﺇﻨﻜﺎﺭ ﺤﺎﻟِﻨﺎ؛
ﻭﺇﺫﺍ ﺒﺎﻋﺔﹸ ﺍﻟﺤﺴﻥِ ﺃﻗﺒﻠﻭﺍ ﻤﺘﺠﻠﱢﻴﻥ ،ﻻ ﺸﹶﺨﹾﺹ ﻴﺼِلُ ﺇﻟﻰ ﺤﺴﻥِ ﻭﻤﻼﺤﺔِ ﺤﺒﻴﺒِﻨﺎ؛
ﻭﺤﻕﱢ ﺍﻟﺼﺤﺒﺔِ ﺍﻟﻘﺩﻴﻤﺔِ ﻻ ﻤﺤﺭِﻡ ﺴﺭ ﺒﺎﻟِﻎﹲ ﻤﺎ ﺒﻠﹶﻐﹾﻨﺎ ﻓﻲ ﺃﺩﺍﺀِ ﺍﻟﺤﻕﱢ ﻟﺤﺒﻴﺒِﻨﺎ ﺍﻟﻭﻓﻲ
ﺍﻟﻌﺎﺩِل؛
ﺠﺎﺀ ﻤِﻥ ﻗﹶﻠﹶﻡِ ﺍﻟﺼﻨﻊِ ﺃﻟﻑﹸ ﺭﺴﻡٍ ،ﻭﻻ ﺭﺴﻡ ﻭﺼلَ ﺇﻟﻰ ﺭﺴﻡِ ﻤﻌﺸﻭﻗِﻨﺎ ﻓﻲ ﺍﺴﺘِﻬﻭﺍﺀِ
ﺍﻟﻘﹸﻠﻭﺏ؛
ﻭﻋﺭﻀﻭﺍ ﺃﻟﻑﹶ ﻨﻘﺩٍ ﺒﺒﺎﺯﺍﺭِ ﺍﻟﻜﺎﺌﻨﺎﺕ ،ﻓﻠﻡ ﻴﻜﹸﻥ ﻤﻨﻬﺎ ﻭﺍﺤِﺩ ﻟِﻴﺼِلَ ﺇﻟﻰ ﺼﻙ
ﺼﺎﺤِﺏِ ﻋِﻴﺎﺭِﻨﺎ ﺍﻟﺨﺎﻟِﺹ؛
ﺃﺴﻔﺎﹰ ﺃﻥ ﻗﺎﻓِﻠﹶﺔِ ﺍﻟﻌﻤﺭِ ﻤﺭﺕ ﻫﻜﺫﺍ ﻭﻟﹶﻡ ﻴﺒﻠﹸﻎِ ﺍﻟﻐﹸﺒﺎﺭ ﻤﻨﻪ ﻫﻭﺍﺀ ﺩﻴﺎﺭِﻨﺎ؛
ﻴﺎ ﻗﻠﺏ ﻤِﻥ ﺃﺫﻯ ﺍﻟﺤﺴﺎﺩ ﻻ ﺘﺄﻟﹶﻡ ،ﻭﻜﹸﻥ ﻭﺍﺜِﻘﺎﹰ ﺒِﺄﻥ ﺍﻟﺴﻭﺀ ﻟﹶﻥ ﻴﺼِلَ ﺇﻟﻰ ﺨﺎﻁِﺭِﻨﺎ
ﺍﻟﺭﺍﺠﻲ؛
ﻋِﺵﹾ ﺒﺤﻴﺙﹸ ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﻏﹸﺒﺎﺭﺍﹰ ﻋﻠﻰ ﻁﺭﻴﻕِ ﺸﹶﺨﹾﺹٍ ﻻ ﻴﻨﺎﻟﹸ ﻪ ﻏﹸﺒﺎﺭ ﺨﺎﻁِﺭٍ ﻤِﻥ
ﺍﻟﻤﺭﻭﺭِ ﺒﻨﺎ؛
ﺤﺎﻓﻅﹸ ﺍﺤﺘﹶﺭﻕﹶ ﻭﺨﻭﻓﻲ ﺃﻥ ﻻ ﻴﺼِلَ ﺸﹶﺭﺡ ﻗِﺼﺘِﻪِ ﺇﻟﻰ ﺴﻤﻊِ ﻤﻠِﻜِﻨﺎ ﺍﻟﺴﻌﻴﺩ ﻭﺴﻠﻁﺎﻨِﻨﺎ.
ﻏﺰﻝ ١٥٧
ﻜﹸلﱡ ﻤﻥ ﻟ ﻪ ﺸﹸﻐﹾلٌ ﺒِﺨﻁﱢ ﻋِﺫﺍﺭِﻙ ،ﻟﻥ ﻴﺨﺭﺝ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺩﺍﺌﺭﺓِ ﻤﺎ ﺩﺍﻡ ﺤﻴﺎﹰ؛
ﺃﻨﺎ ﺤﻴﻥ ﺃﺨﺭﺝ ﻤِﻥ ﺍﻟﻠﹼﺤﺩِ ﻋﻠﻰ ﺼِﻔﹶﺔِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ،ﺴﺘﻜﻭﻥ ﺤﺭﺍﺭﺓﹸ ﺤﺒﻙ ﺴِﺭ ﺴﻭﻴﺩﺍﺀِ ﻗﻠﺒﻲ؛
ﺃﻨﺕﹶ ﻨﻔﺴﻙ ﺃﻴﻬﺎ ﺍﻟﺠﻭﻫﺭ ﺍﻟﻔﹶﺭﺩ ،ﺇﻟﻰ ﻤﺘﻰ ﺃﺨﻴﺭﺍﹰ ﺘﻅﹶلﱡ ﻋﻴﻭﻥ ﺍﻟﺨﹶﻠﹾﻕِ ﻤﻨﻙ ﻓﻲ ﺒﺤﺭٍ؛
ﺍﻟﻤﺎﺀ ﻴﺠﺭﻱ ﻤِﻥ ﺃﺼلِ ﻜﹸلﱢ ﻫﺩﺏٍ ﻤِﻥ ﺃﻫﺩﺍﺒﻲ ،ﺘﻌﺎلَ ﺇﻥ ﻜﺎﻥ ﺒِﻙ ﻤﻴلٌ ﺇﻟﻰ ﻀِﻔﱠﺔِ
ﺍﻟﺠﺩﻭلِ ﻭﺍﻟﺘﱠﻔﹶﺭﺝِ؛
-١٧٥-
ﺍﹸﺨﺭﺝ ﻟﺤﻅﹶﺔﹰ ﻤِﻥ ﺨﻠﻑِ ﺍﻟﺤِﺠﺎﺏِ ،ﻜﺎﻟﻭﺭﺩِ ﻭﻜﺎﻟﺨﻤﺭِ ،ﻭﺃﻗﺒِلْ ،ﻟﻴﺱ ﻤﻌﻠﻭﻤﺎﹰ ﻤﺘﻰ
ﺘﻜﻭﻥ ﺍﻟﻤﻼﻗﺎﺓﹸ ﻤﺭﺓﹰ ﺃﺨﺭﻯ؛
ﺭﺃﺴﻲ( ،ﻓﹶﺘﹶﺤﺕﹶ ﻫﺫﺍ ﺍﻟﺭﺃﺱِ)ﻋﻠﻰ ﺩﺍﻡ ﻟﻲ ﺍﻟﻅﱢلﱡ ﺍﻟﻤﻤﺩﻭﺩ ﻤِﻥ ﻓﹶﺭﻋِﻙ ﺍﻟﻤﻀﻔﻭﺭِ ﻋﻠﻰ
ﺍﻟﻅﱢلﱢ ﻗﺭﺍﺭ ﻗﻠﺒﻲ ﺍﻟﻭﺍﻟِﻪ؛
ﻋﻴﻨﹸﻙ ﻤِﻥ ﺍﻟﻜِﺒﺭِ ﻻ ﺘﻤﻴلُ ﺇﻟﻰ ﺤﺎﻓِﻅ ،ﺤﻘﹼﺎﹰ ﺇﻥ ﺍﻟﺘﱠﻜﹶﺒﺭ ﺼِﻔﹶﺔﹸ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻷﺭﻋﻥ.
ﻏﺰﻝ ١٥٨
ﺃﻨﺎ ﻭﺇﻨﻜﺎﺭ ﺍﻟﺸﱠﺭﺍﺏِ ،ﺃﻴﺔﹸ ﺤِﻜﺎﻴﺔٍ ﻫﺫِﻩِ؟ ،ﻏﺎﻟِﺒﺎﹰ ﻫﺫﺍ ﺍﻟﻘﹶﺩﺭ ﻤِﻥ ﺍﻟﻌﻘﹾلِ ﻴﻜﻔﻴﻨﻲ؛
ﻭﺃﻨﺎ ﺇﻟﻰ ﻏﺎﻴﺘﻲ ﺃﺠﻬلُ ﻁﺭﻴﻕﹶ ﺍﻟﺤﺎﻥِ ،ﻓﻠِﺄﻴﺔِ ﻏﺎﻴﺔٍ ﺇﺫﻥ ﺃﺘﺨﻔﱠﻰ؛
ﻟﻠﺯﺍﻫِﺩِ ﻋﺠﺒﻪ ﻭﺼﻼﺘﹸﻪ ،ﻭﻟﻲ ﺴﻜﹾﺭﻱ ﻭﻓﻘﺭﻱ ،ﺴﻨﺭﻯ ﻤﻥ ﺴﻴﻜﻭﻥ ﻤﺤلﱠ ﻋِﻨﺎﻴﺔٍ
ﻤﻨﻙ ﻤِﻥ ﺒﻴﻨِﻨﺎ؛
ﺍﻟﺯﺍﻫِﺩ ﺇﺫﺍ ﻟﹶﻡ ﻴﺴﻠﹸﻙِ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻟﻠﺴﻜﹾﺭِ ﻤﻌﺫﻭﺭ ،ﺍﻟﻌِﺸﹾﻕﹸ ﺸﹸﻐلٌ ﻤﻭﻗﻭﻑﹲ ﻋﻠﻰ ﺍﻟﻬِﺩﺍﻴﺔ)(١؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻗﻁﻌﺕﹸ ﻁﺭﻴﻕﹶ ﺍﻟﺘﱠﻘﻭﻯ ﺍﻟﻠﱠﻴﺎﻟﻲ ﺒﺎﻟﻘﻴﺜﺎﺭﺓِ ﻭﺍﻟﺩﻑﱢ ،ﺃﺭﺠِﻊ ﺍﻵﻥ ﺒﺭﺃﺴﻲ ﻋﻥ
ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ،ﺃﻴﺔﹸ ﺤﻜﺎﻴﺔٍ ﻫﺫِﻩ؟!؛
ﺃﻨﺎ ﺨﺎﺩِﻡ ﻤﻁﻴﻊ ﻜﻌﺒﺩٍ ﻤﻁﻴﻊٍ ﻟِﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﺍﻟﱠﺫﻱ ﺃﻨﻘﹶﺫﻨﻲ ﻤِﻥ ﺠﻬﻠﻲ ﻭﻫﺩﺍﻨﻲ ،ﻭﻜﹸلﱡ
ﺃﻓﻌﺎﻟِﻪِ ﺤﻜﻴﻤﺔﹲ ،ﻭﻜﹸلﱡ ﻓِﻌلٍ ﻟﻪ ﻴﺜﻤِﺭ ﺍﻟﺨﻴﺭ)(٢؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻐﹸﺼﺔِ ﻟﹶﻡ ﺃﻨﹶﻡ ،ﺤﺘﹼﻰ ﺃﻥ ﺭﻓﻴﻘﻲ ﻗﺎلَ ﺇﺫﺍ ﻜﺎﻥ ﺤﺎﻓِﻅﹸ ﺴﻜﺭﺍﻨﺎﹰ
ﻓﺎﻷﻤﺭ ﻤﻭﻀِﻊ ﺸِﻜﺎﻴﺔٍ.
) (١ﻋﺫِﺭ ﺍﻟﺯﺍﻫِﺩ ﺍﻟﱠﺫﻱ ﻤﺎ ﺍﻫﺘﺩﻯ ﺍﻟﺩﺭﺏ ﻟﻠﺴﻜﹾﺭِ ﻓﺎﻟﻌِﺸﹾﻕﹸ ﻓﻴﻪِ ﺸﺭﻁﹸ ﺍﻟﻬِﺩﺍﻴﻪ؛ )ﻻ ﻴﺴﺘﻁﻴﻊ ﻓِﻌلَ
ﺫﻟِﻙ ﻤﻥ ﻨﻔﺴِﻪِ(؛
) (٢ﺇﻨﱠﻨﻲ ﻋﺒﺩ ﻤﻨﹾﻘِﺫﻱ ﻤِﻥ ﺍﻟﺠﻬلِ ﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﺍﻟﱠﺫﻱ ﻜﹸلﱡ ﻓِﻌلٍ ﻟﹶﺩﻴﻪِ ﻋﻴﻥ ﺍﻟﻌِﻨﺎﻴﻪ.
-١٧٦-
ﻏﺰﻝ ١٥٩
ﻟﻴﺱ ﻨﻘﺩ ﺍﻟﺼﻭﻓﻲ ﻜﹸﻠﱡﻪ ﺼﺎﻓِﻴﺎﹰ ﻤِﻥ ﺍﻟﻐِﺵﱢ ﻭﻜﹶﻡ ﺨِﺭﻗﺔﹰ ﺤﻘﱡﻬﺎ ﺍﻟﻨﱢﻴﺭﺍﻥ؛
ﻨﹶﺤﻥ ﺼﻭﻓﻴﻨﺎ ﺴﺎﻫِﺭ ﺍﻟﻠﱠﻴلِ ﻴﺭﻗﹸﺏ ﺍﻟﻔﹶﺠﺭ ،ﻭﻓﻲ ﺍﻟﻔﹶﺠﺭِ ﻤِﻥ ﻭِﺭﺩِﻩِ ﺴﻜﺭﺍﻥ
ﺍﺸﹾﺭﺏِ ﺍﻟﺨﻤﺭ ،ﻻ ﻏﻤﻭﻡ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺩﻨﻴﺔِ ،ﺃﻱ ﻋﺎﺭﻑﹸ ،ﺤﻴﻑﹲ ﻭﻗﹶﻠﹾﺒﻙ ﺍﻟﺤﻴﺭﺍﻥ
ﻨﻘﺩ ﺍﻟ ﺼﻭﻓ ﻲ ﻟﻴ ﺱ ﻜﹸ ﻠﱡﻪ ﺼﺎﻓﻴﺎﹰ ﺒﻼ ﻏِﺵﱟ ،ﻤﺎ ﺃﻜﺜﹶﺭ ﺍﻟﺨِﺭﻕﹶ ﺍﻟﱠﺘﻲ ﺘﺴﺘﻭﺠِﺏ
ﺍﻟﻨﱠﺎﺭ )(١؛
ﺼﻭﻓﻴﻨﺎ ﻨﺤﻥ ﺍﻟﱠﺫﻱ ﺴﻜِﺭ ﻤِﻥ ﻭِﺭﺩِ ﺴﺤﺭِﻩِ ،ﻭﺍﻅﹶﺏ ﺍﻟﻠﹼﻴلَ ﺤﺘﱠﻰ ﻟﻌِﺏ ﺍﻟﻁﱠﺭﺏ ﺒِﺭﺃﺴِﻪ؛
ﻜﺎﻥ ﺠﻤﻴﻼﹰ ﻟﻭ ﺃﻥ ﻟﻨﺎ ﻫﺎ ﻫﻨﺎ ﻤﺤﻙ ﺘﺠﺭِﺒﺔٍ ،ﻟﻴﺴﻭﺩ ﻭﺠﻪ ﻤﻥ ﻋِﻨﺩﻩ ﺍﻟﻐِﺵﱡ)(٢؛
ﺨﻁﱡ ﺍﻟﺴﺎﻗﻲ ﺇﺫﺍ ﻗﺎﻡ ﺒﺎﻟﺭﺴﻡِ ﻋﻠﻰ ﺍﻟﻤﺎﺀِ ﺒﻬﺫﺍ ﺍﻷﺴﻠﻭﺏ ،ﻴﺎ ﻟﹶﻠﻭﺠﻭﻩِ ﺍﻟﱠﺘﻲ ﺴﺘﺼﻴﺭ
ﻤﻨﻘﱠﺸﹶﺔﹰ ﺒﺎﻟﺩﻡ؛
ﺍﻟﻤﻨﹶﺸﱠﺄُ ﻓﻲ ﺍﻟﻨﱠﻌﻴﻡِ ﻻ ﻴﺴﻠﹸﻙ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺇﻟﻰ ﺍﻟﺤﺒﻴﺏ ،ﺍﻟﻌِﺸﹾﻕﹸ ﻤﺴﻠﹶﻙ ﺍﻟﻤﻌﺭﺒﺩﻴﻥ ﺤﻤﺎﻟﻲ
ﺍﻟﺒﻼﺀ؛
) (١ﻤﻔﺭﺩﺓﹸ ﺍﻟﺼﻭﻓﻲ ﻋﻨ ﺩ ﺤﺎﻓﻅ ﻟﻴﺴﺕ ﺒﻨﻔﺱِ ﺍﻟﻤﻌﻨﻰ ﺤﻴ ﺜﹸﻤﺎ ﻭﺭﺩﺕ ،ﻓﺼﻭﻓ ﻲ ﻴﻌﺎﺩﻴ ﻪِ
ﺤﺎﻓِﻅﹸ ﻫﻭ ﻻﺒِﺱ ﺍﻟﺼﻭﻑِ ﻟﻠﻨﹼﺎﺱ ﺍﻟﹼﺫﻱ ﻴﻅﻬِﺭ ﺍﻟﻭ ﺭﻉ ﻴﺨﺎﺩِﻉ ﺍﻟﻔﹶﻠﹶﻙ ،ﻴﺭﻓﹸﺽ ﺍﻟﺨﹶ ﻤﺭ،
ﻴﺠﻬلُ ﺍﻟﻌِﺸﹾ ﻕﹶ ﻓﺜﻴﺎﺏ ﺍﻟﺼﻭﻑِ ﺍ ﻟﱠﺘﻲ ﻴﻠﺒﺴﻬﺎ ﺘﺴﺘﻭﺠِﺏ ﺍﻟ ﻨﱠﺎﺭ ﻭﺍﻟﻨﱠﺎ ﺭ ﺃﻭﻟﻰ ﺒِﻬﺎ؛
ﻭﺼﻭﻓﻲ ﺤﺭ ﻴﻤﺩ ﺤﻪ ﺤﺎﻓِﻅﹸ ﻴﻠﺒﺱ ﺍﻟﺼﻭﻑﹶ ﺯﻫﺩﺍﹰ ﺒِﻤﺘﺎ ﻉِ ﺍﻟﺩﻨﻴﺎ ،ﻴﻌﺸﹶﻕﹸ ﻭﻴﻁ ﺭ ﺏ
ﻭﻴﺸﺭﺏ ﻭﻴﻠﻌﺏ ﻓﻲ ﺼﻔﺎﺀٍ ﻭﻨﻘﺎﺀ؛ ﻭﻜﺫﻟِﻙ ﻤﻔﺭﺩﺓﹸ ﺍﻟ ﺩﺭﻭﻴﺵ ،ﻓﺩﺭﻭﻴﺵﹲ ﺒﺎﺌﻊ ﺯﻫ ﺩٍ
ﻴﺭﺍﺌﻲ ﻻﺼﻁﻴﺎﺩِ ﻗﻠﻭﺏِ ﺍﻟ ﻨﹼﺎﺱ ﺒﺎﻟﻤﻜ ﺭِ ﻭﺍﻟﺤﻴﻠﺔِ ﻴ ﺫﹸﻤﻪ ﺤﺎﻓِﻅﹸ ﻭ ﻴﻌﺎﺩﻴﻪ ،ﻭﺩﺭﻭﻴﺵﹲ ﺯﺍﻫِ ﺩ
ﺒِﺤﻕﱟ ﻴﻤﺘﺩِﺤ ﻪ ﻭﻴﻭﺍﻟﻴﻪ؛
) (٢ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﻴﻤﻜِﻥ ﺇﺨﻔﺎﺀ ﺤﻘﻴﻘﺔِ ﺍﻷﻋﻤﺎل ﻭﻟﻴﺱ ﻜﹸلﱡ ﻋﻤلٍ ﺘﻅﻬﺭ ﺤﻘﻴﻘﺘﹸﻪ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﻭﻟﻴﺕﹶ ﺃﻥ
ﻫﻨﺎﻙ ﻤﺤﻙ ﺍﺨﺘِﺒﺎﺭٍ ﺘﹸﻌﺭﺽ ﻋﻠﻴﻪِ ﺍﻷﻋﻤﺎلُ ﻟﻴﺴﻭﺩ ﻭﺠﻪ ﺍﻟﻜﺎﺫِﺏِ ﺒِﻜﺫﺒﻪِ ﺍﻵﻥ؛
-١٧٧-
ﺃﻗِلﱠ ﺍﻟﺸﱡﺭﺏ ﻤِﻥ ﻏﻡ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺩﻨﻴﺔِ ﻭﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ،ﺇﻨﱠﻪ ﻟﹶﺤﻴﻑﹲ ﺃﻥ ﻴﻜﻭﻥ ﻗﻠﺏ ﺍﻟﻌﺎﻟِﻡِ
ﻤﺸﻭﺸﺎﹰ)(١؛
ﺜﻭﺏ ﺤﺎﻓِﻅ ﺍﻟﺨﹶﻠﹶﻕﹶ ﻭﺴﺠﺎﺩﺓﹶ ﺼﻼﺘِﻪِ ،ﺍﺤﻤِلْ ﺇﻟﻰ ﺒﺎﺌِﻊِ ﺍﻟﺨﻤﺭِ ،ﺇﻥ ﻜﺎﻥ ﻴﺩﻓﹶﻊ ﻟﻪ ﺒﻬﺎ
ﺸﺭﺍﺒﺎﹰ ﻤﻥ ﻜﻑﱢ ﺴﺎﻕٍ ﻭﺠﻬﻪ ﻜﺎﻟﻘﹶﻤﺭ).(٢
ﻏﺰﻝ ١٦٠
ﻻ ﺒﻲ ﺍﻟﺤﺭﻴﻕﹸ ﻭﺸﻤﻊ ﺍﻟﺠﻤﻊِ ﻫﻡ ﻜﺎﻨﻭﺍ ﺤﻠﺕﹾ ﺨﻠﻭﺓﹲ ﺤﻴﻥ ﺍﻟﺤﺒﻴﺏ ﻤﺴﺎﻋﺩﻱ
ﻭﻤﺭﺓﹰ ﺒﻌﺩ ﺃُﺨﺭﻯ ﻤـﺴﻪ ﺍﻟﺠـﺎﻥ ﻭﻤِﻥ ﺴﻠﻴﻤﺎﻥ ﻻ ﺃﺒﺘـﺎﻉ ﺨﺎﺘﹶﻤـﻪ
ﺩﺍﻡ ﺍﻟﺭﻗﻴﺏ ﻭﺤﻅﱢﻲ ﻤﻨﻪ ﺤِﺭﻤـﺎﻥ ﻴﺎ ﺭﺏ ﻻ ﻜﺎﻥ ﻓﻲ ﺩﺍﺭِ ﺍﻟﻭِﺼﺎلِ ﺒِﺄﻥ
ﺍﻟﻐﹸﺭﺍﺏ ﻻ ﺍﻟﺒﺒﻐﺎ ﻴﻌﻠﻭ ﻟـﻪ ﺸـﺎﻥ ﻭﻻ ﺃﻅلﱠ ﺍﻟﻬﻤـﺎ ﺩﺍﺭﺍﹰ ﺒِﻌﺭﺼـﺘِﻬﺎ
ﺤﺭﻴﻕِ ﻟﻔﹾﻅﻲ ﻟِﻨﺎﺭِ ﺍﻟﻘﻠـﺏِ ﺘِﺒﻴـﺎﻥ ﺒﻴﺎﻥ ﺸﻭﻗﻲ ﺃﻴﺤﺘﺎﺝ ﺍﻟﺒﻴﺎﻥ ﻭﻤِـﻥ
ﻗﻠﺏ ﺍﻟﻐﺭﻴﺏِ ﺇﻟﻰ ﺍﻷﻭﻁﺎﻥِ ﺤﻨﱠـﺎﻥ ﻫﻭﻯ ﺤِﻤﺎﻙ ﻤﺤﺎلٌ ﺃﻥ ﻴﻔـﺎﺭِﻗﹶﻨﻲ
ﻓﻤﻲ ﺃﻤﺎﻤـﻙ ﻤﺨﺘـﻭﻡ ﻭﻤـﻶﻥ ﻟﻭ ﻋﺸﺭﺓﹰ ﻤﻥ ﻟِﺴﺎﻥٍ ﻟﻲ ﻜﺴﻭﺴﻨﺔٍ
ﻓﻲ ﺍﻟﻘﹸﺭﺁﻥِ ﺍﻟﻜﺭﻴﻡ )ﻭﻟﻘﺩ ﻓﺘﻨﹼﺎ ﺴﻠﻴﻤﺎﻥ ﻭﺃﻟﻘﻴﻨﺎ ﻋﻠﻰ ﻜﹸﺭﺴﻴﻪِ ﺠﺴﺩﺍﹰ ﺜﹸﻡ ﺃﻨﺎﺏ( ،ﻭﻗﺩ
ﺫﹸﻜِﺭ ﺃﻥ ﺸﻴﻁﺎﻨﺎﹰ ﺠﻠﺱ ﻋﻠﻰ ﻜﹸﺭﺴﻲ ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،ﻭﺃﻥ ﺨﺎﺘﹶﻡ ﺴﻠﻴﻤﺎﻥ ﻭﻗﻊ ﻓﻲ
ﻴﺩِﻩِ ﻓﺼﺎﺭ ﺒِﺫﻟِﻙ ﺍﻟﺨﺎﺘﹶﻡِ ﻴﺘﺼﺭﻑﹸ ﻓﻲ ﺍﻟﻤﻤﻠﻜﺔِ ،ﻭﺭﻭﻱ ﺃﻨﱠﻪ ﺠﻤﻊ ﺒِﻪِ ﺠﻴﺸﹶﻪ ﻤﻥ ﺍﻟﺸﱠﻴﺎﻁﻴﻥ
ﻭﺍﻟﻤﻼﺌﻜﺔ ،ﻭﻤﻌﻨﻰ ﺍﻟﺒﻴﺕِ ﻭﻓﻕ ﺍﻷﺼل ﺇﻨﱠﻨﻲ ﻻ ﺃﺸﺘﺭﻱ ﻓﺹ ﺨﺎﺘﹶﻡِ ﺴﻠﻴﻤﺎﻥ ﺒِﺸﻲﺀٍ ﻭﻗﺩ
) (١ﻻ ﺘﹶﺸﹾﺭﺏ ﻏﻡ ﻫﺫﻩِ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺩﻨﻴﺔِ ﻭﺍﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻓﺈﻨﱠﻪ ﺤﻴﻑﹲ ﻋﻠﻰ ﻗﻠﺒِﻙ ﺃﻴﻬﺎ ﺍﻟﻌﺎﺭِﻑﹸ ﺃﻥ
ﻴﻜﻭﻥ ﻤﺸﹶﻭﺸﺎ )ﻓﻲ ﺸﻙ ﻭﻭﺴﻭﺍﺱ(؛
ﺏ ﺍﻟﺨﹶﻠﹶﻕﹸ ﻟﻠﺯﻫﺩِ ﻭﺍﻟﺘﱠﻘﻭﻯ ،ﻭﺍﻟﺼﻼﺓﹸ ﺍﻟﻘﺎﻟﹶﺒﻴﺔﹸ ﺒﺩ
ﻥ ) (٢ﺍﻟﺴﺠﺎﺩﺓﹸ ﺘﺭﻤﺯ ﻟﻠﺼﻼﺓ ﺍﻟﻘﺎﻟﹶﺒﻴﺔ ،ﻭﺍﺍﻟﺜﱠﻭ
ﺍﻟﺼﻼﺓِ ﻭﺭﻭﺡ ﺍﻟﺼﻼﺓِ ﺼﻼﺓﹸ ﺍﻟﺭﻭﺡِ ،ﻭﺼﻼﺓﹸ ﺍﻟﺭﻭﺡِ ﺘﺤﺘﺎﺝ ﻟﻠﻤﺸﺭﻭﺏِ ﺍﻟﺭﻭﺤﻲ
ﻭﺍﻟﺴﺎﻗﻲ(.
-١٧٨-
ﻭﻀﻌﻪ ﺍﻟﺸﱠﻴﻁﺎﻥ ﻓﻲ ﻴﺩِﻩِ ﺃﻜﺜﹶﺭ ﻤﻥ ﻤﺭﺓ؛ ﻻ ﻴﻨﻁﹶﻠِﻕﹸ ﻟِﺴﺎﻨﻲ ﺒﺎﻟﻜﻼﻡِ ﻓﻲ ﻤﺤﻀﺭِ ﺍﻟﺤﺒﻴﺏ
ﺭﻏﻡ ﻤﺎ ﻋِﻨﺩﻱ ﻤﻥ ﻗﹸﺩﺭﺓٍ ﻋﻠﻰ ﺍﻟﻜﻼﻡ ،ﻭﻟﻭ ﻜﺎﻥ ﻟﻲ ﻗﹸﺩﺭﺓﹸ ﺍﻟﺴﻭﺴﻥِ ﻋﻠﻰ ﺍﻟﻜﻼﻡِ ﻤﺎ
ﺘﹶﻜﻠﱠﻤﺕﹸ ﻓﻲ ﻤﺤﻀﺭِﻩ )ﻗﺎل ﺼﺎﺤﺏ ﺍﻟﻤﺜﻨﻭﻱ :ﻜلﱡ ﺸﺨﺹٍ ﺸﺭﺏ ﺃﺴﺭﺍﺭ ﺍﻟﺠﻼلِ ﺼﺎﺭ
ﻜﺎﻟﺴﻭﺴﻥِ ﻟﻪ ﻤﺎﺌﺔﹸ ﻟﺴﺎﻥٍ ﻭﺃﺨﺭﺴﺎﹰ ،ﻭﻗﺎﻟﻭﺍ :ﻟﻠﺴﻭﺴﻨﹶﺔِ ﻋﺸﺭﺓﹸ ﺃﻟﺴﻥِ ،ﻓﻬﻲ ﺘﺘﻜﻠﱠﻡ ﻜﺜﻴﺭﺍﹰ
ﻭﺘﻌِﺩ ﻜﺜﻴﺭﺍﹰ ،ﻭﻻ ﺘﺜﺒﺕﹸ ﻋﻠﻰ ﻗﻭلٍ ﻭﻻ ﺘﻔﻲ ﺒِﻭﻋﺩٍ ،ﻟِﺫﺍ ﻴﻘﺎلُ ﺍﻟﺴﻭﺴﻥ ﺍﻟﺤﺭ ،ﻗﺎل ﺤﺎﻓِﻅﹸ
ﻓﻲ ﻏﺯلٍ ﺁﺨﹶﺭ:
ﻜﺎﻟﺴﻭﺴﻥِ ﺍﻟﺤﺭ ﻓﻲ ﻭﻋﺩٍ ﻭﺘﻨﺴﺎﻨﻲ؛ ﻜﻡ ﻤﺭﺓﹰ ﻗﹸﻠﹾﺕﹶ ﻟﻲ ﺘﹸﻌﻁﻰ ﺍﻟﻤﻨﻰ ﺒِﻔـﻡٍ
ﻭﻗﻠﺏ ﺍﻟﻐﺭﻴﺏِ ﺇﻟﻰ ﺍﻷﻭﻁﺎﻥِ ﺤﻨﹼﺎﻥ ﻤﻌﻨﺎﻩ ﺍﻟﺩﻨﻴﺎ ﺩﺍ ﺭ ﻏﹸﺭﺒﺘﻲ ﻭﺤﻤﺎﻙ ﻭﻁﻨﻲ ﻓﺄﻨﺎ
ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﻏﺭﻴﺏ ﺃﺤﻥ ﺇﻟﻰ ﻭﻁﻨﻲ ﺍﻟﱠﺫﻱ ﻫﻭ ﻓﻲ ﺤِﻤﺎﻙ.
ﻏﺰﻝ ١٦١
ﻤﺘﻰ ﻴﺜﻴﺭ ﺍﻟﺨﺎﻁِﺭ ﺍﻟﺸﱢﻌﺭ ﺍﻟﻐﹶﺽ ﺍﻟﻠﹼﻁﻴﻑﹶ ﻓﻬﻭ ﺤﺯﻴﻥ ،ﻗﹸﻠﻨﺎ ﺴِﺭﺍﹰ ﺩﻗﻴﻘﺎﹰ ﻤﻥ ﻫﺫﺍ
ﺍﻟﻤﻌﻨﻰ ،ﻭﻜﺫﻟِﻙ ﻜﺎﻥ؛
ﻟﻭ ﺤﺼﻠﹾﺕﹸ ﻋﻠﻰ ﺨﺎﺘﹶﻡ ﺍﻷﻤﺎﻥِ ﻤِﻥ ﻟﺅﻟﺅِ ﺸﹶﻔﹶﺘِﻙ ﻟﻜﺎﻥ ﻟﻲ ﺘﺤﺕﹶ ﺠﻭﻫﺭﺘِﻪِ ﻤﺎﺌﺔﹲ ﻤﻥ
ﻤﻠﻙِ ﺴﻠﻴﻤﺎﻥ؛
ﻻ ﻴﺠﺏ ﺃﻥ ﺘﻜﻭﻥ ﻤﻐﻤﻭﻤﺎﹰ ﻤِﻥ ﻁﹶﻌﻥِ ﺍﻟﺤﺴﻭﺩِ ﻴﺎ ﻗﹶﻠﺏ ،ﺭﺒﻤﺎ ﺇﺫﺍ ﺩﻗﱠﻘﺕﹶ ﺍﻟﻨﱠﻅﹶﺭ ﺘﺭﻯ
ﻟﻙ ﺒِﻪِ ﺍﻟﺨﻴﺭ؛
ﻜﹸلﱡ ﻤﻥ ﻻ ﻴﺠﺩ ﺍﻟﻔﹶﻬﻡ ﻤﻥ ﻫﺫﺍ ﺍﻟﻘﹶﻠﹶﻡِ ﺍﻟﻤﺜﻴﺭِ ﻟﻠﺨﻴﺎل ،ﺭﺴﻡ ﺨﻴﺎﻟِﻪِ ﻋﻠﻴﻪِ ﺤﺭﺍﻡ ﻭﻟﻭ
ﻜﺎﻥ ﺭﺴﺎﻡ ﺍﻟﺼﻴﻥ)(١؛
ﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﻭﺩﻡ ﺍﻟﻘﻠﺏِ ،ﺃﻋﻁﹶﻭﺍ ﻜﹸلﱠ ﻭﺍﺤِﺩٍ ﻟِﺸﹶﺨﺹ ،ﻓﻲ ﺩﺍﺌﺭﺓِ ﺍﻟﻘِﺴﻤﺔِ ﻫﻜﹶﺫﺍ ﻫﻲ
ﺍﻷﻭﻀﺎﻉ؛
) (١ﺭﺴﺎﻡ ﺍﻟﺼﻴﻥ ﺍﻟﻤﺸﻬﻭﺭ ﻤﺎﻨﻲ؛
-١٧٩-
ﻓﻲ ﺸﺄﻥِ ﻤﺎﺀِ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﻭﺭﺩِ ،ﻜﺎﻥ ﺤﻜﹾﻡ ﺍﻷﺯلِ ﺃﻥ ﻫﺫﺍ ﺸﺎﻫِﺩ ﺍﻟﺒﺎﺯﺍﺭِ ﻭﺫﺍﻙ ﻤﺤﺘﹶﺠِﺏ(١)؛
ﺫﻫﺎﺏ ﺍﻟﺴﻜﹾﺭِ ﻤﻥ ﺨﺎﻁِﺭِ ﺤﺎﻓِﻅ ﻟﻴﺱ ﻤﻘﺩﺭﺍﹰ ،ﺘِﻠﻙ ﺴﺎﺒِﻘﹶﺔﹲ ﺃﺯﻟﻴﺔﹲ ﺒﺎﻗﻴﺔﹲ ﻵﺨِﺭِ ﺍﻷ ﻴﺎ ﻡِ
ﺍﻷﺒﺩﻴﺔ.
ﻏﺰﻝ ١٦٢
ﻓﻼ ﻴﺸﹾﻐﹶﻠﹾﻙ ﻏﻴﺭ ﺍﻟﻜﹶـﺄْﺱِ ﺸﹶـﻲﺀ ﺃﺘﺎﻙ ﺍﻟﻭﺭﺩ ﺃﺠﻤـلُ ﻜﹸـلﱢ ﺸﹶـﻲﺀٍ
)(٢
ﻫﻠﹸﻡ ﺒِﻨـﺎ ﻭﻻ ﻴﻤﻨﹶﻌـﻙ ﺸﹶـﻲﺀ ﺼﻔﹶﺎ ﺩﻫـﺭ ﻭﻓـﻲ ﺍﻷﺼـﺩﺍﻑِ ﺩﺭ
ﻤﺨﺎﻓﹶﺔﹶ ﻟﻴﺱ ﻴﺒﻘﻰ ﻤِﻨﹾـﻪ ﺸِـﻲﺀ ﻭﻗﹸﻡ ﻭﺍﺸﹾﺭﺏ ﻓﺈِﻥ ﺍﻟـﺭﻭﺽ ﻭﺭﺩ
)(٣
ﻓﻠﻴﺱ ﻤﻥ ﺍﻟﻨﱡﻀﺎﺭِ ﻟﹶﺩﻱ ﺸﹶﻲﺀ ﻭﺼﺏ ﺍﻟﺨﻤﺭ ﻓﻲ ﻜﺄﺱٍ ﻨﹸـﻀﺎﺭٍ
ﺸﹶﺭﺍﺒﺎﹰ ﻟﻴﺱ ﺃﺼﻔﻰ ﻤِﻨﹾﻪ ﺸﹶـﻲﺀ ﺘﹶﻌﺎ َل ﻟِﺤﺎﻨﹶﺘﻲ ﻴﺎ ﺸﹶـﻴﺦﹸ ﻭﺍﺸﹾـﺭﺏ
)(٤
ﻭﻤِﻨﻬﺎ ﻟﹶﻴﺱ ﻓﻲ ﺍﻷﻭﺭﺍﻕِ ﺸﹶﻲﺀ ﺩﺭﻭﺱ ﺍﻟﻌِﺸﹾﻕِ ﻟﹶﻴﺱ ﻟﹶﻬﺎ ﻜِﺘـﺎﺏ
)(٥
ﻭﻤﺎ ﻤِﻥ ﺤﺴﻨِﻬﺎ ﻓﻲ ﺍﻟﺜﱠﻭﺏِ ﺸﹶﻲﺀ ﺃﻻ ﻓﺎﺨﻁِـﺏ ﻟِﻘﹶﻠﹾﺒِـﻙ ﺫﺍﺕﹶ ﺤ ـﺴﻥٍ
ﻓﻠﻴﺱ ﻜﹶﻤِﺜﻠِـﻪِ ﻟﻠـﺭﺃﺱِ ﺸﹶـﻲﺀ ﻭﺇﻨﹼﻲ ﺒﺎﻟﻤـﺩﺍﻡِ ﺸِـﻔﺎﺀ ﺭﺃﺴـﻲ
) (١ﻤﺎﺀ ﺍﻟﻭﺭﺩِ ﺸﺎﻫﺩ ﻓﻲ ﺍﻟﺴﻭﻕ ﻭﺍﻟﻭﺭﺩ ﻓﻲ ﺍﻟﺒﺭﻋﻡِ ﻓﻲ ﺍﻟﺤِﺠﺎﺏ ،ﻤﺎﺀ ﺍﻟﻭﺭﺩِ ﻴﻨﺒﺊُ ﻋﻥِ ﺍﻟﻭﺭﺩ.
) (٢ﺍﻟﺩﺭﺭ ﻓﻲ ﺃﺼﺩﺍﻓﻬﺎ ﻭﺍﻟﺯﻤﺎﻥ ﻤﻭﺍﺕٍ ﻓﺎﻏﺘﻨﻡ ﺍﻟﻔﺭﺼﺔ ﻗﺒل ﻓﻭﺍﺕ ﺍﻷﻭﺍﻥ ﻭﻻ ﻴﻤﻨﻌﻙ ﻤﻥ
ﺍﻟﻔﻭﺯ ﺒﻬﺎ ﺸﻲﺀ ؛
) (٣ﺼﺏ ﻟﻲ ﺍﻟﺨﻤﺭ ﻓﻲ ﻜﺄﺱٍ ﻤﻥ ﺫﻫﺏٍ ﻷﻨﹼﻲ ﻓﻘﻴﺭ ﻭﻻ ﺃﻤﻠﻙ ﻤﻥ ﺍﻟﺫﱠﻫﺏ ﺸﻴﺌﺎﹰ؛
) (٤ﺇﻥ ﺃﺼﻔﻰ ﺍﻟﺸﱠﺭﺍﺏ ﻤﻭﺠﻭﺩ ﻓﻲ ﺤﺎﻨﺘﻲ ،ﺘﻌﺎل ﻭﺍﺸﺭﺏ ﻤﻨﻪ ﺃﻴﻬﺎ ﺍﻟﺸﱠﻴﺦﹸ ﻟﻜﻲ ﺘﺘﻌﻠﱠﻡ ﺩﺭﻭ
ﺱ
ﺍﻟﻌﺸﻕ ﺍﻟﱠﺘﻲ ﻻ ﺘﹸﻜﺘﹶﺏ ﻓﻲ ﺍﻷﻭﺭﺍﻕ ﻜﺩﺭﻭﺱ ﺍﻟﻔﻘﻪِ ﻭﻻ ﺘﺤﺘﻭﻴﻬﺎ ﺍﻟﻜﺘﺏ )ﻋﻠﻡ ﻟﺩﻨﹼﻲ ،(ﻗﺎل
ﺍﻟﻤﻭﻟﻭﻱ :ﺩﻓﺘﺭ ﺍﻟﺼﻭﻓﻲ ﻟﻴﺱ ﻓﻴﻪِ ﺴﻭﺍﺩ ﺤﺭﻑ ،ﻟﻴﺱ ﻓﻴﻪِ ﻏﻴﺭ ﻗﻠﺏٍ ﺃﺒﻴﺽ ﻜﺎﻟﺜﱠﻠﺞ ،ﻭﻤﻤﺎ
ﻗﺎلَ ﺃﺒﻭ ﺴﻌﻴﺩ ﺃﺒﻭ ﺍﻟﺨﻴﺭ ﻭﻫﻭ ﻤﻥ ﺃﻜﺎﺒﺭ ﺍﻟﻤﺘﺼﻭﻓﺔ ﻭﻜﺎﻥ ﻤﻌﺎﺼِﺭﺍﹰ ﻻﺒﻥ ﺴﻴﻨﺎ :ﺭﺃﺱ ﻫﺫﺍ
ﺍﻷﻤﺭ ﻜﺴﺭ ﺍﻟﻤﺤﺎﺒﺭ ﻭﺤﺭﻕﹸ ﺍﻟﺩﻓﺎﺘِﺭ ﻭﻨﺴﻴﺎﻥ ﺍﻟﻌﻠﻭﻡ؛
) (٥ﺇﺫﺍ ﻋﺸﻘﺕﹶ ﻓﺎﻋﺸﻕ ﺠﻤﻴﻠﺔﹰ ﺒﺫﺍﺘﻬﺎ ﻻ ﻤﻥ ﺘﺘﺯﻴﻥ ﺒﺎﻟﺜﱢﻴﺎﺏ؛
-١٨٠-
)(١
ﻭﻟﹶﻴﺱ ﻟﹶﺩﻴﻪِ ﻤِﻥ ﺫِﻜﺭﺍﻱ ﺸﹶـﻲﺀ ـﺎ ﻋﺒــﺩ ﻟِــﺴﻠﻁﺎﻨﻲ ﺃُﻭﻴــﺱٍ
ﺃﻨـ
ﻭﻟﹶﻴﺱ ﻜﹶﺘﺎﺠِﻪِ ﻓﻲ ﺍﻟﺤﺴﻥِ ﺸﹶـﻲﺀ ﻭﻟﹶﻴﺱ ﻜﺘﺎﺠِﻪِ ﻓﻲ ﺍﻟﺤﺴﻥِ ﺸﹶﻤﺱ
ﻓﹶﻠﹶﻴﺱ ﻟﹶﻪ ﻤِـﻥ ﺍﻷﻟﻁـﺎﻑِ ﺸﹶـﻲﺀ ﻭﺸﹶﺨﹾﺹ ﻗﺎﺌِـلٌ ﻋﻴﺒـﺎﹰ ﺒِﻨﹶﻅﹾﻤـﻲ
ﻏﺰﻝ ١٦٣
ﺍﻟﻭﺭﺩ ﺒﻼ ﻋﺎﺭِﺽِ ﺍﻟﺤﺒﻴﺏِ ﻟﻴﺱ ﺠﻤﻴﻼﹰ ،ﻭﺒﻼ ﺨﹶﻤﺭﺓٍ ﺍﻟﺭﺒﻴﻊ ﻟﻴﺱ ﺠﻤﻴﻼﹰ؛
ﻁﹶﺭﻑﹸ ﺍﻟﺭﻭﺽِ ﻭﻁﻭﺍﻑﹸ ﺍﻟﺒﺴﺘﺎﻥِ ﺒﻼ ﺯﻫﺭِ ﺨﺩ ﺍﻟﺤﺒﻴﺏِ ﻟﻴﺴﺎ ﺠﻤﻴﻠﹶﻴﻥ؛
ﺭﻗﹾﺼﺔﹸ ﺍﻟﻭﺭﺩِ ﻭﺤﺎﻟﹶﺔﹸ ﺍﻟﺴﺭﻭِ ﺒﻼ ﺼﻭﺕِ ﺍﻟﻬﺯﺍﺭِ ﻟﻴﺴﺎ ﺠﻤﻴﻠﹶﻴﻥ؛
ﻭﺍﻟﻠﱢﻘﺎﺀ ﺒﺎﻟﺤﺒﻴﺏِ ﺴﻜﱠﺭﻱ ﺍﻟﺸﱠﻔﹶﺔِ ﻭﺭﺩﻱ ﺍﻟﻬﻨﺩﺍﻡِ ﺒﻐﻴﺭِ ﺍﻟﻌِﻨﺎﻕِ ﻭﺍﻟﺘﱠﻘﺒﻴلِ ﻟﻴﺱ ﺠﻤﻴﻼﹰ؛
ﻜﹸلﱡ ﺭﺴﻡٍ ﻋﻠﻰ ﻴﺩِ ﺍﻟﻌﻘﹾلِ ﺨﻼ ﺭﺴﻡ ﻤﻌﺸﻭﻗِﻨﺎ ﺍﻟﺠﻤﻴلِ ﻟﻴﺱ ﺠﻤﻴﻼﹰ؛
ﺤﺎﻓِﻅﹸ ﺍﻟﺭﻭﺡ ﻤِﻨﹾﻙ ﻨﻘﹾﺩ ﺤﻘﻴﺭ ،ﻨﺜﺭﻫﺎ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺤﺒﻴﺏِ ﻟﻴﺱ ﺠﻤﻴﻼﹰ.
ﻏﺰﻝ ١٦٤
ﺍﻟﻌﺎﻟِﻡ ﺍﻟﺸﱠﻴﺦﹸ ﺫﺍﻙ ﺼﺎﺭ ﻜﺎﻟﻔِﺘﻴـﺎﻥ ﻨﹶﺸﹶﺭﺕﹾ ﻤِﺴﻜﹶﻬﺎ ﺍﻟﺼﺒﺎ ﺒِﻜﹸلﱢ ﻤﻜـﺎﻥ
ﺠﺎﻡ ﺍﻟﻌﻘﻴﻕِ ﻴﻬﺩﻱ ﻟﻪ ﺍﻷﺭﺠـﻭﺍﻥ ﻴﻨﻅﹸﺭ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﺸﱠﻘﺎﺌﻕﹶ ﻭﺍﻟﺯﻨﺒﻕﹸ
ﺭﺍﺡ ﺒﻴﻥ ﺍﻟﻭﺭﻭﺩِ ﻴﺸﻜﻭ ﺍﻟﻬﺯﺍﺭ ﺍﻟﹼـﺫﻱ ﻨﺎﻟـﻪ ﻤـﻥ ﺍﻟﻐـﻡ ﻓـﻲ ﺍﻟﻬﺠـﺭﺍﻥ
ﻤﺠﻠﺱ ﺍﻟﻭﻋﻅِ ﻁﺎلَ ﻓﻲ ﺍﻟﻤﺴﺠﺩِ ﻭﺍﻟﻌﻤﺭ ﻗﺼﻴﺭ ﻓﻌـﺫﹾﺭﺍﹰ ﺇﺫﺍ ﺼِـﺭﺕﹸ ﻟﻠﺤـﺎﻥ
ﺸﹶﻤﺴﻪ ﻟﻥ ﺘﺒﻴﻥ ﻟﻠﻌِﻴﺩِ ﻤﻥ ﺭﻤﻀﺎﻥ ﻗﺩﺤﺎﹰ ﻻ ﺘﹶﺩﻉ ﻤﻥ ﻴﺩٍ ﺸﹶﻬﺭ ﺸﹶـﻌﺒﺎﻥ
ﻭﺩﺍﻋِﻪِ ﻗﹶﺩﻤﺎﹰ ،ﺇﻨﱠﻪ ﺍﻟﺭﻭﺡ ﻴﺴﻠِﻡ ﺍﻵﻥ ﺤﺎﻓِﻅﹸ ﺠﺎﺀ ﻟﻠﻜﹶﻭﻥِ ﻤﻥ ﺃﺠﻠِﻙ ﺴِﺭ ﻓﻲ
) (١ﺍﻟﺴﻠﻁﺎﻥ ﺃُﻭﻴﺱ ﻤﻤﺩﻭﺡ ﺍﻟﺸﱠﺎﻋﺭ ﻤﻠﻙ ﻤﻌﺎﺼﺭ ﻟﻠﺸﹼﺎﻋﺭ ﻤﻥ ﻤﻠﻭﻙ ﺒﻐﺩﺍﺩ ،ﻭﺭﺩ ﺫﻜﺭﻩ ﺃﻜﺜﹶﺭ
ﻤﻥ ﻤﺭﺓٍ ﻓﻲ ﺍﻟﺩﻴﻭﺍﻥ.
-١٨١-
ﺴﻴﺄﺘﻲ ﺍﻟﺭﺒﻴﻊ ﻭﻨﹶﻔﹶﺱ ﺭﻴﺢِ ﺍﻟﺼﺒﺎ ﺴﻴﺼﻴﺭ ﻤِﺴﻜﻴﺎﹰ ،ﻭﺍﻟﻌﺎﻟِﻡ ﺍﻟﺸﱠﻴﺦﹸ
ﺴﻴﺭﺠِﻊ ﻓﺘﻰ ﻤﻥ ﺠﺩﻴﺩ؛ ﻭﺍﻷﺭﺠﻭﺍﻥ ﺴﻴﻬﺏ ﺍﻟﺯﻨﺒﻕﹶ ﺠﺎﻡ ﺍﻟﻌﻘﻴﻕِ ،ﻭﻋﻴﻥ
ﺍﻟﻨﱠﺭﺠِﺱِ ﺴﻭﻑﹶ ﺘﺭﻨﻭ ﺇﻟﻰ ﺍﻟﺸﱠﻘﺎﺌﻕ ﺍﻟﺤﻤﺭﺍﺀ؛ ﻭﻫﺫﺍ ﺍﻟﺠﻭﺭ ﺍﻟﻁﱠﻭﻴلُ ﺍﻟﱠﺫﻱ
ﺘﺤﻤﻠﹶﻪ ﺍﻟﺒﻠﺒلُ ﻤﻥ ﻏﻡ ﺍﻟﻬﺠﺭﺍﻥِ ﺴﻭﻑﹶ ﻴﺴﺘﺤﻴلُ ﻋﻭﻴﻼﹰ ﺒِﻤﺤﻀﺭِ ﺍﻟﻭﺭﻭﺩ)(١؛ ﺇﺫﺍ
ﺃﻨﺎ ﺫﹶﻫﺒﺕﹸ ﻤﻥ ﺍﻟﻤﺴﺠِﺩِ ﻟﻠﺨﺭﺍﺒﺎﺕِ ﻻ ﺘﻠﹸﻤﻨﻲ ،ﻤﺠﻠِﺱ ﺍﻟﻭﻋﻅِ ﻓﻲ ﺍﻟﻤﺴﺠِﺩِ ﻁﻭﻴلٌ
ﻭﺍﻟﺯﻤﺎﻥ ﻤﺴﺭِﻉ ،ﻭﺍﻟﻌﻤﺭ ﻗﺼﻴﺭ ﻭﻴﻭﺸِﻙ ﺃﻥ ﻴﻨﺘﻬﻲ؛ ﺃﻱ ﻗﹶﻠﹾﺏ ،ﻋﻴﺵﹸ ﺍﻟﺴﻌﺎﺩﺓِ
ﺍﻟﻴﻭﻡ ،ﺇﺫﺍ ﺃﻨﺕﹶ ﺃﺠﻠﹾﺘﹶﻪ ﻟﻠﻐﹶﺩِ ،ﻤﺎ ﺍﻟﻀﻤﺎﻥ ﻟﺒﻘﺎﺀِ ﺭﺃﺴِﻤﺎﻟِﻙ ﻤِﻨﻪ؛ ﻻ ﺘﹶﺩﻉ ﻤﻥ ﻴﺩِﻙ
ﺍﻟﻘﺩﺡ ﻓﻲ ﺸﻬﺭِ ﺸﻌﺒﺎﻥ ﻓﺈﻥ ﻫﺫِﻩِ ﺍﻟﺸﱠﻤﺱ ﺴﺘﻐﻴﺏ ﻋﻥ ﻨﹶﻅﹶﺭِﻙ ﺇﻟﻰ ﻟﻴﻠﹶﺔِ ﺍﻟﻌﻴﺩِ
ﻤِﻥ ﺭﻤﻀﺎﻥ؛ ﺍﻟﻭﺭﺩ ﻋﺯﻴﺯ ﻓﺎﻏﺘﹶﻨِﻡ ﺼﺤﺒﺘﹶﻪ ،ﺇﻨﱠﻪ ﻴﺩﺨﹸلُ ﺍﻟﺭﻭﺽ ﻤِﻥ ﺒﺎﺏٍ
ﻭﻴﺨﺭﺝ ﻤﻥ ﺒﺎﺏٍ؛ ﻤﻁﺭِﺒﺎ ،ﻫﺫﺍ ﻤﺠﻠِﺱ ﺍﻷُﻨﺱِ ﻓﺎﻗﺭﺃِ ﺍﻟﻐﹶﺯلَ ﻭﻏﹶﻥ ،ﻭﺃﻗِلﱠ
ﺍﻟﻜﻼﻡ ﻓﻲ ﻤﺎ ﺫﹶﻫﺏ ﻭﻤﺎ ﺴﻴﻜﻭﻥ؛ ﺤﺎﻓِﻅﹸ ﺠﺎﺀ ﻹﻗﻠﻴﻡِ ﺍﻟﻭﺠﻭﺩِ ﻤِﻥ ﺃﺠﻠِﻙ ،ﺍﹸﺨﻁﹸ
ﻗﹶﺩﻤﺎﹰ ﻟِﻭِﺩﺍﻋِﻪِ ﻓﺭﻭﺤﻪ ﺘﺭﺤلُ ﺍﻵﻥ.
ﻏﺰﻝ ١٦٥
ﺃﻨﺎ ﺤﺏ ﺍﻟﻌﻴﻭﻥِ ﺍﻟﺴﻭﺩِ ﻓﻲ ﺭﺃﺴﻲ ﻭﻻ ﻴﺭﺤلْ ،ﺒﺫﺍ ﻗﻀﺕِ ﺍﻟﺴﻤﺎﺀ ﻭﻏﻴﺭ ﻤﺎ ﺘﻘﻀﻴﻪِ
ﻤﺎ ﻜﺎﻥ؛
ﺃﻴﺤﺴﺏ ﺇﺫ ﻨﻭﻯ ﻀﺭﻱ ﻭﺇﻴﺫﺍﺌﻲ ﺍﻟﺭﻗﻴﺏ ﺒﺄﻥ ،ﻭﺼﻭلُ ﺍﻵﻩِ ﻓﻲ ﺍﻷﺴﺤﺎﺭِ ﻟﻸﻓﻼﻙِ
ﻤﺎ ﻜﺎﻥ؛
ﻭﻤﺎ ﺃﻤﺭﻭﺍ ﺒِﻐﻴﺭِ ﺍﻟﺴﻜﹾﺭِ ﻟﻲ ﻓﻲ ﻓﹶﺠﺭِ ﺃﻴﺎﻤﻲ ،ﻭﻤﺎ ﻟﻡ ﻴﻘﹾﺽ ﺫﺍﻙ ﺍﻟﻴﻭﻡ ﻫﺫﺍ ﺍﻟﻴﻭﻡ ﻤﺎ
ﻜﺎﻥ؛
) (١ﻤﻊ ﺍﻟﺭﺒﻴﻊ ﺴﻴﺘﻔﺘﱠﺢ ﺍﻟﺒﺭﻋﻡ ﻭﻴﻁلﱡ ﺍﻟﻭﺭﺩ ﻤﻌﺸﻭﻕﹸ ﺍﻟﺒﻠﺒلِ ﺒﻌﺩ ﻏﻴﺎﺏِ ﻋﺎﻡٍ ﻓﻴﺭﻭﺡ ﺍﻟﺒﻠﺒُ
ل
ﻴﺸﻜﻭ ﻟﻪ ﺍﻟﱠﺫﻱ ﺃﻟﹶﻡ ﺒِﻪِ ﻤِﻥ ﻏﻡ ﺍﻟﻬﺠﺭِ ﻓﻲ ﺒﻜﺎﺀٍ ﻭﻋﻭﻴل؛ ﺍﻟﺸﱠﻤﺱ ﺸﻤﺱ ﺍﻟﻘﺩﺡِ ،ﻭﺍﻟﻌﻴﺩ ﻤﻥ
ﺭﻤﻀﺎﻥ ﻋﻴﺩ ﺍﻟﻔِﻁﹾﺭ
-١٨٢-
ﻋﻭﻴلَ ﺭﺒﺎﺒﺘﻲ ﻭﺍﻟﻨﱠﺎﻱ ﻫﺏ ﻟﻲ ﻴﺎ ﺭﻗﻴﺏ ﺍﻟﺸﱠﺭﻉ ،ﻋﻠﻴﻙ ﺍﷲُ ،ﻤِﻥ ﻫﺫﺍ ﺨﺭﺍﺏ
ﺍﻟﺸﱠﺭﻉِ ﻤﺎ ﻜﺎﻥ؛
ﺸﺭﺍﺒﻲ ﺍﻟﺨﻤﺭ ﻓﻲ ﺃﻤﻥٍ ﻭﻤﺤﺒﻭﺒﻲ ﻫﻭ ﺍﻟﺴﺎﻗﻲ ،ﻓﻐﻴﺭ ﺍﻟﻴﻭﻡِ ﻴﺎ ﻗﻠﺒﻲ ﻗﻀﺎﺀ ﺍﻟﺸﱡﻐﹾلِ
ﻤﺎ ﻜﺎﻥ.
ﺃﻨﺎ ﺤﺏ ﺍﻟﻌﻴﻭﻥِ ﺍﻟ ﺴﻭﺩِ ﻟﻥ ﻴﺫﻫﺏ ﻤِﻥ ﺭﺃﺴﻲ ،ﻫﺫﺍ ﻗﻀﺎﺀ ﺍﻟﺴﻤﺎﺀِ ﻟﻲ
ﻭﻗﻀﺎﺀ ﺍﻟﺴﻤﺎﺀِ ﻤﺎﺽٍ ﻭﻟﻥ ﻴﻜﻭﻥ ﻏﻴﺭﻩ؛ ﺍﻟﺭﻗﻴﺏ ﺍﺴﺘﺤلﱠ ﺃﺫﺍﻱ ﻭﻟﻡ ﻴﺘﺭ ﻙ
ﻤﺤﻠﱠﺎﹰ ﻟﻠﺼﻠﺢِ ،ﻜﻤﺎ ﻟﻭ ﺃ ﻥ ﺁﻩ ﻗﺎﺌﻤﻲ ﺍﻟ ﺴﺤﺭِ ﻻ ﺘﺼﻌﺩ ﺇﻟﻰ ﺍﻟﻔﻠﻙ؛ ﺃﻨﺎ ﻓﻲ
ﺍﻟﻴﻭﻡِ ﺍﻷﻭلِ ﻟ ﻡ ﺃُﻋ ﻁﹶ ﻏﻴﺭ ﺍﻟ ﺴﻜﺭِ ﻤِ ﻥ ﻋﻁﺎﺀٍ ،ﺘِﻠ ﻙ ﺍﻟﻘِﺴﻤﺔﹸ ﺍﻟﱠﺘﻲ ﺠﺭﺕﹾ ﻫﻨﺎ ﻙ
ﻻ ﻤﺯﻴﺩ ﻋﻠﻴﻬﺎ ﻫﻨﺎ )(١؛ ﻤﻥ ﺃﺠلِ ﺍ ﷲِ ﻴﺎ ﻤﺤﺘﺴِﺏ ﺍﺠﻌلْ ﻟﻨﺎ ﺭﺨﺼﺔﹰ ﻓﻲ ﻋﻭﻴلِ
ﺍﻟﺩﻑﱢ ﻭﺍﻟ ﻨﱠﺎﻱ ،ﻓﺒﻨﺎﺀ ﺍﻟﺸﱠﺭﻉِ ﻤﻥ ﻫﺫِﻩِ ﺍﻟﻘِ ﺼﺔِ ﺍﻟﺨﺎﺭِﺠﺔِ ﻋﻥِ ﺍﻟﻘﺎﻨﻭ ﻥِ ﻟﻥ
ﻴﺨﺭﺏ(٢) ؛ ﻭﻜﺎﻥ ﺍﻟﻤﺠﺎلُ ﻟﻭ ﻟﻡ ﺃﻜﹸﻥ ﺃُﺨﻔﻲ ﻋِﺸﹾ ﻘﹶﻪ ﻟِﺤﻀ ﻨِﻪِ ﻭﺘﻘﺒﻴﻠِ ﻪِ ﻭﻀ ﻤﻪِ،
ﻤﺎ ﺃﻗﻭلُ ،ﻭﺫﺍﻙ ﻟِﺫﺍﻙ ﻟﻡ ﻴﺘﻴﺴﺭ(٣) ؛ ﺸﺭﺍﺏ ﺩﺭ ﻭﻤﺤلﱡ ﺃﻤﻥٍ ﻭﺤﺒﻴﺏ ﺸﻔﻴ ﻕﹲ
ﻴﺴﻘﻴﻨﺎ ﺒﻴ ﺩِﻩ ،ﻴﺎ ﻗﻠﺏ ﻤﺘﻰ ﻴﺤﺴ ﻥ ﺤﺎ ﻟﹸﻙ ﻭﻴﻘﻀﻰ ﻤﺭﺍﺩﻙ ﺇ ﻥ ﻟﹶﻡ ﻴ ﻜﹸﻥِ ﺍﻵﻥ )(٤؛
ﻴﺎ ﻋﻴﻥ ﻻ ﺘﻐ ﺴِﻠﻲ ﻨﹶ ﻘﹾﺵﹶ ﺍﻟ ﻐﹶﻡ ﻤِﻥ ﻟﹶ ﻭﺡِ ﺼﺩﺭِ ﺤﺎﻓِﻅ ،ﺇ ﻨﱠﻪ ﺠﺭﺡ ﺴﻴﻑِ
ﺍﻟﺤﺒﻴﺏِ ﻭﻟﻭﻥ ﺩﻤِﻪِ ﻻ ﻴﺯﻭل.
) (١ﻭﻗﺩ ﺠﺭﺕِ ﺍﻟﻤﻘﺎﺩﻴﺭ ﻭﻗﹸﺴﻤﺕِ ﺍﻟﻌﻁﺎﻴﺎ ﻤِﻥ ﺍﻷﺯل ،ﻭﻟﻡ ﺃُﻋﻁﹶ ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ﻏﻴﺭ ﺍﻟﺴﻜﺭِ ﻤﻥ
ﻋﻁﺎﺀ ،ﻭﻟﻥ ﻴﺘﻐﻴﺭ ﺍﻟﻴﻭﻡ ﺍﻟﻘﻀﺎﺀ؛
) (٢ﺍﻟﻤﺤﺘﺴﺏ ﺍﻟﻘﺎﺌﻡ ﻋﻠﻰ ﺘﻁﺒﻴﻕِ ﺍﻟﺸﱠﺭﻉِ )ﺍﻵﻤِﺭ ﺒﺎﻟﻤﻌﺭﻭﻑِ ﻭﺍﻟﻨﱠﺎﻫﻲ ﻋﻥِ ﺍﻟﻤﻨﻜﹶﺭ(؛
) (٣ﻜﺎﻥ ﻟﻲ ﻤﺠﺎلٌ ﻟﻠﺩﻨﹸﻭ ﻤِﻨﻪ ﻭﺤﻀﻨِﻪِ ﻭﺘﻘﺒﻴﻠِﻪِ ،ﻟﻜِﻨﱠﻨﻲ ﻜﹸﻨﺕﹸ ﺃُﺨﻔﻲ ﺍﻟﻌِﺸﻕﹶ ،ﻭﻟِﺫﻟِﻙ ﻟﻡ ﻴﺤﺼلْ
ﺫﺍﻙ ﻤﻨﹼﻲ ،ﻓﻤﺎ ﺃﻗﻭلُ؟ )ﻟﻭ ﻓﻌﻠﺕﹸ ﻻﻨﻜﺸﻑﹶ ﺃﻤﺭﻱ( ﻭﻜﺘﻤﺎﻥ ﺍﻟﻌﺸﻕ ﺸﺭﻁﹲ ﻓﻲ ﺍﻟﻬﻭﻯ ،ﻗﺎل
ﻭﺒﺫﻟﺕﹸ ﻓﻲ ﻜﺘﻤﺎﻨِﻪِ ﺠﻬﺩﻱ؛ ﺍﻟﻤﻜﺯﻭﻥ :ﻭﻟﻁﺎﻟﻤﺎ ﺃﺨﻔﻴﺕﹸ ﺤﺒﻜﹸﻡ
) (٤ﺍﻁﻠﹸﺏ ﻤﺎ ﺘﺸﺎﺀ ﻓﺈﻨﱠﻙ ﺇﻥ ﻟﻡ ﺘﹶﻨﹶلْ ﻤﺭﺍﺩﻙ ﺍﻟﻴﻭﻡ ﻓﻠﻥ ﺘﻨﺎﻟﹶﻪ ﺃﺒﺩﺍ.
-١٨٣-
ﻏﺰﻝ ١٦٦
ﻴﻭﻡ ﻫِﺠﺭﺍﻥِ ﻭﻟﻴلُ ﻓﺭﺍﻕِ ﺍﻟﺤﺒﻴﺏِ ﺍﻨﺘﻬﻴﺎ ،ﻨﹶﻅﹶﺭﺕﹸ ﻓﻲ ﻓﺄﻟﻲ ﻓﺭﺃﻴﺕﹸ ﻨﺠﻡ ﺴﻌﺩﻱ ﻭﻤﺎ
ﺒﻲ ﺍﻨﺘﻬﻰ؛
ﻜﹸلﱡ ﻫﺫﺍ ﺍﻟﺘﱠﻜﺒﺭِ ﻭﺍﻟﻌِﻨﺎﺩِ ﻤﻥ ﺍﻟﺨﺭﻴﻑِ ﻜﺎﻨﺕ ﻋﺎﻗِﺒﺘﹸﻪ ﺍﻻﻨﺘِﻬﺎﺀ ﺘﺤﺕﹶ ﻗﹶﺩﻡِ ﺭﻴﺢِ ﺍﻟﺭﺒﻴﻊ؛
ﺍﻟﺤﻤﺩ ﷲِ ﺃﻥِ ﺍﻨﺘﻬﺕﹾ ﻗﹸﺒﺎﻟﺔﹶ ﺘﺎﺝِ ﺍﻟﻭﺭﺩِ ﻨﺨﻭﺓﹸ ﺭﻴﺢِ ﺩﻱ) (١ﻭﺸﻭﻜﹶﺔﹸ ﺍﻟﺸﹼﻭﻙ؛
ﻗﹸل ﻟِﺼﺒﺢِ ﺍﻷﻤلِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻤﻌﺘﹶﻜِﻔﺎﹰ ﻓﻲ ﺤِﺠﺎﺏِ ﺍﻟﻐﻴﺏِ ﺍﺨﺭﺝ ﻓﺸﹸﻐﹾلُ ﺨﻴﻁِ ﺍﻟﻠﹼﻴل ﻗﺩِ ﺍﻨﺘﻬﻰ؛
ﺕ ﻅِلﱢ ﻓﺭﻉِ ﺍﻟﺤﺒﻴﺏ؛
ﺍِﻀﻁﺭﺍﺏ ﺍﻟﻠﱠﻴﺎﻟﻲ ﺍﻟﻁﱠﻭﻴﻠﹶﺔِ ﺫﺍﻙ ﻭﻏﻡ ﺍﻟﻘﻠﺏِ ﺍﻨﺘﻬﻴﺎ ﺠﻤﻴﻌﺎﹰ ﺘﺤ ﹶ
ﻤﻥ ﺴﻭﺀِ ﻋﻬﺩِ ﺍﻷﻴﺎﻡِ ﺍﻟﺨﺎﻟﻴﺔِ ﻻ ﺃُﺼﺩﻕﹸ ﺇﻟﻰ ﺍﻵﻥ ،ﺃﻥ ﻗِﺼﺔﹶ ﺍﻟﻐﹸﺼﺔِ ﺍﻨﺘﻬﺕﹾ ﻓﻲ
ﺩﻭﻟﺔِ ﺍﻟﺤﺒﻴﺏ؛
ﺴﺎﻗﻴﺎ ﺃﻅﻬِﺭِ ﺍﻟﻠﱡﻁﹾﻑﹶ ،ﺩﺍﻡ ﻗﹶﺩﺤﻙ ﻤﻤﻠﻭﺀﺍﹰ ﺒﺎﻟﺨﻤﺭِ ،ﺒﺘﺩﺒﻴﺭِﻙ ﺍﻨﺘﻬﻰ ﻤﺎ ﺒﻲ ﻤِﻥ
ﺘﺸﻭﻴﺵِ ﺍﻟﺨﹸﻤﺎﺭ؛
ﺭﻏﻡ ﺃﻨﱠﻪ ﻻ ﺃﺤﺩ ﻴﺄﺨﹸﺫﹸ ﺤﺎﻓِﻅﹶ ﻓﻲ ﺍﻟﺤِﺴﺎﺏِ ﻭﺍﻟﻌﺩ ،ﺍﻟﺤﻤﺩ ﷲِ ﺍﻨﺘﻬﺕِ ﺍﻟﻤِﺤﻨﹶﺔﹸ ﺍﻟﹼﺘﻲ
ﻻ ﺤﺩ ﻟﻬﺎ ﻭﻻ ﻋﺩ.
ﻏﺰﻝ ١٦٧
ﻟﹶﻤﻊ ﺍﻟﻨﱠﺠﻡ ﻭﺼﺎﺭ ﺍﻟﺒﺩﺭ ﻟِﻠﻤﺠﻠِﺱِ ،ﻭﺼﺎﺭ ﻟﻘﻠﺒِِﻨﺎ ﺍﻟﻭﺠِلِ ﺍﻟﺭﻓﻴﻕﹶ ﻭﺍﻟﻤﺅﻨِﺱ؛
ﻤﻌﺸﻭﻗﹸﻨﺎ ﺍﻟﱠﺫﻱ ﻤﺎ ﺫﹶﻫﺏ ﻟﻠﻜﹸﺘﱠﺎﺏِ ﻭﻻ ﺨﹶﻁﱠ ﺍﻟﻜِﺘﺎﺏ ،ﺒِﻐﻤﺯﺓٍ ﻭﺍﺤِﺩﺓٍ ﺤلﱠ ﻤﺴﺄﻟﹶ ﹶﺔ ﻤِﺌﺔِ
ﻤﺩﺭﺱٍ)(٢؛
) (١ﺩﻱ ﺸﻬﺭ ﻤﻥ ﺸﻬﻭﺭ ﺍﻟﺸﹼﺘﺎﺀِ ﻓﻲ ﺍﻟﺴﻨﺔ ﺍﻟﻔﺎﺭﺴﻴﺔ؛ ﻜﺄﻨﱠﻪ ﻴﻨﻌﻰ ﻨﻔﺴﻪ ﻓﻲ ﻫﺫﺍ ﺍﻟﻐﺯل.
) (٢ﻤﻌﺸﻭﻗﹸﻨﺎ ﻋِﻠﻤﻪ ﻤﻥ ﺍﷲِ ﻭﻏﻴﺭ ﻤﻌﻠﱠﻡٍ ﻤﻥ ﺒﺸﹶﺭٍ ،ﻭﺒِﻐﻤﺯﺓٍ ﻭﺍﺤِﺩﺓٍ ﻤﻥ ﻋﻴﻨِﻪِ ﺍﻟﺴﺎﺤِﺭﺓِ ﻴﺤلﱡ ﻤِﺌﺔﹶ
ﻤﺴﺄﻟﺔٍ ﻤﻌﻘﱠﺩﺓٍ؛
-١٨٤-
ﻗﻠﻭﺏ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻤِﻥ ﺸﹶﻭﻕٍ ﺇﻟﹶﻴﻪِ ﻤﺭﻀﺕﹾ ﻜﺎﻟﺼﺒﺎ ،ﺼﺎﺭﺕِ ﺍﻟﻔِﺩﺍﺀ ﻟِﻌﺎﺭِﺽِ
ﺍﻟﻨﱢﺴﺭﻴﻥِ ﻭﻋﻴﻥِ ﺍﻟﻨﱠﺭﺠِﺱ)(١؛
ﺍﻟﺤﺒﻴﺏ ﻴﺠﻠِﺴﻨﻲ ﺍﻵﻥ ﻓﻲ ﺼﺩﺭِ ﺍﻟﻤﺼﻁﹶﺒﺔِ ،ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﺸﹶﺤﺎﺫِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻜﻴﻑﹶ ﺼﺎﺭ
ﺃﻤﻴﺭ ﺍﻟﻤﺠﻠِﺱ؛
ﺍﻟﺨﻴﺎلُ ﺍﻟﻤﺭﺒﻭﻁﹸ ﺒﻤﺎﺀِ ﺍﻟﺨِﻀﺭِ ﻭﺠﺎﻡِ ﺍﻻﺴﻜﹶﻨﺩﺭِ ﺼﺎﺭ ﺇﻟﻰ ﻤﺤﻔﹶلِ ﺸﺭﺍﺏِ ﺍﻟﺴﻠﻁﺎﻥِ
ﺃﺒﻭ ﺍﻟﻔﻭﺍﺭِﺱ)(٢؛
ﻤﺤﻔﹶلُ ﻁﹶﺭﺏِ ﻗﺼﺭِ ﺍﻟﻤﺤﺒﺔِ ﺍﻵﻥ ﻤﻌﻤﻭﺭ ﻭﻗﺩ ﺼﺎﺭ ﻗﻭﺱ ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏِ ﻟﻪ
ﺍﻟﻤﻬﻨﺩِﺱ؛
ﻷﺠلِ ﺍﷲِ ﻁﹶﻬﺭ ﺸﹶﻔﹶﺘﻲ ﺒﺎﻟﺨﻤﺭِ ،ﺇﻥ ﺨﺎﻁِﺭﻱ ﺒﺂﻻﻑِ ﺍﻟﺫﱡﻨﻭﺏِ ﻤﻭﺴﻭِﺱ)(٣؛
ﺤﻴﻥ ﺴﻘﹶﺕﹾ ﻏﹶﻤﺯﺘﹸﻙ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﺸﺭﺍﺒﺎﹰ ﺼﺎﺭ ﺍﻟﻌِﻠﹾﻡ ﺒﻼ ﺨﹶﺒﺭٍ ﻭﺍﻟﻌﻘﹾلُ ﺒﻼ ﺤِﺱ؛
ﻜﺎﻟﺫﱠﻫﺏِ ﻋﺯﻴﺯِ ﺍﻟﻭﺠﻭﺩِ ﻨﹶﻅﻤﻲ ﻋﺯﻴﺯ ،ﻗﹶﺒﻭلُ ﺍﻟﺴﻌﺩﺍﺀِ ﻤﺴﻪ ﻓﺼﺎﺭ ﺫﹶﻫﺒﺎﹰ؛
ﺍﻟﺭﻓﺎﻕﹸ ﻋﻥ ﻁﺭﻴﻕِ ﺍﻟﺨﻤﺎﺭﺓِ ﻟﹶﻭﻭﺍ ﺍﻟﻌِﻨﺎﻥ ،ﻟِﺄﻥ ﺤﺎﻓِﻅﹶ ﺫﹶﻫﺏ ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ
ﻭﺼﺎﺭ ﻤﻔﻠِﺴﺎﹰ.
) (١ﻨﺴﺒﺔﹸ ﺍﻟﻨﹼﺴﺭﻴﻥِ ﻟِﻠﻭﺠﻪِ ﻤﻥ ﺒﻴﺎﺽٍ ،ﻭﺍﻟﻨﱠﺭﺠِﺱِ ﻟِﻠﻌﻴﻥِ ﻤِﻥ ﻤﺭﺽٍ ﻴﺒﺩﻴﻪِ ،ﻭﻓﻲ ﺍﻟﻤﺭﺽِ ﻟِﻠﻌﻴﻥِ
ﺴِﺭ ﺴِﺤﺭِ ﺠﻤﺎﻟِﻬﺎ؛
) (٢ﺃﺒﻭ ﺍﻟﻔﻭﺍﺭِﺱ ﻟﻘﺏ ﺍﻟﺸﱠﺎﻩ ﺸﹸﺠﺎﻉ؛
) (٣ﻓﹶﺫِﻜﹾﺭ ﺁﻻﻑِ ﺍﻟﺫﱡﻨﻭﺏِ ﻴﻌﺫﱢﺒﻨﻲ ﻓﺨﻠﱢﺼﻨﻲ ﻤﻥ ﻫﺫﺍ ﺍﻟﻌﺫﺍﺏِ ﺒِﺠﺭﻋﺔٍ ﻤﻥ ﺍﻟﺨﻤﺭِ ﻤﻥ ﺸِﻔﺎﻫِﻙ
ﺘﹸﺴﻜِﺭﻨﻲ ﻭﺘﹸﻨﺴﻴﻨﻲ ﺍﻟﺘﱠﻔﻜﻴﺭ ﺒِﺫﻨﻭﺒﻲ؛ ﻫﺫِﻩِ ﺒِﻀﻊ ﺃﺒﻴﺎﺕٍ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻐﹶﺯلِ ﺸِﻌﺭﺍﹰ:
ـﺅﻨِﺱ؛
ﻭﺭﻓﻴـﻕﹲ ﻟﻠﻘﻠـﺏِ ﻤﻨﹼـﻲ ﻭﻤـ ﻷﻷَ ﺍﻟﻨﱠﺠﻡ ﻓﻬﻭ ﻟـﻲ ﺒـﺩﺭ ﻤﺠﻠِـﺱ
ﻏﻤﺯﺓﹲ ﻤﻨﻪ ﻤِﺜـل ﺃﻟـﻑِ ﻤـﺩﺭﺱ؛ ﻟﻲ ﺤﺒﻴﺏ ﻟﻡ ﻴﺭﺘﹶـﺩِ ﺍﻟـﺩﺭﺱ ﻟﻜـﻥ
ـﺔﹶ ﻨــﺭﺠِﺱ؛
ـﺴﺭﻴﻨِﻪِ ﻭﻤﻘﻠﹶـ
ـﺩ ﻨِـ
ﺨـ ﻭﻗﻠﻭﺏ ﺍﻟﻌـﺸﱠﺎﻕِ ﻤﺭﻀـﻰ ﻟِﺘﻔـﺩﻱ
ﺒِﺄُﻟﹸﻭﻑِ ﺍﻟﺫﱡﻨﻭﺏِ ﻓﻜـﺭﻱ ﻤﻭﺴـﻭِﺱ؛ ﻓﺎﺴﻘِﻨﻲ ﺍﻟﺨﻤﺭ ﻤِﻥ ﺸِـﻔﺎﻫِﻙ ﺇﻨﹼـﻲ
ﻭﻟﻪ ﺤﺎﺠِـﺏ ﺍﻟﺤﺒﻴـﺏِ ﺍﻟﻤﻬﻨﹾـﺩِﺱ؛ ـﺭﻭﺭﺍﹰ
ـﻴﺽ ﺴـ
ﻗ ـﺼﺭ ﻋ ـﺸﱠﺎﻗِﻪِ ﻴﻔـ
ﻋﺭِﻓﻭﺍ ﺃﻥ ﺤﺎﻓِﻅـﺎﹰ ﻓﻴـﻪِ ﻤﻔﹾﻠِـﺱ. ﻤﺎ َل ﺼﺤﺒﻲ ﻋﻥ ﺠﺎﺩﺓِ ﺍﻟﺤﺎﻥِ ﻟﻤـﺎ
-١٨٥-
ﻏﺰﻝ ١٦٨
ﺫﺍﺒﺕِ ﺍﻟﺭﻭﺡ ﻟِﻴﺘِﻡ ﺸﹸﻐﹾلُ ﻗﻠﺒﻲ ﻭﻤﺎ ﺘﻡ ،ﺍﺤﺘﹶﺭﻗﺕﹸ ﻓﻲ ﻫﺫِﻩِ ﺍﻷﻤﻨﻴﺔِ ﺍﻟﺨﺎﻡِ ﻭﻤﺎ
ﺘﻴﺴﺭﺕﹾ؛
ﻗﺎلَ ﻓﻲ ﺩﻋﺎﺒﺔٍ :ﻟﻴﻠﹶﺔﹰ ﺴﻭﻑﹶ ﺃﺼﻴﺭ ﺃﻤﻴﺭ ﻤﺠﻠِﺴِﻙ ،ﻭﺼِﺭﺕﹸ ﻜﻤﺎ ﻴﺭﻏﹶﺏ ﺃﻗﹶلﱠ ﻏﹸﻼﻡٍ
ﻭﻟﻡ ﻴﻔﻌلْ؛
ﻭﺃﺭﺴلَ ﺭِﺴﺎﻟﹶﺔﹰ ﻴﻘﻭلُ ﺴﻭﻑﹶ ﺃﺠﻠﺱ ﻤﻊ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﺨﻠﻴﻌﻴﻥ ،ﻭﺼِﺭﻨﺎ ﺒﺎﻟﺨﻼﻋﺔِ
ﻭﺍﻟﺸﱠﺭﺍﺏِ ﻤﺸﻬﻭﺭﻴﻥ ،ﻭﻟﻡ ﻴﻔﻌلْ؛
ﺤﻤﺎﻤﺔﹸ ﻗﻠﺒﻲ ﺇﺫﺍ ﻜﺎﻨﺕ ﺘﺨﻔِﻕﹸ ﻓﻲ ﺼﺩﺭﻱ ﻓﺤﻕﱠ ﻟﻬﺎ ،ﻟﻘﺩ ﺭﺃﺕﹾ ﻓﻲ ﻁﺭﻴﻘِﻬﺎ
ﺍﻟﻀﻔﻴﺭﺓﹶ ﻭﻟﻡ ﺘﻘﻊ ﺒﺎﻟﺸﱢﺒﺎﻙ؛
ﺒﻬﻭﺱِ ﺃﻥ ﺃُﻗﺒلَ ﺘِﻠﻙ ﺍﻟﺸﱠﻔﹶﺔﹶ ﺍﻟﻌﻘﻴﻕﹶ ﻓﻲ ﺴﻜﹾﺭٍ ،ﻜﹶﻡ ﻓﺎﺽ ﻤِﻥ ﺍﻟﺩﻡِ ﻤِﻥ ﻗﻠﺒﻲ ﻜﺎﻟﺠﺎﻡِ
ﻭﻤﺎ ﺘﻡ ﺫﻟِﻙ؛
ﺇﻟﻰ ﺤِﻤﻰ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﺘﺴِﺭ ﻗﹶﺩﻤﺎﹰ ﺒﻼ ﺩﻟﻴلٍ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕ ،ﺃﻨﺎ ﺴِﺭﺕﹸ ﻤﻥ ﻨﻔﺴﻲ ﺒﻤﺎﺌﺔِ
ﺍﻫﺘﻤﺎﻡٍ ﻤﻨﹼﻲ ﻭﻟﻡ ﺃﻨﺠﺢ؛
ﺃﺴﻔﺎﹰ ﺃﻨﱠﻨﻲ ﻓﻲ ﻁﹶﻠﹶﺏِ ﻜﺘﺎﺏِ ﺍﻟﻜﻨﺯِ ﺍﻟﻤﻘﺼﻭﺩِ ﺼِﺭﺕﹸ ﺨﺭﺍﺏ ﺍﻟﻌﺎﻟﹶﻡِ ﻤﻥ ﺘﻤﺎﻡِ ﺍﻟﻐﻡ
ﻭﻟﻡ ﺃﺠِﺩﻩ(١)؛
ﻭﻴﺎ ﺃﺴﻔﻲ ﻭﺃَﻟﹶﻤﻲ ﻷﻨﱠﻨﻲ ﻓﻲ ﻁﹶﻠﹶﺏِ ﻜﻨﺯِ ﺍﻟﺤﻀﻭﺭِ ﻜﺜﻴﺭﺍﹰ ﻤﺎ ﻤﺭﺭﺕﹸ ﺒﺎﻟﻜِﺭﺍﻡِ
ﻤﺴﺘﹶﺠﺩﻴﺎﹰ ﻭﻟﻡ ﺃﺤﺼلْ ﻋﻠﻴﻪ؛
ﺃﻟﻑﹶ ﺤﻴﻠﹶﺔٍ ﻤﻥ ﺍﻟﻔِﻜﹾﺭِ ﺃﺜﺎﺭ ﺤﺎﻓِﻅﹸ ﺒﻬﻭﺱِ ﺃﻥ ﻴﺼﻴﺭ ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏ ﺭﺍﻀﻴﺎﹰ ﻭﻤﺭﺍﺩﻩ ﻟﻡ
ﻴﺘﺤﻘﱠﻕﹾ.
) (١ﻷﻥ ﺍﻟﻜﹶﻨﹾﺯ ﻻ ﻴﻭﺠﺩ ﺇﻻﹼ ﻓﻲ ﺍﻟﺨﺭﺍﺏ ،ﺠﻌﻠﹾﺕﹸ ﻨﹶﻔﺴﻲ ﺨﺭﺍﺒﺎﹰ ﻷﺠِﺩﻩ ،ﻭﻟﻡ ﺃﺠِﺩﻩ ،ﻗﺎل
ﺍﻟﻤﻜﺯﻭﻥ :ﻭﺸﺄﻥ ﺃﻁﻼﻟِﻬِﻡ ﻤِﻥ ﺒﻌﺩِﻫِﻡ ﺸﺎﻨﻲ.
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ﻏﺰﻝ ١٦٩
ﻻ ﻤﻌﻴﻨﺎﹰ ﺃﺭﻯ ﻴﺎ ﻤﻌﻴﻨﻭﻥ ﻤﺎﺫﺍ ﺠﺭﻯ؟ ،ﺃﻭ ﺼﺩﻴﻘﺎﹰ ،ﻴﺎ ﺃﺼﺩِﻗﺎﺀ ﺍﻟﺼﺩﺍﻗﺔﹸ ﻤﺎﺘﺕﹾ ﻤﺘﻰ؟؛
ﺼﺎﺭ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﺃﺴﻭﺩ ﻴﺎ ﺨِﻀﺭ ﺃﻗﺒِلْ ،ﻭﺩﻡ ﺍﻟﻭﺭﺩِ ﺴﺎلَ ﻴﺎ ﺼﺒﺎ ﻓﻤﺎﺫﺍ ﺠﺭﻯ؟؛
ﻻ ﻨﺭﻯ ﺭﺍﻋﻴﺎﹰ ﻟِﺤﻕﱢ ﺭﻓﻴﻕٍ ،ﻋﺎﺭﻓﻭ ﺍﻟﺤﻕﱢ ﻤﺎ ﺒﺎﻟﹸﻬﻡ ،ﻴﺎ ﺃﻭﻓﻴﺎﺀ ﻤﺎﺫﺍ ﺠﺭﻯ؟؛
ﻤِﻥ ﺴِﻨﻴﻥ ﻟﹶﻡ ﻨﺤﺼلْ ﻤِﻥ ﻤﻨﺠﻡِ ﺍﻟﻤﺭﻭﺀﺓِ ﻋﻠﻰ ﻴﺎﻗﻭﺘﹶﺔٍ ،ﻴﺎ ﻀﻴﺎﺀ ﺍﻟﺸﱠﻤﺱِ ﻭﺴﻌﻲ
ﺍﻟﺭﻴﺢِ ﻭﺍﻟﻤﻁﹶﺭ ،ﻤﺎﺫﺍ ﺠﺭﻯ؟؛
ﻫﺫِﻱ ﺍﻟﺩﻴﺎ ﺭ ﻜﺎﻨﺕ ﺒﻼﺩ ﺍﻷﺼﺩِﻗﺎﺀِ ﻭﺃﺭﺽ ﺍﻟﺭﺤﻤﺎﺀِ ،ﺍﻟﺭﺤﻤﺔﹸ ﺍﻨﺘﻬﺕ ﻤﺘﻰ ،ﻴﺎ
ﻤﻠﻭﻙ ﺍﻟﺒﻼﺩِ ﻤﺎﺫﺍ ﺠﺭﻯ؟؛
ﻜﹸﺭﺓﹸ ﺍﻟﺘﱠﻭﻓﻴﻕِ ﻭﺍﻟﻜﺭﺍﻤﺔِ ﺒﻴﻨﻨﺎ ﻤﻠﻘﺎﺓﹲ ،ﻻ ﺸﹶﺨﺹ ﻴﺄﺘﻲ ﺇﻟﻰ ﺍﻟﻤﻴﺩﺍﻥِ ،ﻴﺎ ﻓﹸﺭﺴﺎﻥ ﻤﺎﺫﺍ
ﺠﺭﻯ؟؛
ﻤﺌﺔﹸ ﺃﻟﻑِ ﻭﺭﺩﺓٍ ﺘﻔﺘﱠﺤﺕﹾ ﻭﻟﻡ ﻴﺭﺘﹶﻔِﻊ ﺼﺭﺍﺥﹸ ﻁﻴﺭٍ ،ﻴﺎ ﻋﻨﺎﺩِلُ ﻤﺎﺫﺍ ﺩﻫﺎﻙِ ،ﻴﺎ ﺒﻼﺒِلُ
ﻤﺎﺫﺍ ﺠﺭﻯ؟؛
ﺍﻟﺯﻫﺭﺓﹸ ﻤﺎ ﻋﺎﺩﺕﹾ ﺘﹸﺤﺴِﻥ ﺍﻟﻐِﻨﺎﺀ ،ﻜﺄﻥ ﻋﻭﺩﻫﺎ ﺍﺤﺘﹶﺭﻕﹶ ،ﻭﻻ ﺸﹶﺨﺹ ﻴﻌﺭِﻑﹸ ﺫﹶﻭﻕﹶ
ﺍﻟﺴﻜﹾﺭِ ،ﻴﺎ ﻤﻌﺎﻗِﺭﻱ ﺍﻟﺨﹶﻤﺭِ ﻤﺎﺫﺍ ﺠﺭﻯ؟؛
ﺤﺎﻓِﻅﹸ ﻻ ﺸﹶﺨﹾﺹ ﻴﻌﺭِﻑﹸ ﺍﻷﺴﺭﺍﺭ ﺍﻹﻟﻬﻴﺔﹶ ﻓﺎﺼﻤﺕﹾ ،ﻤﻥ ﺘﺴﺄلُ ﻋﻥِ ﺍﻟﻘﹸﺩﻤﺎﺀِ ،ﻭﻟﻬﻡ
ﻤﺎﺫﺍ ﺠﺭﻯ؟.
ﻏﺰﻝ ١٧٠
ﺍﻟﺯﺍﻫِﺩ ﻨﺯﻴلُ ﺍﻟﺨﻠﻭﺓِ ﺭﺍﺡ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺇﻟﻰ ﺍﻟﺤﺎﻥ ،ﻨﺴﻲ ﺍﻟﻌﻬﺩ ﻤﻨﻪ ﻭﺼﺎﺭ ﺇﻟﻰ ﺍﻟﻜﺄﺱ؛
ﺼﻭﻓﻲ ﺍﻟﻤﺠﻠِﺱِ ﺍﻟﱠﺫﻱ ﺒﺎﻷﻤﺱِ ﻜﹶﺴﺭ ﺍﻟﺠﺎﻡ ﻭﺍﻟﻘﹶﺩﺡ ،ﺒِﺠﺭﻋﺔٍ ﻭﺍﺤِﺩﺓٍ ﻤﻥ ﺍﻟﺨﻤﺭ
ﻋﺎﺩ ﻋﺎﻗِﻼﹰ ﻭﺤﻜﻴﻤﺎﹰ؛
-١٨٧-
ﺠﺎﺀﻩ ﺸﺎﻫِﺩ ﻋﻬﺩِ ﺍﻟﺸﱠﺒﺎﺏِ ﺒﺎﻟﻨﱠﻭﻡِ ﻭﻫﻭ ﺸﻴﺦﹲ ،ﻓﻌﺎﺩ ﻋﺎﺸِﻘﺎﹰ ﻭﻤﺠﻨﻭﻨﺎﹰ؛
ﻭﻤﺭ ﺒِﻪِ ﺍﺒﻥ ﻋﺎﺒِﺩِ ﺍﻟﻨﱠﺎﺭِ ﻗﺎﻁِﻊ ﺩﺭﺏِ ﺍﻟﺩﻴﻥِ ﻭﺍﻟﻌﻘلِ ،ﻓﺴﺎﺭ ﺨﻠﻔﹶﻪ ﻭﺼﺎﺭ ﻏﺭﻴﺒﺎﹰ
ﻋﻥ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﹸﻠﱢﻪ؛
ﻨﺎﺭ ﻋﺎﺭِﺽِ ﺍﻟﻭﺭﺩِ ﺃﺤﺭﻗﹶﺕﹾ ﻤﺤﺼﻭلَ ﺍﻟﺒﻠﺒل ،ﻭﻭﺠﻪ ﺍﻟﺸﱠﻤﻊِ ﺍﻟﻀﺎﺤِﻙِ ﺼﺎﺭ
ﻤﺼﻴﺒﺔﹶ ﺍﻟﻔﺭﺍﺸﺔ؛
ﺒﻜﺎﺀ ﺍﻟﻠﹼﻴلِ ﻭﺍﻟﺴﺤﺭِ ،ﺍﻟﺤﻤﺩ ﷲِ ﻟﻡ ﻴﻀِﻊ ،ﻗﻁﺭﺓﹸ ﻤﻁﹶﺭﻨﺎ ﺼﺎﺭﺕﹾ ﺠﻭﻫﺭﺍﹰ ﻓﺭﻴﺩﺍ؛
ﻨﺭﺠِﺱ ﺍﻟﺴﺎﻗﻲ ﺭﺘﱠلَ ﺁﻴﺔﹶ ﺍﻟﺴﺤﺭ ،ﺤﻠﻘﹶﺔﹸ ﺃﻭﺭﺍﺩِﻨﺎ ﺼﺎﺭﺕﹾ ﻤﺠﻠِﺱ ﺍﻟﺴﺤﺭ؛
ﻤﻨﺯلُ ﺤﺎﻓِﻅﹶ ﺍﻵﻥ ﻓﻲ ﻗﹶﺼﺭِ ﺍﻟﺴﻠﻁﺎﻥ ،ﻗﻠﺒﻪ ﺼﺎﺭ ﺇﻟﻰ ﺤﺒﻴﺒِﻪِ ،ﻭﺭﻭﺤﻪ ﺇﻟﻰ ﻤﻌﺸﻭﻗِﻪ.
ﻏﺰﻝ ١٧١
ﺃﻤﺱِ ﺠﺎﺀﺕ ﺒِﺸﺎﺭﺓﹲ ﻤِﻥ ﺠﻨﺎﺏِ ﺁﺼِﻑﹶ ﺃﻥ ﺴﻠﹶﻴﻤﺎﻥ ﺃﻋﻁﻰ ﻟِﻜﻲ ﻨﹶﻁﹾﺭﺏ ﺍﻹﺸﺎﺭﻩ؛
ﻫﻲﺀ ﺍﻟﻁﱢﻴﻥ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﺍﻟﻭﺠﻭﺩِ ﻭﺍﻟﺩﻤﻊِ ﻭﻟﺘﹸﺤِلْ ﻗﹶﺼﺭ ﻗﻠﺒﻲ ﺍﻟﺨﺭﺍﺏ ﻋﻤﺎﺭﻩ؛
ﻭﺼﻑﹸ ﻓﺭﻉِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﻴﻨﺘﻬﻲ ﻭﻤﺎ ﻗﻴلَ ﺤﺭﻑﹲ ﻤِﻥ ﺍﻵﻻﻑِ ﺠﺎﺀ ﺘﹶﺤﺕﹶ ﺍﻟﻌِﺒﺎﺭﻩ؛
ﻴﺎ ﺃﺥﹶ ﺍﻟﺨﹶﻤﺭِ ﻓﻲ ﺍﻟﺜﱢﻴﺎﺏِ ﻏﻁﱢ ﻋﻴﻭﺒﻲ ،ﺍﻟﻁﱠﺎﻫِﺭ ﺍﻟﻁﱡﻬﺭ ﻗﺎﺩِﻡ ﻟﻨﺎ ﺒِﻘﹶﺼﺩِ ﺍﻟﺯﻴﺎﺭﻩ؛
ﻜﹸلﱡ ﺠﻤﻴلٍ ﻓﻲ ﻤﺠﻠﺱِ ﺍﻟﻴﻭﻡِ ﻓﻲ ﻤﻜﺎﻨِﻪِ ﻴﺠﻠِﺱ ،ﺍﻟﺒﺩﺭ ﺤﺎﹶﻀِﺭ ﺠﺎﻟِﺱ ﻓﻲ ﺍﻟﺼﺩﺍﺭﻩ؛
ﺘﺨﺕﹸ ﺠﻤﺸﻴﺩ ﺘﺎﺠﻪ ﻤﻌﺭﺝ ﻟﻠﺴﻤﺎﺀِ ﻭﺍﻋﺘﻠﺘﹾﻪ ﺒﺎﻟﻌﺯﻡِ ﻨﻤﻠﺔﹲ ﻋﻠﻰ ﻤﺎ ﺒِﻬﺎ ﻤِﻥ ﺤﻘﺎﺭﻩ؛
ﻗﻠﹾﺏ ﺇﻴﻤﺎﻨﹶﻙ ﺍﺤﻔﹶﻅﹾ ﻓﻌﻴﻨﹸﻪ ﺍﻟﻔﺘﱠﺎﻨﹶﺔﹸ ﻗﺩ ﺭﻓﹶﻌﺕﹾ ﻗﻭﺱ ﺴِﺤﺭِﻫﺎ ﺘﹸﺭﻴﺩ ﺍﻟﻐﺎﺭﻩ؛
ﺍﻁﻠﹸﺏِ ﺍﻟﻔﻴﺽ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺸﱠﺎﻩِ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﻟﻤﻠﹶﻭﺙﹸ ﺇﻥ ﺍﻟﺠﻭﺍﺩ ﺠﺎﺀ ﻴﻬﺩﻱ ﺍﻟﻁﱠﻬﺎﺭﻩ؛
ﺇﻥ ﻓﻲ ﺍﻟﻤﺠﻠِﺱِ ﺍﻟﺒﺤﺭ ،ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻤﻌﻭِﺯ ﺍﻟﻔﻘﻴﺭ ﺃﺴﺭِﻉ ﻟﻘﺩ ﺠﺎﺀ ﻭﻗﺕﹸ ﺍﻟﺘﱢﺠﺎﺭﻩ
ﺠﺎﺀ ﺍﻟﺒﺸﻴﺭ ﺒﺎﻷﻤﺱِ ﺒِﺒِﺸﺎﺭﺓٍ ﻤﻥ ﺤﻀﺭﺓِ ﺁﺼِﻑ )ﻫﻭ ﺁﺼﻑ ﺒﻥ ﺒﺭﺨﻴﺎ ﻭﺼﻲ
ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴﻬﻤﺎ ﺍﻟﺴﻼﻡ( ﺒﺄﻥ ﺴﻠﻴﻤﺎﻥ ﺃﺸﺎﺭ ﻟﻨﺎ ﺒِﺄﻥ ﻨﹶﻁﺭﺏ ﻭﻨﹶﺴﻌﺩ؛ ﻭﻨﺤﻥ ﻤﺤﺯﻭﻨﻭﻥ،
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ﻭﻗﻠﺒﻨﺎ ﻗﺼﺭ ﻤﻬﺩﻡ ﺨﺭِﺏ ،ﻓﺎﻤﺯﺝ ﺍﻟﺘﱡﺭﺍﺏ ﻤﻥ ﻭﺠﻭﺩِﻨﺎ ﺒﺎﻟﻤﺎﺀِ ﻤﻥ ﻋﻴﻭﻨِﻨﺎ ،ﻭﻫﻴﺊ ﻟﻨﺎ
ﻑ ﺨﺼﻠﺔٍ ﻭﺍﺤِﺩﺓٍ ﻤﻥ ﻀﻔﻴﺭﺓٍ ﻤﻥ ﻀﻔﺎﺌِ ِﺭ
ﻁﻴﻨﺎﹰ ﻟِﻌﻤﺎﺭﺘِﻪِ؛ ﻻ ﻨِﻬﺎﻴ ﹶﺔ ﻟِﻠﺤﺩﻴﺙِ ﻓﻲ ﻭﺼ ِ
ﻤﻌﺸﻭﻗِﻨﺎ ،ﻭﻤﺎ ﻗﻴلَ ﻤﻥ ﺍﻟﻘِﺩﻡِ ﺇﻟﻰ ﺍﻵﻥ ﻟﻴﺱ ﻏﻴﺭ ﺤﺭﻑٍ ﻭﺍﺤِﺩٍ ﻤﻥ ﺁﻻﻑِ ﺍﻟﺤﺭﻭﻑِ
ﻤﻥ ﻋِﺒﺎﺭﺓٍ ﻭﺍﺤِﺩﺓٍ ،ﻓﻤﺘﻰ ﻴﻨﺘﻬﻲ ﺍﻟﺸﱠﺭﺡ؟!؛ ﻴﺎ ﻤﻌﺎﻗِ ﺭ ﺍﻟﺨﻤﺭِ ﻭﺭﺍﺌﺤﺔﹸ ﺍﻟﺨﻤﺭِ ﻤﻥ
ﺜﻴﺎﺒِﻙ ﺘﻔﻭﺡ ،ﻻ ﺘﻔﻀﺤﻨﻲ ﻓﻲ ﻤﺤﻀﺭِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻁﱠﺎﻫﺭِ ﺍﻟﻤﻁﻬﺭِ ،ﻓﻘﺩ ﺠﺎﺀ ﻟِﺯﻴﺎﺭﺘِﻨﺎ؛
ﺍﻟﺘﹶﺯ ﻡ ﻜﹸلﱡ ﺠﻤﻴلٍ ﺍﻟﻴﻭﻡ ﺒﺎﻟﺠﻠﻭﺱِ ﻓﻲ ﻤﻜﺎﻨِﻪِ ﺍﻟﻤﺤﺩﺩِ ﻤﻥ ﻤﺠﻠِﺱِ ﺃﻫلِ ﺍﻟﺠﻤﺎلِ ،ﻷ
ﻥ
ﺍﻟﺒﺩﺭ ﻜﺎﻥ ﺤﺎﻀِﺭﺍﹰ ﻓﻲ ﺍﻟﻤﺠﻠِﺱِ ﻭﺠﺎﻟِﺴﺎﹰ ﻓﻲ ﺍﻟﺼﺩﺍﺭﺓ؛ ﻟﻘﺩ ﺼﻌﺩﺕﹾ ﻨﻤﻠﺔﹲ ﻀﺌﻴﻠﺔﹲ
ﺒِﻬِﻤﺘِﻬﺎ ﺍﻟﻌﺎﻟﻴﺔِ ﺇﻟﻰ ﺘﺨﺕِ ﺠﻤﺸﻴﺩ ﺍﻟﺭﻓﻴﻊِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺘﺎﺠﻪ ﻤﻌﺭﺍﺠﺎﹰ ﻟﻠﺴﻤﺎﺀ ،ﻓﻜﹸ
ﻥ
ﻋﺎﻟﻲ ﺍﻟﻬِﻤﺔ؛ ﺇﻥ ﻋﻴﻨﹶﻪ ﺍﻟﹼﺘﻲ ﺘﺭﻤﻲ ﺴِﻬﺎﻡ ﻓِﺘﻨﺘِﻬﺎ ﻭﺴِﺤﺭِﻫﺎ ﻋﻠﻰ ﺍﻟﻘﻠﻭﺏ ،ﺭﻓﹶﻌﺕ
ﻙ ﻤﻨﻬﺎ ،ﻓﺈﻴﻤﺎﻨﹸﻙ ﻓﻲ ﺨﻁﺭ؛ ﺫﻟِﻙ ﺍﻟﺸﱠﺎﻩ ﻤﻘﺒِ ٌ
ل ﻗﻭﺴﻬﺎ ﻋﻠﻴﻙ ﻴﺎ ﻗﻠﺒﻲ ،ﻓﺎﺤﻔﹶﻅﹾ ﺇﻴﻤﺎﻨﹶ
ﻙ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﻓﺎﺴﺄﻟﹾﻪ ﺍﻟﻌﻁﺎﺀ ،ﻓﺈﻨﱠﻪ ﻋﻨﺼﺭ ﺍﻟﺠﻭﺩ؛ﻟِﻴﻬﺏ ﺍﻟﻁﱠﻬﺎﺭﺓﹶ ﻟﻠﻤﻠﻭﺜﻴﻥ ﻤِﻥ ﺃﻤﺜﺎﻟِ
ﻫﺎ ﻫﻭ ﺒﺤﺭ ﺍﻟﺠﻭﺩِ ﻓﻲ ﻤﺠﻠِﺴِﻨﺎ ،ﻓﺎﺴﺄﻟﹾﻪ ﻤﺎ ﺘﺸﺎﺀ ﻤﻥ ﻵﻟﺊَ ﻭﻜﻨﻭﺯٍ ،ﺃﻴﻬﺎ ﺍﻟﻔﻘﻴﺭ
ﺍﻟﻤﺤﺘﺎﺝ ،ﻭﺃﺴﺭِﻉ ﻓﺎﻟﺘﱢﺠﺎﺭﺓﹸ ﺭﺍﺒِﺤﺔﹲ ﻭﺍﻟﻭﻗﺕﹲ ﺜﻤﻴﻥ.
ﻏﺰﻝ ١٧٢
)(١
ﻭﺼﻠﹸﻙ ﻓﻴـﻪِ ﻜﻤـﺎلُ ﺍﻟﺤﻴـﺭﻩ ـﺸﻘﹸﻙ ﻤﻨــﻪ ﺴــﺒﻴلُ ﺍﻟﺤﻴــﺭﻩ
ﻋِـ
ﻜــلﱞ ﺼــﺎﺭ ﺒﺤــﺎلِ ﺍﻟﺤﻴــﺭﻩ ـﺭﺍﹰ
ـﺎلِ ﺍﻟﻭﺼ ـلِ ﺃﺨﻴـ
ـﻰ ﺤـ
ﻏﺭﻗـ
ﻤﻭﺴﻭﻡ ﺍﻟﻭﺠـﻪِ ﺒﺨـﺎلِ ﺍﻟﺤﻴـﺭﻩ ﻤـــﺎ ﻗﻠـــﺏ ﻴﻁﹾﻠﹸﺒـــﻪ ﺇﻻﹼ
ﻭﺍﺼِــلَ ﻏﻴــﺭ ﺨﻴــﺎلِ ﺍﻟﺤﻴــﺭﻩ ﻻ ﻭﺼــلَ ﻫﻨــﺎﻙ ﻴــﺩﻭﻡ ﻭﻻ
ﺒِﺄُﺫﻨﻲ ﺼـﻭﺕﹸ ﺴـﺅﺍلِ ﺍﻟﺤﻴـﺭﻩ ﻤﻥ ﺤﻴﺙﹸ ﺃﺩﻴـﺭ ﺍﻟـﺴﻤﻊ ﻴﺠـﻲﺀ
ﻭﻗــﻊ ﻋﻠﻴــﻪِ ﺠــﻼلُ ﺍﻟﺤﻴــﺭﻩ ﻤﻨﻬــﺯﻡ ﻟﻜﻤــﺎلِ ﺍﻟﻌِــﺯﺓِ ﻤــﻥ
ـﺭﻩ
ـﻭﺭﺍﹰ ﻟﻠﺤﻴــ
ـﺎﻓِﻅﹸ ﻤﺄﺴــ
ﺤــ ﻤــﻥ ﺭﺃﺱٍ ﺼــﺎﺭ ﺇﻟــﻰ ﻗﹶــﺩﻡٍ
) (١ﺍﻟﺤﻴﺭﺓﹸ ﻓﻲ ﺍﷲِ ﻋﻴﻥ ﺍﻟﻤﻌﺭﻓﺔِ ﻭﻋﻴﻥ ﺍﻟﻬﺩﺍﻴﺔِ ﻗﺎلَ ﺼﻠﹼﻰ ﺍﷲُ ﻋﻠﻴﻪِ ﻭﺁﻟِﻪِ :ﻤﺎ ﻋﺭﻓﻨﺎﻙ ﺤﻕﱠ ﻤﻌﺭِﻓﹶﺘِﻙ،
ﻭﺇﻟﻬﻲ ﺯﺩﻨﻲ ﻓﻴﻙ ﺘﺤﻴﺭﺍﹰ ،ﻗﺎل ﺴﻌﺩﻱ ﺍﻟﺸﹼﻴﺭﺍﺯﻱ :ﺍﻟﻭﺍﺼﻔﻭﻥ ﻟﺤﻠﻴﺔِ ﺠﻤﺎﻟِﻪِ ﻤﺘﺤﻴﺭﻭﻥ.
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ﻏﺰﻝ ١٧٣
ﻏﺒﺕﹸ ﻤﻥ ﺫِﻜﹾﺭِ ﺤﺎﺠِـﺏٍ ﻤﻨـﻙ ﺒﻤﺤـﺭﺍﺏِ ﺼـﻼﺘﻲ ﻓﻜـﺎﻥ ﻤﻨﹼـﻲ ﺼـﻴﺎﺡ
ﻜلﱠ ﻫـﺫﺍ ﺫﺭﺘـﻪ ﻤﻨﱢـﻲ ﺍﻟﺭﻴـﺎﺡ ﺃﻴﻥ ﻤﻨﹼﻲ ﺼـﺒﺭ ﻭﻭﻋـﻲ ﻭﻗﻠـﺏ
ﺴﻜِﺭ ﺍﻟﻁﱠﻴﺭ ﻤﻥ ﺼﻔﺎﺀِ ﺍﻟﻤﺩﺍﻡِ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻓﺫﺍ ﻤﻭﺴِﻡ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺸﱠﺭﺍﺏ ﻤﺘﺎﺡ
ﻭﺍﻟﺴﺭﻭ ﺤﺭ ﻫﻨﻴﺌـﺎﹰ ﻟـﻪ ﺍﻟﻔـﻼﺡ ﺘﺤﻤلُ ﻏـﻡ ﺍﻷﺜﻤـﺎﺭِ ﺃﺸـﺠﺎﺭﻫﺎ
* ﺘﺫﻜﱠﺭﺕﹸ ﺤﺎﺠِﺒﻙ ﺍﻟﺠﻤﻴلَ ﺍﻟﻤﻘﻭﺱ ﻜﻤﺤﺭﺍﺏِ ﺍﻟﺼﻼﺓ ﻭﺃﻨﺎ ﻓﻲ ﺍﻟﺼﻼﺓِ ،ﻓﻐﺒﺕﹸ
ﻋﻥ ﻨﻔﺴﻲ ﻭﻋﻼ ﺼﻭﺘﻲ ﺒﺎﻟﺒﻜﺎﺀِ ﻭﺍﻟﻨﱠﺤﻴﺏِ ،ﻭﺼﺎﺡ ﺍﻟﻤﺤﺭﺍﺏ ﻤﻌﻲ؛
ﻻ ﺘﻁﻠﺏِ ﺍﻟﺼﺒﺭ ﻭﺍﻟﻌﻘلَ ﻭﺍﻟﻭﻋﻲ ﻤﻨﱢﻲ ﺍﻵﻥ ،ﺫﺍﻙ ﺍﻟﺘﱠﺤﻤلُ ﺍﻟﱠﺫﻱ ﺭﺃﻴﺕﹶ ﻤﻨﱢﻲ ﺭﺍﺡ
ﻜﹸﻠﱡﻪ ﻤﻊ ﺍﻟﺭﻴﺢِ؛
ﺍﻟﺨﻤﺭﺓﹸ ﺼﻔﹶﺕﹾ ،ﻭﻁﻴﻭﺭ ﺍﻟﺭﻭﺽِ ﺴﻜِﺭﺕﹾ ،ﻭﻤﻭﺴِﻡ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺴﺭﻭﺭِ ﻗﺎﻡ ﺒﻨﻴﺎﻨﹸﻪ؛
ﺇﻨﱢﻲ ﻷﺠِﺩ ﺭﻴﺢ ﺍﻟﻌﺎﻓِﻴِ ﺔ ﻤﻥ ﺃﻭﻀﺎﻉِ ﺍﻟﻌﺎﻟﹶﻡ ،ﺍﻟﻭﺭﺩ ﺠﺎﺀ ﺒﺎﻟﺴﻌﺎﺩﺓِ ﻭﺭﻴﺢ ﺍﻟﺼﺒﺎ
ﺃﻗﺒﻠﹶﺕﹾ ﺒﺎﻟﺴﺭﻭﺭ؛
ﻴﺎ ﻋﺭﻭﺱ ﺍﻟﻔﻥ ﻻ ﺘﹸﺒﺩﻱ ﺍﻟﺸﱢﻜﺎﻴﺔﹶ ﻤﻥ ﺍﻟﺒﺨﹾﺕِ ،ﺯﻴﻨﻲ ﻏﹸﺭﻓﹶﺔﹶ ﺍﻟﺯﻓﺎﻑِ ﻓﻘﺩ ﺠﺎﺀﻙِ
ﺍﻟﻌﺭﻴﺱ؛
ﺍﻟﻨﹶﺒﺎﺘﺎﺕﹸ ﺍﻟﺠﻤﻴﻠﹶﺔﹸ ﺠﻤﻴﻌﻬﺎ ﻟﺒِﺴﺕﹾ ﺜﻴﺎﺏ ﺍﻟﺯﻴﻨﹶﺔِ ﻭﺠﺎﺀ ﻤﻌﺸﻭﻗﹸﻨﺎ ﺒﺎﻟﺤﺴﻥِ ﺍﻟﱠﺫﻱ ﺃﻋﻁﺎﻩ ﺍﷲ؛
ﻭﺠﺎﺀﺕِ ﺍﻷﺸﺠﺎﺭ ﺫﺍﺕﹸ ﺍﻷﺜﻤﺎﺭِ ﺘﻨﻭﺀ ﺒِﺜِﻘﹾلِ ﻤﺎ ﺘﺤﻤِلُ ،ﻤﺎ ﺃﺠﻤلَ ﺍﻟﺴﺭﻭ ﺍﻟﱠﺫﻱ ﺠﺎﺀ
ﺤﺭﺍﹰ ﻤِﻥ ﺤِﻤلِ ﺍﻟﻐﹶﻡ(١)؛
ﻤﻁﺭِﺏ ﺍﻗﺭﺃ ﺒﺩﻴﻊ ﺍﻟﻐﹶﺯلَ ﻤِﻥ ﺤﺩﻴﺙِ ﺤﺎﻓِﻅﹶ ،ﺤﺘﻰ ﺘﺴﻤﻌﻨﻲ ﺃﻗﻭلُ :ﺘﺫﻜﱠﺭﺕﹸ ﻋﻬﺩ
ﺍﻟﻁﹶﺭﺏ.
) (١ﺍﻷﺸﺠﺎﺭ ﺘﺜﻘِﻠﹸﻬﺎ ﺍﻷﺜﻤﺎﺭ ﺍﻟﱠﺘﻲ ﺘﺘﻌﻠﹼﻕﹸ ﺒﻬﺎ ،ﺃﻤﺎ ﺸﺠﺭﺓﹸ ﺍﻟﺴﺭﻭِ ﺍﻟﻘﻭﻴﻤﺔﹸ ﺍﻟﺠﻤﻴﻠﺔﹸ ﺍﻟﹼﺘﻲ ﺃﻋﺸﹶﻘﹸﻬﺎ
ﻓﺈﻨﱠﻬﺎ ﺤﺭﺓﹲ ﻭﻻ ﻴﺤﺩ ﻤﻥ ﺤﺭﻴﺘِﻬﺎ ﺜﹶﻤﺭ.
-١٩٠-
ﻏﺰﻝ ١٧٤
ﻭﺇﻥ ﻫﺩﻫﺩ ﺒﺸﹾﺭﻯ ﻤِﻥ ﺴﺒﺎ ﻋـﺎﺩ ﺒﺸﹾﺭﺍﻙ ﻴﺎ ﻗﹶﻠﹾﺏ ﻫﺎ ﺇﻥ ﺍﻟﺼﺒﺎ ﺭﺠﻌﺕﹾ
ﻤِﻥ ﻨﹶﻅﹾﻡِ ﺩﺍﺅﻭﺩ ﻫﺎﻙ ﺍﻟﻭﺭﺩ ﻗﺩ ﻋﺎﺩ ﻴﺎ ﻁﹶﺎﺌﺭﻱ ﺃﺭﺴِلْ ﺍﻷﻨﻐﺎﻡ ﻓﻲ ﺴﺤﺭٍ
ﻟﻙ ﺍﻟﺒﺸﺭﻯ ﻴﺎ ﻗﻠﺏ ﻓﻘﺩ ﻋﺎﺩﺕِ ﺍﻟﺼﺒﺎ ﻤِﻥ ﺠﺩﻴﺩٍ ،ﻋﺎﺩ ﻫﺩﻫﺩ ﺍﻟﺨﹶﺒﺭِ ﺍﻟﺴﻌﻴﺩِ ﻤِﻥ
ﻁﹶﺭﻑِ ﺴﺒﺄ)(١؛
ﺃﻱ ﻁﺎﺌﺭ ﺍﻟﺴﺤﺭِ ﺭﺩﺩ ﺜﺎﻨﻴﺔﹰ ﺍﻟﻨﱠﻐﹶﻡ ﺍﻟﺩﺍﺅﻭﺩﻱ ،ﻓﻘﺩ ﺘﻔﺘﱠﺢ ﺍﻟﻭﺭﺩ ﺍﻟﺴﻠﻴﻤﺎﻨﻲ ﻤِﻥ ﻋﺒﻕِ
ﺍﻟﻨﱠﺴﻴﻡِ) (٢؛
ﺃﻴﻥ ﻋﺎﺭِﻑﹲ ﺤﻕﹼﱞ ﻴﻔﻬﻡ ﻟﺴﺎﻥ ﺍﻟﺴﻭﺴﻥِ ﻟِﻴﺴﺄﻟﹶﻪ ﻟِﻤﺎﺫﺍ ﺫﹶﻫﺏ ﻭﻟِﻡ ﻋﺎﺩ؛
ﻜﺎﻥ ﻟﻲ ﻤﻥ ﺍﻟﻠﱡﻁﻑِ ﻤِﻥ ﺍﷲِ ﺇﺤﺴﺎﻥ ﻭﻜﹶﺭﻡ ،ﻭﺫﻟِﻙ ﺍﻟﺼﻨﹶﻡ ﺒﻭﺠﻪِ ﺍﻟﻘﹶﻤﺭِ ﻋﺎﺩ ﻤِﻥ
ﻁﺭﻴﻕِ ﺍﻟﻭﻓﺎﺀ؛
ﺯﻫﺭ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻭﺠﺩ ﺭﻴﺢ ﺍﻟﺨﹶﻤﺭِ ﻤِﻥ ﻨﹶﻔﹶﺱِ ﺍﻟﺼﺒﺢِ ،ﻜﺎﻥ ﻤﺤﺘﹶﺭِﻕﹶ ﺍﻟﻘﻠﺏِ ﻭﻋﺎﺩ ﺒﺄﻤلِ
ﺍﻟﺤﺼﻭلِ ﻋﻠﻰ ﺍﻟﺩﻭﺍﺀ؛
ﺒﻘِﻴﺕﹾ ﻋﻴﻨﻲ ﻋﻠﻰ ﺩﺭﺏِ ﻫﺫِﻩِ ﺍﻟﻘﺎﻓِﻠﹶﺔِ ﺤﺘﹼﻰ ﺭﺠﻊ ﺇﻟﻰ ﺃُﺫﹸﻥِ ﻗﻠﺒﻲ ﺼﻭﺕﹸ ﺃﺠﺭﺍﺴِﻬﺎ
)ﻋﺎﺌﺩﺓﹰ(؛
ﺭﻏﻡ ﺃﻥ ﺤﺎﻓِﻅﹶ ﻫﻭ ﺍﻟﱠﺫﻱ ﻁﹶﺭﻕﹶ ﺒﺎﺏ ﺃَﻟﹶﻤِﻪِ ﻭﻨﻘﺽ ﺍﻟﻌﻬﺩ ،ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﻟﹸﻁﹾﻑِ ﺍﻟﺤﺒﻴﺏِ
ﻓﻘﺩ ﻋﺎﺩ ﺒﺎﻟﻠﱡﻁﹾﻑِ ﺇﻟﻰ ﺒﺎﺒِﻨﺎ.
) (١ﺴﺒﺄ ﻤﺩﻴﻨﺔﹲ ﻓﻲ ﺍﻟﻴﻤﻥ ﻜﺎﻨﺕ ﻤﻤﻠﻜﺔﹰ ﺘﺤﻜﻤﻬﺎ ﺒﻠﻘﻴﺱ ﻋﻠﻰ ﻋﻬﺩ ﺴﻠﻴﻤﺎﻥ)ﻉ( ﻭﻜﺎﻥ ﺍﻟﻬﺩﻫﺩ
ﺭﺴﻭلَ ﺴﻠﻴﻤﺎﻥ )ﻉ( ﺇﻟﻴﻬﺎ ﻭﻗﺼﺘﹸﻬﺎ ﻤﺫﻜﻭﺭﺓﹲ ﻓﻲ ﺴﻭﺭﺓِ ﺍﻟﻨﱠﻤل ،ﻭﺘﺭﻤﺯ ﻟﺩﻴﺎﺭ ﺍﻟﻤﻌﺸﻭﻕ؛
) (٢ﻜﺎﻥ ﺩﺍﺅﻭﺩ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﺠﻤﻴل ﺍﻟﺼﻭﺕ ،ﻭﻤﻌﻨﻰ ﺍﻟﺒﻴﺕ ﻴﺎ ﻁﺎﺌﺭﻱ ﺘﺭﻨﱠﻡ ﺒﺎﻟﺩﻋﺎﺀ ﺒﺼﻭﺘﻙ
ﺍﻟﺠﻤﻴل ﺍﻟﺤﺯﻴﻥ ﻜﻤﺎ ﻜﺎﻥ ﻴﻔﻌلُ ﺩﺍﺅﻭﺩ )ﻉ(.
-١٩١-
ﻏﺰﻝ ١٧٥
ﺍﻟﺼﺒﺎ ﺃﺘﺕﹾ ﺘﹸﻬﻨﱢﺊُ ﺍﻟﺸﱠﻴﺦﹶ ﺍﻟﺨﻤﺎﺭ ﺒﻘﺩﻭﻡِ ﻤﻭﺴﻡِ ﺍﻟﻁﱠﺭﺏِ ﻭﺍﻟﺸﱡﺭﺏِ ﻭﺍﻟﺴﺭﻭﺭ؛
ﺍﻟﻬﻭﺍ ﺼﺎﺭ ﻤﺴﻴﺤﻲ ﺍﻟﻨﱠﻔﹶﺱِ ،ﻭﺍﻟﺭﻴﺢ ﻓﺘﺤﺕﹾ ﻗﺎﺭﻭﺭﺓﹶ ﺍﻟﻌِﻁﹾﺭِ ،ﻭﺍﻟﺸﹼﺠﺭﺓﹸ ﺍﺨﻀﺭﺕ،
ﻭﻋﻼ ﺼﺨﹶﺏ ﺍﻟﻁﱡﻴﻭﺭ؛
ﻭﺭﻴﺢ ﺍﻟﺭﺒﻴﻊِ ﺃﺸﻌﻠﹶﺕﹾ ﺘﻨﱡﻭﺭ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺤﺘﱠﻰ ﺼﺎﺭ ﺍﻟﺒﺭﻋﻡ ﻏﺎﺭِﻗﺎﹰ ﻓﻲ ﺍﻟﻌﺭﻕِ ،ﻭﺼﺎﺭ
ﺍﻟﻭﺭﺩ ﻴﻐﹾﻠﻲ؛
ﺃﻻ ﻓﺎﺴﻤﻌﻨﻲ ﺒِﺄُﺫﹸﻥٍ ﻭﺍﻋﻴﺔٍ ،ﻋِﺵﹾ ﺴﻌﻴﺩﺍﹰ ،ﻫﺫﺍ ﺍﻟﺤﺩﻴﺙﹸ ﺠﺎﺀ ﺴﺤﺭﺍﹰ ﻓﻲ ﺃُﺫﹸﻨﻲ ﻤِﻥ
ﻫﺎﺘِﻑِ ﺍﻟﻐﻴﺏ؛
ﻋﺩ ﻤِﻥ ﻓِﻜﹾﺭِ ﺍﻟﺘﱠﻔﺭِﻗﹶﺔِ ﻭﺼِﺭ ﻤﺠﻤﻭﻋﺎﹰ ﺒﺤﻜﻡِ :ﺇﺫﺍ ﺨﹶﺭ ﺝ ﺍﻟﺸﱠﻴﻁﺎﻥ ﺩﺨﹶلَ
ﺍﻟﻤﻼﻙ )(١؛
ﻟﺴﺕﹸ ﺃﺩﺭﻱ ﻤﺎ ﺍﻟﱠﺫﻱ ﺴﻤِﻊ ﺍﻟﺴﻭﺴﻥ ﺍﻟﺤﺭ ﻤﻥ ﻁﺎﺌﺭِ ﺍﻟﺼﺒﺢِ ﺤﺘﹼﻰ ﺴﻜﹶﺕﹶ ﻭﻟﻪ
ﻋﺸﺭﺓﹸ ﺃﻟﺴﻥٍ؛
ﻤﺠﻠﺱ ﺍﻷُﻨﺱِ ﻟﻴﺱ ﻤﺤﻠﹼﺎﹰ ﻟﺠﻠﻭﺱِ ﻏﻴﺭِ ﺍﻟﻤﺤﺭِﻡ ،ﺨﺒﺊ ﺍﻟﻜﺄﺱ ﺠﺎﺀ ﻻﺒِﺱ ﺍﻟﺨِﺭﻗﺔِ
ﺍﻟﻤﺭﺍﺌﻲ)(٢؛
ﺤﺎﻓﻅﹸ ﺤﻴﻥ ﻴﺴﺘﻴﻘِﻅﹸ ﻤﻥ ﺴﻜﹾﺭِ ﺯﻫﺩِ ﺍﻟﺭﻴﺎﺀِ ،ﺴﻴﺫﻫﺏ ﻤﻥ ﺍﻟﺨﺎﻥِ ﺇﻟﻰ ﺍﻟﺤﺎﻥ.
) (١ﺇﺫﺍ ﻁﺭﺩﺕﹶ ﺸﻴﻁﺎﻥ ﺍﻟﻨﹼﻔﺱِ ﻤﻥ ﺒﻴﻥِ ﺠﻨﺒﻴﻙ ﺩﺨﹶلَ ﺍﻟﻤﻼﻙ ﺇﻟﻰ ﻗﻠﺒِﻙ ،ﻭﺍﻟﻔﺭﻕﹸ ﻭﺍﻟﺠﻤﻊ
ﻤﺼﻁﹶﻠﹶﺤﺎﻥِ ﻋﺭﻓﺎﻨﻴﺎﻥ ﻋﺭﻓﺎ ﻤﻥ ﻗﺒل؛
) (٢ﻻﺒِﺱ ﺍﻟﺨِﺭﻗﹶﺔِ ﺍﻟﻤﺭﺍﺌﻲ ﻤﻘﺒِلٌ ،ﺨﺒﺊْ ﺍﻟﻜﺄﺱ ﻋﻨﻪ ،ﻓﻬﻭ ﻟﻴﺱ ﺃﻫﻼﹰ ﻟﻠﺠﻠﻭﺱِ ﺒﻴﻨﻨﺎ ﻓﻲ ﻤﺠﻠِﺱِ
ﺃُﻨﺴِﻨﺎ ﻭﺍﻻﻁﱢﻼﻉِ ﻋﻠﻰ ﺃﻤﺭِﻨﺎ.
-١٩٢-
ﻏﺰﻝ ١٧٦
ﻓﻲ ﺴﺤﺭﻱ ﺠﺎ ﺀ ﺍﻟﺤﻅﱡ ﺍﻟﺼﺎﺤﻲ ﺇﻟﻰ ﻭﺴﺎﺩﺘﻲ ،ﻗﺎل :ﺍﻨﻬ ﺽ ﺃﻗﺒلَ ﺍﻟﻤ ﻠِﻙ
ﺍﻟﺠﻤﻴل؛
ﺍِﺸﹾﺭﺏ ﻗﹶﺩ ﺤﺎﹰ ،ﻭﺴِﺭ ﻟِﻠﱢﻘﺎﺀِ ﺴﻜﺭﺍ ﻥ ﻤﺭِﺤﺎﹰ ،ﻜﻲ ﺘﺭﻯ ﻤﻌﺸﻭﻗﹶ ﻙ ﻋﻠﻰ ﺃﻴﺔِ ﺤﺎلٍ
ﺃﺘﻰ؛
ﻫﺎﺕِ ﺍﻟﺒﺸﺎﺭﺓﹶ ﻴﺎ ﻨﺎﺸِﺭ ﺍﻟﻌِﻁﹾﺭِ ﻓﻲ ﺍﻟﺨﻠﻭﺓِ ،ﻟﹶﻘﹶﺩ ﺠﺎﺀ ﻏﺯﺍلُ ﺍﻟ ﻤِﺴﻙِ ﻤِﻥ
ﺼﺤﺭﺍﺀِ ﺨﹶﺘﹶﻥ )(١؛
ﺍﻟﺒﻜﺎﺀ ﺠﺎﺀ ﻤﻥ ﺠﺩﻴﺩٍ ﺒﺎﻟﻤﺎﺀِ ﻟﻭﺠﻭﻩِ ﺍﻟﻤﺤﺘﺭِﻗﻴﻥ ،ﻭﺼﻠﹶﺕﹾ ﺼﺭﺨﺔﹸ ﺍﺴﺘِﻐﺎﺜﹶﺔِ ﺍﻟﻌﺎﺸِﻕِ
ﺍﻟﻤِﺴﻜﻴﻥ؛
ﻁﺎﺌﺭ ﺍﻟﻘﻠﺏِ ﻁﺎﺭ ﺸﻭﻗﺎﹰ ﻟِﻘﻭﺱِ ﺫﻟﻙ ﺍﻟﺤﺎﺠِﺏ ،ﻴﺎ ﺤﻤﺎﻤﺔﹸ ﺍﻨﻅﹸﺭﻱ ﻤِﻥ ﺤﻭﻟِﻙِ،
ﺍﻟﺸﱠﺎﻫﻴﻥ ﺠﺎﺀ؛
ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺍﻟﺨﻤﺭ ﻭﻻ ﺘﻐﺘﻡ ﻤﻥ ﻋﺩﻭٍ ﻭﺼﺩﻴﻕ ،ﻓﻬﺫﺍ ﺼﺎﺭ ،ﻭﺫﺍﻙ ﺠﺎﺀ ﻭﻓﻕﹶ
ﻤﺭﺍﺩِ ﻗﻠﺒﻲ؛
ﺤﻴﻥ ﺭﺃﻯ ﺴﺤﺎﺏ ﺍﻟﺭﺒﻴﻊِ ﺴﻭﺀ ﻓِﻌلِ ﺍﻷﻴﺎﻡِ ﺭﺍﺡ ﻴﺒﻜﻲ ﻋﻠﻰ ﺍﻟﻴﺎﺴﻤﻴﻥِ ﻭﺍﻟﺴﻨﺒلِ
ﻭﺍﻟﻨﱢﺴﺭﻴﻥ؛
ﻭﺍﻟﺼﺒﺎ ﺤﻴﻥ ﺴﻤِﻌﺕِ ﺤﺩﻴﺙﹶ ﺤﺎﻓِﻅﹶ ﻤﻥ ﺍﻟﺒﻠﺒلِ ،ﺠﺎﺀﺕﹾ ﻭﻫﻲ ﺘﻨﺸﹸﺭ ﺍﻟﻌﻨﹾﺒﺭ ﻟِﺭﺅﻴﺔِ
ﺍﻟﺭﻴﺎﺤﻴﻥِ.
) (١ﺃﻱ ﻻ ﺤﺎﺠ ﹶﺔ ﻟِﻨﹶﺸﹾﺭِ ﺍﻟﻌِﻁﹾﺭِ ﺒﻌﺩ ﻭﺼﻭلِ ﺍﻟﻐﺯﺍلِ ﺍﻟﻤِﺴﻜﻲ ﻤِﻥ ﻤﺩﻴﻨﹶﺔِ ﺨﹶﺘﹶﻥ ،ﻭﺨﺘﻥ ﻤﺩﻴﻨﺔﹲ
ﺘﺭﻜﻴﺔﹲ ﺘﺸﺘﹶﻬِﺭ ﺒﺠﻤﺎلِ ﺴﻜﹼﺎﻨِﻬﺎ ،ﻭﻫﻲ ﻤﻭﻁﻥ ﺍﻟﻐﺯﺍلِ ﺍﻟﻤﺴﻜﻲ.
-١٩٣-
ﻏﺰﻝ ١٧٧
ﻤﺎ ﻜﹸلﱡ ﻤﻥ ﺃﻀﺎﺀ ﻭﺠﻬﻪ ﺼﺎﺭ ﻤﻌﺸﻭﻗﺎﹰ ،ﻭﻤﺎ ﻜﹸلﱡ ﻤﻥ ﺼﻨﻊ ﻤﺭﺁﺓﹰ ﺼﺎﺭ
ﺍﻻِﺴﻜﻨﺩﺭ)(١؛
ﻭﻤﺎ ﻜﹸلﱡ ﻤﻥ ﺃﻤﺎلَ ﻁﹶﺭﻑﹶ ﻗﹸﺒﻌﺘِﻪِ ﻭﺠﻠﹶﺱ ﻤﺘﻜﺒﺭﺍﹰ ﺼﺎﺭ ﻤﻠِﻜﺎﹰ ،ﻭﺼﺎﺭ ﺃﻤﺭﻩ
ﻤﻁﺎﻋﺎﹰ؛
ﻻ ﺘﻜﹸﻥ ﻓﻲ ﺍﻟﻌﺒﻭﺩﻴﺔِ ﻜﺎﻟﺸﺤﺎﺫﻴﻥ ﺍﻟﱠﺫﻴﻥ ﻻ ﻴﻌﻤﻠﻭﻥ ﺇﻟﹼﺎ ﺒِﺸﹶﺭﻁِ ﺍﻷﺠﺭ ،ﺍﻟﺤﺒﻴﺏ ﻴﺭﻯ
ﻤﺴﻠﹶﻙ ﺍﻟﻌﺒﺩِ ﻭﻴﻌﻁﻴﻪِ ﺍﻟﺨﻴﺭ؛
ﺃﻨﺎ ﻏﹸﻼﻡ ﻫﻤﺔِ ﺫﻟِﻙ ﺍﻟﻌِﺭﺒﻴﺩِ ﺍﻟﻤﺤﺘﹶﺭِﻕِ ﻓﻲ ﻋﺎﻓﻴﺔٍ ،ﺍﻟﱠﺫﻱ ﻋﺭِﻑﹶ ﻜﻴﻑﹶ ﻴﺼﻨﹶﻊ ﺇﻜﺴﻴﺭ
ﺍﻟﻜﻴﻤﻴﺎﺀ ﻭﻫﻭ ﻓﻲ ﺼِﻔﺔِ ﺸﺤﺎﺫٍ؛
ﺘﻌﻠﱠﻡِ ﺍﻟﻭﻓﺎﺀ ﻭﺍﻟﻌﻬﺩ ﺍﻟﺠﻤﻴلَ ،ﺃﻭ ﺘﹶﺭ ﺍﻟﻅﱡﻠﹾﻡ ﻤِﻥ ﻜﹸلﱢ ﻤﻥ ﺘﺭﻯ؛
ﻗﺎﻤﺭﺕﹸ ﺒﻘﻠﺒﻲ ﺍﻟﻤﺠﻨﻭﻥِ ،ﻭﻟﻡ ﺃﻜﹸﻥ ﺃﺩﺭﻱ ﺃﻥ ﻁِﻔﻼﹰ ﺁﺩﻤﻴﺎﹰ ﻴﻤﻠﻙ ﺃﺴﻠﻭﺒﺎﹰ ﻤﻼﺌﻜﻴﺎﹰ؛
ﻫﺎ ﻫﻨﺎ ﺃﻟﻑﹸ ﻨﹸﻜﺘﺔٍ ﺃﺩﻕﱡ ﻤﻥ ﺍﻟﺸﱠﻌﺭﺓِ ،ﻭﻟﻴﺱ ﻜﹸلﱡ ﻤﻥ ﻗﺹ ﺸﹶﻌﺭ ﺭﺃﺴِﻪِ ﺼﺎﺭ
ﺩﺭﻭﻴﺸﺎﹰ)(٢؛
ﻤﺩﺍ ﺭ ﻨﹸﻘﻁﹶﺔِ ﺭﺅﻴﺘﻲ ﺤﻭلَ ﺨﺎﻟِﻙ ،ﻓﺈﻥ ﻗﺩﺭ ﺍﻟﺠﻭﻫﺭِ ﺍﻟﻔﺭﺩِ ﻴﻌﺭﻓﹸﻪ ﺍﻟﺠﻭﻫﺭﻱ؛
ﻜﹸلﱡ ﻤﻥ ﺼﺎﺭ ﺸﺎﻩ ﺍﻟﺤِﺴﺎﻥِ ﺒﺎﻟﻘﺩ ﻭﺍﻟﻭﺠﻪِ ،ﺍﺴﺘﻭﻟﻰ ﻋﻠﻰ ﺍﻟﻌﺎﻟﹶﻡِ ﺇﺫﺍ ﻋﺭِﻑﹶ ﺭﺴﻡ
ﺍﻟﻌﺩل؛
ﻜﹸلﱡ ﻤﻥ ﻭﻋﻰ ﺸِﻌﺭ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺴﻌِﺩ ﻟﻠﻘﻠﺏِ ﻟﻁﻴﻑﹸ ﺍﻟﻁﱠﺒﻊِ ﻭﻋﺎﻟِﻡ ﺒِﺩﺭﺭِ ﺍﻟﻜﻼﻡ.
) (١ﻤﺭﺁﺓﹸ ﺍﻻﺴﻜﻨﺩﺭ ﻤﺭﺁﺓﹲ ﺼﻨﻌﻬﺎ ﺍﻻﺴﻜﻨﺩﺭ ﻟﻼﺴﺘِﻁﻼﻉِ ﻭﻤﺭﺍﻗﹶﺒﺔِ ﺍﻟﺴﻔﹸﻥ ﻓﻲ ﻋﺭﺽِ ﺍﻟﺒﺤﺭ
ﻨﹸﺼِﺒﺕﹾ ﻋﻠﻰ ﻤﻨﺎﺭﺓِ ﺍﻻﺴﻜﻨﺩﺭﻴﺔ؛
) (٢ﺍﻟﻨﱡﻜﺘﺔﹸ ﻤﻥ ﺍﻟﻜﻼﻡ ﺍﻟﻤﻌﻨﻰ ﺍﻟﺩﻗﻴﻕ ﺍﻟﻠﹼﻁﻴﻑ.
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ﻏﺰﻝ ١٧٨
ﻤﺤﺭِﻡ ﺍﻟﻘﻠﺏِ ﻋﻨﺩ ﺍﻟﺤﺒﻴﺏِ ﻓﻲ ﺤﺭﻡٍ ﻭﺍﻟﱠﺫﻱ ﻟﻡ ﻴﻠِﻕﹾ ﺒﺎﻟﺤﺒﻴﺏِ ﻓﻲ ﺇﻨﹾﻜـﺎﺭ؛
ﺍﻟﺤﻤﺩ ﻟﻠﹼﻪِ ﺸﹶﻕﱠ ﻗﻠﺒﻲ ﺍﻟﺤِﺠﺎﺏ ﻓﻠﻡ ﻴﺒﻕﹶ ﻓﻲ ﺤِﺠﺎﺏِ ﺍﻷﻭﻫﺎﻡِ ﻭﺍﻷﻓﻜﺎﺭ؛
ﺍِﺴﺘﹶﺭﺩ ﺍﻟﺼﻭﻓﻲ ﻤﺎ ﻜﺎﻥ ﺃَﺭﻫﻥ ﻟِﻠﺨﹶﻤﺭِ ﻭﺜﻭﺒﻲ ﻻ ﺯﺍلَ ﻓﻲ ﺤﺎﻨﺔِ ﺍﻟﺨﹶﻤﺎﺭ؛
ﻨﺎﺴِﻴﺎﹰ ﻓِﺴﻕﹶ ﻨﻔﹾﺴِﻪِ ﺼﺎﺭ ﺸﻴﺨﺎﹰ ﺍﻟﻤﺄﻤﻭﺭ ﻭﻟﻲ ﻗِﺼﺔﹲ ﺘﺩﻭﺭ ﻓﻲ ﺍﻟﺒﺎﺯﺍﺭ؛
ﻟﹶﻡ ﺃَﺭ ﺫِﻜﹾﺭﻯ ﺘﺩﻭﻡ ﺃﺤﻠﻰ ﺼﺩﻯ ﻤِﻥ ﺍﻟﻌِﺸﹾﻕِ ﺘﹶﺤﺕﹶ ﻗﹸﺒﺔِ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻟﺩﻭﺍﺭ؛
ﺭﻫﻥ ﺨﹶﻤﺭٍ ﻭﻤﻁﺭِﺏٍ ﺼﺎﺭ ﺜﹶﻭﺒِﻲ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺴﺎﺘِﺭﺍﹰ ﻋﻴﻭﺒِﻲ ﻭﻅلﱠ ﻟﻲ ﺍﻟﺯﻨﹼﺎﺭ؛
ﻤﺒﺩِﻉ ﺍﻟﺭﺴﻡِ ﻴﻤﻸُ ﺍﻷﺒﻭﺍﺏ ﻭﺍﻟﺠﺩﺭﺍﻥ ﺤﺩﻴﺜﺎﹰ ﻭﻓﻲ ﺠﻤﺎلِ ﻭﺠﻬِﻙ ﺍﺤﺘﺎﺭ؛
ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺍﻟﱠﺫﻱ ﺭﺍﺡ ﻟﻠﻨﱡﺯﻫﺔِ ﻓﻲ ﻓﺭﻋِﻙ ،ﻴﻨﻭﻱ ﺍﻟﺭﺠﻭﻉ ،ﻓﻲ ﺍﻷﺴﺭِ ﺼﺎﺭ
ﻜﹸلﱡ ﻤﻥ ﺃﺤﺭﻡ ﻗﻠﺒﻪ) ﻟﻡ ﻴﻠﺘﻔِﺕﹾ ﺇﻟﻰ ﺍﻟﺩﻨﻴﺎ( ﻴﻘﻴﻡ ﻓﻲ ﺤﺭﻡِ ﺍﻟﺤﺒﻴﺏ ﻭﺍﻟﺠﺎﻫِلُ ﺒِﻬﺫﺍ
ﺍﻷﻤﺭِ ﻴﻅلﱡ ﻴﻨﻜِﺭ)ﺃﻭ ﻴﻅلﱡ ﺍﻟﺤﺒﻴﺏ ﻴﻨﻜِﺭﻩ(؛ ﻻ ﺘﹸﻌِﺒﻨﻲ ﻟِﺨﺭﻭﺝِ ﻗﻠﺒﻲ ﺨﺎﺭِﺝ ﺍﻟﺤﺠﺏ) ،ﻟِﻠﱠﻪِ
ﺤﺠﺏ ﻤِﻥ ﻨﻭﺭٍ ﻭﻅﹸﻠﹾﻤﺔٍ ﻻ ﻴﺸﹸﻘﱡﻬﺎ ﺇﻟﹼﺎ ﺍﻟﻘﻠﺏ ﺍﻟﻌﺎﺸِﻕ(؛ ﺍﺴﺘﺭﺩ ﺍﻟﺼﻭﻓﻴﻭﻥ ﻜﹸلﱠ ﻤﺎ ﺭﻫﻨﻭﺍ
ﻟِﻠﺨﻤﺭِ ﻤﻥ ﻤﺘﺎﻉٍ ،ﻭﻜﺎﻥ ﻟﻲ ﺜﻭﺏ ﺨﹶﻠﹶﻕﹲ ﻻ ﻴﺯﺍلُ ﺭﻫﻨﺎﹰ ﻓﻲ ﻤﻨﺯِلِ ﺍﻟﺨﻤﺎﺭ؛ ﺍﻟﻤﺤﺘﹶﺴِﺏ
)ﻤﺄﻤﻭﺭ ﺍﻟﺤﺎﻜِﻡ( ﺘﻘﺩﻡ ﺒِﻪِ ﺍﻟﻌﻤﺭ ﻭﺼﺎﺭ ﺸﻴﺨﺎﹰ ﻭﻟﻡ ﻴﻌﺩ ﻴﺫﻜﹸﺭ ﻓِﺴﻕﹶ ﻨﻔﺴِﻪ ،ﻭﻗﺼﺘﻲ ﻤﻊ
ﺍﻟﺨﻤﺭِ ﺒﺎﻗﻴﺔﹲ ﺘﺩﻭﺭ ﻓﻲ ﺍﻟﺒﺎﺯﺍﺭ؛ ﻜﹸلﱠ ﻤﺎ ﺸﹶﺭِﺒﺕﹸ ﻤِﻥ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀ ﻤِﻥ ﻴﺩِ ﺍﻟﺒﻠﻠﱠﻭﺭِ
ﺼﺎﺭ ﻤﺎﺀ ﺤﺴﺭﺓٍ ﻭﺍﺴﺘﺤﺎلَ ﺠﻭﺍﻫِﺭ ﺩﻤﻊٍ ﻓﻲ ﺍﻟﻌﻴﻥ؛ ﻏﻴﺭ ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﺭﺍﺡ ﻋﺎﺸِﻘﺎﹰ ﻤِﻥ
ﺍﻷﺯلِ ﻟﻸﺒﺩِ ،ﻤﺎ ﺴﻤِﻌﻨﺎ ﺒِﺸﹶﺨﹾﺹٍ ﻅلﱠ ﺨﺎﻟِﺩﺍﹰ ﺍﻟﺩﻫﺭ ﻓﻲ ﻋﻤلٍ؛ ﺘﻅﺎﻫﺭ ﺍﻟﻨﱠﺭﺠِﺱ
ﺒﺎﻟﻤﺭﺽِ ﻟﻴﺸﹾﺒِﻪ ﻋﻴﻨﹶﻙ ﺍﻟﻤﺭﻴﻀﺔﹶ ﻓﻤﺭِﺽ ﻋِﻘﺎﺒﺎﹰ ،ﻭﻅﹶلﱠ ﻤﺭﻴﻀﺎﹰ ﻭﻟﻡ ﻴﺤﺼلْ ﻋﻠﻰ
ﺴِﺤﺭِ ﺠﻤﺎلِ ﻋﻴﻨِﻙ؛ ﻭﻜﺎﻥ ﻟﻲ ﻟﺒﺎﺱ ﻴﺴﺘﹸﺭ ﻤﻨﹼﻲ ﻤﺌﺎﺕِ ﺍﻟﻌﻴﻭﺏِ ﻓﺭﻫﻨﺕﹸ ﺍﻟﺜﱠﻭﺏ ﻟِﻠﺨﻤﺭِ
ﻭﺍﻟﻤﻁﺭِﺏِ ،ﻭﺍﺤﺘﹶﻔﻅﹾﺕﹸ ﺒﺎﻟﺯﻨﱠﺎﺭ ﻟﻠﺭﻗﺹ )ﺃﺸﺭﺏ ﻓﺄﺴﻜﹶﺭ ﻭﺃﻫﻔﻭ ﻟِﻠﺭﻗﺹِ ﻋﻠﻰ ﻏِﻨﺎﺀِ
ﺍﻟﻤﻁﺭِﺏِ ﻭﺃﻋﻘِﺩ ﺍﻟﺯﻨﱠﺎﺭ ﻋﻠﻰ ﻭﺴﻁﻲ ﻭﺃﻗﻭﻡ ﺭﺍﻗِﺼﺎﹰ(.
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ﻏﺰﻝ ١٧٩
ﻤﺭ ﻤﺎ ﻤﺭ ،ﻭﺍﻟﺒﻘﻴﺔﹸ ﻤﻥ ﺃﻴـﺎﻡِ ﻏﹶﻤـﻲ ﻟـﻥ ﺘﺒﻘـﻰ ،ﻭﻗـﺩ ﺠـﺎﺀﻨﻲ ﺍﻟﺒـﺸﻴﺭ
ﻟﻥ ﻴﺩﻭﻡ ﺍﻟﺭﻗﻴﺏ ،ﻭﺇﻥ ﻜﺎﻥ ﻤﺤﺘﹶﺭﻤﺎﹰ ،ﺭﻏﹾـﻡ ﺃﻨﱢـﻲ ﺒِﻌـﻴﻥِ ﺍﻟﺤﺒﻴـﺏِ ﺤﻘﻴـﺭ
ﻟﹶﺤﻥ ﻤﺠﻠِﺱِ ﺠﻤﺸﻴﺩ ﻜـﺎﻥ ،ﻜﻤـﺎ ﻗِﻴـلَ ،ﻫـﺎﺕِ ﺍﻟﻤـﺩﺍﻡ ﻻ ﻴـﺩﻭﻡ ﺴـﺭﻭﺭ
ﻭﻟﺘﹶﺩﻡ ﻤﺎﺴِﻜﺎﹰ ﺒِﻴﺩٍ ﻗﹶﻠﹾﺒﻙ ﺍﻟﻤِﺴﻜﻴﻥ ،ﻴﺎ ﺼـﺎﺤِﺏ ﺍﻟﻤـﺎلِ ،ﻤـﺎ ﻜﻨﹶـﺯﺕﹶ ﻴﺒـﻭﺭ
ﺤﺎﻓِﻅﹸ ﻤِﻥ ﺭﺤﻤﺔِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﺘﻘﹾﻁﹶـﻊِ ﺍﻟﺭﺠـﺎﺀ ،ﻭﺇﻥ ﻜـﺎﻥ ﻅﺎﻟِﻤـﺎﹰ ﻭﻴﺠـﻭﺭ
ﺍﻷﻟﹶﻡ؛ ﻲ ،ﻭﻜﻤﺎ ﻤﺭ ﻤﺎ ﻤﺭ ﻤِﻨﹾ ﻪ ،ﺴﻭﻑﹶ ﻟﹶﻥ ﻴﺩﻭﻡ
ﻭﺼﻠﹶﺘﹾﻨﻲ ﺒِﺸﺎﺭﺓﹲ ﻟﻥ ﺘﺩﻭﻡ ﺃﻴﺎﻡ ﻏﹶﻤ
ﻭﺒِﻌﻴﻥِ ﺍﻟﺤﺒﻴﺏِ ،ﺭﻏﻡ ﺃﻨﹼﻲ ﻏﺩﻭﺕﹸ ﺘﹸﺭﺍﺒﺎ ً،ﺴﻭﻑﹶ ﻟﻲ ﻟﹶﻥ ﻴﺩﻭﻡ ﺍﻟﺭﻗﻴﺏ ،ﺍﻟﹼﺫﻱ ﻗﻴلَ
ﻤﺤﺘﹶﺭﻡ؛
ﻭﺇﺫﺍ ﻀﺭﺏ ﺍﻟﺤﺎﺠِﺏ ﺍﻟﺠﻤﻴﻊ ﺒِﺴﻴﻑِ ﺍﻟﻐﹶﻴﺭﺓِ ،ﻻ ﺸﹶﺨﹾﺹ ﻴﺒﻘﻰ ﻴﻘﻴﻡ ﻓﻲ ﺤﺭﻴﻡِ ﺫﺍﻙ
ﺍﻟﺤﺭﻡ؛
ﺃﻱ ﺸﹸﻜﹾﺭٍ ﻭﺸﻜﻭﻯ ﺤﻕﱞ ﻟِﺤﺴﻥِ ﻭﻗﹸﺒﺢٍ ﻭﻋﻠﻰ ﺼﻔﹾﺤﺔِ ﺍﻟﻭﺠﻭﺩِ ﺴﻭﻑﹶ ﻟﻥ ﻴﺩﻭﻡ ﺭﻗﹶﻡ؛
ﻗِﻴلَ ﺃﻨﱠﻪ ﻜﺎﻥ ﻟﹶﺤﻥ ﻤﺠﻠِﺱِ ﺠﻤﺸﻴﺩ :ﻫﺎﺕِ ﻟﻲ ﺍﻟﺠﺎﻡ ﺇﻨﱠﻪ ﺴﻭﻑﹶ ﻟﹶﻥ ﻴﺩﻭﻡ ﺠﻡ(١)؛
ﻓﺎﻏﹾﺘﹶﻨِﻡ ﺃﻴﻬﺎ ﺍﻟﺸﱠﻤﻊ ﻭﺼلَ ﺍﻟﻔﹶﺭﺍﺸﹶﺔِ ،ﻤﺎ ﺩﺍﻡ ﺒﻴﻨﻜﹸﻤﺎ ﻟﹶﻥ ﻴﺩﻭﻡ ﺤﺘﹼﻰ ﺍﻟﺼﺒﺎﺡِ ﻫﺫﺍ ﺍﻟﻨﱠﻐﹶﻡ؛
ﻟِﺘﹶﻜﹸﻥ ﻤﺎﺴِﻜﺎﹰ ﻓﻲ ﻴﺩﻴﻙ ﻗﹶﻠﹾﺒﻙ ﺍﻟﻤِﺴﻜﻴﻥ ،ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻐﻨﻲ ﺍﻟﻨﱡﻀﺎﺭ ﺍﻟﹼﺫﻱ ﻗﺩ ﺨﹶﺯﻨﹾﺘﹶﻪ ﻟِﻠﻌﺩﻡ؛
ﺭ ،ﻟﻴﺱ ﺸﹶﻲﺀ ﻴﺩﻭﻡ ﻏﻴﺭ ﺨﹶﻴﺭِ ﺃﻫلِ ﺍﻟﻜﹶﺭﻡ؛
ﻭﺒِﻬﺫﺍ ﺍﻟﺭﻭﺍﻕِ ﺍﻟﺯﺒﺭﺠﺩﻱ ﻗﹶﺩ ﺨﹸﻁﱠ ﺒﺎﻟﺘﱢﺒِ
ﺤﺎﻓِﻅﹸ ﻤِﻥ ﺭﺤﻤﺔِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﺘﻘﹾﻁﹶﻊِ ﺍﻟﺭﺠﺎ ،ﺃَﺜﹶﺭ ﺍﻟﺠﻭﺭِ ﻟﻥ ﻴﺩﻭﻡ ﻭﻻ ﻅﹸﻠﹾﻡ ﻤﻥ ﻗﺩ ﻅﹶﻠﹶﻡ.
) (١ﺠﻡ :ﺠﻤﺸﻴﺩ.
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ﻏﺰﻝ ١٨٠
ﻀﺤﻜﹶﺔﹸ ﺜﻐﺭِﻙ ﺍﻟﻌﺫﺏِ ﺘﻬﺯﺃُ ﻤِﻥ ﺤﺩﻴﺙِ ﺍﻟﻘﹶﻨﹾﺩِ ،ﻭﺃﻨﺎ ﻤﺸﺘﺎﻕﹲ ،ﻟِﺄﺠلِ ﺍﷲِ ﺍﻀﺤﻙ
ﻀﺤﻜﺔﹰ ﺴﻜﱠﺭﻴﺔﹰ)(١؛
ﻁﻭﺒﻰ ﻻ ﺘﺠﺭﺅُ ﻋﻠﻰ ﺍﻟﺤﺩﻴﺙِ ﻋﻥ ﻗﺎﻤﺘِﻙ ،ﻓﻠﻨﺩﻉ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔﹶ ﻓﺤﺩﻴﺜﹸﻬﺎ ﻁﻭﻴل؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﹸﺭﻴﺩ ﺃﻥ ﻻ ﻴﺴﻴلَ ﺠﺩﻭلٌ ﻤﻥ ﺍﻟﺩﻡِ ﻤِﻥ ﻋﻴﻨِﻙ ،ﻻ ﺘﹸﻘﻴﺩ ﻗﻠﺒﻙ ﺒﺎﻟﻭﻓﺎﺀِ
ﻟﺼﺤﺒﺔِ ﺤِﺴﺎﻥِ ﺍﻟﻨﱠﺎﺱِ؛
ﺴﻭﺍﺀ ﺭﻀﻴﺕﹶ ﻋﻨﱠﺎ ﺃﻭ ﻁﹶﻌﻨﹾﺕﹶ ﺒﻨﺎ ،ﻨﺤﻥ ﻻ ﻨﻌﺘﻘِﺩ ﺒﺎﻟﺸﱠﻴﺦِ ﺍﻟﻌﺎﺒﺩِ ﻟﻠﻨﱠﻔﺱِ؛
ﻤﻥ ﻗﻠﺒﻪ ﻟﹶﻡ ﻴﻘﹶﻊ ﺒﻬﺫﻱ ﺍﻟﺸﱢﺒﺎﻙِ ،ﻤﺘﻰ ﻴﺤﺼلُ ﻟﻪ ﺍﻟﻌِﻠﹾﻡ ﺒﺎﻀﻁﺭﺍﺏِ ﺤﺎﻟﻲ؟؛
ﺼﺎﺭ ﺴﺎﺨِﻨﺎﹰ ﺒﺎﺯﺍﺭ ﺍﻟﺸﱠﻭﻕِ ،ﺃﻴﻥ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻟﻪ ﻗﺩ ﺍﻟﺴﺭﻭ ﻷﺤﺭﻕﹶ ﺭﻭﺤﻲ
ﻜﺎﻟﺤﺭﻤلِ ﻋﻠﻰ ﻨﺎﺭِ ﻭﺠﻬِﻪ)(٢؛
ﻓﻲ ﻤﻜﺎﻥٍ ﻴﻀﺤﻙ ﻓﻴﻪِ ﺤﺒﻴﺒﻨﺎ ﻀﺤﻜﹶﺔﹰ ﺴﻜﱠﺭﻴﺔﹰ ،ﻴﺎ ﺜﹶﻤﺭﺓﹶ ﺍﻟﻔﹸﺴﺘﹸﻕِ ﻤﻥ ﺘﻜﻭﻨﻴﻥ؟ ،ﺒﺎﷲِ
ﻻ ﺘﹶﻀﺤﻜﻲ؛
ﺤﺎﻓﻅﹸ ﺇﻥ ﻟﻡ ﺘﺘﺭﻙ ﻏﻤﺯﺓﹶ ﺍﻷﺘﺭﺍﻙ ،ﺃﺘﺩﺭﻱ ﻤﻜﺎﻨﹸﻙ ﺃﻴﻥ؟ ﺨﻭﺍﺭﺯﻡ ﺃﻭ ﺨﺠﻨﺩ).(٣
ﻏﺰﻝ ١٨١
ﺘﻤﺴﻜﹶﺕﹾ ﻴﺩﻱ ﺒﻘﺒﺎﺀِ ﺘِﻠﻙ ﺍﻟﺴﺭﻭﺓِ ﺍﻟﻌﺎﻟﻴﺔ ﺫﺍﺕِ ﺍﻟﻘﺩ ﻭﺍﻟﺩﻻل ،ﻟﻜﻨﱠﻬﺎ ﺍﻗﺘﻠﹶﻌﺕﹾ ﺸﹶﺠﺭﺓﹶ
ﻭﺠﻭﺩﻱ ﻤﻥ ﺍﻟﺠﺫﻭﺭ) (٤؛
ﺍﻟﻘﻨﺩ :ﻗﻁﹶﻊ ﺴﻜﱠﺭ ﺍﻟﻨﹼﺒﺎﺕ؛ )(١
ﺍﻟﺤﺭﻤل ﻨﺒﺎﺕﹲ ﻴﺸﺘﻌِلُ ﺒﺴﺭﻋﺔٍ ﻴﻠﻘﻰ ﻓﻲ ﺍﻟﻤﺠﻤﺭِ ﻋﺎﺩﺓﹰ ،ﻭﺍﺤﺩﺘﹸﻪ ﺤﺭﻤﻠﺔ؛ )(٢
ﺨﻭﺍﺭﺯﻡ ﻤﺩﻴﻨﺔﹲ ﻋﻠﻰ ﻨﻬﺭ ﺠﻴﺤﻭﻥ ﻭﺨﺠﻨﺩ ﻤﺩﻴﻨﺔﹲ ﻋﻠﻰ ﻨﻬﺭِ ﺴﻴﺤﻭﻥ. )(٣
ﺍﻟﻘﺒﺎﺀ ﺜﻭﺏ ﻴﻠﺒﺱ ﻓﻭﻕﹶ ﺍﻟﺜﹼﻴﺎﺏ)ﻴﻘﺎل ﻟﻪ ﺒﺎﻟﻌﺎﻤﻴﺔ ﺍﻟﻘﻨﺒﺎﺯ(؛ )(٤
-١٩٧-
ﻻ ﺤﺎﺠﺔﹶ ﺒﻨﺎ ﻟﻠﻤﻁﺭِﺏِ ﻭﺍﻟﺨﻤﺭ ،ﺍﺭﻓﹶﻊِ ﺍﻟﺒﺭﻗﹸﻊ ﻟﻨﹸﻠﻘﻲ ﺃﺭﻭﺍﺤﻨﺎ ﻋﻠﻰ ﻨﺎﺭِ ﻭﺠﻬِﻙ
ﻜﺎﻟﺤﺭﻤلِ ﺭﺍﻗِﺼﻴﻥ)(١؛
ﻏﹶﻴﺭ ﻭﺠﻪٍ ﺘﻤﺴﺢ ﺒِﻐﹸﺒﺎﺭِ ﺤﺎﻓِﺭِ ﺫﻟِﻙ ﺍﻟﺠﻭﺍﺩِ ،ﻻ ﻭﺠﻪ ﻴﺼﻴﺭ ﻤِﺭﺁﺓﹰ ﻟِﻌﺭﻭﺱِ ﺍﻟﺒﺨﹾﺕ؛
ﻗﹸﻠﺕﹸ ﺃﺴﺭﺍﺭ ﻏﻤﻙ ﻭﻟﻴﻜﹸﻥ ﻤﺎ ﻴﻜﻭﻥ ،ﻟﻡ ﻴﺒﻕﹶ ﻋﻨﺩﻱ ﺼﺒﺭ ،ﻤﺎ ﺃﻋﻤلُ؟ ﺇﻟﻰ ﻤﺘﻰ ﻭﻜﻡ؟؛
ﻻ ﺘﻘﺘﹸلْ ﻏﺯﺍﻟﻲ ﺍﻟﻤِﺴﻜﻲ ﺃﻱ ﺼﻴﺎﺩ ،ﺍﺴﺘﺤﻲِ ﻤِﻥ ﻋﻴﻨِﻪِ ﺍﻟﺴﻭﺩﺍﺀِ ،ﻭﻻ ﺘﹸﻤﺴِﻜﹾﻪ ﺒﺎﻟﺸﱢﺒﺎﻙ؛
ﺃﻨﺎ ﺘﹸﺭﺍﺏ ﻻ ﻴﺴﺘﻁﻴﻊ ﺍﻟﻨﱡﻬﻭﺽ ﻓﻜﻴﻑﹶ ﺃﺴﺘﻁﻴﻊ ﺘﻘﺒﻴلَ ﺴﻭﺭِ ﻗﺼﺭِﻙ ﺍﻟﻌﺎﻟﻲ؟؛
ﻻ ﺘﺄﺨﹸﺫﹾ ﻗﻠﺒﻙ ﻤِﻥ ﻀﻔﻴﺭﺓِ ﺍﻟﻤﺴﻙِ ﺘﻠﻙ ﻴﺎ ﺤﺎﻓﻅ ،ﺨﹶﻴﺭ ﻟﻠﻤﺠﻨﻭﻥِ ﺃﻥ ﻴﻅلﱠ ﻓﻲ ﺍﻟﻘﻴﺩ.
ﻏﺰﻝ ١٨٢
ﻟﻡ ﺘﻜﺘﹸﺏ ﻟﻲ ﺭِﺴﺎﻟﺔﹶ ﺸﹶﺭﺡِ ﺤﺎﻟﻲ ﻭﺃﻴﺎﻤﻲ ﺒﺎﺘﹶﺕﹾ ﻗﻠﻴﻠﹶﺔﹰ ،ﻭﻻ ﺃﺠِﺩ ﻤﻥ ﻴﺤﻤِلُ ﺍﻟﺴﺭ
ﻷُﺭﺴِلَ ﻟﻙ ﺒﻌﺽ ﺍﻟﺭﺴﺎﺌل)(٢؛
ﻻ ﺃﺴﺘﻁﻴﻊ ﺒﻠﻭﻍﹶ ﻫﺫﺍ ﺍﻟﻤﻘﺼﺩِ ﺍﻟﻌﺎﻟﻲ ،ﺇﻻﹼ ﺇﺫﺍ ﺃﻋﺎﻨﹶﻨﻲ ﺴﺎﺒِﻕﹸ ﻟﹸﻁﻔِﻙ ﺒِﻀﻊ ﺨﹸﻁﻭﺍﺕ؛
ﺇﺫﺍ ﺍﻨﺘﹶﻘﹶﻠﹶﺕِ ﺍﻟﺨﻤﺭﺓﹸ ﻤِﻥ ﺍﻟﺩﻥ ﺇﻟﻰ ﺍﻟﻜﹸﻭﺯِ ﻭﺭﻤﻰ ﺍﻟﻭﺭﺩ ﺍﻟﻨﱢﻘﺎﺏ ،ﺒﺎﺩِﺭ ﻓﹸﺭﺼﺔﹶ ﺍﻟﻌﻴﺵ
ﻭﺃﺩِﺭ ﺒِﻀﻊ ﻜﺅﻭﺱ؛
ﺴﻜﱠﺭ ﺍﻟﻨﱠﺒﺎﺕِ ﻤﻤﺯﻭﺠﺎﹰ ﺒﻤﺎﺀِ ﺍﻟﻭﺭﺩِ ﻟﻴﺱ ﻋِﻼﺠﺎﹰ ﻟِﻘﻠﺒﻲ ،ﺃﻋﻁِﻨﻲ ﻤِﻨﹾﻙ ﻋِﺩﺓﹶ ﻗﹸﺒﻼﺕٍ
ﻭﻟﻭ ﻤﻤﺯﻭﺠﺔﹰ ﺒِﺸﹶﺘﻤﻲ؛
ﺯﺍﻫِﺩ ﻤﺭ ﺒﺎﻟﺴﻼﻤﺔِ ﻤِﻥ ﺭﻜﹾﻥِ ﺍﻟﺴﻜﺎﺭﻯ ﻟﻜﻲ ﻻ ﺘﹸﺤﻴﻠﹶﻙ ﺼﺤﺒﺔﹸ ﺍﻟﻤﺸﻬﻭﺭﻴﻥ ﺒﺎﻟﺴﻭﺀِ
ﺨﺭﺍﺒﺎﹰ؛
ﺒﻤﺎ ﺃﻨﱠﻙ ﺘﺫﻜﹸﺭ ﻋﻴﻭﺏ ﺍﻟﺨﹶﻤﺭِ ﺠﻤﻠﹶﺔﹰ ،ﺍﹸﺫﻜﹸﺭ ﺨﻴﺭﻫﺎ ﺃﻴﻀﺎﹰ ،ﻻ ﺘﻨﻑِ ﺍﻟﺤِﻜﻤ ﹶﺔ ﻟِﺘﹸﺭﻀِﻲ
ﻗﻠﻭﺏ ﺍﻟﻌﻭﺍﻡ؛
) (١ﺍﻟﺒﺭﻗﻊ ﻗﻨﺎﻉ ﺘﺴﺘﹸﺭ ﺒِﻪِ ﺍﻟﻤﺭﺃﺓﹸ ﻭﺠﻬﻬﺎ.
) (٢ﺭﺴﺎﻟﺔﹶ ﻴﺴﺭﻱ ﻤﻥ ﺍﻟﻌﺴﺭ؛
-١٩٨-
ﺃﻴﻬﺎ ﺍﻟﺸﱠﺤﺎﺫﻭﻥ ﻓﻲ ﺍﻟﺨﺭﺍﺒﺎﺕِ ﺍﷲُ ﻤﻌﻴﻨﹸﻜﹸﻡ ،ﻭﻻ ﺘﻨﻅﺭﻭﺍ ﺒﻌﻴﻥِ ﺍﻟﺭﺠﺎﺀِ ﻹﻨﻌﺎﻡِ ﺍﻷﻨﺎﻡ؛
ﻤﺎ ﺃﺠﻤلَ ﻤﺎ ﻗﺎلَ ﺸﻴﺦﹸ ﺍﻟﺤﺎﻥِ ﻟِﺼﺩﻴﻕِ ﺃﻟﹶﻤِﻪِ ﺍﻟﻘﺩﻴﻡ :ﻻ ﺘﻘﹸلْ ﺤﺎلَ ﻗﻠﺒِﻙ ﺍﻟﻤﺤﺘﹶﺭِﻕِ
ﻟِﺴﺎﺫﹶﺝٍ ﻏﻴﺭِ ﻨﺎﻀِﺞ)(١؛
ﺤﺎﻓِﻅﹸ ﺍﺤﺘﹶﺭﻕﹶ ﻤﻥ ﺍﻟﺸﱠﻭﻕِ ﻟِﻭﺠﻪِ ﺸﻤﺴِﻙ ﺍﻟﻤﻨﻴﺭﺓِ ،ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﻫﺫﺍ ﺍﻟﻤﺤﺭﻭﻡِ ﻭﺤﻘﱢﻕﹾ
ﺭﺠﺎﺀ ﻗﻠﺒﻲ.
ﻏﺰﻝ ١٨٣
ﻭﺘﺤﺕﹶ ﻅﻼﻡِ ﺍﻟﻠﹼﻴلِ ﻤـﺎﺀ ﺤﻴـﺎﺘﻲ ﻟﺩﻯ ﺴﺤﺭﻱ ﺃُﻋﻁِﻴﺕﹸ ﻜﹶﻨﹾﺯ ﻨﹶﺠـﺎﺘﻲ
ﻭﺃُﻋﻁِﻴﺕﹸ ﺠﺎﻤﺎﹰ ﻨﺎﻁِﻘـﺎﹰ ﺒِـﺼِﻔﺎﺘﻲ ﻭﻏﹶﻴﺒﻨﻲ ﻋﻨﱢﻲ ﻭﻤِـﻴﺽ ﻤﺸﹶﻌـﺸِﻊ
ﻤﺒﺎﺭﻜﹶﺔٍ ﻜﹶـﻡ ﻓِـﻀﺕﹶ ﺒﺎﻟﺒﺭﻜـﺎﺕِ ﻓﻴﺎ ﺴﺤﺭﺍﹰ ﺃُﻭﻟِﻴﺘﹸـﻪ ﺒﻌـﺩ ﻟﹶﻴﻠﹶـﺔٍ
ـﻲ
ـﺫﹶﺍﺘِﻲ ﺫﹶﺍﺘِـ
ـﻰ ﻟِـ
ـﻪِ ﺠﻠﱠـ
ﺒِﻤِﺭﺁﺘِـ ﻭﻤِﻥ ﺒﻌﺩِ ﻤﺎ ﻋﺎﻴﻨﹾﺕﹸ ﻭﺼﻑ ﺠﻤﺎﻟِﻪِ
ﻭﺃُﻭﺘِﻴﺕﹸ ﺤﻘﱢﻲ ﻤِﻥ ﺴـﺒﻴلِ ﺯﻜـﺎﺓِ ﻓﹶﺤﻘﱠﻕﹶ ﺁﻤﺎﻟﻲ ﻭﻁﹶﻴـﺏ ﺨـﺎﻁِﺭﻱ
ﺒِﺼﺒﺭٍ ﻋﻠﻰ ﺠﻭﺭِ ﺍﻟﺠﻔﺎ ﻭﺜﹶﺒـﺎﺕِ ﻭﻨﺎﺩﻯ ﻤﻨﺎﺩٍ ﻟﻲ ﻫﻨـﺎﻙ ﻤﺒـﺸﱢﺭﻱ
ﻴﺴِﻴلُ ﻜﻼﻤﻲ ﻤِﻥ ﻏﹸﺼﻭﻥِ ﻨﹶﺒـﺎﺘﻲ ﻟِﺄﺠلِ ﺍﺼﻁِﺒﺎﺭﻱ ﺼﺎﺭ َﺸﹶﻬﺩﺍﹰ ﻭﺴﻜﱠﺭﺍﹰ
ﻭﺃﻨﻔﺎﺱِ ﺃﻫلِ ﺍﻟﻠﱠﻴلِ ﻨِﻠﹾـﺕﹸ ﻨﺠـﺎﺘﻲ ﻭﻤِﻥ ﻏﻡ ﺃﻴـﺎﻤﻲ ،ﺒِﻬِﻤـﺔِ ﺤـﺎﻓِﻅٍ
ﺸﺭﺡ ﺍﻟﻘﺼﻴﺩﺓ :ﻜﺎﻥ ﺫﻟﻙ ﻋﻨﺩ ﺍﻟﺴﺤﺭ ﺤﻴﺙﹸ ﺤﺭﺭﻭﻨﻲ ﻤﻥ ﻗﻴﻭﺩِ ﺍﻟﺩﻨﻴﺎ
ﻭﺃﻋﻁﻭﻨﻲ ﺘﺤﺕ ﺠﻨﺢِ ﺍﻟﻅﱠﻼﻡ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ ﺍﻷﺒﺩﻴﺔ؛ ﻭﻟﻘﺩ ﻏﺒﺕﹸ ﻋﻥ ﻨﻔﺴﻲ ﺒﻤﺎ ﻻﺡ
ﻟﻲ ﻤﻥ ﻭﻤﻴﺽ ﻨﻭﺭﻩ )ﺫﺍﺕ ﺍﻟﺤﻕ( ﻭﺃﻋﻁﻭﻨﻲ ﻗﺩﺤﺎﹰ ﻤﻥ ﺍﻟﺨﻤﺭ)ﺸﺭﺍﺏ ﺍﻟﻤﻌﺭﻓﺔ(
ﺸﺭﺒﺘﹸﻪ ﻭﺍﻨﻜﺸﻔﺕ ﻟﻲ ﺒﻪ ﺤﻘﺎﺌﻕﹸ ﺫﺍﺘﻲ )ﻤﻥ ﻋﺭﻑ ﻨﻔﺴﻪ ﻓﻘﺩ ﻋﺭﻑ ﺭﺒﻪ(؛ ﻓﻴﺎ ﻟﻪ
ﻤﻥ ﺴﺤﺭٍ ﻤﺒﺎﺭﻙٍ ﻟﻠﻴﻠﺔِ ﻗﺩﺭٍ ﻤﺒﺎﺭﻜﺔٍ؛ ﺭﺃﻴﺕﹸ ﺒﻌﻴﻨﻲ ﺠﻤﺎل ﺍﻟﺤﻕ ﻓﻲ ﻤﺭﺁﺓ ﺠﻤﺎﻟﻪ
) (١ﻏﻴﺭ ﺍﻟﻨﹼﺎﻀِﺞِ ﻤﻥ ﻟﻡ ﻴﺤﺘﹶﺭِﻕﹾ ﻗﻠﺒﻪ ﺒﺎﻟﻨﱠﺎﺭ ،ﺍﻟﻘﹶﻠﹾﺏ ﻻ ﻴﻨﻀﺞ ﺒﻼ ﻨﺎﺭ.
-١٩٩-
)ﻤﺭﺁﺓ ﺍﻟﺤﻕ ﻭﺍﺴﻁﺔﹸ ﺍﻟﺘﺠﻠﹼﻲ ﻭﺒﻬﺎ ﻴﻅﻬﺭ ﺍﻟﺤﻕﹼ ﻭﻴﺭﻯ ﻭﻤﻥ ﺩﻭﻥ ﻭﺴﺎﻁﺔ ﺍﻟﻤﺭﺁﺓ
ﻻ ﺘﹸﻤﻜﻥ ﺭﺅﻴﺘﹸﻪ ﻭﻻ ﺘﻁﻴﻕﹸ ﺍﻷﺒﺼﺎﺭ ﻤﺒﺎﺸﺭﺓ ﺍﻟﻨﱠﻅﺭِ ﺇﻟﻴﻪ( ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ:
ﻜﻤﺎ ﻟﻲ ﺼﻭﺭﺘﻲ ﺍﻟﻤﺭﺁﺓﹸ ﺘﺠﻠﻭ؛ ﻭﻟﻘﺩ ﺃﻋﻁﺎﻨﻲ ﺘﺠﻠﹼﻰ ﻟﻲ ﻓﺠﻠﹼﺎﻨﻲ ﻟﻌﻴﻨﻲ
ﺠﻤﻴﻊ ﻤﺎ ﺴﺄﻟﺘﻪ ﻭﻜﺎﻥ ﺫﻟﻙ ﺘﻔﻀﻼﹰ ﻤﻨﻪ ﻭﻜﺭﻤﺎﹰ ﻭﻟﻡ ﻴﻜﻥ ﺒﺎﺴﺘﺤﻘﺎﻕٍ ﻤﻨﹼﻲ )ﻨﻠﺘﻪ
ﺒﻌﻨﻭﺍﻥ ﺍﻟﺯﻜﺎﺓ(؛ ﻭﺠﺎﺀﻨﻲ ﺍﻟﻨﱢﺩﺍﺀ ﺒﺎﻟﺒﺸﺭﻯ ﺃﻥ ﺃﺒﺸﺭ ﻓﻘﺩ ﺃُﻋﻁﻴﺕﹶ ﻤﺯﻴﺩﺍﹰ ﻤﻥ
ﺍﻟﺼﺒﺭِ ﻭﺍﻟﺜﱠﺒﺎﺕِ ﻋﻠﻰ ﺠﻭﺭِ ﻫﺠﺭِ ﺍﻟﺤﺒﻴﺏ؛ ﻭﺇﻥ ﺸﻌﺭﻱ ﺍﻟﻌﺫﺏ ﺍﻟﱠﺫﻱ ﻴﺴﻴلُ ﻤﻥ
ﻜلﱢ ﺃﻏﺼﺎﻥِ ﺸﺠﺭﺓِ ﻭﺠﻭﺩﻱ ﻜﺄﻨﹼﻪ ﺍﻟﺸﱠﻬﺩ ﻭﺍﻟﺴﻜﺭ ﻫﻭ ﺃﺠﺭ ﻤﺎ ﺘﺤﻤﻠﺕﹸ ﻤﻥ ﺃﻟﻡِ
ﺍﻟﻌﺸﻕِ ﻭﻤﺎ ﺼﺒﺭﺕﹸ ﻋﻠﻰ ﺠﻭﺭِ ﺍﻟﺤﺒﻴﺏ؛ ﻫِﻤﺔﹸ ﺤﺎﻓِﻅﹶ ﻭﺃﻨﻔﺎﺱ ﺍﻟﻘﺎﺌﻤﻴﻥ ﻓﻲ ﺍﻟﺴﺤﺭِ
ﺃﻋﻁﻴﺎﻨﻲ ﺍﻟﻨﱠﺠﺎ ﹶﺓ ﻤِﻥ ﻗﻴﺩِ ﻏﻡ ﺍﻷﻴﺎﻡ.
ﻏﺰﻝ ١٨٤
ﻟﻴﻠﺔﹶ ﺍﻷﻤﺱِ ﺭﺃﻴﺕﹸ ﺍﻟﻤﻼﺌﻜﹶﺔﹶ ﻁﺭﻗﹶﺕﹾ ﺒﺎﺏ ﺍﻟﺤﺎﻥِ ،ﺠﻌﻠﹶﺕﹾ ﻁﻴﻨﹶﺔﹶ ﺁﺩﻡ ﻓﻲ ﻗﺎﻟﹶﺏٍ
ﻭﻤﺯﺠﺘﹾﻬﺎ ﺒﺎﻟﺨﻤﺭِ)(١؛
ﺴﺎﻜِﻨﻭ ﺤﺭﻡِ ﺴِﺘﹾﺭِ ﻭﻋﻔﺎﻑِ ﺍﻟﻤﻠﻜﻭﺕِ ﺠﻠﺴﻭﺍ ﻤﻌﻲ ﺃﻨﺎ ﺍﻟﺸﱠﺤﺎﺫﹶ ﻭﺸﺭﺒﻭﺍ ﻤﻌﻲ ﺨﻤﺭﺍﹰ
ﻤﺴﻜِﺭﺍﹰ؛
ﺍﻟﺴﻤﺎﺀ ﻟﻡ ﺘﻘﺩِﺭ ﻋﻠﻰ ﺤﻤلَ ﺤِﻤلِ ﺍﻷﻤﺎﻨﺔ ،ﻭﻗﻌﺕِ ﺍﻟﻘﹸﺭﻋﺔﹸ ﻋﻠﻰ ﺍِﺴﻤﻲ ﺃﻨﺎ ﺍﻟﻤﺠﻨﻭﻥ؛
ﺍﻋﺫﺭ ﺍﺜﻨﺘﻴﻥِ ﻭﺴﺒﻌﻴﻥ ﻓِﺭﻗﺔﹰ ﺘﺨﺘﺼِﻡ ،ﻓﻬﻲ ﻟﻡ ﺘﺭ ﺍﻟﺤﻘﻴﻘﺔﹶ ﻓﺴﻠﻜﹶﺕﹾ ﻁﺭﻴﻕﹶ ﺍﻟﺨﹸﺭﺍﻓﺔ)(٢؛
ﺍﻟﺤﻤﺩ ﷲِ ﻭﻗﹶﻊ ﺍﻟﺼﻠﹾﺢ ﺒﻴﻨﻲ ﻭﺒﻴﻥ ﺸﻴﺦِ ﺍﻟﺤﺎﻥ ،ﻭﺒﺩﺃ ﺍﻟﺼﻭﻓﻴﻭﻥ ﻴﺸﺭﺒﻭﻥ ﺍﻟﻜﺅﻭﺱ
ﺭﺍﻗﺼﻴﻥ ﻨﺨﹾﺏ ﺫﻟِﻙ ﺍﻟﺼﻠﹾﺢ؛
) (١ﺭﺃﻴﺕﹸ ﺭﺅﻴﺎ ﻓﻲ ﺍﻟﻨﱠﻭﻡ؛
) (٢ﻓﻲ ﺇﺸﺎﺭ ٍﺓ ﺇﻟﻰ ﺍﻟﺤﺩﻴﺙِ ﺍﻟﺸﹼﺭﻴﻑ) :ﺘﻔﺘﺭﻕﹸ ﺃُﻤﺘﻲ ﻤﻥ ﺒﻌﺩﻱ ﻋﻠﻰ ﺜﻼﺙٍ ﻭﺴﺒﻌﻴﻥ ﻓﺭﻗﺔﹰ،
ﻓﺭﻗﺔﹲ ﻨﺎﺠﻴﺔﹲ ﻭﺍﺜﻨﺘﺎﻥِ ﻭﺴﺒﻌﻭﻥ ﻓﻲ ﺍﻟﻨﹼﺎﺭ(
-٢٠٠-
ﺍﻟﻨﱠﺎﺭ ﻟﻴﺴﺕﹾ ﺘﻠﻙ ﺍﻟﱠﺘﻲ ﻤِﻥ ﺸﹸﻌﻠﹶﺘِﻬﺎ ﻀﺤﻙ ﺍﻟﺸﱠﻤﻊ ،ﺍﻟﻨﱠﺎﺭ ﺘﻠﹾﻙ ﺍﻟﱠﺘﻲ ﺃﺤﺭﻗﹶﺕﹾ
ﻤﺤﺼﻭلَ ﺍﻟﻔﺭﺍﺸﺔ؛
ﻻ ﺸﺨﺹ ﻜﺤﺎﻓِﻅ ﺭﻓﹶﻊ ﺍﻟﻨﱢﻘﺎﺏ ﻋﻥ ﻭﺠﻪِ ﺍﻟﻔِﻜﹾﺭِ ﻟﻴﻤﺸﱢﻁﻭﺍ ﻀﻔﺎﺌﺭ ﺍﻟﻜﻼﻡِ ﺒِﻤِﺸﹾﻁِ ﺍﻟﻘﹶﻠﹶﻡ.
ﻏﺰﻝ ١٨٥
ﻟﻴﺕﹶ ﻟﻠﻨﱡﻘﻭﺩِ ﻫﺎ ﻫﻨﺎ ﻤِﻴﺯﺍﻥ ﻴﻌﺭﻑﹸ ﺒِﻪِ ﻭﺯﻨﹸﻬﺎ ﻭﻋِﻴﺎﺭﻫﺎ ،ﻟِﻴﺠِﺩ ﺃﻫلُ ﺍﻟﺼﻭﺍﻤِﻊِ ﺠﻤﻴﻌﺎﹰ
ﺠﺯﺍﺀ ﺃﻋﻤﺎﻟِﻬِﻡ)(١؛
ﺭﺅﻴﺘﻲ ﻟﻠﻤﺼﻠﹶﺤﺔِ ﻫﻲ ﺃﻥ ﻴﻭﻗِﻑﹶ ﺍﻟﺭﻓﺎﻕﹸ ﺃﺠﻤﻌﻭﻥ ﻜﹸلﱠ ﺃﻋﻤﺎﻟِﻬِﻡ ،ﻭﺃﻥ ﻴﻤﺴِﻜﻭﺍ
ﺒِﺤﻠﹾﻘﹶﺔٍ ﻤِﻥ ﻁﹸﺭﺓِ ﺍﻟﺤﺒﻴﺏ؛
ﺃﻤﺴﻙ ﺍﻟﺤﺭﻴﻔﻭﻥ ﺒِﺸﹶﻜلٍ ﺠﻤﻴلٍ ﺒﻀﻔﻴﺭﺓِ ﺍﻟﺴﺎﻗﻲ ،ﺇﻥ ﻜﺎﻥ ﻓﹶﻠﹶﻜﹸﻬﻡ ﻴﺴﻤﺢ ﻟﻬﻡ ﺒﺎﻟﻘﺭﺍﺭِ
ﻫﻨﺎﻙ؛
ﺤﺫﺍﺭِ ﺃﻥ ﺘﹶﻔﺘﹶﺨِﺭ ﺒِﻘﻭﺓِ ﻋﻀﺩِﻙ ﻋِﻨﹾﺩ ﺃﻫلِ ﺍﻟﺤﺴﻥِ ،ﻓﺄﻫلُ ﻫﺫِﻩِ ﺍﻟﺨﹶﻴلِ ﻴﻔﺭِﻀﻭﻥ
ﺍﻟﺤِﺼﺎﺭ ﺒِﺠﻭﺍﺩٍ ﻭﺍﺤِﺩٍ؛
ﻴﺎ ﺭﺏ ﻤﺎ ﺃﺒﺭﻉ ﻫﺅﻻﺀِ ﺍﻷﻁﻔﺎلَ ﺍﻷﺘﺭﺍﻙ ﺒِﺴﻔﻙِ ﺍﻟﺩﻤﺎﺀِ ،ﺇﻨﱠﻬﻡ ﺒِﺴِﻬﺎﻡِ ﺍﻷﻫﺩﺍﺏِ
ﻴﺼﻴﺩﻭﻥ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ ﺼﻴﺩﺍﹰ؛
ﻤﺎ ﺃﺠﻤلَ ﺍﻟﺭﻗﹾﺹ ﻋﻠﻰ ﺍﻟﺸﱢﻌﺭِ ﺍﻟﻐﹶﺽ ﻭﺃﻨﻴﻥِ ﺍﻟﻨﱠﺎﻱ ،ﺨﺎﺼﺔﹰ ﻭﺍﻟﺭﺍﻗِﺼﻭﻥ ﻴﻤﺴِﻜﻭﻥ
ﻓﻲ ﺍﻟﺭﻗﹾﺹِ ﺒﻴﺩِ ﺤﺒﻴﺏٍ؛
ﺤﺎﻓِﻅﹸ ﺃﺒﻨﺎﺀ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥِ ﻻ ﻴﺤﻤﻠﻭﻥ ﻏﻡ ﺍﻟﻤﺴﺎﻜﻴﻥ ،ﺨﻴﺭ ﺍﻟﻘﻴﺎﻡ ﻤِﻥ ﺒﻴﻨِﻬِﻡ ﺇﻥ ﺃﻤﻜﹶﻥ
ﻭﺍﻻﻋﺘِﺯﺍل.
) (١ﺍﻟﻨﻘﻭﺩ ﻫﻨﺎ ﺍﻟﻁﱠﺎﻋﺎﺕ ،ﻓﺄﻋﻤﺎلُ ﺍﻟﻤﺨﻠِﺼﻴﻥ ﻨﻘﻭﺩ ﻤِﻥ ﺫﹶﻫﺏٍ ﻤِﻥ ﻋﻴﺎﺭٍ ﺨﺎﻟِﺹٍ ،ﻭﺩﻭﻨﹶﻬﺎ
ﺃﻋﻤﺎلٌ ﻜﻨﻘﻭﺩٍ ﻤِﻥ ﻓِﻀﺔٍ ،ﻭﻫﻨﺎﻙ ﺃﻋﻤﺎلٌ ﺒﺎﻁِﻠﹶﺔﹲ ﻜﻨﻘﻭﺩٍ ﺯﺍﺌﻔﹶﺔٍ ﻤﻁﻠﻴﺔٍ ﺒﺎﻟﺫﱠﻫﺏِ ﻭﻫﻲ ﺃﻋﻤﺎلُ
ﺍﻟﻤﺭﺍﺌﻴﻥ ﺍﻟﱠﺫﻴﻥ ﻟﻭ ﻋﻠِﻤﻭﺍ ﺃﻥ ﺃﻋﻤﺎﻟﹶﻬﻡ ﺒﻼ ﻗِﻴﻤﺔٍ ﻟﺘﻭﻗﱠﻔﻭﺍ ﻋﻥِ ﺍﻟﻌﻤل.
-٢٠١-
ﻏﺰﻝ ١٨٦
ـﺒﻼﺀ
ـﺎﻩ ﺍﻟـ
ﻏﹶﻔﹶ ـﺭ ﺍﷲُ ﺫﹶﻨﹾﺒ ـﻪ ﻭﻭﻗـ ﺒﺎﺌﻊ ﺍﻟﺨﻤﺭِ ﺇﻥ ﻗﻀﻰ ﺤﺎﺠﺔﹶ ﺍﻟﺴﻜﺎﺭﻯ
)(١
ﺇﺫﺍ ﻏﺎﺭ ﻴﻤﻸُ ﺍﻟﻜـﻭﻥ ﺒـﺎﻟﺒﻼﺀ ﺼﺏ ﻋﺩﻻﹰ ﺴﺎﻗﻲ ﻓـﺈﻥ ﺍﻟـﺸﱠﺤﺎﺫﹶ
ـﺩِ ﺍﻷﻤﺎﻨﹶﺔِ ﺒﺸﺭﺍﻩ ﺒﺎﻷﻤﻥِ ﻤِﻥ ﻏﻤﺎﺀ ﻤﻥ ﻤِﻥ ﺍﻟﺴﺎﻟِﻜﻴﻥ ﻜﺎﻥ ﻭﻓﻴﺎﹰ ﺒِﻌﻬــ
ﺇﺫﺍ ﻫِﻲ ﻤﺴﺘﹾﻙ ﻴﺎ ﺤﻜﻴﻡ ﻭﺍﻟـﺴﺭﺍﺀ ﻟِﺴِﻭﻯ ﺍﷲِ ﻻ ﺘﻜﹸﻥ ﻨﺎﺴِﺏ ﺍﻟﻀﺭﺍﺀ
ﻻ ﻁﺭﻴﻕﹶ ﻟﻠﻌﻘلِ ﻭﺍﻟﻔﹶﻀلِ ﻓﻴﻪِ ﺍﻓﺘِﺭﺍﺀ ﻓﻬﻡ ﻀﻌﻴﻑِ ﺍﻟﺭﺃﻱِ ﻓـﻲ ﻤـﺸﻐلٍ
ـلٍ ﻤﻁﹾﺭِﺒﻲ ﺃﻭ ﻭﻗﹶﻌﺕﹶ ﻓﻲ ﺍﻷﺨﻁﺎﺀ ﻏﻥ ﻟﻲ ﻟﹶﺤﻥ ﻟﹶﻡ ﻴﻤﺕﹾ ﻭﺍﺤِﺩ ﺒِﻼ ﺃَﺠـ
ﻤﺎ ﻟﻨﺎ ﻏﻴﺭ ﻭﺼـلٍ ﻭﺨﹶﻤـﺭٍ ﺩﻭﺍﺀ ﻨﺤﻥ ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺒﻼ ﻤِﻥ ﺍﻟﺨﻤﺎﺭ
ﺃﻴﻥ ﻤﻥ ﺒِﺄﻨﻔﺎﺱِ ﺍﻟﻤﺴﻴﺢِ ﻓﻲ ﺍﻹﺤﻴﺎﺀ ﺤﺎﻓِﻅﹸ ﺒﺤﺜﺎﹰ ﻋﻥِ ﺍﻟﺨﹶﻤﺭِ ﻤﺎﺕﹶ ﻤﺤﺘﺭِﻗﺎﹰ
ﻏﺰﻝ ١٨٧
ﻗﻠﺏ ﺍﺤﺘﹶﺭِﻕﹾ ﻓﺎﺤﺘِﺭﺍﻗﹸﻙ ﻴﻨﺠِﺯ ﺃﻋﻤﺎﻻﹰ ،ﻓﺎﻗﺔﹸ ﻤﻨﺘﹶﺼﻑﹶ ﺍﻟﻠﹼﻴلِ ﺘﺩﻓﻊ ﻤِﺌﺔﹶ ﺒﻼﺀ؛
ﺘﺤﻤلْ ﻜﻌﺎﺸِﻕٍ ﻋِﺘﺎﺏ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﹼﺫﻱ ﻟﻪ ﻭﺠﻪ ﻤﻠﹶﻙٍ ،ﻏﻤﺯﺓﹲ ﻤﻨﻪ ﻭﺍﺤِﺩﺓﹲ ﺘﺠﺒﺭ ﻤﺎﺌﺔﹶ
ﻫﺠﺭ؛
ﻜﹸلﱡ ﺸﻲﺀٍ ﻤِﻥ ﺍﻟﻤﻠﹾﻙِ ﻟِﻠﻤﻠﹶﻜﹸﻭﺕِ ﻴﺭﻓﻊ ﺍﻟﺤِﺠﺎﺏ ﻟﻤﻥ ﻴﺅﺩﻱ ﺍﻟﺨِﺩﻤ ﹶﺔ ﻟِﺠﺎﻡِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻁﺒﻴﺏ ﺍﻟﻌِﺸﻕِ ﻤﺴﻴﺤﻲ ﺍﻟﻨﱠﻔﹶﺱِ ﻭﻤﺸﻔِﻕﹲ ،ﻟﻜﻨﱠﻪ ﻻ ﻴﺭﻯ ﺍﻷﻟﹶﻡ ﻓﻴﻙ ﻓﻜﻴﻑﹶ ﻴﺩﺍﻭﻴﻙ)(٢؛
ﻜِلْ ﺸﹸﻐﻠﹶﻙ ﻭﻓﻭﺽ ﺃﻤﺭﻙ ﺇﻟﻰ ﺇﻟﻬِﻙ ،ﺇﺫﺍ ﻟﻡ ﻴﺭﺤﻤﻙ ﺍﻟﻤﺩﻋﻲ ﻓﺈﻥ ﺍﷲَ ﻴﺭﺤﻤﻙ؛
) (١ﺴﺎﻗﻲ ﻨﺎﻭِلْ ﺍﻟﺨﹶﻤﺭ ﺒِﺠﺎﻡِ ﺍﻟﻌﺩلِ ﻟﻜﻲ ﻻ ﺘﺄﺨﹸﺫﹶ ﺍﻟﺸﱠﺤﺎﺫﹶ ﺍﻟﻐﹶﻴﺭﺓﹶ ﻓﻴﻤﻸَ ﺍﻟﻜﻭﻥ ﺒﺎﻟﺒﻼﺀ.
) (٢ﺍﹸﺸﻙ ﻤﺎ ﺒﻙ ﻟﻠﺤﺒﻴﺏِ ﻟﻴﺩﺍﻭﻴﻙ ﻓﻔﻲ ﺍﻟﺤﺩﻴﺙ ﺍﻟﻘﺩﺴﻲ :ﻤﻥ ﻟﻡ ﻴﺩﻋﻨﻲ ﻟﻡ ﺃُﺒﺎلِ ﻓﻲ ﺃﻱ ﻭﺍﺩٍ ﻫﻠﻙ؛
-٢٠٢-
ﻤﻠﻠﺕﹸ ﻤِﻥ ﻗِﻠﱠﺔِ ﻋﻭﻥِ ﺒﺨﹾﺘﻲ ﻓﻲ ﻨﹶﻭﻤﻲ ،ﻋﺴﻰ ﺃﻥ ﻤﺴﺘﻴﻘِﻅﺎﹰ ﻭﻗﹾﺕﹶ ﻓﺎﺘِﺤﺔِ ﺍﻟﺼﺒﺢِ
ﻴﺩﻋﻭ ﻟﻲ ﺩﻋﺎﺀ ﻭﺍﺤِﺩﺍﹰ)(١؛
ﻕ ﻭﻟﹶﻡ ﻴﺤﺼلْ ﻋﻠﻰ ﺃﺜﹶﺭٍ ﻤِﻥ ﻀﻔﻴﺭﺓِ ﺍﻟﺤﺒﻴﺏ ،ﻋﺴﻰ ﺃﻥ ﺘﺤﻤِلَ ﻟﻪ
ﺤﺎﻓِﻅﹸ ﺍﺤﺘﹶﺭ ﹶ
ﺍﻟﺼﺒﺎ ﺍﻟﺩﻻﻟ ﹶﺔ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺩﻭﻟﹶﺔ.
ﻏﺰﻝ ١٨٨
ﺍﻋﺘِﺭﺍﻀﺎﹰ ﻋﻠﻰ ﺃﺴﺭﺍﺭِ ﻋِﻠﹾﻡٍ ﻫﻭ ﺍﻟﻐﹶﻴﺏ ﺒِﻌِﺸﹾﻘﻲ ﻭﺴﻜﹾﺭﻱ ﻜﹶﻡ ﻴﻘﺎلُ ﺒِﻲ ﺍﻟﻌﻴﺏ
ﻜﹶﺫﺍﻙ ﻗﹶﻠﻴلُ ﺍﻟﻔﹶﻀلِ ﻴﺠﺫﹸﺒﻪ ﺍﻟﻌﻴـﺏ ﻴﺭﻯ ﻨﹶﻘﹾﺹ ﺫﹶﻨﹾﺒﻲ ﻻ ﻜﹶﻤﺎ َل ﻤﺤﺒﺘـﻲ
ﻭﻤِﻨﹾﻪ ﻟﻬﺎ ﻓﻲ ﺤﺎﻨﹶﺘﻲ ﻴﻤﻸُ ﺍﻟﺠﻴﺏ ﺘﹶﻔﻭﺡ ﻋﻁﻭﺭ ﺍﻟﺤﻭﺭِ ﻤِﻥ ﺘﹸﺭﺏِ ﺤﺎﻨﹶﺘﻲ
ﺒِﻬﺎ ﻗﺩ ﺼﺒﺎ ﺼﻭﺏ ﺍﻟﻤﺩﺍﻡِ ﺼـﻬﻴﺏ ﻋﻠﻰ ﺠﺎﺩﺓِ ﺍﻹﺴﻼﻡِ ﺴﺎﻕٍ ﺒِﻐﹶﻤـﺯﺓٍ
ﻓﻤﺎ ﻟِﺴِﻭﺍﻫﻡ ﻓﻲ ﺍﻟﻬﻨـﺎﺀِ ﻨﹶـﺼِﻴﺏ ﻟِﺘﹶﻐﹾﺩ ﻟِﺄَﺼﺤﺎﺏِ ﺍﻟﻘﹸﻠـﻭﺏِ ﻤﻌﺎﺸِـﺭﺍﹰ
ﻴﻌﻴﺒﻨﻲ ﺒﺎﻟﻌﺸﻕ ﻭﺍﻟﺴﻜﺭِ ﺫﺍﻙ ﺍﻟﻔﹸﻀﻭﻟﻲ ،ﺇﻨﱠﻪ ﻴﻌﺘﺭِﺽ ﻋﻠﻰ ﺃﺴﺭﺍﺭِ ﻋِﻠﹾﻡِ ﺍﻟﻐﻴﺏ؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻜﻤﺎلِ ﺍﻟﻤﺤﺒﺔِ ﻻ ﺇﻟﻰ ﻨﹶﻘﹾﺹِ ﺍﻟﺫﱠﻨﺏ ،ﺇﻥ ﻤﻥ ﻫﻭ ﺒﻼ ﻓﹶﻀلٍ ﻴﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻌﻴﺏ)(٢؛
ﺫﺍﻙ ﺍﻟﻨﱠﻔﹶﺱ ﻤِﻥ ﻋِﻁﹾﺭِ ﺤﻭﺭِ ﺍﻟﺠﻨﱠﺔِ ،ﻏﹸﺒﺎﺭ ﺤﺎﻨﺘِﻨﺎ ﺍﺘﱠﺨﹶﺫﹾﻨﹶﻪ ﻋِﻁﹾﺭ ﺍﻟﺠﻴﺏ؛
ﻏﻤﺯﺓﹸ ﺍﻟﺴﺎﻗﻲ ﻗﹶﻁﹶﻌﺕﹾ ﻁﺭﻴﻕﹶ ﺍﻹﺴﻼﻡِ ﻓﻤﺎ ﺍﺴﺘﻁﺎﻉ ﺍﺠﺘﻨﺎﺏ ﺍﻟﺼﻬﺒﺎﺀ ﺼﻬﻴﺏ)(٣؛
) (١ﺩﻋﺎﺀ ﻭﺍﺤﺩﺍﹰ ﻴﻜﻭﻥ ﺒِﻪِ ﻗﻀﺎﺀ ﺤﺎﺠﺘﻲ
) (٢ﺃﻭﻟﺌﻙ ﻻ ﻴﺭﻭﻥ ﻤﻨﻲ ﺇﻻﹼ ﺫﻨﻭﺒﻲ ﻭﻻ ﻴﻨﻅﺭﻭﻥ ﺇﻟﻰ ﻜﻤﺎل ﻤﺤﺒﺘﻲ )ﻟﻤﺤﺒﻭﺒﻲ ﺍﻟﻜﺎﻤل( ﻭﻫﺫﺍ
ﺸﺄﻥ ﻗﻠﻴلِ ﺍﻟﻔﻀل )ﺇﺫﺍ ﺭﺃﻯ ﺤﺴﻨﺔﹰ ﺃﺨﻔﺎﻫﺎ ﻭﺇﺫﺍ ﺭﺃﻯ ﺴﻴﺌﺔﹰ ﺃﻓﺸﺎﻫﺎ(؛
) (٣ﺼﻬﻴﺏ :ﻫﻭ ﺼﻬﻴﺏ ﺒﻥ ﺴﻨﺎﻥ ﺍﻟﺭﻭﻤﻲ ﻭﻫﻭ ﺼﺤﺎﺒﻲ ﺍﺸﺘﻬﺭ ﺒﺎﻟﺘﹶﻘﻭﻯ ﻭﻓﻲ ﺍﻟﺤﺩﻴﺙِ
ﺍﻟﺸﱠﺭﻴﻑ )ﻨﻌﻡ ﺍﻟﻌﺒﺩ ﺼﻬﻴﺏ ﻟﻭ ﻟﻡ ﻴﺨﻑِ ﺍﷲ ﻟﻡ ﻴﻌﺼﻪ( ﻭﻤﻌﻨﻰ ﺍﻟﺒﻴﺕ ﺃﻥ ﺴﺎﻗﻲ ﺍﻟﺨﻤﺭ
ﻭﺍﻗﻑﹲ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻹﺴﻼﻡ ﻴﺘﻌﺭﺽ ﻟﻠﺴﺎﻟﻜﻴﻥ ﺒﻐﻤﺯﺘﻪ ﺍﻟﱠﺘﻲ ﻻ ﺘﹸﻘﺎﻭﻡ ﻴﺩﻋﻭﻫﻡ ﺇﻟﻰ ﺍﻟﺨﻤﺭ
ﻓﻼ ﻴﻨﺠﻭ ﻤﻥ ﻏﻤﺯﺘﻪ ﺍﻟﺴﺎﺤﺭﺓ ﺤﺘﹼﻰ ﺼﻬﻴﺏ.
-٢٠٣-
ﻤِﻔﺘﺎﺡ ﻜﹶﻨﹾﺯِ ﺍﻟﺴﻌﺎﺩﺓِ ﻗﹶﺒﻭلُ ﺃﻫلِ ﺍﻟﻘﹶﻠﹾﺏِ ،ﺤﺎﺸﺎ ﻴﻜﻭﻥ ﻟﻙ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻨﱡﻜﹾﺘﹶﺔِ ﺸﹶﻙ
ﻭﺭﻴﺏ؛
ﺭﺍﻋﻲ ﺍﻟﻭﺍﺩﻱ ﺍﻷﻴﻤﻥِ ﻤﺎ ﻭﺼلَ ﺇﻟﻰ ﺍﻟﻤﺭﺍﺩِ ﺇﻟﹼﺎ ﺒﻌﺩ ﺃﻥ ﻗﺎﻡ ﺒﺎﻟﺭﻭﺡِ ﺒِﻀﻊ ﺴِﻨﻴﻥ
ﻋﻠﻰ ﺨِﺩﻤﺔِ ﺸﹸﻌﻴﺏ؛
ﻗِﺼﺔﹸ ﺤﺎﻓِﻅﹶ ﺘﹶﺠﻌلُ ﺍﻟﻌﻴﻭﻥ ﺘﹶﻘﹾﻁِﺭ ﺩﻤﺎﹰ ﺤﻴﻥ ﻴﺫﻜﹸﺭ ﻭﻗﹾﺕﹶ ﺯﻤﺎﻥِ ﺍﻟﺸﱠﺒﺎﺏِ ﻭﺍﻟﺸﱠﻴﺏ.
ﻏﺰﻝ ١٨٩
ﻋﺎﺌﺩ ﻭﺍﻟﻭِﺼـﺎلُ ﺼـﺎﺭ ﻗﹶـﺭﺍﺭﺍ ﻁﺎﺌﺭ ﺍﻟـﺴﻌﺩِ ﺇﻥ ﻴﻌـﺩ ﻓﹶﺤﺒﻴﺒـﻲ
ﻓﺩﻤﻲ ﻓﺎﺸﺭﺒﻲ ﻭﺍﺠﻌﻠﻴـﻪِ ﻨِﺜـﺎﺭﺍ ﻋﻴﻥ ﺇﻥ ﻟﹶﻡ ﻴﻌـﺩ ﻟﹶـﺩﻴﻙِ ﺩﻤـﻭﻉ
ﻫﺎﺘِﻑﹸ ﺍﻟﻐﹶﻴﺏِ ﻟـﻲ ﺒِـﺫﺍﻙ ﺃﺸـﺎﺭ ﻭﺸَِــﻔﺎ ﻋِﻠﱠﺘــﻲ ﻋﻘﻴــﻕﹸ ﺸِــﻔﺎﻩٍ
ﻁﺎﺌﺭ ﺍﻟﺴﻌﺩِ ﺇﻥ ﻴﻌﺩ ﻤﺠﺩﺩﺍﹰ ﻓﺎﻟﺤﺒﻴﺏ ﺴﻴﻌﻭﺩ ﻭﺴﻴﺘﱠﺨِﺫﹸ ﺍﻟﻘﺭﺍﺭ ﺒﺎﻟﻭﺼل؛
ﻴﺎ ﻋﻴﻥ ﺇﻥ ﻟﻡ ﻴﻌﺩ ﻋﻨﺩﻙِ ﺸﻲﺀ ﻤِﻥ ﺍﻟﺩﺭ ﻭﺍﻟﺠﻭﻫﺭِ ،ﺍﺸﺭﺒﻲ ﺍﻟﺩﻡ ﻭﻗﻭﻤﻲ ﺒﺎﻟﺘﱠﺩﺒﻴﺭِ
ﻭﺍﺠﻌﻠﻴﻪِ ﻨِﺜﺎﺭﺍﹰ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﹸﻠﹾﺕﹸ ﺃﺠﻌلُ ﺩﻭﺍﺌﻲ ﻤِﻥ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻪِ ،ﺠﺎﺀ ﺍﻟﻨﱢﺩﺍﺀ ﻤِﻥ ﻫﺎﺘِﻑِ ﺍﻟﻐﻴﺏِ
ﺘﹸﺤﺴِﻥ ﺼﻨﹾﻌﺎﹰ؛
ﻻ ﺸﺨﺹ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻭﺼِلَ ﻟﻪ ﺤﺩﻴﺜﺎﹰ ﻤِﻥ ﻗِﺼﺘِﻨﺎ ،ﺇﻻﹼ ﺃﻥ ﺘﻘﻭﻡ ﺭﻴﺢ ﺍﻟﺼﺒﺎ ﺒِﻨﹶﻘﹾلِ
ﺤﺩﻴﺙٍ ﺇﻟﻰ ﺃُﺫﹸﻨِﻪ؛
ﺃﺭ ﺴﻠﹾﺕﹸ ﺼ ﻘﹾﺭ ﻨﹶ ﻅﹶﺭﻱ ﻁﺎﺌﺭﺍﹰ ﺨﻠﹾﻑﹶ ﺘﹶﺫﺭﺝٍ ،ﻋﺴﻰ ﻴﺘﺒﻊ ﺃ ﺜﹶﺭﻩ ﻭﻴﻜﻭﻥ ﺼﻴﺩﺍﹰ
ﻟﻪ )(١؛
) (١ﺍﻟﺘﱠﺫﺭﺝ :ﺍﻟﺤﺠل
-٢٠٤-
ﺍﻟﻤﺩﻴﻨﹶﺔﹸ ﺨﺎﻟﻴﺔﹲ ﻤِﻥ ﺍﻟﻌﺸﱠﺎﻕِ ،ﻋﺴﻰ ﻴﺨﺭﺝ ﺭﺠلٌ ﻴﻌﻤلُ ﻫﺫﺍ ﺍﻟﻌﻤل ﻤِﻥ ﻁﹶﺭﻑٍ؛
ﺃﻴﻥ ﻫﻭ ﺫﺍﻙ ﺍﻟﻜﺭﻴﻡ ﺍﻟﱠﺫﻱ ﻴﺴﺘﹶﻁﻴﻊ ﻤﻐﻤﻭﻡ ﺃﻥ ﻴﺸﺭﺏ ﺠﺭﻋﺔﹰ ﻤِﻥ ﻤﺤﻔﹶلِ ﻁﹶﺭﺒِﻪِ
ﻴﺩﻓﹶﻊ ﺒﻬﺎ ﺍﻟﺨﹸﻤﺎﺭ؛
ﺃﻭ ﻭﻓﺎﺀ ﺃﻭ ﺨﹶﺒﺭ ﻭﺼﻠِﻙ ﺃﻭ ﻤﻭﺕﹶ ﺍﻟﺭﻗﻴﺏ ،ﻋﺴﻰ ﻴﻘﻭﻡ ﺍﻟﻔﹶﹶﻠﻙ ﺒِﻌﻤلِ ﻭﺍﺤِﺩﺓٍ ﻤِﻥ
ﻫﺫﻱ ﺍﻟﺜﱠﻼﺙ؛
ﺤﺎﻓِﻅﺎ ﺇﺫﺍ ﻟﻡ ﺘﺫﻫﺏ ﺒِﻭﺠﻬِﻙ ﻋﻥ ﺒﺎﺒِﻪِ ،ﻓﻘﺩ ﻴﻁﻠﻊ ﻋﻠﻴﻙ ﻤِﻥ ﺭﻜﹾﻥٍ ﻭﻴﻤﺭ ﻴﻭﻤﺎﹰ ﻋﻠﻰ
ﻭﺴﺎﺩﺘِﻙ.
ﻏﺰﻝ ١٩٠
ﻗﹶﻠﻤﻙ ﺍﻟﻤِﺴﻜِﻲ ﻴﻭﻡ ﻴﺫﻜﹸﺭﻨﺎ ﻴﻨﺎلُ ﺃﺠﺭ ﻋﺘﹾﻕِ ﻤﺎﺌﺘﻴﻥِ ﻤِﻥ ﺍﻟﻌﺒﻴﺩ)(١؛
ﻗﺎﺼِﺩ ﻤﻨﺯلِ ﺴﻠﻤﻰ ﻟﻙ ﺍﻟﺴﻼﻤﺔﹸ ﻤﺎ ﻜﺎﻥ ﻟﻭ ﻜﹸﻨﺕﹶ ﻤﺴﻌِﺩ ﻗﻠﺒﻲ ﺒﺈﺒﻼﻏِﻬﺎ ﺴﻼﻤﻲ؛
ﺍﻤﺘﹶﺤِﻥ ،ﻓﻜﺜﻴﺭﻭﻥ ﻴﻌﻁﻭﻨﹶﻙ ﻜﻨﺯ ﺍﻟﻤﺭﺍﺩِ ،ﺇﺫﺍ ﺠﻌلَ ﻓﻴﺽ ﻟﹸﻁﻔِﻙ ﺨﺭﺍﺏ ﻤﺜﻠﻲ ﻋﺎﻤِﺭﺍﹰ؛
ﺃﻓﻀلُ ﻟﻠﺸﱠﺎﻩِ ﻤﻥ ﻤﺌﺔِ ﻋﺎﻡٍ ﻤِﻥ ﺍﻟﻁﹼﺎﻋﺔِ ﻭﺍﻟﺯﻫﺩِ ،ﻗﹶﺩﺭ ﺴﺎﻋﺔٍ ﻭﺍﺤِﺩﺓٍ ﻤِﻥ ﺍﻟﻌﻤﺭ ﻓﻲ
ﺍﻟﻌﺩلِ؛
ﺍﻵﻥ ﺴِﺤﺭ ﺩﻻﻟِﻙ ﺍﻗﺘﹶﻠﹶﻌﻨﻲ ﻤِﻥ ﺃﺴﺎﺴﻲ ،ﻻ ﺃﺩﺭﻱ ﺃﻱ ﺃﺴﺎﺱٍ ﺴﻴﺒﻨﻲ ﻟِﻲ ﺩﻻﻟﹸﻙ
ﺍﻟﺤﻜﻴﻡ ﻤِﻥ ﺠﺩﻴﺩ؛
ﺠﻭﻫﺭﻙ ﺍﻟﻁﱠﺎﻫِﺭ ﻤﺴﺘﹶﻐﹾﻥٍ ﻋﻥ ﻤِﺩﺤﺘﻨﺎ ،ﻤﺎ ﻗﹶﺩﺭ ﻓِﻜﺭِ ﺍﻟﻤﺸﱠﺎﻁﹶﺔِ ﻋِﻨﺩ ﺤﺴﻥٍ ﻤِﻥ ﺍﷲ)(٢؛
ﺍﻟﻁﱠﺭﻴﻕﹸ ﻓﻲ ﺸﻴﺭﺍﺯ ﻟﹶﻡ ﻴﻭﺼِﻠﹾﻨﻲ ﺇﻟﻰ ﺍﻟﻤﻘﺼﻭﺩ ،ﻤﺎ ﺃﺠﻤلَ ﻴﻭﻡ ﻴﺄﺨﹸﺫﹸ ﺤﺎﻓِﻅﹸ ﻁﺭﻴﻕﹶ
ﺒﻐﺩﺍﺩ).(٣
) (١ﻗﻠﻤﻙ ﺍﻟﻤِﺴﻜﻲ ﺒِﻠﻭﻥِ ﻭﻋﺒﻴﺭِ ﺍﻟﻤِﺴﻙ؛
) (٢ﻜﺎﻨﹶﺕ ﺒﻐﺩﺍﺩ ﺤﻴﻨﹶﻬﺎ ﻤﻘﺭ ﺍﻟﺴﻠﻁﺎﻥ ﺃﻭﻴﺱ ،ﻤﻤﺩﻭﺡ ﺍﻟﺸﹼﺎﻋِﺭ؛
) (٣ﺍﻟﻤﺸﹼﺎﻁﹶﺔﹸ ﻤﻥ ﺤِﺭﻓﹶﺘﹸﻬﺎ ﺍﻟﺘﱠﺠﻤﻴل.
-٢٠٥-
ﻏﺰﻝ ١٩١
ﺃﻴﻥ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻴﻔﻲ ﻟﻨﺎ ﻤِﻥ ﻭﺠﻪِ ﺍﻟ ﻜﹶﺭﻡِ؟ ،ﺒﺩلَ ﺍﻟﺴﻭﺀِ ﻟﹶﺤ ﻅﹶﺔﹰ ﻴﺼﻨﹶ ﻊ ﻤِﺜﻠﻲ
ﺍﻟﺠﻤﻴلَ؛
ﺃﻭﻻﹰ ﻴﻭﺼِلُ ﺭِﺴﺎﻟﹶﺘﹶﻪ ﻟﻠﻘﻠﺏِ ﺒِﻌﻭﻴلِ ﺍﻟﻨﱠﺎﻱِ ﻭﺍﻟﻤِﺯﻤﺎﺭِ ،ﺒﻌﺩﻫﺎ ﺒِﻜﺄﺱٍ ﻤِﻥ ﺍﻟﺨﹶﻤﺭِ
ﻭﺍﺤِﺩﺓٍ ﻴﻌﻘِﺩ ﻤﻌﻲ ﻋﻬﺩ ﺍﻟﻭﻓﺎﺀِ؛
ﺍﻟﺤﺒﻴﺏ ﺍﻟﱠﺫﻱ ﺍﻤﺤﺕﹾ ﺭﻭﺤﻲ ﻤِﻨﻪ ،ﻭﻟﻡ ﻴﻨﹶلْ ﻗﻠﺒﻲ ﺍﻟﻤﺭﺍﺩ ﻤِﻨﹾﻪ ،ﻻ ﻴﺠِﺏ ﺍﻟﻴﺄﺱ ﻤِﻨﹾﻪ،
ﻓﻘﺩ ﻴﺭﺤﻡ؛
ﻗﹸﻠﺕﹸ :ﻤﻨﺫﹸ ﻭﺠِﺩﺕﹸ ﻤﺎ ﺤﻠﹶﻠﹾﺕﹸ ﻋﻘﺩﺓﹰ ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﻁﹸﺭﺓِ ﻗﺎلَ :ﺃﻨﺎ ﺃﻤﺭﺘﹸﻬﺎ ﺘﻌﻤلَ ﻋﻤلَ
ﺍﻟﻌﻴﺎﺭﻴﻥ ﻤﻌﻙ(٢) (١)؛
ﻻﺒِﺱ ﺍﻟﺼﻭﻑِ ﻏﻠﻴﻅﹸ ﺍﻟﻁﱠﺒﻊِ ﻻ ﻴﺸﹸﻡ ﻋﺒﻴﺭ ﺍﻟﻌِﺸﹾﻕِ ،ﻗﹸلْ ﻟﻪ ﺭﻤﺯﺍﹰ ﻤِﻥ ﺍﻟﺴﻜﹾﺭِ ﻟﻴﺘﺭﻙ
ﺍﻟﺼﺤﻭ؛
ﺸﹶﺤﺎﺫﹲ ﺒﻼ ﺸﺄﻥٍ ﻤِﺜﻠﻲ ،ﻤﺸﻜِلٌ ﺃﻥ ﻴﻜﻭﻥ ﻟﻪ ﺼﺩﻴﻕﹲ ﻤِﺜﻠﹸﻪ ،ﺃﻴﻥ ﻫﻭ ﺍﻟﺴﻠﻁﺎﻥ ﺍﻟﱠﺫﻱ
ﻴﻌﻴﺵﹸ ﻓﻲ ﺍﻟﺨﻔﺎﺀِ ﻤﻊ ﻋِﺭﺒﻴﺩِ ﺍﻟﺒﺎﺯﺍﺭ؛
ﺴﻬلٌ ﺃﻥ ﺃﺭﻯ ﻅﹸﻠﹾﻤﺎﹰ ﻤِﻥ ﺘِﻠﻙ ﺍﻟﻁﱡﺭﺓِ ﺍﻟﻤﻠﻴﺌﺔِ ﻋِﻭﺠﺎﹰ ﻭﺤﻠﹶﻘﺎﹰ ،ﻤﻥ ﻴﻜﹸﻥ ﻋﻴﺎﺭﺍﹰ ﻻ ﻴﻐﺘﹶﻡ
ﻤِﻥ ﺍﻟﻘﻴﺩِ ﻭﺍﻟﺯﻨﺠﻴﺭ؛
ﺠﻴﺵﹸ ﺍﻟﻐﻡ ﻻ ﻋﺩ ﻟﻪ ،ﺃﻁﻠﹸﺏ ﺍﻟﻤﺩﺩ ﻤِﻥ ﺍﻟﺒﺨﹾﺕِ ،ﻜﻲ ﻴﻐﺘﹶﻡ ﻟِﻐﻤﻨﺎ ﻓﺨﺭ ﺍﻟﺩﻴﻥِ ﻋﺒﺩ
ﺍﻟﺼﻤﺩ؛
ﺒﻭﺠﻭﺩِ ﻋﻴﻨِﻪِ ﺍﻟﻤﻠﻴﺌﺔِ ﺒﺎﻟﺴﺤﺭِ ﻻ ﺘﻁﻠﹸﺏ ﺭﺅﻴﺘﹶﻪ ﻴﺎ ﺤﺎﻓﻅ ،ﻭﺘِﻠﻙ ﺍﻟﻀﻔﻴﺭﺓﹸ ﺒﻠﻭﻥِ
ﺍﻟﻠﹼﻴلِ ،ﻜﻡ ﻤِﻥ ﻗﺎﻁِﻊِ ﻁﺭﻴﻕ ﺒﻬﺎ.
) (١ﺍﻟﻌﻴﺎﺭﻭﻥ :ﻗﹸﻁﱠﺎﻉ ﺍﻟﻁﱡﺭﻕ
-٢٠٦-
ﻏﺰﻝ ١٩٢
ل ﻤﺎ ﻟﻪ ﻻ ﻴﻤﻴلُ ﺇﻟﻰ ﺍﻟﺭﻭﺽِ ،ﻭﻻ ﻴﻜﻭﻥ ﺭﻓﻴﻕﹶ ﺍﻟﻭﺭﺩِ ،ﻭﻻ ﻴﺫﻜﹸﺭﺴﺭﻭﻱ ﺍﻟﻤﺨﺘﺎ ُ
ﺍﻟﻴﺎﺴﻤﻴﻥ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺍﺸﺘﻜﻴﺕﹸ ﻤِﻥ ﻁﹸﺭﺘِﻪِ ﻭﺠﻭﺭِﻫﺎ ،ﻗﺎلَ :ﺘﻠﻙ ﺍﻟﺴﻭﺩﺍﺀ ﺍﻟﻤﺠﻌﺩﺓﹸ ﻻ ﺘﺴﻤﻊ
ﻜﻼﻤﻲ)(١؛
ﻤﻨﺫﹸ ﺴﺎﻓﹶﺭ ﻗﻠﺒﻲ ﺍﻟﻤﺘﺸﺭﺩ ﺇﻟﻰ ﻓﺭﻋِﻪِ ﺍﻟﻤﺠﻌﺩِ ﻟﻡ ﻴﻌﺯِﻡ ﻋﻠﻰ ﺍﻟﺭﺠﻭﻉِ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺴﻔﹶﺭِ
ﺍﻟﻁﱠﻭﻴل ﺇﻟﻰ ﺍﻟﻭﻁﹶﻥ؛
ﻭﻜﻡ ﺠﺌﺕﹸ ﻤﺴﺘﻌﻁِﻔﺎﹰ ﺇﻟﻰ ﺃﻤﺎﻡِ ﻤِﺤﺭﺍﺏِ ﺤﺎﺠِﺒِﻪِ ،ﻟﻜِﻨﱠﻪ ﻜﺎﻥ ﻗﺎﺴﻴﺎﹰ ﻭﻟﹶﻡ ﻴﺴﺘﹶﻤِﻊ ﺇﻟﻲ؛
ﺒﻜﹸلﱢ ﻫﺫﺍ ﺍﻟﻌﻁﹾﻑِ ﻓﻲ ﺭﺩﺍﺌِﻪِ ،ﺠﺎﺀﻨﻲ ﺍﻟﻌﺠﺏ ﻤِﻥ ﺍﻟﺼﺒﺎ ﻜﻴﻑﹶ ﻻ ﺘﺘﺭﻙ ﻤِﺴﻙ ﺨﹶﺘﹶﻥ
ﻭﺘﺄﺨﹸﺫﹸ ﺍﻟﻤِﺴﻙ ﻤِﻥ ﺃﺭﻀِﻪ؛
ﺤﻴﻥ ﻴﺘﺸﻭﺵﹸ ﺯﻫﺭ ﺍﻟﺒﻨﹶﻔﹾﺴﺞِ ﻤِﻥ ﺍﻟﻨﱠﺴﻴﻡِ ،ﻭﺍﻫﺎﹰ ﻟﻘﻠﺒﻲ ،ﺃﻴﺔﹸ ﺫِﻜﺭﻯ ﺘﺄﺘﻴﻪِ ﻤِﻥ ﺫﻟِﻙ
ﺍﻟﻨﱠﺎﻗِﺽِ ﺍﻟﻌﻬﺩ)(٢؛
ﻗﻠﺒﻲ ﺒﺎﺸﺘﻴﺎﻕِ ﻭﺠﻬِ ِﻪ ﻟﻴﺱ ﺭﻓﻴﻘﺎﹰ ﻟِﺭﻭﺤﻲ ،ﻭﺭﻭﺤﻲ ﻓﻲ ﻫﻭﻯ ﺤِﻤﺎﻩ ﻟﻴﺴﺕ ﻓﻲ
ﺨِﺩﻤﺔِ ﺒﺩﻨﻲ)(٣؛
ﻻ ﺘﺘﻌﺎﻤلْ ﺒﺎﻟﺠﻔﺎ ِﺀ ﻤﻊ ﻤﺎﺀِ ﻭﺠﻬِﻲ ﻓﺈﻥ ﻓﻴﺽ ﺍﻟﺴﺤﺎﺏِ ﺒِﻼ ﻤﺩﺩِ ﺩﻤﻌﻲ ﻻ ﻴﺼﻨﹶﻊ
ﺩﺭ ﻋﺩﻥ)(٤؛
ﺤﺎﻓِﻅﹸ ﺍﻟﱠﺫﻱ ﻟﻡ ﻴﺴﺘﻤِ ِﻊ ﺍﻟﻨﱠﺼﻴﺤﺔﹶ ﺼﺎﺭ ﺼﺭﻴﻊ ﻏﻤﺯﺘِﻙ ،ﻤﻥ ﻻ ﻴﺅﺜﱢﺭ ﺒِﻪِ ﺍﻟﻜﻼﻡ
ﺠﺯﺍﺅﻩ ﺍﻟﺴﻴﻑ.
) (١ﺍﻟﺸﱢﻜﺎﻴﺔﹸ ﻤِﻥ ﺍﻟﻀﻔﻴﺭﺓِ ﻓﻲ ﺍﻟﻠﹼﻴل ﻴﻌﻨﻲ ﺃﻨﱠﻬﺎ ﺃﺸﹶﺩ ﺴﻭﺍﺩﺍﹰ ﻤِﻥ ﺍﻟﻠﹼﻴلِ ،ﺒل ﻫﻲ ﺍﻟﱠﺘﻲ ﺘﻬﺏ ﺍﻟﺴﻭﺍﺩ ﻟﻠﹼﻴلِ!؛
) (٢ﺤﻴﻥ ﻴﻬﺯ ﺍﻟﻨﹼﺴﻴﻡ ﺯﻫﺭ ﺍﻟﺒﻨﹶﻔﺴﺞِ ﻭﻴﻔﻭﺡ ﺍﻷﺭﻴﺞ ،ﻭﺍﺤﺯﻨﻲ ﻋﻠﻰ ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﻴﺘﺫﻜﹼﺭ ﺍﻟﺤﺒﻴﺏ
ﺍﻟﱠﺫﻱ ﻓﺎﺭﻗﹶﻪ؛
) (٣ﺭﻭﺤﻲ ﻻ ﺘﺨﺩِﻡ ﺒﺩﻨﻲ ،ﺃﻱ ﺘﺘﺭﻜﹸﻪ ﻭﺘﺭﺤلُ ﻤﻥ ﺍﻟﺸﹼﻭﻕِ ﻟِﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ؛
) (٤ﻤﺎﺀ ﺍﻟﺠﻔﺎﺀ :ﺍﻟﺩﻤﻊ ﺍﻟﱠﺫﻱ ﻴﺴﻴلُ ﻋﻠﻰ ﻭﺠﻬﻲ ﻤﻥ ﺍﻟﺒﻜﺎﺀِ ﻓﻲ ﺍﻟﻬﺠﺭ.
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ﻏﺰﻝ ١٩٣
ﻤِﻥ ﻨﹶﻅﹶﺭِﻨﺎ ﻓﻲ ﻭﺠﻪِ ﻤﻌﺸﻭﻗﻨﺎ ،ﺍﻟﺠﺎﻫﻠﻭﻥ ﺤﻴﺎﺭﻯ ،ﺃﻨﺎ ﻜﻤﺎ ﺃﻅﻬﺭﺕﹸ ،ﻭﺃﺨﻴﺭﺍﹰ ﺴﻴﻌﻠﻤﻭﻥ؛
ﺍﻟﻌﺎﻗﻠﻭﻥ ﻴﺭﻭﻥ ﺃﻨﻔﹸﺴﻬﻡ ﻨﻘﻁﺔﹶ ﻤﺭﻜﺯِ ﺩﺍﺌﺭﺓِ ﺍﻟﻭﺠﻭﺩ ،ﻟﻜﻥ ﺍﻟﻌِﺸﹾﻕﹶ ﻴﺭﺍﻫﻡ ﺤﻴﺎﺭﻯ
ﻀﺎﺌﻌﻴﻥ ﻓﻲ ﺍﻟﺩﺍﺌﺭﺓ؛
ﻋﻴﻨﻲ ﻟﻴﺴﺕ ﻭﺤﺩﻫﺎ ﻤﺤﻠﹼﺎﹰ ﻟِﺠﻠﻭﺓِ ﻭﺠﻬِﻪ ،ﺍﻟﻘﻤﺭ ﻭﺍﻟﺸﱠﻤﺱ ﻤﺭﺁﺘﺎﻥِ ﻟﻭﺠﻬِﻪ ﺃﻴﻀﺎﹰ)(١؛
ﻋﻘﹶﺩ ﺍﷲُ ﻋﻬﺩﻨﺎ ﻤﻊ ﺸﻔﺔِ ﻋِﺫﺍﺏِ ﺍﻟﺜﱡﻐﻭﺭ ،ﺃﻨﱠﺎ ﺠﻤﻴﻌﺎﹰ ﻋﺒﻴﺩ ﻟﻬﻡ ﻭﺃﻨﱠﻬﻡ ﻤﻭﺍلٍ ﻟﻨﺎ)(٢؛
ﻨﺤﻥ ﻤﻔﻠﺴﻭﻥ ﻭﺒﻨﺎ ﻫﻭﻯ ﺍﻟﺨﻤﺭِ ﻭﺍﻟﻤﻁﺭﺏِ ،ﺁﻩِ ﺇﻥ ﻟﻡ ﻴﺭﺘﻬِﻨﻭﺍ ﻤﻨﱠﺎ ﻫﺫِﻩِ ﺍﻟﺨِﺭﻗﹶﺔﹶ
ﻤﻥ ﺍﻟﺼﻭﻑ؛
ﻭﺼلُ ﺍﻟﺸﱠﻤﺱِ ﻓﻲ ﺍﻟﻠﹼﻴلِ ﻟﻸﻋﻤﻰ ﻻ ﻴﻜﻭﻥ ،ﻭﺃﺼﺤﺎﺏ ﺍﻟﻨﱠﻅﹶﺭِ ﻓﻲ ﺘﻠﻙ ﺍﻟﻤﺭﺁﺓِ ﺤﻴﺎﺭﻯ؛
ﺩﻋﺎﻭﻯ ﺍﻟﻌِﺸﹾﻕِ ﻤﻊ ﺍﻟﺸﱢﻜﺎﻴﺔِ ﻤﻥ ﺍﻟﻤﻌﺸﻭﻕِ ﻴﺎ ﻟﻬﺎ ﺩﻋﺎﻭﻯ ﻜﺎﺫﺒﺔﹰ ،ﻤِﻥ ﺫﻟِﻙ ﺼﺎﺭ
ﺍﻟﻤﺩﻋﻭﻥ ﻟﻠﻌِﺸﻕِ ﻤﺴﺘﺤِﻘﹼﻴﻥ ﻟﻠﻬِﺠﺭﺍﻥ؛
ﻋﺴﻰ ﻋﻴﻨﹸﻙ ﺍﻟﺴﻭﺩﺍ ﺀ ﺘﹸﻌﻠﱢﻤﻨﻲ ﺍﻟﻔﻥ ﻷﺼﻴﺭ ﺴﻜﺭﺍﻨﺎﹰ ﻭﻤﺴﺘﻭﺭﺍﹰ ،ﻭﺫﺍﻙ ﻤﺎ ﻟﻡ ﻴﻜﹸﻥ
ﻟﺸﹶﺨﺹٍ ﺃﺒﺩﺍﹰ)(٣؛
ﺇﺫﺍ ﺤﻤﻠﹶﺕِ ﺍﻟﺭﻴﺢ ﻋﺒﻴﺭﻙ ﺇﻟﻰ ﻤﺘﹶﻨﹶﺯﻩِ ﺍﻷﺭﻭﺍﺡِ ،ﺍﻟﻌﻘلُ ﻭﺍﻟﺭﻭﺡ ﻴﻨﺜﹸﺭﺍﻥِ ﺠﻭﻫﺭ ﺍﻟﻭﺠﻭﺩ)(٤؛
ﺍﻟﺯﺍﻫﺩ ﺇﺫﺍ ﻟﻡ ﻴﻔﻬﻡ ﺴﻜﹾﺭ ﺤﺎﻓِﻅ ،ﻤﺎ ﻴﻜﻭﻥ؟ ،ﺍﻟﺸﱠﻴﻁﺎﻥ ﻴﻔﺭ ﻤﻥ ﻗﺎﺭﺌﻲ ﺍﻟﻘﹸﺭﺁﻥ)(٥؛
ﺇﺫﺍ ﻤﺎ ﻋﻠِﻡ ﻓِﺘﻴﺎﻥ ﺍﻟﻤﻐﺎﻥِ ﺒﺘﻔﻜﻴﺭﻨﺎ ﻓﻠﻥ ﻴﺭﺘﻬﻨﻭﺍ ﻤﻨﹼﺎ ﺨِﺭﻗﹶﺔﹶ ﺍﻟﺼﻭﻑِ ﺒﻌﺩ ﺍﻵﻥ.
) (١ﺍﻟﻘﹶﻤﺭ ﻭﺍﻟﺸﱠﻤﺱ ،ﻭﻫﻤﺎ ﺁﻴﺘﺎ ﺠﻤﺎلٍ ،ﻴﻨﻅﹸﺭﺍﻥِ ﺇﻟﻰ ﻭﺠﻪِ ﻤﻌﺸﻭﻗﻲ ﺃﻴﻀﺎﹰ؛
) (٢ﻗﺎل ﺭﺠﺏ ﺍﻟﺒﺭﺴﻲ :ﻫﻡ ﺍﻷﻫلُ ﺇﻟﹼﺎ ﺃﻨﱠﻬﻡ ﻟﻲ ﺃﻫِﻠﱠﺔﹲ ﺴِﻭﻯ ﺃﻨﱠﻬﻡ ﻗﺼﺩﻱ ﻭﺃﻨﹼﻲ ﻟﻬﻡ ﻋﺒﺩ؛
) (٣ﺍﻟﺴﻜﹾﺭ ﻭﺍﻟﺴﺘﺭ ﻻ ﻴﺠﺘﻤﻌﺎﻥ ﻟِﺸﹶﺨﺹٍ ،ﻓﻜﹸلﱡ ﻤﻥ ﺴﻜِ ﺭ ﺍﻓﺘﹶﻀﺢ ،ﺨﻼ ﻋﻴﻨﹶﻙ ﻓﺈﻨﱠﻬﺎ ﻤﺨﻤﻭﺭﺓﹲ
ﻭﻤﺴﺘﻭﺭﺓﹲ)ﺴﻜﺭﻯ ﻭﺘﺴﻜﹸﻥ ﻤﺴﺘﻭﺭ ﹰﺓ ﻓﻲ ﻜﻬﻑٍ ﻤﻨﻌﺯِلٍ(؛
) (٤ﺇﺫﺍ ﺸﻤﺕِ ﺍﺍﻷﺭﻭﺍﺡ ﺍﻟﻤﺠﺭﺩﺓﹸ ﻋﺒﻴﺭﻙ ﺘﺨﻠﱠﺕ ﻋﻥ ﻤﻠﹾﻙِ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻟﻤﺎﺩﻱ؛
) (٥ﺍﻟﺯﺍﻫِﺩ ﺍﻟﱠﺫﻱ ﻴﻨﻔﺭ ﻤﻥ ﺤﺎﻓِﻅﹶ ﻻ ﻴﻀﺭﻩ ،ﻭﻜﺫﻟِﻙ ﺍﻟﺸﱠﻴﻁﺎﻥ ﻴﻔﺭ ﻤﻥ ﻗﺎﺭﺌﻲ ﺍﻟﻘﺭﺁﻥ.
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ﻏﺰﻝ١٩٤
ﻤﻥ ﻟﻬﻡ ﻋِﻁﹾﺭ ﺍﻟﻴﺎﺴﻤﻴﻥ ﻏﹸﺒﺎﺭ ﺍﻟﻐﹶﻡ ﻴﺭﻓﻌﻭﻥ ،ﺇﺫ ﻴﺠﻠﺴﻭﻥ،
ﻭﻤﻥ ﻟﻬﻡ ﻭﺠﻭﻩ ﺍﻟﻤﻼﺌﻜﹶﺔِ ﻗﺭﺍﺭ ﺍﻟﻘﹶﻠﹾﺏِ ﻴﺴﻠﺒﻭﻥ ،ﺇﺫ ﻴﺨﺎﺼِﻤﻭﻥ؛
ﺍﻟﻘﻠﻭﺏ ﺇﻟﻰ ﺴﺭﺝِ ﺍﻟﺠﻔﺎﺀِ ﺤﻴﻥ ﻴﺭﺒﻁﻭﻥ ،ﻻ ﻴﻁﻠِﻘﻭﻥ،
ﻭﻀﻔﺎﺌﺭ ﺍﻟﻌﻨﹾﺒﺭِ ﺤﻴﻥ ﻴﻔﺘﺤﻭﻥ ،ﺍﻷﺭﻭﺍﺡ ﻴﺸﺘﱢﺘﻭﻥ؛
ﻤِﻥ ﺒﻌﺩِ ﻨﹶﻔﹶﺱٍ ﻓﻲ ﻋﻤﺭٍ ﻤﻌﻨﺎ ﻴﺠﻠﺴﻭﻥ ،ﻴﻘﻭﻤﻭﻥ،
ﻭﺸﹶﺠﺭﺓﹶ ﺍﻟﺸﱠﻭﻕِ ﻓﻲ ﺍﻟﺨﺎﻁِﺭِ ﺤﻴﻥ ﻴﻘﻭﻤﻭﻥ ،ﻴﺯﺭﻋﻭﻥ؛
ﺩﻤﻊ ﺍﻟﺠﺎﻟﺴﻴﻥ ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ ﺩﺭﺍﹰ ﻴﺠﻌﻠﻭﻥ ،ﺇﺫ ﻴﻨﻅﺭﻭﻥ،
ﻭﺠﻪ ﺍﻟﻌﻁﹾﻑِ ﻋﻥ ﻗﺎﺌﻤﻲ ﺍﻟﺴﺤﺭِ ﻻ ﻴﺭﻓﻌﻭﻥ ،ﻟﻭ ﻴﻌﻠﻤﻭﻥ)(١؛
ﻤِﻥ ﻋﻴﻨﻲ ﺍﻟﻠﱠﻌلَ ﺍﻟﺭﻤﺎﻨﻲ ﻴﻤﻁﺭﻭﻥ ،ﺇﺫﹾ ﻴﻀﺤﻜﻭﻥ،
ﻤِﻥ ﻭﺠﻬِﻲ ﺍﻟﺴﺭ ﺍﻟﺨﻔﻲ ﻴﻘﺭﺅﻭﻥ ،ﺇﺫ ﻴﻨﻅﺭﻭﻥ؛
ﺩﻭﺍﺀ ﺃﻟﹶﻡِ ﺍﻟﻌﺎﺸِﻕِ ﻅﹶﻨﱠﻪ ﺸﺨﺹ ﺴﻬﻼﹰ،
ﻤﻥ ﺒﺘﺩﺒﻴﺭِ ﻤﺩﺍﻭﺍﺘِﻪِ ﺍﻟﻔِﻜﹾﺭ ﻴﻌﻤِﻠﻭﻥ ،ﻴﻤﺭﻀﻭﻥ؛
ﻤﻥ ﻜﹶﻤﻨﺼﻭﺭ ﻋﻠﻰ ﺍﻷﻋﻭﺍﺩِ ﻴﻌﻠﱠﻘﻭﻥ ،ﺍﻟﻤﺭﺍﺩ ﻴﺠﻨﻭﻥ،
ﻭﻤﻥ ﺇﻟﻰ ﻫﺫِﻩِ ﺍﻷﻋﺘﺎﺏِ ﻜﺤﺎﻓِﻅﹶ ﻴﺩﻋﻭﻥ ،ﻴﻁﺭﺩﻭﻥ)(٢؛
ﻋﻥ ﻤﺸﺘﺎﻗﻴﻥ ﻓﻲ ﻫﺫِﻩ ﺍﻟﺤﻀﺭﺓِ ﻓﻘﺭﻫﻡ ﻴﻌﺭِﻀﻭﻥ ،ﻴﻌﺭِﻀﻭﻥ،
ﻤﻥ ﻴﻅﻠﱡﻭﻥ ﻟﻬﺫﺍ ﺍﻷﻟﹶﻡِ ﻋﻥِ ﺍﻟﻌِﻼﺝِ ﻴﺒﺤﺜﻭﻥ ،ﻤﺭﻀﻰ ﻴﻅﻠﱡﻭﻥ.
) (١ﻟﻭ ﻴﻌﻠﻤﻭﻥ ﺃﻥ ﺩﻋﺎﺀ ﺍﻟﻘﺎﺌﻤﻴﻥ ﺒﺎﻷﺴﺤﺎﺭِ ﻤﺴﺘﺠﺎﺏ؛
) (٢ﻤﻨﺼﻭﺭ :ﺍﻟﺤﻠﹼﺎﺝ
-٢٠٩-
ﻏﺰﻝ ١٩٥
ﻏِﻠﻤﺎﻥ ﻨﺭﺠِﺱِ ﻋﻴﻨِﻙ ﺍﻟﺴﻜﺭﻯ ﺍﻟﻤﻠﻭﻙ ،ﻭﺃﻫلُ ﺍﻟﺨﺭﺍﺏِ ﻤﻥ ﺨﻤﺭِ ﻋﻘﻴﻘِﻙ
ﺍﻟﻤﻔﻴﻘﻭﻥ؛
ﻭﺸﹶﺕﹾ ﺒِﻙ ﺍﻟﺼﺒﺎ ،ﻭﻭﺸﻰ ﺒﻲ ﻤﺎﺀ ﻋﻴﻨﻲ ،ﻭﺇﻻﱠ ﻓﺎﻟﻌﺎﺸِﻕﹸ ﻭﺍﻟﻤﻌﺸﻭﻕﹸ ﻜﻼﻫﻤﺎ
ﻴﻜﺘﹸﻤﺎﻥِ ﺍﻟﺴﺭ(١)؛
ﺤﻴﻥ ﺘﻤﺭ ﻤِﻥ ﺘ ﺤﺕِ ﻀﻔﻴﺭ ﺘﹶﻴﻙ ،ﺍﹸﻨ ﻅﹸﺭ ﻋﻥ ﻴﻤﻴﻥٍ ﻭﺸِﻤﺎلٍ ،ﻤﺎ ﺃﻜﺜﹶﺭ
ﺍﻟﻤﺼﺎﺒﻴﻥ؛
ﻤﺭ ﻜﺎﻟﺼﺒﺎ ﻓﻲ ﺤﻘلِ ﺍﻟﺒﻨﹶﻔﺴﺞِ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻴﻪِ ﻴﻀﻁﹶﺭِﺏ ﺒﻼ ﻗﺭﺍﺭٍ ﻤﻥ ﺘﻁﺎﻭلِ
ﻓﺭﻋِﻙ؛
ﺍﻟﺠﻨﱠﺔﹸ ﻨﺼﻴﺏ ﻟﻨﺎ ،ﺃﻴﻬﺎ ﺍﻟﻌﺎﺭِﻑﹸ ﻟﺘﹶﺫﻫﺏ ،ﺃﻫلُ ﺍﻟﺫﱡﻨﻭﺏِ ﻫﻡ ﻤﺴﺘﺤِﻘﹼﻭ ﺍﻟﻜﺭﺍﻤﺔِ ﻤﻥ
ﺍﷲ؛
ﻟﺴﺕﹸ ﻭﺤﺩﻱ ﺍﻟﱠﺫﻱ ﺃﺘﻐﺯلُ ﺒِﻭﺭﺩِ ﺫﻟِﻙ ﺍﻟﻌﺎﺭِﺽِ ،ﻋﻨﺎﺩِﻟﹸﻙ ﺒﺎﻵﻻﻑِ ﻤِﻥ ﺤﻭﻟِﻙ ﻤﻥ
ﻜﹸلﱢ ﻁﹶﺭﻑٍ؛
ﻴﺎ ﺨِﻀﺭ ﻴﺎ ﻤﺒﺎﺭﻙ ﺍﻟﺨﹸﻁﻭﺓِ ﺨﹸﺫﹾ ﺒﻴﺩﻱ ،ﺃﻨﺎ ﺭﺍﺠِﻼﹰ ﺃﺴﻴﺭ ﻭﺍﻟﺭﻓﺎﻕﹸ ﺭﻜﺒﺎﻥ؛
ﺍِﺫﻫﺏ ﺇﻟﻰ ﺍﻟﺨﻤﺎﺭﺓِ ﻭﺍﺠﻌلْ ﻟﻭﻥ ﻭﺠﻬِﻙ ﺃُﺭﺠﻭﺍﻨﻴﺎﹰ ،ﻻ ﺘﺫﻫﺏ ﺇﻟﻰ ﺍﻟﺼﻭﻤﻌﺔِ
ﻓﺄﻫﻠﹸﻬﺎ ﺴﻭﺩ ﺍﻷﻋﻤﺎل؛
ﺨﻼﺹ ﺤﺎ ﻓِﻅﹶ ﻤﻥ ﻓﺭﻋِﻙ ﺍﻟﻤﻀﻔﻭﺭِ ﻤﺤﺎلٌ ،ﺍﻟﻤﺘﻤﺴﻜﻭ ﻥ ﺒﺈﺯﺍﺭِﻙ ﻫ ﻡ
ﺍﻷﺤﺭﺍﺭ.
ﺕ ﺴِﺭﻙ ﺍﻟﺼﺒﺎ ،ﻭﺃﺫﺍﻉ ﺴِﺭﻱ ﻤﺎﺀ ﻋﻴﻨﻲ ﻭﻟﻭﻻﻫﻤﺎ ﻅلﱠ ﺴِﺭ ﺍﻟﻌﺎﺸِﻕِ ﻭﺍﻟﻤﻌﺸﻭﻕِ ) (١ﺃﺫﺍﻋ ﹾ
ﻤﺴﺘﻭﺭﺍﹰ.
-٢١٠-
ﻏﺰﻝ ١٩٦
ﺃﻭﻟﺌﻙ ﺍﻟﱠﺫﻴﻥ ﻴﺤﻴﻠﻭﻥ ﺍﻟﺘﱡﺭﺍﺏ ﺒﺎﻟﻨﱠﻅﹶﺭِ ﺇﻜﺴﻴﺭﺍﹰ ،ﻟﻴﺘﹶﻬﻡ ﻴﻨﻅﹸﺭﻭﻥ ﺇﻟﻲ ﻨﻅﺭﺓﹰ ﻤِﻥ
ﺯﺍﻭﻴﺔِ ﺍﻟﻌﻴﻥ؛
ﺇﺨﻔﺎﺀ ﺃﻟﹶﻤﻲ ﻋﻥِ ﺍﻷﻁﺒﺎﺀِ ﺍﻟﻤﺩﻋﻴﻥ ﺨﻴﺭ ،ﺭﺒﻤﺎ ﻤﻥ ﺨﺯﺍﻨﹶﺔِ ﺍﻟﻐﻴﺏِ ﻴﺭﺴِﻠﻭﻥ ﺩﻭﺍﺌﻲ؛
ﺍﻟﻤﻌﺸﻭﻕﹸ ﻻ ﻴﺭﻓﹶﻊ ﺍﻟﻨﹼﻘﺎﺏ ﻋﻥ ﺍﻟﻭﺠﻪِ ،ﻓﻠﻤﺎﺫﺍ ﻜﹸلﱡ ﺸﺨﺹٍ ﻴﻨﺴﺞ ﺤِﻜﺎﻴﺔﹰ ﻤﻥ
ﺘﺼﻭﺭِﻩ؛
ﻭﺒﻤﺎ ﺃﻥ ﺤﺴﻥ ﺍﻟﻌﺎﻗِﺒﺔِ ﻟﻴﺱ ﺒﺎﻟﺴﻜﹾﺭِ ﻭﻻ ﺒﺎﻟﺯﻫﺩ ،ﻓﻤِﻥ ﺍﻷﻓﻀلِ ﺃﻥ ﻴﻭﻜﹶلَ ﺍﻷﻤﺭ
ﻟِﻠﻌﻨﺎﻴﺔِ)ﻤِﻥ ﺍﷲِ(؛
ﻻ ﺘﻜﹸﻥ ﺩﻭﻥ ﻤﻌﺭِﻓﹶﺔٍ ﻓﻔﻲ ﺒﺎﺯﺍﺭِ ﻋﻁﺎﺀِ ﺍﻟﻌِﺸﹾﻕِ ،ﻤﻌﺎﻤﻠﹶﺔﹸ ﺃﻫلِ ﺍﻟﻨﱠﻅﹶﺭِ ﻤﻊ ﺍﻟﻌﺎﺭِﻓﻴﻥ
ﻭﻋﻁﺎﺅﻫﻡ ﻟﻬﻡ؛
ﻤﺎ ﺃﻜﺜﹶﺭ ﺍﻟﻔِﺘﹶﻥ ﺍﻟﹼﺘﻲ ﺘﺠﺭﻱ ﺍﻵﻥ ﺘﺤﺕﹶ ﺍﻟﺤِﺠﺎﺏ ،ﺯﻤﺎﻥ ﻴﺴﻘﹸﻁﹸ ﺍﻟﺤِﺠﺎﺏ ﻤﺎ
ﺴﻴﻔﻌﻠﻭﻥ؟؛
ﺇﺫﺍ ﺒﻜﻰ ﺍﻟﺤﺠﺭ ﻤﻥ ﻫﺫﺍ ﺍﻟﺤﺩﻴﺙِ ﻻ ﺘﻌﺠﺏ ،ﺤﻜﺎﻴﺔﹸ ﺍﻟﻘﹶﻠﺏِ ،ﺃﻫلُ ﺍﻟﻘﹸﻠﻭﺏِ ﻴﺭﻭﻭﻨﻬﺎ
ﺒِﺄﺩﺍﺀٍ ﺠﻤﻴل؛
ﺍِﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ،ﺇﻥ ﻤِﺌﺔﹶ ﻋﻴﺏٍ ﻓﻲ ﺤِﺠﺎﺏٍ ﻋﻥِ ﺍﻷﻏﻴﺎﺭِ ﺨﻴﺭ ﻤِﻥ ﻁﺎﻋﺔٍ ﺘﺅﺩﻯ ﻨِﻔﺎﻗﺎﹰ
ﻭﺭﻴﺎﺀ؛
ﺍﻟﻘﻤﻴﺹ ﺍﻟﱠﺫﻱ ﺘﻭﺠﺩ ﻤﻨﻪ ﺭﻴﺢ ﻴﻭﺴﻑﹶ ،ﺃﺨﺎﻑﹸ ﺃﻥ ﻴﻤﺯﻗﹶﻪ ﺇﺨﻭﺘﹸﻪ ﺍﻟﻐﻴﺎﺭﻯ؛
ﻤﺭ ﻓﻲ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﻟِﺘﻘﻭﻡ ﺯﻤﺭﺓﹸ ﺍﻟﺤﻀﻭﺭِ ﺒِﺼﺭﻑِ ﺃﻭﻗﺎﺘِﻬﺎ ﻓﻲ ﺍﻟﺩﻋﺎﺀِ ﻟﻙ؛
ﺇﻨﱠﻪ ﻴﺩﻋﻭﻨﻲ ﺇﻟﻰ ﻀِﻴﺎﻓﹶﺘِﻪِ ﻓﻲ ﺨِﻔﻴﺔٍ ﻋﻥ ﺤﺴﺎﺩﻱ ،ﺍﻟﻤﻨﻌِﻤﻭﻥ ﻴﻔﻌﻠﻭﻥ ﺍﻟﺨﻴﺭ ﺨِﻔﻴﺔﹰ
ﻟِﺄﺠلِ ﺭِﻀﺎ ﺍﷲ؛
ﺤﺎﻓِﻅﹸ ،ﺩﻭﺍﻡ ﺍﻟﻭﺼلِ ﻟﻴﺱ ﻤﻴﺴﺭﺍﹰ ﻟﻨﺎ ،ﺍﻟﻤﻠﻭﻙ ﻗﻠﻴﻠﻭ ﺍﻻﻟﺘِﻔﺎﺕِ ﻟﻠﺸﱠﺤﺎﺫ.
-٢١١-
ﻏﺰﻝ ١٩٧
ﺃﻫلُ ﺍﻟﺠﻤﺎلِ ﺇﺫ ﻴﺒﺩﻭﻥ ﻟﻨﺎ ﻜﹸلﱠ ﻫﺫﺍ ﺍﻟﺤﺏ ﻭﺍﻟﻌﻁﻑِ ﻴﺤﺩِﺜﻭﻥ ﺍﻟﺼﺩﻉ ﻓﻲ ﺇﻴﻤﺎﻥِ
ﺍﻟﺯﻫﺎﺩ؛
ﺃﻴﻨﹶﻤﺎ ﺘﻔﺘﱠﺢ ﺫﺍﻙ ﺍﻟﻐﹸﺼﻥ ﻤِﻥ ﺍﻟﻨﱠﺭﺠِﺱِ ﺠﻌﻠﹶﻪ ﺫﻭﻭ ﺍﻟﻭﺠﻭﻩِ ﻜﺎﻟﻭﺭﻭﺩِ ﻓﻲ ﻭِﻋﺎﺀِ
ﺍﻟﻨﱠﺭﺠِﺱِ ﻤِﻥ ﻋﻴﻭﻨِﻬﻡ؛
ﺃﻱ ﺸﺎﺏ ﺍﻗﻁﹶﻊِ ﺍﻟﺤﺩﻴﺙﹶ ﻋﻥ ﻗﺩﻙ ﺍﻟﺸﹼﺒﻴﻪِ ﺒﺎﻟﺴﺭﻭِ ﻗﺒلَ ﺃﻥ ﻴﻘﻁﻌﻭﺍ ﻗﺎﻤﺘﹶﻙ ﺍﻟﻘﻭﻴﻤﺔﹶ
ﻭﻴﺠﻌﻠﻭﺍ ﻤِﻨﻬﺎ ﻋﺼﺎﹰ ﻤﻌﻘﻭﻓﹶﺔﹰ؛
ﺍﻟﻌﺸﹼﺎﻕﹸ ﻻ ﺤﻜﻡ ﻟﻬﻡ ﻋﻠﻰ ﺭﺅﻭﺴِﻬِﻡ ،ﻫﻡ ﻴﻔﻌﻠﻭﻥ ﻤﺎ ﺘﺄﻤﺭ ﻤﻬﻤﺎ ﻴﻜﹸﻥ؛
ﻫﺫِﻩِ ﺍﻟﺤﻜﺎﻴﺎ ﺍﻟﹼﺘﻲ ﻴﺭﻭﻭﻨﻬﺎ ﻋﻥِ ﺍﻟﻁﹼﻭﻓﺎﻥِ ،ﻋِﻨﹾﺩ ﻋﻴﻨﻲ ﺃﻗلﱡ ﻤِﻥ ﻗﻁﺭﺓٍ؛
ﺤﺒﻴﺒﻨﺎ ﺤﻴﻥ ﻴﻘِﻑﹸ ﻟﻠﺴﻤﺎﻉِ ،ﻤﻼﺌﻜﺔﹸ ﺍﻟﻘﹸﺩﺱِ ﻤِﻥ ﺤﻭلِ ﺍﻟﻌﺭﺵِ ﺘﺼﻔﱢﻕﹸ؛
ﺇﻨﺴﺎﻥ ﻋﻴﻨﻲ ﻤﻠﹶﻁﱠﺦﹲ ﺒﺎﻟﺩﻡ ،ﻅﹸﻠﻡ ﺍﻹﻨﺴﺎﻥِ ،ﻫﻜﺫﺍ ،ﺃﻴﻥ ﻴﻜﻭﻥ؟؛
ﺍﻋﺯِﻑﹾ ﺍﻟﻠﱠﺤﻥ ﺍﻟﺠﻤﻴلَ ﺒﺎﻟﻐﹸﺼﺔِ ﻴﺎ ﻗﻠﺏ ،ﺃﻫلُ ﺍﻟﺴﺭ ﻴﻌﻴﺸﻭﻥ ﺍﻟﻌﻴﺵﹶ ﺍﻟﺠﻤﻴلَ ﻓﻲ
ﺒﻭﺘﻘﹶﺔِ ﺍﻟﻬﺠﺭﺍﻥ؛
ﻻ ﺘﹶﺩﻉ ﺁﻩ ﻤﻨﺘﹶﺼﻑِ ﺍﻟﻠﹼﻴلِ ﻴﺎ ﺤﺎﻓِﻅ ،ﺤﺘﱠﻰ ﻴﺠﻌﻠﻭﺍ ﻤِﺭﺁﺘﹶﻙ ﺘﹸﻀﻲﺀ ﻜﺎﻟﺼﺒﺢ.
ﻏﺰﻝ ١٩٨
ﻗﻠﺕﹸ :ﺜﻐﺭﻙ ﻭﺸﻔﹶﺘﹸﻙ ﻤﺘﻰ ﻴﻌﻁﻴﺎﻨﻲ ﺍﻟﻤﺭﺍﺩ ،ﻗﺎلَ :ﻋﻠﻰ ﻋﻴﻨﻲ ،ﺴﻴﻔﻌﻼﻥِ ﻜﹸلﱠ ﻤﺎ
ﺘﻁﻠﹸﺏ؛
ﻗﹸﻠﺕﹸ :ﺸﹶﻔﹶﺘﹸﻙ ﺘﻁﻠﹸﺏ ﻤﻨﹼﻲ ﺨِﺭﺍﺝ ﻤِﺼﺭ ،ﻗﺎلَ :ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ ﺭِﺒﺤﻬﺎ ﻗﻠﻴلٌ؛
-٢١٢-
ﻗﹸﻠﺕﹸ :ﻤﺎ ﺍﻟﻁﱠﺭﻴﻕﹸ ﺍﻟﻤﻭﺼِلُ ﺇﻟﻰ ﻨﹸﻘﻁﹶﺔِ ﺜﻐﺭِﻙ ﺍﻟﻤﻭﻫﻭﻤﺔ ،ﻗﺎلَ :ﻫﺫِﻩِ ﺤِﻜﺎﻴﺔﹲ
ﺃﻋﻁﹶﻭﻫﺎ ﻟﻠﻌﺎﻟِﻤﻴﻥ ﺒﺩﻗﺎﺌﻕِ ﺍﻷﺴﺭﺍﺭ؛
ﻗﹸﻠﺕﹸ :ﻻ ﺘﻜﹸﻥ ﻋﺎﺒِﺩ ﺍﻟﺼﻨﹶﻡِ ﻭﺍﻗﻌﺩ ﻤﻊ ﺍﻟﺼﻤﺩِ ،ﻗﺎلَ :ﻓﻲ ﺒﻼﺩِ ﺍﻟﻌِﺸﹾﻕِ ﻴﻔﻌﻠﻭﻥ ﻫﺫﺍ
ﻭﻴﻔﻌﻠﻭﻥ ﺫﺍﻙ)(١؛
ﻗﹸﻠﺕﹸ :ﻫﻭﻯ ﺍﻟﺤﺎﻥِ ﻴﺫﻫﺏ ﺒِﻐﻡ ﺍﻟﻘﻠﺏِ ،ﻗﺎلَ :ﻤﺎ ﺃﺤﺴﻥ ﺃﻭﻟﺌﻙ ﺍﻟﻤﺴﻌِﺩﻴﻥ ﻟﻠﻘﻠﺏ؛
ﻗﹸﻠﺕﹸ :ﺇﻥ ﺍﻟﺸﱠﺭﺍﺏ ﻭﺍﻟﺨِﺭﻗﹶﺔﹶ ﻟﻴﺴﺎ ﻤﻥ ﺭﺴﻭﻡِ ﺍﻟﻤﺫﻫﺏ ،ﻗﺎلَ :ﺇﻨﱠﻬﻡ ﻴﻌﻤﻠﻭﻥ ﻫﺫﺍ
ﺍﻟﻌﻤلَ ﻓﻲ ﻤﺫﻫﺏِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥ؛
ﻗﹸﻠﺕﹸ :ﻤِﻥ ﺭﺸﹾﻑِ ﻋﺴلِ ﺍﻟﻴﺎﻗﻭﺕِ ﻤﺎ ﻴﺴﺘﻔﻴﺩ ﺍﻟﺸﹼﻴﺦ ،ﻗﺎلَ :ﺒﻘﹸﺒﻠﹶﺔٍ ﻋﺫﺒﺔٍ ﻭﺍﺤِﺩﺓٍ
ﻴﻌﻴﺩﻭﻨﹶﻪ ﺸﺎﺒﺎﹰ؛
ﻗﹸﻠﺕﹸ :ﺍﻟﺴﻴﺩ ﻤﺘﻰ ﻴﺫﻫﺏ ﻟﻠﻘِﺭﺍﻥ ،ﻗﺎلَ :ﺯﻤﺎﻥ ﻴﻘﺘﹶﺭِﻥ ﺍﻟﻤﺸﺘﹶﺭﻱ ﻭﺍﻟﻘﹶﻤﺭ)(٢؛
ﻗﹸﻠﺕﹸ :ﺍﻟﺩﻋﺎﺀ ﻟِﺩﻭﻟﹶﺘِﻪِ ﻭِﺭﺩ ﺤﺎﻓِﻅ ،ﻗﺎلَ :ﻫﺫﺍ ﺍﻟﺩﻋﺎﺀ ﺘﺩﻋﻭ ﺒِﻪِ ﻤﻼﺌﻜﺔﹸ ﺴﺒﻊِ ﺴﻤﻭﺍﺕ.
ﻏﺰﻝ ١٩٩
ﺍﻟﻭﺍﻋﻅﻭﻥ ﺍﻟﹼﺫﻴﻥ ﻟﻬﻡ ﺠﻠﻭﺓﹲ ﻓﻲ ﺍﻟﻤﺤﺭﺍﺏِ ﻭﺍﻟﻤﻨﺒﺭِ ،ﻟِﻤﺎﺫﺍ ﺤﻴﻥ ﻴﺫﻫﺒﻭﻥ ﻓﻲ ﺨﻠﻭﺓٍ
ﻴﻌﻤﻠﻭﻥ ﻋﻤﻼﹰ ﺁﺨﹶﺭ؛
) (١ﻴﺭﻤﺯ ﺒﺎﻟﺼﻨﻡ ﺇﻟﻰ ﻤﻅﻬﺭ ﺍﻟﻤﻌﺒﻭﺩ ﻓﻲ ﺍﻟﻌﺎﻟﻡ ﺍﻟﻤﻭﺠﻭﺩ ﻭﻫﻭ ﻨﺴﺨﺔﹸ ﺍﻟﺼﻔﺎﺕِ ﺍﻹﻟﻬﻴﺔ
ﺍﻟﻤﺘﻨﺯﻟﺔﹸ ﻓﻲ ﺍﻟﻨﱠﺸﺄﺓِ ﺍﻟﺨﻠﻘﻴﺔِ ﺍﻟﻅﱠﺎﻫﺭﺓ ﻭﻗﻴلَ ﺸﻌﺭﺍﹰ:
ﺴــﺭ ﺴــﻨﺎ ﻻﻫﻭﺘِــﻪِ ﺍﻟﺜﱠﺎﻗِــﺏِ ﺴــﺒﺤﺎﻥ ﻤــﻥ ﺃﻅﻬــﺭ ﻨﺎﺴــﻭﺘﹶﻪ
ﻓــﻲ ﺼــﻭﺭﺓِ ﺍﻵﻜِــلِ ﻭﺍﻟــﺸﱠﺎﺭﺏِ ـﺎﻫِﺭﺍﹰ
ـﻲ ﺨﻠﻘِ ـﻪِ ﻅـ
ـﺩﺍ ﻓـ
ـﻰ ﻏـ
ﺤﺘﹼـ
ﻭﺃﻫلُ ﺍﻟﺠﺫﺏِ ﻤﻥ ﺍﻟﻌﺎﺭﻓﻴﻥ ﺘﺭﺘﻔﻊ ﺩﻭﻨﻬﻡ ﺍﻟﺤﺠﺏ ﻭﻴﺘﺠﻠﹼﻰ ﻟﻬﻡ ﺍﻟﺤﻕﱡ ﻭﻴﺸﺎﻫﺩﻭﻥ ﺠﻤﺎﻟﹶ ﻪ
ﺒﺄﺒﺼﺎﺭِ ﻗﻠﻭﺒِﻬِﻡ ،ﻭﻤﻥ ﺍﻟﺸﱢﻌﺭِ ﺍﻟﻤﻨﺴﻭﺏِ ﻟِﻺﻤﺎﻡِ ﺯﻴﻥ ﺍﻟﻌﺎﺒﺩﻴﻥ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ :ﻴﺎ ﺭﺏ ﺠﻭﻫﺭِ
ﻗﺩﺱٍ ﻟﻭ ﺃﺒﻭﺡ ﺒﻪِ ﻟﻘﻴلَ ﻟﻲ ﺃﻨﺕ ﻤﻤﻥ ﻴﻌﺒﺩ ﺍﻟﻭﺜﻥ؛
) (٢ﻗﺎﻟﻭﺍ ﻓﻲ ﻫﺫﺍ ﺍﻟﺒﻴﺕِ ﻴﺴﺄلُ ﻋﻥ ﻤﻭﻋِﺩِ ﺯﻓﺎﻑِ ﻤﻤﺩﻭﺤِﻪ.
-٢١٣-
ﻋِﻨﺩِﻱ ﺴﺅﺍلٌ ﻤﺸﻜِلٌ ،ﺃﻋِﺩ ﺴﺅﺍلَ ﻋﺎﻟِﻡِ ﺍﻟﻤﺠﻠِﺱ :ﻟﻤﺎﺫﺍ ﺍﻟﱠﺫﻴﻥ ﻴﺄﻤﺭﻭﻥ ﺒﺎﻟﺘﱠﻭﺒﺔِ
ﻗﻠﻴﻼﹰ ﻤﺎ ﻴﺘﻭﺒﻭﻥ؛
ﻜﺄﻨﱠﻬﻡ ﻻ ﻴﺅﻤﻨﻭﻥ ﺒﻴﻭﻡِ ﺍﻟﺠﺯﺍﺀِ ﺇﺫﹾ ﻴﻘﻭﻤﻭﻥ ﺒﻜﹸلﱢ ﻫﺫﺍ ﺍﻟﺘﱠﺯﻭﻴﺭِ ﻭﺍﻟﺩﻏﹶلِ ﻓﻲ ﺸﹸﻐلِ
ﺍﻟﺤﺎﻜِﻡِ ﺍﻟﻌﺎﺩِل؛
ﻴﺎ ﺭﺏ ﻫﺅﻻﺀِ ﺍﻟﻤﺤﺩﺜﻭ ﺍﻟﻨﱢﻌﻤﺔِ ﺍﺠﻌلْ ﻤِﻁِﻴﻬﻡ ﺤﻤﻴﺭﻫﻡ ،ﺇﻨﱠﻬﻡ ﻴﺘﻜﺒﺭﻭﻥ ﺒﻤﺎ ﻴﻤﻠﻜﻭﻥ
ﻤِﻥ ﻏﹸﻼﻡٍ ﺘﹸﺭﻜﻲ ﻭﻤﻁﻴﺔٍ ﺴﺭﻴﻌﺔٍ؛
ﺃﻱ ﺴﺎﺌلَ ﺒﺎﺏِ ﺍﻟﺨﺎﻨﻘﺎﻩ ﻗﹸﻡ ،ﻓﻔﻲ ﺒﺎﺏِ ﺩﻴﺭِ ﺍﻟﻤﻐﺎﻥِ ﻴﻌﻁﻭﻥ ﻤﺎﺀ ﻴﻬﺏ ﺍﻟﻐِﻨﻰ ﻟﻠﻘﻠﻭﺏ؛
ﺤﺴﻨﹸﻪ ﺍﻟﱠﺫﻱ ﻻ ﻨِﻬﺎﻴﺔﹶ ﻟﻪ ،ﻤﻬﻤﺎ ﻗﹶﺘﹶلَ ﻤِﻥ ﻋﺸﱠﺎﻕٍ ،ﻫﻨﺎﻙ ﺯﻤﺭﺓﹲ ﺃُﺨﺭﻯ ﺒﺎﻟﻌِﺸﹾﻕِ ﻤِﻥ
ﺍﻟﻐﹶﻴﺏِ ﺘﺭﻓﹶﻊ ﺍﻟﺭﺃﺱ؛
ﻋﻠﻰ ﺒﺎﺏِ ﺤﺎﻨﹶﺔِ ﺍﻟﻌِﺸﹾﻕِ ﺴﺒﺢ ،ﺃﻱ ﻤﻠﹶﻙ ،ﻓﻁِﻴﻨﹶﺔﹸ ﺁﺩﻡ ﻫﻨﺎﻙ ﺘﹸﺨﹶﻤﺭ؛
ﺼﺭﺍﺥﹲ ﻤِﻥ ﺍﻟﻌﺭﺵِ ﻴﺄﺘﻲ ﻤﻊ ﺍﻟﻔﹶﺠﺭِ ،ﻗﺎلَ ﺍﻟﻌﻘﹾلُ :ﻜﺄﻥ ﻤﻼﺌﻜﹶﺔﹶ ﺍﻟﻘﹸﺩﺱِ ﺘﹸﺭﺩﺩ ﺸِﻌﺭ ﺤﺎﻓِﻅ.
ﻏﺰﻝ ٢٠٠
ﺃﺘﺩﺭﻱ ﻤِﻥ ﺍﻟﺭﺒﺎﺏِ ﻭﺍﻟﻌﻭﺩِ ﻤﺎ ﻫﻭ ﺍﻟﺘﱠﻘﺭﻴﺭ؟ ،ﺍِﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﺴِﺭﺍﹰ ﺃﻭ ﻴﻨﺎﻟﹶﻙ
ﺍﻟﺘﱠﻌﺯﻴﺭ؛
ﺃﻭﻟﺌﻙ ﺒﻨﺎﻤﻭﺱِ ﺍﻟﻌِﺸﹾﻕِ ﻭﺭﻭﻨﹶﻕِ ﺍﻟﻌﺸﹼﺎﻕ ﻴﺫﻫﺒﻭﻥ ،ﻭﺍﻟﻌﻴﺏ ﻓﻲ ﺍﻟﻔﺘﻰ ﻴﻘﻭﻟﻭﻥ،
ﻭﺍﻟﺸﱠﻴﺦ ﻴﻌﺼﻭﻥ)(١؛
ﻟﻡ ﻴﺤﺼﻠﻭﺍ ﻋﻠﻰ ﻏﻴﺭِ ﻨﹶﻘﺩٍ ﺯﺍﺌﻑٍ ﺃﺴﻭﺩ ،ﻭﺒﺎﻁِﻼﹰ ﻴﻅﻨﱡﻭﻥ ﺃﻨﱠﻬﻡ ﺍﻹﻜﺴﻴﺭ ﻴﺼﻨﻌﻭﻥ؛
ﻗﺎﻟﻭﺍ ﻻ ﺘﻘﹸل ﺭﻤﺯ ﺍﻟﻌِﺸﹾﻕِ ﻭﻻ ﺘﺴﻤﻌﻪ ،ﺤِﻜﺎﻴﺔﹲ ﻤﺸﻜِﻠﹶﺔﹲ ﻫﺫﺍ ﺍﻟﱠﺫﻱ ﻴﻘﺭﺭﻭﻥ؛
) (١ﺍﻟﺸﹼﺎﺭﺒﻭﻥ ﺠﻬﺭﺍﹰ ﻴﻭ ﻫِﻨﻭﻥ ﻤﺫ ﻫﺏ ﺍﻟﻌِﺸﻕِ ﻭﻴﺫﻫﺒﻭﻥ ﺒﺭﻭﻨﹶﻕِ ﺍﻟﻌﺸﱠﺎﻕِ ﻭﻴﻌﻴﺒﻭﻥ ﺫﺍ
ﺦ ﺍﻟﱠﺫﻱ ﻴﺄﻤﺭ ﺒﺎﻟﺸﱡﺭﺏِ ﺴِﺭﺍﹰ ،ﻭﻴﺴﺘﻤﺭ ﺍﻟﺤﺩﻴﺙﹸ ﻋﻨﻬﻡ ﻓﻲ ﺍﻟﻤﺭﻭﺀﺓِ ﻭﻴﻌﺼﻭﻥ ﺍﻟﺸﱠﻴ ﹶ
ﺍﻷﺒﻴﺎﺕِ ﺍﻟﺘﱠﺎﻟﻴﺔ؛
-٢١٤-
ﺃﻨﺎ ﺨﺎﺭِﺝ ﺍﻟﺤِﺠﺎﺏِ ﻤﻐﺭﻭﺭ ﺒﻤﺎﺌﺔِ ﺨِﺩﺍﻉٍ ،ﻭﻻ ﻋِﻠﹾﻡ ﻟﻨﺎ ﺒﻤﻥ ﻫﻡ ﻓﻲ ﺍﻟﺤِﺠﺎﺏِ ﻤﺎﺫﺍ
ﻴﺩﺒﺭﻭﻥ؟؛
ﻤِﻥ ﺠﺩﻴﺩٍ ﺘﺴﺒﺒﻭﺍ ﺒﺘﺸﻭﻴﺵِ ﻭﻗﺕِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥ ،ﺍﻨﻅﹸﺭ ﻟﻬﺅﻻﺀِ ﺍﻟﺴﺎﻟِﻜﻴﻥ ﻤﻊ ﺍﻟﺸﹼﻴﺦِ
ﻤﺎ ﻴﻔﻌﻠﻭﻥ؛
ﺘﻘﺩِﺭ ﺃﻥ ﺘﺸﺘﺭﻱ ﻤﺌﺔﹶ ﻤﻠﹾﻙِ ﻗﻠﹾﺏٍ ﺒﻨِﺼﻑِ ﻨﻅﺭﺓٍ ،ﺍﻷﺤﺒﺎﺀ ﻓﻲ ﻫﺫِﻩ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ
ﻴﻘﺼﺭﻭﻥ؛
ﺴﺎﺭ ﻗﻭﻡ ﺒﺎﻟﺠِﺩ ﻭﺍﻟﺠﻬﺩِ ﺇﻟﻰ ﻭﺼلِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﺃﺤﺎﻟﹶﻪ ﺇﻟﻰ ﺍﻟﺘﹼﻘﺩﻴﺭِ ﻗﻭﻡ ﺁﺨﹶﺭﻭﻥ)(١؛
ﻓﻲ ﺍﻟﺠﻤﻠﹶﺔِ ،ﻻ ﺘﻌﺘﹶﻤِﺩ ﻋﻠﻰ ﺜﺒﺎﺕِ ﺍﻟﺩﻫﺭ ،ﻓﻬﺫﺍ ﻤﺸﻐﹶلٌ ﻭﻫﻡ ﻓﻴﻪِ ﺩﻭﻤﺎﹰ ﻴﻐﻴﺭﻭﻥ؛
ﺍﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻓﺎﻟﺸﹼﻴﺦﹸ ﻭﺤﺎﻓﻅﹸ ﻭﺍﻟﻤﻔﺘﻲ ﻭﺍﻟﻤﺤﺘﺴِﺏ ،ﺇﺫﺍ ﻤﺎ ﻨﹶﻅﹶﺭﺕﹶ ﺠﻴﺩﺍﹰ ،ﺠﻤﻴﻌﺎﹰ
ﻴﺯﻭﺭﻭﻥ.
ﻏﺰﻝ ٢٠١
ﺍﻟﺸﹼﺭﺍﺏ ﺍﻟﺨﺎﻟِﺹ ﻭﺍﻟﺴﺎﻗﻲ ﺍﻟﺠﻤﻴلُ ﻤﺼﻴﺩﺘﺎﻥِ ﺍﺜﻨﺘﺎﻥِ ﻻ ﻴﻔﻠِﺕﹸ ﻤﻥ ﺸﺒﺎﻜِﻬِﻤﺎ ﺃﺫﻜﻴﺎﺀ
ﺍﻟﻌﺎﻟﹶﻡ؛
ﻑ ﻤﺭﺓٍ ﺸﹸﻜﺭﺍﹰ
ﺭﻏﻡ ﺃﻨﹼﻲ ﻋﺎﺸِﻕﹲ ﻭﻋِﺭﺒﻴﺩ ﻭﺴﻜﺭﺍﻥ ﻭﺼﺤﻴﻔﹶﺔﹸ ﺃﻋﻤﺎﻟﻲ ﺴﻭﺩﺍﺀ ،ﺃﻟ ﹶ
ﻷﻥ ﺃﺤﺒﺎﺀ ﺍﻟﺒﻠﺩِ ﻻ ﻴﺫﻨِﺒﻭﻥ؛
ﺍﻟﺠﻔﺎﺀ ﻟﻴﺱ ﺸﻴﻤﺔﹶ ﺍﻟﺩﺭﻭﻴﺵِ ﻭﺍﻟﺴﺎﻟﻙِ ،ﻫﺎﺕِ ﺍﻟﺨﻤﺭ ،ﻫﺅﻻﺀِ ﺍﻟﺴﺎﻟِﻜﻭﻥ ﻟﻴﺴﻭﺍ
ﺭﺠﺎلَ ﺍﻟﻁﱠﺭﻴﻕ؛
ﻻ ﺘﹶﺭ ﺸﺤﺎﺫﹶ ﺍﻟﻌِﺸﹾﻕِ ﺤﻘﻴﺭﺍﹰ ،ﻫﺅﻻﺀِ ﺍﻟﻘﻭﻡ ﺴﻼﻁﻴﻥ ﺒﻼ ﺃﺤﺯِﻤﺔٍ ،ﻭﻤﻠﻭﻙ ﺒﻼ
ﺘﻴﺠﺎﻥ؛
) (١ﻗﻭﻡ ﻗﺎﻟﻭﺍ ﻻ ﺒﺩ ﻤﻥ ﺍﻟﺠﺩ ﻭﺍﻟﺠﻬﺩِ ﻟﻠﻭﺼﻭلِ ﺇﻟﻰ ﺍﻟﻤﺤﺒﻭﺏ ،ﻭﻗﻭﻡ ﻗﺎﻟﻭﺍ ﺒﺎﻟﺘﱠﻘﺩﻴﺭِ ،ﻓﻼ ﻴﺼِلُ
ﺇﻟﹶﺎ ﻤﻥ ﺴﺒﻕﹶ ﻟﻪ ﺍﻟﺘﱠﻘﺩﻴﺭ ﺒﺫﻟﻙ.
-٢١٥-
ﻜﹸﻥ ﻴﻘِﻅﺎﹰ ﻓﺭﻴﺢ ﺍﻻﺴﺘِﻐﻨﺎﺀِ ﺇﺫﺍ ﻫﺒﺕﹾ ،ﺃﻟﻑﹸ ﻤﺤﺼﻭلِ ﻁﺎﻋﺔٍ ﻻ ﻴﺴﺎﻭﻱ ﻨِﺼﻑﹶ ﺤﺒﺔِ
ﺸﻌﻴﺭ)(١؛
ﻻ ﺘﺠﻌلْ ﻜﻭﻜﹶﺒﺔﹶ ﻤﺤﺒﻴﻙ ﻤﻜﺴﻭﺭﺓﹰ ﻓﻴﻔﺭ ﻤﻨﻙ ﺍﻟﻌﺒﻴﺩ ﻭﻴﻬﺭﺏ ﺍﻟﺨﹶﺩﻡ)(٢؛
ﺃﻨﺎ ﻏﹸﻼﻡ ﻫِﻤﺔِ ﺫﻟِﻙ ﺍﻟﺸﹼﺎﺭِﺏِ ﺍﻷﻟﹶﻡِ ﻭﺤﻴﺩِ ﺍﻟﻠﹼﻭﻥِ ،ﻻ ﻗﻭﻡٍ ﺜﻴﺎﺒﻬﻡ ﺯﺭﻕﹲ ﻭﻗﻠﻭﺒﻬﻡ ﺴﻭﺩ؛
ﻻ ﺘﻨﻘﹸلِ ﺍﻟﻘﹶﺩﻡ ﺇﻟﻰ ﺍﻟﺨﺭﺍﺒﺎﺕِ ﺇﻟﹼﺎ ﺒِﺸﹶﺭﻁﹶ ﺍﻷﺩﺏ ،ﺩﺍﺨِﻠﻭ ﺒﺎﺒِﻬﺎ ﻤﺤﺭِﻤﻭ ﻤﻠِﻙِ ﺍﻟﻤﻠﻭﻙ؛
ﺠﻨﺎﺏ ﺍﻟﻌِﺸﹾﻕِ ﻋﺎلٍ ،ﻫِﻤﺔﹰ ﻴﺎ ﺤﺎﻓِﻅ ،ﺍﻟﻌﺎﺸِﻘﻭﻥ ﻻ ﻴﻘﺒﻠﻭﻥ ﺒﻴﻨﹶﻬﻡ ﻤﻥ ﻻ ﻫﻤﺔﹶ ﻟﻪ
ﻭﻻ ﻴﻔﺘﺤﻭﻥ ﻟﻪ ﺍﻟﻁﱠﺭﻴﻕﹶ.
ﻏﺰﻝ ٢٠٢
ﻤﺘﻰ ﻋﺴﻰ ﺃﻥ ﻴﻔﺘﺤﻭﺍ ﻟﻨﺎ ﺃﺒﻭﺍﺏ ﺍﻟﺤﺎﻨﺎﺕِ ﻭﻴﺤﻠﱡﻭﺍ ﺍﻟﻌﻘﹶﺩ ﻤﻥ ﺃﻤﺭِﻨﺎ ﺍﻟﻤﻌﻘﱠﺩ؛
ﺇﺫﺍ ﻜﺎﻨﻭﺍ ﺃﻏﻠﻘﻭﺍ ﺍﻟﺒﺎﺏ ﻋﻠﻰ ﻗﻠﺏِ ﺍﻟﺯﺍﻫِﺩِ ﻋﺎﺒِﺩِ ﺍﻟﻨﱠﻔﺱ ،ﻗﻭ ﻗﻠﺒﻙ ،ﺇﻨﱠﻬﻡ ﻤﻥ ﺃﺠلِ
ﺍﻟﻠﹼﻪِ ﻴﻔﺘﺤﻭﻨﹶﻪ؛
ﺒِﺼﻔﺎﺀِ ﻗﻠﺏِ ﺍﻟﺴﻜﺎﺭﻯ ﺸﺎﺭِﺒﻲ ﺍﻟﺼﺒﻭﺡ ،ﻤﺎ ﺃﻜﺜﹶﺭ ﺍﻷﺒﻭﺍﺏ ﺍﻟﱠﺘﻲ ﻓﹸﺘِﺤﺕﹾ ﺒﻤﻔﺘﺎﺡِ ﺍﻟﺩﻋﺎﺀ؛
ﺍﻜﺘﹸﺏ ﺨِﻁﺎﺏ ﺍﻟﺘﱠﻌﺯِﻴﺔِ ﻻﺒﻨﺔِ ﺍﻟﻌِﻨﹶﺏ ،ﻟﻴﺤلﱠ ﻜﹸلﱡ ﺠﻤﻴلٍ ﻤِﻥ ﺃﻭﻻﺩِ ﺍﻟﺨﹶﻤﺎﺭِ ﻋﺭﻯ
ﺠﺩﻴﻠﹶﺘﹶﻴﻪِ)(٣؛
ﻭﻗﻁﱢﻊ ﻀﻔﻴﺭﺓﹶ ﺍﻟﺭﺒﺎﺒﺔِ ﺒﻤﻭﺕِ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺼﺎﻓِﻴﺔ ،ﻟﻴﻔﺘﹶﺢِ ﺍﻟﺤﺭﻴﻔﻭﻥ ﻜﹸﻠﱡﻬﻡ ﺴﺒلَ ﺍﻟﺩﻡِ
ﻤِﻥ ﺍﻷﻫﺩﺍﺏ؛
) (١ﺍﷲُ ﺴﺒﺤﺎﻨﹶﻪ ﻟﻴﺱ ﻓﻲ ﺤﺎﺠﺔٍ ﻟﻁﺎﻋﺘِﻨﺎ ،ﻫﻭ ﺍﻟﻐﻨﹼﻲ ،ﻓﻼ ﺘﻐﻔﹶلْ ﻋﻥ ﺫﻟِﻙ ،ﻭﻻ ﺘﻨﻅﹸﺭ ﺒﻌﻴ ِ
ﻥ
ﺍﻹﻋﺠﺎﺏِ ﻭﺍﻟﺭﻀﺎ ﺇﻟﻰ ﻁﺎﻋﺘِﻙ ﻭﻋِﺒﺎﺩﺘِﻙ ،ﻓﻴﺴﺘﻐﻨﻲ ﺍﷲُ ﻋﻨﻬﺎ ،ﻓﺈﻨﱠﻬﺎ ﻋﻨﺩ ﺫﻟِﻙ ﻻ ﺘﹸﺴﺎﻭﻱ
ﻨِﺼﻑﹶ ﺤﺒﺔٍ ﻤﻥ ﺸﻌﻴﺭ؛
) (٢ﻻ ﺘﺠﻌلْ ﻜﻭﻜﹶﺒﺔﹶ ﻤﺤﺒﻴﻙ ﻤﻜﺴﻭﺭﺓﹰ ﺒﺘﻜﻠﻴﻔِﻬِﻡ ﻤﺎ ﻻ ﻴﻁﺎﻕ.
) (٣ﺍﻜﺘﹸﺏ ﺭِﺴﺎﻟﹶﺔﹶ ﺍﻟﺘﱠﻌﺯﻴﺔِ ﻟﻠﺨﹶﻤﺭﺓِ ﺍﺒﻨﺔِ ﺍﻟﻌﻨﻘﻭﺩ ،ﻓﻘﺩ ﺼﺎﺭ ﺸﹸﺭﺒﻬﺎ ﻤﻤﻨﻭﻋﺎﹰ ،ﻟﻴﻨﺸﹸﺭ ﺸﹶﻌﺭﻩ ﻓﻲ
ﻋﺯﺍﺌﻬﺎ ﻜﹸلﱡ ﻭﻟﹶﺩٍ ﺠﻤﻴلٍ ﻤِﻥ ﺃﻭﻻﺩِ ﺍﻟﺨﻤﺎﺭِ.
-٢١٦-
ﺃﻏﻠﻘﻭﺍ ﺒﺎﺏ ﺤﺎﻨﺔِ ﺍﻟﺨﹶﻤﺭِ ،ﻴﺎ ﺭﺏ ﻻ ﺘﻘﺒلْ ،ﻴﺭﻴﺩﻭﻥ ﻓﺘﺢ ﺒﺎﺏِ ﺨﺎﻨﹶﺔِ ﺍﻟﺘﱠﺯﻭﻴﺭِ ﻭﺍﻟﺭﻴﺎﺀ؛
ﺤﺎﻓِﻅﹸ ﻫﺫِﻩِ ﺍﻟﺨِﺭﻗﹶﺔﹸ ﺍﻟﱠﺘﻲ ﺘﻤﻠﻜﹸﻬﺎ ،ﺴﻭﻑﹶ ﺘﺭﻯ ﻏﺩﺍﹰ ،ﻜﻴﻑﹶ ﺴﻴﺤﻠﱡﻭﻥ ﺯﻨﹼﺎﺭ ﺍﻟﺩﻏﹶلِ
ﻤِﻥ ﺘﺤﺘِﻬﺎ.
ﻏﺰﻝ ٢٠٣
ﺴﻨﻴﻥ ﻭﺩﻓﺘﺭﻨﺎ ﻜﺎﻥ ﻭﻗﻔﺎﹰ ﻋﻠﻰ ﺍﻟﺼﻬﺒﺎﺀِ ،ﻭﻜﺎﻥ ﺩﺭﺴﻨﺎ ﻭﺩﻋﺎﺅﻨﺎ ﻴﻬﺒﺎﻥِ ﺍﻟﺨﻤﺎﺭﺓﹶ ﺍﻟﺭﻭﻨﻕﹶ؛
ﻭﻨﺤﻥ ﺴﻜﺎﺭﻯ ﻭﺴﻴﺌﻭﻥ ،ﻭﻟﻜِﻥ ﺸﻴﺦﹶ ﺍﻟﺤﺎﻥِ ﺍﻟﺭﺅﻭﻑﹶ ﻜﺎﻥ ﻴﻨﻅﹸﺭ ﺒِﻌﻴﻥِ ﻜﺭﻤِﻪِ ﺇﻟﻰ
ﻜلﱢ ﻤﺎ ﻜﻨﹼﺎ ﻨﻔﻌلُ ﻭﻴﺭﺍﻩ ﺠﻤﻴﻼﹰ؛
ﻓﺎﻏﺴِلْ ﺩﻓﺘﹶﺭ ﻋِﻠﻤِﻨﺎ ﺠﻤﻠﹶﺔﹰ ﺒﺎﻟﺨﹶﻤﺭِ ﻓﻘﺩ ﺭﺃﻴﺕﹸ ﺍﻟﻔﹶﻠﹶﻙ ﻭﻜﺎﻥ ﻴﻨﻭﻱ ﺃﺫﻯ ﻗﻠﺏِ ﺍﻟﻌﺎﻟِﻡ؛
ﺘِﻠﹾﻙ ﻓﺎﻁﻠﹸﺏ ﻤِﻥ ﺍﻷﺼﻨﺎﻡِ ﺇﻥ ﻜﹸﻨﹾﺕﹶ ﺒﺎﻟﺤﺴﻥِ ﻋﺎﺭِﻓﺎﹰ ﻴﺎ ﻗﹶﻠﹾﺏ ،ﻫﺫﺍ ﻤﺎ ﻗﺎلَ ﺸﹶﺨﹾﺹ
ﻭﻜﺎﻥ ﻓﻲ ﻋِﻠﹾﻡِ ﺍﻟﻨﱠﻅﹶﺭِ ﺒﺼﻴﺭﺍﹰ)(١؛
ﻜﺎﻥ ﺍﻟﻘﹶﻠﹾﺏ ﻤِﺜﹾلَ ﺒﺭﻜﺎﺭٍ ﻴﺩﻭﺭ ﻓﻲ ﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩٍ ،ﻟﻜِﻨﱠﻪ ﻜﺎﻥ ﻤﻘﻴﺩ ﺍﻟﻘﹶﺩﻡِ ﻓﻲ ﺍﻟﺩﺍﺌﺭﺓِ)(٢؛
ﻭﻜﺎﻥ ﺍﻟﻤﻁﺭِﺏ ﻴﻌﺯِﻑﹸ ﺍﻟﻠﱠﺤﻥ ﻤِﻥ ﺃﻟﹶﻡِ ﺍﻟﻤﺤﺒﺔِ ﻭﺃﻫﺩﺍﺏ ﺍﻟﺤﻜﻤﺎﺀِ ﻜﺎﻨﺕ ﺭﻭﺍﺸِﺢ ﻟﻠﺩﻡ؛
ﺘﻔﺘﱠﺤﺕﹸ ﻤﻥ ﻁﹶﺭﺏٍ ﻤﺜلَ ﻭﺭﺩﺓٍ ﻋﻠﻰ ﻀِﻔﱠﺔِ ﺍﻟﺠﺩﻭلِ ﻭﻜﺎﻥ ﻓﻭﻕِ ﺭﺃﺴﻲ ﻅِلﱡ ﺴﺭﻭﺘﻲ
ﺍﻟﻌﺎﻟﻴﺔ؛
ﺸﻴﺨﻲ ﺍﻟﱠﺫﻱ ﻭﺠﻨﺘﺎﻩ ﺒِﻠﻭﻥِ ﺍﻟﻭﺭﺩِ ﻟﻡ ﻴﻌﻁِﻨﻲ ﺍﻟﺭﺨﹾﺼ ﹶﺔ ﻟِﻜﺸﹾﻑِ ﺨﹸﺒﺙِ ﻻﺒﺴﻲ
ﺍﻷﺯﺭﻕ ،ﻭﻟﻭ ﻓﹶﻌلَ ﻟﻜﺎﻥ ﻋﻨﺩﻱ ﻋﻨﻬﻡ ﺤﻜﺎﻴﺎ)(٣؛
ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﻁﻠﻲ ﺒﺎﻟﺫﱠﻫﺏِ ﻟﻡ ﻴﺼﺭﻑﹾ ،ﻷﻥ ﺍﻟﺼﺭﺍﻑﹶ ﻜﺎﻥ ﻋﺎﻟِﻤﺎﹰ ﺒﻜﹸلﱢ ﺍﻟﻌﻴﻭﺏِ
ﺍﻟﺨﻔﻴﺔ.
) (١ﺘﻠﻙ :ﻟﻁﻴﻔﺔﹸ ﺍﻟﻌِﺸﹾﻕ ،ﻭﺍﻟﺼﻨﹶﻡ :ﺍﻟﻤﺜﺎلُ ﻭﺍﻟﺸﱠﺎﻫِﺩ ﻋﻠﻰ ﺍﻟﺤﺴﻥ؛
) (٢ﻻ ﻴﻘﺩﺭ ﻋﻠﻰ ﺍﻟﺨﺭﻭﺝِ ﻤِﻥ ﺍﻟﺩﺍﺌﺭﺓ)ﺩﺍﺌﺭﺓﹸ ﺍﻟﻌِﺸﹾﻕ(؛
) (٣ﺍﻟﺸﱠﻴﺦﹸ ﺍﻟﱠﺫﻱ ﻭﺠﻨﺘﺎﻩ ﺒﻠﻭﻥِ ﺍﻟﻭﺭﺩ :ﺠﺎﻡ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀِ ،ﻻﺒﺴﻲ ﺍﻷﺯﺭﻕ :ﺍﻟﺼﻭﻓﻴﻭﻥ.
-٢١٧-
ﻏﺰﻝ ٢٠٤
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﻓﻴﻪِ ﺨِﻔﻴﺔﹰ ﻨﹶﻅﹶﺭﺕﹶ ﺇﻟﻴﻨﺎ ،ﻭﺒﺩﺍ ﻓﻴﻪِ ﺭﻗﹶﻡ ﺤﺒﻙ ﻅﺎﻫِﺭﺍﹰ ﻋﻠﻰ
ﻭﺠﻭﻫِﻨﺎ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﻜﺎﻨﺕ ﺒِﻪِ ﻋﻴﻨﹸﻙ ﺒﺎﻟﻌِﺘﺎﺏِ ﺘﻘﺘﹸﻠﹸﻨﻲ ،ﻭﺸﻔﺘﹸﻙ ﺍﻟﱠﺘﻲ ﻟﻬﺎ ﻤﻌﺠِﺯﺍﺕﹸ
ﻋﻴﺴﻰ ﺘﻤﻀﻎﹸ ﺍﻟﺴﻜﱠﺭ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻓﻴﻪِ ﺍﻟﺼﺒﻭﺡ ﺸﺭﺍﺏ ﻤﺠﻠِﺱِ ﺍﻷُﻨﹾﺱِ ،ﻭﻻ ﺤﺎﻀِﺭ ﻏﻴﺭ
ﺍﻟﺤﺒﻴﺏِ ﻭﺃﻨﺎ ،ﻭﻜﺎﻥ ﺍﷲُ ﻤﻌﻨﺎ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻓﻴﻪِ ﻭﺠﻬﻙ ﻴﺸﻌِلُ ﺸﻤﻊ ﺍﻟﻁﱠﺭﺏِ ﻭﻜﺎﻥ ﻗﻠﺒﻲ ﺍﻟﻤﺸﺘﻌِلُ
ﻓﺭﺍﺸﹶﺔﹰ ﻻ ﺘﻬﺩﺃ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﻭﻗﺕِ ﺫﻟِﻙ ﺍﻟﻤﺤﻔﹶلِ ﻟﻠﺨﹸﻠﹸﻕِ ﻭﺍﻷﺩﺏ ،ﻭﻗﺕﹶ ﻜﺎﻨﹶﺕِ ﺍﻟﺼﻬﺒﺎﺀ ﻭﺤﺩﻫﺎ ﺘﹸﻁﻠِﻕﹸ
ﻀﺤﻜﹶﺔﹶ ﺍﻟﺴﻜﺎﺭﻯ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﺎﻗﻭﺕﹸ ﺍﻟﻘﹶﺩﺡِ ﻓﻴﻪِ ﻴﻀﺤﻙ ﻭﻜﺎﻨﺕ ﺤﻜﺎﻴﺎ ﺘﺩﻭﺭ ﺒﻴﻥ
ﻴﺎﻗﻭﺕِ ﺸِﻔﺎﻫِﻙ ﻭﺒﻴﻨﻲ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﹾﺕِ ﺍﻟﱠﺫﻱ ﻨﻅﹶﺭﺕﹸ ﻓﻴﻪِ ﺇﻟﹶﻴﻪِ ﻴﻌﻘﺩ ﺯﻨﱠﺎﺭﻩ ﻟﻠﺴﻔﹶﺭِ ﻭﻜﺎﻥ ﺍﻟﻬﻼلُ ﻓﻲ ﺭﻜﺎﺒِﻪِ
ﻤﺴﺎﻓِﺭﺍﹰ ﻤﻌﻪ)(١؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﻜﹸﻨﹾﺕﹸ ﻓﻴﻪِ ﺠﻠﻴﺱ ﺍﻟﺨﺭﺍﺒﺎﺕِ ﻭﺴﻜﺭﺍﻥ ،ﻭﻜﹸلﱡ ﺸﻲﺀٍ ﻤﻤﺎ ﻫﻭ
ﺍﻵﻥ ﻏﻴﺭ ﻤﻭﺠﻭﺩٍ ﻓﻲ ﻤﺴﺠِﺩﻱ ﻜﺎﻥ ﻤﻭﺠﻭﺩﺍﹰ ﻫﻨﺎﻙ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻭﻗﺕِ ﺍﻟﱠﺫﻱ ﺘﹶﻡ ﻓﻴﻪِ ﻤِﻥ ﺇﺼﻼﺤِﻙ ﻭﺇﺭﺸﺎﺩِﻙ ﻟِﺤﺎﻓِﻅ ﻨﻅﹾ ﻡ ﻜﹸلﱢ ﺠﻭﻫﺭﺓٍ
)(٢
ﻓﻲ ﻋِﻘﹾﺩ. ﺒِﻜﹾﺭٍ ﻏﻴﺭِ ﻤﺜﻘﻭﺒﺔٍ
) (١ﻭﻗﺩ ﺠﻌلَ ﻤِﻥ ﺍﻟﻬﻼلِ ﺍﻟﺠﺩﻴﺩِ ﺭِﻜﺎﺏ ﻓﹶﺭﺱِ ﺍﻟﺴﻔﹶﺭ؛
) (٢ﻴﺭﻤﺯ ﺒﺎﻟﺠﻭﻫﺭﺓِ ﺇﻟﻰ ﺍﻟﺒﻴﺕِ ﺃﻭ ﺍﻟﻘﺼﻴﺩﺓِ ﻤﻥ ﺍﻟﺸﱢﻌﺭ.
-٢١٨-
ﻏﺰﻝ ٢٠٥
ﺭﺃﺴﻨﺎ ﺘﹸﺭﺏ ﺩﺭﺏِ ﺸﹶـﻴﺦِ ﺍﻟﻤﻐـﺎﻥ ﻤﺎ ﺩﺍﻡ ﻟﻠﺨﻤﺭِ ﻭﺍﻟﺤﺎﻥِ ﺍِﺴﻡ ﻭﺭﺴﻡ
ﺁﺫﺍﻨِﻨﺎ ﻭﺴﺘﺒﻘﻰ ﺇﻟﻰ ﺁﺨِﺭِ ﺍﻟﺯﻤـﺎﻥ ﺤﻠﹾﻘﹶﺔﹸ ﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻤِﻥ ﺃﺯلٍ ﻓـﻲ
ﻓﺴﻴﻐﺩﻭ ﻤﺯﺍﺭ ﺍﻟﻤﻌﺭﺒﺩﻴﻥ ﻜﹸلﱠ ﺍﻟﺯﻤﺎﻥ ﺍﺠﺘﻬِﺩ ﻓﻲ ﺍﻟﺯﻴﺎﺭﺓِ ﺇﻥ ﺯﺭﺕﹶ ﻗﺒﺭﻱ
ﺃﻴﻬﺎ ﺍﻟﺯﺍﻫِﺩ ﺍﻟﻌﺎﺒِﺩ ﻟﻠﻨﱠﻔﹾﺱِ ﻋﻨﱢﻲ ،ﻓﻌﻴﻨـﻲ ﻭﻋﻴﻨﹸﻙ ﺴِﺭ ﺍﻟﺤِﺠﺎﺏِ ﻻ ﺘﹸﺒـﺼِﺭﺍﻥ
ﺇﻟﻰ ﺼﺒﺢِ ﻴﻭﻡِ ﺍﻟﻘﻴﺎﻤﺔِ ﻤﻔﺘﻭﺤﺘﺎﻥ ﺒﺎﺸﺘﻴﺎﻗﻲ ﺍﻟﺤﺒﻴﺏ ﻓﻲ ﺍﻟﻠﹼﺤﺩِ ﻋﻴﻨﺎﻱ
ﺭﺅﻭﺴﻨﺎ ﺴﺘﺒﻘﻰ ﺘﹸﺭﺍﺒﺎﹰ ﻋﻠﻰ ﺩﺭﺏِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥ ،ﻤﺎ ﺒﻘﻲ ﻤِﻥ ﺍﻟﺨﻤﺎﺭﺓِ ﻭﺍﻟﺨﹶﻤﺭِ
ﺍﺴﻡ ﻭﺭﺴﻡ؛ ﺤﻠﹾﻘﹶﺔﹸ ﺸﻴﺦِ ﺍﻟﻤﺠﻭﺱِ ﻓﻲ ﺁﺫﺍﻨﻨﺎ ﻤﻥ ﺍﻷﺯلِ ،ﻨﺤﻥ ﺠﻤﻴﻌﺎﹰ ﻋﻠﻰ ﻤﺎ ﻜﹸﻨﱠﺎ
ﻭﺴﻨﺒﻘﻰ ﻜﺫﻟﻙ ﻤﺎ ﺒﻘﻴﻨﺎ؛ ﻴﺎ ﺯﺍﺌﺭ ﻗﺒﺭِﻨﺎ ﺒﻌﺩ ﻤﻭﺘِﻨﺎ ﻫِﻤﺔﹰ ﻓﺄﻨﺕﹶ ﺘﺯﻭﺭ ﻤﺯﺍﺭ ﺴﻜﺎﺭﻯ
ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻷﺤﺭﺍﺭ؛ ﺃﻴﻬﺎ ﺍﻟﺯﺍﻫِﺩ ﻋﺎﺒِﺩ ﺍﻟﻨﱠﻔﹾﺱِ ﺍﺫﻫﺏ ﻓﺴِﺭ ﻫﺫﺍ ﺍﻟﺤِﺠﺎﺏِ ﻤﺨﻔﻲ ﻋﻥ ﻋﻴﻨﻲ
ﻭﻋﻴﻨِﻙ ،ﻭﺴﻴﻅﹶلﱡ ﻤﺨﻔﻴﺎﹰ؛ ﻤﺤﺒﻭﺒﻲ ﺍﻟﺘﱡﺭﻜﻲ ﻗﺎﺘِلُ ﺍﻟﻌﺎﺸِﻕِ ﺨﹶﺭﺝ ﺍﻟﻴﻭﻡ ﺴﻜﺭﺍﻨﺎﹰ ،ﺴﻨﺭﻯ
ﺩﻡ ﻤﻥ ﺴﻴﺠﻌلُ ﻴﺠﺭﻱ ﻤِﻥ ﺍﻟﻌﻴﻥِ؛ ﻋﻴﻨﻲ ﻤِﻥ ﻟﺤﻅﹶﺔِ ﺃﻀﻊ ﺍﻟﺭﺃﺱ ﻓﻲ ﺍﻟﻠﹼﺤﺩِ ﻤِﻥ
ﻅ ﻀﻌﻴﻑﹶ
ﺍﻟﺸﱠﻭﻕِ ﺇﻟﻴﻙ ﺴﺘﺒﻘﻰ ﺘﻨﻅﹸﺭ ﺇﻟﻴﻙ ﺇﻟﻰ ﺼﺒﺢِ ﻴﻭﻡِ ﺍﻟﻘﻴﺎﻤﺔِ؛ ﺇﺫﺍ ﺒﻘﻲ ﺒﺨﺕﹸ ﺤﺎﻓِ ﹶ
ﺍﻟﻤﺩﺩِ ﻫﻜﺫﺍ ،ﻓﺴﺘﺼِلُ ﺃﻴﺩﻱ ﺍﻟﻤﺨﺎﻟِﻔﻴﻥ ﺇﻟﻰ ﻀﻔﻴﺭﺓِ ﺍﻟﻤﻌﺸﻭﻕِ.
ﻏﺰﻝ ٢٠٦
ﻜﹸﻨﹾﺕﹶ ﺸﺭﻴﻙ ﺍﻟﻐﹸﻤﻭﻡِ ﺃﻜﺜﹶﺭ ﺒﺎﻷﻤﺱِ ﻟﻠﻌﺸﱠﺎﻕﹾ ،ﻭﺒﻨﺎ ﻟﹸﻁﹾﻔﹸﻙ ﻜﺎﻥ ﺍﻟﺤﺩﻴﺙﹶ ﻓﻲ ﺍﻵﻓﺎﻕﹾ؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻠﻴﺎﻟﻲ ﺍﻟﹼﺘﻲ ﺨﹶﻠﹶﺕﹾ ﻭﻋِﺫﺍﺏ ﺍﻟﺸﱢﻔﺎﻩِ ﺘﺒﺤﺙﹸ ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﺴِﺭﺍﹰ ﻭﺘﺭﻭﻱ ﻋﻥِ
ﺍﻟﻌﺸﱠﺎﻕﹾ؛
ﻗﺒلَ ﺃﻥ ﻴﺭﻓﹶﻊ ﻁﺎﻕﹸ ﺍﻟﺴﻤﺎﺀِ ﺍﻟﺨﻀﺭﺍﺀِ ﻭﺍﻟﺯﺭﻗﺎﺀِ ﻜﺎﻥ ﻋﻠﻰ ﻤﻘﻠﹶﺘﹶﻲ ﻤﻥ ﺤﺎﺠِﺒﻴﻙ ﺍﻟﻁﱠﺎﻕﹾ؛
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ﻭﺃﻨﺎ ﻤِﻥ ﺘﹶﻨﹶﻔﱡﺱِ ﺼﺒﺢِ ﺍﻵﺯﺍلِ ﺇﻟﻰ ﺁﺨِﺭِ ﻟﻴلِ ﺍﻵﺒﺎﺩِ ﻤﻘﻴﻡ ﻋﻠﻰ ﺫﻟِﻙ ﺍﻟﻌﻬﺩِ ﻭﺍﻟﻤﻴﺜﺎﻕﹾ؛
ﻴﺴﻠﹸﺏ ﺤﺴﻥ ﺍﻟﺤِﺴﺎﻥِ ﻓﻲ ﺍﻟﻤﺠﻠِﺱِ ﺍﻟﻌﻘﹾلَ ﻭﺍﻟﺩﻴﻥ ﻭﺇﻥ ﻜﺎﻥ ﺒﺤﺜﹸﻨﺎ ﻓﻲ ﺠﻤﺎلِ ﺍﻟﻁﱢﺒﺎﻉِ
ﻭﺍﻷﺨﻼﻕﹾ؛
ﻻ ﺘﻠﹸﻤﻨﻲ ﺇﺫﺍ ﺍﻨﻘﻁﹶﻌﺕﹾ ﺴﺒﺤﺘﻲ ﻭﻟﹶﻡ ﺃﺠﻤﻊِ ،ﺍﻟﻌﺫﹾﺭ ﻟﻘﺩ ﻜﺎﻨﺕﹾ ﻴﺩﻱ ﻓﻲ ﻴﺩِ ﺴﺎﻕٍ
ﻓِﻀﻲ ﺴﺎﻕﹾ
ﻜﹸﻨﺕﹶ ﻗﺒﻼﹰ ﻭﻓﻲ ﺒﺩﺍﻴﺔِ ﻋِﺸﹾﻘِﻨﺎ ﻟﻙ ﺘﺘﺄﺜﱠﺭ ﺃﻜﺜﺭ ﺒِﻐﻤﻭﻤِﻨﺎ ﻭﺘﺭﺜﻲ ﻟﺤﺎﻟﻨﺎ ﻭﻜﺎﻨﺕ ﻋﻨﺎﻴﺘﹸﻙ
ﺒِﻨﺎ ﻤﺸﻬﻭﺭﺓﹰ ﻓﻲ ﺍﻵﻓﺎﻕ)(١؛
ﺩﺍﻡ ﺫِﻜﹾﺭ ﺍﻟﻠﱠﻴﺎﻟﻲ ﺍﻟﱠﺘﻲ ﺍﻨﻘﻀﺕ ﻭﺍﻟﺸﱢﻔﺎﻩ ﺍﻟﻌِﺫﺍﺏ ﺘﺒﺤﺙﹸ ﻓﻲ ﺃﺴﺭﺍﺭِ ﻋِﺸﹾﻘِﻙ ﻭﺘﺭﻭﻱ
ﺤﻜﺎﻴﺎ ﺍﻟﻌﺎﺸﻘﻴﻥ)(٢؛
ﻗﺒل ﺃﻥ ﺘﹸﺭﻓﹶﻊ ﻗﹸﺒﺔﹸ ﺍﻟﺴﻤﺎﺀِ ﺍﻟﺨﻀﺭﺍﺀِ ﻭﺍﻟﺯﺭﻗﺎﺀِ ﻜﺎﻥ ﻓﻭﻕ ﻤﻨﻅﹶﺭِ ﻋﻴﻨﻲ ﻗﹸﺒﺔﹲ ﻤﻥ
ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻤﻘﻭﺱ)(٣؛
ﻤﻨﺫﹸ ﺃﻭلِ ﻨﹶﻔﹶﺱٍ ﻟِﺄﻭلِ ﺼﺒﺎﺡٍ ﻓﻲ ﺍﻷﺯل ﺇﻟﻰ ﺁﺨِﺭِ ﻤﺴﺎﺀٍ ﻓﻲ ﺍﻷﺒﺩِ ﻭﺼﺩﺍﻗﺘﻲ
ﻭﻤﺤﺒﺘﻲ ﻭﻗﻑﹲ ﻋﻠﻰ ﻋﻬﺩٍ ﻭﺍﺤِﺩٍ ﻭﻤﻴﺜﺎﻕٍ ﻭﺍﺤﺩ)(٤؛
ﻅِلﱡ ﺍﻟﻤﻌﺸﻭﻕِ ﺇﺫﺍ ﻭﻗﹶﻊ ﻋﻠﻰ ﺍﻟﻌﺎﺸِﻕِ ،ﻤﺎ ﺍﻟﻌﺠﺏ ،ﻟﻘﺩ ﻜﹸﻨﱠﺎ ﻟﻪ ﻤﺤﺘﺎﺠﻴﻥ ﻭﻜﺎﻥ ﻟﻨﺎ
ﻤﺸﺘﺎﻗﺎﹰ؛
ﻗﺎلَ ﻟﻲ ﺸﹶﺤﺎﺫﹲ ﻋﻠﻰ ﺒﺎﺏِ ﺍﻟﻤﻠِﻙِ ﻨﹸﻜﹾﺘﹶﺔﹰ ﻓﻲ ﺍﻟﺤِﺭﻓﹶﺔِ :ﻋﻠﻰ ﺃﻱ ﺨﻭﺍﻥٍ ﺠﻠﹶﺴﺕﹸ ﻜﺎﻥ ﺍﻟﻠﹼﻪ
ﻫﻭ ﺍﻟﺭﺯﺍﻕﹸ)(٥؛
) (١ﺍﻟﻌﺸﻕﹸ ﻓﻲ ﺍﻟﺒﺩﺍﻴﺔ ﺴﻬلٌ؛
) (٢ﻭﺍﻟﺸﱢﻔﺎﻩ ﺍﻟﻌِﺫﺍﺏ ُﻤﻥ ﻋﺫﻭﺒﺔِ ﺫِﻜﺭِﻙ؛
) (٣ﻜﺎﻥ ﻓﻭﻕ ﻤﻨﻅﹶﺭِ ﻋﻴﻨﻲ ﻗﹸﺒﺔﹲ ﻤﻥ ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻤﻘﻭﺱ :ﻟﻡ ﺃﻜﹸﻥ ﺃﺭﻯ ﻏﻴﺭﻩ؛
) (٤ﺃﻭﻓﻲ ﺒﺎﻟﻌﻬﺩِ ﻭﻻ ﺃﻨﻘﹸﺽ ﺍﻟﻤﻴﺜﺎﻕ؛
) (٥ﻓﻲ ﺍﻟﺤِﺭﻓﹶﺔ :ﻓﻲ ﺤِﺭﻓﹶﺔِ ﺍﻻﺴﺘﺠﺩﺍﺀ؛
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ﻭﺭﻏﻡ ﺃﻥ ﺍﻟﺤِﺴﺎﻥ ﻓﻲ ﻤﺠﻠِﺴِﻨﺎ ﻟﻬﻥ ﺠﻤﺎلٌ ﻴﺴﻠﹸﺏ ﺍﻟﻌﻘﹾلَ ﻭﺍﻟﺩﻴﻥ ،ﻓﺈﻥ ﺒﺤﺜﻨﺎ ﻜﺎﻥ
ﻓﻲ ﻟﹸﻁﻑِ ﺍﻟﻁﱠﺒﻊِ ﻭﺠﻤﺎلِ ﺍﻷﺨﻼﻕ)(١؛
ﺍﻨﻘﻁﻊ ﺨﻴﻁﹸ ﺴﺒﺤﺘﻲ ﻭﺘﻨﺎﺜﺭﺕﹾ ﻋﻠﻰ ﺍﻷﺭﺽِ ﺤﺒﺎﺘﹸﻬﺎ ﻭﻟﻡ ﺃﺠﻤﻌﻬﺎ ﻓﺎﺒﻎِ ﻟﻲ ﺍﻟﻌﺫﹾﺭ
ﻟِﺄﻥ ﻴﺩﻱ ﻜﺎﻨﺕ ﻓﻲ ﻴﺩِ ﺍﻟﺴﺎﻗﻲ ﻓِﻀﻲ ﺍﻟﺴﺎﻕ)(٢؛
ﻻ ﺘﹸﻌِﺒﻨﻲ ﻭﻗﺩ ﺸﺭِﺒﺕﹸ ﺍﻟﺼﺒﻭﺡ ﻟﻴﻠﹶﺔﹶ ﺍﻟﻘﹶﺩﺭِ ،ﻓﺎﻟﺤﺒﻴﺏ ﺠﺎﺀ ﺴﻜﺭﺍﻨﺎﹰ ﻭﻜﺎﻥ ﺍﻟﺠﺎﻡ
ﻋﻠﻰ ﺤﺎﻓﱠﺔِ ﺍﻟﻁﱠﺎﻕ)(٣؛
ﺸِﻌﺭ ﺤﺎﻓِﻅﹶ ﻜﺎﻥ ﻓﻲ ﺯﻤﺎﻥِ ﺁﺩﻡ ﻓﻲ ﺠﻨﱠﺔِ ﺍﻟﺨﹸﻠﹾﺩِ ،ﻭﻜﺎﻥ ﺯﻴﻨﹶﺔﹶ ﺃﻭﺭﺍﻕِ ﺩﻓﹾﺘﹶﺭِ ﺍﻟﻭﺭﺩِ
ﻭﺍﻟﻨﱢﺴﺭﻴﻥ.
ﻏﺰﻝ ٢٠٧
ﺫﹶﻜﹶﺭ ﺍﷲُ ﻴﻭﻡ ﻜﺎﻨﹶﺕ ﺤِﻤﺎﻙ ﻟﻲ ﻤﻨﺯﻻﹰ ،ﻭﻜﺎﻥ ﻀﻴﺎﺀ ﻋﻴﻨﻲ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﺒﺎﺒِﻙ ﺤﺎﺼِﻼ؛
ﻜﹸﻨﺕﹸ ﺤﻘﱠﺎﹰ ﻜﺎﻟﺴﻭﺴﻥِ ﻭﺍﻟﻭﺭﺩِ ﻤِﻥ ﺃﺜﹶﺭِ ﺍﻟﺼﺤﺒﺔِ ﺍﻟﻁﱠﺎﻫِﺭﺓ ،ﻭﻜﺎﻥ ﻴﺄﺘﻲ ﻋﻠﻰ ﻟِﺴﺎﻨﻲ
ﻜﹸلﱡ ﻤﺎ ﻜﺎﻥ ﻓﻲ ﻗﻠﺒِﻙ؛
ﺍﻟﻘﻠﺏ ﺇﺫﹾ ﻴﻨﻘﹸلُ ﺍﻟﻤﻌﺎﻨﻲ ﻋﻥ ﺸﻴﺦِ ﺍﻟﻌﻘل ،ﻴﺘﻜﻔﱠلُ ﺍﻟﻌِﺸﹾﻕﹸ ﺒِﺸﹶﺭﺡِ ﺃﻴﺔِ ﻤﺴﺄﻟﹶﺔٍ ﺘﺭِﺩ ﻋﻠﻴﻪ؛
ﺁﻩِ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺠﻭﺭِ ﻭﺍﻟﺘﱠﻁﺎﻭلِ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺤِﺒﺎﻟﹶﺔِ ،ﺁﻩِ ﻤﻥ ﺍﻻﺤﺘﺭﺍﻕِ ﻭﺍﻟﻔﺎﻗﹶﺔِ ﻓﻲ ﺫﻟِﻙ
ﺍﻟﻤﺤﻔﹶل؛
) (١ﻜﺎﻥ ﺘﻔﻜﻴﺭﻨﺎ ﻓﻲ ﺍﻟﺠﻤﺎلِ ﺍﻟﻤﻌﻨﻭﻱ ﻻ ﺍﻟﻅﱠﺎﻫﺭﻱ؛
) (٢ﺃﺫ ﻫﻠﹶﻨﻲ ﺠﻤﺎلُ ﺍﻟﻤﺤﺒﻭﺏِ ﻋﻥِ ﺍﻷﺫﻜﺎﺭِ ﻭﺍﻷﻭﺭﺍﺩِ ﺍﻟﺘﻲ ﻋﺎﺩﺓﹰ ﻤﺎ ﺘﹸﺴﺘﹶﻌﻤلُ ﺤﺒﺎﺕﹸ ﺍﻟﺴﺒﺤﺔِ
ﻟِﺈﺤﺼﺎﺌﻬﺎ ﻭﻗﺎﻟﻭﺍ ﻓﻲ ﻤﻘﺎﻤﺎﺕِ ﺍﻟﻌﺎﺭﻓﻴﻥ ﺃﻥ ﺍﻟﻌﺎﺭِﻑﹶ ﺍﻟﺫﱠﺍﻫِلَ ﻋﻥ ﻨﻔﺴِﻪِ ﺒِﻠﺫﱠﺓِ ﻓﻴﺽِ
ﺍﻟﺤﻀﻭﺭِ ﻓﻲ ﺤﻜﻡِ ﻤﻥ ﻴﺴﻘﻁﹸ ﻋﻨﻪ ﺍﻟﺘﱠﻜﻠﻴﻑﹸ ﻭﻻ ﻴﺄﺜﻡ ﺒﺎﻹﺨﻼلِ ﺒﺎﻟﺘﱠﻜﺎﻟﻴﻑِ ﺍﻟﺸﱠﺭﻋﻴﺔِ(
ﻭﻗﺎل ﺃﺒﻭ ﺴﻌﻴﺩ ﺃﺒﻭ ﺍﻟﺨﻴﺭ :ﻜﻴﻤﺎ ﺃﺭﻯ ﻭﺠﻬﻙ ﺃﻴﻬﺎ ﺍﻟﺸﱠﻤﻊ ﺘﻭﻗﱠﻔﺕﹸ ﻋﻥ ﺍﻟﻌﻤلِ ﻭﺘﺭﻜﺕﹸ
ﺍﻟﺼﻭﻡ ﻭﺍﻟﺼﻼﺓ؛
) (٣ﺍﻟﻁﱠﺎﻕ:ﺍﻟﺭﻑﱡ.
-٢٢١-
ﻜﺎﻥ ﻓﻲ ﻗﻠﺒﻲ ﺃﻥ ﻻ ﺃﻜﻭﻥ ﺃﺒﺩﺍﹰ ﺒﻼ ﺤﺒﻴﺏ ،ﻤﺎ ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃﻓﻌلَ ﺇﺫﺍ ﻜﺎﻥ ﺴﻌﻴﻲ
ﻭﻗﻠﺒﻲ ﺒﺎﻁِﻠﹶﻴﻥ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﺍﻟﺤﺭﻴﻔﻴﻥ ﺭﺤﺕﹸ ﻟﻠﺨﺭﺍﺒﺎﺕ ،ﺭﺃﻴﺕﹸ ﺩﻥ ﺍﻟﺨﹶﻤﺭِ ،ﺍﻟﺩﻡ ﻓﻲ
ﻗﻠﺒِﻪِ ﻭﻗﺩﻤﻪ ﻓﻲ ﺍﻟﻭﺭﺩ)(١؛
ﻜﻡ ﻁﻔﺕﹸ ﻓﻲ ﺍﻟﺒﻠﺩﺍﻥِ ﺃﺴﺄَلُ ﻋﻥ ﺴﺒﺏِ ﻭﺠﻊِ ﺍﻟﻔِﺭﺍﻕ ،ﻤﻔﺘﻲ ﺍﻟﻌﻘﹾلِ ﻻ ﻴﻌﻘِلُ ﻓﻲ ﻫﺫِﻩِ
ﺍﻟﻤﺴﺄﻟﹶﺔِ؛
ﻕ ﻴﻠﻤﻊ ﺒِﺸﹶﻜلٍ ﺠﻤﻴل ،ﻟﻜِﻥ ﺩﻭﻟﹶﺘﹶﻪ ﺩﺍﻟﹶﺕﹾ
ﺤﻘﱠﺎﹰ ﺇﻥ ﺍﻟﺨﺎﺘﹶﻡ ﺍﻟﻔﻴﺭﻭﺯﻱ ﻷﺒﻲ ﺇﺴﺤ ﹶ
ﻤﺴﺘﻌﺠِﻠﹶﺔﹰ؛
ﻫل ﺭﺃﻴﺕﹶ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻗﻬﻘﻬﺔﹶ ﺘﻠﻙ ﺍﻟﺤﻤﺎﻤﺔِ ﺘﺴﻴﺭ ﻓﻲ ﺩﻻلٍ ﻏﺎﻓِﻠﹶﺔﹰ ﻋﻥ ﻗﺒﻀﺔِ ﺸﺎﻫﻴﻥِ
ﺍﻟﻘﻀﺎﺀ).(٢
ﻏﺰﻝ ٢٠٨
ﻫﺅﻻﺀِ ﺍﻟﻤﺘﻌﺒﻭﻥ ﻁﹸﻠﹼﺎﺏ ﺤﻭﺍﺌﺞ ﻭﻻ ﻗﹸﻭﺓﹶ ﻟﻬﻡ ،ﻓﺈﺫﺍ ﻤﺎ ﻅﹶﻠﹶﻤﺘﹶﻬﻡ ﻨﺎﻓﹶﻴﺕﹶ ﺸﹶﺭﻁﹶ ﺍﻟﻤﺭﻭﺀﺓ؛
ﻨﺤﻥ ﻤﻨﻙ ﻟﻡ ﻨﻌﻬﺩِ ﺍﻟﺠﻔﺎﺀ ،ﻭﺃﻨﺕﹶ ﻨﻔﺴﻙ ﻻ ﺘﻘﺒلُ ﻜﹸلﱠ ﻤﺎ ﻟﻴﺱ ﻓﻲ ﻤﺫﻫﺏِ ﺃﺭﺒﺎﺏِ
ﺍﻟﻁﱠﺭﻴﻘﺔ؛
ﻋﻴﻥ ﻟﹶﻡ ﻴﺨﺭِﺝ ﺒﻜﺎﺀ ﺍﻟﻌِﺸﹾﻕِ ﻤﺎﺀﻫﺎ ﻤﻅﻠِﻤﺔﹲ ،ﻭﻗﻠﺏ ﻟﻴﺱ ﻓﻴﻪِ ﺸﹶﻤﻊ ﺍﻟﻤﺤﺒﺔِ ﺃﺴﻭﺩ؛
ﺍﻁﻠﹸﺏِ ﺍﻟﺩﻭﻟﹶ ﹶﺔ ﻤِﻥ ﻁﺎﺌﺭِ ﺍﻟﺴﻌﺩِ ﻭﻅِﻠﱢﻪِ ،ﻓﻠﻴﺱ ﻟﻠﻐﹸﺭﺍﺏِ ﻭﺍﻟﺤﺩﺃﺓِ ﺠﻨﺎﺡ ﺘﻠﻙ ﺍﻟﺩﻭﻟﹶﺔ)(٣؛
) (١ﻗﻠﺒﻪ ﻴﻨﺯِﻑﹸ ﺩﻤﺎﹰ ﻟﻔﺭﺍﻕِ ﺃﺤﺒﺘِﻪِ ﻭﻗﺩﻤﻪ ﻓﻲ ﺍﻟﻭﺭﺩِ ﺍﻟﱠﺫﻱ ﻨﺒﺕﹶ ﻤﻥ ﺤﻭﻟِﻪِ ﻤﻥ ﺩﻡِ ﻗﻠﺒِﻪِ ﻭﺩﻤﻊِ ﻋﻴﻨِﻪ؛
) (٢ﻗﺎﻟﻭﺍ ﻴﺭﻤﺯ ﺒﺎﻟﺤﻤﺎﻤﺔِ ﻟﻠﺸﺎﻩ ﺃﺒﻲ ﺇﺴﺤﻕ ﻭﻴﺭﻤﺯ ﺒﺎﻟﺸﹼﺎﻫﻴﻥ ﻟﻸﻤﻴﺭ ﻤﺒﺎﺭﺯ ﺍﻟﺩﻴﻥ ﻤﺤﻤﺩ ﺍﻟﹼﺫﻱ
ﺃﻋﺩ ﺠﻴﺸﺎﹰ ﻭﺃﺭﺴﻠﹶﻪ ﺇﻟﻰ ﺸﻴﺭﺍﺯ ﻟﻴﻨﻬﻲ ﺤﻜﹾﻡ ﺃﺒﻲ ﺇﺴﺤﻕ.
ﺹ ﺴﻌِ ﺩ
) (٣ﻁﺎﺌﺭ ﺍﻟﺴﻌﺩِ ﻭﺍﺴﻤﻪ ﺒﺎﻟﻔﺎﺭﺴﻴﺔِ ﻫﻤﺎﻴﻭﻥ ﻁﺎﺌﺭ ﺨﺭﺍﻓﻲ ﺇﺫﺍ ﻭﻗﹶﻊ ﻅﻠﱡﻪ ﻋﻠﻰ ﺸﺨ ٍ
ل ﻟﻪ ،ﻭﻻ ﺘﻁﻠﹸﺏ ﺫﻟِﻙ ﺍﻟﺠﻨﺎﺡ ﻋﻨﺩ
ﻭﻨﺎل ﺠﺎﻫﺎﹰ ﻭﻤﺎﻻﹰ ،ﻓﺎﻁﻠﹸﺒﻪ ﻭﺍﺴﺘﹶﻅِلﱠ ﺒِﻅِﻠﱢﻪِ ﻓﺄﻨﺕﹶ ﺃﻫٌ
ﺍﻟﻐﹸﺭﺍﺏِ ﻭﺍﻟﺤﺩﺃﺓ.
-٢٢٢-
ﻻ ﺘﹸﻌِﺒﻨﻲ ﺇﺫﺍ ﻁﹶﻠﹶﺒﺕﹸ ﺍﻟﻤﺩﺩ ﻤِﻥ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ،ﻓﺸﻴﺨﹸﻨﺎ ﻗﺎلَ :ﺍﻟﻬِﻤﺔﹸ ﻻ ﺘﹸﻭﺠﺩ ﻓﻲ ﺍﻟﺼﻭﻤﻌﺔ؛
ﺤﻴﺙﹸ ﻻ ﺘﹸﻭﺠﺩ ﺍﻟﻁﱠﻬﺎﺭﺓﹸ ،ﺍﻟﻜﹶﻌﺒﺔﹸ ﻭﺒﻴﺕﹸ ﺍﻷﺼﻨﺎﻡِ ﻭﺍﺤِﺩ ﻭﻻ ﻓﹶﺭﻕﹶ ،ﺒﻴﺕﹲ ﻻ ﻋِﺼﻤﺔﹶ
ﻓﻴﻪِ ﻻ ﺨﻴﺭ ﻓﻴﻪ؛
ﺤﺎﻓِﻅﺎ ﺍﹸﻁﻠﹸﺏِ ﺍﻟﻌِﻠﻡ ﻭﺍﻷﺩﺏ ﻓﻔﻲ ﻤﺠﻠِﺱِ ﺍﻟﺸﱠﺎﻩ ،ﻤﻥ ﻻ ﺃﺩﺏ ﻟﻪ ﻟﻴﺱ ﻻﺌﻘﺎﹰ ﻟﻠﺼﺤﺒﺔ.
ﻏﺰﻝ ٢٠٩
)(١
ﻟـﻴﺱ ﻤـﻥ ﻗﻠﺒِـﻙ ﺍﻟﻅﱠـﺎﻟِﻡِ ﺍﻟﺘﱠﻘـﺼﻴﺭ ﻤﺎ ﻟﻘﺘﻠﻲ ﻋﻥ ﺴـﻴﻔِﻙ ﺍﻟﺘﹼﻘـﺩﻴﺭ
)(٢
ﻓﻲ ﺠﻨﻭﻨﻲ ﻭﻋﻨﺩ ﺤﻠﹼﻲ ﺍﻟﻌﺭﻯ ﺒِﻔﺭﻋِﻙ ﻤـﺎ ﻻﻕﹶ ﺒـﻲ ﻜﻤِﺜﹾﻠِﻬـﺎ ﺯﻨﺠﻴـﺭ
)(٣
ﺭﺏ ﻤﺎ ﺠـﻭﻫﺭ ﺘﻠـﻙ ﺍﻟﻤـﺭﺁﺓِ ﻟﻠﺤـﺴﻥِ ﻓـﺂﻫﻲ ﺒِﻬـﺎ ﻤـﺎ ﻟﻬـﺎ ﺘـﺄﺜﻴﺭ
)(٤
ﻋﺩﺕﹸ ﻓﻲ ﺤﺴﺭﺓٍ ﺒِﺭﺃﺴِﻲ ﻟِﻠﺤﺎﻥِ ﻤِﻥ ﻤﻌﺒﺩٍ ﻤﺎ ﺒِـﻪِ ﺒِـﻙ ﺍﻟﻌـﺎﺭِﻑﹸ ﺍﻟﺨﺒﻴـﺭ
ﻟﻡ ﺘﹶﺠِﺊْ ﺸﹶﺠﺭﺓﹲ ﻓﻲ ﺍﻟﺭﻴﺎﺽِ ﻟﻬﺎ ﺤﺴﻥِ ﻗﹶـﺩﻙ ﺃﻭ ﺠﻠﱠـﻰ ﺒﺤـﺴﻨِﻙ ﺍﻟﺘﱠـﺼﻭﻴﺭ
)(٥
ﺴﺤﺭﺍﹰ ،ﺼِﺭﺕﹸ ﻜﺎﻟﺼﺒﺎ ﻷﺒﻠﹸﻎﹶ ﻤﻐﻨﺎﻙ ،ﻟﻡ ﻴﺒﻕﹶ ﻤﻨﹼـﻲ ﺇﻟﱠـﺎ ﺍﻟﺒﻜـﺎ ﻭﺍﻟﺯﻓﻴـﺭ
ﻭﻜﻤﺎ ﺍﻟﺸﱠﻤﻊ ﻓﻲ ﻨﺎﺭِ ﻫﺠﺭِﻙ ،ﻤﺎ ﻟﻲ ،ﻓﻲ ﺸﺄﻥِ ﻨﻔﺴﻲ ،ﺴِـﻭﻯ ﺍﻟﻔﻨـﺎ ،ﺘـﺩﺒﻴﺭ
ﻅ ﻤِﻥ ﺩﻭﻨِﻙ ،ﻤﻥ ﺩﻭﻥِ ﺃﻥ ﻴﻜـﻭﻥ ﻤﻨﹼـﻲ ﻟـﻪ ﺍﻟﺘﱠﻔـﺴﻴﺭ
ﺁﻴﺔﹲ ﻤﻥ ﻋﺫﺍﺏٍ ﺒِﺤﺎﻓِ ﹶ
) (١ﻟﻴﺱ ﻗﺘلُ ﻫﺫﺍ ﺍﻟﻀﻌﻴﻑِ ﺒِﺴﻴﻔِﻙ ﻤﻘﹶﺩﺭﺍﹰ ﻭﺇﻟﹼﺎ ﻟﻤﺎ ﻜﺎﻥ ﺘﻘﺼﻴﺭ ﻤﻥ ﻗﻠﺒِﻙ ﺍﻟﱠﺫﻱ ﻻ ﻴﺭﺤﻡ؛
) (٢ﺃﺩﺭﻜﺕﹸ ﻭﺃﻨﺎ ﺍﻟﻤﺠﻨﻭﻥ ﺤﻴﻥ ﻜﹸﻨﺕﹸ ﺃﺤلﱡ ﻋﻘﹶﺩ ﺠﺩﻴﻠﺘِﻙ ﺃﻥ ﻻ ﻗﻴﺩ ﺃﻟﻴﻕﹶ ﺒﻲ ﻤﻥ ﺤﻠﻘﺎ ِ
ﺕ
ﺴﻼﺴِﻠِﻬﺎ)ﻋﻘﹶﺩ ﺠﺩﻴﻠﺘِﻙ ﻓﻴﻬﺎ ﺃﺴﺭﺍﺭ ﺍﻟﺠﻤﺎل ﻭﻓﻲ ﺤﻠﱢﻬﺎ ﺃﺨﻁﺎﺭ ﻻ ﻴﻘﺩِﻡ ﻋﻠﻴﻬﺎ ﺇﻻﹼ ﻤﺠﻨﻭﻥ
ﻤِﺜﻠﻲ ،ﻭﺤﻴﻥ ﻜﹸﻨﺕﹸ ﺃﻓﻌل ﺃﺩﺭﻜﹾﺕﹸ ﻤﺩﻯ ﻗﹸﻭﺓِ ﺤﻠﻘﺎﺕِ ﻫﺫﺍ ﺍﻟﻘﻴﺩِ ﺍﻟﺤﺩﻴﺩﻱ ،ﻭﺃﻨﱠﻪ ﻟﻴﺱ ﺃﻟﻴﻕﹶ ﺒﻲ
ﻗﻴﺩﺍﹰ ﻤِﻨﻪ ﻓﻠﻥ ﺃﺴﺘﻁﻴﻊ ﻜﺴﺭﻩ ﺇﺫ ﻜﹸﻨﺕﹸ ﻤﺠﻨﻭﻨﺎﹰ ﻴﻜﺴِﺭ ﺍﻟﻘﹸﻴﻭﺩ(؛
)) (٣ﻤﺭﺁﺓﹸ ﺍﻟﺠﻤﺎلِ ﺍﻟﺤﺒﻴﺏ ﺍﻟﱠﺫﻱ ﺒِﻪِ ﻅﻬﺭ ﺠﻤﺎلُ ﺍﻟﺤﻕﱢ ﻭﺒﺎﻥ ﻟِﻠﺨﻠﻕ( ﻴﺎ ﺭﺏ ﻤﺭﺁﺓﹸ ﺍﻟﺠﻤﺎلِ ﻫﺫِﻩِ
ﻤﺎ ﺠﻭﻫﺭﻫﺎ ﺤﺘﹼﻰ ﻻ ﺘﺘﺄﺜﱠﺭ ﺒِﺂﻫﺎﺘﻲ )ﺍﻟﻤﺭﺁﺓﹸ ﻟﻁﻴﻔﹶﺔﹲ ﺘﹸﻌﻜﱢﺭﻫﺎ ﺍﻟﺯﻓﺭﺓﹸ(؛
) (٤ﻟﻡ ﺃﺠِﺩ ﺸﻴﺨﺎﹰ ﻭﺍﺤِﺩﺍﹰ ﻓﻲ ﺍﻟﺼﻭﻤﻌﺔِ ﻴﻌﺭِﻓﹸﻙ ﻓﺘﺭﻜﺕﹸ ﺍﻟﺼﻭﻤﻌﺔﹶ ﻤﻥ ﺤﺴﺭﺘﻲ ﻭﻋﺩﺕﹸ ﺇﻟﻰ
ﺒﺎﺏِ ﺍﻟﺤﺎﻥ؛
) (٥ﻭﻟِﻜﻲ ﺃﺼﻴﺭ ﻤِﺜلَ ﺍﻟﺼﺒﺎ ﺍﻟﹼﺘﻲ ﺘﹶﺼِلُ ﺤﻤﺎﻙ ،ﻓﺄﺒﻠﹸﻎﹶ ﺤِﻤﺎﻙ ،ﺼِﺭﺕﹸ ﻤﻥ ﺍﻟﺒﻜﺎﺀِ ﻓﻲ ﺍﻟﻔﺠﺭِ
ﺭﻭﺤﺎﹰ ﺒﺎﻜﻴﺔﹰ ﺒِﻼ ﺠﺴﺩ.
-٢٢٣-
ﻏﺰﻝ ٢١٠
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻜﺎﻨﺕ ﻗِﺼﺔﹸ ﻀﻔﻴﺭﺘِﻙ ﻓﻲ ﺤﻠﻘﹶﺘِﻨﺎ ،ﺇﻟﻰ ﻗﹶﻠﹾﺏِ ﺍﻟﻠﹼﻴلِ ﻭﺍﻟﺤﺩﻴﺙﹸ ﻋﻥ
ﺴِﻠﺴِﻠﹶﺔِ ﺸﹶﻌﺭِﻙ؛
ﺍﻟﻘﹶﻠﺏ ﺍﻟﱠﺫﻱ ﻏﺭِﻕﹶ ﺒﺎﻟﺩﻡ ﻤِﻥ ﺴﻬﻡِ ﻫﺩﺒِﻙ ﻋﺎﺩ ﻤﺸﺘﺎﻗﺎﹰ ﺇﻟﻰ ﻤﻨﺯِلٍ ﺘﺤﺕﹶ ﻗﻭﺱِ ﺤﺎﺠِﺒِﻙ؛
ﻋﻔﺎ ﺍﷲُ ﻋﻥِ ﺍﻟﺼﺒﺎ ﺍﻟﱠﺘﻲ ﺠﺎﺀﺘﻨﺎ ﺒِﺨﹶﺒﺭٍ ﻋﻨﻙ ،ﻟﻭﻻﻫﺎ ﻤﺎ ﺭﺃﻴﻨﺎ ﺸﺨﺼﺎﹰ ﻤﺭ ﻓﻲ ﺤِﻤﺎﻙ؛
ﻜﺎﻥ ﺍﻟﻌﺎﻟﹶﻡ ﺒﻼ ﺨﹶﺒﺭٍ ﻋﻥ ﻫﺭﺝِ ﻭﺸﺭ ﺍﻟﻌِﺸﹾﻕِ ،ﺤﺘﹼﻰ ﻜﺎﻨﺕ ﻏﻤﺯﺘﹸﻙ ﺍﻟﺴﺎﺤِﺭﺓﹸ
ﻭﺃﺜﺎﺭﺕِ ﺍﻟﻔِﺘﻨﹶﺔﹶ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ؛
ﻭﺃﻨﺎ ﺍﻟﻬﺎﺌﻡ ﺃﻴﻀﺎﹰ ﻜﹸﻨﺕﹸ ﻤِْﻥ ﺃﻫلِ ﺍﻟﺴﻼﻤﺔِ ،ﻓﻜﺎﻨﹶﺕﹾ ﺠِﻌﺎﺩ ﻁﹸﺭﺘِﻙ ﺍﻟﺴﻭﺩﺍﺀ ﺤِﺒﺎﻟﹶﺔﹶ
ﻁﺭﻴﻘﻲ؛
ﻁ ﻗِﺒﺎﺌﻙ ﻟِﻴﺘﻔﺘﱠﺢ ﻗﻠﺒﻲ ،ﻻ ﻓﺘﹾﺢ ﻟﻲ ﺇﻟﱠﺎ ﻓﻲ ﺠِﻭﺍﺭِﻙ ﻭﻗﹸﺭﺒِﻙ)(١؛
ﻓﹸﻙ ﺭِﺒﺎ ﹶ
ﺒﺎﻟﻭﻓﺎﺀِ ﺍﻟﹼﺫﻱ ﻟﹶﻙ ﻤﺭ ﻋﻠﻰ ﺘﹸﺭﺒﺔِ ﺤﺎﻓِﻅ ،ﺇﻨﱠﻪ ﻴﺭﺤلُ ﻋﻥِ ﺍﻟﻌﺎﻟﹶﻡِ ،ﻭﻜﺎﻥ ﻴﻁﻤﻊ ﺒﺭﺅﻴﺔِ
ﻭﺠﻬِﻙ.
ﻏﺰﻝ ٢١١
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻜﺎﻥ ﻤﻘﺒِﻼﹰ ،ﻭﺠﻬﻪ ﻴﺸﺘﹶﻌِلُ ،ﻓﺄﻴﻥ ﺴﻴﺸﻌِلُ ﻓﻲ ﻗﻠﺒﻲ ﺍﻟﺼﺭﻴﻊِ ﺒﻐﹶﻤﺯﺘِﻪِ
ﺍﻟﻨﱠﺎﺭ ﻤﻥ ﺠﺩﻴﺩ؛
ﻋﺎﺩﺓﹸ ﻗﺘلِ ﺍﻟﻌﺎﺸِﻕِ ﻭﻤﺴﻠﹶﻙ ﺇﺜﺎﺭﺓِ ﺍﻟﻔِﺘﹶﻥِ ﻓﻲ ﺍﻟﺒﻼﺩِ ،ﺜﻭﺏ ﻤﺤﻭﻙ ﻋﻠﻰ ﻗﺩ ﻗﺎﻤﺘِﻪ؛
ﺍﺘﱠﺨﹶﺫﹶ ﺃﺭﻭﺍﺡ ﺍﻟﻌﺸﱠﺎﻕِ ﺃﻋﻭﺍﺩ ﺍﻟﺒﺨﻭﺭِ ﻋﻠﻰ ﻋﺎﺭِﻀِﻪ ،ﻭﺃﺸﹾﻌلَ ﺍﻟﻨﱠﺎﺭ ﻟِﺤﺭﻗِﻬﺎ
ﻋﻠﻰ ﻭﺠﻨﹶﺘِﻪ؛
) (١ﻟﻴﻨﺘﹶﺸِﺭ ﺍﻟﻌﺒﻴﺭ ﻭﻴﺘﻔﺘﱠﺢ ﻗﻠﺒﻲ ﺍﻟﻤﻐﻠﹶﻕﹸ ﻜﺒﺭﻋﻡٍ.
-٢٢٤-
ﻭﺭﻏﻡ ﺃﻨﱠﻪ ﻜﺎﻥ ﻴﻘﻭلُ ﻟﻲ ﺴﺄﻗﺘﹸﻠﹸﻙ ﺃﺴﻰ ،ﻜﹸﻨﺕﹸ ﺃﺭﺍﻩ ﻴﻨﻅﹸﺭ ﺇﻟﻲ ﻨﹶﻅﹶﺭ ﺍﻟﻌﻁﹾﻑِ ﻓﻲ
ﺍﻟﺴﺭ ﻭﺃﻨﺎ ﺍﻟﻤﺤﺯﻭﻥ؛
ﻜﹸﻔﺭ ﻓﺭﻋِﻪِ ﻴﻘﻁﹶﻊ ﻁﺭﻴﻕﹶ ﺍﻟﺩﻴﻥِ ،ﻭﺫﺍﻙ ﺍﻟﻘﺎﺴﻲ ﺍﻟﻘﻠﺏِ ﻜﺎﻟﺼﺨﹾﺭِ ،ﻤﺸﹾﻌلُ ﻭﺠﻬِﻪِ
ﻕ ﻤِﻥ ﺃﻤﺎﻤِﻪ)(١؛
ﻴﻀﻲﺀ ﻟﻪ ﺍﻟﻁﱠﺭﻴ ﹶ
ﺍﻟﻘﻠﺏ ﺠﻤﻊ ﺩﻤﺎﹰ ﻜﺜﻴﺭﺍﹰ ،ﻭﺍﻟﻌﻴﻥ ﺃﺭﺍﻗﹶﺘﹾﻪ ،ﺍﷲَ ﺍﷲَ ﻓﻲ ﻤﻥ ﺃﺘﻠﹶﻑﹶ ﻭﻤﻥ ﺠﻤﻊ)(٢؛
ﻻ ﺘﺒِﻊ ﺍﻟﺤﺒﻴﺏ ﺒﺎﻟﺩﻨﻴﺎ ﻓﺈﻥ ﻤﻥ ﺒﺎﻉ ﻴﻭﺴﻑﹶ ﺒﺎﻟﺫﱠﻫﺏِ ﺍﻟﺯﺍﺌﻑِ ﻤﺎ ﺭﺒِﺢ ﺸﻴﺌﺎﹰ؛
ﻗﺎلَ ﻭﺃﺤﺴﻥ ﺍﻟﻘﻭلَ ﺍِﺫﻫﺏ ﻭﺃﺤﺭِﻕﹾ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﻴﺎ ﺤﺎﻓِﻅ ،ﻴﺎ ﺭﺏ ﻤﻤﻥ ﺘﻌﻠﱠﻡ ﻋِﻠﹾﻡ
ﺍﻟﻘﻠﻭﺏ؟!).(٣
ﻏﺰﻝ ٢١٢
ﺴﺤﺭ ﺍﻷﻤﺱِ ﺍﺘﱠﻔﹶﻕﹶ ﻟﻲ ﺸﹸﺭﺏ ﺠﺎﻡٍ ﻭﺠﺎﻤﻴﻥِ ،ﻭﻜﺎﻥ ﺸﺭﺍﺒﻲ ﻤِﻥ ﺸﹶﻔﹶﺔِ ﺍﻟﺴﺎﻗﻲ ﻟﺫﻴﺫﹶ
ﺍﻟﻤﺫﺍﻕ؛
ﻓﻲ ﺘﻤﺎﻡِ ﺴﻜﺭﻱ ﻁﹶﻠﹶﺒﺕﹸ ﺍﻟﺭﺠﻌﺔﹶ ﻤﺠﺩﺩﺍﹰ ﻟِﺸﺎﻫِﺩِ ﻋﻬﺩِ ﺍﻟﺸﱠﺒﺎﺏِ ،ﻟﻜِﻥ ﺍﻟﻁﱠﻼﻕﹶ ﻜﺎﻥ ﻗﺩ
ﻭﻗﹶﻊ(٤)؛
ﺃﻴﻨﻤﺎ ﺘﻭﺠﻬﻨﺎ ﻓﻲ ﺍﻟﺴﻴﺭِ ﻓﻲ ﻤﻘﺎﻤﺎﺕِ ﺍﻟﻁﱠﺭﻴﻘﹶﺔِ ،ﻜﺎﻥ ﺍﻻﻓﺘﺭﺍﻕﹸ ﺒﻴﻥ ﺍﻟﻌﺎﻓﻴﺔِ ﻭﺍﻟﻠﱠﻌِﺏِ
ﺒﺎﻟﻨﱠﻅﹶﺭِ؛
) (١ﻜﹸﻔﺭ ﻓﹶﺭﻋِﻪ :ﺸﹶﺩﺓﹸ ﺴﻭﺍﺩِ ﻓﹶﺭﻋِﻪ؛
) (٢ﻗﻠﺒﻲ ﺠﻤﻊ ﺩﻤﻲ ﻭﻟﻤﺎ ﺭﺃﺘﻙ ﻋﻴﻨﻲ ﺃﺭﺍﻗﹶﺕ ﻤﺎ ﺠﻤﻊ ﻗﻠﺒﻲ ﻤﻥ ﺩﻤﻲ ،ﻓﺎﺘﱠﻕِ ﺍﷲَ ﻓﻲ ﻋﻴﻨﻲ ﻭﻗﻠﺒﻲ
)ﻓﻲ ﻤﻥ ﺃﺭﺍﻕﹶ ﻭﻓﻲ ﻤﻥ ﺠﻤﻊ(؛
) (٣ﻤﻤ ﻥ ﺘﻌﻠﱠ ﻡ ﻋِ ﻠﹾﻡ ﺍﻟﻘﻠﻭﺏ ﺤﺘﹼﻰ ﻋﻠِﻡ ﻤﺎ ﻓﻲ ﻗﻠﺒﻲ ،ﻭﺃﻨﱠﻪ ﻟﻡ ﻴﻜﹸﻥ ﺨﺎﻟِﺼﺎﹰ ،ﻭﺃ ﻥ ﺨِﺭﻗﺘﻲ
ﻜﺎﻥ ﺒﻬﺎ ﺍ ﻟﺭﻴﺎﺀ .
) (٤ﺍﻟﻁﹼﻼﻕ ﻫﻨﺎ ﺍﻟﻁﱠﻼﻕﹸ ﺍﻟﺒﺎﺌﻥ؛
-٢٢٥-
ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺍﻟﺠﺎﻡ ﻤﺘﻌﺎﻗِﺒﺎﹰ ﻓﻔﻲ ﺴﻴﺭِ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻜﹸلﱡ ﻤﻥ ﻟﻡ ﻴﺴِﺭ ﻋﺎﺸِﻘﺎﹰ ﻭﺍﻗِﻊ ﻓﻲ
ﺍﻟﻨﱢﻔﺎﻕ؛
ﺃﻱ ﻤﻌﺒﺭ ﺒﺸﱢﺭ ﻓﻔﻲ ﻟﻴﻠﹶﺔِ ﺍﻷﻤﺱِ ﺒِﻌﺫﹾﺏِ ﻨﻭﻡِ ﺸﺭﺍﺏِ ﺍﻟﺼﺒﻭﺡِ ﺭﺃﻴﺕﹸ ﺍﻟﺸﱠﻤﺱ ﻭﻗﹶﻌﺕﹾ
ﻓﻲ ﺤﺠﺭﺘﻲ؛
ﻭﻗﺩ ﻜﹸﻨﺕﹸ ﻋﻘﺩﺕﹸ ﺍﻟﻌﺯﻡ ﺃﻥ ﺃﻋﺘﺯِلَ ﺘِﻠﻙ ﺍﻟﻌﻴﻥ ﺍﻟﺴﻜﺭﻯ ،ﻓﻠﻡ ﺃﺠِﺩِ ﺍﻟﻁﱠﺎﻗﹶﺔﹶ ﻭﺍﻟﺼﺒﺭ
ﻤِﻥ ﻗﻭﺱِ ﻁﺎﻕِ ﺤﺎﺠِﺒِﻪ؛
ﻟﻭ ﻟﻡ ﻴﻘﹸﻡ ﺍﻟﺸﱠﺎﻩ ﻴﺤﻴﻰ ﻤِﻥ ﺍﻟﻜﹶﺭﻡِ ﺒِﻨﹸﺼﺭﺓِ ﺍﻟﺩﻴﻥِ ،ﻜﺎﻥ ﺃﻤﺭ ﺍﻟﻤﻠﹾﻙِ ﻭﺍﻟﺩﻴﻥِ ﻓﹶﻘﹶﺩ ﺍﻟﻨﱠﻅﹾﻡ
ﻭﺍﻻﺘﱢﺴﺎﻕ)(١؛
ﺤﺎﻓِﻅﹸ ﺴﺎﻋﺔﹶ ﻜﺎﻥ ﻴﻜﺘﹸﺏ ﻫﺫﺍ ﺍﻟﻨﱠﻅﹾﻡ ﺍﻟﻤﺸﻭﺵﹶ ،ﻁﺎﺌﺭ ﻓِﻜﹾﺭِﻩِ ﻭﻗﹶﻊ ﻓﻲ ﺸِﺒﺎﻙِ ﺍﻻﺸﺘﻴﺎﻕ.
ﻏﺰﻝ ٢١٣
ﺠﻭﻫﺭ ﻤﺨﺯﻥِ ﺍﻷﺴﺭﺍﺭِ ﻻ ﺯﺍلَ ﻋﻠﻰ ﺤﺎﻟِﻪِ ﻜﻤﺎ ﻜﺎﻥ ،ﻭﻋﺎﺀ ﺍﻟﻤﺤﺒﺔِ ﻻ ﺯﺍلَ ﺨﹶﺘﹾﻤﻪ
ﻋﻠﻴﻪِ ﻜﻤﺎ ﻜﺎﻥ؛
ﻕ ،ﻻ ﺠﺭﻡ ﺃﻥ ﻨﺎﻅِﺭﻫﻡ ﻤﻠﻲﺀ ﺒﺎﻟﺠﻭﺍﻫِﺭِ ﻜﻤﺎ ﻜﺎﻥ)(٢؛
ﺯﻤﺭﺓﹸ ﺃﺭﺒﺎﺏِ ﺍﻷﻤﺎﻨﹶﺔِ ﺍﻟﻌﺸﱠﺎ ﹸ
ﺍﺴﺄلْ ﻋﻨﱠﺎ ﺍﻟﺼﺒﺎ ﻓﹶﻁﹶﻭﺍلَ ﺍﻟﻠﱠﻴلَ ﺇﻟﻰ ﻨﹶﻔﹶﺱِ ﺍﻟﺼﺒﺢِ ﻻ ﺯﺍلَ ﻋﺒﻴﺭ ﻓﺭﻋِﻙ ﻤﺅﻨِﺱ
ﺭﻭﺤِﻨﺎ ﻜﻤﺎ ﻜﺎﻥ؛
ﻻ ﺃﺭﻯ ﻁﺎﻟِﺏ ﺩﺭ ﻭﺠﻭﻫﺭٍ ،ﻭﻫﺫﺍ ﺍﻟﺸﱠﻤﺱ ﻻ ﺯﺍلَ ﻴﻌﻤلُ ﺍﻟﻌﻤلَ ﺒﺎﻟﻤﻌﺩﻥِ ﻭﺍﻟﻤﻨﺠﻡِ
ﻜﻤﺎ ﻜﺎﻥ؛
) (١ﺍﻟﺸﹼﺎﻩ ﻴﺤﻴﻰ ﺒﻥ ﺸﺭﻑ ﺍﻟﺩﻴﻥ :ﻤﻥ ﺁل ﻤﻅﻔﱠﺭ ،ﻜﺎﻥ ﺤﺎﻜﻤﺎﹰ ﻟﺸﻴﺭﺍﺯ ﻤﻥ ﻗِﺒل ﺘﻴﻤﻭﺭ ﻟﻨﻎ،
ﻟﹸﻘﱢﺏ ﺒﻨﹸﺼﺭﺓِ ﺍﻟﺩﻴﻥ.
) (٢ﺒﺎﻟﺠﻭﺍﻫﺭ :ﺒﺎﻟﺩﻤﻭﻉ.
-٢٢٦-
ﻋﺠلْ ﺒﺎﻟﺯﻴﺎﺭﺓِ ﻟِﺼﺭﻴﻊِ ﻏﻤﺯﺘِﻙ ،ﻫﺫﺍ ﺍﻟﻤِﺴﻜﻴﻥ ﻻ ﺯﺍلَ ﻗﻠﺒﻪ ﻋﻠﻰ ﺤﺎﻟِﻪِ ﻴﺭﻗﹸﺏ
ﻗﺩﻭﻤﻙ ﻜﻤﺎ ﻜﺎﻥ؛
ﻟﻭﻥ ﺩﻡِ ﻗﻠﺒِﻨﺎ ﺍﻟﱠﺫﻱ ﻻ ﺯِﻟﹾﺕﹶ ﺘﹸﺨﻔﻲ ،ﻻ ﺯﺍلَ ﻓﻲ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻙ ﻋﻴﺎﻨﺎﹰ ﻜﻤﺎ ﻜﺎﻥ؛
ﻗﹸﻠﹾﺕﹶ ﻟﻲ ﻓﺭﻋﻙ ﺍﻟﻬِﻨﺩﻱ ﻟﻥ ﻴﻘﻁﹶﻊ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﺍﻨﻘﹶﻀﺕﹾ ﺴﻨﻭﻥ ﻭﻻ ﺯﺍلَ
ﻋﻠﻰ ﺫﺍﺕِ ﺍﻟﺴﻴﺭﺓِ ﻭﺍﻟﺴﻠﻭﻙِ ﻜﻤﺎ ﻜﺎﻥ؛
ﺤﺎﻓِﻅﺎ ﺃﻋِﺩ ﻗِﺭﺍﺀ ﹶﺓ ﻗِﺼﺔِ ﻋﻴﻨِﻙ ﺍﻟﺩﺍﻤِﻴﺔِ ،ﻓﻬﺫِﻩِ ﺍﻟﻌﻴﻥ ﻻ ﺯﺍلَ ﻤﺎﺅﻫﺎ ﺠﺎﺭﻴﺎﹰ ﻜﻤﺎ
ﻜﺎﻥ.
ﻏﺰﻝ ٢١٤
ﺭﺃﻴﺕﹸ ﻓﻲ ﻤﻨﺎﻡٍ ﺠﻤﻴلٍ ﺃﻥ ﺍﻟﻜﺄﺱ ﻜﺎﻥ ﺒﻴﺩﻱ ،ﻜﺎﻥ ﺘﻌﺒﻴﺭ ﺭﺅﻴﺎﻱ ﺇﻗﺒﺎلُ ﺩﻭﻟﹶﺔِ
ﺤﻅﹼﻲ؛
ﺃﺭﺒﻌﻴﻥ ﻋﺎﻤﺎﹰ ﻨﺠﺭﻉ ﺍﻟﻐﹸﺼﺔﹶ ﻭﺃﺨﻴﺭﺍﹰ ،ﻜﺎﻥ ﺘﺩﺒﻴﺭﻨﺎ ﻋﻠﻰ ﻴﺩِ ﺍﻟﺸﱠﺭﺍﺏِ ﺍﻟﻤﻌﺘﱠﻕِ
ﻋﺎﻤﻴﻥ؛
ﻨﺎﻓِﺠﺔﹸ ﺍﻟﻤﺭﺍﺩِ ﺘﻠﻙ ﺍﻟﱠﺘﻲ ﻁﺎﻟﻤﺎ ﻜﹸﻨﹾﺕﹸ ﺃﻁﻠﹸﺏ ﻤِﻥ ﺍﻟﺒﺨﹾﺕِ ،ﻜﺎﻨﺕﹾ ﻤﻊ ﺫﺍﻙ ﺍﻟﺼﻨﹶﻡ ﻓﻲ
ﻁﻴﺎﺕِ ﻓﹶﺭﻋِﻪِ ﺍﻷﺴﻭﺩِ ﺍﻟﻤﺠﻌﺩِ؛
ﺯﺍلَ ﻋﻨﱢﻲ ﺨﹸﻤﺎﺭ ﺍﻟﻐﹶﻡ ﻓﻲ ﺍﻟﺴﺤﺭِ ،ﻭﺠﺎﺀ ﻤﺴﺎﻋِﺩ ﺍﻟﺒﺨﹾﺕِ ،ﻭﺼﺎﺭﺕِ ﺍﻟﺨﹶﻤﺭ ﻓﻲ
ﻜﺄﺴﻲ؛
ﻋﻠﻰ ﺃﻋﺘﺎﺏِ ﺍﻟﺤﺎﻥِ ﺃﺸﺭﺏ ﺍﻟﻤﺩﺍﻡ ﻤِﻥ ﺩﻤﻲ ،ﻨﺼﻴﺒﻨﺎ ﻤِﻥ ﻤﺎﺌﺩﺓِ ﺍﻟﻘﹶﺩﺭِ ﻫﺫﺍ ﺍﻟﻨﱠﻭﺍلُ؛
ﻤﻥ ﻟﻡ ﻴﺯﺭﻉِ ﺍﻟﺤﺏ ﻭﻟﻡ ﻴﺠﻥِ ﻭﺭﺩﺓﹰ ﻤِﻥ ﺍﻟﺨﹶﻴﺭِ ،ﻜﺎﻥ ﺤﺎﺭﺴﺎﹰ ﻟﻠﺸﱠﻘﺎﺌﻕ ﻓﻲ ﻤﻌﺒﺭِ
ﺍﻟﺭﻴﺢِ؛
ﻭﻟﻘﺩ ﺍﺘﱠﻔﹶﻕﹶ ﻤﺭﻭﺭﻱ ﻨﺎﺤِﻴﺔﹶ ﺍﻟﺭﻭﺽِ ﻭﻗﹾﺕﹶ ﺍﻟﺼﺒﺢِ ،ﺤﻴﻥ ﻜﺎﻥ ﻁﺎﺌﺭ ﺍﻟﺴﺤﺭِ ﻓﻲ
ﺸﹸﻐﹸلِ ﺍﻵﻩِ ﻭﺍﻟﻨﱠﺤﻴﺏِ؛
-٢٢٧-
ﺭﺃﻴﻨﺎ ﺸِﻌﺭ ﺤﺎﻓِﻅﹶ ﺍﻟﻌﺫﹾﺏ ﻋﻠﻰ ﺍﻟﻘﹶﻠﹾﺏِ ﺒِﻤﺩﺡِ ﺍﻟﺸﱠﺎﻩ ،ﻭﺒﻴﺕﹲ ﻭﺍﺤِﺩ ﻤِﻥ ﺍﻟﻘﺼﻴﺩﺓِ ﺨﻴﺭ
ﻤِﻥ ﻤﺌﺔِ ﺭِﺴﺎﻟﹶﺔٍ؛
ﺫﺍﻙ ﺍﻟﺸﱠﺎﻩ ﺍﻟﺸﱠﺩﻴﺩ ﺍﻟﻤﺭﺍﺱِ ﻓﻲ ﺍﻟﻭﻏﻰ ﻴﺼﻴﺩ ﺃﺴﺩ ﺍﻟﺸﱠﻤﺱِ ،ﻭﻜﺎﻥ ﻴﻭﻡ ﺍﻟﻤﻌﺭﻜﹶﺔِ
ﺃﻤﺎﻤﻪ ﺃﻗﹶلﱠ ﻤِﻥ ﺍﻟﻐﺯﺍﻟﹶﺔ.
ﻏﺰﻝ ٢١٥
ﻴﺎ ﺭﺏ ﻤـﺎ ﻜـﺎﻥ ﻋﻨـﺩ ﺍﻟﺤـﺎﻥِ ﻓـﻲ ﺴـﺤﺭٍ!
ﺸـــﻤﻊ ﻭﺴـــﺎﻕٍ ﻭﻤﻌـــﺸﻭﻕﹲ ﻭﻗﻨـــﺩﻴلُ
ﺤــﺩﻴﺙﹸ ﻋِــﺸﻕٍ ﺒِــﻼ ﺼــﻭﺕٍ ﻭﻻ ﻟﹸﻐﹶــﺔٍ
ﺍﻟﻌـــﻴﻥ ﺒﺎﻜِﻴـــﺔﹲ ﻭﺍﻟﻘﻠﹾـــﺏ ﻤﺘﺒـــﻭلُ
ﻓــﻲ ﻤﺠﻠِــﺱٍ ﻟﹶــﻴﺱ ﻴﻔﺘــﻲ ﻓــﻲ ﻤــﺴﺎﺌِﻠِﻪِ
ﻋﻘﹾــــلٌ ﻭﺩﺭﺱ ﻭﻻ ﻗــــﺎلٌ ﻭﻻ ﻗِﻴــــلُ
ﻭﻋــﺎﺜِﺭ ﺍﻟﺤــﻅﱢ ﻗﹶَﻠﺒــﻲ ﻋــﻥ ﺤﻭﺍﺌﺠِــﻪِ
ﺒِــﺸﹸﻜﹾﺭِ ﻏﹶﻤــﺯﺓِ ﺴــﺎﻗﻲ ﺍﻟﺤــﺎﻥِ ﻤــﺸﹾﻐﻭلُ
ﺴـــﺄﻟﺘﹸ ﻪ ﻗﹸﺒﻠﹶـــﺔﹰ ﻓـــﺎﻓﹾﺘﹶﺭ ﻤﺒﺘـــﺴِﻤﺎﹰ
ﻭﻗــﺎلَ :ﻤــﺎ ﺒﻴﻨﻨــﺎ ﻫــلْ ﻜــﺎﻥ ﺘﹶﻘﺒﻴــلُ؟
ﻓﻲ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﺴﺤﺭﺍﹰ ﻴﺎ ﺭﺏ ﻤﺎ ﻜﺎﻨﺕﹾ ﺘﻠﻙ ﺍﻟﻤﺸﻐﹶﻠﹶﺔﹸ ،ﺤﻴﺙﹸ ﻏﹶﺹ ﺍﻟﻤﻜﺎﻥ ﺒﺸﺎﻫِﺩٍ
ﻭﺴﺎﻕٍ ﻭﺸﻤﻊٍ ﻭﻗﻨﺩﻴل؛
ﺤﺩﻴﺙﹸ ﺍﻟﻌﺸﻕِ ﺍﻟﻤﺴﺘﻐﻨﻲ ﻋﻥ ﺍﻟﺤﺭﻑِ ﻭﺍﻟﺼﻭﺕِ ﻜﺎﻥ ﺒﺄﻨﻴﻥِ ﺍﻟﺩﻑﱢ ﻭﺍﻟﻨﱠﺎﻱ ﻓﻲ
ﻭﻟﻭﻟﹶﺔٍ ﻭﻨﺸﻴﺞ)(١؛
) (١ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺤﻴﻥ ﻴﺼلُ ﺍﻟﻘﻠﻡ ﺍﻟﻤﻔﺴﺭ ﺇﻟﻰ ﺃﻤﺭِ ﺍﻟﻌﺸﻕِ ﻴﻨﻜﺴﺭ ،ﻭﺍﻟﻌﺸﻕﹸ ﻭﺍﻀﺢ ﻤﺎ ﻟﻡ ﻴﺴﺘﻌﻤل
ﺍﻟﻠﺴﺎﻥ ﻓﻲ ﺸﺭﺤِﻪ ،ﻭﺤﺩﻴﺙﹸ ﺍﻟﻌﺎﺸﻘﻴﻥ ﻓﻲ ﺼﻤﺕٍ ﻭﺨﻁﺎﺏ ﺍﻟﻌﺎﺭﻓﻴﻥ ﺒﺎﻟﺭﻤﺯ ،ﻭﻫﻨﺎﻙ ﺘﺼﺭﻑﹲ
ﻓﻲ ﺘﺭﺠﻤﺔِ ﻤﺼﺭﺍﻉِ ﺍﻟﺒﻴﺕِ ﺸﻌﺭﺍﹰ ﻜﻤﺎ ﻴﻅﻬﺭ ﻤﻥ ﻫﺫﺍ ﺍﻟﺸﱠﺭﺡ ﺍﻟﱠﺫﻱ ﻫﻭ ﻫﻨﺎ ﻟﻸﺼل؛
-٢٢٨-
ﻜﺎﻨﺕ ﻤﺒﺎﺤِﺙﹸ ﺫﻟِﻙ ﺍﻟﻤﺠﻠِﺱِ ﻋﻠﻰ ﻨﻬﺞِ ﺍﻟﺠﻨﻭﻥ ،ﻭﻜﹸلﱡ ﻤﺴﺄﻟﹶﺔٍ ﻤِﻨﹾﻪ ﻜﺎﻨﺕ ﻭﺭﺍﺀ
ﺍﻟﻤﺩﺭﺴﺔِ ﻭﺍﻟﻘﺎلِ ﻭﺍﻟﻘِﻴل)(١؛
ﻜﺎﻥ ﺍﻟﻘﹶﻠﺏ ﻤﺸﻐﻭﻻﹰ ﺒِﺸﹸﻜﹾﺭِ ﻏﻤﺯﺓِ ﺍﻟﺴﺎﻗﻲ ،ﻓﻠﻡ ﻴﻘﹸﻡ ﺒﺎﻟﺸﱢﻜﺎﻴﺔِ ﻤِﻥ ﺤﻅﱢﻪِ ﻏﻴﺭِ
ﺍﻟﻤﻭﺍﺘﻲ ﺇﻻﱠ ﻗﻠﻴﻼﹰ)(٢؛
ﻋﻤِﻠﹾﺕﹸ ﺍﻟﻘﻴﺎﺱ ﻟِﺘِﻠﻙ ﺍﻟﻌﻴﻥِ ﺍﻟﺴﺎﺤِﺭﺓِ ﺍﻟﺴﻜﺭﻯ ،ﻓﻜﺎﻥ ﺃﻟﻑﹸ ﺴﺎﺤِﺭٍ ﻜﺎﻟﺴﺎﻤِﺭﻱ
ﻴﺸﺘﻜﻭﻥ ﻤِﻨﻬﺎ؛
ﻗﹸﻠﹾﺕﹸ ﻟﻪ ﺤﻭلْ ﻗﹸﺒﻠﹶﺔﹰ ﺇﻟﻰ ﺸﹶﻔﹶﺘﻲ ،ﻗﺎلَ ﻓﻲ ﻀﺤﻜﹶﺔٍ :ﻤﺘﻰ ﻜﺎﻨﹶﺕﹾ ﻟﻙ ﻤِﻨﱢﻲ ﻫﺫِﻩِ
ﺍﻟﻤﻌﺎﻤﻠﹶﺔ؛
ﻜﺎﻥ ﻟﻲ ﻤِﻥ ﻨﺠﻤﻲ ﻨﹶﻅﹶﺭ ﺴﻌﺩٍ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕ ،ﻓﻘﺩ ﺤﺩﺜﹶﺕﹾ ﻤﻘﺎﺒﻠﹶﺔﹲ ﺒﻴﻥ
ﺍﻟﺒﺩﺭِ ﻭﻭﺠﻪِ ﺤﺒﻴﺒﻲ)(٣؛
ﺜﹶﻐﺭ ﺍﻟﺤﺒﻴﺏِ ﻓﻴﻪِ ﻋﻼﺝ ﺩﺍﺀِ ﺤﺎﻓِﻅﹶ ﻟﻜِﻥ ،ﺃﺴﻔﺎﻩ ﻭﻗﹾﺕﹶ ﺍﻟﻤﺭﻭﺀﺓِ ﻜﻡ ﻜﺎﻥ ﻀﻴﻕﹶ
ﺍﻟﺤﻭﺼﻠﹶﺔ.
ﻏﺰﻝ ٢١٦
ﺫﺍﻙ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻋﻤﺎ ﻴﺸﻴﻥ ﺒﺭﻱ ﻗﺩ ﻜﺎﻥ ﻟﻲ ﻤﻨﺯِلٌ ﻓﻴﻪِ ﺍﻟﻤﻼﺌﻙ ﻤِﻥ
ﻭﻤﺎ ﺩﺭﻯ ﺃﻥ ﻤﻥ ﻴﻬﻭﺍﻩ ﻓﻲ ﺴﻔﹶﺭِ ﺤﻁﱠ ﺍﻟﺭﺤﺎلَ ﻓﺅﺍﺩﻱ ﻓﻲ ﻤﺤﻠﱠﺘِـﻪِ
ﻭﺒﻌﺩﻤﺎ ﺭﺍﺡ ﻻ ﺘﹶﺴﺄَلْ ﻋﻥِ ﺍﻟﺨﹶﺒـﺭِ ﻜﹶﻡ ﻜﺎﻥ ﻁﹶﻴﺏ ﺃﻭﻗـﺎﺘﻲ ﺒِـﺼﺤﺒﺘِﻪِ
ﻴﻤﻥِ ﺍﻟﺩﻋﺎﺀِ ﺒِﺠﻭﻑِ ﺍﻟﻠﱠﻴلِ ﻭﺍﻟﺴﺤﺭِ ﻭﻜﹸلﱡ ﻜﹶﻨﹾﺯِ ﺴﺭﻭﺭٍ ﻨﺎلَ ﺤـﺎﻓِﻅﹸ ﻤِـﻥ
) (١ﻤﺴﺎﺌلُ ﺍﻟﻌﺸﻕِ ﻻ ﺘﹸﺤلﱡ ﺒﺎﻟﻌﻘلِ ﻭﺍﻟﺩﺭﺱ ﻭﺍﻟﺠﺩﺍل ﺍﻟﻠﱠﻔﻅﻲ ﺒل ﻫﻲ ﻜﺸﻑﹲ ﻤﻥ ﺍﻟﺤﺒﻴﺏ؛
) (٢ﻟﻘﺩ ﻜﺎﻥ ﻗﻀﺎﺀ ﺍﻟﺤﻭﺍﺌﺞِ ﻤﻴﺴﺭﺍﹰ ﻓﻲ ﺫﻟﻙ ﺍﻟﻤﺠﻠﺱ ﻟﻭﻻ ﺃﻥ ﻗﻠﺒﻲ ﺃﺼﺎﺒﺘﻪ ﻟﻘﻠﱠﺔِ ﺤﻅﱢﻪِ ﻏﻤﺯﺓﹲ
ﻤﻥ ﺴﺎﻗﻲ ﺍﻟﺤﺎﻥ ﻓﺭﺍﺡ ﻴﻘﺎﺒﻠﻬﺎ ﺒﺎﻟﺸﱡﻜﺭ ﻭﺍﻨﺸﻐل ﻋﻥ ﻁﻠﺏِ ﺤﻭﺍﺌﺠﻪ.
) (٣ﺍﻗﺘﺭﻥ ﺍﻟﻭﺠﻬﺎﻥِ ﺍﻟﻤﺴﻌِﺩﺍﻥِ ،ﻭﺠﻪ ﺍﻟﺒﺩﺭِ ﻭﻭﺠﻪ ﺍﻟﺤﺒﻴﺏ.
-٢٢٩-
ﻁ ﻤﻠﹶﻙٍ ،ﺒﺭﻱﺀ ﻤِﻥ ﺍﻟﻌﻴﺏِ ﻤِﻥ ﺭﺃﺴِﻪِ ﺇﻟﻰ
ﺫﺍﻙ ﺍﻟﺤﺒﻴﺏ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺒﻴﺘﹸﻨﺎ ﻤِﻨﹾﻪ ﻤﻬﺒ ﹶ
)(١
ﻗﹶﺩﻤِﻪِ ﻤِﺜﹾلَ ﻤﻠﹶﻙٍ؛
ﻗﺎلَ ﻗﻠﺒﻲ ﺴﺄﺤﻁﱡ ﺍﻟﺭﺤﺎلَ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻟِﺄﺠﻠِﻪِ ،ﺍﻟﻤِﺴﻜﻴﻥ ﻟﻡ ﻴﻜﹸﻥ ﻴﺩﺭﻱ ﺃﻥ
ﺤﺒﻴﺒﻪ ﻓﻲ ﺴﻔﹶﺭٍ؛
ﻟﺴﺕﹸ ﺍﻟﻭﺤﻴﺩ ﺍﻟﱠﺫﻱ ﻤﺯﻕﹶ ﺍﻟﺤﺠﺎﺏ ﻋﻥ ﺴِﺭ ﻗﻠﺒِﻪِ ،ﺍﻟﻔﹶﻠﹶﻙ ﻤﺫﹾ ﻜﺎﻥ ﻜﺎﻥ ﺩﺃﺒﻪ ﺘﻤﺯﻴﻕﹶ
ﺍﻟﺤِﺠﺎﺏ؛
ﺫﻟِﻙ ﺍﻟﻘﹶﻤﺭ ،ﻤﻨﻅﻭﺭﻱ ﺍﻟﻌﺎﻟِﻡ ﺍﻟﱠﺫﻱ ﻟﻪ ﺒِﺠﺎﻨِﺏِ ﺤﺴﻥِ ﺍﻷﺩﺏِ ﻁﺒﻊ ﺼﺎﺤِﺏِ ﺍﻟﻨﱠﻅﹶﺭ؛
ﺴﺭﻗﹶﻪ ﻤِﻥ ﻴﺩﻱ ﻨﹶﺠﻡ ﺴﻭﺀِ ﻁﺎﻟﻌﻲ ،ﻤﺎ ﺃﻓﻌلُ ﻭﺩﻭﻟﺘﻲ ﻜﺎﻨﺕ ﻓﻲ ﺩﻭﺭﺓِ ﺍﻟﻘﹶﻤﺭ؛
ﻴﺎ ﻗﻠﺏ ﺍﻋﺫﹸﺭ ﻩ ﻓﺄﻨﺕﹶ ﻟﺴﺕﹶ ﻏﻴﺭ ﺩﺭﻭﻴﺵٍ ﻭﻫﻭ ﺍﻟﱠﺫﻱ ﻴﻀﻊ ﺘﺎﺝ ﻤﻤﻠﹶﻜﹶﺔِ ﺍﻟﺤﺴﻥِ ﻋﻠﻰ
ﺍﻟﺭﺃﺱ؛
ﺍﻷﻭﻗﺎﺕﹸ ﺍﻟﺠﻤﻴﻠﹶﺔﹸ ﻜﺎﻨﺕﹾ ﺇﺫﹾ ﻜﹸﻨﱠﺎ ﻤﻊ ﺍﻟﺤﺒﻴﺏِ ﻭﺍﻨﺘﻬﺕ ،ﻭﺍﻟﺒﺎﻗﻲ ﻜﹸﻠﱡﻪ ﻜﺎﻥ ﻫﺒﺎﺀ ﻭﺠﻬﻼﹰ؛
ﻜﺎﻨﺕﹾ ﺠﻤﻴﻠﹶﺔﹰ ﻀِﻔﱠﺔﹸ ﺍﻟﻤﺎ ِﺀ ﻭﺍﻟﻭﺭﺩ ﻭﺍﻟﺨﹸﻀﺭﺓﹸ ﻭﺍﻟﻨﱢﺴﺭﻴﻥ ،ﺃﺴﻔﺎﹰ ﺃﻥ ﻫﺫﺍ ﺍﻟﻜﹶﻨﹾﺯ
ﺍﻟﺠﺎﺭﻱ ﻜﺎﻥ ﻋﺎﺒِﺭﺍﹰ؛
ﻓﺎﻗﺘﹸلْ ﻨﹶﻔﹾﺴﻙ ﺃﻱ ﺒﻠﺒلُ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻐﹶﻴﺭﺓِ ﻓﺎﻟﻭﺭﺩ ﻜﺎﻨﹶﺕﹾ ﻤِﻨﻪ ﺠﻠﹾﻭﺓﹲ ﻟﺭﻴﺢِ ﺍﻟﺼﺒﺎ ﻭﻗﺕﹶ
ﺍﻟﺴﺤﺭِ؛
ﻜﹸلﱡ ﻜﻨﺯِ ﺴﻌﺎﺩﺓٍ ﺃﻋﻁﺎﻩ ﺍﷲُ ﻟِﺤﺎﻓِﻅ ،ﻜﺎﻥ ﻤِﻥ ﻴﻤﻥِ ﺩﻋﺎﺀِ ﺍﻟﻠﹼﻴلِ ﻭﻭِﺭﺩِ ﺍﻟﺴﺤﺭ.
ﻏﺰﻝ ٢١٧
ﺃﻱ ﻤﺴﻠِﻤﻭﻥ ﻜﺎﻥ ﻟﻲ ﻓﻲ ﻭﻗﺕٍ ﻗﻠﺏ ، ﻜﻨﺕﹸ ﺃﺘﺤﺩﺙﹸ ﺇﻟﻴﻪِ ﺇﻥ ﻋﺭﺽ ﻟﻲ ﻤﺸﻜِلٌ؛
ﻜﻨﺕﹸ ﺇﺫﺍ ﻭﻗﻌﺕﹸ ﻓﻲ ﻟﹸﺠﺔِ ﺒﺤﺭٍ ﻤِﻥ ﺍﻟﻐﻡ ،ﺒﺘﺩﺒﻴﺭِﻩِ ﺃﺭﺠﻭ ﺍﻟﻭﺼﻭلَ ﺇﻟﻰ ﺍﻟﺴﺎﺤِل؛
ﻜﺎﻥ ﺭﻓﻴﻕﹶ ﺃﻟﹶﻡٍ ﻭﻤﻌﻴﻨﺎﹰ ﻋﺎﺭِﻓﺎﹰ ﺒﺎﻟﻤﺼﻠﹶﺤﺔِ ،ﻭﻜﺎﻥ ﻅﻬﻴﺭﺍﹰ ﻟﻜﹸلﱢ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏ؛
) (١ﻗﻴلَ ﺃﻥ ﺤﺎﻓِﻅﹶ ﻴﺭﺜﻲ ﺯﻭﺠﺘﹶﻪ ﻓﻲ ﻫﺫﺍ ﺍﻟﻐﺯل.
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ﻀﺎﻉ ﻤِﻨﱢﻲ ﻓﻲ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ،ﻴﺎ ﺭﺏ ﺃﻱ ﻤﻨﺯِلٍ ﻴﺠﺫﹸﺏ ﺍﻟﻘﻠﻭﺏ ﺫﺍﻙ ﺍﻟﻤﻨﺯِل؛
ﻻ ﻓﹶﻀلَ ﻴﺨﻠﻭ ﻤِﻥ ﻋﻴﺏِ ﺍﻟﺤِﺭﻤﺎﻥِ ﻟﻜِﻥ ،ﺃﻴﻥ ﻫﻭ ﺍﻟﺴﺎﺌلُ ﺍﻟﻤﺤﺭﻭﻡ ﺃﻜﺜﹶﺭ ﻤِﻨﹼﻲ؟!؛
ﺍِﺤﻤِلْ ﺍﻟﺭﺤﻤ ﹶﺔ ﻟِﻬﺫِﻩِ ﺍﻟﺭﻭﺡِ ﺍﻟﻤﺸﺘﱠﺘﹶﺔِ ،ﻓﺫﺍﺕﹶ ﻴﻭﻡٍ ﻜﺎﻨﺕﹾ ﻓﻲ ﺍﻟﻌﻤلِ ﻜﺎﻤِﻠﹶﺔﹰ؛
ﺃﻨﺎ ﻤﻨﺫﹸ ﻗﺎﻡ ﻋِﺸﹾﻘﹸﻙ ﺒﺘﻌﻠﻴﻤﻲ ﺍﻟﻜﻼﻡ ،ﺼﺎﺭ ﺤﺩﻴﺜﻲ ﻟﹶﻁﺎﺌﻑﹶ ﻓﻲ ﻜﹸلﱢ ﻤﺤﻔﹶلٍ؛
ﻻ ﺘﻘﹸلْ ﺃﺒﺩﺍﹰ ﺃﻥ ﺤﺎﻓِﻅﹶ ﻋﺎﺭِﻑﹲ ﺒﺎﻟﻠﱠﻁﺎﺌﻑِ ،ﻟﻘﺩ ﺭﺃﻴﻨﺎﻩ ﻭﻜﺎﻥ ﺠﺎﻫِﻼﹰ ﻤﺤﻜﹶﻡ ﺍﻟﺠﻬلِ.
ﻏﺰﻝ٢١٨
ﻜﹸلﱡ ﻤﻥ ﻜﺎﻥ ﻤﺴﺘﹶﺤِﻘﱠﺎﹰ ﻟِﻔﻴﺽِ ﺍﻟﺩﻭﻟﹶﺔِ ﻓﻲ ﺍﻷﺯل ،ﺠﺎﻡ ﻤﺭﺍﺩِﻩِ ﺃﻨﻴﺱ ﺭﻭﺤِﻪِ ﻟﻸﺒﺩ؛
ﺃﻨﺎ ﻤﻨﹾﺫﹸ ﺘِﻠﹾﻙ ﺍﻟﺴﺎﻋﺔِ ﺍﻟﱠﺘﻲ ﻁﹶﻠﹶﺒﺕﹸ ﺒِﻬﺎ ﺍﻟﺘﱠﻭﺒ ﹶﺔ ﻋﻥ ﺸﹸﻐلِ ﺍﻟﺨﹶﻤﺭ ،ﻗﹸﻠﹾﺕﹸ ﻟِﻨﻔﺴﻲ ﻫﺫﺍ
ل ﺜﹶﻤﺭ ﺍﻟﻨﱠﺩﺍﻤﺔ؛
ﺍﻟﻐﹸﺼﻥ ﺇﺫﺍ ﺤﻤلَ ﻓﺴﻴﺤﻤِ ُ
ﻭﻋﺯﻤﺕﹸ ﻋﻠﻰ ﺤﻤلِ ﺴﺠﺎﺩﺘﻲ ﻋﻠﻰ ﺍﻟﻜﹶﺘِﻑِ ﻜﺎﻟﺴﻭﺴﻥ ،ﺃَﻜﹸلﱡ ﻤﻥ ﻟﺒِﺱ ﺨِﺭﻗﹶﺔﹰ ﺒﻠﻭﻥِ
ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀِ ﻜﺎﻟﻭﺭﺩِ ﺼﺎﺭ ﻤﺴﻠِﻤﺎﹰ؛
ﻭﺇﺫﺍ ﺒﻲ ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﺠﻠﻭﺱ ﻓﻲ ﺍﻟﺨﻠﻭﺓِ ﺒﻼ ﺴِﺭﺍﺝِ ﺍﻟﺠﺎﻡ ،ﻷﻥ ﺯﺍﻭﻴﺔﹶ ﺃﻫلِ ﺍﻟﻘﻠﺏِ
ﻻ ﺒﺩ ﺃﻥ ﺘﻜﻭﻥ ﻨﻭﺭﺍﻨﻴﺔﹰ؛
ﻓﻜﹸﻥ ﻋﺎﻟﻲ ﺍﻟﻬِﻤﺔﹶ ،ﻭﺇﺫﺍ ﻟﻡ ﺘﺠِﺩ ﺠﺎﻤﺎﹰ ﻤﺭﺼﻌﺎﹰ ﻓﻼ ﻀﻴﺭ ،ﻤﺎﺀ ﺍﻟﻌِﻨﹶﺏِ ﻟﻠﺨﻠﻴﻊِ
ﻴﺎﻗﻭﺕﹲ ﺭﻤﺎﻨﻲ؛
ﺭﻏﹾﻡ ﺃﻥ ﺸﹸﻐﹾﻠﹶﻨﺎ ﻴﺒﺩﻭ ﻏﻴﺭ ﻤﺘﱠﺴِﻕٍ ،ﻻ ﺘﹶﺭﻩ ﺴﻬﻼﹰ ،ﻓﻔﻲ ﻫﺫِﻩِ ﺍﻟﺒﻼﺩِ ﺍﻟﺴﻠﻁﺎﻥ ﻴﺤﺴﺩ ﺍﻟﺸﱠﺤﺎﺫﹶ؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺍﻟﺴﻤﻌﺔﹶ ﺍﻟﺤﺴﻨﹶﺔﹶ ﻴﺎ ﻗﻠﺏ ،ﻻ ﺘﹸﺼﺎﺤِﺏِ ﺍﻷﺼﻨﺎﻡِ ،ﻋِﺒﺎﺩﺓﹸ ﺍﻟﻨﱠﻔﺱِ ،ﺃﻱ
ﺭﻭﺤﻲ ،ﺒﺭﻫﺎﻥ ﺍﻟﺠﻬلِ؛
ﻓﻲ ﻤﺠﻠِﺱِ ﺍﻷُﻨﺱِ ﻭﺍﻟﺭﺒﻴﻊِ ﻭﺒﺤﺙِ ﺍﻟﺸﱢﻌﺭِ ،ﻤﻥ ﻻ ﻴﺄﺨﹸﺫﹸ ﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﻤِﻥ ﻴﺩِ ﺍﻟﺤﺒﻴﺏِ
ﺜﻘﻴلُ ﺍﻟﺭﻭﺡِ؛
ﺃﻤﺱِ ﻗﺎلَ ﻋﺯﻴﺯ :ﺤﺎﻓِﻅﹸ ﻴﺸﺭﺏ ﻭﻴﺨﻔﻲ ﺍﻟﺸﱠﺭﺍﺏ ،ﺃﻱ ﻋﺯﻴﺯﻱ ﺃﻟﻴﺱ ﻤِﻥ ﺍﻷﻓﻀلِ
ﺴﺘﹾﺭ ﺍﻟﻌﻴﺏ؟!.
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ﻏﺰﻝ ٢١٩
ـﺴﺘﺎﻥِ ﻤـﻥِْ ﻋـﺩﻡِ
ﻟﹶﻤـﺎ ﺃﺘـﻰ ﺍﻟـﻭﺭﺩ ﻓـﻲ ﺍﻟﺒـ
ﺨﹶــﺭ ﺍﻟﺒﻨﹶﻔﹾــﺴﺞ ﻤﺤﻨِﻴــﺎ ﻋﻠــﻰ ﺍﻟﻘﹶــﺩﻡِ
ـﻲ ﺤ ـﺯﻥٍ
ـﺎﻡ ﻋِﻨﹾ ـﺩ ﺍﻟ ـﺼﺒﺢِ ﻓـ
ﻓﹶﻠﹾﺘﹶ ـﺸﹾﺭﺏِ ﺍﻟﹾﺠـ
ﻤﻘﹶــﺒﻼﹰ ﻋﻨﹸــﻕﹶ ﺍﻟــﺴﺎﻗﻲ ﻋﻠــﻰ ﺍﻟــﻨﱠﻐﹶﻡِ
ﻭﺍﺠﻠِﺱ ﻤﻊ ﺍﻟﻜـﺄﺱِ ﻭﺍﻟﻤﺤﺒـﻭﺏِ ﻓـﻲ ﻁﹶـﺭﺏٍ
ﻓﹶﻤﻭﺴِــﻡ ﺍﻟﹾــﻭﺭﺩِ ﺃﻀــﺤﻰ ﺸِــﺒﻪ ﻤﻨﹾــﺼﺭِﻡِ
ﻫــﺫﻱ ﺍﻟﺭﻴــﺎﺤﻴﻥ ﻓﹶــﻭﻕﹶ ﺍﻷﺭﺽِ ﻁﺎﻟِﻌــﺔﹰ
ﺒﺎﻟــﺴﻌﺩِ ﺘﹶﺤﻜــﻲ ﻨﹸﺠــﻭﻡ ﺍﻟﻠﱠﻴــلِ ﻓــﻲ ﺍﻟﻅﱡﻠﹶــﻡِ
ﺃﻨﹾﻔــﺎﺱ ﻋﻴــﺴﻰ ﻟﹶــﻪ ﻓﺎﺸﹾــﺭﺏ ﻋﻠــﻰ ﻴــﺩِﻩِ
ﻑ ﻤِــﻥ ﺴــﻘﹶﻡِ
ﻭﺩﻉ ﺜﹶﻤــﻭﺩ ﻭﻋــﺎﺩﺍﹰ ﻭﺍﺸﹾــ ﹶ
ﺽ ﻤِﻥ ﺍﻟﻌﺩﻡِ ﻟﻠﻭﺠﻭﺩ ،ﻫﺎ ﻫﻭ ﺍﻟﺒﻨﹶﻔﹾﺴﺞ ﻴﻀ ﻊ
ﺍﻵﻥ ﻭﻗﺩ ﺠﺎﺀ ﺍﻟﻭﺭﺩ ﻓﻲ ﺍﻟﺭﻭ ِ
ﺍﻟﺭﺃﺱ ﻋﻠﻰ ﻗﹶﺩﻤِﻪِ ﻓﻲ ﺴﺠﻭﺩ؛
ﻓﺎﺸﺭﺏ ﺠﺎﻡ ﺍﻟﺼﺒﻭﺡِ ﻋﻠﻰ ﺃﻨﻴﻥِ ﺍﻟﺩﻑﱢ ﻭﺍﻟﺭﺒﺎﺏِ ،ﻭﻗﹶﺒلْ ﻁﹶﻭﻕﹶ ﻋﻨﹸﻕِ ﺍﻟﺴﺎﻗﻲ ﻋﻠﻰ
ﻨﻐﻤﺔِ ﺍﻟﻨﱠﺎﻱِ ﻭﺍﻟﻌﻭﺩ)(١؛
ﻭﻓﻲ ﺩﻭﺭِ ﺍﻟﻭﺭ ِﺩ ﻻ ﺘﹶﺠﻠِﺱ ﺒﻼ ﺸﺭﺍﺏٍ ﻭﺸﺎﻫِﺩٍ ﻭﺭﺒﺎﺒﺔٍ ،ﻓﺒﻘﺎﺀ ﺍﻟﻭﺭﺩِ ﻜﺎﻟﻴﻭﻡِ ﺃﺴﺒﻭﻉ
ﻤﻌﺩﻭﺩ(٢)؛
) (١ﺇﺫﺍ ﻁﹶﻠﹶﻊ ﺍﻟﻔﹶﺠﺭ ﻭﺤﺎﻥ ﻭﻗﺕﹸ ﺍﻟﺩﻋﺎﺀِ ﻭﻤﻨﺎﺠﺎﺓِ ﺍﻟﺤﺒﻴﺏِ ﻭﺍﻟﺤﺩﻴﺙِ ﺇﻟﻴﻪ ،ﻓﺎﺸﺭﺏ ﺨﻤﺭﺓﹶ ﺍﻟﺼﺒﺎﺡِ ﻭﺭﺡ
ﺩﺍﻋِﻴﺎﹰ ﻓﻲ ﺴﻜﹾﺭٍ ﻭﻭﻟﹶﻪٍ ،ﻭﺃﺒﺸِﺭ ﺒِﻨﻴلِ ﺍﻟﻤﻨﻰ ،ﻭﻗﺒلْ ﻋﻨﹸﻕﹶ ﺍﻟﺴﺎﻗﻲ ،ﻋﻠﻰ ﻨﻐﻤﺔِ ﺍﻟﻨﱠﺎﻱِ ﻭﺍﻟﻌﻭﺩ؛
) (٢ﻓﻲ ﻤﻭﺴِﻡِ ﺍﻟﻭﺭﺩِ ،ﻤﻭﺴِﻡِ ﺍﻟﻠﹼﻘﺎﺀِ ﻤﻊ ﺍﻟﺤﺒﻴﺏِ ﻓﻲ ﺍﻟﻔﺠﺭ ،ﻻ ﺘﺠﻠِﺱ ﺇﻻﹼ ﻤﻊ ﺍﻟﺨﻤﺭِ ﻭﺍﻟﺤﺒﻴ ِ
ﺏ
ﻭﺍﻟﺭﺒﺎﺒﺔٍ ،ﻭﺍﻁﺭﺏ ﻓﻤﻭﺴِﻡ ﺍﻟﻭﺭﺩِ ﻗﺼﻴﺭ ،ﻭﺍﻟﺭﺒﻴﻊ ﻴﻤﺭ ﻤﺴﺭِﻋﺎﹰ ﻓﺎﻏﺘﻨِﻤﻪ) ،ﺭﺒﻴﻊ ﺍﻟﺫِﻜﺭِ
ﻗﺼﻴﺭ ﻴﺩﻭﻡ ﺇﻟﻰ ﻁﻠﻭﻉِ ﺍﻟﺸﱠﻤﺱ ﻓﻼ ﺘﹸﻀِﻊِ ﻭﻗﺕ ﺍﻟﺩﻋﺎﺀِ ﻴﺎ ﺒﻠﺒل(؛
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ﺍﻷﺭﺽ ﻤِﻥ ﺨﹸﺭﻭﺝِ ﺍﻟﺭﻴﺎﺤﻴﻥِ ﺼﺎﺭﺕﹾ ﻤﻀﻴﺌﺔﹰ ﻜﺎﻟﺴﻤﺎﺀِ ،ﺒﺎﻟﻜﹶﻭﻜﹶﺏِ ﺍﻟﻤﻴﻤﻭﻥِ
ﻭﺍﻟﻁﱠﺎﻟﻊِ ﺍﻟﻤﺴﻌﻭﺩ؛
ﻤِﻥ ﻴﺩِ ﺍﻟﺸﱠﺎﻫِﺩِ ﺍﻟﻠﱠﻁﻴﻑِ ﺍﻟﻌﺫﺍﺭِ ﺍﻟﻌﻴﺴﻭﻱ ﺍﻟﻨﱠﻔﹶﺱِ ،ﺍﺸﺭﺏ ﺍﻟﻜﺄﺱ ﻭﺨلﱢ ﺫِﻜﹾﺭ ﻋﺎﺩٍ
ﻭﺜﻤﻭﺩ)(١؛
ﺍﻟﺩﻨﻴﺎ ﺼﺎﺭﺕﹾ ﻜﺎﻟﺠﻨﱠﺔِ ﺍﻟﻌﺎﻟﻴﺔِ ﻓﻲ ﺩﻭﺭِ ﺍﻟﺴﻭﺴﻥِ ﻭﺍﻟﻭﺭﺩِ ،ﻟﻜِﻥ ﻤﺎ ﺍﻟﻨﱠﻔﹾﻊ ﻭﻓﻴﻬﺎ
ﻻ ﻴﻤﻜِﻥ ﺍﻟﺨﻠﻭﺩ؛
ﺤﻴﻥ ﻴﺴﺎﻓِﺭ ﺍﻟﻭﺭﺩ ﻓﻲ ﺍﻟﻬﻭﺍﺀِ ﻜﺴﻠﻴﻤﺎﻥ ،ﻭﺍﻟﻁﱠﻴﺭ ﺘﺠﻲﺀ ﻓﻲ ﺍﻟﺴﺤﺭِ ﺒِﺄﻨﻐﺎﻡِ ﺩﺍﺅﻭﺩ؛
ﻓﻲ ﻴﺎﻨِﻊِ ﺍﻟﺭﻭﺽِ ﻜﹸﻥ ﻋﻠﻰ ﺭﺴﻡِ ﺩﻴﻥِ ﺯﺭﺩﺸﺕ ،ﻋِﻨﺩﻤﺎ ﺘﹸﺸﻌِلُ ﺍﻟﺸﱠﻘﺎﺌﻕﹶ ﻨﺎﺭ ﻨﻤﺭﻭﺩ؛
ﻭﺍﻁﻠﹸﺏ ﺠﺎﻡ ﺍﻟﺼﺒﻭﺡِ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﺁﺼِﻑﹶ ﺍﻟﻌﻬﺩ ،ﻭﺯﻴﺭ ﻤﻠﹾﻙِ ﺴﻠﻴﻤﺎﻥ ﻋِﻤﺎﺩ ﺍﻟ ﺩﻴﻥ
ﻤﺤﻤﻭﺩ؛
ﻅ ﻤِﻥ ﻴﻤﻥِ ﺘﺭﺒﻴﺘِﻪِ ،ﻜﹸلﱡ ﻤﺎ ﻴﻁﻠﹸﺏ ﺠﻤﻠﹶﺔﹰ ﻋِﻨﹾﺩﻩ ﻤﻭﺠﻭﺩ.
ﻋﺴﻰ ﻤﺠﻠِﺱ ﺤﺎﻓِ ﹶ
ﻏﺰﻝ ٢٢٠
ﻤﻥ ﻋﻴﻭﻨﻨﺎ ﻋﻠﻰ ﺍﻟﻭﺠﻭﻩِ ﺩﻡ ﺍﻟﻘﻠﺏِ ﻜﹸﻠﱡﻪ ﻴﺠﺭﻱ ،ﻋﻠﻰ ﺍﻟﻭﺠﻭﻩِ ﻤِﻥ ﻋﻴﻭﻨﻨﺎ ﻜﻴﻑﹶ
ﺃﻗﻭلُ ﻤﺎ ﻴﺠﺭﻱ؟)(٢؛
ﻨﺤﻥ ﻓﻲ ﺩﺍﺨِلِ ﺍﻟﺼﺩﺭِ ﺃﺨﻔﻴﻨﺎ ﺍﻟﻬﻭﻯ ،ﻓﺈﺫﺍ ﻗﻠﺒﻨﺎ ﺠﺭﻯ ﻤﻊ ﺍﻟﺭﻴﺢِ ﻓﻤِﻥ ﺫﻟِﻙ ﺍﻟﻬﻭﺍ
ﻴﺠﺭﻱ؛
ﺸﹶﻤﺱ ﺍﻟﻤﺸﺭِﻕِ ﻤِﻥ ﺍﻟﺤﺴﺩِ ﺘﹸﻤﺯﻕﹸ ﺍﻟﺭﺩﺍﺀ ،ﺤﻴﻥ ﺒﺩﺭﻨﺎ ﺍﻟﻤﻌﺸﻭﻕﹸ ﻓﻲ ﻗﺒﺎﺌﻪِ ﻴﻤﺸﻲ؛
ﻭﻀﻌﻨﺎ ﻋﻠﻰ ﺘﹸﺭﺍﺏِ ﺩﺭﺏِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻭﺠﻭﻩ ،ﻫﻨﻴﺌﺎﹰ ﻟﻠﻭﺠﻭﻩِ ﺍﻟﱠﺘﻲ ﻋﻠﻴﻬﺎ ﺍﻟﺤﺒﻴﺏ ﻴﻤﺸﻲ؛
) (١ﺍﺸﺭﺏِ ﺍﻟﻜﺄﺱ ﻤِﻥ ﻴﺩِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻟﻪ ﺃﻨﻔﺎﺱ ﻋﻴﺴﻰ ﺍﻟﱠﺘﻲ ﺘﺤﻴﻲ ﺍﻟﻤﻭﺘﻰ ﻭﺍﺸﻑﹶ ﻤﻥ ﻜلﱢ
ﺩﺍﺀٍ ،ﻭﺩﻉ ﺫِﻜﺭ ﺍﻷﻏﻴﺎﺭ.
) (٢ﻤﺎ ﺃﺼﺎﺏ ﻭﺠﻭﻫﻨﺎ ﻤﻥ ﻋﻴﻭﻨِﻨﺎ ﺍﻟﱠﺘﻲ ﺭﺃﺕ ﺠﻤﺎلَ ﺍﻟﻤﺤﺒﻭﺏِ ﻓﻜﺎﻨﺕِ ﺍﻟﺴﺒﺏ ﻭﺭﺍﺀ ﻤﺼﺎﺒِﻨﺎ؛
-٢٣٣-
ﻤﺎﺀ ﺍﻟﻌﻴﻥِ ﺴﻴلٌ ﻭﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﺒِﻪِ ﻴﻤﺭ ،ﻭﻟﻭ ﻜﺎﻥ ﻗﻠﺒﻪ ﻤِﻥ ﺍﻟﺼﺨﹾﺭِ ﻴﺭﺜﻲ؛
ﻟﻨﺎ ﻤﻊ ﺍﻟﺩﻤﻊِ ﺨِﺼﺎﻡ ﻭﺠِﺩﺍلٌ ﻓﻲ ﺍﻟﻠﹼﻴلِ ﻭﺍﻟﻨﱠﻬﺎﺭ ،ﻜﻴﻑﹶ ﻤﺠﺭﺍﻩ ﻓﻲ ﺩِﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﻴﺠﺭﻱ)(١؛
ﺤﺎﻓِﻅﹸ ﺩﺍﺌﻤﺎﹰ ،ﺇﻟﻰ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ،ﺒﺼِﺩﻕِ ﻗﻠﺏٍ ،ﻜﺎﻟﺼﻭﻓﻴﻴﻥ ﺍﻟﻤﻨﺫﻭﺭﻴﻥ ﻟﻠﺼﻭﻤﻌﺔِ،
ﻤِﻥ ﺍﻟﺼﻔﺎﺀِ ،ﻴﻤﺸﻲ.
ﻏﺰﻝ ٢٢١
ﺇﺫﺍ ﻭﺼﻠﹶﺕﹾ ﻴﺩﻱ ﺇﻟﻰ ﻀﻔﻴﺭﺘِﻪِ ﻴﻐﻀﺏ ،ﻭﺇﺫﺍ ﻁﹶﻠﹶﺒﺕﹸ ﻤﻨﻪ ﺍﻟﺼﻠﹾﺢ ﻴﻌﺎﺘﺒﻨﻲ؛
ﻤﺭ ﻜﺎﻟﻬﻼلِ ﺍﻟﺠﺩﻴﺩ ﻓﻲ ﻁﺭﻴﻕِ ﻨﻅﱠﺎﺭﺓِ ﺍﻟﻤﺴﺎﻜﻴﻥ ،ﺃﻟﻘﻰ ﻨﻅﺭﺓﹰ ﻤِﻥ ﻁﹶﺭﻑِ ﺍﻟﻌﻴﻥِ
ﻭﺭﺍﺡ ﻓﻲ ﺍﻟﻨﱢﻘﺎﺏ)(٢؛
ﻓﻲ ﺍﻟﻠﹼﻴلِ ﻴﺠﻌﻠﹸﻨﻲ ﺨﺭﺍﺒﺎﹰ ﻤِﻥ ﺍﻟﺸﱠﺭﺍﺏِ ﻓﻲ ﺍﻟﻴﻘﹶﻅﹶﺔِ ،ﻭﺇﺫﺍ ﺸﻜﻭﺕﹸ ﻟﻪ ﺒﺎﻟﻨﱠﻬﺎﺭِ ﻤﺎ ﺒﻲ
ﺭﺍﺡ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ؛
ﻁﺭﻴﻕﹸ ﺍﻟﻌِﺸﹾﻕِ ﻤﻤﻠﻭﺀﺓﹲ ﻓِﺘﻨﹶﺔﹰ ﻭﺒﻼﺀ ،ﺃﻱ ﻗﻠﺏ ،ﻓﻲ ﻫﺫﻩِ ﺍﻟﻁﱠﺭﻴﻕِ ﻤﻥ ﺭﺍﺡ ﻤﺴﺭِﻋﺎﹰ ﻫﻭﻯ؛
ﻻ ﺘﺒِﻊ ﺍﻻﺴﺘِﺠﺩﺍﺀ ﻓﻲ ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ﺒﺎﻟﺴﻠﻁﹶﻨﹶﺔِ ،ﻫل ﺸﺨﺹ ﻴﺫﻫﺏ ﻤِﻥ ﻅِلﱢ ﻫﺫﺍ
ﺍﻟﺒﺎﺏِ ﻟﻠﺸﱠﻤﺱِ )ﺍﻟﺤﺎﺭِﻗﺔ(؛
ﺕ ﺒِﻤِﺌﺔِ ﺍﻨﺘﺨﺎﺏٍ)(٣؛
ﺴﻭﺍﺩ ﻜﺘﺎﺏِ ﺍﻟﺸﱠﻌﺭِ ﺍﻷﺴﻭﺩِ ﺇﺫﺍ ﻤﺎ ﻁﹸﻭﻱ ﻓﻠﻥ ﻴﻘِلﱠ ﺍﻟﺒﻴﺎﺽ ﻭﻟﻭ ﻗﹸﻤ ﹶ
ﺍﻟﺤﺒﺎﺏ ﺇﺫﺍ ﻫﺒﺕﹾ ﺭﻴﺢ ﺍﻟﻨﱠﺨﻭﺓِ ﻋﻠﻰ ﺭﺃﺴِﻪِ ﺍﻨﺘﻬﻰ ﻏﺭﻭﺭﻩ ﻭﻏﺎﺭ ﻓﻲ ﺍﻟﺸﱠﺭﺍﺏ؛
ﺏ ﻁﺭﻴﻘِﻙ ،ﺤﺎﻓِﻅﹸ ﺍﺨﺭﺝ ﻤِﻥ ﺍﻟﺤِﺠﺎﺏ ،ﺴﻌِﺩ ﺸﹶﺨﹾﺹ ﺫﻫﺏ ﻓﻲ
ﺃﻨﺕﹶ ﻨﹶﻔﺴﻙ ﺤِﺠﺎ
ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﺒﻼ ﺤِﺠﺎﺏ.
ﻑ ﻭﺼلَ ﻤﺠﺭﺍﻩ ﺇﻟﻰ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﻭﻨﺤﻥ ﻟﻡ ﻨﹶﺼِلْ.
) (١ﻜﻴ ﹶ
) (٢ﺍﻟﻬﻼلُ ﺍﻟﺠﺩﻴﺩ ﻫﻼلُ ﺃﻭلِ ﺍﻟﺸﱠﻬﺭ ﺍﻟﺴﺭﻴﻊ ﺍﻻﺨﺘﻔﺎﺀِ ﺒﻌﺩ ﺍﻟﻅﱡﻬﻭﺭِ ﺇﺫ ﻻ ﻴﻜﺎﺩ ﻴﻅﻬﺭ ﺤﺘﹼﻰ
ﻴﺨﺘﻔﻲ؛
) (٣ﺇﺫﺍ ﺒﺩﺃَ ﺸﹶﻌﺭﻙ ﻴﺸﻴﺏ ﻓﻠﻥ ﺘﺴﺘﻁﻴﻊ ﺇﻴﻘﺎﻑﹶ ﺒﻴﺎﺽِ ﺍﻟﺸﱠﻴﺏِ ﺒﺎﻨﺘِﺨﺎﺏِ ﺍﻟﺸﱠﻌﺭﺍﺕِ ﺍﻟﺒﻴﺽِ
ﻭﺍﻟﺘﱠﺨﻠﱡﺹِ ﻤﻨﻬﺎ.
-٢٣٤-
ﻏﺰﻝ ٢٢٢
ﺏ ﺜﹸﻡ ﺁﺨﺭﺍﹰ ﻴﺭﻭﺡ ﻓﻲ ﺨﹶﺠل ،ﻜلﱡ ﻤﻥ ﻗﺩ ﺭﺍﺡ ﻤﻥ ﺤِﻤﺎﻙ ﻤﻥ ﻤﻼﻟﻪ؛
ﻴﺨﻴ
ﻤﺤﻔﻭﻅﹶﺔﹰ ﻜﺎﻨﹶﺕﹾ ﺒِﺤِﻔﻅِ ﺍﷲِ ﺘِﻠﻙ ﺍﻟﻘﺎﻓِﻠﹶﻪ ،ﺘﺠﻠﺱ ﻓﻲ ﺘﺠﻤلٍ ،ﺘﺴﻴﺭ ﻓﻲ ﺠﻼﻟﻪ؛
ﻨﻭﺭ ﺍﻟﻬﺩﻯ ﻟﺴﺎﻟﻜﻲ ﺍﻟﻁﱠﺭﻴﻕ ﻟﻠﺤﺒﻴﺏِ ،ﻤﺎ ﺴﺎﻟﻙ ﺒﻭﺍﺼلٍ ﻤﺎ ﺴﺎﺭ ﻓﻲ ﻀﻼﻟﻪ؛
ﺨﹸﺫِ ﺍﻟﻤﺭﺍﺩ ﺁﺨِﺭﺍﹰ ﻤﻥ ﺨﻤﺭﺓِ ﺍﻟﻤﻌﺸﻭﻕِ ﻤﺎ ﺃﻀﻴﻊ ﺍﻟﻭﻗﺕﹶ ﺍﻟﱠﺫﻱ ﻗﻀﻴﺕﹶ ﻓﻲ ﺒﻁﺎﻟﻪ؛
ﺒﺎﷲِ ﻋﻭﻨﺎﹰ ﻴﺎ ﺩﻟﻴﻠﻲ ،ﻀﺎﻉ ﻗﻠﺒﻲ ،ﻭﺍﻟﻐﺭﻴﺏ ﺇﻥ ﻴﻀِﻊ ﻤﻥ ﺍﻟﺩﻟﻴلِ ﻴﺴﺄلِ ﺍﻟﺩﻻﻟﻪ؛
ﺍﻟﺤﻜﻡ ﺒﺎﻟﺨﻠﻴﻊِ ﻭﺍﻟﻤﺴﺘﻭﺭِ ﻋِﻨﺩ ﺍﻟﺨﺎﺘِﻤﻪ ،ﻤﻥ ﻋﺎﺭِﻑﹲ ﻜﻴﻑﹶ ﺘﻜﻭﻥ ﻓﻲ ﺍﻟﻤﺂلِ ﺍﻟﺤﺎﻟﹶﻪ؛
ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﺤﻤِلْ ﻓﻲ ﻴﺩﻴﻙ ﺠﺎﻡ ﻋﻴﻥِ ﺍﻟﺤِﻜﻤﻪ ﺃﺯِلْ ﺒِﻪِ ﻤﻥ ﻟﻭﺡِ ﺨﻁﱢ ﻗﻠﺒِﻙ ﺍﻟﺠﻬﺎﻟﻪ؛
ﻏﺰﻝ ٢٢٣
ﺃﺒﺩﺍﹰ ﻨﻘﺸﹸﻙ ﻻ ﻴﺯﻭلُ ﻤِﻥ ﻟﹶﻭﺡِ ﻗﻠﺒﻲ ﻭﺭﻭﺤﻲ ،ﺃﺒﺩﺍﹰ ﺫﻟِﻙ ﺍﻟﺴﺭﻭ ﺫﻭ ﺍﻟﺩﻻلِ ﻻ ﻴﺯﻭلُ
ﻤﻥ ﺨﻴﺎﻟﻲ؛
ﻙ ﻻ ﻴﺯﻭلُ ﻤﻥ ﺩﻤﺎﻏﻲ ﺃﻨﺎ ﺍﻟﺤﻴﺭﺍﻥ ،ﻤِﻥ ﺠﻔﺎﺀٍ ﻤِﻥ ﺍﻟﻔﹶﻠﹶﻙِ ﻭﻏﹸﺼﺔٍ
ﺃَﺒﺩﺍﹰ ﺨﻴﺎلُ ﺜﻐﺭِ
ﻤِﻥ ﺍﻷﻴﺎﻡ؛
ﻗﻠﺒﻲ ﻤِﻥ ﺍﻷﺯلِ ﻋﻘﹶﺩ ﺍﻟﻌﻬﺩ ﻤﻊ ﻓﹶﺭﻋِﻙ ،ﺇﻟﻰ ﺍﻷﺒﺩِ ﻟﹶﻥ ﻴﺭﺠِﻊ ﻭﻟﹶﻥ ﻴﻨﺴﻰ ﺍﻟﻌﻬﺩ؛
ﻜلﱡ ﺸﻲﺀٍ ﺴﻭﻯ ﺤِﻤلِ ﻏﻤﻙ ﻋﻠﻰ ﻗﻠﺒﻲ ﺍﻟﻤِﺴﻜﻴﻥِ ﻴﺫﻫﺏ ﻤِﻥ ﻗﻠﺒﻲ ،ﻭﺫﺍﻙ ﻤﻥ ﻗﻠﺒﻲ
ﻻ ﻴﺫﻫﺏ؛
ﻤﻭﻀِﻊ ﺤﺒﻙ ﻓﻲ ﻗﻠﺒﻲ ﻭﺭﻭﺤﻲ ،ﺘﺫﻫﺏ ﺭﺃﺴﻲ ﻭﻻ ﻴﺫﻫﺏ ﺤﺒﻙ ﻤﻥ ﻗﻠﺒﻲ ﻭﺭﻭﺤﻲ)(١؛
ﻗﻠﺒﻲ ﺇﺫﺍ ﺭﺍﺡ ﺨﻠﻑﹶ ﺍﻟﺤِﺴﺎﻥِ ﻤﻌﺫﻭﺭ ،ﻋِﻨﹾﺩﻩ ﺍﻷﻟﹶﻡ ،ﻤﺎ ﻴﻔﻌلُ ﺇﻥ ﻟﻡ ﻴﺫﻫﺏ ﺨﻠﻑﹶ ﺍﻟﺩﻭﺍﺀ؟؛
ﻤﻥ ﺃﺭﺍﺩ ﺃﻥ ﻻ ﻴﻜﻭﻥ ﻜﺤﺎﻓِﻅﹶ ﻫﺎﺌﻡ ﺍﻟﺭﺃﺱِ ،ﻻ ﻴﻌﻁِ ﺍﻟﻘﻠﺏ ﻟﻠﺤﺴﺎﻥِ ﻭﻻ ﻴﺠﺭِ ﺨﻠﻔﹶﻬﻥ.
) (١ﻤﻭﻀِﻊ ﺤﺒﻙ ﻟﻴﺱ ﻓﻲ ﺭﺃﺴﻲ ﺒل ﻓﻲ ﻗﻠﺒﻲ ﻭﺭﻭﺤﻲ ،ﻓﺤﺘﹼﻰ ﻭﻟﻭ ﻗﹸﻁِﻌﺕﹾ ﺭﺃﺴﻲ ﻓﺈﻥ ﺤﺒﻙ
ﻴﺒﻘﻰ ﻓﻲ ﻗﻠﺒﻲ ﻭﺭﻭﺤﻲ.
-٢٣٥-
ﻏﺰﻝ ٢٢٤
ﺴﻌﻴﺩ ﻫﻭ ﺍﻟﻘﻠﺏ ﺍﻟﱠﺫﻱ ﻻ ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡِ ﺨﻠﹾﻑﹶ ﺍﻟﻨﱠﻅﹶﺭ ،ﻭﺇﺫﺍ ﻤﺎ ﺩﻋِﻲ ﺇﻟﻰ ﺃﻱ
ﺒﺎﺏٍ ﻻ ﻴﺫﻫﺏ ﻏﺎﻓِﻼﹰ؛
ﻟﻭ ﻟﻡ ﺃﻁﻤﻊ ﺒﺘﻠﻙ ﺍﻟﺸﹼﻔﺔِ ﺍﻟﻌﺫﺒﺔِ ﻟﻜﺎﻥ ﺃﻭﻟﻰ ،ﻟﻜِﻥ ﻜﻴﻑﹶ ﻟﻠﺫﱡﺒﺎﺒﺔِ ﺃﻥ ﻻ ﺘﺭﻭﺡ ﺨﻠﻑﹶ
ﺍﻟﺴﻜﱠﺭ؛
ﻻ ﺘﻐﺴِلْ ﺒﺎﻟﺩﻤﻊِ ﺴﻭﺍﺩ ﻋﻴﻨﻲ ﺍﻟﻤﺼﺎﺒﺔِ ﺒﺎﻟﻐﻡ ،ﻓﻨﻘﺵﹸ ﺨﺎﻟِﻙ ﻻ ﻴﺯﻭلُ ﻤِﻥ ﻨﹶﻅﹶﺭﻱ
ﺃﺒﺩﺍﹰ؛
ﻋﺎﻤﻠﻨﻲ ﻜﺎﻟﺼﺒﺎ ﻭﻻ ﺘﺤﺭِﻤﻨﻲ ﺭﻴﺤﻙ ،ﺃﻨﺎ ﻤﻥ ﺩﻭﻥِ ﻓﺭﻋِﻙ ﻻ ﻓﻼﺡ ﻷﻤﺭﻱ؛
ﻴﺎ ﻗﻠﺏ ﻻ ﺘﻜﹸﻥ ﻫﻜﺫﺍ ﻤﺘﺸﹶﺭﺩﺍﹰ ﻭﻫﺎﺌﻤﺎﹰ ،ﺒِﻬﺫﺍ ﺍﻟﻔﹶﻥ ﺴﻭﻑﹶ ﻟﻥ ﻴﻨﹾﺠﺢ ﻋﻤﻠﹸﻙ؛
ﻻ ﺘﻨﻅﹸﺭ ﺒﻌﻴﻥِ ﺍﻟﺤﻘﺎﺭﺓِ ﺇﻟﻲ ﻭﺃﻨﺎ ﺍﻟﺴﻜﺭﺍﻥ ،ﺇﻥ ﻤﺎﺀ ﻭﺠﻪِ ﺍﻟﺸﱠﺭﻴﻌﺔِ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻘﹶﺩﺭِ
ﻻ ﻴﺫﻫﺏ؛
ﺃﻨﺎ ﺍﻟﺸﱠﺤﺎﺫﹸ ﺒﻲ ﻫﻭﺱ ﻟﺴﺭﻭِ ﻗﺎﻤﺘِﻪِ ،ﻓﺎﻟﻴﺩ ﺍﻟﹼﺘﻲ ﺘﺼِلُ ﺇﻟﻰ ﻨِﻁﺎﻗِﻪِ ﻻ ﺘﻌﻭﺩ ﺒﻐﻴﺭِ
ﺍﻟﺫﹼﻫﺏِ ﻭﺍﻟﻔِﻀﺔ؛
ﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﻤِﻥ ﻤﻜﺎﺭِﻡِ ﺍﻷﺨﻼﻕِ ﻋﺎﻟﹶﻡ ﺁﺨﹶﺭ ،ﻟﻥ ﻴﺯﻭلَ ﻤِﻥ ﺨﺎﻁِﺭِﻙ ﺍﻟﻭﻓﺎﺀ ﻟﻌﻬﺩﻱ؛
ﻻ ﺃﺭﻯ ﺸﺨﺼﺎﹰ ﺃﺴﻭﺩ ﺼﺤﻴﻔﺔﹰ ﻤﻨﹼﻲ ،ﻜﻴﻑﹶ ﻻ ﻴﻨﺘﻬﻲ ﺍﻟﺩﺨﺎﻥ ﺍﻷﺴﻭﺩ ﻤِﻥ ﻗﹶﻠﹶﻡِ
ﻗﻠﺒﻲ؛
ﺒﺘﺎﺝِ ﺍﻟﻬﺩﻫﺩِ ﻻ ﺘﺒﻌِﺩﻨﻲ ﻤِﻥ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻓﺎﻟﺒﺎﺯ ﺍﻷﺒﻴﺽ ﻻ ﻴﺠﺭﻱ ﺨﻠﻑﹶ ﻜﹸلﱢ ﺼﻴﺩٍ
ﻤﺨﺘﹶﺼﺭٍ ﻜﺎﻟﺒﺎﺸِﻕِ؛
ﺍﺠﻠِﺏِ ﺍﻟﺨﹶﻤﺭ ،ﻭﺃﻭﻻﹰ ﺼﺏ ﻓﻲ ﻴﺩِ ﺤﺎﻓِﻅ ،ﺒِﺸﹶﺭﻁِ ﺃﻥ ﻻ ﻴﺨﺭﺝ ﻤِﻥ ﺍﻟﻤﺠﻠِﺱِ
ﺤﺩﻴﺙﹲ ﺨﺎﺭِﺝ ﺍﻟﺒﺎﺏ.
-٢٣٦-
ﻏﺰﻝ ٢٢٥
ﺴﺎﻗﻲ ﻨﺤﻥ ﻓﻲ ﺤﺩﻴﺙِ ﺍﻟﺴﺭﻭِ ﻭﺍﻟﻭﺭﺩِ ﻭﺍﻟﺸﱠﻘﺎﺌﻕ ،ﺫﺍﻙ ﺒﺤﺙﹲ ﻴﻭﺍﻓِﻕﹸ ﺍﻟﺜﱠﻼﺜﹶﺔﹶ
ﺍﻟﻐﺴﺎﻟﻪ)(١؛
ﻫﺎﺕِ ﺍﻟﺨﻤﺭ ﻓﻌﺭﻭﺱ ﺍﻟﺭﻭﺽِ ﺍﻟﺠﺩﻴﺩﺓﹸ ﺒﻠﹶﻐﹶﺕﹾ ﺤﺩ ﺍﻟﺤﺴﻥِ ،ﻭﻫﻲ ﺍﻵﻥ ﻟﻴﺴﺕﹾ
ﺒِﺤﺎﺠﺔِ ﺍﻟﺩﻟﹼﺎﻟﹶﻪ؛
ﻜﹸلﱡ ﺒﺒﻐﺎﻭﺍﺕِ ﺍﻟﻬِﻨﺩِ ﺘﻤﻀﻎﹸ ﻫﺫﺍ ﺍﻟﻘﹶﻨﹾﺩ ﺍﻟﻔﺎﺭﺴﻲ ﺍﻟﱠﺫﻱ ﻭﺼلَ ﺇﻟﻰ ﺍﻟﺒﻨﻐﺎل)(٢؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻁﻲ ﺍﻟﻤﻜﺎﻥِ ﻭﺍﻟﺯﻤﺎﻥِ ﻤِﻥ ﺴﻠﻭﻙِ ﺍﻟﺸﱢﻌﺭِ ،ﻫﺫﺍ ﺍﻟﻁﱢﻔلُ ﻴﻘﻁﹶﻊ ﻓﻲ ﻟﻴﻠﺔٍ
ﻭﺍﺤِﺩﺓٍ ﻤﺴﻴﺭﺓﹶ ﻋﺎﻡٍ ﻤِﻥ ﺍﻟﻁﱠﺭﻴﻕ؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺘِﻠﻙ ﺍﻟﻌﻴﻥِ ﺍﻟﺴﺎﺤِﺭﺓِ ﻤﻀِﻠﱠﺔِ ﺍﻟﻌﺎﺒِﺩِ ،ﺘﺴﻴﺭ ﺨﻠﻔﻬﺎ ﻗﺎﻓِﻠﹶﺔﹲ ﻤِﻥ ﺍﻟﺴﺤﺭ؛
ﻻ ﺘﺨﺭﺝ ﻋﻥِ ﺍﻟﻁﱠﺭﻴﻕِ ﺒِﻤﻜﹾﺭِ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺨﺩﺍﻋﺔِ ،ﻓﻬﺫِﻩِ ﺍﻟﻌﺠﻭﺯ ﺘﻘﻌﺩ ﺒﺎﻟﻤﻜﺎﺭِﻩِ ﻭﺘﺫﻫﺏ
ﻤﺤﺘﺎﻟﹶﺔﹰ؛
ﺭﻴﺢ ﺍﻟﺭﺒﻴﻊِ ﺘﻬﺏ ﻤِﻥ ﺭﻭﺽِ ﻭﺭﺩِ ﺍﻟﺸﱠﺎﻩ ،ﻭﺍﻟﻨﱠﺩﻯ ﻴﻤﻸُ ﻗﹶﺩﺡ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺒﺎﻟﺨﻤﺭِ؛
ﺤﺎﻓﻅﹸ ﻋﻥِ ﺍﻟﺸﱠﻭﻕِ ﺇﻟﻰ ﻤﺠﻠﺱِ ﺍﻟﺴﻠﻁﺎﻥِ ﻏﻴﺎﺙ ﻻ ﺘﻐﻔﹶلْ ،ﻓﺄﻤﺭﻙ ﻤِﻥ ﺍﻟ ﺒﻜﺎﺀِ
)(٣
ﻴﻔﻠِﺢ
) (١ﺍﻟﺜﹼﻼﺜﹶﺔﹸ ﺍﻟﻐﺴﺎﻟﹶﺔﹸ ،ﻜﻤﺎ ﻗﺭﺃﺕﹸ ﻓﻲ ﺭﺴﺎﻟﺔٍ ﺒﺎﻟﻌﺭﺒﻴﺔِ ﻟﺤﺴﻥ ﺯﺍﺩﻩ ﺁﻤﻠﻲ ،ﻫﻲ ﺍﻟﺩﺭﺠﺎﺕﹸ ﺍﻟﺜﹼﻼ ﹸ
ﺙ
ﻤﻥ ﻏﺴلِ ﺍﻟﻨﱠﻔﺱِ ،ﻭﻫﻲ ﺘﻭﺍﻓِﻕﹸ ﺩﺭﺠﺎﺕِ ﺍﻟﻔﻨﺎﺀِ ﺍﻟﺜﹼﻼﺙ ﺍﻟﻤﻌﺭﻭﻓﺔ ﺒﺎﻟﻤﺤﻭِ ﻭﺍﻟﻁﱠﻤﺱِ
ﻭﺍﻟﻤﺤﻕ ،ﻓﺎﻟﻤﺤﻭ ﺍﻟﻔﻨﺎﺀ ﺒﺎﻷﻓﻌﺎل ،ﻭﺍﻟﻁﱠﻤﺱ ﺍﻟﻔﻨﺎﺀ ﺒﺎﻟﺼﻔﺎﺕ ،ﻭﺍﻟﻤﺤﻕﹸ ﺍﻟﻔﻨﺎﺀ ﺒﺎﻟﺫﹼﺍﺕ،
ﺍﻟﻔﻨﺎﺀ ﺒﺎﻷﻓﻌﺎلِ ﻴﻨﺒِﺕﹸ ﺍﻟﻭﺭﺩ ﻓﻲ ﺭﻭﻀﺔِ ﺴِﺭ ﺍﻟﻘﹶﻠﺏ ،ﻭﺒﺎﻟﻔﻨﺎﺀِ ﺒﺎﻟﺼﻔﺎﺕِ ﻴﺘﻜﺎﻤلُ ﺍﻟﻭﺭﺩ
ﻭﺘﻨﺒﺕﹸ ﺍﻟﺸﱠﻘﺎﺌﻕ ،ﻭﺒﺎﻟﻔﻨﺎﺀِ ﺒﺎﻟﺫﹼﺍﺕِ ﻴﻨﺒﺕﹸ ﺍﻟﺴﺭﻭ؛
) (٢ﺍﻟﻘﻨﺩ ﺴﻜﱠﺭ ﺍﻟﻨﱠﺒﺎﺕ ﻋﻠﻰ ﺸﻜل ﻗﻁﻊٍ ﻤﻜﻌﺒﺔٍ ،ﻭﻴﺭﻤﺯ ﺒِﻪِ ﻟِﺸِﻌﺭِﻩِ ﺍﻟﻌﺫﹾﺏِ ﺍﻟﱠﺫﻱ ﻭﺼلَ ﺇﻟﻰ
ﺍﻟﺒﻨﻐﺎل ،ﻜﻤﺎ ﻴﻅﻬﺭ ﺠﻠﱢﻴﺎﹰ ﻤﻥ ﺍﻟﺒﻴﺕِ ﺍﻟﱠﺫﻱ ﻴﻠﻴﻪ؛
) (٣ﺍﻟﺴﻠﻁﺎﻥ ﻏﻴﺎﺙ ﻫﻭ ﺍﻟﺴﻠﻁﺎﻥ ﻏﻴﺎﺙ ﺍﻟﺩﻴﻥ ﺍﻟﻤﻌﺭﻭﻑﹸ ﺒﺄﻋﻅﹶﻡ ﺸﺎﻩ ﻤﻥ ﻤﻠﻭﻙِ ﺍﻟﺒﻨﻐﺎل.
-٢٣٧-
ﻏﺰﻝ ٢٢٦
ﻭﻴﻐﹾﺩﻭ ﺤﺩﻴﺙﹶ ﺍﻟﻨﱠﺎﺱِ ﻓﻲ ﻋﺎﻟﹶﻡِ ﺍﻟﺴﻤﺭ ﺃﺨﺎﻑﹸ ﻟِﻐﹶﻤﻲ ﻴﻬﺘِﻙ ﺍﻟﺩﻤﻊ ﺴِـﺘﹾﺭﻩ
ﻨﹶﻌﻡ ،ﺒﺎﻟﺤﺸﺎ ﺘﺩﻤﻰ ﻴﺼﻴﺭ ﻟﻤﻥ ﺼﺒﺭ ﻭﻗﺎﻟﻭﺍ ﻴﺼﻴﺭ ﺍﻟﺼﺨﹾﺭ ﻟﻌﻼﹰ ﻟِﺼﺎﺒِﺭٍ
ﻓﹶﺈﻥ ﺒِﻬﺎ ﺘﹸﺠﻠﻰ ﺍﻟﻬﻤﻭﻡ ﻋﻠﻰ ﺍﻷﺜﹶﺭ ﺴﺄﻏﹾﺩﻭ ﺇﻟﻰ ﺨﹶﻤﺎﺭﺓِ ﺍﻟﺤﻲ ﺒﺎﻜِﻴـﺎﹰ
ﻋﺴﻰ ﺃﻥ ﻤِﻨﹾﻬﺎ ﻭﺍﺤِﺩﺍﹰ ﻴﺒﻠﹸﻎﹸ ﺍﻟﻭﻁﹶﺭ ﺴِﻬﺎﻡ ﺩﻋﺎﺌﻲ ﻜﹸلﱠ ﺼﻭﺏٍ ﺭﻤﻴﺘﹸﻬـﺎ
ﻭﻟﻜِﻥ ﺤﺫﹶﺍﺭﻴﻙِ ﺍﻟﺼﺒﺎ ﺘﹶﻌﺭِﻑﹸ ﺍﻟﹾﺨﹶﺒﺭ ﺃﺭﻭﺤﻲ ﺃﻋﻴﺩﻱ ﻟﻠﺤﺒﻴﺏ ﺤِﻜـﺎﻴﺘﻲ
ﻨﹶﺩﺍﻙ ﻴﺤﻴلُ ﺍﻟﺘﱡﺭﺏ ﺩﺭﺍﹰ ﻤِﻥ ﺍﻟﺩﺭﺭ ﺒِﺸﹶﻤﺴِﻙ ﻭﺠﻬﻲ ﺼﺎﺭ ﻤِﻥ ﺫﹶﻫﺏٍ ﻜﻤﺎ
ﺃﺨﺎﻑﹸ ﻟِﺩﻤﻌﻲ ﺃﻥ ﻴﻤﺯﻕﹶ ﺍﻷﺴﺘﺎﺭ ﻋﻥ ﻏﻤﻲ ،ﻭﻴﺼﻴﺭ ﺴﺭﻱ ﺒﻴﻥ ﺍﻟﻨﹼﺎﺱِ ﻴﺘﺴﺎﻤﺭﻭﻥ
ﺒِﻪِ ﻓﻲ ﺍﻟﻤﺤﺎﻓِلِ؛
ﻗﺎﻟﻭﺍ ﺃﻥ ﺍﻟﺼﺨﺭ ﻴﺼﻴﺭ ﻴﺎﻗﻭﺘﺎﹰ ﻓﻲ ﻤﻘﺎﻡِ ﺍﻟﺼﺒﺭ ،ﺤﻘﱠﺎﹰ ﻭﻟﻜِﻥ ﻤِﻥ ﺩﻡِ ﺍﻟﻜﹶﺒِﺩِ ﻴﺼﻴﺭ؛
ﺃﺭﻴﺩ ﺃﻥ ﺃﺫﻫﺏ ﺇﻟﻰ ﺍﻟﺨﻤﺎﺭﺓِ ﺒﺎﻜﻴﺎﹰ ﻭﺃﺸﺘﻜﻲ ،ﻋﺴﻰ ﺃﻥ ﻴﻜﻭﻥ ﺨﻼﺼﻲ ﻤِﻥ ﻴﺩِ ﺍﻟﻐﻡ
ﻤِﻥ ﻫﻨﺎﻙ؛
ﺃﻁﻠﻘﺕﹸ ﺴِﻬﺎﻡ ﺍﻟﺩﻋﺎﺀِ ﻓﻲ ﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩٍ ،ﻋﺴﻰ ﺃﻥ ﻴﻜﻭﻥ ﺒﻭﺍﺤِﺩٍ ﻤﻨﻬﺎ ﻗﻀﺎﺀ ﺤﺎﺠﺘﻲ؛
ﺃﻱ ﺭﻭﺤﻲ ﺃﻋﻴﺩﻱ ﺤِﻜﺎﻴﺘﻲ ﻟﻠﺤﺒﻴﺏِ ﻟﻜِﻥ ﻻ ﻴﻜﹸﻥ ﺤﺩﻴﺜﹸﻙِ ﻋﻠﻰ ﻤﺴﻤﻊِ ﺍﻟﺼﺒﺎ
ﻓﺘﻌﺭﻑﹶ ﺍﻟﺨﹶﺒﺭ)(١؛
ﻥ ﻟﹸﻁﻔِﻙ ﺤﻘﱠﺎﹰ ﻴﺤﻴلُ ﺍﻟﺘﱡﺭﺍﺏ ﺫﹶﻫﺒﺎﹰ)(٢؛
ﻤِﻥ ﺇﻜﺴﻴﺭِ ﺸﹶﻤﺴِﻙ ﺼﺎﺭ ﻭﺠﻬﻲ ﻤِﻥ ﺍﻟﺫﱠﻫﺏ ،ﻴﻤ
ﺃﻨﺎ ﻓﻲ ﻀﻴﻕِ ﺤﻴﺭﺘﻲ ﻤِﻥ ﻨﺨﻭﺓِ ﺍﻟﺭﻗﻴﺏ ،ﺭﺏ ﻻ ﺘﹶﺠﻌلْ ﺫﻟِﻙ ﺍﻟﺸﱠﺤﺎﺫﹶ ﻤﻌﺘﹶﺒﺭﺍﹰ؛
) (١ﺍﻟﺼﺒﺎ ﺘﺫﻴﻊ ﺍﻷﺨﺒﺎﺭ ﻭﺤﺩﻴﺙﹸ ﺍﻟﻤﺤﺏ ﻟﻠﺤﺒﻴﺏ ﻴﺠﺏ ﺃﻥ ﻴﻅلﱠ ﺴﺭﺍﹰ؛
) (٢ﺼﺎﺭ ﻭﺠﻬﻲ ﺫﻫﺒﺎﹰ ﻤﻥ ﻨﻅﺭﻱ ﺇﻟﻰ ﺸﻤﺱِ ﺠﻤﺎﻟﻙ ﺍﻟﱠﺘﻲ ﺘﻔﻌلُ ﻓِﻌلَ ﺍﻹﻜﺴﻴﺭ ،ﻭﻻ ﻋﺠﺏ ﺇﻥ
ﺃﺤﺎلَ ﻴﻤﻥ ﻟﻁﻔﻙ ﺍﻟﺘﱡﺭﺍﺏ ﺫﻫﺒﺎﹰ ﻭﺩﺭﺭﺍﹰ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ:
ﻁﻭﺭ ﺴﻴﻨﺎﺀ ﺼـﺎﺭ ﻜﹸﻠﱡـﻪ ﻴﺎﻗﻭﺘـﺎ. ﺫﻟﻙ ﺍﻟـﺸﱠﺎﻩ ﻤـﻥ ﻨﻌﻠِـﻪِ ﺍﻟﻤﺒـﺎﺭﻙِ
-٢٣٨-
ﻜﺜﻴﺭﺓﹲ ﻫﻲ ،ﻏﹶﻴﺭ ﺍﻟﺤﺴﻥِ ،ﺍﻟﻠﱠﻁﺎﺌﻑﹸ ﺍﻟﱠﺘﻲ ﺘﹶﺠﺏ ،ﻟﻴﻜﻭﻥ ﺸﹶﺨﹾﺹ ﻤﻘﺒﻭلَ ﻁﺒﻊِ ﺍﻟﻨﱠﺎﺱِ
ﻤِﻥ ﺃﺼﺤﺎﺏِ ﺍﻟﻨﱠﻅﹶﺭ؛
ﺴﻭﺭ ﻗﺼﺭِ ﻭِﺼﺎﻟِﻙ ،ﻴﺎ ﻟﻪ ﻤِﻥ ﻋﺎلٍ ،ﺘﹸﺭﺍﺏ ﺃﻋﺘﺎﺒِﻙ ﻤِﻥ ﺍﻟﺭﺅﻭﺱِ ﺍﻟﻌﺎﻟﻴﺔ؛
ﺤﺎﻓﻅﹸ ،ﺤﻴﻥ ﺘﹸﻤﺴِﻙ ﺒﺨﹶﺼﻠﺔٍ ﻤِﻥ ﺸﹶﻌﺭِﻩِ ﻤِﺴﻜﻲ ﺍﻟﻌﺒﻴﺭ ،ﺍِﻫﺩﺃْ ﻟﺌﻠﹼﺎ ﺘﻌﺭِﻑﹶ ﺍﻟﺨﹶﺒﺭ ﺍﻟﺼﺒﺎ.
ﻏﺰﻝ ٢٢٧
ﻟﹶﻴﺱ ﺒﺎﻟﻤﺴﻠِﻡِ ﺍﻟﻤﺭﺍﺌﻲ ﺍﻟﻤﻨـﺎﻓِﻕﹾ ﻟﹶﻴﺱ ﻗﹶﻭﻟﻲ ﻟﻭﺍﻋِﻅِ ﺍﻟﺤـﻲ ﺭﺍﺌـﻕﹾ
ﺒِﺴِﻭﻯ ﺠِـﻨﹾﺱِ ﺁﺩﻡٍ ﻏﹶﻴـﺭ ﻻﺌِـﻕﹾ ﺭﺡ ﻜﹶﺭﻴﻤﺎﹰ ﻭﺍﺴﻜﹶﺭ ﻓﹶﺨﹶﻤﺭ ﻏﹶﺭﺍﻤﻲ
ﺭﺏ ﻻ ﻴﻨﹾــﺩﻤﻥ ﻭﻻ ﻴــﻙ ﻋــﺎﺌﻕﹾ ـﺎﻙ
ـﺩﺍﺓِ ﻤﻨـ
ﻗ ـﺎل ﺃُﻋﻁﻴ ـﻙ ﺒﺎﻟﻐﹶـ
ﺇﻨﱠﻨﻲ ﺃﻗﻭلُ ﺒﻘﻭلٍ ﻻ ﻴﺭﻭﻕ ﻟﻭﺍﻋﻅِ ﺤﻴﻨﺎ ،ﻭﻫﻭ ﺃﻥ ﻤﻥ ﻴﺴﻴﺭ ﺒﺎﻟﺭﻴﺎﺀِ ﻭﺍﻟﻨﱢﻔﺎﻕ ﺒﻴﻥ
ﺍﻟﻨﱠﺎﺱ ﻟﻴﺱ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔِ ﻤﺴﻠﻤﺎﹰ)(١؛
ﺘﻌﻠﱠﻡِ ﺍﻟﻌﺭﺒﺩﺓﹶ ﻭﻜﹸﻥ ﻜﺭﻴﻤﺎﹰ ،ﻓﺈﻨﱠﻪ ﻟﻴﺱ ﻓﹶﻀﻼﹰ ﺃﻥ ﻴﻤﺘﹶﻨِﻊ ﺍﻟﺤﻴﻭﺍﻥ ﻋﻥ ﺸﹸﺭﺏِ ﺍﻟﺨﹶﻤﺭِ
ﻓﻼ ﻴﺼﻴﺭ ﺇﻨﺴﺎﻨﺎﹰ)(٢؛
ﺍﻟﺠﻭﻫﺭ ﺍﻟﻁﱠﺎﻫِﺭ ﻻ ﺒﺩ ﺃﻥ ﻴﻜﻭﻥ ﻗﺎﺒﻼﹰ ﻟﻠﻔﹶﻴﺽِ ،ﻓﻤﺎ ﻜﹸلﱡ ﺤﺠﺭٍ ﻭﻁﻴﻥٍ ﻴﺼﻴﺭ ﻟﺅﻟﺅﺍﹰ
ﻭﻤﺭﺠﺎﻨﺎﹰ؛
ﺍﺠﻌلْ ﺸﹸﻐﹾﻠﹶﻙ ﺍﻻِﺴﻡ ﺍﻷﻋﻅﹶﻡ ،ﺃﻱ ﻗﻠﺏ ،ﻭﻜﹸﻥ ﺴﻌﻴﺩﺍﹰ ،ﻓﺒﺎﻟﺘﱠﻠﺒﻴﺱِ ﻭﺍﻟﺤﻴلِ ﻻ ﻴﺼﻴﺭ
ﻤﺴﻠِﻤﺎﹰ ﺍﻟﺸﱠﻴﻁﺎﻥ؛
ﺃﻨﺎ ﻋﺎﺸِﻕﹲ ،ﻭﻋﻨﺩﻱ ﺍﻷﻤلُ ﺒِﺄﻥ ﻫﺫﺍ ﺍﻟﻔﹶﻥ ﺍﻟﺸﱠﺭﻴﻑﹶ ،ﻜﺎﻟﻔﹸﻨﻭﻥِ ﺍﻷُﺨﺭﻯ ،ﻟﻥ ﻴﻜﻭﻥ
ﻤﻭﺠِﺒﺎﹰ ﻟﻠﺤِﺭﻤﺎﻥ؛
) (١ﺍﻟﺭﻴﺎﺀ ﺸﺭﻙ ﺨﻔﻲ؛
) (٢ﺍﻟﺸﱠﺭﺍﺏ ﻭﺍﻟﺴﻜﺭ ﻓﻀﻴﻠﺔﹲ ﻟﻺﻨﺴﺎﻥ ﻭﻻ ﺘﻜﻭﻥ ﻟﻐﻴﺭِ ﺍﻹﻨﺴﺎﻥِ ﻤﻥ ﺤﻴﻭﺍﻥٍ ﻻ ﻴﻤﻠﻙ ﺍﻟﻔﻀﺎﺌل؛
-٢٣٩-
ﺃﻤﺱِ ﻜﺎﻥ ﻴﻘﻭلُ :ﻏﹶﺩﺍﹰ ﺃُﻋﻁﻴﻙ ﺭﻏﺒﺔﹶ ﻗﻠﺒِﻙ ،ﺭﺏ ﻫﻴﺊِ ﺍﻟﺴﺒﺏ ﻟِﺌﻠﱠﺎ ﻴﻨﺩﻡ)(١؛
ﻭﺇﻨﱢﻲ ﻷﻁﻠﹸﺏ ﻤِﻥ ﺍﷲِ ﺤﺴﻥ ﺍﻟﺨﹸﻠﹸﻕِ ﻟِﺌﻠﹼﺎ ﻴﺼﻴﺭ ﺨﺎﻁِﺭﻱ ﻤﺸﺘﱠﺘﺎﹰ ﻋﻨﻙ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ؛
)(٢
ﺍﻟﺫﱠﺭﺓﹸ ﻟﻭ ﻟﻡ ﺘﻜﹸﻥ ﻋﺎﻟﻴﺔﹶ ﺍﻟﻬِﻤﺔِ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﻤﺎ ﻜﺎﻨﹶﺕﹾ ﻟِﺘﹶﻁﹾﻠﹸﺏ ﻋﻴﻥ ﺍﻟﺸﱠﻤﺱِ ﺍﻟﻤﺸﺭِﻗﹶﺔِ
ﻏﺰﻝ ٢٢٨
ﻤﺎﺫﺍ ﻴﻜﻭﻥ ﻭﻓﻲ ﺒـﺴﺘﺎﻨِﻙ ﺍﻟﺜﱠﻤـﺭ ﺇﺫﺍ ﻗﻁﻔﺕﹸ ﻤـﻥ ﺍﻷﺜﻤـﺎﺭِ ﻭﺍﺤِـﺩﺓﹰ
ﺒﻨﻭﺭِ ﻭﺠﻬِﻙ ﻟـﻴﻼﹰ ﺃﻴﻬـﺎ ﺍﻟﻘﻤـﺭ ﻭﻤﺎ ﻴﻜﻭﻥ ﺇﺫﺍ ﻤﺎ ﺴِﺭﺕﹸ ﻤﻬﺘـﺩﻴﺎﹰ
ﺠﻠﹶﺴﺕﹸ ﻤﻥ ﺘﻌﺏٍ ﺃﺭﺘﺎﺡ ﻤﺎ ﺍﻟﻀﺭﺭ ﻭﺘﺤﺕﹶ ﺴﺭﻭﺘِﻙ ﺍﻟﻌﻠﻴﺎﺀِ ،ﺇﻥ ﻨﹶﻔﹶﺴﺎﹰ،
ﺇﺫﺍ ﺜﹶﻤﺭﺓﹰ ﻗﹶﻁﹶﻔﹾﺕﹸ ﻤِﻥ ﺒﺴﺘﺎﻨِﻙ ،ﻤﺎ ﻴﻜﻭﻥ؟ ،ﺇﺫﺍ ﺭﺃﻴﺕﹸ ﻤﻭﻀِﻊ ﺃﻗﺩﺍﻤﻲ ﻋﻠﻰ
)(٣
ﺴِﺭﺍﺠِﻙ ،ﻤﺎ ﻴﻜﻭﻥ؟؛
ﺕ ﻅِلﱢ ﺘِﻠﹾﻙ ﺍﻟﺴﺭﻭﺓِ ﺍﻟﻌﺎﻟﻴﺔِ ﻴﺎ ﺭﺏ ،ﺇﺫﺍ ﺠﻠﹶﺴﺕﹸ ،ﻭﺃﻨﺎ ﺍﻟﻤﺘﹾﻌﺏ ،ﺃﺴﺘﺭﻴﺢ ﻨﹶﻔﹶﺴﺎﹰ،
ﺘﺤ ﹶ
ﻤﺎ ﻴﻜﻭﻥ؟؛
ﺁﺨِﺭﺍﹰ ﻴﺎ ﺨﺎﺘﹶﻡ ﺠﻤﺸﻴﺩ ﺍﻟﺴﻌﻴﺩ ﺍﻷﺜﺭِ ،ﺇﺫﺍ ﻭﻗﹶﻌﺕﹾ ﺼﻭﺭﺘﹸﻙ ﻋﻠﻰ ﻨﹶﻘﹾﺵِ ﻓﺹ ﺨﺎﺘﹶﻤﻲ،
ﻤﺎ ﻴﻜﻭﻥ؟؛
ﻭﺍﻋِﻅﹸ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﺍﺨﺘﺎﺭ ﺤﺏ ﺍﻟﻤﻠِﻙِ ﻭﺍﻟﺤﺎﻜِﻡِ ،ﺃﻨﺎ ﺇﺫﺍ ﺍﺨﺘﹶﺭﺕﹸ ﺤﺏ ﺍﻟﺤﺒﻴﺏِ،
ﻤﺎ ﻴﻜﻭﻥ؟؛
ﻋﻘﻠﻲ ﺨﹶﺭﺝ ﻤِﻥ ﺍﻟﺨﺎﻨﹶﺔِ ،ﻓﺈﻥ ﺘﻜﹸﻥ ﻫﻲ ﺍﻟﺨﹶﻤﺭ ،ﻓﻘﺩ ﺭﺃﻴﺕﹸ ﺴﻠﹶﻔﺎﹰ ﺒِﺨﺎﻨﹶﺔِ ﺩﻴﻨﻲ ﻤﺎ ﻴﻜﻭﻥ؛
) (١ﻻ ﺘﺠﻌﻠﹾﻪ ﻴﻨﺩﻡ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻭﻋﺩ ﻭﻻ ﺘﺠﻌلْ ﻋﺎﺌﻘﺎﹰ ﻴﺤﻭلُ ﺩﻭﻥ ﺘﺤﻘﻴﻘﻪ؛
) (٢ﻭﺃﻨﺕﹶ ﻋﻠﻰ ﺼِﻐﹶﺭِ ﻗﺩﺭِﻙ ﺘﺴﺘﻁﻴﻊ ﺍﻟﻠﹼﺤﺎﻕﹶ ﺒﺎﻟﺸﱠﻤﺱ.
) (٣ﻓﻲ ﺘﺭﺠﻤﺔِ ﺍﻷﺒﻴﺎﺕِ ﺍﻟﺸﱢﻌﺭﻴﺔ ﺘﺼﺭﻑﹲ ﺒﺴﻴﻁ ،ﻭﺍﻟﺒﻴﺘﺎﻥ ﺍﻷﻭل ﻭﺍﻟﺜﹼﺎﻨﻲ ﻫﻤﺎ ﻓﻲ ﺍﻷﺼل ﺒﻴﺕﹲ
ﻭﺍﺤﺩ.
-٢٤٠-
ﺭﺃﺴﻤﺎلِ ﻋﻤﺭﻱ ﺼﺭِﻑﹶ ﻟﻠﻤﻌﺸﻭﻗﺔِ ﻭﺍﻟﺨﹶﻤﺭِ ،ﻟِﻨﹶﺭ ﻤﺎ ﻴﺠﻲﺀ ﻤِﻥ ﺘِﻠﻙ ،ﻭﻤِﻥ ﻫﺫﻩِ
ﻤﺎ ﻴﻜﻭﻥ؟؛
ﻋﻠِﻡ ﺍﻟﺴﻴﺩ ﺃﻨﱢﻲ ﻋﺎﺸِﻕﹲ ﻭﻟﻡ ﻴﻘﹸلْ ﺸﻴﺌﺎﹰ ،ﺤﺎﻓِﻅﹸ ،ﺇﺫﺍ ﻋﻠِﻡ ﺃﻴﻀﺎﹰ ﺒﺤﺎﻟﻲ ﻜﻴﻑﹶ ﻫﻭ،
ﻤﺎ ﻴﻜﻭﻥ؟.
ﻏﺰﻝ ٢٢٩
ﺍﻟﺒﺨﹾﺕﹸ ﻻ ﻴﻌﻁﻴﻨﻲ ﺍﻟﻌﻼﻤﺔﹶ ﻋﻥ ﻓﹶﻡِ ﺍﻟﺤﺒﻴﺏِ ،ﺍﻟﺤﻅﱡ ﻻ ﻴﻌﻁﻴﻨﻲ ﺍﻟﺨﹶﺒﺭ ﻋﻥ ﻫﺫﺍ
ﺍﻟﺴﺭ ﺍﻟﺨﻔﻲ؛
ﻓﻲ ﻗﹸﺒﻠﹶﺔٍ ﻤِﻥ ﺸﹶﻔﹶﺘِﻪِ ﻻ ﺃﺯﺍلُ ﺃﺩﻓﹶﻊ ﺍﻟﺭﻭﺡ ،ﻭﻫﻭ ﻫﺫِﻩِ ﻴﺄﺨﹸﺫﹸ ،ﻭﺘِﻠﹾﻙ ﻻ ﻴﻌﻁﻲ!)(١؛
ﻤِﺕﱡ ﻓﻲ ﻫﺫﺍ ﺍﻟﻔِﺭﺍﻕِ ﻭﻻ ﺴﺒﻴلَ ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﻘﹶﺼﺭِ ،ﺃﻭ ﻫﻨﺎﻙ ﺴﺒﻴلٌ ﻭﺍﻟﺤﺎﺠِﺏ
ﻻ ﻴﻌﻁﻲ ﺍﻟﺩﻟﻴل؛
ﻴﺩ ﺍﻟﺼﺒﺎ ﺃﻤﺴﻜﹶﺕﹾ ﺒِﻔﹶﺭﻋِﻪِ ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﺴﺎﻓِلِ ﺍﻟﻔﹶﻠﹶﻙِ ،ﻜﻴﻑﹶ ﻻ ﻴﻌﻁﻴﻨﻲ ﺍﻟﻤﺠﺎلَ ﻫﻨﺎﻙ
ﻜﺎﻟﺭﻴﺢ؛
ﻜﻡ ﻁﹸﻔﹾﺕﹸ ﺃﺩﻭﺭ ﻜﺎﻟﺒﺭﻜﺎﺭِ ،ﻭﺩﻭﺭﺍﻥ ﺍﻷﻴﺎﻡِ ﻻ ﻴﻔﺘﹶﺢ ﻟﻲ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻜﺎﻟﻨﱡﻘﻁﹶﺔِ ﻟِﻠﻭﺴﻁِ
)ﻭﺴﻁ ﺍﻟﺩﺍﺌﺭﺓ(؛
ﺍﻟﺴﻜﱠﺭ ﻋﻥ ﻴﺩِ ﺍﻟﺼﺒﺭِ ﻴﻤﻜِﻥ ﺍﻟﺤﺼﻭلُ ﻋﻠﻴﻪِ ﻓﻲ ﺍﻟﻌﺎﻗِﺒﺔِ ﻟﻜِﻥ ،ﺴﻭﺀ ﻋﻬﺩِ ﺍﻟﺯﻤﻥِ
ﻻ ﻴﻤﻨﺤﻨﻲ ﺍﻟﺯﻤﺎﻥ؛
ﻗﹸﻠﹾﺕﹸ ﺃﺫﻫﺏ ﺒﺎﻟﻨﱠﻭﻡِ ﻭﺃﺭﻯ ﺠﻤﺎلَ ﺍﻟﺤﺒﻴﺏِ ،ﺤﺎﻓِﻅﹸ ﻤِﻥ ﺍﻵﻩِ ﻭﺍﻟﻨﱠﺤﻴﺏِ ﻻ ﻴﻌﻁﻴﻨﻲ
ﺍﻷﻤﺎﻥ.(٢)
) (١ﻴﺄﺨﹸﺫﹸ ﺍﻟﺭﻭﺡ ﻤﻨﹼﻲ ﻭﻻ ﻴﻌﻁِﻴﻨﻲ ﺍﻟﻘﹸﺒﻠﹶﺔﹶ؛
) (٢ﺤﺎﻓِﻅﹸ ﻫﻨﺎ ﻴﺠﺭﺩ ﺸﺨﺼﺎﹰ ﺁﺨﹶﺭ ﻤِﻥ ﻨﹶﻔﺴِﻪِ.
-٢٤١-
ﻏﺰﻝ ٢٣٠
ﺭﻴﺢ ﺍﻟﻌﺒﻴﺭِ ﻤِﻥ ﺍﻟﺭﻴـﺎ ﻻ ﺘـﺼﺩﺭ ﺍﻟﻘﻠﺏ ﻟﻠﺨﹶﻤـﺭِ ﺍﻟﻤﻌﻁﱠـﺭِ ﺠـﺎﺫِﺒﻲ
ﻋﺸﻘﻲ ﺴﺄﻋﺸﹶﻕﹸ ﻓﺎﻟﻤﻬﻴﻤِﻥ ﻴـﺄﻤﺭ ﺇﻨﹼﻲ ﺇﺫﺍ ﻜﹸـلﱡ ﺍﻟﺨﻼﺌـﻕِ ﺤﺭﻤـﻭﺍ
ﻴﻤﺤﻭ ﺫﹸﻨﻭﺏ ﺍﻟﻌﺎﺸـﻘﻴﻥ ﻭﻴﻐﻔـﺭ ﻭﺍﻟﻌﻔﻭ ﻤِﻥ ﺸِـﻴﻡِ ﺍﻟﻜـﺭﻴﻡِ ﻓﺈﻨﱠـﻪ
ﻗﻠﺒﻲ ﺇﻟﻰ ﺤﻠﻘﺎﺕِ ﺸﹶﻌﺭِﻙ َ ﻴﺅﺴـﺭ ﺴﺄُﻗﻴﻡ ﻓﻲ ﺤﻠﻘﺎﺕِ ﺫﻜـﺭِﻙ ﻋﻠﱠﻨـﻲ
ﺘﺭﺠﻤﺔﹲ ﻨﺜﺭﻴﺔﹲ ﺃﻜﺜﺭ ﻤﻭﺍﻓﻘﺔﹰ ﻟﻠﻤﻌﻨﻰ:
)(١
ﺇﺫﺍ ﻤﺎلَ ﻗﻠﺒﻲ ﺇﻟﻰ ﺨﻤﺭﺓِ ﺍﻟﻤﺴﻙِ ﺠﺎﺯ ﻟﻪ ،ﺭﻴﺢ ﺍﻟﺨﻴﺭِ ﻻ ﺘﺄﺘﻲ ﻤِﻥ ﺯﻫﺩِ ﺍﻟﺭﻴﺎﺀِ ؛
ﺃﻨﺎ ﺇﺫﺍ ﻜﹸلﱡ ﺃﻫلِ ﺍﻟﻌﺎﻟﹶﻡِ ﻤﻨﻌﻭﻨﻲ ﺍﻟﻌِﺸﹾﻕﹶ ﺴﺄﻋﺸﹶﻕﹸ ﻷﻥ ﺍﷲَ ﻴﺄﻤﺭ ﺒﻬﺫﺍ ﺍﻟﻌﻤل؛
ﻻ ﺘﻘﻁﹶﻊِ ﺍﻟﻁﱠﻤﻊ ﻤِﻥ ﻓﻴﺽِ ﺍﻟﻜﺭﺍﻤﺔِ ،ﺍﻟﺨﹸﻠﹸﻕﹸ ﺍﻟﻜﺭﻴﻡ ﻴﻐﻔِﺭ ﺍﻟﺫﹼﻨﹾﺏ ﻭﻴﻬﺒﻪ ﻟﻠﻌﺎﺸﻘﻴﻥ؛
ﻗﻠﺒﻲ ﻤﻘﻴﻡ ﻓﻲ ﺤﻠﹾﻘﹶﺔِ ﺍﻟﺫﱢﻜﹾﺭِ ﺒِﺄﻤلِ ﺃﻥ ﻴﺤلﱠ ﺤﻠﹾﻘﹶﺔﹰ ﻤِﻥ ﺨﺼﻠﹶﺔٍ ﻤِﻥ ﻀﻔﻴﺭﺓٍ ﻤِﻥ ﺸﹶﻌﺭِﻙ)(٢؛
ﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﺃُﻋﻁﻴﺕﹶ ﺍﻟﺤﺴﻥ ﻤﻥ ﺍﷲِ ﻭﻋﺎﻟﻲ ﺍﻟﺒﺨﺕِ ،ﻤﺎ ﺤﺎﺠﺘﹸﻙ ﻟﻠﻤﺸﱠﺎﻁﹶﺔِ ﻟِﺘﹸﺯﻴﻨﹶﻙ؟) (٣؛
ﺍﻟﺭﻭﺽ ﺠﻤﻴلٌ ،ﻭﺍﻟﻬﻭﺍﺀ ﻤﻨﹾﻌِﺵﹲ ﻟﻠﻘﻠﺏِ ،ﻭﺍﻟﺨﻤﺭ ﺼﺎﻑٍ ﺒﻼ ﻏِﺵﹼ ،ﺍﻵﻥ ﻻ ﺤﺎﺠﺔﹶ
ﺒﻨﺎ ﺇﻻﹼ ﻟﻘﻠﺏٍ ﺴﻌﻴﺩ؛
ﺠﻤﻴﻠﹶﺔﹲ ﻋﺭﻭﺱ ﺍﻟﺩﻨﻴﺎ ﻟﻜِﻥ ﺍﻨﺘﺒِﻪ ،ﻫﺫﻩِ ﺍﻟﻤﺨﺩﺭﺓﹸ ﻻ ﺘﺩﺨﹸلُ ﻓﻲ ﻋﻘﹾﺩِ ﺸﹶﺨﺹٍ؛
ﻗﹸﻠﺕﹸ ﻟﻪ ﻓﻲ ﺩﻋﺎﺒﺔٍ ﻴﺎ ﻭﺠﻪ ﺍﻟﻘﹶﻤﺭ ،ﻤﺎ ﻴﻜﻭﻥ ﺇﺫﺍ ﻤﺎ ﺒِﻘﹸﺒﻠﹶﺔٍ ﺴﻜﱠﺭﻴﺔٍ ﻤﻨﻙ ﺃﺴﻌﺩﺕﹶ ﻗﻠﺒﻲ
ﺍﻟﻭﺍﻫِﻥ؛
ﻀﺤِﻙ ﻭﻗﺎلَ ﻤِﻥ ﺃﺠلِ ﺍﷲِ ﻴﺎ ﺤﺎﻓِﻅ ،ﻻ ﺘﺭﺽ ﺒﺄﻥ ﺘﹸﻠﻭﺙﹶ ﻭﺠﻪ ﺍﻟﻘﹶﻤﺭِ ﺒِﻘﹸﺒﻠﹶﺘِﻙ.
) (١ﺍﻟﱠﺫﻱ ﺘﻔﻭﺡ ﻤﻨﻪ ﺭﺍﺌﺤﺔﹸ ﺍﻟﻤﺴﻙ )ﺨﺘﺎﻤﻪ ﻤﺴﻙ،(
) (٢ﺃﻨﺎ ﻤﻘﻴﻡ ﻓﻲ ﺤﻠﻘﹶﺔِ ﺫِﻜﺭِﻙ :ﺃﻨﺎ ﺠﻠﻴﺱ ﻤﺤﺒﻴﻙ ﺍﻟﱠﺫﻴﻥ ﻴﺫﻜﺭﻭﻨﻙ ،ﻴﻤﺴِﻙ ﺒﺤﻠﻘﺔٍ ﻤﻥ ﺸﻌﺭﻙ:
ﺘﹸﻜﺘﹶﺏ ﻟﻪ ﺒﻬﺎ ﺍﻟﻨﱠﺠﺎﺓ؛
) (٣ﺍﻟﻤﺸﱠﺎﻁﹶﺔ :ﻤﻥ ﺤِﺭﻓﹶﺘﹸﻬﺎ ﺍﻟﺘﱠﺠﻤﻴل
-٢٤٢-
ﻏﺰﻝ ٢٣١
ﻗﻠﺕﹸ ﻏﻤﻙ ﻋﻨﺩﻱ ،ﻗﺎلَ ﻏﻤﻙ ﻴﻨﺘﻬﻲ ،ﻗﹸﻠﺕﹸ ﻜﹸﻥ ﺒﺩﺭﻱ ،ﻗﺎلَ ﺇﺫﺍ ﻁﹶﻠﹶﻊ؛
ﻗﹸﻠﺕﹸ ﺘﻌﻠﱠﻡ ﻤِﻥ ﺍﻟﻤﺤِﺒﻴﻥ ﺭﺴﻡ ﺍﻟﻭﻓﺎﺀ ،ﻗﺎلَ ﺤِﺴﺎﻥ ﺍﻟﻭﺠﻭﻩِ ﻗﻠﻴﻼﹰ ﻤﺎ ﻴﻔﻌﻠﻭﻥ ﺫﻟِﻙ؛
ﻗﹸﻠﺕﹸ ﺭﺒﻁﹾﺕﹸ ﻨﹶﻅﹶﺭﻱ ﻋﻠﻰ ﺨﻴﺎﻟِﻙ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕ ،ﻗﺎلَ ﻴﺠﻲﺀ ﻓﻲ ﺍﻟﻠﱠﻴلِ ﻤِﻥ ﻁﺭﻴﻕٍ ﺁﺨﹶﺭ؛
ﻗﹸﻠﺕﹸ ﻋﺒﻴﺭ ﻓﺭﻋِﻙ ﺃﻀﻠﱠﻨﻲ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ ،ﻗﺎلَ ﻫﻭ ﺃﻴﻀﺎﹰ ﺩﻟﻴﻠﹸﻙ ﻟﻭ ﺘﹶﺩﺭﻱ؛
ﻗﹸﻠﺕﹸ ﻤﺎ ﺃﻟﻁﹶﻑﹶ ﻫﻭﺍﺀ ﻨﺴﻴﻡِ ﺍﻟﺼﺒﺢِ ،ﻗﺎلَ ﺫﺍﻙ ﻨﺴﻴﻡ ﺤِﻤﻰ ﺍﻟﺤﺒﻴﺏ ﺍﻟﻠﱠﻁﻴﻑ؛
ﻗﹸﻠﺕﹸ ﺠﺭﻋﺔﹸ ﻋﻘﻴﻕِ ﺸﻔﺘِﻙ ﻗﺘﻠﺘﻨﺎ ﺸﹶﻭﻗﺎﹰ ،ﻗﺎلَ ﻗﹸﻡ ﺒﻭﺍﺠِﺏِ ﺍﻟﻌﺒﺩِ ﻟﻬﺎ ﻓﻬﻲ ﺘﺭﻋﻰ ﺍﻟﻌﺒﺩ؛
ﻗﹸﻠﺕﹸ ﻗﻠﺒﻙ ﺍﻟﺭﺤﻴﻡ ﻤﺘﻰ ﻴﻌﺯِﻡ ﻋﻠﻰ ﺍﻟﺼﻠﺢ ،ﻗﺎلَ ﻻ ﺘﻘﹸلْ ﻟﺸﺨﺹٍ ﺇﻟﻰ ﺃﻥ ﻴﺤﻴﻥ
ﻭﻗﹾﺕﹸ ﺫﻟﻙ؛
ﻗﹸﻠﺕﹸ ﺯﻤﺎﻥ ﺍﻟﻌِﺸﹾﺭﺓِ ،ﺃﺘﺭﻯ ﻜﻴﻑﹶ ﺍﻨﺘﻬﻰ ﺴﺭﻴﻌﺎﹰ ،ﻗﺎلَ ﺼﻤﺘﺎﹰ ﻴﺎ ﺤﺎﻓﻅﹸ ﻓﺎﻟﻐﹸﺼﺔﹸ
ﺃﻴﻀﺎﹰ ﺘﻨﺘﻬﻲ.
ﻏﺰﻝ ٢٣٢
ﺇﻥ ﻓﻲ ﺭﺃﺴﻲ ﻨﻴﺔﹰ ﻟِﺄﻋﻤلَ ،ﺇﺫﺍ ﻤﺎ ﺘﻤﻜﱠﻨﹾﺕﹸ ،ﻋﻤﻼﹰ ﺘﻨﺘﻬﻲ ﺒِﻪِ ﻫﺫِﻩِ ﺍﻟﻐﹸﺼﺔﹸ؛
ﺨﹶﻠﻭﺓﹸ ﺍﻟﻘﻠﺏِ ﻟﻴﺴﺕﹾ ﻤﺤلﱠ ﺼﺤﺒﺔِ ﺍﻷﻀﺩﺍﺩِ ،ﺍﻟﺸﱠﻴﻁﺎﻥ ﺤﻴﻥ ﻴﺨﺭﺝ ﻴﺩﺨﹸلُ
ﺍﻟﻤﻼﻙ؛
ﺼﺤﺒﺔﹸ ﺤﻜﱠﺎﻡِ ﺍﻟﻅﱡﻠﻡِ ﻟﻴلٌ ﺸِﺘﺎﺌﻲ ،(١)ﺍﻁﻠﹸﺏِ ﺍﻟﻨﱡﻭﺭ ﻤِﻥ ﺍﻟﺸﱠﻤﺱِ ﻓﺭﺒﻤﺎ ﺘﹶﻁﻠﹶﻊ
ﻋﻠﻴﻙ؛
) (١ﻓﻲ ﺍﻷﺼلِ ﻟﻴﻠﺔﹸ ﺍﻟﺸﹼﺘﺎ ِﺀ ﺍﻷﻭﻟﻰ ﻭﻫﻲ ﺃﻁﻭلُ ﻟﻴﺎﻟﻲ ﺍﻟﺸﹼﺘﺎﺀِ ﻓﻲ ﺍﻟﺴﻨﹶﺔِ ﺍﻟﻔﺎﺭِﺴﻴﺔِ؛ ﺍﺘﺭﻙ
ﺼﺤﺒﺔﹶ ﺍﻷﻀﺩﺍﺩِ ﺘﺼﺤ ﺒﻙ ﺍﻟﻤﻼﺌﻜﺔ
-٢٤٣-
ﻋﻠﻰ ﺒﺎﺏِ ﺃﺭﺒﺎﺏِ ﺩﻨﻴﺎ ﺒﻼ ﻤﺭﻭﺀﺓٍ ،ﺇﻻﻡ ﺠﻠﻭﺴﻙ ،ﻭﻗﹶﻭﻟﹸﻙ ﻤﺘﻰ ﻴﺨﺭﺝ ﺍﻟﺴﻴﺩ؟؛
ﻻ ﺘﺘﺭﻙِ ﺍﻻﺴﺘﺠﺩﺍﺀ ﺤﺘﱠﻰ ﺘﺠِﺩ ﺍﻟﻜﻨﺯ ﻤِﻥ ﻨﹶﻅﹶﺭِ ﺴﺎﻟِﻙٍ ﻴﻤﺭ ﺒِﻙ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ؛
ﺍﻟﺼﺎﻟﺢ ﻭﺍﻟﻁﱠﺎﻟِﺢ ،ﻜﹸلﱞ ﻋﺭﺽ ﻤﺘﺎﻉ ﻨﹶﻔﺴِﻪِ ،ﺴﻨﺭﻯ ﻤﻥ ﻴﻨﺎلُ ﺍﻟﻘﹶﺒﻭلَ ﻭﻤﻥ ﻴﻜﻭﻥ
ﻤﺤﻁﱠ ﺍﻟﻨﱠﻅﹶﺭ؛
ﺃﻴﻬﺎ ﺍﻟﺒﻠﺒلُ ﺍﻟﻌﺎﺸِﻕﹸ ﺍﻁﻠﹸﺏِ ﺍﻟﻌﻤﺭ ﻓﺂﺨِﺭﺍﹰ ﺴﻭﻑﹶ ﻴﺨﻀﺭ ﺍﻟﺭﻭﺽ ،ﻭﻴﺘﻔﺘﱠﺢ ﻏﹸﺼﻥ
ﺍﻟﻭﺭﺩ؛
ﻏﻔﻠﹶﺔﹸ ﺤﺎﻓِﻅﹶ ﺒﻬﺫﺍ ﺍﻟﻤﻨﺯِلِ ﺍﻟﺼﻐﻴﺭِ ﻟﻴﺴﺕﹾ ﺒﺎﻷﻤﺭِ ﺍﻟﻌﺠﻴﺏِ ،ﻜﹸلﱡ ﻤﻥ ﺫﹶﻫﺏ ﺇﻟﻰ
ﺍﻟﺤﺎﻥِ ﻋﺎﺩ ﻏﺎﻓِﻼ.
ﻏﺰﻝ ٢٣٣
ﻟﻥ ﺃﻜﹸﻑﱠ ﻋﻥِ ﺍﻟﺴﻌﻲِ ﺇﻟﻰ ﻏﺎﻴﺘﻲ ،ﺃﻭ ﻴﺼِلُ ﺠﺴﺩﻱ ﺇﻟﻰ ﺤﺒﻴﺒﻲ ،ﺃﻭ ﺘﺨﺭﺝ ﺭﻭﺤﻲ
ﻤِﻥ ﺠﺴﺩﻱ؛
ﺍِﻓﺘﺢ ﺒﻌﺩ ﻭﻓﺎﺘﻲ ﻗﹶﺒﺭﻱ ﻭﺍﻨﻅﹸﺭ ﺘﹶﺭ ﺍﻟﺩﺨﺎﻥ ﻴﺨﺭﺝ ﻤِﻥ ﻜﹶﻔﻨﻲ ﻤِﻥ ﻨﺎﺭٍ ﺒﺩﺍﺨِﻠﻲ؛
ﺃﻅﻬِﺭ ﺍﻟﻭﺠﻪ ﻓﺎﻟﺨﹶﻠﻕﹸ ﻭﺍﻟِﻬﻭﻥ ﻭﺤﻴﺎﺭﻯ ،ﻭﺘﻜﻠﱠﻡ ﻓﺎﻟﺼﺭﺍﺥﹸ ﻴﻌﻠﻭ ﻤِﻥ ﺍﻟﺨﹶﻠﻕِ ﺭِﺠﺎﻻﹰ
ﻭﻨِﺴﺎﺀ؛
ﺡ ﺘﹸﻐﺎﺩِﺭ
ﺭﻭﺤﻲ ﻋﻠﻰ ﺸﹶﻔﹶﺘﻲ ﻭﺍﻟﺤﺴﺭﺓﹸ ﻓﻲ ﻗﻠﺒﻲ ،ﻭﻤﺎ ﻨﻠﹾﺕﹸ ﻤﻨﹾﻴﺔﹰ ﻤِﻥ ﺸﹶﻔﹶﺘِﻪِ ،ﻭﺍﻟﺭﻭ
ﺒﺩﻨﻲ؛
ﺍﻟﺤﺴﺭﺓﹸ ﺒﻲ ﻟِﺜﹶَﻐﺭِﻩِ ﺴﺒﺒﺕﹾ ﻀﻴﻕﹶ ﺭﻭﺤﻲ ،ﺫﻟﻙ ﺍﻟﺜﱠﻐﺭ ﻤﺘﻰ ﻴﻌﻁﻲ ﺍﻟﻤﺴﺎﻜﻴﻥ
ﻤﺭﺍﺩﻫﻡ؟؛
ﻓﻲ ﻜﹸلﱢ ﻤﺭﺓٍ ﻴﺫﻜﹶﺭ ﻓﻴﻬﺎ ﺍﺴﻡ ﺤﺎﻓِﻅ ﻓﻲ ﻤﺤﻔﹶلٍ ﻴﻘﺎلُ :ﺫﻜﹶﺭﻩ ﺍﷲُ ﺒِﺎﻟﺨﻴﺭِ ﻓﻲ ﺨﹶﻴلِ
ﺍﻟﻌﺎﺸﻘﻴﻥ ﺍﻟﻤﺘﹶﻐﹶﺯﻟﻴﻥ.
-٢٤٤-
ﻏﺰﻝ ٢٣٤
ﺤﻴﻥ ﺘﹸﺸﹾﺭِﻕﹸ ﺸﹶﻤﺱ ﺍﻟﺨﹶﻤﺭِ ﻤِﻥ ﻤﺸﺭِﻕِ ﺍﻟﻜﺄﺱِ ،ﺁﻻﻑﹸ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺘﺘﻔﺘﱠﺢ ﻓﻲ ﺭﻭﺽِ
ﻋﺎﺭِﺽِ ﺍﻟﺴﺎﻗﻲ؛
ﻨﺴﻴﻡ ﺍﻟﻭﺭﺩِ ﻴﻜﹾﺴِﺭ ﺫﻭﺍﺌِﺏ ﺍﻟﺴﻨﺎﺒِلِ ،ﺤﻴﻥ ﻴﻨﺘﹶﺸِﺭ ﻭﺴﻁﹶ ﺍﻟﺭﻭﺽِ ﻋﺒﻴﺭ ﺘِﻠﹾ ﻙ
ﺍﻟﺫﱡﺅﺍﺒﺔ؛
ﺤﻜﺎﻴﺔﹸ ﻟﻴلِ ﺍﻟﻬﺠﺭﺍﻥِ ﻟﻴﺴﺕﹾ ﺤِﻜﺎﻴﺔﹶ ﺍﻟﺤﺎلِ ﻟِﺘﹸﻘﺎل ،ﺸﹸﻤﺔﹲ ﻤِﻥ ﺒﻴﺎﻨِﻬﺎ ﺘﹸﺤﺴﺏ ﺒﻤﺎﺌﺔِ
ﺭﺴﺎﻟﺔٍ؛
؛ ﻻ ﺘﺭﺝ ﺍﻟﻨﱠﻭﺍلَ ﻤِﻥ ﺴﻔﺭﺓِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﻤﻨﻜﻭﺱ ،ﻜﹸلﱡ ﻟﹸﻘﻤﺔٍ ﻤﻨﻬﺎ ﺒﻤﺎﺌﺔِ ﻏﺼﺔٍ ﻭﻻ ﻤﻼل
ﻻ ﻴﻤﻜِﻨﹸﻙ ﺍﻟﻭﺼﻭلُ ﺇﻟﻰ ﺍﻟﺠﻭﻫﺭِ ﺍﻟﻤﻘﺼﻭﺩِ ﺒﺎﻟﺴﻌﻲِ ﻤِﻥ ﻨﻔﺴِﻙ ،ﺨﻴﺎلٌ ﺃﻥ ﻫﺫﺍ
ﺍﻟﻌﻤلَ ﺍﻟﱠﺫﻱ ﻻ ﻴﺼﺭﻑﹸ ﻴﻔﻠِﺢ؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﻤﻠِﻙ ﺼﺒﺭ ﻨﻭﺡٍ ﺍﻟﻨﱠﺒﻲ ﻋﻠﻰ ﻏﻡ ﺍﻟﻁﱡﻭﻓﺎﻥِ ،ﺒﻼﺅﻙ ﻴﻨﺘﻬﻲ ،ﻭﺘﹸﻘﻀﻰ ﻟﹶﻙ
ﺤﺎﺠﺔﹸ ﺃﻟﻑِ ﻋﺎﻡٍ ﻤِﻥ ﺍﻻﻨﺘﻅﺎﺭِ؛
ﻨﺴﻴﻡ ﻓﺭﻋِﻙ ﺤﻴﻥ ﻴﻤﺭ ﻋﻠﻰ ﻗﺒﺭِ ﺤﺎﻓِﻅ ،ﺁﻻﻑﹸ ﺃﺯﻫﺎﺭِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺘﺘﻔﺘﱠﺢ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﺒﺩﻨِﻪِ.
ﻏﺰﻝ ٢٣٥
ﺃﺴﻌِﺩ ﺒﺎﻟﺯﻤﺎﻥِ ﺍﻟﻤﺒﺎﺭﻙِ ﺍﻟﱠﺫﻱ ﺒِﻪِ ﻴﻌﻭﺩ ﺍﻟﺤﺒﻴﺏ ،ﺤﺎﻤﻼﹰ ﺍﻟﻔﹶﺭﺝ ﻟﻠﻤﺼﺎﺒﻴﻥ ﺒِﻐﻤﺯﺘِﻪِ،
ﺍﻟﻤﻐﻤﻭﻤﻴﻥ ﺍﻟﻤﻜﺴﻭﺭﻴﻥ؛
ﺃﺭﺴﻠﺕﹸ ﺃﺒﻠﻕﹶ ﺍﻟﻌﻴﻥِ ﺨﻠﹾﻑﹶ ﺨﹶﻴلِ ﺨﻴﺎﻟِﻪِ ،ﺃﻨﺎ ﻋﻠﻰ ﺃﻤلِ ﺃﻥ ﻴﺭﺠِﻊ ﺫﻟِﻙ ﺍﻟﻔﺎﺭِﺱ
ﺍﻟﻤﺎﻫِﺭ)(١؛
) (١ﻭﺠﻪ ﺍﻟﺸﱠﺒﻪِ ﺒﻴﻥ ﺍﻟﻌﻴﻥِ ﻭﺍﻷﺒﻠﹶﻕِ ﻤﻥ ﺍﻟﺨﻴلِ ،ﺃﻥ ﻜﹸﻠﱠﺎﹰ ﻤﻨﻬﻤﺎ ﻓﻴﻪ ﺒﻴﺎﺽ ﻭﺴﻭﺍﺩ ،ﻭﺴﺭﻴﻊ
ﺇﺫ ﻴﺠﺭﻱ؛
-٢٤٥-
ﺭﺃﺴﻲ ،ﺇﺫﺍ ﻜﺎﻨﹶﺕﹾ ﻻ ﺘﹶﺼِﻴ ﺭ ﻜﹸﺭﺓﹰ ﻴﺘﻨﺎﻭﻟﹸﻬﺎ ﺒِﻌﺼﺎﻩ ،ﻓﻠﻥ ﺃﺘﹶﻜﹶﻠﱠﻡ ﻤِﻨﻬﺎ ،ﻭﺃﻱ ﻨﹶﻔﹾ ﻊٍ
ﺴﻴﻜﻭﻥ ﻟﻲ ﻤِﻨﻬﺎ؟)(١؛
ﻤﻘﻴﻡ ﻋﻠﻰ ﻗﺎﺭﻋﺔِ ﺍﻟﻁﱠﺭﻴﻕِ ،ﺠﺎﻟِﺱ ﻜﺎﻟﻐﹸﺒﺎ ِﺭ ،ﺒﻬﻭﺱِ ﺃﻥ ﻴﻌﻭﺩ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕ؛
ﺍﻟﻘﹶﻠﺏ ﺍﻟﱠﺫﻱ ﻓﻲ ﺫﺅﺍﺒﺔٍ ﻤِﻥ ﻀﻔﺎﺌﺭِﻩِ ﺍﺴﺘﻘﺭ ﻗﺭﺍﺭﻩ ،ﻻ ﺘﺘﺨﻴلْ ﺃﻥ ﻫﺫﺍ ﺍﻟﻘﻠﺏ ﺴﻴﻌﻭﺩ
ﺇﻟﻴﻪِ ﻗﺭﺍﺭﻩ؛
ﻴﺎ ﻟِﻤﺎ ﺘﺤﻤﻠﹶﺕِ ﺍﻟﺒﻼﺒِلُ ﻤِﻥ ﺍﻟﺠﻭﺭِ ﻤِﻥ ﺩﻱ ،ﻋﻠﻰ ﺃﻤلِ ﺃﻥ ﻴﻌﻭﺩ ﺭﺒﻴﻊ ﺁﺨﹶﺭ ﺠﺩﻴﺩ(٢)؛
ﻅ ﻤِﻥ ﻨﹶﻘﹾﺵِ ﺍﻟﻘﻀﺎﺀِ ،ﻫﻲ ﺃﻥ ﻴﻌﻭﺩ ﺍﻟﺤﺒﻴﺏ ﺸﺒﻴﻪ ﺍﻟﺴﺭﻭِ ﺇﻟﻰ ﻴﺩﻱ.
ﺍﹸﻤﻨﻴﺔﹸ ﺤﺎﻓِ ﹶ
ﻏﺰﻝ ٢٣٦
ﻋﺎﺩ ﻟﻲ ﻋﺎﺩ ﻟﻲ ﺴـﺎﻟِﻑﹸ ﺍﻟﻌﻤـﺭِ ﺒﻌﺩ ﺸﹶﻴﺒﻲ ﺇﺫﺍ ﺍﻟﻁﱠـﺎﺌِﺭ ﺍﻟﻘﹸﺩﺴـﻲ
ﺃﻥ ﻴﺭﻯ ﺒﺭﻕِ ﺤﻅﱢﻲ ﺒﻬﺎ ﻨﻅﹶـﺭِﻱ ـلٌ ﻓﻌــﺴﻰ
ـﺭ ﻫﺎﻁِـ
ـﻲ ﻤﻁﹶـ
ﺃﺩﻤﻌـ
ﻓﺈﻥ ﻟﻡ ﺃَﻋﺩ ﻟﻜﹸـﻡ ﻴﻌـﺩ ﺨﹶﺒـﺭﻱ ﺴﻭﻑﹶ ﺃﻤﻀﻲ ﻓﻲ ﺇِﺜﹾﺭِﻩِ ﻴﺎ ﺭِﻓـﺎﻗﻲ
ﻨﺎﻗﻭﺱ ﺤﻅﱢﻲ ﺇﻥ ﻋﺎﺩ ﻟﻲ ﻗﹶﻤـﺭﻱ ﺃﻗﺭﻉ ﻤِﻥ ﻓﻭﻕ ﺴـﻘﻑِ ﺍﻟـﺴﻌﺎﺩﺓِ
ﻨﺜﺭﺍﹰ :ﻟﻭ ﻋﺎﺩ ﺫﻟﻙ ﺍﻟﻁﹼﺎﺌﺭ ﺍﻟﻘﺩﺴﻲ ﺇﻟﻰ ﺒﺎﺒﻲ ﻟﻌﺎﺩ ﻟﻲ ﺒﻌﺩ ﺸﻴﺒﻲ ﺸﺒﺎﺒﻲ؛
ﻭﻋﻨﺩﻱ ﺃﻤلٌ ﻤِﻥ ﺩﻤﻭﻋﻲ ﺍﻟﻬﺎﻁِﻠﺔِ ﻜﺎﻟﻤﻁﺭِ ﺃﻥ ﻴﻠﻤﻊ ﻟﻲ ﺒﺭﻕﹸ ﺩﻭﻟﺔِ ﺤﻅﱢﻲ ﺍﻟﱠﺫﻱ
ﻏﺎﺏ ﻋﻥِ ﺍﻟﻨﱠﻅﹶﺭ؛
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺘﺎﺝ ﺭﺃﺴﻲ ﺘﹸﺭﺍﺏ ﺃﺨﹾﻤﺹِ ﻗﹶﺩﻤِﻪ ،ﺃﻁﻠﹸﺏ ﻤِﻥ ﺍﷲِ ﺃﻥ ﻴﻌﻭﺩ ﻟﺭﺃﺴﻲ؛
ﺃُﺭﻴﺩ ﺃﻥ ﺃﺫﻫﺏ ﻓﻲ ﺃﺜﹶﺭِﻩِ ﻴﺎ ﺭِﻓﺎﻗﻲ ﺍﻷﻋِﺯﺍﺀ ،ﻓﺈﻥ ﻟﻡ ﺃﻋﺩ ﻟﻜﹸﻡ ﺒِﺸﹶﺨﺼﻲ ،ﻴﻌﺩ ﻟﻜﹸﻡ
ﺨﹶﺒﺭﻱ )ﺨﺒﺭ ﻭﻓﺎﺘﻲ(؛
) (١ﺩﻱ ﺸﹶﻬﺭ ﻤِﻥ ﺸﻬﻭﺭِ ﺍﻟﺸﱢﺘﺎﺀِ ﻤِﻥ ﺍﻟﺴﻨﹶﺔِ ﺍﻟﻔﺎﺭﺴﻴﺔِ ،ﻴﻘﹶﻊ ﺠﺯﺀ ﻤِﻨﻪ ﻓﻲ ﻜﺎﻨﻭﻥ ﺍﻷﻭلَ،
ﻭﺍﻟﺠﺯﺀ ﺍﻷﻜﺒﺭ ﻓﻲ ﻜﺎﻨﻭﻥ ﺍﻟﺜﹼﺎﻨﻲ؛
) (٢ﺘﺴﻠﻴﻡ) ﺍﻟﺭﺃﺱ ﻤﺤلﱡ ﺍﻹﺭﺍﺩﺓﹸ(.
-٢٤٦-
ﺇﺫﺍ ﻟﻡ ﺃﺠﻌلِ ﺍﻟﺭﻭﺡ ﺍﻟﻌﺯﻴﺯ ﹶﺓ ﻨِﺜﺎﺭﺍﹰ ﻟِﻘﹶﺩﻡِ ﺍﻟﺤﺒﻴﺏِ ،ﻟِﺄﻱ ﻋﻤلٍ ﺁﺨﹶﺭ ﻴﺼﻠﹸﺢ ﺠﻭﻫﺭ
ﺍﻟﺭﻭﺡِ؛
ﻭﺇﺫﺍ ﺭﺃﻴﺕﹸ ﻗﹶﻤﺭﻱ ﺍﻟﻤﺴﺎﻓِﺭ ﻋﺎﺌﺩﺍﹰ ﻓﺴﻭﻑﹶ ﺃﻗِﻑﹸ ﻋﻠﻰ ﺴﻘﻑِ ﻗﹸﺒﺔِ ﺍﻟﺴﻌﺎﺩﺓِ ﻭﺃﻗﺭﻉ
ﻨﺎﻗﻭﺱ ﺩﻭﻟﺘﻲ ﺍﻟﺠﺩﻴﺩﺓ؛
ﻟﻭ ﺴﻤِﻊ ﺁﻩ ﺴﺤﺭﻱ ﻟﹶﻌﺎﺩ ﻟﻲ ،ﺼﺭﺍﺥﹸ ﺍﻟﻘﻴﺜﺎﺭﺓِ ﻭﻋﺫﹾﺏ ﻨﹶﻭﻡِ ﺍﻟﺼﺒﻭﺡِ ﻴﻤﻨﻌﺎﻨِﻪِ؛
ﺃﻤﻠﻲ ﺃﻥ ﺃﺭﻯ ﻭﺠﻪ ﻤﻠِﻜِﻲ ﻜﺎﻟﻘﹶﻤﺭِ ،ﺤﺎﻓِﻅﹸ ﻫِﻤﺔﹰ ﻟِﻴﻌﻭﺩ ﺒﺎﻟﺴﻼﻤﺔِ ﺇﻟﻰ ﺒﺎﺒﻲ.
ﻏﺰﻝ ٢٣٧
ﺃﻨﻔﺎﺴﻲ ﻭﺼﻠﹶﺕﹾ ﺇﻟﻰ ﻨِﻬﺎﻴﺘِﻬﺎ ﻭﻟﹶﻡ ﺃﺼِلْ ﻤِﻨﹾﻙ ﺇﻟﻰ ﻤﺭﺍﺩﻱ ،ﻭﺍﻫﺎﹰ ﻓﺒﺨﺘﻲ ﻤِﻥ ﺍﻟﻨﱠﻭﻡِ
ﻻ ﻴﺼﺤﻭ؛
ﺫﹶﺭﺕﹾ ﻤِﻥ ﺩﻴﺎﺭِﻩِ ﺍﻟﺼﺒﺎ ﻏﹸﺒﺎﺭﺍﹰ ﺒِﻌﻴﻨﻲ ،ﺒﻌﺩﻫﺎ ﻟﹶﻡ ﺃﻋﺩ ﺃﺒﺼِﺭ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ؛
ﻤﺎ ﺩﻤﺕﹸ ﻟﹶﻡ ﺃﺘﻤﺴﻙ ﺒﻘﺩﻙ ﺍﻟﻌﺎﻟﻲ ،ﻓﺸﺠﺭﺓﹸ ﺃﻤﻠﻲ ﻭﻤﺭﺍﺩﻱ ﻟﹶﻥ ﺘﻁﻠﹶﻊ؛
ﻋلﱠ ﺍﻟﺤﺒﻴﺏ ﻴﻘﺒِلُ ﻋﻠﻴﻨﺎ ﺒِﻭﺠﻪِ ﺍﻟﻌﻁﹾﻑِ ،ﻤِﻥ ﻏﻴﺭِ ﻫﺫﺍ ﺍﻟﻭﺠﻪِ ﻟﹶﻥ ﻴﺤﺴﻥ ﺤﺎﻟﹸﻨﺎ؛
ﺼﺎﺭ ﻗﻠﺒﻲ ﻤﻘﻴﻤﺎﹰ ﺒِﻔﹶﺭﻋِﻙ ،ﺭﺃﻯ ﻫﻨﺎﻙ ﺴﻭﺍﺩﺍﹰ ﺠﻤﻴﻼﹰ ،ﻭﻤِﻥ ﺫﺍﻙ ﺍﻟﻐﺭﻴﺏِ ﺤﻤﺎلِ
ﺍﻟﺒﻼﺀِ ،ﻟﻡ ﻴﻌﺩ ﻴﺠﻲﺀ ﺨﺒﺭ؛
ﻑ ﺴﻬﻡِ ﺩﻋﺎ ٍﺀ ،ﻟﻜِﻥ ﻤﺎ ﺍﻟﻨﱠﻔﹾ ﻊ ،ﻟﹶﻡ ﺘﹸﻘﹾﺽ ﻟﻲ ﺤﺎﺠﺔﹲ
ﻕ ،ﺃﺭﺴﻠﹾﺕﹸ ﺃﻟ ﹶ
ﻤِﻥ ﺼﺩﺭِ ﺍﻟﺼﺩ ِ
ﻭﺍﺤِﺩﺓ؛
ﻜﺜﻴﺭﺓﹲ ﻫِﻲ ﺤﻜﺎﻴﺎﺕﹸ ﻗﻠﺒﻲ ﻟﻨﺴﻴﻡِ ﺍﻟﺴﺤﺭِ ،ﻟﻜِﻥ ﻫﺫِﻩِ ﺍﻟﻠﹼﻴﻠﹶﺔﹶ ،ﺍﻟﺴﺤﺭ ﻻ ﻴﺄﺘﻲ ﺒﺒﺨﺘﻲ؛
ﺍﻨﺘﻬﻰ ﺒﻬﺫﺍ ﺍﻟﺨﻴﺎلِ ﺯﻤﺎﻥ ﻋﻤﺭﻱ ،ﻭﺒﻼﺌﻲ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ ﺍﻟﺴﻭﺩﺍﺀِ ﻟﹶﻡ ﻴﻨﺘﻪِ؛
ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺍﻟﻭﺍﻟِﻪِ ﺒﻌﺩﻤﺎ ﻨﹶﻔﹶﺭ ﻤِﻥ ﻜﹸلﱢ ﺸﺨﺹٍ ،ﺃﻗﺎﻡ ﻓﻲ ﺤﻠﹾﻘﹶﺔٍ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ ،ﻓﻠﻡ
ﻴﻌﺩ ﻴﺨﺭﺝ.
-٢٤٧-
ﻏﺰﻝ ٢٣٨
ﺍﻟﻌﺎﻟﹶ ﻡ ﻜﹶ ﺤلَ ﺤﺎﺠِﺏ ﻋﺭﻭﺱِ ﺍﻟﻌﻴﺩِ ﻫِﻼﻻﹰ ،ﺍﹸﻨﻅﹸﺭ ﻫﻼلَ ﺍﻟ ﻌِﻴﺩِ ﻓﻲ ﺤﺎ ﺠِ ﺏِ
ﺍﻟﺤﺒﻴﺏ؛
ﺍﻨﻜﹶﺴﺭﺕﹸ ﻭﻅﻬﺭﻱ ﺍﻨﺤﻨﻰ ،ﻭﻗﺎﻤﺘﻲ ﺼﺎﺭﺕﹾ ﻜﺎﻟﻬِﻼل ،ﺤﻴﻥ ﺍﻜﺘﹶﺤلَ ﻗﻭﺱ ﺤﺎﺠِﺏِ
ﺍﻟﺤﺒﻴﺏِ ﺒﺎﻟﻭﺴﻤﺔِ ﻤِﻥ ﺠﺩﻴﺩ؛
ﻕ ﻤِﻥ ﻋﺒﻴﺭِ ﻙ
ﻜﺄﻥ ﻨﺴﻴﻡ ﺨﻁﱢﻙ ﻤﺭ ﻓﻲ ﺍﻟﺼﺒﺢِ ﻓﻲ ﺍﻟﺭﻭﺽ ،ﻓﺎﻟﻭﺭﺩ ﻜﺎﻟﺼﺒﺢِ ﻤﺯ ﹶ
ﺍﻟﺜﱠﻭﺏ ﻋﻠﻰ ﺒﺩﻨِﻪِ؛
ﻟﹶﻡ ﺘﻜﹸﻥ ﻫﻨﺎﻟِﻙ ﻗﻴﺜﺎﺭﺓﹲ ﻭﻨﺒﻴﺫﹲ ﻭﺨﹶﻤﺭ ﻭﻋﻭﺩ ،ﻴﻭﻡ ﻤﺯﺠﻭﺍ ﺒِﻤﺎﺀِ ﺍﻟﻭﺭﺩِ ﻭﺍﻟﻨﱠﺒﻴﺫِ ﻁﻴﻥ
ﻭﺠﻭﺩﻱ)(١؛
ﺘﻌﺎلَ ﻟِﻜﹶﻲ ﺃﻗﻭلَ ﻟﻙ ﻏﻡ ﻤﺭﺍﺭﺓِ ﻗﻠﺒﻲ ،ﺃﻨﺎ ﻤِﻥ ﺩﻭﻨِﻙ ﻻ ﺃﻤﻠِﻙ ﺍﻟﻤﺠﺎلَ ﻟﻠﺴﺅﺍلِ
ﻭﺍﻟﺠﻭﺍﺏ؛
ﺃﻨﺎ ﺃﺸﺘﺭﻱ ﻭﺼﻠﹶﻙ ﺒﺎﻟﺭﻭﺡِ ﺇﺫﺍ ﻜﺎﻥ ﺜﹶﻤﻨﹸﻪ ﺍﻟﺭﻭﺡ ،ﺃﻫلُ ﺍﻟﺒﺼﺭِ ﻴﺸﺘﺭﻭﻥ ﺠِﻨﹾﺱ
ﺍﻟﺨﹶﻴﺭِ ﺒِﻜﹸلﱢ ﻤﺎ ﻴﻤﻠﻜﻭﻥ؛
ﻭﺠﻬﻙ ﻓﻲ ﻟﻴلِ ﺸﹶﻌﺭِﻙ ﺃﺭﻯ ﻜﺎﻟﺒﺩﺭِ ،ﻤِﻥ ﻭﺠﻬِﻙ ﺼﺎﺭ ﻟﻴﻠﻲ ﻤﻀﻴﺌﺎﹰ ﻜﺎﻟﻨﱠﻬﺎﺭ؛
ﻭﺼﻠﹶﺕﹾ ﺭﻭﺤﻲ ﺇﻟﻰ ﺸﹶﻔﹶﺘﻲ ﻭﻟﹶﻡ ﺃﺤﺼلْ ﻋﻠﻰ ﺒﻐﹾﻴﺘﻲ ،ﺍﻨﻘﹶﻁﹶﻊ ﺃﻤﻠﻲ ﻭﻟﻡ ﻴﺘﻭﻗﱠﻑﹾ
ﻋﻤﻠﻲ؛
ﻤِﻥ ﺸﹶﻭﻕِ ﻭﺠﻬِﻙ ﻜﺘﹶﺏ ﺤﺎﻓِﻅﹸ ﺒﻌﺽ ﺍﻟﺤﺭﻭﻑ ،ﻓﺎﻗﺭﺃْ ﻤِﻥ ﻨﹶﻅﹾﻤِﻪِ ،ﻭﺍﺘﱠﺨِﺫﹾ ﻗﹸﺭﻁﺎﹰ ﻤِﻥ
ﻵﻟِﺌﻪ.
) (١ﺍﻟﻨﱠﺒﻴﺫﹸ ﺍﻷﻭﻟﻰ ﻨﺒﻴﺫﹸ ﺍﻟﻌِﻨﹶﺏِ ﻭﺍﻟﻨﱠﺒﻴﺫﹸ ﺍﻟﺜﹼﺎﻨﻴﺔ ﻨﺒﻴﺫﹸ ﺍﻟﻌِﺸﹾﻕ.
-٢٤٨-
ﻏﺰﻝ ٢٣٩
ﺍﻟﺒِﺸﺎﺭﺓﹸ ﻭﺼﻠﺕ ،ﺠﺎﺀ ﺍﻟﺭﺒﻴﻊ ،ﻭﺍﺨﻀﺭ ﺍﻟﻤﺭﺝ ،ﺇﺫﺍ ﻭﺼلَ ﺭﺍﺘِﺒﻲ ﺴﺄﺼﺭﻓﹸﻪ
ﻟﻠﻭﺭﺩِ ﻭﺍﻟﻨﱠﺒﻴﺫ؛
ﺼﻔﻴﺭ ﺍﻟﻁﱡﻴﻭﺭِ ﻋﻼ ،ﺃﻴﻥ ﺒﻁﱠﺔﹸ ﺍﻟﺸﱠﺭﺍﺏ؟ ،ﻭﺍﻟﺒﻠﺒلُ ﻴﺼﺭﺥﹸ ،ﻤﻥ ﺭﻓﹶﻊ ﻨِﻘﺎﺏ ﺍﻟﻭﺭﺩِ؛
ﺃﻱ ﻁﹶﻌﻡٍ ﻤِﻥ ﻓﻭﺍﻜِﻪِ ﺍﻟﺠﻨﱠﺔِ ﺴﻴﺠِﺩ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻤﺎ ﻁﹶﻌِﻡ ﺘﹸﻔﱠﺎﺤﺔﹶ ﺫﹶﻗﹾﻥِ ﺍﻟﺤﺒﻴﺏ؛
ﻻ ﺘﹶﻜﹸﻥ ﺸﺎﻜﻴﺎﹰ ﻤِﻥ ﺍﻟﻐﹸﺼﺔِ ﻓﻔﻲ ﻁﺭﻴﻕِ ﺍﻟﻁﱠﻠﹶﺏِ ،ﻟﹶﻥ ﻴﺼِلَ ﺇﻟﻰ ﺍﻟﺭﺍﺤﺔِ ﻤﻥ ﻟﹶﻡ
ﻴﺤﺘﹶﻤِلِ ﺍﻟﻤﺸﹶﻘﱠﺔ؛
ﺍﻗﻁِﻑِ ﺍﻟﻴﻭﻡ ﻭﺭﺩﺓﹰ ﻤِﻥ ﻭﺠﻪِ ﺴﺎﻕٍ ﻟﻪ ﻭﺠﻪ ﺒﺩﺭٍ ،ﻓﻘﺩ ﻨﹶﺒﺕﹶ ﺨﹶﻁﱡ ﺍﻟﺒﻨﹶﻔﺴﺞ ﺤﻭلَ
ﺒﺴﺘﺎﻥِ ﻋﺎﺭِﻀِﻪِ؛
ﻤﻨﺫﹸ ﺴﻠﹶﺒﺕﹾ ﻗﻠﺒﻲ ﻤِﻥ ﻴﺩﻱ ﻏﻤﺯﺓﹸ ﺍﻟﺴﺎﻗﻲ ،ﻤﺎ ﻋﺩﺕﹸ ﺃﻗﹾﺩِﺭ ﻋﻠﻰ ﺍﻟﺤﺩﻴﺙِ ﻤﻊ ﺃﺤﺩ؛
ﺁﻤلُ ﺃﻥ ﺃﺤﺭِﻕﹶ ﺜﻭﺏ ﺍﻟﺭﻗﺎﻉِ ﺍﻟﻤﻠﹶﻭﻥ ﺃﻟﻭﺍﻨﺎﹰ ،ﺍﻟﺸﱠﻴﺦﹸ ﺒﺎﺌﻊ ﺍﻟﺨﹶﻤﺭِ ﻻ ﻴﺸﺘﺭﻴﻪِ ﻤﻨﹼﻲ
ﺒِﺠﺭﻋﺔٍ ﻭﺍﺤِﺩﺓ؛
ﺍﻟﺭﺒﻴﻊ ﻴﻤﻀﻲ ،ﻴﺎ ﺫﺍ ﺍﻟﻌﻁﺎﺀِ ﺃﺴﺭِﻉ ،ﺍﻟﻤﻭﺴِﻡ ﺭﺍﺡ ﻭﺤﺎﻓِﻅﹸ ﺇﻟﻰ ﺍﻵﻥ ﻟﹶﻡ ﻴﺫﹸﻕِ ﺍﻟﺨﹶﻤﺭ.
ﻏﺰﻝ ٢٤٠
ﺠﺎﺀ ﻏﻴﻡ ﺁﺫﺍﺭ ﻭﺭﻴﺢ ﺍﻟﻨﱠﻭﺭﻭﺯِ ﻫﺒﺕﹾ ،ﻭﺒﻲ ﺤﺎﺠﺔﹸ ﺍﻟﺨﻤﺭِ ﻭﺍﻟﻤﻁﺭِﺏِ ،ﻤﻥ ﻗﺎﺌلٌ
ﻟﻲ :ﻗﹸﻀِﻴﺕﹾ ﺤﺎﺠﺘﹸﻙ؟؛
ﺃﻫلُ ﺍﻟﺠﻤﺎلِ ﺘﹶﺠﻠﱠﻭﺍ ،ﻭﺃﻨﺎ ﺨﹶﺠلٌ ﻤِﻥ ﻜﻴﺴﻲ ﺍﻟﻔﺎﺭِﻍ ،ﺍﻟﻌِﺸﹾﻕﹸ ﻭﺍﻹﻓﻼﺱ ﺤِﻤلٌ
ﺼﻌﺏ ،ﻭﺤﻤﻠﹸﻪ ﻭﺍﺠِﺏ؛
ﻫﺫﺍ ﻗﹸﺤﻁﹸ ﺍﻟﺠﻭﺩِ ،ﻻ ﺃﺤﺩ ﻴﺠﻭﺩ ،ﻤﺎﺀ ﻭﺠﻬِﻙ ﻻ ﺘﹶﺒِﻊ ،ﻭﺨِﺭﻗﹶﺘﹶﻙ ﻓﺒِﻊ ﻟﺸﺭﺍﺀِ ﺍﻟﺨﹶﻤﺭِ
ﻭﺍﻟﻭﺭﺩ؛
-٢٤٩-
ﻜﺄﻨﹼﻲ ﺃﺭﻯ ﺍﻟﻔﹶﺭﺝ ،ﻭﻋﻘﺩﺓﹸ ﺃﻤﺭﻱ ﺘﹸﺤلﱡ ﻓﹶﻌﺩ ،ﻓﻘﺩ ﻜﹸﻨﹾﺕﹸ ﺃﺩﻋﻭ ﻭﻜﺎﻥ ﺍﻟﺼﺒﺢ
ﺍﻟﺼﺎﺩِﻕﹸ ﻴﻁﹾﻠﹶﻊ؛
ﺠﺎﺀ ﺍﻟﻭﺭﺩ ﻓﻲ ﺍﻟﺭﻭﺽِ ﺒﻤﺎﺌﺔِ ﺃﻟﻑِ ﻀﺤﻜﹶﺔٍ ﻋﻠﻰ ﺍﻟﺸﱢﻔﺎﻩِ ،ﺫﺍﻙ ﺍﻟﻜﺭﻴﻡ ﻓﻲ ﻁﹶﺭﻑِ
ﺍﻟﺭﻭﺽِ ﺘﹸﺸﹶﻡ ﻤﻨﹾﻪ ﺭﺍﺌﺤﺔﹸ ﺍﻟﺨﻴﺭ؛
ﺇﺫﺍ ﺘﻤﺯﻕﹶ ﺍﻟﺜﱠﻭﺏ ﻓﻲ ﻋﺎﻟﹶﻡِ ﺍﻟﺨﻼﻋﺔِ ﻻ ﺨﻭﻑﹶ ،ﻭﻤﺯﻕِ ﺍﻟﺜﱠﻭﺏ ﺃﻴﻀﺎﹰ ﻓﻲ ﺴﺒﻴلِ
ﺍﻟﺫﱢﻜﹾﺭِ ﺍﻟﺤﺴﻥ؛
ﻫﺫﻱ ﺍﻟﻠﹼﻁﺎﺌﻑﹸ ﺍﻟﱠﺘﻲ ﻗﹸﻠﹾﺕﹸ ﻋﻥ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻙ ،ﻤﻥ ﻗﺎﻟﻬﺎ؟ ،ﻭﻫﺫﺍ ﺍﻟﺘﱠﻁﺎﻭلُ ﺍﻟﱠﺫﻱ
ﺭﺃﻴﺕﹸ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ ،ﻤﻥ ﺭﺁﻩ؟؛
ﻋﺩلُ ﺍﻟﺴﻠﻁﺎﻥِ ﺇﻥ ﻟﹶﻡ ﻴﺴلْ ﻋﻥ ﺤﺎلِ ﺍﻟﻤﻅﻠﻭﻤﻴﻥ ﻓﻲ ﺍﻟﻌِﺸﹾﻕ ،ﻓﻌﻠﻰ ﺍﻟﻤﻅﻠﻭﻤﻴﻥ ﻓﻲ
ﻋﺯﻟﹶﺘِﻬِﻡ ﺃﻥ ﻴﻘﻁﹶﻌﻭﺍ ﺍﻟﻁﱠﻤﻊ ﻤِﻥ ﺍﻟﺭﺍﺤﺔ؛
ﻻ ﺃﻋﻠﹶﻡ ﻤﻥِ ﺍﻟﱠﺫﻱ ﺭﻤﻰ ﺍﻟﺴﻬﻡ ﻗﺎﺘِلَ ﺍﻟﻌﺎﺸِﻕِ ﻋﻠﻰ ﻗﻠﹾﺏِ ﺤﺎﻓِﻅ ،ﻟﻜﻨﱠﻨﻲ ﺃﻋﻠﹶﻡ ﻤِﻥ
ﺸِﻌﺭِﻩِ ﺍﻟﻁﱠﺭﻱ ﺃﻥ ﻗﹶﻠﹾﺒﻪ ﻤﺠﺭﻭﺡ ،ﻭﺃﻥ ﺍﻟﺩﻡ ﻴﻘﻁِﺭ ﻤِﻨﹾﻪ.
ﻏﺰﻝ٢٤١
ﻕ ﻋﺒﺩٍ ﻤﺨﻠِﺹٍ ﻟﻜﹸﻡ ،ﺘﺫﻜﱠﺭﻭﺍ؛
ﻴﺎ ﺃﻫلَ ﻋِﺸﹾﺭﺘﻲ ،ﺤﺭﻴﻑﹶ ﺍﻟﻠﱠﻴلِ ﺍﺫﻜﺭﻭﺍ ،ﺤﻘﻭ ﹶ
ﺁﻩ ﻭﺃﻨﻴﻥ ﺍﻟﻌﺸﱠﺎﻕِ ﻭﻗﹾﺕﹶ ﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﻌﺭﺒﺩﺓِ ،ﺒِﺼﻭﺕِ ﻭﻨﹶﻐﹾﻤﺔِ ﺍﻟﺭﺒﺎﺏِ ﻭﺍﻟﻘﺎﻨﻭﻥِ ،ﺍﺫﻜﺭﻭﺍ؛
ﺇﺫﺍ ﻅﹶﻬﺭ ﻟﹸﻁﻑﹸ ﺍﻟﺨﹶﻤﺭِ ﻓﻲ ﺠﺒﻴﻥِ ﺍﻟﺴﺎﻗﻲ ،ﺍﻟﻌﺎﺸِﻘﻴﻥ ﺒﺎﻟﻐِﻨﺎﺀِ ﻭﺍﻟﻨﱠﺸﻴﺩِ ،ﺍﺫﻜﹸﺭﻭﺍ؛
ﺇﻥ ﻭﺼﻠﹶﺕﹾ ﻴﺩ ﺍﻟﺭﺠﺎﺀِ ﻤِﻨﹾﻜﹸﻡ ﺇﻟﻰ ﻭﺴﻁِ ﺍﻟﻤﺭﺍﺩِ ،ﻋﻬﺩ ﺼﺤﺒﺘِﻨﺎ ﺁﻨﹶﺫﺍﻙ ،ﺍﺫﻜﹸﺭﻭﺍ؛
ﻕ ﺴﻴﺭِﻜﹸﻡ ،ﻭﻟﻭ ﺒِﻀﺭﺒﺔِ ﺴﻭﻁٍ ،ﺍﺫﻜﺭﻭﺍ؛
ﺇﺫﺍ ﺴﺎﺭ ﻁﻭﻋﺎﹰ ﻟﹶﻜﹸﻡ ﻓﹶﺭﺱ ﺍﻟﺩﻭﻟﹶﺔِ ﺍﻟﺠﺎﻤِﺢ ،ﺭِﻓﺎ ﹶ
ﻟﹶﺤﻅﹶﺔﹰ ﻟﹶﻡ ﺘﻐﺘﹶﻤﻭﺍ ﻟﻸﻭﻓﻴﺎﺀ ،ﺃﺨﻴﺭﺍﹰ ﺒﻌﺩ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥِ ﺍﻟﻁﱠﻭﻴلِ ﻤِﻥ ﻋﺩﻡِ ﺍﻟﻭﻓﺎﺀِ ،ﺍﺫﻜﹸﺭﻭﺍ؛
ﻴﺎ ﺴﺎﻜِﻨﻲ ﺼﺩﺭ ﺍﻟﺠﻼلِ ،ﻤِﻥ ﻭﺠﻪِ ﺍﻟﻤﺭﺤﻤﺔِ ،ﻭﺠﻪ ﺤﺎﻓِﻅﹶ ﻋﻠﻰ ﺃﻋﺘﺎﺒِﻜﹸﻡ ،ﺘﺫﻜﱠﺭﻭﺍ.
-٢٥٠-
ﻏﺰﻝ ٢٤٢
ﺘﻌﺎلَ ﻓﻘﺩ ﻭﺼﻠﹶﺕﹾ ﺭﺍﻴﺔﹸ ﺸﺎﻩ ﻤﻨﺼﻭﺭ ،ﺒِﺸﺎﺭﺓﹸ ﺍﻟﻔﹶﺘﹾﺢِ ﻭﺍﻟﻨﱠﺼﺭِ ﻭﺼﻠﹶﺕﹾ ﻟﻠﺸﱠﻤﺱِ
ﻭﺍﻟﻘﹶﻤﺭ)(١؛
ﺠﻤﺎلُ ﺍﻟﺒﺨﹾﺕِ ﻋﻥ ﻭﺠﻪِ ﺍﻟﻅﱠﻔﹶﺭِ ﺭﻓﹶﻊ ﺍﻟﻨﱢﻘﺎﺏ ،ﻜﻤﺎلُ ﺍﻟﻌﺩلِ ﻟﺒﻰ ﺒﺎﻟﻌﻁﺎﺀِ ﺼﺭﺨﹶﺔﹶ
ﺍﻟﻤﻅﻠﻭﻤﻴﻥ؛
ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﺒﻌﻴﺩ ﻴﺩﻭﺭ ﺩﻭﺭﺍﻨﺎﹰ ﺠﻤﻴﻼﹰ ﺒِﻌﻭﺩﺓِ ﺫﻟِﻙ ﺍﻟﻘﹶﻤﺭ ،ﺍﻟﻌﺎﻟﹶﻡ ﻭﺼلَ ﺇﻟﻰ ﻤﺭﺍﺩِ ﺍﻟﻘﹶﻠﹾﺏِ
ﺇﺫﹾ ﻭﺼلَ ﺍﻟﺸﱠﺎﻩ؛
ﻗﻭﺍﻓِلُ ﺍﻟﻘﹸﻠﻭﺏِ ﻭﺍﻟﻌﻠﻭﻡِ ﺼﺎﺭﺕِ ﺁﻤِﻨﹶﺔﹰ ﻤِﻥ ﻗﹸﻁﱠﺎﻉِ ﺍﻟﻁﱡﺭﻕِ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ﺒﻌﺩ ﺃﻥ ﺠﺎﺀ
ﺭﺠلُ ﺍﻟﻁﱠﺭﻴﻕ؛
ﻋﺯﻴﺯ ﻤِﺼﺭ ﺒﺭﻏﹾﻡِ ﺇﺨﻭﺘِﻪِ ﺍﻟﻐﹶﻴﻭﺭﻴﻥ ﺨﹶﺭﺝ ﻤِﻥ ﻗﹶﻌﺭِ ﺍﻟﺠﺏ ﻭﻭﺼلَ ﺇﻟﻰ ﺃﻭﺝِ
ﺍﻟﻘﹶﻤﺭ؛
ﺃﻴﻥ ﻫﻭ ﺍﻟﺼﻭﻓﻲ ﺩﺠﺎلُ ﺍﻟﻔِﻌلِ ﻤﻠﹾﺤِﺩ ﺍﻟﺸﱠﻜﹾل ،ﻗﹸلْ ﻟﻪ ﺍﺤﺘﹶﺭِﻕﹾ ﻓﻘﺩ ﻭﺼلَ ﻤﻬﺩﻱ
ﺍﻟﺩﻴﻥِ ﻭﺍﻟﻜﹶﻬﻑﹸ ﺍﻟﺤﺼﻴﻥ؛
ﺼﺒﺎ ﺤﺩﺜﻲ ﺒﻤﺎ ﺠﺭﻯ ﻋﻠﻰ ﺭﺃﺴﻲ ﻤِﻥ ﻏﻡ ﺍﻟﻌِﺸﹾﻕِ ﻤِﻥ ﻨﺎﺭِ ﻗﻠﺒﻲ ﺍﻟﻤﺸﺘﻌِﻠﹶﺔِ ﻭﺩﺨﺎﻥِ
ﺁﻫﺎﺘﻲ؛
ﻤﻠِﻜﻲ ،ﺃﺴﻴﺭ ﺍﻟﻔِﺭﺍﻕِ ﻫﺫﺍ ،ﺒِﺸﹶﻭﻕِ ﻭﺠﻬِﻙ ،ﺃﺼﺎﺒﻪ ﻤﺎ ﺃﺼﺎﺏ ﻭﺭﻕﹶ ﺍﻟﺤﺼﻴﺩِ ﻤِﻥ
ﺍﻟﻨﱠﺎﺭ؛
ﻻ ﺘﹶﺫﻫﺏ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ ﻓﺤﺎﻓِﻅﹸ ،ﻤِﻥ ﻭِﺭﺩِ ﻤﻨﺘﹶﺼﻑِ ﺍﻟﻠﹼﻴلِ ﻭﺩﺭﺱِ ﺍﻟﺴﺤﺭِ ،ﻭﺼلَ ﺇﻟﻰ
ﺩِﻴﻭﺍﻥِ ﺍﻟﻘﺒﻭلِ.
) (١ﺍﻟﺸﹼﺎﻩ ﻤﻨﺼﻭﺭ ﻤﻤﺩﻭﺡ ﺤﺎﻓِﻅ ﻤﻥ ﻤﻠﻭﻙ ﺁل ﻤﻅﹶﻔﹼﺭ
-٢٥١-
ﻏﺰﻝ ٢٤٣
ﻜﹸلﱡ ﻤﻥ ﻭﺠﺩ ﺭﻴﺢ ﻋِﻁﺭِﻙ ﺍﻟﺠﻤﻴلِ ﻓﻲ ﺍﻟﺼﺒﺎ ،ﺍﺴﺘﹶﻠﹶﻡ ﺭِﺴﺎﻟﹶﺔﹶ ﺍﻟﻭﻓﺎﺀِ ﻤِﻥ
ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻭﻓﻲ؛
ﺃﻱ ﺸﺎﻩ ﺍﻟﺤﺴﻥِ ،ﻨﹶﻅﹾﺭﺓﹰ ﻋﻠﻰ ﺤﺎلِ ﻫﺫﺍ ﺍﻟﺸﱠﺤﺎﺫ ،ﻓﻬﺫِﻩِ ﺍﻷُﺫﹸﻥ ﻜﻡ ﺴﻤِﻌﺕﹾ ﻤِﻥ ﺤِﻜﺎﻴﺔِ
ﺸﺎﻩٍ ﻭﺸﹶﺤﺎﺫ)(١؛
ﺃﻨﺎ ﺒِﺨﹶﻤﺭﺓِ ﺍﻟﻤِﺴﻙ ﺃُﺴﻌِﺩ ﻤﺸﺎﻡ ﺍﻟﺭﻭﺡِ ،ﻓﻘﺩ ﺸﻤﻤﺕﹸ ﻤِﻥ ﺜﹶﻭﺏِ ﺍﻟﺼﻭﻤﻌﺔِ ﺍﻟﺨﹶﻠﹶﻕِ
ﺭﻴﺢ ﺍﻟﺭﻴﺎﺀِ؛
ﺴِﺭ ﺍﷲِ ﺍﻟﱠﺫﻱ ﻤﺎ ﻗﺎﻟﹶﻪ ﺍﻟﻌﺎﺭِﻑﹸ ﺍﻟﺴﺎﻟِﻙ ﻟِﺸﹶﺨﹾﺹٍ ،ﺤﻴﺭﺘﻲ ﺒﺎﺌﻊ ﺍﻟﺨﹶﻤﺭِ ﻤِﻥ ﺃﻴﻥ ﺴﻤِﻌﻪ؛
ﻴﺎ ﺭﺏ ﺃﻴﻥ ﻤﺤﺭﻡ ﺍﻟﺴﺭ ﻟﻴﺸﺭﺡ ﻗﻠﺒﻲ ﻟﻪ ﻟِﻠﹶﺤﻅﹶﺔٍ ،ﻤﺎ ﻗﺎلَ ﻭﻤﺎ ﺴﻤِﻊ؛
ﻟﻴﺱ ﻫﺫﺍ ﺠﺯﺍ ﺀ ﻟﻘﻠﺒﻲ ﺍﻟﻭﻓﻲ ﺍﻟﱠﺫﻱ ﻴﺭﻋﻰ ﺍﻟﺤﻕﱠ ،ﺃﻥ ﻴﺴﻤﻊ ﻤِﻥ ﺭﻓﻴﻕِ ﻏﻤﻪِ ﺤﺩﻴﺜﺎﹰ
ﻻ ﻴﻠﻴﻕ؛
ﺕ ﻤﺤﺭﻭﻤﺎﹰ ﻤِﻥ ﺩﻴﺎﺭِﻙ ﻤﺎ ﺍﻟﻀﻴﺭ؟ ،ﻤﻥ ﺸﹶﻡ ﺭﻴﺢ ﺍﻟﻭﻓﺎﺀِ ﻤِﻥ ﺭﻭﺽِ ﺇﺫﺍ ﺼِﺭ ﹸ
ﻭ ﺭﺩِ ﺍﻟﺯﻤﺎﻥِ؟!؛
ﺴﺎﻗﻲ ﺘﻌﺎل ،ﺍﻟﻌِﺸﹾﻕﹸ ﻋﺎﻟﻴﺎﹰ ﻴﻨﺎﺩﻱ ،ﺍﻟﺸﱠﺨﺹ ﺍﻟﱠﺫﻱ ﺭﻭﻯ ﻗِﺼﺘﹶﻨﺎ ﻤﻌﻠﱠﻡ ﻤِﻨﱠﺎ؛
ﻨﹶﺤﻥ ﻻ ﻨﺸﺭﺏ ﺍﻟﺨﹶﻤﺭ ﺘﺤﺕﹶ ﺍﻟﺨِﺭﻗﹶﺔِ ﻤِﻥ ﺍﻟﻴﻭﻡِ ،ﻤِﺌﺎﺕِ ﺍﻟﻤﺭﺍﺕِ ﻭﺼﻠﹶﺕﹾ ﻗﹶﺼﺘﹸﻨﺎ
ﻟِﺸﹶﻴﺦِ ﺍﻟﺤﺎﻥِ؛
ﻭﺸﹸﺭﺒﻨﺎ ﺍﻟﺨﹶﻤﺭ ﻋﻠﻰ ﺼﺭﺍﺥِ ﺍﻟﺭﺒﺎﺏِ ﻟﹶﻴﺱ ﻤِﻥ ﺍﻟﻴﻭﻡِ ،ﻜﻡ ﺩﺍﺭ ﻴﺴﻤﻊ ﻫﺫﺍ ﺍﻟﺼﻭﺕﹶ
ﺩﻭﻻﺏ ﺍﻟﻔﹶﻠﹶﻙِ؛
ﻨﹸﺼﺢ ﺍﻟﺤﻜﻴﻡِ ﻤﺤﺽ ﺍﻟﺼﻭﺍﺏِ ﻭﻋﻴﻥ ﺍﻟﺨﹶﻴﺭ ،ﺴﻌِﺩ ﺸﹶﺨﹾﺹ ﺴﻤِﻌﻪ ﺒﺄُﺫﹸﻥِ ﺍﻟﺭﻀﺎ؛
ﺤﺎﻓِﻅﹸ ﻭﻅﻴﻔﹶﺘﹸﻙ ﺍﻟﺩﻋﺎﺀ ﻭﺤﺴﺏ ،ﻭﻻ ﺘﹸﻘﻴﺩ ﻨﹶﻔﹾﺴﻙ ﺒِﺴﻤِﻊ ﺃﻡ ﻟﹶﻡ ﻴﺴﻤﻊ.
) (١ﻜﻡ ﺴﻤِﻌﺕﹾ ﻤِﻥ ﺤﻜﺎﻴﺎ ﻋﻥ ﻋﻁﻑِ ﺍﻟﻤﻠﻭﻙِ ﻋﻠﻰ ﺍﻟﺸﱠﺤﺎﺫﻴﻥ.
-٢٥٢-
ﻏﺰﻝ ٢٤٤
ﻓــﻲ ﺤــلﱢ ﻋﻘﹾــﺩﺓِ ﺸﹶــﻌﺭٍ ﻟﻠﺤﺒﻴــﺏِ ﺃﻁِــلْ
ﻟﹶﻴــلَ ﺍﻟﺤــﺩﻴﺙِ ﻓــﺈﻥ ﺍﻟــﺫﱢﻜﹾﺭ ﻗــﺩ ﻁﺎﺒــﺎ
ﻓﻲ ﺨﹶﻠﹾـﻭﺓِ ﺍﻷُﻨﹾـﺱِ ﺤﻴـﺙﹸ ﺍﻟـﺼﺤﺏ ﻤﺠﺘﹶﻤِـﻊ
ﻭﺇﻥ ﻴﻜـــﺎﺩ ﻟِﺘﹶﻘﹾـــﺭﺃْ ﻭﺃﻏﹾﻠِـــﻕِ ﺍﻟﺒﺎﺒـــﺎ
ﻟــﻥ ﻴﻌــﺭِﻑﹶ ﺍﻟﻐﹶــﻡ ﺃﺴــﺒﺎﺒﺎﹰ ﺇﻟﹶﻴــﻙ ﺇﺫﺍ
ﺕ ﻤِــﻥ ﺨــﺎﻟِﻕِ ﺍﻷﺴــﺒﺎﺏِ ﺃﺴــﺒﺎﺒﺎ
ﺃﻤــﺴﻜﹾ ﹶ
ﻤــﻥ ﻟــﻴﺱ ﺒﺎﻟﻌِــﺸﹾﻕِ ﻴﺤﻴــﺎ ﻤﻴــﺕﹲ ﻭﻟﻘــﺩ
ﺤﻠﱠـــﺕﹾ ﻟﹶـــﻪ ﺤﻠﹶـــلُ ﺍﻷﻜﹾﻔـــﺎﻥِ ﺃﺜﻭﺍﺒـــﺎ
ﻴﺎ ﺃﺨِﻠﹼﺎﺌﻲ ﺤﻠﱡﻭﺍ ﻤِﻥ ﺠﺩﻴﻠﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﻋﻘﹾﺩﺓﹰ ﻭﺍﺤِﺩﺓﹰ ،ﺍﻟﻠﹼﻴﻠﹶﺔﹸ ﺠﻤﻴﻠﹶﺔﹲ ﻓﺎﺠﻌﻠﻭﻫﺎ ﻁﹶﻭﻴﻠﹶﺔﹰ
ﺒِﻬﺫِﻩِ ﺍﻟﻘِﺼﺔِ)(١؛ ﻓﻲ ﻤﺤﻀﺭِ ﺨﹶﻠﹾﻭﺓِ ﺍﻷُﻨﹾﺱِ ﻭﺍﻷﺼﺤﺎﺏ ﻤﺠﺘﻤﻌﻭﻥ) ،ﺇﻥ ﻴﻜﺎﺩ (ﻓﺎﻗﺭﺃْ
ﻭﺍﻟﺒﺎﺏ ﺃﻏﻠِﻕﹾ)(٢؛ ﺍﻟﺭﺒﺎﺒﺔﹸ ﻭﺍﻟﻘﻴﺜﺎﺭﺓﹸ ﺘﻘﻭﻻﻥِ ﺒِﻌﺎﻟﻲ ﺍﻟﺼﻭﺕِ ،ﺍﺴﻤﻊ ﻨﹶﺼﻴﺤﺔﹶ ﺃﻫلِ ﺍﻟﺴﺭ
ﺒِﺄُﺫﹸﻥٍ ﻭﺍﻋِﻴﺔٍ؛ ﻭﺤﻴﺎﺓِ ﺍﻟﺤﺒﻴﺏِ ﻟﻥ ﻴﻤﺯﻕﹶ ﺍﻟﻐﻡ ﻟﻙ ﺴِﺘﺎﺭﺍﹰ ،ﺇﺫﺍ ﺠﻌﻠﹾﺕﹶ ﺍﻋﺘِﻤﺎﺩﻙ ﻋﻠﻰ
ﺼﺎﻨِﻊِ ﺍﻷﻟﻁﺎﻑِ؛ ﺒﻴﻥ ﺍﻟﻌﺎﺸِﻕِ ﻭﺍﻟﻤﻌﺸﻭﻕِ ﻓﹶﺭﻕﹲ ﻜﺒﻴﺭ ،ﺇﺫﺍ ﺘﹶﺩﻟﱠلَ ﺍﻟﺤﺒﻴﺏ ﺃﻅﻬِﺭ ﺍﻟﻤﺴﻜﹶﻨﹶﺔ؛
ﺃﻭلُ ﻤﻭﻋِﻅﹶﺔٍ ﻟِﺸﹶﻴﺦِ ﺍﻟﺼﺤﺒﺔِ ﻜﺎﻨﹶﺕﹾ ﻫﺫﺍ ﺍﻟﺤﺭﻑﹶ :ﻤِﻥ ﻤﺼﺎﺤﺒﺔِ ﺍﻟﻔﺎﺴِﻕِ ﺍﺤﺘﹶﺭِﺯ
ﺍﺤﺘِﺭﺍﺯﺍﹰ؛ ﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﻟﻴﺱ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﺤﻠﹾﻘﹶﺔِ ﺤﻴﺎﹰ ﺒﺎﻟﻌِﺸﹾﻕ ،ﺼﻠﱡﻭﺍ ﻋﻠﻴﻪِ ﺒِﻔﺘﻭﺍﻱ ﻗﹶﺒلَ ﺃﻥ
ﻴﻤﻭﺕ)(٣؛ ﺇﺫﺍ ﻁﹶﻠﹶﺏ ﺤﺎﻓِﻅﹸ ﻤِﻨﹾﻜﹸﻡ ﺍﻹﻨﻌﺎﻡ ،ﺍﺠﻌﻠﻭﺍ ﺤﻭﺍﻟﹶﺘﹶﻪ ﺇﻟﻰ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻌﻁﻭﻑ.
) (١ﺇﻥ ﻓﻲ ﺤﻠﻘﺎﺕ ﺸﻌﺭِ ﺍﻟﺤﺒﻴﺏ ﺍﻷﺠﻌﺩ ﺃﺴﺭﺍﺭ ﺍﻟﺠﻤﺎلِ ،ﻓﻴﺎ ﻟﻴلُ ﻁﹸلْ ﻭﺍﻤﻨﺤﻨﺎ ﺍﻟﻭﻗﺕﹶ ﻟﺴﺭﺩِ ﻗﺼﺔِ
ﺤﻠﻘﺔٍ ﻭﺍﺤﺩﺓٍ ﻤﻥ ﺘﻠﻙ ﺍﻟﺤﻠﻘﺎﺕِ ،ﻭﻜﺸﻑِ ﺃﺴﺭﺍﺭِﻫﺎ ،ﻭﻴﺎ ﻟﺠﻤﺎل ﺫﺍﻙ ﺍﻟﺤﺩﻴﺙ ﻭﺍﻟﻠﱠﻴلُ ﻤﺭﺥٍ ﺴﺩﻭﻟﻪ؛
) (٢ﻓﺈﺫﺍ ﺍﻜﺘﻤلَ ﺠﻤﻊ ﺍﻟﻤﺤﺒﻴﻥ ﻗﻲ ﺨﻠﻭﺓِ ﺍﻷُﻨﺱِ ﺒﺫِﻜﺭِ ﺍﻟﺤﺒﻴﺏ ﻓﺎﻗﺭﺃْ ﻋﻠﻰ ﺍﻟﺠﻤﻊِ ﺁﻴ ﹶﺔ )ﻭﺇﻥ ﻴﻜﺎ ﺩ
ﺍﻟﱠﺫﻴﻥ ﻜﻔﺭﻭﺍ ﻟﻴﺯﻟﻘﻭﻨﻙ ﺒﺄﺒﺼﺎﺭﻫﻡ ﻟﻤﺎ ﺴﻤﻌﻭﺍ ﺍﻟﺫﱢﻜﹾﺭ ﻭﻴﻘﻭﻟﻭﻥ ﺇﻨﱠﻪ ﻟﻤﺠﻨﻭﻥ( ﻟﺩﻓﻊِ ﻋﻴﻥِ
ﺍﻟﺴﻭﺀِ ﻭﺍﻟﺤﺴﺩ ﻭﺃﻏﻠﻕِ ﺍﻟﺒﺎﺏ؛
) (٣ﺼﻠﹼﻭﺍ ﻋﻠﻴﻪِ ﺼﻼﺓﹶ ﺍﻟﻤﻴﺕ.
-٢٥٣-
ﻏﺰﻝ ٢٤٥
ﺃﻻ ﺃﻴﻬﺎ ﺍﻟﺒﺒﻐﺎﺀ ﺍﻟﻨﱠﺎﻁِﻕﹸ ﺒﺎﻷﺴﺭﺍﺭ ،ﻻ ﻜﺎﻥ ﺨﺎﻟﻴﺎﹰ ﻤﻨﻙ ﻤﻥ ﺍﻟﺴﻜﱠﺭِ ﺍﻟﻤِﻨﻘﺎﺭ؛
ﺩﻤﺕﹶ ﺃﺨﻀﺭ ﺍﻟﺭﺃﺱِ ﺴﻌﻴﺩ ﺍﻟﻘﻠﺏِ ﺃﺒﺩﺍﹰ ،ﻓﺄﻨﺕﹶ ﺘﺭﺴﻡ ﻟﻨﺎ ﻋﺫﺍﺭ ﺍﻟﺤﺒﻴﺏِ ﺭﺴﻤﺎﹰ
ﺠﻤﻴﻼﹰ)(١؛
ﻗﹸﻠﺕﹶ ﻟﻠﺤﺭﻴﻔﻴ ﻥ ﺍﻟﺤﺩﻴﺙﹶ ﺍﻟﺨﻔِﻲ ﺍﻟﻤﻌﻨﻰ ،ﺇﻟﻬﻲ ﺍﺭﻓﹶﻊِ ﺍﻟ ﺤِﺠﺎﺏ ﻋﻥ ﻫﺫﺍ
ﺍﻟﻤﻌﻤﻰ؛
ﺭﺵﱠ ﻤﺎﺀ ﺍﻟﻭﺭﺩِ ﻋﻠﻰ ﻭﺠﻬِﻨﺎ ﻤﻥ ﺍﻟﻜﺄﺱِ ﻓﻘﺩ ﻜﹸﻨﱠﺎ ﻨﺎﺌﻤﻴﻥ ،ﻴﺎ ﺒﺨﺘﹶﻨﺎ ﺍﺴﺘﻴﻘِﻅﹾ؛
ﺃﻱ ﻟﺤﻥٍ ﻋﺯﻑﹶ ﺍﻟﻤﻁﺭِﺏ ﻤِﻥ ﺨﹶﻠﹾﻑِ ﺍﻟﺤِﺠﺎﺏِ ،ﻟِﻴﺭﻗِﺹ ﺍﻟﺼﺎﺤﻴﻥ ﻭﺍﻟﺴﻜﺎﺭﻯ ﻤﻌﺎﹰ
ﺠﻤﻴﻌﺎﹰ؛
ﻤِﻥ ﺫﺍﻙ ﺍﻷﻓﻴﻭﻥ ﺍﻟﱠﺫﻱ ﻴﻠﻘﻲ ﺍﻟﺴﺎﻗﻲ ﻓﻲ ﺍﻟﺨﻤﺭِ ،ﻟﻡ ﻴﺒﻕﹶ ﻟﻠﺤﺭﻴﻔﻴﻥ ﻋﻤﺎﻤﺔﹲ
ﻭﻻ ﺭﺃﺱ؛
ﻫﺫﺍ ﺍﻟﻤﺎﺀ ﻻ ﻴﻌﻁﻭﻨﹶﻪ ﻟﻼﺴﻜﻨﺩﺭ ،ﺫﺍ ﺃﻤﺭ ﻻ ﻴﻨﺎلُ ﺒﺎﻟﻘﹸﻭﺓِ ﻭﻻ ﺒﺎﻟﺫﱠﻫﺏ؛
ﺘﻌﺎلَ ﻭﺍﺴﻤﻊ ﺤﺎلَ ﺃﻫلِ ﺍﻷﻟﹶﻡِ ،ﺒﻠﻔﻅٍ ﻗﻠﻴلٍ ﻭﻤﻌﻨﻰ ﻜﺜﻴﺭ؛
ﺼﻨﹶﻡ ﻤِﻥ ﺍﻟﺼﻴﻥِ ﻋﺩﻭ ﻗﻠﺏٍ ﻭﺩﻴﻥٍ ،ﺭﺏ ﻜﹸﻥ ﺤﺎﻓِﻅﺎﹰ ﺩﻴﻨﻲ ﻭﻗﻠﺒﻲ؛
ﻻ ﺘﻘﹸلْ ﺃﺴﺭﺍﺭ ﺍﻟﺴﻜﹾﺭِ ﻟﻠﻤﺤﺠﻭﺒﻴﻥ ،ﻻ ﺘﺠﻌلْ ﺤﺩﻴﺙﹶ ﺍﻟﺭﻭﺡِ ﺭﺴﻤﺎﹰ ﻋﻠﻰ ﺠِﺩﺍﺭ؛
ﺒﻴﻤﻥِ ﺩﻭﻟﹶﺔِ ﺍﻟﺸﹼﺎﻩ ﻤﻨﺼﻭﺭ ،ﺤﺎﻓﻅﹸ ﺼﺎﺭ ﻋﻠﹶﻤﺎﹰ ﻓﻲ ﻨﹶﻅﹾﻡِ ﺍﻷﺸﻌﺎﺭ)(٢؛
ﺇﻨﱠﻪ ﺴﻴﺩ ﺃﻗﺒلَ ﻋﻠﻰ ﺍﻟﻌﺒﻴﺩِ ،ﻴﺎ ﺭﺏ ﺍﺤﻔﹶﻅﹾﻪ ﻤِﻥ ﺍﻵﻓﺎﺕِ.
) (١ﺩﻤﺕﹶ ﺃﺨﻀﺭ ﺍﻟﺭﺃﺱ :ﺩﺍﻤﺕ ﺸﺠﺭﺓﹸ ﻭﺠﻭﺩِﻙ ﺨﻀﺭﺍﺀ ،ﻭﺍﻟﺨِﻁﺎﺏ ﻟﻠﺒﺒﻐﺎﺀ )ﺍﻟﺸﱠﺎﻋِﺭ(؛
) (٢ﺍﻟﺸﺎﻩ ﻤﻨﺼﻭﺭ ﺁﺨﺭ ﻤﻠﻭﻙ ﺁل ﻤﻅﻔﹼﺭ.
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ﻏﺰﻝ ٢٤٦
ﺃﺘﻰ ﺍﻟﻌﻴﺩ ﻭﺍﻟﻭﺭﺩ ﺃﻭﺸﹶﻙ ﻴﻨﺘﻬﻲ ﻭﺍﻷﺤِﺒﺔﹸ ﻓﻲ ﺍِﻨﺘِﻅﺎﺭ ،ﺴﺎﻗﻲ ﺒِﻭﺠﻪِ ﺍﻟﺸﹼﺎﻩِ ﺍﻨﻅﹸﺭ
ﺇﻟﻰ ﻭﺠﻪِ ﺍﻟﻘﹶﻤﺭِ ﻭﻫﺎﺕِ ﺍﻟﺨﻤﺭ)(١؛
ﻀﺎﻕﹶ ﻗﻠﺒﻲ ﻤِﻥ ﺃﻴﺎﻡِ ﺍﻟﻭﺭﺩِ ،ﻭﺭﻏﹾﻡ ﺫﻟِﻙ ﺴﻴﻘﻀﻰ ﺸﹸﻐﻠﻲ ﺒﻬﻤﺔِ ﺍﻟﻁﱠﺎﻫﺭﻴﻥ
ﺍﻟﺼﺎﺌﻤﻴﻥ)(٢؛
ﻻ ﺘﺭﺒِﻁِ ﺍﻟﻘﻠﹾﺏ ﺒﺎﻟﻌﺎﻟﹶﻡِ ،ﻭﺍﺴﺄلْ ﺍﻟﺴﻜﹾﺭﺍﻥ ﻤِﻥ ﻓﻴﺽِ ﺍﻟﺠﺎﻡِ ﻗِﺼﺔﹶ ﺠﻤﺸﻴﺩ ﺍﻟﺴﻌﻴﺩ؛
ﻻ ﻨﹶﻘﹾﺩ ﻓﻲ ﻴﺩﻱ ﺴﻭﻯ ﺍﻟﺭﻭﺡ ،ﺃﻴﻥ ﺍﻟﺸﱠﺭﺍﺏ؟ ،ﻟِﺄﺠﻌلَ ﺍﻟﺭﻭﺡ ﻨِﺜﺎﺭﺍﹰ ﻟِﻐﻤﺯﺓِ ﺍﻟﺴﺎﻗﻲ؛
ﺩﻭﻟﺔﹲ ﺠﻤﻴﻠﺔﹲ ﺴﻌﻴﺩﺓﹲ ﻭﻤﻠِﻙ ﺤﺴﻥ ﻜﺭﻴﻡ ،ﺭﺏ ﺍﺤﻔﻅﹾﻪ ﻋﻠﻰ ﺍﻟﺯﻤﺎﻥِ ﻤِﻥ ﻋﻴﻥِ
ﺍﻟﺴﻭﺀ؛
ﺍِﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻋﻠﻰ ﺸِﻌﺭِ ﻫﺫﺍ ﺍﻟﻌﺒﺩِ ،ﺠﺎﻤﻙ ﺍﻟﻤﺭﺼﻊ ﻴﻬﺏ ﻫﺫﺍ ﺍﻟﺩﺭ ﺍﻟﻤﻠﹶﻜِﻲ ﺯﻴﻨﹶﺔﹰ
ﺃُﺨﺭﻯ؛
ﻤِﻥ ﻓﹶﻭﺕِ ﺍﻟﺴﺤﻭﺭِ ﻤﺎ ﻨﹸﻘﺼﺎﻥ ﺍﻟﺼﺒﻭﺡ ،ﻁﹸﻠﹼﺎﺏ ﺍﻟﺤﺒﻴﺏِ ﻴﻔﻁِﺭﻭﻥ ﻋﻠﻰ ﺍﻟﺨﻤﺭ؛
ﻭﺒﻤﺎ ﺃﻥ ﺴﺘﹾﺭ ﺍﻟﻌﻴﻭﺏِ ﻤِﻥ ﻋﻔﻭِﻙ ﺍﻟﻜﺭﻴﻡِ ،ﺍﻤﻨﺤﻪ ﻗﻠﺒﻲ ،ﻓﻬﻭ ﻨﻘﺩ ﻗﻠﻴلُ ﺍﻟﻌﻴﺎﺭ؛
ﺃﺨﺎﻑﹸ ﻴﻭﻡ ﺍﻟﺤﺸﺭِ ﺃﻥ ﻴﺫﻫﺒﺎ ﻋِﻨﺎﻨﺎﹰ ﺒِﻌﻨﺎﻥٍ :ﺘﺴﺒﻴﺢ ﺍﻟﺸﱠﻴﺦِ ﻭﺨِﺭﻗﹶﺔﹸ ﺍﻟﻌﺭﺒﻴﺩِ ﺸﺎﺭﺏِ
ﺍﻟﺨﻤﺭ)(٣؛
ﺤﺎﻓِﻅﹸ ﺒﻤﺎ ﺃﻥ ﺍﻟﺼﻴﺎﻡ ﻗﺩ ﺫﹶﻫﺏ ﻭﺍﻟﻭﺭﺩ ﺃﻴﻀﺎﹰ ﺫﺍﻫِﺏ ،ﺃﻨﺕﹶ ﻤﻀﻁﹶﺭ ﻟﻠﺸﱡﺭﺏِ ،ﻷﻥ
ﺕ ﻤِﻥ ﻴﺩِﻙ.
ﺸﹸﻐﻠﹶﻙ ﺃﻓﻠﹶ ﹶ
) (١ﻴﻘﺼﺩ ﺒﺎﻟﻌﻴﺩِ ﻫﻨﺎ ﻋﻴﺩ ﺍﻟﻔِﻁﺭِ ،ﻭﺒﺎﻟﻭﺭﺩِ ﺸﹶﻬﺭ ﺭﻤﻀﺎﻥ ،ﻭﺍﻨﺘﻅﺎﺭ ﺍﻷﺤﺒﺔِ ﻟﻴﻨﺘﻬﻲ ﺸﻬﺭ
ﺭﻤﻀﺎﻥ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻭﺠﻪِ ﺍﻟﻘﹶﻤﺭِ ﺘﺤﺭﻴﺎﹰ ﻟﻬﻼلِ ﺍﻟﻌﻴﺩ؛
) (٢ﻭﺃﻴﺎﻡ ﺍﻟﻭﺭﺩِ ﺃﻴﺎﻡ ﺍﻟﺼﻴﺎﻡ ،ﻷﻥ ﺭﻤﻀﺎﻥ ﺭﺒﻴﻊ ﺍﻟﻌﺒﺎﺩﺓِ ﻭﺍﻟﺩﻋﺎﺀ؛
) (٣ﻋﻨﺎﻨﺎﹰ ﺒﻌﻨﺎﻥ :ﻜﻔﺭﺴﻲ ﺭِﻫﺎﻥٍ ﻻ ﻴﺴﺒﻕﹸ ﺃﺤﺩﻫﻤﺎ ﺍﻵﺨﹶﺭ.
-٢٥٥-
ﻏﺰﻝ ٢٤٧
ﻴﺎ ﺼﺒﺎ ﻻ ﺘﻜﹸﻔﱢﻲ ﻋﻥِ ﺍﻟﻤﺭﻭﺭِ ﻓﻲ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﻻ ﺘﺤﺭﻤﻲ ﺍﻟﻌﺎﺸِﻕﹶ ﺍﻟﻭﺍﻟِﻪ
ﺍﻟﺨﹶﺒﺭ ﻤﻨﻬﺎ؛
ﻴﺎ ﻭﺭ ﺩ ﺸﹸﻜﺭﺍﹰ ﻷﻨﱠﻙ ﺘﹶﻔﺘﹼﺤﺕﹶ ﺒﺎﻟﻤﻨﻰ ،ﻻ ﺘﻤﻨﹶﻊ ﻨﺴﻴﻡ ﺍﻟﻭﺼلِ ﻋﻥ ﻁﺎﺌﺭِ ﺍﻟﺴﺤﺭ؛
ﻑ ﻋِﺸﻘِﻙ ﻤﺫﹾ ﻜﹸﻨﺕﹶ ﻫﻼﻻﹰ ﺠﺩﻴﺩﺍﹰ ﺇﻟﻰ ﺃﻥ ﺼِﺭﺕﹶ ﺒﺩﺭﺍﹰ ﺘﻤﺎﻤﺎﹰ ،ﻓﻼ
ﻜﹸﻨﺕﹸ ﺤﺭﻴ ﹶ
ﺘﺤﺭِﻤﻨﻲ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻴﻙ؛
ﺍﻟﻜﹶﻭﻥ ﻭﻜﹸلﱡ ﺍﻟﱠﺫﻱ ﻓﻴﻪِ ﺴﻬلٌ ﻭﻤﺨﺘﹶﺼﺭ ،ﻻ ﺘﻤﻨﻊ ﻫﺫﺍ ﺍﻟﻤﺨﺘﹶﺼﺭ ﻋﻥ ﺃﻫلِ ﺍﻟﻤﻌﺭِﻓﹶﺔ؛
ﻭﺒﻤﺎ ﺃﻥ ﺸﺭﺍﺏ ﻴﺎﻗﻭﺘِﻙ ﻋﻴﻥ ﺸﹶﻬﺩِ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ،ﻗﹸل ﺤﺩﻴﺜﺎﹰ ﻭﻻ ﺘﺤﺭِﻡِ ﺍﻟﺴﻜﱠﺭ ﺍﻟﺒﺒﻐﺎﺀ؛
ﻤﻜﺎﺭِﻤﻙ ﺇﻟﻰ ﺍﻵﻓﺎﻕِ ﻴﺤﻤﻠﹸﻬﺎ ﺍﻟﺸﱠﺎﻋِﺭ ،ﻓﻼ ﺘﻤﻨﹶﻌﻪ ﺍﻟﻭﻅﻴﻔﹶﺔﹶ ﻭﺯﺍﺩ ﺍﻟﺴﻔﹶﺭ؛
ﺇﻥ ﻜﹸﻨﺕﹶ ﺘﻁﻠﺏ ﺫِﻜﹾﺭﺍﹰ ﺒِﺨﹶﻴﺭٍ ،ﻫﺫﺍ ﻫﻭ ﺍﻟﺤﺩﻴﺙ ،ﻭﻻ ﺘﻤﻨﻌﻨﻲ ﺃﺠﺭﻩ ﻤﻥ ﺍﻟﺫﱠﻫﺏِ ﻭﺍﻟﻔِﻀﺔ؛
ﺫﹶﻫﺏ ﻏﹸﺒﺎﺭ ﺍﻟﻐﹶﻡ ﻭﺤﺴﻥ ﺤﺎلُ ﺤﺎﻓِﻅ ،ﻭﺃﻨﺕﹶ ﻻ ﺘﻤﻨﹶﻊ ﻤﺎﺀ ﻋﻴﻨِﻙ ﻤِﻥ ﺍﻟﻤﺴﻴل.
ﻏﺰﻝ ٢٤٨
ﺃﻱ ﻨﺴﻴﻡ ﺍﻟﺼﺒﺎ ،ﻨﹶﻜﹾﻬﺔﹰ ﻤِﻥ ﺤِﻤﻰ ﻓﹸﻼﻥٍ ،ﺍﺤﻤِلْ ﻟﻲ ،ﺃﻨﺎ ﺍﻟﻀﻌﻴﻑﹸ ﻭﻤﺭﻴﺽ ﺍﻟﻐﻡ،
ﺭﺍﺤﺔﹶ ﺍﻟﺭﻭﺡِ ،ﺍﺤﻤلْ ﻟﻲ؛
ﻗﻠﺒﻨﺎ ﺒﻼ ﺤﺎﺼِلٍ ،ﺼﺏ ﻋﻠﻴﻪِ ﺇﻜﺴﻴﺭ ﺍﻟﻤﺭﺍﺩ ،ﻴﻌﻨﻲ ﺃﺜﹶﺭﺍﹰ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﺒﺎﺏِ ﺩﺍﺭِ
ﺍﻟﺤﺒﻴﺏِ ،ﺍِﺤﻤل ﻟﻲ؛
ﺃﻨﺎ ﻓﻲ ﺍﻟﻜﻤﻴﻥِ ﻤِﻥ ﻨﻅﹶﺭﻱ ،ﻭﻓﻲ ﺍﻟﺤﺭﺏِ ﻤﻊ ﻗﻠﺒﻲ ،ﻓﺎﻟﺴﻬﻡ ﻭﺍﻟﻘﹶﻭﺱ ﻤِﻥ ﺤﺎﺠِﺒِﻪِ
ﻭﻏﹶﻤﺯﺘِﻪِ ،ﺍﺤﻤلْ ﻟﻲ)(١؛
) (١ﻷﺼﻁﺎﺩ ﻗﻠﺒﻲ ﺍﻟﹼﺫﻱ ﺘﺭﻜﻨﻲ ﻭﺘﻤﺭﺩ ﻋﻠﻲ
-٢٥٦-
ﺸِﺨﹾﺕﹸ ﻓﻲ ﺍﻟﻐﹸﺭﺒﺔِ ﻭﺍﻟﻔِﺭﺍﻕِ ﻭﻏﻡ ﺍﻟﻘﹶﻠﹾﺏ ،ﻜﺄﺱ ﺨﹶﻤﺭٍ ﻤِﻥ ﻜﹶﻑﱢ ﻓﺘﻰ ﻨﹶﻀﻴﺭٍ ،ﺍﺤﻤِلْ ﻟﻲ؛
ﺍﺴﻕِ ﺍﻟﻤﻨﻜِﺭﻴﻥ ﺃﻴﻀﺎﹰ ﻜﺄﺴﺎﹰ ﺃﻭ ﻜﺄﺴﻴﻥِ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺨﹶﻤﺭِ ،ﻭﻤﺎ ﻟﻡ ﻴﺄﺨﹸﺫﻭﺍ ،ﻓﺴﺭﻴﻌﺎﹰ
ﺍﺤﻤلْ ﻟﻲ؛
ﺴﺎﻗِﻴﺎ ،ﻋﻴﺵﹶ ﺴﻌﺎﺩﺓِ ﺍﻟﻴﻭﻡِ ﻻ ﺘﺅﺠلْ ﻟِﻠﻐﺩِ ،ﺃﻭ ﻀﻤﺎﻥ ﺍﻷﻤﺎﻥِ ﺇﻟﻰ ﻏﹶﺩٍ ﻤِﻥ ﺩﻴﻭﺍﻥِ
ﺍﻟﻘﻀﺎﺀِ ،ﺍﺤﻤِلْ ﻟﻲ؛
ﺃﻀﻌﺕﹸ ﻗﻠﺒﻲ ﻤِﻥ ﻴﺩﻱ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻭﻜﺎﻥ ﺤﺎﻓِﻅﹸ ﻴﻘﻭل ،ﺃﻱ ﻨﺴﻴﻡ ﺍﻟﺼﺒﺎ ﻨﹶﻜﹾﻬﺔﹰ ﻤِﻥ
ﺤِﻤﻰ ﻓﹸﻼﻥٍ ﺍﺤﻤلْ ﻟﻲ.
ﻏﺰﻝ ٢٤٩
ﺃﻱ ﺼﺒﺎ ،ﻨﹶﻜﹾﻬﺔﹰ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﺩﺭﺏِ ﺍﻟﺤﺒﻴﺏِ ﺍﺤﻤﻠﻲ ،ﺃﺫﻫِﺒﻲ ﻫﻡ ﻗﻠﺒﻲ ،ﻭﺒِﺸﺎﺭﺓﹶ
ﺍﻟﺤﺒﻴﺏِ ﺍﺤﻤﻠﻲ؛
ﻟﻁﻴﻔﹶﺔﹰ ﺘﻬﺏ ﺍﻟﺭﻭﺡ ،ﻤِﻥ ﻓﹶﻡِ ﺍﻟﺤﺒﻴﺏِ ،ﻗﹸﻭﻟﻲ ،ﺭِﺴﺎﻟﹶﺔﹶ ﺍﻟﺨﹶﺒﺭِ ﺍﻟﺴﻌﻴﺩِ ،ﻤِﻥ ﻋﺎﻟﹶﻡِ
ﺍﻷﺴﺭﺍﺭ ،ﺍﺤﻤﻠﻲ؛
ﻜﹶﻲ ﺃُﻋﻁﱢﺭ ﻤِﻥ ﻟﹸﻁﹾﻑِ ﻨﺴﻴﻤِﻙِ ﺍﻟﻤﺸﺎﻡ ،ﺸﹸﻤﺔﹰ ﻤِﻥ ﻨﹶﻔﹶﺤﺎﺕِ ﻨﹶﻔﹶﺱِ ﺍﻟﺤﺒﻴﺏِ ،ﺍﺤﻤﻠﻲ؛
ﺒﺎﻟﻭﻓﺎﺀِ ﺍﻟﱠﺫﻱ ﻟﹶﻙِ ،ﺘﹸﺭﺍﺒﺎﹰ ﻤِﻥ ﻁﺭﻴﻕِ ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻌﺯﻴﺯِ ،ﻻ ﻴﺨﺎﻟِﻁﹸ ﻪ ﻏﹸﺒﺎﺭ ﻤِﻥ
ﺍﻷﻏﻴﺎﺭِ ،ﺍﺤﻤﻠﻲ؛
ﻏﹸﺒﺎﺭﺍﹰ ﻤِﻥ ﻤﻤﺭ ﺍﻟﺤﺒﻴﺏِ ﻓﻲ ﻋﻤﻰ ﻤِﻥ ﺍﻟﺭﻗﻴﺏ ،ﻤِﻥ ﺃﺠلِ ﺭﺍﺤﺔِ ﻫﺫِﻩِ ﺍﻟﻌﻴﻥِ ﺤﻤﺎﻟﹶﺔِ
ﺍﻟﺩﻡ ،ﺍﺤﻤﻠﻲ؛
ﻋﺩﻡ ﺍﻟﻨﱡﻀﺞِ ﻭﺍﻟﺴﺫﺍﺠﺔﹸ ﻟﻴﺴﺎ ﻤﺴﻠﹶﻙ ﺍﻟﻠﹼﺎﻋﺒﻴﻥ ﺒﺎﻷﺭﻭﺍﺡِ ،ﺨﹶﺒﺭﺍﹰ ﻤِﻥ ﺼﺩﺭِ ﺫﺍﻙ
ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻌﻴﺎﺭِ ،ﺍﺤﻤﻠﻲ؛
ﺸﹸﻜﹾﺭﺍﹰ ﻷﻨﱠﻙِ ﻓﻲ ﺍﻟﻌِﺸﹾﺭﺓِ ﻴﺎ ﻁﻴﻭﺭ ﺍﻟﺭﻭﺽِ ،ﺒﺸﺭﻯ ﻤِﻥ ﺍﻟﺭﻴﺎﺽِ ﻷﺴﺎﺭﻯ
ﺍﻟﻘﹶﻔﹶﺹِ ،ﺍﺤﻤﻠﻲ؛
-٢٥٧-
ﺼﺎﺭ ﻁﻌﻡ ﺭﻭﺤﻲ ﻤﺭﺍﹰ ﻤِﻥ ﺍﻟﺼﺒﺭِ ﻋﻠﻰ ﻏﻴﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ،ﻤﺠﺔﹰ ﻤِﻥ ﺘﻠﻙ ﺍﻟﺸﱠﻔﹶﺔِ
ﺍﻟﱠﺘﻲ ﺘﻘﻁِﺭ ﺴﻜﱠﺭﺍﹰ ،ﺍﺤﻤﻠﻲ؛
ﻤﺭ ﺩﻫﺭ ﻭﻟﻡ ﻴﺭ ﺍﻟﻘﹶﻠﹾﺏ ﻭﺠﻪ ﺍﻟﻤﻘﺼﻭﺩِ ،ﺴﺎﻗﻴﺎ ،ﺫﺍﻙ ﺍﻟﻘﹶﺩﺡ ﺍﻟﻤﻨﻴﺭ ﻜﺎﻟﻤِﺭﺁﺓِ ،ﺍﺤﻤِلْ)(١؛
ﺤﺎﻓِﻅﹸ ،ﻤﺎ ﻗﻴﻤﺔﹸ ﺜﻭﺒِﻪِ ﺍﻟﺨﹶﻠﹶﻕِ؟! ،ﻟﻭﻨﹾﻪ ﺒﺎﻟﺨﹶﻤﺭِ ،ﻭﺴﻜﺭﺍﻥ ﺨﹶﺭِﺒﺎﹰ ،ﻤِﻥ ﺭﺃﺱِ ﺍﻟﺒﺎﺯﺍﺭِ ،ﺍﺤﻤِﻠﹾﻪ.
ﻏﺰﻝ٢٥٠
ﺃﻅﻬِﺭ ﻭﺠﻬﻙ ﻭﺃﻨﺱِ ﺨﺎﻁِﺭﻱ ﻭﺠﻭﺩﻱ ،ﻭﻗﹸلْ ﻟﻠﺭﻴﺢِ ﺃﻥ ﺘﹶﺤﻤِلَ ﻤﺤﺼﻭلَ ﺍﻟﻤﺤﺘﺭِﻗﻴﻥ؛
ﺒﻤﺎ ﺃﻨﱠﻨﺎ ﺃﻋﻁﹶﻴﻨﺎ ﺍﻟﻘﻠﺏ ﻭﺍﻟﻌﻴﻥ ﻟِﻁﻭﻓﺎﻥِ ﺍﻟﺒﻼﺀِ ،ﻓﻘﹸلْ ﻟﺴﻴلِ ﺍﻟﻐﹶﻡ ﺘﻌﺎلَ ﺍﺠﺭِﻑﹾ ﺒِﻨﺎﺀ
ﻭﺠﻭﺩِﻨﺎ ﻤِﻥ ﺍﻷﺴﺎﺱ؛
ﻓﺭﻋﻪ ﻜﺎﻟﻌﻨﹾﺒﺭِ ﺍﻟﺨﺎﻟِﺹِ ،ﻴﻀﻭﻉ ﻟﻙ ،ﻫﻴﻬﺎﺕﹶ ،ﺃﻱ ﻗﻠﺒﻲ ﺍﻟﺴﺎﺫﹶﺝ ﺍﻟﻁﹼﻤﻊِ ،ﺍِﻨﹾﺱ ﻫﺫﺍ
ﺍﻟﺤﺩﻴﺙ؛
ﻗﹸلْ ﻟﻠﺼﺩﺭِ ﺃﻥ ﻴﺤﻤِلَ ﺸﹸﻌﻠﹶﺔﹶ ﻤﻌﺒﺩِ ﻨﺎﺭِ ﻓﺎﺭِﺱ ،ﻭﻗﹸلْ ﻟﻠﻌﻴﻥِ ﺃﻥ ﺘﺠﺭِﻑﹶ ﻤﺎﺀ ﺠﺒﻴﻥِ
ﺩِﺠﻠﹶﺔﹶ ﺒﻐﺩﺍﺩ؛
ﺩﻭﻟﹶﺔﹸ ﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻓﻠﺘﹶﺩﻡ ﻭﻴﺴﻬلُ ﺍﻟﺒﺎﻗﻲ ،ﻗﹸلْ ﻟﻐﻴﺭِﻩِ ﺍﺫﻫﺏ ﻭﺍﻨﺱ ﺍِﺴﻤﻲ؛
ﺴﻌﻲ ﺒﻼ ﺭﺴﻡٍ ﺒﻬﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﻻ ﻴﻭﺼِلُ ﺇﻟﻰ ﻤﻜﺎﻥٍ ،ﺇﻥ ﻜﹸﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺍﻷﺠﺭ ﻗﺩﻡ
ﻁﺎﻋﺔﹶ ﺍﻷُﺴﺘﺎﺫ)(٢؛
ﻴﻭﻡ ﻤﻭﺘﻲ ﻋِﺩﻨﻲ ﺒِﺄﻥ ﺃﺭﺍﻙ ﻨﹶﻔﹶﺴﺎﹰ ،ﻜﻲ ﺃﻜﻭﻥ ﻓﻲ ﺍﻟﻠﹼﺤﺩِ ﻓﺎﺭِﻏﺎﹰ ﻻ ﺃُﺒﺎﻟﻲ ،ﻭﺤﺭﺍﹰ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﺎلَ ﺃﻗﺘﹸﻠﹸﻙ ﺒِﺄﻫﺩﺍﺏٍ ﻁِﻭﺍلٍ ،ﻴﺎ ﺭﺏ ﺃﻨﺱِ ﺨﺎﻁِﺭﻩ ﻓِﻜﹾﺭ ﺍﻟﻅﱡﻠﹾﻡ؛
ﺤﺎﻓِﻅﹸ ،ﻓﻜﱢﺭ ﺒِﻠﹸﻁﹾﻑِ ﺨﺎﻁِﺭِ ﺍﻟﺤﺒﻴﺏ ،ﺍِﺫﻫﺏ ﻋﻥ ﺒﺎﺒِﻪِ ﻭﻗﹸﻡ ﺒﺎﻟﻌﻭﻴلِ ﻭﺍﻟﻨﱠﺤﻴﺏ).(٣
) (١ﻷﺭﻯ ﺒِﻪِ ﻭﺠﻪ ﺍﻟﺤﺒﻴﺏ.
) (٢ﺍﻟﺭﺴﻡ :ﺤﺴﻥ ﺍﻟﺴﻴﺭ؛
) (٣ﻻ ﺘﹸﻌﻜﱢﺭ ﺨﺎﻁِﺭ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻠﹼﻁﻴﻑﹶ ﺒﺎﻟﻌﻭﻴل.
-٢٥٨-
ﻏﺰﻝ ٢٥١
ﺴﻼﻡ ﻓﻴﻪِ ﺤﺘـﻰ ﻤﻁﹾﻠﹶـﻊِ ﺍﻟﻔﺠـﺭ ﺒﻠﻴلِ ﺍﻟﻭﺼلِ ﻴﻁﻭﻯ ﺩﻓﺘﺭ ﺍﻟﻬﺠـﺭ
ﻓﻤﺎ ﻓﻲ ﺍﻟﻌﺸﻕِ ﻤﻥ ﻓﻌلٍ ﺒﻼ ﺃﺠﺭ ﺜﺒﺎﺘﺎﹰ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌﺸﻕِ ﻴـﺎ ﻗﻠـﺏ
ﻭﻟﻭ ﺁﺫﻴﺘﻨﻲ ﺒـﺎﻟﻬﺠﺭِ ﻭﺍﻟﺤﺠـﺭ ﻭﻻ ﺃﻨﻭﻱ ﻤﺘﺎﺒـﺎﹰ ﺒﻌـﺩ ﺴـﻜﺭﻱ
ﻁﻠﻭﻋﺎﹰ ﻴﺎ ﻤﻀﻲﺀ ﺍﻟﻘﹶﻠﹾﺏِ ﻴﺎ ﻓﹶﺠـﺭ ﻅﻼﻤﺎﹰ ﻜﻡ ﺃﺭﻯ ﻤِﻥ ﻟﻴﻠـﺔِ ﺍﻟﻬﺠـﺭ
ﻓﺂﻩٍ ﻤِﻨﻪ ﻤﻥ ﺠـﻭﺭٍ ﻭﻤـﻥ ﺯﺠـﺭ ﻭﻟﻡ ﺃﺭ ﻭﺠﻬـﻪ ﻭﺃﻀـﻌﺕﹸ ﻗﻠﺒـﻲ
ﻓﺈﻥ ﺍﻟﺭﺒﺢ ﻭﺍﻟﺨﹸـﺴﺭﺍﻥ ﺒـﺎﻟﺘﱠﺠﺭ ـﺎﺀ
ـﻲ ﺠﻔـ
ـﺎ ﻴﺠﻨـ
ـﺎﻓﻅﹸ ﺒﺎﻟﻭﻓـ
ﻭﺤـ
ﺸﺭﺡ :ﻓﻲ ﻟﻴﻠﺔِ ﺍﻟﻭﺼلِ ،ﺍﻟﱠﺘﻲ ﻫﻲ ﻟﻴﻠﺔﹸ ﺍﻟﻘﺩﺭ ،ﻴﺘﺠﻠﹼﻰ ﻟﻲ ﺍﻟﺤﺒﻴﺏ ،ﻭﺃﻨﻌﻡ ﺒﺎﻟﻭﺼلِ ﻤﻨﻪ
ﺇﻟﻰ ﺍﻟﺼﺒﺎﺡِ ،ﻓﻲ ﺴﻼﻡٍ ﻭﻫﻨﺎﺀٍ ،ﻭﺍﻟﻨﱠﺎﺱ ﻨﻴﺎﻡ ،ﻟﻴﻠﺔﹸ ﺍﻟﻘﺩﺭ ﻟﻠﺴﺎﻟﻙ ﻫﻲ ﻭﺼﻭﻟﹸﻪ ﺇﻟﻰ ﻋﻴﻥ
ﺍﻟﺠﻤﻊ)ﺍﻟﺠﺭﺠﺎﻨﻲ( ،ﻭﺍﻟﻤﺼﺭﺍﻉ ﺍﻟﺜﱠﺎﻨﻲ ﻤﻘﺘﹶﺒﺱ ﻤﻥ ﺴﻭﺭﺓِ ﺍﻟﻘﺩﺭ ﻤﻥ ﺍﻵﻴﺔِ ﺍﻷﺨﻴﺭﺓِ ﻤﻨﻬﺎ :ﺴﻼﻡ
ﻫﻲ ﺤﺘﻰ ﻤﻁﻠﹶﻊِ ﺍﻟﻔﺠﺭ؛ ﻤﺼﺭﺍﻉ ﺍﻟﺒﻴﺕ ﺍﻟﺜﺎﻟﺙ )ﻭﻟﻭ ﺁﺫﻴﺘﻨﻲ ﺒﺎﻟﻬﺠﺭِ ﻭﺍﻟﺤﺠﺭ (ﻤﻨﻅﻭﻡ
ﺒﺎﻟﻌﺭﺒﻴﺔ ﻤﻥ ﺍﻟﺸﹼﺎﻋﺭ ﻨﻔﺴﻪ ،ﻭﻜﺫﻟﻙ ﻤﺼﺭﺍﻉ ﺍﻟﺒﻴﺕِ ﺍﻷﺨﻴﺭ )ﻓﺈﻥ ﺍﻟﺭﺒﺢ ﻭﺍﻟﺨﹸﺴﺭﺍﻥ ﺒﺎﻟﺘﱠﺠﺭ،(
ﻭﺍﻟﻤﻌﻨﻰ ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﹸﺭﻴﺩ ﺍﻟﻭﻓﺎﺀ ﻓﺎﺤﻤِلْ ﺍﻟﺠﻔﺎﺀ ﻴﺎﺤﺎﻓﻅ ،ﻓﺎﻟﺘﱢﺠﺎﺭﺓﹸ ﻓﻴﻬﺎ ﺍﻟﺭﺒﺢ ﻭﻓﻴﻬﺎ ﺍﻟﺨﺴﺎﺭﺓ.
ﻏﺰﻝ ٢٥٢
ﺇﻥ ﺒﻘﻲ ﻟﻲ ﻋﻤﺭ ﻭﻋﺩﺕﹸ ﻟﻠﺤﺎﻥِ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﻓﻠﻥ ﻴﻜﻭﻥ ﻟﻲ ،ﻏﻴﺭ ﺨِﺩﻤﺔِ
ﺍﻟﺴﻜﺎﺭﻯ ،ﺤِﺭﻓﹶﺔﹲ ﺃُﺨﺭﻯ؛
ﻤﺎ ﺃﺠﻤلَ ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ﺍﻟﱠﺫﻱ ﺃﺫﻫﺏ ﻓﻴﻪِ ﻟِﻠﺤﺎﻨﹶﺔِ ﺒﺎﻜﻲ ﺍﻟﻌﻴﻥِ ،ﻭﺃﻨﺜﹸﺭ ﺍﻟﺩﻤﻊ ﻋﻠﻰ ﺒﺎﺒِﻬﺎ
ﻤﺭﺓﹰ ﺃُﺨﺭﻯ؛
ﺍﻟﻤﻌﺭِﻓﹶﺔﹸ ﻟﻴﺴﺕﹾ ﻓﻲ ﻫﺅﻻﺀِ ﺍﻟﻘﻭﻡِ ،ﻴﺎ ﺭﺏ ﻫﻲﺀِ ﺍﻟﺴﺒﺏ ،ﻟِﺄﺤﻤِلَ ﺠﻭﻫﺭﻱ ﺇﻟﻰ ﺒﺎﻋﺔٍ
ﺃُﺨﺭﻯ؛
-٢٥٩-
ﺵ ﷲِ ﺃﻥ ﺃﺫﻫﺏ
ﺍﻟﻤﻌﺸﻭﻗﹶﺔﹸ ﺇﻥ ﺭﺍﺤﺕ ،ﻭﻟﻡ ﺘﻌﺭِﻑﹾ ﺤﻕﱠ ﺼﺤﺒﺘﻲ ﺍﻟﻘﺩﻴﻤﺔِ ،ﺤﺎ ﹶ
ﺨﹶﻠﹾﻑﹶ ﻤﻌﺸﻭﻗﹶﺔٍ ﺃُﺨﺭﻯ؛
ﺇﺫﺍ ﻜﺎﻥ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﻨﱢﻴﻠﻲ ﺍﻟﺩﺍﺌﺭﻱ ﻤﺴﺎﻋِﺩﻱ ،ﻓﺴﻭﻑﹶ ﺃﺤﺼلُ ﻋﻠﻴﻪِ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﺒﺤﻴﻠﹶﺔٍ
ﺃُﺨﺭﻯ؛
ﻜﺎﻥ ﺨﺎﻁِﺭﻱ ﻟﻴﻁﻠﹸﺏ ﺍﻟﻌﺎﻓِﻴﺔﹶ ﻟﻭ ﻜﺎﻨﺕﹾ ﺘﹶﺴﻤﺢ ﻏﻤﺯﺘﹸﻪ ﺍﻟﺴﺎﺤِﺭﺓﹸ ﻭﺘِﻠﻙ ﺍﻟﻁﱡﺭﺓﹸ
ﺍﻟﻁﱠﺭﺍﺭﺓﹸ ،ﻤﺭﺓﹰ ﺃُﺨﺭﻯ؛
ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﺴِﺭﻨﺎ ﺍﻟﻤﺨﻔﻲ ،ﻴﻘﻭﻟﻭﻨﹶﻪ ﺒﺎﻟﻐﻨﺎﺀِ ﻜﹸلﱠ ﺯﻤﺎﻥٍ ﺒﺎﻟﺩﻑﱢ ﻭﺍﻟﻨﱠﺎﻱِ ،ﻋﻠﻰ ﻗﺎﺭِﻋﺔِ
ﺴﻭﻕٍ ﺃُﺨﺭﻯ؛
ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ ﺃﻟﹶﻡ ﺠﺩﻴﺩ ﻴﺅﻟِﻤﻨﻲ ،ﻭﺍﻟﻔﹶﻠﹶﻙ ﻜﹸلﱠ ﺴﺎﻋﺔٍ ،ﻴﻘﺼﺩ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢ ﺒِﺄﺫﻴﺔٍ
ﺃُﺨﺭﻯ؛
ﻤِﻥ ﺠﺩﻴﺩٍ ﺃﻗﻭلُ ،ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻭﺍﻗِﻌﺔِ ،ﺤﺎﻓِﻅﹸ ﻟﻴﺱ ﺍﻟﻭﺤﻴﺩ ،ﻓﻘﺩ ﻏﺭِﻗﹶﺕﹾ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﺒﺎﺩِﻴﺔِ
ﺃﻗﻭﺍﻡ ﻜﺜﻴﺭﺓﹲ ﺃُﺨﺭﻯ.
ﻏﺰﻝ ٢٥٣
ﺃﻱ ﻤﻥ ﺤﻘﹾلُ ﺸﻘﺎﺌﻕِ ﺍﻟﻌﻤﺭِ ﻤِﻥ ﺸﹸﻌﺎﻉِ ﻭﺠﻬِﻙ ﻀﺎﺤِﻙ ،ﻋﺩ ﻓﻤِﻥ ﺩﻭﻥِ ﻭﺭﺩِ ﻭﺠﻬِﻙ
ﻻ ﺭﺒﻴﻊ ﻓﻲ ﺍﻟﻌﻤﺭ؛
ﺇﺫﺍ ﺴﺎلَ ﺩﻤﻊ ﻋﻴﻨﻲ ﻜﺎﻟﻤﻁﹶﺭِ ﺤﻕﱠ ﻟﻪ ،ﻓﻔﻲ ﺒﺭﻕِ ﻏﻤﻙ ﻤﺭ ﺯﻤﺎﻥ ﻋﻤﺭﻱ؛
ﻓﻲ ﺍﻟﻨﱠﻔﹶﺱِ ﺍﻟﺒﺎﻗﻲ ﺃﻭ ﺍﻟﻨﱠﻔﹶﺴﻴﻥِ ،ﻤﻬﻠﹶﺔﹸ ﺍﻟﺭﺅﻴﺔِ ﻤﻤﻜِﻨﹶﺔﹲ ﻓﺎﺴﻊ ﻓﻲ ﺸﹸﻐﹾﻠِﻨﺎ ،ﻓﺤﺎلُ ﺍﻟﻌﻤﺭِ
ﻟﻴﺱ ﻭﺍﻀِﺤﺎﹰ؛
ﺨﹶﻤﺭﺓﹸ ﺍﻟﺼﺒﻭﺡِ ﻭﺴﻜﱠﺭ ﻨﻭﻡِ ﺍﻟﻔﹶﺠﺭِ ﺇﻟﻰ ﻤﺘﻰ ،ﺍﻨﺘﺒِﻪ ﻭﻜﹸﻥ ﻭﺍﻋِﻴﺎﹰ ﻓﻘﺩ ﻤﺭ ﺍﺨﺘﻴﺎﺭ
ﺍﻟﻌﻤﺭ)(١؛
) (١ﺍﺨﺘﻴﺎﺭ ﺍﻟﻤﺭ:ﺃﻴﺎﻡ ﺍﻟﺸﹼﺒﺎﺏ.
-٢٦٠-
ﺃﻤﺱِ ﻜﺎﻥ ﻤﺎﺭﺍﹰ ﻭﻨﹶﻅﹾﺭﺓﹰ ﺇﻟﻲ ﻟﹶﻡ ﻴﻨﻅﹸﺭ ،ﻤﺴﻜﻴﻥ ﻗﻠﺒﻲ ،ﻟﻡ ﻴﺭ ﺸﻴﺌﺎﹰ ﻤِﻥ ﻤﺭﻭﺭِ ﺍﻟﻌﻤﺭ؛
ﻻ ﻴﻔﻜﱢﺭ ﺒِﻤﺤﻴﻁِ ﺍﻟﻔﻨﺎﺀِ ﻜﹸلﱡ ﻤﻥ ﺠﻌلَ ﻤِﻥ ﻨﹸﻘﻁﹶﺔِ ﺜﹶﻐﹾﺭِﻙ ﻨﹸﻘﻁﹶﺔﹶ ﻤﺩﺍﺭِ ﺍﻟﻌﻤﺭ؛
ﻟِﺨﻴلِ ﺍﻟﺤﻭﺍﺩِﺙِ ﻤِﻥ ﻜﹸلﱢ ﻁﹶﺭﻑٍ ﻜﻤﻴﻥ ،ﻟِﺫﻟِﻙ ﺃﻁﻠِﻕِ ﺍﻟﻌِﻨﺎﻥ ﻟِﻔﹶﺭﺱِ ﺍﻟﻌﻤﺭ؛
ﺃﻨﺎ ﻋِﺭﺒﻴﺩ ﺒﻼ ﻋﻤﺭٍ ﻭﻻ ﺘﻌﺠﺏ ﻜﺜﻴﺭﺍﹰ ،ﻤﻥ ﺫﺍ ﺍﻟﱠﺫﻱ ﻴﻌﺩ ﻴﻭﻡ ﺍﻟﻔِﺭﺍﻕِ ﻤِﻥ ﺍﻟﻌﻤﺭ؛
ﺤﺎﻓِﻅﹸ ،ﻗﹸلِ ﺍﻟﺤﺩﻴﺙﹶ ،ﻫﺫﺍ ﺍﻟﻨﱠﻘﹾﺵﹸ ﻤِﻥ ﻗﹶﻠﹶﻤِﻙ ﺴﻴﺒﻘﻰ ﻋﻠﻰ ﺼﻔﹾﺤﺔِ ﺍﻟﻌﺎﻟﹶﻡِ ﺘِﺫﻜﺎﺭﺍﹰ ﻤﺩﻯ ﺍﻟﻌﻤﺭ.
ﻏﺰﻝ ٢٥٤
)(١
ﻭﻗﻰ ﺍﷲُ ﻭﺠﻪ ﺍﻟﻭﺭﺩِ ﻜﹸلﱠ ﺸﹸـﺭﻭﺭِ ﻋﻠﻰ ﻏﺼﻥ ﺴﺭﻭٍ ﻋﺎﺩ ﻴﺼﺩﺡ ﺒﻠﹾﺒلٌ
)(٢
ﺇﻟﻰ ﺍﻟﺒﻠﹾﺒلِ ﺍﻟﻭﻟﹾﻬﺎﻥِ ﺩﻭﻥ ﻏﹸـﺭﻭﺭِ ﻭﻗﺎ َل ﻟِﺸﹸﻜﹾﺭِ ﺍﻟﺤﺴﻥِ ﻴﺎ ﻭﺭﺩ ﻓﺎﻨﹾﻅﹸﺭﻥ
ـﻀﻭﺭِ
ـﺫﹶ ﺤـ
ـﺭﺍﻕٍ ﻻ ﻟﹶﺫﻴـ
ﻭﺩﻭﻥ ﻓِـ ﻓِﺭﺍﻗﹶﻙ ﻻ ﺃﻟﹾﻔﹶﻴﺘﹶﻨـﻲ ﻤِﻨﹾـﻪ ﺸـﺎﻜﻴﺎﹰ
ﻓﹶﻐﹶﻡ ﺍﺸﹾﺘﻴﺎﻗﻲ ﻜﹶﻲ ﺃﺭﺍﻙ ﺴـﺭﻭﺭﻱ ﺇﺫﺍ ﻜﺎﻥ ﻋﺎﺵﹶ ﺍﻵﺨﹶـﺭﻭﻥ ﻤـﺴﺭﺓﹰ
) (٣
ﻭﻓﻲ ﺤﺎﻨﹶﺘﻲ ﻗﹶﺼﺭﻱ ﻭﺤﺴﻨﹸﻙ ﺤﻭﺭﻱ ﻗﹸﺼﻭﺭﺍﹰ ﻭﺤﻭﺭﺍﹰ ﺭﺍﺡ ﻴﻁﹾﻠﹸﺏ ﺯﺍﻫِـﺩ
ﻭﺩﻉ ﻻﺌِﻤﺎﹰ ﻭﺍﻁﹾﻤﻊ ﺒِﻌﻔﹾﻭِ ﻏﹶﻔـﻭﺭِ ﺒِﺼﻭﺕِ ﺭﺒﺎﺏٍ ﻓﺎﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻻ ﺃﺴﻰ
ﻭﻓﻲ ﺍﻟﻬﺠﺭِ ﻭﺼلٌ ﻜﺎﻟﻅﹼﻼﻡِ ﺒﻨـﻭﺭِ ﺸِﻜﺎﻴﺔﹸ ﻏﻡ ﺍﻟﻬﺠﺭِ ﺤﺘﱠـﺎﻡ ﺤـﺎﻓِﻅﹲ
) (١ﻋﺎﺩ ﺫﻟﻙ ﺍﻟﺒﻠﺒلُ ﺇﻟﻰ ﻏﺼﻥِ ﺘﻠﻙ ﺍﻟﺴﺭﻭﺓِ ﺍﻟﻌﺎﻟﻴﺔِ ﻭﺘﺭﻨﱠﻡ ﺩﺍﻋﻴﺎﹰ ﺍﷲَ ﺃﻥ ﻴﺤﻔﻅﹶ ﻭﺠﻪ ﺍﻟﻭﺭﺩ ﻤﻥ
ﻋﻴﻥِ ﺍﻟﺤﺴﻭﺩِ؛
) (٢ﻭﻗﺎل :ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ﺍﻟﱠﺫﻱ ﺤﺒﺎﻙ ﺍﷲُ ﻜﻤﺎلَ ﺍﻟﺠﻤﺎلِ ،ﻜﻥ ﺸﺎﻜﺭﺍﹰ ﻟﻠﻨﱢﻌﻤﺔ ﻭﻻ ﺘﺘﻜﺒﺭ ﻋﻠﻰ ﺍﻟﺒﻠﺒلِ
ﺍﻟﻭﻟﻬﺎﻥ؛
) (٣ﻋﻤلُ ﺍﻟﺯﺍﻫﺩِ ﺤﻴﻠﺔﹲ ﻭﺭﻴﺎﺀ ،ﻻ ﺼﻔﺎﺀ ﻓﻴﻪِ ﻭﻻ ﻀﻴﺎﺀ ،ﻷﻨﱠﻪ ﻴﻌﻤلُ ﻁﻤﻌﺎﹰ ﺒﺎﻟﺠﻨﱠﺔِ ﻭﻗﺼﻭﺭِﻫﺎ
ﻭﺤﻭﺭِﻫﺎ)ﻭﺘﻠﻙ ﻋﺒﺎﺩﺓﹸ ﺍﻟﺘﱡﺠﺎﺭ ﻻ ﻋﺒﺎﺩﺓ ﺍﻷﺤﺭﺍﺭ( ،ﺃﻤﺎ ﺃﻨﺎ ﻓﺎﻟﺠﻨﱠﺔﹸ ﻋﻨﺩﻱ ﺤﺎﻀِﺭﺓﹲ ﻤﻥ
ﺤﻼﻭﺓِ ﺤﺒﻙ ﻭﺫِﻜﺭِﻙ ،ﻭﻗﺼﺭﻱ ﻓﻲ ﺤﺎﻨﺘﻲ ﻭﺤﺴﻨﻙ ﺤﻭﺭ ﺠﻨﱠﺘﻲ ،ﻭﺭﺩ ﺃﻥ ﺍﻟﻨﱠﺒﻲ ﺼﻠﹼﻰ ﺍﷲُ
ﻋﻠﻴﻪِ ﻭﺁﻟِﻪِ ﻗﺎل ﻟﺒﻌﺽِ ﺃﺼﺤﺎﺒِﻪ :ﺍﺭﺘﻌﻭﺍ ﻓﻲ ﺭﻴﺎﺽِ ﺍﻟﺠﻨﱠﺔ ،ﻗﺎﻟﻭﺍ :ﻭﻤﺎ ﺭﻴﺎﺽ ﺍﻟﺠﻨﱠﺔِ
ﻴﺎ ﺭﺴﻭلَ ﺍﷲ ،ﻓﻘﺎل :ﺍﻟﺫﱢﻜﹾﺭ ﻏﺩﻭﺍﹰ ﻭﺭﻭﺍﺤﺎﹰ.
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ﻏﺰﻝ ٢٥٥
ﻴﻭﺴﻑﹸ ﺍﻟﱠﺫﻱ ﻀﺎﻉ ﺴﻴﻌﻭﺩ ﺇﻟﻰ ﻜﻨﻌﺎﻥ ،ﻻ ﺘﻐﺘﻡ؛ ﺒﻴﺕﹸ ﺍﻷﺤﺯﺍﻥِ ﺴﻴﺼﻴﺭ
ﻜﺎﻟﺒﺴﺘﺎﻥِ ،ﻻ ﺘﻐﺘﻡ؛
ﻴﺎ ﻗﻠﺒﻲ ﺍﻟﻤﺤﺯﻭﻥ ﺤﺎﻟﹸﻙ ﺴﺘﺤﺴﻥ ﻻ ﺘﻘﻠﹶﻕﹾ ،ﻭﺭﺃﺴﻙ ﺍﻟﻤﻀﻁﺭِﺏ ﺴﻴﻌﻭﺩ ﻟﻼﺘﱢﺯﺍﻥِ،
ﻻ ﺘﻐﺘﹶﻡ؛
ﺇﻥ ﺒﻘﻲ ﻤﺠﺎلٌ ﻭﺠﺎﺀ ﺭﺒﻴﻊ ﺍﻟﻌﻤﺭِ ،ﺴﻴﻠﻘﻲ ﺍﻟﻭﺭﺩ ﻋﻠﻰ ﺭﺃﺴِﻙ ﺍﻟﻅﱢلﱠ ،ﺃﻴﻬﺎ ﺍﻟﻁﹶﺎﺌﺭ
ﻋﺫﺏ ﺍﻷﻟﺤﺎﻥِ ،ﻻ ﺘﻐﺘﹶﻡ؛
ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﺒﻌﻴﺩ ﺇﻥ ﻟﻡ ﻴﺴِﺭ ﻴﻭﻤﻴﻥِ ﺒﻤﺭﺍﺩِﻨﺎ ،ﺤﺎلُ ﺩﻭﺭﺍﻨِﻪِ ﻟﻴﺱ ﺩﺍﺌﻤﺎﹰ ﻋﻠﻰ ﻨﹶﻔﹾﺱِ
ﺍﻟﻤِﻨﻭﺍلِ ،ﻻ ﺘﻐﺘﹶﻡ؛
ﻫﺎ ﻻ ﺘﻜﹸﻥ ﻴﺎﺌﺴﺎﹰ ،ﻤﺎ ﺩﻤﺕﹶ ﻟﺴﺕﹶ ﻋﻠﻰ ﺴِﺭ ﺍﻟﻐﻴﺏ ﻭﺍﻗِﻔﺎﹰ ،ﻓﻘﺩ ﺘﻜﻭﻥ ﺘﺤﺕﹶ ﺍﻟﺤِﺠﺎﺏِ
ﺃﻟﻌﺎﺏ ﺨﻔﻴﺔﹲ ،ﻻ ﺘﻐﺘﹶﻡ؛
ﺃﻱ ﻗﻠﺏ ،ﺇﻥ ﻴﻘﺘﹶﻠِﻊ ﺴﻴلُ ﺍﻟﻔﻨﺎﺀِ ﺒﻨﻴﺎﻥ ﺍﻟﻭﺠﻭﺩ ،ﻭﺭﺒﺎﻨﻴﻙ ﻨﻭﺡ ،ﻻ ﺘﻐﺘﹶﻡ؛
ﺇﻥ ﺭﻤﺕﹶ ﺘﺨﻁﹸﻭ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀِ ﺸﹶﻭﻕﹶ ﺍﻟﻜﹶﻌﺒﺔِ ،ﺇﺫﺍ ﺁﺫﹶﺘﹾﻙ ﺃﺸﻭﺍﻙ ﺃُﻡ ﻏﹶﻴﻼﻥ ،ﻻ ﺘﻐﺘﹶﻡ(١)؛
ﺭﻏﻡ ﺃﻥ ﺍﻟﻤﻨﺯِلَ ﺨﻁﻴﺭ ﻜﺜﻴﺭﺍﹰ ،ﻭﺍﻟﻤﻘﹾﺼﺩ ﺒﻌﻴﺩ ﻜﺜﻴﺭﺍﹰ ،ﻟﻴﺴﺕﹾ ﻫﻨﺎﻙ ﺩﺭﺏ ﺒﻼ
ﻨﻬﺎﻴﺔٍ ،ﻻ ﺘﻐﺘﹶﻡ؛
ﺤﺎﻟﹸﻨﺎ ﻓﻲ ﻓﹸﺭﻗﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﻭﺇﺒﺭﺍﻡِ ﺍﻟﺭﻗﻴﺏ ،ﺍﷲَ ﻤﺤﻭلُ ﺍﻷﺤﻭﺍلِ ﻴﻌﻠﹶﻤﻬﺎ ﻜﹸﻠﱠﻬﺎ،
ﻻ ﺘﻐﺘﹶﻡ؛
ﺤﺎﻓِﻅﺎ ،ﻓﻲ ﺯﺍﻭِﻴﺔِ ﺍﻟﻔﹶﻘﹾﺭِ ﻭﺨﹶﻠﻭﺓِ ﺍﻟﻠﱠﻴﺎﻟﻲ ﺍﻟﻤﻅﹾﻠِﻤﺔ ،ﻤﺎ ﺩﺍﻡ ﻭِﺭﺩﻙ ﺍﻟﺩﻋﺎﺀ ﻭﺩﺭﺱ
ﺍﻟﻘﹸﺭﺁﻥِ ،ﻻ ﺘﻐﺘﹶﻡ.
) (١ﺃﻡ ﻏﻴﻼﻥ :ﺸﹶﺠﺭﺓﹲ ﻜﺜﻴﻔﹶﺔﹲ ﺫﺍﺕﹸ ﺸﻭﻙٍ ،ﻤﻭﻁِﻨﹸﻬﺎ ﺍﻟﺼﺤﺭﺍﺀ.
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ﻏﺰﻝ ٢٥٦
ﺒِﻜﹸلﱢ ﻨﹸﺼﺢٍ ﺃﺘﻰ ﻤِﻥ ﻤﺸﹾﻔِﻕٍ ﻭﺨﺒﻴﺭ ﻨﺼﻴﺤﺘﻲ ﻟﹶﻙ ﻓﺎﺴﻤﻊ ﻻ ﻤِﻁﺎلَ ﻭﺨﹸﺫﹾ
ﻓﻬﻭ ﺍﻟﻤﺘﺎﻉ ﻗﻠﻴلٌ ﻭﺍﻟﻌﻁﺎﺀ ﻜﺜﻴـﺭ ﺇﻥ ﻋﺎﺸﻘﺎﹰ ﻜﹸﻨﺕﹶ ﺩﻉ ﺩﻨﻴﺎ ﻭﺁﺨـﺭﺓﹲ
ﺨﻤﺭٍ ﻓﻌﺎﺭﺽ ﻤﺎ ﺩﺒﺭﺘﹸﻪ ﺍﻟﺘﱠﻘـﺩﻴﺭ ﻗﺩ ﻜﹸﻨﹾﺕﹸ ﺃﻨﻭﻱ ﺒﻼ ﺫﻨﺏٍ ﺃﻋﻴﺵﹸ ﻭﻻ
ﻓﻜﺎﻥ ﻏﻤﺯ ﺍﻟﱠﺫﻱ ﻴﺴﻘﻲ ﺒِﻼ ﺘﻘﺼﻴﺭ ﺃﻟﹾﻔﺎﹰ ﺭﻓﹶﻌﺕﹸ ﺒِﻜﺄﺴﻲ ﺘﺎﺌﺒـﺎﹰ ﺒِﻴـﺩﻱ
ﻨﺼﺤﺘﹸﻙ ﻓﺎﺴﻤﻊ ﻨﺼﻴﺤﺘﻲ ﺒِﻼ ﺘﻌﻠﱡلٍ ،ﻭﺍﻗﺒلْ ﻜﹸلﱠ ﻤﺎ ﻴﻘﻭلُ ﻟﻙ ﺍﻟﻨﹼﺎﺼِﺢ ﺍﻟﻤﺸﹾﻔِﻕﹸ؛
ﻗﹸﻡ ﺒﺎﻟﺘﱠﻤﺘﱡﻊِ ﻤِﻥ ﻭﺼلِ ﻭﺠﻪِ ﺍﻟﻔِﺘﻴﺎﻥِ ﻓﻤﻜﹾﺭ ﺍﻟﻌﺎﻟﻡِ ﺍﻟﻌﺠﻭﺯِ ﻜﺎﻤِﻥ ﻟﻙ ﻓﻲ ﻜﻤﻴﻥِ
ﺍﻟﻌﻤﺭ؛
ﻨﻌﻴﻡ ﻜﻼ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ ﻋِﻨﺩ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﺤﺒﺔﹸ ﺸﻌﻴﺭٍ ،ﻭﻫﺫﺍ ﻤﺘﺎﻉ ﻗﻠﻴلٌ ،ﻭﺫﺍﻙ ﻋﻁﺎﺀ ﻜﺜﻴﺭ)(١؛
ﺃُﺭﻴﺩ ﺍﻟﻌﺸﻴﺭ ﺍﻟﺠﻤﻴلَ ﻭﺍﻟﻠﱠﺤﻥ ﺍﻟﺠﻤﻴلَ ،ﻟِﺄﻗﻭلَ ﺃﻟﹶﻤﻲ ﻋﻠﻰ ﺃﻨﻴﻥِ ﺍﻟﺒﻡ ﻭﺍﻟﺯﻴﺭ)(٢؛
ﺒﻤﺎ ﺃﻨﱠﻬﻡ ﻗﺎﻤﻭﺍ ﺒِﻘِﺴﻤﺔِ ﺍﻷﺯلِ ﺒﻼ ﺤﻀﻭﺭﻨﺎ ،ﺇﺫﺍ ﻟﻡ ﺘﻜﹸﻥ ﻤِﻥ ﺍﻟﻘِﻠﱠﺔِ ﻭِﻓﻕﹶ ﺍﻟﺭﻀﺎ ﻓﻼ
ﺘﻌﺘﹶﺭِﺽ؛
ﻜﻨﺕﹸ ﻋﻘﺩﺕﹸ ﺍﻟﻌﺯﻡ ﺃﻻﹼ ﺃﺸﹾﺭﺏ ﺍﻟﺨﻤﺭ ﺃﻭ ﺃﻗﺘﹶﺭِﻑﹶ ﺍﻟﺫﱠﻨﺏ ،ﻟﻭ ﻜﺎﻥ ﺍﻟﺘﹼﻘﺩﻴﺭ ﻤﻥ
ﺍﻟﻘﻀﺎﺀِ ﻭﺍﻓﻕ ﺍﻟﺘﱠﺩﺒﻴﺭ ﻤﻨﹼﻲ؛
ﻤِﺜﹾلَ ﺍﻟﺸﱠﻘﺎﺌﻕِ ،ﺴﺎﻗﻴﺎ ،ﺼﺏ ﻓﻲ ﻗﹶﺩﺤﻲ ﺍﻟﺨﹶﻤﺭ ﻭﺍﻟﻤِﺴﻙ ،ﻜﻲ ﻻ ﻴﺭﻭﺡ ﻨﹶﻘﹾﺵﹸ ﺨﺎلِ
ﺍﻟﺤﺒﻴﺏِ ﻤِﻥ ﻀﻤﻴﺭﻱ؛
) (١ﻭﺇﻥ ﻫﺫﺍ ﺍﻟﻤﺘﺎﻉ ،ﻤﺘﺎﻉ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨِﺭﺓِ ،ﻟﻘﻠﻴلٌ ،ﻭﺇﻥ ﺫﺍﻙ ﺍﻟﻌﻁﺎﺀ ،ﺤﺒﺔﹶ ﺍﻟﺸﱠﻌﻴﺭِ ،ﻟﻜﺜﻴﺭ ،ﻭﻫﺫﺍ
ﺍﻟﻤﻌﻨﻰ ﻅﺎﻫِﺭ ﻓﻲ ﺍﻟﺘﱠﺭﺠﻤﺔِ ﺍﻟﻨﱠﺜﺭﻴﺔ ،ﺍﻟﱠﺘﻲ ﺠﻌﻠﻨﺎﻫﺎ ﻫﻨﺎ ﺤﺭﻓﻴﺔ ،ﻭﻗﺩ ﻴﻜﻭﻥ ﺍﻟﻤﻘﺼﻭﺩ ﺒﺎﻟﻌﻁﺎﺀِ
ﺍﻟﺠﺯﻴل ﺍﻟﻌِﺸﻕﹶ ،ﺍﻟﱠﺫﻱ ﻫﻭ ﻋﻁﺎﺀ ﺍﻟﻌﺸﱠﺎﻕِ ﺍﻟﻌﺎﺯﻓﻴﻥ ﻋﻥ ﻨﻌﻴﻡِ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨﺭﺓ ،ﻭﻗﺩ ﺃﺒﺭﺯﻨﺎ ﻫﺫﺍ
ﺍﻟﻤﻌﻨﻰ ﻓﻲ ﺍﻟﺘﱠﺭﺠﻤﺔِ ﺍﻟﺸﱢﻌﺭﻴﺔ ،ﻭﻗﺩ ﻗﻴلَ ﺃﻥ ﻁﺎﻟِﺏ ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨﺭﺓﹶ ﻟﻴﺱ ﻤﻥ ﺃﻫلِ ﺍﷲ؛
) (٢ﺍﻟﺒﻡ ﺍﻟﻭﺘﹶﺭ ﺍﻟﻐﻠﻴﻅﹸ ،ﻭﺍﻟﺯﻴﺭ ﺍﻟﻭﺘﹶﺭ ﺍﻟﺩﻗﻴﻕﹸ ،ﻤِﻥ ﺃﻭﺘﺎﺭِ ﺍﻟﻌﻭﺩ؛
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ﻫﺎﺕِ ﻜﺄﺴﺎﹰ ﻭﺩﺭﺍﹰ ﻁﺭﻴﺎﹰ ،ﺴﺎﻗﻲ ،ﻭﻗﹸلْ ﻟﻠﺤﺴﻭﺩِ ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻜﹶﺭﻡِ ﺁﺼِﻑﹶ ﻭﻤﺕﹾ؛
ﻤﺌ ﹶﺔ ﻤﺭﺓٍ ﺭﻓﹶﻌﺕﹸ ﺍﻟﻘﹶﺩﺡ ﻓﻲ ﺍﻟﻜﹶﻑﱢ ﺒِﻌﺯﻡِ ﺍﻟﺘﱠﻭﺒﺔ ،ﻭﻟﻜِﻥ ﻏﻤﺯﺓﹶ ﺍﻟﺴﺎﻗﻲ ﻜﺎﻨﺕ ﺒﻼ
)(١
ﺘﻘﺼﻴﺭ ؛
ﺨﹶﻤﺭﺓﹸ ﻋﺎﻤﻴﻥِ ﻭﺤﺒﻴﺏ ﺃﺭﺒﻌ ﹶﺔ ﻋﺸﹶﺭ ﻋﺎﻤﺎﹰ ،ﻴﻐﻨﻴﺎﻨﻲ ﻋﻥ ﺼﺤﺒﺔِ ﻜﺒﻴﺭٍ ﻭﺼﻐﻴﺭ)(٢؛
ﺃﻴﻥ ﻤﻥ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻤﺴِﻙ ﻟﻲ ﻗﻠﺒﻲ ﺍﻟﻬﺎﺌﻡ ،ﺇﻥ ﻭﺠﺩﺘﹸﻤﻭﻩ ﺃﺨﺒِﺭﻭﺍ ﺍﻟﻤﺠﻨﻭﻥ ﻓﻲ
ﺍﻟﺯﻨﺠﻴﺭ؛
ﺤﺎﻓِﻅﹸ ﺒﺤﺩﻴﺙِ ﺍﻟﺘﱠﻭﺒﺔِ ﻓﻲ ﻫﺫﺍ ﺍﻟﻨﱠﺎﺩﻱ ﻻ ﺘﻨﻁِﻕﹾ ،ﻓﺄﻗﻭﺍﺱ ﺤﻭﺍﺠِﺏِ ﺍﻟﺴﻘﺎﺓِ ﻓﻴﻪِ ﺘﺭﻤﻲ
ﺍﻟﺴﻬﺎﻡ.
ﻏﺰﻝ ٢٥٧
ﺃﻅﻬِﺭ ﺍﻟﻭﺠﻪ ﻭﻤﺭﻨﻲ ﺃﻥ ﺃُﻓﺭﻕﹶ ﺒﻴﻥ ﺍﻟﺭﻭﺡِ ﻭﺍﻟﻘﻠﺏ ،ﻭﻤﺭِ ﺍﻟﺸﹼﻤﻊ ﺤﺎﺭِﻕﹶ ﺍﻟﻔﹶﺭﺍﺸﹶﺔِ
ﺘﺄﺨﹸﺫﹾ ﻨﺎﺭﻩ ﺒﺭﻭﺤﻲ؛
ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﺸﹶﻔﹶﺘﻲ ﺍﻟﻅﱠﻤﺄﻯ ﻭﻻ ﺘﻤﻨﹶﻊِ ﺍﻟﻤﺎﺀ ﻋﻨﻬﺎ ،ﻤﺭ ﻋﻠﻰ ﺭﺃﺱِ ﻗﺘﻴﻠِﻙ ﺍﻟﻤﺫﺒﻭﺡِ
ﻭﺍﺭﻓﹶﻌﻪ ﻋﻥِ ﺍﻟﺘﱡﺭﺍﺏ؛
ﻻ ﺘﺘﺭﻙِ ﺍﻟﺩﺭﻭﻴﺵﹶ ﺍﻟﱠﺫﻱ ﻻ ﻴﻤﻠِﻙ ﺍﻟﺫﱠﻫﺏ ﻭﺍﻟﻔِﻀﺔﹶ ،ﻫﻭ ﻓﻲ ﻏﻤﻙ ﻴﺩﻓﹶﻊ ﺍﻟﻔِﻀ ﹶﺔ ﻤِﻥ
ﺩﻤﻌِﻪِ ،ﻭﺍﻟﺫﱠﻫﺏ ﻤِﻥ ﻭﺠﻬِﻪِ ،ﻨﻘﹾﺩﺍﹰ؛
ﺍِﻋﺯِﻑﹾ ﻋﻠﻰ ﺍﻟﻘﻴﺜﺎﺭﺓِ ،ﻤﺎ ﺍﻟﻬﻡ ﺇﻥ ﻜﹸﻨﺕﹶ ﻻ ﺘﻤﻠﻙ ﺍﻟﻌﻭﺩ ،ﻨﺎﺭﻱ ﺍﻟﻌِﺸﹾﻕﹸ ،ﻗﻠﺒﻲ
ﺍﻟﻌﻭﺩ ،ﺠِﺴﻤِﻲ ﺍﻟﻤﺠﻤﺭ؛
ﺘﻌﺎلَ ﻟﻠﺴﻤﺎﻉِ ،ﻭﺍﻨﺯﻉِ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﻭﺍﺭﻗﹸﺹ ،ﺃﻭ ﺘﻨﺢ ﺇﻥ ﻟﻡ ﺘﻜﹸﻥ ﺒﺎﺭِﻋﺎﹰ ،ﻭﺃﻤﺴِﻙ ﺒِﺨِﺭﻗﺘﻲ؛
) (١ﻜﻠﹼﻤﺎ ﺭﻓﹶﻌﺘﹸﻪ ﻜﺎﻨﺕﹾ ﻏﻤﺯﺓﹸ ﺍﻟﺴﺎﻗﻲ ﻟﻲ ﺒﺎﻟﻁﱠﺭﻴﻕ ،ﻓﻘﻁﻌﺕﹾ ﻋﻠﻲ ﺍﻟﻁﱠﺭﻴﻕ ،ﻭﺤﺭﻤﺘﻨﻲ ﺍﻟﺘﱠﻭﺒﺔ؛
) (٢ﺼﻐﻴﺭ ،ﺨﹶﻤﺭﺓﹲ ﻋﻤﺭﻫﺎ ﻋﺎﻤﺎﻥِ ،ﻭﻜﺒﻴﺭ ،ﺤﺒﻴﺏ ﻋﻤﺭﻩ ﺃﺭﺒﻌﺔﹶ ﻋﺸﺭ ﻋﺎﻤﺎﹰ )ﻋﻤﺭ ﺒﺩﺭٍ ﻜﺎﻤِلٍ(،
ﻴﻐﻨﻴﺎﻨﻲ ﻋﻥ ﺼﺤﺒﺔِ ﻜﹸلﱢ ﻜﺒﻴﺭٍ ﻭﺼﻐﻴﺭٍ ،ﺃﻱ ﻋﻥ ﺼﺤﺒﺔِ ﻜﹸلﱢ ﺸﻲﺀٍ ،ﻓﻼ ﺸﻲﺀ ﺇﻻﹼ ﻭﻫﻭ ﺇﻤﺎ
ﻜﺒﻴﺭ ﻭﺇﻤﺎ ﺼﻐﻴﺭ.
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ﻑ ﻋﻥ ﺭﺃﺴِﻙ ،ﻭﺍﺸﹾﺭﺏ ﺼﺎﻓِﻲ ﺍﻟﺨﹶﻤﺭ ،ﻭﺍﺒﺫِلِ ﺍﻟﻔِﻀﺔﹶ ﻭﺍﺤﻀِﻥ
ﻭﺍﻨﺯﻉِ ﺍﻟﺼﻭ ﹶ
ﺍﻟﻤﻼﻙ ﺍﻟﺫﱠﻫﺒﻲ ﺍﻟﻔِﻀﻲ؛
ﻗﹸلْ ﻟﻠﺤﺒﻴﺏِ ﻴﻜﻭﻥ ﻟﻙ ﻭﻟِﻴﺎﹰ ﻭﻻ ﺘﹸﺒﺎلِ ﻭﻟﻭ ﻜﺎﻥ ﺍﻟﻌﺎﻟﹶﻤﺎﻥِ ﻟﻙ ﻋﺩﻭﺍﹰ؛
ﻭﻗﹸلْ ﻟِﺒﺨﺘِﻙ ﻻ ﻴﺩﻴﺭ ﻅﹶﻬﺭﻩ ﻭﻟﻭ ﻤﻸَ ﺠﻴﺵﹸ ﺍﻟﺨﺼﻡِ ﻭﺠﻪ ﺍﻷﺭﺽ؛
ﻻ ﺘﻤِلْ ﻟﻠﺫﱠﻫﺎﺏِ ﺃﻱ ﺤﺒﻴﺏ ،ﺍِﺒﻕﹶ ﻟﺤﻅﹶﺔﹰ ﻤﻌﻲ ،ﻭﺍﺴﺘﻤﺘِﻊ ﺒﺎﻟﻁﱠﺭﺏِ ﻋﻠﻰ ﻀِﻔﱠﺔِ
ﺍﻟﺠﺩﻭلِ ﻭﺍﺤﻤِلْ ﺍﻟﻜﺄﺱ ﺒﺎﻟﻜﹶﻑﹼ)(١؛
ﻤﺭ ﺒﻲ ﻭﺍﻨﻅﹸﺭ ﻜﹶﻴﻑﹶ ،ﻤِﻥ ﻨﺎﺭِ ﻗﻠﺒﻲ ﻭﻤﺎﺀِ ﻋﻴﻨﻲ ،ﻭﺠﻬِﻲ ﺍﺼﻔﹶﺭ ،ﻭﺸﹶﻔﹶﺘﻲ ﻴﺒِﺴﺕﹾ،
ﻭﺜﻭﺒﻲ ﺍﺒﺘﹶلﱠ؛
ﺤﺎﻓِﻅﹸ ﺯﻴﻥِ ﺍﻟﻤﺤﻔﹶلَ ﻭﻗﹸلْ ﻟﻠﻭﺍﻋِﻅ ،ﺍﻨﻅﹸﺭ ﻤﺠﻠِﺴﻲ ،ﻭﺍﺘﺭﻙِ ﺍﻟﻤﻨﹾﺒﺭ.
ﻏﺰﻝ ٢٥٨
ﺃﻟﹾﻑﹶ ﺸﹸﻜﹾﺭٍ ﻷﻨﱢﻲ ﺃﺭﺍﻙ ﺘﻌﻭﺩ ﻭِﻓﹾﻕﹶ ﻤﺭﺍﺩﻱ ،ﻟِﺘﹶﺼﻴﺭ ﻤِﻥ ﻭﺠﻪِ ﺍﻟﺼﺩﻕِ ﻭﺍﻟﺼﻔﺎﺀِ
ﺃﻨﻴﺴﺎﹰ ﻟِﻘﻠﺒﻲ؛
ﺴﺎﻟِﻜﻭ ﺍﻟﻁﱠﺭﻴﻘﹶ ِﺔ ﺴﻠﹶﻜﻭﺍ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺒﻼﺀ ،ﺭﻓﻴﻕﹸ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﻴﻐﺘﹶﻡ ﻤِﻥ ﺍﻟﻨﱠﺸﻴﺞِ
ﻭﺍﻟﻌﻭﻴل؛
ﺇﺨﻔﺎﺀ ﻏﻡ ﺍﻟﺤﺒﻴﺏِ ﺨﹶﻴﺭ ﻤِﻥ ﻗﺎلِ ﻭﻗﻴل ﺍﻟﺭﻗﻴﺏِ ،ﺼﺩﻭﺭ ﺃﺭﺒﺎﺏِ ﺍﻟﻐِلﱢ ﻟﻴﺴﺕﹾ
ﻤﺤﺭﻤﺎﹰ ﻟﻠﺴﺭ(٢)؛
ﺤﺴﻨﹸﻙ ﻭﺇﻥ ﻜﺎﻥ ﻓﻲ ﻏِﻨﻰ ﻋﻥ ﻋِﺸﹾﻕِ ﺍﻟﻐﹶﻴﺭِ ،ﻟﺴﺕﹸ ﺃﻨﺎ ﻤﻥ ﺃﺘ ﺭﻙ ﻟﹸﻌﺒ ﹶﺔ ﻗِﻤﺎﺭِ ﺍﻟﻌِﺸﹾﻕِ؛
ﻤﺎ ﺃﻗﻭلُ ﻟﻙ ﻋﻥ ﺤﺭﻴﻕِ ﺃﺤﺸﺎﺌﻲ ﻭﻤﺎ ﺃﺭﻯ ﻤِﻨﹾﻪ ،ﺍِﺴﺄلْ ﺩﻤﻌﻲ ﺍﻟﺤِﻜﺎﻴﺔﹶ ﻓﺄﻨﺎ ﻟﺴﺕﹸ ﻏﹶﻤﺎﺯﺍﹰ؛
ﺃﻴ ﹶﺔ ﻓِﺘﹾﻨﹶﺔٍ ﺘِﻠﹾﻙ ﺍﻟﱠﺘﻲ ﺃﺜﺎﺭﺕﹾ ﻤﺸﱠﺎﻁﹶﺔﹸ ﺍﻟﻘﻀﺎﺀ ،ﺃﻥ ﻜﹶﺤﻠﹶﺕﹾ ﻨﺭﺠِﺴﻪ ﺍﻷﺴﻭﺩ ﺍﻟﻤﺨﻤﻭﺭ
ﺒِﻜﹸﺤلِ ﺍﻟﺩﻻل؛
) (١ﺍﺴﺘﻤﺘِﻊ ﺒﺎﻟﻁﱠﺭﺏِ ﻤِﻥ ﻨﹶﺸﻴﺠﻲ ،ﻋﻠﻰ ﻀِﻔﱠﺔِ ﺍﻟﺠﺩﻭلِ ﻤﻥ ﺩﻤﻌﻲ ،ﻭﺃﻨﺕﹶ ﺘﺸﺭﺏ ﺍﻟﻜﺄﺱ.
) (٢ﻜِﺘﻤﺎﻥ ﻏﹶﻡ ﻋِﺸﹾﻘِﻙ ﺨﻴﺭ ﻟﻙ ﻤِﻥ ﺍﻟﺒﻭﺡِ ﺒِﻪِ ﻓﻴﻌﺭِﻑﹶ ﺍﻟﺭﻗﻴﺏ ﺍﻟﺨﹶﺒﺭ ،ﻭﻴﻜﻭﻥ ﻤﻨﻪ ﻗﺎلٌ ﻭﻗﻴلٌ؛
-٢٦٥-
ﺒِﺸﹸﻜﹾﺭِ ﺃﻥ ﻫﺫﺍ ﺍﻟﻤﺠﻠِﺱ ﻤﻨﹶﻭﺭ ﺒﺎﻟﺤﺒﻴﺏِ ،ﻜﹸﻥ ﺇﺫﺍ ﺃﺼﺎﺒﻙ ﺍﻟﺠﻔﺎﺀ ،ﻜﺎﻟﺸﱠﻤﻊِ،
ﻭﺍﺤﺘﹶﺭِﻕﹾ ﻭﻋﺩ ﻤِﻥ ﺠﺩﻴﺩ؛
ﻏﹶﺭﺽ ﺍﻟﺩﻻلِ ﺇﻅﻬﺎﺭ ﺍﻟﺤﺴﻥِ ﻭﻟﻭﻻﻩ ﻟﹶﻡ ﺘﻜﹸﻥ ﺤﺎﺠﺔﹲ ﺒِﺠﻤﺎلِ ﺩﻭﻟﹶﺔِ ﻤﺤﻤﻭﺩ ﻟِﻀﻔﻴﺭﺓِ
ﺃﻴﺎﺯ)(١؛
ﻓﻲ ﻤﻘﺎﻡٍ ﻴﻘﻭﻡ ﺤﺎﻓِﻅﹸ ﻓﻴﻪِ ﺒﺎﻟﻨﱠﺸﻴﺩ ،ﻨﺸﻴﺩ ﻏﹶﺯلِ ﺍﻟﺯﻫﺭﺓِ ،ﺭﺒﺔِ ﺍﻟﻔﹶﻥ ،ﻻ ﻴﺼﺭﻑﹸ.
ﻏﺰﻝ ٢٥٩
ﺃﻨﺎ ﺍﻟﹼﱠﺫﻱ ﻓﺘﺤﺕﹸ ﻋﻴﻨﻲ ﻤﺠﺩﺩﺍﹰ ﻋﻠﻰ ﺭﺅﻴﺔِ ﺤﺒﻴﺒﻲ ،ﺃﻱ ﺸﹸﻜﹾﺭٍ ﺃﻗﻭلُ ﻟﻙ ﺃﻱ ﻤﻌﻴﻥ
ﺍﻟﻌﺒﺩِ ﺍﻟﺒﺎﻜﻲ؛
ﻗﹸلْ ﻟِﺫﻱ ﺍﻟﻔﺎﻗﹶﺔِ ﻓﻲ ﺍﻟﺒﻼﺀِ ﻻ ﺘﻐﺴِلِ ﺍﻟﻭﺠﻪ ﻤِﻥ ﺍﻟﻐﹸﺒﺎﺭِ ،ﺘﹸﺭﺍﺏ ﺃﺭﺽِ ﺍﻟﻔﺎﻗﹶﺔِ ﺇﻜﺴﻴ ﺭ
ﺍﻟﻤﺭﺍﺩِ؛
ﻤِﻥ ﻤﺸﻜﻼﺕِ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻻ ﺘﻠﻭِ ﺍﻟﻌِﻨﺎﻥ ﻴﺎ ﻗﹶﻠﹾﺏ ،ﺭﺠلُ ﺍﻟﻁﱠﺭﻴﻕِ ﻻ ﻴﺒﺎﻟﻲ ﺒﺎﻟﻤﻨﺨﹶﻔِﺽِ
ﻭﺍﻟﻌﺎﻟﻲ؛
ﻁﻬﺎﺭﺓﹸ ﺍﻟﻌﺎﺸِﻕِ ﺇﻥ ﻟﹶﻡ ﺘﻜﹸﻥ ﻤﻥ ﺩﻡِ ﺍﻟﻜﹶﺒِﺩ ،ﺼﻼﺘﹸﻪ ،ﺒِﻘﻭلِ ﻤﻔﺘﻲ ﺍﻟﻌِﺸﹾﻕِ ،ﺒﺎﻁِﻠﹶﺔ؛
ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻘﺎﻡِ ﺍﻟﻤﺠﺎﺯﻱ ،ﻻ ﺘﹸﻤﺴِﻙ ﺒِﻐﻴﺭِ ﺍﻟﻜﺄﺱ ،ﻭﻓﻲ ﻫﺫﺍ ﺍﻟﻤﻨﺯِلِ ﺍﻟﺼﻐﻴﺭِ،
ﻻ ﺘﻠﻌﺏ ﻏﻴﺭ ﻟﹸﻌﺒﺔِ ﺍﻟﻌِﺸﹾﻕِ)(١) (٢؛
ﺍﺸﺘﹶﺭِ ﺍﻟﺩﻋﺎﺀ ﻤِﻥ ﺃﻫلِ ﺍﻟﻘﹶﻠﹾﺏِ ﺒِﻨِﺼﻑِ ﻗﹸﺒﻠﹶﺔٍ ،ﺃﺒﻌِﺩ ﻜﻴﺩ ﻋﺩﻭﻙ ﻋﻥ ﺭﻭﺤِﻙ ﻭﺠﺴﺩِﻙ
ﻅ ﻤِﻥ ﺸﻴﺭﺍﺯ ،ﺭﻤﻰ ﺯﻤﺯﻤﺔﹶ ﺍﻟﻌِﺸﹾﻕِ ﻓﻲ ﺍﻟﻌِﺭﺍﻕِ
ﺼﺩﻯ ﺼﻭﺕِ ﻏِﻨﺎﺀِ ﻏﺯﻟﻴﺎﺕِ ﺤﺎﻓِ ﹶ
ﻭﺍﻟﺤِﺠﺎﺯ.
) (١ﻤﺤﻤﻭﺩ ﻫﻭ ﺍﻟﺴﻠﻁﺎﻥ ﻤﺤﻤﻭﺩ ﺍﻟﻐﺯﻨﻭﻱ ،ﻭﺃﻴﺎﺯ ﻏﻼﻤﻪ ،ﻓﻲ ﺇﺸﺎﺭﺓٍ ﻟِﻘِﺼﺔِ ﻋِﺸﹾﻕِ ﺍﻟﺴﻠﻁﺎﻥ
ﻤﺤﻤﻭﺩ ﻟﻐﹸﻼﻤِﻪِ ﺍﻟﺘﱡﺭﻜﻲ ﺇﻴﺎﺯ.
) (٢ﺍﻟﻤﻘﺎﻡِ ﺍﻟﻤﺠﺎﺯﻱ ﺍﻟﺤﻴﺎﺓﹸ ﺍﻟﺩﻨﻴﺎ ،ﻭﺍﻟﻤﻨﺯِلُ ﺍﻟﺼﻐﻴﺭ ﺍﻟﺩﻨﻴﺎ.
-٢٦٦-
ﻏﺰﻝ ٢٦٠
ﻴﺎ ﺴﺭﻭ ﺍﻟﺩﻻلِ ﺍﻟﺠﻤﻴلِ ﺴﻴﺭﻙ ﻋﺫﹾﺏ ﺘﺩﻟﱠلْ ،ﺍﻟﻌﺸﱠﺎﻕﹸ ﻟﻬﻡ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻤﺌﺔﹸ ﺤﺎﺠﺔ
ﺒِﺩﻻﻟِﻙ؛
ﻭﻟﺘﹶﻜﹸﻥ ﻤﺒﺎﺭﻜﹶﺔﹰ ﻁﹶﻠﹾﻌﺘﹸﻙ ﺍﻟﺠﻤﻴﻠﹶﺔﹸ ،ﻓﻔﻲ ﺍﻷﺯلِ ﻓﺼﻠﻭﺍ ﻋﻠﻰ ﻗﺩﻙ ﺭﺩﺍﺀ ﺍﻟﺩﻻل؛
ﻗﹸلْ ﻟِﻁﺎﻟِﺏِ ﻋﺒﻴﺭِ ﻋﻨﺒﺭِ ﻓﹶﺭﻋِﻙ ،ﺍِﺤﺘﹶﺭِﻕﹾ ﻟِﺄﺠلِ ﺫﻟِﻙ ﻜﺎﻟﻌﻭﺩِ ﻓﻲ ﺍﻟﻨﱠﺎﺭِ ،ﺜﹸﻡ ﻋﺩ؛
ﻗﻠﺏ ﺍﻟﻔﺭﺍﺸﺔِ ﻤِﻥ ﺍﻟﺸﱠﻤﻊِ ﺍﺤﺘﹶﺭﻕﹶ ،ﺃﻨﺎ ﻤِﻥ ﺩﻭﻥِ ﺸﹶﻤﻊِ ﻋﺎﺭِﻀِﻙ ﻴﻨﺼﻬِﺭ ﻗﻠﺒﻲ؛
ﺍﻟﺼﻭﻓِﻲ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺘﺎﺏ ﻋﻥِ ﺍﻟﺨﹶﻤﺭ ،ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ،ﻓﻲ ﻏِﻴﺎﺒِﻙ ،ﻨﻘﺽ ﺍﻟﻌﻬﺩ ﺤﻴﻥ
ﺭﺃﻯ ﺒﺎﺏ ﺍﻟﺤﺎﻨﹶﺔِ ﻤﻔﺘﻭﺤﺎﹰ؛
ﻤِﻥ ﻁﹶﻌﻥِ ﺍﻟﺭﻗﻴﺏِ ﻻ ﻴﺘﻐﻴﺭ ﻋِﻴﺎﺭﻱ ،ﺃﻨﺎ ﻜﺎﻟﺫﱠﻫﺏِ ،ﻻ ﺃﺘﻐﻴﺭ ﻭﻟﻭ ﻗﺭﻀﻭﻨﻲ ﺒﺎﻟﻤﻘﺎﺭﻴﺽ؛
ﻤﻨﹾﺫﹸ ﻭﻗﹶﻑﹶ ﻗﻠﺒﻲ ﻋﻠﻰ ﻤﻌﻨﻰ ﺍﻟﻁﱠﻭﺍﻑِ ﺤﻭلَ ﻜﹶﻌﺒﺔِ ﺠﻤﺎﻟِﻙ ،ﻭﻫﻭ ﺸﹶﻭﻕﹶ ﺫﺍﻙ ﺍﻟﺤﺭﻴﻡِ
ﻻ ﻴﺩﻴﺭ ﺍﻟﺭﺃﺱ ﻟﻠﺤِﺠﺎﺯ؛
ﻤﺎ ﺤﺎﺠﺘﻲ ﻟﻠﻭﻀﻭﺀِ ﻤِﻥ ﺩِ ﻡ ﺍﻟﻌﻴﻥ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ ،ﻭﻤِﻥ ﺩﻭﻥِ ﻤِﺤﺭﺍﺏِ ﺤﺎﺠِﺒِﻙ
ﻻ ﺘﺠﻭﺯ ﺍﻟﺼﻼﺓﹸ ﻋِﻨﺩﻱ؛
ﻤِﺜلَ ﺨﹶﻤﺭﺓٍ ﺠﺎﺸﹶﺕﹾ ﻓﻭﺼﻠﹶﺕﹾ ﺇﻟﻰ ﺸﹶﻔﹶﺔِ ﺍﻟﺩﻥ ،ﻜﺎﻥ ﺤﺎﻓِﻅﹸ ﻤِﻥ ﺍﻟﻁﱠﺭﺏِ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ
ﺒﻌﺩ ﺃﻥ ﺴﻤِﻊ ﺴِﺭﺍﹰ ﻤِﻥ ﺸﹶﻔﹶﺔِ ﺍﻟﺴﺎﻗﻲ.
ﻏﺰﻝ ٢٦١
ﺘﹶﺠلﱠ ﺘﻌﺩ ﺇﻟﻰ ﻗﻠﺒﻲ ﺍﻟﻀﻌﻴﻑِ ﺍﻟﻘﹸﻭﺓﹸ ،ﺘﻌﺎلَ ﺘﹶﻌﺩ ﺇﻟﻰ ﺒﺩﻨﻲ ﺍﻟﻤﻴﺕِ ﺍﻟﺭﻭﺡ؛
ﻕ ﻤِﻨﹼﻲ ﺍﻟﻌﻴﻥ ،ﺘﻌﺎلَ ﻋﺴﻰ ﻓﹶﺘﹾﺢ ﺒﺎﺏِ ﻭِﺼﺎﻟِﻙ ﻴﻔﺘﹶﺢ ﻋﻴﻨﻲ؛ ﺍﺴﺘﻭﻟﻰ ﻋﻠﻰ ﻤﻠﹾﻙِ ﻓِﺭﺍﻗﹸﻙ ﺃﻏﻠﹶ ﹶ
ﻗﻠﺒﻲ ﻏﻡ ﻜﺠﻴﺵٍ ﻤِﻥ ﺍﻟﺯﻨﹾﺞ ،ﻋﺴﻰ ﺨﹶﻴلُ ﺍﻟﺭﻭﻡِ ﺍﻟﺴﻌﺩﺍﺀ ﺘﹸﻌﻴﺩ ﺍﻟﺴﻌﺎﺩ ﹶﺓ ﻟِﻘﻠﺒﻲ)(١؛
) (١ﺍﺴﻭﺩ ﻗﻠﺒﻲ ﻤﻥ ﺠﻴﺵِ ﺍﻟﻬﻤﻭﻡِ ﺍﻷﺴﻭﺩِ ﻜﺎﻟﺯﻨﻭﺝ ،ﻋﺴﻰ ﻴﺠﻲﺀ ﺠﻴﺵﹸ ﺍﻟﺭﻭﻡِ ﺒﻴﺽِ ﺍﻟﻭﺠﻭﻩِ
ﻓﻴﺒﻴﺽ ﺒﺎﻟﺴﺭﻭﺭِ ﻗﻠﺒﻲ.
-٢٦٧-
ﻏﻴﺭ ﺼﻭﺭﺓِ ﺨﻴﺎلِ ﺠﻤﺎﻟِﻙ ،ﻻ ﺸﹶﻲﺀ ﻴﻅﹾﻬﺭ ﻓﻲ ﻤﺭﺁﺓِ ﻗﻠﺒﻲ ﻤِﻥ ﻜﹸلﱢ ﻤﺎ ﺃﻋﺭِﺽ ﻋﻠﻴﻬﺎ؛
ﻗﺎﻟﹸﻭﺍ ﺍﻟﻠﹼﻴﻠﹶﺔﹸ ﺤﺒﻠﻰ ،ﻤﺭ ﻋﻤﺭﻱ ﺃﻋﺩ ﺍﻟﻨﱡﺠﻭﻡ ﻜﹸلﱠ ﻟﻴﻠﺔٍ ﺒِﺄَﻤلِ ﺃﻥ ﺘﹶﻠِﺩ ﻴﻭﻡ ﻭِﺼﺎﻟِﻙ؛
ﺘﻌﺎلَ ﻓﺒﻠﹾﺒﻠﹸﻙ ﻤﻁﺒﻭﻉ ﺍﻟﺨﺎﻁِﺭِ ﺤﺎﻓِﻅ ،ﻋﺎﺩ ﻴﻐﺭﺩ ﻋﻠﻰ ﻋﺒﻴﺭِ ﺸﹶﺠﺭﺓِ ﻭﺭﺩِ ﻭِﺼﺎﻟِﻙ.
ﻏﺰﻝ ٢٦٢
ﻋﻥ ﺤﺎلِ ﻤﺠﺎﺭﻴﺢِ ﺍﻟﻘﹸﻠﻭﺏِ ،ﻤﻥ ﻴﺤﺩﺙﹸ؟ ،ﻤﻥ ﺫﺍ ﺍﻟﱠﺫﻱ ﻴﻁﻠﹸﺏ ﺍﻟﻔﹶﻠﻙ ﺒِﺩﻡِ ﺍﻟﺩﻥ؟)(١؛
ﻓﻠﻴﻜﹸﻥ ﺫﻟِﻙ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﺴﻜﺭﺍﻥ ﻓﻲ ﺨﹶﺠلٍ ﻤِﻥ ﻋﻴﻥِ ﻋﺎﺒﺩﻱ ﺍﻟﺨﹶﻤﺭ ،ﻫﺫﺍ ﺇﺫﺍ ﺭﻓﹶﻊ
ﺍﻟﺭﺃﺱ ﻤِﻥ ﺠﺩﻴﺩٍ ﻤِﻥ ﺍﻟﺘﱡﺭﺍﺏِ؛
ﻏﻴﺭ ﺃﻓﻼﻁﻭﻥ ،ﺠﻠﻴﺱِ ﺩﻥ ﺍﻟﺸﱠﺭﺍﺏ ،ﻤﻥ ﻴﻭﻀِﺢ ﻟﻨﺎ ﺴِﺭ ﺍﻟﺤِﻜﹾﻤﺔِ ﻤِﻥ ﺠﺩﻴﺩ؛
ﻜﹸلﱡ ﻤﻥ ﺤﻤلَ ﺍﻟﻜﺄﺱ ﻤﺴﺘﺠﺩﻴﺎﹰ ﻜﺎﻟﺸﱠﻘﺎﺌﻕِ ،ﺨﹶﻀﺏ ﺍﻟﻭﺠﻪ ﻤِﻥ ﺠﻔﺎﺀٍ ﺒﺎﻟﺩﻡ(٢)؛
ﻗﻠﺒﻲ ﺍﻟﻤﻨﻐﹶﻠِﻕﹸ ﻜﺎﻟﺒﺭﻋﻡِ ﻻ ﻴﻨﻔﹶﺘِﺢ ﺇﻟﹼﺎ ﻋﻠﻰ ﻨﹶﺸﹾﺭِ ﻋﺒﻴﺭِ ﺍﻟﻜﺄﺱِ ﻤِﻥ ﺸﹶﻔﹶﺘِﻪ؛
ﺃﻓﺸﹶﺕِ ﺍﻟﻘﻴﺜﺎﺭﺓﹸ ﻤِﻥ ﺨﹶﻠﻑِ ﺍﻟﺤِﺠﺎﺏِ ﺍﻟﺤﺩﻴﺙ ،ﻗﹸﺹ ﺸﹶﻌﺭﻫﺎ ﻜﹶﻲ ﺘﻜﹸﻑﱠ ﻋﻥِ ﺍﻟﺒﻜﺎﺀ)(٣؛
ل ﺒﻴﺕِ ﺤﺭﺍﻡِ ﺩﻥ ﺍﻟﺨﹶﻤﺭ ،ﻤﺎ ﻟﻡ ﻴﻤﺕﹾ ﺴﻴﺒﻘﻰ ﻴﺒﺤﺙﹸ ﻋﻨﻪ ﺒِﺭﺃﺴِﻪِ
ﺤﺎﻓِﻅﹸ ﻁﻭﺍﻓﹸﻪ ﺤﻭ َ
ﻑ ﺒِﻪ.
ﻟِﻴﻁﻭ ﹶ
ﻏﺰﻝ ٢٦٣
ﺘﻌﺎلَ ﺃﻟﻕِ ﺴﻔﻴﻨﺘﻲ ﻋﻠﻰ ﺸﹶﻁﱢ ﺍﻟﺸﱠﺭﺍﺏ ،ﻭﺃﻟﻕِ ﺍﻟﺼﺭﺍﺥﹶ ﻭﺍﻟﻭﻟﹾﻭﻟﹶﺔﹶ ﻓﻲ ﺭﻭﺡِ ﺍﻟﺸﱠﻴﺦِ
ﻭﺍﻟﺸﱠﺎﺏ؛
ﺍِﺭﻤِﻨﻲ ﻓﻲ ﺴﻔﻴﻨﹶﺔِ ﺍﻟﺨﹶﻤﺭِ ﺃﻱ ﺴﺎﻗﻲ ،ﻓﻘﺩ ﻗﺎﻟﻭﺍ ﺍﻋﻤلِ ﺍﻟﺨﹶﻴﺭ ﻭﺍﺭﻡِ ﻓﻲ ﺍﻟﺒﺤﺭ؛
) (١ﻤﻥ ﻴﺜﺄﺭ ﻤِﻥ ﺍﻟﻔﹶﹶﻠﻙِ ﻟِﺩِﻤﺎﺀِ ﺍﻟﺩﻥ ﺍﻟﱠﺫﻱ ﻜﹶﺴﺭ؛
) (٢ﻟﻴﺤﻤﺭ ﻭﺠﻬﻪ ﺨﹶﺠﻼﹰ ،ﻤِﻥ ﺍﻟﺤِﺭﻤﺎﻥ؛
) (٣ﻗﹸﺹ ﺸﹶﻌﺭ ﺍﻟﻘﻴﺜﺎﺭﺓ :ﻗﻁﱢﻊ ﺃﻭﺘﺎﺭﻫﺎ
-٢٦٨-
ﺭﺠﻌﺕﹸ ﻤِﻥ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﻤِﻥ ﻁﹶﺭﻴﻕِ ﺍﻟﺨﹶﻁﹶﺄ ،ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ﻤِﻥ ﺍﻟﻜﹶﺭﻡ ،ﺭﺩﻨﻲ ﺇﻟﻰ
ﻁﺭﻴﻕِ ﺍﻟﺼﻭﺍﺏ؛
ﻫﺎﺕِ ﻤِﻥ ﺘِﻠﻙ ﺍﻟﺨﹶﻤﺭﺓِ ﻭﺭﺩﻴﺔِ ﺍﻟﻠﹼﻭﻥِ ،ﻤِﺴﻜﻴﺔِ ﺍﻟﻌِﻁﹾﺭِ ﺠﺎﻤﺎﹰ ،ﻭﺍﺭﻡِ ﺸﹶﺭﺍﺭ ﺍﻟﻐﹶﻴﺭﺓِ
ﻭﺍﻟﺤﺴﺩِ ﻓﻲ ﻗﻠﺏِ ﻤﺎﺀِ ﺍﻟﻭﺭﺩ؛
ﺕ ﻤﻊ ﺫﻟِﻙ ﻓﺎﻟﻁﹸﻑﹾ ،ﺃﻟﻕِ ﻨﹶﻅﹾﺭﺓﹰ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻘﹶﻠﺏِ ﺍﻟﻭﺍﻟِﻪِ
ﺇﻥ ﻜﹸﻨﹾﺕﹸ ﺴﻜﺭﺍﻥ ﻭﺨﹶﺭِﺒﺎﹰ ،ﺃﻨ ﹶ
ﺍﻟﺨﹶﺭِﺏ؛
ﻓﻲ ﻤﻨﺘﹶﺼﻑِ ﺍﻟﻠﹼﻴلِ ،ﺇﺫﺍ ﺍﺤﺘﹶﺠﺕﹶ ﺸﹶﻤﺱ ﺍﻟﺨﹶﻤﺭِ ،ﺍﺭﻓﹶﻊِ ﺍﻟﻨﱢﻘﺎﺏ ﻋﻥ ﻭﺠﻪِ ﺒِﻨﺕِ ﺍﻟﻌِﻨﹶﺏِ
ﻭﺭﺩﻴﺔِ ﺍﻟﻭﺠﻪ؛
ﻻ ﺘﺴﻤﺢ ﺒﻴﻭﻡِ ﻭﻓﺎﺘﻲ ﺒﺄﻥ ﺃُﻭﺍﺭﻯ ﺍﻟﺜﱠﺭﻯ ،ﺍﺤﻤِﻠﹾﻨﻲ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ﻭﺍﻁﺭﺤﻨﻲ ﺒِﺩﻥ ﺍﻟﺸﱠﺭﺍﺏ؛
ﻤِﻥ ﺠﻭﺭِ ﺍﻟﻔﹶﻠﹶﻙِ ﺇﺫﺍ ﻭﺼﻠﹶﺕﹾ ﺭﻭﺤﻙ ﺇﻟﻰ ﺍﻟﻌﺯﻴﺯِ ﻜﺤﺎﻓِﻅ ،ﺍﺭﻡِ ﺴﻬﻡ ﺸﻬﺎﺏٍ ﻋﻠﻰ
ﺸﻴﻁﺎﻥِ ﺍﻟﻤِﺤﻥ.
ﻏﺰﻝ ٢٦٤
ﻗﹸﻡ ﻭﺼﺏ ﻤﺎﺀ ﺍﻟﻁﱠﺭﺏِ ﺒِﻜﺄﺱ ﺍﻟﺫﱠﻫﺏِ ،ﻗﺒلَ ﺃﻥ ﺘﻘﹶﻊ ﻜﺄﺱ ﺭﺃﺴِﻙ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏ؛
ﻋﺎﻗِﺒﺔﹸ ﻤﻨﺯِﻟِﻨﺎ ﻭﺍﺩﻱ ﺍﻟﺼﺎﻤِﺘﻴﻥ ،ﺍﻵﻥ ﻓﹶﺎﺭﻓﹶﻊِ ﺍﻟﺼﻭﺕﹶ ﺒﺎﻟﺼﺭﺍﺥِ ﺇﻟﻰ ﺴﻘﹾﻑِ ﺍﻷﻓﻼﻙ؛
ﺍﻟﻌﻴﻥ ﻤﻠﻭﺜﹶﺔﹸ ﺍﻟﻨﱠﻅﹶﺭِ ﺒﻌﻴﺩﺓﹲ ﻋﻥ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏ ،ﺍﺠﻌلِ ﻨﹶﻅﹶﺭﻙ ﺇﻟﻰ ﻭﺠﻬِﻪِ ﻤِﻥ
ﻤِﺭﺁﺓٍ ﺼﺎﻓِﻴﺔ؛
ﺒِﺤﻕﱢ ﻫﺎﻤﺘِﻙ ﺍﻟﺨﻀﺭﺍ ﺀ ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﺭﻭ ،ﺇﺫﺍ ﺃﻨﺎ ﺼِﺭﺕﹸ ﺘﹸﺭﺍﺒﺎﹰ ،ﺘﻤﺎﻴلْ ﻓﻭﻕﹶ ﺘﹸﺭﺒﺘﻲ
ﺒِﺭﺃﺴِﻙ ﻓﻲ ﺩﻻلٍ ﻭﺃﻟﹾﻕِ ﻋﻠﻲ ﻅِﻠﱠﻙ؛
ﻕ ﻤِﻥ ﺸِﻔﺎﻫِﻙ ﺇﻟﻰ ﺍﻟﻤﺴﺘﹶﺸﻔﻰ؛
ﻗﹶﻠﺒﻨﺎ ﻤﺠﺭﻭﺡ ﻟﺴﻌﺔِ ﺤﻴﺔِ ﺠﺩﻴﻠﹶﺘِﻙ ،ﺃﺭﺴِلْ ﻟﻨﺎ ﺍﻟﺘﱢﺭﻴﺎ ﹶ
ﻤﻠِﻙ ﻫﺫِﻩِ ﺍﻟﻤﺯﺭﻋﺔِ ﻴﻌﻠﹶﻡ ﺃﻨﱠﻬﺎ ﺒﻼ ﺜﺒﺎﺕٍ ،ﺃﻟﹾﻕِ ﺍﻟﻨﱠﺎﺭ ﻤِﻥ ﺠﺎﻡِ ﺍﻟﻜﹶﺒِﺩِ ﻋﻠﻰ ﺍﻷﻤﻼﻙ)(١؛
) (١ﺍﻟﻤﺯﺭﻋﺔ :ﺍﻟﺩﻨﻴﺎ ،ﻋﻠﻰ ﺍﻷﻤﻼﻙ ،ﻋﻠﻰ ﻤﺎ ﺘﻤﻠﻙ ،ﻭﺍﻟﻤﻌﻨﻰ ﺃﺤﺭِﻕﹾ ﻤﺎ ﺘﻤﻠﻙ ﻤِﻥ ﻤﺎلٍ
ﻭﺴﻠﻁﹶﺔٍ ﻭﺠﺎﻩٍ ﺒﻨﺎﺭِ ﺨﹶﻤﺭ ٍﺓ ﻤﻌﺘﱠﻘﹶﺔٍ ﻤِﻥ ﺩﻡِ ﺍﻟﻜﹶﺒِﺩِ ﺘﺸﺭﺒﻬﺎ ،ﻭﺼِﺭ ﻤﺠﺭﺩﺍﹰ؛
-٢٦٩-
ﺍﻏﺘﹶﺴﻠﹾﺕﹸ ﺒﺎﻟﺩﻤﻊِ ،ﺃﻫلُ ﺍﻟﻁﱠﺭﻴﻘﹶﺔِ ﻴﻘﻭﻟﻭﻥ ،ﺃﻭﻻﹰ ﺘﻁﹶﻬﺭ ﺜﹸﻡ ﺃﻟﻕِ ﻨﹶﻅﹾﺭﺓﹰ ﻋﻠﻰ ﺫﻟِﻙ
ﺍﻟﻤﻁﹶﻬﺭ؛
ﻴﺎ ﺭﺏ ﺫﻟﻙ ﺍﻟﺯﺍﻫِﺩ ﻋﺎﺒِﺩ ﺍﻟﻨﱠﻔﺱِ ﺍﻟﱠﺫﻱ ﻻ ﻴﺭﻯ ﺴﻭﻯ ﺍﻟﻌﻴﺏ ،ﺍﺠﻌلْ ﺩﺨﺎﻥ ﺁﻫﺎﺘِﻪِ
ﻋﻠﻰ ﻤِﺭﺁﺓِ ﺇﺩﺭﺍﻜِﻪ؛
)(١
ﻕ ﻨِﺜﺎﺭﺍﹰ ﻟِﻘﺎﻤﺘِﻪ
ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﻤﺯﻕِ ﺍﻟﺜﱠﻭﺏ ﻜﺎﻟﻭﺭﺩِ ﻤِﻥ ﻨﻜﹾﻬﺘِﻪِ ،ﻭﺍﺠﻌلْ ﺜﻭﺒﻙ ﺍﻟﻤﻤﺯ ﹶ
ﻏﺰﻝ٢٦٥
ﺇﻟﻰ ﺍﻵﻥ ﻟﻡ ﺃﺤﺼلْ ﻋﻠﻰ ﻤﻨﻴﺘﻲ ﻤِﻥ ﺸِﻔﺎﻫِﻙ ،ﺇﻟﻰ ﺍﻵﻥ ﻻ ﺃﺯﺍلُ ﺃﺠﺭﻉ ﺍﻷﻟﹶﻡ ﺒِﺄﻤلِ
ﺠﺎﻡِ ﻟﺅﻟﺅِ ﺸﹶﻔﹶﺘِﻙ؛
ﺒِﺄﻭلِ ﻴﻭﻡٍ ﻀﺎﻉ ﺩﻴﻨﻲ ﻓﻲ ﻓﹶﺭﻋِﻙ ،ﻭﻻ ﻋِﻠﹾﻡ ﻟﻲ ﺒﻤﺎ ﺘﻜﻭﻥ ﻨﻬﺎﻴﺘﻲ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔ؛
ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺠﺭﻋﺔﹰ ﻤِﻥ ﺍﻟﻤﺎﺀِ ﺍﻟﻨﱠﺎﺭﻱ ،ﻓﺄﻨﺎ ﻓﻲ ﺍﻟﻤﺤﺘﺭِﻗﻴﻥ ﺒﺎﻟﻌِﺸﹾﻕِ ﻭﺴﻁﹶ
ﺍﻟﻨﱠﺎﻀِﺠﻴﻥ ﻭﻟﻡ ﺃﻨﻀﺞ ﺒﻌﺩ(٢)؛
ﻟﻴﻠﹶﺔﹰ ﻗﹸﻠﺕﹸ ﺨﻁﺄً ،ﻋﺒﻴﺭ ﻓﹶﺭﻋِﻙ ﻤِﺴﻙ ﺨﹶﺘﹶﻥ ،ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻟﻲ ﺴﻴﻑﹸ ﺸﹶﻌﺭﺓٍ ﻤﻨﻙ
ﻴﻀﺭﺒﻨﻲ ﻋﻠﻰ ﺫﻟِﻙ؛
ﺍﻟﺸﱠﻤﺱ ﻤﺫﹾ ﺭﺃﺕﹾ ﻀﻴﺎﺀ ﻭﺠﻬِﻙ ﻓﻲ ﺨﻠﻭﺘﻲ ،ﻭﻫﻲ ﺘﻌﺒﺭ ﻜﺎﻟﻅﱢلﱠ ﻓﻲ ﻜﹸلﱢ ﻟﺤﻅﹶﺔٍ
ﺒِﺴﻘﻔﻲ ﻭﺒﺎﺒﻲ؛
ﻴﻭﻤﺎﹰ ﺃﺘﻰ ﺍِﺴﻤﻲ ﻋﻠﻰ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﺴﻬﻭﺍﹰ ،ﻻ ﺯِﻟﺕﹸ ﺘﹶﺼِلُ ﺃﻫلَ ﺍﻟﻘﻠﻭﺏِ ﺭﻴﺢ
ﺭﻭﺤﻲ ﻤِﻥ ﺍِﺴﻤﻲ)(٣؛
) (١ﺍﻟﻨﱠﻜﻬﺔﹸ ﺭﻴﺢ ﺍﻟﻔﻡ ،ﻭﺍﻟﻤﻌﻨﻰ ،ﻴﺎ ﺤﺎﻓِﻅﹸ ﻤﺯﻕِ ﺍﻟﺜﱠﻭﺏ ﻤِﻥ ﻁﻴﺏِ ﺭﻴﺢِ ﻓﻤِﻪ ،ﻜﻤﺎ ﻴﻔﻌلُ ﺍﻟﻭﺭﺩ ﺍﻟﱠﺫﻱ
ﻴﺘﻔﺘﱠﺢ ﻤﻤﺯﻗﺎﹰ ﺍﻟﺜﱠﻭﺏ ﻋﻠﻰ ﻋﺒﻴﺭِﻩ ،ﺜﹸﻡ ﺃﻟﻕِ ﺜﻭﺒِﻙ ﺍﻟﻤﻤﺯﻕﹶ ﻓﻲ ﻁﺭﻴﻘِﻪِ ﻭﺍﺠﻌﻠﹾﻪ ﻓﹶﺩﺍﺀ ﻟِﻘﺎﻤﺘِﻪ.
) (٢ﺍﻟﻨﹼﺎ ﺭ ﺘﹸﻨﻀِﺞ؛
) (٣ﺭﻴﺢ ﺭﻭﺤﻲ ﻤﻥ ﺍﻟﺤﺭﻴﻕِ ﺍﻟﱠﺫﻱ ﺃﺼﺎﺒﻬﺎ؛
-٢٧٠-
ﺴﺎﻗﻲ ،ﻟﹸﺅﻟﺅُ ﺸﹶﻔﹶﺘِﻙ ﺴﻘﺎﻨﻲ ﺠﺭﻋﺔﹰ ﻤِﻥ ﺍﻟﺠﺎﻡِ ﻓﻲ ﺍﻷﺯلِ ،ﻭﺃﻨﺎ ﻻ ﺃﺯﺍلُ ﻤﺩﻫﻭﺵﹶ
ﺫﻟِﻙ ﺍﻟﺠﺎﻡِ ﺇﻟﻰ ﺍﻵﻥ؛
ﺃﻱ ﻤﻥ ﻗﺎلَ ﻟﻲ ﺃﻋﻁِﻨﻲ ﺍﻟﺭﻭﺡ ﻭﺨﹸﺫﹾ ﺴﻼﻡ ﺍﻟﺭﻭﺡ ،ﺃﺴﻠﹶﻤﺕﹸ ﺭﻭﺤﻲ ﻟِﻐﹸﻤﻭﻤِﻪِ ﻭﺇﻟﻰ
ﺍﻵﻥ ﻟﻡ ﺃﻨﹶلْ ﺴﻼﻡ ﺍﻟﺭﻭﺡ؛
ﺤﺎﻓِﻅﹸ ﻜﹶﺘﹶﺏ ﺒﺎﻟﻘﹶﻠﹶﻡِ ﻗِﺼﺔﹶ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻪ ،ﺇﻟﻰ ﺍﻵﻥ ﻻ ﻴﺯﺍلُ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ
ﻴﺴﻴلُ ﻤِﻥ ﺃﻗﻼﻤﻲ).(١
ﻏﺰﻝ ٢٦٦
ﻗﻠﺒﻲ ﻭﻟِﻪ ﺒِﺫﻟِﻙ ﺍﻟﻅﱠﺭﻴﻑِ ،ﺍﻟﺜﱢﻤِلِ ،ﻤﺜﻴﺭِ ﺍﻟﻔِﺘﹶﻥ ،ﻜﺎﺫِﺏِ ﺍﻟﻭﻋﺩِ ،ﻗﺘﱠﺎلِ ﺍﻟﻭﻀﻊِ ،ﺴﺎﺤِﺭِ
ﺍﻟﻔﹶﻥ؛
ﻓِﺩﺍﺀ ﻟﻠﻘﹶﻤﻴﺹِ ﺍﻟﻤﻤﺯﻕِ ﻟِﺫﻭﻱ ﺍﻟﻭﺠﻭﻩِ ﻜﺎﻟﺒﺩﻭﺭ ،ﺃﻟﹾﻑﹸ ﺜﹶﻭﺏِ ﺘﹶﻘﻭﻯ ﻭﺨِﺭﻗﹶﺔِ ﺯﺍﻫِﺩ؛
ﺨﻴﺎلَ ﺨﺎﻟِﻙ ،ﺴﻭﻑﹶ ﺃﺤﻤِلُ ﺇﻟﻰ ﺍﻟﺘﱡﺭﺍﺏ ،ﻟِﺘﺼﻴﺭ ﺘﹸﺭﺒﺘﻲ ﻤِﻥ ﺨﺎﻟِﻙ ﻤﻤﺯﻭﺠﺔﹰ ﺒﺎﻟﻌﺒﻴﺭ؛
ﺍﻟﻤﻼﻙ ﻻ ﻴﻌﺭِﻑﹸ ﺍﻟﻌِﺸﹾﻕﹶ ﻤﺎ ﻫﻭ ،ﺃﻱ ﺴﺎﻗﻲ ﺍﻁﻠﹸﺏِ ﺍﻟﺠﺎﻡ ﻭﺼﺏ ﻤﺎﺀ ﺍﻟﻭﺭﺩِ ﻋﻠﻰ
ﻁﻴﻨﹶﺔِ ﺁﺩﻡ؛
ﺍﺭﺒِﻁﹾ ﺍﻟﻜﺄﺱ ﺒِﻜﹶﻔﹶﻨﻲ ﺤﺘﹼﻰ ،ﻓﻲ ﺼﺒﺎﺡِ ﺍﻟﺤﺸﹾﺭِ ،ﺃﺭﻓﹶﻊ ﺒﺎﻟﺨﹶﻤﺭِ ﻫﻭلَ ﻴﻭﻡِ ﺍﻟﻘﻴﺎﻤﺔِ
ﻋﻥ ﻗﻠﺒﻲ؛
ﺠِﺌﺕﹸ ﺇﻟﻰ ﺃﻋﺘﺎﺒِﻙ ﻓﻘﻴﺭﺍﹰ ﻤﺘﻌﺒﺎﹰ ﻓﺎﺭﺤﻤﻨﻲ ،ﺃﻨﺎ ﻏﻴﺭ ﻭﻻﺌِﻙ ﻻ ﺃﻤﻠﻙ ﺸﻴﺌﺎﹰ ﻓﻲ ﻴﺩﻱ؛
ﺘﻌﺎلَ ﻓﻬﺎﺘِﻑﹸ ﺍﻟﺤﺎﻨﹶﺔِ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﺎلَ ﻟﻲ ،ﻜﹸﻥ ﻓﻲ ﻤﻘﺎﻡِ ﺍﻟﺭﻀﺎ ﻭﻻ ﺘﺴﺨﹶﻁﹾ ﻤِﻥ ﺍﻟﻘﻀﺎ؛
ﺒﻴﻥ ﺍﻟﻌﺎﺸِﻕِ ﻭﺍﻟﻤﻌﺸﻭﻕِ ﻟﻴﺱ ﻫﻨﺎﻙ ﺃﻱ ﺤﺎﺌلٍ ،ﺃﻨﺕﹶ ﻨﹶﻔﺴﻙ ﺤِﺠﺎﺏ ﻨﹶﻔﺴِﻙ ،ﺤﺎﻓِﻅﹸ
ﺍﺨﺭﺝ ﻤِﻥ ﺍﻟﺤِﺠﺎﺏ.
) (١ﻻ ﻴﺯﺍلُ ﻤﺎ ﺀ ﺍﻟﺤﻴﺎﺓِ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻴﺴﻴلُ ﻤِﻥ ﺃﻗﻼﻤﻲ :ﻻ ﻴﺯﺍلُ ﻤﺎ ﻜﺘﺒﺕﹸ ﻴﻘﺭﺃُ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ،
ﻭﻴﻬﺏ ﺍﻟﺤﻴﺎﺓﹶ ،ﻜﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ،ﻟﻘﺎﺭِﺌﻪ.
-٢٧١-
ﻏﺰﻝ ٢٦٧
ﺃﻱ ﺼﺒﺎ ﺇﻥ ﻋﺒﺭﺕِ ﻓﻲ ﺴﺎﺤِلِ ﻨﹶﻬﺭِ ﺃﺭﺱ ،ﻗﺒﻠﻲ ﺘﹸﺭﺏ ﺫﺍﻙ ﺍﻟﻭﺍﺩﻱ ﻭﻋﻁﱢﺭﻱ ﺒِﻪِ
ﺍﻟﻨﱠﻔﹶﺱ)(١؛
ﻤﻨﺯِلُ ﺴﻠﻤﻰ ﺍﻟﱠﺫﻱ ﻟ ﻪ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻤِﻨﹼﻲ ﻤِﺌﺔﹸ ﺴﻼﻡٍ ،ﻤِﻠﺅُﻩ ﺃﺼﻭﺍﺕﹸ ﺤﺩﺍﺓِ ﺍﻟﻘﻭﺍﻓِلِ
ﻭﺭﻨﻴﻥ ﺍﻷﺠﺭﺍﺱ؛
ﻗﺒلْ ﻤﺤﻤلَ ﺍﻟﺤﺒﻴﺏِ ﻭﺃﻨﺕﹶ ﺘﻌﺭِﺽ ﺍﺤﺘﻴﺎﺠﻙ ،ﻗﹸلْ ﻟﻪ ﺍﺤﺘﹶﺭﻗﹾﺕﹸ ﻤِﻥ ﻓِﺭﺍﻗِﻙ ،ﺃﻱ
ﺭﺤﻴﻡ ،ﻟﹶﺏ ﺍﺴﺘِﻐﺎﺜﺘﻲ؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻜﹸﻨﹾﺕﹸ ﺃﺭﻯ ﻗﻭلَ ﺍﻟﻨﱠﺎﺼِﺤﻴﻥ ﻗﹶﻭلَ ﺭﺒﺎﺒﺔٍ ،ﻜﻔﻰ ﻤﺎ ﺃﻨﺎ ﺒِﻪِ ﻤِﻥ ﺍﻟﻬِﺠﺭﺍﻥِ
ﻋِﺒﺭﺓﹰ ،ﻭﻜﻔﻰ ﺒِﻪِ ﻟﹶﻙ ﻨﺼﻴﺤﺔﹰ؛
ﻜﹸﻥ ﻋﺸﻴﺭ ﺍﻷﺴﺤﺎﺭِ ﻭﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻓﻔﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ،ﺍﻟﱠﺫﻴﻥ ﻴﺴﻴﺭﻭﻥ ﻓﻲ ﺍﻟﻠﱠﻴلِ
ﻴﻌﺭﻓﻭﻥ ﺃﻤﻴﺭ ﺍﻟﻌﺴﺱ)(٢؛
ﻗِﻤﺎﺭ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺱ ﻟﻬﻭﺍﹰ ﻤِﻥ ﺍﻟﻠﱠﻌِﺏِ ،ﻴﺎ ﻗﹶﻠﹾﺏ ﻗﺎﻤِﺭ ﺒِﺎﻟﺭﺃﺱِ ﻓﹶﻜﹸﺭﺓﹸ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﺘﹸﻀﺭﺏ
ﺒِﻌﺼﺎ ﺍﻟﻬﻭﺱ؛
ﻗﻠﺒﻲ ﻴﺴﻠِﻡ ﺍﻟﺭﻭﺡ ﻋﻥ ﺭﻏﺒﺔٍ ﻟِﻌﻴﻥِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺴﻜﺭﻯ ،ﺭﻏﹾﻡ ﺃﻥ ﺍﻟﻌﻘﻼﺀ ﻻ ﻴﻌﻁﻭﻥ
ﺍﺨﺘﻴﺎﺭﻫﻡ ﻟِﺸﹶﺨﹾﺹ؛
ﺍﻟﺒﺒﻐﺎﻭﺍﺕﹸ ﻭﺤﺩﻫﺎ ﺘﻨﺎلُ ﺍﻟﻤﺭﺍﺩ ﻤِﻥ ﺴﻜﱠﺭِ ﺍﻟﻨﱠﺒﺎﺕِ ،ﻭﺍﻟﺫﱡﺒﺎﺒﺔﹸ ﺍﻟﻤِﺴﻜﻴﻨﹶﺔﹸ ﺘﹶﻀﺭِﺏ
ﺍﻟﺭﺃﺱ ﺒﺎﻟﻴﺩِ ،ﻭﺘﺘﺤﺴﺭ؛
ﺍِﺴﻡ ﺤﺎﻓِﻅﹶ ﺇﺫﺍ ﺠﺎﺀ ﻋﻠﻰ ﻟِﺴﺎﻥِ ﻗﹶﻠﹶﻡِ ﺍﻟﺤﺒﻴﺏ ،ﻜﻔﻰ ﺒِﻪِ ﻤﻠﺘﹶﻤﺴﺎﹰ ﻤِﻥ ﺠﻨﺎﺏِ ﺤﻀﺭﺓِ
ﻤﻠِﻜﻲ.
) (١ﺃﺭﺱ ﻨﻬﺭ ﻓﻲ ﺸﻤﺎل ﺃﺫﺭﺒﻴﺠﺎﻥ؛
) (٢ﺍﻟﺴﺎﺌﺭﻭﻥ ﻟﻴﻼﹰ ﻴﻌﺭﻓﻭﻥ ﺃﻤﻴﺭﻫﻡ ،ﺍﻟﻌﺴﺱ :ﺍﻟﺴﺎﺌﺭﻭﻥ ﻓﻲ ﺍﻟﻠﹼﻴل.
-٢٧٢-
ﻏﺰﻝ ٢٦٨
ﻴﻜﻔﻴﻨﺎ ﻤِﻥ ﺒﺴﺘﺎﻥِ ﺍﻟﻌﺎﻟﹶﻡِ ﻭﺭﺩﻱ ﺍﻟﻭﺠﻨﹶﺔِ ،ﻴﻜﻔﻴﻨﺎ ﻅِلﱡ ﺫﻟِﻙ ﺍﻟﺴﺭﻭِ ﺍﻟﻤﺨﺘﺎلِ ﻤِﻥ ﻫﺫﺍ
ﺍﻟﺭﻭﺽِ؛
ﺼﺤﺒﺔﹶ ﺃﻫلِ ﺍﻟﺭﻴﺎﺀِ ﺃﺒﻌﺩ ﺍﷲُ ﻋﻨﹼﻲ ،ﻴﻜﻔﻴﻨﺎ ﺍﻟﺭﻁﹾلُ ﺍﻟﺜﱠﻘﻴلُ ﻋﻥ ﺜﻘﻴﻠﻲ ﺍﻟﻌﺎﻟﹶﻡِ؛
ﻗﹶﺼﺭ ﺍﻟﻔِﺭﺩﻭﺱِ ﻴﻌﻁﻭﻨﹶﻪ ﺠﺯﺍﺀ ﺍﻟﻌﻤل ،ﻨﺤﻥ ﻤﻌﺭﺒﺩﻭﻥ ،ﻴﻜﻔﻴﻨﺎ ﺍﺴﺘﺠﺩﺍﺀ ﺩﻴﺭِ ﺍﻟﻤﻐﺎﻥِ؛
ﺍﺠﻠِﺱ ﻋﻠﻰ ﻀِﻔﱠﺔِ ﺍﻟﻨﱠﻬﺭِ ﻭﺍﻨﻅﹸﺭ ﻤﺭﻭﺭ ﺍﻟﻌﻤﺭ ،ﺘﻜﻔﻴﻨﺎ ﻫﺫِﻩِ ﺍﻹﺸﺎﺭﺓﹸ ﻋﻥ ﻋﺎﺒﺭﻱ ﺍﻟﺩﻨﻴﺎ)(١؛
ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻨﹶﻘﹾﺩِ ﺒﺎﺯﺍﺭِ ﺍﻟﺩﻨﻴﺎ ﻭﻤﺼﺎﺌﺏِ ﺍﻟﺩﻨﻴﺎ ،ﻫﺫِﻱ ﺍﻟﻤﻌﺎﻤﻠﹶﺔﹸ ﺇﻥ ﻟﻡ ﺘﻜﹸﻥ ﻟﻙ ﻜﺎﻓﻴﺔﹰ
ﻓﻬﻲ ﺘﻜﻔﻴﻨﺎ؛
ﺍﻟﺤﺒﻴﺏ ﻤﻌﻨﺎ ،ﻤﺎ ﺍﻟﺤﺎﺠﺔﹸ ﻟِﻨﹶﻁﹾﻠﹸﺏ ﺍﻟﻤﺯﻴ ﺩ ،ﺘﻜﻔﻴﻨﺎ ﺩﻭﻟﹶﺔﹸ ﺼﺤﺒﺔِ ﻤﺅﻨِﺱِ ﺍﻟﺭﻭﺡِ ﺫﺍﻙ؛
ﻤِﻥ ﺃﺠلِ ﺍﷲِ ﻻ ﺘﹸﺭﺴِﻠﹾﻨﻲ ﻤِﻥ ﺒﺎﺒِﻙ ﺇﻟﻰ ﺍﻟﺠﻨﱠ ِﺔ ،ﺩِﻴﺎﺭﻙ ﺘﻜﻔﻴﻨﺎ ﻋﻥِ ﺍﻟﻜﹶﻭﻥِ ﻭﺍﻟﻤﻜﺎﻥِ؛
ﺤﺎﻓِﻅﹸ ﺍﻟﺸﱢﻜﺎﻴﺔﹸ ﻤِﻥ ﻤﺸﺭﺏِ ﺍﻟﻘِﺴﻤﺔِ ﻟﻴﺴﺕ ﺇﻨﹾﺼﺎﻓﺎﹰ ،ﻁﹶﺒﻊ ﻜﺎﻟﻤﺎﺀِ ﻭﻏﺯﻟﻴﺎﺕﹲ ﺘﺴﻴلُ ﺘﻜﻔﻴﻨﺎ.
ﻏﺰﻝ ٢٦٩
ﻕ ﺴﻔﹶﺭٍ ﺒﺨﹾﺘﹸﻙ ﺍﻟﻤﺴﻌِﺩ ،ﻭﻟﻴﻜﻔِﻙ ﺩﻟﻴلَ ﺩﺭﺏٍ ﻨﺴﻴﻡ ﺭﻭﻀﺔِ ﺸﻴﺭﺍﺯ؛
ﻴﺎ ﻗﻠﺏ ،ﻟﻴﻜﹾﻔِﻙ ﺭﻓﻴ ﹶ
ﺩﺭﻭﻴﺵﹸ ﻻ ﺘﹸﺴﺎﻓِﺭ ﻤِﻥ ﻤﻨﺯِلِ ﺍﻟﺤﺒﻴﺏِ ،ﻴﻜﻔﻴﻙ ﺍﻟﺴﻴﺭ ﺍﻟﻤﻌﻨﻭﻱ ﻭﺭﻜﹾﻥ ﺍﻟﺨﺎﻨِﻘﺎﻩ)(٢؛
ﻭﺇﺫﺍ ﺭﻤﺎﻙ ﺍﻟﻜﻤﻴﻥ ﺒﺎﻟﻐﹶﻡ ﻤِﻥ ﺯﺍﻭﻴﺔِ ﺍﻟﻘﻠﺏِ ،ﻴﻜﻔﻴﻙ ﺤﺭﻴﻡ ﺇﻴﻭﺍﻥِ ﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻤﻠﺠﺄً؛
ﺍﺠﻠِﺱ ﺒِﺼﺩﺭِ ﺍﻟﻤﺼﻁﹶﺒﺔِ ،ﻭﺍﺸﺭﺏ ﻜﺄﺱ ﺍﻟﺨﹶﻤﺭ ،ﻜﹶﺴﺏ ﻤﺎلٍ ﻭﺠﺎﻩٍ ﻴﻜﻔﻴﻙ ﻫﺫﺍ
ﺍﻟﻘﹶﺩﺭ ﻤِﻥ ﺍﻟﻌﺎﻟﹶﻡِ؛
) (١ﺍﻟﻌﻤﺭ ﻴﻤﺭ ﻤﺴﺭِﻋﺎﹰ ﻤﺭﻭﺭ ﻤﺎﺀِ ﺍﻟﻨﱠﻬﺭِ ﻓﺎﻋﺘﹶﺒِﺭ.
) (٢ﺍﻟﺨﺎﻨﻘﺎﻩ :ﻤﻨﺯِلُ ﺍﻟﺩﺭﺍﻭﻴﺵ.
-٢٧٣-
ﺯﻴﺎﺩﺓﹰ ﻻ ﺘﻁﻠﹸﺏ ،ﻭﺴﻬلِ ﺍﻷﻤﺭ ﻋﻠﻰ ﻨﹶﻔﺴِﻙ ،ﺘﻜﻔﻴﻙ ﺼﺭﺍﺤﻴﺔﹲ ﻤِﻥ ﻟﺅﻟﺅِ ﺍﻟﺨﻤﺭِ،
ﻭﺼﻨﹶﻡ ﻜﺄﻨﱠﻪ ﺍﻟﺒﺩﺭ؛
ﺍﻟﻔﹶﻠﹶﻙ ﻴﻌﻁﻲ ﺯﻤﺎﻡ ﺍﻟﻤﺭﺍﺩِ ﻟﻠﺠﺎﻫِﻠﻴﻥ ،ﺃﻨﺕﹶ ﺃﻫلُ ﻓﻀلٍ ﻭﻋِﻠﹾﻡٍ ،ﻜﻔﻰ ﺒِﺫﻟِﻙ ﻋِﻨﹾﺩ ﺍﻟﻔﹶﻠﹶﻙِ ﺫﹶﻨﹾﺒﺎﹰ؛
ﻫﻭﺍﺀ ﺍﻟﻤﺴﻜﹶﻥِ ﺍﻟﻤﺄﻟﻭﻑِ ،ﻭﻋﻬﺩ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻘﺩﻴﻡِ ،ﻴﻜﻔﻴﺎﻨِﻙ ﻋﺫﺭﺍﹰ ﻟﺩﻯ ﺍﻟﺴﺎﻟِﻜِﻴﻥ ﺍﻟﻤﺴﺎﻓِﺭﻴﻥ؛
ﻻ ﻴﻜﹸﻥ ﺤﻤلُ ﻤِﻨﱠﺔِ ﺍﻵﺨﹶﺭﻴﻥ ﻁﹶﺒﻌﺎﹰ ﻟﹶﻙ ،ﺭِﻀﺎ ﺍﷲِ ﻭﺇﻨﻌﺎﻡ ﻤﻠِﻙِ ﺍﻟﻤﻠﻭﻙِ ﻴﻜﻔﻴﺎﻨِﻙ ﻓﻲ
ﺍﻟﻌﺎﻟﹶﻤﻴﻥ؛
ﻻ ﺤﺎﺠﺔﹶ ﻷﻱ ﻭِﺭﺩِ ﺫِﻜﹾﺭٍ ﺁﺨﹶﺭ ﺃﻱ ﺤﺎﻓِﻅﹸ ،ﺩﻋﺎﺀ ﻤﻨﺘﹶﺼﻑِ ﺍﻟﻠﱠﻴلِ ﻭﺩﺭﺱ ﻭﻗﺕِ
ﺍﻟﺼﺒﺎﺡِ ﻴﻜﻔﻴﺎﻨِﻙ.
ﻏﺰﻝ٢٧٠
ـﺕ
ـﻡ ﺯﻫـ ـﺭ ﻫﺠـ ـﺭٍ ﻗﻁﻔــ
ـﻡ ﺘﺤﻤﻠﹾـ ـﺕﹸ ﻜــ
ـﺸﻕِ ﻜــ
ﺃﻟـ ـﻡ ﺍﻟﻌــ
ﻭﻟﻜــﻡ ﻁﹸﻔﹾــﺕﹸ ﻓــﻲ ﺍﻟﻌــﺎﻟﻡِ ﺤﺘــﻰ ﺃﺨﻴــﺭﺍﹰ ﺇﻟﻴــﻪِ ﺍﻫﺘــﺩﻴﺕ
ﺁﻩِ ﻜــﻡ ﻓــﻲ ﻫــﻭﻯ ﺘــﺭﺍﺏِ ﺃﻋﺘﺎﺒــﻪ ﻤــﻥ ﺩﻤــﻭﻉٍ ﺴــﻜﺒﺕ
ﻜــﺎﻥ ﻤــﻥ ﻓﹶﻴــﻪِ ﻓــﻲ ﺃُﺫﹸﻨــﻲ ﺃﻤــﺱِ ﺤــﺩﻴﺙﹲ ﻋﺠﻴــﺏ ﺴــﻤﻌﺕ
ﻋﻠـــﻰ ﺸـــﻔﺔٍ ﻋـــﺽ ﺃﻥ ﻻ ﺘﻘﹸـــل ﻤـــﺎ ﺠـــﺭﻯ ﻓـــﺴﻜﺘﺕ
ـﺕ
ـﺎﻡٍ ﺒﻠﻐــ
ـﺸﻕِ ﺃﻱ ﻤﻘــ
ـﻲ ﺍﻟﻌــ
ـﺎﻓﻅﹸ ﺍﻟﻐﺭﻴـ ـﺏ ﻭﻓــ
ـﺎ ﺤــ
ﻭﺃﻨــ
ﻨﹶﺜﹾﺭﺍﹰ :ﺃﻟﹶﻡ ﺍﻟﻌِﺸﹾﻕِ ،ﻜﻡ ﺘﺤﻤﻠﹾﺕﹸ ﻻ ﺘﹶﺴلْ ،ﻜﹶﻡ ﺴﻡ ﻫﺠﺭٍ ﺘﺠﺭﻋﺕﹸ ،ﻻ ﺘﹶﺴلْ؛
ﻜﹶﻡ ﻁﹸﻔﺕﹸ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﺤﺘﹼﻰ ﺍﺨﺘﹶﺭﺕﹸ ﺁﺨِﺭ ﺍﻷﻤﺭِ ﺍﻟﺤﺒﻴﺏ ،ﻻ ﺘﹶﺴلْ؛
ﻋﻥ ﻤﺎﺀِ ﻋﻴﻨﻲ ﻭﻫﻭ ﻴﺠﺭﻱ ﻓﻲ ﻫﻭﻯ ﺘﹸﺭﺍﺏِ ﺃﻋﺘﺎﺒِﻪِ ،ﻻ ﺘﹶﺴلْ؛
ﻋﻥ ﺤﺩﻴﺙٍ ﺴﻤِﻌﺕﹸ ﻓﻲ ﺃُﺫﹸﻨﻲ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤﻥ ﻓﻴﻪ ،ﻻ ﺘﹶﺴلْ؛
ﻟِﻤﺎﺫﺍ ﺘﻌﺽ ﻋﻠﻰ ﺍﻟﺸﱠﻔﹶﺔِ ﻨﺤﻭﻱ ﺃﻥ ﺍﺴﻜﹸﺕﹾ؟ ،ﻗﺩ ﻋﻀﻀﺕﹸ ﺸﹶﻔﹶﺔﹶ ﺍﻟﻴﺎﻗﻭﺕِ ،ﻋﻥ ﺫﺍﻙ
ﻻ ﺘﹶﺴلْ؛
-٢٧٤-
ﻤِﻥ ﺩﻭﻨِﻙ ﻓﻲ ﻤﺘﹾﺠﺭِ ﺍﻟﺴﻌﻲِ ﻤﻥ ﻨﻔﺴﻲ ،ﻜﻡ ﺘﹶﺤﻤﻠﹾﺕﹸ ﻤﻥ ﺍﻵﻻﻡِ ،ﻻ ﺘﹶﺴلْ؛
)(١
ﻭﺃﻨﺎ ﺤﺎﻓِﻅﹸ ﺍﻟﻐﹶﺭﻴﺏ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ﻗﺩ ﺒﻠﻐﹾﺕﹸ ﻤﻘﺎﻤﺎﹰ ،ﻭﻋﻥ ﺫﻟِﻙ ﺍﻟﻤﻘﺎﻡِ ﻻ ﺘﹶﺴلْ
ﻏﺰﻝ ٢٧١
ﻑ ﺼِﺭﺕﹸ ﻤِﻨﹾﻬﺎ ﻓﻘﻴﺭﺍﹰ
ﻻ ﺘﺴلْ ﻜﹶﻡ ﻅﹸﻼﻤﺔﹰ ﻟﹶﺩﻱ ﻤِﻥ ﻀﻔﻴﺭﺘِﻪِ ﺍﻟﺴﻭﺩﺍﺀِ؛ ﻻ ﺘﹶﺴلْ ﻜﻴ ﹶ
ﻤﻌﺩِﻤﺎﹰ؛
ﻻ ﻜﺎﻥ ﺸﹶﺨﺹ ﺭﺠﺎﺀ ﺍﻟﻭﻓﺎﺀِ ﻴﺘﺭﻙ ﺍﻟﻘﹶﻠﹾﺏ ﻭﺍﻟﺩﻴﻥ ،ﻻ ﺘﹶﺴلْ ﻜﹶﻡ ﺃﺼﺎﺒﻨﻲ ﻤِﻥ ﻫﺫﺍ
ﺍﻟﻌﻤلِ ﻤِﻥ ﺍﻟﻨﱠﺩﻡ)(٢؛
ﻻ ﺘﹶﺴلْ ﻜﹶﻡ ﺘﹶﺤﻤﻠﹾﺕﹸ ﻤِﻥ ﺍﻟﺠﻬﻼﺀِ ﻤِﻥ ﺍﻟﻨﱠﺎﺱِ ﻤِﻥ ﺍﻷﺫﻯ ﻓﻲ ﺠﺭﻋﺔٍ ﻟﹶﻡ ﺃُﺴﺒﺏ ﺒﻬﺎ
ﺍﻷﺫﻯ ﻟِﺸﹶﺨﹾﺹ؛
ﺯﺍﻫِﺩ ﻤﺭ ﻋﻨﱠﺎ ﺒﺎﻟﺴﻼﻤﺔِ ﻓﻬﺫِﻩِ ﺍﻟﺨﹶﻤﺭﺓﹸ ﺍﻟﺤﻤﺭﺍﺀ ،ﻻ ﺘﹶﺴلْ ﻋﻤﺎ ﺘﺴﻠﹸﺏ ﺍﻹﻨﺴﺎﻥ ﻤِﻥ
ﺍﻟﻘﻠﹾﺏِ ﻭﺍﻟﺩﻴﻥ؛
ﻤﺴﺎﺌلُ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﺘﺼﻬﺭ ﺍﻟﺭﻭﺡ ،ﺫﻭ ﺍﻟﻌﺭﺒﺩﺓِ ﻭﺍﻟﺠِﺩﺍلِ ﻓﻴﻬﺎ ﻻ ﻴﺭﻯ ،ﺇﻴﺎﻩ ﻻ ﺘﹶﺴلْ؛
ﻜﺎﻥ ﻟﻲ ﻫﻭﺱ ﺒﺎﻟﺴﻼﻤﺔِ ﻭﺍﻟﺘﱠﻘﻭﻯ ﻭﻟﻜِﻥ ،ﻋﻤﺎ ﻴﻔﻌلُ ﺫﻟِﻙ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﻔﺘﱠﺎﻥ ﻤِﻥ
ﺍﻟﺴﺤﺭِ ،ﻻ ﺘﹶﺴلْ؛
ﻗﹸﻠﹾﺕﹸ ﺃﺴﺄلُ ﻜﹸﺭﺓﹶ ﺍﻟﻔﹶﹶﻠﻙِ ﻋﻥ ﺼﻭﺭﺓِ ﺍﻟﺤﺎلِ ،ﻗﺎلَ ﺍﻟﻔﹶﻠﹶﻙ ﺃﻨﺎ ﺘﺤﺕﹶ ﺍﻟﺼﻭﻟﹶﺠﺎﻥِ ﻭﻋﻤﺎ
ﺃُﻋﺎﻨﻴﻪِ ،ﻻ ﺘﹶﺴلْ)(٣؛
ﻗﹸﻠﹾﺕﹸ ﻟﹶﻪ ﻟِﺴﻔﹾﻙِ ﺩﻡِ ﻤﻥ ﻜﺴﺭﺕﹶ ﻀﻔﻴﺭﺘﹶﻙ؟ ،ﻗﺎلَ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﺘِﻠﹾﻙ ﻗِﺼﺔﹲ ﻁﻭﻴﻠﹶﺔﹲ،
ﺒﺎﻟﻘﹸﺭﺁﻥِ ﻻ ﺘﹶﺴلْ.
) (١ﺒﻠﻐﺕﹸ ﻓﻲ ﺍﻟﻌﺸﻕِ ﻤﻘﺎﻤﺎﹰ ﻋﺎﻟﻴﺎﹰ ﻻ ﻴﻤﻜﻥ ﺃﻥ ﻴﻘﻊ ﺘﺤﺕ ﻋﺒﺎﺭﺍﺕ ﺍﻟﻭﺼﻑ.
) (٢ﻛﻢْ ﻧَﺪِﻣْﺖُ ﻣِﻦْ ﺗَﺮكِ ﻗﻠﺒﻲ ودﯾﻨﻲ ﻟَﮫُ ،ﻻ ﻛﺎنَ ﻣﺎ ﻛﺎنَ ﻣِﻨّﻲَ ﻣِﻦْ ﺷَﺨﺺٍ؛
) (٣ﻟﯿﺲَ ﻟﻲ ﻣﻦَ اﻷﻣْﺮِ ﺷَﻲءٌ وأﻧﺎ ﻓﻲ إﻣﺮَةِ اﻟﺴﱡﻠﻄﺎن.
-٢٧٥-
ﻏﺰﻝ ٢٧٢
ﻋﺩ ﺇﻟﻲ ﻭﻜﹸﻥ ﻤﺅﻨِﺱ ﻗﻠﺒﻲ ﺍﻟﻀﻴﻕِ ﺒﺭﻭﺤﻲ ،ﻜﹸﻥ ﻟﻬﺫﺍ ﺍﻟﻤﺤﺘﹶﺭِﻕِ ﻤﺤﺭﻡ ﺍﻷﺴﺭﺍﺭِ
ﺍﻟﺨﻔﻴﺔ؛
ﻤِﻥ ﺘﻠﻙ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﱠﺘﻲ ﻴﺒﻴﻌﻭﻨﻬﺎ ﻓﻲ ﺨﻤﺎﺭﺓِ ﺍﻟﻌِﺸﹾﻕ ،ﺃﻋﻁِﻨﻲ ﻜﺄﺴﻴﻥِ ﺃﻭ ﺜﻼﺜﹶﺔﹰ ،ﻭﻟﻭ
ﻜﺎﻥ ﺭﻤﻀﺎﻥ؛
ﺃﻴﻬﺎ ﺍﻟﻌﺎﺭِﻑﹸ ﺍﻟﺴﺎﻟِﻙ ،ﺤﻴﻥ ﺘﺄﺨﹸﺫﹸ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﺍﻟﺨِﺭﻗﹶﺔِ ،ﺍﺠﺘﹶﻬِﺩ ﺃﻥ ﺘﻜﻭﻥ ﻓﻲ ﺤﻠﹾﻘﹶﺔِ
ﺴﻜﺎﺭﻯ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻗﹸلْ ﻟﻠﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻗﺎلَ ﻟﻲ ﻗﻠﺒﻲ ﻴﻨﺘﻅِﺭﻙ ،ﻫﺎ ﺃﻨﺎ ﺃﺼِلُ ﺒﺎﻟﺴﻼﻤﺔِ ﻓﺩﻡ ﺤﺎﻓِﻅﻲ؛
ﻨﺯﻑﹶ ﻗﻠﺒﻲ ﺩﻤﺎﹰ ﺤﺴﺭﺓﹰ ﻟﺫﻟِﻙ ﺍﻟﻌﻘﻴﻕِ ﻭﺍﻫِﺏِ ﺍﻟﺭﻭﺡ ،ﺃﻱ ﺩﺭﺝ ﺍﻟﻤﺤﺒﺔِ ﻜﹸﻥ ﺩﺍﺌﻤﺎﹰ
ﻋﻠﻰ ﺍﻟﺤﺏ ﻋﻴﻨِﻪِ ﻭﺍﻟﻭﻓﺎﺀ؛
ﻜﻲ ﻻ ﻴﺒﻘﻰ ﻏﹸﺒﺎﺭ ﻋﻠﻰ ﺍﻟﻘﹶﻠﹾﺏِ ﻤِﻥ ﺍﻟﻐﹸﺼﺔِ ،ﻴﺎ ﺴﻴلَ ﺩﻤﻌﻲ ﻋﻘﺏ ﻫﺫِﻩِ ﺍﻟﺭﺴﺎﻟﹶﺔِ ﻜﹸﻥ
ﺠﺎﺭﻴﺎ؛
)(١
ﺤﺎﻓِﻅﹸ ﻟﻪ ﻫﻭﺱ ﺒِﺠﺎﻡِ ﻤﻅﹾﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡ ،ﻗﹸلْ ﻟ ﻪ ﻜﹸﻥ ﻓﻲ ﻨﹶﻅﹶﺭِ ﺁﺼِﻑﹶ ﺠﻤﺸﻴﺩِ ﺍﻟﻤﻜﺎﻥ
ﻏﺰﻝ ٢٧٣
ﺇﻥ ﺘﻜﹸﻥ ﺭﻓﻴﻘﺎﹰ ﺸﻔﻴﻘﺎﹰ ﻜﹸﻥ ﻭﻓﻴﺎﹰ ﺒﺎﻟﻌﻬﺩِ ،ﻜﹸﻥ ﺤﺭﻴﻔﹶﺎﹰ ﻓﻲ ﺍﻟﺒﻴﺕِ ﻭﺍﻟﺤﻤﺎﻡِ ﻭﺍﻟﺒﺴﺘﺎﻥ)(٢؛
ﻻ ﺘﹶﻀﻊ ﺒﻴﺩِ ﺍﻟﺭﻴﺢِ ﻓﺭﻋﻙ ﺍﻟﻤﺸﺘﱠﺕﹶ ،ﻭﻻ ﺘﻘﹸلْ ﻟِﺨﺎﻁِﺭِ ﺍﻟﻌﺸﹼﺎﻕِ ﺃﻥ ﻴﺘﺸﹶﺘﱠﺕﹶ)(٣؛
) (١ﻴﻘﺼﺩ ﺒﺂﺼﻑ ﻭﺯﻴﺭ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ ﻭﺒﺠﻤﺸﻴﺩ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ ﻨﻔﺴﻪ.
) (٢ﻜﹸﻥ ﺼﺎﺤِﺒﺎﹰ ﻟﻲ ﺤﻴﺜﹸﻤﺎ ﻜﻨﺕﹸ ،ﻓﻲ ﺍﻟﺒﻴﺕِ ﻭﺍﻟﺤﻤﺎﻡِ ﻭﺍﻟﺒﺴﺘﺎﻥ؛
) (٣ﻻ ﺘﻨﺸﹸﺭﻀﻔﻴﺭﺘﹶﻙ ﺍﻟﻤﺠﻌﺩﺓِ ﺍﻟﻤﺸﺘﱠﺘﹶﺔﹶ ﻓﻲ ﺍﻟﺭﻴﺢِ ﻓﺘﺤﻤِلَ ﺍﻟﺭﻴﺢ ﻋﺒﻴﺭﻫﺎ ،ﻓﺈﻨﱠﻙ ﺇﻥ ﺘﹶﻔﹾﻌلْ ﺘﹶﺴﻠِﺏ
ﺨﺎﻁِﺭ ﺍﻟﻌﺸﱠﺎﻕِ ﺍﻟﻬﺩﻭﺀ ﻭﺘﹸﺸﺘﱢﺘﹶﻪ؛
-٢٧٦-
ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﺘﺭﻏﹶﺏ ﻓﻲ ﺃﻥ ﺘﻜﻭﻥ ﺠﻠﻴﺱ ﺍﻟﺨِﻀﺭِ ،ﻋِﺵﹾ ﻓﻲ ﺍﻟﺨﻔﺎﺀِ ﻋﻥ ﻋﻴﻥِ
ﺍﻻﺴﻜﹶﻨﺩﺭ ،ﻫﻨﺎﻙ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ؛
)(١
؛ ﺘِﻼﻭﺓﹸ ﺯﺒﻭﺭِ ﺍﻟﻌِﺸﹾﻕِ ﻟﻴﺴﺕﹾ ﺸﹸﻐﹾلَ ﻜﹸلﱢ ﻁﺎﺌﺭٍ ﺘﻌﺎلَ ﻭﻜﹸﻥ ﻭﺭﺩ ﻫﺫﺍ ﺍﻟﺒﻠﺒلِ ﺍﻟﻤﺘﻐﺯل
ﻤِﻥ ﺃﺠلِ ﺍﷲِ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺨِﺩﻤﺔِ ﺴﻴﺭﻨﻲ ،ﻭﻁﺭﻴﻘﹶﺔﹶ ﺍﻟﻌﺒﻭﺩِﻴﺔِ ﻋﻠﱢﻤﻨﻲ ،ﻭﻜﹸﻥ ﻟﻲ ﺴﻠﻁﺎﻨﺎﹰ؛
ﻻ ﺘﺭﻓﹶﻊِ ﺍﻟﺴﻴﻑﹶ ﺜﺎﻨﻴﺔﹰ ﻟِﺼﻴﺩِ ﺍﻟﺤﺭﻡِ ،ﺤﺫﺍﺭِ ،ﻭﺍﻨﺩﻡ ﻋﻠﻰ ﻤﺎ ﻜﺎﻥ ﻤِﻨﹾﻙ ﻟِﻘﹶﻠﺒﻲ؛
ﻜﹸﻥ ﺸﹶﻤﻊ ﻤﺠﻠِﺴِﻨﺎ ﺍﻟﻭﺍﺤِﺩ ﺍﻟﻘﹶﻠﹾﺏِ ﻭﺍﻟﻠﱢﺴﺎﻥ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺨﻴﺎلِ ﺍﻟﻔﹶﺭﺍﺸﹶﺔِ ﻭﺴﻌﻴِﻬﺎ
ﺤﻭﻟﹶﻙ ،ﻭﺍﻀﺤﻙ(٢)؛
ﻜﻤﺎلُ ﺍﻟﺤﺏ ﻭﺍﻟﺤﺴﻥِ ﻴﻜﻭﻥ ﻓﻲ ﺃﺴﻠﻭﺏِ ﺍﻟﻨﱠﻅﹶﺭِ ،ﻜﹸﻥ ﻓﻲ ﺃﺴﻠﻭﺏِ ﻨﻅﹶﺭِﻙ ﻟﻤﺤﺒﻴﻙ
ﺃﻭﺤﺩﺍﹰ؛
ﺤﺎﻓِﻅﹸ ﺍﺼﻤﺕﹾ ،ﻭﻤِﻥ ﺠﻭﺭِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﺘﹶﺒﻙِ ،ﻤﻥ ﻗﺎلَ ﻟﻙ ﺃﻥ ﺘﻨﻅﹸﺭ ﻓﻲ ﺍﻟﻭﺠﻭﻩِ
ﺍﻟﺠﻤﻴﻠﹶﺔِ ﻭﺘﺼﻴﺭ ﺤﻴﺭﺍﻨﺎﹰ؟!.
ﻏﺰﻝ ٢٧٤
ﻗﹶﺩﺡ ﺍﻟﹾﺨﹶﻤﺭِ ﺨﹸﺫﹾ ﺯﻤـﻥ ﺍﻟﺯﻫـﺭِ ﻭﺍﺠـﻑﹸ ﺍﻟﺭﻴـﺎ
ﻭﺭﻓﻴﻕﹶ ﺍﻟﺼﺒﺎ ﺒِﻌِﻁﹾﺭِ ﺍﻟـﻭﺭﻭﺩِ ﻓـﻲ ﻨﹶﻔﹶـﺱٍ ﻜﹸـﻥ
ﻟﻴﺱ ﻗﻭﻟﻲ ﻟﹶﻙ ﺍﻋﺒﺩِ ﺍﻟﺨﹶﻤﺭ ﻁﻴﻠﹶـﺔﹶ ﺍﻟﻌـﺎﻡِ ﻟﻜِـﻥ
ﺍِﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻓﹶﺼﻼﹰ ﻭﺫﺍ ﻓﺎﻗﹶﺔٍ ﻓﻲ ﺒﻘﻴﺔِ ﺍﻟﻌﺎﻡ ﻜﹸـﻥ
ﻭﺇﺫﺍ ﻤﺭﺸِــﺩ ﺍﻟﻌﺎﺸِــﻘﻴﻥ ﻤــﺎ ﺃﺤﺎﻟﹶــﻙ ﻟِﻠﹾﺨﹶﻤــﺭِ
ـﺭﺍﹰ ﺭﺤﻤـﺔﹶ ﺍﷲِ ﻜﹸ ـﻥ
ﻓﺎﺸﹾـﺭﺏ ﻫﻨﻴﺌـﺎﹰ ﻭﻤﻨﺘﹶﻅِـ
) (١ﻤﺎ ﻜلﱡ ﺸﺎﻋﺭٍ ﻴﺤﺴِﻥ ﺍﻟﺘﱠﻐﺯلَ ﺒِﻙ ﻭﺍﻟﺜﱠﻨﺎﺀ ﻋﻠﻰ ﺠﻤﺎﻟِﻙ ،ﻜﻥ ﻭﺭﺩ ﻫﺫﺍ ﺍﻟﺒﻠﺒل :ﻜﻥ ﻤﻌﺸﻭﻕﹶ
ﻫﺫﺍ ﺍﻟﺸﹼﺎﻋﺭ ،ﻴﻌﻨﻲ ﻨﹶﻔﺴﻪ؛
) (٢ﻟِﺴﺎﻨﹸﻪ ﻗﻠﺒﻪ ﻭﻗﻠﺒﻪ ﻟِﺴﺎﻨﹸﻪ.
-٢٧٧-
ﺯﻤﻥ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺘﻨﺎﻭلِ ﺍﻟﻘﹶﺩﺡ ﻭﺍﺼﻑﹸ ﻤِﻥ ﺍﻟﺭﻴﺎﺀ ،ﻭﺘﹶﻌﻁﱠﺭ ﺒِﻌِﻁﹾﺭِ ﺍﻟﻭﺭﻭﺩِ ﻭﻟﹶﻭ ﻨﹶﻔﹶﺴﺎﹰ
ﻭﺍﺤِﺩﺍﹰ ،ﻭﻜﹸﻥ ﺭﻓﻴﻕﹶ ﺍﻟﺼﺒﺎ؛
)(١
ﻭﻜﹸﻥ ﻓﻲ ﺍﻟﺘﱢﺴﻌﺔِ ﻻ ﺃﻗﻭلُ ﻟﹶﻙ ﺍﻋﺒﺩِ ﺍﻟﺨﹶﻤﺭ ﻁﻴﻠﹶﺔﹶ ﺍﻟﻌﺎﻡِ ،ﻓﺎﺸﹾﺭﺏ ﺜﻼﺜﺔﹶ ﺸﹸﻬﻭﺭٍ
ﺍﻟﺒﺎﻗﻴﺔِ ﻤِﺴﻜﻴﻨﺎﹰ ﻤﺤﺘﺎﺠﺎ ﻭﻤﺸﺘﺎﻗﺎﹰ؛
ﻭﺇﺫﺍ ﻤﺎ ﺃﺤﺎﻟﻙ ﺍﻟﺸﱠﻴﺦﹸ ﺍﻟﺴﺎﻟِﻙ ﻟﻠﻌِﺸﹾﻕِ ،ﻓﺎﺸﺭﺏ ﻭﻜﹸﻥ ﻤﻨﺘﻅِﺭﺍﹰ ﺭﺤﻤﺔﹶ ﺍﷲِ؛
ﻭﺇﻥ ﻜﹸﻨﺕﹶ ﺘﺭﻏﹶﺏ ﺒﺎﻟﻭﺼﻭلِ ﺇﻟﻰ ﺴِﺭ ﺍﻟﻐﻴﺏِ ﻜﺠﻤﺸﻴﺩ ،ﺘﻌﺎلَ ﻭﻜﹸﻥ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ
ﺭﻓﻴﻕﹶ ﺠﺎﻡِ ﻤﻅﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﺃﻤﺭ ﺍﻟﻌﺎﻟﹶﻡِ ﻤﻌﻘﱠﺩ ﻜﺒﺭﻋﻡٍ ﻤﻐﻠﹶﻕٍ ،ﻜﹸﻥ ﻤِﺜﹾلَ ﺭﻴﺢِ ﺍﻟﺭﺒﻴﻊِ ﺤﻠﹼﺎﻟﹶﺔِ ﺍﻟﻌﻘﹶﺩ؛
ﻭﻻ ﺘﹶﺭﺝ ﺍﻟﻭﻓﺎﺀ ﻤِﻥ ﺸﹶﺨﺹٍ ،ﻭﺇﻥ ﻟﻡ ﺘﻘﺒلْ ﻫﺫﺍ ﺍﻟﻜﻼﻡ ،ﻓﻜﹸﻥ ﻋﺒﺜﺎﹰ ﻁﺎﻟِﺏ ﺍﻟﻌﻨﻘﺎﺀِ
ﻭﺍﻹﻜﺴﻴﺭ؛
ﻻ ﺘﻜﹸﻥ ﻤﺭﻴﺩ ﻁﺎﻋﺔِ ﺍﻟﻐﹸﺭﺒﺎﺀِ ﻴﺎ ﺤﺎﻓِﻅ ،ﻭﻜﹸﻥ ﻤﻌﺎﺸِﺭ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﺭﻫﺒﺎﻥ.
ﻏﺰﻝ ٢٧٥
ﺼﻭﻓﻲ ﺍﻗﻁِﻑﹾ ﻭﺭﺩﺓﹰ ﻭﺍﺭﻡِ ﻫﺫﺍ ﺍﻟﻤﺭﻗﱠﻊ ﻋﻠﻰ ﺍﻟﺸﹼﻭﻙ ،ﻭﻫﺏ ﻫﺫﺍ ﺍﻟﺯﻫﺩ ﺍﻟﺠﺎﻑﱠ
ﻟﻠﺨﹶﻤﺭﺓِ ﺍﻟﻤﺒﻬِﺠﺔ؛
ﻭﺍﺭﻡِ ﺍﻟﻁﱠﺎﻤﺎﺕِ ﻭﺍﻟﺸﱠﻁﹾﺢ ﻓﻲ ﻁﺭﻴﻕِ ﻟﹶﺤﻥِ ﺍﻟﻘﻴﺜﺎﺭﺓِ ،ﻭﻜﹸﻥ ﻤﻊ ﺍﻟﻜﺄﺱِ ﻭﻫﺏِ ﺍﻟﺘﱠﺴﺒﻴﺢ
ﻭﺍﻟﻁﱠﻴﻠﹶﺴﺎﻥ ﻟﻠﺨﹶﻤﺭ)(٢؛
ﺍﻟﺸﱠﺎﻫِﺩ ﻭﺍﻟﺴﺎﻗﻲ ﻻ ﻴﺸﺘﺭﻴﺎﻥِ ﺍﻟﺯﻫﺩ ﺍﻟﺜﱠﻘﻴل ،ﻫﺒﻪ ﻟِﻨﹶﺴﻴﻡِ ﺍﻟﺭﺒﻴﻊِ ﻓﻲ ﺤﻠﹾﻘﹶﺔِ ﺍﻟﺭﻭﺽ؛
ﺍﻟﺨﹶﻤﺭﺓﹸ ﺍﻟﺤﻤﺭﺍﺀ ﻗﹶﻁﹶﻌﺕﹾ ﺩﺭﺒﻲ ،ﻴﺎ ﺃﻤﻴﺭ ﺍﻟﻌﺎﺸِﻘﻴﻥ ،ﻫﺏ ﺩﻤﻲ ﻟِﺒِﺌﺭِ ﺫﹶﻗﹾﻥِ ﺍﻟﺤﺒﻴﺏ؛
) (١ﺜﻼﺜﺔ ﺸﻬﻭﺭ :ﻓﺼل ﺍﻟﺭﺒﻴﻊ.
) (٢ﺍﻟﻁﹼﺎﻤﺎﺕ ﺍﻷﻤﻭﺭ ﺍﻟﻌﻅﻴﻤﺔ ،ﻭﺍﻟﺸﹼﻁﺢ ﺩﻋﻭﻯ ﺍﻟﻜﺭﺍﻤﺎﺕ ﻜﻘﻭل ﺍﻟﺤﻠﹼﺎﺝ ﺃﻨﺎ ﺍﻟﺤﻕ ،ﻭﺍﻟﻁﱠﻴﻠﺴﺎﻥ
ﺭﺩﺍﺀ ﺃﺨﻀﺭ ﻴﺭﺘﺩﻴﻪِ ﺍﻟﺸﱡﺭﻓﺎﺀ ﻭﻜﺒﺎﺭ ﺍﻟﻤﺸﺎﻴﺦ؛
-٢٧٨-
ﻴﺎ ﺭﺏ ﻓﻲ ﻭﻗﹾﺕِ ﺍﻟﻭﺭﺩ ،ﺍﹸﻋﻑﹸ ﻋﻥ ﺫﹶﻨﹾﺏِ ﻫﺫﺍ ﺍﻟﻌﺒﺩ ،ﻫﺏ ﻤﺎ ﺠﺭﻯ ﻟِﺴﺭﻭِ ﺍﻟﺠﺩﻭل؛
ﻴﺎ ﻤﻥ ﺃﻭﺼﻠﹶﻙ ﺍﻟﻁﱠﺭﻴﻕﹸ ﺇﻟﻰ ﺍﻟﻤﺸﺭﺏِ ﺍﻟﻤﻘﺼﻭﺩِ ،ﺃﻋﻁِ ﻫﺫﺍ ﺍﻟﻔﻘﻴﺭ ﺍﻟﻤﺘﺭِﺏ ﻗﻁﺭﺓﹰ
ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺒﺤﺭِ؛
ﺒِﺸﹸﻜﹾﺭِ ﺃﻥ ﻋﻴﻨﹶﻙ ﻟﹶﻡ ﺘﹶﺭ ﻭﺠﻪ ﺍﻷﺼﻨﺎﻡ ،ﺩﻉ ﻟﻨﺎ ﻋﻔﻭ ﺍﷲِ ﺍﻟﻤﺘﻌﺎلِ ﻭﻟﹸﻁﹾﻔﹶﻪ)(١؛
ﺴﺎﻗﻲ ﺤﻴﻥ ﻴﺸﺭﺏ ﺍﻟﻤﻠِﻙ ﺨﹶﻤﺭﺓﹶ ﺍﻟﺼﺒﻭﺡِ ،ﻗﹸلْ ﻟﻪ ﺃﻋﻁِ ﺠﺎﻡ ﺫﹶﻫﺏٍ ﻟِﺤﺎﻓِﻅﹶ ﺍﻟﺴﺎﻫِﺭِ
ﻤﺤﻴﻲ ﺍﻟﻠﱠﻴل.
ﻏﺰﻝ ٢٧٦
ﻟِﺘﹶﻌﺘﹶﺩ ﻟِﺄَﺸﹶﻭﺍﻙِ ﺍﻟﺠﻔﺎ ﺼـﺒﺭ ﺒﻠﺒـلِ ﺒﺨﻤﺴﺔِ ﺃﻴﺎﻡٍ ﻤﻊ ﺍﻟـﻭﺭﺩِ ﺼـﺤﺒﺔﹰ
ﻭﻗﹶﻌﺕﹶ ﺃَﺴﻴﺭﺍﹰ ﻓﻲ ﺍﻟﺸﱢﺒﺎﻙِ ﺘﹶﺤﻤـلِ ﺃﻴﺎ ﻗﹶﻠﹾﺏ ﺼﺒﺭﺍﹰ ﻓﻲ ﺤﺒﺎﺌِلِ ﺸﹶـﻌﺭِﻩِ
ﻭﻟﹶﻡ ﺃﺭ ﻤِﻥ ﻨـﺎﺝٍ ﺒِﻐﹶﻴـﺭِ ﺘﻭﻜﱡـلِ ﺒﻌِﻠﹾﻡٍ ﻭﺘﹶﻘـﻭﻯ ﻻ ﻨﹶﺠـﺎ ﹶﺓ ﻟِـﺴﺎﻟﻙٍ
ﺃﺨﻭ ﻨﹶﻅﹶﺭٍ ﻓﻲ ﻴﺎﺴـﻤﻴﻥٍ ﻭﺴـﻨﹾﺒلِ ﻭﻟﻴﺱ ﻴﺭﻯ ﻭﺠﻪ ﺍﻟﺤﺒﻴﺏِ ﻭﻓﹶﺭﻋﻪ
ﺇﺫﺍ ﺃﺭﺍﺩ ﺍﻟﺒﺴﺘﺎﻨﻲ ﺼﺤﺒﺔﹶ ﺍﻟﻭﺭﺩِ ﺨﻤﺴﺔﹶ ﺃﻴﺎﻡٍ ،ﻓﺈﻨﱠﻪ ﻟﻥ ﻴﻨﺠﻭ ﻤﻥ ﺸﻭﻙِ ﺍﻟﻬِﺠﺭﺍﻥِ،
ﻓﻠﻴﺴﺘﻌِﺩ ﻟﻠﻬﺠﺭِ ﻭﻟﻴﺘﹶﺤلﱠ ﺒﺎﻟﺼﺒﺭِ ﻜﺎﻟﺒﻠﺒلِ ﺍﻟﺼﺒﻭﺭ)(٢؛
ﻭﻴﺎ ﻗﻠﺒﻲ ﺍﻟﻤﺄﺴﻭﺭ ﻓﻲ ﻗﹶﻴﺩِ ﻓﹶﺭﻋِﻪِ ﺩﻉ ﺍﻟﺸﱠﻜﻭﻯ ﻭﺍﻻﻀﻁﺭﺍﺏ ،ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﺫﱠﻜﻲ ﺇﺫﺍ
ﻭﻗﹶﻊ ﻓﻲ ﺍﻟﺸﱢﺒﺎﻙِ ﻭﺠﺏ ﻋﻠﻴﻪِ ﺍﻟﺘﱠﺤﻤلُ؛
ﺍﻟﻌِﺭﺒﻴﺩ ﺍﻟﻤﺤﺘﹶﺭِﻕﹸ ﻻ ﻴﻔﻜﱢﺭ ﺒﺎﻟﻤﺼﻠﹶﺤﺔِ ﻓﻲ ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺍﻟﻤﻠﻙ ﻫﻨﺎ ﻴﺘﻌِﺏ ﺍﻟﻔِﻜﹾﺭ
ﻭﻴﺤﺘﺎﺝ ﻟﻠﺘﱠﺩﺒﻴﺭِ ﻭﺍﻟﺘﱠﺄﻤل؛
ﺍﻻﺘﱢﻜﺎﺀ ﻋﻠﻰ ﺍﻟﺘﹼﻘﻭﻯ ﻭﺍﻟﻌﻠﻡِ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻘﹶﺔِ ﻜﹸﻔﹾﺭ ،ﺍﻟﺴﺎﻟِﻙ ،ﻭﻟﻭ ﻤﻠﹶﻙ ﻤﺌﺔﹶ ﻓﹶﻀلٍ،
ﻋﻠﻴﻪِ ﺍﻟﺘﱠﻭﻜﱡلُ؛
) (١ﻟﻡ ﺘﹶﺭ ﻭﺠﻪ ﺍﻷﺼﻨﺎﻡ :ﻟﻡ ﺘﺭ ﺠﻤﺎلَ ﺍﻟﺸﱠﺎﻫِﺩ ،ﻭﺍﻟﺨِﻁﺎﺏ ﻟﻠﺯﺍﻫِﺩ.
) (٢ﺨﻤﺴﺔﹶ ﺃﻴﺎﻡ :ﺃﻴﺎﻤﺎﹰ ﻗﻠﻴﻠﺔﹰ.
-٢٧٩-
ﺍﻟﻤﺸﻐﻭلُ ﺒﺎﻟﻨﱠﻅﺭِ ﺇﻟﻰ ﻭﺠﻪِ ﺍﻟﻴﺎﺴﻤﻴﻥ ﻭﺠﺩﺍﺌلِ ﺍﻟﺴﻨﺎﺒلِ ،ﺤﺭﺍﻡ ﻋﻠﻴﻪِ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ
ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏِ ﻭﻓﹶﺭﻋِﻪِ؛
ﻗﻠﺒﻲ ﺍﻟﻤﻌﺫﱠﺏ ﺍﻟﻭﻟﻬﺎﻥ ،ﻋﻠﻴﻪِ ﺃﻥ ﻴﺘﺤﻤلَ ﺍﻟﻜﺜﻴﺭ ﻤِﻥ ﺩﻻلِ ﻨﹶﺭﺠِﺴِﻪِ ﺍﻟﺴﻜﺭﺍﻥ ،ﺤﺘﱠﻰ
ﻴﺼِلَ ﺇﻟﻰ ﺠﻌﺩِ ﻓﹶﺭﻋِﻪِ ﻭﻁﹸﺭﺘِﻪ؛
ﺴﺎﻗﻴﺎ ﺇﻻﻡ ﺘﹸﻌﻠﱢﻠﹸﻨﻲ ﺒِﺩﻭﺭﺓِ ﺍﻟﻜﺄﺱ ،ﺍﻟﺩﻭﺭ ﺇﺫﺍ ﻭﻗﹶﻊ ﻋﻠﻰ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻭﺠﺏ ﺍﻟﺘﱠﺴﻠﺴل؛
ﺤﺎﻓِﻅﹸ ﻤﻥ ﻫﻭ ﻜﻲ ﻻ ﻴﺸﺭﺏ ﺍﻟﺨﹶﻤﺭ ﺩﻭﻥ ﻟﺤﻥٍ ﻭﻨﹶﻐﹶﻡ ،ﻟِﻤﺎﺫﺍ ﻴﺠِﺏ ﻟﻠﻌﺎﺸِﻕِ
ﺍﻟﻤِﺴﻜﻴﻥِ ﻜﹸلﱡ ﻫﺫﺍ ﺍﻟﻘﹶﺩﺭِ ﻤﻥ ﺍﻟﺘﱠﺠﻤل.
ﻏﺰﻝ٢٧٧
ﺍﻟﺒﻠﺒلُ ﻜﺎﻥ ﻜﹸلﱡ ﻓِﻜﹾﺭِﻩِ ﻓﻲ ﺃﻥ ﻴﻜﻭﻥ ﺍﻟﻭﺭﺩ ﺤﺒﻴﺒﻪ ،ﻭﺍﻟﻭﺭﺩ ﻜﺎﻥ ﻓِﻜﹾﺭﻩ ﻓﻲ ﺍﻟﺘﱠﺩﻟﱡلِ
ﻋﻠﻰ ﺍﻟﺒﻠﺒل؛
ﺍﻟﻤﺤﺒﺔﹸ ﻟﻴﺴﺕ ﻜﹸﻠﱡﻬﺎ ﻟِﻤﻥ ﻴﻘﺘﻠﻭﻥ ﺍﻟﻌﺎﺸِﻕﹶ ،ﺍﻟﺴﻴﺩ ﺤﻘﱠﺎﹰ ﻫﻭ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺘﺠﻲﺀ ﺨِﺩﻤﺘﹸﻪ
ﻋﻥ ﻏﻡ؛
ﻤﻭﺝ ﺍﻟﺩﻡِ ﻫﺎ ﻫﻨﺎ ﻴﻨﺜﹸﺭ ﺍﻟﻠﹼﺂﻟِﺊَ ﻓﻲ ﺍﻟﻘﹶﻠﹾﺏِ ﻤﻥ ﺍﻟﺘﱠﻐﺎﺒﻥِ ﺃﻥ ﺍﻟﺨﹶﺯﻑﹶ ﻴﻜﺴِﺭ ﺒﺎﺯﺍﺭﻩ؛
ﺙ ﻤِﻥ ﻓﻴﺽِ ﺍﻟﻭﺭﺩِ ،ﻟﻭﻻﻩ ﻤﺎ ﻜﺎﻥ ﻋﺒﺄ ﻜﹸلﱠ ﻫﺫﺍ ﺍﻟﻘﹶﻭلِ ﻭﺍﻟﻐﹶﺯلِ
ﺍﻟﺒﻠﺒلُ ﺘﻌﻠﱠﻡ ﺍﻟﺤﺩﻴ ﹶ
ﻓﻲ ﻤِﻨﻘﺎﺭِﻩ؛
ﺃﻨﺕﹶ ﻴﺎ ﻤﻥ ﺘﻌﺒﺭ ﻓﻲ ﺤﺎﺭﺓِ ﻤﻌﺸﻭﻗﻨﺎ ،ﻜﹸﻥ ﻋﻠﻰ ﺤﺫﹶﺭٍ ،ﻓﺎﻟﺭﺅﻭﺱ ﻓﻴﻬﺎ ﻤﻌﻠﱠﻘﹶﺔﹲ ﻋﻠﻰ
ﺍﻟﺠﺩﺭﺍﻥِ؛
ﺫﺍﻙ ﺍﻟﻤﺴﺎﻓِﺭ ﻭﻤﺌﺔﹸ ﻗﺎﻓِﻠﹶﺔٍ ﻤِﻥ ﺍﻟﻘﻠﻭﺏِ ﺘﹸﺭﺍﻓِﻘﹸﻪ ،ﻜﺎﻥ ﺍﷲُ ﺤﺎﻓِﻅﹶ ﺴﻼﻤﺘِﻪِ ﺤﻴﺙﹸ ﻜﺎﻥ؛
ﺼﺤﺒﺔﹸ ﺍﻟﻌﺎﻓِﻴﺔِ ﻭﺇﻥ ﻜﺎﻨﹶﺕﹾ ﺠﻤﻴﻠﹶﺔﹰ ،ﺠﺎﻨِﺏ ﺍﻟﻌِﺸﹾﻕِ ﻴﺎ ﻗﻠﺏ ﻋﺯﻴﺯ ﻓﻼ ﺘﹸﻬﻤِﻠﹾﻪ؛
ﺍﻟﺼﻭﻓﻲ ﺍﻟﻔﹶﺭِﺡ ﻜﺎﻥ ﻗﺩ ﺃﻤﺎلَ ﺍﻟﻘﹸﺒﻌﺔﹶ ﻋﻠﻰ ﺍﻟﺭﺃﺱِ ،ﻭﻟﻤﺎ ﺸﹶﺭِﺏ ﺠﺎﻤﻴﻥِ ﺁﺨﹶﺭﻴﻥِ
ﺃﻫﻤلَ ﻋﻤﺎﻤﺘﹶﻪ؛
ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺇﺫﺍ ﺃﻨِﺱ ﺒﺭﺅﻴﺘِﻙ ﻓﻼ ﺘﹸﺴﺒﺏ ﻟﻪ ﺍﻷﺫﻯ ،ﻓﻘﺩ ﺘﺭﺒﻰ ﻋﻠﻰ ﺍﻟﺩﻻل ﻓﻲ ﻭِﺼﺎﻟِﻙ.
-٢٨٠-
ﻏﺰﻝ٢٧٨
ﺃﺭﻴﺩ ﺫﺍﻙ ﺍﻟﺸﱠﺭﺍﺏ ﺍﻟﻤﺭ ﺍﻟﱠﺫﻱ ﻗﹸﻭﺘﹸﻪ ﺘﹶﺼﺭﻉ ﺍﻟﺭﺠلَ ،ﻟِﺄﻓﺭﻍﹶ ﻟﹶﺤﻅﹶﺔﹰ ﻤﻥ ﺍﻟﺩﻨﻴﺎ
ﻭﻓﺘﻨﺘِﻬﺎ ﻭﺸﺭﻭﺭِﻫﺎ؛
ﺴِﻤﺎﻁﹸ ﺍﻟﺩﻫﺭِ ﺭﺍﻋﻲ ﺍﻷﺩﻨﻴﺎﺀ ﻤﺎ ﻋﻠﻴﻪِ ﺸﹶﻬﺩ ﺍﻟﺭﺍﺤﺔ ،ﺍﻏﺴِلْ ﻤﺫﺍﻕﹶ ﺍﻟﺤِﺭﺹِ ﻭﺍﻷﺫﻯ
ﻴﺎ ﻗﻠﺏ ﻤﻥ ﻤﺭﺍﺭﺘِﻪِ ﻭﻜﹶﺩﺭِﻩ)(١؛
ﺍﺤﻤِلْ ﺍﻟﺨﹶﻤﺭ ﻓﻠﻥ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻜﻭﻥ ﻓﻲ ﺃﻤﻥٍ ﻤِﻥ ﻤﻜﹾﺭِ ﺍﻟﺴﻤﺎﺀِ ﺒﺎﻟﻠﱠﻌِﺏِ ﻋﻠﻰ ﻗﻴﺜﺎﺭﺓِ
ﺍﻟﺯﻫﺭﺓِ ،ﻭﻻ ﺒِﺸﹶﺠﺎﻋﺔِ ﻭﺴﻼﺡِ ﺍﻟﻤﺭﻴﺦ؛
ﺩﻉ ﺸﹶﺒﻜﹶﺔﹶ ﺼﻴﺩِ ﺒﻬﺭﺍﻡ ﻭﺍﺤﻤِلْ ﺠﺎﻡ ﺠﻤﺸﻴﺩ ،ﺃﻨﺎ ﻤﺴﺤﺕﹸ ﺍﻟﺼﺤﺭﺍﺀ ﻓﻤﺎ ﻋﺜﹶﺭﺕﹸ
ﻋﻠﻰ ﺃﺜﹶﺭٍ ﻟﺒﻬﺭﺍﻡ ﻭﻻ ﻟِﺤﻤﺭِﻩِ ﺍﻟﻭﺤﺸﻴﺔ)(٢؛
ﺘﻌﺎلَ ﻟِﺄُﺭﻴﻙ ﺴِﺭ ﺍﻟﺩﻫﺭِ ﻓﻲ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﺼﺎﻓِﻴﺔِ ،ﺒِﺸﹶﺭﻁِ ﺃﻥ ﻻ ﺘﻌﺭِﺽ ﺫﺍﻙ ﻋﻠﻰ
ﺭﺩﻱﺀِ ﺍﻟﻁﱠﺒﻊِ ﺃﻋﻤﻰ ﺍﻟﻘﹶﻠﹾﺏ؛
ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ ﺍﻟﺩﺭﺍﻭﻴﺵِ ﻻ ﻴﻨﺎﻓﻲ ﺍﻟﻌﻅﹶﻤﺔﹶ ،ﺴﻠﻴﻤﺎﻥ ﺒِﻌﻅﹶﻤﺘِﻪِ ﻜﺎﻥ ﻴﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻨﱠﻤﻠﹶﺔ؛
ﻗﻭﺱ ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﻴﻌﺭِﺽ ﻋﻥ ﺤﺎﻓِﻅ ،ﻟﻜِﻨﱠﻪ ﻴﻀﺤﻙ ﻤِﻥ ﻟﹶﻌِﺒِﻪِ ﺍﻟﱠﺫﻱ ﻻ ﺯﻭﺭ ﻓﻴﻪ.
ﻏﺰﻝ ٢٧٩
ﺭﺏ ﻜﹸﻥ ﺤﺎﻓِﻅﺎﹰ ﻟﻬﺎ ﻤِـﻥ ﺯﻭﺍﻟِـﻪ ﻨِﻌﻡ ﺸـﻴﺭﺍﺯ ﻭﻀـﻊ ﺒِـﻼ ﻤِﺜـﺎلْ
)(٣
ﻋﻤﺭ ﺍﻟﺨِﻀﺭِ ﻤﻨﺤﺔﹲ ﻤِﻥ ﺯﻻﻟِـﻪ ﻤِﻥ ﺭﻜﻥِ ﺁﺒـﺎﺩ ،ﻻ ﺃﻭﺤـﺵﹶ ﺍﷲُ
) (١ﺍﻟﺴﻤﺎﻁ ﻗِﻁﻌﺔﹲ ﻤﻥ ﻗﻤﺎﺵ ﺘﹸﻤﺩ ﻋﻠﻴﻬﺎ ﺍﻟﻤﺎﺌﺩﺓ؛
) (٢ﺒﻬﺭﺍﻡ ﻤﻠﻙ ﺍﺸﺘﻬﺭ ﺒﺼﻴﺩِ ﺍﻟﺤﻤﺭِ ﺍﻟﻭﺤﺸﻴﺔِ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀ.
) (٣ﻤﺌﺔﹶ ﻤﺭﺓٍ ﺤﻤﻰ ﺍﷲُ ﻨﻬﺭ ﺭﻜﻨﺎﺒﺎﺩ ،ﺯﻻﻟﹸﻪ ﻴﻬﺏ ﻋﻤﺭ ﺍﻟﺨِﻀﺭ؛
-٢٨١-
)(١
ﺃﻗﺒﻠﹶﺕﹾ ﺒـﺎﻟﻌﺒﻴﺭِ ﺭﻴـﺢ ﺸـﻤﺎﻟِﻪ ﺒﻴﻥ ﺠﻌﻔﹶـﺭ ﺁﺒـﺎﺩ ﻭﺍﻟﻤـﺼﻠﱠﻰ
ﻭﺒــﺸﻴﺭﺍﺯ ﺤــلﱠ ﺃﻫــلُ ﻜﹶﻤﺎﻟِــﻪ ﺡ ﻗﹸﺩﺱٍ ﻟﻬﺎ ﺒِـﺸﻴﺭﺍﺯ ﻓـﻴﺽ
ﺭﻭ
ﺍﻟﺤِﺴﺎﻥ ﻗﺩ ﺘﺴﺒﺒﻥ ﻓـﻲ ﺇﺨﺠﺎﻟِـﻪ ﺫﺍﻜِــﺭ ﺍﻟﻘﹶﻨﹾــﺩِ ﺍﻟﻤِــﺼﺭﻱ ﺜﹶــﻡ
ﺜﹶﻤِلٌ ،ﻴﺎ ﺼﺒﺎ ﺨﺒﺭﻱ ﻋـﻥ ﺤﺎﻟِـﻪ ﻭﻟﹶــﺩ ﺴــﺎﺤِﺭ ﺘﺎﺌــﻪ ﺒﺩﻻﻟِــﻪِ
ﺍﻷُﻡ ﻟﻠﺭﻀﻴﻊِ ﻤِـﻥ ﺃﺤـلﱢ ﺤﻼﻟِـﻪ ﻴﺎ ﺩﻤـﻲ ﻜﹸـﻥ ﻟـﻪ ﻜﻤـﺎ ﻟﹶـﺒﻥ
ـﻭﺓﹰ ﺤﻠ ـﻭﺓﹰ ﺒِﺨﹶﻴﺎﻟِ ـﻪ
ـﻲ ﺨﹶﻠـ
ﺇﻥ ﻟـ ﻻ ﺘﻜﹸﻥ ﻤﻭﻗِﻅﻲ ﻤِﻥ ﺍﻟﻨﱠﻭﻡِ ،ﺒـﺎﷲِ،
ﻜﺎﻥ ﺒﺎﻟﺸﱠﺎﻜِﺭِ ﺃﻴﺎﻡ ﻋﻬـﺩِ ﻭِﺼـﺎﻟﻪِ ﺤﺎﻓِﻅﹸ ﻤِﻥ ﻫﺠـﺭِﻩِ ﺨـﺎﺌﻑﹲ ﻭﻤـﺎ
ﻏﺰﻝ ٢٨٠
ﺍﻟﺼﺒﺎ ﻤِﻥ ﺘﺤﺭﺸِﻬﺎ ﺒﻔﺭﻋِﻪِ ﺍﻟﱠﺫﻱ ﻴﻨﺸﹸﺭ ﺍﻟﻌﺒﻴﺭ ﻤﺎ ﻤﺭﺕﹾ ﺒﻤﻜﺴﻭﺭٍ ﺇﻻﹼ ﻭﺃﻨﻌﺸﹶﺕﹾ ﻤﻨﻪ
ﺍﻟﺭﻭﺡ؛
ﻫل ﺭﻓﻴﻕﹲ ﻷﺒﺜﱠﻪ ﺸﹶﺭﺡ ﻤﺎ ﺠﺭﻯ ﻟِﻘﻠﺒﻲ ﺯﻤﺎﻥ ﻫِﺠﺭﺍﻨِﻪِ؛
ﺠﺎﺀ ﺍﻟﺯﻤﺎﻥ ﺒِﻭﺭﻕِ ﺍﻟﻭﺭﺩِ ﻤِﺜﺎﻻﹰ ﻋﻠﻰ ﻭﺠﻬِﻙ ،ﻟﻜِﻨﱠﻪ ﻤِﻥ ﺍﻟﺨﹶﺠلِ ﻤﻨﻙ ﺃﺨﻔﺎﻩ ﻓﻲ ﺍﻟﺒﺭﻋﻡ؛
ﻜﻡ ﺴِﺭﺕﹸ ﺒِﺩﺭﺏِ ﺍﻟﻌِﺸﹾﻕِ ﻓﻠﻡ ﺃُﺒﺼِﺭ ﻟﻪ ﻨﻬﺎﻴﺔﹰ ،ﺘﺒﺎﺭﻙ ﺍﷲُ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺩﺭﺏِ ﺍﻟﱠﺫﻱ
ﻻ ﻨﻬﺎﻴﺔﹶ ﻟﻪ؛
ﺠﻤﺎلُ ﺍﻟﻜﻌﺒﺔِ ﻴﻌﻁﻲ ﺍﻟﻌﺫﺭ ﻟِﻘﺎﺼِﺩﻴﻬﺎ ﻤِﻥ ﻜﹸلﱢ ﺤﻲ ﻗﹶﻠﹾﺏٍ ﻴﺤﺭِﻕﹸ ﺍﻟﺭﻭﺡ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀِ؛
ﻤﻥ ﻴﺄﺘﻲ ﻟِﻬﺫﺍ ﺍﻟﻜﺴﻴﺭِ ﻓﻲ ﺒﻴﺕِ ﺍﻟﺤﺯﻥِ ﺒِﻌﻼﻤﺔٍ ﻋﻥ ﻴﻭﺴﻑِ ﻗﻠﺒِﻪِ ﻤِﻥ ﺒﺌﺭِ ﺘﹸﻔﱠﺎﺤﺔِ ﺫﹶﻗﻨِﻪ)(٢؟؛
ﺴﺄﺤﻤلُ ﻤِﻥ ﺸﹶﻌﺭِ ﺍﻟﺭﺃﺱِ ﺨﺼﻠﹶ ﹰﺔ ﺃﻀﻌﻬﺎ ﻓﻲ ﻴﺩِ ﺍﻟﺴﻴﺩِ ،ﻓﺈﻥ ﺤﺎﻓِﻅﹶ ﺍﻟﻭﻟﻬﺎﻥ ﻗﺩِ
ﻕ ﻤِﻥ ﺴِﺤﺭِﻩِ ﻭﻤﻜﺭِﻩِ.
ﺍﺤﺘﹶﺭ ﹶ
) (١ﺠﻌﻔﺭ ﺁﺒﺎﺩ ﻗﺭﻴﺔ ﻗﺭﺏ ﺸﻴﺭﺍﺯ ،ﻭﺍﻟﻤﺼﻠﱠﻰ ﺤﺩﻴﻘﺔﹲ ﻓﻲ ﺸﻴﺭﺍﺯ ،ﻭﺒﻴﻨﻬﻤﺎ ﺘﻬﺏ ﺭﻴﺢ ﺍﻟﺸﱢﻤﺎل
ﺘﻌﺒﻕﹸ ﺒﺎﻟﻌﺒﻴﺭ.
) (٢ﺍﻟﻤﻜﺴﻭﺭ ﻓﻲ ﺒﻴﺕِ ﺍﻟﺤﺯﻥ ﻓﻲ ﺍﻷﺼلِ ﻴﻌﻘﻭﺏ)ﻉ( ،ﻭﻴﻘﺼﺩ ﺒﻪِ ﺍﻟﺸﱠﺎﻋِﺭ ﻫﺎ ﻫﻨﺎ ﻨﻔﺴﻪ،
ﻑ ﻭﻟﹶﺩِ ﻴﻌﻘﻭﺏ ،ﻷﻨﱠﻪ ﻋﺯﻴﺯ ﻋﻠﻴﻪِ ﻜﻴﻭﺴﻑِ ﻋﻠﻰ ﺃﺒﻴﻪ، ﻭﻴﻭﺴﻑﹸ ﻗﻠﺒِﻪِ ،ﻗﻠﺒﻪ ﺍﻟﺸﱠﺒﻴﻪ ﺒﻴﻭﺴ ﹶ
ﻭﻭﺍﻗِﻊ ﻓﻲ ﺒﺌﺭِ ﺘﹸﻔﱠﺎﺤﺔِ ﺫﹶﻗﻥِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﻗﻭﻉ ﻴﻭﺴﻑﹶ ﻓﻲ ﺍﻟﺒﺌﺭ.
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ﻏﺰﻝ ٢٨١
ﻴﺎ ﺭﺏ ﻫﺫﺍ ﺍﻟﻭﺭﺩ ﺍﻟﻐﺽ ﺍﻟﻀﺎﺤِﻙ ﺍﻟﱠﺫﻱ ﺍﺴﺘﻭﺩﻋﺘﻨﻴﻪِ ،ﺃﺴﺘﺤﻔِﻅﹸﻙ ﺇﻴﺎﻩ ﻤِﻥ ﻋﻴﻥِ
ﺍﻟﺤﺴﻭﺩِ ﻓﻲ ﺭﻭﻀِﻪ؛
ﺭﻏﻡ ﺃﻨﱠﻪ ﺒﻌﻴﺩ ﻤﺎﺌﺔﹶ ﻤﺭﺤﻠﹶﺔٍ ﻋﻥ ﺤِﻤﻰ ﺍﻟﻭﻓﺎﺀ ،ﺃﺒﻌﺩ ﺍﷲُ ،ﺒﻌﺩ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﺒﻌﻴﺩِ ،ﺍﻵﻓﹶﺔﹶ
ﻋﻥ ﺭﻭﺤِﻪِ ﻭﺒﺩﻨِﻪِ)(١؛
ﺭﻴﺢ ﺍﻟﺼﺒﺎ ﺇﻥ ﺒﻠﹶﻐﹾﺕِ ﻤﻨﺯِلَ ﺴﻠﻤﻰ ،ﻓﺭﺠﺎﺌﻲ ﺃﻥ ﺘﻭﺼِﻠﻲ ﺇﻟﻴﻬﺎ ﺴﻼﻤﻲ؛
ﻭﺒِﻠﹸﻁﻑٍ ﻓﺤﺭﻜﻲ ﻀﻔﻴﺭﺘﹶﻬﺎ ﺍﻟﺴﻭﺩﺍﺀ ﻜﻲ ﺘﻨﺸﹸﺭ ﺍﻟﻌِﻁﹾﺭ ﻷﻨﱠﻬﺎ ﻤﺤلﱡ ﺇﻗﺎﻤﺔِ ﻗﹸﻠﻭﺏٍ
ﻋﺯﻴﺯﺓٍ ،ﻻ ﺘﻀﺭﺒﻲ ﺒﻌﻀﻬﺎ ﺒﺒﻌﺽ؛
ﻗﻭﻟﻲ ﻟﹶﻪ ﺇﻥ ﻟِﻘﹶﻠﺒﻲ ﺤﻕﱠ ﺍﻟﻭﻓﺎﺀِ ﻟﺨﻁﱢﻙ ﻭﺨﺎﻟِﻙ ،ﻓﻠﻴﻜﹸﻥ ﻤﺤﺘﹶﺭﻤﺎﹰ ﻓﻲ ﻁﹸﺭﺘِﻙ ﺍﻟﱠﺘﻲ
ﺘﻨﺸﹸﺭ ﺍﻟﻌﻨﺒﺭ)(٢؛
ﻓﻲ ﻤﻘﺎﻡٍ ﻴﺸﹾﺭﺏ ﻓﻴﻪِ ﺍﻟﺸﱠﺭﺍﺏ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﺸﹶﻔﹶﺘِﻪ ،ﺴﺎﻓِلٌ ﻤﻥ ﻴﺴﻜﹶﺭ ﻭﻴﺒﻘﻰ ﻟﻪ ﺨﹶﺒﺭ
ﻋﻥ ﻨﻔﺴِﻪ؛
ﺠﻤﻊ ﺍﻟﻌﺭﺽِ ﻭﺍﻟﻤﺎلِ ﻤِﻥ ﺍﻟﺨﻤﺎﺭﺓِ ﻻ ﻴﻤﻜﻥ ،ﻤﻥ ﺸﹶﺭِﺏ ﺫﻟِﻙ ﺍﻟﻤﺎﺀ ﺭﻤﻰ ﻤﺘﺎﻋﻪ
ﻓﻲ ﺍﻟﺒﺤﺭ؛
ﻜﹸلﱡ ﻤﻥ ﺃﺼﺎﺒﻪ ﺍﻟﻤﻼلُُ ،ﻏﻡ ﻋِﺸﹾ ﻘِﻪِ ﻋﻠﻴﻪِ ﺤﺭﺍﻡ ،ﺭﺃﺴﻨﺎ ﻭﻗﹶﺩ ﻤﻪ ﺃﻭ ﺸﹶ ﻔﹶﺘﹸﻨﺎ
ﻭﻓﹶﻤﻪ؛
ﺸِﻌﺭ ﺤﺎﻓِﻅﹶ ﻜﹸﻠﱡﻪ ﺒﻴﺕﹸ ﻏﹶﺯلِ ﺍﻟﻤﻌﺭِﻓﹶﺔِ ،ﻁﻭﺒﻰ ﻟِﻌﺫﹾﺏِ ﻨﹶﻔﹶﺴِﻪِ ﻭﻟﹸﻁﹾﻑِ ﺤﺩﻴﺜِﻪ.
) (١ﺃﻭ ﻤﺎ ﺩﺍﺭ ﺩﺍﺌِﺭ ﺍﻟﻔﹶﻠﹶﻙ؛
) (٢ﺍﻟﺨﻁ ﺸﻌﺭ ﺍﻟﻭﺠﻪ ﺍﻟﻨﹼﺎﺒﺕ ﺤﺩﻴﺜﺎﹰ ﻋﻨﺩ ﺍﻟﺸﹼﺎﺏ ،ﺨﺎﺼﺔﹰ ﺒﻤﺤﺎﺫﺍﺓِ ﺍﻷُﺫﹸﻥ ﻭﺤﻭلَ ﺍﻟﻔﻡ.
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ﻏﺰﻝ ٢٨٢
ﺴﻠﹶﺏ ﻤﻨﱢﻲ ﺍﻟﻘﺭﺍﺭ ﻭﺍﻟﻁﱠﺎﻗﺔﹶ ﻭﺍﻟﻌﻘلَ ،ﺼﻨﹶﻡ ﻟﻪ ﻗﻠﺏ ﻤِﻥ ﺍﻟﺼﺨﺭِ ﻭﻋِﺫﺍﺭ ﻤِﻥ
ﺍﻟﻔِﻀﺔ؛
ﻤﻌﺸﻭﻕﹲ ﻤﺎﻫِﺭ ،ﺴﺎﺤِﺭ ،ﻋﻠﻴﻪِ ﺘﺎﺝ ،ﻅﺭﻴﻑﹲ ،ﻟﻪ ﻭﺠﻪ ﺒﺩﺭٍ ،ﺘﹸﺭﻜﻲ ،ﻴﻠﺒﺱ
ﺍﻟﻘﹶﺒﺎﺀ؛
ﻤِﻥ ﺤﺭﺍﺭﺓِ ﻨﺎﺭِ ﺴﻭﺩﺍﺀِ ﻋِﺸﹾﻘِﻪِ ﺃﻨﺎ ﺃﺠﻭﺵﹸ ﺩﺍﺌﻤﺎﹰ ﻜﹶﻤﺎ ﺘﺠﻭﺵﹸ ﺍﻟﻘِﺩﺭ؛
ﺼِﺭﺕﹸ ﻜﺎﻟﻘﻤﻴﺹِ ﻻ ﻴﻁﻴﺏ ﺨﺎﻁِﺭﻱ ﺇﻻﱠ ﺒِﻀﻤﻪِ ﻜﻤﺎ ﻴﻔﻌلُ ﺍﻟﺭﺩﺍﺀ؛
ﻋِﻅﺎﻤﻲ ﻭﻟﻭ ﺼﺎﺭﺕﹾ ﺭﻤﻴﻤﺎﹰ ،ﻤﺤﺒﺘﹸﻙ ﻟﻥ ﺘﺼﻴﺭ ﻤﻨﺴﻴﺔﹰ ﻤِﻥ ﺭﻭﺤِﻲ؛
ﺃﺨﹶﺫﹶ ﻤِﻨﱢﻲ ﻗﻠﺒﻲ ﻭﺩﻴﻨﻲ ،ﻗﻠﺒﻲ ﻭﺩﻴﻨﻲ ،ﺼﺩﺭﻩ ﻭﻜﹶﺘِﻔﹸﻪ ،ﺼﺩﺭﻩ ﻭﻜﺘِﻔﹸﻪ ،ﺍﻟﺼﺩﺭ
ﻭﺍﻟﻜﹶﺘِﻑ؛
ﺩﻭﺍﺅﻙ ،ﺩﻭﺍﺅﻙ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﺭﺸﹾﻑﹸ ﺸﻔﹶﺘِﻪِ ،ﺭﺸﹾﻑﹸ ﺸﻔﹶﺘِﻪِ ،ﺭﺸﹾﻑﹸ ﺍﻟﺸﱠﻔﹶﻪ.
ﻏﺰﻝ ٢٨٣
ﺴﺤﺭﺍﹰ ﻤِﻥ ﻫﺎﺘِﻑِ ﺍﻟﻐﻴﺏِ ﺃﺘﹶﺕﹾ ﺒِﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺃُﺫﹸﻨﻲ ﺃﻥ ﻫﺫﺍ ﺩﻭﺭ ﺍﻟﺸﱠﺎﻩِ ﺸﹸﺠﺎﻉ ﻓﺎﺸﹾﺭﺏِ
ﺍﻟﺨﻤﺭ ﺒِﺸﹶﺠﺎﻋﺔ؛
ﻤﻀﻰ ﻭﻗﺕﹲ ﻜﺎﻥ ﻓﻴﻪِ ﺃﻫلُ ﺍﻟﻨﱠﻅﹶﺭِ ﻴﺘﻨﺤﻭﻥ ﺠﺎﻨِﺒﺎﹰ ،ﻓﻲ ﺃﻓﻭﺍﻫِﻬِﻡ ﺁﻻﻑﹸ ﺍﻷﺤﺎﺩﻴﺙِ
ﻭﺸﻔﺎﻫﻬﻡ ﺼﺎﻤِﺘﹶﺔﹲ؛
ﻓﹶﺩﻋﻨﺎ ﻨﻘﹸلْ ﺘِﻠﻙ ﺍﻟﺤﻜﺎﻴﺎ ﻋﻠﻰ ﺼﻭﺕِ ﺍﻟﺭﺒﺎﺏِ ﻓﺈﻥ ﻗِﺩﺭ ﺍﻟﺼﺩﺭِ ﻤِﻥ ﺇﺨﻔﺎﺌﻬﺎ ﺘﻐﻠﻲ؛
ﺍﻟﺸﹼﺭﺍﺏ ﺍﻟﱠﺫﻱ ﻜﹸﻨﱠﺎ ﻨﺸﺭﺏ ﺨِﻔﻴﺔﹰ ﻓﻲ ﺍﻟﻤﻨﺯِلِ ﺨﻭﻓﺎﹰ ﻤِﻥ ﺍﻟﻤﺤﺘﹶﺴِﺏ ،ﺴﻨﹶﺸﺭﺒﻪ ﺍﻵﻥ
ﺠﻬﺭﺍﹰ ﺘﺤﺕﹶ ﻨﹶﻅﹶﺭِ ﺍﻟﺤﺒﻴﺏِ ﻭﻴﻬﻨﱢﺊُ ﺒﻌﻀﻨﺎ ﺒﻌﻀﺎﹰ؛
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ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤِﻥ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﺩﻓﹶﻌﻭﺍ ﺇﻤﺎﻡ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻤِﻥ ﻜﹶﺘِﻔِﻪِ ،ﻭﻜﺎﻥ ﻴﺤﻤِلُ ﺍﻟﺴﺠﺎﺩﺓﹶ
ﻋﻠﻰ ﻜﹶﺘِﻔِﻪ)(١؛
ﺏ ﺃُﻋﻁﻴﻙ ﺩِﻻﻟﹶﺔﹶ ﺍﻟﺨﻴﺭِ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻨﱠﺠﺎﺓ ،ﻻ ﺘﹸﺒﺎﻩِ ﺒﺎﻟﻔِﺴﻕِ ﻭﻻ ﺘﹶﺒِﻊِ ﺍﻟﺯﻫﺩ؛
ﻴﺎ ﻗﻠﹾ
ﻤﺤلﱡ ﻨﻭﺭِ ﺍﻟﺘﱠﺠﻠﹼﻲ ﺍﻟﺭﺃﻱ ﺍﻷﻨﻭﺭ ﻟﻠﺸﱠﺎﻩِ ،ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺍﻟﻘﹸﺭﺏ ﻤِﻨﻪ ﻓﺎﺴﻊ ﻓﻲ
ﺼﻔﺎﺀِ ﻨﻴﺔ؛
ﻜﹸلﱡ ﻤﻥ ﺃُﺫﹸﻥ ﻗﻠﺒِﻪِ ﺃﺤﺭﻤﺕﹾ ﻟِﻨِﺩﺍﺀِ ﺍﻟﻤﻠِﻙِ ﻻ ﻴﺠﻌلُ ﻭِﺭﺩ ﺍﻟﻀﻤﻴﺭ ﻏﻴﺭ ﺍﻟﺜﱠﻨﺎﺀِ ﻋﻠﻰ
ﺠﻼﻟِﻪِ؛
ﺭﻤﻭﺯ ﻤﺼﻠﹶﺤﺔِ ﺍﻟﻤﻠﹾﻙِ ﻴﻌﺭِﻓﹸﻬﺎ ﺍﻟﻤﻠﻭﻙ ،ﺤﺎﻓِﻅﹸ ﺃﻴﻬﺎ ﺍﻟﺸﱠﺤﺎﺫﹸ ﺍﻟﺠﺎﻟِﺱ ﻓﻲ ﺍﻟﺯﺍﻭﻴﺔِ ﻻ
ﺘﹶﺼﺭﺥﹾ.
ﻏﺰﻝ ٢٨٤
ﺒﺎﻷﻤﺱِ ﻫﺘﹶﻑﹶ ﻫﺎﺘِﻑﹲ ﻤِﻥ ﺭﻜﹾﻥِ ﺤﺎﻨﹶﺔِ ﺍﻟﺨﹶﻤﺭِ ،ﻗﺎلَ ﺇﻨﱠﻬﻡ ﻴﻐﻔِﺭﻭﻥ ﺍﻟﺫﱡﻨﻭﺏ ﻓﺎﺸﺭﺏِ
ﺍﻟﺨﻤﺭ؛
ﺍﷲُ ﻤِﻥ ﻟﹸﻁﹾﻔِﻪِ ﻴﻘﻀﻲ ﺤﺎﺠﺔﹶ ﺸﺎﺭِﺒِﻬﺎ ،ﻭﻴﺤﻤِلُ ﻟﻪ ﺍﻟﻤﻼﻙ ﺭِﺴﺎﻟﹶﺔﹶ ﺍﻟﺭﺤﻤﺔ؛
ﻫﺫﺍ ﺍﻟﻌﻘﹾلُ ﻏﻴﺭ ﺍﻟﻨﱠﺎﻀِﺞِ ﺍﺤﻤِﻠﹾﻪ ﺇﻟﻰ ﺍﻟﺨﻤﺎﺭﺓِ ﻜﻲ ﺘﹶﺠﻌلَ ﺍﻟﺨﻤﺭﺓﹸ ﺍﻟﺤﻤﺭﺍﺀ ﺩﻤﻪ ﻴﺠﻭﺵ)(٢؛
ﺭﻏﹾﻡ ﺃﻥ ﻭِﺼﺎﻟﹶﻪ ﻻ ﻴﻨﺎلُ ﺒﺎﻟﺴﻌﻲِ ،ﻗﹶﺩﺭ ﻤﺎ ﺘﺴﺘﻁﻴﻊ ﻴﺎ ﻗﻠﺏ ﻓﺎﺴﻊ؛
ﻟﹸﻁﹾﻑﹸ ﺍﷲِ ﺃﻜﺒﺭ ﻤِﻥ ﺠﺭﻤِﻨﺎ ،ﻻ ﻋِﻠﹾﻡ ﻟﻙ ﺒِﻬﺫﺍ ﺍﻟﺴﺭ ﺍﻟﻤﻐﻠﹶﻕِ ﻓﺎﺼﻤﺕ؛
) (١ﻓﻲ ﻫﺫﺍ ﺍﻟﻐﺯل ﻜﻤﺎ ﻴﺒﺩﻭ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺒﺩﺀِ ﻋﻬﺩِ ﻤﻤﺩﻭﺡِ ﺤﺎﻓِﻅ ﻭﺼﺩﻴﻘِﻪِ ﺍﻟﺤﻤﻴﻡ ﺍﻟﺸﹼﺎﻩ
ﺸﹸﺠﺎﻉ ،ﻋﻬﺩٍ ﺼﺎﺭ ﻓﻴﻪِ ﻤﻤﻜِﻨﺎﹰ ﻟِﺄﻫلِ ﺍﻟﻨﹼﻅﹶﺭِ ﺍﻟﺤﺩﻴﺙﹸ ﻭﺍﻟﺒﻭﺡ ﺒﺄﺴﺭﺍﺭِﻫِﻡ ﺍﻟﱠﺘﻲ ﻜﺎﻨﺕ ﺘﻐﻠﻲ
ﻤﻨﻬﺎ ﺼﺩﻭﺭﻫﻡ ،ﺤﻴﺙﹸ ﻴﺫﻜﹸﺭ ﺍﻟﺘﹼﺎﺭﻴﺦﹸ ﺃﻥ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ ﻜﺎﻥ ﻋﺎﺭِﻓﺎﹰ ﻤﺤﺒﺎﹰ ﻟﻠﻌِﻠﻡِ ﻭﺍﻷﺩﺏ
ﻭﻜﺎﻥ ﺼﺩﻴﻘﺎﹰ ﺤﻤﻴﻤﺎﹰ ﻟِﺤﺎﻓِﻅ ،ﺍﺴﺘﹶﻤﺭ ﺤﻜﻤﻪ ﺭﺒﻊ ﻗﺭﻥٍ ،ﻭﻴﻘﺼِﺩ ﺒﺈﻤﺎﻡِ ﺍﻟﻤﺩﻴﻨﺔِ ﺃﺒﺎ ﺇﺴﺤﻕ
ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﺭﻯ ﺍﻟﻌِﺭﻓﺎﻥ ﻜﹸﻔﹾﺭﺍﹰ ،ﻭﻴﺤﺎﺭِﺏ ﺃﻫﻠﹶﻪ.
) (٢ﺍﻟﻌﻘلُ ﻏﻴﺭ ﺍﻟﻨﱠﺎﻀِﺞِ ،ﺨﹸﺫﻩ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ،ﻟﺘﻐﻠﻲ ﺩﻤﺎﺅﻩ ﻭﻴﻨﻀﺞ ﻋﻠﻰ ﻨﺎﺭِ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀ؛
-٢٨٥-
ﺃُﺫﹸﻨﻲ ﻭﺤﻠﹾﻘﹶﺔﹲ ﻤِﻥ ﻀﻔﻴﺭﺓِ ﺍﻟﺤﺒﻴﺏ ،ﻭﻭﺠﻬﻲ ﻭﻏﹸﺒﺎﺭ ﺒﺎﺏِ ﺒﺎﺌﻊِ ﺍﻟﺨﻤﺭ)(١؛
ﺍﻟﺴﻜﹾﺭ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻟﻴﺱ ﺫﹶﻨﺒﺎﹰ ﺼﻌﺒﺎﹰ ،ﻓﻲ ﻭﺠﻭﺩِ ﻜﹶﺭﻡِ ﺍﻟﻤﻠِﻙِ ﺴﺘﱠﺎﺭِ ﺍﻟﻌﻴﻭﺏ؛
ﺤﺎﻜِﻡ ﺍﻟﺩﻴﻥِ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ ﺇﺫﺍ ﺃﺼﺩﺭ ﺃﻤﺭﺍﹰ ﺭﻭﺡ ﺍﻟﻘﹸﺩﺱِ ﻴﺴﻌﻰ ﻓﻲ ﺇﻨﻔﺎﺫِ ﺃﻤﺭِﻩ؛
ﻴﺎ ﻤﻠِﻙ ﺍﻟﻌﺭﺵِ ﻨﻭﻟﹾﻪ ﻤﺭﺍﺩﻩ ﻭﻤِﻥ ﺨﹶﻁﹶﺭِ ﻜﹸلﱢ ﻋﻴﻥِ ﺴﻭﺀٍ ﺍﺤﻔﹶﻅﹾﻪ.
ﻏﺰﻝ ٢٨٥
ـﺎﻡِ
ﻭﻓﹸـﺯﺕﹸ ﺒِﺭﻁﹾـلٍ ﻭﺍﻟﻔﹶﻘﻴـﻪ ﺒِﺠـ ﺸﹶﺭِﺒﻨﺎ ﻤـﺩﺍﻤﺎﹰ ﻭﺍﻟﻤﻠﻴـﻙ ﻏﹶﻔـﻭﺭ
ﻓﹶــﺈﻨﱢﻲ ﺒِــﻼ ﻤــﺎلٍ ﻭﻗﹶﻠﹾﺒِــﻲ ﺩﺍﻡِ ﺃﻴﺎ ﺴﺎﻗِﻴﺎ ﺠـﺎﺀ ﺍﻟﺭﺒﻴـﻊ ﺘﹶـﺫﹶﻜﱡﺭﺍﹰ
ﺘﹶﺠﻤﻊ ﻟﻲ ،ﻓﺎﻋﺫِﺭ ﻭﻏﹶﻁﱢ ﺃﺜـﺎﻤﻲ ﺭﺒﻴﻊ ﻭﺇﻓﻼﺱ ﻭﻋِـﺸﹾﻕﹲ ﻭﺼـﺒﻭﺓﹲ
ﻨﹶﻅِﻴﺭﻙ ﻓﻲ ﻤﻌﻨﻰ ﻭﺤﺴﻥِ ﻗـﻭﺍﻡِ ﻭﻤﺎ ﺴﻤِﻌﺕﹾ ﺃُﺫﹾﻥ ﻭﻟﹶﻡ ﻴـﺭ ﻨـﺎﻅِﺭ
ﺘﺭﺠﻤﺔﹸ ﻫﺫﺍ ﺍﻟﻐﹶﺯلِ ﺸِﻌﺭﺍﹰ ﺒﻴﺘﺎﹰ ﺒﻴﺘﺎﹰ ﻤﻊ ﺤِﻔﻅِ ﻋﺫﻭﺒﺘِﻪِ ﺍﻟﻜﺎﻤﻠﺔِ ﻭﺭِﻗﱠﺔِ ﻭﺩِﻗﱠﺔِ ﻤﻌﺎﻨﻴ ﻪِ
ﻏﻴﺭ ﻤﻤﻜِﻨﺔٍ ﻟﻤﺜﻠﻲ ،ﺃﺘﻴﺕﹸ ﺒﻬﺫِﻩِ ﺍﻷﺒﻴﺎﺕِ ﺍﻷﺭﺒﻌﺔِ ﻟِﻨﹶﻘﹾلِ ﺤﻼﻭﺓِ ﻫﺫﺍ ﺍﻟﺸﱢﻌﺭِ ﻓﻲ ﻭﻋﺎﺀِ
ﺍﻟﺸﹼﻌﺭِ ،ﻭﻫﺎ ﻫﻨﺎ ﺘﺭﺠﻤﺔﹲ ﺒﺎﻟﻨﱠﺜﺭِ ﻟﻬﺫﺍ ﺍﻟﻐﺯل:
ﻓﻲ ﻋﻬﺩِ ﺍﻟﻤﻠِﻙِ ﺍﻟﱠﺫﻱ ﻴﻌﻔﻭ ﻋﻥِ ﺍﻟﺨﻁﺄِ ﻭﻴﺴﺘﹸﺭ ﺍﻟﺠﺭﻡ ،ﺤﺎﻓِﻅﹸ ﺸﹶﺭِﺏ ﻗِﺭﺒﺔﹰ ﻭﺍﻟﻤﻔﺘﻲ
ﺸﹶﺭِﺏ ﻜﺄﺴﺎﹰ؛
ﺍﻟﺼﻭﻓِﻲ ﺠﺎﺀ ﻤِﻥ ﺭﻜﹾﻥِ ﺼﻭﻤﻌﺘِﻪِ ﻭﺠﻠﹶﺱ ﻋﻠﻰ ﻗﹶﺩﻡِ ﺍﻟﺩﻥ ﺤﻴﻥ ﺭﺃﻯ ﺍﻟﻤﺤﺘﹶﺴِﺏ
ﻴﺤﻤِلُ ﺍﻟﻜﹸﻭﺯ ﻋﻠﻰ ﻜﹶﺘِﻔِﻪ؛
ﻋﻥ ﺃﺤﻭﺍلِ ﺍﻟﺸﱠﻴﺦِ ﻭﺍﻟﻘﺎﻀﻲ ﻭﺸﹸﺭﺏ ﺍﻟﻴﻬﻭﺩِ ﻁﹶﺭﺤﺕﹸ ﺍﻟﺴﺅﺍلَ ﻋِﻨﺩ ﺍﻟﻔﹶﺠﺭِ ﻋﻠﻰ
ﺍﻟﺸﱠﻴﺦِ ﺒﺎﺌﻊِ ﺍﻟﺨﹶﻤﺭ)(٢؛
) (١ﺃُﺫﹸﻨﻲ ﻻ ﺘﺯﻭلُ ﻤﻨﻬﺎ ﺤﻠﻘﹶﺔﹸ ﻀﻔﻴﺭﺓِ ﺍﻟﺤﺒﻴﺏ )ﺃﻅﹶلﱡ ﻋﺒﺩﺍﹰ ﻟﻠﺤﺒﻴﺏ( ،ﻭﻭﺠﻬﻲ ﻻ ﻴﺯﻭلُ ﻋﻨﻪ
ﻏﹸﺒﺎﺭ ﺒﺎﺏِ ﺒﺎﺌﻊِ ﺍﻟﺨﻤﺭ )ﻻ ﺃﺘﺭﻙ ﺒﺎﺏ ﺒﺎﺌﻊِ ﺍﻟﺨﹶﻤﺭ(.
) (٢ﺴﺄﻟﺕﹸ ﺒﺎﺌﻊ ﺍﻟﺨﹶﻤﺭِ ﻋﻥ ﺃﺤﻭﺍلِ ﺍﻟﺸﱠﻴﺦِ ﻭﺍﻟﻘﺎﻀﻲ ،ﻭﺸﹸﺭﺒِﻬﻤﺎ ﺍﻟﺨﻤﺭ ﻓﻲ ﺍﻟﺨﻔﺎﺀ ،ﻓﺄﺠﺎﺒﻨﻲ
ل ﺭﻏﻡ ﺃﻨﱠﻙ ﺘﺤﻔﹶﻅﹸ ﺍﻟﺴﺭ) ،ﺸﺭﺏ ﺍﻟﻴﻬﻭﺩ :ﺍﻟﺸﱡﺭﺏ ﻓﻲ ﺍﻟﺨﻔﺎﺀ(.
ﻫﺫﺍ ﺤﺩﻴﺙﹲ ﻻ ﻴﻘﺎ ُ
-٢٨٦-
ﻗﺎلَ :ﻻ ﺃﻗﺩِﺭ ﻋﻠﻰ ﻗﻭلِ ﻫﺫﺍ ﺍﻟﺤﺩﻴﺙِ ﻭﺇﻥ ﻜﹸﻨﺕﹶ ﺘﺤﻔﹶﻅﹸ ﺍﻟﺴﺭ ،ﺃﻗﺼِﺭ ﺍﻟﻠﱢﺴﺎﻥ ﻭﺍﺭﻉ
ﺍﻟﺴﺘﹾﺭ ﻭﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ؛
ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﺍﻟﺭﺒﻴﻊ ﻴﺼِلُ ﻭﻻ ﻤﺎلَ ﻋِﻨﺩِﻱ ﻟﻠﺨﹶﻤﺭِ ،ﺍﺫﻜﹸﺭﻨﻲ ﻓﺈﻥ ﺍﻟﺩﻡ ﻓﻲ ﻗﻠﺒﻲ
ﻴﻐﻠﻲ ﻤِﻥ ﺍﻟﻐﻡ(١)؛
ﻫﻭ ﺍﻟﻌِﺸﹾﻕﹸ ﻭﺍﻹﻓﻼﺱ ﻭﺍﻟﺼﺒﺎ ﻭﺍﻟﺭﺒﻴﻊ ﺍﻟﺠﺩﻴﺩ ،ﻓﺎﻗﺒلْ ﻋﺫﺭﻱ ﻭﻏﻁﱢ ﺠﺭﻤﻲ
ﺒِﺫﻴلِ ﺍﻟﻜﹶﺭﻡ)(٢؛
ﺇﻟﻰ ﻤﺘﻰ ﺘﻤﺩ ﺍﻟﻠﱢﺴﺎﻥ ﻤِﺜلَ ﺍﻟﺸﱠﻤﻊِ ،ﻓﹶﺭﺍﺸﹶﺔﹸ ﺍﻟﻤﺭﺍﺩِ ﻭﺼﻠﹶﺕﹾ ،ﺃﻴﻬﺎ ﺍﻟﻤﺤِﺏ ﺍﺼﻤﺕﹾ؛
ﺃﻴﻬﺎ ﺍﻟﺴﻠﻁﺎﻥ ،ﻤِﺜﻠﹶﻙ ﺼﻭﺭﺓﹰ ﻭﻤﻌﻨﻰ ،ﻻ ﻋﻴﻥ ﺭﺃﺕﹾ ﻭﻻ ﺃُﺫﹸﻥ ﺴﻤِﻌﺕﹾ؛
ﺩﻤﺕﹶ ﺨﺎﻟِﺩﺍﹰ ،ﻟﻘﺩ ﻗﺒِلَ ﺒﺨﺘﹸﻙ ﺍﻟﻔﹶﺘﻲ ﺨِﺭﻗﹶﺔﹶ ﺍﻟﺴﻤﺎﺀِ ﺍﻟﺯﺭﻗﺎﺀِ ﻤِﻥ ﺸﹶﻴﺦِ ﺍﻟﻔﹶﻠﹶﻙِ ﻻﺒِﺱِ ﺍﻷﺴﻤﺎل.
ﻏﺰﻝ ٢٨٦
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﺎلَ ﻟﻲ ﻓﻲ ﺍﻟﺨﻔﺎﺀِ ﻋﺎﺭِﻑﹲ ﺫﻜِﻲ ﺴِﺭﺍﹰ ،ﻭﻋﻨﻜﹸﻡ ﻻ ﻴﺠﻭﺯ ﺇﺨﻔﺎﺀ ﺴِﺭ
ﺒﺎﺌﻊِ ﺍﻟﺨﻤﺭِ؛
ﺏ ﺸﹸﻐلَ ﺍﻟﺴﺎﻋﻴﻥ
ﻗﺎلَ :ﻫﻭﻥ ﻋﻠﹶﻰ ﻨﻔﺴِﻙ ﺍﻷﻤﻭﺭ ﻓﺈﻥ ﺍﻟﺩﻨﻴﺎ ﻤِﻥ ﻭﺠﻪِ ﺍﻟﻁﱠﺒﻊِ ﺘﹸﺼﻌ
ﺒﺎﻟﻜﹶﺩ؛
ﺜﹸﻡ ﺃﻋﻁﹶﺎﻨﻲ ﺠﺎﻤﺎﹰ ﺃﻀﺎﺀ ﻤﻨﻪ ﺍﻟﻔﹶﻠﹶﻙ ،ﻓﺒﺎﺩﺭﺕ ﺍﻟﺯﻫﺭﺓﹸ ﺒﺎﻟﺭﻗﺹِ ،ﻭﻗﺎﻟﹶﺕﹾ ﻋﻠﻰ
ﻋﺯﻑِ ﺍﻟﻌﻭﺩِ ﻟﻲ ﻫﻨﻴﺌﺎﹰ؛
) (١ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﺠﺎﺀ ﺍﻟﺭﺒﻴﻊ ﺃﻭﺍﻥ ﺘﻔﺘﹸﺢِ ﺍﻟﺒﺭﻋﻡِ ﻭﺘﺠﻠﱢﻲ ﺍﻟﻭﺭﺩِ )ﺍﻟﻤﻌﺸﻭﻕ( ﻭﻫﺫﺍ ﺃﻭﺍﻥ ﺍﻟﺸﱠﺭﺍ ِ
ﺏ
ﻭﻻ ﺃﻤﻠﻙ ﺍﻟﻤﺎل ﻟﺸﺭﺍﺀ ﺍﻟﺨﻤﺭ )ﻻ ﻋﻤلَ ﻟﻲ ﺃﺴﺘﺤﻕﱡ ﺒﻪِ ﺍﻟﻭﺼﺎلَ( ﻓﻜﻥ ﻤﺴﺎﻋﺩﻱ ﻓﺈﻥ ﻗﻠﺒﻲ
ﻴﻨﻁﻑﹸ ﺩﻤﺎﹰ ﻤﻥ ﺍﻷﺴﻰ؛
) (٢ﻭﻟﻲ ﺫﻨﻭﺏ ﻜﺜﹸﺭﺕﹾ ،ﻓﺎﺴﺘﹸﺭﻫﺎ ﻋﻠﻲ ،ﻭﺍﻗﺒلْ ﻋﺫﺭﻱ ،ﻓﻘﺩ ﺍﺠﺘﻤﻌﺕ ﻋﻨﺩﻱ ﺩﻭﺍﻋﻲ ﺍﻟﺫﱡﻨﻭﺏ،
ﻓﺎﻟﺯﻤﺎﻥ ﺭﺒﻴﻊ ،ﻭﺃﻨﺎ ﻓﻲ ﺴﻥ ﺍﻟﺸﺒﺎﺏ ،ﻭﻗﺩ ﺍﺒﺘﻠﻴﺕﹸ ﺒﺎﻟﻌﺸﻕِ ،ﻭﻻ ﺃﻤﻠﻙ ﺍﻟﻤﺎل ،ﻓﻜﻴﻑ
ﻻ ﺃﻗﺘﺭﻑﹸ ﺍﻟﺫﱡﻨﻭﺏ.
-٢٨٧-
ﺃﺤﻀِﺭ ﻟِﻲ ﺍﻟﺠﺎﻡ ﺩﺍﻤِﻲ ﺍﻟﻘﹶﻠﹾﺏِ ﻀﺎﺤِﻙ ﺍﻟﺸﱢﻔﺎﻩ ،ﻻ ﺘﺠِﺊْ ﺇﻥ ﺠﺭِﺤﺕﹶ ﺘﺼﺭﺥﹸ ﻜﺎﻟﺭﺒﺎﺒﺔ؛
ﺇﻥ ﻜﹸﻨﺕﹶ ﻏﻴﺭ ﻋﺎﺭِﻑٍ ﻓﻠﻥ ﺘﺴﻤﻊ ﺍﻟﺭﻤﺯ ﻤﻥ ﻭﺭﺍﺀِ ﺍﻟﺤِﺠﺎﺏ ،ﻷﻥ ﺍﻷُﺫﹸﻥ ﻟﻴﺴﺕﹾ
ﻤﺤﺭِﻤﺔﹰ ﻻﺴﺘِﻼﻡِ ﻭﺤﻲِ ﺍﻟﻤﻼﻙ؛
ﻴﺎ ﻭﻟﹶﺩ ﺍﺴﻤﻊ ﻨﺼﻴﺤﺘﻲ ،ﻻ ﺘﻐﺘﹶﻡ ﻤِﻥ ﺃﺠلِ ﺍﻟﺩﻨﻴﺎ ،ﻗﹸﻠﺕﹸ ﻟﻙ ﺤﺩﻴﺜﺎﹰ ﻜﺎﻟﺩﺭ ﺇﻥ ﻜﹸﻨﺕﹶ
ﺘﺴﺘﻁﻴﻊ ﺍﻟﺴﻤﻊ؛
ﻓﻲ ﺤﺭﻴﻡِ ﺍﻟﻌِﺸﻕِ ﻻ ﻤﺠﺎلَ ﻟﻠﻔﹶﺨﹾﺭِ ﺒِﻘﹶﻭلٍ ﻭﺴﻤﻊٍ ،ﻫﻨﺎﻙ ﻜﹸلﱡ ﺍﻷﻋﻀﺎﺀِ ﻴﺠِﺏ ﺃﻥ
ﺘﻜﻭﻥ ﻋﻴﻨﺎﹰ ﻭﺃُﺫﹸﻨﺎﹰ؛
ﻋﻠﻰ ﺒﺴﺎﻁِ ﺍﻟﻌﺎﺭِﻓﻴﻥ ﺒﺎﻷﺴﺭﺍﺭِ ،ﻻ ﻴﺤﺴﻥ ﺇﻅﻬﺎﺭ ﺍﻟﻔﹶﻀلِ ،ﺇﻥ ﻜﹸﻨﺕﹶ ﻋﺎﻟِﻤﺎﹰ ﻓﻘﹸلْ،
ﺃﻱ ﻋﺎﻗِلُ ،ﺃﻭ ﻓﺎﺼﻤﺕﹾ؛
ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺍﻟﺨﹶﻤﺭ ﻓﻌﺭﺒﺩﺍﺕﹸ ﺤﺎﻓِﻅﹶ ﻗﺩ ﻓﻬِﻤﻬﺎ ﺁﺼِﻑﹸ ﺼﺎﺤِﺏ ﺍﻟﻘِﺭﺍﻥ ﺍﻟﱠﺫﻱ
ﻴﺼﻔﹶﺢ ﻋﻥِ ﺍﻟﺠﺭﻡِ ﻭﻴﺴﺘﹸﺭ ﺍﻟﻌﻴﺏ).(١
ﻏﺰﻝ ٢٨٧
ﻴﺎ ﻤﻥ ﻜﹸلﱡ ﺸﹶﻜﻠِﻙ ﻤﻁﺒﻭﻉ ﻭﻜﹸلﱡ ﻤﺎ ﻓﻴﻙ ﺠﻤﻴلٌ ،ﻗﻠﺒﻲ ﺒﺴِﺤﺭِ ﺜﹶﻐﺭِﻙ ﺍﻟﻌﺫﺏِ
ﻜﺎﻟﺴﻜﱠﺭِ ،ﺴﻌﻴﺩ؛
ﻭﺠﻭﺩﻙ ﺍﻟﻠﹼﻁﻴﻑﹸ ﻤﺜلَ ﻭﺭﻕِ ﺍﻟﻭﺭﺩِ ﺍﻟﻨﱠﻀﻴﺭِ ،ﻗﺩﻙ ﺍﻟﺠﻤﻴلُ ﻤِﺜلَ ﺴﺭﻭِ ﺭﻭﻀﺔِ ﺍﻟﺨﹸﻠﺩ؛
ﻁﺒﻌﻙ ﻭﺩﻻﻟﹸﻙ ﻋﺫﺒﺎﻥ ،ﺨﻁﱡﻙ ﻭﺨﺎﻟﹸﻙ ﻤﻠﻴﺤﺎﻥ ،ﻋﻴﻨﹸﻙ ﻭﺤﺎﺠِﺒﻙ ﺤﺴﻨﺎﻥ ،ﻗﺩﻙ
ﻭﻗﺎﻤﺘﹸﻙ ﺠﻤﻴﻼﻥ؛
ﺒﺴﺘﺎﻥ ﺨﻴﺎﻟﻲ ﻤﻨﻙ ﻤﻠﻲﺀ ﺒﺎﻟﻨﱡﻘﻭﺵِ ﻭﺍﻟﺭﺴﻭﻡ ،ﻤﺸﺎﻡ ﻗﻠﺒﻲ ﻤِﻥ ﻓﺭﻉِ ﻴﺎﺴﻤﻴﻨِﻙ ﻤﻌﻁﱠﺭﺓﹲ؛
ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﻕِ ﺍﻟﱠﺫﻱ ﺴﻴلُ ﺍﻟﺒﻼﺀِ ﻓﻴﻪِ ﻻ ﻴﻨﻘﻁِﻊ ،ﺠﻌﻠﺕﹸ ﺨﺎﻁِﺭﻱ ﺴﻌﻴﺩﺍﹰ ﺒِﺄﻤلِ
ﺍﻟﻭﺼﻭلِ ﺇﻟﻴﻙ؛
) (١ﺼﺎﺤِﺏ ﺍﻟﻘِﺭﺍﻥ ﻤﻥ ﺍﻗﺘﹶﺭﻥ ﻋﻨﺩ ﻤﻭﻟِﺩِﻩِ ﻜﻭﻜﹶﺒﺎ ﺍﻟﺴﻌﺩِ ،ﺍﻟﺯﻫﺭﺓﹸ ﻭﺍﻟﻤﺸﺘﺭﻱ.
-٢٨٨-
ﻤﺎ ﺃﻗﻭلُ ﻓﻲ ﺸﹸﻜﺭِ ﻋﻴﻨِﻙ ﺍﻟﹼﺘﻲ ﺒﻬﺫﺍ ﺍﻟﻤﺭﺽِ ﺒﻬﺎ ﺘﺠﻌلُ ﺃﻟﹶﻤﻲ ﻤﻥ ﻭﺠﻬِﻙ ﺍﻟﺠﻤﻴلِ
ﻋﺫﺒﺎﹰ ﺠﻤﻴﻼﹰ؛
ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀِ ﺍﻟﱠﺘﻲ ﺒِﻬﺎ ﺍﻟﺨﻁﹶﺭ ﻋﻠﻰ ﺍﻟﻁﹼﺎﻟﺏِ ﻤﻥ ﻜﹸلﱢ ﺍﻟﺠﻬﺎﺕِ ،ﺤﺎﻓِﻅﹸ ﺍﻟﻭﻟﻬﺎﻥ
ﻴﺴﻴﺭ ﺒﻭﻻﺌﻙ ﺴﻌﻴﺩﺍﹰ.
ﻏﺰﻝ ٢٨٨
ﻋﻠﻰ ﻀِﻔﱠﺔِ ﺍﻟﺠﺩﻭلِ ،ﻋﻨﺩ ﻗﹶﺩﻡِ ﺍﻟﺼﻔﺼﺎﻑِ ،ﺒﻤﻁﺒﻭﻉِ ﺍﻟﺸﱢﻌﺭِ ،ﻭﺍﻟﻤﻌﺸﻭﻕِ ﺍﻟﺠﻤﻴلِ،
ﻭﻤﻌﺎﺸِﺭِ ﺍﻷﺤِﺒﺔِ ﺍﻟﺤِﺴﺎﻥِ ،ﻭﺍﻟﺴﺎﻗﻲ ﺍﻟﺼﺒﻴﺢِ ﻭﺭﺩﻱ ﺍﻟﻌِﺫﺍﺭ؛
ﻴﺎ ﻤﻥ ﻟﹶﻙ ﺩﻭﻟﹶﺔﹸ ﺍﻟﻁﱠﺎﻟﹶﻊِ ﻭﺘﻌﺭِﻑﹸ ﻗﹶﺩﺭ ﺍﻟﻭﻗﺕِ ،ﻫﻨﻴﺌﺎﹰ ﻟﹶﻙ ﺍﻟﻌﻴﺵﹸ ﺍﻟﺠﻤﻴلُ ﻭﺩﺍﻡ
ﻷﻴﺎﻤِﻙ ﺍﻟﺴﺭﻭﺭ؛
ﻜﹸلﱡ ﻤﻥ ﻴﺤﻤلُ ﺤِﻤلَ ﻋِﺸﹾﻕِ ﺍﻟﺤﺒﻴﺏِ ﻓﻲ ﺍﻟﺨﺎﻁِﺭِ ﻴﻤﻠﻙ ﺸﹸﻐﻼﹰ ﺠﻤﻴﻼﹰ ،ﻭﻟﻴﻨﺜﹸﺭِ
ﺍﻟﺤﺭﻤلَ ﻓﻲ ﺍﻟﻤﺠﻤﺭ)(١؛
ﺃﻨﺎ ﺃُﻟﺒِﺱ ﻋﺭﻭﺱ ﺍﻟﻁﱠﺒﻊِ ﻟِﺒﺎﺱ ﺍﻟﺯﻴﻨﹶﺔِ ﻤِﻥ ﻓِﻜﺭﻱ ﺍﻟﺒِﻜﹾﺭِ ،ﻋﺴﻰ ﻴﻘﻊ ﺍﻟﺤﺒﻴﺏ
ﺍﻟﺠﻤﻴلُ ﻓﻲ ﻴﺩﻱ ﻋﻠﻰ ﻴﺩِ ﺍﻷﻴﺎﻡ؛
ﻗﹶﺩﺭ ﻏﻨﻴﻤﺔِ ﺼﺤﺒﺔِ ﺍﻟﻠﹼﻴلِ ﺍﻋﺭِﻑﹾ ،ﻭﺨﹸﺫﹾ ﻋﻁﺎﺀ ﺍﻟﺴﻌﺎﺩﺓ ،ﺸﹶﻤﺱ ﺍﻟﺴﻌﺎﺩﺓِ ﻟﻠﻘﹶﻠﺏِ ﻓﻴﻪِ،
ﻭﻓﻴﻪِ ﺤﻘلُ ﺸﻘﺎﺌﻕِ ﺍﻟﻨﱡﻌﻤﺎﻥِ ﺍﻟﺠﻤﻴل؛
ﺨﻤﺭ ﺒِﻜﺄﺱِ ﺍﻟﻌﻴﻥِ ،ﺃﺤﻁﹾﺕﹸ ﺍﻟﺴﺎﻗﻲ ﺒﺴﻡِ ﺍﷲِ ،ﺇﻨﱠﻪ ﻴﺴﻜِﺭ ﻤﻊ ﺍﻟﻌﻘلِ ،ﻭﺍﻟﺨﹸﻤﺎﺭ ﻤِﻥ
ﺨﹶﻤﺭِﻩِ ﺠﻤﻴلٌ؛
ﻋﻤﺭ ﺤﺎﻓِﻅﹶ ﻤﺭ ﻓﻲ ﻏﻔﻠﹶﺔٍ ،ﺘﻌﺎلَ ﻤﻌﻲ ﺇﻟﻰ ﺍﻟﺤﺎﻥ ،ﻴﺭﺤﺏ ﺒِﻙ ﺍﻟﻅﱡﺭﻓﺎﺀ ،ﻭﻴﻌﻠﱢﻤﻭﻙ
ﺍﻟﺸﱡﻐلَ ﺍﻟﺠﻤﻴلَ.
) (١ﺍﻟﺤﺭﻤل ﻨﺒﺎﺕﹲ ﻟﻪ ﺒﺫﻭﺭ ﺴﻭﺩﺍﺀ ﺘﹸﻠﻘﻰ ﻓﻲ ﺍﻟﻨﹼﺎﺭِ ﻟﺩﻓﻊِ ﻋﻴﻥِ ﺍﻟﺴﻭﺀ
-٢٨٩-
ﻏﺰﻝ ٢٨٩
ﻋِﺫﺍﺭﻩ ﺸﺒﻴﻪ ﺍﻟﻘﹶﻤﺭِ ﻤﺠﻤﻊ ﺍﻟﺤﺴﻥِ ﻭﺍﻟﻠﱡﻁﻑِ ،ﻟﻜﻥ ﻻ ﻋﻬﺩ ﻟﻪ ﻭﻻ ﻭﻓﺎﺀ ،ﺇﻟﻬﻲ ﻫﺒﻬﻤﺎ ﻟﻪ؛
ﻤﻌﺸﻭﻗﻲ ﺸﺎﻫِﺩ ﺍﻟﺤﺴﻥِ ﻁِﻔلٌ ،ﻭﻴﻭﻤﺎﹰ ﻓﻲ ﻟﹶﻌِﺒِﻪِ ﺴﻴﺼﻴﺒﻨﻲ ﺒِﻬﻼﻙٍ ،ﻭﻓﻲ ﺍﻟﺸﱠﺭﻉِ
ﻻ ﺫﹶﻨﺏ ﻟﻪ)(١؛
ﻜﺎﻥ ﺃﺤﺭﻯ ﺃﻥ ﻻ ﺃﺴﺘﹶﺭﻋﻴﻪِ ﻗﻠﺒﻲ ،ﻓﻤﺎ ﻨﹶﻅﹶﺭ ﺇﻟﻴﻪِ ﻨﹶﻅﹶﺭﺍﹰ ﺠﻤﻴﻼﹰ ،ﻭﻤﺎ ﺭﻋﺎﻩ؛
ﻻ ﺘﺯﺍلُ ﺘﺠﻲ ﺀ ﻤِﻥ ﺸﹶﻔﹶﺘِﻪِ ﺍﻟﺴﻜﱠﺭﻴﺔِ ﺭﻴﺢ ﺍﻟﻠﱠﺒﻥِ ،ﺭﻏﹾﻡ ﺃﻥ ﺍﻟﺩﻡ ﻴﻘﻁِﺭ ﻤِﻥ ﻓِﻌلِ ﻋﻴﻨِﻪِ
ﺍﻟﺴﻭﺩﺍﺀ؛
ﻋِﻨﹾﺩِﻱ ﺼﻨﹶﻡ ﺤﺎﺫِﻕﹲ ﺠﻤﻴلٌ ﻟﻪ ﺃﺭﺒﻊ ﻋﺸﺭ ﹶﺓ ﺴﻨﹶﺔﹰ ،ﻭﺍﻀِﻊ ﺤﻠﻘﹶﺔﹶ ﺍﻟﻌﺒﺩِ ﻓﻲ ﺃُﺫﹸﻥِ ﻗﹶﻤﺭِ
ﺃﺭﺒﻌ ﹶﺔ ﻋﺸﹶﺭ)(٢؛
ﻓﻲ ﺍﻟﺒﺤﺙِ ﻋﻥ ﺫﻟِﻙ ﺍﻟﻭﺭﺩِ ﺍﻟﺠﺩﻴﺩِ ،ﺃﻴﻥ ﻫﻭ ﻗﻠﺒﻲ ﻴﺎ ﺭﺏ؟ ،ﻟﻡ ﺃﺭﻩ ﻓﻲ ﺴﺭﻴﺭِﻩِ ﻤﻨﺫﹸ ﺤﻴﻥ؛
ﺤﺒﻴﺒﻲ ﺍﻟﻤﺤﺒﻭﺏ ﻴﻜﺴِﺭ ﻗﻠﺏ ﺠﻴﺵِ ﺍﻟﻌﺸﱠﺎﻕِ ﻭﻴﺄﺨﹸﺫﹸ ﺍﻟﻤﻠِﻙ ﺒﺴﻼﺤِﻪِ ﻭﻴﺠﻌلُ ﻤﻨﻪ
ﺤﺎﺭﺴﺎﹰ ﻟﻪ؛
ﻅ ﺼﺩﻓﹶﺔﹰ.
ﺃﺩﻓﹶﻊ ﺍﻟﺭﻭﺡ ﺸﹸﻜﺭﺍﹰ ﺇﺫﺍ ﻤﺎ ﺍﺘﱠﺨﹶﺫﹶﺕﹾ ﺤﺒﺔﹸ ﺍﻟﺩﺭ ﺘﻠﻙ ﻤﻥ ﺼﺩﺭِ ﺤﺎﻓِ ﹶ
ﻏﺰﻝ٢٩٠
ﻗﻠﺒﻲ ﺍﻟﻭﺍﻟِﻪ ﻀﺎﻉ ﻭﺃﻨﺎ ﺍﻟﺩﺭﻭﻴﺵﹸ ،ﻏﺎﻓِلٌ ﻋﻤﺎ ﺠﺭﻯ ﻟِﺫﻟِﻙ ﺍﻟﺼﻴﺩِ ﺍﻟﺘﹼﺎﺌﻪِ؛
ﻤِﻥ ﺨﻭﻑٍ ﻋﻠﻰ ﺇﻴﻤﺎﻨﻲ ﺃﻀﻁﹶﺭِﺏ ﻜﺎﻟﺼﻔﺼﺎﻑ ،ﻓﻘﺩ ﻭﻗﻊ ﻗﻠﺒﻲ ﻓﻲ ﻗﺒﻀﺔِ ﻗﻭﺱِ
ﺤﺎﺠِﺏٍ ﻜﺎﻓِﺭِ ﺍﻟﻤﺫﻫﺏ؛
ﺃُﻋﺎﻟﺞ ﺨﻴﺎلَ ﺨﹶﺯﻥِ ﺍﻟﺒﺤ ِﺭ ،ﻫﻴﻬﺎﺕ ،ﺃﻴﺔﹸ ﻓِﻜﺭﺓٍ ﻟﻠﻤﺤﺎلِ ﺃﺘﺕﹾ ﻓﻲ ﺭﺃﺱِ ﻫﺫِﻩِ ﺍﻟﻘﹶﻁﹾﺭﺓ؛
) (١ﺍﻟﺸﺎﻫِﺩ :ﺍﻟﻨﹼﺠﻡ ،ﻤﺜﺎلُ ﺍﻟﺤﺴﻥ ،ﻻ ﺫﹶﻨﺏ ﻟﻪ ﻷﻨﱠ ﻪ ﻁِﻔلٌ؛
) (٢ﻜﺎﻥ ﺍﻟﻌﺒﺩ ﻗﺩﻴﻤﺎﹰ ﻴﻭﺴﻡ ﺒﻭﻀﻊِ ﺤﻠﻘﹶﺔٍ ﻓﻲ ﺃﺫﻨﻪ.
-٢٩٠-
ﻭﺃﻨﺎ ﺃُﺒﺎﻫﻲ ﺒِﺄﻫﺩﺍﺒِﻪِ ﺍﻟﺠﺴﻭﺭﺓِ ﺍﻟﱠﺘﻲ ﺘﺴﻠﹸﺏ ﺍﻟﻌﺎﻓﻴﺔﹶ ،ﻓﻤِﻥ ﺭﺃﺱِ ﻜﹸلﱢ ﻫﺩﺏٍ ﻤِﻨﻬﺎ
ﻴﻤﻭﺝ ﻤﻭﺝ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ؛
ﺇﺫﺍ ﻤﺩ ﺍﻷﻁﺒﺎﺀ ﻴﺩ ﺍﻟﻔﹶﺤﺹِ ﺇﻟﻰ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢِ ،ﺁﻻﻑﹸ ﺍﻟﺩﻤﺎﺀِ ﺘﺴﻴلُ ﻤِﻥ ﺃﻜﻤﺎﻤِﻬِﻡ؛
ﺴﺄﻤﻀﻲ ﺇﻟﻰ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﺒﺎﻜﻴﺎﹰ ﺨﺎﻓِﺽ ﺍﻟﺭﺃﺱِ ،ﺃﺼﺎﺒﻨﻲ ﺍﻟﺨﹶﺠلُ ﻤِﻥ ﺤﺼﻴﻠﹶﺔِ
ﻋﻤﺭﻱ؛
ﻻ ﻋﻤﺭ ﺍﻟﺨِﻀﺭِ ﻴﺒﻘﻰ ﻭﻻ ﻤﻠﻙ ﺍﻻﺴﻜﻨﺩﺭ ،ﺃﻴﻬﺎ ﺍﻟﺩﺭﻭﻴﺵﹸ ﻻ ﺘﻜﹸﻥ ﻓﻲ ﻨِﺯﺍﻉٍ ﻋﻠﻰ
ﻫﺫِﻩِ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺩﻨﻴﺔ؛
ﺇﻟﻰ ﻨِﻁﺎﻗِﻪِ ﻻ ﺘﺼِلُ ﻴ ﺩ ﻜﹸلﱢ ﺸﹶﺤﺎﺫٍ ﻴﺎ ﺤﺎﻓِﻅ ،ﻗﺩﻡ ﺒﺎﻟﻜﹶﻑﱢ ﺃﻜﺜﹶﺭ ﻤِﻥ ﻜﻨﺯِ ﻗﺎﺭﻭﻥ.
ﻏﺰﻝ ٢٩١
ﻟﻘﺩ ﺠﺭﺒﻨﺎ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﺤﻅﱠﻨﺎ ،ﻭﻴﺠِﺏ ﺃﻥ ﻨﺤﻤِلَ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻭﺭﻁﹶﺔِ ﻤﺘﺎﻋﻨﺎ؛
ﻤِﻥ ﻜﺜﺭﺓِ ﻤﺎ ﺃﻋﺽ ﺍﻟﻴﺩ ﻭﺃُﻁﻠِﻕﹸ ﺍﻵﻫﺎﺕِ ،ﺃﺸﻌﻠﹾﺕﹸ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﺒﺩﻨﻲ ،ﻋﻀﻭﺍﹰ ﻋﻀﻭﺍﹰ،
ﻜﺤﻘﹾلٍ ﻤِﻥ ﺍﻟﻭﺭﺩ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻜﻡ ﺠﺎﺀ ﺠﻤﻴﻼﹰ ﻏﻨﺎﺀ ﺒﻠﺒلٍ ،ﻭﺍﻟﻭﺭﺩ ﻤِﻥ ﺸﹶﺠﺭﺘِﻪِ ﺃﺼﺎﺥﹶ ﺒﺎﻵﺫﺍﻥِ ﻋﻠﻰ
ﺍﻷﻓﻨﺎﻥ؛
ﺏ ﻜﹸﻥ ﻤﺴﺭﻭﺭﺍﹰ ﻓﺫﺍﻙ ﺍﻟﺤﺒﻴﺏ ﺍﻟﻨﱠﺎﺭﻱ ﺍﻟﻤﺯﺍﺝِ ،ﺴﻴﺠﻠِﺱ ﺴﺭﻴﻌﺎﹰ ﻴﺸﺘﻜﻲ
ﺃﻥ ﻴﺎ ﻗﻠ
ﻤِﻥ ﺤﻅﱢﻪِ ﺍﻟﺨﺎﺌﺏِ؛
ﺃﺘﹸﺭﻴﺩ ﺃﻟﹼﺎ ﻴﺼﻴﺒﻙ ﺃﺫﻯ ﺒﻼﺀِ ﺍﻟﺩﻨﻴﺎ ،ﺍﻟﻴﺴﻴﺭِ ﻭﺍﻟﻌﺴﻴﺭِ ،ﺨلﱢ ﻋﻬﺩﻙ ﺍﻟﻭﺍﻫِﻥ ﻭﺤﺩﻴﺜﹶﻙ
ﺍﻟﻌﺴﻴﺭ؛
ﺤﺎﻥ ﻭﻗﹾﺕﹲ ،ﻤِﻥ ﻓِﺭﺍﻗِﻙ ﻭﻤِﻥ ﺍﻟﻨﱠﺎﺭِ ﻓﻲ ﺩﺍﺨﻠﻲ ،ﺃُﺸﻌِلُ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﻤﺘﺎﻋﻲ ﻜﹸﻠﱢﻪِ؛
ﺃﻱ ﺤﺎﻓِﻅﹸ ﻟﻭ ﻜﺎﻥ ﺍﻟﻤﺭﺍﺩ ﻤﻴﺴﺭﺍﹰ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ ،ﻤﺎ ﻜﺎﻥ ﺠﻤﺸﻴﺩ ﻟﻴﺒﻘﻰ ﺒﻌﻴﺩﺍﹰ ﻋﻥ
ﺘﺨﹾﺘِﻪِ.
-٢٩١-
ﻏﺰﻝ ٢٩٢
ﻭﺤﺸﻤﺔِ ﻭﺠﺎﻩِ ﻭﺠﻼلِ ﺍﻟﺸﱠﺎﻩ ﺸﹸﺠﺎﻉ ،ﻟﻴﺱ ﻤﻨﹼﻲ ﻟِﺄﺠلِ ﻤﺎلٍ ﻭﺠﺎﻩٍ ﻤﻊ ﺃﺤﺩٍ ﻨﺯﺍﻉ؛
ﻜﻔﺎﻨﺎ ﺸﹸﺭﺒﺎﹰ ﻓﻲ ﺍﻟﺒﻴﺕِ ،ﺍﺤﻤِلْ ﻟﻲ ﺍﻟﺨﻤﺭ ﺍﻟﻤﻌﺘﱠﻕﹶ ،ﻭﺼلَ ﺤﺭﻴﻑﹸ ﺍﻟﺨﹶﻤﺭِ ،ﺃﻱ
ﺭﻓﻴﻕﹸ ،ﻟﻠﺘﹼﻭﺒﺔِ ﻤﻨﱢﻲ ﺍﻟﻭﺩﺍﻉ؛
ﻷﺠلِ ﺍﷲِ ﺍﻏﺴِلْ ﻟِﻲ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﺒﺎﻟﺨﹶﻤﺭِ ،ﺃﻨﺎ ﻻ ﺃﺸﹸﻡ ﺭﻴﺢ ﺍﻟﺨﻴﺭِ ﻤِﻥ ﻫﺫِﻩِ ﺍﻷﻭﻀﺎﻉ؛
ﺍﹸﻨﻅﹸﺭ ﻟﻪ ﻜﻴﻑﹶ ﺭﺍﺡ ﻴﺭﻗﹸﺹ ﻋﻠﻰ ﺼﻭﺕِ ﺍﻟﺭﺒﺎﺏِ ،ﻭﻫﻭ ﺍﻟﱠﺫﻱ ﻓﻲ ﺸﹶﺄﻥِ ﺍﻟﻐﻨﺎﺀِ ﻟﻡ
ﻴﻜﹸﻥ ﻴﻌﻁﻲ ﺭﺨﺼﺔﹶ ﺍﻻﺴﺘﻤﺎﻉ؛
ﺸﹸﻜﺭﺍﹰ ﻋﻠﻰ ﻨِﻌﻤﺔِ ﺃﻨﱢﻲ ﻟﻙ ﻏﹸﻼﻡ ﻤﻁﻴﻊ ،ﻨﻅﺭﺓﹰ ﺇﻟﻰ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻓﺎﻨﻅﹸﺭ ،ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻤﻠِﻙ
ﺍﻟﻤﻁﺎﻉ؛
ﻨﺤﻥ ﺇﻟﻰ ﻓﻴﺽِ ﺠﺭﻋﺔِ ﺠﺎﻤِﻙ ﻅﻤﺄﻯ ،ﻟﻜِﻨﱠﻨﺎ ﻻ ﻨﻤﻠﻙ ﺍﻟﺸﱠﺠﺎﻋﺔﹶ ،ﻭﻨﺨﺸﻰ ﻋﻠﻴﻙ
ﺍﻟﺼﺩﺍﻉ)(١؛
ﻴﺎ ﺭﺏ ﻻ ﺘﹸﺒﻌِﺩ ﺠﺒﻴﻥ ﺤﺎﻓِﻅﹶ ﻭﻭﺠﻬﻪ ،ﻋﻥ ﺘﹸﺭﺍﺏِ ﺒﻼﻁِ ﻜﺒﺭﻴﺎﺀِ ﺍﻟﺸﱠﺎﻩ ﺸﹸﺠﺎﻉ.
ﻏﺰﻝ ٢٩٣
ﺸﹶﻤﻌﺔﹸ ﺍﻟﺸﱠﺭﻕِ ﻤِﻥ ﺨﻠﻭﺓِ ﻗﺼﺭِ ﺍﻹﺒﺩﺍﻉ ،ﻭﻗﹾﺕﹶ ﺍﻟﺼﺒﺢِ ﺃﻟﻘﹶﺕﹾ ﺇﻟﻰ ﻜﹸلﱢ ﺍﻷﻁﺭﺍﻑِ
ﺍﻟﺸﱡﻌﺎﻉ)(٢؛
ﺍﻟﻔﹶﹶﻠﻙ ﺴﺤﺏ ﺍﻟﻤﺭﺁ ﹶﺓ ﻤِﻥ ﺠﻴﺏِ ﺍﻷُﻓﹸﻕِ ،ﻭﺃﻅﻬﺭ ﻭﺠﻪ ﺍﻟﺩﻨﻴﺎ ﺒِﻬﺎ ﺒﺂﻻﻑِ ﺍﻷﻨﻭﺍﻉ؛
ﻭﻓﻲ ﺯﻭﺍﻴﺎ ﺒﻴﺕِ ﻁﹶﺭﺏِ ﺠﻤﺸﻴﺩ ﺍﻟﻔﹶﻠﹶﻙ ،ﺍﻟﺯﻫﺭﺓﹸ ﻋﺯﻓﹶﺕِ ﻋﻠﻰ ﺍﻷُﺭﻏﹶﻨﻭﻥ ﻟﺤﻥ
ﺍﻟﺴﻤﺎﻉ؛
) (١ﻻ ﻨﻤﻠﻙ ﺸﺠﺎﻋﺔﹶ ﺍﻟﻁﱠﻠﹶﺏِ ،ﻭﻨﺨﺎﻑﹸ ﺃﻥ ﻨﹸﺜﹾﻘِلَ ﻋﻠﻴﻙ ﻭﻨﹸﺴﺒﺏ ﻟﻙ ﺍﻟﺼﺩﺍﻉ.
) (٢ﺸﻤﻌﺔﹸ ﺍﻟﺸﱠﺭﻕ :ﺍﻟﺸﱠﻤﺱ.
-٢٩٢-
ﻭﺍﻟﺭﺒﺎﺒﺔﹸ ﺤﺸﺭﺠﺕﹾ ﺘﻘﻭلُ ﺃﻴﻥ ﺍﻟﻤﻨﻜِﺭ ،ﻭﺍﻟﺠﺎﻡ ﻗﻬﻘﹶﻪ ﻴﻘﻭلُ ﺃﻴﻥ ﺍﻟﻤﻨﱠﺎﻉ؛
ﺍﻨﻅﹸﺭ ﻟِﻭﻀﻊِ ﺍﻟﺩﻫﺭِ ،ﻭﺍﺭﻓﹶﻊ ﻜﺄﺱ ﺍﻟﻌِﺸﹾﺭﺓِ ،ﻓﻤﻬﻤﺎ ﻜﺎﻨﹶﺕِ ﺍﻟﺤﺎلُ ،ﻫﺫﺍ ﺃﻓﻀلُ
ﺍﻷﻭﻀﺎﻉ؛
ﻁﹸﺭﺓﹸ ﻤﻌﺸﻭﻕِ ﺍﻟﺩﻨﻴﺎ ﻤﺼ ﻴﺩﺓﹲ ﻭ ﺨِﺩﺍﻉ ،ﻟﻴﺱ ﺒﻴﻥ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻓﻲ ﻫﺫﻩِ ﺍﻟﻘﻀﻴﺔِ
ﻨِﺯﺍﻉ؛
ﺇﻥ ﻜﹸ ﻨﹾﺕﹶ ﺘﹸﺭﻴ ﺩ ﻨﹶﻔﹾ ﻊ ﺍﻟﻌﺎ ﻟﹶﻡِ ﺍﹸﻁﻠﹸﺏِ ﺍﻟﻌ ﻤﺭ ﻟِﻜِﺴﺭﻯ ،ﻓﻭﺠﻭﺩﻩ ﻤِﻌﻁﺎﺀ ﻜﺭﻴ ﻡ
ﻨﻔﱠﺎﻉ؛
ﻤﻅﻬﺭ ﻟﹸﻁﹾﻑِ ﺍﻷﺯلِ ،ﻀﻴﺎﺀ ﻋﻴﻥِ ﺍﻷﻤلِ ،ﺠﺎﻤِﻊ ﺍﻟﻌِﻠﹾﻡِ ﻭﺍﻟﻌﻤلِ ،ﺭﻭﺡ ﺍﻟﻌﺎﻟﹶﻡِ،
ﺸﺎﻩ ﺸﹸﺠﺎﻉ.
ﻏﺰﻝ ٢٩٤
ﺒﻭﻓﺎﺌﻲ ﻟِﻌِﺸﹾﻘِﻙ ﺼِﺭﺕﹸ ﻤﺸﻬﻭﺭ ﺍﻷﻭﻓﻴﺎﺀِ ﻜﺎﻟﺸﱠﻤﻊ ،ﺒﻴﻥ ﺍﻟﺠﺎﻟِﺴﻴﻥ ﻓﻲ ﺤِﻤﺎﻙ
ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻌﺭﺒِﺩﻴﻥ ،ﺼِﺭﺕﹸ ﻜﺎﻟﺸﱠﻤﻊ؛
ﺍﻟﻨﱠﻭﻡ ﻻ ﻴﺠﻲﺀ ﻟﻌﻴﻨﻲ ﺍﻟﱠﺘﻲ ﺘﻌﺒﺩ ﺍﻟﻐﹶﻡ ﻟﻴﻼﹰ ﻭﻻ ﻨﻬﺎﺭﺍﹰ ،ﻤﺎ ﺃﻜﺜﹶﺭ ﻤﺎ ﺒﻜﻴﺕﹸ ﻓﻲ ﻋِﻠﱠﺔِ
ﻫﺠﺭِﻙ ﻜﺎﻟﺸﱠﻤﻊ؛
ﺤﺒلُ ﺼﺒﺭﻱ ﺒِﻤِﻘﺭﺍﺽِ ﻏﻤﻙ ﺍﻨﻘﹶﻁﹶﻊ ،ﻜﻤﺎ ﻓﻲ ﻨﺎﺭِ ﺤﺒﻙ ﺍﺤﺘﹶﺭﻗﹾﺕﹸ ﻜﺎﻟﺸﱠﻤﻊ؛
ﻟﻭ ﻟﻡ ﻴﻜﹸﻥ ﺴﺭﻴﻌﺎﹰ ﻜﹸﻤﻴﺕﹸ ﺩﻤﻌﻲ ﺒِﻠﹶﻭﻥِ ﺍﻟﻭﺭﺩِ ،ﻤﺘﻰ ﻜﺎﻥ ﻴﻀﻲﺀ ﺍﻟﺩﻨﻴﺎ ﺴِﺭﻱ
ﺍﻟﺨﻔﻲ ﻜﺎﻟﺸﱠﻤﻊ؛
ﻫﺫﺍ ﺍﻟﻘﻠﺏ ﺍﻟﻌﺎﺠِﺯ ﺒﻴﻥ ﺍﻟﻤﺎﺀِ ﻭﺍﻟﻨﱠﺎﺭِ ﻤﺸﻐﻭلٌ ﺒِﻙ ﻫﻜﺫﺍ ،ﻴﻤﻁِﺭ ﺍﻟﺩﻤ ﻊ
ﻜﺎﻟ ﺸﱠﻤﻊ؛
ﺃﺭ ﺴِلْ ﻓﹶﺭﺍﺸﹶ ﺔﹶ ﻭﺼلٍ ﺇﻟﻲ ﻓﻲ ﻟﻴلِ ﻫِﺠﺭﺍﻨﻲ ،ﺃﻭ ﻤِ ﻥ ﻭﺠ ﻌِﻙ ﺃُﺤﺭِﻕﹸ ﺍﻟﻌﺎﻟﹶﻡ
؛ ﻜﺎﻟ ﺸﱠﻤﻊ
-٢٩٣-
ﺒﻼ ﺤﺴﻨِﻙ ﺍﻟﱠﺫﻱ ﻴﺯﻴﻥ ﺍﻟﻌﺎﻟﹶﻡ ﻨﹶﻬﺎﺭﻱ ﻜﺎﻟﻠﱠﻴل ،ﺃﻨﺎ ﻤِﻥ ﻜﻤﺎلِ ﻋِﺸﹾﻘِﻙ ﻓﻲ ﻋﻴﻥِ
ﺍﻟﻨﱡﻘﺼﺎﻥِ ﻜﺎﻟﺸﱠﻤﻊ؛
ﺠﺒلُ ﺼﺒﺭﻱ ﻓﻲ ﻴﺩِ ﻏﻤﻙ ﺼﺎﺭ ﻤﺴﺤﻭﻗﺎﹰ ،ﻓﻲ ﺍﻟﻤﺎﺀِ ﻭﺍﻟﻨﱠﺎﺭِ ﻤِﻥ ﻋِﺸﹾﻘِﻙ ﺍﻨﺼﻬﺭﺕﹸ
ﻜﺎﻟﺸﱠﻤﻊ؛
ﻜﺎﻟﺼﺒﺢِ ﻟﹶﻡ ﻴﺒﻕﹶ ﻟﻲ ﻏﻴﺭ ﻨﹶﻔﹶﺱٍ ﻟﺭﺅﻴﺘِﻙ ،ﺃﻅﻬِﺭ ﺍﻟﻭﺠﻪ ﻴﺎ ﺤﺒﻴﺏ ﺍﻟﻘﹶﻠﹾﺏِ ﻜﻲ ﺃﻨﺜﹸﺭ
ﺍﻟﺭﻭﺡ ﻜﺎﻟﺸﱠﻤﻊ؛
ﻭﺍﺭﻓﹶﻊِ ﺍﻟﺭﺃﺱ ﻤِﻨﹼﻲ ﻟﻴﻠﹶﺔﹰ ﺒِﻭﺼﻠِﻙ ﻴﺎ ﺫﺍ ﺍﻟﺩﻻل ،ﻟِﺘﹶﺠﻌلَ ﺇﻴﻭﺍﻨﻲ ﺒِﻤﺭﺁﻙ ﻤﻨﻭﺭﺍﹰ
ﻜﺎﻟﺸﱠﻤﻊ؛
ﻅ ﻋﺠﺒﺎﹰ ،ﻤﺘﻰ ﺃُﻁﹾﻔِﺊُ ﺒﻤﺎﺀِ ﺍﻟﻌﻴﻥِ ﻨﺎﺭ ﺍﻟﻘﻠﹾﺏِ
ﺃﺨﹶﺫﹶﺕﹾ ﻨﺎﺭ ﺤﺒﻙ ﻓﻲ ﺭﺃﺱِ ﺤﺎﻓِ ﹶ
ﻜﺎﻟﺸﱠﻤﻊ.
ﻏﺰﻝ ٢٩٥
ﺴﺤﺭﺍﹰ ﻤﻥ ﻋﺒﻴﺭِ ﺍﻟﺒﺴﺘﺎﻥِ ﺭﺤﺕﹸ ﻟﻠﺭﻭﺽِ ﻜﺎﻟﺒﻠﺒلِ ﺍﻟﻭﻟﻬﺎﻥِ ﺃﺒﺘﻐﻲ ﻟﻠﺩﻤﺎﻍِ
ﺍﻟﻌِﻼﺝ؛
ﻅﹶﻬﺭ ﺍﻟﻭﺭﺩ ،ﺃﻟﻘﹶﻴﺕﹸ ﻨﹶﻅﺭﺓﹰ ﻋﻠﻴﻪ ،ﺒﺩﺍ ﻜﺎﻟﺴﺭﺍﺝِ ﺍﻟﻤﻀﻲﺀِ ﻓﻲ ﺍﻟﻅﱠﻼﻡِ ﺍﻟﺩﺍﺝ؛
ﻓﺎﺭﻍﹶ ﺍﻟﻘﹶﻠﹾﺏِ ﻜﺎﻥ ،ﻓﻲ ﻏﺭﻭﺭِ ﺍﻟﺸﱠﺒﺎﺏِ ﻭﺍﻟﺤﺴﻥِ ﻭﻓﻲ ﺸﹸﻐﹸلٍ ﻋﻥ ﻫﺯﺍﺭِﻩِ ﺍﻟﻤﺤﺘﺎﺝ؛
ﺃﺭﺴلَ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻷﺭﻋﻥ ﺍﻟﻤﺎﺀ ﻤِﻥ ﻋﻴﻨِﻪِ ﺤﺴﺭﺓﹰ ،ﻭﻅﻬﺭﺕﹾ ﻤِﻥ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻤِﺌﺔﹸ
ﻋﻼﻤﺔٍ ﻋﻠﻰ ﺍﺤﺘﺭﺍﻕِ ﻗﻠﺒِﻪِ ﻭﺭﻭﺤِﻪ؛
ﻭﻜﺎﻥ ﺍﻟﺴﻭﺴﻥ ﻋﺎﺒﺩ ﺍﻟﺨﻤﺭِ ﻴﻤﺴِﻙ ﺍﻟﺼﺭﺍﺡ ﻓﻲ ﻴﺩِﻩ ،ﻭﺍﻟﺸﱠﻘﺎﺌﻕﹸ ﻭﺍﻗﻑﹲ ﻜﺎﻟﺴﺎﻗﻲ
ﺍﻟﻤﺨﻤﻭﺭِ ﻭﺍﻟﺠﺎﻡ ﻓﻲ ﻜﻔﹼﻪ؛
ﻫﺫﺍ ﻤﻭﺴﻡ ﺍﻟﻭﺭﺩ ﻓﺎﻏﺘﻨِﻡ ﺍﻟﻌﻴﺵﹶ ﻭﺍﻟﻨﱠﺸﺎﻁﹶ ﻭﺍﻟﺸﱠﺒﺎﺏ ،ﻴﺎ ﺤﺎﻓﻅﹸ ﻤﺎ ﻋﻠﻰ ﺍﻟﺭﺴﻭلِ
ﺇﻻﹼ ﺍﻟﺒﻼﻍ.
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ﻏﺰﻝ ٢٩٦
ـﺄﺘﻲ ﺒِﻜـﻑﹼْ
ـﺴﺎﻋﺩﻱ ﻭﺜﻭﺒـﻪ ﻴـ
ـﺎﻟﻌﻲ ﻤـ
ﻟـﻭ ﻁـ
ﺃﻋﻁﺎﻩ ﻟـﻲ ﻭﺍﻁﹶﺭﺒـﻲ ﺃﻭ ﺸﹶـﺩﻩ ﻴـﺎ ﻟﻠـﺸﱠﺭﻑﹾ
ﻗﻠﺒﻲ ﺍﻟﻤﻠﻲﺀ ﺒﺎﻟﺭﺠـﺎ ﻟـﻡ ﻴﻠـﻕﹶ ﻋـﻭﻥ ﻭﺍﺤـﺩٍ
ﻭﻗِﺼﺘﻲ ﺴﺎﺭﺕ ﺒﻬﺎ ﺍﻷﺨﺒـﺎﺭ ﻓـﻲ ﻜﹸـلﱢ ﻁﹶـﺭﻑﹾ
ﻤﺎ ﺘﻡ ﻟﻲ ﻤِـﻥ ﺤﺎﺠِـﺏِ ﺍﻟﺤﺒﻴـﺏِ ﺤـلﱡ ﻋﻘﹾـﺩﺓٍ
ﻭﺍﻩٍ ﻭﻓﻲ ﻫﺫﺍ ﺍﻟﺨﻴـﺎلِ ﺍﻷﻋـﻭﺝِ ﺍﻟﻌﻤـﺭ ﺘﹶﻠِـﻑﹾ
ﺤﺎﺠِﺒﻪ ﻤﺘـﻰ ﻴـﺼﻴﺭ ﻤﻨﱢـﻲ ﻓـﻲ ﻴـﺩِ ﺍﻟﺨﻴـﺎل
ﺴﻬﻡ ﺍﻟﻤﺭﺍﺩِ ﻤﺎ ﺭﻤﻰ ﺸﹶﺨﹾﺹ ﻋﻠﻰ ﻫـﺫﺍ ﺍﻟﻬـﺩﻑﹾ
ﺍﻋﺘﹶﺯﻟﹾـﺕﹸ ﻤِﺜﹾـلَ ﺯﺍﻫِـﺩٍ ﺒِﺨﹶﻠﹾـﻭﺓٍ ﻓﺠـﺎﺀﻨﻲ ﻤِـﻥ
ﻜﹸلﱢ ﺼﻭﺏٍ ﻋـﺯﻑﹸ ﺨﻤـﺎﺭٍ ﻋﻠـﻰ ﻗﻴﺜـﺎﺭﺓٍ ﻭﺩﻑﹼْ
ﻗــﺴﺎ ﻋﻠــﻲ ﻗﻠــﺏ ﻤــﻥ ﺭﺒﻴﺘﹸــﻪ ﻤــﺩﻟﱠﻼﹰ
ـﺎﺭ ﺍﻟﺨﹶﻠﹶـﻑﹾ
ـﺎﺀ ﻟﻬـﻡ ،ﺠـ
ـﺎﺀ ﺁﺒـ
ـﺫﻜﹸﺭ ﺍﻷﺒﻨـ
ﻻ ﻴـ
ـﺎﻟﻐﺭﻭﺭِ
ـﻜﺭﻯ ﺒـ
ـﻭﻻﺓﹸ ﺴـ
ـﺎﻓِﻠﻭﻥ ،ﺍﻟـ
ـﺎﺩ ﻏـ
ﺍﻟﺯﻫـ
ﺍﻟﻨﱠﻘﹾﺵﹶ ﺍِﻗﺭﺃْ ﻻ ﺘﻘﹸـل ،ﻭﺍﻟﺨﻤـﺭ ﻫـﺎﺕِ ﻻ ﺘﹶﺨﹶـﻑﹾ
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﺼﻭﻓﻲ ﺁﻜِلِ ﺍﻟﻤـﺸﺒﻭﻩِ ﻤِـﻥ ﻁﻌـﺎﻡ
ﺭﺒﺎﻁﹸﻪ ﻜﻡ ﻁﺎلَ ﻜـﻲ ﻴﻨـﺎلَ ﻤـﻥ ﻫـﺫﺍ ﺍﻟﻌﻠﹶـﻑﹾ
ﺇﺫﺍ ﻤﺸﹶﻴﺕﹶ ﻓـﻲ ﻁﺭﻴـﻕِ ﺍﻵلِ ﺼـﺩﻗﺎﹰ ،ﺤﺎﻓِﻅـﺎ،
ﻴﻜﻭﻥ ﻓﻴﻬـﺎ ﺤﺎﻓِﻅـﺎﹰ ﻋﻠﻴـﻙ ﺴـﻠﻁﺎﻥ ﺍﻟﻨﱠﺠـﻑﹾ
ﺸﺭﺡ :ﺴﺄﺭﻓﹶﻊ ﻴﺩﻱ ﺇﻟﻰ ﺜﻭﺒِﻪِ ﻟﻌلﱠ ﺍﻟﺤﻅﱠ ﻴﺴﺎﻋِﺩﻨﻲ ﻭﺘﺼلُ ﺇﻟﻴﻪِ ﻓﺈﻥ ﻫﻲ
ﻭﺼﻠﺕﹾ ﻭﺃﻋﻁﺎﻨﻴﻪِ ﻭﺘﻤﺴﻜﺕﹸ ﺒِﻪ ِ،ﻓﻴﺎ ﻟﻌﻅﻴﻡِ ﺴﺭﻭﺭﻱ ،ﻭﺇﻥ ﺴﺤﺏ ﺍﻟﺜﱠﻭﺏ ﻤﻨﹼﻲ ،ﻓﻼ
ﻀﻴﺭ ﺒﻌﺩ ﺃﻥ ﺃﻜﻭﻥ ﻗﺩ ﻨﻠﺕﹸ ﺍﻟﺸﱠﺭﻑﹶ ﺍﻟﻌﻅﻴﻡ ﺒﻠﻤﺴِﻪِ ،ﻗﺎل ﺃﺤﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ ﻻ ﺘﻌﺎﻗﺒﻨﻲ
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ﺒِﻘﻁﻊِ ﻴﺩﻱ ﺒﺎﻟﺴﻴﻑِ ﺍﻟﻬﻨﺩﻱ ،ﺨﻠﱢﻬﺎ ﻟﻲ ﺃﺘﻤﺴﻙ ﺒﻬﺎ ﺒﺜﻭﺒِﻙ؛ ﻗﻠﺒﻲ ﺍﻟﻤﻠﻲﺀ ﺒﺎﻷﻤلِ ﻟﻡ
ﻕ
ﻴﺠِﺩ ﻋﻭﻨﺎﹰ ﻤﻥ ﺃﺤﺩٍ ﺭﻏﻡ ﺃﻥ ﺤﺩﻴﺙﹶ ﻗﺼﺘﻲ ﺴﺎﺭ ﻓﻲ ﺍﻟﺠِﻬﺎﺕِ ﻜﹸﻠﱢﻬﺎ ﻭﺒﻠﻎﹶ ﺍﻵﻓﺎ ﹶ
ﻜﹸﻠﱠﻬﺎ؛ ﻟﻡ ﺃﺴﺘﹶﻁِﻊ ﺃﻥ ﺃﺤلﱠ ﻋﻘﹾﺩﺓﹰ ﻭﺍﺤِﺩﺓﹰ ﻤِﻥ ﻗﻭﺱِ ﺤﺎﺠِﺒِﻙ ،ﻭﺍﻩٍ ﻓﻌﻤﺭﻱ ﻀﺎﻉ ﻭﺘﹶﻠِﻑﹶ
ﻓﻲ ﻁﹶﻠﹶﺏِ ﺘﺤﻘﻴﻕِ ﻫﺫﺍ ﺍﻟﺨﻴﺎلِ ﺍﻟﻤﺎﺌل؛ ﻤﺘﻰ ﻴﺼﻴﺭ ﺤﺎﺠِﺒﻪ ﻓﻲ ﻴﺩِ ﺍﻟﺨﻴﺎلِ ﻤِﻨﱢﻲ،
ﻭﻻ ﺸﹶﺨﹾﺹ ﺭﻤﻰ ﺴﻬﻡ ﺍﻟﻤﺭﺍﺩِ ،ﻋﻠﻰ ﻫﺩﻑٍ ﺒﻬﺫﺍ ﺍﻟﻜﻤﺎل؛ ﻜﻡ ﻫﻭ ﻗﺎﺱٍ ﻋﻠﻲ ﻗﻠﺏ
ﺫﻟﻙ ﺍﻟﺤﺒﻴﺏِ ﺯﺍﺌﺩِ ﺍﻟﺠﻤﺎلِ ﻓﺎﺌﻕِ ﺍﻟﺩﻻل ،ﻭﺃﻨﺎ ﺍﻟﱠﺫﻱ ﺭﺒﻴﺘﹸﻪ ﻋﻠﻰ ﺍﻟﺩﻻلِ ،ﻭﻴﻔﻌلُ ﺒﻲ
ﻓﻌلَ ﺍﻷﻭﻻﺩِ ﺍﻟﻌﺎﻗﹼﻴﻥ ﺍﻟﱠﺫﻴﻥ ﻻ ﻴﺫﻜﹸﺭﻭﻥ ﺁﺒﺎﺀﻫﻡ ،ﻻ ﻓِﻌلَ ﺍﻟﺒﺎﺭﻴﻥ ﺍﻟﺫﱠﺍﻜﺭﻴﻥ ﻵﺒﺎﺌﻬِﻡ
)ﻜﺫِﻜﺭِﻜﹸﻡ ﺁﺒﺎﺀﻜﹸﻡ(؛ ﻜﺎﻥ ﻓﻲ ﺨﻴﺎﻟﻲ ﺃﻥ ﺃﻋﻴﺵﹶ ﻓﻲ ﺨﻠﻭﺓٍ ﺯﺍﻫﺩﺍﹰ ،ﻭﺍﻟﻁﱠﺭﻴﻑﹸ ﺃﻥ
ﻋﺯﻑﹶ ﺍﺒﻥِ ﺸﻴﺦِ ﺍﻟﺤﺎﻥِ ﺍﻟﺠﻤﻴل ﻋﻠﻰ ﺍﻟﻘﻴﺜﺎﺭﺓِ ﻭﺍﻟﺩﻑﹼْ ﻜﺎﻥ ﻴﺄﺘﻴﻨﻲ ﻤِﻥ ﻜﹸلﱢ
ﺍﻟﺠِﻬﺎﺕ)ﻓﻴﻁﺭﺒﻨﻲ ﻭﻴﻘﻁﻊ ﻋﻠﻲ ﻁﺭﻴﻕﹶ ﺍﻟﺯﻫﺩ(؛ ﺍﻟﺯﺍﻫﺩﻭﻥ ﺠﺎﻫﻠﻭﻥ ،ﻓﺎﻗﺭﺃِ ﺍﻟﻨﱠﻘﹾﺵﹶ
ﻭﻻ ﺘﻘﹸلْ ﻷﺤﺩٍ ،ﻭﺍﻟﻤﺤﺘﹶﺴِﺏ ﺒِﻪِ ﺴﻜﹾﺭ ﺍﻟﺭﺌﺎﺴﺔِ ،ﻓﻬﺎﺕِ ﺍﻟﺨﻤﺭ ﻭﻻ ﺘﺨﻑﹾ؛ ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ
ﺼﻭﻓﻲ ﺍﻟﻤﺩﻴﻨﺔِ ،ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻴﺄﻜﹸلُ ﻟﹸﻘﹶﻡ ﺍﻟﻁﱠﻌﺎﻡِ ﻤِﻥ ﺸﹸﺒﻬﺔٍ ،ﻜﺤﻴﻭﺍﻥٍ ﻁﺎلَ ﺤﺒﻠﹸﻪ ﻟﻴﺯﺩﺍﺩ
ﻋﻠﹶﻔﹸﻪ)،ﻴﺄﻜﹸلُ ﻜﻤﺎ ﺘﺄﻜﹸلُ ﺍﻷﻨﻌﺎﻡ ،ﻴﻁﻠﹸﺏ ﻏﺫﺍﺀ ﺍﻟﺒﺩﻥِ ﻻ ﻏﺫﺍﺀ ﺍﻟﺭﻭﺡ(؛ ﻴﺎ ﺤﺎﻓﻅﹸ ﺇﺫﺍ ﻤﺎ
ﺴِﺭﺕﹶ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻵلِ ﺼﺎﺩِﻗﺎﹰ ،ﻴﻜﻭﻥ ﺍﻟﺤﺎﻓِﻅﹸ ﻟﻙ ﻓﻲ ﻁﺭﻴﻘِﻙ ﺴﻠﻁﺎﻥ ﺍﻟﻨﱠﺠﻑ ،ﻭﻫﻭ
ﺃﻤﻴﺭ ﺍﻟﻤﺅﻤﻨﻴﻥ ﻋﻠﻲ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ﻭﺍﻵلُ ﺁلُ ﻤﺤﻤﺩٍ ﻋﻠﻴﻬِﻡ ﺍﻟﺴﻼﻡ.
ﻏﺰﻝ٢٩٧
ﻭﺃﻴﻥ ﻟِﺴﺎﻨﻲ ﻤِﻥ ﺒﻴـﺎﻥِ ﻓِﺭﺍﻗـﻲ ﺙ ﻓِﺭﺍﻗـﻲ
ﻋﺠﺯﺕﹸ ﻓﹶﻠﹶﻡ ﺃﺸﹾﺭﺡ ﺤﺩﻴ ﹶ
ﻭﻫﺎ ﻗﺩ ﻤﻀﻰ ﻋﻤﺭﻱ ﻭﺩﺍﻡ ﻓِﺭﺍﻗﻲ ﻓﻭﺍ ﺃﺴﻔﹶﺎ ﻋﻤﺭﺍﹰ ﻗﹶﻀﻴﺕﹸ ﻟِﻭﺼـﻠِﻪِ
ﻗﹶﻠﹶﻡ ﺍﻟﻠﹼﺴﺎﻥِ ﻏﻴﺭ ﻗﺎﺩِﺭٍ ﻋﻠﻰ ﺒﻴﺎﻥِ ﺍﻟﻔِﺭﺍﻕ ،ﻭﻟﻭ ﻜﺎﻥ ﻟﺭﻭﻴﺕﹸ ﻟﹶﻙ ﺭِﻭﺍﻴﺔﹶ ﺍﻟﻔِﺭﺍﻕ؛
ﺃﺴﻔﺎﹰ ﻤﺩﺓﹸ ﺍﻟﻌﻤﺭِ ،ﻭﻜﺎﻨﹶﺕﹾ ﻜﹸﻠﱡﻬﺎ ﺒِﺄﻤلِ ﺍﻟﻭِﺼﺎلِ ،ﻭﺼﻠﹶﺕﹾ ﻟﻠﻨﱢﻬﺎﻴﺔِ ﻭﻟﻡ ﻴﺼِلْ ﻟﻠﻨﱢﻬﺎﻴﺔِ
ﺯﻤﺎﻥ ﺍﻟﻔِﺭﺍﻕ؛
ﺭﺃﺴﻲ ﺍﻟﱠﺫﻱ ﻜﹸﻨﺕﹸ ﺃﺭﻓﹶﻌﻪ ﺒِﻔﺨﹾﺭٍ ﻋﻠﻰ ﺍﻟﻔﹶﻠﹶﻙِ ،ﺒﺎﻟﺼﺎﺩﻗﻴﻥ ﺇﻨﹼﻲ ﻭﻀﻌﺘﹸﻪ ﻋﻠﻰ ﻋﺘﺒﺔِ ﺍﻟﻔِﺭﺍﻕ؛
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ﻜﻴﻑﹶ ﻟﻲ ﺒﻔﺘﹾﺢِ ﺍﻟﺠﻨﺎﺡِ ﻓﻲ ﻫﻭﺍﺀِ ﺍﻟﻭِﺼﺎلِ ،ﺭﻴﺵﹸ ﻁﺎﺌﺭ ﻗﻠﺒﻲ ﺍﻨﺘﺜﹶﺭ ﺒِﻌِﺵﱢ ﺍﻟﻔِﺭﺍﻕ؛
ﺍﻵﻥ ﻤﺎ ﺤﻴﻠﺘﻲ ﻭﻓﻲ ﺒﺤﺭِ ﺍﻟﻐﹶﻡ ﺒﺈﻋﺼﺎﺭٍ ،ﻭﻗﹶﻊ ﺯﻭﺭﻕﹸ ﺼﺒﺭﻱ ﻤﻥ ﺸﺭﺍﻉِ ﺍﻟﻔِﺭﺍﻕ؛
ﺊ ﻤِﻥ
ﻟﻡ ﻴﺒﻕﹶ ﺍﻟﻜﺜﻴﺭ ،ﺴﻔﻴﻨﹶﺔﹸ ﺍﻟﻌﻤﺭِ ﻏﹶﺭِﻗﹶﺕﹾ ﻤِﻥ ﻤﻭﺝِ ﺍﻟﺸﱠﻭﻕِ ﻓﻲ ﺒﺤﺭٍ ﺒﻼ ﺸﻭﺍﻁِ َ
ﺍﻟﻔﺭﺍﻕ؛
ﻟﻭ ﻭﻗﹶﻊ ﺍﻟﻔﺭﺍﻕﹸ ﻓﻲ ﻴﺩﻱ ﻟﻘﺘﻠﺘﹸﻪ ،ﺴﻭﺩ ﺍﷲُ ﻴﻭﻡ ﺍﻟﻬﺠﺭِ ﻭﻤﺘﺎﻉ ﻭﻤﻨﺯِلَ ﺍﻟﻔﺭﺍﻕ؛
ﺃﻨﺎ ﺭﻓﻴﻕﹸ ﺨﻴلِ ﺍﻟﺨﻴﺎلِ ،ﻭﺠﻠﻴﺱ ﺍﻟﺼﺒﺭِ ،ﻭﻗﺭﻴﻥ ﻨﺎﺭِ ﺍﻟﻬِﺠﺭﺍﻥِ ،ﻭﺃﺴﻴﺭ ﺍﻟﻔِﺭﺍﻕ؛
ﻜﻴﻑﹶ ﺃﺩﻋﻲ ﻭﺼﻠﹶﻙ ﺒﺭﻭﺤﻲ ﺍﻟﱠﺘﻲ ﺫﹶﻫﺒﺕﹾ ،ﺒﺩﻨﻲ ﻭﻜﻴلُ ﺍﻟﻘﻀﺎﺀِ ﻭﻗﻠﺒﻲ ﻀﻤﺎﻥ ﺍﻟﻔِﺭﺍﻕ؛
ﻗﻠﺒﻲ ﻤِﻥ ﺤﺭﻴﻕِ ﺍﻟﺸﱠﻭﻕِ ﻓﻲ ﺒﻌﺩِ ﺍﻟﺤﺒﻴﺏ ﻜﹶﺒﺎﺏ ،ﻭﺍﻟﻤﺩﺍﻡ ﺃﺸﺭﺏ ﻤِﻥ ﺩﻡِ ﺍﻟﺤﺸﺎ
ﻋﻠﻰ ﻤﺎﺌﺩﺓِ ﺍﻟﻔِﺭﺍﻕ؛
ﻕ ﺼﺒﺭﻱ ﺒِﺤﺒلِ ﺍﻟﻔِﺭﺍﻕ؛
ﻭﻟﻤﺎ ﺭﺃﻯ ﺍﻟﻔﹶﻠﹶﻙ ﺭﺃﺴﻲ ﺃﺴﻴﺭ ﺩﻭﻻﺏِ ﺍﻟﻌِﺸﹾﻕِ ،ﺭﺒﻁﹶ ﻋﻨﹸ ﹶ
ﻟﻭ ﻜﺎﻥ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕﹸ ﻴﻘﹾﻁﹶﻊ ﺒِﻘﹶﺩﻡِ ﺍﻟﺸﱠﻭﻕِ ﻴﺎ ﺤﺎﻓﻅ ،ﻤﺎ ﻜﺎﻥ ﺸﹶﺨﺹ ﺃﻋﻁﻰ ﻟﻴﺩِ
ﺍﻟﻬﺠﺭِ ﻋِﻨﺎﻥ ﺍﻟﻔِﺭﺍﻕ.
ﻏﺰﻝ ٢٩٨
ﻤﻘﺎﻡ ﺍﻷﻤﻥِ ﻭﺍﻟﺼﻬﺒﺎ ﺼﺭﺍﺡ ﻭﺍﻟﺭﻓﻴـﻕﹸ ﺸﹶـﻔﻴﻕﹾ
ﻭﻜﻡ ﻓﻲ ﺍﻷﻤﺭِ ﻤﺎﺩﺍﻤﺕﹾ ﻟﺩﻴﻙ ﺍﻟﺨﹶﻤﺭ ﻤِﻥ ﺘﻭﻓﻴـﻕﹾ
ـﺎ
ـﺎ ﻓﻴﻬـ
ﺴـﺭﺍﺏ ﻫـﺫِﻩِ ﺍﻟـﺩﻨﹾﻴﺎ ﻭﻭﻫـﻡ ﻜﹸـلﱡ ﻤـ
ﻭﻟﻲ ﺃﻟﹾﻔﺎﹰ ﻤِﻥ ﺍﻟﻤـﺭﺍﺕِ ﺒـﺎﻥ ﺍﻷﻤـﺭ ﺒـﺎﻟﺘﱠﺤﻘﻴﻕﹾ
ﻓﻭﺍ ﺃﺴـﻔﻲ ﻭﻭﺍﺤﺯﻨـﻲ ﻟِـﺄﻨﹼﻲ ﻟﹶـﻡ ﺃﻜﹸـﻥ ﺃﺩﺭﻱ
ﻕ ﺭﻓﻴـﻕﹾ
ﺒِﺄﻥ ﺴﻌﺎﺩﺓﹶ ﺍﻹﻨـﺴﺎﻥِ ﻓـﻲ ﺃﻥ ﺍﻟﺭﻓﻴـ ﹶ
ﺃﻤﺎﻨﺎﹰ ﺨﹸﺫﹾ ﻭﻓﹸﺯ ﺒﺎﻟﻭﻗﹾﺕِ ﻤﺎ ﺴـﻤﺤﺕﹾ ﻟﹶـﻙ ﺍﻟـﺩﻨﻴﺎ
ﻓﹶﻜﹶﻡ ﻟﹶﻙ ﻓﻲ ﻁﹶﺭﻴﻕِ ﺍﻟﻌﻤﺭِ ﻴﻜﹾﻤﻥ ﻗـﺎﻁِﻊ ﻟِﻁﹶﺭﻴـﻕﹾ
-٢٩٧-
ﺘﻌﺎلَ ﻓﺘﻭﺒﺘﻲ ﻋﻥ ﻟﹶﻌلِ ﻤﻌـﺸﻭﻕٍ ﻭﻀِـﺤﻜﹶﺔِ ﺠـﺎﻡ
)(١
ﺨﻴﺎلٌ ﻤﺎ ﻟﻪ ﻓﻲ ﺍﻟﻌﻘﹾـلِ ﺘﺤﻘﻴـﻕﹲ ﻭﻻ ﺘـﺼﺩﻴﻕﹾ
ﻭﻤِﺜﻠﻲ ﻟﻴﺱ ﻴﺩﺭِﻙ ﻤِﺜﹾلَ ﺸﹶﻌﺭﺓِ ﺨﹶﺼﺭِﻙ ﺍﻟﻤﻭﻫـﻭﻡ
)(٢
ﻭﻟﻜِﻥ ﺨﺎﻁِﺭﻱ ﻤِﻨﹾﻬﺎ ﺴـﻌﻴﺩ ﻓﺎﻟﺨﹶﻴـﺎلُ ﺩﻗﻴـﻕﹾ
ﻭﻤﺎ ﻅﹶﻔِـﺭﺕﹾ ﺒِﻜﹸﻨﹾـﻪِ ﺤـﻼﻭﺓٍ ﻓـﻲ ﺒﺌـﺭِ ﺫﻗﹾﻨِـﻙ
)(٣
ﻤﺌــﺎﺕﹸ ﺃﻟــﻭﻑِ ﻓِﻜﹾــﺭٍ ﻋﻨــﻪ ﻗﻴــلَ ﻋﻤﻴــﻕﹾ
ﻭﻤﺎ ﻋﺠﺏ ﺇﺫﺍ ﺴﺎﻟﹶﺕﹾ ﺩﻤﻭﻋﻲ ﻭﻫﻲ ﻟﻭﻥ ﻋﻘﻴـﻕ
)(٤
ﻭﻤﻬﺭ ﺍﻟﺨﺎﺘﹶﻡِ ﺍﻟﺩﺭﻱ ﻤِﻥ ﺸﹶﻔﹶﺘﹶﻴﻙ ﻟـﻭﻥ ﻋﻘﻴـﻕﹾ
ﻭﻗﺎ َل ﺒِﻀﺤﻜﹶﺔٍ ﺇﻨﱢﻲ ﻏﹸـﻼﻡ ﺍﻟﻁﱠﺒـﻊِ ﻤِـﻥ ﺤـﺎﻓِﻅ
)(٥
ﻭﻜﹶﻡ ﻓﻲ ﺫﺍﻙ ﻓﻲ ﺸﺄﻨﻲ ﻤِﻥ ﺍﻟﻤﺤﺒﻭﺏِ ﻤِـﻥ ﺘﹶﺤﻤﻴـﻕﹾ
ﻏﺰﻝ ٢٩٩
ﺇﺫﺍ ﻤﺎ ﺸﹶﺭِﺒﺕﹶ ﺍﻟﺸﱠﺭﺍﺏ ﺃﺭِﻕﹾ ﺠﺭﻋﺔﹰ ﻤﻨﻪ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏ ،ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺫﱠﻨﺏِ ﺍﻟﱠﺫﻱ
ﻴﺼِلُ ﺍﻟﻨﱠﻔﻊ ﻤﻨﻪ ﻟﻠﻐﻴﺭِ ﻤﺎ ﺨﻭﻓﹸﻙ؛
ﺍِﺫﻫﺏ ﻭﺍﺸﺭﺏ ﺒﻜﹸلﱢ ﻤﺎ ﺘﻤﻠِﻙ ﺒﻼ ﺃَﺴﻑٍ ،ﻓﺈﻥ ﺍﻟﺩﻫﺭ ﻴﻀﺭِﺏ ﺒﻼ ﺃﺴﻑٍ ﺒﺴﻴﻑِ ﺍﻟﻬﻼﻙ؛
ﺒِﺤﻕﱢ ﺘﹸﺭﺍﺏِ ﺃﻗﺩﺍﻤِﻙ ﻴﺎ ﺴﺭﻭﻱ ﺍﻟﻤﺭﺒﻰ ﻋﻠﻰ ﺍﻟﺩﻻل ،ﻴﻭﻡ ﺍﻟﻭﺍﻗِﻌﺔِ ﻻ ﺘﺭﻓﹶﻊ ﺍﻟﻘﹶﺩﻡ
ﻋﻥ ﺘﹸﺭﺒﺘﻲ؛
) (١ﺘﻌﺎلَ ﻓﺎﻟﺘﱠﻭﺒﺔﹸ ﻋﻥ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺔِ ﺍﻟﻤﻌﺸﻭﻕِ ﺍﻟﻌﺫﺒﺔِ ﻭﻀﺤﻜﹶﺔِ ﺍﻟﺠﺎﻡِ ﺤِﻜﺎﻴﺔﹲ ﻻ ﻴﺼﺩﻗﹸﻬﺎ ﺍﻟﻌﻘلُ؛
) (٢ﺇﺫﺍ ﻜﺎﻥ ﻻ ﻴﺼِلُ ﺇﻟﻰ ﺨﹶﺼﺭِﻙ ﺍﻟﺩﻗﻴﻕِ ﻜﺎﻟﺸﱠﻌﺭﺓِ ﻤﻥ ﻫﻭ ﻤِﺜﻠﻲ ،ﻓﺨﺎﻁِﺭﻱ ﺴﻌﻴﺩ ﺒﺎﻟﺘﱠﻔﻜﻴﺭِ
ﻓﻲ ﻫﺫﺍ ﺍﻟﺨﻴﺎلِ ﺍﻟﺩﻗﻴﻕ؛
) (٣ﺍﻟﺤﻼﻭﺓﹸ ﺍﻟﱠﺘﻲ ﻟﻙ ﻓﻲ ﺒﺌﺭِ ﺫﹶﻗﹾﻨِﻙ ،ﻻ ﻴﺩﺭِﻙ ﻜﹸﻨﻬﻬﺎ ﻤﺌﺔﹸ ﺃﻟﻑِ ﻓِﻜﹾﺭٍ ﻋﻤﻴﻕ؛
) (٤ﺃﻱ ﻋﺠﺏٍ ﺇﺫﺍ ﺠﺭﻯ ﺩﻤﻌﻲ ﺒﻠﻭﻥِ ﺍﻟﻌﻘﻴﻕِ ،ﺨﺎﺘﹶﻡ ﺸﹶﻔﹶﺘِﻙ ﻤﻥ ﺍﻟﻌﻘﻴﻕ؛
) (٥ﻗﺎلَ ﻓﻲ ﻀﺤﻜﹶﺔٍ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺃﻨﺎ ﻏﹸﻼﻡ ﻁﺒﻌِﻙ) ﻗﺭﻴﺤﺘِﻙ ﺍﻟﺸﱢﻌﺭﻴﺔ( ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺃﻱ ﺤﺩ ﻭﺼلَ
ﻓﻲ ﺘﺤﻤﻴﻘﻲ
-٢٩٨-
ﺃﻫلُ ﺍﻟﻨﹼﺎﺭِ ﻭﺃﻫلُ ﺍﻟﺠﻨﱠﺔِ ﻭﺍﻷﻨﺎﺴﻲ ﻭﺍﻷﻤﻼﻙ ﺠﻤﻴﻌﺎﹰ ﻋﻨﺩﻫﻡ ﻓﻲ ﺍﻟﻤﺫﻫﺏِ ،ﺍﻟﺒﺨلُ ﻓﻲ
ﺍﻟﻁﱠﺭﻴﻘﺔِ ﻜﹸﻔﺭ؛
ﻤﻬﻨﺩِﺱ ﺍﻟﻔﹶﻠﹶﻙِ ﻜﻴﻑﹶ ﺃﻏﻠﹶﻕﹶ ﻁﹶﺭﻴﻕﹶ ﺍﻟﺩﻴﺭِ ﺫﺍ ﺍﻟﺴﺕﱢ ﺠِﻬﺎﺕٍ ﻓﻼ ﻁﺭﻴﻕﹶ ﺘﻭﺼِلُ ﺇﻟﻰ
ﺍﻟﺩﻴﺭِ ﺍﻟﻌﻤﻴﻕ؛
ﺴِﺤﺭ ﺒﻨﺕِ ﺍﻟﻌِﻨﹶﺏِ ﻴﻘﻁﹶﻊ ﻁﺭﻴﻕﹶ ﺍﻟﻌﻘل ،ﻻ ﻜﺎﻥ ﺇﻟﻰ ﻴﻭﻡِ ﺍﻟﻘﻴﺎﻤﺔِ ﺨﺭﺍﺏ ﻨﺒﺘﹶﺔِ ﺍﻟﻌِﻨﹶﺏ؛
ﺤﺎﻓِﻅﹸ ﺍﺘﺭﻙِ ﺍﻟﻌﺎﻟﹶﻡ ﻭﺭﺡ ﺴﻌﻴﺩﺍﹰ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺤﺎﻥ ،ﻭﻟﻴﻜﹸﻥ ﺩﻋﺎﺀ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ
ﻤﺅﻨِﺱ ﻗﹶﻠﺒِﻙ ﺍﻟﻁﱠﺎﻫِﺭ.
ﻏﺰﻝ ٣٠٠
ﻟﻭ ﻗﺼﺩﻨﻲ ﺃﻟﹾﻑﹸ ﻋﺩﻭ ﺒﺎﻟﻬﻼﻙِ ﻭﻜﹸﻨﹾﺕﹶ ﻟﻲ ﺼﺩﻴﻘﺎﹰ ،ﻻ ﺃﺨﺎﻑﹸ ﻤﻥ ﺍﻷﻋﺩﺍﺀِ؛
ﺃﻤﻠﻲ ﺒِﻭِﺼﺎﻟِﻙ ﻴﺒﻘﻴﻨﻲ ﺤﻴﺎﹰ ،ﻭﻟﻭﻻﻩ ،ﻜﹸلﱡ ﻨﹶﻔﹶﺱٍ ﻤِﻥ ﺃﻨﻔﺎﺴﻲ ﻤِﻥ ﻫﺠﺭِﻙ ﺭﻋﺏ ﻫﻼﻙ؛
ﻟﻭ ﺸﹶﻤﻤﺕﹸ ﻋﺒﻴﺭﻩ ﻤِﻥ ﺍﻟﺭﻴﺢِ ﻨﹶﻔﹶﺴﺎﹰ ﺒِﻨﹶﻔﹶﺱٍ ،ﻟﹶﻤﺯﻗﹾﺕﹸ ﺍﻟﺜﱠﻭﺏ ﻤِﻥ ﺍﻟﻐﹶﻡ ﻜﺎﻟﻭﺭﺩِ ﻟﹶﺤﻅﹶﺔﹰ ﺒِﻠﹶﺤﻅﹶﺔٍ؛
ﺘﺫﻫﺏ ﻟﻠﻨﱠﻭﻡِ ﻋﻴﻨﺎﻱ ﻤِﻥ ﺨﻴﺎﻟِﻙ ﻫﻴﻬﺎﺕ ﻴﻌﺭِﻑﹸ ﺍﻟﺼﺒﺭ ﻗﻠﺒﻲ ﻟﺩﻯ ﻓِﺭﺍﻗِﻙ ﺤﺎﺸﺎﻙ؛
ﺠﺭﺤﻙ ﻟﻲ ﺨﻴﺭ ﻤِﻥ ﺍﻟﻤﺭﻫﻡِ ﻤِﻥ ﻏﻴﺭِﻙ ﻭﺍﻟﺴﻡ ﻤِﻨﹾﻙ ﺨﻴﺭ ﻟﻲ ﻤِﻥ ﺩﻭﺍﺀِ ﺴﻭﺍﻙ(١)؛
ﺒِﻀﺭﺏِ ﺴﻴﻔِﻙ ﻗﺘﻠﻰ ﺤﻴﺎﺘﹸﻨﺎ ﺃﺒﺩﺍﹰ ﻷﻥ ﺭﻭﺤﻲ ﻗﺩ ﻁﺎﺏ ﺃﻥ ﻴﻜﻭﻥ ﻓِﺩﺍﻙ؛
ﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﻟﻪ ﻋﻠﻰ ﻗﹶﺩﺭِ ﻋِﻠﹾﻤِﻪِ ﺒِﻙ ﺇﺩﺭﺍﻙ ،ﻭﻤﺎ ﻜﹸلﱡ ﻨﺎﻅِﺭٍ ﺇﻟﻴﻙ ﻤﺒﺼِﺭ ﻭﻴﺭﺍﻙ؛
ﻻ ﺘﻠﻭِ ﺍﻟﻌِﻨﺎﻥ ،ﺇﻥ ﺘﹶﻀﺭِﺒﻨﻲ ﺒﺎﻟﺴﻴﻑِ ﺃﺤﻡِ ﺭﺃﺴﻲ ﺒﺎﻟﺘﱢﺭﺱِ ﻭﻻ ﺃﺭﻓﹶﻊ ﻴﺩﻱ ﻋﻥ
ﺴﺭﺝِ ﺤِﺼﺎﻨِﻙ؛
ﺤﺎﻓِﻅﹸ ﻴﺼﻴﺭ ﺒِﻌﻴﻥِ ﺍﻟﺨﹶﻠﹾﻕِ ﻋﺯﻴﺯ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺤﻴﻥ ﻴﻀﻊ ﻭﺠﻪ ﺍﻟﻤﺴﻜﹶﻨﹶﺔِ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏ
ﻋﻠﻰ ﺒﺎﺒِﻙ.
) (١ﺇﻥ ﺠﺭﺤﺘﹶﻨﻲ ﻓﻬﻭ ﺨﻴ ﺭ ﻤِﻥ ﺍﻟﻤﺭﻫﻡِ ﻤِﻥ ﻏﻴﺭِﻙ ،ﻭﺇﻥ ﺃﻋﻁﻴﺘﹶﻨﻲ ﺍﻟﺴﻡ ﻓﻬﻭ ﺨﻴﺭ ﻤِﻥ ﺃﻥ
ﻴﻌﻁﻴﻨﻲ ﻏﻴﺭﻙ ﺍﻟﺘﱢﺭﻴﺎﻕ.
-٢٩٩-
ﻏﺰﻝ ٣٠١
ﺤــﻕﱡ ﺍﻟﻤِﻠﹾــﺢِ ﺒِــﻪِ ﻗﹶﻠﹾﺒــﻲ ﻴﻁﹾﻠﹸــﺏ ﺸﹶــﻔﹶﺘﹶﻙ
)(١
ﺇﻨﱢــﻲ ﺃَﻗﹾــﻀﻲ ،ﺍِﺤﻔﹶــﻅﹾ ﺤﻘﹼــﻲ ،ﹶﺍﷲُ ﻤﻌــﻙ
ـﺎﻟﹶﻡِ ﻗﹸـﺩﺱٍ ،ﻤِ ـﻥ
ـﺎ ﺠـﻭﻫﺭ ﻗﹸـﺩﺱٍ ﻤِ ـﻥ ﻋـ
ﻴـ
)(٢
ﺫِﻜﹾﺭِﻙ ﻴﺤﺼلُ ﻤﺎ ﻴﺤﺼلُ ﻤِـﻥ ﺘﹶـﺴﺒﻴﺢِ ﻤﻠﹶـﻙ
ﺇﻥ ﻜﺎﻥ ﺒﺈﺨﻼﺼِﻲ ﺸﹶﻙ ﻫﻴﺎ ﺠﺭﺏ
)(٣
ﻤﻥ ﺒﻌﺩِ ﻋِﻴـﺎﺭِ ﺍﻟـﺫﱠﻫﺏِ ﺍﻟﺨـﺎﻟِﺹِ ﺃﻱ ﻤﺤـﻙْ
ﻗﹸﻠﺕﹶ ﺴﺘﺴﻜﺭ ﻭﺴﺘﻌﻁﻴﻨﻲ ﺜِﻨﺘـﻴﻥِ ﻤـﻥ ﺍﻟﻘﹸـﺒﻼﺕ
)(٤
ﻗﺩ ﻓﺎﺕﹶ ﺍﻟﻭﻋـﺩ ﻭﻟـﻡ ﺃﺭ ﻻ ﺜِﻨﺘـﻴﻥِ ﻭﻻ ﻴـﻙ
ﺍِﻓﺘﺢ ﺜﻐﺭﻙ ﺼـﺏ ﺍﻟـﺴﻜﱠﺭ ﻤﻨـﻪ ﻓـﺈﻥ ﺍﻟﻨﱠـﺎﺱ
ﻋﻠﻰ ﺸﻙ ﻤﻥ ﺜﻐﺭِﻙ ﻓﺎﻨﻑِ ﻋـﻥِ ﺍﻟﻨﱠـﺎﺱِ ﺍﻟـﺸﱠﻙْ
ﺴﺄﻫﺩ ﺍﻟﻔﹶﻠﹶﻙ ﺇﺫﺍ ﻤﺎ ﺴـﺎﺭ ﻋﻠـﻰ ﻏﻴـﺭِ ﻤـﺭﺍﺩﻱ
ﻟﺴﺕﹸ ﺃﻨﺎ ﻤﻥ ﻴﺤﺘﹶﻤِـلُ ﺍﻟﺫﱢﻟﱠـ ﹶﺔ ﻤِـﻥ ﺩﻭﻻﺏِ ﻓﹶﻠﹶـﻙ
ﺃﺭﻗﻴﺏ ﺇﺫﺍ ﻤـﺎ ﻤـﺭ ﺍﻟﻤﻌـﺸﻭﻕﹸ ﻋﻠـﻰ ﺤـﺎﻓﻅﹶ
)(٥
ﻗﹶــﺩﻤﻴﻥِ ﺘﹶــﻨﹶﺢ ﺒﻌﻴــﺩﺍﹰ ﻋﻨﹼــﺎ ﺸﹸــﻜﺭﺍﹰ ﻟــﻙ
) (١ﺇﻥ ﻟِﻘﻠﺒﻲ ﺍﻟﺠﺭﻴﺢ ﻋﻠﻰ ﺸﻔﺘﻙ ﺤﻘﱠﺎﹰ ﺒﻘﺒﻠﺔٍ ﻋﺫﺒﺔٍ ﻟﻘﺎﺀ ﻤﺎ ﺒﻴﻨﻬﻤﺎ ﻤﻥ ﻤﻌﺭﻓﺔ )ﺤﻕﱡ ﺍﻟﻤﻠﺢ(
ﻓﺎﺤﻔﻅﹾ ﻟﻲ ﺤﻘﹼﻲ ﻓﺈﻨﱠﻨﻲ ﺍﻵﻥ ﺃﻤﻭﺕﹸ ﻭﻟﻴﻜﹸﻥ ﺍﷲُ ﻤﻌﻙ؛
) (٢ﺃﻨﺕ ﺠﻭﻫﺭ ﻤﻘﺩﺱ ﻭﺫﻜﺭﻙ ﻓﻲ ﻋﺎﻟﹶﻡِ ﺍﻟﻤﻠﻜﻭﺕِ ﺘﺴﺒﻴﺢ ﻟﻠﻤﻼﺌﻜﺔ؛
) (٣ﺇﻥ ﻜﻨﺕ ﻓﻲ ﺸﻙ ﻤﻥ ﺇﺨﻼﺼﻲ ﻓﺠﺭﺒﻨﻲ ﻭﺃﻱ ﺸﻲﺀٍ ﺃﺼﻔﻰ ﻤﻥ ﺍﻟﺫﹼﻫﺏِ ﺍﻟﺨﺎﻟﺹ!؛
) (٤ﻴﻙ )ﻓﺎﺭﺴﻴﺔ( ﻭﺘﻌﻨﻲ ﺍﻟﻌﺩﺩ ﻭﺍﺤﺩ ،ﻭﻋﺩﺘﻨﻲ ﺒﺄﻥ ﺘﺴﻜﺭ ﻭﺘﻌﻁﻴﻨﻲ ﻗﺒﻠﺘﻴﻥ ﻭﻓﺎﺕ ﺍﻟﻭﻋﺩ ﻭﻟﻡ
ﺘﻌﻁﻨﻲ ﻻ ﻗﹸﺒﻠﺘﻴﻥِ ﻭﻻ ﻗﹸﺒﻠﺔﹰ ﻭﺍﺤِﺩﺓﹰ؛
) (٥ﺃﻱ ﺭﻗﻴﺏ ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﻻ ﺘﺘﺭﻙ ﺤﺎﻓِﻅﹶ ﺤﻴﻥ ﻴﻤﺭ ﻋﻠﻴﻪِ ﺍﻟﺤﺒﻴﺏ ،ﺭﺠﺎﺀ ﺍﺒﺘﻌِﺩ ﻋﻨﻪ ﻗﹶﺩﻤﺎﹰ ﺃﻭ
ﻗﹶﺩﻤﻴﻥِ ﻭﺸﹸﻜﹾﺭﺍﹰ ﻟﻙ.
-٣٠٠-
ﻏﺰﻝ ٣٠٢
ﻫل ﻟﻨﺎ ﺭﺍﺠِـﻊ ﺯﻤـﺎﻥ ﺍﻟﻭِﺼـﺎلْ ﻫﺎﺕِ ﺒﺸﹾﺭﺍﻙ ﻴﺎ ﻨﹶـﺴﻴﻡ ﺍﻟـﺸﱢﻤﺎلْ
)(١
ﻓﹸﺼِﻤﺕﹾ ﻫﺎ ﻫﻨﺎ ﻟِـﺴﺎﻥ ﺍﻟﻘﹶـﺎلْ ﻗِﺼﺔﹸ ﺍﻟﻌِـﺸﹾﻕِ ﻻ ﺍﻨﹾﻔِـﺼﺎﻡ ﻟﻬـﺎ
ـﺎلْ
ـﻑﹶ ﺍﻟﺤـ
ـﺎ ﻭﻜﹶﻴـ
ـﻥ ﺠﻴﺭﺍﻨﹸﻨـ
ﺃﻴـ ﻤﺎ ﻟِـﺴﻠﹾﻤﻰ ﻭﻤـﻥ ﺒِـﺫﻱ ﺴـﻠﹶﻡٍ
ﻓﺎﺴﺄَﻟﻭﺍ ﺤﺎﻟﹶﻬـﺎ ﻋـﻥِ ﺍﻷَﻁﹾـﻼل ﻋﻔﹶــﺕِ ﺍﻟــﺩﺍﺭ ﺒﻌــﺩ ﻋﺎﻓِﻴــﺔٍ
)(٢
ﻑ ﺍﷲُ ﻋﻨﹾﻙ ﻋـﻴﻥ ﻜﹶﻤـﺎلْ
ﺼﺭ ﹶ ﻓﻲ ﻜﻤـﺎلِ ﺍﻟﺠﻤـﺎلِ ﻨِﻠﹾـﺕﹶ ﻤﻨـﻰ
ﻤﺭﺤﺒــﺎﹰ ﻤﺭﺤﺒــﺎﹰ ﺘﹶﻌــﺎلَ ﺘﹶﻌــﺎلْ ـﺎ ﺒﺭﻴــﺩ ﺍﻟﺤِﻤــﻰ ﺤﻤــﺎﻙ ﺍﷲ
ﻴـ
)(٣
ﺃﻱ ﺠــﺎﻩٍ ﻭﻜِﺒﺭﻴــﺎ ﻭﺠــﻼلْ ﻟﹶـــﻴﺱ ﺘﹸﺭﻜِﻴﻨـــﺎ ﺒِﻨﺎﻅِﺭِﻨـــﺎ
*ﺍﻟﻘﺼﻴﺩﺓﹸ ﻤﻨﻅﻭﻤﺔﹲ ﺒﺎﻟﻌﺭﺒﻴﺔِ ﻤﻥ ﺍﻟﺸﱠﺎﻋﺭ ﻨﻔﺴﻪ ﻤﺎ ﻋﺩﺍ ﺍﻟﺒﻴﺘﻴﻥ ﺍﻷﻭل ﻭﺍﻷﺨﻴﺭ
ﻏﺰﻝ ٣٠٣
ﻕ ﻭِﺼــﺎلِ
ﺸــﻤﻤﺕﹸ ﺭﻭﺡ ﻭِﺩﺍﺩٍ ﻭﺸِــﻤﺕﹸ ﺒــﺭ ﹶ
)(٤
ﺃﻗﺒِلْ ،ﻋﺒﻴـﺭﻙ ﺃﻓـﺩﻱ ﺃﻴـﺎ ﻨـﺴﻴﻡ ﺍﻟـﺸﱢﻤﺎلِ
ﺃﺤﺎﺩﻴــﺎﹰ ﺒِﺠِﻤــﺎلِ ﺍﻟﺤﺒﻴــﺏِ ﻗــﻑﹾ ﻭﺍﻨــﺯِلْ
)(٥
ﻟﻡ ﻴﺒﻕﹶ ﺼﺒﺭ ﺠﻤﻴلٌ ﻋـﻥ ﺍﺸـﺘﻴﺎﻕِ ﺍﻟﺠﻤـﺎلِ
) (١ﻗﺼﺔِ ﺍﻟﻌﺸﻕ ﻤﺘﱠﺼِﻠﺔﹲ ﻻ ﺘﻨﻘﻁﻊ ﻭﺍﻟﻠﱢﺴﺎﻥ ﻋﻥ ﺸﺭﺤِﻬﺎ ﻋﺎﺠﺯ؛
) (٢ﻓﻲ ﻨﹸﺴﺦٍ :ﻓﻲ ﺠﻤﺎلِ ﺍﻟﻜﻤﺎلِ ﺒﺩلَ ﻓﻲ ﻜﻤﺎلِ ﺍﻟﺠﻤﺎلِ ،ﻟﻘﺩ ﺒﻠﻐﺕﹶ ﺍﻟﻤﺭﺍﺩ ﻤﻥ ﺍﻟﺠﻤﺎل ﻓﺠﻤﺎﻟﹸﻙ
ﻜﺎﻤلٌ ﺤﻤﺎﻙ ﺍﷲُ ﻤﻥ ﻋﻴﻥ ﺍﻟﺤﺴﻭﺩ؛
) (٣ﻤﻌﺸﻭﻗﻨﺎ ﺍﻟﺘﱡﺭﻜﻲ ﻻ ﻴﻨﻅﺭ ﺇﻟﻴﻨﺎ ﺁﻩِ ﻤﻤﺎ ﻋﻨﺩﻩ ﻤﻥ ﺍﻟﺠﺎﻩِ ﻭﺍﻟﻜﺒﺭﻴﺎﺀِ ﻭﺍﻟﺠﻼلِ.
) (٤ﺸﻤﻤﺕﹸ ﺭﻴﺢ ﺍﻟﻭِﺩﺍﺩِ ﺍﻟﺤﺎﻤﻠﺔِ ﻟﻠﺒﺸﺭﻯ ﻭﻻﺡ ﻟﻨﺎﻅﺭﻱ ﺒﺭﻕﹸ ﺍﻟﻭﺼﺎل ،ﻓﻴﺎ ﺭﻴﺢ ﺍﻟﺸﱢﻤﺎلِ ﺍﻟﻤﻌﻁﱠﺭﺓﹶ ﻤﻥ
ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﺃﻗﺒﻠﻲ ﺃﻨﺎ ﺍﻟﻔﺩﺍﺀ ﻟﻌﺒﻴﺭِﻙِ ﺍﻟﻁﱠﻴﺏ)ﻴﺎ ﺭﻴﺢ ﻴﻭﺴﻑﹶ ﻋﻠﻰ ﺭﻭﺡِ ﻴﻌﻘﻭﺏ(؛
) (٥ﻴﺎ ﺤﺎﺩﻴﺎﹰ ﻟﻨﻴﺎﻕِ ﺍﻟﺤﺒﻴﺏِ ﺘﻭﻗﱠﻑﹾ ﻋﻥ ﺍﻟﺴﻴﺭ ﻓﻠﻡ ﻴﺒﻕﱠ ﻋﻨﺩﻱ ﺼﺒﺭ ﺠﻤﻴلٌ ﻤﻥ ﺍﺸﺘﻴﺎﻗﻲ ﻟِﺠﻤﺎلِ
ﻤﻥ ﻤﻌﻙ؛
-٣٠١-
ﺤﻜﺎﻴــﺔﹶ ﻟﻴــلِ ﺍﻟﻬﺠــﺭﺍﻥِ ﺩﻉ ﺫِﻜﹾﺭﻫــﺎ ﺸﹸــﻜﺭﺍﹰ
)(١
ﻟﺭﻓﻊِ ﺍﻟﺤﺠـﺎﺏِ ﻋـﻥ ﻭﺠـﻪِ ﻴـﻭﻡِ ﺍﻟﻭِﺼـﺎلِ
ـﻲ ﺒ ـﺴﺒﻌﺔِ
ﺃﻗﺒِـلْ ﺒـﺴﻁﺕﹸ ﻟﻭﺤ ـﺔﹶ ﺭﺴـﻡٍ ﺒﻌﻴﻨِـ
ﺃﻁﺒــﺎﻕٍ ﻤــﻥ ﺍﻟﻠــﻭﻥِ ﻓــﻲ ﻤﺭﺴــﻡٍ ﺒِﺨﻴــﺎﻟﻲ
ﻴﻘﺒلُ ﺍﻟـﺼﻠﺢ ﻤﻌـﺸﻭﻗﹸﻨﺎ ﻭﻴﺒﻐـﻲ ﻟﻨـﺎ ﺍﻟﻌـﺫﺭ
)(٢
ـﺎلِ
ـﻲ ﻜﹸ ـلﱢ ﺤـ
ـﻭﺭِ ﺍﻟﺭﻗﻴ ـﺏِ ﻓـ
ـﻭ ﻟِﺠـ
ﻭﻴﻤﺤـ
ـﺎلُ ﺜﻐ ـﺭِﻙ
ـﻲ ﻗﻠﺒ ـﻲ ﺍﻟ ـﻀﻴﻕِ ﺇﻻﹼ ﺨﻴـ
ـﻴﺱ ﻓـ
ﻟـ
ﻻ ﺸﺨﺹ ﻤﺜﻠﻲ ﺠﺭﻯ ﺨﻠـﻑﹶ ﺍﻟﺨﻴـﺎلِ ﺍﻟﻤﺤـﺎلِ
ﺤــﺎﻓﻅﹸ ﺍﻟﻐﺭﻴــﺏ ﺼــﺎﺭ ﺍﻟﻘﺘﻴــ َل ﻟِﻌِــﺸﻘِﻙ
ـﻼلِ
ـﻭﺕﹶ ﺤـ
ـﻰ ﻗﺒـﺭِﻩِ ﺇﻨﱠـﻪ ﻤـﺎﺕﹶ ﻤـ
ﻤـﺭ ﻋﻠـ
ﻏﺰﻝ ٣٠٤
ﻤﺎﻟِﻙ ﺍﻟﺩﻨﻴﺎ ،ﻨﹸﺼﺭﺓﹸ ﺍﻟﺩﻴﻥِ ،ﺍﻟﻤﻠﻴﻙ ﺍﻟﻜﺎﻤِلُ ،ﻴﺤﻴﻰ ﺒﻥ ﻤﻅﹶﻔﱠﺭٍ ﺍﻟﻤﻠِﻙ ﺍﻟﻌﺎﻟِﻡ ﺍﻟﻌﺎﺩِلُ؛
ﻗﺼﺭﻙ ﻜﻬﻑﹸ ﺍﻻِﺴﻼﻡِ ﺍﻟﺤﺼﻴﻥ ﻓﻲ ﺍﻷﺭﺽِ ،ﻤﻔﺘﻭﺤﺔﹲ ﻓﻴﻪِ ﻨﺎﻓِﺫﹶﺓﹲ ﻟﻠﺭﻭﺡِ ﻭﺒﺎﺏ ﻟﻠﻘﻠﺏ؛
ﺡ ﻭﺍﻟﻌﻘﹾلِ ﻭﺍﺠِﺏ ﻭﻻﺯِﻡ ،ﺍِﻨﻌﺎﻤﻙ ﻋﻠﻰ ﺍﻟﻜﻭﻥِ ﻭﺍﻟﻤﻜﺎ ﻥِ
ﺘﻌﻅﻴﻤﻙ ﻋﻠﻰ ﺍﻟﺭﻭ ِ
ﻓﺎﺌﺽ ﻭﺸﺎﻤِل؛
ﻓﻲ ﻴﻭﻡِ ﺍﻷﺯلِ ،ﻤِﻥ ﻗﹶﻠﹶﻤِﻙ ،ﻗﹶﻁﹶﺭﺕﹾ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻟﻘﹶﻤﺭِ ﻗﻁﺭﺓﹲ ﺴﻭﺩﺍﺀ ﻜﺎﻥ ﺒِﻬﺎ ﺤلﱡ
ﻤﺴﺎﺌل)(٣؛
) (١ﺍﺠﻌلْ ﺘﺭﻙ ﺫِﻜﺭِ ﺤﻜﺎﻴﺔِ ﻟﻴلِ ﺍﻟﻬﺠﺭﺍﻥِ ﺸﹸﻜﺭﺍﹰ ﻟﻨﻌﻤﺔِ ﻴﻭﻡِ ﺍﻟﻭﺼﺎل)ﻟﻴلُ ﺍﻟﻌﺎﺭﻑِ ﺍﻟﻤﻅﻠِﻡ ﺒﺩﻨﹸﻪ ﻭﻨﻬﺎﺭﻩ
ﺍﻟﻤﻀﻲﺀ ﺭﻭﺤﻪ ،ﻓﻬﻭ ﻤﺴﺎﻓِﺭ ﻤﻥ ﺍﻟﺒﺩﻥِ ﺇﻟﻰ ﺍﻟﺭﻭﺡ ،ﻭﻤﻥ ﻅﻼﻡِ ﺍﻟﻬﺠﺭِ ﺇﻟﻰ ﻨﻭﺭِ ﺍﻟﻭﺼل(؛
) (٢ﻤﻌﺸﻭﻗﹸﻨﺎ ﻋﻔﻭ ﻴﺤﺏ ﺍﻟﻌﻔﻭ ،ﻴﻘﺒلُ ﺘﻭﺒﺘﹶﻨﺎ ﻭﻴﻤﺤﻭ ﺫﻨﻭﺒﻨﺎ ﺍﻟﱠﺘﻲ ﻜﺘﺒﻬﺎ ﺍﻟﺭﻗﻴﺏ ﻋﻠﻴﻨﺎ)ﺇﻥ ﺍﷲَ
ﻋﻔﻭ ﻴﺤﺏ ﺍﻟﻌﻔﻭ(.
) (٣ﺍﻟﻘﻁﺭﺓﹸ ﺍﻟﺴﻭﺩﺍﺀ :ﻨﹸﻘﻁﹶﺔ ﺍﻟﺨﺎل ،ﻭﺠﻪ ﺍﻟﻘﹶﻤﺭ :ﻭﺠﻬﻙ ﺍﻟﺸﱠﺒﻴﻪ ﺒﺎﻟﻘﹶﻤﺭ ،ﺍﻟﻤﺴﺎﺌل :ﻤﺴﺎﺌلُ
ﺍﻟﻌِﺸﹾﻕِ ﻭﻜﻴﻑﹶ ﻅﹶﻬﺭ ﺍﻟﻭﺠﻭﺩ.
-٣٠٢-
ﺍﻟﺸﱠﻤﺱ ﻟﻤﺎ ﺭﺃﺕﹾ ﺨﺎﻟﹶﻙ ﺍﻷﺴﻭﺩ ﻗﺎﻟﺕﹾ ﺒِﻘﹶﻠﺒِﻬﺎ :ﻟﻴﺘﻨﻲ ﻜﹸﻨﺕﹸ ﻏﹸﻼﻡ ﺫﻟِﻙ ﺍﻟﻬﻨﺩﻱ ﺍﻟﻤﺴﻌِﺩ؛
ﺃﻱ ﺸﺎﻩ ،ﺍﻟﻔﹶﹶﻠﻙ ﻤِﻥ ﻤﺤﻔﹶﻠِﻙ ﻓﻲ ﺭﻗﺹٍ ﻭﺴﻤﺎﻉ ،ﻻ ﺘﺴﺤﺏ ﻴﺩ ﺍﻟﻁﱠﺭﺏِ ﻤِﻥ ﺭِﺩﺍﺀِ
ﻫﺫِﻩِ ﺍﻟﺯﻤﺯﻤﺔ؛
ﻭﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻭﻫﺏِ ﺍﻟﻌﺎﻟﹶﻡ ﻟِﻤﻥ ﺘﺸﺎﺀ ،ﻓﻤِﻥ ﺸِﺒﺎﻙِ ﻓﺭﻋِﻙ ﺭِﻗﺎﺏ ﻤﺭﻴﺩﻱ ﺍﻟﺴﻭﺀِ
ﻤﺭﺒﻭﻁﹶﺔﹲ ﺒﺴﻼﺴِل؛
ﺼﺎﺭ ﺩﻭﺭ ﺍﻟﻔﹶﻠﹶﻙِ ﻓﺠﺄﺓﹰ ﻋﻠﻰ ﻤﻨﻬﺞِ ﺍﻟﻌﺩلِ ،ﺍﺴﻌﺩ ﻓﻠﻥ ﻴﺄﺨﹸﺫﹶ ﺍﻟﻅﱠﺎﻟِﻡ ﻁﺭﻴﻘﺎﹰ ﺇﻟﻰ ﻤﻨﺯِلٍ؛
ﺤﺎﻓِﻅﹸ ،ﻗﹶﻠﹶﻡ ﺴﻠﻁﺎﻥِ ﺍﻟﻌﺎﻟﹶﻡِ ﻤﻘﺴﻡ ﺍﻟﺭﺯﻕ ،ﻻ ﺘﹸﻔﻜﱢﺭ ﻤِﻥ ﺃﺠلِ ﺍﻟﻤﻌﻴﺸﹶﺔِ ﺍﻟﺘﱠﻔﻜﻴﺭ
ﺍﻟﺒﺎﻁِل.
ﻏﺰﻝ ٣٠٥
ﻓﻲ ﻭﻗﹾﺕِ ﺍﻟﻭﺭﺩِ ﺨﺠِﻠﹾﺕﹸ ﻤِﻥ ﺍﻟﺘﱠﻭﺒﺔِ ﻋﻥِ ﺍﻟﺸﱠﺭﺍﺏِ ،ﻻ ﺃﺼﺎﺏ ﺍﻟﺨﹶﺠلُ ﻤِﻥ ﻋﻤلٍ
ﻏﻴﺭِ ﺼﺎﺌﺏٍ ﺸﹶﺨﹾﺼﺎﹰ؛
ﺼﻼﺤﻨﺎ ﻜﹸﻠﱡﻪ ﻟﻴﺱ ﻏﻴﺭ ﺸﹶﺒﻜﹶﺔِ ﻁﺭﻴﻕٍ ،ﻭﺃﻨﺎ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺒﺤﺙِ ﻟﺴﺕﹸ ﺨﹶﺠِﻼﹰ ﻤﻥ
ﺍﻟﺸﱠﺎﻫِﺩِ ﻭﺍﻟﺴﺎﻗﻲ ﺒﺄﻱ ﺒﺎﺏ)(١؛
ﻋﺴﻰ ﻤِﻥ ﺍﻟﺨﹸﻠﹸﻕِ ﺍﻟﻜﺭﻴﻡِ ﻻ ﻴﻤلﱠ ﻤِﻨﹼﻲ ﺍﻟﺤﺒﻴﺏ ،ﻓﺄﻨﺎ ﻤِﻥ ﺍﻟﺴﺅﺍلِ ﻤﻠﻭلٌ ﻭﻤِﻥ
ﺍﻟﺠﻭﺍﺏِ ﺨﹶﺠِلٌ)(٢؛
ﻤِﻥ ﺩﻡٍ ﺴﺎلَ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤِﻥ ﺭﻭﺍﻕِ ﻋﻴﻨﻲ ،ﺨﺠِﻠﹾﺕﹸ ﻤِﻥ ﻨﹶﻅﹶﺭِ ﺍﻟﺫﱠﺍﻫﺒﻴﻥ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ؛
ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﻤﺨﻤﻭﺭ ﺇﺫﺍ ﻁﺄﻁﺄَ ﺍﻟﺭﺃﺱ ﺤﻕﱠ ﻟﻪ ،ﻟﻘﺩ ﺨﺠِلَ ﻤِﻥ ﻨﹶﻅﹾﺭﺓِ ﻋﻴﻨِﻙ ﺍﻟﻤﻠﻴﺌﺔِ
ﺒﺎﻟﻌِﺘﺎﺏ؛
) (١ﺍﻻﻏﺘﺭﺍﺭ ﺒﺎﻟﺼﻼﺡِ ﻤﺼﻴﺩﺓﹲ ﻓﻲ ﺍﻟﺩﻴﻥ؛
) (٢ﺃﻤلﱡ ﻤِﻥ ﺍﻟﺴﺅﺍلِ )ﺍﻟﺩﻋﺎﺀ( ﻭﺃﺨﺠلُ ﻤِﻥ ﺍﻟﺠﻭﺍﺏِ )ﻋﻨﺩ ﺴﺅﺍﻟِﻪِ ﻋﻥ ﻋﻤﻠﻲ(؛
-٣٠٣-
ﺠﻤﺎ ﻟﹸﻙ ﺃﺒﻬﻰ ﻤ ﻥ ﺍﻟﺸﱠ ﻤﺱِ ،ﻭﺸﹸﻜﺭﺍﹰ ﷲِ ﺃﻨﱢﻲ ﻟﺴﺕﹸ ﻤِﻨ ﻙ ﺨﹶ ﺠِﻼﹰ ﻤِﻥ ﻭﺠ ﻪِ
ﺍﻟﺸﱠ ﻤﺱ )(١؛
ﻤﺎﺀ ﺍﻟﺨِﻀﺭِ ﻴﻅلﱡ ﻤﺨﺘﻔﻴﺎﹰ ﻓﻲ ﺤِﺠﺎﺏِ ﺍﻟﻅﱡﻠﹾﻤﺔِ ﻟِﺄﻨﱠﻪ ﺨﹶﺠِلٌ ﻤِﻥ ﺸِﻌﺭِ ﺤﺎﻓِﻅﹶ ﻭﻤﺎﺀِ
ﻟﹸﻁﹾﻑِ ﻗﺭﻴﺤﺘِﻪِ.
ﻏﺰﻝ ٣٠٦
ﻟﻭ ﻜﺎﻥ ﻟﻲ ﺇﻟﻰ ﺤِﻤﺎ ﻙ ﻤﺠﺎلُ ﻭﺼﻭل ،ﻜﺎﻥ ﺸﹸ ﻐﻠﻲ ﺒﺩﻭﻟﹶﺔِ ﻭﺼﻠِﻙ ﻴﺘﻡ
ﺒﺄﺼﻭل؛
ﺫﻟِﻙ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻷﺭﻋﻥ ﺴﺎﻟِﺏ ﻟِﻘﹶﺭﺍﺭﻱ ،ﻭﺴﺎﻟِﺏ ﻟِﻔﺭﺍﻏﻲ ﺫﻟِ ﻙ ﺍﻟﺤﺎﺠِﺏ
ﺍﻟﻤﻜﺤﻭل؛
ﺃﻨﺎ ﺒﺒﺎﺒِﻙ ﺒﻼ ﻤﺘﺎﻉٍ ﻭﻻ ﻗﹸﺩﺭﺓٍ ﻭﻻ ﺫﹶﻫﺏٍ ،ﻭﻟﻴﺱ ﻟﻲ ﻟِﺄﻱ ﺒﺎﺏٍ ﺁﺨﹶﺭ ﻁﺭﻴﻕﹸ
ﺨﹸﺭﻭﺝٍ ﻭﺩﺨﻭل؛
ﺃﻴﻥ ﺃﺫ ﻫﺏ ،ﻤﺎ ﺃﻓ ﻌلُ ،ﺍﻟﻌﻭﻥ ﻤﻥ ﺃﺴﺄلُ؟ ،ﺃﻨﺎ ﻤِ ﻥ ﻏﻡ ﻭ ﺠﻭﺭِ ﺍﻟ ﺩﻫﺭِ ﻤﺘﻌ ﺏ
ﻭﻤﻠﻭلٌ؛
ﺃﻨﺎ ﺍﻟﻤﻜﺴﻭﺭ ،ﺴ ﻴﺊُ ﺍﻟﺤﺎلِ ،ﺃﺠِﺩ ﺍﻟﺤﻴﺎﺓﹶ ﺯﻤﻥ ﺃﺼﻴﺭ ﺒِ ﺴﻴﻑِ ﻏﻤﻙ ﺍﻟﻤﻘﺘﻭل؛
ﻟﻡ ﻴﺠِﺩ ﻏﻤﻙ ﻤﻜﺎﻨﺎﹰ ﺃﻜﺜﹶﺭ ﺨﺭﺍﺒﺎﹰ ﻤِﻥ ﻗﻠﺒﻲ ،ﻓﺠﻌلَ ﻤِﻥ ﻗﻠﺒ ﻲ ﺍﻟ ﻀﻴﻕِ ﻤﻘﺭ
ﻨﺯﻭل؛
ﻤﻨﹾﺫﹸ ﺼﺎﺭ ﻗﻠﺒﻲ ﻤِﻥ ﺠﻭﺍﻫِﺭِ ﺸﹶﻤﺴِﻙ ﻤﺼﻘﻭﻻﹰ ،ﻭﻫﻭ ﻤِﻥ ﺼﺩﺃِ ﺍﻟﺤﻭﺍﺩِﺙ ﻜﹸلﱠ
ﻟﺤﻅﹶﺔٍ ﻤﺼﻘﻭل؛
ﺃﻱ ﺤﺒﻴﺒﻲ ﻭﻗﻠﺒﻲ ،ﺃﻱ ﺠﺭ ﻡٍ ﻓﻌﻠﹾﺕﹸ ﺒِﺤﻀﺭﺘِ ﻙ ،ﻓ ﻌﻤﻠﻲ ﺒِﻁﺎ ﻋﺘِﻙ ﻭﺃﻨﺎ ﺍﻟﻭﻟﻬﺎﻥ
ﻏﻴﺭ ﻤﻘﺒﻭل؛
) (١ﻟﺴﺕﹸ ﻤﻥ ﺘﻔﻀﻴﻠِﻙ ﻋﻠﻰ ﺍﻟﺸﱠﻤﺱِ ﺨﹶﺠِﻼﹰ ﻤِﻥ ﻭﺠﻪِ ﺍﻟﺸﱠﻤﺱِ.
-٣٠٤-
ﺘﹶﺠ ﻤلْ ﺒِﺄﻟﹶﻡِ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﺼﻤﺕﹾ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﻻ ﺘﹸﻔﹾ ﺵِ ﺭﻤﻭﺯ ﺍﻟﻌِﺸﹾ ﻕِ ﻋِ ﻨﹾﺩ ﺃﻫلِ
ﺍﻟﻌﻘﻭل.
ﻏﺰﻝ ٣٠٧
ﻤﺎ ﻗﹸﻠﹾﺕﹸ ﻤِﻥ ﻟﹶﻁﻴﻔﹶﺔٍ ﻓـﻲ ﻭﺼـﻑِ ﺫﻱ ﺍﻟـﺸﱠﻤﺎﺌلْ
)(١
ـلْ
ـﻪِ ﺩﺭ ﺍﻟﻘﺎﺌــ
ـﺎﺩﻱ ﻟِﻠﱠــ
ـﺴﺎﻤِﻌﻲ ﻴﻨــ
ﻓﹶــ
ﺘﺤــﺼﻴلُ ﻋــﺸﻘﻲ ﺃﻭﻻﹰ ﺴــﻬﻼﹰ ﺒــﺩﺍ ﻟﻜﻨﱠﻨــﻲ
)(٢
ﺤﺭﻗﹾﺕﹸ ﺭﻭﺤﻲ ﺁﺨـﺭﺍﹰ ﻓـﻲ ﻤﺘﹾﺠـﺭِ ﺍﻟﻔﹶـﻀﺎﺌِلْ
ﺍﻟﺤﻠﹼــﺎﺝ ﻴــﻭﻡ ﺸــﻨﻘِﻪِ ﻓــﻲ ﺤﺒﻠِــﻪِ ﺘﻐﻨﱠــﻰ
)(٣
ﺍﻟــﺸﱠﺎﻓِﻌِﻲ ﻻ ﺘــﺴﺄﻟﻭﺍ ﺃﻤﺜــﺎلَ ﺫﻱ ﺍﻟﻤــﺴﺎﺌلْ
ﻗﻠﺕﹸ ﻤﺘﻰ ﺘﹸﻌﻁـﻲ ﺍﻟﻌﻁـﺎﺀ ﺭﻭﺤـﻲ ﺍﻟـﻀﻌﻴﻔﹶﻪ
)(١
ﻗﺎلَ ﻤﺘﻰ ﺘﺼﻴﺭ ﻟـﻴﺱ ﺤﻭﻟﻬـﺎ ﻤـﻥ ﺤﺎﺌـلْ
) (١ﻜﻠﱠﻤﺎ ﻗﹸﻠﺕﹸ ﻋﺒﺎﺭﺓﹰ ﻟﻁﻴﻔﺔﹰ ﻤﻥ ﻜﻼﻤﻲ ﻓﻲ ﻭﺼﻑِ ﻤﺤﺎﺴِﻨِﻙ ﻭﺴﺠﺎﻴﺎﻙ ﺼﺭﺥﹶ ﺍﻟﺴﺎﻤﻊ ﻟﻬﺎ
ﻗﺎﺌﻼﹰ :ﷲِ ﺩﺭ ﺍﻟﻘﺎﺌل)ﻤﻥ ﺤﻼﻭﺘِﻬﺎ(؛
) (٢ﺘﺤﺼﻴلُ ﺍﻟﻌﺸﻕِ ﻭﺍﻟﺴﻜﺭِ ﺒﺩﺍ ﻟﻲ ﺴﻬﻼﹰ ﺃﻭلَ ﺍﻷﻤﺭ ،ﻭﻫﺎ ﺃﻨﺎ ﺃﺨﻴﺭﺍﹰ ﺃﺤﺭﻕﹸ ﺭﻭﺤﻲ ﻻﻜﺘﺴﺎﺏِ
ﻫﺫﻩِ ﺍﻟﻔﻀﺎﺌلِ ﺍﻟﱠﺘﻲ ﻻ ﺘﹸﻨﺎلُ ﺇﻟﹼﺎ ﺒﺎﺤﺘﺭﺍﻕِ ﺍﻟﺭﻭﺡ؛
) (٣ﻭﻟﻘﺩ ﺘﻐﻨﹼﻰ ﺍﻟﺤﻠﹼﺎﺝ ﻋﻠﻰ ﻋﻭﺩِ ﻤﺸﻨﻘﺘِﻪِ ﺒﻘﻭﻟِﻪِ :ﻻ ﺘﺴﺄﻟﻭﺍ ﺍﻟﺸﱠﺎﻓﻌﻲ ﺃﻤﺜﺎلَ ﻫﺫﻩِ ﺍﻟﻤﺴﺎﺌل )ﻷﻨﹼﱠ ﻪ
ﻻ ﻴﻌﺭﻓﹸﻬﺎ ﻭﺨﺹ ﺍﻟﺸﱠﺎﻓﻌﻲ ﺒﺎﻟﺫﱢﻜﺭِ ﻟﻌﻠﻤِﻪِ ﺍﻟﻭﺍﺴِﻊِ ﺒﺎﻟﻔِﻘﻪِ ﻭﻴﻌﻨﻲ ﺒﻪِ ﺴﺎﺌﺭ ﺍﻟﻔﹸﻘﻬﺎﺀ ،ﻭﻴﻘﺼﺩ
ﺒﺎﻟﻤﺴﺎﺌلِ ﻤﺴﺎﺌلَ ﺍﻟﻌﺸﻕ ،ﻜﻘﻭلِ ﺍﻟﺤﻠﱠﺎﺝ:
ﻨﺤــﻥ ﺭﻭﺤــﺎﻥِ ﺤﻠﹶﻠﻨــﺎ ﺒــﺩﻨﺎ ﺃﻨﺎ ﻤﻥ ﺃﻫﻭﻯ ﻭﻤـﻥ ﺃﻫـﻭﻯ ﺃﻨـﺎ
ﻭﺇﺫﺍ ﺃﺒــــﺼﺭﺘﹶﻪ ﺃﺒــــﺼﺭﺘﹶﻨﺎ، ﻓـــﺈﺫﺍ ﺃﺒـــﺼﺭﺘﹶﻨﻲ ﺃﺒـــﺼﺭﺘﹶﻪ
ﻭﻗﻭﻟﹸﻪ ﺃﻨﺎ ﺍﻟﺤﻕ ،ﻭﻟﻴﺱ ﻓﻲ ﺠﺒﺘﻲ ﺴﻭﻯ ﺍﷲ ،ﻤﻥ ﻋﺒﺎﺭﺍﺕٍ ﻟﻡ ﻴﻔﻬﻡ ﻤﻐﺯﺍﻫﺎ ﻓﻘﻬﺎﺀ ﻋﺼﺭِ ِﻩ
ﻓﺄﻓﺘﹶﻭﺍ ﺒﻜﹸﻔﺭِﻩِ ﻭﻗﺘﻠِﻪ ،ﻭﻗﺘﻠﻭﻩ ﺸﻨﻘﺎﹰ ﻋﻠﻰ ﺠﺴﺭِ ﺒﻐﺩﺍﺩ ﺴﻨﺔ ٣٠٧ﻫﺠﺭﻴﻪ ،ﺜﹸﻡ ﻗﻁﻌﻭﺍ ﻴﺩﻴﻪِ
ﻭﺭﺠﻠﻴﻪِ ﻭﺃَﺤﺭﻗﻭﻩ ﻭﺫﺭﻭﺍ ﺭﻤﺎﺩﻩ ﻤﻊ ﺍﻟﺭﻴﺢ(؛
-٣٠٥-
ﺃَﺴــﻠﹶﻤﺕﹸ ﻗﹶﻠﺒــﻲ ﻏــﺎﺩﺓﹰ ﻤﻠﻴﺤــﺔﹰ ﻤﻌــﺸﻭﻗﹶﺔﹰ
ﻤﺭﻀِــﻴﺔﹶ ﺍﻟــﺴﺠﺎﻴﺎ ﻤﺤﻤــﻭﺩﺓﹶ ﺍﻟﺨﹶــﺼﺎﺌِلْ
ﺭﺃﻴﺕﹸ ﻤﻥ ﻁﻭﻓﺎﻥِ ﻨـﻭﺡٍ ﻤـﻥ ﺩﻤـﻭﻋﻲ ﻤﺎﺌـﺔﹰ
ﻭﺭﺴﻤﻪ ﻤﻥ ﻟـﻭﺡِ ﺼـﺩﺭﻱ ﻟـﻡ ﻴﻜﹸـﻥ ﺒﺯﺍﺌـلْ
ﻓــﻲ ﻋﺯﻟﹶﺘــﻲ ﺸﹶــﺒﻬﺘﹸﻨﻲ ﺒِﻌﻴﻨِــﻙ ﺍﻟﻤﺨﹾﻤــﻭﺭﻩ
)(٢
ﻓﻲ ﺴـﻜﹾﺭﺘﻲ ﺒِﺤﺎﺠِـﺏٍ ﻟِﻠﹾﻌـﻴﻥِ ﻤِﻨﹾـﻙ ﻤﺎﺌِـل
ـﺎﻓِﻅ،
ﺘﻌﻭﻴـﺫﹶﺓﹰ ﻟِـﺩﻓﹾﻊِ ﻋـﻴﻥِ ﺍﻟـﺴﻭﺀ ،ﻜـﻑﱠ ﺤـ
)(٣
ﺨﹸﺫﹾ ﻜﻲ ﺃﺭﻯ ﻤﺤﻤﻭﻟﹶـﺔﹰ ﻟﹶـﺩﻴﻙ ﻓـﻲ ﺍﻟﺤﻤﺎﺌـلْ
ﻏﺰﻝ ٣٠٨
ﺃﻱ ﻤﻥ ﻭﺠﻬﻙ ﻜﺠﻨﱠﺔٍ ﻭﺸﹶﻔﹶﺘﹸﻙ ﺴﻠﺴﺒﻴلٌ ،ﺭﻭﺤﻲ ﻭﻗﻠﺒﻲ ﻟﺴﻠﺴﺒﻴﻠِﻙ ﻭﻗﻑﹸ ﺴﺒﻴلْ؛
ﺨﻁﱡ ﺸﹶﻌﺭِ ﻋﺫﺍﺭِﻙ ﺍﻷﺨﻀﺭِ ﺤﻭلَ ﺸﹶﻔﹶﺘِﻙ ،ﺸﺎﺒﻪ ﺍﻟﻨﱠﻤلَ ﺤﻭلَ ﺍﻟﺴﻠﺴﺒﻴلْ؛
ﺴﻬﻡ ﻋﻴﻨِﻙ ،ﻓﻲ ﻜﹸلﱢ ﺭﻜﹾﻥٍ ،ﺃﻭﻗﹶﻊ ﻤِﺜﻠﻲ ﻤِﺌﺔﹶ ﻗﺘﻴلْ؛
ﻴﺎ ﺭﺏ ﺍﺠﻌلِ ﺍﻟﻨﱠﺎﺭ ﺍﻟﱠﺘﻲ ﺒِﺭﻭﺤﻲ ﺒﺭﺩﺍﹰ ﻜﻤﺎ ﺠﻌﻠﹾﺕﹶ ﻨﺎﺭ ﺍﻟﺨﻠﻴلْ؛
ﺃﻨﺎ ﻻ ﺃﺠِﺩ ﺍﻟﻤﺠﺎلَ ،ﺃﻱ ﺃﺼﺤﺎﺏ ،ﺭﻏﻡ ﺃﻨﱠﻪ ﻴﻤﻠﻙ ﺠﻤﺎلَ ﻜﹸلﱢ ﺠﻤﻴلْ؛
ﻗﺩﻤﻨﺎ ﻋﺭﺠﺎﺀ ﻭﺍﻟﻤﻨﺯِلُ ﺒﻌﻴﺩ ﺠِﺩﺍﹰ ،ﻴﺩﻨﺎ ﻗﺼﻴﺭﺓﹲ ﻭﺍﻟﺘﱠﻤﺭ ﻋﻠﻰ ﺍﻟﻨﱠﺨﻴلْ؛
) (١ﺴﺄﻟﺕﹸ ﺤﺒﻴﺒﻲ ﻤﺘﻰ ﺴﺘﺭﺤﻡ ﺭﻭﺤﻲ ﺍﻟﻀﻌﻴﻔﹶﺔﹶ ﻓﻘﺎلَ ﺤﻴﻥ ﻻ ﻴﺒﻘﻰ ﺒﻴﻨﻲ ﻭﺒﻴﻨﻬﺎ ﺤﺎﺌلٌ ﻴﺤﻭلُ،
ﻭﺫﻟﻙ ﺇﺫﺍ ﺼﺎﺭﺕ ﻋﺭﻴﺎﻨﺔﹰ ﺃﻱ ﻓﻨﻴﺕﹾ ﻋﻥ ﺍﻟﻭﺠﻭﺩ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺍﻟﺭﻭﺡ ﺍﻟﻌﺭﻴﺎﻨﺔﹸ ﺘﻘﺒلُ
ﺘﺠﻠﹼﻲ ﺍﻟﺠﻤﺎل؛
) (٢ﺇﻨﱠﻨﻲ ﻓﻲ ﻋﺯﻟﺘﻲ ﻋﻥ ﺍﻟﻨﱠﺎﺱ ﺸﺒﻴﻪ ﺒﻌﻴﻨﻙ ﺍﻟﺴﻜﺭﻯ ،ﻓﻜﻼﻨﺎ ﻓﻲ ﻋﺯﻟﺔٍ ﺘﺎﻤﺔ ،ﻭﺤﻴﻥ ﺃﺫﻫﺏ
ﻤﻊ ﺍﻟﺴﻜﺎﺭﻯ ﺃﺘﻤﺎﻴلُ ﻓﻲ ﻤﺸﻴﺘﻲ ﻜﺤﺎﺠﺒﻙ ﺍﻟﻤﺎﺌل؛
) (٣ﺍﻟﺘﱠﻌﻭﻴﺫ :ﺍﻟﺭﻗﻴﺔﹸ ﺘﹸﻜﺘﹶﺏ ﻭﺘﹸﻌﻠﱠﻕﹸ ﻋﻠﻰ ﺍﻹﻨﺴﺎﻥ ﻟِﺩﻓﹾﻊِ ﻋﻴﻥِ ﺍﻟﺴﻭﺀ ،ﻭﺍﻟﺤﻤﺎﺌل ﺠﻤﻊ ﺤِﻤﺎﻟﺔ ﻭﻫﻲ
ﻋﻠﹼﺎﻗﹶﺔﹸ ﺍﻟﺴﻴﻑ.
-٣٠٦-
ﺤﺎﻓِﻅﹸ ﻓﻲ ﻗﺒﻀﺔِ ﻋِﺸﹾﻕِ ﺍﻟﻤﻌﺸﻭﻕِ ،ﻋﺎﺠِﺯ ﻜﻨﻤﻠﹶﺔٍ ﺘﺤﺕﹶ ﺃﻗﺩﺍﻡِ ﻓﻴلْ؛
ﺩﺍﻡ ﻟِﺸﺎﻩِ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻟﺒﻘﺎﺀ ﻭﺍﻟﻌِﺯ ﻭﺍﻟﻤﺠﺩ ،ﻭﻜﹸلﱡ ﻤﺎ ﻫﻭ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻘﺒﻴلْ.
ﻏﺰﻝ ٣٠٩
ﺱ ﺃُﻨﺱٍ ،ﻭﺤﺭﻴﻑﹲ ﻨﺩﻴﻡ ،ﻭﺸﹸﺭﺏ ﻤﺩﺍﻡ؛
ﻤﻐﺎﺯﻟﹶﺔﹲ ،ﻭﺸﺒﺎﺏ ،ﻭﺸﺭﺍﺏ ﻋﻘﻴﻕٍ ﺃﺤﻤﺭ ،ﻭﻤﺠﻠِ
ﻭﺴﺎﻕٍ ﺴﻜﱠﺭﻱ ﺍﻟﺜﱠﻐﹾﺭِ ،ﻭﻤﻁﹾﺭِﺏ ﻋﺫﹾﺏ ﺍﻟﺤﺩﻴﺙِ ،ﻭﺭِﻓﻘﹶﺔﹲ ﺃﺨﻴﺎﺭ ،ﻭﻨﺩﻴﻡ ﺤﺴﻥ ﺍﻻِﺴﻡِ
ﻓﻲ ﺍﻷﻨﺎﻡ؛
ﻭﺸﺎﻫِﺩ ﻴﻐﺎﺭ ﻤِﻨﹾﻪ ﻤِﻥ ﺍﻟﻠﱡﻁﹾﻑِ ﻭﺍﻟﻁﱠﻬﺎﺭﺓِ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ،ﺤﺒﻴﺏ ﻴﺜﻴﺭ ﺒﺎﻟﺤﺴﻥِ ﻭﺍﻟﺠﻤﺎلِ
ﻏﻴﺭ ﹶﺓ ﺒﺩﺭِ ﺍﻟﺘﱠﻤﺎﻡ؛
ﻭﻤﺤﻔﹶلٌ ﻟﻠﻁﱠﺭﺏِ ﻤﻔﺭِﺡ ﻟﻠﻘﹶﻠﹾﺏِ ،ﻜﹶﻘﹶﺼﺭِ ﺍﻟﻔِﺭﺩﻭﺱِ ،ﺤﻭﻟﹶﻪ ﺭﻭﻀﺔﹸ ﻭﺭﺩٍ ﻜﺭﻭﻀﺔِ
ﺩﺍﺭِ ﺍﻟﺴﻼﻡ؛
ﻭﺼﻑﱡ ﺠﻠﹼﺎﺱٍ ﺒِﺄﺨﻼﻕٍ ﺤِﺴﺎﻥٍٍ ،ﻭﺴﺎﺩﺓﹲ ﺃﻫلُ ﺃﺩﺏٍ ﻜِﺭﺍﻡ ،ﻭﺤﺭﻴﻔﻭﻥ ﺃﻭﻓﻴﺎﺀ،
ﻭﺃﺼﺩِﻗﺎﺀ ﺫﻭﻭ ﺃﺤﻼﻡ؛
ﻭﺨﹶﻤﺭ ﺒِﻠﹶﻭﻥِ ﺍﻟﻭﺭﺩِ ،ﻁﹶﻌﻤﻪ ﻤﺭ ،ﻤﺫﺍﻗﹸﻪ ﺤﺎﺩ ،ﺸﹸﺭﺒﻪ ﻋﺫﹾﺏ ،ﺨﻔﻴﻑﹲ ،ﻨﻘﻼﹰ ﻋﻥ ﻟﺅﻟﺅِ
ﺍﻟﺤﺒﻴﺏِ ﻭﻨﻘﻼﹰ ﻋﻥِ ﺍﻟﻴﺎﻗﻭﺕِ ﺍﻟﺨﺎﻡ(١)؛
ﻭﻏﻤﺯﺓﹸ ﺴﺎﻕٍ ﺘﺴلﱡ ﺍﻟﺴﻴﻑﹶ ﻓﻲ ﻏﺎﺭﺓٍ ﻋﻠﻰ ﺍﻟﻌﻘﹾلِ ،ﻭﻓﺭﻉ ﺤﺒﻴﺏٍ ﻟِﺼﻴﺩِ ﺍﻟﻘﹶﻠﹾﺏِ ﻨﺸﹶﺭ
ﺍﻟﺸﱢﺒﺎﻙ؛
ﻤﻥ ﻗﹶﻠﹾﺒﻪ ﻻ ﻴﺴﻌﺩ ﺒِﻬﺫﻩِ ﺍﻟﻌِﺸﹾﺭﺓِ ﻓﻠﻴﺫﻫﺏ ﺇﻟﻰ ﺒﻭﺍﺭٍ ،ﻭﻤﻥ ﻻ ﻴﺒﺤﺙﹸ ﻋﻥ ﻫﺫﺍ
ﺍﻟﻤﺠﻠِﺱِ ﺤﻴﺎﺘﹸﻪ ﺤﺭﺍﻡ.
ﻏﺰﻝ ٣١٠
) (١ﻴﺤﻜﻲ ﺍﻟﻴﺎﻗﻭﺕﹶ ﺍﻟﺨﺎﻟِﺹ
-٣٠٧-
ﻤﺭﺤﺒﺎﹰ ﺃﻴﻬﺎ ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﻤﺒﺎﺭﻙ ﺍﻟﺨﹸﻁﻰ ﺍﻟﺴﻌﻴﺩ ﺍﻟﺨﹶﺒﺭِ ،ﻗﺩِﻤﺕﹶ ﺨﻴﺭ ﻤﻘﹾﺩﻡٍ ،ﻤﺎ ﺍﻟﺨﹶﺒﺭ،
ﺃﻴﻥ ﺍﻟﺤﺒﻴﺏ ،ﻓﻲ ﺃﻱ ﺩﺭﺏٍ؟؛
ﻴﺎ ﺭﺏ ﺍﺠﻌلْ ﻫﺫِﻩِ ﺍﻟﻘﺎﻓِﻠﹶﺔﹶ ﻤﺤﻔﻭﻅﹶﺔﹰ ﺒِﻠﹸﻁﹾﻑِ ﺍﻷﺯلِ ،ﻭﻟﻴﻘﹶﻊ ﻓﻲ ﺍﻟﺸﱠﺭﻙِ
ﺨﹶﺼﻤﻬﺎ ،ﻭﻟﻴﺒﻠﹸﻎِ ﺍﻟﻤﻌﺸﻭﻕﹸ ﺍﻟﻤﺭﺍﺩ؛
ﻤﺎ ﺠﺭﻯ ﻟﻲ ﻤﻊ ﺍﻟﻤﻌﺸﻭﻕِ ﻤﺎ ﻟﹶﻪ ﻨِﻬﺎﻴﺔﹲ ،ﻜﹸلﱡ ﺸﻲﺀٍ ﺒﻼ ﺒِﺩﺍﻴﺔٍ ﻻ ﻴﻘ ﺒ لُ
ﺍﻟﻨﱢﻬﺎﻴﺔ؛
ﺍﻟﻭﺭﺩ ﻴﺘﻨﻌﻡ ،ﻭﻗﺩ ﺠﺎﻭﺯ ﺍﻟﺤﺩ ،ﺃﻅﹾﻬِﺭِ ﺍﻟﻭﺠﻪ ﻗﹶﺩﺭ ﻨﹶﻔﹶﺱٍ ،ﻭﺍﻟﺴﺭﻭ ﻴﺘﻜﺒﺭ،
ﻭﻻ ﻴﺤﺴﻥ ﻤِﻨﻪ ﺫﻟِﻙ ،ﻤِﻥ ﺃﺠلِ ﺍﷲِ ﺘﻤﺎﻴلْ؛
ﻁﺎﻟﻤﺎ ﻀﻔﻴﺭﺓﹸ ﺍﻟﺤﺒﻴﺏِ ﺘﺄﻤﺭ ﺒﺎﻟﺯﻨﱠﺎﺭِ ،ﻴﺎ ﺸﻴﺦﹸ ﺍﺫﻫﺏِ ،ﺍﻟﺨِﺭﻗﹶﺔﹸ ﻋﻠﻰ ﺃﺒﺩﺍﻨِﻨﺎ
)(١
ﺤﺭﺍﻡ ؛
ﻁﺎﺌﺭ ﺭﻭﺤﻲ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﺼﻔِﺭ ﻤِﻥ ﻓﻭﻕِ ﺴِﺩﺭﺓِ ﺍﻟﻤﻨﺘﻬﻰ ،ﻓﻲ ﺍﻟﻌﺎﻗِﺒﺔِ ﺃﻭﻗﹶﻌﺘﹾﻪ
ﺤﺒﺔﹸ ﺨﺎﻟِﻙ ﻓﻲ ﺍﻟﺸﱢﺒﺎﻙ؛
ﻋﻴﻨﻲ ﺍﻟﻤﺭﻴﻀﺔﹸ ﻻ ﺘﺫﻭﻕﹸ ﺍﻟﻨﱠﻭﻡ ﺃﺒﺩﺍﹰ ،ﻤﻥ ﻟﹶﻪ ﻴﻘﺘﹸلُ ﺩﺍﺀ ﺩﻨِﻑﹲ ﻜﻴﻑﹶ ﻴﻨﺎﻡ؛
ﺃﻨﺕﹶ ﻻ ﺘﺭﺤ ﻤﻨﻲ ﻭﺃﻨﺎ ﺍﻟﻤ ﺨﹾﻠِﺹ ،ﻭﺃﻗﻭلُ :ﺫﺍﻙ ﺩﻋﻭﺍ ﻱ ﻭﻫﺎ ﺃﻨﺕﹶ ﻭﺘﻠﻙ
ﻭﺍﻷﻴﺎﻡ؛
ﺤﺎﻓِﻅﹸ ﺇﺫﺍ ﻜﺎﻥ ﺒِﻪِ ﻤﻴلٌ ﻟِﺤﺎﺠِﺒِﻙ ﻓﺫﺍﻙ ﻟِﺄﻥ ﺯﺍﻭﻴﺔﹶ ﺍﻟﻤِﺤﺭﺍﺏِ ﻤﺠﻤﻊ ﺃﻫلِ
ﺍﻟﻜﻼﻡ.
ﻏﺰﻝ ٣١١
) (١ﻤﺎ ﺩﺍﻤﺕﹾ ﻀﻔﻴﺭﺓﹸ ﺍﻟﺤﺒﻴﺏِ ﺘﺄﻤﺭ ﻜﺎﻓِﺭ ﺍﻟﻌِﺸﹾﻕِ ﺒﺎﻟﺯﻨﺎﺭ ،ﺨِﺭﻗﹶﺔﹸ ﺍﻟﺘﱠﻘﻭﻯ ﻋﻠﻰ ﺃﺒﺩﺍﻨﻨﺎ
ﺤﺭﺍﻡ.
-٣٠٨-
ﺃﻨﺎ ﻋﺎﺸِﻕﹸ ﻭﺠﻪٍ ﻓﺘﻲ ﺒﻬﻲ ﻁﹶﺭﻱ ،ﻭﻤِﻥ ﺍﷲِ ﻁﹶﻠﹶﺒﺕﹸ ﺩﻭﻟﹶﺔﹶ ﻫﺫﺍ ﺍﻟﻐﹶﻡ ﺒﺎﻟﺩﻋﺎﺀِ؛
ﻋﺎﺸِﻕﹲ ،ﻭﻋِﺭﺒﻴﺩ ،ﻭﺃﻟﻌﺏ ﺒﺎﻟﻨﱠﻅﹶﺭِ ،ﻭﺃﻗﻭلُ ﻋﻠﹶﻨﺎﹰ ،ﻟﻜﻲ ﺘﹶﻌﻠﹶﻡ ﺒِﻜﹶﻡ ﺃﺘﺤﻠﹼﻰ ﻤِﻥ ﺍﻟﻤﻭﺍﻫِﺏ؛
ﻴﻨﺎﻟﹸﻨﻲ ﺍﻟﺨﹶﺠلُ ﻤِﻥ ﺨِﺭﻗﺘﻲ ﺍﻟﻤﻠﻭﺜﹶﺔِ ،ﻭﻗﺩ ﻭﺼﻠﺘﹸﻬﺎ ﻷُﺯﻴﻨﹶﻬﺎ ﺒﻤﺎﺌﺔِ ﺸﹶﻌﺒﺫﹶﺓ؛
ﺃﻱ ﺸﹶﻤﻊ ،ﺍﺤﺘﹶﺭِﻕﹾ ﻤﻥ ﻏﻤﻪِ ﺍﺤﺘِﺭﺍﻗﹶﻙ ﺍﻟﺠﻤﻴلَ ،ﺃﻨﺎ ﺃﻴﻀﺎﹰ ﻟِﻬﺫﺍ ﺍﻟﻌﻤلِ ﺘﹶﺤﺯﻤﺕﹸ ﻭﻨﹶﻬﻀﺕﹸ؛
ﻭﺃﻨﺎ ﻓﻲ ﺤﻴﺭﺓٍ ﻤِﻥ ﺃﻤﺭﻱ ،ﻜﻴﻑﹶ ﻴﺼﺭﻑﹸ ﺸﹸﻐﻠﻲ ،ﻴﺯﺍﺩ ﻟﻲ ﺍﻟﻐﻡ ﺒﻤﺎ ﺃُﻨﻔِﻕﹸ ﻤِﻥ ﻗﻠﺒﻲ
ﻭﺭﻭﺤﻲ؛
ﺴﺄﺫﻫﺏ ﻟﻠﺨﺭﺍﺒﺎﺕِ ﻤِﺜﹾلَ ﺤﺎﻓِﻅﹶ ﻤﻤﺯﻕﹶ ﺍﻟﺜﱠﻭﺏِ ﺒﺎﻜﻴﺎ ،ﻋﺴﻰ ﺃﻥ ﻴﻀﻤﻨﻲ ﺇﻟﻴﻪِ ﺫﻟِﻙ
ﺍﻟﺸﱠﺎﺏ.
ﻏﺰﻝ ٣١٢
)(١
ﷲِ ﺤﻤﺩ ﻤﻌﺘﹶﺭِﻑٍ ﻏﺎﻴـﺔﹶ ﺍﻟـﻨﱢﻌﻡ ﺒﺸﹾﺭﻯ ﺇﺫِ ﺍﻟﺴﻼﻤﺔﹸ ﺤﻠﹼﺕﹾ ﺒﺫﻱ ﺴﻠﹶﻡ
ﻜﺎﻟﺘﱢﺒﺭِ ﻭﺍﻟﻔِﻀﺔِ ﺭﻭﺤﻲ ﻟﻪ ﻋﻠﻰ ﺍﻟﻘﹶﺩﻡ ﺨﹶﺒﺭ ﺍﻟﻔﹶﺘﹾﺢِ ﺍﻟﺠﻤﻴلِ ﻤﻥ ﻟﻲ ﻤﻬﺩﻴﻪِ ﻷﻨﹾﺜﹸﺭ
ﺍﺨﺘﻔﻰ ﺨﺼﻤﻪ ﻓﻲ ﺍﻟﺤِﺠﺎﺏِ ﻓﻲ ﺍﻟﻌﺩﻡ ﻤِﻥ ﺒﻌﺩِ ﻋﻭﺩﺓِ ﺍﻟﺸﱠﺎﻩِ ﻟِﻬﺫﺍ ﺍﻟﻤﻨﺯِلِ ﺍﻟﻤﻠﻴﺢِ
ﺇﻥ ﺍﻟﻌﻬﻭﺩ ﻋﻨﺩ ﻤﻠﻴﻙِ ﺍﻟﻨﱡﻬﻰ ﺫِﻤـﻡ ﻜﺎﺴِﺭ ﺍﻟﻌﻬﺩِ ﻓﻲ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻜﹶﺴﻴﺭ ﺍﻟﺤﺎلِ
ﻭﻋﻴﻨﺎﻩ ﻟﻡ ﺘﹶﺭﻴﺎ ﺨﺎﺭِﺠﺎﹰ ﻏﻴﺭ ﺩﻤﻊِ ﺍﻷﻟﹶﻡ ﻴﺒﺤﺙﹸ ﻤِﻥ ﺴﺤﺏِ ﺍﻵﻤﺎلِ ﻋﻥ ﺭﺤﻤﺔٍ
ﺍﻵﻥ ﻗﹶﺩ ﻨﹶﺩِﻤﺕﹶ ﻭﻤﺎ ﻴﻨﻔﹶـﻊ ﺍﻟﻨﱠـﺩﻡ ﺴﺎﺨﺭﺍﹰ ﻗﺎلَ ﻟﻠﻭﺍﻗِﻊِ ﻓﻲ ﻨِﻴلِ ﻏﻤﻪِ ﺍﻟﻔﹶﻠﹶﻙ
)(٢
ﻋﻠﻰ ﻭﺠﻪِ ﺴﺎﻕٍ ﻜﺎﻟﺒﺩﺭِ ﻤِﻥ ﺃﻫلِ ﺍﻟﺴﺭ ﺤﺎﻓِﻅﹲ ﺸﹶﺭِﺏ ﺍﻟﺨﹶﻤﺭ ﻭﺍﻟﺸﱠﻴﺦﹸ ﻭﺍﻟﻔﻘﻴﻪ ﻫﻡْ
ﻏﺰﻝ ٣١٣
) (١ﺍﻋﺘﺭﻑﹶ ﺍﻟﺸﱠﻲ ﺀ ﻋﺭِﻓﹶﻪ ﻭﻫﺫﺍ ﺍﻟﺒﻴﺕﹸ ﻭﺍﻟﻤِﺼﺭﺍﻋﺎﻥِ ﺍﻟﻤﻜﺘﻭﺒﺎﻥِ ﺒِﺨﹶﻁﱟ ﻤﺎﺌلٍ ﻤﻨﻅﻭﻤﺎﻥِ ﺒﺎﻟﻌﺭﺒﻴﺔِ
ﻤﻥ ﺤﺎﻓِﻅ ﻨﻔﺴِﻪ؛
) (٢ﺤﺎﻓِﻅﹸ ﺸﹶﺭِﺏ ﺍﻟﺨﹶﻤﺭ ،ﻭﺍﻟﺸﹼﻴﺦﹸ ﻭﺍﻟﻔﻘﻴﻪ ﺸﺭﺒﺎ ﺍﻟﻬﻡ.ْ
-٣٠٩-
)(١
ﺃﻻ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﻗﺒﻭﻻﹰ ﻟﺨـﺩﻤﺘﻲ ﺃﻨﺎ ﺍﻟﻌﺒﺩ ﻗﺎﻤﺕ ﻤﻥ ﺩﻋﺎﺌﻲ ﺩﻭﻟﺘﻲ
)(٢
ﺃﻀﻌﺕﹸ ﻁﺭﻴﻘﻲ ﻓﻲ ﻏﻴﺎﻫﺏِ ﺤﻴﺭﺘﻲ ﺃﻨِﺭ ﻤﻥ ﻀﻴﺎﺀِ ﺍﻟﺠﺎﻡِ ﺩﺭﺒﻲ ﻓﺈﻨﱠﻨﻲ
)(٣
ﺒﺼﺩﻕِ ﻏﺭﺍﻤﻲ ﻤﺴﺘﺤِﻘﹼﺎﹰ ﻟﺭﺤﻤﺔ ﻏﺭﻴﻕﹸ ﺒِﺤﺎﺭٍ ﻤﻥ ﺫﹸﻨﻭﺒﻲ ﻭﻟـﻡ ﺃﺯل
ﻗﻀﺎﺌﻲ ﻭﻤﺴﻁﻭﺭ ﺒﺩﻴﻭﺍﻥ ﻗﺴﻤﺘﻲ ﻓﺩﻉ ﻋﻴﺏ ﺴﻜﺭﻱ ﻭﺍﻟﻤﺠﻭﻥ ﻓﺈﻨﱠﻪ
)(٤
ﻋﻁﺎﺀ ﺃﺘﺎﻨﻲ ﻓﻬﻭ ﻤﻴﺭﺍﺙﹸ ﻓﻁﺭﺘﻲ ﻭﻤﺎ ﻜﺎﻥ ﻋﺸﻘﻲ ﺒﺎﺨﺘﻴﺎﺭﻱ ﻭﺇﻨﻤﺎ
ﻓﺸﻭﻗﻲ ﺇﻟﻰ ﺭﺅﻴﺎﻙ ﻓﻲ ﺍﻟﻌﺸﻕِ ﻏﺭﺒﺘﻲ ﺇﺫﺍ ﻟﻡ ﺃﻜﹸﻥ ﻴﻭﻤﺎﹰ ﻏﺭﻴﺒﺎﹰ ﻤـﺴﺎﻓِﺭﺍﹰ
)(٥
ﻓﻴﺎ ﺨﻀﺭ ﺴﺎﻋﺩﻨﻲ ﻭﺒﺎﺭِﻙ ﺒﺨﹸﻁﻭﺘﻲ ﻀﻌﻴﻑﹲ ﻭﻓﻲ ﺩﺭﺒﻲ ﺠﺒﺎلٌ ﻭﺃﺒﺤـﺭ
ﻭﺭﻭﺤﻲ ﻭﻗﻠﺒﻲ ﻋﺎﻜﻔﺎﻥِ ﺒﺤـﻀﺭﺓِ ﻭﺇﻨﱢﻲ ﻟﹶﺠﺴﻤﻲ ﻋﻥ ﺩﻴﺎﺭﻙ ﺸﺎﺨﺹ
ﺇﺫﺍ ﻓﹸﺯﺕﹸ ﻤِﻥ ﻋﻤﺭﻱ ﻟِﺫﺍﻙ ﺒﻤﻬﻠﹶـﺔِ ﻭﺇﻨﱢﻲ ﺇﻟﻰ ﻋﻴﻨﹶﻴﻙ ﺭﻭﺤِـﻲ ﻤـﺴﻠﻡ
) (١ﺘﻌﺎلَ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﻭﺍﻗﺒﻠﻨﻲ ﻟﺨﺩﻤﺘﻙ ﻓﻌﻨﺩﻱ ﺸﻭﻕﹲ ﻟﺫﻟﻙ ،ﻓﺄﻨﺎ ﻋﺒﺩ ﻭﻟﻜﻥ ﻟﻲ ﻓﻲ ﺍﻟﺩﻋﺎﺀِ
ﺩﻭﻟﺔﹰ ﻭﺴﻠﻁﺔ )ﺃﺩﻋﻭ ﻓﻴﺴﺘﺠﺎﺏ ﻟﻲ(؛
) (٢ﺃﻨِﺭ ﺩﺭﺒﻲ ﻓﻲ ﻅﹸﻠﹸﻤﺎﺕِ ﺍﻟﺤﻴﺭﺓِ ﺒﻀﻴﺎﺀِ ﺍﻟﻜﺄﺱِ ﺍﻟﱠﺫﻱ ﻫﻭ ﻤﻥ ﻀﻴﺎﺌﻙ ﺤﺘﹼﻰ ﺃﺨﺭﺝ ﺇﻟﻰ
ﺍﻟﻨﱡﻭﺭ؛
) (٣ﺒﻤﺎ ﺃﻨﹼﻲ ﺼﺎﺩِﻕﹲ ﻓﻲ ﺍﻟﻌﺸﻕ ﻓﺄﻨﺎ ﺃﻫلٌ ﻟﻠﺭﺤﻤﺔِ ﺭﻏﻡ ﺃﻨﹼﻲ ﻏﺎﺭﻕﹲ ﻓﻲ ﺒﺤﺭِ ﺍﻟﺫﱡﻨﻭﺏ؛
) (٤ﻴﻘﻭلُ ﺍﻟﻌﺎﺭﻓﻭﻥ ﺍﻹﻨﺴﺎﻥ ﻤﻔﻁﻭﺭ ﻋﻠﻰ ﺍﻟﺤﺏ) ﻓﻁﺭﺓ ﺍﷲ ﺍﻟﹼﺘﻲ ﻓﻁﺭ ﺍﻟﻨﱠﺎﺱ ﻋﻠﻴﻬﺎ(
) (٥ﻴﺎ ﺨﻀﺭ ﻴﺎ ﻤﺒﺎﺭﻙ ﺍﻟﺨﻁﻭﺍﺕ ﺴﺎﻋﺩﻨﻲ ﻓﻁﺭﻴﻘﻲ ﻁﻭﻴلٌ ﺼﻌﺏ ﻭﻓﻴﻪِ ﺍﻟﺠﺒﺎ لُ
ﻭﺍﻟﺒﺤﺎﺭ ﻭﺃﻨﺎ ﻀﻌﻴ ﻑﹲ ﻓﺨﹸﺫﹾ ﺒﻴﺩﻱ ) ﺩﺭﺏ ﺍﻟﺴﻠﻭﻙِ ﻁﻭﻴلٌ ﻭﺸﺎ ﻕﱞ ﻭﺨﻁﻴﺭ ﻭﻻ ﺒﺩ ﻓﻴ ﻪِ
ﻟﻠﺴﺎﻟِﻙِ ﻤﻥ ﺩﻟﻴل(.
-٣١٠-
ﻏﺰﻝ ٣١٤
ﻟﻴﻠﺔﹶ ﺍﻷﻤﺱِ ﻋﻴﻨﹸﻙ ﺍﻟﻤﺭﻴﻀﺔﹸ ﻗﺘﻠﺘﻨﻲ ،ﻟﻜِﻥ ﻟﹸﻁﹾﻑﹶ ﺸﹶﻔﹶﺘِﻙ ﺃﻋﺎﺩ ﻟﻲ ﺭﻭﺤﻲ؛
ﻋِﺸﻘﻲ ﻟﺨﻁﱢ ﻋﺫﺍﺭِﻙ ﺍﻟﻤِﺴﻜﻲ ﻟﻴﺱ ﻤِﻥ ﺍﻟﻴﻭﻡ ،ﻓﻘﺩﻴﻤﺎﹰ ﺴﻜِﺭﺕﹸ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺠﺎﻡِ
ﺍﻟﻬِﻼﻟﻲ(١)؛
ﺜﹶﺒﺎﺕﹸ ﻨﻔﺴﻲ ﻓﻲ ﻁﹶﻠﹶﺒِﻙ ﻴﺒﺩﻭ ﻟﻲ ﻁﹸﺭﻓﹶﺔﹰ ﺠﻤﻴﻠﹶﺔﹰ ،ﻓﺄﻨﺎ ﺭﻏﻡ ﺍﻟﺠﻭﺭِ ﻓﻲ ﺤِﻤﺎﻙ ﻻ ﺃﻗﻌﺩ
ﻋﻥ ﻁﹶﻠﹶﺒِﻙ؛
ﻻ ﺘﹶﻁﹾﻠﹸﺏِ ﺍﻟﻌﺎﻓِﻴ ﹶﺔ ﻤِﻨﱢﻲ ﺃﻨﺎ ﺠﻠﻴﺱِ ﺍﻟﺤﺎﻥِ ،ﺴﺄﻅﹶلﱡ ﺃﺘﹶﻨﹶﻔﱠﺱ ﻓﻲ ﺨِﺩﻤﺔِ ﺍﻟﺴﻜﺎﺭﻯ ﻤﺎ
ﺤﻴﻴﺕ؛
ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﻕِ ﻫﻨﺎﻙ ﻤﺌﺔﹸ ﺨﹶﻁﹶﺭٍ ﻤﻥ ﺠﻬﺔِ ﺍﻟﻔﻨﺎﺀِ ،ﻜﻲ ﻻ ﺘﻘﻭلَ ﻜﻴﻑﹶ ﺍﻨﺘﻬﻰ
ﻋﻤﺭﻱ ﺃﻴﻬﺎ ﺍﻟﺸﱡﺠﺎﻉ؛
ﺒﻌﺩ ﻫﺫﺍ ﺃﻱ ﻏﻡ ﻴﺼﻴﺒﻨﻲ ﻤِﻥ ﺇﻁﻼﻕِ ﺴﻬﻡِ ﺍﻟﺤﺴﻭﺩِ ﻏﻴﺭِ ﺍﻟﺼﻴﻭﺏ ،ﻭﻗﺩ ﺍﺭﺘﹶﺒﻁﹾﺕﹸ
ﺒﻘﻭﺱِ ﺤﺎﺠِﺏ ﺍﻟﻤﺤﺒﻭﺏِ؛
ﻗﹸﺒﻠﹶﺘﻲ ﻟِﺩﺭﺝِ ﺍﻟﻌﻘﻴﻕِ ﺍﻟﱠﺫﻱ ﺘﻤﻠﻙ ﺤﻼلٌ ﻟﻲ ،ﻓﺄﻨﺎ ﻟﻡ ﺃﻜﺴِﺭ ﻋﻬﺩ ﺍﻟﻭﻓﺎﺀِ ﻤِﻥ ﺍﻟﺠﻔﺎﺀِ
ﻭﺍﻻﺴﺘِﻬﺯﺍﺀِ ﻤﻥ ﺍﻷﻋﺩﺍﺀ؛
ﺼﻨﹶﻤﻲ ﺼﺎﺤِﺏ ﺍﻟﻌﺴﻜﹶﺭِ ﺃﻏﺎﺭ ﻋﻠﻰ ﻗﻠﺒﻲ ﻭﻤﻀﻰ ،ﺁﻩِ ﺇﺫﺍ ﻋﺎﻁِﻔﹶﺔﹸ ﺍﻟﺸﱠﺎﻩِ ﻟﻡ ﺘﺄﺨﹸﺫﹾ
ﺒﻴﺩﻱ؛
ﻅ ﻋﻠﹶﺕﹾ ﻋﻠﻰ ﺍﻟﻔﹶﻠﹶﻙ ،ﻟﻜِﻨﱠﻪ ﺼﻐﻴﺭ ﻤﻐﻤﻭﻡ ﺃﻤﺎﻡ ﺸﻤﺸﺎﺩِ ﻗﺎﻤﺘِﻙ
ﺭﺘﺒﺔﹸ ﻋِﻠﻡِ ﺤﺎﻓ ﹶ
ﺍﻟﻌﺎﻟﻴﺔِ).(٢
) (١ﻴﻘﺼﺩ ﺒﺨﻁ ﺍﻟﻤﺴﻙ ﺸﻌﺭ ﺍﻟﻭﺠﻪ ﺍﻟﻨﹼﺎﺒﺕ ﺤﺩﻴﺜﺎﹰ ﻋﻨﺩ ﺍﻟﺸﹼﺎﺏ ﺍﻟﻴﺎﻓﻊ ﻴﺭﺴﻡ ﻫﻼﻻﹰ ،ﺨﺎﺼﺔﹰ
ﺤﻭلَ ﺍﻟﻔﻡ ،ﻭﺃﻤﺎﻡ ﺍﻷﺫﹸﻥ ؛
) (٢ﺍﻟﺸﹼﻤﺸﺎﺩ ﺸﹶﺠﺭﺓﹲ ﻋﺎﻟﻴﺔﹲ ﻗﻭﻴﻤﺔﹸ ﺍﻟﺠِﺫﻉِ ﻭﺨﺸﺒﻬﺎ ﻏﺎﻴﺔﹲ ﻓﻲ ﺍﻟﺠﻭﺩﺓ.
-٣١١-
ﻏﺰﻝ ٣١٥
ﻏﻴﺭ ﻀﻴﺎﻉِ ﺩﻴﻨﻲ ﻭﻋﻠﻤﻲ ﻤﻥ ﻴﺩﻱ ،ﺘﻌﺎلَ ﻗﹸلْ ﻟﻲ ﻤﺎﺫﺍ ﺠﻨﹶﻴﺕﹸ ﻤﻥ ﻋِﺸﻘِﻙ؛
ﺭﻏﹾﻡ ﺃﻥ ﻏﻤﻙ ﺃﻋﻁﻰ ﻤﺤﺼﻭلَ ﻋﻤﺭﻱ ﻟﻠﺭﻴﺢِ ،ﻭﺤﻕﱢ ﺘﹸﺭﺍﺏِ ﻗﹶﺩﻤِﻙ ﺍﻟﻌﺯﻴﺯﺓ ﻟﻡ
ﺃﻨﻘﹸﺽِ ﺍﻟﻌﻬﺩ؛
ﻭﺭﻏﹾﻡ ﺃﻨﹼﻲ ﺤﻘﻴﺭ ﻜﺎﻟﺫﱠﺭﺓِ ،ﺍﹸﻨﻅﹸﺭ ﻜﻴﻑﹶ ﻓﻲ ﺩﻭﻟﺔِ ﺍﻟﻌِﺸﹾﻕِ ﻭﻓﻲ ﺤﺏ ﻭﺠﻬِﻙ ﺍﻟﺘﺤﻘﹾﺕﹸ
ﺒﺎﻟﺸﱠﻤﺱ؛
ﻫﺎﺕِ ﺍﻟﺨﻤﺭﺓﹶ ﻓﻘﺩ ﻤﺭ ﺍﻟﻌﻤﺭ ﺒﻁﻭﻟِ ﻪِ ﻭﻟﻡ ﺃﺠﻠِﺱ ﺠﻠﺴﺔﹰ ﺴﻌﻴﺩﺓﹰ ﻓﻲ ﺭﻜﹾﻥِ
ﺍﻟﻌﺎﻓﻴﺔ؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﻋﺎﻗِﻼﹰ ،ﺃﻱ ﻨﺎﺼِﺤِﻲ ،ﻻ ﺘﺭﻡِ ﺤﺩﻴﺜﹶﻙ ﻋﻠﻰ ﺍﻷﺭﺽ ،ﻓﺄﻨﺎ ﺴﻜﺭﺍﻥ؛
ﻑ ﻤِﻥ ﺍﻟﺨﹶﺠلِ ﺃﺭﻓﹶﻊ ﺍﻟﺭﺃﺱ ﺃﻤﺎﻡ ﺍﻟﺤﺒﻴﺏِ ،ﻭﻟﻡ ﺘﻜﹸﻥ ﻟﻪ ﻤﻨﹼﻲ ﺨِﺩﻤﺔﹲ ﻻﺌﻘﹶﺔﹲ؛
ﻜﻴ ﹶ
ﺍﺤﺘﹶﺭﻕﹶ ﺤﺎﻓِﻅﹸ ﻭﻟﻡ ﻴﻘﹸل ﺫﻟِﻙ ﺍﻟﺤﺒﻴﺏ ﺍﻟﺭﺅﻭﻑﹸ ﺃﺭﺴِﻠﻭﺍ ﻟﻪ ﻤﺭﻫﻤﺎﹰ ﻓﻘﺩ ﺠﺭﺤﺕﹸ
ﺨﺎﻁِﺭﻩ.
ﻏﺰﻝ ٣١٦
ﻻ ﺘﹸﻌﻁِ ﻁﹸﺭﺘﹶﻙ ﻟﻠﺭﻴﺢِ ﻓﺘﹸﺴﻠِﻤﻨﻲ ﻟﻠﺭﻴﺢ ،ﻻ ﺘﻌﻤﺭ ﺒﻨﻴﺎﻥ ﺍﻟﺩﻻلِ ﻓﺘﻬﺩِﻡ ﺒﻨﻴﺎﻨﻲ؛
ﻻ ﺘﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻤﻊ ﻜﹸلﱢ ﺸﺨﺹٍ ﻓﺄﺸﺭﺏ ﺩﻡ ﺃﺤﺸﺎﺌﻲ ،ﻭﻻ ﺘﹸﻌﺭِﺽ ﻋﻨﱢﻲ ﻓﺘﹶﺼِلَ
ﺼﺭﺨﺘﻲ ﺇﻟﻰ ﺍﻟﻔﹶﻠﹶﻙ؛
ﻻ ﺘﹶﺠﻌلْ ﻓﺭﻋﻙ ﺴﻼﺴِلَ ﻓﺘﺼﻴﺩﻨﻲ ،ﻭﻻ ﺘﹸﻜﺴﺭ ﻁﹸﺭﺘﹶﻙ ﻓﺘﹸﺴﻠِﻤﻨﻲ ﺍﻟﺭﻴﺢ؛
ﻻ ﺘﻜﹸﻥ ﺼﺩﻴﻘﺎﹰ ﻟﻠﻤﺠﻬﻭﻟﻴﻥ ﻓﺘﹸﻔﺭﻕﹶ ﺒﻴﻨﻲ ﻭﺒﻴﻥ ﻨﻔﹾﺴﻲ ،ﻭﻻ ﺘﻐﺘﹶﻡ ﻟﻸﻏﻴﺎﺭِ ﻓﺘﹸﻔﻘِﺩﻨﻲ
ﺍﻟﺴﻌﺎﺩﺓ؛
-٣١٢-
ﻍ ﻤِﻥ ﻭﺭﻕِ ﺍﻟﻭﺭﺩ ،ﻭﺃﺭِﻨﻲ ﻗﺩﻙ ﺍﻟﻌﺎﻟﻲ ﻜﻲ ﺃﺘﹶﺤﺭﺭ
ﻭﺃﻅﻬِﺭ ﻭﺠﻬﻙ ﺍﻟﻤﻨﻴﺭ ﻜﻲ ﺃﻓﺭ ﹶ
ﻤﻥ ﺍﻟﺴﺭﻭ؛
ﻻ ﺘﻜﹸﻥ ﺸﹶﻤﻊ ﺃﻱ ﺠﻤﻊٍ ﻓﺘﹸﺤﺭِﻗﹶﻨﺎ ،ﻭﻻ ﺘﻜﹸﻥ ﺫﺍﻜِﺭ ﻜﹸلﱢ ﻗﻭﻡٍ ﻜﻲ ﻻ ﺘﻨﺴﺎﻨﻲ؛
ﻻ ﺘﻜﹸﻥ ﻤﺸﻬﻭﺭ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻓﺄﻫﻴﻡ ﻓﻲ ﺍﻟﺠِﺒﺎل ،ﻭﻻ ﺘﹸﺤﺩِﺙﹾ ﻓِﺘﻨﹶﺔﹶ ﺸﻴﺭﻴﻥ ﻓﺘﺠ ﻌلَ ﻤ ﻨﹼﻲ
ﻓﺭﻫﺎﺩ؛
ﻭﺍﺭﺤﻤﻨﻲ ﺃﻨﺎ ﺍﻟﻤﺴﻜﻴﻥ ﻭﺃﺠِﺏ ﺼﺭﺨﹶﺘﻲ ﻟِﺌﻠﱠﺎ ﺘﹶﺼِلَ ﺇﻟﻰ ﺘﹸﺭﺍﺏِ ﺒﺎﺏِ ﺩﺍﺭِ ﺁ ﺼِ ﻑﹶ
ﺼﺭﺨﺘﻲ؛
ﺤﺎﻓِﻅﹸ ﺤﺎﺸﺎ ﻴﻤﻴلُ ﺒِﻭﺠﻬِﻪِ ﻤِﻥ ﺠﻭﺭِﻙ ،ﺃﻨﺎ ﻤِﻥ ﻴﻭﻡ ﺼِﺭﺕﹸ ﻓﻲ ﻗﻴﺩِ ﻙ ﺼِﺭﺕﹸ
ﺤﺭﺍﹰ
ﻏﺰﻝ ٣١٧
ﺃﻗﻭلُ ﻋﻠﹶﻨﺎﹰ ﻭﺃﺴﻌﺩ ﺒﺎﻟﻘﹶﻭلِ ،ﺃﻨﺎ ﻋﺒﺩ ﻋِﺸﹾﻘِﻙ ﻭﺤﺭ ﻤِﻥ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ؛
ﺃﻨﺎ ﻁﺎﺌﺭ ﺭﻭﻀﺔِ ﺍﻟﻘﹸﺩﺱِ ﻜﻴﻑﹶ ﻟﻲ ﺒِﺸﹶﺭﺡِ ﺍﻟﻔِﺭﺍﻕِ ﻭﻜﻴﻑﹶ ﻭﻗﻌﺕﹸ ﻓﻲ ﻤﺼﻴﺩﺓِ
ﺍﻟﺤﻭﺍﺩِﺙ؟!؛
ﻜﹸﻨﺕﹸ ﻤﻠِﻜﺎﹰ ،ﻭﻜﹸﻨﺕﹸ ﻓﻲ ﺍﻟﻔِﺭﺩﻭﺱ ،ﻭﺠﺎﺀ ﺒﻲ ﺁﺩﻡ ﻷﻋﻤﺭ ﻫﺫﺍ ﺍﻟﺩﻴﺭ ﺍﻟﺨﹶﺭﺍﺏ؛
ﻅِلﱠ ﻁﻭﺒﻰ ﻭﺭِﻗﱠﺔﹶ ﺍﻟﺤﻭﺭِ ﻭﺸﹶﻔﹶﺔﹶ ﺍﻟﺤﻭﺽِ ،ﺠﻤﻴﻌﺎﹰ ﻨﺴﻴﺕﹸ ﻤِﻥ ﺸﻭﻗﻲ ﻟِﺤِﻤﺎﻙ؛
ﻟﻴﺱ ﻓﻲ ﻟﻭﺡِ ﻗﻠﺒﻲ ﻏﻴﺭ ﺃﻟِﻑِ ﻗﺎﻤﺔِ ﺤﺒﻴﺒﻲ ،ﻤﺎ ﺃﻓﻌلُ ﻭﺃُﺴﺘﺎﺫﻱ ﻟﻡ ﻴﻌﻠﱢﻤﻨﻲ ﺤﺭﻓﺎﹰ
ﺁﺨﹶﺭ؟)(١؛
ﻜﻭﻜﹶﺏ ﺒﺨﺘﻲ ﻻ ﻴﻌﺭِﻓﹸﻪ ﺃﻱ ﻤﻨﺠﻡٍ ،ﻴﺎ ﺭﺏ ﻤﺎ ﻜﺎﻥ ﻁﺎﻟِﻌﻲ ﻴﻭﻡ ﻭﻟِﺩﺕﹸ ﻤِﻥ ﺃُﻡ
ﺍﻟﻭﺠﻭﺩ؛
) (١ﺍﻷﻟﻑ ﺃﻭلُ ﺍﻟﺤﺭﻭﻑ ﻭﻴﺭﻤﺯ ﺒِﻪِ ﺍﻟﻌﺎﺭﻑﹸ ﺇﻟﻰ ﻤﻘﺎﻡِ ﺍﻷﺤﺩﻴﺔِ ﺃﻱ ﺍﺴﻡِ ﺍﻟﻠﹼﻪِ ﺍﻷﺤﺩِ ﻭﻫﻭ ﺃﻭلُ
ﺍﻷﺴﻤﺎﺀِ ﺍﻹﻟﻬﻴﺔ.
-٣١٣-
ﺤﺘﹼﻰ ﺃﺼﻴﺭ ﺤﻠﹾﻘﹶﺔﹰ ﻓﻲ ﺃُﺫﹸﻥِ ﺒﺎﺏِ ﺤﺎﻨﺔِ ﺍﻟﻌِﺸﹾﻕ ،ﻤﺒﺎﺭﻙ ﻋﻠﹶﻲ ﻓﻲ ﻜﹸلﱢ ﻟﺤﻅﹶﺔٍ ﻏﻡ
ﺠﺩﻴﺩ؛
ﺒﺅﺒﺅُ ﻋﻴﻨﻲ ﻴﺸﺭﺏ ﻤِﻥ ﺩﻡِ ﻗﻠﺒﻲ ﻭﺫﺍﻙ ﺠﺯﺍﺅﻩ ،ﻜﻴﻑﹶ ﺃﺴﻠﹶﻤﺕﹸ ﺍﻟﻘﻠﺏ ﻟِﻤﺩﻟﱠﻠﻴﻥ
ﻴﺴﺒﻭﻥ ﺍﻟﻘﹸﻠﻭﺏ؛
ﻅ ﺒِﺨﹶﺼﻠﹶﺔٍ ﻤِﻥ ﺸﹶﻌﺭِﻙ ،ﺃﻭ ﻴﺠﺭِﻑﹶ ﻫﺫﺍ ﺍﻟﺴﻴلُ ﺩﺍﺌﻡ
ﺍﻤﺴﺢِ ﺍﻟﺩﻤﻊ ﻋﻥ ﻭﺠﻪِ ﺤﺎﻓِ ﹶ
ﺍﻟﺠﺭﻴﺎﻥِ ﺒﻨﻴﺎﻨﻲ.
ﻏﺰﻝ ٣١٨
ﺘﺭﺍﻨﻲ ﻭﺘﺯﻴﺩ ﻟﻲ ﺃﻟﹶﻤﻲ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ ،ﺃﺭﺍﻙ ﻭﻴﺯﻴﺩ ﻟﻙ ﻤﻴﻠﻲ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔ؛
ﻋﻥ ﺤﺎﻟﻲ ﻻ ﺘﺴﺄلُ ،ﻭﻻ ﻋِﻠﹾﻡ ﻟﻲ ﺒﻤﺎ ﺘﻨﻭﻱ ﻟﻲ ،ﻭﺒِﻌِﻼﺠﻲ ﻻ ﺘﺴﻌﻰ ،ﺃﻻ ﺘﻌﻠﹶﻡ
ﺒِﻤﺭﻀﻲ؟!؛
ﻟﻴﺱ ﺃﺴﻠﻭﺒﺎﹰ ﺃﻥ ﺘﻤﺭ ﺒﻲ ﻭﺃﻨﺎ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏِ ﻭﺘﻤﻀﻲ ،ﻤﺭ ﺒﻲ ﻭﺴلْ ﻋﻨﹼﻲ ﻷﺼﻴﺭ
ﺘﹸﺭﺍﺏ ﻁﺭﻴﻘِﻙ؛
ﻋﻥ ﺜﻭﺒِﻙ ﻟﻥ ﺃﺭﻓﹶﻊ ﺍﻟﻴﺩ ﺇﻟﹼﺎ ﺤﻴﻥ ﺃﺼﺒِﺢ ﻓﻲ ﺍﻟﻘﺒﺭِ ،ﻭﺤﻴﻨﹶﻬﺎ ﺃﻴﻀﺎﹰ ﺇﺫﺍ ﻤﺸﹶﻴﺕﹶ ﻋﻠﻰ
ﻗﺒﺭﻱ ﺴﻴﻌﻠﻕﹸ ﻏﹸﺒﺎﺭﻱ ﺒِﺜﻭﺒِﻙ؛
ﺨﹶﻤﺩ ﻤِﻥ ﻏﻡ ﻋِ ﺸﹾﻘِﻙ ﻨﹶﻔﹶﺴﻲ ،ﺇﻻﻡ ﺘﺨ ﺩﻋﻨﻲ ،ﺩﻤﺎﺭﻱ ﺠﻠﹶ ﺒﺕﹶ ،ﻭﻻ ﺘﹶﻘﻭلُ ﺃﻨﱠ ﻙ
ﻓﹶﻌﻠﹾﺕ؛
ﻟﻴﻠﹶﺔﹰ ﻋﺩﺕﹸ ﺃﺒﺤﺙﹸ ﻋﻥ ﻗﻠﺒﻲ ﻓﻲ ﻅﻼﻡِ ﻓﹶﺭﻋِﻙ ،ﻓﻭﻗﹶﻌﺕﹾ ﻋﻴﻨﻲ ﻋﻠﻰ ﻭﺠﻬِﻙ،
ﻭﺸﺭﺒﺕﹸ ﺠﺎﻡ ﺨﹶﻤﺭٍ ﻫﻼﻟﻲ؛
ﺕ ﻀﻔﺎﺌﺭِ ﺸﹶﻌﺭِﻙ ،ﻭﻀﻌﺕﹸ ﺸﹶﻔﹶﺘﻲ ﻋﻠﻰ ﺸﹶﻔﹶﺘِﻙ، ﻭﻀﻤﻤﺘﹸﻙ ﺇﻟﻲ ﻓﺠﺄﺓﹰ ،ﻭﺘﺤ ﹶ
ﻭﺠﻌﻠﹾﺕﹸ ﺍﻟﺭﻭﺡ ﻭﺍﻟﻘﹶﻠﹾﺏ ﻓِﺩﺍﺀ ﻟﹶﻙ؛
ﻜﹸﻥ ﻟﻁﻴﻔﺎﹰ ﻤﻊ ﺤﺎﻓِﻅ ﻭﻗﹸلْ ﻟﻠﺨﹶﺼﻡِ ﺃﻥ ﻴﻤﻭﺕﹶ ،ﻤﺎ ﺩﻤﺕﹸ ﺃﺠِﺩ ﺍﻟﺩﻑﺀ ﻤِﻨﹾﻙ ،ﻻ ﺃﺨﺎﻑﹸ
ﻤِﻥ ﺒﺭﻭﺩﺓِ ﺩﻡِ ﺍﻟﺨﹶﺼﻡ.
-٣١٤-
ﻏﺰﻝ ٣١٩
)(١
ﺒِﺤﻜﻡِ ﺍﻟﻌﻘلِ ﺤﺭﺼﻲ ﻗﺩ ﺴﺠﻨﺕﹸ ﺴﻨﻴﻥ ﻤﻊ ﺍﻟﺴﻜﺎﺭﻯ ﺴِﺭﺕﹸ ﺤﺘﹼـﻰ
)(٢
ﺇﻟﻰ ﺃﻥ ﻤﻨـﺯِلَ ﺍﻟﻌﻨﻘـﺎ ﺒﻠﻐـﺕﹸ ﻭﻜﺎﻥ ﺍﻟﻬﺩﻫـﺩ ﺍﻟﻬـﺎﺩﻱ ﺩﻟﻴﻠـﻲ
)(٣
ﻓﺈﻨﹼﻲ ﻓﻴﻙ ﺩﺍﺭﻱ ﻗـﺩ ﺨﺭﺒـﺕﹸ ﺃﻜﻨﺯ ﺍﻟﺭﻭﺡِ ﻅﻠﹼـلْ ﺠـﺭﺡ ﻗﻠﺒـﻲ
)(٤
ﻭﻟﺜﹾﻡ ﺸِﻔﺎﻩِ ﻤﻥ ﻴـﺴﻘﻲ ﺘﺭﻜـﺕﹸ ﻭﻜﻴﻑﹶ ﺃﻋـﺭﺕﹸ ﻟﻠﺠﻬـﻼﺀِ ﺃُﺫﹾﻨـﻲ
ﺘﺭﺠﻤﺕﹸ ﺍﻷﺒﻴﺎﺕِ ﺍﻷﺭﺒﻌﺔﹶ ﺍﻷﻭﻟﻰ ﻤﻥ ﻫﺫﺍ ﺍﻟﻐﹶﺯلِ ﺸِﻌﺭﺍﹰ ﻭﺘﺭﺠﻤﺕﹸ ﺍﻟﺒﻘﻴﺔﹶ ﻨﺜﺭﺍﹰ:
ﻜﹸﻥ ﻁﺎﻟِﺏ ﺍﻟﻤﺭﺍﺩِ ﺨﻼﻑﹶ ﺍﻟﻌﺎﺩﺓِ ،ﻓﺄﻨﺎ ﻜﹶﺴﺒﺕﹸ ﺍﻟﺠﻤﻊ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻔﹶﺭﻉِ ﺍﻟﻤﺸﺘﱠﺕِ ﺍﻟﻤﻔﺭﻕ؛
ﻨﹶﻘﹾﺵﹸ ﺍﻟﺴﺭ ﻭﺍﻟﺴﺘﹾﺭِ ﻟﻴﺱ ﻓﻲ ﻴﺩﻱ ﻭﻴﺩِﻙ ،ﻜﹸلﱠ ﻤﺎ ﻗﺎلَ ﻟﻲ ﺴﻠﻁﺎﻥ ﺍﻷﺯلْ ﺍﻓﻌلْ ﻓﹶﻌﻠﹾﺕ؛
ﻭﻋﻨﺩﻱ ﻤِﻥ ﻟﹸﻁﹾﻑِ ﺍﻷﺯلِ ﻁﹶﻤﻊ ﺒِﺠﻨﱠﺔِ ﺍﻟﻔِﺭﺩﻭﺱ ،ﺭﻏﹾﻡ ﺃﻨﱢﻲ ﻜﺜﻴﺭﺍﹰ ﻤﺎ ﻋﻤِﻠﹾﺕﹸ ﺒﻭﺍﺒﺎﹰ
ﻟﻠﺤﺎﻥ؛
) (١ﻟﻘﺩ ﺭﺍﻓﻘﺕﹸ ﺍﻟﺴﻜﺎﺭﻯ ﻭﺴﻠﻜﹾﺕﹸ ﻤﺴﻠﹶﻜﹶﻬﻡ ﻭﺴِﺭﺕﹸ ﺒِﺴﻴﺭﺘِﻬﻡ ﺴِﻨﻴﻥ ﻁﻭﻴﻠﹶﺔﹰ ﺤﺘﹼﻰ ﺘﻤﻜﱠﻨﹾﺕﹸ ،ﺒﺎﺘﱢﺒﺎ ِ
ﻉ
ﺍﻟﻌﻘﹾلِ ﻭﺍﻻِﻟﺘِﺯﺍﻡِ ﺒِﻤﺎ ﻴﺤﻜﹸﻡ ﺒِﻪِ ،ﻤِﻥ ﺴﺠﻥِ ﺍﻟﺤِﺭﺹِ ﻭﺍﻟﺒﺨﹾلِ ﻭﺍﻟﺘﱠﻌﻠﱡﻕِ ﺒﺎﻟﺩﻨﻴﺎ ﻭﻤﻨﻌِﻬﺎ ﻤﻥ
ﺍﻟﺘﱠﺤﻜﱡﻡِ ﺒﻲ ﻭﻟﻡ ﻴﻌﺩ ﻟﻬﺎ ﺴﻠﻁﺎﻥ ﻋﻠﻲ) ﻴﺸﺭﺡ ﻓﻲ ﻫﺫﺍ ﺍﻟﺒﻴﺕِ ﺤﺎﻟﹶﻪ ﻜﺴﺎﻟﻙٍ(؛
) (٢ﻭﻟﻘﺩ ﻜﻨﺕﹸ ﺃﺴﻴﺭ ﺒﺎﺤِﺜﺎﹰ ﻋﻥِ ﺍﻟﻌﻨﻘﺎﺀِ ﺤﺘﹼﻰ ﻭﺼﻠﹾﺕﹸ ﺇﻟﻰ ﻤﻨﺯِﻟِﻬﺎ)ﺤﺎلُ ﺍﻟﻭﺍﺼِل( ﻭﻟﻡ ﺃﻜﹸﻥ ﺃﺴﻴ ﺭ
ﻭﺤﻴﺩﺍﹰ ﻓﻲ ﻗﻁﻊِ ﻫﺫِﻩِ ﺍﻟﻤﺭﺤﻠﹶﺔِ ﺒل ﻜﻨﺕﹸ ﺃﺴﻴﺭ ﻤﻬﺘﺩﻴﺎﹰ ﺒِﺩﻟﻴلٍ ﺨﺒﻴﺭٍ ﻫﻭ ﻫﺩﻫﺩ ﺴﻠﻴﻤﺎﻥ ﻓﻼ
ﺘﺫﻫﺏ ﺒﻐﻴﺭ ﺩﻟﻴلٍ ﻭﺍﺤﺭﺹ ﻋﻠﻰ ﻤﺘﺎﺒﻌﺔِ ﺍﻟﻭﻟﻲ ﺍﻟﻤﺭﺸِﺩ )ﻻ ﻴﻤﻜﻥ ﺍﻟﺴﻴﺭ ﻓﻲ ﺩﺭﺏِ ﺍﻟﺴﻠﻭﻙِ
ﺒﻐﻴﺭِ ﺩﻟﻴلٍ ﻭﻫﻭ ﺍﻟﺸﱠﻴﺦﹸ ﺍﻟﻌﺎﺭِﻑﹸ ﺍﻟﻤﺭﺸِﺩ ،ﺍﻟﺨﺒﻴﺭ ﺒﺎﻟﺩﺭﺏِ ﻭﺍﻟﻬﺎﺩﻱ ﺇﻟﻰ ﺍﻟﻨﱠﺠﺎﺓِ ،ﻭﻤﻥ ﺩﻭﻨِﻪِ
ﻴﻀلﱡ ﺍﻟﺴﺎﻟِﻙ ،ﻭﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺯﺍﺩ ﺍﻟﺼﻭﻓﻲ ﺁﺜﺎﺭ ﺍﻟﻘﺩﻡ ﻭﺯﺍﺩ ﻁﺎﻟﺏ ﺍﻟﻌﻠﻡِ ﺁﺜﺎﺭ ﺍﻟﻘﻠﻡ(؛
ﻥ ﺠﺭﺡ ﻗﻠﺒﻲ ﻋﺎﺭٍ ﻓﻅﻠﱢﻠﹾﻪ،
) (٣ﻓﻴﺎ ﺨﻴﺭ ﻤﺎ ﻭﺠﺩﺕﹾ ﺭﻭﺤﻲ ،ﻭﻴﺎ ﻜﻨﺯﻫﺎ ﺍﻟﺜﱠﻤﻴﻥ ﺍﻟﺠﻤﻴل ،ﺇ
ﻭﺍﺠﻌلْ ﻟﻪ ﺒﻴﺘﺎﹰ ﻓﻲ ﻅِﻠﱢﻙ ،ﻓﻘﺩ ﺨﺭﺒﺕﹸ ﺒﻴﺘﻲ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﺒﺴﺒﺒِﻙ ،ﻭﻀﺤﻴﺕﹸ ﺒِﻜﹸلﱢ ﺸﻲﺀٍ ﻓﻲ
ﺤﺒﻙ)ﻤﻥ ﺨﺭﺏ ﺴﻘﻑﹸ ﺒﻴﺘِﻪِ ﻏﺭﻕﹶ ﻓﻲ ﺍﻟﻨﱡﻭﺭ(؛
) (٤ﺘﹸﺒﺕﹸ ﻤﺭﺓﹰ ﻭﻗﹸﻠﺕﹸ ﻟﻥ ﺃُﻗﺒلَ ﺸﹶﻔﹶ ﹶﺔ ﺍﻟﺴﺎﻗﻲ ،ﻭﻫﺎ ﺃﻨﺎ ﺍﻵﻥ ﺃﻋﺽ ﺸﻔﺘﻲ ﻨﹶﺩﺍﻤﺔﹰ ﻋﻠﻰ ﻤﺎ ﺃﺨﻁﺄﺕﹸ
ﻭﺍﺴﺘﻤﻌﺕﹸ ﺇﻟﻰ ﻤﻘﺎﻟﺔِ ﺍﻟﺠﺎﻫِﻠﻴﻥ.
-٣١٥-
ﻭﻫﺫﺍ ﺍﻟﱠﺫﻱ ﺤﻅﻴﺕﹸ ﺒِﻪِ ﻤِﻥ ﺼﺤﺒﺔِ ﻴﻭﺴﻑﹶ ﺒﻌﺩ ﺸﻴﺨﻭﺨﺘﻲ ،ﺃﺠﺭ ﺼﺒﺭﻱ ﺍﻟﱠﺫﻱ
ﻜﺎﻥ ﻤﻨﹼﻲ ﻓﻲ ﺤﺠﺭﺓِ ﺍﻷﺤﺯﺍﻥ؛
ﻭﻗﻴﺎﻤﻲ ﺍﻟﺼﺒﺢ ﻭﻁﹶﻠﹶﺒﻲ ﺍﻟﺴﻼﻤ ﹶﺔ ﻤِﺜﹾلَ ﺤﺎﻓِﻅ ،ﻭﻜﹸلﱡ ﻤﺎ ﻓﹶﻌﻠﹾﺕﹸ ،ﻤِﻥ ﺩﻭﻟﹶﺔِ ﺍﻟﻘﹸﺭﺁﻥِ ﻓﻌﻠﺕﹸ؛
ﺇﺫﺍ ﺒِﺼﺩﺭِ ﺩﻴﻭﺍﻥِ ﺍﻟﻐﹶﺯلِ ﻟﻡ ﺃﺠﻠِﺱ ﻭﺍﻋﺠﺒﻲ ،ﻭﻗﺩ ﻜﹸﻨﺕﹸ ﺴﻨﻴﻥ ﻓﻲ ﺨِﺩﻤﺔِ ﺼﺎﺤِﺏِ
ﻫﺫﺍ ﺍﻟﺩﻴﻭﺍﻥ.
ﻏﺰﻝ ٣٢٠
ﻟﻴﻠﺔﹶ ﺍﻷﻤﺱِ ﻗﻁﻌﺕﹸ ﺩﺭﺏ ﺍﻟﻨﱠﻭﻡِ ﺒﺴﻴلٍ ﻤِﻥ ﺍﻟﺩﻤﻊِ ،ﻭﻜﹸﻨﺕﹸ ﺃﺘﺨﻴلُ ﺨﻁﱠﻙ ﺭﺴﻤﺎﹰ ﻋﻠﻰ
ﺍﻟﻤﺎﺀ)(١؛
ﺤﺎﺠِﺏ ﺍﻟﺤﺒﻴﺏِ ﻓﻲ ﻨﹶﻅﹶﺭﻱ ،ﻭﺨِﺭﻗﹶﺔﹲ ﻤﺤﺘﹶﺭِﻗﹶﺔﹲ ،ﻭﺍﻟﺠﺎﻡ ﺃﻜﺭﻉ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﺭﻜﻥِ ﺫﻟِﻙ
ﺍﻟﻤﺤﺭﺍﺏ؛
ﻭﻜﹸﻠﱠﻤﺎ ﻁﺎﺌﺭ ﻓِﻜﹾﺭٍ ﻁﺎﺭ ﻟﻠﻔﺭﺍﺭِ ﻤِﻥ ﻋﻠﻰ ﻏﹸﺼﻥٍ ﻤِﻥ ﺃﻏﺼﺎﻥِ ﺍﻟﻜﻼﻡِ ،ﺃﻤﺴﻜﺘﹸﻪ
ﺒِﻤِﻀﺭﺍﺏٍ ﻤِﻥ ﺸِﺒﺎﻙٍ ﻤِﻥ ﻁﹸﺭﺘِﻙ؛
ﻭﺠﻪ ﺍﻟﻤﻌﺸﻭﻕِ ﺭﺍﺡ ﻴﺘﺠﻠﹼﻰ ﻟِﻨﹶﻅﹶﺭﻱ ،ﻭﺃﻨﺎ ﻤِﻥ ﺒﻌﻴﺩٍ ﺃﻁﺒﻊ ﺍﻟﻘﹸﺒلَ ﻋﻠﻰ ﺨﺩ ﺍﻟﻘﹶﻤﺭ؛
ﻋﻴﻨﻲ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻟﺴﺎﻗﻲ ﻭﺃُﺫﹸﻨﻲ ﻟِﻘﻭلِ ﺍﻟﺭﺒﺎﺏ ،ﻭﺒِﻔﺄلِ ﺍﻟﻌﻴﻥِ ﻭﺍﻷُﺫﹸﻥِ ﺃﻁﺭﻕﹸ ﻫﺫﺍ ﺍﻟﺒﺎﺏ؛
ﻨﹶﻘﹾﺵﹶ ﺨﻴﺎلِ ﻭﺠﻬِﻙ ﺇﻟﻰ ﻭﻗﺕِ ﺘﹶﻨﹶﻔﱡﺱِ ﺍﻟﺼﺒﺢِ ،ﻅﹶﻠﹶﻠﹾﺕﹸ ﺃﺭﺴﻡ ﻓﻲ ﻤﺭﺴﻡِ ﻋﻴﻨﻲ ﺍﻟﱠﺘﻲ
ﻻ ﺘﻨﺎﻡ؛
ﻭﺍﻟﺴﺎﻗﻲ ﻋﻠﻰ ﺼﻭﺕِ ﻏﹶﺯﻟﻲ ﻫﺫﺍ ﻴﺭﻓﹶﻊ ﺍﻟﻜﺄﺱ ،ﻭﺃﻨﺎ ﺃﻗﺭﺃُ ﻫﺫﺍ ﺍﻟﺸﱢﻌﺭ ﻭﺃﻜﺭﻉ
ﺍﻟﺨﻤﺭﺓﹶ ﺍﻟﺼﺎﻓﻴﺔ؛
. ﻤﺭ ﻁﹶﻴﺒﺎﹰ ﻋﻤﺭ ﺤﺎﻓِﻅ ،ﻜﺎﻥ ﻓﺄلُ ﻤﺭﺍﺩِﻩِ ﻭﺍﻟﺭﺠﺎﺀ ﻋﻠﻰ ﺍِﺴﻡِ ﻋﻤﺭِ ﻭﺩﻭﻟﹶﺔِ ﺍﻷﺤﺒﺎﺏ
) (١ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻟﻡ ﺃﺠِﺩِ ﺍﻟﺴﺒﻴلَ ﻟﻠﻨﱠﻭﻡِ ﻤِﻥ ﺍﻟﺒﻜﺎﺀِ ،ﺃﺘﺨﻴلُ ﺨﻁﱠﻙ ﻓﻲ ﻋﻴﻨﻲ ﺍﻟﱠﺘﻲ ﻴﺠﺭﻱ ﻤﺎﺅﻫﺎ
ﻜﺄﻨﱢﻲ ﺃﺭﺴﻡ ﻋﻠﻰ ﺍﻟﻤﺎﺀ ،ﻭﺍﻟﺨﻁﹼ ﻫﻭ ﺍﻟﺸﹼﻌﺭ ﺍﻟﻨﱠﺎﺒِﺕﹸ ﺤﺩﻴﺜﺎﹰ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻟﺤﺩﺙ ﺨﺎﺼﺔﹰ ﻋﻠﻰ
ﺍﻟﻌﺫﺍﺭ )ﺃﻤﺎﻡ ﺍﻷُﺫﹸﻥ(.
-٣١٦-
ﻏﺰﻝ ٣٢١
ﻀﻌﻴﻑﹸ ﺍﻟﻘﻠﺏِ ﻭﻋﺎﺠﺯ ،ﻜﹸﻠﱠﻤﺎ ﺘﹶﺫﹶﻜﱠﺭﺕﹸ ﻭﺠﻬﻙ ﻋﺎﺩ ﻟﻲ ﺭﻏﹾﻡ ﺃﻨﱢﻲ ﺸﻴﺦﹲ
ﺍﻟﺸﱠﺒﺎﺏ؛
ﺍﻟﺸﱡﻜﺭ ﷲِ ﻓﻜﹸلﱡ ﺸﹶﻲﺀٍ ﻁﹶﻠﹶﺒﺘﹸﻪ ﻤِﻥ ﺍﷲِ ،ﻨِﻠﺘﹸﻪ ﺒِﻤﻨﺘﻬﻰ ﺭﻏﺒﺘﻲ ،ﺒﻤﻨﺘﻬﻰ ﺍﻟﻜﻤﺎل؛
ﺕ ﻅِﻠﱢﻙِ ﺼِﺭﺕﹸ ﺒﻠﺒلَ ﺭﻭﺽِ
ﻴﺎ ﺸﹶﺠﺭﺓﹶ ﺍﻟﻭﺭﺩِ ﺍﻟﻔﺘﻴﺔِ ﺍﻨﻌﻤﻲ ﺒِﺜِﻤﺎﺭِ ﺍﻟﺩﻭﻟﹶﺔِ ،ﺃﻨﺎ ﺘﺤ ﹶ
ﺍﻟﻌﺎﻟﹶﻡ؛
ﺃﻭﻻﹰ ﻟﻡ ﻴﻜﹸﻥ ﻟﻲ ﺨﺒﺭ ﻋﻥ ﺘﺤﺕِ ﻭﺠﻭﺩﻱ ﻭﻓﻭﻕِ ﻭﺠﻭﺩﻱ ،ﻓﻲ ﻤﻜﹾﺘﹶﺏِ ﻏﻤﻙ
ﺼِﺭﺕﹸ ﻋﺎﻟِﻤﺎﹰ ﺒِﻤِﺜﹾلِ ﻫﺫِﻩِ ﺍﻟﻠﱠﻁﻴﻔﹶﺔ؛
ﻗِﺴﻤﺔﹸ ﺍﻷﺯلِ ﻤﺤﻴﻠﺘﻲ ﺇﻟﻰ ﺍﻟﺨﺭﺍﺒﺎﺕ ،ﺴِﺭﺕﹸ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻨﹼﺤﻭِ ﺃﻭ ﺫﺍﻙ ﺍﻟﻨﱠﺤﻭ؛
ﻓﻲ ﺫﻟِﻙ ﺍﻟﻴﻭﻡِ ﺍﻟﱠﺫﻱ ﺼِﺭﺕﹸ ﻓﻴﻪِ ﻤِﻥ ﺴﻜﱠﺎﻥِ ﺇﻴﻭﺍﻥِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥ ،ﺍﻨﻔﺘﺢ ﺒﺎﺏ ﺍﻟﻤﻌﻨﻰ
ﻟِﻘﻠﺒﻲ؛
ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ﺍﻟﻭﺍﺴِﻊِ ﻟﻠﺩﻭﻟﺔِ ﺍﻟﺴﺭﻤﺩﻴﺔ ،ﺒِﺘﺨﹾﺕِ ﺍﻟﺒﺨﹾﺕِ ،ﻤﻊ ﺠﺎﻡِ ﺍﻟﺨﻤﺭِ ،ﺒِﻤﺭﺍﺩِ
ﺍﻟﻘﻠﺏِ ﺼِﺭﺕﹸ ﺇﻟﻰ ﺃﺤِﺒﺘﻲ؛
ﻭﻤِﻥ ﺫﻟِﻙ ﺍﻟﺯﻤﺎﻥِ ﺍﻟﱠﺫﻱ ﺃﺼﺎﺒﺘﻨﻲ ﻓﻴﻪِ ﻓِﺘﹾﻨﺔﹸ ﻋﻴﻨِﻙ ،ﺼِﺭﺕﹸ ﻓﻲ ﺃﻤﺎﻥٍ ﻤِﻥ ﺸﹶﺭ ﻓِﺘﻨﺔِ
ﺁﺨِﺭِ ﺍﻟﺯﻤﺎﻥ؛
ﺃﻨﺎ ﻟﹶﻡ ﺃﺸِﺦﹾ ﻤِﻥ ﺍﻟﺴﻨﻴﻥ ﻭﺍﻟﺸﱡﻬﻭﺭِ ،ﺍﻟﺤﺒﻴﺏ ﻏﻴﺭ ﺍﻟﻭﻓﻲ ﻤﺭ ﺒﻲ ﻤﺭﻭﺭ ﺍﻟﻌﻤﺭِ
)ﻤﺴﺭِﻋﺎﹰ( ،ﻓﺸِﺨﹾﺕﹸ ﻤِﻥ ﺫﻟِﻙ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺃﻋﻁﺎﻨﻲ ﺍﻟﺒﺸﹾﺭﻯ ﺒِﻌِﻨﺎﻴﺘِﻪِ ،ﺃﻥ ﻴﺎ ﺤﺎﻓﻅﹸ ﺍﺭﺠِﻊ ﺇﻟﻲ ﻭﺃﻨﺎ ﺍﻟﻀﺎﻤِﻥ
ﻏﹸﻔﺭﺍﻥ ﺫﹶﻨﺒِﻙ.
-٣١٧-
ﻏﺰﻝ ٣٢٢
)(١
ﺒﻤﺜﻠـﻙ ﻻ ﺴـﻤﻌﺕﹸ ﻭﻻ ﺭﺃﻴـﺕﹸ ﺨﻴﺎﻟﹸــﻙ ﺴــﺎﻜﻥ ﻋﻴﻨــﻲ ﻭﺇﻨﹼــﻲ
)(٢
ﺒﻤﺜلِ ﻗﻭﺍﻡِ ﻗـﺩﻙ ﻤـﺎ ﻅﻔـﺭﺕﹸ ﺠﺭﻴﺕﹸ ﻤﻊ ﺍﻟـﺸﱢﻤﺎلِ ﺒـﻼ ﻋﻨـﺎﻥٍ
)(٣
ﺭﺠﺎ ﻗﻠﺒﻲ ﺒِﺜﹶﻐﹾﺭِﻙ ﻗـﺩ ﻗﹶﻁﹶﻌـﺕﹸ ﻀِﻴﺎﹰ ﻓﻲ ﻟﻴل ﻓﹶﺭﻋِﻙ ﻤـﺎ ﻭﺠـﺩﺕﹸ
ﻭﻜﻡ ﻤِﻥ ﺨﹶﻤﺭِ ﻟﹶﻌﻠِﻙ ﻗﹶـﺩ ﺨﹸـﺩِﻋﺕﹸ ﺒﺸﹶﻭﻕِ ﺸﹶﺭﺍﺏِ ﺜﹶﻐﹾﺭِﻙ ﻜـﻡ ﺒﻜﻴـﺕﹸ
)(٤
ﻭﺃﺭﻀﻙ ﻜﻡ ﺒﻬﺎ ﻏﹸﺼﺼﺎﹰ ﺠﻨﻴﺕﹸ ﺒﻐﻤﺯﺘﻙ ﺍﻟﺭﻤﺎﺡ ﺠـﺭﺤﻥ ﻗﻠﺒـﻲ
)(٥
ﻨﻔﻭﺭﺍﹰ ﻤِﻥ ﺒﻨﻲ ﺍﻹﻨﺴﺎﻥِ ﺼِـﺭﺕﹸ ـﺯﺍﻻﹰ
ﺠِﻨﺎﻴـ ﹶﺔ ﻋﻴﻨِ ـﻙ ﺍﻟـﺴﻭﺩﺍ ﻏﹶـ
ﻤِﻥ ﺤِﻤﻰ ﺍﻟﺤﺒﻴﺏِ ﺍﺤﻤِلْ ﺃﻱ ﻨﺴﻴﻡ ﺍﻟﺼﺒﺢِ ﺍﻟﻐﹸﺒﺎﺭ ،ﻓﺄﻨﺎ ﺃﺠِﺩ ﻤِﻥ ﺫﻟِﻙ
ﺍﻟﺘﱡﺭﺍﺏِ ﺭﻴﺢ ﺩﻡِ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢ؛ ﺃﻨﺎ ﻜﺎﻟﺒﺭﻋﻡِ ،ﻫﺏ ﻋﻠﻰ ﺭﺃﺴﻲ ﻨﺴﻴﻡ ﺩﻴﺎﺭِﻩِ،
ﻓﻤﺯﻗﺕﹸ ﻏِﻼﻑﹶ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢِ ﻤﻥ ﺍﻟﻌﺒﻴﺭ ،ﻗﹶﺴﻤﺎﹰ ﺒﺘﹸﺭﺍﺏِ ﺃﻗﺩﺍﻤِﻙ ﻭﻨﹸﻭﺭِ ﻋﻴﻥِ ﺤﺎﻓِﻅﹶ،
ﻟﻭﻻ ﻭﺠﻬﻙ ﻤﺎ ﺃﻀﺎﺀ ﺴِﺭﺍﺝ ﻋﻴﻨﻲ.
) (١ﺭﺴﻤﺕﹸ ﺼﻭﺭﺓﹶ ﺨﻴﺎﻟِﻙ ﻓﻲ ﻤﺭﺴﻡِ ﻋﻴﻨﻲ ،ﺼﻭﺭﺓﹰ ﻤﺎ ﺭﺃﺕ ﻋﻴﻨﻲ ﻟﻬﺎ ﻤﺜﻴﻼﹰ ،ﻭﻻ ﺴﻤِﻌ ﹾ
ﺕ
ﺒﻤﺜﻠِﻬﺎ ﺃﺫﻨﻲ )ﺠﻤﺎﻟﹸﻙ ﻻ ﻴﻘﺎﺱ ،ﻭﺃﻨﺕ ﺃﺠﻤلُ ﻤﻥ ﻜﹸلﱢ ﺨﻴﺎلٍ ﻭﻗﻴﺎﺱٍ ،ﻭﻤﻥ ﻜلﱢ ﻤﺎ ﻗﺎل ﻟﺴﺎﻥ،
ﺃﻭ ﺴﻤﻌﺕﹾ ﺃﺫﻥ ،ﺃﻭ ﺭﺃﺕ ﻋﻴﻥ(؛
) (٢ﺴﺎﻓﺭﺕﹸ ﺃﺒﺤﺙﹸ ﻋﻨﻙ ﻤﻊ ﺭﻴﺢِ ﺍﻟﺸﱠﻤﺎل ﺍﻟﺴﺭﻴﻌﺔِ ،ﻓﻤﺎ ﻅﻔﺭﺕﹸ ﺒﺸﹶﺠﺭﺓٍ ﻟﻬﺎ ﻗﻭﺍﻡ ﺴﺭﻭﺓِ
ﻗﺎﻤﺘﻙ؛
) (٣ﻻ ﺃﻤلَ ﻟﻲ ﺍﻟﻌﻤﺭ ﺒﺎﻟﻨﱠﻬﺎﺭِ ﻓﻲ ﻟﻴلِ ﺸﻌﺭﻙ ،ﻭﻗﺩ ﻗﻁﹶﻌﺕﹸ ﺍﻟﻁﱠﻤﻊ ﻤِﻥ ﻤﺭﺍﺩِ ﻗﻠﺒﻲ ﺒِﺩﻭﺭِ ﻓﹶﻤِﻙ
)ﻤﻥ ﻤﺭﺍﺩِ ﻗﻠﺒﻲ ﺍﻟﻁﱠﺎﻤﻊِ ﺒﻘﹸﺒﻠﺔٍ ﻤﻥ ﺜﻐﺭﻙ(؛
ﻥ ﺍﻟﺴﻬﺎﻡِ ﺭﻤﻴﺕﹶ ﻋﻠﻰ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢ ،ﻭﻤِﻥ ﺍﻟﻐﹸﺼﺔِ ﻜﻡ ﺘﺤﻤﻠﹾﺕﹸ ﻤِﻥ
) (٤ﻤِﻥ ﻏﹶﻤﺯٍ ﺓ ﻜﻡ ﻤِ
ل ﻓﻲ ﺤِﻤﺎﻙ؛ ﺍﻷﺤﻤﺎ ِ
) (٥ﺼِﺭﺕﹸ ﻤِﻥ ﺠِﻨﺎﻴﺔِ ﻋﻴﻨِﻙ ﺍﻟﺴﻭﺩﺍﺀِ ﻭﻋﻨﹸﻘِﻙ ﺍﻟﺠﻤﻴلِ ﻜﺎﻟﻐﺯﺍلِ ﺍﻟﻭﺤﺸﻲ ﺃﻨﻔﺭ ﻤﻥ ﺍﻵﺩﻤﻴﻴﻥ.
-٣١٨-
ﻏﺰﻝ ٣٢٣
)(١
ﻭﺃﺨﺠلُ ﻤﻥ ﺫﻭﻱ ﺤﺴﻥِ ﺍﻟﻘﻭﺍﻡِ ﻋﺠﺯﺕﹸ ﻭﻗﺩ ﺤﻨﻰ ﺤِﻤﻠﻲ ﻗـﻭﺍﻤﻲ
)(٢
ﺃُﻤﺴﻙ ﺃﻭ ﺃُﺠـﻥ ﻤـﻥ ﺍﻟﻬﻴـﺎﻡِ ﻤﺩﺩﺕﹸ ﻴـﺩﻱ ﻟِﻔﹶﺭﻋِـﻙ ﺃﻭ ﺒِﺤﺒـلٍ
)(٣
ﺘﻨﻲ ﺘﹸﺤﺼﻲ ﺍﻟﻜﻭﺍﻜِﺏ ﻓﻲ ﺍﻟﻅﱠﻼﻡِ ﻋﻥِ ﺍﻷﻓﻼﻙِ ﺴلْ ﻋﻴﻨـﻲ ﺍﻟﱠﺘـﻲ ﻻ
)(٤
ﻓﻨﺫﺭﺍﹰ ﺃﻥ ﺃُﻗﺒـلَ ﺜﻐـﺭ ﺠـﺎﻤﻲ ـﺎﻡ
ﺃﺴـﺭ ﺇﻟـﻲ ﺴِ ـﺭ ﺍﻟـﺩﻫﺭِ ﺠـ
)(٥
ﻭﺫﺍﻙ ﺒِﺤــﻕﱢ ﻨِﻌﻤﺘِــﻪِ ﻗﻴــﺎﻤﻲ ﻭﻟﻠﺨﻤﺎﺭِ ﺃﺩﻋـﻭ ﺤـﻴﻥ ﺃﺩﻋـﻭ
ﺍﻟﱠﺘﻲ ﻟـﻡ ﺘـﺄﺕِ ﻅﹸﻠﻤـﺎﹰ ﻟﻸﻨـﺎﻡِ ﻭﺇﻨﹼــﻲ ﺸــﺎﻜﺭ ﺠِــﺩﺍﹰ ﺫﺭﺍﻋــﻲ
ﺒِﻠﹸﻁﹾﻔِﻙ ﻅﹶلﱠ ﻴﻁﻤـﻊ ﻓـﻲ ﺍﻟﺨِﺘـﺎﻡِ ﻭﺤﺎﻓِﻅﹸ ﻟﻡ ﻴـﺯل ﺴـﻜﺭﺍﻥ ﻟﻜـﻥ
ﻏﺰﻝ ٣٢٤
)(٦
ﻭﻴﺼﺒِﺢ ﻓﺘﺢ ﻤﻘﻠﺘِـﻪِ ﺭﺠـﺎﺌﻲ ﺘﻌﻘﱠــﺩ ﻤــﻥ ﺠﺩﻴﻠﺘِــﻪِ ﺃﻤــﻭﺭﻱ
) (١ﺃﻨﺎ ﻋﺎﺠﺯ ،ﻭﻅﻬﺭﻱ ﺍﻨﺤﻨﻰ ﺘﺤﺕﹶ ﺜﻘلِ ﺤﻤلِ ﺫﻨﻭﺒﻲ ،ﻭﻴﺎ ﺨﺠﻠﻲ ﻤﻥ ﺫﻭﻱ ﺍﻟﻘﺎﻤﺎﺕِ ﺍﻟﻌﺎﻟﻴﺔِ
ﻭﺍﻟﻘﺩﻭﺩِ ﺍﻟﺠﻤﻴﻠﺔ ،ﻭﺼﻑﹸ ﺍﻟﺤﺒﻴﺏ ﺒﺤﺴﻥِ ﺍﻟﻘﻭﺍﻡِ ﻋﺎﺩﺓﹲ ﻋﻨﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ؛
) (٢ﺇﺫﺍ ﻟﻡ ﺘﺼِلْ ﻴﺩﻱ ﺇﻟﻰ ﺤﻠﻘﺔٍ ﻤﻥ ﺤﻠﻘﺎﺕِ ﺯﻨﺠﻴﺭِ ﻓﺭﻋِﻙ ﻓﻤﺼﻴﺭﻱ ﺇﻟﻰ ﺍﻟﺠﻨﻭﻥِ ﻭﺍﻟﻬﻴﺎﻡ؛
) (٣ﺴلْ ﻋﻥ ﺃﻭﻀﺎﻉِ ﺍﻟﻔﹶﻠﹶﻙِ ﻋﻴﻨﻲ ﻷﻨﹼﻲ ﺃﻤﻀﻲ ﺍﻟﻠﹼﻴلَ ،ﻤﻥ ﺍﻟﻤﺴﺎﺀِ ﺇﻟﻰ ﺍﻟﺼﺒﺎﺡِ ،ﺴﺎﻫﺭﺍﹰ ﺃﻨﻅﹸﺭ
ﻓﻲ ﺍﻟﻨﱡﺠﻭﻡِ ﻭﺃﻋﺩﻫﺎ ،ﻭﻗﺩ ﺼﺭﺕﹸ ﺨﺒﻴﺭﺍﹰ ﺒﻤﻭﺍﻗﻊِ ﺍﻟﻨﹼﺠﻭﻡ؛
) (٤ﻨﺫﺭﺍﹰ ﻋﻠﻲ ﺃﻥ ﺃﻗﺒلَ ﺸﹶﻔﹶﺔﹶ ﻜﺄﺱِ ﺍﻟﺨﻤﺭِ ﺍﻟﱠﺘﻲ ﺃﻓﻀﺕ ﺇﻟﻲ ﺒﺴﺭ ﺍﻟﺩﻫﺭِ ،ﺸﻜﺭﺍﹰ ﻟﻬﺎ ﻋﻠﻰ ﺤﺴﻥِ
ﺼﻨﻴﻌِﻬﺎ ﺇﻟﻲ ،ﺒﻤﺎ ﺃﻴﻘﻅﺘﻨﻲ ﻤﻥ ﻏﻔﻠﺘﻲ؛
) (٥ﻭﺃﻱ ﻀﻴﺭٍ ﺇﺫﺍ ﺩﻋﻭﺕﹸ ﺒﺎﻟﺨﻴﺭِ ﻟﺒﺎﻋﺔِ ﺍﻟﺨﻤﺭِ ،ﻓﺄﻨﺎ ﺃﺅﺩﻱ ﺤﻕﱠ ﻨﻌﻤﺘِﻬِﻡ ﻋﻠﻲ ،ﻭﺇﺤﺴﺎﻨِﻬِﻡ ﺇﻟﻲ؛
ﻭﺇﻨﹼﻲ ﻟﺸﺎﻜﺭ ﺠﺩﺍﹰ ﻟﺫﺭﺍﻋﻲ ﺍﻟﹼﺘﻲ ﻟﻡ ﺘﺅﺫِ ﺃﺤﺩﺍﹰ ﻤﻥ ﺍﻟﻨﱠﺎﺱ؛ ﻭﺃﻨﺎ ﻜﺤﺎﻓﻅﹶ ﺩﺍﺌﺭ ﺍﻟﺭﺃﺱِ ﺴﻜﺭﺍﻥ
ﺇﻻﹼ ﺃﻨﱠﻨﻲ ﻁﺎﻤﻊ ﺒﻠﹸﻁﻑِ ﻤﺎﻟﻙِ ﺍﻟﻌﺎﻟﹶﻡ.
) (٦ﺭﻏﻡ ﺃﻥ ﺍﻟﺒﻼﺀ ﺃﺼﺎﺒﻨﻲ ﻤﻥ ﺠﺩﻴﻠﺔِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﺘﻌﻘﱠﺩﺕﹾ ﻤِﻥ ﻋﻘﹶﺩِﻫﺎ ﺍﻟﻜﺜﻴﺭﺓِ ﺃﻤﻭﺭﻱ ،ﻓﺈﻨﹼﻲ
ﻁﺎﻤﻊ ﺒﺄﻥ ﻴﺠﻭﺩ ﻋﻠﻲ ﺒﻨﻅﺭﺓٍ ﻤﻥ ﻋﻴﻨِﻪِ ﺍﻟﺭﺤﻴﻤﺔِ ﻴﻜﻭﻥ ﺒﻬﺎ ﻓﺭﺠﻲ ،ﻓﺈﻨﱠﻪ ﻜﺭﻴﻡ؛
-٣١٩-
)(١
ﺘﻠﻭﻥ ﻤِﺜﹾلَ ﺠـﺎﻡٍ ﻤـﻥ ﺩﻤـﺎﺌﻲ ﻭﻭﺠﻬﻲ ﺍﺤﻤﺭ ﻻ ﻁﹶﺭﺒـﺎﹰ ﻭﻟﻜـﻥ
)(٢
ﻓﺂﻩٍ ﺇﻥ ﺤﺭِﻤـﺕﹸ ﻤِـﻥ ﺍﻟﻠﱢﻘـﺎﺀِ ﻭﺴﻭﻑﹶ ﻴﻬـﺩﻨﻲ ﻟﺤـﻥ ﺍﻟﻤﻐﻨﹼـﻲ
ﺃﻨﺎ ﺤﺎﺭِﺱ ﻋﻠﻰ ﺤﺭﻡِ ﻗﻠﺒﻲ ﺍﻟﻠﹼﻴلَ ،ﻁﻭلَ ﺍﻟﻠﱠﻴلِ ،ﻜﻲ ﻻ ﻴﺩﺨﹸلَ ﻏﻴﺭ ﺨﻴﺎﻟِﻪ ﺇﻟﻰ ﻫـﺫﺍ
ﺍﻟﺤﺭﻴﻡِ؛
ﺃﻨﺎ ﺫﻟِﻙ ﺍﻟﺸﱠﺎﻋِﺭ ﺍﻟﺴﺎﺤِﺭ ﺍﻟﱠﺫﻱ ﺒِﺴِﺤﺭِ ﺤﺩﻴﺜﻲ ،ﻴﻘﻁﺭ ﺍﻟﺸﱠﻬﺩ ﻭﺍﻟﺴﻜﱠﺭ ﻤِﻥ ﻟِﺴﺎﻥِ
ﻗﻠﻤﻲ ﻤِﻥ ﺍﻟﻘﹶﺼﺏ؛
ﻋﻴﻥ ﺒﺨﺘﻲ ﻤِﻥ ﻗِﺼﺔٍ ﻤﻨﻪ ﺫﹶﻫﺒﺕﹾ ﻓﻲ ﺍﻟﻨﱠﻭﻡ ،ﺃﻴﻥ ﻤﻨﻪ ﻨﺴﻴﻡ ﻤِﻥ ﺍﻟﻌِﻨﺎﻴﺔِ ﻟﻴﻭﻗِﻅﹶﻨﻲ؛
ﻻ ﺃﺭﻯ ﺃﺤﺩﺍﹰ ﻴﻤﺭ ﺒِﻙ ﻴﺎ ﺤﺒﻴﺏ ﻓﻴﻌﻴﻨﹶﻨﻲ ،ﻓﻠِﻤﻥ ﺃﻗﻭلُ ﺃﻥ ﻴﻘﻭلَ ﺤﺩﻴﺜﻲ ﻟِﺤﺒﻴﺒﻲ؛
ﻜﺎﻥ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻴﻘﻭلُ ﺇﻥ ﺤﺎﻓِﻅﹶ ﻜﹸﻠﱠﻪ ﻨِﻔﺎﻕﹲ ﻭﺭﻴﺎﺀ ،ﻏﻴﺭ ﻏﹸﺒﺎﺭِ ﺒﺎﺒِﻪ ﻟﻡ ﻴﻌﺩ ﻴﻨﻔﻌﻨﻲ
ﺸﻲﺀ.
ﻏﺰﻝ ٣٢٥
ﺇﺫﺍ ﻭﻗﹶﻊ ﻓﻲ ﻴﺩﻱ ﻏﹸﺒﺎ ﺭ ﺘﹸﺭﺍﺏِ ﻗﹶﺩﻡِ ﺤﺒﻴﺒﻲ ،ﻓﺴﺄﻜﺘﹸﺏ ﻋﻠﻰ ﻟﻭﺡِ ﺒﺼﺭﻱ ﺒِﺨﻁﱢ
ﺍﻟﻐﹸﺒﺎﺭ؛
ﺒِﺭﺠﺎﺀِ ﺃﻥ ﺃﺼﻴﺭ ﺇﻟﻰ ﻭِﺼﺎﻟِﻙ ﻏﹶﺭِﻗﹾﺕﹸ ،ﻭﺃﺭﺠﻭ ﻤِﻥ ﻤﻭﺝِ ﺩﻤﻌﻲ ﺃﻥ ﻴﻘﺫِﻑﹶ ﺒﻲ ﺇﻟﻰ
ﺠﻭﺍﺭِﻙ؛
ﻟﻭ ﺠﺎﺀﻨﻲ ﻗﺭﺍﺭﻩ ﺒِﻁﹶﻠﹶﺏِ ﺭﻭﺤﻲ ،ﻷﺴﻠﹶﻤﺕﹸ ﻜﺎﻟﺸﹶﻤﻊِ ﺭﻭﺤِﻲ ﻟﻠﺭﻴﺢِ ﻓﻲ ﻨﹶﻔﹶﺱٍ؛
ﻻ ﺘﻜﹸﻥ ﻤﻌﺭِﻀﺎﹰ ﻋﻥ ﻭﻓﺎﺌﻲ ﺍﻟﻴﻭﻡ ،ﻭﺨﹶﻑﹾ ﻤِﻥ ﺍﻟﻠﹼﻴﻠﹶﺔِ ﺍﻟﱠﺘﻲ ،ﻤﻥ ﺍﻟﻐﻡ ،ﺃﺭﻓﹶﻊ ﻓﻴﻬﺎ
ﻴﺩﻱ ﺒﺎﻟﺩﻋﺎﺀ؛
) (١ﻓﻼ ﺘﺤﻤلْ ﺍﺤﻤﺭﺍﺭ ﻭﺠﻬﻲ ﻋﻠﻰ ﺃﻨﱠﻪ ﻤﻥ ﺍﻟﻁﱠﺭﺏِ ،ﺘﻠﻙ ﺼﻭﺭﺓﹸ ﺩﻡِ ﻗﻠﺒﻲ ﺍﻨﻌﻜﹶﺴﺕﹾ ﻋﻠﻰ
ﻭﺠﻬﻲ ،ﻜﻤﺎ ﺘﻌﻜﺱ ﺍﻟﻜﺄﺱ ﻟﻭﻥ ﺍﻟﺨﻤﺭ؛
) (٢ﻭﺇﻥ ﻫﺫﺍ ﺍﻟﻠﺤﻥ ﻤﻥ ﺍﻟﻤﻁﺭﺏِ ﺴﻭﻑ ﻴﻁﻴﺢ ﺒﻲ ،ﻓﺂﻩٍ ﺇﺫﺍ ﻟﻡ ﻴﻜﻥ ﻗﻀﺎﺀ ﻤﺭﺍﺩﻱ ﻤﻥ ﻫﺫﺍ ﺍﻟﻠﺤﻥِ.
-٣٢٠-
ﻀﻔﺎﺌﺭﻙ ﺍﻟﺴﻭﺩﺍﺀ ﻓﻲ ﻤﻭﺍﺴﺎﺓِ ﺍﻟﻌﺸﱠﺎﻕِ ،ﺃﻋﻁﹶﺘﻬﻡ ﻗﺭﺍﺭﻫﻡ ﻭﺴﻠﹶﺒﺕﹾ ﻤﻨﱢﻲ ﺍﻟﻘﺭﺍﺭ؛
ﺃﻴﺘﹸﻬﺎ ﺍﻟﺭﻴﺢ ﺍﺤﻤِﻠﻲ ﻟﻲ ﻨﺴﻴﻤﺎﹰ ﻤِﻥ ﺘﻠﻙ ﺍﻟﺨﻤﺭﺓِ ،ﻓﺩﻓﹾ ﻊ ﺨﹸﻤﺎﺭﻱ ﻜﺎﻥ ﻤِﻥ ﻋﺒﻴﺭِﻫﺎ ﺍﻟﺸﱠﺎﻓﻲ؛
ﺇﺫﺍ ﻜﺎﻥ ﺤﺒﻴﺒﻲ ﺍﻟﺼﺭﺍﻑﹸ ﻻ ﻴﻘﺒلُ ﻨﹶﻘﹾﺩ ﻗﻠﺒﻲ ﺍﻟﺯﺍﺌﻑﹶ ،ﺃﺩﻓﹶﻊ ﻟﻪ ﺍﻟﻨﱠﻘﹾﺩ ﺍﻟﺼﺤﻴﺢ ﻓﻲ
ﺍﻟﺤﺎلِ ،ﺃﻋﺩﻩ ﻟﻪ ﻤِﻥ ﺩﻤﻊِ ﻋﻴﻨﻲ)(١؛
ﻻ ﺘﺘﺭﻜﻨﻲ ﻭﺃﻨﺎ ﺍﻟﻤِﺴﻜﻴﻥ ﺍﻟﻤﺘﹾﺭِﺏ ،ﻓﻤِﻥ ﺒﻌﺩِ ﻤﻭﺘﻲ ﻟﻥ ﺘﻘﺩِﺭ ﺍﻟﺭﻴﺢ ﻋﻠﻰ ﺤﻤلِ
ﻏﹸﺒﺎﺭﻱ ﻤﻥ ﺃﺭﻀِﻙ؛
ﻴﺎ ﺤﺎﻓﻅﹸ ﺭﻭﺤﻲ ﺍﻟﻌﺯﻴﺯﺓﹸ ﻤﻥ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻪِ ،ﻤﺭ ﻋﻤﺭﻱ ﺃﻨﺘﻅِﺭ ﺍﻟﻠﹼﺤﻅﹶﺔﹶ ﺍﻟﱠﺘﻲ ﺃُﺴﻠِﻡ
ﺒﻬﺎ ﺍﻟﺭﻭﺡ ﻟِﺸﹶﻔﹶﺘِﻪ.
ﻏﺰﻝ ٣٢٦
ﻓﻲ ﻤﻨﺯلِ ﺨﻠﻭﺘﻲ ﻋﻨﺩﻱ ﺼﻨﹶﻡ ﺠﻤﻴلٌ ،ﺘﺸﺘﻌِلُ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﻗﹶﺩﻤﻲ ﻤِﻥ ﻀﻔﻴﺭﺘِﻪ ﻭﻭﺠﻬِﻪ؛
ﻋﺎﺸِﻕﹲ ﻭﺴﻜﺭﺍﻥ ﻭﻤﺨﻤﻭﺭ ﻭﺒِﺼﻭﺕٍ ﻋﺎلٍ ،ﻤﻨﺼﺏ ﺤﺼﻠﺕﹸ ﻋﻠﻴﻪِ ﻤﻥ ﺍﻟﺤﻭﺭِ ﺍﻟﻤﻼﺌﻜﻴﺔ؛
ﺇﺫﺍ ﺘﺭﻜﺘﹶﻨﻲ ﺤﺎﺌﺭﺍﹰ ﻤﻀﻁﺭﺒﺎﹰ ﻤﺸﻭﺸﺎﹰ ،ﻓﺴﻭﻑ ﺃُﺸﻭﺵﹸ ﻀﻔﺎﺌﺭ ﺸﹶﻌﺭِﻙ ﺒﺂﻫﺎﺕِ ﺴﺤﺭﻱ؛
ﺇﺫﺍ ﻤﺎ ﺃﺴﻔﹶﺭ ﺍﻟﻤﻌﺸﻭﻕﹸ ﻭﺃﺒﺎﺡ ﻟﻨﺎ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ ﻭﺠﻬِﻪِ ،ﻓﺴﺄُﻨﻘﱢﺵﹸ ﻭﺠﻬِﻲ ﺍﻷﺼﻔﹶﺭ
ﺒِﺩﻤِﻲ ﺍﻷﺤﻤﺭ)(٢؛
ﻋِﻨﺩﻱ ﻟﻙ ،ﺇﺫﺍ ﻤﺎ ﻨﹶﻭﻴﺕﹶ ﺍﻟﻤﺠﻲﺀ ﺇﻟﻰ ﻤﺄﻭﻯ ﺍﻟﺴﻜﺎﺭﻯ ،ﺸِﻌﺭ ﻜﺎﻟﺴﻜﱠﺭِ ،ﻭﺨﻤﺭﺓﹲ
ﺼﺎﻓﻴﺔﹲ ﻤِﻥ ﺍﻟﻐِﺵﹼ؛
ﺃﻋﻁِﻨﻲ ﺴﻬﻤﺎﹰ ﻤِﻥ ﻏﻤﺯﺘِﻙ ،ﻭﺤﺒﻼﹰ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ ،ﻓﺄﻨﺎ ﻓﻲ ﺨﹸﺼﻭﻤﺔٍ ﻤﻊ ﻗﻠﺒﻲ
ﺍﻟﻤﺠﺭﻭﺡِ ﺍﻟﻤﺤِﺏ ﻟﻠﺒﻼﺀ؛
ﺤﺎﻓﻅﹸ ،ﻏﻡ ﺍﻟﻌﺎﻟﹶﻡِ ﻭﺴﺭﻭﺭﻩ ﺍﻨﺘﻬﻴﺎ ،ﻓﺨﻴﺭ ﻤﻨﻬﻤﺎ ﺴﺭﻭﺭ ﺨﺎﻁﺭﻱ.
) (١ﺍﻟﻨﹼﻘﺩ ﺍﻟﺼﺤﻴﺢ :ﺍﻟﻨﱠﻘﺩ ﺍﻟﺭﺍﺌﺞ ﻤِﻥ ﺍﻟﺫﹼﻫﺏِ ﻭﺍﻟﻔِﻀﺔِ ،ﻴﺭﻤﺯ ﺒِﻪِ ﻟﻠﺩﻤﻊ.
) (٢ﻤﻥ ﺩﻤﻌﻲ ﺍﻟﻤﺩﻤﻰ.
-٣٢١-
ﻏﺰﻝ٣٢٧
ﻟﻲ ﻋﻬﺩ ﻤﻊ ﺍﻟﺤﺒﻴﺏِ ﺒﺎﻕٍ ﻤﺎ ﺒﻘﻴﺕﹾ ﺭﻭﺤﻲ ﻓﻲ ﺒﺩﻨﻲ ،ﺒﺄﻥ ﺃُﺤِﺏ ﺩﻴﺎﺭﻩ ﻤﺤﺒﺘﻲ
ﻟِﺭﻭﺤﻲ)(١؛
ﻤِﻥ ﺸﻤﻊِ ﭽﮕِل ﺃﺠِﺩ ﺼﻔﺎﺀ ﺨﻠﻭﺓِ ﺍﻟﺨﺎﻁﺭِ ،ﻭﻤِﻥ ﺒﺩﺭِ ﺨﺘﻥَ ﻀﻴﺎﺀ ﺍﻟﻌﻴﻥِ ﻭﻨﻭﺭ
ﺍﻟﻘﻠﺏ)(٢؛
ﻤﺎ ﺩﻤﺕﹸ ﺃﺤﺼلُ ﻤِﻨﹾﻪ ﻋﻠﻰ ﻤﻨﻴﺔِ ﻭﻤﺭﺍﺩِ ﻗﻠﺒﻲ ﻓﻲ ﺨﻠﻭﺘﻲ ،ﺃﻱ ﻓِﻜﹾﺭٍ ﻴﻜﻭﻥ ﻤﻨﱢﻲ
ﺒﺨﹸﺒﺙِ ﺍﻟﻤﺘﺤﺩﺜﻴﻥ ﺒﺎﻟﺴﻭﺀِ ﻓﻲ ﺍﻟﻤﺤﺎﻓِل؛
ﺕ ﻅِلﱢ ﻗﺩﻫﺎ ﻓﺎﺭﻍﹲ ﻤِﻥ ﺴﺭﻭِ ﺍﻟﺒﺴﺘﺎﻥِ ﻭﺸﻤﺸﺎﺩِ
ﻟﻲ ﻓﻲ ﻤﻨﺯﻟﻲ ﺴﺭﻭﺓﹲ ﺃﻨﺎ ﺘﺤ ﹶ
ﺍﻟﺭﻭﺽ)(٣؛
ﻟﻭ ﻤﺌﺔﹸ ﺠﻴﺵٍ ﻤِﻥ ﺍﻟﺤﺴﺎﻥِ ﻗﺼﺩﻭﺍ ﻗﻠﺒﻲ ﻭﻨﺼﺒﻭﺍ ﻟﻪ ﺍﻟﻜﻤﻴﻥ ،ﻻ ﻀﻴﺭ ،ﺒﺤﻤﺩِ ﺍﷲِ
ﻭﺍﻟﻤﻨﱠﺔِ ﻋِﻨﺩﻱ ﺼﻨﹶﻡ ﻴﻜﺴِﺭ ﺍﻟﺠﻴﻭﺵ؛
ﺤﻕﱞ ﻟﻲ ﺃﺩﻋﻲ ﻤﻠﹾﻙ ﺴﻠﻴﻤﺎﻥ ﺒﺨﺎﺘﹶﻤِﻪِ ﺍﻟﻠﺅﻟﺌِﻲ ،ﻓﺎﻻِﺴﻡ ﺍﻷﻋﻅﹶﻡ ﻋﻠﻴﻪِ ،ﻭﻟﻡ ﻴﻤﺴﻪ
ﺍﻟﺸﹼﻴﻁﺎﻥ)(٤؛
ﺃﻴﻬﺎ ﺍﻟﺸﱠﻴﺦﹸ ﺍﻟﻌﺎﻗِلُ ﻻ ﺘﹸﻌﺒﻨﻲ ﺒﺎﻟﺨﹶﻤﺎﺭﺓِ ،ﺃﻨﺎ ﻓﻲ ﺘﺭﻙِ ﺍﻟﻜﺄﺱِ ﻗﻠﺒﻲ ﻴﻨﻘﹸﺽ ﺍﻟﻌﻬﺩ(٥)؛
ﺃﻴﻬﺎ ﺍﻟﺭﻗﻴﺏ ،ﻟِﺄﺠلِ ﺍﷲِ ﻫﺫﻩِ ﺍﻟﻠﹼﻴﻠﹶﺔﹶ ﻻ ﺘﺭﻓﹶﻊ ﻨﹶﻅﹶﺭﻙ ﺇﻟﹶﻲ ،ﻓﹶﻠﻲ ﻤﻊ ﻟﺅﻟﺌِﻪِ ﺍﻟﺼﺎﻤﺕِ
ﻤﺌﺔﹶ ﺤﺩﻴﺙٍ ﺨﻔﻲ؛
) (١ﻓﻲ ﻨﹸﺴﺨﹶﺔٍ :ﺒﺄﻥ ﺃُﺤِﺏ ﻤﺤِﺒﻲ ﺩﻴﺎﺭِﻩِ ﻤﺤﺒﺘﻲ ﻟِﺭﻭﺤﻲ؛
) (٢ﭽﮕل ﻤﺩﻴﻨﹶﺔﹲ ﺘﹸﺭﻜﻴﺔﹲ ﻤﺸﻬﻭﺭﺓﹲ ﺒِﺠﻤﺎلِ ﺃﻫﻠِﻬﺎ ،ﻭﻜﺫﻟِﻙ ﺨﺘﻥ؛
) (٣ﺍﻟﺸﹼﻤﺸﺎﺩ ﺸﺠﺭﺓﹲ ﻋﺎﻟﻴﺔﹲ ﻗﻭﻴﻤﺔﹸ ﺍﻟﺠِﺫﻉِ ،ﺘﹸﺸﺒِﻪ ﺍﻟﺼﻔﺼﺎﻑ؛
) (٤ﻓﻲ ﺇﺸﺎﺭﺓٍ ﻟﻤﺎ ﺫﹸﻜِﺭ ﻤﻥ ﺃﻥ ﺴﻠﻴﻤﺎﻥ ﻋﻠﻴ ِﻪ ﺍﻟﺴﻼﻡ ﺃﻀﺎﻉ ﻤﺭﺓﹰ ﺨﺎﺘﹶﻤﻪ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻴﺘﺤﻜﱠﻡ ﺒﻪِ
ﺒﺎﻟﻤﻤﻠﻜﹶﺔِ ،ﻭﺃﻥ ﺸﻴﻁﺎﻨﺎﹰ ﻭﻀﻌﻪ ﻓﻲ ﺇﺼﺒﻌِﻪ؛
) (٥ﻗﻠﺒﻲ ﻴﻨﻘﹸﺽ ﺍﻟﻌﻬﺩ ﻻ ﻴﻁﻴﻌﻨﻲ؛
-٣٢٢-
ﻭﻤﺎ ﺩﻤﺕﹸ ﺃﺴﻴﺭ ﻓﻲ ﺭﻭﺽِ ﻭﺭﺩِ ﺇﻗﺒﺎﻟِﻪِ ﺴﻌﻴﺩﺍﹰ ﺒﺤﻤﺩِ ﺍﷲِ ،ﻓﻼ ﻤﻴلَ ﻋﻨﺩﻱ ﻟﻠﺯﻫﺭِ
ﻭﺍﻟﻨﱢﺴﺭﻴﻥِ ،ﻭﻻ ﻟﻠﺴﺭﻭ؛
ﺼﺎﺭ ﺤﺎﻓﻅﹸ ﻤﺸﻬﻭﺭﺍﹰ ﺒﺎﻟﺴﻜﹾﺭِ ﺒﻴﻥ ﺍﻷﺼﺩﻗﺎﺀِ ﺍﻟﱠﺫﻴﻥ ﻻ ﻴﻔﺎﺭِﻗﻭﻨﹶﻪ ،ﻭﻤﺎ ﺩﺍﻡ ﻗﻭﺍﻡ
ﺍﻟﺩﻴﻥِ ﺤﺴﻥ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﻓﻼ ﻏﻡ ﻋﻨﺩﻱ).(١
ﻏﺰﻝ ٣٢٨
ﻤﻥ ﺃﻨﺎ ﻟِﺄَﻤﺭ ﻋﻠﻰ ﺨﺎﻁِﺭِﻙ ﺍﻟﻌﻁِﺭ ،ﻏﻴﺭ ﺃﻨﱠﻙ ﺘﻔﻌلُ ﺍﻷﻟﻁﺎﻑﹶ ،ﻴﺎ ﻤﻥ ﺘﹸﺭﺍﺏ ﺒﺎﺒِﻙ
ﺘﺎﺝ ﻟِﺭﺃﺴﻲ؛
ﺃﻱ ﺤﺒﻴﺏ ،ﻤﻥ ﻋﻠﱠﻤﻙ ﺍﻟﺘﱠﺩﻟﱡلَ ﻋﻠﻰ ﻋﺒﺩِﻙ؟ ،ﻗﹸلْ ،ﻻ ﺃﻅﹸﻥ ﺃﺒﺩﺍﹰ ﺃﻨﱠﻬﻡ ﺍﻟﺭﻗﹶﺒﺎﺀ؛
ﻗﻭ ﻫِﻤﺘﻲ ﻟِﻘﹶﻁﹾﻊِ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﻴﺎ ﻁﹶﺎﺌِﺭ ﺍﻟﻘﹸﺩﺱ ،ﻁﺭﻴﻕﹸ ﺍﻟﻤﻘﺼﺩِ ﻁﻭﻴلٌ ،ﻭﺃﻨﺎ ﺤﺩﻴﺙﹸ
ﺴﻔﹶﺭ)(٢؛
ﻴﺎ ﻨﺴﻴﻡ ﺍﻟﺴﺤﺭِ ﺃﻭﺼِلْ ﻟﻪ) ﻟﻠﺩﻟﻴلِ( ﺨِﺩﻤﺘﻲ ،ﻗﹸلْ ﻟﻪ ﺃﻥ ﻴﺫﹾﻜﹸﺭﻨﻲ ﻭﻗﺕﹶ ﺩﻋﺎﺀِ
ﺍﻟﺴﺤﺭ؛
ﺃﺠﻤِلْ ﺒِﺫﻟِﻙ ﺍﻟﻴﻭﻡِ ﺍﻟﱠﺫﻱ ﺃﺭﺒﻁﹸ ﻓﻴﻪِ ﺤِﻤﻠﻲ ﻟﻠﺴﻔﹶﺭِ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻤﺭﺤﻠِﺔِ ،ﻭﻴﺴﺄلُ ﻋﻨﹼﻲ
ﺍﻟﺭﻓﺎﻕﹸ ،ﻭﻴﺄﺘﻴﻬِﻡ ﺨﹶﺒﺭﻱ ﻤﻥ ﺤِﻤﺎﻙ)(٣؛
ﺤﺎﻓﻅﺎ ،ﺭﺒﻤﺎ ﻓﻲ ﻁﹶﻠﹶﺏِ ﺠﻭﻫﺭِ ﺍﻟﻭﺼلِ ،ﺃﺠﻌلُ ﺍﻟﻌﻴﻥ ﺒﺤﺭﺍﹰ ﻤِﻥ ﺍﻟﺩﻤﻊِ ﻭﺃﻏﻭﺹ
ﻓﻴﻪ؛
ﻤﻨﺯﻟﺔﹸ ﻨﻅﻤﻲ ﻋﺎﻟﻴﺔﹲ ﻭﺸِﻌﺭﻱ ﻓﺎﺘِﺢ ﺍﻟﺩﻨﻴﺎ ،ﻗﹸلْ ﻟﻠﻤﻠﻴﻙِ ﺃﻥ ﻴﻤﻸَ ﺒﺤﺭ ﻓﻤﻲ
ﺒﺎﻟﺠﻭﺍﻫِﺭ.
) (١ﻗﻭﺍﻡ ﺍﻟﺩﻴﻥ ﺤﺴﻥ ﻭﺯﻴﺭ ﺍﻟﺸﹼﺎﻩِ ﻓﻲ ﻋﻬﺩِ ﺤﺎﻓﻅ.
) (٢ﻁﺎﺌﺭ ﺍﻟﻘﹸﺩﺱ ﻴﺭﻤﺯ ﻟﻠﺩﻟﻴلِ ﺃﻭ ﺍﻟﻤﺭﺸِﺩ ،ﻭﺤﺩﻴﺙﹸ ﺴﻔﹶﺭ ،ﺴﺎﻟِﻙ ﺠﺩﻴﺩ ﻭﻟﻴﺱ ﻋﻨﺩﻱ ﺨﺒﺭﺓ؛
) (٣ﺃﺠﻤِلْ ﺒﺫﻟِﻙ ﺍﻟﻴﻭﻡِ ﺍﻟﱠﺫﻱ ﺃﺭﺤلُ ﻓﻴﻪِ ﻋﻥ ﺍﻟﺩﻨﻴﺎ.
-٣٢٣-
ﻏﺰﻝ ٣٢٩
ﻋﺒﺩ ﺍﻟﻤﻠﻴﻙِ ﻏﺩﻭﺕﹸ ﺫﻟﻙ ﻤﺎ ﺠـﺭﻯ ﺴﺤﺭﺍﹰ ﺃﺘﺕ ﻓﻲ ﻁﺎﻋﺘﻲ ﺍﻟﺠﻭﺯﺍ ﺒﻤﺎ
ﻤﺎ ﻗﺩ ﻁﻠﺒﺕﹸ ﻤﻥ ﺍﻹﻟـﻪِ ﺘﻴـﺴﺭ ﺴﺎﻗﻲ ﺘﻌﺎلَ ﻓﺈﻥ ﺤﻅﱢﻲ ﻤـﺴﻌﺩﻱ
ﻭﻫﻭﻯ ﺍﻟﺸﱠﺒﺎﺏِ ﺒﺸﻴﺏِ ﺭﺃﺴﻲ ﻗﺩ ﺴﺭﻯ ﻭﺍﻟﻜﺄﺱ ﻫﺎﺕِ ﻓﻘﺩ ﻁﺭِﺒﺕﹸ ﻟِﻭﺠﻬِﻪِ
ﻓﺒِﺠﺎﻡِ ﺴﻠﻁﺎﻨﻲ ﻭﺠﺩﺕﹸ ﺍﻟﻜـﻭﺜﺭﺍ ﻭﺯﻻلَ ﻤﺎﺀِ ﺍﻟﺨِﻀﺭِ ﻋﻨﺩﻱ ﻻ ﺘﺼِﻑ
ﻓﻀﻠﻲ ﻭﻋﺒﺩ ﻨﺩﺍﻙ ﻤﻥ ﺒﻴﻥِ ﺍﻟﻭﺭﻯ ﻤﺴﻜﻴﻥ ﺒﺎﺒِﻙ ﻴﺎ ﻤﻠﻴـﻙ ﻭﺇﻥ ﻋـﻼ
ﻭﻟﻘﺩ ﻏﺩﺍ ﻁﺒﻌـﻲ ﻭﻟـﻥ ﻴﺘﻐﻴـﺭ ﻭﺸﺭﺍﺏ ﺤﺒﻙ ﺃﻟﻑﹶ ﻋﺎﻡٍ ﻤـﺸﺭﺒﻲ
ﺇﻥ ﻟﻡ ﺘﹸﺼﺩﻕﹾ ﻗﻭلَ ﻫﺫﺍ ﺍﻟﻌﺒـﺩِ ﺃُﻫـﺩِﻙ ﻤِـﻥ ﻤﻘـﺎلِ ﻜﹶﻤـﺎلَ ﻗـﻭﻻﹰ ﺃﻅﹾﻬـﺭ:
ﻗﻠﺒﻲ ﻭﺤﺒﻲ ﺴﻭﻑﹶ ﺃﻋﻁﻲ ﻴﺎ ﺘﹸﺭﻯ!( )ﻗﻠﺒﻲ ﻭﺤﺒﻲ ﻤﻨﻙ ﺇﻥ ﺃﻨﺯﻉ ﻓﻤـﻥ
ﺤِﺭﺯﻱ ﻓﺼِﺭﺕﹸ ﻋﻠﻰ ﺍﻟﻌﺩﺍﺓِ ﻤﻅﻔﱠﺭﺍ ﻤﻨﺼﻭﺭ ﺒﻥ ﻤﻅﹶﻔﱠﺭ ﺍﻟﻐـﺎﺯﻱ ﻏـﺩﺍ
ﺃﻤﺸﻲ ﺒِﻪِ ﺤﺘﱠﻰ ﺃﺼﻴﺭ ﺇﻟﻰ ﺍﻟﺜﱠـﺭﻯ ﻤﻥ ﻴﻭﻡِ ﻋﻬﺩِ ﺃﻟﹶﺴﺕﹸ ﻋﺸﹾﻘﹸﻙ ﺩﻴﺩﻨﻲ
ﻓﻌﻼﻡ ﺒﺎﺴﻤِﻙ ﻻ ﺃﺼﻭﻍﹸ ﺍﻟﺠـﻭﻫﺭ ﻭﻋﻠﻰ ﺍﺴﻤِﻙ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﺜﱡﺭﻴﺎ ﺼﺎﺌﻎﹲ
ﺸﺎﻫﻴﻥ ﻴﻁﻌِﻤﻨﻲ ﺍﻟﻁﱠﻌﺎﻡ ﺍﻟـﺸﱠﺎﻩ ﻋـﻥ ﻴـﺩِﻩِ ،ﻟِـﺼﻴﺩِ ﺤﻤﺎﻤـﺔٍ ﻟـﻥ ﺃﻨﻅﹸـﺭ
ﻤﻠِﻙ ﺍﻟﻤﻠﻭﻙِ ﺘﺼﻴﺩ ﺁﺴﺎﺩ ﺍﻟـﺸﱠﺭﻯ ﻤﺎﺫﺍ ﺒِﻅِﻠﱢﻙ ﻟﻭ ﺃﻤِﻨﹾـﺕﹸ ﻭﺃﻨـﺕﹶ ﻴـﺎ
ﺒﺎﻟﺴﻴﻑِ ﻤﻤﻠﻜﹶﺔﹶ ﺍﻟﻔﺅﺍﺩِ ﻤﻥ ﺍﻟﻭﺭﻯ ﻤﻥ ﻴﻤﻥِ ﻤﺩﺤِﻙ ﺼﺎﺭ ﺸِﻌﺭﻱ ﻓﺎﺘِﺤﺎﹰ
ﻻ ﺸﻭﻕﹶ ﺴﺭﻭٍ ﺃﻭ ﻋﺸِﻘﹾﺕﹸ ﺼﻨﻭﺒﺭﺍ ﻭﻟﻘﺩ ﻤﺭﺭﺕﹸ ﻋﻠﻰ ﺍﻟﺨﻤﻴﻠﺔِ ﻤﺼﺒِﺤﺎﹰ
ﻭﺠﻪ ﺍﻟﺤﺒﻴﺏِ ﻤﻥ ﺍﻟﻌﺒﻴـﺭِ ﺘـﺫﹶﻜﱠﺭ ـﺎﻁﺭﻱ
ـﺎﺡ ﺍﻟﻌﺒﻴـﺭ ﻓﺨـ
ـﺎ ﻓـ
ﻟﻜِﻨﱠﻤـ
ﻜﺄﺴﻴﻥِ ﻤِﻨﻪ ﻭﻤﺎ ﺸﹶﺭِﺒﺕﹸ ﺍﻟﻤﻨﻜﹶـﺭ ﻓﺴﻘﻴﺕﹸ ﻤِﻥ ﻁﹶﺭﺏٍ ﺸﺭﺍﺒﺎﹰ ﻤـﺴﻜِﺭﺍﹰ
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ﻋﻁﻔﺎﹰ ﻋﻠﻲ ﻓﻘﺩ ﻋﻠﻤﺕﹶ ﺒﻤﺎ ﺠـﺭﻯ ﻴﺎ ﺴﻴﺩﻱ ﻓﹶﻠﹶﻜﻲ ﺒِـﻀﺭﻱ ﺴـﺎﺌﺭ
ﺇﻻﱠ ﻫﻭﺍﻙ ﻋﺭِﻓﹾـﺕﹸ ﺸﹸـﻐﻼﹰ ﺁﺨﹶـﺭﺍ ﻓﻠﻴﻤﺢ ﻓﻲ ﺍﻟﻌﺸﱠﺎﻕِ ﺍِﺴﻤﻲ ﺇﻥ ﺃﻜﹸﻥ
ﺃﻏﺭﻴﺕﹶ ﻴﺎ ﻗﻠﺒﻲ ﺍﻟﻨﱠﺤﻴلَ ﻏـﻀﻨﻔﺭﺍ ﺍﻟﺸﱢﺒلُ ﺼﺎ َل ﻟِﺼﻴﺩِ ﻗﻠﺒﻲ ﻜﻴﻑﹶ ﻗـﺩ
ﻋﻴﻥ ﺍﻟﱠﺫﻱ ﻟﺠﻤﺎلِ ﻭﺠﻬِﻙ ﺃﻨﻜـﺭ ـﻲ
ـﻲ ﻟﻤﻨﺘﹶ ـﺯِﻉ ﺒﻤِﺩﻴ ـﺔِ ﻏﻴﺭﺘـ
ﺇﻨﱢـ
•ﻓﻲ ﺍﻟﺴﺤﺭِ ﺘﺤﻘﱠﻘﹾﺕﹸ ﺒِﺤﻘﻴﻘﺔِ ﺍﻟﻌﺒﻭﺩﻴﺔ ،ﻭﺘﺨﻠﱠﺼﺕﹸ ﻤﻥ ﺃﻨﺎﻨﻴﺘﻲ ﻭﺭﺤﺕﹸ
ﺃﺩﻋﻭ ﻓﻭﺠﺩﺕﹸ ﺍﻷﻓﻼﻙ ﻤﻁﻴﻌﺔﹰ ﻟﻲ ،ﻭﻭﻗﻔﺕِ ﺍﻟﺠﻭﺯﺍﺀ ﻜﺎﻟﻐﻼﻡِ ﺍﻟﺨﺎﺩِﻡِ ﺃﻤﺎﻤﻲ،
ﺘﺤﻤلُ ﺍﻟﺴﻴﻑﹶ ﻓﻲ ﻁﺎﻋﺘﻲ ،ﻭﺘﻨﺘﻅﺭ ﺃﻤﺭﻱ ،ﻓﺄﻗﺴِﻡ ﺃﻨﹼﻲ ﺴﺄﺸﺭﺏ ﺍﻟﺨﹶﻤﺭ؛ ﻓﺄﻗﺒِلْ
ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﻭﻋﺠلْ ﻟﻨﺎ ﺍﻟﺸﱠﺭﺍﺏ ﻓﻬﺎ ﻫﻭ ﺍﻟﺤﻅﱡ ﻤﻭﺍﻓﻘﻲ ﻭﻤﺴﻌِﺩﻱ ،ﻭﺍﻟﺤﺎﺠﺎﺕﹸ
ﺍﻟﱠﺘﻲ ﻁﻠﺒﺘﹸﻬﺎ ﻤﻥ ﺍﷲِ ﻗﹸﻀﻴﺕﹾ ﻟﻲ ﻭﺘﻴﺴﺭﺕﹾ؛ ﻭﻨﺎﻭﻟﻨﻲ ﺍﻟﻜﺄﺱ ﻓﺈﻨﱠﻨﻲ ﻓﻲ ﻁﹶﺭﺏٍ
ﻤﻥ ﺭﺅﻴﺔِ ﻭﺠﻬِﻪِ ﺍﻟﱠﺫﻱ ﺘﺠﻠﹼﻰ ﻟﻨﺎ ،ﻓﺴﺭﻯ ﻫﻭﻯ ﺍﻟﺸﱠﺒﺎﺏِ ﻓﻲ ﺭﺃﺴﻲ ﺍﻟﺸﱠﺎﺌﺏ؛
ﻭﻻ ﺘﻘﻁﻊ ﻁﺭﻴﻘﻲ ﺒِﻭﺼﻑِ ﻤﺎﺀِ ﺍﻟﺨِﻀﺭِ ﺍﻟﺯﻻلِ ﻭﺍﻫِﺏِ ﺍﻟﺤﻴﺎﺓ ،ﻓﺈﻨﱠﻨﻲ ﺃﺠِﺩ ﻓﻲ
ﺠﺭﻋﺔٍ ﻭﺍﺤِﺩﺓٍ ﻤﻥ ﺠﺎﻡِ ﺴﻠﻁﺎﻥِ ﻗﻠﺒﻲ ﺤﻭﺽ ﺍﻟﻜﻭﺜﹶﺭِ ﺍﻟﱠﺫﻱ ﻓﻴﻪِ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ،
ﻭﺍﻟﱠﺫﻱ ﻻ ﻴﻅﻤﺄُ ﻤﻥ ﺸﺭﺏ ﻤﻨﻪ ﺸﺭﺒﺔﹰ ﺃﺒﺩﺍﹰ؛ ﺃﻴﻬﺎ ﺍﻟﺸﹼﺎﻩ ﺍﻟﻌﻅﻴﻡ ﻤﻬﻤﺎ ﻋﻼ
ﻗﺩﺭﻱ ،ﻭﻟﻭ ﺍﺭﺘﻔﻊ ﺴﺭﻴﺭ ﻓﻀﻠﻲ ﺇﻟﻰ ﺃﻥ ﻴﺒﻠﹸﻎﹶ ﺍﻟﻌﺭﺵ ،ﻓﺈﻨﱠﻨﻲ ﺴﺄﻅلﱡ ﻋﺒﺩﺍﹰ
ﻤﻤﻠﻭﻜﺎﹰ ﻟِﺠﻨﺎﺒِﻙ ﻭﻤﺴﻜﻴﻨﺎﹰ ﻋﻠﻰ ﺒﺎﺒِﻙ ،ﻗﺎل ﺃﺒﻭ ﺴﻌﻴﺩ ﺃﺒﻭ ﺍﻟﺨﻴﺭ» :ﻜلﱡ ﻤﻥ
ﻨﺎﺩﺍﻙ ﻴﺎ ﺴﻴﺩﻱ ﻋﻅﹸﻡ ﻭﻟﻭ ﻜﺎﻥ ﺤﻘﻴﺭﺍﹰ «؛ ﺃﻨﺎ ﺃﺸﺭﺏ ﺸﺭﺍﺏ ﺤﺒﻙ ﻤﻨﺫﹸ ﺃﻟﻑِ
ﻋﺎﻡٍ ،ﻭﻗﺩ ﺼﺎﺭ ﻟﻲ ﻁﺒﻌﺎﹰ ﻓﻤﺘﻰ ﺃﺘﺭﻜﹸﻪ؟!؛ ﻭﺇﺫﺍ ﻜﻨﺕﹶ ﻻ ﺘﹸﺼﺩﻕﹸ ﻤﻥ ﻫﺫﺍ ﺍﻟﻌﺒﺩِ
ﻫﺫﺍ ﺍﻟﺤﺩﻴﺙﹶ ،ﺃﻨﻘﹸلُ ﻟﻙ ﺩﻟﻴﻼﹰ ﻤِﻥ ﺤﺩﻴﺙِ ﻜﻤﺎل )(١؛ :ﺇﺫﺍ ﺃﻨﺎ ﺃﺨﺫﺕﹸ ﻗﻠﺒﻲ ﻤﻨﻙ،
ﻭﻨﺯﻋﺕﹸ ﺤﺒﻲ ﻋﻨﻙ ،ﻓﻘلْ ﻟﻲ ﺇﻟﻰ ﺃﻴﻥ ﺃﺫﻫﺏ ﺒﺤﺒﻲ ،ﻭﻟﻤﻥ ﺃﺤﻤلُ ﻗﻠﺒﻲ؟! ،ﻟﻴﺱ
ﻏﻴﺭﻙ ﺃﻫﻼﹰ ﻟﺤﺒﻲ ،ﻭﻻ ﺴﻭﺍﻙ ﺠﺩﻴﺭﺍﹰ ﺒﻘﻠﺒﻲ؛ ﻤﻨﺼﻭﺭ ﺒﻥ ﻤﻅﻔﱠﺭٍ ﺍﻟﻐﺎﺯﻱ ﻫﻭ
) (١ﻜﻤﺎل ﻫﻭ ﺍﻟﺸﹼﺎﻋِﺭ ﻜﻤﺎل ﺍﻟﺩﻴﻥ ﺇﺴﻤﺎﻋﻴل ﺍﻷﺼﻔﻬﺎﻨﻲ ،ﻭﻫﻭ ﺼﺎﺤﺏ ﺍﻟﺒﻴﺕ ﺍﻟﹼﺫﻱ ﻴﻠﻲ ﻫﺫﺍ
ﺍﻟﺒﻴﺕ ﺍﻗﺘﺒﺴﻪ ﺤﺎﻓﻅﹸ ﻤﻨﻪ؛
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ﺤِﺭﺯﻱ ،ﻭﻤﻥ ﺒﺭﻜﹶﺔِ ﻫﺫﺍ ﺍﻻِﺴﻡِ ﺼِﺭﺕﹸ ﻤﻅﻔﱠﺭﺍﹰ ﻋﻠﻰ ﺃﻋﺩﺍﺌﻲ؛ ﻋﻬﺩﻱ
ﺍﻷﻭل)ﻋﻬﺩ ﺃَﻟﹶﺴﺕﹸ( ﻜﺎﻥ ﻋﻬﺩ ﺍﻟﻌﺸﻕِ ﻟِﻤﻠِﻜﻲ ،ﻭﺴﺄﻗﻀﻲ ﻋﻤﺭﻱ ﻤﺤﺎﻓِﻅﺎﹰ ﻋﻠﻰ
ﺫﻟِﻙ ﺍﻟﻌﻬﺩ؛ ﺍﻟﻔﹶﻠﹶﻙ ﻨﹶﻅﹶﻡ ﻋِﻘﹾﺩ ﺍﻟﺜﱡﺭﻴﺎ ﻋﻠﻰ ﺍِﺴﻡِ ﻤﻠِﻜﻲ ،ﻓﻠﻤﺎﺫﺍ ﻻ ﺃﻨﻅﹸﻡ ﻓﻴﻪِ ﺍﻟﺩﺭ،
ﺃﻨﺎ ﺃﻗلﱡ ﻤِﻤﻥ؟؛ ﺃﻨﺎ ﺸﺎﻫﻴﻥ ﺍﻟﺼﻔﹶﺔِ ،ﻭﺃُﻁﹾﻌﻡ ﻤِﻥ ﻴﺩِ ﺍﻟﺸﱠﺎﻩ ،ﻤﺘﻰ ﻴﻜﻭﻥ ﻤِﻨﹼﻲ
ﺍﻟﺘِﻔﺎﺕﹲ ﻟِﺼﻴﺩِ ﺤﻤﺎﻤﺔٍ؛ ﺃﻴﻬﺎ ﺍﻟﺸﱠﺎﻩ ﺍﻟﻘﺩﻴﺭ ﺍﻟﱠﺫﻱ ﺘﺼﻴﺩ ﺍﻷُﺴﻭﺩ ،ﻤﺎ ﻀﺭﻙ ﻟﻭ
ﻋﺎﺵﹶ ﻗﻠﺒﻲ ﻤﻁﻤﺌﻨﱠﺎﹰ ﻓﻲ ﻅِﻠﱢﻙ ﻭﺘﺤﺕ ﺭﻋﺎﻴﺘِﻙ؟؛ ﺸِﻌﺭﻱ ﺒﻴﻤﻥِ ﻤﺩﺤِﻙ ﻓﹶﺘﹶﺢ
ﻤِﺌﺎﺕِ ﻤﻤﺎﻟِﻙِ ﺍﻟﻘﻠﻭﺏ ،ﻟِﺴﺎﻥ ﺸِﻌﺭﻱ ﻜﺄﻨﱠﻪ ﺴﻴﻔﹸﻙ ﺤﻘﱠﺎﹰ؛ ﺇﺫﺍ ﺃﻨﺎ ﻤﺭﺭﺕﹸ ﻋﻠﻰ
ﺍﻟﺭﻭﺽِ ﻤﺭﻭﺭ ﺭﻴﺢِ ﺍﻟﺼﺒﺎﺡِ ،ﻓﻤﺎ ﺫﺍﻙ ﻤِﻥ ﻋِﺸﻕٍ ﻟﻠﺴﺭﻭِ ﻭﻻ ﻤِﻥ ﺸﻭﻕٍ
ﻟﻠﺼﻨﻭﺒﺭِ؛ ﻟﻜﻨﱠﻨﻲ ﺸﻤﻤﺕﹸ ﻋﺒﻴﺭﻙ ﻓﺘﺫﻜﹼﺭﺕﹸ ﻭﺠﻬﻙ ،ﻓﺄﻋﻁﺎﻨﻲ ﺴﻘﺎﺓﹸ ﺍﻟﻁﱠﺭﺏِ
ﻜﺄﺴﺎﹰ ﺃﻭ ﻜﺄﺴﻴﻥ؛ ﺍﻟﺴﻜﹾﺭ ﺒِﻜﺄﺱٍ ﻭﻜﺄﺴﻴﻥِ ﻤِﻥ ﻤﺎﺀِ ﺍﻟﻌِﻨﹶﺏِ ﻟﻴﺱ ﻭﻀﻌﺎﹰ ﻟﻠﻌﺒﺩِ ،ﺃﻨﺎ
ﺴﻜﱢﻴﺭ ﺨﻠﻴﻊ ،ﺭﺒﻴﺕﹸ ﻋﻠﻰ ﻴﺩِ ﺸﻴﺦِ ﺍﻟﺨﺭﺍﺒﺎﺕِ؛ ﻜﺜﻴﺭﺓﹲ ﺸﹶﻜﺎﻭﺍﻱ ﻤِﻥ ﺴﻴﺭِ ﻨﹶﺠﻡِ
ﻓﹶﻠﹶﻜﻲ ،ﻟﻴﻜﹸﻥ ﺇﻨﺼﺎﻑﹸ ﺍﻟﺸﱠﺎﻩِ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔِ ﻤﺴﺎﻋِﺩﻱ؛ ﺍﻟﺤﻤﺩ ﷲِ ﻓﻲ ﺃﻭﺝِ ﻫﺫﺍ
ﺍﻟﻘﹶﺼﺭِ ﺍﻟﻌﻅﻴﻡ ،ﻁﺎﻭﻭﺱ ﺍﻟﻌﺭﺵِ ﻴﺴﻤﻊ ﺒِﺼﻴﺕِ ﺸﹸﻬﺭﺓِ ﺠﻨﺎﺡِ ﻁﺎﺌﺭﻱ؛ ﻓﻠﻴﻜﹸﻥ
ﺍِﺴﻤﻲ ﻤِﻥ ﺩﻴﻭﺍﻥِ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻤﻤﺤﻴﺎﹰ ،ﺇﻥ ﻜﺎﻥ ﻟﻲ ﺸﹸﻐﹾلٌ ﺁﺨﹶﺭ ﻏﻴﺭ ﻤﺤﺒﺘِﻙ؛ ﺸِﺒلُ
ﺍﻷﺴﺩِ ﺤﻤلَ ﻟِﺼﻴﺩِ ﻗﻠﺒﻲ ،ﻨﺤﻴﻔﺎﹰ ﻜﹸﻨﹾﺕﹸ ﺃﻡ ﻻ ،ﺃﻨﺎ ﺼﻴﺩ ﺍﻟﻐﹶﻀﻨﹾﻔﹶﺭ؛ ﻋﺎﺸِﻘﻭ
ﻭﺠﻬِﻙ ،ﻜﹸلﱞ ﺃﻜﺒﺭ ﻤِﻥ ﺫﹶﺭﺓٍ) ،(١ﻤﺘﻰ ﻴﻜﻭﻥ ﻟﻲ ﺭﺴﻡ ﻭﺼﻠِﻙ ﻭﺃﻨﺎ ﺃﺼﻐﹶﺭ ﻤِﻥ
ﺫﺭﺓ؛ ﺃﻅﹾﻬِﺭ ﻟﻲ ﻤﻨﹾﻜِﺭ ﺤﺴﻥِ ﻭﺠﻬِﻙ ﻤﻥ ﻴﻜﻭﻥ ،ﻟﻜﻲ ﺃﻗﺘﹶﻠِﻊ ﻋﻴﻨﹶﻪ ﺒﺴﻜﱢﻴﻥِ
ﻏﻴﺭﺘﻲ)(٢؛ ﻭﻗﹶﻊ ﻋﻠﻲ ﻅِلﱡ ﺸﻤﺱِ ﺴﻠﻁﺎﻨِﻙ ،ﺃﻨﺎ ﺍﻵﻥ ﻓﺎﺭِﻍﹲ ﻤﻥ ﺸﻤﺱِ
ﺍﻟﻤﺸﺭﻕ؛ ﻤﻘﺼﻭﺩ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ ﺯﻴﺎﺩﺓﹸ ﺭﻭﻨﹶﻕِ ﺍﻟﺒﺎﺯﺍﺭ ،ﻻ ﻋﺭﺽ ﺍﻟﺒِﻀﺎﻋﺔِ
ﻤﺒﺎﻫﻴﺎﹰ ،ﻭﻻ ﺍﻟﺸﱢﺭﺍﺀ ﻤﺨﺎﺩِﻋﺎﹰ).(٣
) (١ﺃﻭ ﻋﺩﺩﻫﻡ ﺃﻜﺜﺭ ﻤِﻥ ﺍﻟﺫﱠﺭﺍﺕ؛
) (٢ﻷﻗﺘﹶﻠِﻊ ﻋﻴﻨﹶﻪ ﺍﻟﱠﺘﻲ ﻻ ﺘﺭﻯ ﺍﻟﺠﻤﺎلَ؛
) (٣ﻤﻘﺼﻭﺩﻱ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔ :ﻤﻘﺼﻭﺩﻱ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺸﱢﻌﺭِ ﻓﻲ ﻤﺩﺤِﻙ.
-٣٢٦-
ﻏﺰﻝ ٣٣٠
ﺃﻨﺕﹶ ﻜﺎﻟﺼﺒﺢِ ،ﺃﻨﺎ ﻜﺸﻤﻊِ ﺨﻠﻭﺓِ ﺴﺤﺭﻱ ،ﺘﺒﺴﻡ ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺭﻭﺤﻲ ﻜﻴﻑﹶ ﺃُﺴﻠِﻤﻬﺎ؛
ﻭﺒﻤﺎ ﺃﻥ ﻓﻲ ﻗﻠﺒﻲ ﺤﺭﺍﺭﺓﹰ ﻤﻥ ﻀﻔﻴﺭﺘِﻙ ﺍﻟﻤﺘﻤﺭﺩﺓ ،ﻓﺴﻭﻑﹶ ﺘﹸﺼﺒِﺢ ﺘﹸﺭﺒﺘﻲ ﺤﻘلَ
ﺒﻨﹶﻔﺴﺞٍ ﻋﻨﺩ ﻤﻭﺘﻲ؛
ﻓﹶﺘﹶﺤﺕﹸ ﺒﺎﺏ ﻋﻴﻨﻲ ﻋﻠﻰ ﺒﺎﺏِ ﺍﻟﻤﺭﺍﺩِ ﻤﻥ ﻗﺼﺭِﻙ ﺍﻟﻌﺎﻟﻲ ﻜﻲ ﺘﹸﻠﻘﻲ ﻋﻠﻲ ﻨﹶﻅﺭﺓﹰ،
ﻓﺄﻟﻘﻴﺘﹶﻨﻲ ﻤِﻥ ﻨﹶﻅﹶﺭِﻙ؛
ﻴﺎ ﺨﻴلَ ﺍﻟﻐﻡ ،ﻜﻴﻑﹶ ﺃﻗﻭﻡ ﺒِﺸﹸﻜﺭِﻙِ ،ﻋﺎﻓﺎﻙِ ﺍﷲُ ،ﻓﻴﻭﻡ ﺘﹶﺭﻜﹶﻨﻲ ﻜﹸلﱡ ﺸﺨﹾﺹٍ ،ﻟﹶﻡ
ﺘﺫﻫﺒﻲ ﻤِﻥ ﺭﺃﺴﻲ؛
ﺭﻏﻡ ﺃﻥ ﻏﹸﻼﻡ ﺒﺅﺒﺅِ ﻋﻴﻨﻲ ﺃﺴﻭﺩ ﺍﻟﻘﻠﺏ ،ﻓﻬﻭ ﻴﻤﻁِﺭ ﺃﻟﻑﹶ ﻗﻁﺭﺓٍ ﺤﻴﻥ ﺃﻋﺩ ﻟﻪ ﺁﻻﻡ
ﻗﻠﺒﻲ)(١؛
ﺼﻨﹶﻤﻲ ﻴﺘﺠﻠﹼﻰ ﻟﻜﹸلﱢ ﻨﹶﻅﹶﺭٍ ﻭﻟﻜِﻥ ،ﻟﻡ ﻴﺭ ﺸﺨﺹ ﻤﻨﻪ ﻫﺫِﻩِ ﺍﻟﻐﻤﺯﺓﹶ ﺍﻟﱠﺘﻲ ﺃﺭﻯ؛
)(٢
ﺒِﺘﹸﺭﺒﺔِ ﺤﺎﻓِﻅﹶ ﺇﺫﺍ ﻤﺭ ﺍﻟﺤﺒﻴﺏ ﻜﺎﻟﺭﻴﺢ ،ﻓﺈﻨﱠﻨﻲ ﻤِﻥ ﺍﻟﺸﱠﻭﻕِ ﻓﻲ ﻗﻠﺒﻲ ﺴﺄُﻤﺯﻕﹸ ﻜﻔﹶﻨﻲ
ﻏﺰﻝ ٣٣١
ﻭﻤﻤــﺘﹶﻥ ﺇﺫﺍ ﺴــﻬﻤﺎﹰ ﺭﻤــﺎﻨﻲ ـﻴﻔﺎﹰ
ـﺘلﱠ ﺴـ
ﻤﻁﻴـﻊ ﺇﻥ ﻋﻠ ـﻲ ﺍﺴـ
ﻓﻘﺘﻠــﻲ ﻓﻴــﻪِ ﻨﻴﻠــﻲ ﻟﻸﻤــﺎﻨﻲ ﺒِﻘﹶﻭﺱِ ﺍﻟﺤﺎﺠِﺏِ ﺍﻗﺘﹸﻠﻨـﻲ ﺒـﺴﻬﻡٍ
ـﺎﻥِ
ـﺭِ ﻋـ
ـلِ ﺍﻟﻬﺠـ
ـﻭﺭٍ ﺒﻠﻴـ
ﻟﻤﺄﺴـ ﺃﻁﻠﱢﻲ ﺸﻤﺱ ﺼﺒﺢِ ﺭﺠـﺎﺀِ ﻗﻠﺒـﻲ
ﺼﺒِﻴﺎﹰ ﻓﺎﺴﻕِ ﻴـﺎ ﺸـﻴﺦﹶ ﺍﻟﻤﻐـﺎﻥِ ﺃﻋﻭﺩ ﺒِﺠﺭﻋﺔٍ ﻤـﻥ ﺒﻌـﺩِ ﺸـﻴﺒﻲ
) (١ﺒﺅﺒﺅ ﺍﻟﻌﻴﻥِ ،ﺃﻭ ﺇﻨﺴﺎﻥ ﺍﻟﻌﻴﻥ ،ﺃﻭ ﺤﺩﻗﺔﹸ ﺍﻟﻌﻴﻥِ :ﺍﻟﺩﺍﺌﺭﺓﹸ ﺍﻟﺴﻭﺩﺍﺀ ﻭﺴﻁﹶ ﺍﻟﻌﻴﻥ ،ﻓﻘﻠﺒﻪ ﺃﺴﻭﺩ،
ﻭﺃﺴﻭﺩ ﺍﻟﻘﻠﺏِ ﻗﺎﺱٍ ﻭﻅﺎﻟﻡ؛
) (٢ﻜﻤﺎ ﺘﻤﺭ ﺍﻟﺭﻴﺢ :ﻤﺴﺭﻋﺎﹰ
-٣٢٧-
ﺇﺫﺍ ﻀﺭﺒﻨﻲ ﺒﺎﻟﺴﻴﻑِ ﻻ ﺃُﻤﺴِﻙ ﻴﺩﻩ ،ﻭﺇﺫﺍ ﺭﻤﺎﻨﻲ ﺒﺎﻟﺴﻬﻡِ ،ﺃﻨﺎ ﺸﺎﻜِﺭ ﻟﻪ(١)؛
ﻗﹸلْ ﻟﻘﹶﻭﺱِ ﺤﺎﺠِﺒِﻙ ﻴﻁﻠِﻕﹾ ﻋﻠﻲ ﺍﻟﺴﻬﻡ ،ﺠﻌِﻠﹾﺕﹸ ﺍﻟﻔﺩﺍﺀ ﻟﻴﺩِﻙ ﻭﻋﻀﺩِﻙ)(٢؛
ﻏﻡ ﺍﻟﺩﻨﻴﺎ ﺇﺫﺍ ﺩﺍﺴﻨﻲ ﺒﻘﺩﻤِﻪِ ،ﻏﻴﺭ ﺍﻟﻜﺄﺱِ ﻤﻥ ﻴﺄﺨﹸﺫﹸ ﺒﻴﺩﻱ؟!؛
ﺍﻁﻠﻌﻲ ﻋﻠﻲ ﻴﺎ ﺸﻤﺱ ﺼﺒﺢِ ﺃﻤﻠﻲ ،ﻓﺄﻨﺎ ﺃﺴﻴﺭ ﻓﻲ ﻴﺩِ ﻟﻴلِ ﺍﻟﻬﺠﺭﺍﻥ)(٣؛
ﺃﺠﺏ ﺼﺭﺨﺘﻲ ﻴﺎ ﺸﻴﺦﹶ ﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﺃﻋِﺩﻨﻲ ﺸﺎﺒﺎﹰ ﺒِﺠﺭﻋﺔٍ ﻓﺄﻨﺎ ﻫﺭِﻡ؛
ﻟﻴﻠﺔﹶ ﺍﻷﻤﺱِ ﺃﻗﺴﻤﺕﹸ ﻗﹶﺴﻤﺎﹰ ﺒِﻀﻔﻴﺭﺘِﻙ ،ﺃﻥ ﻻ ﺃﺭﻓﻊ ﺍﻟﺭﺃﺱ ﻋﻥ ﻗﹶﺩﻤِﻙ)(٤؛
ﺃﺤﺭِﻕﹾ ﺨِﺭﻗﹶﺔﹶ ﺍﻟﺘﱠﻘﻭﻯ ﺍﻟﱠﺘﻲ ﺘﻤﻠﻙ ﻴﺎ ﺤﺎﻓِﻅ ،ﻜﻲ ﻻ ﺃﻟﺘﻔِﺕﹶ ﺇﻟﻴﻬﺎ ﺇﺫﺍ ﻭﻗﻊ ﺒﻲ
ﺍﻟﺤﺭﻴﻕ.
ﻏﺰﻝ ٣٣٢
)(٥
ﻓﺄﻨﺎ ﻟﻬﺎ ﻗﺒلَ ﺍﻟـﺴﻬﺎﻡِ ﺃﺼـﻴﺭ ﻻ ﺘﺭﻤِﻴﻥ ﺒﺴﻬﺎﻡِ ﻋﻴﻨِﻙ ﻤﻬﺠﺘـﻲ
)(٦
ﻫـﺎﺕِ ﺍﻟﺯﻜـﺎﺓﹶ ﻓـﺈﻨﱠﻨﻲ ﻟﹶﻔﻘﻴـﺭ ﻴﺎ ﻤﺴﻠِﻤﺎﹰ ﻭﻨِﺼﺎﺏ ﺤﺴﻨِﻙ ﻜﺎﻤِـلٌ
) (١ﺍﻟﺘﱠﺴﻠﻴﻡ ﺁﺨﺭ ﺩﺭﺠﺎﺕِ ﺍﻹﻴﻤﺎﻥِ؛
ﺏ ﺼﻼﺘﻲ ،ﻭﺃﻨﺎ ﺃﺭﻴﺩ ﺍﻟﻤﻭﺕﹶ ﻓﻲ ﻋﺸﻘِﻙ ،ﻓﻤﻥ ﻋﻠﻲ ) (٢ﺃﻨﺕ ﻤﻌﺸﻭﻗﻲ ،ﻭﻗﻭﺱ ﺤﺎﺠِﺒِﻙ ﻤﺤﺭﺍ
ﺒﺎﻟﻘﺘلِ ﻓﻴﻙ ﺒﺴﻬﻡٍ ﻤﻥ ﻗﻭﺱِ ﺤﺎﺠِﺒِﻙ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ:
ﺇﻥ ﻓﻲ ﻗﺘﻠـﻲ ﺤﻴـﺎﺘﻲ؛ ﺍﻗﺘﻠــﻭﻨﻲ ﻴــﺎ ﺜﻘــﺎﺘﻲ
) (٣ﻫﺠﺭﺓﹲ ﻤﻥ ﺍﻟﻅﻼﻡِ ﺇﻟﻰ ﺍﻟﻨﻭﺭ ،ﻴﺭﻤﺯ ﺒﺎﻟﻠﹼﻴلِ ﻟﻠﺒﺩﻥِ ،ﻭﺒﺎﻟﺼﺒﺢِ ﻟﻠﺭﻭﺡ؛
) (٤ﺃﻗﺴﻤﺕﹸ ﻓﻲ ﺍﻟﻠﹼﻴلِ ﺒﺎﻟﻀﻔﻴﺭﺓِ ﺍﻷﺸﺩ ﺴﻭﺍﺩﹰﺍ ﻤﻥ ﺍﻟﻠﹼﻴل ،ﺍﻟﻭﺍﺼِﻠﹶﺔِ ﻤِﻥ ﻁﻭﻟِﻬﺎ ﺇﻟﻰ ﻗﹶﺩﻤِﻙ ،ﺃﻥ
ﺃﻜﻭﻥ ﻤِﺜﹾﻠﹶﻬﺎ ،ﻓﻼ ﺃﺭﻓﻊ ﺍﻟﺭﺃﺱ ﻋﻥ ﻗﹶﺩﻤِﻙ.
) (٥ﻻ ﺘﺭﻡِ ﻗﻠﺒﻲ ﺒﺴِﻬﺎﻡِ ﻏﻤﺯﺓِ ﺍﻟﻌﻴﻥ ،ﻓﺄﻨﺎ ﻤﺴﻠِﻡ ﻟِﻌﻴﻨِﻙ ﺍﻟﻤﺭﻴﻀﺔِ ﺍﻟﺭﻭﺡ؛
) (٦ﻨِﺼﺎﺏ ﺤﺴﻨِﻙ ﻓﻲ ﺤﺩ ﺍﻟﻜﻤﺎل ،ﺃﻋﻁِﻨﻲ ﺯﻜﺎﺘﻲ ﻓﺄﻨﺎ ﻤﺴﻜﻴﻥ ﻭﻓﻘﻴﺭ؛
-٣٢٨-
)(١
ﻁِﻔﹾلٌ ﻴﻌﻠﱠلُ ﻭﻫﻭ ﺒﻌـﺩ ﺼـﻐﻴﺭ ﺒﺎﻟﺸﱠﻬﺩِ ﻭﺍﻟﺘﹸﻔﱠﺎﺡِ ﺘﹶﺨﹾـﺩﻋﻨﻲ ﻜﻤـﺎ
)(٢
ﻤِﻨﱢﻲ ﺒِﻨﹶﻔﹾﺴﻲ ﺒﻌـﺩ ﺫﺍﻙ ﺸﹸـﻌﻭﺭ ﻭﻓﹶﻀﺎﺀ ﺼﺩﺭﻱ ﻗﺩ ﻤﻸﺕﹶ ﻓﹶﻠﹶﻴﺱ ﻟﻲ
)(٣
ﻓﻲ ﺍﻟﻌﺎﺸـﻘﻴﻥ ﻭﺇﻨﱠﻨـﻲ ﻟﻜﺒﻴـﺭ ﻓﺎﻤﻸْ ﻟﻲ ﺍﻟﻘﹶﺩﺡ ﺍﻟﻤﺩﺍﻡ ﺃﻨﺎ ﺍﻟﻔﺘـﻰ
)(٤
ﻁﺭﻓﺎﹰ ﻟﻐﻴﺭِ ﺍﻟﻜﺄﺱِ ﻟﺴﺕﹸ ﺃُﺩﻴـﺭ ﻋﻬﺩﻱ ﻤﻊ ﺍﻟﺨﻤﺎﺭِ ،ﻓﻲ ﻴﻭﻡِ ﺍﻷﺴﻰ
)(٥
ﻗﹶﻠﹶﻡ ﺍﻟﺤِﺴﺎﺏِ ﻋﻠـﻲ ﻭﺍﻟﺘﱠﺤﺭﻴـﺭ ﻻ ﻜﺎﻥ ﻏﻴﺭ ﺤﺴﺎﺏِ ﺨﹶﻤـﺭٍ ﻜﺎﺘِﺒـﺎﹰ
)(٦
ﺸﺎﻩ ﻋﻠﻲ ﻭﻤـﺎ ﻋﻠـﻲ ﻭﺯﻴـﺭ ﻤﺎ ﺃﺠﻤلَ ﺍﺴﺘﻐﻨﺎﺀ ﺴﻜﺭٍ ﻤـﺎ ﺒِـﻪِ
)(٧
ﻓﻴﺠﻲﺀ ﻴﺴﻤﻊ ﻤِﻥ ﻫﻨﺎﻙ ﺼﻔﻴﺭ ﻤِﻥ ﻓﹶﻭﻕ ﻁﺎﻕِ ﺍﻟﻌﺭﺵِ ﻴﺼﻔِﺭ ﻁﺎﺌﺭﻱ
)(٨
ﻭﺃﻨﺎ ﺒِﻌـﻴﻥِ ﺍﻟﻤـﺩﻋﻴﻥ ﺤﻘﻴـﺭ ﺇﻨﱢﻲ ﻋﻠﻰ ﻜﻨـﺯٍ ﺃﻀـﻡ ﺠـﻭﺍﻨﺤﻲ
) (١ﺇﻟﻰ ﻤﺘﻰ ﺘﻌِﺩﻨﻲ ﺍﻟﻭﻋﻭﺩ ﻜﺎﻷﻁﻔﺎلِ ﺃﻱ ﺯﺍﻫِﺩ ،ﺘﺨﺩﻋﻨﻲ ﺒﺘﹸﻔﱠﺎﺡِ ﺍﻟﺒﺴﺘﺎﻥِ ﻭﺍﻟﻌﺴلِ ﻭﺍﻟﻠﱠﺒﻥ)ﻭﻻ
ﺘﻌِﺩﻨﻲ ﺒﺘﹸﻔﱠﺎﺡِ ﺍﻟﺠﻨﱠﺔِ ﻭﻋﺴﻠِﻬﺎ ﻏﺩﺍﹰ ﺘﺨﺩﻋﻨﻲ ﻜﻤﺎ ﻴﺨﺩﻉ ﺍﻟﻁﱢﻔلُ ﺍﻟﺼﻐﻴﺭ ،ﺒل ﺃﻋﻁﻨﻲ ﻗﺒﻠﺔﹰ ﻤﻥ
ﺜﻐﺭِﻙ ﺍﻵﻥ ،ﻭﻫﻨﺎ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺃﻥ ﺍﻷﻭﻟﻴﺎﺀ ﻭﺍﻟﻭﺍﺼﻠﻴﻥ ﻤﻥ ﺃﻫلِ ﺍﻟﺴﻠﻭﻙ ،ﻟﻴﺱ ﻟﻬﻡ ﺍﻟﺘِﻔﺎﺕﹲ
ﺇﻟﻰ ﻟﺫﱠﺍﺕِ ﺍﻟﺠﻨﱠﺔِ ﺍﻟﺠﺴﻤﺎﻨﻴﺔ ﺫﺍﺕ ﺍﻟﺸﱠﻬﺩِ ﻭﺍﻟﺘﱡﻔﱠﺎﺡِ ﻭﺍﻟﻠﱠﺒﻥِ ،ﺒل ﻟﻬﻡ ﺸﻐلٌ ﻋﻥ ﺫﻟﻙ ﺒﻠﺫﱠﺓِ ﺍﻟﻨﱠﻅﺭِ
ﺇﻟﻰ ﺠﻤﺎلِ ﺍﻟﺤﻕﱢ ،ﻭﻟﺫﻴﺫِ ﻤﻨﺎﺠﺎﺘﻪ ،ﻭﺃﻨﱠﻬﻡ ﻤﻨﻌﻤﻭﻥ ﺒﺎﻟﺠﻨﱠﺔﹶ ﻭﻫﻡ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ:
ﻋﺩﻡ ﺍﻟﺘﱠﺄﺠﻴلِ ﻤﻥ ﺸﺭﻁِ ﺍﻟﻁﱠﺭﻴـﻕ(؛ ﺍﻟﺼﻭﻓﻲ ﺍِﺒﻥ ﺍﻟﻭﻗﺕِ ﺤﻘﱠﺎﹰ ﻴﺎ ﺭﻓﻴـﻕ
) (٢ﻟﻘﺩِ ﺍﻤﺘﻸ ﻓﻀﺎﺀ ﺼﺩﺭﻱ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ،ﻭﻏﺎﺏ ﻓِﻜﺭﻱ ﺒﺎﻟﻨﱠﻔﹾﺱِ ﻋﻥِ ﺍﻟﻀﻤﻴﺭ؛
) (٣ﻓﺎﻤﻸ ﻗﹶﺩﺤﻲ ﺒﺎﻟﻤﺩﺍﻡِ ،ﻓﺄﻨﺎ ﻓﻲ ﺩﻭﻟﺔِ ﺍﻟﻌِﺸﻕِ ﻏﻼﻡ ،ﺭﻏﻡ ﺃﻨﹼﻲ ﻓﻲ ﺍﻟﺴﻥ ﻜﺒﻴﺭ؛
) (٤ﻭﻟﻘﺩ ﻋﻘﹶﺩﺕﹸ ﺍﻟﻌﻬﺩ ﻤﻊ ﺒﺎﻋﺔِ ﺍﻟﺨﻤﺭِ ،ﺃﻨﱠﻨﻲ ﻴﻭﻡ ﺍﻟﻐﻡ ﻻ ﺃﺭﻓﻊ ﺍﻟﻨﱠﻅﺭ ﻋﻥِ ﺍﻟﻜﺄﺱ؛
) (٥ﻴﺎ ﺭﺏ ﻻ ﻜﺎﻥ ﻗﹶﻠﹶﻡ ﻜﺎﺘِﺏِ ﺍﻟﺤِﺴﺎﺏِ ﻴﻜﺘﹸﺏ ﻋﻠﻲ ،ﺇﺫﺍ ﻜﹶﺘﹶﺏ ،ﻏﻴﺭ ﺤِﺴﺎﺏِ ﺍﻟﻤﻁﹾﺭِﺏِ ﻭﺍﻟﺨﹶﻤﺭ؛
ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻐﻭﻏﺎﺀ ﺤﻴﺙﹸ ﻻ ﻴﺴﺄلُ ﺃﺤﺩ ﺃﺤﺩﺍﹰ ،ﻟِﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﺍﻟﻤِﻨﱠﺔﹸ ﻋﻠﻲ؛
) (٦ﻤﺎ ﺃﺠﻤلَ ﻏﻨﺎﻱ ﻓﻲ ﺤﺎلِ ﺴﻜﺭﻱ ،ﻭﺃﻨﺎ ﻓﺎﺭﻍﹲ ﻤﻥ ﺍﻟﻤﻠِﻙ ﻭﺍﻟﻭﺯﻴﺭِ؛
) (٧ﺃﻨﺎ ﺫﻟِﻙ ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﱠﺫﻱ ﻜﹸلﱠ ﺴﺤﺭٍ ﻭﻤﺴﺎﺀٍ ،ﻴﻘﺒِلُ ﻤِﻨﱢﻲ ﺍﻟﺼﻔﻴﺭ ﻤِﻥ ﺴﻘﹾﻑِ ﺍﻟﻌﺭﺵ )ﺭﻭﺤﻲ
ﻁﺎﺌﺭ ﻤﺘﻌﻠﱢﻕﹲ ﺒﺎﻟﻌﺭﺵِ ،ﻭﺒﺩﻨﻲ ﻤﺤﺒﻭﺱ ﻓﻲ ﺃﺴﺭِ ﺍﻟﻁﹼﺒﻴﻌﺔ ،ﻓﺭﻭﺤﻲ ﺘﹸﻨﺎﺩﻱ ﺒﺩﻨﻲ ،ﻭﻤﻨﻬﺎ
ﺫﻟﻙ ﺍﻟﺼﻔﻴﺭ ﺍﻟﱠﺫﻱ ﻴﺴﻤﻊ ﻗﺎﺩﻤﺎﹰ ﻓﻲ ﺍﻟﻔﻀﺎﺀِ ،ﻜلﱠ ﺼﺒﺎﺡٍ ﻭﻤﺴﺎﺀٍ )ﻨﺩﺍﺀ ﻤﻥ ﻋﺎﻟﹶﻡِ ﺍﻟﻤﻠﻜﻭﺕِ
ﺇﻟﻰ ﻋﺎﻟﹶﻡِ ﺍﻟﻤﻠﻙ ،ﻤﻥ ﻋﺎﻟﹶﻡِ ﺍﻷﺭﻭﺍﺡِ ﺇﻟﻰ ﻋﺎﻟﹶﻡِ ﺍﻷﺒﺩﺍﻥ(؛
) (٨ﻭﺃﻨﺎ ﻜﺤﺎﻓﻅﹶ ﺃﻤﻠﻙ ﻜﻨﺯ ﻋﺸﻘِﻪِ ﻓﻲ ﺼﺩﺭﻱ ،ﻭﺍﻟﻤﺩﻋﻲ ﺍﻟﱠﺫﻱ ﻻ ﺨﺒﺭ ﻟﻪ ﻋﻥ ﻜﻨﺯِ ﺼﺩﺭﻱ،
ﻴﺭﺍﻨﻲ ﺤﻘﻴﺭﺍﹰ.
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ﻏﺰﻝ ٣٣٣
ﻓﻲ ﺼﻼﺓِ ﻟﻴلِ ﺍﻟﻐﹸﺭﺒﺎﺀِ ،ﺤﻴﻥ ﺃﺸﺭﻉ ﺒﺎﻟﺒﻜﺎﺀ ،ﺃﺸﺭﺡ ﺍﻟﻘِﺼﺔﹶ ﺒﺎﻟﻨﱠﺤﻴﺏِ ﺍﻟﻐﺭﻴﺏ؛
ﺒِﺫِﻜﺭِ ﺍﻟﺩﻴﺎﺭِ ﻭﺍﻟﺩﻴﺎﺭِ ﺴﻭﻑﹶ ﺃﺒﻜﻲ ،ﺇﻟﻰ ﺃﻥ ﺃﻤﺤﻭ ﻁﺭﻴﻕﹶ ﻭﺭﺴﻡ ﺍﻟﺴﻔﹶﺭِ ﻤِﻥ ﺍﻟﺩﻨﻴﺎ؛
ﺃﻨﺎ ﻤﻥ ﺩِﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﻤﻥ ﺍﻟﺒﻼﺩِ ﺍﻟﻐﺭﻴﺒﺔِ ،ﻤﻬﻴﻤِﻨﺎ ،ﺃﻋِﺩﻨﻲ ﻤﺠﺩﺩﺍﹰ ﺇﻟﻰ ﺭﻓﻘﺎﺌﻲ؛
ﺇﻟﻬﻲ ﺍﻟﻤﺩﺩ ،ﺃﻱ ﺭﻓﻴﻕﹶ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻜﻲ ﺃﺭﻓﹶﻊ ﻤﺠﺩﺩﺍﹰ ﺍﻟﻌﻠﹶﻡ ﻓﻲ ﻤﺤﻠﱠﺔِ ﺍﻟﺤﺎﻥ؛
ﻋﻘلُ ﻋﺠﻭﺯٍ ﻤﺜﻠﻲ ﻤﺘﻰ ﻴﺤﺴﻥ ﺍﻟﺤِﺴﺎﺏ ،ﻟﻘﺩ ﻋﺎﺩ ﻴﻘﺎﻤِﺭ ﻓﻲ ﻋِﺸﻕِ ﺼﻨﹶﻡٍ ﻁِﻔلٍ؛
ﻏﻴﺭ ﺍﻟﺼﺒﺎ ﻭﺍﻟﺸﱢﻤﺎلِ ،ﻻ ﺸﺨﹾﺹ ﻴﻌﺭﻑﹸ ﻋﺯﻴﺯﻱ ،ﻻ ﺭﻓﻴﻕﹶ ﻟﻲ ﺴِﻭﻯ ﺍﻟﺭﻴﺢ؛
ﻫﻭﻯ ﻤﻨﺯلِ ﺍﻟﺤﺒﻴﺏِ ﻤﺎﺀ ﺤﻴﺎﺘِﻨﺎ ،ﺍِﺤﻤِﻠﻲ ﻴﺎ ﺼﺒﺎ ﻟﻲ ﻨﺴﻴﻤﺎﹰ ﻤﻥ ﺃﺭﺽِ ﺸﻴﺭﺍﺯﻱ؛
ﻓﺎﺽ ﺩﻤﻌﻲ ﻭﻗﺎلَ ﻟﻲ ﻋﻴﺒﻲ ﻓﻲ ﻭﺠﻬﻲ ،ﻓﻤﻤﻥ ﺃﺸﻜﻭ ﻭﺍﻟﻭﺍﺸﻲ ﺒﻲ ﻤﻥ ﺃﻫﻠﻲ؛
ﻅ ﻋﺫﺏِ ﺍﻟﻠﻬﺠﺔ.
ﺴﻤﻌﺕﹸ ﻗﻴﺜﺎﺭﺓﹶ ﺍﻟﺯﻫﺭﺓِ ﻋﻨﺩ ﺍﻟﻔﺠﺭِ ﺘﻘﻭل :ﻋﺫﺏ ﻏﻨﺎﺌﻲ ﻤِﻥ ﺍﻟﻐﹸﻼﻡِ ﺤﺎﻓ ﹶ
ﻏﺰﻝ ٣٣٤
ﺇﺫﺍ ﻭﺼﻠﹶﺕﹾ ﻴﺩﻱ ﻟِﻔﺭﻋِﻙ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﻓﻜﻡ ﻤﻥ ﺭﺅﻭﺱٍ ﺴﺄﻟﻌﺏ ﺒﻬﺎ ﺒِﻌﺼﺎﻱ ﻜﺎﻟﻜﹸﺭﺍﺕ؛
ﻓﺭﻋﻙ ﺍﻟﻌﻤﺭ ﺍﻟﻤﺩﻴﺩ ﻟﻲ ،ﻟﻜﻥ ﻻ ﺸﻌﺭﺓﹶ ﻓﻲ ﻴﺩﻱ ﻤﻥ ﺫﻟِﻙ ﺍﻟﻌﻤﺭِ ﺍﻟﻤﺩﻴﺩ)(١؛
ﺃﻋﻁِ ﺍﻟﻔﹶﺭﺍﺸﹶﺔﹶ ﺍﻟﺭﺍﺤﺔﹶ ﺃﻱ ﺸﻤﻊ ،ﺃﻨﺎ ﺍﻟﻠﹼﻴﻠ ﹶﺔ ﻤِﻥ ﻨﺎﺭِ ﻗﻠﺒﻲ ﺴﺄﺫﻭﺏ ﺃﻤﺎﻤﻙ ﻜﺎﻟﺸﱠﻤﻊ)(٢؛
ﺤﻴﻥ ﺃُﺴﻠِﻡ ﺍﻟﺭﻭﺡ ،ﻓﻲ ﻀﺤﻜﹶﺔٍ ﻭﺍﺤِﺩﺓٍ ،ﻜﻜﺄﺱِ ﺨﻤﺭٍ ،ﺃﺭﺠﻭ ﺃﻥ ﻴﺼﻠﱢﻲ ﻋﻠﻲ ﺴﻜﺎﺭﺍﻙ؛
ﻭﺒِﻤﺎ ﺃﻥ ﺼﻼﺘﻲ ﻟﻴﺴﺕﹾ ﺼﻼﺓﹰ ،ﻭﺃﻨﺎ ﺍﻟﻤﻠﻭﺙﹸ ،ﻓﻠﻴﺱ ﺃﻗلﱠ ﻤِﻨﻬﺎ ﺍﺤﺘِﺭﺍﻗﻲ
ﻭﺍﻨﺼِﻬﺎﺭﻱ ﻓﻲ ﺍﻟﺤﺎﻥِ؛
) (١ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻌﻤﺭِ ﺍﻟﻤﺩﻴﺩ :ﻤﻥ ﻓﹶﺭﻋِﻙ؛
ﺤﺒﻙ ﺍﻟﻠﹼﻴﻠﹶﺔﹶ؛
) (٢ﺃﺭِﺡ ﻫﺫِﻩِ ﺍﻟﻔﹶﺭﺍﺸﹶ ﹶﺔ ﻤِﻥ ﺍﻟﻌﺫﺍﺏِ ﺒﺎﻟﻘﹶﺘﹾلِ ،ﻭﺍﻗﺘﹸﻠﻨﻲ ﺤﺭﻗﺎﹰ ﺒِ
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ﺇﺫﺍ ﻤﺭ ﻓﻲ ﺍﻟﻤﺴﺠِﺩِ ﻭﺍﻟﺤﺎﻥِ ﺨﻴﺎﻟﹸﻙ ،ﺴﺄﺼﻨﹶﻊ ﻤِﻥ ﺤﺎﺠﺒﻴﻙ ﺍﻻﺜﻨﻴﻥ ﻤﺤﺭﺍﺒﺎﹰ ﻭﻗﻴﺜﺎﺭﺓﹰ؛
ﻭﺇﺫﺍ ﻤﺎ ﺃﻀﺎﺀ ﻭﺠﻬﻙ ﺍﻟﻤﻨﻴﺭ ﻓﻲ ﺨﻠﻭﺘﻲ ﻟﻴﻠﺔﹰ ،ﺴﺄﺭﻓﻊ ﺭﺃﺴﻲ ﻜﺎﻟﺼﺒﺢِ ﻓﻭﻕﹶ ﺁﻓﺎﻕِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻤﺤﻤﻭﺩﺓﹲ ﻋﺎﻗﺒﺔﹸ ﺍﻟﻌﻤلِ ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ،ﺇﺫﺍ ﻜﺎﻥ ﺫﻫﺎﺏ ﺍﻟﺭﺃﺱِ ﻓﻲ ﺤﺏ ﺇﻴﺎﺯ)(١؛
ﺤﺎﻓﻅﹸ ،ﻏﻡ ﺍﻟﻘﻠﺏ ﻟِﻤﻥ ﺃﻗﻭلُ ،ﻭﻻ ﻤﺤﺭﻡ ﺴِﺭ ﻤﻌﻲ ﺴﻭﻯ ﺍﻟﺠﺎﻡِ ﻓﻲ ﻫﺫﺍ ﺍﻟﺩﻭﺭ.
ﻏﺰﻝ ٣٣٥
ﻓﻲ ﺨﺭﺍﺒﺎﺕِ ﺍﻟﻤﻐﺎﻥ ،ﺇﻥ ﻴﻨﻔﹶﺘِﺢ ﻟِﻲ ﺍﻟﻁﱠﺭﻴﻕﹸ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﺴﺄﻟﻌﺏ ﺒﻤﺤﺼﻭلِ
ﺨِﺭﻗﺘﻲ ﻭﺴﺠﺎﺩﺘﻲ ﺍﻟﻘِﻤﺎﺭ؛
ﺤﻠﹾﻘﹶﺔﹶ ﺍﻟﺘﱠﻭﺒﺔِ ﺇﻥ ﺃﻗﺭﻉِ ﺍﻟﻴﻭﻡ ﻜﺎﻟﺯﻫﺎﺩ ،ﺨﺎﺯِﻥ ﺍﻟﺤﺎﻥِ ﻏﺩﺍﹰ ﻟﻥ ﻴﻔﺘﹶﺢ ﻟﻲ ﺍﻟﺒﺎﺏ؛
ﻭﺇﺫﺍ ﻤﺎ ﺘﻴﺴﺭ ﻟﻲ ﻓﺭﺍﻍﹸ ﺍﻟﺒﺎلِ ﻜﺎﻟﻔﺭﺍﺸﺔِ ،ﻓﻠﻥ ﻴﻜﻭﻥ ﻁﹶﻴﺭﺍﻨﻲ ﺇﻟﹼﺎ ﺇﻟﻰ ﺠِﻬﺔِ ﻋﺎﺭِﺽِ
ﺫﻟِﻙ ﺍﻟﺸﱠﻤﻊ؛
ﻻ ﺃُﺭﻴﺩُ ﺼﺤﺒﺔﹶ ﺍﻟﺤﻭﺭِ ،ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ ﻏﻴﺭِ ﺨﻴﺎﻟِﻙ ،ﻓﻲ ﻭﺠﻭﺩِ ﺨﻴﺎﻟِﻙ ،ﻋﻴﻥ ﺍﻟﻘﹸﺼﻭﺭ؛
ﻜﺎﻥ ﻴﺒﻘﻰ ﺴِﺭ ﺤﺒﻙ ﻤﺨﻔﻴﺎﹰ ﻓﻲ ﺼﺩﺭﻱ ،ﻟﻭ ﻟﻡ ﺘﺠﻌلْ ﻋﻴﻨﻲ ﺍﻟﺭﻁﹾﺒﺔﹸ ﺴِﺭﻱ ﻓﺎﺸﻴﺎﹰ؛
ﺴﺄﺘﺭﻙ ﻗﻔﺹ ﺍﻟﺘﱡﺭﺍﺏِ ،ﻭﺃﻋﻠﻭ ﻓﻲ ﺍﻟﻬﻭﺍﺀِ ﻜﺎﻟﻁﱠﻴﺭِ ،ﻋﺴﻰ ﺃﻥ ﺃﻜﻭﻥ ﺼﻴﺩﺍﹰ ﻟِﻠﺒﺎﺯِ ﺍﻟﻤﻠﹶﻜﻲ؛
ﺇﺫﺍ ﻜﺎﻥ ﻻ ﻴﻌﻁِﻴﻨﻲ ﻤﺭﺍﺩ ﻗﻠﺒﻲ ﺒِﺤﻀﻨﻲ ﻜﺎﻟﺭﺒﺎﺒﺔِ ،ﻓﻠﻴﻀﻊ ﺸﹶﻔﹶﺔﹰ ﻋﻠﻰ ﺸﹶﻔﹶﺘﻲ ﻨﹶﻔﹶﺴﺎﹰ
ﻭﺍﺤِﺩﺍﹰ ﻜﺎﻟﻨﹼﺎﻱ؛
ﻗﺼﺔﹶ ﻗﻠﺒﻲ ﺍﻟﺠﺭﻴﺢِ ﻻ ﺃﻗﻭلُ ﻟِﺸﹶﺨﺹٍ ،ﻻ ﺭﻓﻴﻕﹶ ﻟﻲ ﺇﻟﹼﺎ ﺴﻴﻑﹸ ﻏﻤﻙ؛
ﺇﺫﺍ ﻜﺎﻥ ﺜﹶﻤﻥ ﺸﹶﻌﺭﺓٍ ﻤِﻨﻙ ﺍﻟﺭﺃﺱ ﺍﻟﱠﺘﻲ ﻋﻠﻰ ﺒﺩﻥِ ﺤﺎﻓِﻅ ،ﻓﺴﻭﻑﹶ ﺃُﻟﻘﻴﻬﺎ ﻋﻠﻰ ﻗﹶﺩﻤِﻙ
ﻤﺜلَ ﻀﻔﻴﺭﺘِﻙ).(٢
) (١ﻓﻲ ﺤﺏ ﺍﻴﺎﺯ :ﺍﻴﺎﺯ ﻏﻼﻡ ﺘﹸﺭﻜﻲ ﻟﻠﺴﻠﻁﺎﻥِ ﻤﺤﻤﻭﺩ ﺍﻟﻐﺯﻨﺯﻱ.
) (٢ﺴﺄُﻟﻘﻲ ﺭﺃﺴﻲ ﻋﻠﻰ ﻗﹶﺩﻤِﻙ ﻤﺜلَ ﻀﻔﻴﺭﺘِﻙ ﺍﻟﻁﱠﻭﻴﻠﹶﺔِ ﺍﻟﻭﺍﺼِﻠﹶﺔِ ﺇﻟﻰ ﻗﹶﺩﻤِﻙ ،ﺍﻟﻤﻠﻘﺎﺓِ ﻋﻠﻰ ﻗﹶﺩﻤِﻙ.
-٣٣١-
ﻏﺰﻝ ٣٣٦
ـﺎﻙ
ـﻰ ﻟﹸﻘﹾﻴـ
ـﺎﺭِﻗﹸﻨﻲ ﺇﻟـ
ـﺎﺩﺕﹾ ﺘﹸﻔـ
ﻜـ ﻗﹸلْ ﻟﻲ ﻤﺘﻰ ﺒﺸﹾﺭﻯ ﻟﻘﺎﻙ ﻓﻤﻬﺠﺘﻲ
ﻗﹶﻔﹶﺹ ﺍﻟﻭﺠـﻭﺩِ ﻭﺭﺍﺀﻩ ﻟِﻴـﺭﺍﻙ ﻜﺎﻟﻁﱠﺎﺌِﺭِ ﺍﻟﻘﹸﺩﺴِـﻲ ﺤﻠﱠـﻕﹶ ﺘﺎﺭِﻜـﺎﹰ
ﺃﺼﺤﻭ ﻭﻗﹶﺩ ﺴﺩﺕﹸ ﺍﻟﻭﺠﻭﺩ ﺒِـﺫﺍﻙ ﻭﺇﺫﺍ ﺒِﻌﺒــﺩِﻙ ﻤﻨﹾﻌﻤــﺎﹰ ﻨــﺎﺩﻴﺘﹶﻨﻲ
ﻗﹶﺒلَ ﺍﻟﻤﻨِﻴﺔِ ﻤِﻥ ﺴـﺤﺎﺏِ ﻫـﺩﺍﻙ ﻴﺎ ﺭﺏ ﺃﻤﻁِﺭﻨﻲ ﺒِﻐﹶﻴـﺙِ ﻏﹶﻤﺎﻤـﺔٍ
ﻤﺴﺘﹶﺼﺤِﺒﺎﹰ ﺨﹶﻤﺭﺍﹰ ﻭﻓـﺎﺡ ﺸﹶـﺫﺍﻙ ﺕ ﺒِﺘﹸﺭﺒﺘـﻲ
ﻗﹶﺒﺭﻱ ﺃﺸﹸﻕﱡ ﺇﺫﺍ ﻤـﺭﺭ ﹶ
ﺭﻭﺤــﻲ ﺒِﻘﹶــﺩﻙ ﻓﺎﻟﺠﻤــﺎلُ ﺭِﺩﺍﻙ ﻗﹸﻡ ﺭﺍﻗِﺼﺎﹰ ﺼﻨﹶﻤﻲ ﺍﻟﺠﻤﻴلَ ﻭﺨﺎﻁِﻔﺎﹰ
ـﺄﺭﺍﻙ
ـﺔٍ ﻟِـ
ـﺎﺕِ ﺒِﺒﺭﻫـ
ﻴ ـﻭﻡ ﺍﻟﻤﻤـ ﻭﺍﻤﻨﹸﻥ ﻋﻠﹶﻲ ﻟِﻜﹶﻲ ﺃَﻗـﻭﻡ ﻜﹶﺤـﺎﻓِﻅٍ
ﺃﻴﻥ ﺒﺸﺭﻯ ﻭِﺼﺎﻟِﻙ ﻟﺘﻨﻬﺽ ﺭﻭﺤﻲ ﻟﻠِﻘﺎﺌﻙ ،ﻜﻁﺎﺌﺭٍ ﻗﹸﺩﺴﻲ ﺃﻓﻠﺕﹶ ﻤﻥ ﺸﺒﺎﻙِ
ﺍﻟﺩﻨﻴﺎ)(١؛ ﻗﹶﺴﻤﺎﹰ ﺒﻭﻻﺌﻙ ﻟﻭ ﺩﻋﻭﺘﹶﻨﻲ ﻋﺒﺩﻙ ، ﻟﹶﻨﹶﻬﻀﺕﹸ ﺴﻴﺩ ﺍﻟﻜﻭﻥِ ﻭﺍﻟﻤﻜﺎﻥ)(٢؛ ﻴﺎ ﺭﺏ،
ﻗﺒلَ ﺃﻥ ﺃﺼﻴﺭ ﻏﹸﺒﺎﺭﺍﹰ ﻤﺤﺭﻭﻤﺎﹰ ،ﺃﺭﺴِلْ ﻋﻠﻲ ﻤِﻥ ﻏﹶﻴﻡِ ﺍﻟﻬﺩﺍﻴﺔِ ﻤﻁﺭﺍﹰ؛ ﻤﺭ ﻋﻠﻰ ﻗﺒﺭﻱ
ﺒﻌﺩ ﻤﻭﺘﻲ ،ﻭﺍﺠﻠِﺱ ﻋﻠﻰ ﺘﹸﺭﺒﺘﻲ ﻭﻤﻌﻙ ﺍﻟﺨﻤﺭ ﻭﺍﻟﻤﻁﺭﺏ ،ﻜﻲ ﺃﺸﻕﱠ ﻗﺒﺭﻱ ﻋﻠﻰ
ﻋﺒﻴﺭﻙ ،ﻭﺃﺨﺭﺝ ﺭﺍﻗﺼﺎﹰ ﺸﻭﻗﺎﹰ ﺇﻟﻴﻙ؛ ﻭﺍﻨﻬﺽ ﻭﺃﺭﻨﻲ ﻗﺎﻤﺘﻙ ﺍﻟﻌﺎﻟِﻴﺔﹶ ،ﻴﺎ ﺼﻨﻤﻲ
ﺍﻟﺭﺸﻴﻕ ﺍﻟﺠﻤﻴلَ ﺍﻟﺤﺭﻜﺎﺕِ ،ﻜﻲ ﺃﻓﻠﺕﹶ ﻤﻥ ﺭﻭﺤﻲ ﻭﻋﺎﻟﻤﻲ ﻭﺃﻨﻬﺽ ﺭﺍﻗﺼﺎﹰ ﻭﻤﺼﻔﱢﻘﺎ؛
ﻭﺭﻏﻡ ﺃﻨﱢﻲ ﺸﻴﺦﹲ ،ﻀﻤﻨﻲ ﻟﻴﻠﺔﹰ ﺇﻟﻰ ﺼﺩﺭِﻙ ،ﻷﻨﻬﺽ ﺸﺎﺒﺎﹰ ﻤِﻥ ﺤِﻀﻨِﻙ ﻭﻗﹾﺕﹶ ﺍﻟﺴﺤﺭ؛
ﻭﺃﻋﻁﻨﻲ ﻴﻭﻡ ﻤﻭﺘﻲ ﻓﹸﺭﺼﺔﹰ ﻟِﺄﺭﺍﻙ ،ﻭﻟﻭ ﺒﻤﻘﺩﺍﺭِ ﻨﹶﻔﹶﺱٍ ﻭﺍﺤِﺩٍ ﺃﻀﻤﻥ ﺒﻪِ ﺍﻟﻘﻴﺎﻡ ﻜﺤﺎﻓﻅ.
) (١ﻗلْ ﻟﻲ ﻤﺘﻰ ﻭﺼﺎﻟﹸﻙ ﻓﻘﺩ ﺃﻭﺸﻜﺕ ﺭﻭﺤﻲ ﺘﹸﻔﺎﺭﻕﹸ ﺒﺩﻨﻲ ﺸﻭﻗﺎﹰ ﺇﻟﻰ ﻟﻘﺎﺌﻙ ،ﻜﺄﻨﱠﻬﺎ ﻁﺎﺌﺭ ﻗﺩﺴ
ﻲ
ﺃﻓﻠﺕﹶ ﻤﻥ ﺸﺒﺎﻙِ ﺍﻟﺩﻨﻴﺎ )ﺍﻟﺭﻭﺡ ﺍﻟﻤﺘﻌﻠﹼﻘﺔﹸ ﺒﺎﻟﺒﺩﻥ ﻋﻨﺩ ﺍﻟﻌﺭﻓﺎﺀ ﻫﺎﺒﻁﺔﹲ ﻤﻥ ﻋﺎﻟﹶﻡِ ﺍﻟﻤﻠﻜﻭﺕ ﻭﻗﺩ
ﻗﺎل ﻋﻨﻬﺎ ﺍﺒﻥ ﺴﻴﻨﺎ :ﻫﺒﻁﺕ ﺇﻟﻴﻙ ﻤﻥ ﺍﻟﻤﺤلﱢ ﺍﻷﺭﻓﻊِ ﻭﺭﻗﺎﺀ ﺫﺍﺕﹸ ﺘـﺩﻟﱡلٍ ﻭﺘﻤﻨﱡﻊِ(؛
) (٢ﺇﺫﺍ ﻗﺒِﻠﹾﺘﹶﻨﻲ ﻋﺒﺩﺍﹰ ﻟﻙ ﻓﻲ ﺠﻤﻠﺔِ ﻋﺒﻴﺩﻙ ،ﻭﻨﺎﺩﻴﺘﻨﻲ ﺒﻴﺎ ﻋﺒﺩﻱ ،ﺼﺎﺭ ﺍﻟﻌﺎﻟﹶﻡ ﻤﻁﻴﻌﺎﹰ ﻟِﺄﻤﺭﻱ ،ﻭﺼﺭﺕﹸ
ﺴﻴﺩ ﺍﻟﻜﻭﻥِ ﻭﺍﻟﻤﻜﺎﻥ ،ﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﺍﻟﻘﹸﺩﺴﻲ) ﻤﺎ ﻴﺯﺍلُ ﻋﺒﺩﻱ ﻴﺘﻘﺭﺏ ﺇﻟﻲ ﺒﺎﻟﻨﱠﻭﺍﻓِلِ ﺤﺘﱠﻰ ﺃُﺤﺒﻪ ،ﻓﺈﺫﺍ
ﺃﺤﺒﺒﺘﹸﻪ ﻜﻨﺕﹸ ﺴﻤﻌﻪ ﺍﻟﱠﺫﻱ ﻴﺴﻤﻊ ﺒِﻪِ ﻭﺒﺼﺭﻩ ﺍﻟﺫﻱ ﻴﺒﺼِﺭ ﺒِﻪِ ﻭﻟِﺴﺎﻨﹶﻪ ﺍﻟﱠﺫﻱ ﻴﻨﻁِﻕﹸ ﺒِﻪِ ﻭﻴﺩﻩ ﺍﻟﱠﺘﻲ
ﻴﺒﻁِﺵﹸ ﺒﻬﺎ ،ﻭﻭﺭﺩ ﻓﻲ ﺤﺩﻴﺙٍ ﺁﺨﹶﺭٍ :ﺍﻟﻌﺒﻭﺩﻴﺔﹸ ﺠﻭﻫﺭﺓﹲ ﻜﻨﻬﻬﺎ ﺍﻟﺭﺒﻭﺒﻴﺔ(.
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ﻏﺰﻝ ٣٣٧
ﻟِﻡ ﻻ ﺃﻋﺯِﻡ ﻋﻠﻰ ﺍﻟﻌﻭﺩﺓِ ﺇﻟﻰ ﺩﻴﺎﺭﻱ ،ﻟِﻡ ﻻ ﺃﺼﻴﺭ ﺇﻟﻰ ﺘﹸﺭﺍﺏِ ﺤﻤﻰ ﺤﺒﻴﺒﻲ؛
ﻤﺎ ﺩﻤﺕﹸ ﻻ ﺃﺤﺘﻤِلُ ﻏﻡ ﺍﻟﻐﹸﺭﺒﺔِ ﻭﺍﻟﺒﻌﺎﺩ ،ﻓﺴﺄﺭﺠِﻊ ﺇﻟﻰ ﻭﻁﻨﻲ ﻭﺃﺼﻴﺭ ﻤﻠِﻜﺎﹰ ﻋﻠﻰ ﻨﻔﺴﻲ؛
ﻭﺃﺼﻴﺭ ﻤِﻥ ﻤﺤﺭِﻤﻲ ﺤﺭﻴﻡِ ﺍﻟﻭِﺼﺎلِ ،ﻭﻤﻥ ﺍﻟﻌﺒﻴﺩِ ﺍﻟﻤﻤﻠﻭﻜﻴﻥ ﻟﻤﺎﻟِﻜﻲ؛
ل ﺍﻟﻌﻤﺭِ ﻏﻴﺭ ﻤﻌﻠﻭﻤﺔٍ ،ﻓﺎﻷﻭﻟﻰ ﻴﻭﻡ ﺍﻟﻭﺍﻗِﻌﺔِ ﺃﻥ ﺃﻜﻭﻥ ﺘﺤﺕﹶ
ﻭﺒﻤﺎ ﺃﻥ ﺨﹸﻼﺼﺔﹶ ﺤﺎ ِ
ﻨﹶﻅﹶﺭِ ﻤﻌﺸﻭﻗﻲ؛
ﺤﺘﱠﻰ ﻭﻟﻭ ﺃُﺘﻴﺤﺕﹾ ﻟﻲ ﺍﻟﺸﱢﻜﺎﻴﺔﹸ ﻤﻥ ﺒﺨﺘﻲ ﺜﻘﻴلِ ﺍﻟﻨﱠﻭﻡِ ،ﻭﺃﺫﻯ ﻓﻘﺭﻱ ،ﺴﺄﻅﹶلﱡ ﺃﻤﻴﻨﺎﹰ
ﻋﻠﻰ ﺴﺭﻱ؛
ﺤِﺭﻓﹶﺘﻲ ﻜﺎﻨﺕِ ﺍﻟﻌِﺸﹾﻕﹶ ﻭﺍﻟﺨﻼﻋﺔﹶ ﺩﺍﺌﻤﺎﹰ ،ﻭﺴﺄﺒﻘﻰ ﺃﺴﻌﻰ ﺴﻌﻴﻲ ﻭﺃﺸﺘﻐِلُ ﺒِﺸﹸﻐﹾلِ ﻨﹶﻔﺴﻲ؛
ﺭﺒﻤﺎ ﻴﺼﻴ ﺭ ﻟﹸﻁﹾﻑﹸ ﺍﻷﺯلِ ﻤﺭﺸِﺩﺍﹰ ﻟِﺤﺎﻓِﻅﹶ ،ﻭﺇﻟﹼﺎ ﻓﺴﺄﻅﹶلﱡ ﺇﻟﻰ ﺍﻷﺒﺩِ ﺨﺠﻼﻨﺎﹰ ﻤِﻥ ﻨﹶﻔﺴﻲ.
ﻏﺰﻝ ٣٣٨
ﺃﻨﺎ ﻤﺤِﺏ ﺍﻟﻭﺠﻪِ ﺍﻟﺠﻤﻴلِ ﻭﺍﻟﺸﱠﻌﺭِ ﺴﺎﻟِﺏِ ﺍﻟﻘﻠﺏِ ،ﻭﻤﺩﻫﻭﺵﹸ ﺍﻟﻌﻴﻥِ ﺍﻟﺴﻜﺭﻯ
ﻭﺍﻟﺨﻤﺭﺓِ ﺍﻟﺼﺎﻓﻴﺔِ ﺒﻼ ﻏﺵﹼ؛
ﻗﹸﻠﺕﹶ :ﻗﹸلْ ﻟﻨﺎ ﺤﺩﻴﺜﺎﹰ ﻋﻥ ﺴِﺭ ﻋﻬﺩِ ﺍﻷﺯل ،ﺍﻵﻥ ﺃﻗﻭلُ ﻟﻙ ﺒﻌﺩ ﺃﻥ ﺃﺸﹾﺭﺏ ﻜﺄﺴﻴﻥ؛
ﺃﻨﺎ ﺁﺩﻡ ﺠﻨﱠﺘﻲ ،ﻟﻜﻨﹼﻲ ﻓﻲ ﻫﺫﺍ ﺍﻟﺴﻔﹶﺭِ ﺃﺴﻴﺭ ﻋِﺸﻕِ ﺃﺤِﺒﺘﻲ ﺍﻟﱠﺫﻴﻥ ﻟﻬﻡ ﻭﺠﻭﻩ ﻜﺎﻟﺒﺩﻭﺭ؛
ﻓﻲ ﺍﻟﻌِﺸﻕِ ﻻ ﻋِﻼﺝ ﺇﻻﹼ ﺍﻟﺤﺭﻕﹸ ﻭﺍﻟﺒﻨﺎﺀ ،ﻭﻗﹶﻔﹾﺕﹸ ﻜﺎﻟِﺸﱠﻤﻊِ ﻻ ﺘﹶﺨﹶﻑﹾ ﻤِﻥ ﻨﺎﺭﻱ؛
ﺸﻴﺭﺍﺯ ﻤﻌﺩِﻥ ﺸِﻔﺎﻩِ ﺍﻟﻌﻘﻴﻕِ ،ﻭﻤﻨﹾﺠﻡ ﺍﻟﺤﺴﻥِ ،ﻭﺃﻨﺎ ﺠﻭﻫﺭﻱ ﻤﻔﻠِﺱ ،ﻟﺫﺍ ﺃﻨﺎ ﻤﺸﻭﺵ؛
ﻤِﻥ ﻜﺜﺭﺓِ ﻤﺎ ﺭﺃﻴﺕﹸ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﺩﻴﻨﺔِ ،ﻤِﻥ ﻋﻴﻭﻥٍ ﺴﻜﺭﻯ ،ﺤﻘﱠﺎﹰ ﺃﻨﺎ ﺍﻵﻥ ﻻ ﺃﺸﺭﺏ ﻭﺴﻜﺭﺍﻥ؛
ﺍﻟﻤﺩﻴﻨﺔﹸ ﻤﻤﻠﻭﺀﺓﹲ ﺒﺎﻟﺤﻭﺭِ ﺍﻟﺴﺎﺤِﺭﺍﺕِ ﻤِﻥ ﺴِﺕﱢ ﺠِﻬﺎﺕ ،ﻭﻟﻭ ﻟﻡ ﺃﻜﹸﻥ ﻤﻔﻠِﺴﺎﹰ ﻻﺸﺘﺭﻴﺕﹸ
ﺍﻟﺠِﻬﺎﺕِ ﺍﻟﺴﺕﱠ ﻜﹸﻠﱠﻬﺎ؛
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ﺇﺫﺍ ﺴﺎﻋﺩ ﺍﻟﺤﻅﱡ ﻭﺭﺤﻠﺕﹸ ﺒﻤﺘﺎﻋﻲ ﺇﻟﻰ ﺠِﻬﺔِ ﺍﻟﺤﺒﻴﺏِ ،ﻓﺴﻭﻑﹶ ﻴﻔﻭﺡ ﺍﻟﻌﺒﻴﺭ ﻤﻥ
ﻀﻔﺎﺌﺭِ ﺍﻟﺤﻭﺭِ ﻤِﻥ ﻤﻔﹾﺭﺸﻲ؛
ﺤﺎﻓﻅ ،ﻋﺭﻭﺱ ﻁﺒﻌﻲ ﺘﺠﻠﱠﺕﹾ ﻟﻲ ﺒِﺘﺤﻘﻴﻕِ ﻤﺭﺍﺩﻱ ،ﻭﻻ ﺤﺒﻴﺏ ﻋﻨﺩﻱ ،ﻟِﺫﺍ ﺃُﻁﻠِﻕﹸ ﺍﻵﻫﺎﺕ.
ﻏﺰﻝ ٣٣٩
ـﻲ
ـﻲ ﺭﻭﺽِ ﻋﻴﻨـ
ـﻴﻥ ﻤ ـﺭ ﻓـ
ﺭﺴ ـﻡ ﻭﺠﻬِ ـﻙ ﺤـ
ﻁــﺎﺭ ﻗﻠﺒــﻲ ﻤــﻥ ﺼــﺩﺭﻱ ﻟﺒﺅﺒــﺅِ ﻋﻴﻨــﻲ
ﻻ ﺃﺭﻯ ﻤﻨﻅﹶﺭﺍﹰ ﻻﺌﻘﺎﹰ ﺒﺎﻟﺨﻴﺎلِ ﻤﻨﻙ ﻤﺘﱠﻜﺄً
ﻓﻠِــﺫﺍ ﻟﹸــﺫﹾﺕﹸ ﻤِــﻥ ﻋــﺎﻟﹶﻤﻲ ﺒِــﺭﻜﻥٍ ﺒﻌﻴﻨــﻲ
ﺠِــﺊْ ﻨِﺜــﺎﺭ ﻟِﻤﻘﹾــﺩﻤِﻙ ﺍﻟﻠﱠﻌــلُ ﻭﺍﻟﺠــﻭﻫﺭ
)(١
ـﻲ
ـﻲ ﻭﻤﺨ ـﺯﻥِ ﻋﻴﻨـ
ـﻥ ﻜﻨ ـﺯِ ﺨﺎﻨﹶ ـﺔِ ﻗﻠﺒـ
ﻤِـ
ـﻭﻯ ﻗﺘﻠ ـﻲ
ـﺎﺭﻱ ﻨـ
ـﻲ ﺍﻟﺠـ
ـﻴلُ ﺩﻤﻌِـ
ـﺤﺭﺍﹰ ﺴـ
ﺴـ
)(٢
ـﻲ
ـﻭﺏ ﻋﻴﻨـ
ـﺸﺎ ﺜﹶـ
ـﻭ ﻟ ـﻡ ﻴﻤ ـﺴِﻙ ﺩﻡ ﺍﻟﺤـ
ﻟـ
ﻗﺎلَ ﻗﻠﺒـﻲ ﺒِـﺄﻭلِ ﻴـﻭﻡٍ ﺭﺃﻴـﺕﹸ ﻭﺠﻬـﻙ ﻓﻴـﻪِ
)(٣
ﺇﻥ ﺃﺼــﺎﺒﻨﻲ ﺃﺫﻯ ﺩﻤــﻲ ﺒﺭﻗﹾﺒــﺔِ ﻋﻴﻨــﻲ
ﻟﻴلَ ﺃﻤﺴﻲ ﺇﻟﻰ ﺴﺤﺭﻱ ﻟﺒﺸﺭﻯ ﺍﻟﻭﺼلِ ﻓﻲ ﺍﻟﺭﻴﺢِ ﻭﻀﻌﺕﹸ ﺍﻟﺴﺭﺍﺝ ﺍﻟﻤﻀﻲﺀ ﻟﻌﻴﻨﻲ
)(٤
ﻻ ﺘﻜﹸﻥ ﺭﺍﻤﻴﺎﹰ ﻗﻠﺏ ﺤﺎﻓﻅﹶ ﺍﻟﻤﻌﺫﱠﺏ ﺒﺎﻟﻨﱠﺒلِ ﺠﺎﺭﺤﺎﺕِ ﺍﻟﻘﻠﻭﺏِ ﻤﻥ ﻜﹸلﱢ ﺴﻬﻡٍ ﺒِﻌـﻴﻥِ
) (١ﺃﺨﺭﺠﺕﹸ ﺍﻟﺩﺭﺭ ﻭﺍﻟﻠﹼﺂﻟﺊَ ﻤِﻥ ﻜﻨﺯِ ﻗﻠﺒﻲ ﻭﺠﻌﻠﺘﹸﻬﺎ ﺒِﻤﺨﺯﻥِ ﻋﻴﻨﻲ ﻷﺠﻌﻠﹶﻬﺎ ﻨِﺜﺎﺭﺍﹰ ﻟِﻤﻘﺩﻤِﻙ
ﻓﻌﺠلْ ﺒﺎﻟﻘﺩﻭﻡ؛
) (٢ﻟﻭﻻ ﺃﻥ ﺜﻭﺏ ﻋﻴﻨﻲ ﻴﻤﺴِﻙ ﺒِﺩﻡِ ﻜﺒﺩﻱ ﺍﻟﱠﺫﻱ ﻴﺴﻴلُ ﻓﻲ ﺍﻟﺴﺤﺭِ ﻤﻊ ﺩﻤﻌﻲ ،ﻜﺎﻥ ﺴﻴلُ ﺩﻤﻌﻲ
ﻴﺨﺭﺏ ﻤﻤﻠﻜﺘﻲ؛
) (٣ﺃﻨﺎ ﺒﺄﻤلِ ﺒﺸﺭﻯ ﻭﺼﻠِﻙ ﺇﻟﻰ ﺴﺤﺭِ ﻟﻴﻠﺔِ ﺍﻟﺒﺎﺭِﺤﺔِ ﺃﺠﻌلُ ﺴِﺭﺍﺝ ﻋﻴﻨﻲ ﺍﻟﻤﻀﻲﺀ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺭﻴﺢ؛
) (٤ﺒﺎﻹﻨﺴﺎﻨﻴﺔِ ﺍﻟﱠﺘﻲ ﻟﻙ ﻻ ﺘﹶﺭﻡِ ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﻌﺫﹶﺏ ﺒﺴﻬﺎﻡِ ﻋﻴﻨِﻙ ﺍﻟﱠﺘﻲ ﺘﺸﻕﱡ ﻗﻠﻭﺏ ﺍﻟﻨﱠﺎﺱ.
-٣٣٤-
ﻏﺰﻝ ٣٤٠
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﺃﻏﻠﻲ ﻤِﻥ ﻨﺎﺭِ ﻗﻠﹾﺒﻲ ﻜﹶﺩﻥ ﻤِﻥ ﺍﻟﺨﻤﺭ ،ﻤﺨﺘﻭﻡ ﻋﻠﻰ ﺸﹶﻔﹶﺘﻲ ،ﺼﺎﻤﺕﹲ
ﻭﺃﺠﺭﻉ ﺍﻟﺩﻡ؛
ﺍﻟﻁﱠﻤﻊ ﺒِﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﺨﹶﻁﹶﺭ ﻗﺎﺼِﺩ ﻟﺭﻭﺤﻲ ،ﻓﺎﻨﻅﹸﺭ ﻓﻲ ﻫﺫﺍ ﺍﻟﻌﻤلِ ﻜﻴﻑﹶ ﺃﺴﻌﻰ ﺒﺭﻭﺤﻲ؛
ﻤﺘﻰ ﺃﺼﻴﺭ ﺤﺭﺍﹰ ﻤِﻥ ﻫﻡ ﻗﻠﺒﻲ ﻭﻜﹸلﱠ ﻨﹶﻔﹶﺱٍ ﺘﻀﻊ ﻀﻔﻴﺭﺓﹸ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺴﻭﺩﺍﺀ ﺤﻠﹾﻘﹶﺔﹰ ﻓﻲ ﺃُﺫﹸﻨﻲ؛
ﺵ ﷲِ ﺃﻥ ﺃﻜﻭﻥ ﻤﻌﺘﻘِﺩﺍﹰ ﺒِﻁﺎﻋﺔِ ﻨﻔﺴﻲ ،ﻜﻴﻑﹶ ﻭﺃﻨﺎ ﺃﺸﺭﺏ ﺍﻟﻘﹶﺩﺡ ﻤِﻥ ﺤﻴﻥٍ ﺇﻟﻰ ﺤﻴﻥ؛
ﺤﺎ ﹶ
ﻭﻋِﻨﹾﺩﻱ ﺃﻤلٌ ﺃﻨﱠﻪ ،ﺒِﺭﻏﹾ ِﻡ ﺍﻟﻌﺩﻭ ،ﻴﻭﻡ ﺍﻟﺠﺯﺍﺀِ ،ﻟﹶﻥ ﻴﻀﻊ ﺤِﻤلَ ﺍﻟﺫﹼﻨﹾﺏِ ﻋﻠﻰ ﻜﺘِﻔﻲ،
ﻤِﻥ ﻓﻴﺽِ ﻋﻔﻭِﻩِ؛
ﻭﺍﻟِﺩﻱ ﺒﺎﻉ ﺭﻭﻀﺔﹶ ﺭﻀﻭﺍﻥ ﺒﻘﻤﺤﺘﹶﻴﻥ ،ﻓﻠﻤﺎﺫﺍ ﻻ ﺃﺒﻴﻊ ﻤﻠﻙ ﺍﻟﻌﺎﻟﹶﻡِ ﺒِﺤﺒﺔٍ ﻤِﻥ ﺸﻌﻴﺭٍ؛
ﻟﹸﺒﺱ ﺍﻟﺨِﺭﻗﹶﺔِ ﻟﻴﺱ ﻏﺎﻴﺔﹶ ﺍﻟﺘﱠﺩﻴﻥ ،ﺇﻨﱠﻬﺎ ﺴِﺘﹾﺭ ﻴﻐﻁﹼﻲ ﻤِﺌﺔﹶ ﻋﻴﺏٍ ﻤﺨﻔﻲ ﻤِﻨﹼﻲ؛
ﻜﹸﻨﺕﹸ ﺃﻨﻭﻱ ﺃﻟﹼﺎ ﺃﺸﺭﺏ ﺇﻟﹼﺎ ﻤﻥ ﺭﺍﻭﻭﻕِ ﺍﻟﺩﻥ ،ﻤﺎ ﺃﻓﻌلُ ﻭﻟﻡ ﺃﺴﻤﻊ ﺤﺩﻴﺙﹶ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ؟؛
ﺤﻴﻥ ﻴﻌﺯِﻑﹸ ﻤﻁﺭِﺏ ﺍﻟﻤﺠﻠِﺱِ ﻟﺤﻥ ﺍﻟﻌِﺸﹾﻕِ ،ﺸِﻌﺭ ﺤﺎﻓِﻅ ﻭﻗﺕﹶ ﺴﻤﺎﻋِﻪِ ﻴﻐﻴﺒﻨﻲ ﻋﻥِ
ﺍﻟﻭﻋﻲ.
ﻏﺰﻝ ٣٤١
ﺇﺫﺍ ﻜﹸﻨﹾﺕﹸ ﺴﺄُﻓﻜﱢﺭ ﺒِﻤﻼﻤﺔِ ﺍﻟﻤﺩﻋﻴﻥ ،ﻓﹶﻠﻥ ﺃُﺒﺼِﺭ ﻁﺭﻴﻕﹶ ﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﺨﻼﻋﺔِ ﺃﻤﺎﻤﻲ؛
ﺍﻟﺯﻫﺩ ﻤِﻥ ﺤﺩﻴﺜﻲ ﺍﻟﻌﻬﺩِ ﺒﺎﻟﺸﱡﺭﺏِ ،ﻤِﻥ ﺍﻟﺨﻠﻴﻌﻴﻥ ﻏﻴ ِﺭ ﺍﻟﻨﱠﺎﻀِﺠﻴﻥ ،ﻓﻴﻪِ ﻨﹶﻔﻊ ،ﻟﻜِﻨﱠﻨﻲ
ﻤﺸﻬﻭﺭ ﺍﻟﻌﺎﻟﹶﻡِ ﺒﺎﻟﺴﻭﺀِ ،ﻓﻤﺎ ﺘﻔﻜﻴﺭﻱ ﺒﺎﻟﺼﻼﺡِ؛
ﺍﹸﺩﻋﻨﻲ ﺸﺎﻩ ﺍﻟﻤﺸﹶﺭﺩﻴﻥ ﺒﻴﻥ ﺍﻟﻔﹸﻘﺭﺍﺀِ ﺍﻟﻤﻌﺩِﻤﻴﻥ ،ﻓﺄﻨﺎ ﻓﻲ ﻗِﻠﱠﺔِ ﺍﻟﻌﻘﹾلِ ﺴﺒﻘﹾﺕﹸ ﺠﻤﻴﻊ
ﺍﻟﻌﺎﻟﹶﻤﻴﻥ)(١؛
) (١ﻻ ﺃﻤﻠﻙ ﺸﻴﺌﺎﹲ ﻤِﻥ ﺍﻟﻌﻘﹾلِ ﺍﻟﺠﺎﻟِﺏِ ﻟﻠﻨﱠﻔﹾﻊِ ﻟﻠﻨﱠﻔﺱ؛
-٣٣٥-
ﺍﻨﻘِﺵﹾ ﺍﻟﺨﺎلَ ﻋﻠﻰ ﺍﻟﺠﺒﻴﻥِ ﻤِﻥ ﺩﻡِ ﻗﻠﺒﻲ ،ﻟﻴﻌﻠﻤﻭﺍ ﺃﻨﱠﻨﻲ ﻗﺘﻴﻠﹸﻙ ﻴﺎ ﻜﺎﻓِﺭ ﺍﻟﻤﺫﹾﻫﺏ؛
ﺃﻅﻬِﺭ ﺍﻋﺘِﻘﺎﺩﺍﹰ ﻭﺍﻤﺽِ ﻤِﻥ ﺃﺠلِ ﺍﷲِ ،ﻜﻲ ﻻ ﺘﻌﻠﹶﻡ ﻜﻡ ﻫﻭ ﻤﺩﻋﻲ ﺍﻟﺩﺭﻭﺸﹶﺔِ ﻓﻲ ﻫﺫِﻩِ
ﺍﻟﺨِﺭﻗﹶﺔِ ﻏﻴﺭ ﺩﺭﻭﻴﺵ؛
ﺃﻴﺘﹸﻬﺎ ﺍﻟﺭﻴﺢ ﺃﻭﺼِﻠﻲ ﺤِﻤلَ ﺸِﻌﺭﻱ ﺍﻟﻤﺩﻤﻰ ﺇﻟﻰ ﺍﻟﺤﺒﻴﺏِ ،ﻟِﻜﻲ ﻴﻀﻊ ﻤﺒﻀﻊ
ﺍﻟﺠﺭﺍﺡِ ﻤِﻥ ﺭﻤﻭﺸِﻪِ ﺍﻟﺴﻭﺩﺍﺀِ ﻋﻠﻰ ﺤﺒلِ ﻭﺭﻴﺩﻱ)ﻋِﺭﻕِ ﺭﻭﺤﻲ(؛
ﺃﻨﺎ ﺴﻭﺍﺀ ﺸﺭﺒﺕﹸ ﺍﻟﺨﻤﺭ ﺃﻡ ﻟﻡ ﺃﺸﺭﺏ ،ﻻ ﺸﹸﻐلَ ﻟﻲ ﺒِﺄﺤﺩٍ ،ﺃﻨﺎ ﺤﺎﻓِﻅﹸ ﺴِﺭ ﻨﻔﺴﻲ،
ﻭﻋﺎﺭِﻑﹸ ﻗﻴﻤﺔِ ﻭﻗﺘﻲ).(١
ﻏﺰﻝ ٣٤٢
ﻏﹸﺒﺎﺭ ﺒﺩﻨﻲ ﻴﺼﻴﺭ ﺤﺠﺎﺒﺎﹰ ﻋﻠﻰ ﻭﺠﻪِ ﺭﻭﺤﻲ ،ﻤﺎ ﺃﺠﻤلَ ﻭﻗﺕﹶ ﺃﺭﻓﹶﻊ ﻋﻥ ﻭﺠﻪِ
ﺭﻭﺤﻲ ﺫﻟِﻙ ﺍﻟﺤِﺠﺎﺏ (٢)؛
ﻤﺜلُ ﻫﺫﺍ ﺍﻟﻘﹶﻔﹶﺹِ ﻏﻴﺭ ﻻﺌﻕٍ ﺒﻲ ،ﻓﺄﻨﺎ ﻋﺫﺏ ﺍﻷﻟﺤﺎﻥ ،ﺴﺄﻤﻀﻲ ﺇﻟﻰ ﺭﻭﻀﺔِ
ﺭﻀﻭﺍﻥ ،ﺃﻨﺎ ﻁﺎﺌﺭ ﺫﻟِﻙ ﺍﻟﺒﺴﺘﺎﻥ؛
ﻟﻴﺱ ﻭﺍﻀِﺤﺎﹰ ﻋﻴﺎﻨﺎﹰ ﻟﻤﺎﺫﺍ ﺃﺘﻴﺕﹸ ﻭﺇﻟﻰ ﺃﻴﻥ ﺃﻤﻀﻲ ،ﺃﺴﻔﻲ ﻭﺃﻟﹶﻤﻲ ﻷﻨﹼﻲ ﻏﺎﻓِلٌ ﻋﻥ
ﺃﻤﺭِ ﻨﻔﺴﻲ؛
ﻜﻴﻑﹶ ﻟﻲ ﺃﻥ ﺃﻁﻭﻑﹶ ﻓﻲ ﻓﻀﺎﺀِ ﻋﺎﻟﹶﻡِ ﺍﻟﻘﹸﺩﺱِ ﻭﺒﺩﻨﻲ ﻤﺭﺒﻭﻁﹲ ﺒِﻌﺭﺼﺔِ ﻋﺎﻟﹶﻡِ
ﺍﻟﺘﹼﺭﻜﻴﺏِ ﺍﻟﺼﻐﻴﺭ؛
ﺇﺫﺍ ﻓﺎﺡ ﻋﺒﻴﺭ ﺍﻟﺸﱠﻭﻕِ ﻤِﻥ ﺩﻡِ ﻗﻠﺒﻲ ﻻ ﺘﻌﺠﺏ ،ﺃﻨﺎ ﺭﻓﻴﻕﹸ ﺍﻷﻟﹶﻡِ ﻜﻨﺎﻓِﺠﺔِ ﺨﹶﺘﹶﻥ؛
ﻻ ﺘﻨﻅﹸﺭ ﺇﻟﻰ ﻁﹶﺭ ِﺯ ﻗﻤﻴﺼﻲ ﺍﻟﻤﻨﺴﻭﺝِ ﻤﻥ ﺫﹶﻫﺏٍ ،ﺃﻨﺎ ﻜﺎﻟﺸﱠﻤﻊِ ،ﺍﻟﺤﺭﺍﺌﻕﹸ ﻤﺨﻔﻴﺔﹲ
ﺩﺍﺨِلَ ﺜﻴﺎﺒﻲ؛
ﺘﻌﺎلَ ﻭﺍﺭﻓﹶﻊ ﻭﺠﻭﺩ ﺤﺎﻓِﻅﹶ ﻋﻨﻪ ،ﻓﺒﻭﺠﻭﺩِﻙ ﻟﻥ ﻴﺴﻤﻊ ﺸﺨﺹ ﻤﻨﱢﻲ ﻤﻥ ﺃﻜﻭﻥ.
) (١ﻻ ﺸﹸﻐﹾلَ ﻟﻲ ﺒِﺄﺤﺩٍ :ﻻ ﺃﺅﺫﻱ ﺃﺤﺩﺍﹰ ﺒِﺸﹸﺭﺒﻲ ﺍﻟﺨﹶﻤﺭ.
) (٢ﻏﺒﺎﺭ ﺍﻟﺒﺩﻥ :ﺍﻟﺫﱡﻨﻭﺏ.
-٣٣٦-
ﻏﺰﻝ ٣٤٣
ﺃﺭﺒﻌﻭﻥ ﻋﺎﻤﺎﹰ ﺨﹶﻠﹶﺕﹾ ﺃﻓﹾﺘﹶﺨِﺭ ﺒﺄﻨﱢﻲ ﺒﻴﻥ ﺨﹶﺩﻡِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﺃﻗﹶلﱡ ﺨﺎﺩﻡٍ؛
ﻭﻤِﻥ ﻴﻤﻥِ ﻋﺎﻁِﻔﹶﺔِ ﺍﻟﺸﱠﻴﺦِ ﺒﺎﺌِﻊِ ﺍﻟﺨﻤﺭِ ﻟﻡ ﻴﺨلُ ﻜﺄﺴﻲ ﺃﺒﺩﺍﹰ ﻤِﻥ ﺍﻟﺨﻤﺭِ ﺍﻟﺼﺎﻓﻲ ﺍﻟﻤﻀﻲﺀ؛
ﻤِﻥ ﺠﺎﻩِ ﺍﻟﻌِﺸﻕِ ،ﻭﻤِﻥ ﺩﻭﻟ ِﺔ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻁﹼﺎﻫﺭﻴﻥ ﺍﻟﱠﺫﻴﻥ ﺍﺭﺘﺒﻁﹾﺕﹸ ﺒِﻬِﻡ ،ﺼﺎﺭ
ﺼﺩﺭ ﺍﻟﻤﺼﻁﺒﺔِ ﻤﺴﻜﹶﻨﺎﹰ ﻟﻲ؛
ﻻ ﺘﻅﹸﻥ ﻅﹶﻥ ﺍﻟﺴﻭﺀِ ﻓﻲ ﺸﹶﺄﻨﻲ ﺒِﺸﹸﺭﺒﻲ ﺍﻟﺜﱡﻤﺎﻟﹶﺔﹶ ،ﻓﻘﺩ ﺘﻠﻭﺙﹶ ﺜﹶﻭﺒﻲ ﻭﻟﻜِﻨﱠﻨﻲ ﻁﺎﻫِﺭ؛
ﺃﻨﺎ ﺍﻟﺒﺎﺯ ﺍﻟﻤﻠﹶﻜﻲ ﺍﻟﻠﹼﺎﺌﻕﹸ ﺒِﻴﺩِ ﺍﻟﻤﻠِﻙِ ،ﻓﻤﺎ ﻫﺫِﻩِ ﺍﻟﺤﺎلُ ،ﻜﻴﻑﹶ ﺃﻨﺴﻭﻨﻲ ﺍﻟﻬﻭﻯ ﻟِﻭﻁﹶﻨﻲ؛
ﺤﻴﻑﹲ ﻋﻠﻰ ﺒﻠﺒلٍ ﻤﺜﻠﻲ ﻴﻜﻭﻥ ﺍﻵﻥ ﻓﻲ ﺍﻟﻘﹶﻔﹶﺹِ ،ﻭﻤﻌﻲ ﻫﺫﺍ ﺍﻟﻠِﺴﺎﻥ ﺍﻟﻌﺫﺏ
ﻭﺃﺼﻤﺕﹸ ﻜﺎﻟﺴﻭﺴﻥ؛
ﻤﺎﺀ ﻓﺎﺭﺱ ﻭﺍﻟﻬﻭﺍﺀ ﻟﻸﺴﻔﻠﻴﻥ ﻋﺠﺒﺎﹰ ،ﻫلْ ﻤِﻥ ﺭﻓﻴﻕٍ ﻷﺭﻓﻊ ﺨﻴﻤﺘﻲ ﻋﻥ ﻫﺫﺍ ﺍﻟﺘﱡﺭﺍﺏ؟؛
ﺤﺎﻓِﻅﹸ ﺤﺘﱠﺎﻡ ﺸﹸﺭﺒﻙ ﺍﻟﻘﹶﺩﺡ ﻤِﻥ ﺘﺤﺕِ ﺨِﺭﻗﹶﺘِﻙ ،ﺴﺄﺭﻓﹶﻊ ﺍﻟﻐِﻁﺎﺀ ﻋﻥ ﺃﻤﺭِﻙ ﻓﻲ ﻤﺤﻔﹶلِ ﺍﻟﺴﻴﺩ؛
ﺃﻨﺕﹶ ﻁﺎﻟﹶﻌﻲ ﺍﻟﻤﺒﺎﺭﻙ ﺘﺯﻴﺩ ﻋﻠﻲ ﺍﻟﻔﹶﻀلَ ،ﻤِﻨﱠﺔﹸ ﻤﻭﺍﻫِﺒِﻙ ﺘﹸﻁﻭﻕﹸ ﻋﻨﹸﻘﻲ.
ﻏﺰﻝ٣٤٤
ﻤﺭ ﻋﻤﺭ ﺃﺤﺙﱡ ﺍﻟﺨﹸﻁﻰ ﻓﻲ ﺍﻟﻁﱠﻠﹶﺏِ ﻜﹸلﱠ ﻴﻭﻡ ،ﺃﺭﻓﹶﻊ ﻴﺩ ﺍﻟﺸﱠﻔﺎﻋﺔِ ﻟِﺤﺴﻥِ ﺍﻟﺴﻤﻌﺔِ ﻜﹸلﱠ ﺯﻤﺎﻥٍ؛
ﺇﻟﻰ ﻤﺘﻰ ﺃﻗﻀﻲ ﺍﻟﻴﻭﻡ ﻤِﻥ ﺩﻭﻥِ ﻗﹶﻤﺭٍ ﻭﺸﹶﻤﺱٍ ﻤﻀﻴﺌﺔٍ ،ﺃﻨﺼِﺏ ﺍﻟﺸﱢﺒﺎﻙ ﻓﻲ ﻜﹸلﱢ
ﻁﺭﻴﻕِ ،ﻋﻠﱠﻨﻲ ﺃﺼﻴﺩ ﻁﺎﺌﺭﺍﹰ ﺒﺎﻟﺸﱢﺒﺎﻙ؛
ﺃﻴﻥ ﺃﻭﺭﻨﮓ ،ﺃﻴﻥ ﻭﺠﻪ ﺍﻟﻭﺭﺩِ ،ﺃﻴﻥ ﻨﹶﻘﹾﺵﹸ ﺍﻟﻭﻓﺎﺀِ ﻭﺍﻟﻤﺤﺒﺔِ؟ ،ﻫﺫِﻩِ ﻨﻭﺒﺘﻲ ﻟِﺄﻟﻌﺏ
ﻗِﻤﺎﺭ ﺍﻟﻌِﺸﹾﻕِ ﻋﻠﻰ ﺘﹶﻤﺎﻤِﻪ)(١؛
) (١ﺃﻭﺭﻨﮓ ﻭﻭﺠﻪ ﺍﻟﻭﺭﺩ،ﺍﺴﻤﺎ ﻋﻠﹶﻡٍ ،ﻭﺍﻟﻤﻌﻨﻰ ﺃﻴﻥ ﺃﻭﺭﻨﮓ ﻋﺎﺸﻕِ ﻭﺠﻪِ ﺍﻟﻭﺭﺩِ ،ﻤﻨﱢﻲ ﺃﻨﺎ ﺍﻟﱠﺫﻱ
ﺃٌﻗﺎﻤِﺭ ﺒِﻜﹸلﱢ ﺸﻲﺀٍ ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﺤﺘﹼﻰ ﺍﻟﻨﱢﻬﺎﻴﺔ؛
-٣٣٧-
ﻭﺇﻟﻰ ﺃﻥ ﺃﺠِﺩ ﺍﻟﺨﹶﺒﺭ ﻋﻥ ﻅِلﱢ ﺴﺭﻭﻱ ﺍﻟﻔﺎﺭِﻉِ ﺍﻟﻘﻭﻴﻡِ ،ﺴﺄﻅﹶلﱡ ﺃﺭﻓﹶﻊ ﺼﻭﺘﻲ
ﺒﺎﻟﺼﺭﺍﺥِ ،ﻤِﻥ ﻜﹸلﱢ ﻁﹶﺭﻑٍ ،ﻟِﻜﹸلﱢ ﺴﺭﻭٍ ﻤﺨﺘﺎلٍ)(١؛
ﺭﻏﻡ ﺃﻨﹼﻲ ﺃﻋﻠﻡ ﺃﻥ ﺫﺍﻙ ﺍﻟﻬﺎﺩِﺉَ ﺍﻟﻘﹶﻠﹾﺏِ ﻻ ﻴﻌﻁﻲ ﺍﻟﻤﺭﺍﺩ ﻟِﻘﹶﻠﺏٍ ،ﻓﺈﻨﱢﻲ ﺃﺭﺴﻡ ﻨﹶﻘﹾﺵﹶ
ﺨﻴﺎﻟِﻪِ ،ﻭﺃﻀﺭِﺏ ﺍﻟﻔﺄلَ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ؛
ﺃﻋﻠﹶﻡ ﺃﻥ ﻫﺫِﻩِ ﺍﻵﻩ ﻨﺎﺜِﺭﺓﹶ ﺍﻟﺩﻡِ ﺍﻟﱠﺘﻲ ﺃُﻁﻠِﻕﹸ ﻜﹸلﱠ ﺼﺒﺢٍ ﻭﻤﺴﺎﺀٍ ،ﺴﺘﹸﻨﻬﻲ ﻏﹸﺼﺘﻲ،
ﻭﺴﺘﹸﻠﻭﻥ ﻗِﺼﺘﻲ؛
ﻥ ﺍﻟﺨﹶﻤﺭِ ﻜﺤﺎﻓِﻅﹶ ﺘﺎﺌﺒﺎﹰ ،ﺃﻨﺎ ﻓﻲ ﻤﺠﻠِﺱِ ﺍﻟﺭﻭﺤﺎﻨﻴﻴﻥ
ﻭﻓﻲ ﻜﻭﻨﻲ ﻋﻨﻪ ﻏﺎﺌﺒﺎﹰ ،ﻭﻋ ِ
ﺃﻜﺭﻉ ﺍﻟﻜﺄﺱ ﺤﻴﻨﺎﹰ ﺤﻴﻨﺎﹰ.
ﻏﺰﻝ ٣٤٥
ﻤِﻥ ﺩﻭﻨِﻙ ﻴﺎ ﺴﺭﻭﻱ ﺍﻟﻘﻭﻴﻡ ﺍﻟﻤﺨﺘﺎلَ ،ﻤﺎ ﺃﻓﻌلُ ﺒﺎﻟﻭﺭﺩِ ﻭﺍﻟﺒﺴﺘﺎﻥ ،ﻟِﻤﺎﺫﺍ ﺃﻤﺩ ﻴﺩﻱ
ﻟِﻔﹶﺭﻉِ ﺍﻟﺴﻨﺒلِ ،ﻭﺒِﻌﺎﺭِﺽِ ﺍﻟﺴﻭﺴﻥِ ،ﻤﺎ ﺃﻓﻌلُ؟؛
ﺁﻩِ ﻷﻨﱢﻲ ،ﻤِﻥ ﻁﹶﻌﻥِ ﺍﻟﺤﺴﻭﺩِ ،ﻟﻡ ﺃﺭ ﻭﺠﻬﻙ ،ﻭﻟﻴﺱ ﻷﻥ ﻭﺠﻪ ﻤﺭﺁﺘﻲ ﻤِﻥ ﺍﻟﺤﺩﻴﺩِ،
ﻤﺎ ﺃﻓﻌلُ؟؛
ﺃﻴﻬﺎ ﺍﻟﻨﱠﺎﺼِﺢ ﺍﺫﻫﺏ ،ﻻ ﺘﹶﻌِﺏ ﺸﺎﺭﺒﻲ ﺍﻟﺜﱡﻤﺎﻟﹶﺔ ،ﻤﻘﺩﺭ ﺍﻟﻘﹶﺩﺭِ ﻗﹶﺩﺭ ﻫﺫﺍ ،ﺃﻨﺎ ﻤﺎ ﺃﻓﻌلُ؟؛
ﺒﺭﻕﹸ ﺍﻟﻐﹶﻴﺭﺓِ ﺤﻴﻥ ﻴﻠﻤﻊ ﺍﻟﻠﱠﻤﻌﺎﻥ ﻤِﻥ ﻤﻜﻤﻥِ ﺍﻟﻐﻴﺏ ،ﻤﺎ ﺃﻤﺭﻙ ﻟﻲ ،ﻭﻤﺤﺼﻭﻟﻲ
ﺍﺤﺘﹶﺭﻕﹶ ،ﻤﺎ ﺃﻓﻌلُ؟)(٢؛
ﺸﺎﻩ ﺍﻷﺘﺭﺍﻙِ ﺍﺨﺘﺎﺭ ،ﻭﺃﻟﻘﺎﻨﻲ ﻓﻲ ﺍﻟﺠﺏ ،ﺇﻥ ﻟﻡ ﻴﺄﺨﹸﺫﹸ ﺒﻴﺩﻱ ﻟﹸ ﻁﹾﻑﹸ ﻤﻠﹶﻙٍ ،ﻤﺎ
ﺃﻓﻌلُ؟؛
) (١ﺃﻨﺎ ﺒﻠﺒلٌ ﺃﺒﺤﺙﹸ ﻋﻥ ﻅِلﱢ ﺴﺭﻭﺘﻲ ﺍﻟﻘﻭﻴﻤﺔِ ﺍﻟﻌﺎﻟﻴﺔِ ،ﺒﻴﻥ ﻋﺎﻟﻴﺔِ ﺍﻟﺴﺭﻭِ ،ﻭﺃﺭﺴِلُ ﻟِﺫﻟِﻙ ﺍﻟﻨﱢﺩﺍﺀ
ﻓﻲ ﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩ.
) (٢ﻋﺒﺎﺩﺘﻲ ﻜﺎﻨﺕﹾ ﻤﺸﻭﺒﺔﹰ ﻭﻟﻡ ﺘﻜﹸﻥ ﺨﺎﻟِﺼﺔﹰ ﷲِ ،ﻓﺈﺫﺍ ﻟﹶﻤﻊ ﺒﺭﻕﹸ ﺍﻟﻐﻴﺭﺓِ ﻤِﻥ ﺍﻟﺤﻕﱢ ﻭﺃﺸﻌلَ ﺍﻟﻨﱠﺎﺭ
ﻓﻲ ﻤﺤﺼﻭلِ ﻋﺒﺎﺩﺘﻲ ،ﻓﺎﺤﺘﹶﺭﻕﹶ ،ﻤﺎ ﺃﺼﻨﹶﻊ؟؛
-٣٣٨-
ﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﻤﺩﺩ ﻟﻠﺴﺭﺍﺝِ ﻤِﻥ ﻨﺎﺭِ ﺍﻟﻁﱡﻭﺭ ،ﻤﺎ ﺤﻴﻠﺘﻲ ﻓﻲ ﻟﻴﻠﹶﺔِ ﺍﻟﻭﺍﺩﻱ ﺍﻷﻴﻤﻥِ
ﺍﻟﻅﱠﻠﻤﺎﺀِ ،ﻤﺎ ﺃﻓﻌلُ؟؛
ﺤﺎﻓِﻅﺎ ،ﺠﻨﱠﺔﹸ ﺍﻟﺨﹸﻠﹾﺩِ ﻤﻨﺯﻟﻲ ﺍﻟﻤﻭﺭﻭﺙ ،ﻤﺎ ﻤﻘﺎﻤﻲ ﺒﻬﺫﺍ ﺍﻟﻤﻨﺯلِ ﺍﻟﺨﹶﺭِﺏِ ،ﻤﺎ ﺃﻓﻌلُ؟).(١
ﻏﺰﻝ ٣٤٦
ـﻭﻥ
ـﻲ ﻭﺫﺍﻙ ﻻ ﻟ ـﻥ ﻴﻜـ
ﺃﻭ ﺤﺒﻴﺒـ ﻤﺎ ﺃﻨﺎ ﻓﻲ ﺍﻟﺴﻜﺎﺭﻯ ﺒِﺘﺎﺭِﻙِ ﻜﺄﺴﻲ
ـﺎ
ـﺎﹰ ﺃﺭﺡ ﻤﺠﻨﻭﻨــ
ﺇﻥ ﺃﺭﺡ ﺘﺎﺌﺒــ ﻭﺃﻨﺎ ﺍﻟﻌﺎﺌـﺏ ﺍﻟﺘﱠـﺎﺌﺒﻴﻥ ﻤِـﺭﺍﺭﺍﹰ
ﺘﺭﻓﻊ ﺍﻟﺯﻫﺭﺓﹸ ﺍﻟﻜﺄﺱ ﻭﺍﻟﻨﱠﺭﺠِﺱ ﺴـﻜﺭﺍﻥ ﻭﻤـﺎ ﺒﺎﻟﻔﹸـﺴﻭﻕِ ﻏﻴـﺭﻱ ﺃُﺩﻴـﻥ
ﻓﺘﻭﻗﱠﻑﹾ ﺘﹸﺭﻜﻲ ﺃﻓﺭِﺵﹾ ﻟﻙ ﺍﻟﺩﻤﻊ ﻭﺍﻟﻭﺠـﻪ ﻜﻤـﺎ ﺍﻟـﺩﺭ ﻭﺍﻟﻨﱡـﻀﺎﺭ ﺍﻟﺜﱠﻤـﻴﻥ
ﻟﺴﺕﹸ ﺃﻨﺎ ﺫﻟِﻙ ﺍﻟﺴﻜﱢﻴﺭ ﺍﻟﱠﺫﻱ ﻴﺘﺭﻙ ﺍﻟﻜﺄﺱ ﻭﺍﻟﻤﺤﺒﻭﺏ ،ﻭﻟﻥ ﻴﻜﻭﻥ ﺫﻟِﻙ ﻤﻨﹼﻲ
ﺃﺒﺩﺍﹰ؛ ﻭﻟﻘﺩ ﻋِﺒﺕﹸ ﺍﻟﺘﱠﺎﺌﺒﻴﻥ ﻋﻥ ﺍﻟﺨﻤﺭِ ﻤﺭﺍﺭﺍﹰ ،ﻓﺈﻥ ﺃﺘﹸﺏ ﻋﻥ ﺍﻟﺨﻤﺭِ ﺍﻵﻥ ﻓﻲ ﺃﻭﺍﻥِ
ﺍﻟﺭﺒﻴﻊِ ﻭﺍﻟﻭﺭﺩِ ﺃُﺠﻥ؛ ﺍﻟﺤﺎﻨﺔﹸ ﺒﺤﺭ ،ﻭﺍﻟﻌِﺸﻕﹸ ﺩﺭﺓﹸ ﺫﻟِﻙ ﺍﻟﺒﺤﺭِ ،ﻭﺃﻨﺎ ﻏﺎﺌﺹ ﻓﻲ
ﻁﹶﻠﹶﺒِﻬﺎ ،ﻭﻻ ﺃﺩﺭﻱ ﺍﻵﻥ ﻤﻥ ﺃﻴﻥ ﺃُﺨﺭِﺝ ﺭﺃﺴﻲ)(٢؛ ﻫﺎ ﻫﻲ ﺍﻟﺯﻫﺭﺓﹸ ﺘﺭﻓﻊ ﺍﻟﻜﺄﺱ
ﺒﻴﺩِﻫﺎ ،ﻭﺍﻟﻨﱠﺭﺠِﺱ ﻅﺎﻫِﺭ ﺍﻟﺴﻜﹾﺭِ ،ﻭﻻ ﺃﺤﺩ ﻴﺸﻴﺭ ﺇﻟﻴﻬِﻤﺎ ،ﻭﺇﻟﹶﻲ ﻭﺤﺩﻱ ﻴﺸﺎﺭ
ﺒﺎﻟﻔﹸﺴﻭﻕ)(٣؛ ﺸﹸﺩ ﺍﻟﻌِﻨﺎﻥ ﻟﺤﻅﹶﺔﹰ ،ﺃﻴﻬﺎ ﺍﻟﻔﺎﺭِﺱ ﺍﻟﺘﱡﺭﻜﻲ ﻤﺜﻴﺭ ﺍﻟﻔِﺘﹶﻥِ ﻓﻲ ﺍﻟﻤﺩﻴﻨﺔِ،
ﺊ ﻤِﻥ ﺩﻤﻌﻲ ،ﻭﻨﹸﻀﺎﺭﺍﹰ ﻤِﻥ ﻭﺠﻬﻲ)(٤؛ ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻤِﻥ ﻴﺎﻗﻭﺕِ
ﻟِﺄﻤﻸ ﻟﻙ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻵﻟِ َ
ﻭﻟﻌلِ ﺍﻟﺩﻤﻊِ ﻋﻨﺩﻱ ﻜﻨﻭﺯ ،ﻜﻴﻑﹶ ﺃﻨﻅﹸﺭ ﻟﻔﻴﺽِ ﻨﺠﻡِ ﺍﻟﺸﱠﻤﺱِ ﺍﻟﻌﺎﻟﻴﺔ!؛ ﺒﻌﺩ ﺃﻥ
) (١ﺠﻨﱠﺔﹸ ﺍﻟﺨﹸﻠﺩِ ﻤﻨﺯﻟﻲ ﺍﻟﻤﻭﺭﻭﺙﹸ ﻤِﻥ ﺃﺒﻲ ﺁﺩﻡ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ،ﻤﺎ ﺭﻜﻭﻨﻲ ﺇﻟﻰ ﻤﻨﺯِلِ ﺍﻟﺩﻨﻴﺎ
ﺍﻟﻔﺎﻨﻴﺔ؟.
) (٢ﻻ ﻴﻤﻜِﻥ ﺍﻟﺤﺼﻭلُ ﻋﻠﻰ ﺠﻭﻫﺭﺓِ ﺍﻟﻌِﺸﹾﻕ ﺇﻟﹼﺎ ﺒِﺩﺨﻭلِ ﺍﻟﺤﺎﻥِ؛
) (٣ﻜﺄﺱ ﺍﻟﺯﻫﺭﺓ ﻫﻭ ﺍﻟﻘِﺴﻡ ﺍﻟﺨﺎﺭِﺠﻲ ﺍﻟﻅﱠﺎﻫِﺭ ﻤﻥ ﻏﻼﻓِﻬﺎ ﺍﻟﺸﱠﺒﻴﻪ ﺒﺎﻟﻜﺄﺱ؛
) (٤ﺍﻟﱠﺫﻱ ﺠﻌﻠﹶﻪ ﺇﻜﺴﻴﺭ ﻋِﺸﹾﻘِﻙ ﺫﹶﻫﺒﺎﹰ ﺃﺼﻔﹶﺭ ،ﻗﺎلَ ﺴﻌﺩﻱ :ﻗﺎﻟﻭﺍ ﻤﻥ ﺠﻌلَ ﻭﺠﻬﻙ ﺍﻷﺤﻤﺭ
ﻴﺎ ﺴﻌﺩﻱ ﺃﺼﻔﹶﺭﺍﹰ ،ﺇﻜﺴﻴﺭ ﺍﻟﻌِﺸﹾﻕِ ﺍﻤﺘﹶﺯﺝ ﺒِﻪِ ﻓﺼﺎﺭ ﺫﹶﻫﺒﺎﹰ؛
-٣٣٩-
ﻏﹶﺴﻠﹶﺕِ ﺍﻟﺼﺒﺎ ﻤﺠﻤﻭﻋﺔﹶ ﺍﻟﻭﺭﺩِ ﺒﻤﺎﺀِ ﺍﻟﻠﱡﻁﹾﻑِ ،ﺃﻜﻭﻥ ﺭﺩﻱﺀ ﺍﻟﻁﱠﺒﻊِ ﺇﻥ ﻨﹶﻅﹶﺭﺕﹸ ﻓﻲ
ﺼﻔﹾﺤﺔِ ﻜﺘﺎﺏٍ)(١؛ ﻋﻬﺩ ﻭﻤﻴﺜﺎﻕُِ ﺍﻟﻔﹶﻠﹶﻙِ ﻟﻴﺴﺎ ﺒِﺫﻟِﻙ ﺍﻻﻋﺘﺒﺎﺭِ ،ﻋﻘﹶﺩﺕﹸ ﻋﻬﺩﻱ ﻤﻊ
ﺍﻟﻘﹶﺩﺡِ ،ﻭﺸﹶﺭﻁﹾﺕﹸ ﺸﺭﻁﻲ ﻟﻠﻜﺄﺱ؛ ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﺃﻤﻠﻙ ﻓﻲ ﺍﻟﻤﺴﻜﹶﻨﹶﺔِ ﻜﻨﺯ ﺍﻟﺴﻠﻁﺎﻥ ،ﻤﺘﻰ
ﺃﻁﻤﻊ ﺒِﺩﻭﺭﺓِ ﺍﻟﻔﹶﻠﹶﻙِ ﺭﺍﻋﻲ ﺍﻷﺩﻨﻴﺎﺀ!؛ ﺭﻏﹾﻡ ﺃﻥ ﻏﹸﺒﺎﺭ ﺍﻟﻔﻘﺭِ ﻴﻌﻠﻭﻨﻲ ،ﻭﺍﺨﹶﺠﻠﻲ ﻤِﻥ
ﻫِﻤﺘﻲ ،ﺇﻥ ﻏﹶﺴﻠﹾﺕﹸ ﺜﻭﺒﻲ ﺒِﻤﺎﺀِ ﻋﻴﻥِ ﺍﻟﺸﱠﻤﺱ؛ ﺇﺫﺍ ﺍﺨﺘﺎﺭ ﻟﹸﻁﹾﻑﹸ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﻨﱠﺎﺭ
ﻟﻠﻌﺎﺸِﻘﻴﻥ ،ﺃﻜﻭﻥ ﻀﻴﻕﹶ ﺍﻟﻌﻴﻥِ ﺇﺫﺍ ﻨﹶﻅﹶﺭﺕﹸ ﺇﻟﻰ ﻋﻴﻥِ ﺍﻟﻜﻭﺜﹶﺭ؛ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻜﺎﻥ ﻟﹶﻌلُ
ﺸﹶﻔﹶﺘِﻪِ ﻴﺨﺎﺩِﻉ ﺤﺎﻓِﻅﹶ ﻟﻜِﻥ ،ﻟﺴﺕﹸ ﺃﻨﺎ ﺫﻟِﻙ ﺍﻟﱠﺫﻱ ﻴﺼﺩﻕﹸ ﻤِﻨﹾﻪ ﺘﻠﻙ ﺍﻷﺴﺎﻁﻴﺭ.
ﻏﺰﻝ ٣٤٧
ﺴﺤﺭﻱ ﻤِﻨﻙ ﺤﺘﱠﺎﻡ ﻟﻭﻋﺔﹲ ﻭﺯﻓﻴـﺭ ﺼﻨﻤﻲ ﻤﺎ ﺒِﻐﻡ ﻋِـﺸﹾﻘِﻙ ﺍﻟﺘﱠـﺩﺒﻴﺭ
ﺠﻥ ﻗﻠﺒﻲ ﻻ ﻨﹸﺼﺢ ﻴﺠﺩﻴﻪِ ﻫلْ ﻟِﺘﹶﻘﻴﻴـﺩِﻩِ ﻤِﻨﹾـﻙ ﻟـﻲ ﻤِـﻥ ﺫﺅﺍﺒـﺔٍ ﺯﻨﺠﻴـﺭ
ﻜﹸلﱡ ﻤﺎ ﻗﺩ ﻟﻘﻴﺕﹸ ﻤﻨﻙ ﻓـﻲ ﻤـﺩﺓِ ﺍﻟﻬﺠـﺭِ ﻤﺤـﺎلٌ ﻟـﻪ ﺍﻟﻜِﺘـﺎﺏ ﻭﺍﻟﺘﱠﺤﺭﻴـﺭ
ﻻ ﻤﺠﺎلٌ ﻴﻔﻲ ﺒﻤﺎ ﺒﻲ ﺃﻟﻡ ﻤِﻥ ﺍﻻِﻀﻁﺭﺍﺏِ ﻤِـﻥ ﻓﺭﻋِـﻙ ﺍﻟﺠﻌـﺩِ ﺃﻭ ﺘﻘﺭﻴـﺭ
ﻟﻭ ﺭﺃﺕﹾ ﻭﺠﻬﻪ ﺍﻟﺭﻭﺡ ﻤِﻨﱢﻲ ،ﻟﹶﻨﹶﻘﹾﺸﺎﹰ ﺼﺎﺭ ﻓﻲ ﻟﹶـﻭﺡِ ﻋﻴﻨـﻲ ﻟـﻪ ﺍﻟﺘﱠـﺼﻭﻴﺭ
ﺃﻭ ﺩﺭﻴﺕﹸ ﺍﻟﻭِﺼﺎلَ ﺒﺎﻟﻤﻭﺕِ ﻟﻘﺎﻤﺭﺕﹸ ﺒِﺩﻴﻨﻲ ﻭﻗﻠﺒـﻲ ﻭﻜـﺎﻥ ﻟـﻲ ﺍﻟﺘﱠـﻭﻓﻴﺭ
ﻭﺍﻋِﻅﻲ ﺩﻉ ﻁﺭﻴﻘﻲ ﻭﻻ ﺘﹸﻜﹾﺜِـﺭِ ﺍﻟﻬـﺭﺍﺀ ﻓﻠـﺴﺕﹸ ﺍﻟﹼـﺫﻱ ﻴـﻀِﻠﱡﻪ ﺍﻟﺘﱠﺯﻭﻴـﺭ
ﺤﺎﻓِﻅﹲ ﻤِﻥ ﻓﺴﺎﺩِﻩِ ﻟﻴﺱ ﻴﺭﺠـﻰ ﺍﻟـﺼﻼﺡ ﻟِﻤـﺎ ﺍﻟﺘﱠﻘـﺩﻴﺭ ﻤـﺎ ﻟـﻪ ﺘـﺩﺒﻴﺭ
ﻴﺎ ﺤﺒﻴﺒﺎﹰ ﺃﺨﺫﹶ ﺩﻴﻨﻲ ﻭﺼﺎﺭ ﻤﻌﺒﻭﺩﺍﹰ ﻟﻘﻠﺒﻲ ،ﺃﻨﺎ ﻤﻥ ﻋﺸﻘِﻙ ﻓﻲ ﻏﻡٍ ﻻ ﺃﻋﺭ ﹸ
ﻑ
ﻜﻴﻑﹶ ﺃُﺩﺍﻭﻴﻪِ ،ﻓﻘل ﻟﻲ ﻤﺎ ﻫﻭ ﺍﻟﺘﺩﺒﻴﺭ ﻓﻲ ﺃﻤﺭِ ﻋِﺸﹾﻘِﻙ ،ﻭﻗل ﻟﻲ ﺇﻟﻰ ﻤﺘﻰ ﺃﻅلﱡ
ﺃﻗﻀﻲ ﺃﺴﺤﺎﺭﻱ ﻓﻲ ﺍﻟﺒﻜﺎﺀِ ﻤﻥ ﻏﻤﻙ؛ ﺒﻠﻎﹶ ﺍﻟﺤﺏ ﺒﻲ ﻤﺒﻠﹶﻎﹶ ﺍﻟﺠﻨﻭﻥ ﻭﻤﺎ ﻋﺎﺩ ﻴﻨﻔ ﻊ
ﺢ ﻤﻊ ﻗﻠﺒﻲ ﺍﻟﻤﺠﻨﻭﻥ ،ﻭﺤﻕﱠ ﺘﻘﻴﻴﺩﻩ ﺒِﻘﻴﺩٍ ﻤﺘﻴﻥٍ ﻻ ﻴﺤلﱡ ،ﻓﺄﻋﻁِﻨﻲ ﻟﻪ ﺯﻨﺠﻴﺭﺍﹰ
ﺍﻟﻨﱡﺼ
) (١ﻤﺠﻤﻭﻋﺔ ﺍﻟﻭﺭﺩ ﻜﺘﺎﺏ ﺍﻟﻭﺭﺩِ ﺍﻟﻜﺒﻴﺭ ،ﻓﻴﻪِ ﺍﻟﻌِﺸﹾﻕﹸ ،ﻭﻜﺘﺎﺏ ﺍﻟﻭﺭﻕِ ﻓﻴﻪِ ﺍﻟﻌِﻠﹾﻡ.
-٣٤٠-
ﻤﻥ ﺫﹸﺅﺍﺒﺔٍ ﻤِﻥ ﻀﻔﻴﺭﺓٍ ﻤﻥ ﻀﻔﺎﺌﺭِ ﺸﹶﻌﺭِﻙ ،ﻓﻼ ﻗﻴﺩ ﺃﻗﻭﻯ ﻤﻨﻬﺎ؛ ﻭﻜﻴﻑﹶ ﻟﻲ
ﺒﻭﺼﻑِ ﻤﺎ ﺠﺭﻯ ﻟﻲ ﻓﻲ ﻤﺩﺓِ ﻫﺠﺭِﻙ ﻫﻴﻬﺎﺕﹶ ،ﺃﻴﻥ ﻤﻥ ﺫﻟﻙ ﺍﻟﺒﻴﺎﻥ ﻭﺘﺤﺭﻴﺭ ﻩ
ﻤﺤﺎلٌ ،ﻭﻤﺤﺎلٌ ﺃﻥ ﻴﻀﻤﻪ ﻜﺘﺎﺏ ﻭﺍﺤﺩ) ،ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ :ﺍﻟﺸﱠﻭﻕﹸ ﺃﻜﺒﺭ ﻤﻥ ﺃﻥ،
ﻴﺤﻭﻴﻪِ ﻤﻨﹼﻲ ﻜﺘﺎﺏ ،ﻭﺍﻟﺤﺏ ﺃﻜﺒ ﺭ ﻤﻥ ﺃﻥ ،ﻴﺨﻔﻴﻪ ﻋﻨﹼﻲ ﺤﺠﺎﺏ(؛ ﻭﻟﻲ ﻗﺼﺔﹲ ﻤﻊ
ﺠﺩﻴﻠﺘِﻙ ﻭﻟﻜِﻥ ،ﻻ ﻤﺠﺎل ﻟﻭﺼﻑِ ﻤﺎ ﺃﻟﻡ ﺒﻲ ﻤﻥ ﺍﻻِﻀﻁﺭﺍﺏِ ﻤﻨﻬﺎ )ﺍﻻﻀﻁﺭﺍﺏ
ﻕ ﺃﻜﺒ ﺭ
ﻋﻼﻤﺔﹸ ﺍﻟﻌﺸﻕ ،ﻭﻜلﱡ ﻋﺎﺸﻕٍ ﻴﻀﻁﺭﺏ ﻤﻥ ﻤﻌﺸﻭﻗِﻪ ،ﻭﻜﻠﱠﻤﺎ ﻜﺎﻥ ﺍﻟﻌﺸ ﹸ
ﻜﺎﻥ ﺍﻀﻁﺭﺍﺏ ﺍﻟﻌﺎﺸِﻕِ ﺃﻜﺜﺭ(؛ ﺘﻠﻙ ﺍﻟﻠﱠﺤﻅﹶﺔﹶ ﺍﻟﱠﺘﻲ ﺘﺼﻴﺭ ﺒِﻬﺎ ﺒِﻤﺭﺃﻯِ ﻤﻥ ﻋﻴﻥِ
ﺭﻭﺤﻲ ،ﺴﺄﺭﺴﻡ ﻭﺠﻬﻙ ﺍﻟﺠﻤﻴلَ ﻋﻠﻰ ﻟﻭﺡِ ﺒﺼﺭﻱ؛ ﻭﻟﻭ ﻜﻨﺕﹸ ﺃﻋﻠﻡ ﺃﻥ ﻭِﺼﺎﻟ
ﻙ
ﺕ ﺒﺩﻴﻨﻲ ﻭﻗﻠﺒﻲ ﻤﻌﺎﹰ ،ﻭﻟﻜﹸﻨﺕﹸ ﺭﺒِﺤﺕﹸ ﺒِﺫﻟﻙ؛ ﻓﻴﺎ ﺃﻴﻬﺎ
ﺒﺎﻟﻤﻭﺕِ ﻭﺒﺫلِ ﺍﻟﺭﻭﺡِ ،ﻟﻘﺎﻤﺭ ﹸ
ﺍﻟﻭﺍﻋِﻅﹸ ﻤﺎ ﻭﻗﻭﻓﹸﻙ ﺒِﺩﺭﺒﻲ؟ ،ﺍﺒﺘﻌِﺩ ﻋﻥ ﻁﺭﻴﻘﻲ ﻭﺩﻋﻨﻲ ﻤﻥ ﻗﻭﻟِﻙ ﺍﻟﻬﺭﺍﺀ ،ﻟﺴ ﹸ
ﺕ
ﺃﻨﺎ ﺍﻟﹼﺫﻱ ﻴﻌﻁﻲ ﺍﻷُﺫﹸﻥ ﻟِﻘﻭلِ ﺍﻟﺯﻭﺭ؛ ﺤﺎﻓﻅﹸ ﺼﺎﺭ ﻓﺎﺴِﺩﺍﹰ ﺸﺎﺭﺒﺎﹰ ﻟﻠﺨﻤﺭِ ﻭﻻﻫﻴﺎﹰ ،ﻭﻟﻡ
ﻴﻌﺩ ﻋﺎﺒِﺩﺍﹰ ﺯﺍﻫِﺩﺍﹰ ،ﻭﻻ ﺃﻤل ﺒِﺼﻼﺡِ ﺤﺎﻓِﻅﹶ ﺒﻌﺩ ﻓﺴﺎﺩِﻩِ ،ﻓﻔﺴﺎﺩﻩ ﻗﹶﺩﺭ ﻤﻘﺩﻭﺭ ،ﻭﻤﺎ ﻟﻪ
ﺘﻐﻴﻴﺭ ،ﻭﻤﺎ ﻟﻪ ﻤﻥ ﺘﺩﺒﻴﺭ.
ﻏﺰﻝ ٣٤٨
ﺴﺄﺠﻌلُ ﺍﻟﻌﻴﻥ ﺒﺤﺭﺍﹰ ﻭﺃُﻟﻘﻲ ﺍﻟﺼﺒﺭ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀ ،ﻭﺃُﻟﻘﻲ ﺍﻟﻘﻠﺏ ﻓﻲ ﺍﻟﺒﺤﺭِ ﻓﻲ
ﻫﺫﻩِ ﺍﻟﻤﻌﻤﻌﺔ)(١؛
ﻭﺃُﻁﻠِﻕﹸ ﺍﻵﻫﺎﺕِ ﻤﻥ ﻗﻠﺒﻲ ﺍﻟﻀﻴﻕِ ﻤِﻥ ﺍﻟﺫﱡﻨﻭﺏِ ،ﺤﺘﱠﻰ ﺘﺸﺘﻌِلَ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﺫﻨﺏِ ﺁﺩﻡ ﻭﺤﻭﺍﺀ)(٢؛
ﺜﺭﻭﺓﹸ ﺴﻌﺎﺩﺓِ ﺍﻟﻘﻠﺏِ ﻫﻨﺎﻙ ﺇﺫِ ﺍﻟﺤﺒﻴﺏ ﻫﻨﺎﻙ ،ﺴﺄﺒﺫﹸلُ ﺍﻟﺠﻬﺩ ﻟِﺄﺼِلَ ﺒﻨﻔﺴﻲ ﺇﻟﻰ ﻫﻨﺎﻙ؛
ﺃﻴﻬﺎ ﺍﻟﺒﺩﺭ ﺍﻟﱠﺫﻱ ﺘﺎﺠﻪ ﺍﻟﺸﱠﻤﺱ ،ﻓﹸﻙ ﺭِﺒﺎﻁﹶ ﺍﻟﻘﺒﺎﺀِ ﻷُﻟﻘﻲ ﺭﺃﺴﻲ ﺍﻟﻤﺠﻨﻭﻥ ﻋﻠﻰ
ﻗﹶﺩﻤِﻙ ،ﻤِﺜﹾلَ ﻓﹶﺭﻋِﻙ(٣)؛
) (١ﺍﻟﻤﻌﻤﻌﺔ ﺍﻟﻔِﺘﻨﺔﹸ ﻭﺍﻟﺤﺭﺏ ﺍﻟﺸﱠﺩﻴﺩﺓ ﻜﻨﺎﻴﺔﹲ ﻋﻥِ ﺍﻟﻌِﺸﹾﻕ؛
) (٢ﺴﺄُﻁﻠِﻕﹸ ﺁﻫﺎﺕِ ﺍﻟﺘﱠﻭﺒﺔِ ﻤﻥ ﻨﺎﺭِ ﻗﻠﺒﻲ ﺍﻟﺤﺎﺭِﻗﹶﺔِ ﻟِﺄﺤﺭﻕﹶ ﺫﻨﻭﺒﻲ ﻜﹸﻠﱠﻬﺎ ﻭﺼﻭﻻﹰ ﺇﻟﻰ ﺫﻨﺏِ ﺁﺩﻡ ﻭﺤﻭﺍﺀ؛
) (٣ﻓﹸﻙ ﺭِﺒﺎﻁﹶ ﺍﻟﻘﺒﺎﺀِ :ﺘﻤﻬلْ ﻓﻲ ﺴﻴﺭِﻙ ﺃﻭ ﺘﻭﻗﱠﻑﹾ؛
-٣٤١-
ﺴﻬﻡ ﺍﻟﻔﹶﻠﹶﻙِ ﺃﺼﺎﺒﻨﻲ ،ﺃﻋﻁِﻨﻲ ﺍﻟﺨﹶﻤﺭ ﻜﻲ ﺃﺴﻜﹶﺭ ،ﻭﺃﺭﺒِﻁﹶ ﻋﻘﹾﺩﺓﹰ ﻋﻠﻰ ﻜِﻨﺎﻨﹶﺔِ ﺤِﺯﺍﻡِ
ﺍﻟﺠﻭﺯﺍﺀ؛
ﻭﺃﺭﻤﻲ ﺠﺭﻋﺔﹶ ﺠﺎﻡٍ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺘﱠﺨﹾﺕِ ﺍﻟﺴﺎﺌﺭ ،ﻭﺃﻭﺼِلَ ﻋﻭﻴلَ ﺍﻟﺭﺒﺎﺒﺔِ ﺇﻟﻰ ﻫﺫِﻩِ
ﺍﻟﻘﹸﺒﺔِ ﺍﻟﺯﺭﻗﺎﺀ)(١؛
ﺤﺎﻓِﻅﺎ ،ﺒﻤﺎ ﺃﻥ ﺍﻻﺘﱢﻜﺎﺀ ﻋﻠﻰ ﺍﻷﻴﺎﻡِ ﺴﻬﻭ ﻭﺨﻁﺄٌ ،ﻜﻴﻑﹶ ﺃﺅﺠلُ ﺴﻌﺎﺩﺓﹶ ﺍﻟﻴﻭﻡِ ﺇﻟﻰ ﺍﻟﻐﹶﺩ؟.
ﻏﺰﻝ ٣٤٩
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻗﹸﻠﹾﺕﹸ ﺴﺄﺭﻓﹶﻊ ﺨﻴﺎلَ ﻭﺠﻬِﻪِ ﻤِﻥ ﺭﺃﺴﻲ ،ﻗﺎلَ :ﺃﻴﻥ ﺍﻟﺯﻨﺠﻴﺭ ﻟِﺄُﺩﺒﺭ ﻫﺫﺍ
ﺍﻟﻤﺠﻨﻭﻥ؛
ﻗﹸﻠﹾﺕﹸ ﻗﺎﻤﺘﹸﻪ ﺍﻟﺴﺭﻭ ﻓﺄﻋﺭﺽ ﺸِﺒﻪ ﻤﻐﹾﻀﺏٍ ،ﺍﻟﺤﺒﻴﺏ ﻴﺄﻟﹶﻡ ﻤِﻥ ﺍﻟﺼﺩﻕِ ،ﻴﺎ ﺃﺼﺩِﻗﺎﺀ
ﻤﺎ ﺃﻓﹾﻌل؟؛
ﻗﹸﻠﹾﺕﹸ ﻤﻌﻨﻰ ﻏﻴﺭ ﻤﻭﺯﻭﻥٍ ،ﺃﻱ ﺤﺒﻴﺏ ﺍﻋﺫﹸﺭﻨﻲ ،ﻭﺍﻏﻤِﺯﻨﻲ ﻏﹶﻤﺯﺓﹰ ﻟﻴﺼﻴﺭ ﻁﺒﻌﻲ ﻤﻭﺯﻭﻨﺎﹰ؛
ﻭﺠﻬﻲ ﺍﺼﻔﹶﺭ ﻤِﻥ ﺫﺍﻙ ﺍﻟﻠﹼﻁﻴﻑِ ﺍﻟﻁﱠﺒﻊِ ﺒﻼ ﺫﹶﻨﹾﺏٍ ﻤﻨﱢﻲ ،ﺴﺎﻗﻴﺎ ،ﺃﻋﻁِﻨﻲ ﺠﺎﻤﺎﹰ
ﻷﺠﻌلَ ﻭﺠﻬﻲ ﺒِﻠﹶﻭﻥِ ﺍﻟﻭﺭﺩ؛
ﺃﻱ ﻨﺴﻴﻡ ﻤﻨﺯِلِ ﻟﻴﻠﻰ ،ﻷﺠلِ ﺍﷲ ﺇﻟﻰ ﻤﺘﻰ ،ﺃُﺜﻴﺭ ﺍﻻﻀﻁِﺭﺍﺏ ﻓﻲ ﺍﻟﺭﺒﻊِ ،ﻭﺃُﻁﹾﻠِﻕﹸ
ﺠﻴﺤﻭﻥ ﻓﻲ ﺍﻷﻁﻼلِ)(٢؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﺴﻠﹶﻜﹾﺕﹸ ﺍﻟﻁﱠﺭﻴﻕِ ﺇﻟﻰ ﻜﹶﻨﹾﺯِ ﺤﺴﻥِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻻ ﻨِﻬﺎﻴﺔﹶ ﻟﻪ ،ﺴﻭﻑﹶ ﺃﺠﻌلُ
ﻤِﻥ ﻤﺌﺔِ ﺸﹶﺤﺎﺫٍ ﻤِﺜﻠﻲ ﻤِﻥ ﺒﻌﺩِﻫﺎ ﻗﺎﺭﻭﻨﺎﹰ؛
ﺃﻴﻬﺎ ﺍﻟﺒﺩﺭ ﺼﺎﺤِﺏ ﺍﻟﻘِﺭﺍﻥِ ﺘﺫﹶﻜﱠﺭ ﺤﺎﻓِﻅﹶ ﺍﻟﻌﺒﺩ ،ﻟِﺄﺯﻴﺩ ﻤِﻥ ﺩﻋﺎﺌﻲ ﻟِﺩﻭﻟﹶﺔِ ﺫﻟِﻙ ﺍﻟﺤﺴﻥ).(٣
) (١ﺍﻟﺘﱠﺨﹾﺕﹸ ﺍﻟﺴﺎﺌﺭ :ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﺩﺍﺌﺭ.
) (٢ﺸﻭﺸﹾﺕﹸ ﺍﻟﺭﺒﻊ ﻤﻥ ﺍﻟﺼﺭﺍﺥِ ﻭﺍﻟﻌﻭﻴل ،ﻭﺃﻁﻠﹶﻘﹾﺕﹸ ﻨﻬﺭ ﺠﻴﺤﻭﻥ ﻤﻥ ﺩﻤﻌﻲ؛
) (٣ﺼﺎﺤِﺏ ﺍﻟﻘِﺭﺍﻥ ﻤﻥ ﺍﻗﺘﺭﻥ ﻋﻨﺩ ﻭﻻﺩﺘِﻪِ ﻨﺠﻤﺎ ﺍﻟﺴﻌﺩ.
-٣٤٢-
ﻏﺰﻝ٣٥٠
ﺠﺎﺀ ﺍﻟﺭﺒﻴﻊ ،ﻭﻋﺯﻤﻲ ﻓﻴﻪِ ﻴﻨﻜﺴِﺭ ﻋﺯﻤﺕﹸ ﻓﻲ ﺴﺤﺭﻱ ﺃﻨﹼﻲ ﺃﺘﻭﺏ ﻭﻗﺩ
ﺃﺭﻯ ﺍﻷﺤِﺒﺔﹶ ﻓﻲ ﺸﹸـﺭﺏٍ ﻭﺃﻨﺘﻅِـﺭ ﺃﻗﻭلُ ﺤﻘﱠﺎﹰ ﺒـﺄﻨﹼﻲ ﻻ ﺃﻁﻴـﻕﹸ ﺒِـﺄﻥ
ﻋﻥِ ﺍﻟﺸﱠﺭﺍﺏِ ﺒِﺤﻔلِ ﺍﻷُﻨﺱِ ﺃﻋﺘﺫِﺭ ﻋﺎﻟِﺞ ﺩﻤﺎﻏﻲ ﺃﻭﺍﻥ ﺍﻟﺯﻫﺭِ ﺇﻥ ﺘﺭﻨﻲ
ﺒِﻌﺯﻡِ ﺍﻟﺘﱠﻭﺒﺔِ ﻓﻲ ﺍﻟﺴﺤﺭِ ﻗﹸﻠﹾﺕﹸ ﺃﻋﻤلُ ﺍﺴﺘِﺨﺎﺭﺓﹰ ،ﻭﺇﺫﺍ ﺒﺎﻟﺭﺒﻴﻊِ ﻜﺎﺴِﺭِ ﺍﻟﺘﱠﻭﺒﺔِ ﻗﺩ ﺠﺎﺀ،
ﻓﻤﺎﺫﺍ ﺃﻋﻤل؟؛
ﻗﻭﻻﹰ ﺼﺎﺩِﻗﺎﹰ ﺃﻗﻭلُ :ﻻ ﺃﻗﺩِﺭ ﺃﻥ ﺃﺭﻯ ﺍﻟﺤﺭﻴﻔﻴﻥ ﻴﺸﺭﺒﻭﻥ ﻭﺃﻨﺎ ﺃﻨﻅﹸﺭ ﻭﺃﻨﺘﹶﻅِﺭ؛
ﻜﺒﺭﻋﻡٍ ﻀﺎﺤِﻙ ﺍﻟﺸﱢﻔﺎﻩِ ﺒِﺫِﻜﹾﺭِ ﻤﺠﻠِﺱِ ﺍﻟﺸﱠﺎﻩ ،ﺃﻤﺴﻜﹾﺕﹸ ﺒﺎﻟﻜﺄﺱِ ﻭﻤِﻥ ﺍﻟﺸﱠﻭﻕِ ﻤﺯﻗﹾﺕﹸ
ﺍﻟﺜﱠﻭﺏ؛
ﻁ ﻤﺤﻔﹶلِ ﺍﻟﻁﱠﺭﺏِ ﻭﺃﺠﻠِﺱ
ﺒِﺩﻭﺭِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻋﺎﻟِﺞ ﺩِﻤﺎﻏﻲ ﺇﺫﺍ ﺭﺃﻴﺘﹶﻨﻲ ﺃﺘﺭﻙ ﻭﺴ ﹶ
ﻁﹶﺭﻓﺎﹰ؛
ﺘﻔﺘﱠﺢ ﻭﺭﺩ ﺍﻟﻤﺭﺍﺩِ ﻤِﻥ ﻭﺠﻪِ ﺤﺒﻴﺒﻲ ،ﺴﺄﺭﻤﻲ ﻋﻠﻰ ﺭﺃﺱِ ﺍﻟﻌﺩﻭ ﺤﺠﺭﺍﹰ ﺼﻠﹾﺩﺍﹰ؛
ﺃﻨﺎ ﻤﺴﺘﹶﺠﺩﻱ ﺍﻟﺤﺎﻥِ ﻟﻜِﻥ ،ﺍﻨﻅﹸﺭ ﺇﻟﻲ ﻭﻗﹾﺕﹶ ﺍﻟﺴﻜﹾﺭِ ،ﻭﻟﻲ ﺍﻟﻔﹶﺨﹾﺭ ﻋﻠﻰ ﺍﻟﻔﹶﻠﹶﻙِ،
ﻭﺍﻟﺤﻜﹾﻡ ﻋﻠﻰ ﺍﻟﻨﱡﺠﻭﻡ؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻻ ﺃﻋﺭِﻑﹸ ﺴﺒﻴلَ ﺍﻟﺘﱠﻘﻭﻯ ﻓﻲ ﻟﹸﻘﹾﻤﺔِ ﻁﻌﺎﻤﻲ ،ﻜﻴﻑﹶ ﺃﻗﻭﻡ ﺒﻤﻼﻤﺔِ ﺍﻟﻌِﺭﺒﻴﺩِ
ﺸﺎﺭِﺏِ ﺍﻟﺨﹶﻤﺭ؟!؛
ﺩﻋﻨﻲ ﺃُﺠﻠِﺱِ ﺍﻟﺼﻨﹶﻡ ﺴﻠﻁﺎﻨﺎﹰ ﻋﻠﻰ ﻋﺭﺵِ ﺍﻟﻭﺭﺩِ ،ﻭﺃﺠﻌلْ ﻟﻪ ﻁﹶﻭﻗﺎﹰ ﻤِﻥ ﺍﻟﺴﻨﺒلِ
ﻭﺍﻟﻴﺎﺴﻤﻴﻥ ﻭﺍﻟﺭﻴﺤﺎﻥ؛
ﺤﺎﻓِﻅﹸ ﻤﻠﻭلٌ ﻤِﻥ ﺸﹸﺭﺏِ ﺍﻟﺨﹶﻤﺭِ ﻓﻲ ﺍﻟﺨﹶﻔﹶﺎﺀِ ،ﺴﺄﺠﻌلُ ﺴِﺭﻩ ﻴﺫﻴﻊ ﻤِﻥ ﺼﺭﺍﺥِ ﺍﻟﻌﻭﺩِ
ﻭﺍﻟﻨﱠﺎﻱ.
-٣٤٣-
ﻏﺰﻝ ٣٥١
ﺤﺎﺸﺎ ﺒﻤﻭﺴِﻡِ ﺍﻟﻭﺭﺩِ ﺃﻥ ﺃﺘﺭﻙ ﺍﻟﺨﻤﺭ ،ﻭﻜﻴﻑﹶ ﺃﻓﻌلُ ﻫﺫﺍ ﺍﻷﻤﺭ ﻤﺎ ﺩﻤﺕﹸ ﺃﻓﺨﺭ ﺒﺎﻟﻌﻘلِ؛
ﺃﻴﻥ ﻫﻭ ﺍﻟﻤﻁﺭِﺏ ﻜﻲ ﺃﺠﻌلَ ﻜﹸلﱠ ﻤﺤﺼﻭلِ ﺯﻫﺩﻱ ﻭﻋِﻠﻤﻲ ﻟِﻨﹶﻐﹶﻡِ ﺍﻟﺭﺒﺎﺒﺔِ ﻭﺍﻟﻌﻭﺩِ
ﻭﻟﺤﻥِ ﺍﻟﻨﱠﺎﻱ؛
ﻗﻠﺒﻲ ﺃﻟﻡ ﺒﻪِ ﺍﻟﻀﻴﻕﹸ ﻤِﻥ ﻗﺎلِ ﻭﻗﻴلِ ﺍﻟﻤﺩﺭﺴﺔِ ،ﺫﺭﻨﻲ ﺃﺨﺩِﻡِ ﺍﻟﺨﻤﺭ ﻭﺍﻟﻤﻌﺸﻭﻕﹶ ﻗﻠﻴﻼﹰ
ﺃﻴﻀﺎﹰ؛
ﻤﻥ ﻜﺎﻥ ﻟﻪ ﻤِﻥ ﺯﻤﺎﻨِﻪِ ﺍﻟﻭﻓﺎﺀ؟! ،ﺍﺤﻤِلْ ﺇﻟﹶﻲ ﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﻷﺤﻜِﻲ ﹶﻟﻙ ﺤِﻜﺎﻴ ﹶﺔ ﺠﻤﺸﻴﺩ
ﻭﻜﺎﻭﻭﺱ ﻜﻲ؛
ﻤﻥ ﺼﺤﻴﻔﺘﻲ ﺍﻟﺴﻭﺩﺍﺀِ ﻻ ﺃﺨﺎﻑﹸ ﻴﻭﻡ ﺍﻟﺤﺸﺭِ ،ﺇﻨﱠﻪ ﻴﻁﻭﻱ ﻤﺎﺌﺔﹰ ﻤﻨﻬﺎ ﺒﻔﻴﺽِ ﻟﹸﻁﻔِﻪِ ﻁﹶﻴﺎﹰ؛
ﺃﻴﻥ ﺭﺴﻭلُ ﺍﻟﺼﺒﺢِ ﻷُﺭﺴِلَ ﻤﻊ ﺫﻟِﻙ ﺍﻟﻤﻴﻤﻭﻥِ ﺍﻟﻁﱠﺎﻟﹶﻊِ ﻤﺒﺎﺭﻙِ ﺍﻟﺨﹸﻁﻰ ،ﺸﻜﺎﻭﺍﻱ
ﻤِﻥ ﻟﻴلِ ﺍﻟﻔِﺭﺍﻕِ؛
ﻫﺫﻩِ ﺍﻟﺭﻭﺡ ﻋﺎﺭﻴﺔﹲ ﺍﺴﺘﻭﺩﻋﻬﺎ ﺍﻟﺤﺒﻴﺏ ﺤﺎﻓﻅ ،ﻓﺴﺄﺭﺩﻫﺎ ﺇﻟﻴﻪِ ﻴﻭﻡ ﺃﺭﻯ ﻭﺠﻬﻪ.
ﻏﺰﻝ ٣٥٢
ﺃﺫﻜﹸﺭ ﻴﻭﻡ ﻜﻨﺕﹸ ﺨﺎﺩﻤﺎﹰ ﻓﻲ ﺍﻟﺤﺎﻥِ ،ﺒﻠﺒﺎﺱِ ﺍﻟﻔﻘﺭِ ،ﺃﻋﻤلُ ﻷﻫلِ ﺘﻠﻙ ﺍﻟﺩﻭﻟﺔ؛
ﺇﻟﻰ ﺃﻥ ﺃُﻤﺴِﻙ ﺤﺠلَ ﺍﻟﺼﺤﺭﺍﺀِ ﺫﺍ ﺍﻟﺩﻻلِ ﺒﺸِﺒﺎﻙِ ﺍﻟﻭﺼلِ ،ﻫﺎﺃﻨﺫﺍ ﻓﻲ ﺍﻟﻜﻤﻴﻥِ،
ﺒﺎﻨﺘﻅﺎﺭِ ﺃﻥ ﺘﺤﻴﻥ ﺍﻟﻔﹸﺭﺼﺔ؛
ﻭﺍﻋِﻅﹸﻨﺎ ﻤﺎ ﺸﻡ ﺭﺍﺌﺤﺔﹶ ﺍﻟﺤﻕﹼ ،ﻭﺍﺴﻤﻊ ﺤﺩﻴﺜﻲ ،ﻓﺄﻨﺎ ﺃﻗﻭﻟﹸﻪ ﻓﻲ ﺤﻀﻭﺭِﻩِ ﺃﻴﻀﺎﹰ،
ﻭﻻ ﺃﻗﻭلُ ﻏﻴﺒﺔﹰ؛
ﺃﻤﻀﻲ ﻤﻊ ﺍﻟﺼﺒﺎ ﺭﻭﻴﺩﺍﹰ ﺭﻭﻴﺩﺍﹰ ﻟِﺄﺭﺽِ ﺍﻟﺤﺒﻴﺏ ،ﻭﺃﺴﺘﹶﻤِﺩ ﻫِﻤﺔﹰ ﻤِﻥ ﺭﻓﺎﻕِ ﺍﻟﻁﱠﺭﻴﻕِ؛
ﺃﺭﻀﻙ ﻻ ﺘﺤﺘﻤِلُ ﺯﺤﻤﺘﹶﻨﺎ ﺃﻜﺜﹶﺭ ﻤِﻥ ﻫﺫﺍ ،ﺍﻓﹾﻌلِ ﺍﻷﻟﻁﺎﻑﹶ ﻟﻨﹸﺨﻔﱢﻑﹶ ﺍﻟﺯﺤﺎﻡ؛
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ﻓﹶﺭﻉ ﺍﻟﺤﺒﻴﺏِ ﺸِﺒﺎﻙ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻭﻏﻤﺯﺘﹸﻪ ﺴﻬﻡ ﺍﻟﺒﻼﺀ ،ﺃﻱ ﻗﻠﺏ ﺘﹶﺫﻜﱠﺭ ﻓﻜﺜﻴﺭﺍﹰ ﻤﺎ ﺃﻨﺼﺤﻙ؛
ﺃﻱ ﻜﺭﻴﻡ ﺴﺎﺘِﺭ ﺍﻟﻌﻴﺏِ ﻻ ﺘﻨﻅﹸﺭ ﺇﻟﻰ ﺴﻭﺀِ ﻓِﻌﻠﻲ ﻤﻥ ﺠﺭﺃﺘﻲ ﻋﻠﻴﻙ ﻓﻲ ﺯﻭﺍﻴﺎ ﺨﻠﻭﺘﻲ؛
ﺤﺎﻓِﻅﹲ ﻓﻲ ﺍﻟﻤﺠﻠِﺱ ،ﻭﺸﺎﺭﺏ ﻓﻲ ﻤﺤﻔﹶلِ ﺍﻟﺸﱡﺭﺏِ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻗﻠﱠﺔِ ﺍﻟﺤﻴﺎﺀِ ﻭﻜﻴﻑﹶ
ﺃﺘﹶﺼﻨﱠﻊ ﻤﻊ ﺍﻟﺨﹶﻠﹾﻕ.
ﻏﺰﻝ ٣٥٣
ﻤﺎﺌﺔﹰ ﺘﹸﺒﺕﹸ ﻤﻥ ﻗﺒلُ ﻭﺍﻵﻥ ﻻ ﺃﻓﻌـلْ ﺘﺭﻙ ﻋِﺸﹾﻕِ ﺍﻟﺤﺒﻴﺏِ ﻭﺍﻟﻜﺄﺱِ ،ﻻ ﺃﻓﻌلْ
ﻭﻁﻭﺒﻰ ﻭﺍﻟﻘﺼﺭ ﻭﺍﻟﺤﻭﺭ ﻻ ﺃﻗﺒـلْ ﺒﺩﻻﹰ ﻋﻥ ﺘﹸﺭﺍﺏِ ﺍﻟﺤﺒﻴﺏِ ،ﺠﻨﱠﺔﹶ ﺍﻟﺨﹸﻠﺩِ
)(١
ﻭﻗﻭﻟﻲ ﻜﻨﺎﻴﺔﹲ ،ﻭﻟﻠﺘﱢﻜﺭﺍﺭِ ﻻ ﺃﻓﻌلْ ﺩﺭﺱ ﻭﺘﻠﻘﻴﻥ ﺃﻭﻟﻲ ﺍﻷﺒﺼﺎﺭِ ﺇﺸﺎﺭﺍﺕﹲ
ﺨﹶﺒﺭ ﻟﻴﺱ ﻟﻲ ﻋﻥ ﺍﻟﺴﺭ ﻤِﻥ ﻨﹶﻔﹾﺴِﻲ ﻭﺍﻟﻌِﺼﻴﺎﻥ ﻓﻲ ﺍﻟﺤـﺎﻥِ ﻤﻁﹾﻠﹶﻘـﺎﹰ ﻻ ﺃﻓﹾﻌـلْ
ﻟﺴﺕﹶ ﺘﺤﺘﺎﺝ ﻟﻠﺤﺭﺏِ ﻴﺎ ﺃﺨﻲ ،ﻻ ﺃﻓﻌلْ ﻗﺎلَ ﺒﺎﻟﻁﱠﻌﻥِ ﻟﻲ ﻨﺎﺼِﺢ ﺩﻉِ ﺍﻟﻌِﺸﹾﻕﹶ
ﻕ ﻤﻨﹾﺒـﺭﻱ ،ﻻ ﺃﻓﻌـلْ
ﺘﻘﻭﺍﻱ ﺤﺒﻲ ﻟِﺄﻫلِ ﺠﻤﺎلِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ،ﻭﺍﻟﻔﹶﺨﹾﺭ ﻭﺍﻟﺭﻴﺎﺀ ﻓﻭ ﹶ
ﺘﺭﻙ ﺘﻘﺒﻴـلِ ﺃﻋﺘﺎﺒِـﻪِ ،ﻻ ﺃﻓﻌـلْ ﺤﺎﻓﻅﹸ ﻓﻲ ﺒﺎﺏِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﺩﻭﻟﺘﹸﻪ،
ﻏﺰﻝ ٣٥٤
ﻋﻠﻴلُ ﺍﻟﻠﹼﺤﻅِ ﻤِﻥ ﻋﻴﻨﹶﻴﻙ ﻤِـﻥ ﻋِﻠﹶﻠـﻲ ﻴـﺩﺍﻭﻴﻨﻲ
ﻭﺁﻻﻑﹲ ﻤِﻥ ﺍﻟﻁﱠﻌﻨﺎﺕِ ﻤِﻥ ﺃﻫﺩﺍﺒِﻙ ﺍﻟﺴﻭﺩﺍﺀِ ﻓﻲ ﺩﻴﻨﻲ
ﻨﹶﺴِﻴﺕﹶ ﻓﹶﻠﹶﺴﺕﹰ ﺘﹶﺫﻜﹸﺭ ﻴﺎ ﺠﻠـﻴﺱ ﺍﻟﻘﹶﻠﹾـﺏِ ﺃﺼـﺤﺎﺒﺎﹰ
ﺇﻟﻰ ﻴﻭﻡٍ ﺒِﻼ ﺫِﻜﺭﺍﻙ ﻻ ﻜﺎﻥ ﺍﻹﻟﻪ ﺍﻟﺤـﻲ ﻴﺤﻴﻴﻨـﻲ
) (١ﺘﻌﻠﻴ ﻡ ﺃﻫلِ ﺍﻟﻨﱠﻅﹶﺭِ ﺇﺸﺎﺭﺓﹲ ،ﻗﹸ ﻠﹾﺕﹸ ﻜﻨﺎﻴﺔﹰ ﻭﻻ ﺃُﻜ ﺭ ﺭ ﺃﺒﺩﺍﹰ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ ﺨﻁﺎﺏ ﺍﻟﻌﺎﺭﻓﻴﻥ
ﺒﺎﻟ ﺭﻤﺯ .
-٣٤٥-
ﻓﻭﺍ ﻏﻭﺜﺎﻩ ﻤِـﻥ ﺩﻨﻴـﺎ ﻋﺠـﻭﺯٍ ﻗﺎﺘـلٍ ﻓﺭﻫـﺎﺩ
ﻜﹶﻡ ﻤﻜﹶﺭﺕﹾ ﻭﻜﹶﻡ ﻏﹶﺩﺭﺕﹾ ﻭﻜﹶـﻡ ﺒـﺎﻟﺭﻭﺡِ ﺘـﺅﺫﻴﻨﻲ
ﻟﻬﻴﺏ ﺍﻟﻨﱠـﺎﺭِ ﺼـﻴﺭﻨﻲ ﻜـﻭﺭﺩٍ ﻏـﺎﺭﻕٍ ﻋﺭﻗـﺎﹰ
ﻨﺴﻴﻤﺎﹰ ﻤِﻨﹾﻙ ﻴـﺎ ﺴـﺤﺭﻱ ﻴـﺩﺍﻭﻴﻨﻲ ﻭﻴـﺸﻔﻴﻨﻲ
ﻭﻟﻭ ﻏﻴﺭﻱ ﺤﺒﻴﺒﻲ ﺍﺨﺘﺎﺭ ،ﺤﺎﺸـﺎ ﺃﻨﱠﻨـﻲ ﺃﺨﺘـﺎﺭ
ﺒﺩﻴﻼﹰ ﻋﻨﻪ ﻤﺤﺒﻭﺒـﺎﹰ ،ﻭﺭﻭﺤـﻲ ﻓﻴـﻪ ﺘﻌـﺼﻴﻨﻲ
ﻭﻓﺎﻨﻲ ﺍﻟﻜﹶﻭﻥِ ﻭﺍﻟﺒﺎﻗﻲ ﻓِﺩﺍ ﺍﻟﻤﺤﺒـﻭﺏِ ﻭﺍﻟـﺴﺎﻗﻲ
ﻭﺴﻠﻁﺎﻥ ﺍﻟﻭﺠﻭﺩِ ﺃﺭﻯ ﻁﹸﻔﻴلَ ﺍﻟﻌِﺸﹾﻕِ ﻓﻲ ﻋﻴﻨـﻲ
ﺕ ﺇِﺴﻼﻤﻲ ﻟِﺭﻭﺤﻲ ﻜﹸﻨﹾـﺕﹶ ﻟـﻲ ﺸﹶـﻤﻊ
ﺇﺫﺍ ﻤﺎ ﻭﻗﹾ ﹶ
ﺍﻟﻭﺴﺎﺩﺓِ ﻜﺎﻥ ﻤﺭﺘﹶﺤﻠﻲ ﻟِﻘﹶـﺼﺭِ ﺍﻟﺤـﻭﺭِ ﻭﺍﻟﻌِـﻴﻥِ
ﺼﺒﺎﺡ ﺍﻟﺨﹶﻴﺭِ ﺼـﺒﺤﻨﺎ ﻫـﺯﺍﺭ ﻗﹸـﻡ ﺃﻴـﺎ ﺴـﺎﻗﻲ
ﻓﻜﻡ ﻏﻭﻏﺎﺀ ﻓﻲ ﺭﺃﺴـﻲ ﺨﻴـﺎلٌ ﻤِﻨﹾـﻪ ﻴﻬـﺩﻴﻨﻲ
ﺤﺩﻴﺜﻲ ﻤﺎ ﺒِﻪِ ﻏﹶﻠﹶﻁﹲ ﻭﻤـﺎ ﺃﺜﹾﺒﺘﹾـﺕﹸ ﻤِـﻥ ﺸﹶـﻭﻗﻲ
ﻓﹶﺤﺎﻓِﻅﹸ ﻗـﺎﻡ ﻓـﻲ ﻫـﺫﺍ ﺍﻟﻜِﺘـﺎﺏِ ﺒِـﻪِ ﺒِﺘﹶﻠﹾﻘﻴﻨـﻲ
ﺸﺭﺡ :ﻜﻨﺕﹸ ﻗﺒﻠﻙ ﻴﺎ ﺤﺒﻴﺏ ﻋﺎﺒﺩﺍﹰ ﻭﺭﻋﺎﹰ ﺘﻘﻴﺎﹰ ،ﻟﻡ ﺃﻜﻥ ﺃﻋﺭﻑﹸ ﺍﻟﻌﺸ ﻕﹶ
ﻭﻻ ﺍﻟﺨﻤﺭ ،ﻭﻟﻡ ﻴﻜﻥ ﻴﺸﻐﻠﹸﻨﻲ ﺸﻲﺀ ﻋﻥ ﻋﺒﺎﺩﺘﻲ ،ﺤﺘﹼﻰ ﺼﺭﺕﹸ ﻏﹶﺭﻀﺎﹰ ﻟِﺄﻫﺩﺍ ﺒِ ﻙ
ﺍﻟﺴﻭﺩﺍﺀِ ،ﺍﻟﹼﺘﻲ ﺭﺍﺤﺕ ﺘﺭﻤﻲ ﺩﻴﻨﻲ ﺒِﺴِﻬﺎﻤِﻬﺎ ﺍﻟﻔﺘﱠﺎﻜﹶﺔِ ،ﻭﺘﻁﻌﻨﹸﻪ ﺒِﺎﻵﻻ ﻑِ ﻤِ ﻥ
ﻁﻌﻨﺎﺘِﻬﺎ ،ﻓﺫﻫﺒﺕﹾ ﺒِﻭﺭﻋﻲ ﻭﺘﻘﻭﺍﻱ ،ﻭﺸﻐﻠﺘﻨﻲ ﻋﻥ ﺃﻭﺭﺍﺩﻱ ﻭﺃﺫﻜﺎﺭﻱ ،ﻟﻜ ﻥ
ﺸﻔﺎﺌﻲ ﻜﺎﻥ ﻋﻠﻰ ﻴﺩِ ﻋﻴﻨِﻙ ﺍﻟﻤﺭﻴﻀﺔِ ﺍﻟﱠﺘﻲ ﺭﺍﺤﺕ ﺘﻨﻅﹸﺭ ﺇﻟﻲ ﺒﻨﻅﺭﺘِﻬﺎ ﺍﻟﺭﺤﻴﻤﺔ،
ﻭﻏﻤﺭﺘﻨﻲ ﺒﺎﻟﻌﻁﻑِ ﻭﺍﻟﺭﻋﺎﻴﺔِ ﻭﺍﻟﺤﻨﺎﻥِ ،ﻭﺸﻔﹶﺘﻨﻲ ﻤﻥ ﺠﻤﻴﻊِ ﻋِﻠﹶﻠﻲ ،ﻭﻁﻬﺭﺘﻨﻲ
ﻭﻭﻫﺒﺘﻨﻲ ﺍﻟﺼﻔﺎﺀ ﻭﺍﻟﻨﱠﻘﺎﺀ ،ﻓﻠﻡ ﻴﻌﺩ ﺒﻲ ﺸﻙ ﻭﻻ ﺸﺭﻙ ﻭﻻ ﺭﻴﺎﺀ ﻭﻻ ﻨﻔﺎﻕ،
ﻭﺼﺭﺕﹸ ﺼﺎﺩِﻕﹶ ﺍﻟﺤﺏ ﻁﺎﻫِﺭ ﺍﻟﻘﻠﺏ ،ﻓﻭﺍﻋﺠﺒﺎﹰ ﻤﻥ ﻤﺭﻴﺽٍ ﻴﺩﺍﻭﻱ؛ ﻭﻴﺎ ﺤﺒﻴﺒﻨﺎ
-٣٤٦-
ﻤﺎ ﻟﻙ ﻨﺴﻴﺘﹶﻨﺎ ﻓﻼ ﺘﺫﻜﹸﺭﻨﺎ ﻭﻨﺤﻥ ﺃﺼﺤﺎﺒﻙ ﻭﻤﺤﺒﻭﻙ ﻭﺫﺍﻜﺭﻭﻙ ،ﻭﺫِ ﻜﹾﺭ ﻙ
ﻻ ﻴﻔﺎﺭِﻕﹸ ﻗﹸﻠﻭﺒﻨﺎ ،ﻭﺇﺫﺍ ﻜﺎﻥ ﻓﻲ ﺤﻴﺎﺘِﻨﺎ ﻴﻭﻡ ﻻ ﻨﺫﻜﺭﻙ ﻓﻴﻪ ،ﻓﻼ ﺃﺒﻘﺎﻨﺎ ﺍ ﷲُ ﻟِﺫﻟِ ﻙ
ﺍﻟﻴﻭﻡ؛ ﺍﻵﺨِﺭﺓﹸ ﻭﺠﻨﺎﻨﹸﻬﺎ ﻭﻨﻌﻴﻤﻬﺎ ،ﻭﺍﻟﺩﻨﻴﺎ ﻭﺯﺨﺎﺭﻓﹸﻬﺎ ﻭﺯﺒﺎﺭﺠﻬﺎ ،ﻓﺩﺍﺀ ﻟِﻤﺤﺒﻭ ﺒِﻨﺎ
ﻭﺴﺎﻗِﻴﻨﺎ ،ﻭﻟﺴﺕﹸ ﺃﻁﻠﺏ ﻤﻥ ﺤﺒﻙ ﺍﻟﺠﻨﱠﺔﹶ ،ﻭﻻ ﺃُﺤﺒﻙ ﻟﺘﺴﺘﻨﻘِﺫﻨﻲ ﻤﻥ ﺍﻟﻨﱠﺎﺭ ،ﺃﺤﺒ ﻙ
ﻷﻨﹼﻙ ﺃﻫلٌ ﻟﻠﺤﺏ ،ﻭﻻ ﺃﺭﻯ ﻁِﻔﹾلَ ﺍﻟﻌِﺸﹾﻕِ ﺍﻟﺼﻐﻴﺭ ﺇﻟﱠﺎ ﺴﻠﻁﺎﻨﺎﹰ ﻟﻠﻌﺎﻟﹶﻡِ؛ ﺍﺴﺘﻴﻘ ﻅﹶ
ﺍﻟﺒﻠﺒلُ ﺍﻟﻌﺎﺸﻕﹸ ﻤﺒﻜِﺭﺍﹰ ،ﻭﺤﻴﺎﻨﺎ ﻤﺼﺒﺤﺎﹰ ،ﻓﻠﺘﻨﻬﺽ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ،ﻭﻋ ﺠلْ ﻟﻨﺎ
ﺒﺎﻟﺸﱠﺭﺍﺏِ )ﻤﻥ ﺫِﻜﹾﺭِ ﻤﻌﺸﻭﻗِﻨﺎ( ﻓﻘﺩ ﺭﺃﻴﺕﹸ ﺍﻟﻠﹼﻴﻠﹶﺔﹶ ﺤﻠﹸﻤﺎﹰ ﻻ ﻴﺯﺍلُ ﻴﻀِﺞ ﺒِﺭﺃﺴﻲ،
ﻭﻴﻤﻠﺅﻫﺎ ﺒﺎﻟﻐﻭﻏﺎﺀ ،ﻭﻗﺩ ﺴﻠﺒﻨﻲ ﺍﻟﻬﺩﻭﺀ ﻭﺍﻻﻁﻤﺌﻨﺎﻥ؛ ﺤﻴﻥ ﺁﻭﻱ ﺇﻟﻰ ﺍﻟﻔِﺭﺍ ﺵِ
ﻭﺃﻜﻭﻥ ﺒِﺫِﻜﺭِﻙ ﺍﻟﻨﱡﻭﺭﺍﻨﻲ)ﻜﹸﻨﺕﹶ ﻟﻲ ﺸﹶﻤﻊ ﺍﻟﻭِﺴﺎﺩﺓ( ،ﻭﻴﻜﻭﻥ ﺫِﻜﺭﻙ ﻤﺅﻨﺴﻲ ﻭﺃﻨﺕ
ﻤﺴﻌِﺩﻱ ﻭﺫﺍﻜﺭﻱ ﻭﻭﺍﻫﺒﻲ ﺍﻟﻨﱡﻭﺭ ﻭﺍﻟﻀﻴﺎﺀ ،ﺘﹸﺴﺎﻓِﺭ ﺭﻭﺤﻲ ﻓﻲ ﻋﺎﻟﹶﻡِ ﺍﻟﻨﱠﻭ ﻡِ )ﺃﻭ
ﻋﺎﻟﹶﻡِ ﺍﻟﻤﻭﺕِ( ،ﻭﺘﺭﺤلُ ﻤِﻥ ﻓِﺭﺍﺸﻲ ﺇﻟﻰ ﺍﻟﺠﻨﱠﺔِ ﺫﺍﺕِ ﺍﻟﻘﹸﺼﻭﺭِ ﻭﺍﻟﺤﻭﺭ ،ﻓﺄﺩ ﺨﹸلُ
ﻗﹸﺼﻭﺭﻫﺎ ﻭﺃﻋﺎﻨِﻕﹸ ﺤﻭﺭﻫﺎ؛ ﻤﺎ ﺠﺎﺀ ﺒِﻪِ ﺤﺎﻓﻅﹸ ﺍﻟﻭﺠﻭﺩﻱ ﻓﻲ ﻫﺫﺍ ﺍﻟﻜِﺘﺎﺏِ ﺤ ﻕﱞ
ﻭﺼِﺩﻕﹲ ﻭﻻ ﻤﺠﺎلَ ﻟﻠﺨﻁﺄِ ﻓﻴﻪ ،ﻭﻟﻴﺱ ﻓﻴﻪِ ﻤﻥ ﺨﻁﺄٍ ،ﻟِﺄﻨﱠﻪ ﻤﻥ ﺘﻠﻘﻴﻥِ ﺍﻟﻭﺠﻭ ﺩِ
ﺍﻟﻐﻴﺒﻲ ﺍﻟﻨﱡﻭﺭﺍﻨﻲ ﻟِﺤﺎﻓِﻅ ﺤﻴﺙﹸ ﻫﻨﺎﻙ ﻋﺎﻟﹶﻡ ﺍﻟﺤﻘﺎﺌﻕ.
ﻏﺰﻝ ٣٥٥
ﺃﻨﺎ ﺍﻵﻥ ﺃﺭﻯ ﻤﺼﻠﹶﺤﺔﹶ ﺍﻟﻭﻗﺕِ ﻓﻲ ﺃﻥ ﺃﺤﺯِﻡ ﻤﺘﺎﻋﻲ ﻭﺃﻤﻀِﻲ ﺒِﻪِ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ﻜﻲ
ﺃﺠﻠِﺱ ﺠﻠﻭﺴﺎﹰ ﺠﻤﻴﻼﹰ؛
ﺃﺤﻤلُ ﺍﻟﺠﺎ ﻡ ﻭﺃﺒﺘﹶﻌِﺩ ﻋﻥ ﺃﻫلِ ﺍﻟﺭﻴﺎﺀ ،ﻴﻌﻨﻲ ﺃﺨﺘﺎﺭ ﻁﺎﻫِﺭﻱ ﺍﻟﻘﻠﻭﺏِ ﻤﻥ ﺃﻫلِ
ﺍﻟﻌﺎﻟﹶﻡ؛
ﻟﻴﺱ ﻤﻌﻲ ﺇﻟﹼﺎ ﺍﻟﺼﺭﺍﺤﻴﺔﹸ ﻭﺍﻟﻜﺘﺎﺏ ﻤﻥ ﺭﻓﻴﻕٍ ﻭﻨﺩﻴﻡٍ ،ﻜﻲ ﻻ ﺃﺭﻯ ﺃﻫلَ ﺍﻟﺩﻏﹶلِ ﻓﻲ
ﺍﻟﻌﺎﻟﹶﻡِ ﺇﻻﹼ ﻗﻠﻴﻼﹰ؛
ﺴﺄﺘﺤﺭﺭ ﻤﻥ ﺍﻟﺨﹶﻠﻕِ ﻭﺃﺭﻓﻊ ﺭﺃﺴﻲ ﻋﺎﻟﻴﺎﹰ ﻜﺎﻟﺴﺭﻭ ،ﺇﺫﺍ ﺘﻤﻜﱠﻨﹾﺕﹸ ﻤﻥ ﺘﺨﹾﻠﻴﺹِ ﺭِﺩﺍﺌﻲ
ﻤِﻥ ﺍﻟﻌﺎﻟﹶﻡ؛
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ﺃﻤِﻥ ﺒﻌﺩِ ﺘﺩﻨﻴﺱِ ﺨِﺭﻗﺘﻲ ﺒﺎﻟﺨﹶﻤﺭِ ﺃﺩﻋﻲ ﺍﻟﺼﻼﺡ ﻭﺍﻟﺘﱠﻘﻭﻯ ،ﻭﺍﺨﺠﻠﻲ ﻤﻥ ﺠﺒﻴﻥِ
ﺍﻟﺴﺎﻗﻲ ﻭﺍﻟﺨﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀ ﺍﻟﻠﹼﻭﻥ)(١؛
ﺃﻴﻥ ﺼﺩﺭﻱ ﺍﻟﻀﻴﻕﹸ ﻤِﻥ ﺤﻤلِ ﻏﻡ ﺍﻟﺤﺒﻴﺏ ،ﻫﻴﻬﺎﺕﹶ ،ﻗﻠﹾﺒﻲ ﺍﻟﻤﺴﻜﻴﻥ ﻟﻴﺱ ﺭﺠلَ
ﻫﺫﺍ ﺍﻟﺤِﻤلِ ﺍﻟﺜﱠﻘﻴل؛
ﻭﺴﻭﺍﺀ ﻜﹸﻨﹾﺕﹸ ﺴِﻜﱢﻴﺭ ﺍﻟﺨﺭﺍﺒﺎﺕِ ﺃﻭ ﺯﺍﻫِﺩ ﺍﻟﻤﺩﻴﻨﺔِ ،ﻤﺘﺎﻋﻲ ﻫﻭ ﻤﺎ ﺘﺭﻯ ،ﻭﺃﻗلﱡ ﻤﻤﺎ
ﺘﺘﺼﻭﺭ؛
ﺃﻨﺎ ﻋﺒﺩ ﻵﺼِﻑِ ﻋﻬﺩِﻩ ،ﻴﺎ ﻗﻠﺏ ﻻ ﺘﺄﺒﻕﹾ ،ﺇﺫﺍ ﺃﻨﺎ ﺨﺎﺼﻤﺕﹸ ﻴﺄﻤﺭ ﺍﻟﻔﹶﻠﹶﻙ ﺒﻌﺩﺍﻭﺘﻲ؛
ﻋﻠﻰ ﻗﻠﺒﻲ ﻏﹸﺒﺎﺭ ﺍﻟﻅﱡﻠﹾﻡِ ،ﺒﺎﻟﻠﱠﻪِ ﻻ ﺘﻘﺒلْ ﺃﻥ ﺘﺼﻴﺭ ﻤﻜﺩﺭﺓﹰ ﻤﺭﺁﺓﹸ ﺸﹶﻤﺱِ ﻤﺭﺁﺘﻲ.
ﻏﺰﻝ ٣٥٦
ﻋﺴﻰ ﺍﻟﻤﺤﺒﻭﺏ ﻴﺠﻠِـﺴﻨﻲ ﻟـﻪ ﻟـﻴﻼﹰ ﻭﻴـﺩﻨﻴﻨﻲ
ﻭﻭﺭﺩ ﺍﻟﻌﻴﺵِ ﻴﻌﻁﻴﻨﻲ ﻭﺠﺎﻡ ﺍﻟﻭﺼـلِ ﻴـﺴﻘﻴﻨﻲ
ﻓﻀﻊ ﺸﹶﻔﹶﺔﹰ ﻋﻠﻰ ﺸﹶﻔﹶﺘﻲ ﻭﺨﹸﺫﹾ ﺭﻭﺤﻲ ﺃﻴـﺎ ﺴـﺎﻗﻲ
ﻋﻠﻰ ﻨﹶﻬلٍ ﻤﻥ ﺍﻟﻤﺸﺭﻭﺏِ ﺫﻱ ﺍﻹﺤﺭﺍﻕِ ﺘـﺴﻘﻴﻨﻲ
ﻜﺄﻨﱢﻲ ﺼِﺭﺕﹸ ﺒﺎﻟـﺴﻭﺩﺍﺀِ ﻤﺠﻨﻭﻨـﺎﹰ ﻭﻓـﻲ ﻟﻴﻠـﻲ
)(٢
ﺃُﺤﺎﻜﻲ ﺍﻟﺒﺩﺭ ،ﻭﺍﻷﻤﻼﻙ ﻋﻨـﺩ ﺍﻟﻨﱠـﻭﻡِ ﺘـﺄﺘﻴﻨﻲ
ﺸِﻔﺎﻫﻙ ﺴﻜﱠﺭ ﺍﻟﺴﻜﺭﺍﻥِ ،ﻋﻴﻨﹸﻙ ﺨﻤـﺭﺓﹸ ﺍﻟﻅﱠﻤـﺂﻥ
ﺃﻨﺎ ﺍﻟﻤﺤﺭﻭﻡ ﻻ ﻤـﻥ ﺫﺍ ﻭﻻ ﻤـﻥ ﺫﺍﻙ ﺘﻌﻁﻴﻨـﻲ
) (١ﻴﻠﻭﻤﺎﻨﻨﻲ ﻴﻘﻭﻻﻥِ ﻜﻴﻑﹶ ﺘﺩﻋﻲ ﺍﻟﺘﱠﻘﻭﻯ ﻭﺍﻟﻌِﺸﹾﻕﹶ ﻤﻌﺎﹰ ،ﻭﺍﻟﻌﺸﻕﹸ ﻭﺍﻟﺘﱠﻘﻭﻯ ﻻ ﻴﺠﺘﻤﻌﺎﻥ.
) (٢ﺃُﺤﺎﻜﻲ )ﻋﺎﻤﻴﺔ( ﺃُﻜﻠﱢﻡ ،ﻭﺍﻟﺴﻭﺩﺍﺀ ﻀﺭﺏ ﻤﻥ ﺍﻟﺠﻨﻭﻥ ،ﻜﺄﻨﹼﻨﻲ ﻤﻥ ﺸﺩﺓِ ﺍﻟﻭﻟﹶﻪِ ﻤﻥ ﺍﻟﻌﺸﻕِ
ﻤﺠﻨﻭﻥ ﺒﺎﻟﺴﻭﺩﺍﺀِ؛
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ﺘﹸﺭﺍﺒﻙ ،ﻤﺎ ﺫﹶﺭﺘﹾﻪ ﺍﻟـﺭﻴﺢ ﻴﺤﻤـلُ ﻓـﻴﺽ ﺇﻨﻌـﺎﻡٍ
ﻋﺴﺎﻙ ﺘـﺫﻜﱠﺭ ﺍﻟﻌﺒـﺩ ﺍﻟﻘـﺩﻴﻡ ﻭﻤﻨـﻪ ﺘﻬـﺩﻴﻨﻲ
ﻭﻻ ﻴﻠﻘﻰ ﻗﺒﻭلَ ﺍﻟﻘﻠﺏِ ﻜﹸـلﱡ ﺍﻟـﺸﱢﻌﺭِ ﻤﻤـﺎ ﻴـﻨﻅﻡ
ﺍﻟﺸﱡﻌﺭﺍﺀ ﻭﺍﻟﺤﺠـلَ ﺍﻟﺒـﺩﻴﻊ ﺍﺼـﻁﺎﺩ ﺸـﺎﻫﻴﻨﻲ
ـﻲ
ـﺎ ﻭﺍﻟ ـﺼﺩﻕﹸ ﻟﻜﻨﹼـ
ـﻴﺱ ﺩﻴﺩﻨﹸ ـﻪ ﺍﻟﻭﻓـ
ﻭﻜﹸ ـلﱞ ﻟـ
ﻏﻼﻤﻙ ﺁﺼِﻑﹶ ﺍﻟﺜﱠـﺎﻨﻲ ﺠـﻼلَ ﺍﻟﺤـﻕﱢ ﻭﺍﻟـﺩﻴﻥِ
ﻨﺜﺭﺍﹰ :ﺇﺫﺍ ﺘﻤﻜﱠﻨﹾﺕﹸ ﺴﺄﺠﻠِﺱ ﻤﻊ ﺤﺒﻴﺒﻲ ،ﻭﺃﺸﺭﺏ ﻤِﻥ ﺠﺎﻡِ ﺍﻟﻭﺼلِ ،ﻭﺃﻗﻁﻑﹸ
ﺍﻟﻭﺭﺩ ﻤِﻥ ﺭﻭﺽِ ﺍﻟﻌﻴﺵِ؛ ﺍﻟﺸﱠﺭﺍﺏ ﺍﻟﻤﺭ ،ﺤﺎﺭِﻕﹸ ﺍﻟﺼﻭﻓﻲ ،ﺴﻴﺠﺭﻑﹸ ﺒﻨﻴﺎﻨﻲ ،ﺴﺎﻗﻲ،
ﻀﻊ ﺸﻔﹶﺘﹶﻙ ﻋﻠﻰ ﺸﻔﺘﻲ ،ﻭﺨﹸﺫﹾ ﺭﻭﺤﻲ ﺍﻟﻌﺫﺒﺔ؛ ﻜﺄﻨﹼﻲ ﺃﺼﻴﺭ ﻤﺠﻨﻭﻨﺎﹰ ﺒﺎﻟﺴﻭﺩﺍﺀِ ،ﻓﺄﻨﺎ
ﻓﻲ ﺍﻟﻠﹼﻴلِ ،ﻤﻥ ﺍﻟﻤﺴﺎﺀِ ﻟﻠﺼﺒﺎﺡِ ،ﺃﺘﻜﻠﱠﻡ ﻤﻊ ﺍﻟﻘﻤﺭِ ،ﻭﺃﺭﻯ ﺍﻟﻤﻼﺌﻜﺔﹶ ﻓﻲ ﺍﻟﻨﱠﻭﻡ؛ ﺃﻨﺕﹶ
ﺍﻟﱠﺫﻱ ﺃﻋﻁﻴﺕﹶ ﺸﹶﻔﹶﺘﹶﻙ ﺍﻟﺴﻜﱠﺭﻴﺔﹶ ﻟﻠﺴﻜﺎﺭﻯ ،ﻭﻋﻴﹶﻨﻙ ﻟِﺸﺎﺭﺒﻲ ﺍﻟﺨﹶﻤﺭِ ،ﻭﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻓﻲ ﻏﺎﻴﺔِ
ﺍﻟﺤﺭﻤﺎﻥِ ﻟﻡ ﺘﹸﻌﻁِﻨﻲ ﻫﺫِﻩ ﻭﻻ ﺘِﻠﻙ(١)؛ ﻭﺒِﻤﺎ ﺃﻥ ﻜلﱠ ﺫﺭﺓِ ﺘﹸﺭﺍﺏٍ ﺘﺤﻤﻠﹸﻬﺎ ﺍﻟﺭﻴﺢ ﺘﺤﻤلُ
ﻓﻴﻀﺎﹰ ﻤِﻥ ﺇﻨﻌﺎﻤِﻙ ،ﺘﺫﻜﹼﺭ ﻫﺫﺍ ﺍﻟﻌﺒﺩ ﻭﺍﻨﻅﹸﺭ ﺒﺤﺎﻟﻲ ،ﻓﺄﻨﺎ ﺨﺎﺩِﻤﻙ ﺍﻟﻘﺩﻴﻡ؛ ﻭﻟﻴﺱ ﻜلﱡ ﻤﻥ
ﻨﻅﻡ ﺍﻟﺸﱢﻌﺭ ﻴﻠﻘﻰ ﻜﻼﻤﻪ ﻗﺒﻭلَ ﺍﻟﻘﻠﺏ ،ﻭﺃﻨﺎ ﺍﻟﱠﺫﻱ ﺍﺼﻁﺩﺕﹸ ﺤﺠلَ ﺍﻟﺼﺤﺭﺍﺀِ ﻤِﻥ
ﻤﻬﺎﺭﺓِ ﺼﻘﺭﻱ)(٢؛ ﺇﻥ ﻜﹸﻨﺕﹶ ﻏﻴﺭ ﻤﺼﺩﻗﻲ ﻓﺎﺴﺄلْ ﺭﺴﺎﻡ ﺍﻟﺼﻴﻥِ ﺍﻟﺤﺎﺫِﻕﹶ ،ﺇﻥ ﻤﺎﻨﻲ
ﻴﻁﻠﹸﺏ ﺍﻟﻨﱡﺴﺨﹶ ﹶﺔ ﻤِﻥ ﻟﺴﺎﻥِ ﻗﹶﻠﹶﻤﻲ ﺍﻟﻤِﺴﻜﻲ ﻤِﻥ ﺍﻟﻘﹶﺼﺏ؛ ﺍﻟﺤِﻔﺎﻅﹸ ﻋﻠﻰ ﺍﻟﻭﻓﺎﺀِ ﻭﻗﻭلُ
ﺍﻟﺤﻕﱢ ،ﻟﻴﺴﺎ ﺸﹸﻐلَ ﻜﹸلﱢ ﺸﺨﺹٍ ،ﻟﻜﻨﱠﻨﻲ ﻏﻼﻤﻙ ﺍﻟﺼﺎﺩﻕﹸ ﻓﻲ ﺨﺩﻤﺘِﻙ ،ﻴﺎ ﺁﺼﻑﹶ ﺍﻟﺜﹼﺎﻨﻲ
ﺠﻼل ﺍﻟﺤﻕﱢ ﻭﺍﻟﺩﻴﻥ)(٣؛ ﺭﻤﻭﺯ ﺍﻟﺴﻜﹾﺭِ ﻭﺍﻟﻌﺭﺒﺩﺓِ ﺍﺴﻤﻊ ﻤﻨﹼﻲ ﻭﻟﻴﺱ ﻤِﻥ ﺍﻟﻭﺍﻋِﻅ ،ﺃﻨﺎ
ﻤﻊ ﺍﻟﺠﺎﻡِ ﻭﺍﻟﻘﹶﺩﺡِ ﻓﻲ ﻜﹸلﱢ ﻟﹶﺤﻅﹶﺔٍ ﻨﺩﻴﻡ ﺍﻟﻘﹶﻤﺭِ ﻭﺍﻟﺜﱡﺭﻴﺎ.
ﺕ ﺍﻟﻌﻴﻥ ﻟﻠﺸﹼﺎﺭﺒﻴﻥ :ﺴﻘﻴﺕﹶ ﺃﻫلَ ﺍﻟﺸﱠﺭﺍﺏِ ﺨﻤﺭﺍﹰ ﻤِﻥ ﺍﻟﻌﻴﻥ )ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺃﻨﺎ ) (١ﺃﻋﻁﻴ ﹶ
ﺍﻟﻌﻁﺸﺎﻥ ﻭﺃﻨﺕﹶ ﺍﻟﻤﺎﺀ ،ﻭﺃﻨﺎ ﺍﻟﻤﺨﻤﻭﺭ ﻭﺃﻨﺕﹶ ﺍﻟﺸﱠﺭﺍﺏ(؛
) (٢ﻴﺭﻤﺯ ﺒﺎﻟﺼﻘﺭِ ﻟﻘﺭﻴﺤﺘِﻪِ ﺍﻟﺸﱢﻌﺭﻴﺔ؛
) (٣ﻴﻘﺼﺩ ﺠﻼلَ ﺍﻟﺩﻴﻥ ﻭﺯﻴﺭ ﺍﻟﺸﱠﺎﻩ ﺸﹸﺠﺎﻉ ،ﻭﺁﺼِﻑﹸ ﺍﻷﻭلَ ﻫﻭ ﺁﺼِﻑﹸ ﺒﻥ ﺒﺭﺨﻴﺎ ﻭﺼﻲ ﺴﻠﻴﻤﺎﻥ
ﻋﻠﻴﻬﻤﺎ ﺍﻟﺴﻼﻡ.
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ﻏﺰﻝ ٣٥٧
ﻓﻲ ﺨﺭﺍﺒﺎﺕِ ﺃﻫـلِ ﺍﻟﻤﺠـﻭﺱِ ﻨـﻭﺭ ﺍﻹﻟـﻪِ ﺃﺭﻯ
ﻋﺠﺒﻲ ﺫﻟـﻙ ﺍﻟﻨﱡـﻭﺭ ﻜﻴـﻑﹶ ﻤـﻥ ﻫﻨـﺎﻙ ﺃﺭﻯ
ﻻ ﺘﻔــﺎﺨﹶﺭ ﻋﻠــﻲ ﻴــﺎ ﻤﻠِــﻙ ﺍﻟﺤﺠــﺎﺝِ ﺃﻥ
ﺭﺃﻴــﺕﹶ ﺍﻟﺒﻴــﺕﹶ ﻓــﺈﻨﹼﻲ ﺒﻴــﺕﹶ ﺍﻹﻟــﻪِ ﺃﺭﻯ
ﺤﺭﻕﹸ ﻗﻠﺒﻲ ﻭﺩﻤﻊ ﻋﻴﻨـﻲ ﻭﺁﻩ ﻟﻴﻠـﻲ ﻭﺸـﺠﻭﻱ،
ﻤِــﻥ ﻨﻅﹶــﺭِ ﺍﻟﻠﱡﻁــﻑِ ﻤﻨــﻙ ،ﻜﹸــلﱠ ﺫﺍﻙ ﺃﺭﻯ
ﻓﻲ ﺨﺭﺍﺒﺎﺕِ ﻋﺒﺩﺓِ ﺍﻟﻨﱠﺎﺭِ ﺃﺭﻯ ﻨﻭﺭ ﺍﻹﻟﻪِ ،ﻓﺎﻋﺠﺏ ﻟﺭﺅﻴﺘﻲ ﺫﻟﻙ ﺍﻟﻨﱡﻭﺭ ﻤﻥ
ﺫﻟﻙ ﺍﻟﻤﻜﺎﻥ )ﺍﻟﻨﱠﺎﺭ ﺍﻟﱠﺘﻲ ﺠﺎﺀ ﻤﻨﻬﺎ ﻨﺩﺍﺀ ﺇﻨﹼﻲ ﺃﻨﺎ ﺍﷲ(؛ ﻻ ﺘﻔﺎﺨﹶﺭ ﻋﻠﻲ ﻴﺎ ﺩﻟﻴلَ ﺍﻟﺤﺠﺎﺝِ
ﺒِﺄﻨﱠﻙ ﺘﺭﻯ ﺍﻟﺒﻴﺕ ،ﺃﻨﺕﹶ ﺘﺭﻯ ﺍﻟﺒﻴﺕﹶ ﻭﺃﻨﺎ ﺃﺭﻯ ﺒﻴﺕﹶ ﺍﷲ؛ ﺃﺭﺩﺕﹸ ﺤلﱠ ﻋـﺭﻭﺓٍ ﻤِـﻥ
ﻀﻔﻴﺭﺓِ ﺍﻟﺼﻨﹶﻡِ ،ﻟﻘﺩ ﻓﻜﱠﺭﺕﹸ ﺒﺎﻟﻤﺤﺎلِ ﻭﺃﺭﺍﻨﻲ ﻤﺨﻁِﺌﺎﹰ؛ ﺍﺤﺘﺭﺍﻕﹸ ﺍﻟﻘﹶﻠﺏِ ،ﻤﺴﻴلُ ﺍﻟﺩﻤﻊِ،
ﺁﻩ ﺍﻟﺴﺤﺭِ ،ﺃﻨﻴﻥ ﺍﻟﻠﱠﻴلِ ،ﻜﹸلﱡ ﻫﺫﺍ ﺃﺭﺍﻩ ﻤِﻥ ﻨﹶﻅﹶﺭِ ﻟﹸﻁﹾﻔِﻙ ﻟﻲ؛ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻟﻲ ﻤِﻥ ﻭﺠﻬِﻙ
ﺭﺴﻡ ﻴﻘﻁﹶﻊ ﻁﺭﻴﻕﹶ ﺍﻟﺨﻴﺎلِ ،ﻓﻲ ﻫﺫﺍ ﺍﻟﺤِﺠﺎﺏِ ﻟِﻤﻥ ﺃﻗﻭلُ ﻤـﺎﺫﺍ ﺃﺭﻯ؟؛ ﻤـﺎ ﻭﺠـﺩ
ﺸﹶﺨﹾﺹ ﻤِﻥ ﻤِﺴﻙِ ﺨﹶﺘﹶﻥ ﻭﻨﺎﻓِﺠﺔِ ﺍﻟﺼﻴﻥِ ،ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺃﺠِ ﺩ ﻜﹸلﱠ ﺴﺤﺭٍ ﻤِﻥ ﺭﻴﺢِ ﺍﻟﺼﺒﺎ؛
ﻻ ﺘﻌﻴﺒﻭﺍ ﺤﺎﻓِﻅﹶ ﺒﺎﻟﻠﱠﻌِﺏِ ﺒﺎﻟﻨﱠﻅﹶﺭِ ﻴﺎ ﺃﺼﺩِﻗﺎﺀ ،ﺇﻨﱢﻲ ﺃﺭﺍﻩ ﻤِﻥ ﻤﺤﺒﻴﻜﹸﻡ.
ﻏﺰﻝ ٣٥٨
ﻏــﻡ ﺩﻫــﺭﻱ ﺍﻟﱠــﺫﻱ ﻻ ﺃﺭﻯ ﻟــﻪ ﺍﻨﺘﻬــﺎﺀ
ﻻ ﺃﺭﻯ ﻟــﻪ ﺩﻭﺍﺀ ﺴِــﻭﻯ ﺨﻤــﺭﺓِ ﺍﻷﺭﻏــﻭﺍﻥ
ـﺎﻟﻲ
ـﻴﺱ ﻤﻘـ
ـﺎﻥِ ﻟـ
ـﻴﺦِ ﺍﻟﻤﻐـ
ـﺔِ ﺸـ
ـﺭﻙ ﺨﺩﻤـ
ﺘـ
ﻻ ﺃﺭﻯ ﻟﻲ ﺍﻟﺨﻴـﺭ ﻓـﻲ ﺘـﺭﻙِ ﺸـﻴﺦِ ﺍﻟﻤﻐـﺎﻥ
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ﺃﺴــﻔﺎﹰ ﺃﻟــﻑﹶ ﻤــﺭﺓٍ ﺃﻨﱠﻨــﻲ ﺒﻌﻴﻨﹶــﻲ ﻫــﺎﺘﻴﻥِ
ﺍﻟﻠﱠﺘﹶــﻴﻥِ ﻜﻤــﺭﺁﺘﹶﻴﻥِ ﻻ ﺃﺭﻯ ﻭﺠﻬــﻪ ﺒﺎﻟﻌﻴــﺎﻥ
ﻏﻡ ﺩﻫﺭﻱ ﺍﻟﱠﺫﻱ ﻻ ﺃﺭﻯ ﻟﻪ ﻨﻬﺎﻴﺔﹰ ،ﻻ ﺃﺭﻯ ﻟﻪ ﻏﻴﺭ ﺨﻤﺭﺓِ ﺍﻷُﺭﺠﻭﺍﻥِ ﺩﻭﺍﺀﺍﹰ؛
ﺒِﺘﹶﺭﻙِ ﺨِﺩﻤﺔِ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻟﻥ ﺃﻗﻭلَ ﺃﺒﺩﺍﹰ ،ﻷﻨﱠﻨﻲ ﻻ ﺃﺭﻯ ﻤﺼﻠﺤﺔﹶ ﻨﻔﺴﻲ ﻓﻲ ﺫﻟﻙ)(١؛
ﺨﹸﺫﹾ ﺭِﻓﹾﻌﺔﹶ ﺍﻟﻌﻴﺵ ﻤِﻥ ﺸﹶﻤﺱِ ﺍﻟﻘﹶﺩﺡِ ،ﻓﺄﻨﺎ ﻻ ﺃﺭﻯ ﻁﺎﻟﻊ ﺍﻟﻭﻗﹾﺕِ ﻤﺴﺎﻋِﺩﺍﹰ؛
ﻋﻼﻤﺔﹸ ﺃﻫلِ ﺍﷲِ ﺍﻟﻌِﺸﹾﻕﹸ ﻓﺎﺤﻔﹶﻅﹾﻪ ﻤﻌﻙ ،ﻭﺃﻨﺎ ﻻ ﺃﺭﻯ ﻓﻲ ﻤﺸﺎﻴِﺦِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﻫﺫِﻩِ
ﺍﻟﻌﻼﻤﺔﹶ؛
ﻋﻴﻨﺎﻱ ﺍﻟﺤﺎﺌﺭﺘﺎﻥِ ﻫﺎﺘﺎﻥِ ﻤﺭﺁﺘﺎﻥِ ﺍﺜﻨﺘﺎﻥِ ،ﺃﺴﻔﺎﹰ ﺃﻟﻑﹶ ﻤﺭﺓٍ ﻷﻨﱢﻲ ﺒﻬﻤﺎ ﻻ ﺃﺭﻯ ﻭﺠﻬﻪ
ﻋﻴﺎﻨﺎﹰ)(٢؛
ﻗﺩﻙ ﺍﺨﺘﻔﻰ ﻋﻥ ﺠﺩﻭلِ ﻤﺎﺀِ ﻋﻴﻨﻲ ،ﻻ ﺃﺭﻯ ﻓﻲ ﻤﻭﻀِﻊِ ﺍﻟﺴﺭﻭِ ﺇﻻﱠ ﺍﻟﻤﺎﺀ ﺍﻟﺠﺎﺭﻱ؛
ﻻ ﺃﺤﺩ ﻴﺠﻭﺩ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻤﺨﻤﻭﺭِ ﺍﻟﻤﺤﺭﻭﻡِ ﺒﺠﺭﻋﺔٍ ،ﺍﻨﻅﹸﺭ ﻟﻬﺫﺍ ﺍﻟﺯﻤﺎﻥِ ،ﺃﻨﺎ ﻻ
ﺃﺭﻯ ﻤِﻥ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ ﺃﺤﺩﺍﹰ ﻫﺎ ﻫﻨﺎ؛
ﻻ ﺘﻁﻠﹸﺏ ﻤِﻨﱢﻲ ﺍﻟﻌﻼﻤﺔﹶ ﻋﻥ ﺸﹶﻌﺭﺓِ ﺨﹶﺼﺭِﻩِ ﺍﻟﱠﺫﻱ ﻓﻴﻪِ ﺭﻏﺒﺔﹸ ﻗﻠﺒﻲ ،ﻓﺄﻨﺎ ﻀﻴﻌﺕﹸ
ﻨﻔﺴﻲ ﻓﻲ ﺍﻟﺒﺤﺙِ ﻋﻨﻪ (٣)؛
ﺃﻨﺎ ﻭﺴﻔﻴﻨﹶﺔﹸ ﺤﺎﻓِﻅﹶ ﻓﻲ ﻫﺫﺍ ﺍﻟﺒﺤﺭِ ،ﻻ ﺃﺭﻯ ﻏﻴﺭﻫﺎ ﻤﻥ ﻴﻨﺜﹸﺭ ﺍﻟﺩﺭﺭ ﺒﻀﺎﻋﺔﹰ ﻤِﻥ
ﺍﻟﺤﺩﻴﺙ.
) (١ﺸﻴﺦﹸ ﺍﻟﻤﻐﺎﻥ ﻤﺭﺸﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ ﻭﺩﻟﻴﻠﹸﻬﻡ؛
) (٢ﻟﻴﺕ ﺃﻨﹼﻲ ﻋﺸﺕﹸ ﻓﻲ ﺯﻤﻥِ ﺍﻟﺤﺒﻴﺏِ ﺼﻠﹼﻰ ﺍﷲُ ﻋﻠﻴﻪِ ﻭﺁﻟِﻪ ﻟﺘﻘﻊ ﺼﻭﺭﺓﹸ ﻭﺠﻬِﻪِ ﺍﻟﻤﺒﺎﺭﻙِ ﻋﻠﻰ
ﻤﺭﺁﺓِ ﻋﻴﻨﻲ؛
) (٣ﺃﻭ ﺃﻨﺎ ﻨﻔﺴﻲ ﻻ ﺃﺭﻯ ﺨﹶﺼﺭﻩ.
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ﻏﺰﻝ ٣٥٩
ﺃﻱ ﻴﻭﻡٍ ﺠﻤﻴلٍ ﺫﻟﻙ ﺍﻟﻴﻭﻡ ﺍﻟﱠﺫﻱ ﺃﺭﺤلُ ﻓﻴﻪِ ﻋﻥ ﻫﺫﺍ ﺍﻟﻤﻨﺯلِ ﺍﻟﺨﺭِﺏ ،ﺃﻁﹾﻠﹸﺏ ﺭﺍﺤﺔﹶ
ﺭﻭﺤﻲ ،ﻭﺃﺴﻴﺭ ﺨﻠﻑﹶ ﺤﺒﻴﺒﻲ)(١؛
ﺭﻏﻡ ﺃﻨﹼﻲ ﺃﻋﻠﻡ ﺃﻥ ﻁﺭﻴﻕﹶ ﺍﻟﻐﺭﻴﺏِ ﻻ ﻴﻭﺼِلُ ﺇﻟﻰ ﺃﻴﺔِ ﺒﻼﺩٍ ،ﻓﺈﻨﱠﻨﻲ ﺃﺴﻴﺭ ﻋﻠﻰ
ﻋﺒﻴﺭِ ﺫﻟِﻙ ﺍﻟﺸﱠﻌﺭِ ﺍﻟﻤﺸﺘﱠﺕ؛
ﻀﺎﻕﹶ ﻗﻠﹾﺒﻲ ﻤِﻥ ﻭﺤﺸﹶﺔِ ﺴِﺠﻥِ ﺍﻻِﺴﻜﻨﺩﺭ ،ﻓﺤﺯﻤﺕﹸ ﻤﺘﺎﻋﻲ ﻗﺎﺼِﺩﺍﹰ ﻤﻠﻙ
)(٣) (٢
ﺴﻠﻴﻤﺎﻥ ؛
ﺃﺭﻭﺡ ﻜﺎﻟﺼﺒﺎ ﺒﺠِﺴﻡٍ ﻋﻠﻴلٍ ﻭﻗﻠﹾﺏٍ ﻋﺎﺠِﺯٍ ،ﺤﺒﺎﹰ ﻟﺫﻟِﻙ ﺍﻟﺴﺭﻭِ ﺍﻟﱠﺫﻱ ﻴﺘﻤﺎﻴلُ ﻓﻲ ﺩﻻل؛
ﻟﻭ ﻜﺎﻥ ﻴﻠﺯﻡ ﺃﻥ ﺃﺴﻴﺭ ﻓﻲ ﻁﺭﻴﻘِﻪِ ﻋﻠﻰ ﺭﺃﺴﻲ ﻜﺎﻟﻘﹶﻠﹶﻡِ ،ﻟﺴِﺭﺕﹸ ﺒﻘﻠﺏٍ ﺠﺭﻴﺢٍ ﻭﻋﻴﻥٍ
ﺒﺎﻜﻴﺔ؛
ﻨﹶﺫﺭ ﻋﻠﻲ ﺇﻥ ﺃﻨﺎ ﺨﹶﺭﺠﺕﹸ ﻤﻥ ﻫﺫﺍ ﺍﻟﻐﻡ ﻴﻭﻤﺎﹰ ،ﺃﻥ ﺃﺫﻫﺏ ﺇﻟﻰ ﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ﺠﺯﻻﻥ،
ﺃﻗﺭﺃُ ﺍﻟﻐﺯلَ؛
ﻭﺒِﺤﺒﻴﻪِ ﺴﺄﻤﻀﻲ ﻋﻠﻰ ﺼِﻔﹶﺔِ ﺫﺭﺓٍ ﺭﻗﺼﺎﹰ ،ﻭﺃﺫﻫﺏ ﺇﻟﻰ ﺤﺎﻓﱠﺔِ ﻋﻴﻥِ ﺍﻟﺸﱠﻤﺱِ
ﺍﻟﺴﺎﻁِﻌﺔ؛
ﺍﻟﺴﺎﺌﺭﻭﻥ ﻋﺩﻭﺍﹰ ﻻ ﻴﺒﺎﻟﻭﻥ ﺒِﻐﻡ ﺃﺤﻭﺍلِ ﺃﻭﻟﻲ ﺍﻷﺤﻤﺎلِ ﺍﻟﺜﱠﻘﻴﻠﺔ ،ﻴﺎ ﺭﻫﺒﺎﻥ ﺍﻟﻤﺩﺩ
ﻷﺴﻴﺭ ﺴﻴﺭﺍﹰ ﺠﻤﻴﻼﹰ ﺴﻬﻼﹰ؛
ﻭﺇﺫﺍ ﻜﻨﺕﹸ ،ﻜﺤﺎﻓِﻅﹶ ،ﻟﻡ ﺃﺴﻠﹸﻙِ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺍﻟﱠﺘﻲ ﺘﹸﺨﺭِﺠﻨﻲ ﻤﻥ ﺍﻟﺼﺤﺭﺍﺀ ،ﻓﺴﺄﻟﺘﹶﺤِﻕﹸ
ﺒﻜﻭﻜﹶﺒﺔِ ﺭﻜﺏِ ﺁﺼِﻑِ ﺍﻟﻌﺼﺭِ ﻭﺃﻜﻭﻥ ﻤﻌﻬﻡ.
) (١ﺍﻟﻤﻨﺯل ﺍﻟﺨﺭِﺏ ﺍﻟﺩﻨﻴﺎ؛
) (٢ﺍﻟﻘﻠﻡ ﻴﺴﻴﺭ ﻋﻠﻰ ﺭﺃﺴِﻪِ ﻭﻗﻠﺒﻪ ﻤﺠﺭﻭﺡ ﻭﻋﻴﻨﹸﻪ ﺘﺒﻜﻲ؛
) (٣ﺴﺠﻥ ﺍﻻﺴﻜﻨﺩﺭ ﻤﺩﻴﻨﺔﹸ ﻴﺯﺩ ،ﻭﻴﻘﺼﺩ ﺒﻤﻠﻙِ ﺴﻠﻴﻤﺎﻥ ﻤﺴﻜﻥ ﺍﻟﻔﺭﺱ ﻓﻲ ﺠﻨﻭﺏِ ﺇﻴﺭﺍﻥ
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ﻏﺰﻝ ٣٦٠
ﺇﺫﺍ ﺫﹶﻫﺒﺕﹸ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻤﻨﺯِلِ ﺍﻟﺨﺭِﺏِ ﺇﻟﻰ ﻤﻨﺯِﻟﻲ ،ﺤﻴﺜﹸﻤﺎ ﺃﺫﻫﺏ ﻫﻨﺎﻙ ،ﺴﺄﺫﻫﺏ
ﻋﺎﻗِﻼﹰ ﻭﺤﻜﻴﻤﺎﹰ)(١؛
ﻭﺇﺫﺍ ﻋﺩﺕﹸ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺴﻔﹶﺭِ ﺒﺎﻟﺴﻼﻤﺔِ ﺇﻟﻰ ﻭﻁﹶﻨﻲ ،ﻨﹶﺫﹾﺭ ﻋﻠﻲ ﺃﻥ ﺃﺴﻴﺭ ﻓﻲ ﻁﺭﻴﻕِ
ﺍﻟﺤﺎﻨﹶﺔِ ﺃﻴﻀﺎﹰ؛
ﻭﺴﺄﻤﻀﻲ ﺇﻟﻰ ﺒﺎﺏِ ﺍﻟﺼﻭﻤﻌﺔِ ،ﻭﻤﻌﻲ ﺍﻟﻌﻭﺩ ﻭﺍﻟﻜﺄﺱ ،ﻷُﺤﺩﺙﹶ ﺒﻤﺎ ﺍﻨﻜﺸﹶﻑﹶ ﻟﻲ
ﻤِﻥ ﻫﺫﺍ ﺍﻟﺴﻴﺭِ ﻭﺍﻟﺴﻠﻭﻙ؛
ﺃﻫلُ ﻋِﺭﻓﺎﻥِ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ﻟﻭ ﺸﹶﺭِﺒﻭﺍ ﺩﻤﻲ ،ﺃﻜﻭﻥ ﻟﺌﻴﻤﺎﹰ ﺇﺫﺍ ﺭﺤﺕﹸ ﺸﺎﻜﻴﺎﹰ ﺇﻟﻰ ﺍﻟﻐﹸﺭﺒﺎﺀ؛
ﺒﻌﺩ ﻫﺫﺍ ،ﻴﺩﻱ ﻭﺠﺩﻴﻠﹶﺔﹸ ﺍﻟﻤﺤﺒﻭﺏِ ﻜﺎﻟﺯﻨﺠﻴﺭ ،ﻜﻡ ﻭﻜﻡ ﺴﺄﺴﻴﺭ ﺨﻠﻑﹶ ﻗﻠﺒﻲ ﺍﻟﻤﺠﻨﻭﻥ)(٢؛
ﺇﺫﺍ ﻤﺎ ﺭﺃﻴﺕﹸ ﻗﻭﺱ ﺤﺎﺠِﺒِﻪِ ﺍﻟﺸﱠﺒﻴﻪِ ﺒﺎﻟﻤِﺤﺭﺍﺏِ ﻤﻔﺘﻭﺤﺎﹰ ،ﺴﺄﺨﺭ ﺴﺎﺠِﺩﺍﹰ ﺸﹸﻜﹾﺭﺍﹰ،
ﻭﺴﺄﻅﹶلﱡ ﺸﺎﻜِﺭﺍﹰ؛
ﻤﺎ ﺃﺴﻌﺩ ﺍﻟﻠﱠﺤﻅﹶﺔﹶ ﺍﻟﱠﺘﻲ ﺃﺫﻫﺏ ﺒﻬﺎ ﻜﺤﺎﻓِﻅﹶ ﺒﻭﻻﺌﻲ ﻟﻠﻭﺯﻴﺭ ،ﺴﻜﺭﺍﻥ ﺍﻟﺭﺃﺱِ ،ﻤﻊ
ﺍﻟﺤﺒﻴﺏ ،ﻤِﻥ ﺍﻟﺤﺎﻨﹶﺔِ ﺇﻟﻰ ﺍﻟﺒﻴﺕ.
ﻏﺰﻝ ٣٦١
ﻤﻨﺫﹸ ﺴﺤﻘﹶﺘﻨﻲ ﺃﻗﺩﺍﻡ ﺍﻟﺠﻔﺎﺀِ ﺼِﺭﺕﹸ ﻏﹸﺒﺎﺭ ﺍﻟﻁﱠﺭﻴﻕِ ،ﺃُﻗﺒلُ ﺍﻟﺘﱡﺭﺍﺏ ﺘﺤﺕﹶ ﻗﹶﺩﻤِﻪِ
ﻭﺃﻁﻠﹸﺏ ﺍﻟﻌﺫﹾﺭ ﻤِﻥ ﻗﹶﺩﻤِﻪ؛
ﻟﺴﺕﹸ ﺃﻨﺎ ﻤﻥ ﻴﺼﺭﺥﹸ ﻤِﻥ ﺠﻭﺭِﻙ ،ﺤﺎﺸﺎ ،ﺃﻨﺎ ﻤﻘِﺭ ﺒﺎﻟﻌﺒﻭﺩﻴﺔِ ﻭﻁﺎﻟﺏ ﻟِﺩﻭﻟﹶﺔِ ﺍﻟﺨِﺩﻤﺔ؛
) (١ﺇﺫﺍ ﻤﺎ ﺫﻫﺒﺕﹸ ﻤِﻥ ﺍﻟﺩﻨﻴﺎ ﺇﻟﻰ ﺍﻟﺠﻨﱠﺔِ ﻓﻠﻥ ﺃﺘﺭﻜﹶﻬﺎ ﻜﻤﺎ ﺘﺭﻜﺘﹸﻬﺎ ﻤِﻥ ﻗﺒلُ ﻭﺴﺄﻜﻭﻥ ﻋﺎﻗِﻼﹰ ﻭﺤﻜﻴﻤﺎ؛
) (٢ﻻ ﺃﺭﻓﹶﻊ ﻴﺩﻱ ﻋﻥ ﻀﻔﻴﺭﺓِ ﺍﻟﺤﺒﻴﺏ ﻜﺎﻟﺯﻨﺠﻴﺭ.
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ﻋﻠﱠﻘﹾﺕﹸ ﺒِﺤﻠﹾﻘﹶﺔِ ﻓﺭﻋِﻙ ﺍﻟﻤﺠﻌﺩِ ﺃﻤﻼﹰ ﻁﻭﻴﻼﹰ ،ﻻ ﻜﹸﻨﹾﺕﹶ ﺘﺠﻌلُ ﻴﺩ ﺍﻟﻁﱠﻠﹶﺏِ ﻤﻨﱢﻲ ﻗﺼﻴﺭﺓﹶ؛
ﺃﻨﺎ ﺫﺭﺓﹸ ﺘﹸﺭﺍﺏٍ ﻓﻲ ﺩِﻴﺎﺭِﻙ ،ﻭﻟﻲ ﻓﻲ ﺤِﻤﺎﻙ ﻤﺤلﱞ ﺠﻤﻴلٌ ،ﺨﻭﻓﻲ ﻴﺎ ﺤﺒﻴﺏ ﺘﺤﻤِﻠﹶﻨﻲ
ﺍﻟﺭﻴﺢ ﻓﺠﺄﺓﹰ ﻤﻨﻬﺎ؛
ﺸﻴﺦﹸ ﺍﻟﺤﺎﻥِ ﺃﻋﻁﺎﻨﻲ ﺍﻟﺴﺤﺭ ﺠﺎﻡ ﻤﻅﹾﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡ ،ﻭﺃﻋﻁﺎﻨﻲ ﺇﺸﺎﺭﺓﹰ ﻋﻠﻰ ﺤﺴﻨِﻙ ﻓﻲ
ﺘﻠﻙ ﺍﻟﻤﺭﺁﺓ؛
ﺃﻨﺎ ﺼﻭﻓﻲ ﺼﻭﻤﻌﺔِ ﻋﺎﻟﹶﻡِ ﺍﻟﻘﹸﺩﺱِ ﻟﻜِﻥ ،ﺤﺎﻟﻴﺎﹰ ﺃﻨﺎ ﻤﻨﺩﻭﺏ ﻟِﺩﻴﺭِ ﺍﻟﻤﻐﺎﻥ؛
ﻭﺃﻨﺎ ﺍﻟﻤﺸﺭﺩ ﺍﻟﻔﻘﻴﺭ ،ﻗﹸﻡ ﻤﻌﻲ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ﻭﺴﻭﻑﹶ ﺘﺭﻯ ﻓﻲ ﺘِﻠﻙ ﺍﻟﺤﻠﻘﹶﺔِ ﻜﻡ ﺃﻨﺎ
ﺼﺎﺤِﺏ ﺠﺎﻩٍ؛
ﺕ ﺴﻜﺭﺍﻥ ﺒﻲ ،ﻭﻟﻡ ﺘﹸﻔﻜﱢﺭ ﻓﻲ ﺤﺎﻓِﻅﹶﻙ ،ﺁﻩِ ﺇﺫﺍ ﻤﺎ ﻭﺼﻠﹶﺕﹾ ﺁﻫﻲ ﺍﻟﻨﱠﺎﺭﻴﺔﹸ ﺇﻟﻰ
ﻤﺭﺭ ﹶ
ﺜﻭﺏِ ﺤﺴﻨِﻙ؛
ﺒﺩﺍ ﻟﻲ ﺠﻤﻴﻼﹰ ﻗﻭلُ ﻤﻠِﻙِ ﺍﻟﻤﺸﺭِﻕِ ﻓﻲ ﺍﻟﺴﺤﺭ ،ﻤِﻥ ﺒﻴﻥِ ﺍﻟﻤﻠﻭﻙِ ،ﺃﻨﺎ ﺨﺎﺩِﻡ
ﺘﻭﺭﺍﻨﺸﺎﻩ).(١
ﻏﺰﻝ٣٦٢
ﺍﻟﻠﱢﻘﺎﺀ ﺼﺎﺭ ﻤﻴﺴﺭﺍﹰ ،ﻭﺍﻟﺘﱠﻘﺒﻴلُ ﻭﺍﻟﻌِﻨﺎﻕﹸ ﺃﻴﻀﺎﹰ ،ﺃﻨﺎ ﺃﺸﻜﹸﺭ ﺍﻟﺒﺨﹾﺕﹶ ﻭﺃﺸﻜﹸﺭ ﺍﻟﺩﻫﺭ
ﺃﻴﻀﺎﹰ؛
ﺯﺍﻫِﺩ ﺍﺫﻫﺏ ﻓﺈﻥ ﻁﺎﻟِﻌﻲ ﺇﻥ ﻴﻁﹾﻠﹶﻊ ،ﺘﻘﻊ ﺍﻟﺠﺎﻡ ﺒِﻜﻔﱢﻲ ﻭﻓﹶﺭﻉ ﺍﻟﺤﺒﻴﺏِ ﺃﻴﻀﺎﹰ؛
ﺃﻨﺎ ﺒﺎﻟﺴﻜﹾﺭِ ﻭﺍﻟﺨﻼﻋﺔِ ﻻ ﺃﻋﻴﺏ ﺸﹶﺨﹾﺼﺎﹰ ،ﻋﻘﻴﻕﹸ ﺸِﻔﺎﻩِ ﺍﻷﺼﻨﺎﻡِ ﻋﺫﺏ ،ﻭﺍﻟﺨﹶﻤﺭ
ﺤﺴﻥ ﺍﻟﻔِﻌﺎلِ ﺃﻴﻀﺎﹰ؛
ﺏ ﺃُﻋﻁﻴﻙ ﺍﻟﺒِﺸﺎﺭﺓﹶ ،ﻏﺎﺏ ﺍﻟﻤﺤﺘﺴِﺏ ،ﻭﺍﻟﻌﺎﻟﹶﻡ ﺼﺎﺭ ﺒﺎﻟﺨﹶﻤﺭِ ﻤﻤﻠﻭﺀﺍﹰ،
ﻴﺎ ﻗﻠ
ﻭﺒﺎﻷﺼﻨﺎﻡِ ﺍﻟﱠﺘﻲ ﺘﹶﺸﺭﺏ ﺍﻟﺨﹶﻤﺭ ﺃﻴﻀﺎﹰ؛
) (١ﻤﻠﻙ ﺍﻟﻤﺸﺭﻕ :ﺍﻟﺸﹼﻤﺱ ،ﻭﺘﻭﺭﺍﻨﺸﺎﻩ ﻫﻭ ﺍﻟﺴﻴﺩ ﺠﻼل ﺍﻟﺩﻴﻥ ﺘﻭﺭﺍﻨﺸﺎﻩ ﻭﺯﻴﺭ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ.
-٣٥٤-
ﺘﺴﻠﻴﻡ ﺍﻟﺨﺎﻁِﺭِ ﻟِﻴﺩِ ﺍﻟﺘﱠﻔﺭِﻗﹶﺔِ ﻟﻴﺱ ﺤِﻜﹾﻤﺔﹰ ،ﺍﻁﻠﹸﺏِ ﺍﻟﻤﺠﻤﻭﻉ ﻭﺍﺠﻠﺏِ ﺍﻟﺼﺭﺍﺤﻴﺔﹶ ﺃﻴﻀﺎﹰ)(١؛
ﻋﻠﻰ ﺍﻟﻤﺘﺭﺒﻴﻥ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ﺃﺭِﻕﹾ ﺠﺭﻋﺔﹶ ﺸﹶﻔﹶﺘِﻪِ ،ﻟﻴﺼﻴﺭ ﺍﻟﺘﱡﺭﺍﺏ ﺒﻠﻭﻥِ
ﺍﻟﻌﻘﻴﻕِ ،ﻭﻴﻔﻭﺡ ﺒﺎﻟﻤِﺴﻙِ ﺃﻴﻀﺎﹰ؛
ﺍﻨﺘﻬﻰ ﻨﹶﻅﹶﺭ ﻋﻴﻥِ ﺍﻟﺴﻭﺀِ ﻤِﻥ ﺍﻟﻜﻤﻴﻥِ ،ﻭﺍﻟﺨﹶﺼﻡ ﺭﺍﺡ ﻭﺍﺨﺘﻔﻰ ،ﻭﺍﺨﺘﻔﻰ ﺍﻟﺩﻤﻊ ﻤِﻥ
ﺤﻭﻟﻲ ﺃﻴﻀﺎﹰ؛
ﻭﺒﻤﺎ ﺃﻥ ﺍﻟﻜﺎﺌﻨﺎﺕِ ﺠﻤﻠﹶﺔﹰ ﺘﺤﻴﺎ ﺸﻭﻗﺎﹰ ﺇﻟﻴﻙ ،ﺃﻱ ﺸﹶﻤﺱ ﺍﻟﻭﺠﻭﺩِ ﻤﺩ ﻅِﻠﱠﻙ ﻋﻠﻴﻨﺎ ﻨﺤﻥ،
ﻭﺃﺩِﻤﻪ ﺃﻴﻀﺎﹰ؛
ﻭﺒﻤﺎ ﺃﻥ ﻤﺎﺀ ﻭﺠﻪِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﻭﺍﻟﻭﺭﺩِ ﻤﻥ ﻓﻴﺽِ ﺤﺴﻨِﻙ ،ﺃﻱ ﻏﻴﻡ ﺍﻟﻠﱡﻁﹾﻑِ ﺃﻤﻁِﺭ ﻫﺫﺍ
ﺍﻟﻤﺘﺭِﺏ ﺃﻴﻀﺎﹰ؛
ﺤﺎﻓِﻅﹸ ﺃﺴﻴﺭ ﻓﹶﺭﻋِﻙ ،ﺨﹶﻑﹾ ﻤِﻥ ﺍﷲِ ،ﻭﻤِﻥ ﺍﻨﺘِﺼﺎﻑِ ﺁﺼِﻑﹶ ﺍﻟﱠﺫﻱ ﻟﻪ ﺍﻗﺘِﺩﺍﺭ ﺠﻤﺸﻴﺩ
ﺃﻴﻀﺎﹰ؛
ﺒﺭﻫﺎﻥ ﺍﻟﻤﻠﹾﻙِ ﻭﺍﻟﺩﻴﻥِ ﺍﻟﱠﺫﻱ ﻤِﻥ ﻴﺩِ ﻭﺯﺍﺭﺘِﻪِ ،ﻤﻌﺎﺩِﻥ ﻤِﻥ ﺍﻟﻴﻤﻴﻥِ ،ﻭﺒﺤﺭ ﻤِﻥ ﺍﻟﺸﱢﻤﺎلِ
ﺃﻴﻀﺎﹰ)(٢؛
ﺍﻟﺴﻤﺎﺀ ﻓﻲ ﺍﻟﺼﺒﺢِ ﺒِﺫِﻜﹾﺭِ ﺭﺃﻴِﻪِ ﺍﻷﻨﻭﺭِ ﺘﺠﻌلُ ﺍﻟﺭﻭﺡ ﻓِﺩﺍﺀ ،ﻭﺍﻟﻜﻭﺍﻜِﺏ ﻨِﺜﺎﺭﺍﹰ ﺃﻴﻀﺎﹰ؛
ﻋﺼﺎ ﻋﺩﻟِﻪِ ﺨﹶﻁﹶﻔﹶﺕﹾ ﻜﹸﺭﺓﹶ ﺍﻷﺭﺽِ ،ﻭﻓﹶﺭﻀﺕﹾ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺴﻘﻑِ ﺍﻟﻨﱢﻴﻠﻲ ﺍﻟﻤﺭﻓﻭﻉِ
ﺍﻟﺤِﺼﺎﺭ ﺃﻴﻀﺎﹰ؛
ﻋﺯﻡ ﺠﻭﺍﺩِﻙ ﺍﻟﺴﺭﻴﻊِ ﺃﺜﺎﺭ ﺍﻀﻁِﺭﺍﺏ ﻤﺤﻜﹶﻡِ ﻤﺭﻜﺯِ ﺍﻟﻔﹶﻠﹶﻙِ ﻋﺎﻟﻲ ﺍﻟﻤﺩﺍﺭِ ﺃﻴﻀﺎﹰ؛
ﻤﺎ ﻨﹶﺘﹶﺞ ﻋﻥِ ﺍﻟﻔﹶﻠﹶﻙِ ﻭﻁﹶﻭﺭِ ﺩﻭﺭِﻩِ ﺘﻌﺎﻗﺏ ﻟﻠﺸﱡﻬﻭﺭِ ﻭﺍﻟﺴﻨﻴﻥ ،ﻭﺍﻟﺨﺭﻴﻑِ ﻭﺍﻟﺭﺒﻴﻊِ ﺃﻴﻀﺎﹰ؛
ﻻ ﻜﺎﻥ ﻗﺼﺭ ﺠﻼﻟِﻪِ ﺨﺎﻟﻴﺎﹰ ﻤِﻥ ﺍﻟﺴﺎﺩﺓِ ﺍﻟﻜِﺭﺍﻡِ ،ﻭﻤِﻥ ﺍﻟﺴﻘﺎﺓِ ﺫﻭﻱ ﺍﻟﻘﺩ ﻜﺎﻟﺴﺭﻭِ،
ﻭﺍﻟﻌِﺫﺍﺭِ ﺍﻟﻭﺭﺩﻱ ﺃﻴﻀﺎﹰ).(٣
) (١ﺍﻟﻤﺠﻤﻭﻉ :ﻜﺘﺎﺏ ﻤﺘﻔﺭﻗﺎﺕ ﻭﺃﺸﻌﺎﺭ؛
) (٢ﺒﺭﻫﺎﻥ ﺍﻟﺩﻴﻥ ﺃﺒﻭ ﻨﺼﺭ ﻓﺘﺢ ﺍﻟﺩﻴﻥ ﻭﺯﻴﺭ ﺍﻷﻤﻴﺭ ﻤﺒﺎﺭِﺯ ﺍﻟﺩﻴﻥ ﻤﺤﻤﺩ؛
) (٣ﺍﻟﺒﻴﺘﺎﻥِ ﺍﻷﺨﻴﺭﺍﻥ ﻤﺘﺭﺍﺒِﻁﺎﻥ.
-٣٥٥-
ﻏﺰﻝ ٣٦٣
ﺩﺍﺌﻲ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ﻭﺩﻭﺍﺌﻲ ﻤﻨﻪ ﺃﻴﻀﺎﹰ ،ﻓِﺩﺍﺅﻩ ﺍﻟﻘﻠﺏ ﻤِﻨﱢﻲ ﻭﺍﻟﺭﻭﺡ ﺃﻴﻀﺎﹰ؛
ﻭﻫﺫﺍ ﺍﻟﱠﺫﻱ ﻴﻘﻭﻟﻭﻥ ﻋﻨﹾﻪ ﺃﻨﱠﻪ ﺃﺠﻤلُ ﻤِﻥ ﺍﻟﺤﺴﻥِ ،ﺤﺒﻴﺒﻨﺎ ﻴﻤﻠﻜﹸﻪ ،ﻭﻴﻤﻠﻙ ﺫﺍﻙ ﺃﻴﻀﺎﹰ؛
ﺫﹶﻜﹶﺭ ﺍﷲُ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺒِﻘﹶﺼﺩِ ﺩﻤﺎﺌِﻨﺎ ،ﻨﹶﻘﹶﺽ ﺍﻟﻌﻬﺩ ﻭﻨﹶﻘﹶﺽ ﺍﻟﻤﻴﺜﺎﻕﹶ ﺃﻴﻀﺎﹰ؛
ﻴﺎ ﺭِﻓﺎﻕﹸ ،ﻤِﻥ ﻭﺭﺍﺀِ ﺍﻟﺤِﺠﺎﺏِ ﺃﺭﻭﻱ ﺤﺩﻴﺜﺎﹰ ،ﺴﻭﻑﹶ ﻴﺤﻜﻰ ﻭﻴﺼﻴﺭ ﻗﺼﺔﹰ ﻟﻠﺭﻭﺍﺓِ ﺃﻴﻀﺎﹰ؛
ﻤﺜﻠﻤﺎ ﺍﻨﺘﻬﺕﹾ ﺩﻭﻟﹶﺔﹸ ﻟﻴﺎﻟﻲ ﺍﻟﻭﺼل ،ﺴﻭﻑﹶ ﺘﻨﺘﻬﻲ ﺃﻴﺎﻡ ﺍﻟﻬِﺠﺭﺍﻥِ ﺃﻴﻀﺎﹰ؛
ﻭﻤﻀﺔﹸ ﻭﺠﻬِﻪِ ﻜﻼ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ،ﻗﹸﻠﺕﹸ ﻟﻙ ﻫﺫﺍ ﺠﻬﺭﺍﹰ ،ﻭﻗﹸﻠﺘﹸﻪ ﺴِﺭﺍﹰ ﺃﻴﻀﺎﹰ؛
ﻻ ﺍﻋﺘِﻤﺎﺩ ﻋﻠﻰ ﺤﺎلِ ﺍﻟﺩﻨﻴﺎ ،ﺒل ﻭﻻ ﻋﻠﻰ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﺩﻭﺍﺭِ ﺃﻴﻀﺎﹰ؛
ﺍﻟﻌﺎﺸِﻕﹸ ﻻ ﻴﺨﺎﻑﹸ ﻤِﻥ ﺍﻟﻘﺎﻀﻲ ،ﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ ،ﺒل ﻭﻻ ﻤِﻥ ﻤﺤﺘﹶﺴِﺏِ ﺍﻟﺩﻴﻭﺍﻥِ ﺃﻴﻀﺎﹰ؛
ﺍﻟﻤﺤﺘﹶﺴِﺏ ﻴﻌﻠﹶﻡ ﺃﻥ ﺤﺎﻓِﻅﹶ ﻋﺎﺸِﻕﹲ ،ﻭﺁﺼِﻑﹸ ﻤﻠﹾﻙِ ﺴﻠﻴﻤﺎﻥ ﻴﻌﻠﹶﻡ ﺃﻴﻀﺎﹰ
ﻏﺰﻝ ٣٦٤
ﻨﺤﻥ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻔﺎﺭِﻏﻴﻥ ﻤِﻥ ﺍﻟﻐﻡ ﺘﹶﺭﻜﻨﺎ ﺍﻟﻘﹸﻠﻭﺏ ،ﻨﺤﻥ ﻤﺤﺭِﻤﻭ ﺃﺴﺭﺍﺭِ ﺍﻟﻌِﺸﹾﻕِ،
ﻭﺠﻠﻴﺴﻭ ﺠﺎﻡِ ﺍﻟﺸﱠﺭﺍﺏ؛
ﻜﻡ ﺭﻤﻭﺍ ﻋﻠﻴﻨﺎ ﺍﻟﺴﻬﺎﻡ ﻋﻥ ﻗﹶﻭﺱِ ﺍﻟﻤﻼﻤﺔِ ،ﺇﻟﻰ ﺃﻥ ﺘﹶﻡ ﻟﻨﺎ ﺍﻟﻔﹶﺘﹾﺢ ﻤِﻥ ﺤﺎﺠِﺏِ
ﺍﻟﺤﺒﻴﺏ؛
ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ﺍﻟﺠﺩﻴﺩ ،ﺃﻨﺕﹶ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺫﹸﻗﹾﺕﹶ ﺤﺭﺍﺭﺓﹶ ﺍﻟﺼﺒﻭﺡِ ،ﺃﻤﺎ ﻨﺤﻥ ﺍﻟﺸﱠﻘﺎﺌﻕﹶ
ﻓﻤﻊ ﻫﺫِﻩِ ﺍﻟﺤﺭﺍﺭﺓ ﻭﻟِﺩﻨﺎ؛
ﺇﻥ ﻜﺎﻥ ﺸﻴﺦﹸ ﺍﻟﻤﻐﺎﻥِ ﺼﺎﺭ ﻤِﻥ ﺘﻭﺒﺘِﻨﺎ ﻤﻠﻭﻻﹰ ،ﻗﹸلْ ﻟﻪ ﻴﺼﺏ ﺍﻟﺨﹶﻤﺭ ﺍﻟﺼﺎﻓﻲ ﻓﻘﺩ
ﻭﻗﻔﻨﺎ ﻟﻼﻋﺘِﺫﺍﺭ؛
-٣٥٦-
ﺇﻥ ﺃﻤﺭﻱ ﻤﻴﺴﺭ ﺒِﻙ ،ﻤﺩﺩﺍﹰ ﻴﺎ ﺩﻟﻴلَ ﺍﻟﻁﱠﺭﻴﻕ ،ﻨﺤﻥ ﺒﺎﻟﺤﻕﱢ ﻤﻌﺘﺭِﻓﻭﻥ ﻭﻗﺎﺌﻠﻭﻥ ،ﺇﻨﱠﺎ
ﻀﺎﻟﱡﻭﻥ؛
ﻻ ﺘﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﺨﹶﻤﺭِ ﻜﺎﻟﺸﱠﻘﺎﺌﻕِ ﻭﺍﻟﻘﹶﺩﺡ ﻴﺩﻭﺭ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺃﺜﹶﺭِ ﺤﺭﺍﺭﺓِ ﺍﻟﻨﱠﺎﺭِ ﻋﻠﻰ
ﻗﻠﺒِﻨﺎ ﺍﻟﻤﺠﺭﻭﺡ؛
ﻗﹸﻠﺕﹶ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻤﺎ ﻜﹸلﱡ ﻫﺫِﻩِ ﺍﻷﻟﻭﺍﻥِ ﻭﺍﻟﺨﻴﺎﻻﺕِ ﺍﻟﱠﺘﻲ ﻋِﻨﺩﻙ ،ﻻ ﺘﹶﺭ ﺍﻟﻨﱠﻘﹾﺵﹶ ﻏﹶﻠﹶﻁﹶﺎﹰ ،
ﻤﺎ ﺯﺍلَ ﻟﻭﺤﻲ ﺼﺎﻓِﻴﺎﹰ ﺨﺎﻟﻴﺎﹰ ﻤِﻥ ﺍﻟﻨﱠﻘﺵ.
ﻏﺰﻝ ٣٦٥
ﻤﺭ ﻋﻤﺭ ﺤﺘﱠﻰ ﺠﻌﻠﻨﺎ ﺍﻟﻭﺠﻪ ﻓﻲ ﺩﺭﺏِ ﻏﻤﻙ ،ﻭﻨﻔﺎﻕﹶ ﻭﺭﻴﺎﺀ ﺍﻟﺨﻠﹾﻕِ ﺠﻤﻠﹶﺔﹰ ،ﺘﺭﻜﹾﻨﺎ؛
ﻁﺎﻕﹶ ﻭﺭﻭﺍﻕﹶ ﺍﻟﻤﺩﺭﺴﺔِ ﻭﻗﺎلَ ﻭﻗﻴلَ ﺍﻟﻌِﻠﹾﻡِ ،ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺠﺎﻡِ ﻭﺍﻟﺴﺎﻗﻲ ﺒِﻁﻠﹾﻌﺔِ ﺍﻟﺒﺩﺭِ،
ﺠﻌﻠﹾﻨﺎ؛
ﺃﻭﺩﻋﻨﺎ ﺍﻟﺭﻭﺡ ﻟﻠﻨﱠﺭﺠِﺴﺘﹶﻴﻥِ ﺍﻟﺴﺎﺤِﺭﺘﹶﻴﻥ ،ﻭﺍﻟﻘﻠﺏ ﻟﻠﺴﻨﺒﻠﹶﺘﹶﻴﻥِ ﺍﻟﺴﻭﺩﺍﻭﻴﻥِ ﺠﻌﻠﻨﺎ؛
ﻤﺭ ﻋﻤﺭ ﻨﻨﺘﻅِﺭ ﻤﻨﻙ ﺇﺸﺎﺭﺓﹰ ،ﻭﺍﻟﻌﻴﻥ ﻋﻠﻰ ﺯﺍﻭﻴﺘﹶﻲِ ﺍﻟﺤﺎﺠﺒﻴﻥِ ﺠﻌﻠﹾﻨﺎ)(١؛
ﻨﺤﻥ ﻤﺎ ﻤﻠﹶﻜﹾﻨﺎ ﻤﻠﹾﻙ ﺍﻟﻌﺎﻓﻴﺔِ ﺒﺎﻟﺠﻴﺵ ،ﻭﻻ ﺒﺎﻟﻘﻭﺓِ ﺘﺨﹾﺕﹶ ﺍﻟﺴﻠﹾﻁﹶﻨﹶﺔِ ﺃﺨﹶﺫﻨﺎ؛
ﻟِﻨﺭﻯ ﺴِﺤﺭ ﻋﻴﻥِ ﺍﻟﺤﺒﻴﺏِ ﻤﺎ ﻟﹸﻌﺒﺘﹸﻪ ،ﺍﻟﺒﻨﻴﺎﻥ ﻟﻐﻤﺯﺘِﻪِ ﺍﻟﺴﺎﺤﺭﺓِ ﻤﻥ ﺠﺩﻴﺩٍ ﻋﺭﻀﻨﺎ؛
ﻨﺤﻥ ﺒﻼ ﻓﹶﺭﻋِﻪِ ﺍﻟﻌﻨﻴﺩِ ،ﻤِﺜﹾلَ ﺍﻟﺒﻨﹶﻔﹾﺴﺞِ ،ﺍﻟﺭﺅﻭﺱ ﺍﻟﻤﻌﺫﱠﺒﺔﹶ ،ﻤِﻥ ﺍﻟﻤﻼلِ ،ﻋﻠﻰ
ﺍﻟﺭﻜﹶﺏِ ،ﻭﻀﻌﻨﺎ)(٢؛
ﻭﻨﺤﻥ ﻓﻲ ﺯﺍﻭﻴﺔِ ﺍﻷﻤلِ ﻜﻨﻅﱠﺎﺭﺓِ ﺍﻟﻘﹶﻤﺭِ ،ﻋﻴﻥ ﺍﻟﻁﱠﻠﹶﺏِ ﺇﻟﻰ ﻗﻭﺱِ ﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏِ ﺭﻓﹶﻌﻨﺎ)(٣؛
ﻗﺎلَ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺃﻴﻥ ﻗﻠﺒﻙ ﺍﻟﻬﺎﺌﻡ؟ ،ﻟﹶﻘﹶﺩ ﺠﻌﻠﻨﺎﻩ ﻓﻲ ﺤﻠﹶﻘﺎﺕِ ﺘِﻠﻙ ﺍﻟﻀﻔﻴﺭﺓِ ﺍﻟﻤﺠﻌﺩﺓ.
) (١ﺠﻌﻠﹾﻨﺎ ﻋﻴﻭﻨﻨﺎ ﻤﻌﻠﱠﻘﹶﺔﹰ ﺒﺯﺍﻭﻴﺘﹶﻲِ ﺍﻟﺤﺎﺠِﺒﻴﻥِ ﻨﻨﺘﹶﻅِﺭ ﻏﹶﻤﺯﺓﹰ ﻤﻨﻙ؛
) (٢ﺠﻠﺴﻨﺎ ﺠﻠﺴﺔﹶ ﺍﻟﻤﻐﻤﻭﻡِ ﺍﻟﻤﺤﺯﻭﻥِ ،ﻭﺍﻀِﻌﻴﻥ ﺍﻟﺭﺅﻭﺱ ﻋﻠﻰ ﺍﻟﺭﻜﹶﺏ ،ﻜﺎﻟﺒﻨﻔﺴﺠﺔِ ﺍﻟﺫﱠﺍﺒِﻠﹶﺔ؛
) (٣ﻜﻤﻥ ﻴﻨﺘﻅِ ﺭ ﻁﹸﻠﻭﻉ ﺍﻟﻘﹶﻤﺭِ ،ﺠﻠﺴﻨﺎ ﻓﻲ ﺯﺍﻭﻴﺔِ ﺍﻷﻤلِ ،ﻨﻨﺘﻅِﺭ ﺃﻥ ﻴﻁﻠﹶﻊ ﻋﻠﻴﻨﺎ ﻫِﻼلُ ﺤﺎﺠِﺏِ ﺍﻟﺤﺒﻴﺏ.
-٣٥٧-
ﻏﺰﻝ ٣٦٦
ﻨﺤﻥ ﻤﺎ ﺠِﺌﻨﺎ ﺇﻟﻰ ﻫﺫﺍ ﺍﻟﺒﺎﺏِ ﻁﹶﻠﹶﺒﺎﹰ ﻟﻠﺤِﺸﹾﻤﺔِ ﻭﺍﻟﺠﺎﻩِ ،ﺠِﺌﻨﺎ ﺇﻟﻰ ﻫﻨﺎ ﻨﺤﺘﻤﻲ ﻤِﻥ ﺸﹶﺭ ﺍﻟﺤﻭﺍﺩِﺙ؛
ﻕ ﻟِﻨﹶﺼِلَ
ﺴﺎﻟِﻜﻭﻥ ﺇﻟﻰ ﻤﻨﺯِلِ ﺍﻟﻌِﺸﹾﻕِ ﻭﺠِﺌﻨﺎ ﻤِﻥ ﺤﺩ ﺍﻟﻌﺩﻡِ ،ﻭﻗﹶﻁﹶﻌﻨﺎ ﻜﹸلﱠ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴ ﹶ
ﺇﻟﻰ ﺇﻗﻠﻴﻡِ ﺍﻟﻭﺠﻭﺩِ؛
ﺏ ﺸﹸﻐﹾلَ ﻋﺒﺎﺩِ ﺍﻟﺸﱠﻤﺱِ؛
ﺭﺃﻴﻨﺎ ﺨﹸﻀﺭﺓﹶ ﺨﻁﱢ ﻋﺫﺍﺭِﻙ ،ﻓﺠِﺌﻨﺎ ﻤِﻥ ﺒﺴﺘﺎﻥِ ﺍﻟﺠﻨﱠﺔِ ﻨﻁﻠﹸ
ﺒِﻤِﺜلِ ﻫﺫﺍ ﺍﻟﻜﹶﻨﺯِ ﺍﻟﱠﺫﻱ ﺨﺎﺯِﻨﹸﻪ ﺍﻟﺭﻭﺡ ﺍﻷﻤﻴﻥ ﻤﻌﻨﺎ ،ﺠِﺌﻨﺎ ﻨﺴﺘﺠﺩﻱ ﺒِﺒﺎﺏِ ﻤﻨﺯِلِ ﺍﻟﺸﱠﺎﻩِ)(١؛
ﺃﻴﻥ ﻫﻲ ﻤﺭﺴﺎ ﹸﺓ ﺤِﻠﻤِﻙِ ﻴﺎ ﺴﻔﻴﻨﹶﺔﹶ ﺍﻟﺘﱠﻭﻓﻴﻕِ ،ﻟﻘﺩ ﺠِﺌﻨﺎ ﺇﻟﻰ ﺒﺤﺭِ ﺍﻟﻜﹶﺭﻡِ ﻫﺫﺍ ،ﻏﺎﺭِﻗﻴﻥ
ﺒِﺎﻟﺫﱡﻨﻭﺏِ؛
ﻤﺎﺀ ﻭﺠﻬِﻨﺎ ﻴﺫﻫﺏ ،ﺃﻴﻬﺎ ﺍﻟﻐﻴﻡ ﺍﻟﺴﺎﺘِﺭ ﻟﻠﺨﻁﺄِ ﺃﻤﻁِﺭ ،ﻓﻘﺩ ﺠﺌﻨﺎ ﺇﻟﻰ ﺩﻴﻭﺍﻥِ ﺍﻟﻌﻤلِ
ﺒِﺼﺤﺎﺌﻑﹶ ﺴﻭﺩٍ؛
ﺤﺎﻓِﻅﹸ ﺍﻁﺭﺡ ﻋﻨﹾﻙ ﻫﺫِﻩِ ﺍﻟﺨِﺭﻗﹶ ﹶﺔ ﻤِﻥ ﺍﻟﺼﻭﻑِ ،ﻨﺤﻥ ﺠِﺌﻨﺎ ﻓﻲ ﻁﹶﻠﹶﺏِ ﻗﺎﻓِﻠﹶﺔٍ ﺒﻬﺎ ﻨﺎﺭ ﺍﻵﻩ.
ﻏﺰﻝ ٣٦٧
)(٢
ﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﻋِﻨﹾﺩ ﺍﻟﻤـﺩﺍﻡِ ﻨﹶـﺩﻴﻡ ﻤﻘﺎﻟﻲ ﺒِﺘﹶﺤﺭﻴﻡِ ﺍﻟﻤـﺩﺍﻡِ ﻗﹶـﺩﻴﻡ
ﺴِــﻨﻴﻥ ،ﻭﺇﻨﹼــﻲ ﻻ ﺃﺯﺍلُ ﺃُﻗــﻴﻡ ﺃﻗﹶﻤﺕﹸ ﺒِﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ﻤِﻥ ﺃﺠلِ ﺠﺭﻋﺔٍ
ﺤﺒﻴﺒﻲ ﻓﹶﻌﻬـﺩﻱ ﺒﺎﻟﻭﻓـﺎﺀِ ﻗﹶـﺩﻴﻡ ﻓﺫﻜﱢﺭ ،ﻨﹶﺴِﻴﻡ ﺍﻟﻔﹶﺠﺭِ ،ﺇﻥ ﻜﺎﻥ ﻨﺎﺴِﻴﺎﹰ،
)(٣
ﺴﻴﺭﻗﹸﺹ ﻤِﻨﹼﻲ ﺍﻟﻌﻅﹾﻡ ﻭﻫﻭ ﺭﻤﻴﻡ ﺕ ﻤِﻥ ﻓﹶﻭﻕ ﺘﹸﺭﺒﺘﻲ
ﺇﺫﺍ ﺒﻌﺩ ﻗﹶﺭﻥٍ ﺠﺯ ﹶ
) (١ﻤﻌﻨﺎ ﻜﻨﺯ ﺍﻟﻌِﺸﹾﻕِ ﻭﺠﺌﻨﺎ ﻨﺴﺘﺠﺩﻱ ﺍﻟﻌﻁﺎﺀ ﺒِﺒﺎﺏِ ﺍﻟﻤﻠﻴﻙِ ﺍﻟﻤﻁﻠﹶﻕ.
) (٢ﺇﻨﱠﻨﻲ ﺃﻗﻭلُ ﺒﺘﺤﺭﻴﻡِ ﺍﻟﺨﻤﺭِ ﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﺍﻟﻤﺤﺒﻭﺏ ﺤﺎﻀﺭﺍﹰ ﻭﺒﺫﻟﻙ ﺃﻓﺘﻰ ﺸﻴﺦﹸ ﺍﻟﻁﱠﺭﻴﻘﺔ؛
) (٣ﻫﺫﺍ ﺍﻟﺒﻴﺕ ﻴﺸﺒﻪ ﺒﻴﺕﹶ ﻜﺜﹶﻴﺭ ﻋﺯﺓ:
ﻷﺠﺒﺕﹸ ﺼـﻭﺘﹶﻙِ ﻭﺍﻟﻌِﻅـﺎﻡ ﺭﻓـﺎﺕﹸ؛ ـﻭﺘِﻨﻲ
ـﻭﻗﻲ ﺘﺭﺒ ـﺔﹰ ﻭﺩﻋـ
ـﻭ ﺃﻥ ﻓـ
ﻟـ
-٣٥٨-
ﺃﻴﻨﹾﺴﺎﻩ ﻟﻲ ﺤﺎﺸـﺎﻩ ﻓﻬـﻭ ﻜﹶـﺭﻴﻡ ﺠﻌﻠﹾﺕﹸ ﻓـﺅﺍﺩﻱ ﻟﻠﺤﺒﻴـﺏِ ﻭﺩﻴﻌـﺔﹰ
)(١
ﺴﻴﺄﺘﻴﻙ ﺒﺎﻟﻐﹶﻭﺙِ ﺍﻟﺼﺒﺎﺡ ﻨﹶـﺴﻴﻡ ﻓﻴﺎ ﺒﺭﻋﻤﺎﹰ ﻻ ﺘﹶﺸﹾﺘﹶﻙِ ﺍﻟﻀﺭ ﻭﺍﻷﺫﻯ
)(٢
ﻭﻫلْ ﺩﺍﺀ ﻋِﺸﹾﻕٍ ﻗﹶﺩ ﺃﻁﺎﺏ ﺤﻜﻴﻡ ﻭﻜﹸﻥ ﻏﹶﻴﺭ ﻫﺫﺍ ﺍﻟﺒﺎﺏِ ﻴﺎ ﻗﹶﻠﹾﺏ ﺩﺍﺨِﻼﹰ
ﻓﻠﺴﺕﹶ ﻟﻤﺎلٍ ﻤـﺎ ﺠﻤﻌـﺕﹶ ﺘـﺩﻭﻡ ﻭﺭﺡ ﺩﺭﺭ ﺍﻟﻌِﺭﻓﺎﻥِ ﻟِﻠﹾﻐﹶﺩِ ﺠﺎﻤِﻌـﺎﹰ
ﻨﺜﺭﺍﹰ :ﻓﺘﻭﻯ ﺸﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻋﻨﺩﻱ ﻭﻗﹶﻭﻟﻲ ﻗﺩﻴﻡ ،ﺒﺄﻥ ﺍﻟﺨﹶﻤﺭ ﺤﺭﺍﻡ ﻫﻨﺎﻙ ﺤﻴﺙﹸ
ﻻ ﺤﺒﻴﺏ ﻨﺩﻴﻡ؛ ﺴﺄُﻤﺯﻕﹸ ﺜﻭﺏ ﺍﻟﺭﻴﺎﺀِ ﺍﻟﺨﹶﻠﹶﻕﹶ ﻫﺫﺍ ﻤِﺯﻗﺎﹰ ،ﻤﺎ ﺃﺼﻨﹶﻊ ﻭﺼﺤﺒﺔﹸ ﺍﻟﺩﻨﻲ
ﻟﻠﺭﻭﺡِ ﻋﺫﺍﺏ ﺃﻟﻴﻡ(٣)؛ ﻋﻠﻰ ﺃﻤلِ ﺃﻥ ﺘﻨﺜﹸﺭ ﻟﻲ ﺸﹶﻔﹶﺔﹸ ﺍﻟﺤﺒﻴﺏِ ﺠﺭﻋﺔﹰ ،ﻤﻀﺕﹾ ﺴِﻨﻭﻥ
ﻭﺃﻨﺎ ﺒﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ﻤﻘﻴﻡ؛ ﻜﺄﻨﱠﻪ ﻨﺴﻲ ﺨِﺩﻤﺘﻲ ﻟﻪ ﺍﻟﻘﺩﻴﻤﺔﹶ ،ﺃﻱ ﻨﺴﻴﻡ ﺍﻟﺴﺤﺭِ ﺫﻜﱢﺭﻩ
ﺍﻟﻌﻬﺩ ﺍﻟﻘﺩﻴﻡ؛ ﻤِﻥ ﺒﻌﺩِ ﻤﺌﺔِ ﻋﺎﻡٍ ﺇﻥ ﺘﻤﺭ ﻋﻠﻰ ﻗﺒﺭﻱ ،ﻋِﻅﺎﻤﻲ ﺘﺭﻓﹶﻊ ﺍﻟﺭﺃﺱ ﻤِﻥ
ﺍﻟﺘﱡﺭﺍﺏِ ﺭﺍﻗِﺼﺔﹰ ﻭﻫﻲ ﺭﻤﻴﻡ؛ ﺍﻟﺤﺒﻴﺏ ﻤِﻥ ﺒﻌﺩِ ﻤِﺌﺔِ ﻭﻋﺩٍ ﺒﺎﻟﻭﺼلِ ﺃﺨﹶﺫﹶ ﺃﻭﻻﹰ ﻤﻨﹼﺎ
ﺍﻟﻘﻠﺏ ،ﻅﺎﻫِﺭﺍﹰ ﺴﻭﻑﹶ ﻟﻥ ﻴﻨﺴﻰ ﺍﻟﻌﻬﺩ ﺒِﺎﻟﺨﹸﻠﹸﻕِ ﺍﻟﻜﺭﻴﻡ؛ ﻗﹸلْ ﻟﻠﺒﺭﻋﻡِ ﻻ ﻴﻜﹸﻥ ﻗﻠﺒﻙ
ﻀﻴﻘﺎﹰ ﻤِﻥ ﺘﻌﻘﱡﺩِ ﺃﻤﺭِﻙ ،ﻓﻤِﻥ ﺘﻨﻔﱡﺱ ﺍﻟﺼﺒﺢِ ﺴﺘﹶﺠِﺩ ﺍﻟﻤﺩﺩ ﻭﺃﻨﻔﺎﺱِ ﺍﻟﻨﱠﺴﻴﻡ؛ ﻴﺎ ﻗﻠﺏ
ﻓﻜﱢﺭ ﺠﻴﺩﺍﹰ ﻭﺍﻁﺭﻕﹾ ﺒﺎﺒﺎﹰ ﺁﺨﹶﺭ ،ﺇﻥ ﺃﻟﹶﻡ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﻴﻁﻴﺏ ﺒﻤﺩﺍﻭﺍﺓِ ﺤﻜﻴﻡ؛ ﺍﺨﺯِﻥ
ﺠﻭﻫﺭ ﺍﻟﻤﻌﺭِﻓﹶﺔِ ﺍﻟﱠﺫﻱ ﺴﺘﺤﻤﻠﹸﻪ ﻤﻌﻙ ،ﻓﻨﺼﻴﺏ ﺍﻵﺨﹶﺭﻴﻥ ﻨِﺼﺎﺏ ﺍﻟﺫﱠﻫﺏِ ﻭﺍﻟﻔِﻀﺔ؛
ﺇﻥ ﺍﻟﺸﱢﺒﺎﻙ ﻗﻭﻴﺔﹲ ﺇﻟﱠﺎ ﺃﻥ ﻴﻌﻴﻥ ﻟﹸﻁﹾﻑﹸ ﺍﷲِ ،ﻟﻭﻻﻩ ﻤﺎ ﺍﻨﺼﺭﻑﹶ ﻋﻥ ﺁﺩﻡ ﺍﻟﺸﱠﻴﻁﺎﻥ
ﺍﻟﺭﺠﻴﻡ)(٤؛ ﺤﺎﻓِﻅﹸ ﻤﺎ ﺍﻟﻀﻴﺭ ﺇﻥ ﻟﻡ ﺘﻜﹸﻥ ﺘﻤﻠﻙ ﺍﻟﻔِﻀﺔﹶ ﻭﺍﻟﺫﱠﻫﺏ ،ﻜﹸﻥ ﺸﺎﻜِﺭﺍﹰ ،ﻓﹶﺈﻥ
ﺨﹶﻴﺭﺍﹰ ﻤِﻥ ﺍﻟﺩﻭﻟﹶﺔِ ﻟﹸﻁﹾﻑﹸ ﺍﻟﺤﺩﻴﺙِ ،ﻭﺍﻟﻁﱠﺒﻊ ﺍﻟﺴﻠﻴﻡ.
) (١ﻴﺎ ﺒﺭﻋﻤﺎﹰ ﻟﻡ ﻴﺘﻔﺘﱠﺢ ﺒﻌﺩ ﻭﻫﻭ ﻓﻲ ﻤﺤﻨﺔٍ ﻭﻀﻴﻕ ﺼﺒﺭﺍﹰ ﻓﺈﻥ ﻨﺴﻴﻡ ﺼﺒﺎﺡِ ﺍﻟﺭﺒﻴﻊِ ﺍﻟﻁﱠﻴﺏ ﻗﺎﺩﻡ
ﺇﻟﻴﻙ؛
) (٢ﺇﻥ ﺩﺍﺀ ﺍﻟﻌﺸﻕِ ﻻ ﻴﺩﺍﻭﻴﻪِ ﺍﻟﻁﱠﺒﻴﺏ ﻓﻼ ﺘﺒﺤﺙﹾ ﻋﻥ ﺩﻭﺍﺌﻙ ﻋﻨﺩﻩ؛
) (٣ﺼﺤﺒﺔﹸ ﺍﻟﺩﻨﻲ ﻋﺫﺍﺏ ﺃﻟﻴﻡ ﻟﻠﺭﻭﺡ ،ﻫﺫِﻩِ ﺍﻟﺨﺭﻗﹶﺔِ ﺍﻟﱠﺘﻲ ﺒِﻬﺎ ﺍﻟﺭﻴﺎﺀ ﺼﺤﺒﺘﹸﻬﺎ ﻋﺫﺍﺏ ﺃﻟﻴﻡ ﻟﻠﺭﻭﺡِ
ﺍﻟﻁﱠﺎﻫِﺭﺓ؛
) (٤ﺍﻟﺸﱢﺒﺎﻙ ﻫﻨﺎ ﺘﺭﻤﺯ ﺇﻟﻰ ﻤﻜﺎﺌﺩِ ﺇﺒﻠﻴﺱ.
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ﻏﺰﻝ ٣٦٨
ﻗﹸﻡ ﺒِﻨﺎ ﻨﻁﻠﹸﺏِ ﺍﻟﻔﹶﺭﺝ ﻤِﻥ ﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ،ﻨﺠﻠِﺱ ﻓﻲ ﺩﺭﺏِ ﺍﻟﺤﺒﻴﺏِ ﻭﻨﻁﻠﹸﺏ ﺍﻟﻤﺭﺍﺩ؛
ﺯﺍﺩ ﻁﺭﻴﻕِ ﺤﺭﻡِ ﺍﻟﻭﺼلِ ﻻ ﻨﻤﻠﻙ ﺍﻟﺒﺘﱠﺔﹶ ،ﻓﻠﻨﹶﺴﺄلْ ﺒﺒﺎﺏِ ﺍﻟﺨﻤﺎﺭﺓِ ﻭﻟﻨﹶﻁﹾﻠﹸﺏِ ﺍﻟﺯﺍﺩ؛
ﺩﻤﻌﻨﺎ ﺍﻟﻤﻠﻭﺙﹸ )ﺒﺎﻟﺩﻡِ( ﺠﺎﺭٍ ﻭﻟﻜِﻨﱠﻨﺎ ﻨﻁﻠﹸﺏ ﻟﻠﺭﺴﺎﻟﹶﺔِ ﺇﻟﻴﻪ ﺭﺴﻭﻻﹰ ﻁﺎﻫِﺭ ﺍﻟﻌﻨﺼﺭ؛
ﻓﻠﺘﹶﻜﹸﻥ ﻟﹶﺫﱠﺓﹸ ﺤﺭﺍﺭﺓِ ﻏﻤﻙ ﺤﺭﺍﻤﺎﹰ ﻋﻠﻰ ﻗﻠﺒﻲ ،ﺇﻥ ﻜﹸﻨﺕﹸ ﻤِﻥ ﺠﻭﺭِ ﻏﻡ ﻋِﺸﹾﻘِﻙ ﺃﻁﻠﹸﺏ
ﺍﻹﻨﺼﺎﻑ؛
ﻤﺎ ﺒﻘِﻴﺕﹾ ﻨﹸﺴﺨﹶﺔﹸ ﺍﻟﻌِﻁﹾﺭِ ﺩﻭﺍﺀ ﻗﹶﻠﹾﺏِ ﺍﻟﻤﺼﺎﺏِ ﺒﺎﻟﺠﻨﻭﻥ ،ﺴﻨﻅﹶلﱡ ﻨﻁﻠﹸﺏ ﺴﻭﺍﺩ ﺍﻟﻤِﺴﻙِ
ﻤِﻥ ﺨﻁﱢ ﻋِﺫﺍﺭِﻙ ﺍﻟﱠﺫﻱ ﻴﻨﺸﹸﺭ ﺍﻟﻐﺎﻟﻴﺔ)(١؛
ﻭﺒﻤﺎ ﺃﻥ ﻏﻤﻙ ﻻ ﻴﻤﻜِﻥ ﺃﻥ ﻴﻭﺠﺩ ﺇﻻﱠ ﻓﻲ ﻗﹶﻠﺏٍ ﺴﻌﻴﺩ ،ﻨﺤﻥ ﺒِﺄﻤلِ ﺍﻟﺤﺼﻭلِ ﻋﻠﻰ
ﻏﻤﻙ ﻨﻁﻠﹸﺏ ﺍﻟﺨﺎﻁِﺭ ﺍﻟﺴﻌﻴﺩ؛
ﺇﻟﻰ ﻤﺘﻰ ﺘﻅﹶلﱡ ﺠﺎﻟِﺴﺎﹰ ﺒﺒﺎﺏِ ﺍﻟﻤﺩﺭﺴﺔِ ﻴﺎ ﺤﺎﻓِﻅ ،ﻗﹸﻡ ﺒﻨﺎ ﻨﻁﻠﹸﺏِ ﺍﻟﻔﹶﺭﺝ ﻤِﻥ ﺒﺎﺏِ ﺍﻟﺤﺎﻥ.
ﻏﺰﻝ ٣٦٩
ﻥ ﻜﹸﻨﱠﺎ ﻨﺅﻤلُ ﻋﻭﻥ ﺍﻷﺤِﺒﺔِ ،ﻤﺎ ﻓﻜﱠﺭﻨﺎ ﺒِﻪِ ﻜﺎﻥ ﻜﹸﻠﱡﻪ ﻏﹶﻠﹶﻁﺎﹰ؛
ﻨﺤ
ﻤﻨﺘﻅﺭﻭﻥ ﺇﻟﻰ ﺃﻥ ﺘﹸﺜﹾﻤِﺭ ﺸﹶﺠﺭﺓﹸ ﺍﻟﻤﺤﺒﺔِ ،ﺤﺎﻟﻴﺎﹰ ﺫﹶﻫﺒﻨﺎ ﻭﺯﺭﻋﻨﺎ ﺍﻟﺒِﺫﹾﺭﺓﹶ؛
ﺍﻟﺠِﺩﺍلُ ﻤﺎ ﻜﺎﻥ ﻴﻭﻤﺎﹰ ﻤﺴﻠﹶﻙ ﺍﻟﺩﺭﻭﻴﺵ ،ﻭﻟﻭ ﻜﺎﻥ ﻟﻜﺎﻥ ﻟﻨﺎ ﻤﻌﻙ ﺃﻗﺎﺼﻴﺹ؛
ﺃﺴﻠﻭﺏ ﻋﻴﻨِﻙ ﻜﺎﻥ ﺨِﺩﻋﺔﹶ ﺍﻟﺤﺭﺏِ ،ﺃﺨﻁﹶﺄﻨﺎ ﻭﻅﹶﻨﹶﻨﱠﺎﻩ ﺼﻠﺤﺎﹰ؛
) (١ﺍﻟﺨﻁﹼ ﺸﻌﺭ ﻭﺠﻪِ ﺍﻟﺤﺩﺙ ،ﺨﺎﺼﺔﹰ ﻋﻠﻰ ﺍﻟﻌﺫﺍﺭ )ﺃﻤﺎﻡ ﺍﻷﺫﻥ( ﻭﺤﻭلَ ﺍﻟﻔﻡ ،ﻭﺍﻟﻐﺎﻟﻴﺔ ﻤﺯﻴ
ﺞ
ﺍﻟﻌﻁﻭﺭِ ﺍﻟﺜﹼﻤﻴﻨﹶﺔ؛ ﻭﻫﻨﺎﻙ ﺒﻴﺕﹲ ﺒﻌﺩ ﻫﺫﺍ ﺍﻟﺒﻴﺕ ﻓﻲ ﻨﹸﺴﺦٍ ﺘﺭﺠﻤﺘﹸﻪ :ﻤﺠﺔﹰ ﻤِﻥ ﺸﹶﻔﹶﺘِﻙ ﺍﻟﻌﺫﹾﺒﺔِ
ﻁﹶﻠﹶﺏ ﺍﻟﻘﹶﻠﹾﺏ ﺒﺎﻟﺭﻭﺡ ،ﻗﺎﻟﺕﹾ ﺸﹶﻔﹶﺘﹸﻙ ﺒِﻀﺤﻜﹶﺔٍ ﺴﻜﱠﺭﻴﺔٍ ﻁﻠﺒﻨﺎ ﻤﻘﻀﻲ.
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ﺸﹶﺠﺭﺓﹸ ﻭﺭﺩِ ﺤﺴﻨِﻙ ﻻ ﺘﹸﻀﻲﺀ ﻋﻔﻭ ﺍﹰ ،ﻨﺤﻥ ﺒِ ﻨﹶﻔﹶ ﺱِ ﺍﻟﻬِﻤﺔِ ﻨﹸﺤﺎﻓِﻅﹸ ﻋﻠﻴﻬﺎ
ﻤﻀﻴﺌﺔﹰ؛
ﻜﺎ ﻨﹶﺕﹾ ﻤﻭﺍ ﻀِﻊ ﻟﻠﺸﱠﻜﻭﻯ ،ﻭﻟﻡ ﻴ ﻘﹸﻡ ﺒﺎﻟﺸﱢﻜﺎﻴﺔِ ﺸﹶﺨﺹ ،ﻨﺤﻥ ﺠﺎﻨِﺏ ﺍﻟﺤﺭ ﻤﺔِ
ﻨﺭﻋﻰ؛
ﻗﺎلَ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺃﻨﺕﹶ ﺃﻋﻁﻴﺘﻨﺎ ﻗﻠﺒ ﻙ ﺒِ ﻨﹶﻔ ﺴِﻙ ،ﻨﺤ ﻥ ﻟ ﻡ ﻨﹸﺭﺴِلْ ﻤﺤﺼ ﻼﹰ ﻴﺄ ﺨﹸﺫﹸﻩ
ﻤِﻨﹾﻙ.
ﻏﺰﻝ ٣٧٠
ﻻ ﺘﺒﺤﺙﹾ ﻋﻥِ ﺍﻟﺼﻼﺡِ ﻤﻨﱠﺎ ﻓﻘﺩ ﺠﻌﻠﻨﺎ ﺼﻼﺘﻨﺎ ﻟﻠﺴﻜﺎﺭﻯ ،ﻓﻲ ﺩﻭﺭِ ﻨﺭﺠِﺱِ ﻋﻴﻨِﻙ
ﺍﻟﺴﻜﺭﻯ ﺴﺄﻟﻨﺎ ﺍﻟﺴﻼﻤﺔﹶ ﻓﻲ ﺍﻟﺩﻋﺎﺀ؛
ﺍﻓﺘﹶﺢ ﻟﻲ ﺒﺎﺏ ﺍﻟﺨﻤﺎﺭﺓِ ،ﻓﻠﻡ ﻴﻨﻔﹶﺘِﺢ ﻟﻲ ﺸﻲﺀ ﻤِﻥ ﺍﻟﺨﺎﻨِﻘﺎﻩ ،ﻭﺴﻭﺍﺀ ﻜﺎﻥ ﻟﻙ ﺘﺼﺩﻴﻕﹲ
ﺃﻡ ﻻ ،ﺍﻟﺤﺩﻴﺙﹸ ﻜﺎﻥ ﻫﻜﺫﺍ ،ﻜﻤﺎ ﻗﹸﻠﻨﺎ؛
ﺃﻨﺎ ﻤِﻥ ﻋﻴﻨِﻙ ،ﺃﻱ ﺴﺎﻗﻲ ،ﺃﺼﺎﺒﻨﻲ ﺍﻟﺨﺭﺍﺏ ﻭﻟﻜِﻥ ،ﻟﻠﺒﻼﺀِ ﺍﻵﺘﻲ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ﻗﹸﻠﻨﺎ
ﺃﻟﻑﹶ ﻤﺭﺤﺒﺎﹰ؛
ﺇﺫﺍ ﻟﻡ ﺘﺭﺤﻤﻨﺎ ﻓﺴﻭﻑﹶ ﺘﻨﺩﻡ ﺃﺨﻴﺭﺍﹰ ،ﻭﺍﺤﻔﹶﻅﹾ ﻫﺫﺍ ﺍﻟﻤﻌﻨﻰ ﻓﻲ ﺍﻟﺨﺎﻁِﺭِ ،ﻭﺃﻴﻥ ﻗﻠﻨﺎﻩ
ﻓﻲ ﺨِﺩﻤﺘِﻙ؛
ﻗﻠﺕﹸ :ﻗﹶﺩﻙ ﺍﻟﺸﱠﻤﺸﺎﺩ ،ﻭﻜﻡ ﺃﺼﺎﺒﻨﻲ ﺍﻟﺨﹶﺠلُ ﺃﻥ ﻟِﻤﺎﺫﺍ ﻋﻤﻠﻨﺎ ﻫﺫِﻩِ ﺍﻟﻨﱢﺴﺒﺔﹶ ،ﻭﻟﻤﺎﺫﺍ ﻗﻠﻨﺎ
ﻫﺫﺍ ﺍﻟﺒﻬﺘﺎﻥ!؛
ﺼﺎﺭ ﻗﻠﺒﻲ ﻜﻨﺎﻓِﺠﺔِ ﺍﻟﺩﻡ ،ﻭﺫﺍﻙ ﺠﺯﺍﺅﻩ ،ﺠﺯﺍﺀ ﻋﻠﻰ ﻤﺎ ﺃﺨﻁﺄﺕﹸ ﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﻋﻥ
ﺠﻌﺩِ ﻓﺭﻋِﻙ؛
ﻴﺎ ﺤﺎﻓِﻅﹸ ﺃﻨﺕ ﺍﺤﺘﺭﻗﹾﺕﹶ ﺒﺎﻟﻨﱠﺎﺭِ ﻭﻟﻡ ﺘﺅﺜﱢﺭ ﺒﺎﻟﺤﺒﻴﺏ ،ﻜﺄﻨﱠﺎ ﺤﻜﻴﻨﺎ ﺤِﻜﺎﻴﺔﹶ ﺴﻭﺀِ ﻋﻬﺩِ
ﺍﻟﻭﺭﺩِ ﻟﻠﺼﺒﺎ.
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ﻏﺰﻝ ٣٧١
ﻭﻓﻲ ﺩﺭﺏِ ﻤﻥ ﺃﻫﻭﻯ ﺠﻌﻠﺕﹸ ﺩﻋﺎﺌﻲ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ﺩﺭﺴﻲ ﻤﺴﺤِﺭﺍﹰ ﻭﺒﻜﺎﺌﻲ
ﻋﻠـﻰ ﺒﻴـﺩﺭِ ﺍﻟﺯﻫـﺎﺩِ ﻭﺍﻟﻌﻘﹶـﻼﺀِ ﻭﻓﻲ ﻗﻠﺒﻲ ﺍﻟﻤﺠﻨﻭﻥِ ﻨﺎﺭ ﻭﻗﺩ ﺃﺘﺕﹾ
ﻟﺫﺍﻙ ﺇﻟﻰ ﻴـﻭﻡِ ﺍﻟﻬـﻼﻙِ ﺒﻼﺌـﻲ ﻭﻤﻥ ﺃﺯلٍ ﺃُﻭﺘﻴﺕﹸ ﻜﹶﻨﺯ ﺃَﺴﻰ ﺍﻟﻬﻭﻯ
ﻭﺃﻏﻠﻘﺕﹸ ﻤﻥ ﺩﻭﻥِ ﺍﻟﺤِﺴﺎﻥِ ﻓِﻨـﺎﺌﻲ ﻁﺒﻌﺕﹸ ﻋﻠﻰ ﻗﻠﺒﻲ ﺒﺨﺘﻡِ ﺸِـﻔﺎﻫِﻪِ
ﻨﺤﻥ ﺩﺭ ﺱ ﺍﻟﺴﺤﺭِ ﺠﻌﻠﻨﺎ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺤﺎﻥ ،ﻭﻤﺤﺼ ﻭلَ ﺍﻟﺩﻋﺎﺀِ ﺠﻌﻠﻨﺎ
ﻓﻲ ﻁﺭﻴ ﻕِ ﺍﻟﺤﺒﻴﺏ )(١؛ ﺃﺸﻌ ﻠﹶﺕِ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﻤﺤﺼﻭلِ ﻤِﺌﺔِ ﺯﺍﻫِﺩٍ ﻋﺎﻗِلٍ ،ﺤﺭﺍﺭ ﺓﹸ
ﺍﻟﻨﱠﺎﺭِ ﻋﻠﻰ ﻗﻠﺒِﻨﺎ ﺍﻟﻤﺠﻨﻭﻥِ )(٢؛ ﺴﻠﻁﺎﻥ ﺍﻷﺯلِ ﺃﻋﻁﺎﻨﺎ ﻜﻨﺯ ﻏﹶﻡ ﺍﻟﻌِ ﺸﹾﻕِ ،ﺤﺘﱠﻰ
ﻭﺠﻬﻨﺎ ﺍﻟﻭﺠﻭﻩ ﻟﻬﺫﺍ ﺍﻟﻤﻨﺯِلِ ﺍﻟﺨﹶﺭِﺏ )(٣؛ ﺒﻌ ﺩ ﻫﺫﺍ ﻟﻥ ﺃﻓﺘﹶﺢ ﻟﺤﺏ ﺍﻟﺤِﺴﺎﻥِ
ﻁﹶﺭﻴﻘﺎﹰ ﻟِﻘﻠﺒﻲ ،ﻟﻘﺩ ﺨﹶﺘﹶﻤﻨﺎ ﻋﻠﻰ ﺒﺎﺏِ ﻫﺫﺍ ﺍﻟﻤﻨﺯلِ ﺒِﺨﹶﺘﹾﻡِ ﺸﹶﻔﹶﺘِﻪِ؛ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﺨِﺭﻗﹶﺔِ
ﻟﻥ ﻴﻜﻭﻥ ﻤِﻨﱠﺎ ﻤﺯﻴ ﺩ ﻨِﻔﺎﻕ ،ﻓﻘﺩ ﺠﻌﻠﻨﺎ ﻤِﻥ ﻤﺴﻠﹶ ﻙِ ﺍﻟﺨﻼﻋﺔِ ﻫﺫﺍ ﺍﺴﺎﺴﺎﹰ ﻟﻨﺎ؛
ﺃﺨﻴﺭﺍﹰ ﻭﺒﻌﺩ ﺃﻥ ﺃﺒ ﺤﺭﺕﹾ ﻫﺫِﻩِ ﺍﻟ ﺴﻔﻴﻨﹶﺔﹸ ﺍﻟﻬﺎﺌﻤﺔﹸ ،ﺠﻌﻠﻨﺎ ﺍﻟﺠﻭ ﻫﺭ ﺍﻟ ﻔﹶﺭﺩ ﻭﺤﺩﻩ
ﺒﻐ ﻴﺔﹶ ﺍﻟﺭﻭﺡِ؛ ﺍﻟﻤِﻨﱠﺔﹸ ﷲِ ﺃﻥ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺃﻋﻁﻴﻨﺎﻩ ﻟﹶ ﻘﹶﺏ ﻋﺎﻗِلٍ ﻭﺤﻜﻴﻡٍ ﻜﺎﻥ ﻤِﺜﻠﹶﻨﺎ
ﺒﻼ ﻗﻠﺏٍ ﻭﺩﻴﻥٍ ) ،(٤ﻭﻜﹸ ﻨﱠﺎ ﺒِﺨﻴﺎلٍ ﻤِﻨﹾﻙ ﻗﺎ ﻨِﻌﻴ ﻥ ﻜﺤﺎﻓِﻅ ،ﻴﺎ ﺭﺏ ﺃﻴﺔﹶ ﻫِ ﻤﺔٍ ﻟِﺸﹶﺤﺎ ﺫٍ
ﻤِﺴﻜﻴ ﻥٍ ﺤﻤﻠﻨﺎ ).(٥
) (١ﻭِﺭﺩ ﺴﺤﺭﻱ ﺃﻁﻠﹸﺏ ﺒِﻪِ ﺍﻟﺤﺎﻥ ﻭﺩﻋﺎﺌﻲ ﻟﻠﺤﺒﻴﺏِ ﻻ ﻟِﻨﹶﻔﺴﻲ؛
) (٢ﻭﻨﺎﺭ ﺍﻟﻌِﺸﻕِ ﻓﻲ ﻗﻠﺒﻨﺎ ﺃﺤﺭﻗﺕ ﻤﺤﺼﻭلَ ﺍﻟﺯﻫﺎﺩِ ﻭﺍﻟﻌﻘﻼﺀ ﻭﻤﺎ ﺠﻤﻌﻭﺍ ﻭﻤﺎ ﺍﺩﺨﺭﻭﺍ؛
) (٣ﺇﻥ ﻏﻡ ﻋﺸﻘﻨﺎ ﻜﻨﺯ ﺃﻋﻁﺎﻨﺎ ﺇﻴﺎﻩ ﻤﺎﻟِﻙ ﺍﻟﻤﻠﻙِ ﻤﻥ ﺍﻷﺯلِ ﻟِﺫﻟِﻙ ﺠِﺌﻨﺎ ﺇﻟﻰ ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡ ﺍﻟﺨﺭِﺏِ
ﻓﻠﻴﺱ ﻴﻔﺎﺭﻗﹸﻨﺎ ﺤﺘﹼﻰ ﻫﻼﻜﻨﺎ؛
) (٤ﻟﻤﺎ ﺩﻗﹼﻘﻨﺎ ﻓﻲ ﺃﻤﺭِ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺭﺃﻴﻨﺎﻩ ﻋﺎﻗِﻼﹰ ﻭﺤﻜﻴﻤﺎﹰ ﻭﺠﺩﻨﺎﻩ ﻤِﺜﻠﹶﻨﺎ ﻭﺍﻟِﻬﺎﹰ ﻭﻋﺎﺸِﻘﺎﹰ؛
) (٥ﻜﻴﻑ ﻗﻨﻌﻨﺎ ﺒﺎﻟﺨﻴﺎل ﺩﻭﻥ ﺍﻟﻭﺼﺎل.
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ﻏﺰﻝ ٣٧٢
ﻫﻠﹸﻡ ﺒﻨﺎ ﻓﻲ ﺸﺎﺭِﻉ ﺍﻟﺤـﺎﻥِ ﻨﻌﺒـﺭ ﻟﺠﺭﻋﺔِ ﺨﻤﺭٍ ﻜﹸﻠﱡﻨﺎ ﺃﻫـلُ ﺤﺎﺠـﺔٍ
ﻗﺩﻴﻤﺎﹰ ﻤﺩﺍﺭ ﺍﻟﺩﻫﺭِ ﻨﻬﻭﻯ ﻭﻨـﺴﻜﹶﺭ ﻋﻁﻴﺘﹸﻨﺎ ﻋِﺸﹾﻕﹲ ﻭﺴـﻜﹾﺭ ﻭﺸـﺭﻁﹸﻨﺎ
ﺴﻠﹶﻴﻤﺎﻥ ﺸﹸﺭﺏ ﺍﻟﺨﻤﺭِ ﻻ ﺍﻟﻐﻡ ﺃﺨﻴﺭ ﻓﻔﻲ ﻋﺎﻟﹶﻡٍ ﻟﻡ ﺘﺘﺭﻙِ ﺍﻟﺭﻴﺢ ﺴـﺎﻟِﻤﺎﹰ
ﺴِﺭ ﺒﻨﺎ ﻓﻲ ﺸﺎﺭِﻉِ ﺍﻟﺨﻤﺎﺭﺓِ ﻓﺈﻨﱠﺎ ﺠﻤﻴﻌﺎﹰ ﺒﺤﺎﺠﺔٍ ﻟﺠﺭﻋﺔٍ ﻤﻥ ﺍﻟﺨﻤﺭ ﻋﻠﻰ
ﺒﺎﺒِﻬﺎ؛ ﻷﻨﱠﺎ ﺃُﻋﻁﻴﻨﺎ ﺍﻟﺴﻜﺭ ﻭﺍﻟﻌِﺸﹾﻕﹶ ﻓﻲ ﺃﻭلِ ﻴﻭﻡٍ ﻤﻥ ﺃﻴﺎﻡِ ﻭﺠﻭﺩِﻨﺎ ،ﻭﺸﹸﺭِﻁﹶ ﻋﻠﻴﻨﺎ
ﺃﻟﹼﺎ ﻨﺴﻠﹸﻙ ﻏﻴﺭ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕ؛ ﻓﻲ ﻤﻜﺎﻥٍ ﻴﺫﻫﺏ ﻓﻴﻪِ ﺘﺨﹾﺕﹸ ﻭﻤﺴﻨﹶﺩ ﺠﻤﺸﻴﺩ ﻓﻲ
ﺍﻟﺭﻴﺢِ ،ﺸﹸﺭﺒﻨﺎ ﺍﻟﻐﻡ ﻻ ﻴﺤﺴﻥ ،ﻭﺠﻤﻴلٌ ﺃﻥ ﻨﺸﺭﺏ ﺍﻟﺨﻤﺭ؛ ﺒِﺄﻤلِ ﺃﻥ ﺘﹶﺼِلَ ﻴﺩﻱ
ﺇﻟﻰ ﻨِﻁﹶﺎﻗِﻙ ،ﺠﻠﹶﺱ ﻗﹶﻠﹾﺒﻨﺎ ﺒﺎﻟﺩﻤﺎﺀِ ﻜﻴﺎﻗﻭﺘﹶﺔٍ ﺤﻤﺭﺍﺀ؛ ﻭﺍﻋِﻅﹸ ﻻ ﺘﻘﹸﻡ ﺒِﻨﹶﺼﻴﺤﺔِ ﺃﻭﻻﺀِ
ﺍﻟﻭﺍﻟِﻬﻴﻥ ،ﻨﺤﻥ ﺒِﻐﹸﺒﺎﺭِ ﺃﺭﺽِ ﺍﻟﺤﺒﻴﺏِ ﻻ ﻨﻨﻅﹸﺭ ﻟِﻠﻔِﺭﺩﻭﺱ؛ ﺍﻟﺼﻭﻓﻴﻭﻥ ﻓﻲ ﺍﻟﺤﺎﻟﹶﺔِ
ﻭﺍﻟﺭﻗﺹِ ﻤﻘﺘﹶﺩﻯ ،ﻜﺫﻟِﻙ ﻨﺤﻥ ﻤﺜﻠﹶﻬﻡ ﻨﺭﻓﹶﻊ ﺍﻟﻴﺩ ﺒﺎﻟﺩﻋﺎﺀِ ﻓﻲ ﺍﻟﺸﱠﻌﺒﺫﹶﺓ؛ ﻤِﻥ ﺠﺭﻋﺔٍ
ﻤِﻨﹾﻙ ﺘﹸﺭﺍﺏ ﺍﻷﺭﺽِ ﺼﺎﺭ ﺩﺭﺍﹰ ﻭﻟﺅﻟﺅﺍﹰ ،ﻤﺴﺎﻜﻴﻥ ﻨﺤﻥ ﺍﻟﱠﺫﻴﻥ ﻋﻨﺩﻙ ﺃﻗﹶلﱡ ﻤِﻥ
ﺍﻟﺘﱡﺭﺍﺏ؛ ﺤﺎﻓِﻅﹸ ﻻ ﺴﺒﻴلَ ﻟﻪ ﺇﻟﻰ ﺸﹸﺭﻓﹶﺔِ ﻗﹶﺼﺭِ ﺍﻟﻭﺼلِ ،ﺫﺭﻨﺎ ﻨﺘﱠﺠِﻪ ﺒﺭﺅﻭﺴِﻨﺎ ﺇﻟﻰ
ﺘﹸﺭﺍﺏِ ﺃﻋﺘﺎﺏِ ﻫﺫﺍ ﺍﻟﻘﺼﺭ.
ﻏﺰﻝ ٣٧٣
)(١
ﻭﺒﺎﻁِلَ ﻗﹶﻭلٍ ﻤِﻨﹾﻪ ﺴﻭﻕﹶ ﺍﻟﺨﹸﺭﺍﻓﹶﺔِ ﻤﺭﻗﹼﻌﺔﹶ ﺍﻟﺼﻭﻓﻲ ﻓﺎﺤﻤِلْ ﻟِﺤـﺎﻨﹶﺘﻲ
)(٢
ﺇﻟﻰ ﺜﹶﻤِلٍ ﺤﺭ ﺤﻤﻠـﺕﹸ ﻫـﺩﻴﺘﻲ ﻭﺴﺠﺎﺩﺓﹶ ﺍﻟﺩﻋﻭﻯ ﻭﺨِﺭﻗﹶﺔﹶ ﺯﺍﻫِـﺩٍ
) (١ﺍِﺤﻤل ﺜﻴﺎﺏ ﺍﻟﺼﻭﻓﻲ ﺍﻟﻤﺭﻗﱠﻌﺔﹶ ﺇﻟﻰ ﺍﻟﺤﺎﻨﺔِ ﻟﻐﺴِﻠﻬﺎ ﻤﻥ ﺍﻟﺭﻴﺎﺀ ﻓﻔﻲ ﺍﻟﺤﺎﻨﺔِ ﺸﺭﺍﺏ ﻁﹶﻬﻭﺭ،
ﻭﺍﺤﻤل ﺩﻋﺎﻭﻴﻪ ﺍﻟﺒﺎﻁﻠﺔﹶ ﺒﺎﻟﻜﺭﺍﻤﺎﺕ ﻭﺍﻟﻤﻘﺎﻤﺎﺕ ﺇﻟﻰ ﺴﻭﻕِ ﺍﻟﺨﺭﺍﻓﺎﺕ ﻷﻨﱠﻬﺎ ﻨﻘﺩ ﺯﺍﺌﻑﹲ؛
) (٢ﺇﻟﻰ ﺍﻟﻤﻌﺭﺒﺩﻴﻥ ﺍﻷﺤﺭﺍﺭِ ،ﻫﺩﻴ ﹶﺔ ﺴﻔﹶﺭٍ ﻨﺤﻤلُ ﺍﻟﺩﻟﻕﹶ ﺍﻟﺒﺴﻁﺎﻤﻲ ﻭﺴﺠﺎﺩﺓﹶ ﺍﻟﻁﱠﺎﻤﺎﺕ؛
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)(١
ﺃﺘﹶﻴﺕﹸ ﺼﺒﺎﺤﺎﹰ ﺤﺎﻨﹶﻬﻡ ﺒِﺭﺒﺎﺒﺘﻲ ﻭﻜﻲ ﻴﺸﹾﺭﺏ ﺍﻟﻨﱡﺩﻤﺎﻥ ﻓﻲ ﺍﻟﺤﺎﻥِ ﺨﹶﻤﺭﻫﻡ
ﺒِﻤﻴﻘﺎﺕِ ﻤﻭﺴﻰ ﻤﻥ ﻤﺒﺎﺭﻙِ ﺒﻘﻌـﺔِ ﻟﺩﻯ ﺃﻴﻤﻥِ ﺍﻟﻭﺍﺩﻱ ﺒِﻌﻬﺩﻱ ﻟﻙ ﺍﻟﻭﻓﹶﺎ
)(٢
ﻭﻋِﺸﹾﻘﹸﻙ ﻋِﻠﻤﻲ ﻭﺍﻟﺴﻤﺎﺀ ﺼﺤﻴﻔﹶﺘﻲ ﻭﻋِﺯﻙ ﻓﹶﻭﻕﹶ ﺍﻟﻌﺭﺵِ ﺃﻗﺭﻉ ﻁﹶﺒﻠﹶـﻪ
)(٣
ﺒﺘﹸﺭﺒِﻙ ﻤﺭﻓﻭﻋﺎﹰ ﻋﻠﻰ ﻓﺭﻕِ ﻫﺎﻤﺘﻲ ﻭﺃﻓﺨﺭ ﺒﻴﻥ ﺍﻟﻨﱠﺎﺱِ ﻴـﻭﻡ ﻗﻴـﺎﻤﺘﻲ
)(٤
ﺃﺠﺎﺯﻴﻪِ ﺒﺎﻟﺤِﺭﻤﺎﻥ ﻤﻥ ﻭﺭﺩِ ﺠﻨﱠﺘﻲ ﻭﺇﻥ ﺸﺎﻜﹶﻨﻲ ﺸﹶﻭﻙ ﺍﻟﻤﻼﻤﺔِ ﺯﺍﻫِـﺩ
ﻓﹶﻘﹸﻡ ﻨﻠﹾﺘﹶﺠِﺊْ ﻟﻠﺤﺎﻥِ ﻤِﻥ ﻜﹸـلﱢ ﺁﻓﹶـﺔِ ﺭﺃﻴﺕﹸ ﺍﻟﺴﻤﺎ ﺘﹶﻬﻤﻲ ﺒِﺄﻤﻁﺎﺭِ ﻓِﺘﹾﻨﹶـﺔٍ
ﻭﻜﹸﻥ ﺴﺎﺌِﻼﹰ ﻤﻥ ﻋِﻨﹾﺩﻩ ﻜﹸلﱡ ﺤﺎﺠـﺔِ ﻋﻠﻰ ﻜﹸلﱢ ﺒﺎﺏٍ ﻤﺎﺀ ﻭﺠﻬِﻙ ﻻ ﺘﹸﺭِﻕﹾ
ﻭﺒﻘﻴﺕﹾ ﺃﺒﻴﺎﺕﹲ ﻟﻡ ﺘﹸﺘﹶﺭﺠﻡ ﺸِﻌﺭﺍﹰ ،ﻫﺫِﻩِ ﺘﺭﺠﻤﺘﹸﻬﺎ ﻨﹶﺜﺭﺍﹰ:
ﻭﺍﺨﹶﺠﻠﹶﻨﺎ ﻤِﻥ ﺨِﺭﻗﹶﺔِ ﺍﻟﺼﻭﻑِ ﺍﻟﻤﻠﻭﺜﹶﺔِ ﺒﺎﻟﺨﹶﻤﺭِ ﺇﻥ ﺤﻤﻠﻨﺎ ﺍﺴﻡ ﺍﻟﻜﺭﺍﻤﺎﺕِ ﺒِﻜﹸلﱢ
ﻫﺫﺍ ﺍﻟﻔﹶﻀلِ ﻭﺍﻟﻔﻥ؛ ﺇﺫﺍ ﻜﺎﻥ ﺍﻟﻘﹶﻠﹾﺏ ﻻ ﻴﻌﺭِﻑﹸ ﻗﹶﺩﺭ ﺍﻟﻭﻗﹾﺕِ ﻭﻻ ﻴﻌﻤلُ ﺍﻟﻌﻤلَ،
ﻭﺍﺨﺠﻠﺘﺎ ﻤﻤﺎ ﺴﻨﺤﻤِلُ ﻤِﻥ ﺤﺎﺼِلِ ﺃﻭﻗﺎﺘِﻨﺎ؛ ﺃﺨﻴﺭﺍﹰ ﺇﻟﻰ ﻤﺘﻰ ﻨﺒﻘﻰ ﻀﺎﺌﻌﻴﻥ ﻓﻲ
ﺼﺤﺭﺍﺀِ ﺍﻟﻔﻨﺎﺀِ؟ ،ﺫﹶﺭﻨﺎ ﻨﺴﺄلْ ﻓﻌﺴﻰ ﺃﻥ ﻨﺴﻴﺭ ﻓﻲ ﺃﺜﹶﺭِ ﺍﻷﺸﻴﺎﺀِ ﺍﻟﻤﻬِﻤﺔ؛ ﺤﺎﻓِﻅﹸ
ﻻ ﺘﹸﺭِﻕﹾ ﻤﺎﺀ ﻭﺠﻬِﻙ ﻋﻠﻰ ﺒﺎﺏِ ﻜﹸلﱢ ﺴﺎﻓِلٍ ،ﺨﻴﺭ ﺃﻥ ﻨﺭﻓﹶﻊ ﺍﻟﺤﺎﺠﺔﹶ ﺇﻟﻰ ﻗﺎﻀﻲ
ﺍﻟﺤﺎﺠﺎﺕ.
) (١ﻭﻟﻨﺤﻤِلْ ﻗﻴﺜﺎ ﺭﺓﹶ ﺍﻟﺼﺒ ﺢِ ﺇﻟﻰ ﺒﺎﺏ ﺸﻴﺦِ ﺍﻟﻤﻨﺎﺠﺎﺓ ،ﻟﻴﺸ ﺭﺏ ﻜﹸلﱡ ﺃﻫلِ ﺍﻟﺨﻠﻭ ﺓِ ﺠﺎ ﻡ
ﺍﻟﺼﺒﻭﺡ؛
) (٢ﻓﻠﻨﹶﻘﹾﺭﻉ ﻁﹶﺒلَ ﻋِﺯﻙ ﻋﻠﻰ ﺴﻘﹾﻑِ ﺍﻟﻌﺭﺵِ ،ﻭﻟﻨﹶﺭﻓﹶﻊ ﻋﻠﹶﻡ ﻋِﺸﹾﻘِﻙ ﻋﻠﻰ ﻗﹸﺒﺔِ ﺍﻟﺴﻤﺎﻭﺍﺕ )ﻓﻲ
ﺘﺭﺠﻤﺔِ ﻫﺫﺍ ﺍﻟﺒﻴﺕ ﺸِﻌﺭﺍﹰ ﺘﹶﺼﺭﻑ(؛
) (٣ﺘﹸﺭﺍﺒﺎﹰ ﻤِﻥ ﺃﺭﻀِﻙ ﺒِﺼﺤﺭﺍﺀِ ﺍﻟﻘﻴﺎﻤﺔِ ﻏﺩﺍﹰ ،ﻨﹶﻀﻊ ﺠﻤﻴﻌﺎﹰ ﻋﻠﻰ ﻤﻔﺎﺭِﻕِ ﺍﻟﺭﺅﻭﺱِ ﻷﺠلِ
ﺍﻟﻤﺒﺎﻫﺎﺓ؛
) (٤ﻭﺇﺫﺍ ﻨﹶﺜﹶﺭ ﻓﻲ ﻁﺭﻴﻘِﻨﺎ ﺸﻭﻙ ﺍﻟﻤﻼﻤﺔِ ﺍﻟﺯﺍﻫِﺩ ،ﻨﹸﺠﺎﺯﻴﻪِ ﺒﺎﻟﺤﺭﻤﺎﻥِ ﻤِﻥ ﺍﻟﺩﺨﻭلِ ﺇﻟﻰ ﺒﺴﺘﺎﻥِ
ﺃﻭﺭﺍﺩِﻨﺎ
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ﻏﺰﻝ ٣٧٤
ﺘﻌﺎلَ ﻜﻲ ﻨﻨﺜﹸﺭ ﺍﻟﻭﺭﺩ ،ﻭﻨﺼﺏ ﺍﻟﺨﻤﺭ ﻓﻲ ﺍﻟﻜﺄﺱِ ،ﻭﻨﻬﺩِﻡ ﺴﻘﻑﹶ ﺍﻟﻔﹶﻠﹶﻙِ ،ﻭﻨﹸﻌﻴﺩ
ﺒﻨﺎﺀﻩ ﺠﺩﻴﺩﺍ؛
ﻕ ﺩﻡ ﺍﻟﻌﺎﺸِﻘﻴﻥ ،ﺃﻨﺎ ﻭﺍﻟﺴﺎﻗﻲ ﻤﻌﺎﹰ ﺴﻨﺤﻤِلُ ﻋﻠﻴﻪِ ﻭﻨﻬﺩِﻡ ﺒﻨﻴﺎﻨﹶﻪ؛
ﺇﺫﺍ ﺍﻟﻐﻡ ﺃﻋﺩ ﺠﻴﺸﺎﹰ ﻟﻴﺭﻴ ﹶ
ﻨﺼﺏ ﻤﺎﺀ ﺍﻟﻭﺭﺩِ ﻓﻲ ﺍﻟﻘﹶﺩﺡِ ﺸﺭﺍﺏ ﺍﻷُﺭﻏﻭﺍﻥ ،ﻭﻨﻨﺜﹸﺭ ﺍﻟﺴﻜﱠﺭ ﻓﻲ ﺍﻟﻤﺠﻤﺭِ ﻭﻨﻨﺸﹸﺭ
ﻨﺴﻴﻡ ﺍﻟﻌِﻁﺭ)(١؛
ﺇﺫﺍ ﻜﺎﻥ ﻁﹶﻭﻉ ﻴﺩِﻙ ﺍﻟﻠﹼﺤﻥ ﺍﻟﺠﻤﻴلُ ،ﺃﻱ ﻤﻁﺭِﺏ ،ﻏﻥ ﻟﻨﺎ ﺍﻟﺸﱢﻌﺭ ﺍﻟﺠﻤﻴلَ ﻟِﻨﻘﺭﺃَ
ﺍﻟﻐﹶﺯلَ ﺭﺍﻗِﺼﻴﻥ ،ﻭﻨﺘﻤﺎﻴلَ ﻤﺴﺭﻭﺭﻴﻥ؛
ﺼﺒﺎ ﺃﻟﻘﻲ ﺘﹸﺭﺍﺏ ﻭﺠﻭﺩِﻨﺎ ﺒﺫﺍﻙ ﺍﻟﺠﻨﺎﺏِ ﺍﻟﻌﺎﻟﻲ ،ﻋﺴﻰ ﻨﺤﻅﻰ ﺒﻨﻅﹾﺭﺓٍ ﻤِﻥ ﺸﺎﻩِ ﺍﻟﺤِﺴﺎﻥ؛
ﻓﻭﺍﺤِﺩ ﻴﺘﺒﺎﻫﻰ ﺒﺎﻟﻌﻘلِ ،ﻭﻭﺍﺤِﺩ ﻴﻨﺴﺞ ﺍﻷﻭﻫﺎﻡ ،ﺘﻌﺎلَ ﻨﻁﺭﺡ ﻫﺫﻩِ ﺍﻟﺩﻋﺎﻭﻯ ﺃﻤﺎﻡ
ﺍﻟﻘﺎﻀﻲ ﻭﻨﺤﺘﻜِﻡ؛
ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﺘﻁﻠﹸﺏ ﺠﻨﱠ ﹶﺔ ﻋﺩﻥٍ ،ﺘﻌﺎلَ ﻤﻌﻲ ﺇﻟﻰ ﺍﻟﺤﺎﻨﺔِ ﺃﺭﻡِ ﺒِﻙ ﻤﻥ ﻗﹶﺩﻡِ ﺍﻟﺩﻥ ﺇﻟﻰ
ﺤﻭﺽِ ﺍﻟﻜﻭ ﹶﺜﺭِ ﻤﺒﺎﺸﹶﺭﺓﹰ؛
ﻓﻲ ﺸﻴﺭﺍﺯ ﻻ ﻴﻘﺩﺭﻭﻥ ﻤﻌﻨﻰ ﺍﻟﻜﻼﻡِ ﻭﺴِﺤﺭ ﺍﻟﺒﻴﺎﻥ ،ﺘﻌﺎلَ ﻴﺎ ﺤﺎﻓﻅﹸ ﻟﻨﺄﺨﹸﺫﹶﻙ ﺇﻟﻰ
ﻤﻤﺎﻟِﻙ ﺃُﺨﺭﻯ.
ﻏﺰﻝ ٣٧٥
ﺼﻭﻓﻲ ﺘﻌﺎلَ ﻟِﻨﺨﻠﹶﻊ ﺨِﺭﻗﹶﺔﹶ ﺍﻟﺭﻴﺎﺀ ،ﻭﻨﺸﻁﹸﺏ ﻨﻘﺵﹶ ﺨﻁﱢ ﺍﻟﺨِﺩﺍﻉِ ﻭﺍﻟﻤﻜﹾﺭِ ﻫﺫﺍ؛
ﻭﻨﹶﺠﻌلَ ﻨﺫﻭﺭ ﻭﻓﹸﺘﻭﺡ ﺍﻟﺼﻭﻤﻌﺔِ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺨﻤﺭِ ،ﻭﻨﻐﺴِلَ ﺨِﺭﻗﹶﺔﹶ ﺍﻟﺭﻴﺎﺀِ ﺒﻤﺎﺀِ
ﺍﻟﺨﺭﺍﺒﺎﺕ)(٢؛
) (١ﺸﺭﺍﺏ ﺍﻷﺭﻏﻭﺍﻥ :ﺍﻟﺨﻤﺭ ﺤﻤﺭﺍﺀ ﺍﻟﻠﹼﻭﻥ ،ﻭﻨﺜﺭ ﺍﻟﺴﻜﱠﺭِ ﻋﻠﻰ ﻤﺠﻤﺭِ ﺍﻟﻌِﻁﺭِ ﻴﺠﻌلُ ﺍﻟﻌِﻁﺭ
ﻴﻨﺘﺸِﺭ ﺃﻜﺜﹶﺭ.
) (٢ﻨﺠﻌلُ ﻨﹸﺫﻭﺭﻨﺎ ﻭﻋﻁﺎﻴﺎﻨﺎ ﻟﻠﺨﹶﻤﺭِ ﺒﺩﻻﹰ ﻤِﻥ ﺍﻟﺼﻭﻤﻌﺔ؛
-٣٦٥-
ﻏﺩﺍﹰ ﺇﺫﺍ ﻟﻡ ﻴﻌﻁﻭﻨﺎ ﺭﻭﻀ ﹶﺔ ﺭِﻀﻭﺍﻥ ،ﺴﻨﹸﺨﺭِﺝ ﻤﻨﻬﺎ ﺍﻟﻐِﻠﻤﺎﻥ ﻭﻨﹸﺨﺭِﺝ ﻤﻥ ﺍﻟﺠﻨﱠﺔِ
ﺍﻟﺤﻭﺭ؛
ﻓﻠﻨﹶﺨﹾﺭﺝ ﻤﺴﺭﻭﺭﻴﻥ ﻤﻌﺭﺒِﺩﻴﻥ ،ﻭﻤِﻥ ﻨﺎﺩﻱ ﺍﻟﺼﻭﻓﻴﻴﻥ ﻭﻨﻘﻭﻡ ﺒﺎﻟﻐﺎﺭﺓِ ﻭﻨﺤﻀِﻥ
ﺍﻟﺨﻤﺭ ﻭﺍﻟﺤﺒﻴﺏ؛
ﻟِﻨﻌِﺵﹾ ﺴﻌﺩﺍﺀ ﺍﻟﻴﻭﻡ ،ﺃﻭ ﻨﻤﻭﺕﹶ ﺤﺴﺭﺓﹰ ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ﺍﻟﱠﺫﻱ ﻨﺤﻤلُ ﻓﻴﻪِ ﻤﺘﺎﻉ ﺍﻟﺭﻭﺡِ
ﺇﻟﻰ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻵﺨﹶﺭ؛
ﺴِﺭ ﺍﷲِ ﺍﻟﱠﺫﻱ ﻫﻭ ﻤﻨﺯﻭٍ ﻓﻲ ﺤِﺠﺎﺏِ ﺍﻟﻐﻴﺏِ ،ﺫﺭﻨﺎ ﻓﻲ ﺍﻟﺴﻜﹶﺭِ ﻨﺭﻓﹶﻊ ﻋﻥ ﻭﺠﻬِﻪِ ﺍﻟﻨﱢﻘﺎﺏ(١)؛
ﺃﻴﻥ ﺠﻠﻭﺓﹸ ﺤﺎﺠِﺒِﻪِ ﺍﻟﺸﱠﺒﻴﻪِ ﺒﺎﻟﻬﻼلِ ﺍﻟﺠﺩﻴﺩ ،ﻟِﻨﹸﻤﺴِﻙ ﺒﻜﹸﺭﺓِ ﺍﻟﻔﹶﻠﹶﻙِ ﻓﻲ ﺤﻨﻴﺔِ ﺼﻭﻟﹶﺠﺎﻨِﻪِ ﺍﻟﺫﱠﻫﺒﻲ؛
ﺤﺎﻓﻅﹸ ،ﺘﺠﺎﻭﺯﻨﺎ ﺍﻟﺤﺩ ﺒﻤﺜلِ ﻫﺫِﻩِ ﺍﻟﺩﻋﺎﻭﻱ ،ﻟﻤﺎﺫﺍ ﻨﻤﺩ ﻗﹶﺩﻤﻨﺎ ﺃﻁﻭلَ ﻤﻥ ﺒﺴﺎﻁِﻨﺎ.
ﻏﺰﻝ ٣٧٦
ﻴﺎ ﺃﺼﺩِﻗﺎﺀ ﺇﻨﱠﻪ ﻟﺠﻤﻴلٌ ﻓﻲ ﻭﻗﹾﺕِ ﺍﻟﻭﺭﺩِ ﺃﻥ ﻨﻌﻴﺵﹶ ﺴﻌﺩﺍﺀ ،ﺫﺍ ﺤﺩﻴﺙﹸ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ
ﻓﻠﻨﺴﻤﻌﻪ ﺒﺄﺭﻭﺍﺤِﻨﺎ؛
ﻻ ﺸﹶﺨﹾﺹ ﻴﻜﺭﻡ ،ﻭﻭﻗﺕﹸ ﺍﻟﻁﱠﺭﺏِ ﻴﻤﺭ ،ﺍﻟﺤﻴﻠﹶﺔﹸ ﻫﻲ ﺃﻥ ﻨﺒﻴﻊ ﺍﻟﺴﺠﺎﺩﺓﹶ ﺒﺎﻟﺨﻤﺭ)(٢؛
ﻤﺎ ﺃﻋﺫﹶﺏ ﻫﺫﺍ ﺍﻟﻬﻭﺍﺀ ﻭﺍﻫِﺏ ﺍﻟﻔﹶﺭﺡ ،ﺇﻟﻬﻲ ﺍﺒﻌﺙﹾ ﻟﻨﺎ ﻋﺯﻴﺯﺍﹰ ﻨﺸﺭﺏ ﻋﻠﻰ ﻭﺠﻬِﻪِ
ﺍﻟﺨﻤﺭﺓﹶ ﺍﻟﺤﻤﺭﺍﺀ؛
ﺤِﺼﺎﻥ ﻋﺯﻑِ ﺍﻟﻔﹶﻠﹶﻙِ ﻗﺎﻁِﻊ ﻁﺭﻴﻕِ ﺃﻫلِ ﺍﻟﻔﹶﻀلِ ،ﻜﻴﻑﹶ ﻻ ﻨﺌﻥ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﻐﺼﺔِ
ﻭﻜﻴﻑﹶ ﻻ ﻨﺼﺭﺥﹸ)(٣؛
) (١ﻋﻥ ﻭﺠﻪِ ﺴِﺭ ﺍﷲ.
) (٢ﻻ ﺸﹶﺨﹾﺹ ﻴﺠﻭﺩ ﻋﻠﻴﻨﺎ ﺒﺎﻟﻤﺎلِ ﻟِﺸﺭﺍﺀِ ﺍﻟﺨﹶﻤﺭِ ﺃﻭ ﺒﺎﻟﺨﹶﻤﺭِ ،ﻭﺍﻟﺭﺒﻴﻊ ﻤﻭﺴِﻡ ﺍﻟﺸﱡﺭﺏِ ﻴﻤﺭ،
ﻓﺎﻟﺤلﱡ ﺃﻥ ﻨﺒﻴﻊ ﺴﺠﺎﺩﺓﹶ ﺍﻟﺼﻼﺓِ ﻭﺍﻟﻌِﺒﺎﺩﺓِ ﺒﺎﻟﺨﹶﻤﺭ؛
) (٣ﺠﻭﺍﺩ ﻋﺯﻑِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﺴﺭﻴﻊ ﻴﻘﻁﹶﻊ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻋﻠﻰ ﺃﻫلِ ﺍﻟﻔﹶﻀل؛
-٣٦٦-
ﺵ ﻤِﻥ ﻨﺎﺭِ
ﺍﻟﻭﺭﺩ ﺠﺎﺵﹶ ﻭﻻ ﻨﹶﺼﺏ ﻋﻠﻴﻪِ ﻤﺎﺀ ﻤِﻥ ﺍﻟﺨﻤﺭِ ،ﻻ ﺠﺭﻡ ﺃﻥ ﻨﺠﻭ ﹶ
ﺍﻟﺤﺭﻤﺎﻥِ ﻭﻫﻭﺱِ ﺍﻟﺨﻤﺭ)(١؛
ﺍﻟﻤﻭﻫﻭﻡ ،ﺒﻌﺩﺕﹾ ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ﻓﻨﺤﻥ ﻨﺤﻥ ﻤِﻥ ﻗﹶﺩﺡِ ﺍﻟﺯﻫﺭِ ﻨﺸﺭﺏ ﺍﻟﺸﱠﺭﺍﺏ
ﻤﺸﺩﻭﻫﻭﻥ ﺒﻼ ﻤﻁﺭِﺏٍ ﻭﺨﻤﺭٍ؛
ﺤﺎﻓِﻅﹸ ﻟِﻤﻥ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻘﻭلَ ﻫﺫﻩِ ﺍﻟﺤﺎلَ ﺍﻟﻌﺠﻴﺒﺔﹶ ،ﻨﺤﻥ ﺒﻼﺒِلُ ﻭﻨﺼﻤﺕﹸ ﻓﻲ ﻤﻭﺴِﻡِ
ﺍﻟﻭﺭﺩِ.
ﻏﺰﻝ ٣٧٧
ـﻲ
ـﻲ ﻟﺒﻼﺌـ
ـﺎﺌﻲ ﺤﻴﻠﹶﺘـ
ـﺈﻥ ﺩﻋـ
ﻓـ ﺴﺄﺭﻓﹶﻊ ﻟـﻴﻼﹰ ﺭﺍﺤﺘـﻲ ﺒـﺩﻋﺎﺌﻲ
ـﺩﻭﺍﺌﻲ
ـﺩﻱ ﻟِـ
ـﻲ ﻴﻬﺘـ
ﻟﹶﻌ ـلﱠ ﻁﺒﻴﺒـ ﻋﻠﻴلُ ﻓـﺅﺍﺩٍ ﻴـﺎ ﺭﻓـﺎﻕﹸ ﻤﻌﻭﻨـﺔﹰ
ﻓﻴﺎ ﻟﻬﻑﹶ ﻨﻔـﺴﻲ ﺒﻌـﺩﻫﺎ ﻟﻠﻘـﺎﺀِ ﻤﻀﻰ ﺒﻌﺩ ﻀﺭﺒﻲ ﺩﻭﻥ ﺠﺭﻡٍ ﺒﺴﻴﻔِﻪِ
ﻨﺜﺭﺍﹰ :ﻟﻴﻠﹶﺔﹰ ﺴﻭﻑﹶ ﻨﺭﻓﹶﻊ ﺍﻟﻴﺩ ﻭﻨﻘﻭﻡ ﺒﺎﻟﺩﻋﺎﺀ ،ﺴﻨﺠﻌلُ ﻤِﻥ ﻏﹶﻡ ﺍﻟﻬِﺠﺭﺍﻥِ ﻭﺴﻴﻠﹶﺔﹰ ﻟﻨﺎ؛
ﺕ ﻤِﻥ ﻴﺩﻱ ،ﻴﺎ ﺭﻓﺎﻗﻲ ﺍﻟﻤﺩﺩ ،ﻟِﻨﺠﻠِﺏ ﻟﻪ ﺍﻟﻁﱠﺒﻴﺏ ﻟﻌﻴﺎﺩﺘِﻪِ ،ﻭﻨﻌﻤلَ
ﻗﻠﺒﻲ ﺍﻟﻌﻠﻴلُ ﺃﻓﻠﹶ ﹶ
ﻟﻪ ﺍﻟﺩﻭﺍﺀ؛
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺘﺄﻟﱠﻡ ﻤِﻨﱢﻲ ﺒﻼ ﺠﺭﻡٍ ،ﻭﻀﺭﺒﻨﻲ ﺒﺎﻟﺴﻴﻑِ ﻭﻤﻀﻰ ،ﺃﻋِﺩﻩ ﺇﻟﻲ ﻴﺎ ﺭﺏ
ﻤﺠﺩﺩﺍﹰ ﻜﻲ ﻨﺘﺼﺎﻓﻰ؛
ﻴﺒِﺱ ﺠﺫﹾﺭ ﺍﻟﻁﱠﺭﺏِ ﺃﻴﻥ ﻁﺭﻴﻕﹸ ﺍﻟﺨﺭﺍﺒﺎﺕ ،ﻟِﻴﻜﻭﻥ ﻤِﻨﱠﺎ ﺍﻟﻨﱡﺸﻭﺀ ﻭﺍﻟﻨﱠﻤﺎﺀ ،ﻓﻲ ﺫﻴﻨِﻙ
ﺍﻟﻤﺎﺀِ ﻭﺍﻟﻬﻭﺍﺀ؛
ﺍﹸﻁﻠﹸﺏِ ﺍﻟﻤﺩﺩ ﻤِﻥ ﺨﺎﻁِ ِﺭ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻌﺭﺒﺩﻴﻥ ﻴﺎ ﻗﻠﺏ ﻭﺇﻻﹼ ،ﻓﺸﹸﻐﹾﻠﹸﻙ ﺼﻌﺏ ﻭﻤﺤﺎلٌ
ﺃﻥ ﻴﻘﺒلَ ﺍﻟﺨﹶﻁﹶﺄ؛
ﻕ ﻟﻠﺨﹶﻤﺭِ ،ﻭﻨﺤﻥ ﻤِﻥ ﺤﻭﻟِﻪِ ﻨﺸﺭ
ﺏ ) (١ﺍﻨﻅﹸﺭ ﺤﻤﺭﺓِ ﻭﺠﻪِ ﺍﻟﻭﺭﺩِ ﻴﻐﻠﻲ ﻤِﻥ ﺤﺭﺍﺭﺓِ ﻨﺎ ِﺭ ﺍﻟﺸﱠﻭ ِ
ﺍﻟﺨﹶﻤﺭ ،ﻭﻻ ﻨﹸﻁﻔﺊُ ﻨﺎﺭﻩ ﺒﻤﺎﺀِ ﺍﻟﺨﹶﻤﺭِ ﻨﺴﻜﹸ ﺒﻪ ﻋﻠﻴﻪِ ،ﻻ ﻤﺤﺎﻟﹶﺔﹶ ،ﺴﻴﺼﻴﺒﻨﺎ ﻤﺎ ﺃﺼﺎﺒﻪ
ﻭﺴﻨﺤﺘﺭِﻕﹸ ﺒﻨﺎﺭِ ﺍﻟﺤِﺭﻤﺎﻥِ ﻭﺍﻟﺸﱠﻭﻕِ ﻟﻠﺨﹶﻤﺭ.
-٣٦٧-
ﻅِلﱡ ﻁﺎﺌﺭٍ ﺼﻐﻴﺭِ ﺍﻟﺤﻭﺼﻠﹶﺔِ ﻻ ﻴﻨﻔﻌﻙ ،ﺘﻌﺎلَ ﻨﻁﻠﹸﺏِ ﺍﻟﻤﺩﺩ ﻤِﻥ ﻅِلﱢ ﻁﺎﺌﺭِ ﺍﻟﻬﻤﺎ
ﺍﻟﻤﻴﻤﻭﻥ)(١؛
ﻗﻠﺒﻲ ﺨﺭﺝ ﻤِﻥ ﺍﻟﺤِﺠﺎﺏِ ﺃﻴﻥ ﺤﺎﻓِﻅﹸ ﻋﺫﹾﺏ ﺍﻟﻤﻘﺎل ،ﻟِﻨﻌﺯِﻑﹶ ﻋﻠﻰ ﻗﻭﻟِﻪِ ﻭﻏﹶﺯﻟِﻪِ
ﺍﻟﻠﱠﺤﻥ ﺍﻟﺠﻤﻴل.
ﻏﺰﻝ ٣٧٨
ﻨﺤﻥ ﻻ ﻨﻘﻭلُ ﺴﻭﺀﺍﹰ ،ﻭﻻ ﻨﻤﻴلُ ﻟِﻐﹶﻴﺭِ ﺍﻟﺤﻕﱢ ،ﻭﻻ ﻨﹸﺴﻭﺩ ﺭِﺩﺍﺀ ﺸﹶﺨﹾﺹٍ ،ﻭﻻ ﻨﻠﺒﺱ
ﻟِﺒﺎﺴﺎﹰ ﺃﺯﺭﻗﺎﹰ)(٢؛
ﻋﻴﺏ ﺍﻟﺩﺭﻭﻴﺵِ ﻭﺍﻟﻐﻨﱢﻲ ﺴﻲﺀ ﻗﻠﻴﻠﹸﻪ ﻭﻜﺜﻴﺭﻩ ،ﻋﻤلُ ﺍﻟﺴﻭﺀِ ﻤِﻥ ﺍﻟﻤﺼﻠﹶﺤﺔِ ﺃﻥ ﻻ
ﻨﻘﻭﻡ ﺒِﻪِ ﻤﻁﻠﹶﻘﺎﹰ؛
ﻻ ﻨﺨﹸﻁﱡ ﺭﻗﹶﻡ ﺍﻟﻤﻐﻠﹶﻁﹶﺔِ ﻓﻲ ﺩﻓﺘﹶﺭِ ﺍﻟﻌِﻠﹾﻡِ ،ﻭﻻ ﻨﹶﺠﻌلُ ﺴِﺭ ﺍﻟﺤﻕﱢ ﻋﻠﻰ ﻭﺭﻕِ ﺍﻟﺸﱠﻌﺒﺫﹶﺓِ ﻤﻠﺤﻘﺎﹰ؛
ﺇﺫﺍ ﻟﹶﻡ ﻴﺴﻘِﻨﺎ ﺍﻟﺸﱠﺎﻩ ﺠﺭﻋﺔﹶ ﺨﹶﻤﺭِ ﺍﻟﻤﻌﺭﺒِﺩﻴﻥ ﺍﻟﺤﺭﺍﻡ ،ﻻ ﻨﻘﺒلُ ﻤِﻨﻪ ﺨﹶﻤﺭﺍﹰ ﺼﺎﻓﻴﺎﹰ ﻤﺭﻭﻗﺎﹰ؛
ﻨﺴﻴﺭ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺴﻴﺭ ﺍﻟﺠﻤﻴلَ ﺒِﻨﹶﻅﹶﺭِ ﺍﻟﺴﺎﻟِﻜﻴﻥ ،ﻭﻻ ﻨﻁﻠﹸﺏ ﺍﻟﺠﻭﺍﺩ ﺍﻷﺴﻭﺩ ﺍﻟﺠﻤﻴلَ
ﺍﻟﻤﻐﺭﻕﹶ)(٣؛
ﺍﻟﺴﻤﺎﺀ ﺘﻜﺴِﺭ ﺴﻔﻴﻨﹶﺔﹶ ﺃﺭﺒﺎﺏِ ﺍﻟﻔﹶﻀل ،ﻤِﻥ ﺍﻷﻓﻀلِ ﺃﻥ ﻻ ﻨﹶﺘﱠﺨِﺫﹶ ﻤﺘﱠﻜﹶﺄً ﻫﺫﺍ ﺍﻟﺒﺤﺭ ﺍﻟﻤﻌﻠﱠﻕﹶ)(٤؛
ﻥ ﻻ ﻨﹸﻌﻁﻲ ﺍﻷُﺫﹸﻥ ﺃﺤﻤﻘﺎﹰ؛
ﺇﺫﺍ ﻗﺎلَ ﺤﺴﻭﺩ ﺍﻟﺴﻭﺀ ﻭﺘﺄﻟﱠﻡ ﺍﻟﺭﻓﻴﻕﹸ ،ﻗﹸلْ ﻟﻪ ﺍﺴﻌﺩ ،ﻨﺤ
ﺤﺎﻓِﻅﹸ ﺇﺫﺍ ﻗﺎلَ ﻓﻴﻙ ﺍﻟﺨﹶﺼﻡ ﻋﻥ ﺨﹶﻁﹶﺈٍ ،ﻨﹶﺤﻥ ﻻ ﻨﻨﻅﹸﺭ ﺇﻟﻴﻪِ ﻓﺎﺫﻫﺏ ،ﻭﺇﻥ ﻗﺎلَ ﺒِﺤﻕﱟ،
ﻓﻨﺤﻥ ﺒﺎﻟﺤﻕﹼ ﻻ ﺠﺩﺍلَ ﻟﻨﺎ.
) (١ﻴﺭﻤﺯ ﺒﺎﻟﻁﱠﺎﺌﺭ ﺼﻐﻴﺭ ﺍﻟﺤﻭﺼﻠﹶﺔِ ﻟﻠﺴﺎﻟِﻙِ ﻗﻠﻴلِ ﺍﻟﺨِﺒﺭﺓِ ﺍﻟﱠﺫﻱ ﻻ ﻴﺼﻠﹸﺢ ﺃﻥ ﻴﻜﻭﻥ ﺩﻟﻴﻼﹰ ﻭﻤﺭﺸِﺩﺍﹰ
ﻟﻠﺴﺎﻟِﻜﻴﻥ ،ﻭﺒِﻁﺎﺌِﺭِ ﺍﻟﻬﻤﺎ ﻟﻠﻤﺭﺸِﺩِ ﺍﻟﺤﻘﻴﻘﻲ ،ﻭﺍﻟﻬﻤﺎ ﺃﻭ ﻁﺎﺌﺭ ﺍﻟﺴﻌﺎﺩﺓِ ﻁﺎﺌﺭ ﺨﺭﺍﻓﻲ.
) (٢ﻻ ﻨﹸﺴﻭﺩ ﺭﺩﺍﺀ ﺍﻟﺘﱠﻘﻭﻯ ﻟِﺸﹶﺨﹾﺹٍ ﻭﻻ ﻨﻠﺒﺱ ﻟﺒﺎﺱ ﺍﻟﺭﻴﺎﺀِ ﺍﻷﺯﺭﻕﹶ؛
) (٣ﺍﻟﺠﻭﺍﺩ ﺍﻟﻤﻁﹶﻬﻡ :ﺍﻟﺠﻤﻴلُ ،ﻭﺍﻟﻤﻐﺭﻕﹸ :ﺍﻟﻤﺯﻴﻥ ﺒﺎﻟﻔِﻀﺔ؛
) (٤ﺍﻟﺒﺤﺭ ﺍﻟﻤﻌﻠﱠﻕﹸ ﻜﻨﺎﻴﺔﹲ ﻋﻥِ ﺍﻟﺴﻤﺎﺀ.
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ﻏﺰﻝ ٣٧٩
ﺭﺃﺴﻲ ﺒِﻪِ ﺍﻟﺴﻜﹶﺭ ﺍﻟﺠﻤﻴلُ ﻭﺃﻗﻭلُ ﺒِﻌﺎﻟﻲ ﺍﻟﺼﻭﺕِ ،ﺃﻨﺎ ﻁﺎﻟِﺏ ﻨﺴﻴﻡِ ﺍﻟﺤﻴﺎﺓِ ﻤِﻥ
ﺍﻟﻜﺄﺱ؛
ﻻ ﻤﺤلﱠ ﻟِﻌﺒﻭﺱِ ﺍﻟﺯﻫﺩِ ﺒِﻭﺠﻪِ ﺍﻟﺨﹶﻤﺎﺭِ ،ﺃﻨﺎ ﻤﺭﻴﺩ ﺨِﺭﻗﹶﺔِ ﺸﺎﺭِﺒﻲ ﺍﻟﺜﱡﻤﺎﻟﹶﺔِ ﺤﺴﻨﻲ
ﺍﻷﺨﻼﻕِ؛
ﺭﺤﺕﹸ ﺃُﺴﻁﻭﺭﺓﹰ ﻓﻲ ﺍﻟﻬﻴﺎﻡِ ،ﻭﺤﺎﺠِﺏ ﺍﻟﺤﺒﻴﺏِ ﺃﻤﺴﻙ ﺒﻲ ﻓﻲ ﺤﻨﻴﺔِ ﺼﻭﻟﺠﺎﻨِﻪِ
ﻜﻜﹸﺭﺓٍ؛
ﺇﺫﺍ ﻟﻡ ﻴﻔﺘﹶﺢِ ﺍﻟﺒﺎﺏ ﻓﻲ ﻭﺠﻬِﻲ ﺸﹶﻴﺦﹸ ﺍﻟﻤﻐﺎﻥِ ،ﺃﻱ ﺒﺎﺏٍ ﺃﻁﺭﻕﹸ ،ﻭﻤِﻤﻥ ﺃﻁﻠﹸﺏ
ﺍﻟﻌﻭﻥ؟؛
ﻻ ﺘﻜﹸﻥ ﻤﻌﺎﻤِﻠﻲ ﺒﺴﻭﺀٍ ﺒِﻬﺫﺍ ﺍﻟﺭﻭﺽِ ﻜﻨﺒﺎﺕٍ ﺒﺭﻱ ،ﺃﻨﺎ ﺃﻨﻤﻭ ﺒﺘﺭﺒﻴﺔِ ﺯﺭﺍﻋﻲ؛
ﻻ ﺘﹶﺭ ﻓﹶﺭﻗﺎﹰ ﺒﻴﻥ ﺍﻟﺨﺎﻨِﻘﺎﻩ ﻭﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﻴﺸﻬﺩ ﺍﷲُ ﺃﻨﱠﻨﻲ ﻓﻲ ﻜﹸلﱢ ﻤﻜﺎﻥٍ ﻤﻌﻪ؛
ﻏﹸﺒﺎﺭ ﻁﺭﻴﻕِ ﺍﻟﻁﱠﻠﹶﺏِ ﻜﻴﻤﻴﺎﺀ ﺍﻟﺴﻌﺎﺩﺓِ ،ﺃﻨﺎ ﻏﹸﻼﻡ ﺩﻭﻟﹶﺔِ ﺫﺍﻙ ﺍﻟﺘﱡﺭﺍﺏِ ﺍﻟﻌﻨﺒﺭﻱ
ﺍﻟﻌﺒﻴﺭ)(١؛
ﻤِﻥ ﺸﻭﻕِ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﺴﻜﺭﺍﻥِ ﻟﻌﺎﻟﻲ ﺍﻟﻘﹶﺩ ،ﻭﻗﹶﻌﺕﹸ ﻜﺯﻫﺭﺓِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ﺒﺎﻟﻘﹶﺩﺡِ ﻋﻠﻰ ﺸﹶﻔﹶﺔِ
ﺍﻟﺠﺩﻭل؛
ﺍِﺤﻤِلْ ﺍﻟﺨﹶﻤﺭ ﻓﻨﺤﻥ ﺒِﻔﹶﺘﻭﻯ ﺤﺎﻓِﻅﹶ ،ﻤِﻥ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﻟﻁﱠﺎﻫِﺭِ ،ﺴﻨﺯﻴلُ ﻏﹸﺒﺎﺭ ﺍﻟﺭﻴﺎﺀِ ﺒِﻔﹶﻴﺽِ
ﺍﻟﻘﹶﺩﺡ).(٢
) (١ﻏﺒﺎﺭ ﻁﺭﻴﻕِ ﻁﹶﻠﹶﺏِ ﺍﻟﻤﻌﺭِﻓﹶﺔِ ﺇﻜﺴﻴﺭ ﺍﻟﺴﻌﺎﺩﺓ؛
) (٢ﺍﻟﺒﻴﺕﹸ ﺍﻷﺨﻴﺭ ،ﻓﻲ ﺍﻷﺼلِ ﻜﻤﺎ ﻓﻲ ﺍﻟﺘﱠﺭﺠﻤﺔِ ﻴﺤﺘﹶﻤِلُ ﻤﻌﻨﹶﻴﻴﻥ ،ﺃﻭﻟﹸﻬﻤﺎ :ﺤﺎﻓِﻅﹸ ﺃﻓﺘﻰ ﺒﺈﺯﺍﻟﹶ ِﺔ
ﻏﹸﺒﺎﺭِ ﺍﻟﺭﻴﺎﺀِ ﻋﻥِ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﻟﻁﱠﺎﻫِﺭِ ﺒِﻔﹶﻴﺽِ ﺍﻟﻘﹶﺩﺡ ،ﻭﺍﻟﺜﹼﺎﻨﻲ :ﺤﺎﻓِﻅﹸ ﺃﺼﺩﺭ ﻓﺘﻭﻯ ﻤِﻥ ﻗﻠﺒِﻪِ
ﺍﻟﻁﱠﺎﻫِﺭِ ﺒﺈﺯﺍﻟﹶﺔِ ﻏﹸﺒﺎﺭِ ﺍﻟﺭﻴﺎﺀِ ﺒِﻔﹶﻴﺽِ ﺍﻟﻘﹶﺩﺡِ ﻓﺎﺤﻤِلْ ﻟﻨﺎ ﺍﻟﺨﹶﻤﺭ.
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ﻏﺰﻝ ٣٨٠
ﻕ ﻤِﻥ ﻨﹶﻔﺴﻲ؛
ﻤِﺭﺍﺭﺍﹰ ﻗﹸﻠﺕﹸ ﻭﺃﻗﻭلُ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﺃﻨﺎ ﺍﻟﻭﻟﻬﺎﻥ ﻟﻡ ﺃﺴﻠﹸﻙ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴ ﹶ
ﺠﻌﻠﻭﺍ ﺒﺒﻐﺎﺀ ﺒِﺼِﻔﹶﺘﻲ ﺨﻠﻑﹶ ﺍﻟﻤِﺭﺁﺓِ ،ﻭﻜﹸلﱠ ﻤﺎ ﻗﺎلَ ﻟﻲ ﺃُﺴﺘﺎﺫﹸ ﺍﻷﺯلِ ﻗﹸلْ ﻗﹸﻠﺕﹸ)(١؛
ﺃﻨﺎ ﺴﻭﺍﺀ ﺃﻜﹸﻨﺕﹸ ﺸﹶﻭﻜ ﹰﺎ ﺃﻡ ﻜﹸﻨﺕﹸ ﻭﺭﺩﺍﹰ ﻴﺯﻴﻥ ﺍﻟﺭﻭﺽ ،ﻓﻘﺩ ﺠِﺌﺕﹸ ﻋﻥ ﻴﺩِ ﺯﺍﺭِﻋﻲ،
ﻭﺒﺭِﻋﺎﻴﺘِﻪِ ﺃﺭﺒﻭ؛
ﻴﺎ ﺃﺼﺩِﻗﺎﺀ ﻻ ﺘﻌﻴﺒﻭﻨﻲ ﺃﻨﺎ ﺍﻟﻭﺍﻟِﻪ ﺍﻟﺤﻴﺭﺍﻥ ،ﺇﻥ ﻟﹶﺩﻱ ﺠﻭﻫﺭﺍﹰ ﻭﺃﺒﺤﺙﹸ ﻋﻥ ﺼﺎﺤِﺏِ ﻨﹶﻅﹶﺭٍ)(٢؛
ﺭﻏﻡ ﺃﻥ ﺍﻟﺨﹶﻤﺭﺓﹶ ﺍﻟﺤﻤﺭﺍﺀ ﺒِﻠﻭﻥِ ﺍﻟﻭﺭﺩِ ﻤﻊ ﺍﻟﺜﱠﻭﺏِ ﺍﻟﻤﻠﹶﻤﻊِ ﻋﻴﺏ ،ﻻ ﺘﻘﹸلْ ﺒﻲ ﺍﻟﻌﻴﺏ
ﻓﺈﻨﹼﻲ ﺃﻏﺴِلُ ﺒِﻬﺎ ﻟﻭﻥ ﺍﻟﺭﻴﺎﺀ؛
ﺇﻥ ﻀﺤِﻙ ﻭﺒﻜﺎﺀ ﺍﻟﻌﺸﱠﺎﻕِ ﻤِﻥ ﻋﺎﻟﹶﻡٍ ﺁﺨﹶﺭٍ ،ﺃﻨﺎ ﻓﻲ ﺍﻟﻠﱠﻴلِ ﺃُﻏﻨﱢﻲ ﻭﻭﻗﹾﺕﹶ ﺍﻟﺴﺤﺭِ ﺃﺒﻜﻲ؛
ﺤﺎﻓِﻅﻲ ﻗﺎلَ ﻻ ﺘﺸﹸﻡ ﺭﺍﺌﺤ ﹶﺔ ﺍﻟﺘﱡﺭﺍﺏِ ﺒﺒﺎﺏِ ﺍﻟﺤﺎﻥ ،ﻗﹸلْ ﻟﻪ ﻻ ﺘﻌِﺒﻨﻲ ﻓﺄﻨﺎ ﺃﺸﹸﻡ ﻓﻴﻪِ
ﺭﺍﺌِﺤ ﹶﺔ ﻤِﺴﻙِ ﺨﹶﺘﹶﻥ).(٣
ﻏﺰﻝ٣٨١
ﻏﻴﺭ ﺃﻨﹼﺎ ﻤﻠـﻭﻙ ﻭﻗـﺕِ ﺍﻟـﺼﺒﺎﺡِ ﺇﻨﱠﻨـــﺎ ﻟﹶﻠﻌﺒﻴـــﺩ ﻟﻠـــﺴﻠﻁﺎﻥِ
ﺍﻟﻤﺎلِ ﻭﺍﻟﻜﻭﻥ ﻅﺎﻫِﺭ ﺒﻤـﺭﺁﺓِ ﺭﺍﺡِ ﺍﻟﻜﻨﺯ ﻓﻲ ﺍﻟﻜﹸﻡ ﻭﺍﻟﺠﻴﺏ ﺨﺎلٍ ﻤِـﻥِ
ﻓﻲ ﺒﺤﺎﺭِ ﺍﻟﺘﱠﻭﺤﻴﺩِ ،ﺃﻫـلُ ﺠﻨـﺎﺡِ ﻭﺼﺤﺎﺓﹸ ﺍﻟﺤﻀﻭﺭِ ﺴﻜﺭﻯ ﺍﻟﻐﺭﻭﺭِ،
ﻭﻟﻸﺤﺒﺎﺏِ ﻨﻬـﺩﻱ ﺭِﺩﺍﺀ ﺍﻟﻨﱠﺠـﺎﺡِ ﻜﻔﻨــﺎﹰ ﻟﻠﻌــﺩﻯ ﻤــﻥ ﺩﻡٍ ﻨﺨــﻴﻁﹸ
) (١ﺘﹸﻌﻠﱠﻡ ﺍﻟﺒﺒﻐﺎ ﺀ ﺍﻟﻜﻼﻡ ﺒِﺄﻥ ﺘﻭﻀﻊ ﺃﻤﺎﻤﻬﺎ ﻤِﺭﺁ ﹲﺓ ﻓﺘﺭﻯ ﻓﻴﻬﺎ ﺒﺒﻐﺎﺀ ﺒِﺼِﻔﹶﺘِﻬﺎ ،ﻭﻴﻘﻭﻡ ﻤﻌﻠﱢﻡ
ﻤﺨﺘﺒﺊٌ ﺨﻠﻑﹶ ﺍﻟﻤِﺭﺁﺓ ﺒﺘﻠﻘﻴﻨِﻬﺎ ﺍﻟﻜﻼﻡ ﺍﻟﱠﺫﻱ ﺘﺤﺴ ﺒﻪ ﺼﺎﺩِﺭﺍﹰ ﻤِﻥ ﺍﻟﺒﺒﻐﺎﺀِ ﻓﻲ ﺍﻟﻤﺭﺁﺓ؛
) (٢ﺃﻨﺎ ﺃﻤﻠﻙ ﺠﻭﻫﺭ ﺍﻟﻌِﺸﹾﻕِ ﻭﺃﺒﺤﺙﹸ ﻋﻥ ﺠﻭﻫﺭﻱ ﻴﻌﺭِﻑﹸ ﻗﻴﻤﺘﹶﻪ ﻭﻴﻘﺩﺭﻩ ﻗﺩﺭﻩ؛
) (٣ﺨﺘﻥ ﻤﺩﻴﻨﺔﹲ ﺘﹸﺭﻜﻴﺔﹲ ،ﻤﻭﻁﻥ ﺍﻟﻐﺯﺍلِ ﺍﻟﻤﺴﻜﻲ.
-٣٧٠-
ﺭﻏﻡ ﺃﻨﱠﺎ ﺭﻋﺎﻴﺎ ﻟِﻤﻠِﻜِﻨﺎ ﻓﺈﻨﱠﺎ ﻤﻠﻭﻙ ﻤﻤﻠﻜﺔِ ﻭﻗﺕِ ﺍﻟﺼﺒﺎﺡ)(١؛
ﻜﻨﻭﺯ ﺍﻟﻌﺭﻓﺎﻥِ ﻤﻌﻨﺎ ﻭﻻ ﻨﻤﻠﻙ ﺍﻟﻤﺎلَ ﻓﻲ ﺠﻴﻭﺒِﻨﺎ ﻭﻗﻠﻭﺒﻨﺎ ﻤﺭﺁﺓﹲ ﻴﻅﻬﺭ ﻓﻴﻬﺎ ﺍﻟﻌﺎﻟﹶﻡ
ﻥ ﺘﹸﺭﺍﺏ ﺍﻟﻁﱠﺭﻴﻕ)(٢؛
ﻭﻨﺤ
ﻨﺤﻥ ﻓﻲ ﺍﻟﺤﻀﻭﺭِ ﺼﺤﺎﺓﹲ ،ﻟﻜﻨﱠﻨﺎ ﺴﻜﺭﻯ ﺒﺎﻟﻐﹸﺭﻭﺭِ ﺒﻤﺎ ﺒﻠﻐﻨﺎ ﻤﻥ ﻗﹸﺭﺏٍ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ
ﻓﻨﺤﻥ ﻓﻲ ﺒﺤﺭِ ﺍﻟﺘﱠﻭﺤﻴﺩِ ﻟﻜﻨﱠﻨﺎ ﻏﺭﻗﻰ ﺒﺎﻟﺫﱡﻨﻭﺏ)(٣؛
ﺸﺎﻫِﺩ ﺍﻟﺒﺨﹾﺕِ ﺤﻴﻥ ﻴﻅﻬِﺭ ﺍﻟﺩﻻلَ ،ﻨﺠﻌلُ ﻤِﻥ ﻭﺠﻬِﻪِ ﺍﻟﱠﺫﻱ ﻴﺸﺒِﻪ ﺍﻟﺒﺩﺭ ﻤِﺭﺁﺓﹰ)(٤؛
ﻗﹸلْ ﻟﻪ :ﺍﻏﺘﹶﻨِﻡ ﺼﺤﺒﺘﹶﻨﺎ ﻓﺤﻴﻥ ﺘﺫﻫﺏ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ ﻨﻜﻭﻥ ﺭﻗﺒﺎﺀ ﻤِﻥ ﺤﻭﻟِﻙ ﺒﻌﻴﻭﻨِﻨﺎ؛
ﺍﻟﺸﱠﺎﻩ ﻤﻨﺼﻭﺭ ﻭﺍﻗِﻑﹲ ﺃﻨﱠﻨﺎ ﺤﻴﺜﹸﻤﺎ ﺘﻭﺠﻬﻨﺎ ﻭﺠﻬﻨﺎ ﻭﺠﻪ ﺍﻟﻬِﻤﺔِ؛
ﻨﺨﻴﻁﹸ ﻟﻸﻋﺩﺍﺀِ ﻜﹶﻔﹶﻨﺎﹰ ﻤِﻥ ﺩِﻤﺎﺀ ،ﻭﻨﹸﻌﻁﻲ ﺍﻷﺼﺩِﻗﺎﺀ ﻗﹶﺒﺎﺀ ﺍﻟﻔﹶﺘﹾﺢِ؛
ﻟﻴﺱ ﻤِﻥ ﻗِﺒﻠِﻨﺎ ﻟﻭﻥ ﺘﺯﻭﻴﺭٍ ،ﻭﻨﺤﻥ ﻋﻠﻰ ﺍﻷﻋﺩﺍﺀِ ﺃﺴﺩ ﺃﺤﻤﺭ ﻭﺃﻓﻌﻰ ﺴﻭﺩﺍﺀ؛
ﻗﹶﺭﺽ ﺤﺎﻓِﻅﹶ ﻋﻠﻴﻪِ) ،(٥ﻗﹸلْ ﻟﻬﻡ ﺃﻥ ﻴﻌﻴﺩﻭﻩ ،ﻓﻘﺩ ﻜﺎﻥ ﻤِﻨﹾﻪ ﺍﻋﺘِﺭﺍﻑﹲ ﻭﻨﺤ
ﻥ ﺸﹸﻬﻭﺩ.
ﻏﺰﻝ ٣٨٢
ﺤﻴﻥ ﺘﻤﺭ ﻋﻠﻰ ﺍﻟﻌﻠﻴلِ ﻋﻠﻰ ﻓِﺭﺍﺵِ ﺍﻟﻌِﻠﱠﺔِ ،ﺍﻗﺭﺃِ ﺍﻟﻔﺎﺘِﺤﺔﹶ ،ﺍﻓﺘﹶﺢِ ﺍﻟﺸﱠﻔﹶﺔﹶ ﻓﻴﺎﻗﻭﺕﹸ ﺸﹶﻔﹶﺘِﻙ
ﻴﻬﺏ ﺍﻟﺭﻭﺡ ﻟﻠﻤﻴﺕِ؛
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻤﺭ ﻟﻠﻌِﻴﺎﺩﺓِ ﻭﻗﺭﺃَ ﺍﻟﻔﺎﺘِﺤﺔﹶ ﻭﻴﺭﻴﺩ ﺍﻟﺫﱠﻫﺎﺏ ،ﻗﹸلْ ﻟﻪ ﺘﻤﻬلْ ﻨﹶﻔﹶﺴﺎﹰ ﻓﺈﻨﱠﻨﻲ
ﻤﺭﺴِلٌ ﺨﻠﹾﻔﹶﻙ ﺍﻟﺭﻭﺡ؛
) (١ﻨﺤﻥ ﻤﻠﻭﻙ ﻭﻗﺕﹶ ﺍﻟﺼﺒﺎﺡِ ﻭﻗﺕ ﺍﻟﺫﱢﻜﺭِ ﻭﺍﻟﺩﻋﺎﺀ؛
ﻥ ﺘﹸﺭﺍﺏ ﺍﻟﻁﱠﺭﻴﻕ )ﺃﺫﻟﱠﺎﺀ ﻓﻲ ﺃﻨﻔﺴِﻨﺎ ﻤﺘﻭﺍﻀِﻌﻭﻥ(؛
) (٢ﻗﻠﻭﺒﻨﺎ ﻤﺭﺁﺓﹲ ﻴﻅﻬﺭ ﻓﻴﻬﺎ ﺍﻟﻌﺎﻟﹶﻡ) ﻟﺼﻔﺎﺌﻬﺎ( ﻭﻨﺤ
) (٣ﻨﺤﻥ ﻓﻲ ﺍﻟﺤﻀﻭﺭِ ﺼﺤﺎﺓﹲ )ﻨﺭﻋﻰ ﺍﻟﻤﺤﻀﺭ ﻓﻼ ﻨﻨﺸﻐِلُ ﺒﺸﻲﺀٍ ﻋﻥ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺤﺎﻀﺭ(؛
) (٤ﺍﻟﺸﱠﺎﻫِﺩ :ﺍﻟﻨﱠﺠﻡ؛
) (٥ﻋﻠﻴﻪ :ﻋﻠﻰ ﺍﻟﺤﺒﻴﺏ.
-٣٧١-
ﺃﻱ ﻁﺒﻴﺏ ﻫﺫﺍ ﺍﻟﻭﺍﻫِﻥِ ،ﺍﻓﺤﺹ ﻭﺠﻪ ﻟِﺴﺎﻨﻲ ،ﻓﻬﺫﺍ ﺍﻟﻨﱠﻔﹶﺱ ﻭﺍﻟﺩﺨﺎﻥ ﻤِﻥ ﺼﺩﺭﻱ،
ﺤِﻤلُ ﻗﻠﺒﻲ ﻋﻠﻰ ﻟِﺴﺎﻨﻲ)(١؛
ﺠﻌلَ ﺍﻟﺤﺭﺍﺭﺓﹶ ﻓﻲ ﻋِﻅﺎﻤﻲ ﻤِﻥ ﻨﺎﺭِ ﺤﺒﻪِ ﻭﺫﻫﺏ ،ﻭﺤﺭﺍﺭﺘﻲ ﻟﻡ ﺘﺫﻫﺏ ،ﻭﻟﻡ ﺘﺫﻫﺏ
ﻨﺎﺭ ﺤﺒﻪِ ﻤِﻥ ﻋِﻅﺎﻤﻲ؛
ﺤﺎلُ ﻗﻠﺒﻲ ﻤِﻥ ﺨﺎﻟِﻙ ،ﻟﻪ ﻤِﻥ ﺍﻟﻨﱠﺎﺭ ﻭﻁﹶﻥ ،ﻭﺠﺴﻤﻲ ﻤِﻥ ﻋﻴﻨﹶﻴﻙ ﺼﺎﺭ ﻀﻌﻴﻔﺎﹰ
ﻭﻋﺎﺠِﺯﺍﹰ)(٢؛
ﺃﻁﻔِﺊْ ﺤﺭﺍﺭﺘﻲ ﺒﻤﺎﺀِ ﻋﻴﻨﹶﻲ ،ﻭﺘﺄﻤلْ ﻨﹶﺒﺽ ﻗﻠﺒﻲ ،ﺃَﺒِﻪِ ﻤِﻥ ﻋﻼﻤﺔٍ ﻋﻠﻰ ﺍﻟﺤﻴﺎﺓِ؟؛
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺩﻭﻤﺎﹰ ﻴﻌﻁﻴﻨﻲ ﺯﺠﺎﺠﺔﹶ ﻁﹶﻠﹶﺏِ ﺍﻟﻌﻴﺵِ ﺍﻟﺴﻌﻴﺩ ،ﻤﺎﻟ ﻪ ﻜﹸلﱠ ﺁﻥٍ ﻴﺤﻤِلُ
ﺯﺠﺎﺠﺘﻲ ﺇﻟﻰ ﺍﻟﻁﱠﺒﻴﺏِ)(٣؟؛
ﺤﺎﻓِﻅﹸ ﺸِﻌﺭﻙ ﺃﻋﻁﹶﺎﻨﻲ ﺸﹸﺭﺒﺔﹰ ﻤِﻥ ﻤﺎﺀِ ﺍﻟﺤﻴﺎﺓِ ،ﻓﹶﺩﻉِ ﺍﻟﻁﱠﺒﻴﺏ ،ﻭﺘﻌﺎلَ ﻭﺍﻗﺭﺃْ ﻨﹸﺴﺨﹶﺔﹶ
ﺸﹸﺭﺒﺘﻲ.
ﻏﺰﻝ ٣٨٣
)(٤
ﺩﺍﺌــﻲ ﺒﻁِــﺏ ﻻ ﻴﻁﻴــﺏ ﻜﻡ ﻗـﺩ ﺸـﻜﻭﺕﹸ ﺇﻟـﻰ ﺍﻟﻁﱠﺒﻴـﺏ
)(٥
ـﺩﻟﻴﺏ
ـﺩ ﻅﻠﻤـ ـﺕِ ﺍﻟﻌﻨــ
ﻗــ ﻴــﺎ ﻭﺭﺩﺓﹰ ﻓــﻲ ﺍﻟﱢــﺭﻴﺢِ ﺘﻌﺒــﻕﹸ
ﻟﻜــﻲ ﺘــﺭﻯ ﻭﺠــﻪ ﺍﻟﺤﺒﻴــﺏ ﻴــﺎ ﺭﺏ ﺼــﻥ ﻋــﻴﻥ ﺍﻟﻤﺤِــﺏ
) (١ﺩﺨﺎﻥ ﺁﻫﺎﺕِ ﺼﺩﺭﻱ ﻅﹶﻬﺭﺕﹾ ﻋﻠﻰ ﺼﻔﺤﺔِ ﻟِﺴﺎﻨﻲ ،ﺇﻨﱠﻬﺎ ﺤِﻤلُ ﻗﻠﺒﻲ ﻋﻠﻰ ﻟِﺴﺎﻨﻲ؛
) (٢ﻗﻠﺒﻲ ﻤﻘﻴﻡ ﻓﻲ ﻭﻁﻥٍ ﻤِﻥ ﺍﻟﻨﱠﺎﺭِ ﻤِﻥ ﺨﺎﻟِﻙ ﺍﻟﻤﻘﻴﻡِ ﻓﻲ ﻨﺎﺭِ ﻭﺠﻬِﻙ؛
) (٣ﺍﻟﺯﺠﺎﺠﺔﹸ ﺍﻷﻭﻟﻰ ﻗﺎﺭﻭﺭﺓﹲ ﻤِﻥ ﺯﺠﺎﺝٍ ﺒﻬﺎ ﺸﺭﺍﺏ ،ﻭﺍﻟﺯﺠﺎﺠﺔﹸ ﺍﻟﺜﱠﺎﻨﻴﺔﹸ ﻗﺎﺭﻭﺭﺓﹲ ﻤِﻥ ﺯﺠﺎﺝٍ
ﺘﻭﻀﻊ ﻓﻴﻬﺎ ﻋﻴﻨﹶﺔﹲ ﻤِﻥ ﺩﻡ ﺍﻟﻤﺭﻴﺽِ ﻟﻠﻔﹶﺤﺹِ ﻭﺘﺸﺨﻴﺹِ ﺍﻟﻤﺭﺽ.
) (٤ﻜﺜﻴﺭﺍﹰ ﻤﺎ ﺸﻜﻭﺕﹸ ﻏﻤﻲ ﺇﻟﻰ ﺍﻟﻁﱠﺒﻴﺏ ﻭﻟﻴﺱ ﻓﻲ ﺩﻭﺍﺀِ ﺍﻟﻁﱠﺒﻴﺏ ﺸِﻔﺎﺀ ﺩﺍﺌﻲ؛
) (٥ﺫﻟِﻙ ﺍﻟﻭﺭ ﺩ ﺍﻟﱠﺫﻱ ﻴﻅلﱡ ﻓﻲ ﻴﺩِ ﺍﻟﺭﻴﺢ ،ﺃﺼﺎﺒ ﻪ ﺍﻟﺨﹶﺠلُ ﻤِﻥ ﺍﻟﻌﻨﺎﺩِل )ﻓﻠﻴﺼِﺏِ ﺍﻟﺨﹶﺠلُ ﺍﻟﻭﺭﺩ
ﻤِﻥ ﺍﻟﻌﻨﺎ ِﺩلِ ﻟﺤﺭﻤﺎﻨِﻬﺎ ﺍﻟﻭﺼﺎلَ ﺒﻌﺩ ﺃﻥ ﺃﺜﺎﺭﺕِ ﺍﺸﺘﻴﺎﻗﹶﻬﺎ ﺍﻟﺭﻴﺢ ﻤِﻥ ﻋﺒﻴﺭِﻩ(؛
-٣٧٢-
)(١
ﻻ ﻜﺎﻥ ﻤـﺎ ﺸـﺎﺀ ﺍﻟﺭﻗﻴـﺏ ﺩﺭﺝ ﺍﻟﻤﺤﺒــ ـﺔِ ﺭﺏ ﺼــ ـﻥ
)(٢
ﻓﻜــﻡ ﺃﻅــلﱡ ﺒــﻼ ﻨــﺼﻴﺏ ـﺴﺕﹸ
ـﺩ ﺠﻠـ
ـﻭﺩِﻙ ﻗـ
ـﻭﺍﻥِ ﺠـ
ﻟِﺨِـ
)(٣
ﺃﺼﻐﻰ ﺇﻟـﻰ ﻨﹸـﺼﺢِ ﺍﻷﺩﻴـﺏ ـﻥ ﻟــﻭ
ـﺎﻓﻅﹸ ﺠـ
ـﺎﻥ ﺤـ
ـﺎ ﻜـ
ﻤـ
ﻏﺰﻝ ٣٨٤
ﺃﻨﺎ ﺃﺤﺘﹶﺭِﻕﹸ ﻤِﻥ ﻓِﺭﺍﻗِﻙ ،ﺍﺭﺠِﻊ ﺒِﻭﺠﻬِﻙ ﻤِﻥ ﺍﻟﺠﻔﺎﺀ ،ﺼﺎﺭ ﺍﻟﻬِﺠﺭﺍﻥ ﺒﻼﺌﻲ ،ﻴﺎ ﺭﺏ
ﺍﺩﻓﹶﻊ ﻋﻨﱢﻲ ﺍﻟﺒﻼﺀ؛
ﺍﻟﻘﹶﻤﺭ ﻴﺘﺠﻠﱠﻰ ﻋﻠﻰ ﺠﻭﺍﺩِ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻷﺨﻀﺭِ ،ﺃﻗﺒِلْ ﻋﻠﻰ ﺠﻭﺍﺩِﻙ ﻟﻴﻁﺄﻁِﺊَ ﺍﻟﺭﺃﺱ ﻤِﻥ
ﺨﺠلٍ؛
ﺍﻨﺸﹸﺭِ ﺍﻟﺫﱠﺍﺌﺒﺔﹶ ﻴﻨﺘﹶﺸِﺭِ ﺍﻟﻌﺒﻴﺭ ﺭﻏﹾﻡ ﺴﻨﺎﺒِلِ ﺍﻟﺯﻫﻭﺭِ ،ﻭﺍﻨﺸﹸﺭِ ﺍﻟﻌِﻁﹾﺭ ﻓﻲ ﻨﻭﺍﺤﻲ
ﺍﻟﺭﻭﺽِ ﻜﺎﻟﺼﺒﺎ؛
ﻗﹸﻡ ﺒﻐﺎﺭﺓٍ ﻋﻠﻰ ﺍﻟﻌﻘﹾلِ ﻭﺍﻟﺩﻴﻥ ﻭﺍﺨﺭﺝ ﻓﻲ ﺍﻟﺩﻻلِ ﺴﻜﺭﺍﻥ ،ﻭﺍﻜﺴِﺭ ﺍﻟﻘﹸﺒﻌﺔﹶ ﻋﻠﻰ
ﺍﻟﺭﺃﺱِ ،ﻭﺍﻅﻬﺭ ﻓﻲ ﺍﻟﻘﺒﺎﺀِ ﺍﻟﺠﺩﻴﺩ؛
ﺃﻱ ﻨﻭﺭ ﻋﻴﻥِ ﺍﻟﺴﻜﺎﺭﻯ ﺃﻨﺎ ﻓﻲ ﻋﻴﻥِ ﺍﻻﻨﺘِﻅﺎﺭ ،ﻓﺎﻋﺯِﻑﹾ ﻋﻠﻰ ﺍﻟﺭﺒﺎﺏِ ﻟﺤﻨﺎﹰ ﺤﺯﻴﻨﺎﹰ
ﻭﺩﺭ ﺒﺎﻟﺠﺎﻡ؛
ﺍﻟﺩﻫﺭ ﺨﹶﻁﱠ ﺍﻟﺨﹶﻁﱠ ﺍﻟﺠﻤﻴلَ ﻋﻠﻰ ﻋﺎﺭِﻀِﻪِ ،ﻴﺎ ﺭﺏ ﺃﺒﻌِﺩ ﻤﺨﻁﻭﻁﹶ ﺍﻟﺴﻭﺀِ ﻋﻥ
ﻤﺤﺒﻭﺒﻨﺎ؛
ﺤﺎﻓِﻅﹸ ،ﺒﺨﺘﹸﻙ ﻤِﻥ ﺤِﺴﺎﻥِ ﺍﻟﻭﺠﻭﻩِ ﻟﻴﺱ ﻏﻴﺭ ﻫﺫﺍ ﺍﻟﻘﹶﺩﺭِ ،ﺇﻥ ﻟﻡ ﻴﻜﹸﻥ ﻟﻙ ﺭِﻀ ﻰ
ﻏﻴﺭ ﺤﻜﹾﻡ ﺍﻟﻘﹶﻀﺎﺀ.
) (١ﺼﻨﺩﻭﻕﹸ ﺍﻟﻤﺤﺒﺔِ ﻟﻴﺱ ﺨﺘﻤﻪ ﻋﻠﻴﻪِ ﻓﻴﺎ ﺭﺏ ﻻ ﻴﻨﻜﺴِﺭ ،ﻭﻻ ﻴﻜﹸﻥ ﻤﺎ ﻴﺭﻴﺩ ﺍﻟﺭﻗﺒﺎﺀ؛
) (٢ﺒﺨﻭﺍﻥ ﺠﻭﺩﻙ :ﻋﻠﻰ ﻤﺎﺌﺩﺓِ ﻜﺭﻤِﻙ؛
ﺕ ﺼِﺭﺕﹶ ﻭﺍﻟِﻪ ﺍﻟﺩﻨﻴﺎ ،ﻟﻭ ﻜﹸﻨﹾﺕﹶ ﺍﺴﺘﻤﻌﺕﹶ ﻨﹸﺼﺢ ﺍﻷﺩﺒﺎﺀ.
) (٣ﺤﺎﻓﻅﹸ ﻤﺎ ﻜﻨ ﹶ
-٣٧٣-
ﻏﺰﻝ ٣٨٥
ﻴﺎ ﺭﺏ ﺃﻋِﺩ ﺫﻟﻙ ﺍﻟﻐﺯﺍلَ ﺍﻟﻤﺴﻜﻲ ﺇﻟﻰ ﺨﹶﺘﹶﻥ ،ﻭﺃﻋِﺩ ﺫﻟِﻙ ﺍﻟﺴﺭﻭ ﺍﻟﻤﺴﺘﻘﻴﻡ ﺫﺍ ﺍﻟﺩﻻل
ﺇﻟﻰ ﺍﻟﺭﻭﺽ)(١؛
ﻗﻠﺒﻲ ﺍﻟﻤﻜﺭﻭﺏ ﻻﻁِﻔﹾﻪ ﺒﻨﺴﻴﻡٍ ،ﻴﻌﻨﻲ ﺃﻋِﺩ ﻟﻠﺒﺩﻥِ ﺘِﻠﹾﻙ ﺍﻟﺭﻭﺡ ﺍﻟﱠﺘﻲ ﻏﺎﺩﺭﺕِ ﺍﻟﺒﺩﻥ؛
ﻴﺎ ﺭﺏ ﺍﻟﺸﱠﻤﺱ ﻭﺍﻟﻘﹶﻤﺭ ﻟﻠﻤﻨﺯِلِ ﺒﺄﻤﺭِﻙ ﻭﺼﻼ ،ﺃﻋِﺩ ﺇﻟﻲ ﻗﹶﻤﺭ ﻭﺠﻪِ ﺤﺒﻴﺒﻲ ﺃﻴﻀﺎﹰ؛
ﻋﻴﻨﺎﻱ ﻓﻲ ﻁﹶﻠﹶﺏِ ﺍﻟﻠﹼﻌلِ ﺍﻟﻴﻤﺎﻨﻲ ﺼﺎﺭﺘﺎ ﺩﻤﺎﹰ ،ﻴﺎ ﺭﺏ ﺃﻋِﺩِ ﺍﻟﻜﻭﻜﹶﺏ ﺍﻟﺩﺭﻱ ﻟﻠﻴﻤﻥ)(٢؛
ﺃﻴﻬﺎ ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﻤﻴﻤﻭﻥ ﺍﻟﻤﺒﺎﺭﻙ ﺍﻟﺨﹸﻁﻰ ،ﺍِﺫﻫﺏ ﺇﻟﻰ ﺍﻟﻌﻨﻘﺎﺀِ ﻭﺃﺒﻠِﻐﹾﻬﺎ ﺤﺩﻴﺙﹶ ﺍﻟﻐﹸﺭﺍﺏِ
ﻭﺍﻟﺤﺩﺃﺓ؛
ﺨﹸﻼﺼﺔﹸ ﺍﻟﺤﺩﻴﺙِ ،ﻤِﻥ ﺩﻭﻨِﻙ ﻻ ﺃُﺭﻴﺩ ﺍﻟﺤﻴﺎﺓ ،ﻴﺎ ﺭﺴﻭلُ ﺍﺴﺘﹶﻤِﻊ ﻭﺍﺤﻤِلْ ﺍﻟﺨﹶﺒﺭ
ﻭﺃﻋِﺩ ﻟﻲ ﺍﻟﺠﻭﺍﺏ؛
ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﻤﻭﻁِﻨﹸﻪ ﺒﺅﺒﺅَ ﻋﻴﻥِ ﺤﺎﻓِﻅ ،ﺭﺏ ﺃﺒﻠِﻐﹾﻪ ﻤﺭﺍﺩﻩ ﻭﺃﻋِﺩﻩ ﻤِﻥ ﺍﻟﻐﹸﺭﺒﺔِ ﺇﻟﻰ
ﻭﻁﻨِﻪ.
ﻏﺰﻝ ٣٨٦
ﻷﺠلِ ﺍﷲِ ﺃﻗِلﱠ ﺍﻟﺠﻠﻭﺱ ﻤﻊ ﺍﻟﻤﺘﺼﻭﻓﻴﻥ ،ﻭﻻ ﺘﹸﺨﻑِ ﺍﻟﻭﺠﻪ ﻋﻥِ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﻔﻠِﺴﻴﻥ؛
ﻫﺫﻩِ ﺍﻟﺨِﺭﻗﹶﺔﹸ ﻜﻡ ﺒِﻬﺎ ﻤﻥ ﺍﻷﺩﻨﺎﺱ ،ﺃﺠﻤِلْ ﺒﻭﻗﺕِ ﺒﺎﺌﻌﻲ ﺍﻟﺨﻤﺭِ ﻻﺒِﺴﻲ ﺍﻟﻘﹶﺒﺎﺀ)(٣؛
ﻟﻡ ﺃﺭ ﺍﻷﻟﹶﻡ ﻋﻨﺩ ﺍﻟﻤﺘﺼﻭﻓﻴﻥ ،ﺼﻔﺎ ﻋﻴﺵﹸ ﻤﻥ ﻴﺠﺭﻋﻭﻥ ﺍﻵﻻﻡ؛
) (١ﺨﺘﻥ ،ﻤﻭﻁﻥ ﺍﻟﻐﺯﺍلِ ﺍﻟﻤﺴﻜﻲ ،ﻤﺩﻴﻨﺔﹲ ﻓﻲ ﺒﻼﺩِ ﺍﻟﺘﱡﺭﻙِ؛
) (٢ﺍﻟﻜﻭﻜﹶﺏ ﺍﻟﺩﺭﻱ ﻨﺠﻡ ﺒﻬﻲ ﻴﺨﺘﻔﻲ ﻓﻼ ﻴﻅﻬﺭ ﺇﻻﹼ ﺃﻭﺍﺨِﺭ ﺍﻟﺼﻴﻑِ ،ﻭﻴﺭﻤﺯ ﺒ ِﻪ ﻟﻠﻤﻌﺸﻭﻕِ،
ل ﺒﺎﻟﻌﻘﻴﻕِ
ﻭﺃﻋِﺩﻩ ﻟﻠﻴﻤﻥِ ﻴﻌﻨﻲ ﺃﻋِﺩﻩ ﻟِﻭﻁﹶﻨِﻪِ ،ﻓﺒﻼﺩ ﺍﻟﻴﻤﻥِ ﻤﻭﻁِﻥ ﺍﻟﺩﺭﺭِ ،ﻭﻴﻀﺭﺏ ﺍﻟﻤﺜﹶ ُ
ﺍﻟﻴﻤﺎﻨﻲ ﺒِﺎﻟﺠﻤﺎلِ ﻭﺍﻟﺼﻔﺎﺀ.
) (٣ﻫﺫﻩ ﺍﻟﺨﺭﻗﺔ :ﺨﺭﻗﺔ ﺍﻟﺼﻭﻓﻲ؛
-٣٧٤-
ﺃﻨﺕﹶ ﻟﻁﻴﻑﹸ ﺍﻟﻁﱠﺒﻊِ ،ﻻ ﻁﺎﻗﹶﺔﹶ ﻟﹶﻙ ﻋﻠﻰ ﺤﻤلِ ﺭﺩﺍﺀِ ﺍﻟﺼﻭﻑِ ﺍﻟﺨﹶﻠﹶﻕِ ﺍﻟﺜﱠﻘﻴلِ؛
ﺃﺴﻜﹶﺭﺘﹶﻨﻲ ،ﻓﻼ ﺘﺠﻠِﺱ ﺨﻠﻑﹶ ﺍﻟﺴﺘﺎﺭ ،ﺴﻘﻴﺘﻨﻲ ﺍﻟﺸﱠﺭﺍﺏ ،ﻓﻼ ﺘﺴﻘِﻨﻲ ﺒﻌﺩﻩ ﺍﻟﺴﻡ(١)؛
ﺒﺩﻻﹰ ﻤِﻥ ﻏﹸﺒﻥِ ﺍﻟﻤﺭﺍﺌﻴﻥ ﺘﻌﺎلَ ﻭﺍﻨﻅﹸﺭ ﺩﻡ ﻗﻠﺏِ ﺍﻟﻤﺤِﺒﻴﻥ ﺍﻟﺼﺭﻴﺢ ،ﻋﻠﻰ ﺼﺭﺍﺥِ ﺍﻟﻌﻭﺩِ؛
ﻜﹸﻥ ﻋﻠﻰ ﺤﺫﹶﺭٍ ﻤِﻥ ﻗﻠﺏِ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺤﺘﹶﺭِﻕ ،ﺇﻥ ﺼﺩﺭﻩ ﻴﻐﻠﻲ ﻤﻨﻪ ﻜﻤﺎ ﺘﻐﻠﻲ ﺍﻟﻘِﺩﺭ.
ﻏﺰﻝ ٣٨٧
ﻤﻠِﻙ ،ﺸﺎ ﻩ ﻜﹸلﱢ ﻋﺫﺏِ ﺜﻐﺭٍ ﻭﺸﻤﺸﺎﺩِ ﻗﺩ ،ﺸﻕﱠ ﻗﻠﺏ ﻤﻥ ﻴﺸﹸﻕﱡ ﺍﻟﺼﻔﻭﻑﹶ ،ﺒﺎﻷﺠﻔﺎﻥِ؛
ﺜﹶﻤِﻼﹰ ،ﻤﺭ ﺒﻲ ،ﺃﻨﺎ ﺍﻟﺩﺭﻭﻴﺵِ ،ﻭﺃﻟﻘﻰ ﻋﻠﻲ ﻨﻅﺭﺓﹰ ،ﻭﻗﺎلَ :ﻴﺎ ﺴِﺭﺍﺠﺎﹰ ﻭﻋﻴﻨﺎﹰ ﻟﻜﹸلﱢ
ﻋﺫﺏِ ﻟِﺴﺎﻥ؛
ﺤﺘﱠﺎﻡ ﺘﺒﻘﻰ ﻭﻜﻴﺴﻙ ﺨﺎلٍ ﻤِﻥ ﺍﻟﺘﱢﺒﺭِ ﻭﺍﻟﻔِﻀﺔِ ،ﻜﹸﻥ ﻋﺒﺩﻱ ،ﻭﻜﹸﻥ ﻋﺸﻴﺭ ﺃﻫلِ ﻓِﻀﺔِ
ﺍﻷﺒﺩﺍﻥ؛
ﺍﻋﺭِﻑِ ﺍﻟﻌِﺸﹾﻕﹶ ،ﻻ ﺘﻜﹸﻥ ﺃﻗﹶلﱠ ﻤِﻥ ﺍﻟﺫﱠﺭﺓِ ،ﻭﺍﻟﺤﻕﹾ ﺒﺸﻤﺱِ ﺍﻷﻓﻼﻙِ ﻋﺎﻟﻲ ﺍﻟﻤﻜﺎﻥ؛
ﻻ ﺘﻜﹸﻥ ﺭﺍﻜِﻨﺎﹰ ﻟِﻠﻭﺠﻭﺩِ ،ﻭﺍﺸﺭﺏ ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺫﺍ ﻗﹶﺩﺡٍ ،ﻨﺨﺏ ﺯﻫﺭِ ﺍﻟﻭﺠﻭﻩِ ﺍﻟﻠﱢﻁﺎﻑِ
ﺍﻟﺤِﺴﺎﻥِ؛
ﺸﻴﺦﹸ ﺤﺎﻨﻲ ﺍﻟﻤﻠﻴﺢ ،ﻁﻴﺏ ﺍﷲُ ﺭﻭﺤﻪ ،ﻗﺎلَ :ﺤﺫﺍﺭﻴﻙ ﻤﻥ ﻨﺎﻗﻀﻲ ﺍﻟﻌﻬﻭﺩِ ﻭﺍﻷﻴﻤﺎﻥِ؛
ﻭﺒِﺜﻭﺏِ ﺍﻟﺤﺒﻴﺏِ ﺨﹸﺫﹾ ،ﻭﺩﻉِ ﺍﻷﻋﺩﺍﺀ ،ﻭﻜﹸﻥ ﺭﺠلَ ﺍﷲِ ،ﻭﻜﹸﻥ ﻓﺎﺭِﻏﺎﹰ ﻤﻥ ﺍﻟﺸﱠﻴﻁﺎﻥِ؛
ﺴﺤﺭﺍﹰ ﻗﹸﻠﹾﺕﹸ ﻟﻠﺼﺒﺎ ﺒﺭﻭﺽِ ﺍﻟﺸﱠﻘﺎﺌِﻕِ ﺍﻟﺤﻤﺭﺍﺀِ ﻓﻲ ﺩﻡِ ﺍﻟﺸﱠﻬﺩﺍﺀِ ،ﻤﻥ ﻫﻡ ﺃﻭﻟﻭ ﻫﺫِﻩِ
ﺍﻷﻜﻔﺎﻥِ؟؛
ﻓﺄﺠﺎﺒﺕﹾ ،ﺃﻨﺎ ﻭﺃﻨﺕﹶ ﻟﺴﻨﺎ ﺒِﻤﺤﺭِﻤﻴﻥِ ﻟِﻬﺫﺍ ﺍﻟﺴﺭ ،ﻴﺎ ﺤﺎﻓِﻅﹸ ﺴلْ ﺨﻤﺭﺓﹶ ﺍﻟﻌﻘﻴﻕِ
ﻭﺍﻟﻌِﺫﺍﺏ ﺍﻟﻠﱢﺴﺎﻥِ.
) (١ﺃﺴﻜﺭﺘﻨﻲ ﻓﻤﺘﱢﻌﻨﻲ ﺒﺭﺅﻴﺘِﻙ ﻭﻻ ﺘﺠ ﻠِﺱ ﺨﻠﻑﹶ ﺍﻟﺴﺘﺎﺭ ،ﻓﺘﻜﻭﻥ ﺠ ﺭﻋﺘﻨﻲ ﺍﻟﺴﻡ ﺒﻌ ﺩ
ﺍﻟﺸﱠﺭﺍﺏ .
-٣٧٥-
ﻨﺜﺭﺍﹰ :ﻤﻠِﻜﻲ ﺍﻟﱠﺫﻱ ﻟﻪ ﻗﺩ ﺍﻟﺸﹼﻤﺸﺎﺩ ﻫﻭ ﻤﻠﻙ ﻟﻜﹸلﱢ ﻋﺫﺏِ ﺜﻐﺭٍ ﻭﺃﺠﻔﺎﻨﹸﻪ ﺘﺸﹸﻕﱡ
ﺒِﺴﻬﺎﻤِﻬﺎ ﻗﻠﺏ ﻜلﱢ ﺒﻁلٍ ﻴﺸﻕﱡ ﺍﻟﺼﻔﻭﻑ؛ ﻤﺭ ﺒﻲ ﺜﻤﻼﹰ )ﻴﺘﺭﻨﱠﺢ ﻓﻲ ﻤﺸﻴﺘِﻪ( ،ﻭﺃﻨﺎ
ﺍﻟﻔﻘﻴﺭ ﺍﻟﻤﺴﻜﻴﻥ ،ﻭﺃﻟﻘﻰ ﻋﻠﻲ ﻨﻅﺭﺓﹶ ﻋﻨﺎﻴﺔٍ ﻭﻟﹸﻁﻑٍ ،ﻭﻗﺎلَ ﻟﻲ ﻴﺎ ﻋﻴﻥ ﻭﺴﺭﺍﺝ ﻜلﱢ
ﻋﺫﺏِ ﻟﺴﺎﻥ )ﺸﺎﻋِﺭ()(١؛ :ﺇﻟﻰ ﻤﺘﻰ ﺘﻅلﱡ ﻓﻘﻴﺭﺍﹰ ﻭﻜﻴﺴﻙ ﺨﺎلٍ ﻤﻥ ﺍﻟﺫﱠﻫﺏِ ﻭﺍﻟﻔِﻀﺔ،
ﺼﺭ ﻋﺒﺩﻱ ﻭﻜﹸﻥ ﻤﻌﺎﺸِﺭ ﻗﻭﻡٍ ﺃﺒﺩﺍﻨﹸﻬﻡ ﻤِﻥ ﻓِﻀﺔٍ؛ ﻻ ﺘﻜﹸﻥ ﺒﻼ ﻗﻴﻤﺔٍ ،ﻻ ﺃﻗلﱠ ﻤِﻥ
ﺍﻟﺫﱠﺭﺓِ ،ﺍِﻋﺭِﻑِ ﺍﻟﻌِﺸﹾﻕﹶ ﺘﻠﺤﻕﹾ ﺒﺨﻠﻭﺓِ ﺍﻟﺸﱠﻤﺱِ ﻓﻲ ﻨﻬﺎﻴﺔِ ﻤﺴﺎﺭِﻙ) ،(٢ﺸﻴﺦﹸ ﺤﺎﻨﻲ
ﺍﻟﻤﻠﻴﺢ ،ﺃﺴﻌﺩ ﺍﷲُ ﺭﻭﺤﻪ ،ﻗﺎل ﻟﻲ ﺍﺤﺘﹶﺭِﺯ ﻤﻥ ﻤﺼﺎﺤﺒﺔِ ﻨﺎﻗﻀﻲ ﺍﻟﻌﻬﺩ)(٣؛ ﻭﻭﺍلِ
ﺍﻟﺤﺒﻴﺏ ،ﻭﺍﻗﺘﺭﺏ ﻤﻨﻪ ﻤﺎ ﺍﺴﺘﻁﻌﺕﹶ ،ﻭﻋﺎﺩِ ﺃﻋﺩﺍﺀﻩ ،ﻭﺩﻉِ ﺍﻟﺩﻨﻴﺎ ،ﻴﺒﺘﻌِﺩ ﻋﻨﻙ
ﺍﻟﺸﱠﻴﻁﺎﻥ؛ ﻗﹸﻠﺕﹸ ﻟﻠﺼﺒﺎ ﺴﺤﺭﺍﹰ ﺒﺭﻭﺽِ ﺍﻟﺸﱠﻘﺎﺌﻕِ :ﻤﻥ ﻫﻡ ﻫﺅﻻﺀِ ﺍﻟﺸﱡﻬﺩﺍﺀ ﺫﻭﻭ
ﺍﻷﻜﻔﺎﻥِ ﺍﻟﺤﻤﺭﺍﺀِ)(٤؛ ﻗﺎﻟﺕﹾ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺃﻨﺎ ﻤِﺜﻠﻙ ﻏﻴﺭ ﻤﺤﺭِﻡِ ﻫﺫﺍ ﺍﻟﺴﺭ ،ﺍﺴﺄلِ
ﺍﻟﺤِﻜﺎﻴﺔﹶ ﺍﻟﺨﹶﻤﺭﺓﹶ ﺍﻟﺤﻤﺭﺍﺀ ﻭﻋِﺫﺍﺏ ﺍﻟﺜﱡﻐﻭﺭ.
ﻏﺰﻝ ٣٨٨
ﻫﺫﺍ ﺍﻟﺭﺒﻴﻊ ،ﻭﺍﻟﻭﺭﺩ ﻴﺒﻌﺙﹸ ﺍﻟﻁﱠﺭﺏ ،ﻭﻴﻜﺴِﺭ ﺍﻟﺘﱠﻭﺒﺔﹶ ،ﺍِﺸﺭﺏ ﻨﹶﺨﹾﺏ ﻭﺠﻪِ ﺍﻟﻭﺭﺩِ،
ﻭﺍﻗﻠﹶﻊ ﺠﺫﺭ ﺍﻟﻐﹶﻡ ﻤِﻥ ﺍﻟﻘﹶﻠﹾﺏ؛
ﻭﺼﻠﹶﺕﹾ ﺭﻴﺢ ﺍﻟﺼﺒﺎ ﻭﺨﹶﺭﺝ ﺍﻟﺒﺭﻋﻡ ﻤِﻥ ﺤِﺠﺎﺏِ ﻨﹶﻔﹾﺴِﻪِ ﻤِﻥ ﺍﻟﺸﱠﻭﻕِ ،ﻭﻤﺯﻕﹶ ﺍﻟﺜﱠﻭﺏ؛
ﺘﻌﻠﱠﻡ ﻁﺭﻴﻕﹶ ﺍﻟﺼﺩﻕِ ﻤِﻥ ﺍﻟﻤﺎﺀِ ﺼﺎﻓﻲ ﺍﻟﻘﹶﻠﹾﺏِ ،ﻭﺍﻁﻠﹸﺏِ ﺍﻟﺤﺭﻴ ﹶﺔ ﻤِﻥ ﺴﺭﻭِ ﺍﻟﺭﻭﺽ
ﺒِﺼِﺩﻕ؛
) (١ﻴﺭﻭﻭﻥ ﺃﻥ ﺤﺎﻓِﻅ ﻜﺎﻥ ﻴﺤﺎﻭلُ ﻨﻅﻡ ﺍﻟﺸﱢﻌﺭِ ﻓﻼ ﻴﻔﻠِﺢ ﻭﺃﻨﱠﻪ ﺭﺃﻯ ﺍﻹﻤﺎﻡ ﻋﻠﻴﺎﹰ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ ﻓﻲ
ﺍﻟﻤﻨﺎﻡ ﻓﻌﻠﹼﻤﻪ ﺍﻟﺸﱢﻌﺭ ،ﻭﻻ ﻴﺴﺘﻐﺭﺏ ﺫﻟﻙ ﻤﻥ ﻤﻌﻠﱢﻡِ ﺍﻟﺨﻠﻴل ﺒﻥ ﺃﺤﻤﺩ ﺍﻟﻔﺭﺍﻫﻴﺩﻱ ﺍﻟﻨﱠﺤﻭ )ﺍﻨﺢ
ﻫﺫﺍ ﺍﻟﻨﱠﺤﻭ(؛
) (٢ﺃﻫلُ ﺍﻟﻔﻨﺎﺀِ ﺒﺎﷲِ ﻜﺎﻟﺫﹼﺭﺍﺕِ ﺍﻟﱠﺘﻲ ﺘﺩﻭﺭ ﻓﻲ ﻓﹶﻠﹶﻙِ ﺍﻟﺸﱠﻤﺱِ ،ﻟﺘﻠﺘﺤﻕﹶ ﺒﻬﺎ ﺃﺨﻴﺭﺍﹰ ﻭﺘﻨﺼﻬِﺭ ﻓﻴﻬﺎ؛
) (٣ﻋﻬﺩ ﺃﻟﺴﺕﹸ ﺒﺭﺒﻜﹸﻡ؛
) (٤ﺸﻘﺎﺌﻕِ ﺍﻟﻨﱡﻌﻤﺎﻥ ﺍﻟﺤﻤﺭﺍﺀ ﺘﺭﻤﺯ ﻷﻫلِ ﺍﻟﻔﻨﺎﺀِ ﺒﺎﷲِ) ،ﻓﻲ ﺼِﻔﺎﺕِ ﺍﷲ(.
-٣٧٦-
ﻤِﻥ ﺒﺩﻴﻊِ ﻓﹶﻥ ﻴﺩِ ﺍﻟﺼﺒﺎ ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺠﻌﺩِ ﺍﻟﻭﺭﺩِ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻀﻔﺎﺌﺭِ ﺍﻟﺴﻨﹾﺒلِ ﻋﻠﻰ
ﻭﺠﻪِ ﺍﻟﻴﺎﺴﻤﻴﻥ؛
ﻋﺭﻭﺱ ﺍﻟﺒﺭﻋﻡِ ﺨﹶﺭﺠﺕﹾ ﻤِﻥ ﺤﺭﻡٍ ﺒِﻁﺎﻟِﻊِ ﺍﻟﺴﻌﺩِ ،ﺒِﻌﻴﻨِﻪِ ﻴﺄﺨﹸﺫﹸ ﺍﻟﻘﹶﻠﹾﺏ ﻭﺍﻟﺩﻴﻥ ﺒِﻭﺠﻪٍ
ﺤﺴﻥٍ؛
ﺼﻔﻴﺭ ﺍﻟﺒﻠﺒلِ ﺍﻟﻤﻭﻟﱠﻪِ ﻭﺼﺭﺍﺥﹸ ﺍﻟﻬﺯﺍﺭِ ،ﺨﹶﺭﺠﺎ ﻟِﻭﺼلِ ﺍﻟﺒﻠﺒلِ ﻤِﻥ ﺒﻴﺕِ ﺍﻟﺤﺯﻥ؛
ﺤﺩﺙﹾ ﺤﺩﻴﺙﹶ ﺼﺤﺒﺔِ ﺍﻟﺤِﺴﺎﻥِ ﻭﺠﺎﻡِ ﺍﻟﺨﹶﻤﺭ ،ﺒِﻘﻭلِ ﺤﺎﻓِﻅﹶ ﻭﻓﹶﺘﻭﻯ ﺍﻟﺸﱠﻴﺦِ ﺼﺎﺤِﺏِ
ﺍﻟﻔﹶﻥ.
ﻏﺰﻝ ٣٨٩
ﺃﻨﺎ ﻜﺎﻟﻭﺭﺩِ ،ﺃُﻤﺯﻕﹸ ﺍﻟﺜﱠﻭﺏ ﻋﻠﻰ ﻋﺒﻴﺭِﻙ ،ﻜﹸلﱠ ﻨﹶﻔﹶﺱٍ ،ﻤِﻥ ﺍﻟﻠﱡﺒﺔِ ﺇﻟﻰ ﺍﻟﺤﺎﺸِﻴﺔ؛
ﻜﺄﻥ ﺍﻟﻭﺭﺩ ﻗﺩ ﺭﺃﻯ ﻤِﻨﻙ ﺍﻟﺒﺩﻥ ،ﻓﻬﻭ ﻴﻤﺯﻕﹸ ﺍﻟﺜﱠﻭﺏ ﻋﻠﻰ ﺍﻟﺒﺩﻥِ ﻓﻲ ﺍﻟﺭﻭﺽِ
ﻜﺎﻟﺴﻜﺭﺍﻥ؛
ﺭﻭﺤﻲ ﻤِﻥ ﻴﺩِ ﻏﻤﻙ ﺘﺤﻤِلُ ﺍﻟﻤﺸﺎﻜِلَ ،ﻟﻜِﻨﱠﻙ ﺃﺨﺫﹾﺕﹶ ﻗﻠﺒﻲ ﻓﻲ ﻴﺴﺭ؛
ﺃﺘﺘﺭﻙ ﺍﻟﺤﺒﻴﺏ ﻋﻥ ﻗﻭلِ ﺍﻷﻋﺩﺍﺀِ ،ﻭﻫلْ ﻤِﻥ ﺸﹶﺨﺹٍ ﻴﻌﻭﺩ ﻟﻠﺤﺒﻴﺏِ ﺨﺼﻤﺎﹰ؛
ﺠِﺴﻤﻙ ﻓﻲ ﺍﻟﺜﱠﻭﺏِ ﻜﺎﻟﺨﹶﻤﺭِ ﻓﻲ ﺍﻟﺠﺎﻡ ،ﻭﻗﻠ ﺒﻙ ﻓﻲ ﺍﻟﺼﺩﺭِ ﻜﺎﻟﺤﺩﻴﺩِ ﻓﻲ
ﺍﻟﻔِﻀﺔ )(١؛
ﺃﻱ ﺸﹶﻤﻊ ﺃﻤﻁِﺭِ ﺍﻟﺩﻤﻊ ﻤِﻥ ﻋﻴﻨِﻙ ﺩﻤﺎﹰ ،ﻓﺤﺭﻴﻕﹸ ﻗﻠﺒِﻙ ﺼﺎﺭ ﻭﺍﻀِﺤﺎﹰ ﻟﻠﺨﹶﻠﹾﻕ؛
ﻻ ﺘﺠﻌﻠﻨﻲ ﺃُﻁﻠِﻕِ ﺁﻩ ﺤﺭﻕِ ﻜﺒِﺩﻱ ﻤِﻥ ﺼﺩﺭﻱ ،ﻜﺩﺨﺎﻥٍ ﻴﺨﺭﺝ ﻤِﻥ ﺍﻟﻨﱠﺎﻓِﺫﹶﺓ؛
ﻗﻠﺒﻲ ﻫﺫﺍ ﻻ ﺘﻜﺴِﺭﻩ ﻭﻻ ﺘﹶﺭﻡِ ﺒِﻪِ ﺘﺤﺕﹶ ﻗﹶﺩﻤِﻙ ،ﺇﻥ ﻤﺴﻜﹶﻨﹶﻪ ﻓﻲ ﺼﻤﻴﻡِ ﻓﹶﺭﻋِﻙ؛
ﻭﺒِﻤﺎ ﺃﻥ ﺤﺎﻓِﻅﹶ ﻗﺩ ﺭﺒﻁﹶ ﺍﻟﻘﹶﻠﹾﺏ ﺒِﻔﹶﺭﻋِﻙ ،ﻓﻼ ﺘﹸﺤﻘﱢﺭﻩ ﻭﻻ ﺘﹸﻠﹾﻕِ ﺒِﻌﻤﻠِﻪِ ﺃﺴﻔﹶلَ ﻗﹶﺩﻤِﻙ.
) (١ﺼﺩﺭﻙ ﻜﺄﻨﱠﻪ ﺍﻟﻔِﻀﺔﹸ ﺠﻤﺎﻻﹰ ﻭﺼﻔﺎﺀ ﻭﻗﻠﺒﻙ ﻓﻴﻪِ ﻜﺄﻨﱠﻪ ﺍﻟﺤﺩﻴﺩ ﻗﺴﺎﻭﺓﹰ ﻭﺼﻼﺩﺓﹰ.
-٣٧٧-
ﻏﺰﻝ ٣٩٠
ﺘﺎﺝ ﺴﻠﻁﺎﻥِ ﺍﻟﻭﺭﺩِ ﻅﹶﻬﺭ ﻁﹶﺭﻑﹶ ﺍﻟﺭﻭﺽ ،ﻓﻠﻴﻜﹸﻥ ﻤﻘﹾﺩﻤﻪ ﻤﺒﺎﺭﻜﺎﹰ ﻋﻠﻰ ﺍﻟﺴﺭﻭِ
ﻭﺍﻟﻴﺎﺴﻤﻴﻥ ﻴﺎ ﺭﺏ؛
ﻜﻡ ﺒﺩﺍ ﻻﺌﻘﺎﹰ ﺠﻠﻭﺴﻪ ﺍﻟﻤﻠﹶﻜﻲ ﻓﻲ ﺍﻟﻤﻜﺎﻥِ ،ﻟِﻴﻌﺭِﻑﹶ ﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﺤﺩﻩ ﻭﻴﺠﻠِﺱ ﻤﻜﺎﻨﹶﻪ؛
ﺃﻋﻁِ ﺨﺎﺘﹶﻡ ﺠﻤﺸﻴﺩ ﺍﻟﺒِﺸﺎﺭ ﹶﺓ ﺒِﺤﺴﻥِ ﺍﻟﺨﺎﺘِﻤﺔِ ،ﻓﻘﺩ ﺃﺒﻌﺩ ﺍﻻِﺴﻡ ﺍﻷﻋﻅﹶﻡ ﻋﻨﹾﻪ ﻴﺩ
ﺍﻟﺸﱠﻴﻁﺎﻥ؛
ﺩﺍﻡ ﻤﻌﻤﻭﺭﺍﹰ ﺇﻟﻰ ﺍﻷﺒﺩِ ﻫﺫﺍ ﺍﻟﻤﻨﺯِلُ ﺍﻟﱠﺫﻱ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﺒﺎﺒِﻪِ ،ﺘﻬﺏ ﺭﻴﺢ ﺍﻟﻴﻤﻥِ ﺒﺭﺍﺌﺤﺔِ
ﺍﻟﺭﺤﻤﻥِ ﻜﹸلﱠ ﻨﹶﻔﹶﺱٍ)(١؛
ﻭﻟﻘﺩ ﺃﻀﺤﺕﹾ ﺸﻭﻜﹶﺔﹸ ﺃﻓﺭﺍﺴﻴﺎﺏ ﻭﺴﻴﻔﹸﻪ ﻓﺎﺘِﺢ ﺍﻟﻌﺎﻟﹶﻡِ ﻗِﺼﺔﹶ ﺍﻟﻤﺤﻔﹶلِ ﻓﻲ ﻜﹸلﱢ ﻜﹸﺘﹸﺏِ
ﺴِﻴﺭِ ﺍﻟﻤﻠﻭﻙ)(٢؛
ﺠﻭﺍﺩ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﻌﻨﻴﺩ ﺠﺎﺀ ﺇﻟﻰ ﺘﺤﺕِ ﺴﺭﺠِﻙ ،ﺃﻱ ﺸﺎﻩ ﺍﻟﻔﹸﺭﺴﺎﻥِ ،ﺤﻴﻥ ﺘﺩﺨﹸلُ ﺍﻟﻤﻴﺩﺍﻥ
ﺍِﻀﺭِﺏ ﺒِﻌﺼﺎﻙ ﺍﻟﻜﹸﺭﺓﹶ؛
ﺠﺩﻭلُ ﺍﻟﻤﻠﻙِ ﻤِﻥ ﻤﺎﺀِ ﺴﻴﻔِﻙ ﻴﺠﺭﻱ ،ﺍﺯﺭﻉ ﺸﹶﺠﺭﺓﹶ ﺍﻟﻌﺩلِ ،ﻭﺍﻗﻠﹶﻊ ﺠﺫﹾﺭ ﺃﻫلِ
ﺍﻟﺴﻭﺀ؛
ﺒﻌﺩ ﻫﺫﺍ ﻻ ﻋﺠﺏ ﻤﻊ ﻨﹶﻜﹾﻬﺔِ ﺤﺴﻥِ ﺨﹸﻠﹸﻘِﻙ ﺃﻥ ﺘﻬﺏ ﺭﺍﺌﺤﺔﹸ ﻤِﺴﻙِ ﺨﹶﺘﹶﻥ ﻤِﻥ ﺼﺤﺭﺍﺀِ
ﺇﻴﺫﺝ(٣)؛
)) (١ﺇﻨﱢﻲ ﺃﺸﹸﻡ ﺭﺍﺌﺤﺔﹶ ﺍﻟﺭﺤﻤﻥِ ﻤِﻥ ﻗِﺒلِ ﺍﻟﻴﻤﻥ( :ﺤﺩﻴﺙﹲ ﺸﺭﻴﻑ ﻗﺎﻟﹶﻪ ﺍﻟﻨﱠﺒﻲ ﻓﻲ ﺸﺄﻥِ ﺃﻭﻴﺱٍ
ﺍﻟﻘﺭﻨﻲ ﺍﻟﻴﻤﺎﻨﻲ ﻭﻟﻡ ﻴﺭﻩ ﻭﺍﻟﺘﹶﺤﻕﹶ ﺒﺎﻹﻤﺎﻡِ ﻋﻠﻲ)ﻉ( ،ﻭﻗﺎﺘﹶلَ ﻤﻌﻪ ﻓﻲ ﺼِﻔﻴﻥ ،ﻭﻗﹸﺘِلَ ﻫﻨﺎﻙ،
ﻭﻗﺒﺭﻩ ﻓﻲ ﺍﻟﺭﻗﱠﺔِ ،ﻤِﻥ ﻤﺩﻥِ ﺴﻭﺭﻴﺎ ﻋﻠﻰ ﺍﻟﻔﹸﺭﺍﺕ ،ﻭﺘﹸﻨﺴﺏ ﻟﻪ ﺍﻟﻜﺭﺍﻤﺎﺕ؛
) (٢ﻓﻲ ﺍﻷﺼل ﺍﺒﻥِ ﭙﺸﻨﮓ ﻭﻫﻭ ﺃﻓﺭﺍﺴﻴﺎﺏ ﻨﻔﺴﻪ؛
) (٣ﺇﻴﺫﺝ ﻤِﻥ ﻤﺩﻥِ ﺍﻷﻫﻭﺍﺯ.
-٣٧٨-
ﺍﻟﻤﻌﺘﻜِﻔﻭﻥ ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ ﻴﻨﺘﻅِﺭﻭﻥ ﺠﻠﻭﺘﹶﻙ ﺍﻟﺒﻬِﻴﺔﹶ ،ﺍﻜﺴِﺭ ﻁﹶﺭﻑﹶ ﺍﻟﻘﹸﺒﻌﺔِ ،ﻭﺍﺭﻓﹶﻊِ
ﺍﻟﺒﺭﻗﹸﻊ ﻋﻥِ ﺍﻟﻭﺠﻪ؛
ﻁﹶﻠﹶﺒﺕﹸ ﻤﺸﹾﻭﺭﺓﹶ ﺍﻟﻌﻘﹾلِ ﻗﺎلَ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ،ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺍﻟﺨﹶﻤﺭ ﻋﻥ ﻗﹶﻭلِ
ﺍﻟﻤﺴﺘﺸﺎﺭِ ﺍﻟﻤﺅﺘﹶﻤﻥ؛
ﻭﺍﻁﻠﹸﺒﻲ ﻴﺎ ﺼﺒﺎ ﻤِﻥ ﺴﺎﻗﻲ ﻤﺤﻔﹶلِ ﺍﻷﺘﺎﺒِﻙِ ،ﺃﻥ ﻴﻬﺒﻨﻲ ﺠﺭﻋﺔﹰ ﻤِﻥ ﺍﻟﺠﺎﻡِ ﺍﻟﻤﻀﻲﺀِ
ﻜﺎﻟﺫﱠﻫﺏ.
ﻏﺰﻝ ٣٩١
ﺃﻱ ﺸﻲﺀٍ ﻴﻤﻜِﻥ ﺃﻥ ﻴﻜﻭﻥ ﺃﻓﻀلَ ﻤِﻥ ﺍﻟﺘﱠﻔﹾﻜﻴﺭِ ﺒﺎﻟﺨﹶﻤﺭِ ﻭﺍﻟﺠﺎﻡِ ،ﻷﺭﻯ ﻜﻴﻑﹶ ﺴﻭﻑﹶ
ﺘﻜﻭﻥ ﺍﻟﻌﺎﻗِﺒﺔﹸ؛
ﻜﻡ ﺘﹶﻅﹶلﱡ ﺘﺸﺭﺏ ﻏﹶﻡ ﺍﻟﻘﹶﻠﹾﺏِ ﻭﻟﻡ ﺘﺒﻕﹶ ﺃﻴﺎﻡ ،ﻻ ﺍﻟﻘﻠﺏ ﺒﺎﻕٍ ﻭﻻ ﺍﻷﻴﺎﻡ ﺒﺎﻗِﻴﺔﹲ؛
ﻗﹸلْ ﻟﻠﻁﱠﺎﺌﺭِ ﺼﻐﻴﺭِ ﺍﻟﺤﻭﺼﻠﹶﺔِ ﻴﻜﻭﻥ ﺒِﻬﻡ ﻨﹶﻔﹾﺴِﻪِ ،ﻓﻤﻥ ﻴﻨﺼﺏ ﻟﻪ ﺍﻟﺸﱢﺒﺎﻙ ﻟﻥ
ﻴﺭﺤﻤﻪ؛
ﻻ ﺘﹶﺸﺭﺏِ ﺍﻟﻐﹶﻡ ﻭﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ،ﻭﻻ ﺘﹶﻘﺒلْ ﻨﺼﻴﺤﺔﹶ ﻤﻘﻠﱢﺩٍ ،ﻭﺃﻱ ﺍﻋﺘﺒﺎﺭٍ ﻴﻜﻭﻥ
ﻟِﺤﺩﻴﺙِ ﺍﻟﻌﻭﺍﻡ؟!؛
ﻑ ﻋﺫﺍﺏ ﺴﻌﻴِﻙ ﻓﻲ ﻏﺎﻴﺘِﻙ ،ﺃﻨﺕﹶ ﺘﻌﻠﹶﻡ ﻜﻴﻑﹶ ﺘﻜﻭﻥ ﺤﺎلُ
ﻤِﻥ ﺍﻟﺨﹶﻴﺭِ ﺃﻥ ﻴﺼﺭ ﹶ
ﺍﻟﻤﺤﺭﻭﻡِ ﺃﺨﻴﺭﺍﹰ؛
ﺸﻴﺦﹸ ﺍﻟﺤﺎﻥِ ﻜﺎﻥ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻴﻘﺭﺃُ ﻤِﻥ ﺨﹶﻁﱢ ﺍﻟﺠﺎﻡِ ﺍﻟﺤﺩﻴﺙﹶ ﺍﻟﻤﻌﻤﻰ ﻋﻥِ ﺍﻟﻤﺂلِ ﻜﻴﻑﹶ
ﺴﻴﻜﻭﻥ؛
ﻓﺤﻤﻠﹾﺕﹸ ﻟﻪ ﻗﹶﻠﹾﺏ ﺤﺎﻓِﻅﹶ ﻋﻠﻰ ﻋﺯﻑِ ﺍﻟﺩﻑﱢ ﻭﺍﻟﻘﻴﺜﺎﺭﺓِ ﻭﺍﻟﻐﹶﺯلِ ،ﻟِﺄﻋﺭِﻑﹶ ﻤﺎ ﺴﻴﻜﻭﻥ
ﺠﺯﺍﺌﻲ ﺃﻨﺎ ﺴﻲﺀِ ﺍﻟﺼﻴﺕِ.
-٣٧٩-
ﻏﺰﻝ ٣٩٢
ﺃﺘﻌﺭِﻑﹸ ﻤﺎ ﺩﻭﻟﹶﺔﹸ ﺍﻟﺴﻌﺎﺩﺓِ ،ﺇﻨﱠﻬﺎ ﺭﺅﻴﺔﹸ ﺍﻟﺤﺒﻴﺏ ،ﺍﻻِﺴﺘِﺠﺩﺍﺀ ﻓﻲ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ﺨﻴﺭ
ﻤِﻥ ﺍﻟﺴﻠﹾﻁﹶﻨﹶﺔ؛
ﻜﺎﻥ ﺴﻬﻼﹰ ﻋﻠﻲ ﻗﹶﻁﹾﻊ ﺍﻟﻁﱠﻤﻊِ ﻤِﻥ ﺍﻟﺤﻴﺎﺓِ ،ﻟﻜِﻥ ﻗﻁﹾﻌﻪ ﻤِﻥ ﺍﻷﺤِﺒﺔِ ﻜﺎﻥ ﻤﺸﻜِﻼﹰ؛
ﺴﺄﺫﻫﺏ ﻓﻲ ﺍﻟﺒﺴﺘﺎﻥِ ﻜﺎﻟﺒﺭﻋﻡِ ﻀﻴﻕِ ﺍﻟﻘﹶﻠﹾﺏِ ،ﻭﻫﻨﺎﻙ ﺴﺄُﻤﺯﻕﹸ ﺜﻭﺏ ﺍﻟﺴﻤﻌﺔِ ﺍﻟﺤﺴﻨﹶﺔِ؛
ﺤﻴﻨﺎﹰ ﺃﻗﻭلُ ﺴِﺭﻱ ﺍﻟﻤﺨﻔﻲ ﻟﻠﻭﺭﺩِ ﻜﺎﻟﻨﱠﺴﻴﻡِ ،ﻭﺤﻴﻨﺎﹰ ﺃﺴﺘﹶﻤِﻊ ﺇﻟﻰ ﺴِﺭ ﻏﹶﺯلِ ﺍﻟﻌِﺸﹾﻕِ
ﻤِﻥ ﺍﻟﺒﻼﺒِل؛
ﻻ ﺘﺩﻉ ﺘﻘﺒﻴلَ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﺃﻭﻻﹰ ،ﻓﺘﹶﻤِلﱠ ﺁﺨِﺭﺍﹰ ﻤِﻥ ﻋﺽ ﺍﻟﻴﺩِ ﻭﺍﻟﺸﱠﻔﹶﺔِ )ﻨﺩﺍﻤﺔﹰ(؛
ﻭﺍﻏﺘﻨِﻡ ﺍﻟﻔﹸﺭﺼﺔﹶ ﻓﺈﻨﱠﻙ ﺇﻥ ﺘﺨﺭﺝ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻤﻨﺯِلِ ﺫﻱ ﺍﻟﺒﺎﺒﻴﻥِ ﻟﻥ ﺘﺴﺘﻁﻴﻊ ﺍﻟﻌﻭﺩﺓﹶ
ﺇﻟﻴﻪِ ﻤﺠﺩﺩﺍﹰ؛
ﻜﺄﻥ ﺤﺎﻓِﻅﹶ ﻗﺩ ﺫﹶﻫﺏ ﻤِﻥ ﺫﺍﻜِﺭﺓِ ﺍﻟﺸﱠﺎﻩِ ﻴﺤﻴﻰ ،ﻴﺎ ﺭﺏ ﺃﻋِﺩ ﺇﻟﻰ ﻓِﻜﹾﺭِﻩِ ﺫِﻜﹾﺭ
ﺍﻟﺩﺭﺍﻭﻴﺵ) .ﺍﻟﺸﹼﺎﻩ ﻴﺤﻴﻰ ﻟﻘﺏ ﺍﻷﻤﻴﺭ ﻤﺒﺎﺭِﺯ ﺍﻟﺩﻴﻥ ﻤﺤﻤﺩ(.
ﻏﺰﻝ ٣٩٣
ﺃﻨﺎ ﻫﻭ ﻤﺸﻬﻭﺭ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﺒﺎﻟﻌِﺸﹾﻕِ ،ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻟﻡ ﺃُﻟﻭﺙِ ﺍﻟﻌﻴﻥ ﺒِﻤﻨﻅﹶﺭِ ﺴﻭﺀٍ؛
ﻨﺤﻥ ﻨﻘﻭﻡ ﺒﺎﻟﻭﻓﺎﺀِ ﻭﻨﺤﺘﻤِلُ ﺍﻟﻤﻼﻤﺔﹶ ﻭﻨﻌﻴﺵﹸ ﻓﻲ ﻫﻨﺎﺀٍ ،ﺇﻥ ﺍﻟﺘﱠﺄﻟﱡﻡ ﻜﹸﻔﹾﺭ ﻓﻲ ﻁﺭﻴﻘﺘِﻨﺎ؛
ﻗﻠﺕﹸ ﻟِﺸﹶﻴﺦِ ﺍﻟﺤﺎﻥِ ﻤﺎ ﻁﺭﻴﻕﹸ ﺍﻟﻨﱠﺠﺎﺓِ ،ﻁﹶﻠﹶﺏ ﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﻭﻗﺎلَ ﺴﺘﹾﺭ ﺍﻟﻌﻴﺏ؛
ﻤﺭﺍﺩ ﻗﻠﺒﻲ ﻤِﻥ ﺍﻟﺘﱠﻨﹶﺯﻩِ ﻓﻲ ﺭﻭﺽِ ﺍﻟﻌﺎﻟﹶﻡ ﻤﺎ ﻫﻭ؟ ،ﺇﻨﱠﻪ ﻗﹶﻁﹾﻑﹸ ﺍﻟﻭﺭﺩِ ﻤِﻥ ﻭﺠﻬِﻙ ﺒﻴﺩِ
ﺇﻨﺴﺎﻥِ ﻋﻴﻨﻲ؛
ﺵ ﻋِﺒﺎﺩﺓِ ﺍﻟﻨﱠﻔﹾﺱ ﺨﺭﺍﺒﺎﹰ؛
ﺒﻌﺒﺎﺩﺓِ ﺍﻟﺨﹶﻤﺭِ ﺠﻌﻠﹾﺕﹸ ﻨﹶﻘﹾﺵﹶ ﺍﻟﻨﱠﻔﹾﺱِ ﻋﻠﻰ ﺍﻟﻤﺎﺀِ ،ﻟﻜﻲ ﺃﺠﻌلَ ﻨﹶﻘﹾ ﹶ
-٣٨٠-
ﺃﻨﺎ ﻭﺍﺜِﻕﹲ ﺒﺭﺤﻤﺔِ ﻀﻔﻴﺭﺘِﻙ ،ﺇﺫﺍ ﻟﹶﻡ ﻴﻜﹸﻥ ﺠﺫﺏ ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﺠِﻬﺔِ ﻻ ﻨﹶﻔﹾﻊ ﻟﻠﺴﻌﻲ؛
ﻑ ﻋﻥ ﻫﺫﺍ ﺍﻟﻤﺠﻠِﺱِ ،ﻭﻋﻅﹸ ﻏﻴﺭِ ﺍﻟﻌﺎﻤِﻠﻴﻥ ﻴﺠِﺏ
ﻴﺠِﺏ ﺃﻥ ﻨﻠﻭﻱ ﺍﻟﻌِﻨﺎﻥ ﻭﻨﻨﺼﺭِ ﹶ
ﺃﻥ ﻻ ﻴﺴﻤﻊ؛
ﺘﹶﻌﻠﱠﻡ ﺤﺏ ﺍﻟﻭﺠﻪِ ﺍﻟﺠﻤﻴلِ ﻤِﻥ ﺨﻁﱢ ﺍﻟﺤﺒﻴﺏِ ،ﺇﻥ ﺍﻟﺩﻭﺭﺍﻥ ﺤﻭلَ ﻋﺎﺭِﺽِ ﺍﻟﺤِﺴﺎﻥ
ﺠﻤﻴلٌ)(١؛
ﻻ ﺘﹸﻘﺒلْ ﻏﻴﺭ ﺸﹶﻔﹶﺔِ ﺍﻟﺴﺎﻗﻲ ﻭﺠﺎﻡِ ﺍﻟﺨﹶﻤﺭِ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﺘﻘﺒﻴلُ ﻴﺩِ ﺒﺎﻋﺔِ ﺍﻟﺯﻫﺩِ ﺨﹶﻁﹶﺄٌ.
ﻏﺰﻝ ٣٩٤
ﺃﻱ ﻤﻥ ﻤﻨﹾﻅﹶﺭ ﻗﹶﻤﺭِ ﻭﺠﻬِﻙ ﺭﺒﻴﻊ ﺤﺴﻥٍ ﺠﺩﻴﺩ ،ﺨﺎﻟﹸﻙ ﻭﺨﹶﻁﱡﻙ ﻤﺭﻜﹶﺯ ﺍﻟﺤﺴﻥِ
ﻭﻤﺩﺍﺭ ﺍﻟﺤﺴﻥِ)(٢؛
ﻓﻲ ﻋﻴﻨِﻙ ﺍﻟﻤﻤﻠﻭﺀﺓِ ﺒﺎﻟﺨﹸﻤﺎﺭِ ﺘﺨﺘﻔﻲ ﻤﻌﺎﺠِﺯ ﺍﻟﺴﺤﺭِ ،ﻓﻲ ﻓﹶﺭﻋِﻙ ﺍﻟﱠﺫﻱ ﻻ ﻗﺭﺍﺭ ﻟﻪ
ﺍﺴﺘﹶﻘﹶﺭ ﻗﺭﺍﺭ ﺍﻟﺤﺴﻥِ؛
ﻕ ﻤِﺜﻠﹶﻙ ﻗﹶﻤﺭ ﻤِﻥ ﺒﺭﺝِ ﺍﻟﺠﻤﺎلِ ،ﻭﻻ ﻨﹶﻬﺽ ﻜﻘﹶﺩﻙ ﺴﺭﻭ ﻋﻠﻰ ﺠﺩﻭلِ ﺍﻟﺤﺴﻥ؛
ﻤﺎ ﺃﺸﺭ ﹶ
ﻋﻬﺩ ﺍﻟﺤﺏ ﻤِﻥ ﻤﻼﺤﺘِﻙ ﺴﻌﻴﺩ ،ﻭﻤﻴﻤﻭﻥ ﻤِﻥ ﻟﻁﺎﻓﹶﺘِﻙ ﺯﻤﺎﻥ ﺍﻟﺤﺴﻥِ؛
ﻤِﻥ ﺸِﺒﺎﻙِ ﻓﹶﺭﻋِﻙ ﻭﺤﺒﺔِ ﺨﺎﻟِﻙ ﻤﺎ ﺒﻘﻲ ﻁﺎﺌﺭ ﻗﻠﺏٍ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﺇﻻﱠ ﻭﺼﺎﺭ ﺼﻴﺩﺍﹰ ﻟﻠﺤﺴﻥِ؛
ﺤﺎﻀِﻨﹶﺔﹸ ﺍﻟﻁﱠﺒﻊِ ﺭﺒﺘﹾﻙ ﻤِﻥ ﺼﻤﻴﻡِ ﺍﻟﺭﻭﺡِ ﻋﻠﻰ ﺍﻟﺩﻻلِ ﻭﻏﹶﺫﹼﺘﻙ ﻓﻲ ﺤِﻀﻥِ ﺍﻟﺤﺴﻥِ؛
ﺤﻭلَ ﺸﹶﻔﹶﺘِﻙ ﻨﻤﺎ ﺍﻟﺒﻨﹶﻔﺴﺞ ﺍﻟﻐﺽ ﺍﻟﻁﱠﺭﻱ ﻴﺸﺭﺏ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻤِﻥ ﻨﹶﻬﺭِ ﺍﻟﺤﺴﻥ؛
ﺤﺎﻓِﻅﹸ ﻗﹶﻁﹶﻊ ﺍﻟﻁﱠﻤﻊ ﻤِﻥ ﺃﻥ ﻴﺭﻯ ﻟﹶﻙ ﻨﻅﻴﺭﺍﹰ ،ﻻ ﺩﻴﺎﺭ ﻏﻴﺭ ﻭﺠﻬِﻙ ﻓﻲ ﺩﻴﺎﺭِ ﺍﻟﺤﺴﻥ.
) (١ﺘﻌﻠﱠﻡ ﺤﺏ ﺍﻟﻭﺠﻪِ ﺍﻟﺠﻤﻴل ﻤﻥ ﺨﻁﱢ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻴﺩﻭﺭ ﺤﻭلَ ﻋﺎﺭِﻀِﻪِ ﺍﻟﺠﻤﻴل.
ﺕ ﺘﻤﻠِ
ﻙ ) (٢ﺨﺎﻟﹸﻙ ﻭﺨﻁﱡﻙ ﺍﻟﻤﺭﻜﹶﺯ ﻭﺍﻟﻤﺩﺍﺭ ﻟﻠﺤﺴﻥِ ،ﺨﺎﻟﹸﻙ ﻤﺭﻜﹶﺯﻫﺎ ﻭﺨﻁﱡﻙ ﻤﺤﻴﻁﹸﻬﺎ ،ﻓﺄﻨ ﹶ
ﻥ ﻭﻋﻠﻰ ﺍﻟﺫﱠ ﹾﻗﻥِ ﻴﺭﺴﻡ
ﺩﺍﺌﺭﺓﹶ ﺍﻟﺤﺴﻥِ ﻜﹸﻠﱠﻬﺎ ،ﻭﺍﻟﺨﻁﹼ ﻫﻭ ﺸﹶﻌﺭ ﺍﻟﺤﺩﺙِ ﺍﻟﻨﱠﺎﺒِﺕﹸ ﺤﺩﻴﺜﺎﹰ ﺃﻤﺎﻡ ﺍﻷُﺫﹸﻨﹶﻴ ِ
ﺸِﺒﻪ ﺩﺍﺌﺭﺓ.
-٣٨١-
ﻏﺰﻝ ٣٩٥
ﺍﺠﻌلْ ﺴﻨﺎﺒِلَ ﺍﻟﻤِﺴﻙِ ﻋﻠﻰ ﻭﺭﻕِ ﺍﻟﻭﺭﺩ ﻨِﻘﺎﺒﺎﹰ ،ﻴﻌﻨﻲ ﻏﻁﱢ ﺍﻟﻭﺠﻪ ﻭﺍﺠﻌلِ ﺍﻟﻌﺎﻟﹶﻡ
ﺨﺭﺍﺒﺎ؛
ﺩﻉ ﻴﻨﺘﹶﺸِﺭ ﻋﺭﻕﹸ ﺍﻟﻭﺠﻪِ ﺒﺄﻁﺭﺍﻑِ ﺍﻟﺒﺴﺘﺎﻥِ ،ﻭﺍﻤﻸْ ﻋﻴﻭﻨﹶﻨﺎ ﺒﻤﺎﺀِ ﺍﻟﻭﺭﺩِ ﻜﺄﻭﺍﻨﻲ
ﺍﻟﺯﺠﺎﺝ)(١؛
ﺃﻴﺎﻡ ﺍﻟﻭﺭﺩِ ﻜﺎﻟ ﻌﻤﺭِ ﻤﺴﺭِ ﻋﺔﹲ ﻓﻲ ﺍﻟﺫﹼﻫﺎﺏِ ،ﺃﺴﺭِ ﻉ ﺒِﺩﻭﺭﺓِ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀِ
ﻴﺎ ﺴﺎﻗﻲ؛
ﺍِﻓﺘﹶﺢ ﻨﹶﺭﺠِﺴﻙ ﺍﻟﺴﻜﺭﺍﻥ ﺍﻟﻤﻤﻠﻭﺀ ﺒﺎﻟﻨﱠﻭﻡ ﻓﻲ ﺩﻻلٍ ،ﻭﺩﻉ ﻋﻴﻥ ﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻷﺭﻋﻥِ
ﺘﺫﻫﺏ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ ﻤِﻥ ﺍﻟﺒﻜﺎﺀِ؛
ﺸﹸﻡ ﺭﻴﺢ ﺍﻟﺒﻨﹶﻔﹾﺴﺞِ ﻭﺃﻤﺴِﻙ ﺒِﺠﺩﻴﻠﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻟﻭﻥِ ﺍﻟﺸﱠﻘﺎﺌﻕِ ،ﻭﺍﻋﺯِﻡ ﻋﻠﻰ
ﺍﻟﺸﱡﺭﺏ)(٢؛
ﻭﺒﻤﺎ ﺃﻥ ﻗﺘﹾلَ ﺍﻟﻌﺎﺸِﻕِ ﺭﺴ ﻡ ﻟﻙ ﻭﻋﺎﺩﺓﹲ ،ﺍﺸﺭﺏِ ﺍﻟﻘﹶﺩﺡ ﻤﻊ ﺍﻷﻋﺩﺍﺀِ ﻭﻗﹸﻡ
ﺒﻌِﺘﺎﺒِﻨﺎ )(٣؛
ﺍﹸﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﺤﺒﺎﺏِ ﻋﻠﻰ ﻭﺠﻪِ ﺍﻟﺨﹶﻤﺭِ ﻓﻲ ﺍﻟﻘﹶﺩﺡِ ،ﻭﺍﺠﻌلْ ﻤﻨﻪ ﺃﺴﺎﺱ ﺍﻟﻘﻴﺎﺱِ ﻋﻠﻰ
ﻫﺫﺍ ﺍﻟﻤﻨﺯِل)(٤؛
ﺤﺎﻓِﻅﹸ ﻴﻁﻠﹸﺏ ﺍﻟﻭِﺼﺎلَ ﻤﻥ ﻁﺭﻴﻕِ ﺍﻟﺩﻋﺎﺀ ،ﻴﺎ ﺭﺏ ﺍﺠﻌلْ ﺩﻋﺎﺀ ﻤﻨﻜﺴِﺭﻱ ﺍﻟﻘﻠﻭﺏِ
ﻤﺴﺘﺠﺎﺒﺎﹰ
) (١ﺒﻤﺎﺀِ ﺍﻟﻭﺭﺩ :ﺒﺎﻟﺩﻤﻊ؛
) (٢ﻓﻲ ﻫﺫﺍ ﺍﻟﺒﻴﺕِ ﺘﻐﻴﺭ ﺍﻟﻤﺨﺎﻁﹶﺏ؛
) (٣ﺸﹸﺭﺒﻙ ﺍﻟﺨﻤﺭ ﻤﻊ ﺍﻷﻋﺩﺍﺀِ ﻜﻔﻴلٌ ﺒِﻘﺘﻠِﻨﺎ؛
) (٤ﺍﻟﺤﺒﺎﺏ ﺍﻟﻔﻘﺎﻗﻴﻊ ﺍﻟﹼﺘﻲ ﺘﻌﻠﻭ ﺍﻟﺨﻤﺭ.
-٣٨٢-
ﻏﺰﻝ ٣٩٦
ﻁﹶﻠﹶﻊ ﺍﻟﺼﺒﺢ ﺴﺎﻗﻴﺎ ﻓﺼﺏ ﺸﺭﺍﺒﻲ ﻓﹶﻠﹶﻙ ﺩﺍﺌﺭ ﻤـﺎ ﻟـﻪ ﻤـﻥ ﺜﺒـﺎﺕٍ
ﺍﻟﺨﺭﺍﺏِ ﺒﺎﻟﻌﺎﻟﹶﻡِ ﺍﻟﻔﺎﻨﻲ ﻓﻌﺠلْ ﺨﺭﺍﺒﻲ ﻭﺒِﺠﺎﻡِ ﺍﻟﻤﺩﺍﻡِ ﻜﺎﻟﻭﺭﺩِ ﻗﺒلَ ﻨـﺯﻭلِ
ﻓﻘﺩ ﺃﺸﹾﺭﻗﹶﺕﹾ ﻤِﻥ ﺍﻟﻜﺄﺱِ ﺸﻤﺱ ﺍﻟﺸﱠﺭﺍﺏِ ﻭﺭﻕﹶ ﺍﻟﻌﻴﺵِ ﺇﻥ ﺘﹶﺭﻡ ﻓﹶﺩﻉِ ﺍﻟﻨﱠـﻭﻡ
ﺍِﻤﻸْ ﺍﻟﺭﺃﺱ ﻤِﻨﱢﻲ ،ﻤِﻥ ﻗﺒلِ ﺃﻥ ﻴﺼﻨﹶﻊ ﺍﻟﺩﻫﺭ ﻤِﻥ ﺘﹸﺭﺍﺒﻲ ﺍﻵﺠﺭ ،ﻜﺄﺱ ﺍﻟﺸﱠﺭﺍﺏِ
ﻟﺴﺕﹸ ﻜﹸﻔﺅﺍﹰ ﻟﺯﻫـﺩٍ ﻭﺘﻭﺒـﺔٍ ﻭﻁﺎﻤـﺎﺕٍ ،ﻓﺒﺠـﺎﻡِ ﺍﻟﻤـﺩﺍﻡِ ﻓﺎﺠﻌـلْ ﺨِﻁـﺎﺒﻲ
ﻓِﻌلُ ﻋﺎﺒِﺩﻱ ﺍﻟﺨﹶﻤﺭِ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﻟﺼﻭﺍﺏ ،ﻓﺎﻋﺯِﻡ ﻋﺯﻡ ﺠﺯﻡٍ ﻟِﻔِﻌـلِ ﺍﻟـﺼﻭﺍﺏِ
ﻨﺜﺭﺍﹰ :ﺇﻨﱠﻪ ﺍﻟﺼﺒﺢ ﺴﺎﻗﻴﺎ ،ﺍِﻤﻸ ﺍﻟﻘﹶﺩﺡ ﺒﺎﻟﺸﱠﺭﺍﺏِ ،ﺍﻟﻔﻠﻙ ﺍﻟﺒﻌﻴﺩ ﻻ ﻴﻌﺭِﻑﹸ
ﺍﻟﺘﱠﻭﻗﱡﻑﹶ ،ﺃﺴﺭِﻉ؛ ﻗﺒلَ ﺃﻥ ﻴﺼﺒِﺢ ﺍﻟﻌﺎﻟﹶﻡ ﺍﻟﻔﺎﻨﻲ ﺨﺭﺍﺒﺎﹰ ،ﻋﺠلْ ﺨﺭﺍﺒﻨﺎ ﻤِﻥ ﺠﺎﻡِ
ﺨﻤﺭﺓٍ ﺒﻠﻭﻥِ ﺍﻟﻭﺭﺩ؛ ﺸﹶﻤﺱ ﺍﻟﺨﹶﻤﺭِ ﻁﹶﻠﹶﻌﺕﹾ ﻤِﻥ ﻤﺸﺭِﻕِ ﺍﻟﻜﺄﺱ ،ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﺘﻁﻠﹸﺏ
ﻁﻴﺏ ﺍﻟﻌﻴﺵِ ﻓﺎﺘﺭﻙِ ﺍﻟﻨﱠﻭﻡ؛ ﻴﻭﻤﺎﹰ ﺴﻴﺼﻨﹶﻊ ﺍﻟﻔﹶﻠﹶﻙ ﺍﻵﺠﺭ ﻤِﻥ ﺃﺒﺩﺍﻨﻨﺎ ،ﺤﺫﺍﺭﻴﻙ ﺍﻤﻸْ
ﻜﺅﻭﺱ ﺭﺅﻭﺴِﻨﺎ ﺒﺎﻟﺸﱠﺭﺍﺏ؛ ﻨﺤﻥ ﻟﺴﻨﺎ ﺭﺠﺎلَ ﺯﻫﺩٍ ﻭﺘﻭﺒﺔٍ ﻭﻁﺎﻤﺎﺕٍ ،ﺍِﺠﻌل ﺨِﻁﺎﺒﻨﺎ
ﺒﺠﺎﻡِ ﺍﻟﻤﺩﺍﻡِ ﺍﻟﺼﺎﻓﻲ؛ ﻋﻤلُ ﺍﻟﺼﻭﺍﺏِ ﻋﺒﺎﺩﺓﹸ ﺍﻟﺨﻤﺭِ ،ﺤﺎﻓﻅﹸ ﺍﻨﻬﺽ ﻭﺍﻋﺯﻡ ﺠﺯﻤﺎﹰ
ﻋﻠﻰ ﻓِﻌلِ ﺍﻟﺼﻭﺍﺏ.
ﻏﺰﻝ ٣٩٧
ﺍﺩﺨﹸلْ ﻋﻠﻴﻨﺎ ﺍﻟﺒﺎﺏ ﻭﺍﺠﻌلْ ﻤﺠﻠِﺱ ﻟﻴﻠِﻨﺎ ﻤﻨﻭﺭﺍﹰ ،ﻭﺍﺠﻌلْ ﻫﻭﺍﺀ ﻤﺠﻠِﺱِ ﺍﻟﺭﻭﺤﺎﻨﻴﻴﻥ
ﻤﻌﻁﱠﺭﺍﹰ)(١؛
) (١ﺍﻟﻤﺯﻭﺠﺔ ،ﻗﹸﺒﻌﺔﹸ ﺍﻟﺼﻭﻑِ ،ﻀِﻘﺕﹸ ﺫﺭﻋﺎﹰ ﺒﻘﹸﺒﻌﺔِ ﺍﻟﺼﻭﻑِ ﺍﻟﱠﺘﻲ ﻴﻠﺒﺴﻬﺎ ﺍﻟﺼﻭﻓﻴﻭﻥ ﺍﻟﻤﺭﺍﺅﻭﻥ،
ﻋﻠﱢﻤﻨﻲ ﺃﺴﻠﻭﺏ ﺍﻟﺼﻭﻓﻴﻴﻥ ﺍﻷﺤﺭﺍﺭِ ﺒِﻐﻤﺯﺓٍ ﻤِﻨﻙ؛
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ﺇﺫﺍ ﺍﻟﻔﻘﻴﻪ ﻨﹶﺼﺤﻙ ﺒِﺄﻥ ﻻ ﺘﹶﻌﺸﹶﻕﹶ ،ﺃﻋﻁِﻪِ ﻜﺄﺴﺎﹰ ﻭﻗﹸلْ ﻟﻪ ﺭﻁﱢﺏِ ﺍﻟﺩﻤﺎﻍﹶ؛
ﻟِﻌﻴﻥِ ﺍﻟﺤﺒﻴﺏِ ﻭﺍﻟﺤﺎﺠِﺏِ ﺃﻭﺩﻋﺕﹸ ﺍﻟﺭﻭﺡ ﻭﺍﻟﻘﹶﻠﹾﺏ ،ﺘﻌﺎلَ ﺘﻌﺎلَ ﻭﺘﻔﺭﺝ ﻋﻠﻰ ﺍﻟﻁﱠﺎﻕِ
ﻭﻤﺘﱢﻊِ ﺍﻟﻨﱠﻅﹶﺭ؛
ﻨﹶﺠﻤﺔﹸ ﻟﻴلِ ﺍﻟﻬﺠﺭﺍﻥِ ﻻ ﺘﻨﺸﹸﺭ ﺍﻟﻨﱡﻭﺭ ،ﺍﻁﻠﹶﻊ ﻋﻠﻰ ﻗﹸﺒﺔِ ﺍﻟﻘﹶﺼﺭِ ﻭﺍﺭﻓﹶﻊ ﺴِﺭﺍﺝ ﺍﻟﻘﹶﻤﺭ؛
ﻗﹸلْ ﻟِﺨﺎﺯِﻥِ ﺍﻟﺠﻨﱠﺔِ ﺨﹸﺫﹾ ﺘﹸﺭﺍﺏ ﻫﺫﺍ ﺍﻟﻤﺠﻠِﺱِ ﻭﺍﺠﻌﻠﹾﻪ ﺃﻋﻭﺍﺩ ﻤﺠﻤﺭٍ ﺘﹸﺤﻔﹶﺔﹰ ﺇﻟﻰ
ﺍﻟﻔِﺭﺩﻭﺱ؛
ﻀِﻘﺕﹸ ﺫﹶﺭﻋﺎﹰ ﺒِﻬﺫِﻩِ ﺍﻟﻤﺯﻭﺠﺔِ ﻭﺍﻟﺨِﺭﻗﹶﺔِ ﺍﻟﻤﺯﻭﺭﺓِ ،ﺍﺠﻌﻠﹾﻨﻲ ﺒِﻐﹶﻤﺯﺓٍ ﺼﻭﻓﻴﺎﹰ ﺤﺭﺍﹰ)(١؛
ﺒﻤﺎ ﺃﻥ ﻤﻠﻭﻙ ﺍﻟﺤﺴﻥِ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻋﺒﻴﺩ ﺤﺴﻨِﻙ ،ﺍﻏﻤِﺯ ﺍﻟﻴﺎﺴﻤﻴﻥ ﻏﻤﺯﺓﹰ ،ﻭﺠﺩ
ﺒِﺠﻠﹾﻭﺓٍ ﻋﻠﻰ ﺍﻟﺼﻨﻭﺒﺭ)(٢؛
ﻓﻀﻭلُ ﺍﻟﻨﱠﻔﺱِ ﺤﻜﺎﻴﺔﹲ ﻴﺤﻜﻴﻬﺎ ﺍﻟﻜﺜﻴﺭﻭﻥ ،ﺴﺎﻗﻲ ﻜﹸﻥ ﺒِﺸﹸﻐﹾﻠِﻙ ،ﻭﺼﺏ ﺍﻟﺨﹶﻤﺭ
ﺒﺎﻟﻜﺄﺱ؛
ﺸﹸﻌﺎﻉ ﺍﻟﺠﻤﺎلِ ﺼﺎﺭ ﺤِﺠﺎﺏ ﻋﻴﻥِ ﺍﻹﺩﺭﺍﻙِ ،ﻓﺘﻌﺎلَ ﻭﻨﻭﺭ ﻤﺴﻜﹶﻥ ﺍﻟﺸﱠﻤﺱ؛
ﺍﻟﻁﱠ ﻤﻊ ﺒِﻘﹶ ﻨﹾﺩِ ﺍﻟﻭِﺼﺎلِ ﻟﻡ ﻴﻜﹸﻥ ﺤ ﺩﺍﹰ ﻟﻨﺎ ،ﺃﻋﻁِﻨﺎ ﺍﻟﻌﻁﺎﺀ ﻤِﻥ ﺸﹶﻔﹶﺔِ ﺍﻟﻠﱡﺅﻟ ﺅِ
ﺍﻟﺴ ﻜﱠﺭﻴﺔِ؛
ﻗﺒلْ ﺸﹶ ﻔﹶﺔﹶ ﺍﻟﻜﺄ ﺱِ ﻭﺃﻨﺕﹶ ﺘﹸﻌﻁﻴ ﻪِ ﻟِﻠ ﺴﻜﺎﺭﻯ ،ﻁﺭ ﺩِﻤﺎﻍﹶ ﺍﻟﻤﻌﺎﺸِﺭﻴﻥ ﺒِﻬ ﺫِ ﻩِ
ﺍﻟﺩﻗﻴﻘﹶﺔ )(٣؛
ﺒﻌﺩ ﻤﻼﺯﻤﺔِ ﺍﻟﺴﺭﻭﺭِ ﻭﻋِﺸﹾﻕِ ﺫﻭﻱ ﺍﻟﻭﺠﻭﻩِ ﻜﺎﻟﺒﺩﻭﺭِ ،ﺍِﺠﻌلْ ﻋﻤﻼﹰ ﻤِﻥ ﺃﻋﻤﺎﻟِﻙ
ﻅ ﺸِﻌﺭِ ﺤﺎﻓِﻅﹶ.
ﺤِﻔﹾ ﹶ
) (١ﻨﺤﻥ ﻤﻘﻴﻤﻭﻥ ﻓﻲ ﺍﻟﻅﱠﻼﻡِ ﻓﺎﺨﺭﺝ ﻋﻠﻴﻨﺎ ﻤﻥ ﻗﺼﺭِﻙ ﺍﻟﻌﺎﻟﻲ ﻭﻨﻭﺭ ﻟﻴﻠﻨﺎ ﺒﻨﻭﺭِ ﺠﻤﺎﻟﻙ ﻭﻋﻁﱢﺭ
ﻫﻭﺍﺀﻨﺎ ﺒﻌﺒﻴﺭِﻙ؛
ﻙ ﺍﻟﺠﻤﺎلَ ،ﻓﺠﺩ ﻋﻠﻰ ﺍﻟﻴﺎﺴﻤﻴﻥ )ﺠﻤﻴلِ ﺍﻟﻭﺠﻪِ( ﺒﻐﻤﺯﺓٍ،
) (٢ﺃﻫلُ ﺍﻟﺠﻤﺎلِ ﺠﻤﻴﻌﺎﹰ ﻴﺴﺘﺠﺩﻭﻥ ﻤﻨ
ﻭﻋﻠﻰ ﺍﻟﺼﻨﻭﺒﺭِ )ﻗﻭﻴﻡ ﺍﻟﻘﺩ (ﺒﺠﻠﻭﺓ؛
) (٣ﺍﻟﺩﻗﻴﻘﹶﺔ :ﺍﻟﻠﹼﻁﻴﻔﹶﺔ.
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ﻏﺰﻝ ٣٩٨
ﺍِﺴﻕِ ﺇﻥ ﻜﺄﺴﻙ ﺍﻤﺘﻼ ﻭﻜﹸﻥ ﺸﺎﺭﺒﺎﹰ ﻨﹸﻭﺭ ﻋﻴﻨﻲ ﻋﻨﺩﻱ ﻜـﻼﻡ ﻟِﺘﹶـﺴﻤﻊ
ﻫﺎﺘِﻑﹶ ﺍﻟﻐﻴﺏِ ﺴﻤﻊ ﻗﻠﺒِﻙ ﻜﹸﻥ ﻭﺍﻫﺒﺎﹰ ﺇﺒﻠﻴﺱ ﻜﻡ ﻴﻭﺴﻭِﺱ ﻓﻲ ﻤﺴﻠﹶﻙِ ﺍﻟﻌِﺸﻕِ
ﺭﺒﺎﺏ ﺍﻨﺘﺤِﺏ ﻭﻴﺎ ﺩﻑﱡ ﻜﹸﻥ ﺼﺎﺨِﺒﺎ ﻭﺭﻕﹸ ﺍﻟﹾﻌﻴﺵِ ﺯﺍلَ ﻭﺍﻟﺴﺭﻭﺭ ﺍﻨﺘﻬﻰ ،ﻴﺎ
ﻟﺫﱠﺓﹶ ﺍﻟﺴﻜﺭِ ﻤﻥ ﺒﺎﺌﻊِ ﺍﻟﺨﻤﺭِ ﻜﹸﻥ ﻁﺎﻟﺒﺎﹰ ﻟﺫﱠﺓﹸ ﺍﻟﺴﻜﺭِ ﻟﻴﺴﺕﹾ ﻓﻲ ﺨﺭﻗﺔٍ ﻭﺘﹶﺴﺒﻴﺢٍ
ﻴﺎ ﻨﻭﺭ ﻋﻴﻨﻲ ﻋﻨﺩﻱ ﻜﻼﻡ ﻟﻙ ﻓﺎﺴﻤﻊ ﻤﺎ ﺃﻗﻭل :ﺇﺫﺍ ﻤﺎ ﺍﻤﺘﻸ ﻜﺄﺴ ﻙ
ﺒﺎﻟﺸﱠﺭﺍﺏِ ﻓﺎﺸﺭﺏ ﻤﻨﻪ ﻭﺍﺴﻕِ )ﺍﻓﻌلِ ﺍﻟﺨﻴﺭ(؛ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌﺸﻕِ ﻜﻡ ﻴﻭﺴﻭﺱ ﻟﻙ
ﺇﺒﻠﻴﺱ ﻟﻴﺨﺩﻋﻙ ﻭﻴﻀﻠﱠﻙ ﻓﻼ ﺘﹸﺼﻎِ ﻟﻪ ،ﻭﺘﻘﺩﻡ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻭﻟﻴﻜﹸﻥ ﺴﻤﻊ ﻗﻠﺒِﻙ
ﻤﺘﻌﻠﱢﻘﺎﹰ ﺒﺎﻟﻨﱢﺩﺍﺀِ ﺍﻟﻐﻴﺒﻲ ﺍﻟﱠﺫﻱ ﻴﻨﺎﺩﻴﻙ ﻟﻴﻬﺩﻴﻙ )ﻨﺩﺍﺀ ﺍﻟﻔِﻁﺭﺓ(؛ ﺨﹸﻀﺭﺓﹸ ﺍﻟﻌﻴﺵِ ﻭﻨﺒﺎﺘﹸﻪ
ﺯﺍﻻ ،ﻭﺍﻟﺴﺭﻭﺭ ﻻ ﻴﺩﻭﻡ ،ﻓﺎﻨﺘﺤِﺒﻲ ﻴﺎ ﺭﺒﺎﺒﺔﹸ ﺒﺼﻭﺕٍ ﺤﺯﻴﻥٍ ،ﻭﻟﻴﻌلُ ﺼﺭﺍﺨﹸﻙ
ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺩﻑﱡ ﻋﻠﻰ ﺴﺎﻟِﻑِ ﺃﻴﺎﻤِﻨﺎ ﺍﻟﺴﻌﻴﺩﺓ؛ ﺨﺭﻗﺔﹸ ﺍﻟﺯﻫﺩِ ﻭﺍﻟﺘﹼﺴﺒﻴﺢ ﻻ ﻴﻬﺒﺎﻥِ ﻟﺫﱠﺓﹶ
ﺍﻟﺴﻜﺭِ ،ﻓﺎﺠﺘﻬِﺩ ﻓﻲ ﻫﺫﺍ ﺍﻟﻌﻤلِ ،ﻭﺍﻁﻠﹸﺏ ﺫﻟﻙ ﻤﻥ ﺒﺎﺌﻊِ ﺍﻟﺨﻤﺭ.
ﻏﺰﻝ ٣٩٩
ﺃﻅﻬِﺭ ﺴِﺤﺭ ﺍﻟﺩﻻلِ ﻭﺍﻜﺴِﺭ ﺒﺎﺯﺍﺭ ﺍﻟﺴﺤﺭِ ،ﻭﺍﻜﺴِﺭ ﺒِﻐﹶﻤﺯﺓٍ ﺭﻭﻨﹶﻕﹶ ﻭﻨﺎﻤﻭﺱ ﺍﻟﺴﺎﻤﺭﻱ؛
ﺍِﻜﺴِﺭ ﺍﻟﻘﹸﺒﻌﺔﹶ ﻋﻠﻰ ﺍﻟﺭﺃﺱِ ﻓﻲ ﺴﺭﻭﺭٍ ،ﻜﻲ ﺘﺄﺨﹸﺫﹶ ﺍﻟﺭﻴﺢ ﻋﻤﺎﻤ ﹶﺔ ﺴﺭﻭِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻗﹸلْ ﻟِﻔﹶﺭﻋِﻙ ﺃﻥ ﻴﺩﻉ ﺃُﺴﻠﻭﺏ ﺴﺒﻲِ ﺍﻟﻘﻠﻭﺏ ،ﻭﻗﹸلْ ﻟِﻐﹶﻤﺯﺘِﻙ ﺃﻥ ﺘﻜﺴِﺭ ﻗﻠﹾﺏ ﺠﻴﺵِ ﺍﻟﻅﱡﻠﹾﻡ؛
ﻭﺍﺨﺭﺝ ﻓﻲ ﺩﻻلٍ ،ﻭﺍﺨﻁِﻑِ ﺍﻟﻜﹸﺭ ﹶﺓ ﻤِﻥ ﻜﹸلﱢ ﺸﹶﺨﹾﺹٍ ،ﻭﺠﺎﺯِ ﺍﻟﺤﻭﺭ ،ﻭﺍﻜﺴِﺭ ﺭﻭﻨﹶﻕﹶ
ﺍﻟﻤﻼﺌﻜﹶﺔ؛
ﺒِﻨﹶﻅﹶﺭِ ﺍﻟﻐِﺯﻻﻥِ ﺼِﺩ ﺃﺴﺩ ﺍﻟﺸﱠﻤﺱِ ،ﺒِﻘﹶﻭﺴﻲ ﺍﻟﺤﺎﺠِﺏِ ﺍﻜﺴِﺭ ﻗﹶﻭﺱ ﺍﻟﻤﺸﺘﺭﻱ؛
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ﻭﺇﺫﺍ ﺃﺭﺴلَ ﺍﻟﻌِﻁﹾﺭ ﻓﻲ َﻨﹶﻔﹶﺱِ ﺍﻟﺭﻴﺢِ ﻓﹶﺭﻉ ﺍﻟﺴﻨﺒلِ ،ﺍﻜﺴِﺭ ﻗِﻴﻤﺘﹶﻪ ﺒِﻔﹶﺭﻋِﻙ ﺍﻟﻌﻨﹾﺒﺭﻱ؛
ﻭﺇﺫﺍ ﺠﺎﺀ ﻴﻌﺭِﺽ ﺍﻟﻔﺼﺎﺤﺔﹶ ﺍﻟﻌﻨﹾﺩﻟﻴﺏ ﻴﺎ ﺤﺎﻓِﻅﹸ ،ﺍﻜﺴِﺭ ﻗﹶﺩﺭﻩ ﺒِﻨﹶﻅﹾﻡِ ﺤﺩﻴﺜِﻙ ﺍﻟﻔﺎﺭِﺴﻲ.
ﻏﺰﻝ ٤٠٠
ﻋﺎﻟﻲ ﺍﻟﻘﺩ ،ﺴﺎﺤِﺭ ﻭﻓﺘﱠﺎﻥ ،ﺠﻌلَ ﻗﺼﻴﺭﺓﹰ ﻗِﺼﺔﹶ ﺯﻫﺩﻱ ﺍﻟﻁﱠﻭﻴﻠﹶﺔ؛
ﺍﻨﻅﹸﺭ ﻤﺎ ﻓﹶﻌﻠﹶﺕﹾ ﺒﻲ ﻨﹶﻅﹾﺭﺓﹲ ﻤِﻥ ﺍﻟﻌﻴﻥِ ﺍﻟﻤﻌﺸﻭﻗﹶﺔِ ﺁﺨِﺭ ﺍﻟﻤﺸﹾﻴﺨﹶﺔِ ﻭﺍﻟﺯﻫﺩِ ﻭﺍﻟﻌِﻠﻡ ﻴﺎ
ﻗﻠﺏ؛
ﻴﺎ ﺨﻭﻓﻲ ﻤِﻥ ﺨﺭﺍﺏِ ﺍﻹﻴﻤﺎﻥِ ﻭﺃﻥ ﻴﺴﻠﹸﺒﻨﻲ ﻤِﺤﺭﺍﺏ ﺤﺎﺠِﺒِﻙ ﺤﻀﻭﺭ ﺼﻼﺘﻲ؛
ﻗﹸﻠﹾﺕﹸ ﺃُﻏﻁﹼﻲ ﻋﻼﻤﺔﹶ ﺍﻟﻌِﺸﹾﻕِ ﺒﺎﻟﺜﱠﻭﺏِ ﺍﻷﺯﺭﻕِ ،ﻓﻜﺎﻥ ﺩﻤﻌﻲ ﻨﻤﺎﻤﺎﹰ ،ﻭﺃﻅﹾﻬﺭ ﺴِﺭﻱ
ﻋﻴﺎﻨﺎﹰ؛
ﺍﻟﺤﺒﻴﺏ ﺴﻜﹾﺭﺍﻥ ،ﻭﻻ ﻴﺫﹾﻜﹸﺭ ﺍﻟﺤﺭﻴﻔﻴﻥ ،ﺫﹸﻜِﺭ ﺒﺎﻟﺨﹶﻴﺭِ ﺍﻟﺴﺎﻗﻲ ﺍﻟﱠﺫﻱ ﺍﻋﺘﻨﻰ ﺒﻬﺫﺍ
ﺍﻟﻤِﺴﻜﻴﻥ؛
ﻴﺎ ﺭﺏ ﺘﻠﻙ ﺍﻟﺼﺒﺎ ﻤﺘﻰ ﺘﻬﺏ ،ﻭﺘﺤﻤِلَ ﻓﹶﺭﺠﻲ ﻤِﻥ ﻨﺴﻴﻤِﻬﺎ ﺸﹶﻤﺎﻤﺔﹸ ﻜﺭﻤِﻪِ؛
ﺤﺎﻟﻴﺎﹰ ﺃﻨﺎ ﺃﺭﺴﻡ ﻋﻠﻰ ﺍﻟﻤﺎﺀِ ﻤِﻥ ﺍﻟﺒﻜﺎﺀِ ،ﻤﺘﻰ ﻴﺼﻴﺭ ﻤﺠﺎﺯﻱ ﻗﺭﻴﻥ ﺍﻟﺤﻘﻴﻘﹶﺔ)(١؛
ﺴﺄﻅلﱡ ﻜﺎﻟﺸﱠﻤﻊِ ﺍﻟﻀﺎﺤِﻙِ ﺃﺒﻜﻲ ﻋﻠﻰ ﻨﻔﺴﻲ ﻭﺃﺤﺘﹶﺭِﻕﹸ ،ﻷﺭﻯ ﻤﺎ ﺘﻔﻌلُ ﺤﺭﻗﹶﺘﻲ
ﻭﻓﺎﻗﺘﻲ ﺒﻘﻠﺒِﻙ ﺍﻟﻘﺎﺴﻲ؛
ﺯﺍﻫِﺩ ﻤﺜﻠﻤﺎ ﻟﻡ ﺘﻨﹶلْ ﻤِﻥ ﺼﻼﺘِﻙ ﺤﺎﺠﺘﹶﻙ ،ﻜﺫﻟِﻙ ﺃﻨﺎ ،ﻟﻡ ﺃﻨلْ ﻤِﻥ ﺴﻜﺭِ ﻟﻴﻠﻲ
ﻭﺫِﻜﺭﻱ ﻭﻓﺎﻗﹶﺘﻲ ﺤﺎﺠﺘﻲ؛
ﻕ ﻤِﻥ ﺍﻟﺒﻜﺎﺀِ ،ﻴﺎ ﺼﺒﺎ ﺍﻨﻘﹸﻠﻲ ﻤﺎ ﺒِﻪِ ﻟﻠﺸﱠﺎﻩِ ﻤﻐﻴﺙِ ﺍﻷﺼﺩِﻗﺎﺀِ ﻭﺤﺎﺭِﻕِ
ﺤﺎﻓِﻅﹸ ﺍﺤﺘﹶﺭ ﹶ
ﺍﻷﻋﺩﺍﺀ.
) (١ﺤﺎﻟﻴﺎﹰ ﺒﻜﺎﺌﻲ ﻨﻘﺵﹲ ﻋﻠﻰ ﺍﻟﻤﺎﺀ ،ﺃﻱ ﺒﺎﻁِلٌ ،ﻤﺘﻰ ﻴﺼﻴﺭ ﺒﻜﺎﺌﻲ ﺍﻟﻤﺠﺎﺯﻱ ﺤﻘﻴﻘﻴﺎﹰ.
-٣٨٦-
ﻏﺰﻝ ٤٠١
ﺇﻥ ﺃﺼِﺭ ﻏﹸﺒﺎﺭﺍﹰ ﻋﻠﻰ ﺩﺭﺒِﻪِ ﻴﻨﻔﹸﺽِ ﺍﻟﺜﱠﻭﺏ ﻤﻨﹼﻲ ،ﺃﻭ ﺃﻗﹸلْ ﻟﻪ ﺃﻋِﺩ ﻟﻲ ﻗﻠﺒﻲ ﻴﺸِﺢ
ﺒِﻭﺠﻬِﻪِ ﻋﻨﹼﻲ؛
ﻜﺎﻟﻭﺭﺩِ ﻴﻅﻬِﺭ ﻭﺭﺩ ﻭﺠﻬِﻪِ ﻟﻜﹸلﱢ ﺸﺨﺹٍ ،ﻭﺇﻥ ﻗﹸﻠﺕﹸ ﻭﺠﻬﻙ ﺨﺒﺊْ ،ﻴﺨﺒﺊْ ﺍﻟﻭﺠﻪ ﻋﻨﹼﻲ؛
ﻗﹸﻠﹾﺕﹸ ﻟِﻌﻴﻨﻲ ﺍﻤﻠﹶﺌﻲ ﺍﻟﻌﻴﻥ ﻤِﻨﹾﻪ ﺒِﻨﹶﻅﹾﺭﺓٍ ،ﻗﺎﻟﹶﺕﹾ ﺘﹸﺭﻴﺩ ﺃﻥ ﻴﺴﻴلَ ﻜﺎﻟﺠﺩﻭلِ ﺍﻟﺩﻡ ﻤِﻨﹼﻲ؛
ﻫﻭ ﻋﻁﺸﺎﻥ ﻟِﺩﻤﻲ ﻭﺃﻨﺎ ﻋﻁﺸﺎﻥ ﻟِﺸﹶﻔﹶﺘِﻪ ،ﻤﺘﻰ ﺁﺨﹸﺫﹸ ﺤﺎﺠﺘﻲ ﻤِﻨﹾﻪ ﺃﻭ ﻴﺄﺨﹸﺫﹸ ﻋﻁﺎﺀﻩ ﻤِﻨﹼﻲ؛
ﺇﺫﺍ ﺨﹶﺭﺠﺕﹾ ﺭﻭﺤﻲ ﻜﺭﻭﺡِ ﻓﺭﻫﺎﺩ ﻓﻲ ﻤﺭﺍﺭﺓٍ ،ﻤﺎ ﺍﻟﺨﻭﻑﹸ ،ﻜﻡ ﺴﻴﺒﻘﻰ ﻤِﻥ ﺍﻟﺤﻜﺎﻴﺎ
ﺍﻟﺠﻤﻴﻠﹶﺔِ ﻤِﻨﹼﻲ؛
ﻭﺇﺫﺍ ﻤِﺕﱡ ﻗﹸﺩﺍﻤﻪ ﺍﺤﺘﺭﺍﻗﺎﹰ ﻜﺎﻟﺸﱠﻤﻊِ ،ﻴﻀﺤﻙ ﻤِﻥ ﻏﻤﻲ ،ﻭﺇﻥ ﺘﺄﻟﱠﻤﺕﹸ ﻴﺄﻟﹶﻡ ﺨﺎﻁِﺭﻩ
ﺍﻟﻠﱠﻁﻴﻑﹸ ﻤِﻨﹼﻲ؛
ﺃﺼﺩِﻗﺎﺌﻲ ،ﺃﻋﻁﹶﻴﺕﹸ ﺜﹶﻐﹾﺭﻩ ﺭﻭﺤﻲ ،ﻭﺍﻨﻅﹸﺭﻭﺍ ﻜﻴﻑﹶ ﻴﻤﻨﹶﻊ ﺍﻟﺸﱠﻲﺀ ﺍﻟﻤﺨﺘﹶﺼﺭ ﻋﻨﹼﻲ)(١؛
ﺤﺎﻓِﻅﹸ ﺍﺼﺒِﺭ ،ﻓﺩﺭﺱ ﺍﻟﻐﹶﻡ ﺇﻥ ﻴﻜﹸﻥ ﻫﻜﺫﺍ ،ﺴﻴﻘﹾﺭﺃُ ﺍﻟﻌِﺸﹾﻕﹸ ﻓﻲ ﻜﹸلﱢ ﺯﺍﻭﻴﺔٍ ﻗِﺼﺔﹰ ﻤِﻨﹼﻲ.
ﻏﺰﻝ ٤٠٢
ﺃﻗﻭلُ ﻟﻙ ﺴِﺭﺍﹰ ﺠﻤﻴﻼﹰ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﺨﺎلِ ﻋﻠﻰ ﺫﻟِﻙ ﺍﻟﻭﺠﻪِ ﻜﺎﻟﺒﺩﺭ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ
ﺍﻟﻌﻘﹾلِ ﻭﺍﻟﺭﻭﺡِ ﻓﻲ ﻗﹶﻴﺩِ ﺯﻨﺠﻴﺭِ ﺘﻠﻙ ﺍﻟﺠﺩﻴﻠﺔ؛
ﻋِﺒﺕﹸ ﻗﻠﺒﻲ ،ﻗﹸﻠﹾﺕﹸ ﻻ ﺘﻜﹸﻥ ﻭﺤﺸﻲ ﺍﻟﻁﱠﺒﻊِ ﺘﺎﺌﻬﺎﹰ ،ﻗﺎلَ ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻌﻴﻥِ ﺼﺎﺌﺩﺓِ
ﺍﻷﺴﻭﺩِ ﻭﺇﻟﻰ ﺩﻻلِ ﺫﺍﻙ ﺍﻟﻐﺯﺍل؛
ﺢ ﺍﻟﺼﺒﺎ ،ﻭﺍﻨﻅﹸﺭ ﺃﺭﻭﺍﺡ ﺍﻟﻤﺌﺎﺕِ ﻤﻥ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ
ﺤﻠﹾﻘﹶﺔﹸ ﻀﻔﻴﺭﺘِ ِﻪ ﻤﺴﺭﺡ ﻟﺭﻴ ِ
ﻤﺭﺒﻭﻁﹶﺔﹰ ﺒِﺸﹶﻌﺭﺓٍ ﻭﺍﺤِﺩﺓ؛
) (١ﻴﺭﻤﺯ ﺒﺎﻟﺸﹼﻲﺀ ﺍﻟﻤﺨﺘﹶﺼﺭِ ﻟﻠﻘﹸﺒﻠﹶﺔ.
-٣٨٧-
ﻋﺒﺎﺩ ﺍﻟﺸﱠﻤﺱِ ﻏﺎﻓِﻠﻭﻥ ﻋﻥ ﺤﺒﻴﺒﻲ ،ﺃﻱ ﻻﺌﻡ ﻤﻥ ﺃﺠلِ ﺍﷲِ ﺩﻉ ﻭﺠﻪ ﺍﻟﺸﱠﻤﺱِ ﻭﺍﻨﻅﹸﺭ
ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﻭﺠﻪ؛
ﻓﺭﻋﻪ ﺨﺎﻁِﻑﹸ ﺍﻟﻘﹸﻠﻭﺏِ ﻭﻀﻊ ﺍﻟﺤﺒلَ ﻓﻲ ﺭﻗﹾﺒﺔِ ﺍﻟﺼﺒﺎ ،ﺍﻨﻅﹸﺭ ﻟﻬﺫِﻩِ ﺍﻟﺤﻴﻠﹶﺔِ ﺍﻟﻬﻨﺩﻴﺔِ
ﻤﻊ ﺍﻟﻤﺤﺒﻴﻥ ﺍﻟﺴﺎﻟﻜﻴﻥ؛
ﻫﺫﺍ ﺍﻟﱠﺫﻱ ﺃﻀﻌﺕﹸ ﻨﻔﺴﻲ ﻓﻲ ﺍﻟﺒﺤﺙِ ﻋﻨﹾﻪ ،ﻻ ﺸﹶﺨﹾﺹ ﺭﺁﻩ ،ﺃﻭ ﺭﺃﻯ ﻤِﺜﹾﻠﹶﻪ ﺭﺃﻱ
ﺍﻟﻌﻴﻥِ ﺤﻴﺜﹸﻤﺎ ﻨﹶﻅﹶﺭ؛
ﺤﺎﻓِﻅﹸ ﺇﺫﺍ ﻜﺎﻥ ﻴﺒﻜﻲ ﻓﻲ ﺯﺍﻭﻴﺔِ ﺍﻟﻤِﺤﺭﺍﺏِ ﻓﺤﻕﱠ ﻟﹶﻪ ،ﺃﻱ ﻨﺎﺼِﺢ ،ﻤﻥ ﺃﺠلِ ﺍﷲِ
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺤﻨﻴﺔِ ﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏ؛
ﺃﻱ ﻓﹶﻠﹶﻙ ،ﻻ ﺘﹸﻌﺎﻨِﺩ ﻓﻲ ﻤﺭﺍﺩِ ﺍﻟﺸﱠﺎﻩ ﻤﻨﺼﻭﺭ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺤﺩ ﺴﻴﻔِﻪِ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻗﹸﻭﺓِ
ﻋﻀﺩِﻩ.
ﻏﺰﻝ ٤٠٣
ﺍﺸﺭﺏ ﺸﺭﺍﺏ ﺍﻟﻌﻘﻴﻕِ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺃﻭﺠﻪِ ﺍﻷﻗﻤﺎﺭِ ،ﺨﺎﻟِﻑِ ﺍﻟﻤﺎﻨِﻌﻴﻥ ﻭﺍﹸﻨﻅﹸﺭ ﺠﻤﺎلَ
ﺃﻫلِ ﺍﻟﺠﻤﺎلِ؛
ﺘﺤﺕﹶ ﺜﻭﺏٍ ﻤﻠﻤﻊٍ ﺘﺨﺘﻔﻲ ﺤﺒﺎﺌلٌ ﻭﺸﺒﺎﻙ ،ﻟِﻁﻭﺍلِ ﺍﻷﻴﺩﻱ ،ﻗِﺼﺎﺭِ ﺍﻷﻜﻤﺎﻡِ ،ﺴﻭﺩِ ﺍﻟﻔِﻌﺎلِ؛
ﻑ ﻏﻤﺯﺓٍ ﺃﻟﻑﹶ ﺭﻭﺡٍ ،ﻓﺎﻨﻅﹸﺭ ﻟﺤﺎﺠﺔِ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ ،ﻭﺍﻨﻅﹸﺭ ﺩﻻلَ
ﻁﻠﺒﻭﺍ ﺃﺠﺭ ﻨِﺼِ
ﺃﻫلِ ﺍﻟﺩﻻلِ؛
ﺭﺍﺡ ﺒﻌﺩ ﺃﻥ ﺭﻤﻰ ﺤﻕﱠ ﺼﺤﺒﺘﻲ ﺇﻟﻰ ﺍﻟﺭﻴﺢِ ،ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻭﻓﺎﺀِ ﻟﻠﻤﺤﺒﻴﻥ ﻤِﻥ ﺫﻟﻙ
ﺍﻟﻤﺘﻌﺎﻟﻲ؛
ﻟﻴﺱ ﻟﻲ ﺤﻴﻠﺔﹲ ﻟﻠﺨﻼﺹِ ﺇﻻﱠ ﺒﻜﻭﻨﻲ ﺃﺴﻴﺭ ﺍﻟﻌِﺸﹾﻕِ ،ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻨﱠﺎﻅﺭﻴﻥ ﻓﻲ
ﻋﻭﺍﻗِﺏِ ﺍﻷﻋﻤﺎلِ؛
ﺼﺤﺒﺔﹸ ﺫﺍﻙ ﺍﻟﺤﺒﻴﺏِ ﺃﺫﻫﺒﺕﹾ ﻜﹶﺩﺭ ﺍﻟﻘﹶﻠﺏِ ﻤِﻥ ﺤﺎﻓِﻅﹶ ،ﻴﺎ ﻟِﺼﻔﺎ ﻫِﻤﺔِ ﺍﻟﻁﱠﺎﻫﺭﻴﻥ ﺃﻫلِ
ﺍﻟﻤﻌﺎﻟﻲ.
-٣٨٨-
ﺍﺸﺭﺏِ ﺍﻟﺨﻤﺭﺓﹶ ﺍﻟﺤﻤﺭﺍﺀ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻭﺠﻭﻩِ ﺍﻟﺒﺩﻭﺭِ ﺍﻟﺠﻤﻴﻠﹶﺔِ ،ﻭﺨﺎﻟِﻑﹾ
ﻤﺫﻫﺏ ﺃﻭﻟﺌﻙ ،ﻭﺍﻨﻅﹸﺭ ﺠﻤﺎلَ ﻫﺅﻻﺀ )ﺨﺎﻟِﻑﹾ ﻤﺫﻫﺏ ﺃﻭﻟﺌﻙ ﺍﻟﺯﺍﻫﺩﻴﻥ ﺍﻟﱠﺫﻴﻥ
ﻴﻤﻨﻌﻭﻥ ﺍﻟﻨﱠﻅﹶﺭ ﺇﻟﻰ ﺍﻟﺠﻤﺎلِ ﻭﻴﺤﺭﻤﻭﻥ ﺍﻟﻌِﺸﹾﻕ(؛ ﻻﺒﺴﻭ ﺍﻟﺜﱠﻭﺏِ ﺍﻟﻤﺭﻗﱠﻊِ ﺍﻟﻤﻠﹶﻤﻊِ
ﻴﺨﻔﻭﻥ ﺘﺤﺘﹶﻪ ﺍﻟﺸﱢﺒﺎﻙ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻁﻭلِ ﺃﻴﺩﻱ ﻫﺅﻻﺀِ ﺍﻟﻘﺼﻴﺭﻱ ﺍﻷﻜﻤﺎﻡ؛ ﺍﻨﻅﹸﺭ ﺇﻟﻰ
ﻋِﻨﺎﺩِ ﻭﻜِﺒﺭِ ﺍﻟﺸﱠﺤﺎﺫﻴﻥ ،ﺇﻨﱠﻬﻡ ﻻ ﻴﺭﻓﻌﻭﻥ ﺍﻟﺭﺃﺱ ﺇﻟﻰ ﻤﺤﺼﻭلِ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ؛ ﺃﺠﺭ
ﻨِﺼﻑِ ﻏﻤﺯﺓٍ ﻁﻠﺒﻭﺍ ﺃﻟﻑﹶ ﺭﻭﺡٍ ﻋﺯﻴﺯﺓٍ ،ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺤﺎﺠﺔِ ﺃﻫلِ ﺍﻟﻘﻠﺏِ ﻭﺩﻻلِ ﺃﻫلِ
ﺍﻟﺩﻻل؛ ﺭﻤﻰ ﺤﻘﻭﻕﹶ ﺼﺤﺒﺘﻲ ﺇﻟﻰ ﺍﻟﺭﻴﺢِ ﻭﻤﻀﻰ ،ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻭﻓﺎﺀِ ﻤﻥ ﺍﻷﺤﺒﺔِ
ﻟِﺼﺤﺒﺔِ ﺍﻟﻤﺤﺒﻴﻥ ﺍﻷﻭﻓﻴﺎﺀ.
ﻏﺰﻝ ٤٠٤
ﻋﻠﻰ ﺼﻑﱢ ﺍﻟﺨﻠﻴﻌﻴﻥ ﺃﻟﹾﻕِ ﻨﹶﻅﹶﺭﺍﹰ ﺃﻓﻀلْ ،ﻋﻠﻰ ﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ﻤﺭ ﻤﺭﻭﺭﺍﹰ ﺃﻓﻀلْ؛
ﻫﺫﺍ ﺍﻟﻠﱡﻁﹾﻑﹸ ﻤِﻥ ﺍﻟﻘﹶﻭلِ ﻤِﻥ ﺸﹶﻔﹶﺘِﻙ ﻓﻲ ﺤﻘﱢﻲ ،ﻤﺤﻜﹶﻡ ﺨﻴﺭٍ ﻭﻟﻜِﻥ ،ﻫلْ ﻟﻲ ﻤﻨﹾﻪ
ﺒِﺄﻓﻀلْ)(١؛
ﺫﻟِﻙ ﺍﻟﱠﺫﻱ ﻓِﻜﹾﺭﻩ ﺤلﱠ ﻤِﻥ ﺃﻤﺭِ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﹸلﱠ ﻋﻘﹾﺩﺓٍ ،ﻗﹸلْ ﻟﻪ ﺃﻥ ﻴﻨﻅﹸﺭ ﺒِﻬﺫﺍ ﺍﻷﻤﺭِ ﻨﹶﻅﹶﺭﺍﹰ
ﺃﻓﻀلْ؛
ﻗﺎلَ ﻨﺎﺼِﺤﻲ :ﻏﻴﺭ ﺍﻟﻐﹶﻡ ﻤﺎ ﻴﻤﻠﻙ ﺍﻟﻌِﺸﹾﻕﹸ ﻤِﻥ ﻓﹶﻀلٍ؟! ،ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻌﺎﻗِلُ ﺍﺫﻫﺏ،
ﺃﺜﹶﻤﺔﹶ ﺃﻓﻀلْ؟!؛
ﺇﺫﺍ ﻟﹶﻡ ﺃُﻋﻁِ ﺍﻟﻘﹶﻠﹾﺏ ﻟِﻬﺫﺍ ﺍﻟﻤﻭﻟﻭﺩِ ﺍﻟﻌﺯﻴﺯِ ،ﻤﺎ ﺃﻓﻌلُ؟ ،ﻭﺃُﻡ ﺍﻟﺩﻫﺭِ ﻟﹶﻡ ﺘﹶﻠﹾﺩ ﻭﻟﹶﺩﺍﹰ ﺃﻓﻀلْ؛
ﺤﻴﻥ ﺃﻗﻭلُ :ﺍﺸﺭﺏِ ﺍﻟﻘﹶﺩﺡ ﻭﻗﺒلْ ﺸﹶﻔﹶﺔﹶ ﺍﻟﺴﺎﻗﻲ ،ﺍﺴﻤﻊ ﺇﻟﻲ ﻓﻠﻥ ﻴﻘﻭلَ ﺃﺤﺩ ﻤﻘﺎﻻﹰ ﺃﻓﻀلْ؛
ﻅ ﻤِﻥ ﺍﻟﻘﹶﺼﺏِ ﺸﹶﺠﺭﺓﹲ ﺘﺤﻤلُ ﻓﻭﺍﻜِﻪ ﺴﻜﱠﺭِ ﺍﻟﻨﱠﺒﺎﺕِ ﻓﺎﺠﻥِ ﻤﻨﻬﺎ ،ﻓﺒﻬﺫﺍ
ﻗﹶﻠﹶﻡ ﺤﺎﻓِ ﹶ
ﺍﻟﺒﺴﺘﺎﻥِ ﻟﻥ ﺘﺭﻯ ﺜﹶﻤﺭﺍﹰ ﺃﻓﻀلْ.
) (١ﺒﺄﻓﻀلَ ﻤِﻥ ﺍﻟﻘﹶﻭل :ﺒﻘﹸﺒﻠﹶﺔ
-٣٨٩-
ﻏﺰﻝ ٤٠٥
ﻭﺤﻴﺎﺓِ ﺸﹶﻴﺦِ ﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﻭﺤﻕﱢ ﺼﺤﺒﺘِﻪِ ،ﻟﻴﺱ ﻓﻲ ﺭﺃﺴﻲ ﺇﻟﹼﺎ ﺍﻟﻬﻭﻯ ﻟِﺨِﺩﻤﺘِﻪ؛
ﺭﻏﹾﻡ ﺃﻥ ﺍﻟﺠﻨﱠﺔﹶ ﻟﻴﺴﺕﹾ ﻤﺤﻠﱠﺎﹰ ﻟِﺄﻫلِ ﺍﻟﺫﱡﻨﻭﺏِ ﺍِﺤﻤِلْ ﺍﻟﺨﹶﻤﺭ ،ﺃﻨﺎ ﻤﺴﺘﹶﻅﹾﻬِﺭ ﺒِﻬِﻤﺘِﻪ؛
ﻋﺴﻰ ﻴﻠﻤﻊ ﺴِﺭﺍﺝ ﺼﺎﻋِﻘﹶﺔِ ﺫﺍﻙ ﺍﻟﺴﺤﺎﺏِ ،ﻓﻴﺸﻌِلَ ﻓﻲ ﺤﻘﻠِﻨﺎ ﻨﺎﺭ ﻤﺤﺒﺘِﻪ؛
ﺇﺫﺍ ﺭﺃﻴﺕﹶ ﺭﺃﺴﺎﹰ ﺒِﺒﺎﺏِ ﺍﻟﺤﺎﻥِ ﻓﻼ ﺘﺭﻜﻠﹾﻪ ﺒِﻘﹶﺩﻤِﻙ ،ﻓﻠﺴﺕﹶ ﻋﺎﻟِﻤﺎﹰ ﺒﻨﻴﺘِﻪ؛
ﺘﻌﺎلَ ﻓﻠﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻓﻲ ﺍﻟﺴﻜﹾﺭِ ،ﻤﻠﹶﻙ ﻋﺎﻟﹶﻡِ ﺍﻟﻐﹶﻴﺏِ ﺃﻋﻁﻰ ﺍﻟﺒِﺸﺎﺭﺓﹶ ﺒِﻌﻤﻭﻡِ ﻓﻴﺽِ
ﺭﺤﻤﺘِﻪِ)(١؛
ﻻ ﺘﹶﻨﹾﻅﹸﺭ ﺇﻟﻲ ﺃﻨﺎ ﺍﻟﺴﻜﺭﺍﻥ ،ﺒِﻌﻴﻥِ ﺍﻟﺤﻘﺎﺭﺓِ ،ﻓﻼ ﻤﻌﺼِﻴﺔﹶ ﻭﻻ ﺯﻫﺩ ﺒﻼ ﻤﺸﻴﺌﺘِﻪ؛
ﻗﻠﺒﻲ ﻻ ﻴﻤﻴلُ ﻟﻠﺯﻫﺩِ ﻭﺍﻟﺘﱠﻭﺒﺔِ ﻟﻜِﻨﱠﻨﺎ ﺴﻭﻑﹶ ﻨﹶﺴﻌﻰ ﻋﻠﻰ ﺍﺴﻡِ ﺍﻟﺴﻴﺩِ ﻭﻴﻤﻥِ ﺩﻭﻟﹶﺘِﻪ؛
ﺨِﺭﻗﹶﺔﹸ ﺤﺎﻓِﻅﹶ ﻤﺭﻫﻭﻨﹶﺔﹲ ﻟﻠﺨﹶﻤﺭِ ﺩﺍﺌﻤﺎﹰ ،ﻜﻤﺎ ﻟﻭ ﻜﺎﻨﺕ ﻤِﻥ ﻁﻴﻥِ ﺍﻟﺨﺭﺍﺒﺎﺕِ ﻓِﻁﺭﺘﹸﻪ.
ﻏﺰﻝ ٤٠٦
ﻗﺎل ﻟﻲ ﺍﺨﺭﺝ ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺍﻟﻬﻼلِ ﺍﻟﺠﺩﻴﺩِ ،ﻭﻟﻴﺼِﺒﻙ ﺍﻟﺨﺠلُ ﻤِﻥ ﻫﻼلِ ﺤﺎﺠﺒﻲ؛
ﻤﺭ ﻋﻤﺭ ﻭﻗﹶﻠﺒﻙ ﺃﺴﻴﺭ ﻓﻲ ﻀﻔﻴﺭﺘﻨﺎ ،ﻓﻼ ﺘﻜﹸﻥ ﻏﺎﻓِﻼﹰ ﻋﻥ ﺤِﻔﹾﻅِ ﺠﺎﻨِﺏِ ﺃﺤِﺒﺘِﻙ؛
ﻻ ﺘﹶﺒِﻊ ﻋِﻁﹾﺭ ﺍﻟﻌﻘﹾلِ ﻟِﻀﻔﻴﺭﺘﻨﺎ ﺍﻟﻬِﻨﺩﻴﺔِ ﺍﻟﻤِﺴﻜﻴﺔ ،ﺴِﻌﺭ ﺃﻟﻑِ ﻗﺎﺭﻭﺭﺓِ ﻤِﺴﻙٍ ﻫﻨﺎﻙ
ﻨِﺼﻑﹸ ﺤﺒﺔِ ﺸﻌﻴﺭ؛
ﻤﻭﺴِﻡ ﺤﺼﺎﺩِ ﺒﺫﺭﺓِ ﺍﻟﺤﺏ ﻭﺍﻟﻭﻓﺎﺀِ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﺯﺭﻋﺔِ ﺍﻟﻘﺩﻴﻤﺔِ ،ﻫﻭ ﺒﻤﺠﺭﺩِ ﺃﻥ
ﺘﺼﻴﺭ ﻋﻴﺎﻨﺎﹰ؛
) (١ﻤﻠﹶﻙ ﻋﺎﻟﹶﻡِ ﺍﻟﻐﹶﻴﺏِ :ﺠﺒﺭﺍﺌﻴلُ.
-٣٩٠-
ﺴﺎﻗﻲ ﺍﺤﻤِلْ ﻟﻲ ﺍﻟﺨﹶﻤﺭ ﻷﻗﻭلَ ﻟﻙ ﺭﻤﺯﺍﹰ ﻤﻥ ﺴﺭ ﺍﻟﻜﻭﺍﻜِﺏِ ﺍﻟﻘﺩﻴﻤﺔِ ﺍﻟﺴﻴﺭِ ﻭﺍﻟﻘﹶﻤﺭِ
ﺍﻟﺠﺩﻴﺩ؛
ﻓﺈﻥ ﺸﹶﻜﹾلَ ﺍﻟﻬِﻼلِ ﻤﻁﹾﻠﹶﻊ ﻜﹸلﱢ ﺸﹶﻬﺭٍ ﻴﺭﺴﻡ ﺘﺎﺝ ﺴﻴﺎﻤﻙ ﻭﺇﻜﻠﻴلَ ﺯﻭ)(١؛
ﺤﺎﻓِﻅﹸ ،ﺠﻨﺎﺏ ﺸﹶﻴﺦِ ﺍﻟﻤﻐﺎﻥِ ﻤﺄﻤﻥ ﺍﻟﻭﻓﺎﺀ ،ﺍﻗﺭﺃْ ﻋﻠﹶﻴﻪِ ﺩﺭﺱ ﺤﺩﻴﺙِ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﺴﻤﻊ ﻤِﻨﹾﻪ.
ﻏﺰﻝ ٤٠٧
ﺭﺃﻴﺕﹸ ﻤﺯﺭﻋﺔﹶ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﺨﻀﺭﺍﺀ ﻭﻤﻨﺠلَ ﺍﻟﻬﻼل ﺍﻟﺠﺩﻴﺩ ،ﻓﺘﺫﻜﱠﺭﺕﹸ ﺯﺭﻋﻲ ﻭﻭﻗﹾﺕﹶ
ﺤﺼﺎﺩِﻩ؛
ﻗﹸﻠﺕﹸ ﻴﺎ ﺒﺨﺘﻲ ﻤﺎ ﻟﻙ ﺘﻨﺎﻡ ﻭﺍﻟﺸﱠﻤﺱ ﺘﹶﻁﹾﻠﹶﻊ ،ﻗﺎلَ ﻤﻊ ﻫﺫﺍ ﻜﹸﻠﱢﻪِ ﻻ ﺘﻜﹸﻥ ﻴﺎﺌﺴﺎﹰ ﻤِﻥ
ﺍﻟﺴﺎﺒِﻘﹶﺔ)(٢؛
ﺇﻥ ﺘﹶﺴِﺭ ﻁﺎﻫِﺭﺍﹰ ﻭﻤﺠﺭﺩﺍﹰ ﻜﺎﻟﻤﺴﻴﺢِ ،ﻴﺒﻠﹸﻎِ ﺍﻟﺸﱠﻤﺱ ﻓﻲ ﺍﻟﻔﹶﹶﻠﻙِ ﻤِﻥ ﺴﺭﺍﺠِﻙ ﻤﺌﺔﹸ ﻀﻴﺎﺀٍ؛
ﻻ ﺘﺘﱠﻜِﺊ ﻋﻠﻰ ﻨﺠﻤﺔِ ﺍﻟﻠﹼﻴلِ ﺍﻟﺴﺭﺍﻗﹶﺔِ ،ﻫﺫﺍ ﺍﻟﻌﻴﺎﺭ ﺃﺨﹶﺫﹶ ﺘﺎﺝ ﻜﺎﻭﻭﺱ ﻭﺤِﺯﺍﻡ ﻜِﺴﺭﻯ؛
ﻗِﺭﻁﹸ ﺍﻟﺫﹶﻫﺏِ ﻭﺍﻟﻠﹼﺅﻟﺅِ ﻴﺠﻤلُ ﺍﻷُﺫﹸﻥ ،ﻟﻜِﻥ ﻫﺫﺍ ﺍﻟﺠﻤﺎلَ ﻋﺎﺒِﺭ ،ﻓﺎﻟﻨﱠﺼﻴﺤﺔﹶ ﻓﺎﺴﻤﻊ؛
ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ﺒﻌﻴﺩﺓﹲ ﻋﻥ ﺨﺎﻟِﻙ ،ﻭﻓﻲ ﻋﺭﺼﺔِ ﺍﻟﺤﺴﻥِ ﻤﻥ ﻴﺭﺍﻫِﻥ ﻋﻠﻰ
ﻤﺎﺵٍ ﻋﻠﻰ ﻗﹶﺩﻤﻴﻪِ ﻴﺭﻜﹸﺽ ﻴﺴﺎﺒِﻕﹸ ﺍﻟﺸﱠﻤﺱ ﻭﺍﻟﻘﹶﻤﺭ؛
ﻗﹸلْ ﻟﻠﺴﻤﺎﺀِ ﻻ ﺘﹶﻔﺨﹶﺭﻱ ﺒﺎﻟﻌﻅﹶﻤﺔ ،ﻓﻲ ﺍﻟﻌِﺸﹾﻕِ ﻫﺎﻟﹶﺔﹸ ﺍﻟﻘﹶﻤﺭِ ﻻ ﺘﹸﺴﺎﻭﻱ ﺸﻴﺌﺎﹰ ﻋِﻨﹾﺩ ﻋِﻘﹾﺩِ
ﺍﻟﺜﱡﺭﻴﺎ؛
ﻨﺎﺭ ﺍﻟﺯﻫﺩِ ﻭﺍﻟﺭﻴﺎﺀِ ﺴﺘﺤﺭِﻕﹸ ﻤﺤﺼﻭلَ ﺍﻟﺩﻴﻥ ،ﺤﺎﻓِﻅﹸ ﺍﺭﻡِ ﻫﺫِﻩِ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﻤﻥ ﺍﻟﺼﻭﻑِ
ﻭﺍﺫﹾﻫﺏ.
) (١ﺴﻴﺎﻤﻙ ﺒﻥ ﻜﻴﻭﻤﺭﺙ ،ﻭﺯﻭ ﺒﻥ ﻁﻬﻤﺎﺴﺏ ،ﻤﻥ ﻤﻠﻭﻙ ﺇﻴﺭﺍﻥ ،ﻭﺍﻟﻤﻌﻨﻰ ﺃﻥ ﺍﻟﺯﻤﺎﻥ ﻴﻠﻌﺏ
ﺒﺎﻟﻤﻠﻭﻙِ ،ﻭﻤﻊ ﻫﻼلِ ﻜلﱠَ ﺸﻬﺭٍ ﻴﺫﻫﺏ ﻤﻠﻙ ﻭﻴﺠﻲﺀ ﻤﻠﻙ.
) (٢ﺍﻟﺴﺎﺒﻘﺔ :ﺍﻟﺭﺤﻤﺔ )ﺴﺒﻘﺕﹾ ﺭﺤﻤﺘﻲ ﻏﻀﺒﻲ(
-٣٩١-
ﻏﺰﻝ ٤٠٨
ﻭﺸﺫﻯ ﺍﻟﻤِﺴﻙِ ﻋِﻁﹾﺭ ﻤﺠﻤﺭِ ﺨﺎﻟِﻙ ﻴﺎ ﻤﻥ ﺍﻟﺸﱠﻤﺱ ﺼﻭﺭﺓﹲ ﻋﻥ ﺠﻤﺎﻟﻙ
ﺃﺴﻔﺎﹰ ﻟﻡ ﺘﹶﺠلْ ﻓﻴﻪِ ﺨﻴـلُ ﺨﻴﺎﻟِـﻙ ﺼﺤﻥ ﺇﻴﻭﺍﻥِ ﻋﻴﻨﻲ ﻏﺴﻠﺕﹸ ﻭﻟﻜِﻥ
ـﺎﺩِ ﺩﻭﻥ ﺯﻭﺍﻟِــﻙ
ـﺎلَ ﺭﺏ ﺍﻟﻌِﺒـ
ﺤـ ﺃﻴﻬﺎ ﺍﻟﺸﱠﺎﻩ ﻓﻲ ﺃﻭﺝِ ﺤﺴﻥٍ ﻭﻋِـﺯ
ﺃﻱ ﻤﻥِ ﺍﻟﺸﱠﻤﺱ ﻤﺭﺁﺓﹲ ﻟﺠﻤﺎﻟِﻙ ،ﻭﺍﻟﻤِﺴﻙ ﺍﻷﺴﻭﺩ ﻓﻲ ﺍﻟﻤﺠﻤﺭِ ﻤِﻥ ﺨﺎﻟِﻙ)(١؛
ﻏﺴﻠﺕﹸ ﺸﻭﻗﺎﹰ ﻟﺭﺅﻴﺘِﻙ ﺼﺤﻥ ﻋﻴﻨﻲ ﺒﺴﺎﺌلِ ﺩﻤﻌﻲ ،ﻋﺴﻰ ﺃﻥ ﺘﺠﻭلَ ﻓﻲ ﻓﻨﺎﺀِ ﻗﺼﺭِ
ﻋﻴﻨﻲ ﺨﻴﻭلُ ﺨﻴﺎﻟِﻙ ،ﻭﻴﺎ ﺃﺴﻔﻲ ﺃﻨﱠﻬﺎ ﻟﻡ ﺘﺠلْ ﻓﻴﻪ؛ ﻓﻴﺎ ﻤﻠِﻙ ﻤﻠﻭﻙِ ﺍﻟﺤﺴﻥِ ﻓﻲ ﺃﻭﺝِ
ﺍﻟﺒﻬﺎﺀِ ﻭﺍﻟﻨﱢﻌﻤﺔِ ،ﺃﺩﻋﻭ ﺍﷲَ ﺃﻥ ﻴﺩﻴﻡ ﻟﻙ ﺍﻟﺸﹼﺄﻥ ﺍﻟﻌﻅﻴﻡ ﻭﺍﻟﻤﻘﺎﻡ ﺍﻟﺭﻓﻴﻊ ،ﻭﻴﻜﻭﻥ ﻟﻙ
ﺤﺎﻓﻅﺎﹰ ﺇﻟﻰ ﻴﻭﻡِ ﺍﻟﻘﻴﺎﻤﺔ؛ ﺃﻱ ﻗﻠﹾﺒﻲ ﺍﻟﻤِﺴﻜﻴﻥ ﻓﻲ ﻓﹶﺭﻋِﻪِ ﺍﻟﻤﺠﻌﺩِ ،ﻤﺎ ﻫﻭ ﺤﺎﻟﹸﻙ ،ﻓﻘﺩ
ﻗﺎﻟﹶﺕِ ﺍﻟﺼﺒﺎ ﺃﻨﱠﻪ ﺍﻟﻤﺸﹶﺘﱠﺕﹸ ﻓﻲ ﺸﹶﺭﺡِ ﺤﺎﻟِﻙ؛ ﻋِﻁﹾﺭ ﺍﻟﻭﺭﺩِ ﺍﺭﺘﹶﻔﹶﻊ ﻭﻤﻸَ ﺍﻟﻤﻜﺎﻥ ،ﺍِﻁﻠﹶﻊ
ﻋﻠﻴﻨﺎ ﻤِﻥ ﺒﺎﺏِ ﺍﻟﺼﻠﹾﺢِ ،ﺃﻱ ﻤﻥ ﺭﺒﻴﻌﻨﺎ ﺍﻟﺠﺩﻴﺩ ،ﻭﺠﻬﻙ ﺍﻟﺴﻌﻴﺩ؛ ﻟِﺘﹶﺼﻴﺭ ﺍﻟﺴﻤﺎﺀ
ﻋﺒﺩﺍﹰ ﻟﻨﺎ ،ﻫلْ ﻟﻨﺎ ﺒﻐﻤﺯﺓٍ ﻤﻥ ﺤﺎﺠِﺒِﻙ ﺍﻟﻤﻘﹶﻭﺱِ ﻜﺎﻟﻬِﻼل؛ ﻷﺫﻫﺏ ﻤِﻥ ﺠﺩﻴﺩٍ ﺃُﻫﻨﱢ ﺊُ
ﺒﺨﺘﻲ ،ﺃﻴﻥ ﺒﺸﺭﻯ ﻤﻘﹾﺩﻡِ ﻋﻴﺩِ ﻭﺼﺎﻟِﻙ؛ ﻨﹸﻘﻁﹶﺔﹸ ﺍﻟﺴﻭﺍﺩِ ﺍﻟﱠﺘﻲ ﻋﻠﻴﻬﺎ ﻤﺩﺍﺭ ﺍﻟﻨﱡﻭﺭِ ﻓﻲ
ﺤﺩﻴﻘﹶﺔِ ﺍﻟﻌﻴﻥِ ﺼﻭﺭﺓﹲ ﻋﻥ ﺨﺎﻟِﻙ؛ ﺃﻤﺎﻡ ﺍﻟﺸﱠﺎﻩِ ﺃﻱ ﺠﻔﺎﺀِ ﺃﻋﺭﺽ ﻤِﻤﺎ ﺍﹸﻋﺎﻨﻲ؟،
ﺃﺸﹶﺭﺡ ﻓﻘﺭﻱ ﺃﻡ ﺸﹶﺭﺡ ﺤﺎلِ ﻤﻼﻟِﻙ؛ ﺤﺎﻓِﻅﹸ ،ﺍﻟﺭﺅﻭﺱ ﺍﻟﻌﺎﻟﻴﺔﹸ ﻋﺎﻟِﻘﺔﹲ ﻓﻲ ﻫﺫِﻩِ
ﺍﻟﺸﱢﺒﺎﻙِ ،ﻻ ﺘﹶﻌﺭِﺽ ﺒِﻀﺎﻋﺘﹶﻙ ﺍﻟﺭﺨﻴﺼﺔﹶ ،ﻟﻴﺱ ﺍﻟﻤﺠﺎلُ ﺒِﻤﺠﺎﻟِﻙ.
) (١ﺠﻤﺎﻟﹸﻙ ﻫﻴﻬﺎﺕﹶ ﺃﻥ ﻴﻠِﻡ ﺒِﻪِ ﺍﻟﻭﺼﻑﹸ ،ﻭﻻ ﻴﺩﺭﻙ ﻤﻨﻪ ﺴﻭﻯ ﺍﻟﻅﱠﺎﻫﺭ ﻓﻲ ﺠﻤﺎلِ ﺍﻟﺸﱠﻤ ِ
ﺱ
ﺍﻟﻤﻀﻴﺌﺔِ ،ﺍﻟﱠﺘﻲ ﻫﻲ ﺼﻭﺭﺓﹲ ﻋﻨﻙ ﻭﻤِﺜﺎلٌ ﻨﺎﻁِﻕﹲ ﻋﻥ ﺤﺴﻨِﻙ ،ﺠﻤﺎﻟﹸﻬﺎ ﻤﻥ ﺠﻤﺎﻟﻙ ﻭﻀﻴﺎﺅﻫﺎ
ﻤﻥ ﻀﻴﺎﺌﻙ ،ﻭﺍﻟﺤﺩﻴﺙﹸ ﻋﻥ ﺃﺴﺭﺍﺭِ ﺠﻤﺎلِ ﺍﻟﺨﺎلِ ﻋﻠﻰ ﺼﺤﻥِ ﺨﺩﻙ ﻤﻥ ﺍﻟﻤﺘﺤﻠﱢﻘﻴﻥ ﻓﻲ
ﺤﻠﻘﹶﺔِ ﺫﻜﺭِﻙ ﻴﻌﻁﱢﺭ ﺍﻷﺠﻭﺍﺀ ،ﺒﻤﺎ ﻴﻔﻭﺡ ﻤﻨﻪ ﻤﻥ ﺍﻟﺸﱠﺫﻯ ﻭﺍﻟﻌﺒﻴﺭ)ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺍﻟﻌﺎﻟﹶﻤﺎﻥِ
ﺼﻭﺭﺓﹸ ﺨﺎﻟِﻪِ ،ﻓﻜﻴﻑ ﻴﻤﻜﻥ ﻭﺼﻑﹸ ﺠﻤﺎﻟِﻪِ( ﻭﻻ ﺴﺒﻴلَ ﻟﻌﻴﻥٍ ﻤﻜﹶﺩﺭﺓٍ ﻜﻤﺭﺁﺓٍ ﻜﺩِﺭﺓٍ ﻟِﺄﻥ
ﻴﻅﻬﺭ ﺨﻴﺎﻟﹸﻙ ﻓﻴﻬﺎ ،ﺨﻴﺎﻟﹸﻙ ﻻ ﻴﺩﺨﹸلُ ﻋﻴﻨﺎﹰ ﻏﻴﺭ ﻁﺎﻫِﺭﺓ.
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ﻏﺰﻝ ٤٠٩
ﻴﺎ ﻤﻥ ﺘﹸﺭﺍﺏ ﺃﻗﺩﺍﻤِﻙ ﺍﻟﺜﱠﻤﻥ ﻟِﻨﻭﺍﻓِﺞِ ﻤِﺴﻙِ ﺍﻟﺼﻴﻥ ،ﻭﺍﻟﺸﱠﻤﺱ ﺭﺒِﻴﺕﹾ ﻓﻲ ﻅِلﱢ ﻁﹶﺭﻑِ
ﺘﺎﺝِ ﺤﺴﻨِﻙ؛
ﺠﺎﻭﺯ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﺤ ﺩ ﻓﻲ ﺍﻟﺩﻻلِ ﺃﻅﻬِﺭ ﺩﻻﻟﹶﻙ ،ﻴﺎ ﻤﻥ ﺃﻨﺎ ﺍﻟﻔِﺩﺍﺀ ﻷُﺴﻠﻭﺏِ ﺩﻻلِ
ﻋﻴﻨِﻙ ﺍﻟﺴﻭﺩﺍﺀ؛
ﻫﺭِﻕﹾ ﺩﻤﻲ ،ﻓﺒِﻬﺫﺍ ﺍﻟﺠﻤﺎلِ ﺍﻟﱠﺫﻱ ﺘﻤﻠِﻙ ﻻ ﻴﻭﺠﺩ ﻤﻠﹶﻙ ﻴﺠﻴﺒﻪ ﻗﻠﺒﻪ ﻟِﻴﻜﺘﹸﺏ ﻋﻠﻴﻙ ﺫﻨﹾﺒﺎﹰ؛
ﺃﻨﺕﹶ ﺴﺒﺏ ﺴﻜﻭﻥِ ﻭﻨﹶﻭﻡِ ﺍﻟﺨﹶﻠﹾﻕِ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ ،ﻤِﻥ ﺫﻟِﻙ ﺼﺎﺭ ﻤﺘﱠﻜﹶﺄً ﻟﻙ ﺍﻟﻘﹶﻠﹾﺏ ﻭﺍﻟﻌﻴﻥ؛
ﻤﻊ ﻜﹸلﱢ ﻨﹶﺠﻡٍ ﻟﻲ ﺸﹸﻐﹾلٌ ﻜﹸلﱠ ﻟﻴﻠﹶﺔٍ ،ﺤﺴﺭﺓﹰ ﻟِﻀﻴﺎﺀِ ﻭﺠﻬِﻙ ﺍﻟﻤﻀﻲﺀِ ﻜﺎﻟﻘﹶﻤﺭ؛
ﺍﻷﺨِﻠﹼﺎﺀ ﺍﻟﱠﺫﻴﻥ ﻜﺎﻨﻭﺍ ﻤﺠﺘﻤِﻌﻴﻥ ﺠﻤﻴﻌﺎﹰ ﺘﻔﺭﻗﻭﺍ ،ﻭﻨﺤﻥ ﺒﺎﻗﻭﻥ ﺒِﺄﻋﺘﺎﺏِ ﺤِﺼﻥِ ﺩﻭﻟﹶﺘِﻙ؛
ﺤﺎﻓِﻅﹸ ﻻ ﺘﹶﻘﹾﻁﹶ ِﻊ ﺍﻟﻁﱠﻤ ﻊ ﻤِﻥ ﺍﻟﻌِﻨﺎﻴﺔِ ،ﻓﻌﺎﻗِﺒﺘﹸﻙ ﺃﻥ ﻴﺸﻌِلَ ﺩﺨﺎﻥ ﺁﻫﺘِﻙ ﺍﻟﻨﱠﺎﺭ ﻓﻲ
ﻤﺤﺼﻭلِ ﻏﻤﻙ.
ﻏﺰﻝ ٤١٠
ﻴﺎ ﻤﻥ ﺭِﺩﺍﺀ ﺍﻟﻤﻠﹾﻙِ ﺤﻘﱠ ﹰﺎ ﻋﻠﻰ ﻗﻴﺎﺱِ ﻗﺩﻙ ﺍﻟﻌﺎﻟﻲ ،ﺯﻴﻨﹶﺔﹸ ﺘﺎﺝِ ﺍﻟﻤﻠﻙِ ﻭﺨﺎﺘﹶﻡِ ﺍﻟﻤﻠﹾﻙِ ﻤِﻥ
ﺠﻭﻫﺭِﻙ ﺍﻟﻐﺎﻟﻲ؛
ﺠﺒﻴﻥ ﺒﺩﺭِ ﺴﻴﻤﺎﺌﻙ ﻴﺠﻌلُ ﺸﹶﻤﺱ ﺍﻟﻔﹶﺘﹾﺢِ ﺘﻁﻠﹶ ﻊ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﻤِﻥ ﺘﺎﺠِﻙ ﺍﻟﻜِﺴﺭﻭﻱ؛
ﻤﺤلﱡ ﺘﹶﺠﻠﱢﻲ ﻁﺎﺌﺭِ ﺍﻹﻗﺒﺎلِ ﻫﻭ ﺤﻴﺙﹸ ﻴﻠﻘﻲ ﺍﻟﻅﱢلﱠ ﻁﺎﺌﺭ ﺴﻌﺩِﻙ ﺍﻟﱠﺫﻱ ﺃﻅﹶلﱠ ﺍﻟﻔﹶﹶﻠﻙ؛
ﺭﺴﻭﻡ ﺍﻟﺸﱠﺭﻉِ ﻭﺍﻟﺤِﻜﻤﺔِ ﺍﻟﱠﺘﻲ ﺒﻬﺎ ﺁﻻﻑﹸ ﺍﻻِﺨﺘﻼﻓﺎﺕ ،ﻻ ﺘﻔﻭﺕﹸ ﻨﹸﻜﺘﹶﺔﹲ ﻭﺍﺤِﺩﺓﹲ ﻤﻨﻬﺎ
ﻗﹶﻠﹾﺒﻙ ﺍﻟﻌﻠﻴﻡ ﺃﺒﺩﺍﹰ؛
ﻗﹶﻠﹶﻤﻙ ﺍﻟﱠﺫﻱ ﻴﻤﻀﻎﹸ ﺍﻟﺴﻜﱠﺭ ﺒﺒﻐﺎﺀ ﻋﺫﺏ ﺍﻟﻠﱠﻬﺠﺔِ ﻴﻘﻁﺭ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓِ ﻤﻥ ﻤِﻨﻘﺎﺭِ ﺒﻼﻏﹶﺘِﻪ؛
ﺸﹶﻤﺱ ﺍﻟﻔﹶﻠﹶﻙِ ﻋﻴﻥ ﻭﺴِﺭﺍﺝ ﺍﻟﻌﺎﻟﹶﻡِ ،ﻟﻜِﻥ ﺍﻟﻀﻴﺎﺀ ﺍﻟﻤﻨﹾﺒﻌِﺙﹶ ﻤﻥ ﻋﻴﻨِﻬﺎ ﻤِﻥ ﺘﹸﺭﺍﺏِ ﻗﹶﺩﻤِﻙ؛
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ﻜﹸلﱠ ﻤﺎ ﻁﹶﻠﹶﺏ ﺍﻻِﺴﻜﹶﻨﹾﺩﺭ ﻤِﻥ ﺍﻟﺩﻫﺭِ ﻭﻟﹶﻡ ﻴﻌﻁﹶﻪ ،ﻜﺎﻥ ﺠﺭﻋﺔﹶ ﺯﻻلِ ﺠﺎﻤِﻙ ﻭﺍﻫِﺏِ
ﺍﻟﺭﻭﺡِ ﻭﺍﻟﺤﻴﺎﺓ؛
ﻤﺎ ﺍﺤﺘﻴﺎﺠﻨﺎ ﻟِﻌﺭﺽِ ﺍﻟﺤﺎﺠﺔِ ﻓﻲ ﺤﺭﻴﻡِ ﺤﻀﺭﺘِﻙ ،ﻭﻟﻴﺱ ﻴﺨﻔﻰ ﺴِﺭ ﺸﹶﺨﹾﺹٍ ﻋﻠﻰ
ﻀﻴﺎﺀِ ﺭﺃﻴِﻙ؛
ﺃﻴﻬﺎ ﺍﻟﻤﻠِﻙ ،ﺤﺎﻓِﻅﹸ ﻋﺎﺩ ﺒﻌﺩ ﺸﹶﻴﺏِ ﺭﺃﺴِﻪِ ﻟﻠﺸﱠﺒﺎﺏِ ،ﺒِﺭﺠﺎﺀِ ﻋﻔﻭِﻙ ﻭﺍﻫِﺏِ ﺍﻟﺤﻴﺎﺓِ
ﻤﺎﺤﻲ ﺍﻟﺫﹸﻨﻭﺏ.
ﻏﺰﻝ ٤١١
ﻁﹸﺭﺘﹸﻙ ﺍﻟﻤِﺴﻜﻴﺔﹸ ﺘﹸﺜﻴﺭ ﻏﹶﻴﺭﺓﹶ ﺍﻟﺒﻨﻔﺴﺞِ ،ﻀﺤﻜﹶﺘﹸﻙ ﺍﻟﺴﺤﺭﻴﺔﹸ ﺘﹸﻤﺯﻕﹸ ﺭِﺩﺍﺀ ﺍﻟﺒﺭﻋﻡِ؛
ﺃﻱ ﻭﺭﺩِﻱ ﻋﺫﹾﺏ ﺍﻟﻨﱠﺴﻴﻡِ ﺃﻨﺎ ﺒﻠﺒﻠﹸﻙ ،ﻻ ﺘﺤﺭِﻗﹾﻨﻲ ﻓﺄﻨﺎ ﺒِﻠِﺴﺎﻥِ ﺍﻟﺼﺩﻕِ ﺃﺩﻋﻭ ﻟﻙ
ﺍﻟﻠﱠﻴلَ ،ﻜﹸلﱠ ﺍﻟﻠﱠﻴلِ؛
ﻭﺃﻨﺎ ﺍﻟﻤﻠﻭلُ ﻤﻥ ﻨﹶﻔﹶﺱِ ﺍﻷﻤﻼﻙِ ،ﻤِﻥ ﺃﺠﻠِﻙ ﺃﺤﺘﹶﻤِلُ ﻗﺎلَ ﻭﻤﻘﺎلَ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﹸﻠﱢﻪِ؛
ﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺩﻭﻟﹶﺔِ ﺍﻟﻌِﺸﹾﻕِ ﻜﻴﻑﹶ ،ﻤِﻥ ﺼﻤﻴﻡِ ﺍﻟﻔﻘﺭِ ﻭﺍﻻﻓﺘﺨﺎﺭِ ،ﻴﻜﺴﺭ ﺸﹶﺤﺎﺫﹸﻙ ﺭﻜﹾﻥ
ﺘﺎﺝِ ﺍﻟﺴﻠﻁﹶﻨﹶﺔ؛
ﺨﺭﻗﹶﺔﹸ ﺍﻟﺯﻫﺩِ ﻭﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﺭﻏﻡ ﺃﻨﱠﻬﻤﺎ ﻻ ﻴﻨﺴﺠِﻤﺎﻥ ،ﺃﻨﺎ ﺃﻋﻤلُ ﺒﻬﻤﺎ ﻜﻠﻴﻬﻤﺎ ﻤﻥ
ﺃﺠلِ ﺭﻀﺎﻙ؛
ﻓِﺘﹾﻨﹶﺔﹸ ﺸﺭﺍﺏِ ﻋِﺸﹾﻘِﻙ ﺘﺫﻫﺏ ﻤﻥ ﺭﺃﺴﻲ ،ﻟﹶﺤﻅﹶﺔﹶ ﺘﺼﻴﺭ ﻫﺫﻩِ ﺍﻟﺭﺃﺱ ﺍﻟﻤﻠﻴﺌﺔﹸ ﺒﺎﻟﻬﻭﺱِ
ﺘﹸﺭﺍﺒﺎﹰ ﺒﺄﻋﺘﺎﺒِﻙ؛
ﻋﻴﻨﻲ ،ﻤﺠﻠِﺱ ﺍﻟﺸﱠﺎﻩِ ،ﻤﺘﱠﻜﺄٌ ﻟِﺨﻴﺎﻟِﻙ ،ﺃﻱ ﺸﺎﻫﻲ ﻤﻜﺎﻨﹸﻙ ﻴﺩﻋﻭﻙ ،ﻻ ﻜﺎﻥ ﻤﻜﺎﻨﹸﻙ
ﺨﺎﻟﻴﺎﹰ ﻤﻨﻙ؛
ﻤﺎ ﺃﺠﻤلَ ﺭﻭﺽ ﻋﺎﺭِﻀِﻙ ،ﺨﺎﺼﺔﹰ ﻓﻲ ﺭﺒﻴﻊِ ﺍﻟﺤﺴﻥ ،ﻭﺤﺎﻓِﻅﹸ ﺤﻠﹾﻭ ﺍﻟﺤﺩﻴﺙِ
ﻁﺎﺌﺭﻩ ﺍﻟﻤﺘﺭﻨﱢﻡ ﺒﺄﻋﺫﹶﺏِ ﺍﻷﻟﺤﺎﻥ.
-٣٩٤-
ﻏﺰﻝ ٤١٢
ﻋﻴﻨﻲ ﺘﻨﺯِﻑﹸ ﺩﻤﺎﹰ ﻤﻥ ﻗﻭﺱِ ﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏِ ،ﻜﻡ ﺴﻴﺭﻯ ﺍﻟﻌﺎﻟﹶﻡ ﻤِﻥ ﺍﻟﻔِﺘﹶﻥِ ﻤِﻥ ﺘﻠﻙ
ﺍﻟﻌﻴﻥِ ﻭﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏ؛
ﺃﻨﺎ ﻏﹸﻼﻡ ﻋﻴﻥِ ﺫﻟِﻙ ﺍﻟﺘﱡﺭﻜﻲ ﺍﻟﱠﺫﻱ ﻓﻲ ﻨﻭﻡِ ﺍﻟﺴﻜﹾﺭِ ﺍﻟﺠﻤﻴلِ ﺭﻭﺽ ﻭﺭﺩِ ﻭﺠﻬِﻪِ ﻨﺎﻡٍ،
ﻭﻅِلﱡ ﺤﺎﺠِﺒِﻪِ ﺍﻟﻤِﺴﻜﻲ ﻭﺍﺭِﻑﹲ؛
ﺠﺴﻤﻲ ﺼﺎﺭ ﻫِﻼﻻﹰ ﻤِﻥ ﺍﻟﻐﹶﻡ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﱠﺫﻱ ﺃﻤﺎﻡ ﻁﹶﻐﺭﺍﺀِ ﺤﺎﺠِﺒِﻪ ،ﻻ ﻤﺠﺎلَ ﻟﺒﺩﺭِ
ﺍﻟﺴﻤﺎﺀِ ﻟﻴﻅﹾﻬِﺭ ﺤﺎﺠِﺒﻪ؟!؛
ﻟﻨﺎ ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ﺁﻻﻑﹸ ﺃﻨﻭﺍﻉِ ﺍﻟﺭﺴﺎﺌلِ ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﻌﻴﻥِ ﻭﺫﺍﻙ ﺍﻟﺠﺒﻴﻥِ ،ﻭﺍﻟﺤﺎﺠِﺏ ﺒﻴﻨﻨﺎ
ﺍﻟﺤﺎﺠِﺏ ،ﻭﺍﻟﺭﻗﹶﺒﺎﺀ ﻏﺎﻓِﻠﻭﻥ؛
ﺒﺴﺘﺎﻥ ﺍﻟﻭﺭﺩِ ﻁﹸﺭﻓﹶﺔﹸ ﺠﺒﻴﻨِﻪِ ﻟﺭﻭﺡِ ﺍﻟﻤﻌﺘﻜﻔﻴﻥ ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ ،ﻭﻗﻭﺱ ﺍﻟﺤﺎﺠِﺏ ﻴﺤﻴﻁﹸ
ﺒﺄﻗﺩﺍﺡِ ﺍﻟﻴﺎﺴﻤﻴﻥ؛
ﺒﻌﺩ ﻫﺫﺍ ﻟﻥ ﻴﻘﻭلَ ﺸﹶﺨﹾﺹ ﻤﻊ ﻫﺫﺍ ﺍﻟﺤﺴﻥِ ﻤِﻨﹾﻙ ،ﻋﻥِ ﺍﻟﺤﻭﺭِ ﻭﺍﻟﻤﻠﹶﻙِ ،ﻴﺎ ﻟِﻬﺫِﻩِ
ﺍﻟﻌﻴﻥِ ﻭﻴﺎ ﻟِﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏ؛
ﻭﺃﻨﺕﹶ ﻜﺎﻓِﺭ ﻗﻠﺏٍ ،ﻭﻻ ﺘﻌﻘِﺩ ﺍﻟﻨﱢﻘﺎﺏ ﻤِﻥ ﻀﻔﻴﺭﺘِﻙ ،ﻴﺎ ﺨﻭﻓﻲ ﺃﻥ ﻴﺼﻴﺭ ﻗﻭﺱ
ﺤﺎﺠِﺒِﻙ ﺍﻟﺠﻤﻴلِ ﻤﺤﺭﺍﺒﻲ )ﻭﻴﻀﻴﻊ ﺇﻴﻤﺎﻨﻲ(؛
ﺭﻏﻡ ﺃﻥ ﺤﺎﻓِﻅﹶ ﻓﻲ ﺃﻤﺭِ ﺍﻟﻬﻭﻯ ﻁﺎﺌﺭ ﺤﺫِﺭ ،ﻓﻘﺩ ﺼﺎﺩﺘﹾﻪ ﺒِﺴﻬﻡِ ﺍﻟﻐﹶﻤﺯﺓِ ﻋﻴﻥ ﻋﻥ
ﻗﻭﺱِ ﺤﺎﺠِﺏٍ.
ﻏﺰﻝ ٤١٣
ﻁ ﺒِﻘﹶﻤﺭِﻩِ ،ﺤﻠﹾﻘﹶﺔﹲ ﺠﻤﻴﻠﹶﺔﹲ ﻟﻜِﻨﱠﻬﺎ ﺒﻼ ﺒﺎﺏِ ﺨﹸﺭﻭﺝٍ؛
ﺨﻁﱡ ﻋِﺫﺍﺭِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﺃﺤﺎ ﹶ
ﺤﺎﺠِﺏ ﺍﻟﺤﺒﻴﺏِ ﺭﻜﹾﻥ ﻤﺤﺭﺍﺏِ ﺩﻭﻟﹶﺔٍ ،ﺍِﻤﺴﺢ ﺒِﻪِ ﻭﺠﻬﻙ ،ﻭﺍﻁﻠﹸﺏ ﻤِﻨﹾﻪ ﺤﺎﺠﺘﹶﻙ؛
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ﺃﻱ ﺸﺎﺭﺏ ﺍﻟﺠﺭﻋﺔِ ﻓﻲ ﻤﺠﻠِﺱِ ﺠﻤﺸﻴﺩ ،ﺤﺎﻓِﻅﹾ ﻋﻠﻰ ﻁﻬﺎﺭﺓِ ﺍﻟﺼﺩﺭِ ،ﻓﺫﺍﻙ ﺍﻟﱠﺫﻱ
ﺘﺨﺭﺝ ﻤﻨﻪ ﺍﻵﻩ ﻤﺭﺁﺓﹸ ﻤﻅﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻋﻤلُ ﺃﻫلِ ﺍﻟﺼﻭﻤﻌﺔِ ﺃﺤﺎﻟﹶﻨﻲ ﻟِﻌِﺒﺎﺩﺓِ ﺍﻟﺨﻤﺭِ ،ﺍﻨﻅﹸﺭ ﻟﻬﺫﺍ ﺍﻟﺩﺨﺎﻥِ ﺍﻟﱠﺫﻱ ﺴﻭﺩ ﺼﺤﻴﻔﹶﺔﹶ
ﺃﻋﻤﺎﻟﻲ)(١؛
ﻗﹸلْ ﻟِﺴﻠﻁﺎﻥِ ﺍﻟﻐﹶ ﻡ ﻴﻔﻌلْ ﻜﹸلﱠ ﻤﺎ ﻴﻘﺩِﺭ ﻋﻠﻰ ﻓِﻌﻠِﻪِ ،ﺃﻨﺎ ﺍﻟﺘﺠﺄﺕﹸ ﻤﻨﻪ ﺇﻟﻰ ﺤِﺭﺯِ ﺒﺎﻋﺔِ
ﺍﻟﺨﹶﻤﺭ)(٢؛
ﺴﺎﻗﻲ ﺍﺠﻌلْ ﺴِﺭﺍﺝ ﺍﻟﺨﹶﻤﺭﺓِ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺸﱠﻤﺱِ ،ﻓﻤِﻨﹾ ﻪ ﺘﹸﺸﻌِلُ ﻓﺎﻨﻭﺱ ﺍﻟﺼﺒﺎﺡ؛
ﻫﺭِﻕﹾ ﻤﺎﺀ ﺍﻟﺨﹶﻤﺭِ ﻋﻠﻰ ﺼﺤﻴﻔﹶﺔِ ﺃﻋﻤﺎﻟﻲ ،ﻋﺴﻰ ﻤﻨ ﻪ ﺘﹸﻤﺤﻰ ﺤﺭﻭﻑﹸ ﺫﹸﻨﻭﺒﻲ؛
ﺤﺎﻓِﻅﹸ ﻴﻌﺯِﻑﹸ ﻟﹶﺤﻥ ﺍﻟﻁﱠﺭﺏِ ﻟِﻠﻌﺸﱠﺎﻕ ،ﻻ ﺨﹶﻠﹶﺕﹾ ﻤﻨﻪ ﻋﺭﺼﺔﹸ ﻫﺫﺍ ﺍﻟﻤﺤﻔﹶل؛
ﻓﻲ ﺨﻴﺎلِ ﺸﺤﺎﺫِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﺃﻥ ﻴﺠﻲﺀ ﻴﻭﻡ ﻴﺘﺫﻜﱠﺭﻩ ﻓﻴﻪِ ﺍﻟﻤﻠِﻙ ،ﻓﻬل ﻴﻜﻭﻥ ﺫﻟِﻙ؟.
ﻏﺰﻝ ٤١٤
ﺸﹶﺠﺭﺓﹸ ﻭﺭﺩِ ﻋﻴﺵِ ﺍﻟﺴﻌﺎﺩﺓِ ﺘﻁﻠﹸﻊ ،ﺃﻴﻥ ﻫﻭ ﺍﻟﺴﺎﻗﻲ ﻭﺭﺩﻱ ﺍﻟﻌِﺫﺍﺭ ،ﻭﺭﻴﺢ ﺍﻟﺭﺒﻴﻊِ
ﺘﻬﺏ ،ﺃﻴﻥ ﺍﻟﺨﹶﻤﺭﺓﹸ ﺤﺴﻨﹶﺔﹸ ﺍﻟﺼﻨﻴﻊ؛
ﻜﹸلﱡ ﻭﺭﺩٍ ﺠﺩﻴﺩٍ ﻴﺫﻜﱢﺭ ﺒِﻭﺭﺩﻱ ﺍﻟﻭﺠﻪِ ﻟﻜِﻥ ،ﺃﻴﻥ ﺃُﺫﹸﻥ ﺘﻌﻲ ﺍﻟﺤﺩﻴﺙﹶ ﻭﺃﻴﻥ ﻋﻴﻥ ﺘﻌﺘﹶﺒِﺭ؛
ﻤﺠﻠِﺱ ﻨﺎﺩﻱ ﺍﻟﻌﻴﺵِ ﺨﻼ ﻤِﻥ ﻏﺎﻟﻴﺔِ ﺍﻟﻤﺭﺍﺩ ،ﻴﺎ ﻨﹶﻔﹶﺱ ﺍﻟﺼﺒﺢِ ﻋﺫﹾﺏِ ﺍﻟﻨﱠﻔﹶﺱ ،ﺃﻴﻥ
ﻤِﺴﻙ ﻀﻔﻴﺭﺓِ ﺍﻟﺤﺒﻴﺏ؛
ﻻ ﺘﺤﻤلَ ﻋِﻨﺩﻱ ﻋﻠﻰ ﺘﺩﻟﱡلِ ﺍﻟﻭﺭﺩِ ،ﺃﻱ ﺼﺒﺎ ﻴﺩﻱ ﻤﺨﻀﻭﺒﺔﹲ ﺒِﺩﻡِ ﻗﻠﺒﻲ ،ﻷﺠلِ ﺍﷲِ
ﻗﻭﻟﻲ ،ﺃﻴﻥ ﺤﺒﻴﺒﻲ؛
ﺸﹶﻤﻊ ﻭﻗﺕِ ﺍﻟﺴﺤﺭِ ﺇﺫﺍ ﺘﺒﺎﻫﻰ ﺠﺯﺍﻓﺎﹰ ﺒِﺄﻨﱠﻪ ﻋﻼﻤﺔﹸ ﻋﺎﺭِﻀِﻙ ،ﻓﻬﻭ ﺍﻟﺨﺼﻡ ﻁﺎلَ
ﻟِﺴﺎﻨﹸﻪ ﻓﺄﻴﻥ ﺍﻟﺨﹶﻨﹾﺠﺭ ﺍﻟﻘﺎﻁِﻊ؟؛
) (١ﻫﺫﺍ ﺍﻟﺩﺨﺎﻥ ﺍﻷﺴﻭﺩ :ﻋﻤلُ ﺃﻫلِ ﺍﻟﺼﻭﻤﻌﺔ؛
) (٢ﻓﻼ ﻏﻡ ﻤﻊ ﺍﻟﺨﹶﻤﺭ.
-٣٩٦-
ﻗﺎلَ ﺃﻟﻴﺴﺕﹾ ﻟﻙ ﺭﻏﺒﺔﹲ ﺒِﻘﹸﺒﻠﹶﺔٍ ﻤﻥ ﻟﺅﻟﺅِ ﺸﹶﻔﹶﺘﻲ ،ﻗﹸﻠﺕﹸ ﺒﻠﻰ ﻤﺕﱡ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻬﻭﺱِ ﻟﻜﻥ،
ﺃﻴﻥ ﺍﻟﻘﹸﺩﺭﺓﹸ ﻭﺍﻻﺨﺘﻴﺎﺭ)ﻭﺍﻟﺭﺨﹾﺼﺔ(؟؛
ﺤﺎﻓﻅﹸ ﻓﻲ ﺍﻟﺤﺩﻴﺙِ ﺨﺎﺯِﻥ ﻜﹶﻨﹾﺯِ ﺍﻟﺤِﻜﹾﻤﺔِ ﻟﻜِﻥ ،ﺃﻴﻥ ﺍﻟﱠﺫﻱ ﻴﺘﺭﻙ ﺍﻟﺤﺩﻴﺙﹶ ﻋﻥ ﻏﻡ
ﺍﻟﺩﻫﺭِ ﺴﺎﻓِلِ ﺍﻟﻁﱠﺒﻊ.
ﻏﺰﻝ ٤١٥
ﻴﺎ ﺭﺴﻭلَ ﺍﻷﺼﻔﻴﺎﺀِ ﺤﺩﺜﻨﺎ ﺒِﺨﹶﺒﺭِ ﺍﻟﺤﺒﻴﺏ ،ﺤﺩﺙﹾ ﺍﻟﺒﻠﹾﺒلَ ﻋﺎﺯِﻑﹶ ﺍﻷﻟﺤﺎﻥِ ﻋﻥ
ﺃﺤﻭﺍلِ ﺍﻟﻭﺭﺩِ)(١؛
ﻨﺤﻥ ﻤﺤﺭﻤﻭ ﺨﻠﻭﺓِ ﺍﻷُﻨﹾﺱِ ﻻ ﺘﺠﺭﻉِ ﺍﻟﻐﹶﻡ ،ﻗﹸلْ ﺤﺩﻴﺙﹶ ﺍﻟﺤﺒﻴﺏِ ﻟﻠﻤﺤِﺏ ﺍﻟﻌﺎﺭِﻑِ؛
ﺤﻴﻥ ﻴﻨﺸﹸﺭ ﺘﻠﻙ ﺍﻟﻀﻔﻴﺭﺓﹶ ﺍﻟﻤِﺴﻜﻴﺔﹶ ﻋﻠﻰ ﺍﻟﺭﺃﺱِ ،ﻤﺎ ﻴﻨﻭﻱ ﺃﻥ ﻴﻔﻌلَ ﺒﻨﺎ؟ ،ﺒﺎﷲِ ﻗﹸلْ
ﻟﻪ!؛
ﻗﹸلْ ﻟِﻜﹸلﱢ ﺸﹶﺨﹾﺹٍ ﻗﺎلَ ﻏﹸﺒﺎﺭ ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ﻜﹸﺤلُ ﺍﻷﺒﺼﺎﺭِ ،ﺃﻋِﺩ ﻗﻭلَ ﻫﺫﺍ ﺍﻟﺤﺩﻴﺙِ
ﻤﻌﺎﻴﻨﹶﺔﹰ ﻓﻲ ﻋﻴﻨﻲ؛
ﻭﺫﺍﻙ ﺍﻟﺸﱠﺨﹾﺹ ﺍﻟﱠﺫﻱ ﻴﻘﻭﻡ ﺒِﻤﻨﹾﻌِﻨﺎ ﻤِﻥ ﺯﻴﺎﺭﺓِ ﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﻗﹸلْ ﻟﻪ ﻴﻘﻭلَ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔﹶ
ﻓﻲ ﺤﻀﻭﺭِ ﺸﹶﻴﺨِﻨﺎ؛
ﺇﻥ ﻜﺎﻥ ﻟﻙ ﻤﺭﻭﺭ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ﻋﻠﻰ ﺒﺎﺏِ ﺘِﻠﹾﻙ ﺍﻟﺩﻭﻟﹶﺔِ ،ﻗﹸلْ ﻤِﻥ ﺒﻌﺩِ ﺃﺩﺍﺀِ ﺍﻟﺨِﺩﻤﺔِ
ﻭﻋﺭﺽِ ﺍﻟﺩﻋﺎﺀ؛
ﻤﻬﻤﺎ ﻜﹸﻨﱠﺎ ﺴﻴﺌﻴﻥ ﻻ ﺘﺄﺨﹸﺫﹾﻨﺎ ﺒِﺫﻨﻭﺒِﻨﺎ ،ﻭﺘﺤﺩﺙﹾ ،ﻜﻤﺎ ﻴﻠﻴﻕﹸ ﺒﺎﻟﻤﻠﻭﻙِ ،ﻋﻤﺎ ﺠﺭﻯ ﻤِﻥ
ﺫﻨﺏِ ﻫﺫﺍ ﺍﻟﺸﱠﺤﺎﺫ؛
ﻭﻋﺩ ﻟﻨﺎ ،ﻭﺍﻗﺭﺃْ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻔﻘﻴﺭِ ﺭِﺴﺎﻟﹶﺔﹶ ﺫﻟِﻙ ﺍﻟﻤﺤﺘﹶﺸِﻡِ ،ﻭﻗﹸلْ ﺭِﺴﺎﻟﹶﺔﹶ ﺫﻟِﻙ ﺍﻟﻤﻠِﻙِ
ﺍﻟﻌﻅﻴﻡِ ﻟِﻬﺫﺍ ﺍﻟﺸﱠﺤﺎﺫِ؛
) (١ﻴﺎ ﺼﺒﺎ ،ﺃﻱ ﺭﺴﻭلَ ﺍﻟﺼﺎﺩﻗﻴﻥ ﺍﻷﺒﺭﺍﺭ ﺤﺩﺜﻴﻨﺎ ﺤﺩﻴﺙﹶ ﺍﻟﺤﺒﻴﺏ ،ﺤﺩﺜﻲ ﺍﻟﺒﻠﺒلَ ﻋﻥِ ﺍﻟﻭﺭﺩ.
-٣٩٧-
ﺤﻴﻥ ﻴﻨﺜﹸﺭ ﺍﻷﺭﻭﺍﺡ ﻤﻥ ﺸﺒﺎﻙِ ﻓﺭﻋِﻪِ ﻋﻠﻰ ﺍﻟﻁﱠﺭﻴﻕِ ،ﻤﺎ ﺍﻟﱠﺫﻱ ﻴﺤﺼلُ ﻟﻐﺭﻴﺒﻨﺎ؟،
ﻴﺎ ﺭﺴﻭلَ ﺍﻟﺼﺒﺎ ﻗﹸلْ؛
ﻗِﺼﺔﹸ ﺃﺭﺒﺎﺏِ ﺍﻟﻤﻌﺭِﻓﹶﺔ ﺭﻭﺍﻴﺔﹸ ﺍﻟﺭﻭﺡِ ،ﺍﺫﻫﺏ ﻓﺎﻁﻠﹸﺏ ﺭﻤﺯﺍﹰ ،ﻭﺘﻌﺎلَ ﻭﻗﹸلْ ﻟﻨﺎ ﺤﺩﻴﺜﺎﹰ؛
ﺤﺎﻓِﻅ ،ﺇﺫﺍ ﻓﺘﺤﻭﺍ ﻟﻙ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺇﻟﻰ ﻤﺠﻠِﺴِﻪِ ،ﻜﹸﻥ ﺸﺎﺭِﺒﺎﹰ ﻟﻠﺨﹶﻤﺭِ ﻭﺘﺎﺭﻜﺎﹰ ﻟﻠﻨﱢﻔﺎﻕِ،
ﻷﺠلِ ﺍﷲ.
ﻏﺰﻝ ٤١٦
ﺍﻟﻨﱠﺴﻴﻡ ﺍﻟﻠﱠﻁﻴﻑﹸ ﺍﻟﻤﻌﻨﹾﺒﺭ ﺍﻟﱠﺫﻱ ﻴﺴﻌِﺩ ﻋﺒﻴﺭﻩ ﺍﻟﻘﹶﻠﹾﺏ ،ﻫﺏ ﻓﻲ ﻫﻭﺍﻙ ﺼﺒﺤﺎﹰ ﻤﻊ
ﺍﻟﻔﹶﺠﺭِ؛
ﺃﻱ ﻁﺎﺌﺭ ﺍﻟﻠﱢﻘﺎ ﺍﻟﻤﺒﺎﺭﻙِ ﻜﹸﻥ ﺩﻟﻴلَ ﺍﻟﻁﱠﺭﻴﻕِ ،ﺼﺎﺭﺕِ ﺍﻟﻌﻴﻥ ﻤﺎﺀ ﻤِﻥ ﺍﻟﺸﱠﻭﻕِ ﻟِﺘﹸﺭﺍﺏِ
ﺘِﻠﻙ ﺍﻷﻋﺘﺎﺏ؛
ﻕ ﺒِﺩﻡِ ﻗﻠﺒﻲ ،ﺃﻟﹾﻕِ ﻨﹶﻅﹾﺭﺓﹰ ﻋﻠﻰ ﺍﻟﻬِﻼلِ ﻋﻠﻰ ﺤﺎﻓﱠﺔِ
ﺘﺫﻜﱠﺭ ﺸﹶﺨﹾﺼﻲ ﺍﻟﻨﱠﺤﻴلَ ﺍﻟﻐﺎﺭِ ﹶ
ﺍﻷُﻓﹸﻕ)(١؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻋﻨﺩﻱ ﺨﹶﺠلٌ ﻭﺃﻱ ﺨﹶﺠلٍ ﻤِﻥ ﺘﹶﻨﹶﻔﱡﺴﻲ ﻤﻥ ﺩﻭﻨِﻙ ،ﻋﺴﺎﻙ ﺘﻌﻔﻭ ﻋﻨﱢﻲ ،ﻭﺇﻻﹼ
ﻓﺄﻱ ﻋﺫﹾﺭٍ ﻟِﺫﹶﻨﺒﻲ؛
ﻕ ﺸِﻌﺎﺭِ
ﺍﻟﺼﺒﺎ ﺘﻌﻠﱠﻤﺕﹾ ﻤﻥ ﻤﺤﺒﻴﻙ ﻓﻲ ﻁﺭﻴﻘﹶﺔِ ﺍﻟﻭﻓﺎﺀِ ﻋِﻨﺩ ﺍﻟﻔﹶﺠﺭِ ﺍﻟﺼﺎﺩِﻕِ ،ﺘﻤﺯﻴ ﹶ
ﺍﻟﺴﻭﺍﺩ؛
ﺒِﻌِﺸﹾﻕِ ﻭﺠﻬِﻙ ﻴﻭﻡ ﺃﺫﻫﺏ ﻤﻥ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺴﻴﻨﺒﺕﹸ ﺍﻟﻭﺭﺩ ﺍﻷﺤﻤﺭ ﺒﺩلَ ﺍﻟﻌﺸﹾﺏِ ﻋﻠﻰ
ﺘﹸﺭﺒﺘﻲ؛
ﻻ ﺘﻜﹸﻥ ﺒِﺨﺎﻁِﺭِﻙ ﺍﻟﻠﹼﻁﻴﻑِ ﻓﻲ ﻤﻼﻟﹶﺔٍ ﻤﻨﹼﻲ ﺴﺭﻴﻌﺎﹰ ،ﺤﺎﻓِﻅﹸﻙ ﻫﺫِﻩِ ﺍﻟﻠﱠﺤﻅﹶﺔﹶ ﻗﺎلَ ﺒﺴﻡِ ﺍﷲ.
) (١ﺃﻟﻕِ ﻨﻅﺭﺓﹰ ﻋﻠﻰ ﺠﺴﻤﻲ ﺍﻟﻨﱠﺎﺤِلِ ﺍﻟﻤﻨﺤﻨﻲ ﺍﻟﻐﺎﺭﻕِ ﺒﺎﻟﺩﻡِ ﺍﻷﺤﻤﺭِ ﻜﺎﻟﻬِﻼلِ ﻋﻠﻰ ﺤﺎﻓﱠﺔِ ﺍﻷُﻓﹸﻕ.
-٣٩٨-
ﻏﺰﻝ ٤١٧
)(١
ﻗﺩ ﻨِﻠﹾـﺕﹸ ﻗـﺼﺩﻱ ،ﺍﻟﺤﻤـﺩ ﷲْ ﺴــﺭﻭﺭ ﻋﻴــﺸﻲ ﺩﺭ ﺍﻟــﺸﱢﻔﺎﻩ
)(٢
ﺤﻴﻨــﺎﹰ ﻭﺤﻴﻨــﺎﹰ ﺩﺭ ﺍﻟــﺸﱢﻔﺎﻩ ﺍﻟﺤﺒﻴﺏ ﺍِﺤـﻀِﻥ ،ﻭﺍﻟﺠـﺎﻡ ﻗﹶﺒـلْ
ﻭﺁﺨﹶﺭ ﻀـلﱞَ ،ﻋـﻥ ﺭﺸـﺩِﻩِ ﺘـﺎﻩ ـﻭلٌ
ـﻴﺦﹲ ﺠﻬـ
ـﻜﺭﻱ ﺸـ
ﻴﻌﻴ ـﺏ ﺴـ
)(٣
ﻤِﻥ ﻓِﻌلِ ﻋﺎﺒِـﺩ ،ﺃﺴـﺘﻐﻔِﺭ ﺍﷲْ ﻤِــﻥ ﻅﹸﻠﹾــﻡِ ﺯﺍﻫِــﺩ ،ﻨﺘــﻭﺏ ﷲِ
)(٤
ﺍﻟﻌﻴﻥ ﻭﺍﻟـﺩﻤﻊ ﻭﺍﻟـﺭﻭﺡ ﻭﺍﻵﻩ ـﻭلُ؟
ـﺎﺫﺍ ﺃﻗـ
ـﺭﺍﻕِ ،ﻤـ
ﺸﹶ ـﺭﺡ ﺍﻟﻔِـ
)(٥
ﻤِﻥ ﻏﹶﻡ ﻗﻠﺏٍ ،ﻤـﺎ ﺸـﺎﻫﺩﺍﻩ؟! ﻤِﻥ ﻗﺩﻙ ﺍﻟﺴﺭﻭ ،ﻤِﻥ ﺨﺩﻙ ﺍﻟﺒـﺩﺭ
)(٦
ﺃﻀﺎﻉ ﻤِﻨﱢـﻲ ،ﺸﹶـﻭﻕﹸ ﺍﻟـﺸﱢﻔﺎﻩ ﺍﻟﺩﺭﺱ ﺒِﺎﻟﻠﱠﻴلِ ،ﻭﺍﻟـﻭِﺭﺩ ﺒـﺎﻟﻔﹶﺠﺭ
ﻏﺰﻝ ٤١٨
)(٧
ﺃﻤــﺩ ﻋﻨﹾﻘــﻲ ،ﺍﻟﺤﻜــﻡ ﷲْ ﺇﻥ ﻟﻠــﺴﻴﻭﻑ ،ﻫﻁﹾــلُ ﺒﻤﻐﻨــﺎﻩ
ـﺎﻩ
ـﺩﻱ ،ﻭﺍﺤ ـﺭ ﻗﻠﺒـ
ﻻ ﺤ ـﻅﱠ ﻋﻨـ ﺃُﺴﻠﻭﺏ ﺘﻘـﻭﻯ ،ﻋﻨـﺩﻱ ﻭﻟﻜـﻥ
) (١ﺴﻌﺎﺩﺘﻲ ﻤﻥ ﻟﺅﻟﺅِ ﺸﻔﹶﺔِ ﺤﺒﻴﺒﻲ ﻭﺍﻟﺤﻤﺩ ﷲ ﻋﻠﻰ ﺫﻟﻙ ﻓﺈﻨﱠﻪ ﻤﺭﺍﺩﻱ؛
ﻥ ﺍﻟﺤﺒﻴﺏِ ﻴﺎ ﺒﺨﹾﺕﹶ ﻤﻥ ﻨﺎﻟﹶﻪ ،ﺤﻴﻨﺎﹰ ﻴﻘﺒلُ ﺠﺎﻡ ﺍﻟﺨﻤﺭِ ﺍﻟﺫﱠﻫﺒﻲ ﻭﺤﻴﻨﺎﹰ ﻴﻘﺒلُ
) (٢ﻓﻲ ﺍﻷﺼل :ﺤﻀ
ﺸﻔﺔﹶ ﺍﻟﺤﺒﻴﺏ ﺍﻟﺩﺭﻴﺔ؛
) (٣ﺍﻟﻌﺒﺎﺩﺓﹸ ﺍﻟﺤﻘﻴﻘﻴﺔﹸ ﻴﺠﺏ ﺃﻥ ﺘﹸﺜﻤ ﺭ ﺃﻋﻤﺎﻻﹰ ﺨﻴﺭﺓﹰ ﻓﺄﻨﺎ ﺃﺴﺘﻐﻔﺭ ﺍﷲ ﻤﻥ ﻓﻌلِ ﺍﻟﻌﺎﺒﺩِ ﺍﻟﻘﺒﻴﺢ ﻭﺃﺘﻭﺏ
ﺇﻟﻰ ﺍﷲ ﻤﻥ ﻅﻠﻡِ ﺍﻟﺯﺍﻫﺩِ ﻟﻠﻨﹼﺎﺱ؛
) (٤ﺇﻥ ﺸﺭﺡ ﺍﻟﻔﺭﺍﻕ ﻻ ﻴﻁﺎﻕ ﻭﻓﻴﻪ ﻴﻼﺯﻡ ﺍﻟﺩﻤﻊ ﻋﻴﻨﻲ ﻭﺍﻵﻫﺎﺕﹸ ﺭﻭﺤﻲ؛
) (٥ﻻ ﺭﺃﻯ ﻜﺎﻓِﺭ ﻤِﻥ ﺍﻟﻐﻡ ﻤﺎ ﺭﺃﻯ ﺍﻟﺴﺭﻭ ﻤِﻥ ﻗﺩﻙ ،ﻭﺍﻟﻭﺭﺩ ﻤِﻥ ﻭﺠﻬِﻙ ،ﻤِﻥ ﺍﻟﻐﻡ؛
ﻅ ﺩﺭﺱ ﺍﻟﻠﹼﻴلِ ﻭﻭِﺭﺩ ﺍﻟﺴﺤﺭ.
) (٦ﺸﻭﻕﹸ ﺸﹶﻔﹶﺘِﻙ ﺃﻨﺴﻰ ﺤﺎﻓِ ﹶ
) (٧ﺇﺫﺍ ﻜﺎﻨﺕ ﺘﹸﻤﻁِﺭ ﺴﻴﻭﻓﺎﹰ ﻓﻲ ﺤﻤﻰ ﺍﻟﺤﺒﻴﺏ ﺍﻟﱠﺘﻲ ﻫﻲ ﻗﺼﺩﻱ ،ﻓﺈﻨﱠﻨﻲ ﺃﻗﺒلُ ﺒﺤﻜﻡِ ﺍﷲ ،ﻭﺃﻤﺩ
ﻋﻨﻘﻲ ﻟﻠﺴﻴﻭﻑ ،ﻭﻻ ﺃﺘﺭﻙ ﺘﻠﻙ ﺍﻟﺩﻴﺎﺭ؛
-٣٩٩-
ﺨﻤﺭﻱ ﻭﻜﺄﺴﻲ ،ﻗـﺼﺭ ﺤـﺩﻴﺜﺎﻩ ـﻴﻼﹰ
ـﺎ ﻗﻠـ
ـﺭﻑﹸ ﺍﻟ ـﺸﱠﻴﺦﹶ ﺇﻟﹼـ
ﻻ ﺃﻋـ
ﺃﻨﱢــﻲ ﺃﺘــﻭﺏ ،ﺃﺴــﺘﻐﻔﺭ ﺍﷲْ! ﺴﻜﺭﻱ ﻭﻋِﺸﻘﻲ ،ﻓﻲ ﻤﻭﺴِﻡِ ﺍﻟﻭﺭﺩ
ﻴﺎ ﻗﺎﺴﻲ ﺍﻟﻘﻠﺏِ ،ﻤِـﻥ ﻗﻠﺒِـﻙ ﺍﻵﻩ ﺸﹸﻌﺎﻉ ﺸﹶﻤﺱٍ ،ﻤﺎ ﻨـﺎﻟﻨﻲ ﻤﻨـﻙ
)(١
ﻴﺎ ﻟﻴﺕ ﺸِﻌﺭﻱ ،ﺤﺘﱠـﺎﻡ ﺃﻟﻘـﺎﻩ ﺍﻟــﺼﺒﺭ ﻤــﺭ ﻭﺍﻟﻌﻤــﺭ ﻓــﺎﻥٍ
ﺘﹶﺠــﺭﻉِ ﺍﻟــﺩﻡ ،ﺘﻔﹸــﺯ ﺒﻠﹸﻘﻴــﺎﻩ ﻤــﺎ ﺫﺍ ﺍﻟﺒﻜــﺎﺀ؟ ،ﻴــﺎ ﺤﺎﻓِﻅــﺎﻩ
ﻏﺰﻝ ٤١٩
ﺃﺤﺏ ﺇﻟﻲ ﺃُﺭﺯﻕﹸ ،ﻭﻫـﻭ ﺃﻓـﻀلْ ﻭﺼﺎلٌ ﻤﻨﻪ ،ﻤﻥ ﺘﺨﻠﻴـﺩِ ﻋﻤـﺭﻱ
ﻭﻜﺘﹾﻡ ﺍﻟﺴﺭ ﻋﻥ ﺃﻋـﺩﺍﻱ ﺃﻓـﻀلْ ﺒﺴﻴﻑٍ ﻀﺎﺭﺒﻲ ﻭﻜﺘﻤـﺕﹸ ﺴـﺭﻱ
ﺤﻴﺎﺓٍ ﻓﻲ ﺍﻟﻨﱠﻌـﻴﻡِ ﺘـﺩﻭﻡ ﺃﻓـﻀلْ ﻟﻤﻭﺕﹸ ﺍﻟﻌﺒﺩِ ﻓـﻲ ﺃﻋﺘﺎﺒِـﻪِ ﻤِـﻥ
ﻤﺘﻰ ﻫﺫﺍ ﺍﻟﻀﻌﻴﻑﹸ ﻴﺼﻴﺭ ﺃﻓﻀلْ؟ ـﻲ
ـﻲ ﻁﺒﻴﺒـ
ﺒﺤ ـﻕﱢ ﺍﷲِ ﺴ ـلْ ﻋﻨﹼـ
ﺩِﻤﺎﺀِ ﺍﻷُﺭﻏـﻭﺍﻥِ ،ﺜـﺭﺍﻩ ﺃﻓـﻀلْ ﺘﹸﺭﺍﺏ ﺴـﺭﻭﻨﺎ ﻓﻴـﻪِ ﻨﻤـﺎ ،ﻤِـﻥ
)(٢
ﺃﺯﺍﻫِﺩ ،ﺇﻥ ﻋِﻨﺩﻱ ﻤِﻨﻪ ﺃﻓـﻀلْ ﻓﹶﺩﻋﻨﻲ ﻤِﻥ ﺩﻋﺎﺌـﻙ ﻟـﻲ ﺒِﺨﹸﻠﹾـﺩٍ
ﻭﺠﻭﺩ ﺍﻟﺨﺎﻟِـﺩﻴﻥ ﻋﻠﹶﻴـﻙ ﺃﻓـﻀلْ ﻭﺴلْ ﻓﻲ ﺩﺍﺭِﻩِ ﻴـﺎ ﻗﹶﻠﹾـﺏ ﺘﹸﻌـﻁﹶ
ﻟِﺒﺨﺘِﻙ ﺇﻥ ﻨﹸﺼﺢ ﺍﻟـﺸﱠﻴﺦِ ﺃﻓـﻀلْ ﻏﹸﻼﻡ ،ﻓﻼ ﺘﻤِلْ ﻋﻥ ﻨﹸﺼﺢِ ﺸـﻴﺦٍ
ﻜﻠﺅﻟﺅِ ﻗـﺭﻁِ ﺃُﺫﻨـﻲ ﺃﻭ ﻜﺄﺠﻤـلْ ﻭﻟﻴﻼﹰ ﻗﺎلَ :ﻟﻡ ﺘﺭ ﻋـﻴﻥ ﺸـﺨﺹٍ
ﻭﻟﻜﻨﹼــﻲ ﺃﺭﻯ ﺸــﻴﺭﺍﺯ ﺃﺠﻤــلْ ﺠﺭﻯ ﻤـﺎﺀ ﺍﻟﺤﻴـﺎﺓِ ﺒِﺄﺼـﻔﻬﺎﻥٍ
ﻭﻟﻜِﻥ ﻗﹶﻭلُ ﺤـﺎﻓِﻅﹶ ﻤِﻨﹾـﻪ ﺃﺠﻤـلْ ﺤﺩﻴﺙﹸ ﺤﺒﻴﺒِﻨﺎ ﻓﻲ ﺍﻟﺜﱠﻐﹾـﺭِ ﺸـﻬﺩ
ﻥ ﻨﻅﹾ ِﻡ ﺤﺎﻓِﻅﹶ ﻨﻔﺴِﻪِ ﺒﺎﻟﻌﺭﺒﻴﺔ ،ﻭﻗﺩ ﺃﺸﻜﹶلَ ﻋﻠﻴﻪِ ﺍﻟﺒﻌﺽ ،ﻓﻲ ﺤﺘﱠﺎﻡ ﺃﻟﻘﺎﻩ،
) (١ﻫﺫﺍ ﺍﻟﺒﻴﺕﹸ ﻤِ
ﻋﺭِ ﺤﺘﹼﻰ ﻤﺘﻰ ﺃﻨﺘﻅِﺭ ﺤﺘﹼﻰ ﺃﻟﻘﺎﻩ. ﻭﻤﻘﺼﺩ ﺍﻟﺸﱠﺎ ِ
) (٢ﻓﻲ ﺍﻷﺼل :ﺃﻱ ﺯﺍﻫِﺩ ﻻ ﺘﺩﻉ ﻟﻲ ﺒﺎﻟﺠﻨﱠﺔِ ،ﻓﺘﹸﻔﱠﺎﺤﺔﹲ ﻤِﻥ ﺫﹶﻗﹾﻨِﻪِ ﺃﻓﻀلُ ﻋﻨﺩﻱ ﻤِﻥ ﺒﺴﺘﺎﻨِﻬﺎ.
-٤٠٠-
ﻏﺰﻝ ٤٢٠
ﻓﺠﺄﺓﹰ ﺭﻓﹾﻌﻙ ﺍﻟﻨﱢﻘﺎﺏ ﻤﺎ ﻴﻌﻨﻲ؟ ،ﺨﹸﺭﻭﺠﻙ ﺴﻜﺭﺍﻥ ﻤﺴﺭِﻋﺎﹰ ﻤﻥ ﺍﻟﺒﻴﺕِ ﻤﺎ ﻴﻌﻨﻲ)(١؟؛
ﺍﻟﻔﹶﺭﻉ ﺒِﻴﺩِ ﺍﻟﺼﺒﺎ ،ﻭﺍﻷُﺫﹸﻥ ﻟِﻘﹶﻭلِ ﺍﻟﺭﻗﻴﺏ ،ﺘﻌﺎﻤﻠﹸﻙ ﻫﻜﺫﺍ ﻤﻊ ﺍﻟﻜﹸلﱢ ﻤﺎ ﻴﻌﻨﻲ؟؛
ﻭﺃﻨﺕﹶ ﺸﺎﻩ ﺍﻟﺤﺴﻥِ ﻭﻤﻨﻅﻭﺭ ﺍﻟﺴﺎﺌﻠﻴﻥ ،ﻭﻻ ﺘﻌﺭِﻑﹸ ﻗﹶﺩﺭ ﻫﺫِﻩِ ﺍﻟﻤﺭﺘﹶﺒﺔِ ﻤﺎ ﻴﻌﻨﻲ؟؛
ﻟﻡ ﺘﹸﻌﻁِﻨﻲ ﻁﹶﺭﻑﹶ ﺍﻟﻀﻔﻴﺭﺓِ ﺃﻭﻻﹰ ،ﻭﺇﺴﻘﺎﻁﹸﻙ ﻟﻲ ﺜﺎﻨﻴﺎﹰ ﻤﺎ ﻴﻌﻨﻲ؟؛
ﻑ ﻤِﻥ ﺒﻴﻥِ ﺍﻟﻜلﱢ ﻤﺎ
ﺤﺩﻴﺜﹸﻙ ﻗﺎلَ ﺭﻤﺯ ﻓﻤِﻙ ،ﻭﺯﻨﱠﺎﺭﻙ ﺴِﺭ ﻭﺴﻁِﻙ ،ﻓﺭﻓﹾﻌﻙ ﻋﻠﻲ ﺍﻟﺴﻴ ﹶ
ﻴﻌﻨﻲ)(٢؟؛
ﻜﹸلﱡ ﺸﹶﺨﹾﺹٍ ﻤِﻥ ﺯﻫﺭِ ﻨﹶﺭﺩِ ﺸﹶﻤﺴِﻙ ﻤﺸﻐﻭلٌ ﺒِﻨﹶﻘﹾﺵٍ ،ﻭﺍﺤﺘﻴﺎﻟﹸﻙ ﻓﻲ ﺍﻟﻠﱠﻌِﺏِ ﻤﻊ ﺍﻟﻜﹸلﱢ ﻤﺎ ﻴﻌﻨﻲ؟؛
ﺕ ﻤِﻥ ﺍﻟﻐﹶﻴﺭِ ﻤﺎ ﻴﻌﻨﻲ؟
ﺤﺎﻓِﻅﹸ ،ﺍﻟﺤﺒﻴﺏ ﻨﹶﺯلَ ﻓﻲ ﻗﻠﺒِﻙ ﺍﻟﻀﻴﻕِ ،ﻓﻌﺩﻡ ﺇﺨﻼﺌﻙ ﺍﻟﺒﻴ ﹶ
ﻏﺰﻝ ٤٢١
ﻓﻲ ﺇﻴﻭﺍﻥِ ﺍﻟﻤﻐﺎﻥِ ،ﺒﻌﺩ ﺃﻥ ﺭﺵﱠ ﺍﻟﻤﺎﺀ ،ﺠﻠﺱ ﺍﻟﺸﱠﻴﺦﹸ ﻓﻲ ﺍﻟﺼﺩﺭِ ،ﻭﺩﻋﺎ ﻜﹸلﱠ ﺸﹶﻴﺦٍ
ﻭﺸﺎﺏ؛
ﺍﻟﺸﱠﺎﺭﺒﻭﻥ ﺃﺠﻤﻌﻭﻥ ،ﻜﹸلﱞ ﺸﺩ ﻟِﺨِﺩﻤﺘِﻪِ ﺍﻟﺤِﺯﺍﻡ ،ﻭﻜﹸلﱡ ﻭﺍﺤِﺩٍ ﻤﻨﻬﻡ ﻋﻤﺎﻤﺘﹸﻪ ﺘﻌﻠﻭ ﻋﻠﻰ
ﺍﻟﺴﺤﺎﺏ؛
ﺸﹸﻌﺎﻉ ﺍﻟﺠﺎﻡِ ﻭﺍﻟﻘﹶﺩﺡِ ﻏﻁﱠﻰ ﻨﻭﺭ ﺍﻟﻘﹶﻤﺭ ،ﻋﺫﺍﺭ ﻏِﻠﻤﺎﻥِ ﺍﻟﺤﺎﻥِ ﻗﹶﻁﹶﻊ ﻁﺭﻴﻕﹶ ﺍﻟﺸﱠﻤﺱ؛
ﻋﺭﻭﺱ ﺍﻟﺒﺨﹾﺕِ ﻓﻲ ﺒﻴﺕِ ﺍﻟﺯﻴﻨﹶﺔِ ﺒﺄﻟﹾﻑِ ﺩﻻلٍ ﺴﺭﺤﺕﹾ ﺨﺼﻼﺕِ ﺸﹶﻌﺭِﻫﺎ ،ﻭﺭﺸﹼﺕﹾ
ﻋﻠﻰ ﻭﺭﻕِ ﺍﻟﻭﺭﺩِ ﻤﺎﺀ ﺍﻟﻭﺭﺩ؛
) (١ﻤﺎ ﻴﻌﻨﻲ :ﺃﻻ ﻴﻌﻨﻲ ﺃﻥ ﻗﺼﺩﻙ ﺍﻟﻘﹶﺘﹾلُ؛
ﻑ ﻤِﻥ ﺒﻴﻥِ ﺍﻟﺠﻤﻴﻊ.
) (٢ﻟﺴﺕﹸ ﺍﻟﻭﺤﻴﺩ ﺍﻟﱠﺫﻱ ﺃﺫﺍﻉ ﹶﻟﻙ ﺴِﺭﺍﹰ ،ﻓﻠِﻤﺎﺫﺍ ﺘﺭﻓﹶﻊ ﻋﻠﻲ ﻭﺤﺩﻱ ﺍﻟﺴﻴ ﹶ
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ﻤﻼﻙ ﺍﻟﺭﺤﻤﺔِ ﺃﻤﺴﻙ ﺒِﻜﺄﺱِ ﺍﻟﻌِﺸﹾﺭﺓِ ،ﻭﺼﺏ ّﻤِﻥ ﺠﺭﻋﺔٍ ﻤِﻨﹾﻪ ﻤﺎﺀ ﺍﻟﻭﺭﺩِ ﻋﻠﻰ
ﻭﺠﻭﻩِ ﺍﻟﻤﻠﹶﻙِ ﻭﺍﻟﺤﻭﺭِ؛
ﻭﻤِﻥ ﻓِﺘﹾﻨﹶﺔِ ﻭﻋﺭﺒﺩﺓِ ﺃﻫلِ ﺍﻟﺠﻤﺎلِ ﺤﺴﻨﻲ ﺍﻟﻔِﻌﺎل ،ﺘﻜﺴﺭ ﺍﻟﺴﻜﱠﺭ ،ﻭﺍﻨﺘﹶﺜﹶﺭ ﺍﻟﻴﺎﺴﻤﻴﻥ،
ﻭﺍﻨﺘﹶﺤﺏ ﺍﻟﺭﺒﺎﺏ؛
ﺴﻠﱠﻤﺕﹸ ،ﻗﺎلَ ﻟﻲ ﺒِﻭﺠﻪٍ ﻀﺎﺤِﻙٍ ،ﺃﻴﻬﺎ ﺍﻟﻤﺨﻤﻭﺭ ﺍﻟﻤﻔﻠِﺱ ﺍﻟﱠﺫﻱ ﻟﹶﻌِﺏ ﺒِﻙ ﺍﻟﺸﹼﺭﺍﺏ؛
ﺕ
ﺕ ﻤِﻥ ﻀﻌﻑِ ﻫِﻤﺔٍ ﻭﺭﺃﻱٍ ،ﺘﺭﻜﹾﺕﹶ ﺒﻴﺕﹶ ﺍﻟﻜﹶﻨﹾﺯِ ﻭﻨﹶﺼﺒ ﹶ
ﻤﻥ ﻴﻔﻌلُ ﻫﺫﺍ ﺍﻟﱠﺫﻱ ﻓﹶﻌﻠﹾ ﹶ
ﺍﻟﺨﻴﻤﺔﹶ ﻓﻲ ﺍﻟﺨﺭﺍﺏ؛
ﺃﺨﺎﻑﹸ ﺃﻥ ﻻ ﻴﻌﻁﻭﻙ ﻭِﺼﺎلَ ﺩﻭﻟﹶﺔِ ﺍﻟﻤﺭﺍﺩِ ،ﻓﻘﺩ ﻜﹸﻨﹾﺕﹶ ﻨﺎﺌﻤﺎﹰ ﻓﻲ ﺤِﻀﻥِ ﺍﻟﺒﺨﹾﺕِ
ﻭﺃﺨﹶﺫﹶﻙ ﺍﻟﻨﱡﻌﺎﺱ؛
ﻑ ﺼﻑﱟ ﻤِﻥ ﺍﻷﺩﻋﻴﺔِ ﺍﻟﻤﺴﺘﺠﺎﺒﺔِ ﺍﻟﻤﺠﺭﺒﺔِ
ﺤﺎﻓِﻅﹸ ﺘﻌﺎلَ ﺇﻟﻰ ﺍﻟﺤﺎﻥِ ﻟِﺄﻋﺭِﺽ ﻟﹶﻙ ﺃﻟﹾ ﹶ
ﺘﺩﻋﻭ ﺒﻬﺎ؛
ﺍﻟﻔﹶﻠﹶﻙ ﻴﻤﺴِﻙ ﺒﺯِﻤﺎﻡِ ﺠﻭﺍﺩِ ﺍﻟﺸﱠﺎﻩِ ﻨﹸﺼﺭﺓِ ﺍﻟﺩﻴﻥ ،ﺘﻌﺎلَ ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻤﻠﹾﻜِﻪِ ،ﻭﻀﻊ ﻴﺩﻙ
ﻋﻠﻰ ﺭِﻜﺎﺒِﻪ )ﺍﻟﺸﹼﺎﻩ ﻨﺼﺭﺓﹸ ﺍﻟﺩﻴﻥ ﻴﺤﻴﻰ ،ﺤﺎﻜﻡ ﺸﻴﺭﺍﺯ(؛
ﺍﻟﻌﻘﹾلُ ﻤﻠﹾﻬﻡ ﺍﻟﻐﹶﻴﺏِ ﻟِﻜﺴﺏِ ﺍﻟﺸﱠﺭﻑِ ،ﻨﹶﺯلَ ﻋﻥ ﻋﺭﺸِﻪِ ﻟﻴﻁﺒﻊ ﻤﺌﺔﹶ ﻗﹸﺒﻠﹶﺔٍ ﻋﻠﻰ ﺠﻨﺎﺒِﻪ.
ﻏﺰﻝ ٤٢٢
ﻴﺎ ﻤﻥ ﺩﺨﻠﹾﺕﹶ ﺒﺴِﻠﺴِﻠﹶﺔِ ﺠﺩﻴﻠﺘِﻙ ﺍﻟﻁﱠﻭﻴﻠﺔ ،ﻫﺫِﻩِ ﻓﹸﺭﺼﺘﹸﻙ ﻟِﺘﹸﻘﻴﺩ ﺍﻟﻌﺎﺸِﻕﹶ ﺍﻟﻤﺠﻨﻭﻥ(١)؛
ﺩﻉِ ﺍﻟﻜِﺒﺭ ﺴﺎﻋﺔﹰ ،ﻭﻏﻴﺭ ﺍﻟﻌﺎﺩﺓﹶ ،ﻓﻘﺩ ﺠﺌﺕﹶ ﺘﺴﺄلُ ﻋﻥ ﺃﺭﺒﺎﺏِ ﺍﻟﺤﻭﺍﺌﺞِ؛
ﺃﻨﺎ ﻟﻘﺩﻙ ﺍﻟﻔِﺩﺍﺀ ،ﺼﻠﺤﺎﹰ ﺃﻭ ﺤﺭﺒﺎﹰ ،ﺭﺩﺍﺀ ﺍﻟﺩﻻلِ ﻋﻠﻰ ﻗﻴﺎﺴِﻙ ﻋﻠﻰ ﻜﹸلﱢ ﺤﺎل؛
ﻓﻲ ﻴﺎﻗﻭﺕِ ﺸﻔﹶﺘِﻙ ﺍﻟﻤﺎﺀ ﻭﺍﻟﻨﹼﺎﺭ ﺘﻤﺎﺯﺠﺎ ،ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ﻻ ﺘﹸﺼﻴﺒﻙ ﻤﻥ ﻤﻬﺎﺭﺓِ
ﺴِﺤﺭِﻙ ﻭﻓﻨﱢﻙ؛
) (١ﻟﺘﻘﻴﺩﻩ ﺒِﻘﻴﺩٍ ﻤِﻥ ﺤﻠﻘﺎﺕِ ﺴﻼﺴِﻠِﻬﺎ.
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ﻜﹸلﱡ ﺍﻟ ﺜﹼﻨﺎﺀِ ﻟِﻘﻠﺒِ ﻙ ﺍﻟ ﻠﹼﻁﻴ ﻑِ ﺍﻟﱠﺫﻱ ،ﻁﻠﺒﺎﹰ ﻟﻠﺜﹼﻭﺍﺏِ ،ﺠﺎﺀ ﻴﺼﻠﹼﻲ ﻋﻠﻰ ﻗﺘﻴ لِ
ﻏﻤﺯ ﺘِﻙ؛
ﻤﺎ ﻭﺯﻥ ﺯﻫﺩﻱ ﻭﻗﺩ ﻫﺠﻤﺕﹶ ﻋﻠﻰ ﻗﻠﺒﻲ ،ﺴﻜﺭﺍﻥ ﻭﻏﻀﺒﺎﻥ ،ﻓﻲ ﺨﻠﻭﺘﻲ ﻭﻓﻲ
ﻓﻘﺭﻱ ﻭﺤﺎﺠﺘﻲ؛
ﻗﺎل :ﻴﺎ ﺤﺎﻓِﻅ ،ﺨِﺭﻗﹶﺘﹸﻙ ﺘﺩﻨﱠﺴﺕﹾ ﺜﺎﻨﻴﺔﹰ ﺒﺎﻟﺸﱠﺭﺍﺏ ،ﻜﺄﻨﱠﻙ ﺘﹶﺭﻜﺕﹶ ﻤﺫﻫﺏ ﻫﺫﻩِ ﺍﻟﻁﹼﺎﺌﻔﺔ.
ﻏﺰﻝ ٤٢٣
ﻋﻠﻰ ﺨﺭﻗﺘﻲ ﻭﺴﺠﺎﺩﺘﻲ ﺍﻟـﺸﱠﺭﺍﺏ ﺭﺤﺕﹸ ﺒـﺎﻷﻤﺱِ ﻨﻌـﺴﺎﻥ ﻟﻠﺤـﺎﻥِ
ﺍﹸﺼﺢ ﻴﺎ ﺴﺎﻟﻙ ﻤﻥ ﻏﻔﻠﺔِ ﺍﻟﺸﱠﺭﺍﺏ ﻗﺎلَ ﻟﻲ ﺨﺎﺩِﻡ ﺍﻟﺤـﺎﻥِ ﻤـﺴﺘﻬﺯﺌﺎﹰ
ﻻ ﻴﻨﺎلَ ﺍﻟﺘﱠﻠﻭﻴﺙﹸ ﻤﻨﻙ ﺩﻴﺭ ﺍﻟﺨﺭﺍﺏ ﻭﺍﻏﺘﺴِلْ ﻗﺒلَ ﺃﻥ ﺘﺯﻭﺭ ﺍﻟﺨﺭﺍﺒـﺎﺕِ
ﺠﻭﻫﺭِ ﺍﻟﺭﻭﺡِ ﻤﻨﻙ ﺒﻴﺎﻗﻭﺘِﻬﺎ ﺍﻟﻤﺫﺍﺏ ﻭﺇﻟﻰ ﻜﻡ ﻫﻭﺍﻙ ﺸِﻔﺎﻩ ﺍﻟﻐﻠﻤﺎﻥِ ﻭﺘﻠﻭﻴﺙﹸ
ﺨﻠﻌﺔِ ﺍﻟﺸﱠﻴﺏِ ﻻ ﺘﹸـﺸِﺏ ﺒﺎﻟـﺸﱠﺒﺎﺏ ﻤﻨﺯلَ ﺍﻟﺸﱠﻴﺏِ ﺠﺯ ﻁﺎﻫِﺭﺍﹰ ﻭﺘﺸﺭﻴﻑﹶ
ﻻ ﻴﺼﻔﻭ ﺍﻟﻤﺎﺀ ﺍﻟﱠﺫﻱ ﻤﺯﺠﻪ ﺍﻟﺘﱡﺭﺍﺏ ﺍﹸﺼﻑﹸ ،ﻭﺍﺨﺭﺝ ﻤﻥ ﺒﺌﺭِ ﺍﻟﻁﱠﺒﻴﻌـﺔِ
ﻗﻠﺕﹸ ﻟِﺠﺎﻡِ ﺍﻟﻌﺎﻟﹶﻡِ ﻻ ﻋﻴﺏ ﻓﻲ ﺩﻓﺘﺭِ ﺍﻟﻭﺭﺩِ ،ﻜﻴﻑﹶ ﺼﺎﺭ ﺍﻟﺭﺒﻴﻊ ﻓﺼلَ ﺍﻟـﺸﱠﺭﺍﺏ
ﺒِﻬﺫﺍ ﺍﻟﺒﺤﺭِ ﺍﻟﻌﻤﻴﻕِ ﻻ ﺒﻤﺎﺀِ ﺍﻟﺸﱠﺭﺍﺏ ﻋﺎﺭِﻓﻭ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ،ﻗﹶﻀﻭﺍ ﻏﹶﺭﻗﺎﹰ
ﺁﻩِ ﻤﻥ ﻟﹸﻁﻔِﻪِ ﺍﻟﱠﺫﻱ ﺸﺎﺒﻪ ﺍﻟﻌﺘـﺎﺏ ﻗﺎلَ ﻻ ﺘﺒﻊِ ﺍﻟﺴﺭ ﻟﻠﺤﺒﻴﺏِ ﻴﺎ ﺤﺎﻓﻅﹸ
ﺸﺭﺡ :ﺃﻤ ﺱِ ﺭﺤﺕﹸ ﻟﻠﺤﺎﻥ ﻴﻐﻠﺒﻨﻲ ﺍﻟﻨﱡﻌﺎﺱ ﻤﻤﺎ ﺸﺭﺒﺕﹸ ﻤﻥ ﺍﻟﺨﻤﺭِ ،ﻭﻗﺩ
ﺴﺭﺕ ﺭﻁﻭﺒﺔﹸ ﺍﻟﺨﻤﺭِ ﻓﻲ ﺇﺯﺍﺭﻱ ﺍﻟﺨﺭِﻕِ ،ﻭﻓﻲ ﺴﺠﺎﺩﺓِ ﺼﻼﺘﻲ )ﻴﺭﻤ ﺯ
ﺍﻟﻌﺎﺭﻑﹸ ﺒﺫﻟﻙ ﻟﻠﻤﺤﻭ ﻭﻫﻭ ﺃﻭﻟﻰ ﻤﺭﺍ ﺤِلِ ﺍﻟ ﺴﻠﻭﻙِ ﻭﺍﻟﺴﺎﻟﻙ ﻓﻴ ﻪِ ﻏﺎﺌﺏ ﻋﻥ
ﻨﻔ ﺴِﻪِ ﻜﺎﻟﻨﺎﺌﻡ ﺃﻭ ﻜﺎﻟﻤﻴﺕ(؛ ﺠﺎﺀﻨﻲ ﺨﺎﺩ ﻡ ﺍﻟﺤﺎﻥِ ﺍﻟﻅﹼﺭﻴﻑﹸ ،ﻭﻗﺎلَ ﻟﻲ
ﺒﺎﺴﺘﻬﺯﺍ ﺀٍ ،ﺍﹸﺼﺢ ﻤﻥ ﻨﻭ ﻤِﻙ ﻭﺃﻓ ﻕﹾ ﻤﻥ ﺴﻜﺭ ﺘِﻙ ﺃ ﻴﻬﺎ ﺍﻟﺴﺎﻟﻙ ) ﺍﻟﺼﺤﻭ ﻤﺭﺤﻠﺔﹲ
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ﻓﻲ ﺍﻟﺴﻠﻭﻙ ﺘﺄﺘﻲ ﺒﻌﺩ ﺍﻟﻤﺤﻭ ﻭﻫﻭ ﻜﺎﻟﻴﻘﻅﺔ ﻭﺍﻻﻨﺘﺒﺎﻩ ﻟﻠﻨﱠﺎﺌﻡِ ﺃﻭ ﻋﻭﺩﺓﹸ ﺍﻟﺤﻴﺎ ﺓِ
ﻟﻠﻤ ﻴﺕ(؛ ﻭﻗﺎل ﻟﻲ ﻋﻠﻴﻙ ﺒﺎﻻﻏﺘﺴﺎل ﻗﺒل ﺯﻴﺎﺭﺓِ ﺍﻟﺨﺭﺍﺒﺎﺕ )ﻁﻬﺭ ﻗﻠﺒ ﻙ
ﻭﺘﻁ ﻬﺭ ﻤﻥ ﻨﺠﺎﺴﺔِ ﺍﻟﺒﺎﻁﻥِ ﻭﻫﻲ ﺍﻟﻨﱠﺠﺎﺴﺔﹸ ﻓﻲ ﺍﻷﺨﻼﻕِ ﻭﺍﻟﺩﻴﻥ ﻜﺎﻟﺤﺴ ﺩِ
ﻭﺍﻟﻨﱠﻤﻴﻤﺔِ ﻭﻁﻠﺏِ ﺍﻟ ﺸﱡﻬﺭﺓِ ﻭﺤﺏ ﺍﻟﺩﻨﻴﺎ( ﻓﻬﺫﺍ ﻤﻌﺒﺩ ﻟﻠﺨﺭﺍﺏ )ﻟﻠﻔﻨﺎﺀِ ﻋﻥِ ﺍﻟﺩﻨﻴﺎ
ﻻ ﻟﻌ ﻤﺎﺭﺓِ ﺍﻟﺩﻨﻴﺎ( ﻓﻼ ﺘﻠﻭ ﺜﹾﻪ ﺒﺸﻲﺀٍ ﻤﻥ ﺍﻟﺤﻴﺎﺓِ ﺍﻟﺩﻨﻴﺎ ﻭﻫﻴ ﺊْ ﻨﻔﺴﻙ ﻟﻘﺒﻭلِ
ﺍﻟﻨﱡﻭﺭ ﻓﺈﻥ ﺍﻟﺒﻴﺕﹶ ﺇﺫﺍ ﺨﺭﺏ ﺴﻘﻔﹸﻪ ﻁﻬﺭ ﺘﹾﻪ ﺍﻟﺸﱠﻤﺱ؛ ﻭﺍﺨﺭﺝ ﻤﻥ ﺒﺌﺭِ ﺍﻟﻁﱠﺒﻴﻌ ﺔِ
ﺍﻟﻤ ﻅﹾﻠِﻡِ ﻭﻻ ﺘﺒﻕﹶ ﺃﺒﺩ ﺍﻟﺩﻫﺭِ ﻓﻲ ﻗﻌﺭِ ﺘﻠﻙ ﺍﻟﺒﺌﺭ ،ﻋﺎﻟﹶ ﻡ ﺍﻟﻁﹼﺒﻴﻌ ﺔِ ﺒﺌﺭ ﻤﻅﻠِﻤ ﺔﹲ
ﻭﻻ ﺒﺩ ﻟﺭﻭﺡِ ﺍﻟﻤﺅﻤﻥِ ﻭﻫﻲ ﺍﻟﻜﻠﻤﺔﹸ ﺍﻟﻁﱠﻴﺒﺔﹸ ﺍﻟﻤﺠﺭﺍﺓِ ﻤﻥ ﺭﻴﺢِ ﺭﻭﺡِ ﺍﷲِ
ﺴﺒﺤﺎﻨ ﻪ ﻤﻥ ﺍﻟﺘﱠﺤﺭﺭِ ﻤﻥ ﺍﻟﺒﺩﻥِ ﺍﻟﻁﹼﻴﻨﻲ ﻟﺘﺘﻤﻜﱠﻥ ﻤﻥ ﺍﻟﺼﻌﻭﺩ ﺭﺍﺠِﻌﺔﹰ ﺇﻟﻰ
ﺒﺎﺭِﺌﻬﺎ ﺒﻨﺩﺍﺀِ ﺍﺭﺠﻌﻲ )ﺇﻟﻴﻪِ ﻴﺼﻌ ﺩ ﺍﻟﻜﻠِﻡ ﺍﻟ ﻁﱠﻴﺏ ،ﻭﺇﻨﹼﺎ ﺇﻟﻴ ﻪِ ﺭﺍﺠﻌﻭﻥ( ،ﻭﺃ ﻤﺎ
ﺍﻟﺒﺩﻥ ﻓﻁﻴﻥ ﺜﻘﻴلٌ ﻭﻻ ﻴﻘﺩﺭ ﻋﻠﻰ ﺍﻻﺭﺘﻔﺎﻉ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺍﻟﻌﺎﻟﹶﻡ ﺒﺌﺭ ﻭﻗﺩ
ﺨﺭﺝ ﻴﻭﺴ ﻑﹸ ﻤﻨﻬﺎ ﺒﺤﺒلِ ﺍﻟ ﺼﺒﺭ ،ﻭﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡ ﻀﻴﻕﹲ ﻜﺎﻟﺭﺤﻡ ﻓﺎﺨﺭﺝ ﻤﻨﻪ
ﺨﺭﻭ ﺝ ﺍﻟﺠﻨﻴﻥِ ﻭﺍ ﺘﱠﺠِﻪ ﺇﻟﻰ ﻋﺭﺼﺔِ ﺍﻷﺭﺽِ ﺍﻟﻭﺍﺴﻌﺔ.
ﻏﺰﻝ ٤٢٤
ﻻ ﺘﹸﻔﺎﺭِﻗﹾﻨﻲ ﻓﺄﻨﺕﹶ ﻨﻭﺭ ﻟِﻌﻴﻨﻲ ،ﺃﻨﺕﹶ ﺭﺍﺤﺔﹸ ﺭﻭﺤﻲ ﻭﻤﺅﻨِﺱ ﻗﻠﺒﻲ ﺍﻟﻭﺠِل؛
ﻴﺩ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﻻ ﺘﹶﺼِلُ ﺇﻟﻰ ﺜﻭﺒِﻙ ،ﻭﺜﻭﺏ ﺼﺒﺭِﻫِﻡ ﻤﻤﺯﻕ؛
ﻤﻥ ﻋﻴﻥِ ﺒﺨﺘِﻙ ﻻ ﺃﺼﺎﺒﻙ ﻤﻜﺭﻭﻩ ،ﻟِﺄﻨﱠﻙ ﻓﻲ ﺸﹶﻐﹾﻑِ ﺍﻟﻘﹸﻠﻭﺏِ ﻓﻲ ﻏﺎﻴﺔِ ﺍﻟﺤﺴﻥ؛
ﻻ ﺘﻘﹸﻡ ﺒِﻤﻨﻌﻲ ﻤﻥ ﻋِﺸﹾﻘِﻪِ ﺃﻱ ﻤﻔﺘﻲ ﺍﻟﺯﻤﺎﻥ ،ﻭﺃﻨﺎ ﺃﻋﺫﹸﺭﻙ ﻷﻨﱠﻙ ﻟﻡ ﺘﹶﺭﻩ؛
ﺘﻠﻙ ﺍﻟﻤﻼﻤﺔﹸ ﻟﻙ ﻤِﻥ ﺍﻟﺤﺒﻴﺏِ ﻴﺎ ﺤﺎﻓﻅ ،ﻟﻌﻠﱠﻬﺎ ﻜﺎﻨﺕ ﻟِﻤﺩﻙ ﺍﻟﺭﺠلَ ﺃﻁﻭلَ ﻤِﻥ
ﺒِِﺴﺎﻁِﻙ.
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ﻏﺰﻝ ٤٢٥
ﺒﺩﻻلٍ ﻤﺸﻰ ﺒﺎﻟﺭﺩﺍﺀِ ﺍﻟﺤﺭﻴﺭِ ﺍﻟﻤﺫﻫﺏ ،ﻜﻡ ﺠﻤﻴلٍ ﻜﺎﻟﺒﺩﺭِ ﺸﻕﱠ ﺜﻭﺒﻪ ﺍﻟﻤﻘـﺼﺏ
ﻋﺭِﻕﹲ ﻭﺠﻬﻪ ﻤﻥ ﺤﺭﺍﺭﺓِ ﺍﻟﻨﹼﺎﺭِ ،ﺨِﻠﹾﺘﹶﻪ ﻭﺭﻕﹶ ﺍﻟﻭﺭﺩِ ﻓﻭﻗﹶـﻪ ﺍﻟﻨﱠـﺩﻯ ﻴﺘـﺼﺒﺏ
)(١
ﺍﻟﻘﺩ ﻋﺎلٍ ﻅﺭﻴﻑﹲ ﻭﺍﻟﻭﺠﻪ ﻤﻨﻪ ﻟﻁﻴﻑﹲ ﻭﺍﻟﻠﱠﻔﻅﹸ ﻋﺫﺏ ﻓﺼﻴﺢ ﻭﺍﻟﻌﻴﻥ ﺃﻋﺠـﺏ
)(٢
ﺃﻓﻠﹶﺕﹶ ﻤﻥ ﺸﺒﻜﹶﺘﻲ ﺍﻟﻐﺯﺍلُ ﺍﻷﺩﻋﺞ ﻴﺎ ﺃﺨﻼﻱ ﻤﺎ ﺃﻓﻌلُ ﻤﻊ ﻗﻠﺒـﻲ ﺍﻟﻤﻌـﺫﹼﺏ؟
ﻭﺇﻻﻡ ﺍﻟﻌِﺘﺎﺏ ﻟﻲ ﺒِﻌﻴﻨِﻙ ﺍﻟﻔﺘﱠﺎﻨﺔِ ،ﺍِﻏﻤﺯﻨـﻲ ﻴﻭﻤـﺎﹰ ﺃﻴـﺎ ﺤﺒﻴﺒـﻲ ﺍﻟﻤﺤﺒـﺏ
ﻤﺭ ﺍﻟﺤﺒﻴﺏ ﻴﺭﺘﺩﻱ ﺭﺩﺍﺀ ﻤﻥ ﺍﻟﺤﺭﻴﺭِ ﺍﻟﻤﺫﹶﻫﺏِ ،ﻭﺴﺎﺭ ﻓﻲ ﺩﻻلٍ ،ﻓﻤﺯﻕﹶ
ﻜﹸلﱡ ﺫﻱ ﻭﺠﻪٍ ﻜﺎﻟﺒﺩﺭِ ﺜﻭﺒﻪ ﻤﻥ ﺍﻟﺤﺭﻴﺭِ ﺇﺫ ﺭﺁﻩ؛ ﻜﺎﻨﹶﺕ ﺤﺒﺎﺕﹸ ﺍﻟﻌﺭﻕِ ﻋﻠﻰ ﻭﺠﻬِﻪِ
ﻤﻥ ﺤﺭﺍﺭﺓِ ﻨﺎﺭِ ﺍﻟﺨﻤﺭِ ،ﺘﹸﺸﺒﻪ ﻗﻁﺭﺍﺕِ ﺍﻟﻨﱠﺩﻯ ﺘﻘﻁﺭ ﻋﻠﻰ ﻭﺭﻕِ ﺍﻟﻭﺭﺩ؛ ﺒﻠﻔﹾﻅٍ ﻋﺫﹾﺏٍ
ﻓﺼﻴﺢٍ ،ﻭﻗﹶﺩ ﻋﺎلٍ ﻅﺭﻴﻑٍ ،ﻭﻭﺠﻪٍ ﺠﻤﻴلٍ ﻟﻁﻴﻑٍ ،ﻭﻋﻴﻥٍ ﺒِﺭﺴﻡٍ ﺒﺩﻴﻊ؛ ﻴﺎﻗﻭﺘﹸﻪ ﺍﻟﱠﺫﻱ
ﻴﻬﺏ ﺍﻟﺭﻭﺡ ﻤﻭﻟﻭﺩ ﻤﺎﺀِ ﺍﻟﻠﱡﻁﹾﻑ ،ﻭﺸِﻤﺸﺎﺩﻩ ﺍﻟﻤﺎﺌِﺱ ﺍﻟﺠﻤﻴلُ ﻤﺭﺒﻭﺏ ﺍﻟﺩﻻلِ
ﻭﺍﻟﻌِﺯ؛ ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﻟﻌﻠِﻪِ ﺫﺍﻙ ﺴﺎﺤِﺭِ ﺍﻟﻘﻠﻭﺏِ ،ﻭﺘﻠﻙ ﺍﻟﻀﺤﻜﹶﺔِ ﻤﺜﻴﺭﺓِ ﺍﻟﻔِﺘﹶﻥِ ،ﻭﺍﻨﻅﹸﺭ
ﺇﻟﻰ ﻤِﺸﹾﻴﺘِﻪِ ﺍﻟﺠﻤﻴﻠﹶﺔِ ،ﻭﺘِﻠﻙ ﺍﻟﺨﹸﻁﻭﺓِ ﺍﻟﻤﻭﺯﻭﻨﹶﺔ؛ ﺤﺫﺍﺭِ ﺃﻥ ﺘﺅﺫﻱ ﺃﻫلَ ﺍﻟﻨﱠﻅﹶﺭِ ﻤﺎ
ﺍﺴﺘﹶﻁﹶﻌﺕﹶ ،ﺍﻟﺩﻨﻴﺎ ﻻ ﺘﻤﻠﻙ ﻭﻓﺎﺀ ،ﻴﺎ ﻨﻭﺭ ﻜِﻠﺘﹶﻲِ ﺍﻟﻌﻴﻨﹶﻴﻥِ؛ ﺇﻟﻰ ﻜﻡ ﺃﺤﻤلُ ﺍﻟﻤﻼﻤﺔﹶ ﻤﻥ
ﻋﻴﻨِﻙ ﺍﻟﻔﺘﱠﺎﻨﺔِ ،ﺍﻏﻤﺯﻨﻲ ﻏﻤﺯﺓﹰ ﻭﺍﺤﺩﺓﹰ ﻤﻨﻙ ﻴﻭﻤﺎﹰ ﻴﺎ ﺤﺒﻴﺒﻲ ﺍﻟﻤﺨﺘﺎﺭ؛ ﺇﺫﺍ ﻜﺎﻥ
ﺨﺎﻁِﺭﻙ ﺍﻟﺸﱠﺭﻴﻑﹸ ﻗﺩ ﺘﺄﺫﱠﻯ ﻤِﻥ ﺤﺎﻓِﻅ ،ﻋﺩ ﻓﻘﺩ ﺘﹸﺒﻨﺎ ﻋﻥ ﻜﹸلﱢ ﻤﺎ ﻴﺅﺫﻴﻙ ﻤﻤﺎ ﻴﻘﺎلُ
ﻭﻴﺴﻤﻊ؛ ﻜﻡ ﺴﺄُﻋﻴﺩ ﻗﹶﻭلَ ﺍﻟﺸﱡﻜﹾﺭِ ﻓﻲ ﺨِﺩﻤﺔِ ﺍﻟﺴﻴﺩ ،ﺇﺫﺍ ﻭﻗﹶﻌﺕﹾ ﻓﻲ ﻴﺩﻱ ﺘِﻠﹾﻙ ﺍﻟﻔﺎﻜِﻬﺔﹸ
ﺍﻟﻨﱠﺎﻀِﺠﺔ).(٣
) (١ﻭﺍﻟﻌﻴﻥ ﺃﻋﺠﺏ :ﻓﻲ ﺍﻷﺼلِ ﻭﺍﻟﻌﻴﻥ ﺠﻤﻴﻠﹶﺔﹲ ﻭﺍﺴِﻌِﺔ؛
) (٢ﺍﻷﺩﻋﺞ ﺃﺴﻭﺩ ﺍﻟﻌﻴﻥ؛
) (٣ﺍﻟﺴﻴﺩ ﺍﻟﻤﻌﻨﻲ :ﺍﻟﺴﻴﺩ ﺠﻼل ﺍﻟﺩﻴﻥ ﺘﻭﺭﺍﻨﺸﺎﻩ ﻭﺯﻴﺭ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ.
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ﻏﺰﻝ ٤٢٦
ﺇﻨﱢﻲ ﺭﺃَﻴﺕﹸ ﺩﻫﺭﺍﹰ ﻤِﻥ ﻫﺠﺭِﻙ ﺍﻟﻘﻴﺎﻤﻪ ﻜﺘﺒﺕﹸ ﻤِﻥ ﺩﻡِ ﺍﻟﹾﻔﺅﺍﺩِ ﻟﻠﺤﺒﻴﺏِ ﻓﻲ ﺭِﺴﺎﻟﻪ
ﻟﹶﻴﺴﺕﹾ ﺩﻤﻭﻉ ﻋﻴﻨﻲ ْﻫﺫﻱ ﻟﹶﻨﺎ ﺍﻟﻌﻼﻤﻪ ﻜﻡ ﻗﺎﻡ ﻓﻲ ﺍﻟﻌﻴﻭﻥِ ﻤِﻥ ﻓِﺭﺍﻗِﻪِ ﻋﻼﻤﻪ
ﻤﻥ ﺠﺭﺏ ﺍﻟﻤﺠﺭﺏ ﺤﻠﹼﺕﹾ ﺒِﻪِ ﺍﻟﻨﱠﺩﺍﻤﻪ ﻜﻡ ﺤِﻴﻠﹶﺔﹰ ﺠﺭﺒﺘﹸﻬﺎ ﻭﻤِﻨﹾﻪ ﻻ ﺇﻓـﺎﺩﻩ
ﻓﻲ ﺒﻌﺩِﻫﺎ ﻋﺫﺍﺏ ﻓﻲ ﻗﹸﺭﺒِﻬﺎ ﺍﻟـﺴﻼﻤﻪ ﺃﺠﺎﺏ ﺇﺫ ﺴﺄﻟﺕﹸ ﻋﻥ ﺃﺤﻭﺍﻟِﻬﺎ ،ﻁﺒﻴﺒﻲ
ﻭﺍﷲِ ﻤﺎ ﺭﺃَﻴﻨﺎ ﺤﺒـﺎﹰ ﺒـﻼ ﻤﻼﻤـﻪ ﺇﻥ ﺤﻤﺕﹸ ﻓﻲ ﺤﻤﺎﻫﺎ ﺤﻠﱠﺕﹾ ﺒﻲ ﺍﻟﻤﻼﻤﻪ
ﺤﺘﹼﻰ ﻴﺫﻭﻕﹶ ﻤﻨﻪ ﻜﺄﺴﺎﹰ ﻤﻥ ﺍﻟﻜﺭﺍﻤﻪ ﻭﺤﺎﻓِﻅﹲ ﺒﺭﻭﺤِﻪِ ﺠﺎﻡ ﺍﻟﻤﺩﺍﻡِ ﻴﺸﺘﺭﻱ
ﻏﺰﻝ ٤٢٧
ﺴِﺭﺍﺝ ﻭﺠﻬِﻙ ﺤﻭﻟﹶﻪ ﺍﻟﺸﱡﻤﻭﻉ ﺘﺩﻭﺭ ﻜﺎﻟﻔﹶﺭﺍﺵ ،ﻭﺃﻨﺎ ﺒِﺤﺎﻟِﻙ ﻏﺎﻓِلٌ ﻋﻥ ﺤﺎﻟﻲ؛
ﺍﻟﻌﻘلُ ﺍﻟﱠﺫﻱ ﻴﺄﻤﺭ ﺒﺘﻘﻴﻴﺩِ ﻤﺠﺎﻨﻴﻥِ ﺍﻟﻌِﺸﻕِ ،ﺒِﻌﺒﻴﺭِ ﺴﻨﹾﺒلِ ﻓﺭﻋِﻙ ﺼﺎﺭ ﻤﺠﻨﻭﻨﺎﹰ؛
ﻤﺎﺫﺍ ﻴﻜﻭﻥ ﺇﻥ ﺫﹶﻫﺒﺕﹾ ﻤِﻥ ﻁﻴﺏِ ﻓﹶﺭﻋِﻙ ﺍﻟﺭﻭﺡ ﻓﻲ ﺍﻟﺭﻴﺢِ؟ ،ﻓﺩﺍﺀ ﺍﻟﺤﺒﻴﺏِ ﺃﻟﻑﹸ
ﺭﻭﺡٍ ﻋﺯﻴﺯﺓٍ؛
ﺃﻨﺎ ﺍﻟﻭﺠِلُ ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻤِﻥ ﺍﻟﻐﹶﻴﺭﺓِ ﻟﻡ ﺘﺤﻤِﻠﻨﻲ ﻗﹶﺩﻤﺎﻱ ،ﺇﺫﹾ ﺭﺃﻴﺕﹸ ﻤﻌﺸﻭﻗﻲ ﻓﻲ ﻴﺩِ ﻏﹶﺭﻴﺏ؛
ﺵ ﺴِﺤﺭٍ ﻋﻤِﻠﹾﻨﺎ ﻟﻪ ﺩﻭﻥ ﺠﺩﻭﻯ ،ﺼﺎﺭ ﺴِﺤﺭﻨﺎ ﻟ ﻪ ﺨﹸﺭﺍﻓﹶﺔﹰ ﺒﻼ ﺠﺩﻭﻯ؛
ﻜﻡ ﻨﹶﻘﹾ ﹶ
ﻋﻠﻰ ﻨﺎﺭِ ﻭﺠﻬِﻪِ ﺍﻟﺠﻤﻴلِ ﻤﻭﻀِﻊ ﺍﻟﺤﺭﻤلِ ،ﻤﻥ ﺫﺍ ﺭﺃﻯ ﺤﺒﺔﹰ ﺃﺠﻤلَ ﻤِﻥ ﺤﺒﺔِ ﺨﺎﻟِﻪِ ﺍﻟﺴﻭﺩﺍﺀ؛
ﺒِﺒِﺸﺎﺭﺓٍ ،ﺩﻓﹶﻊ ﺍﻟﺸﱠﻤﻊ ﺍﻟﺭﻭﺡ ﻟﻠﺼﺒﺎ ﻓﻲ ﻨﹶﻔﹶﺱٍ ،ﺤﻴﻥ ﺠﺎﺀﺘﹾﻪ ﻤِﻥ ﺸﹶﻤﻊِ ﻭﺠﻬِﻙ ﺇﺠﺎﺯﺓﹲ
ﺒﺎﻟﻨﱠﻅﹶﺭ؛
ﺃﻨﺎ ﺒِﺩﻭﺭِ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﻋﺎﻗِﺩ ﺍﻟﻌﻬﺩ ،ﺃﻟﱠﺎ ﻴﺠﻲﺀ ﻋﻠﻰ ﻟِﺴﺎﻨﻲ ﻏﻴﺭ ﺤﺩﻴﺙِ ﺍﻟﻜﺄﺱِ؛
ﻻ ﺘﻘﹸلْ ﺤﺩﻴﺙﹶ ﺍﻟﻤﺩﺭﺴﺔِ ﻭﺍﻟﺨﺎﻨِﻘﺎﻩ ﻤﺠﺩﺩﺍﹰ ،ﻫﻭﻯ ﺍﻟﺨﹶﻤﺎﺭﺓِ ﻭﻗﹶﻊ ﻓﻲ ﺭﺃﺱِ ﺤﺎﻓِﻅﹶ.
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ﻏﺰﻝ ٤٢٨
ﻋﻠﻰ ﻗﻴﺜﺎﺭﺘﻲ ،ﻓﻲ ﺍﻟﻔﺠﺭِ ،ﺠـﺎﻤﻲ ﺭﻓﻌﺕﹸ ،ﻭﻜﹸﻨﺕﹸ ﻤﺨﻤـﻭﺭﺍﹰ ﺒﻠﻴﻠـﻲ،
ﻭﻋِﻨﹾﺩﻱ ﺯﺍﺩ ﺩﺭﺒﻲ ﻤـﻥ ﻤـﺩﺍﻤﻲ ﻭﻗﺩ ﺭﺤﻠﹾﺕﹸ ﻋﻘﻠﻲ ﻋـﻥ ﻭﺠـﻭﺩﻱ
ﻭﻏﻤﺯﺓﹸ ﺒﺎﺌﻊِ ﺍﻟﺨﻤـﺭِ ﺍﻋﺘِـﺼﺎﻤﻲ ﻭﻤﻥ ﻤﻜﹾﺭِ ﺍﻟﺯﻤـﺎﻥِ ﻋﻠـﻲ ﺃﻤـﻥ
ﻓﺈﻥ ﺘﻅﹾﻬﺭ ﺘﻜﹸﻥ ﻏﹶـﺭﺽ ﺍﻟـﺴﻬﺎﻡِ ﺤﺫﺍﺭِ ،ﻓﺤﺎﺠِﺏ ﺍﻟـﺴﺎﻗﻲ ﻜﻘـﻭﺱٍ
ـﺔﹸ ﺍﻟﻤــﺭﺍﻡِ
ـﺎﺀ ﻋﺎﻟﻴـ
ـﻲ ﺍﻟﻌﻨﻘـ
ﻫـ ﺩﻉِ ﺍﻟﻌﻨﻘﺎﺀ ﻭﺍﻁﻠﹸﺏ ﻏﻴـﺭ ﻁﻴـﺭٍ
*ﻤﺘﻰ ﻴﺤﺼلُ ﻋﻠﻰ ﻤﺭﺍﺩِ ﺍﻟﻭﺼلِ ﻤِﻥ ﺤﺴﻥِ ﺍﻟﺸﱠﺎﻩ ،ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻴﻅﹶلﱡ ﻋﺎﺸِﻕﹶ
ﻨﹶﻔﹾﺴِﻪِ ﺇﻟﻰ ﺍﻷﺒﺩ؛ ﻫﻭ ﺍﻟﻨﱠﺩﻴﻡ ﻭﺍﻟﻤﻁﺭِﺏ ﻭﺍﻟﺴﺎﻗﻲ ﺠﻤﻴﻌﺎﹰ ،ﺨﻴﺎلُ ﺍﻟﻤﺎﺀِ ﻭﺍﻟﻁﱢﻴﻥِ ﻓﻲ
)∗(
؛ ﻓﻬﺎﺕِ ﺴﻔﻴﻨﹶﺔﹶ ﺍﻟﺨﹶﻤﺭِ ﻟِﺄُﺒﺤِﺭ ﺠﻴﺩﺍﹰ ﻓﻲ )ﻓﻲ ﻨﹸﺴﺨﹶﺔٍ :ﻟِﺄﺨﺭﺝ ﺒِﺴﻼﻡٍ ﻤِﻥ( ﺍﻟﻁﱠﺭﻴﻕِ ﻭﻫﻡ
ﻫﺫﺍ ﺍﻟﺒﺤﺭِ ﺍﻟﱠﺫﻱ ﻻ ﺸﻭﺍﻁِﺊَ ﻟﻪ؛ ﻭﺠﻭﺩﻨﺎ ﻤﻌﻤﻰ ﻴﺎ ﺤﺎﻓِﻅ ،ﺘﺤﻘﻴﻘﹸ ﻪ ﺨﹸﺭﺍﻓﹶﺔﹲ ﻭﻭﻫﻡ.
ﻏﺰﻝ ٤٢٩
ﺴﺎﻗﻲ ﺘﻌﺎل ،ﻗﹶﺩﺡ ﺍﻟﺯﻫﺭ ﺍﻤﺘﻸَ ﺒﺎﻟﺨﹶﻤﺭِ ،ﺇﻻﻡ ﺍﻟﻁﱠﺎﻤﺎﺕﹸ ﻭﺤﺘﱠﺎﻡ ﺍﻟﺨﹸﺭﺍﻓﺎﺕ!؛
ﺩﻉِ ﺍﻟﻜِﺒﺭ ﻭﺍﻟﺩﻻلَ ﻭﺍﻨﻅﹸﺭ ﻤﺎ ﻓﹶﻌلَ ﺍﻟﺩﻫﺭ ﺒﺭﺩﺍﺀِ ﻗﻴﺼﺭ ﻭﺘﺎﺝِ ﻜﹶﻲ)(١؛
ﻴﺎ ﺒﺭﻋﻡ ﺍﻟﺭﺒﻴﻊِ ﺘﻤﺎﻴلْ ﻓﻲ ﺩﻻلٍ ،ﻻ ﺯِﻟﹾﺕﹶ ﺃﺨﻀﺭ ﻭﻻ ﻤﺴﺘﹾﻙ ﺭﻴﺢ ﺍﻟﺸﱢﺘﺎﺀِ ﺒﺎﻷﺫﻯ؛
ﻻ ﺍﻋﺘِﻤﺎﺩ ﻋﻠﻰ ﻤﺤﺒﺔِ ﺍﻟﻔﹶﻠﹶﻙِ ﻭﻁﺭﻴﻘﹶﺘِﻪِ ،ﻭﺍﻩٍ ﻋﻠﻰ ﺸﹶﺨﹾﺹٍ ﺃﻤﻥ ﻤﻜﹾﺭﻩ؛
)∗( ﻻ ﻭﺠﻭﺩ ﻟِﺴِﻭﻯ ﺍﷲ ،ﻭﻜﹸلﱡ ﺍﻟﻤﻭﺠﻭﺩﺍﺕِ ﺍﻟﻤﺸﺘﹶﻘﱠﺔِ ﻤِﻥ ﺍﻟﻤﺎﺀِ ﻭﺍﻟﻁﱢﻴﻥِ ﻤﺤﺽ ﺨﻴﺎل ،ﻟﻴﺱ ﻓﻲ
ﺍﻟﺩﺍﺭِ ﻏﻴﺭﻩ ﺩﻴﺎﺭ.
) (١ﻜﻲ :ﺍﺴﻡ ﻟﻤﻠﻭﻙِ ﺍﻟﻤﻠﻭﻙ )ﺸﺎﻫﻨﺸﺎﻩ( ﺍﻟﻔﹸﺭﺱِ ﺍﻟﻘﹸﺩﻤﺎﺀ ،ﻜﻲ ﻜﺎﻭﺱ ،ﻜﻲ ﺨﺴﺭﻭ ،ﻜﻲ ﻗﺒﺎﺩ
ﻭﻜﻲ ﻟﻬﺭﺍﺴﺏ ،ﻭﻗﻴﺼﺭ ﺍﺴﻡ ﻟﻤﻠﻙِ ﺍﻟﺭﻭﻡ.
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ﻏﺩﺍﹰ ﻟﻨﺎ ﺸﺭﺍﺏ ﺍﻟﻜﻭﺜﹶﺭِ ﻭﺍﻟﺤﻭﺭ ،ﻭﺍﻟﻴﻭﻡ ﺃﻴﻀﺎﹰ ﻋﻨﺩﻨﺎ ﺍﻟﺴﺎﻗﻲ ﺍﻟﺠﻤﻴلُ ﻭﺠﺎﻡ ﺍﻟﺨﹶﻤﺭ؛
ﺫﻜﱠﺭﺘﹾﻨﺎ ﺍﻟﺼﺒﺎ ﺒِﻌﻬﺩِ ﺍﻟﺼﺒﺎ ،ﺩﻭﺍﺀ ﺍﻟﺭﻭﺡِ ﻤﺫﻫِﺏ ﺍﻟﻐﻡ ،ﻴﺎ ﺼﺒﻲ ﺍﺴﻘِﻨﻲ؛
ﻻ ﺘﻨﻅﹸﺭ ﺇﻟﻰ ﺤﺸﻤﺔِ ﺍﻟﻭﺭﺩِ ﻭﺴﻠﻁﹶﻨﹶﺘِﻪِ ﻓﺈﻥ ﻏﻀﺏ ﺍﻟﺭﻴﺢِ ﺴﻴﺭﻤﻲ ﺃﻭﺭﺍﻗﹶﻪ ﺘﺤﺕﹶ ﺍﻷﻗﺩﺍﻡ؛
ﺃﻋﻁﻨﻲ ﺠﺎﻤﺎﹰ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﺤﺎﺘِﻡِ ﻁﻲ ،ﻟﻨﺠﻌلَ ﺼﺤﻴﻔﹶﺔﹶ ﺍﻟﺒﺨﻼﺀِ ﺍﻟﺴﻭﺩﺍﺀ ﻁﻴﺎ؛
ﺨﻤﺭﺓﹰ ﺘﻬﺏ ﺍﻟﺤﺴﻥ ﻭﺍﻟﻠﹼﻁﺎﻓﹶﺔﹶ ﻟﻸُﺭﺠﻭﺍﻥ ،ﻴﺨﺭﺝ ﻤِﻥ ﻟﹸﻁﹾﻑِ ﻤِﺯﺍﺠِﻬﺎ ﺍﻟﻌﺭﻕﹸ ﻤِﻥ
ﻭﺠﻪِ ﺸﺎﺭِﺒِﻬﺎ؛
ﻥ ﻓﻘﺩ ﻭﻗﻑﹶ ﺍﻟﺴﺭﻭ ﻟﻠﺨِﺩﻤﺔِ ﻭﻗﻔﹶﺔﹶ ﺍﻟﻌﺒﺩ ،ﻭﺸﺩ ﺍﻟﺤِﺯﺍﻡ ﻋﻠﻰ
ﻭﺍﺤﻤِلِ ﺍﻟﻤﺴﻨﹶﺩ ﻟﻠﺒﺴﺘﺎ ِ
ﻭﺴﻁِﻪِ ﺍﻟﻤِﺯﻤﺎﺭ؛
ﻴﺎ ﺤﺎﻓﻅ ،ﺍﻟﺤﺩﻴﺙﹸ ﻋﻥ ﺴِﺤﺭِ ﺤﺩﻴﺜِﻙ ﺍﻟﺴﺎﺤِﺭِ ﺍﻟﺠﻤﻴلِ ﻭﺼلَ ﺇﻟﻰ ﺤﺩﻭﺩِ ﻤِﺼﺭ
ﻭﺍﻟﺼﻴﻥ ﻭﺃﻁﺭﺍﻑِ ﺍﻟﺭﻭﻡِ ﻭﺍﻟﺭﻱ.
ﻏﺰﻝ ٤٣٠
ﻋﻼﺠﻲ ﻟﻙ ،ﺁﺨِﺭ ﺍﻟـﺩﻭﺍﺀِ ﺍﻟﻜـﻲْ ﺇﻥ ﻟﻡ ﺘﺸﺭﺏ ﻋﻠﻰ ﺸﹶﺩﻭِ ﺒﻠﺒلٍ ﻭﻗﹶﻤﺭﻱ
ﻗﺒلَ ﺃﻥ ﻴﻘﻁﹶﻊ ﺍﻟﻁﱠﺭﻴﻕﹶ ﺒﻬﻤﻥ ﻭﺩﻱْ ﻭﺘﺯﻭﺩ ﻤﻥ ﺍﻟﻠﻭﻥِ ﻭﺍﻟﻁﱢﻴﺏِ ﻓﺼلَ ﺍﻟﺭﺒﻴﻊِ
ﻫﻭ ﺫﺍ ﺍﻟﻭﺭﺩ ﻴﺭﻓﻊ ﺍﻟﻨﱢﻘﺎﺏ ﻭﺍﻟﻁﱠﻴﺭ ﻴﺼﺩﺡ ،ﻓﺎﻟﺠﺎﻡ ﻻ ﺘﻀﻊ ﻤﻥ ﻴﺩٍ ﻭﻫﻲ ﻫﻲ
ﺍﻟﺤﺩﻴﺙﹸ ﻤﻥ ﺘﺨﺕِ ﺠﻤﺸﻴﺩ ﻭﺘﺎﺝِ ﻜﹶﻲ ﺍﻟﺤﺴﻥ ﻭﺍﻟﻤﻠﻙ ﻻ ﻴﺩﻭﻤﺎﻥِ ،ﻟﻡ ﻴﺒﻕﹶ ﺇﻻﱠ
ﺴﺎﻓِلُ ﺍﻟﺩﻫﺭِ ﻴﺴﺘﺭﺠِﻊ ﻤﺎ ﺃﻋﻁﻰ ﻓﺄﻴﻥ ﺍﻟﻤﺭﻭﺀﺓﹸ ﻤﻨﻪ ،ﺩﻉ ﺸﻴﺌَﻪ ،ﺸﻴﺌُﻪ ﻻ ﺸﻲ
ﺍﻟﺴﺨﺎﺀ ﺍﻨﺘﻬﻰ ،ﺍﻁﻭِ ﺍﻟﺤﺩﻴﺙﹶ ،ﺃﻴﻥ ﺍﻟﺸﹼﺭﺍﺏ ،ﺃﻋﻁِﻨﻲ ﺍﻟﻜﺄﺱ ﺒﺭﻭﺡِ ﺤﺎﺘِﻡِ ﻁﻲ
ﻻ ﻴﺸﻡ ﺍﻟﺒﺨﻴلُ ﺭﺍﺌﺤﺔﹶ ﺍﻟﺭﺤﻤﻥِ ،ﻴﺎ ﺤﺎﻓﻅﹸ ،ﺍﺤﻤِلْ ﺍﻟﻜﺄﺱ ﻭﺠﺩ ،ﻭﺍﻟﻀﻤﺎﻥ ﻋﻠﻲْ
ﺇﺫﺍ ﻜﻨﺕﹶ ﻻ ﺘﺸﺭﺏ ﻋﻠﻰ ﺼﻭﺕِ ﺒﻠﺒلٍ ﻭ ﻗﹶﻤﺭﻴ ﺔٍ ﻓﺄﻨﺕﹶ ﻤﺭﻴﺽ ﻭﻤﺭﻀﻙ
ﺸﺩﻴﺩ ﻻ ﻴﺸﻔﻰ ﺇﻟﹼﺎ ﺒﺎﻟﻜﻲ ﺒﺎﻟ ﻨﹼﺎﺭ )ﺁﺨِﺭ ﺍﻟﻌﻼﺝِ ﺍﻟﻜﻲ(؛ ﺨﹸﺫ ﺨﺯﻴﻨﹶ ﺔﹰ ﻤﻥ ﺃﻟﻭﺍﻥِ
ﻓﺼلِ ﺍﻟ ﺭﺒﻴﻊِ ﻭﻋﺒﻴﺭِﻩ ﻗﺒل ﺃﻥ ﻴﺼِلَ ﺸﻬﺭﺍ ﺍﻟﺸﱢﺘﺎﺀ ،ﻗﺎﻁِﻌﺎ ﺍﻟﻁﱠﺭﻴﻕ ،ﺒﻬﻤﻥ
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ﻭﺩﻱ؛ ﺤﻴﻨﻤﺎ ﻴﺭﻓﻊ ﺍﻟﻭﺭﺩ ﻋﻥ ﻭﺠﻬِﻪِ ﺍﻟﻨﱢﻘﺎﺏ ،ﻭﺍﻟﻁﱡﻴﻭﺭ ﺘﺼﺩﺡ ،ﻻ ﺘﻀﻊ ﻤﻥ
ﻴﺩِﻙ ﺍﻟﻜﺄﺱ ﻭﻫﻴﺎ ﻫ ﻴﺎ؛ ﺍﻟ ﺤﺴﻥ ﻭﻋ ﻅﹶﻤﺔﹸ ﺍﻟﻤﻠ ﻙِ ﻻ ﺜﺒﺎﺕﹶ ﻟﻬﻤﺎ ،ﻤﺎﺫﺍ ﺒﻘ ﻲ ﻤﻥ
ﺘﺨﺕِ ﺠﻤﺸﻴﺩ ﻭﺘﺎﺝِ ﻤﻠﻭ ﻙِ ﺍﻟﻤﻠﻭﻙ )ﻜﹶﻲ( ﻏﻴﺭ ﺍﻟﺤﺩﻴﺙ؟؛ ﺍﻟﺯﻤﺎ ﻥ ﻏﻴﺭ ﺫﻱ
ﻤﺭﻭﺀﺓٍ ،ﺇﻨﱠ ﻪ ﺴﺎﻓِلٌ ،ﻻ ﻴﺩﻉ ﺸﻴﺌﺎﹰ ﻤﻤﺎ ﺃﻋﻁﺎﻩ ﺇ ﻟﹼﺎ ﺍﺴﺘﺭﺠ ﻌﻪ ،ﻓﺸﻴ ﺌُﻪ ﻓﻲ
ﺍﻟﺤﻘﻴﻘﺔِ ﻻ ﺸﻲﺀ ،ﻓﻼ ﺘﺄﺨﹸﺫﹾ ﻤﻨ ﻪ ﺸﻴﺌﺎﹰ؛ ﻜﺘﺒﻭﺍ ﻋﻠﻰ ﺇﻴﻭﺍﻥِ ﺠﻨﱠﺔِ ﺍﻟﻤﺄﻭﻯ ﺇ ﻥ ﻤﻥ
ﺍﺸﺘﺭﻯ ﺍﻟﺩﻨﻴﺎ ﺍﺸﺘﺭﻯ ﺃﺴﻔﺎﹰ ﺒﺄَ ﺴﻑ؛ ﺍﻗﻁ ﻊِ ﺍﻟﻜﻼﻡ ﺍﻵﻥ ،ﺃﻴﻥ ﻫﻭ ﺍﻟﺸﱠﺭﺍﺏ،
ﻨﺎﻭِﻟﻨﻲ ﺍﻟﻜﺄ ﺱ ﺒﺭﻭﺡٍ ﻜﺭﻴﻤﺔٍ ﺴﻌﻴﺩﺓٍ ﺒﺎﻟﻌﻁﺎﺀِ ،ﻜﺭﻭﺡِ ﺤﺎﺘِﻡِ ﻁﻲ؛ ﻻ ﻴﺸﹸﻡ
ﺍﻟﺒﺨﻴلُ ﺭﺍﺌﺤ ﺔﹶ ﺍﻟﺠﻨﱠﺔ ﻓﺎﺤﻤِلَ ﺍﻟﻜﺄ ﺱ ﻴﺎ ﺤﺎﻓﻅﹸ ﻭﻻ ﺘﺒﺨلْ ﺒﺎﻟ ﺸﱠﺭﺍﺏِ ﻭﺃﻨﺎ
ﺃﻀﻤ ﻥ ﻟﻙ ﺍﻟﺠ ﻨﱠﺔ.
ﻏﺰﻝ ٤٣١
ﺃُﻗﺒلُ ﺸﹶﻔﹶﺘﹶﻪ ﻭﺃﺸﺭﺏ ﺍﻟﺨﻤﺭ ،ﻟﻘﹶﺩ ﺴِﺭﺕﹸ ﺤﺘﹼﻰ ﺒﻠﹶﻐﹾﺕﹸ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ؛
ﻻ ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃﻗﻭلَ ﺴِﺭﻩ ﻟِﺸﺨﺹٍ ،ﻭﻻ ﺃﺴﺘﻁﻴﻊ ﻤﻌﻪ ﺃﻥ ﺃﺭﻯ ﺸﺨﺼﺎﹰ؛
ﻴﻘﺒلُ ﺍﻟﺠﺎﻡ ﺸﹶﻔﹶﺘﹶﻪ ﻓﻴﺠﺭﻉ ﺩﻤﻪ ،ﻭﻴﺭﻯ ﺍﻟﻭﺭﺩ ﻭﺠﻬﻪ ﻓﻴﻌﺭﻕﹶ ﻭﺠﻬﻪ؛
ﺃﻋﻁِﻨﻲ ﺠﺎﻡ ﺨﻤﺭٍ ﻭﺩﻉ ﺫِﻜﹾﺭ ﺠﻤﺸﻴﺩ ،ﻤﻥ ﻴﺫﻜﹸﺭ ﻤﺘﻰ ﻜﺎﻥ ﺠﻤﺸﻴﺩ ﻭﻜﹶﻲ؟؛
ﺍﻋﺯِﻑﹾ ﻋﻠﻰ ﺍﻟﺭﺒﺎﺒﺔِ ﻓﻲ ﺍﻟﺤِﺠﺎﺏِ ﺃﻴﻬﺎ ﺍﻟﻤﻁﺭِﺏ ﺍﻟﻘﹶﻤﺭ ،ﺨﺭﺵﹾ ﺃﻭﺘﺎﺭﻫﺎ ﺇﻟﻰ ﺃﻥ
ﺘﹶﺴﻤﻊ ﺼﺭﺍﺨﻲ؛
ﺍﻟﻭﺭﺩ ﺤﻤلَ ﺍﻟﻤﺴﻨﹶﺩ ﻤِﻥ ﺍﻟﺨﹶﻠﻭﺓِ ﻟﻠﺭﻭﺽِ ،ﻓﺎﻁﻭِ ﺒِﺴﺎﻁﹶ ﺍﻟﺯﻫﺩِ ﻁﹶﻲ ﺍﻟﺒﺭﻋﻡ؛
ﻤِﺜﹾلَ ﻋﻴﻨِﻪِ ﺍﻟﺴﻜﺭﻯ ،ﻻ ﺘﹶﺩﻉ ﻴﺎ ﻤﺨﻤﻭﺭ ،ﻭﻋﻠﻰ ﺫِﻜﹾﺭِ ﺸﹶﻔﹶﺘِﻪِ ،ﻫﺎﺕِ ﺍﻟﺨﹶﻤﺭ ﻴﺎ ﺴﺎﻗﻲ؛
ﺍﻟﺭﻭﺡ ﻻ ﺘﻁﻠﹸﺏ ﺍﻻﻨﻔِﺼﺎلَ ﻋﻥ ﺫﻟِﻙ ﺍﻟﻘﺎﻟﹶﺏِ ﺍﻟﱠﺫﻱ ﻋﺭﻭﻗﹸﻪ ﻭﺃﻋﺼﺎﺒﻪ ﻤﻤﻠﻭﺀﺓﹲ ﻤِﻥ
ﺩﻡِ ﺍﻟﺠﺎﻡ؛
ﺃﻤﺴِﻙ ﻟِﺴﺎﻨﹶﻙ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺯﻤﺎﻨﺎﹰ ،ﻭﺍﺴﻤﻊ ﺤﺩﻴﺙﹶ ﻏﻴﺭِ ﺃﻭﻟﻲ ﺍﻷﻟﺴﻥِ ﻤِﻥ ﺍﻟﻨﱠﺎﻱ.
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ﻏﺰﻝ ٤٣٢
ﻤﺨﻤﻭﺭ ﺠﺎﻡِ ﻋِﺸﻘﻲ ،ﺴﺎﻗﻲ ﺍﺴﻘﻨﻲ ﺸﺭﺍﺒﻲ ،ﻻﺕﹶ ﺍﻟﺼﻔﺎ ﻤِﻥ ﻤﺠﻠﺱٍ ﻴﺨﻠﻭ ﻤِﻥ ﺍﻟﺸﱠﺭﺍﺏِ؛
ﻤﻐﻨﹼﻴﺎ ﻜﹸﻥ ﻤﺤﺯِﻨﻲ ،ﻫﺎﺕِ ﺍﻟﺸﱠﺭﺍﺏ ﺴﺎﻗﻲ ،ﻫﻴﻬﺎﺕﹶ ﻭﺼﻑﹸ ﻭﺠﻪِ ﺍﻟﺒﺩﺭِ ﻭﻫﻭ ﻓﻲ ﺍﻟﺤِﺠﺎﺏِ؛
ﻭﻗﺎﻤﺘﻲ ﻗﺩ ﺍﻨﺤﻨﹶﺕﹾ ﻓﻲ ﺩﺍﺭِﻜﹸﻡ ﺒﺎﻟﺒﺎﺏِ ،ﻤﺎ ﻟﻠﺭﻗﻴﺏِ ﺘﺎﺭِﻜﻲ ﺩﻫﺭﺍﹰ ﺒﺫﺍﻙ ﺍﻟﺒﺎﺏِ؛
ﻭﻨﺤﻥ ﺒﺎﻨﺘﻅﺎﺭِ ﻭﺠﻬِﻙ ﺍﻟﺠﻤﻴلِ ﻭﺍﻵﻤﺎلُ ،ﻭﻨﺤﻥ ﻭﺍﻟﺨﻴﺎلُ ﻓﻲ ﺨﺩﺍﻉِ ﻭﺼﻠِﻙ ﺍﻟﺴﺭﺍﺏِ)(١؛
ﺇﻨﹼﻲ ﺃﻨﺎ ﺍﻟﻤﺨﻤﻭﺭ ﻤِﻥ ﻋﻴﻨﻴﻙ ،ﺃﻴﻥ ﺍﻟﺠﺎﻡ؟ ،ﻭﺍﻟﻌﻠﻴلُ ﻭﺍﻟﺩﻭﺍﺀ ﻓﻲ ﺸِﻔﺎﻫِﻙ ﺍﻟﻌِﺫﺍﺏِ)(٢؛
ﺨﻠﻑﹶ ﺍﻟﺤِﺴﺎﻥِ ﺤﺎﻓِﻅﺎ ﻋﻼﻡ ﻴﺠﺭﻱ ﻗﻠﺒﻙ؟ ،ﻫلْ ﻅﺎﻤِﺊٌ ﻗﺩِ ﺍﺭﺘﻭﻯ ﻤِﻥ ﻟﻤﻌﺔِ ﺍﻟﺴﺭﺍﺏِ).(٣
ﻏﺰﻝ ٤٣٣
ﻓﺭﻋﻙ ﺍﻷﺴﻭﺩ ﺍﻟﻨﱢﻘﺎﺏ ﻋﻠﻰ ﺍﻟﺒﺩﺭِ ﻭﻟﻠﺸﱠﻤﺱِ ﻤﻨﻙ ﻅلﱞ ﻟﻁﻴﻑﹲ ﻜﻤﺜلِ ﺍﻟﺴﺤﺎﺏِ
ﻭﻜﺭﺴﻡٍ ﺠﻤﻴلٍ ﻋﻠﻰ ﺍﻟﻤﺎﺀِ ﻤﺎﺀ ﻭﺠﻬِﻙ ﻭﺍﻟﻠﹼﻭﻥ ،ﻤﻥ ﻟﻭﺤﺔٍ ﻤﻥ ﺠﻤﺎﻟِﻬﺎ ﺒﻲ ﻤﺎ ﺒﻲ
ﻜﻴﺨﺴﺭﻭ ﺍﻁﻠﹸﺏ ،ﺃﻨﹾﻪِ ﻤﻠﹾﻙ ﺃﻓﺭﺍﺴﻴﺎﺏِ ﻜﹸﺭﺓﹶ ﺍﻟﺤﺴﻥِ ﻤِﻥ ﺤِﺴﺎﻥِ ﺨﹸﻠﱠﺦﹶ ﺨﹸﺫﹾ ،ﺠﺎﻡ
ﻜﹸلﱡ ﺸﺨﺹٍ ﻟﻪ ﻤﻥ ﺍﻟﻌِﺸﻕِ ﺸﹸﻐلٌ ﺒِﺎﻟﺸﻤﻊِ ﻤﻥ ﻭﺠﻬِﻙ ﻭﺃﻨﺎ ﻜﺎﻟﻔﺭﺍﺸﹶﺔِ ﺍﻀﻁﺭﺍﺒﻲ
ﺩﻭﻟﺔﹸ ﺍﻟﺨﻴﺭِ ﻭﺍﻟﺴﻌﺩِ ﻟﻲ ﺒﻜﻨﺯِ ﺍﻟﺨﺭﺍﺏِ ﺇﻥ ﻓﻲ ﻗﻠﺒﻲ ﺍﻟﺨﺭﺍﺏِ ﻜﻨﺯﺍﹰ ﻤِﻥ ﺍﻟﻌِﺸﹾﻕِ
ﺤﺫﹶﺭ ﺍﻟﻤﺎﺀِ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻌﺎﺭِﺽِ ،ﺍﻵﺴﺎﺩ ﻅﻤﺄﻯ ﺍﻟﺸﱢﻔﺎﻩِ ﻭﺒﺎﻟﻤﺎﺀِ ﻭﺍﻀِﻌﺎﺕﹸ ﺭِﻗﺎﺏِ
ﺇﻥ ﺘﺠﻠﱠﻴﺕﹶ ﻓﻲ ﻤﻌﺭﺽِ ﺍﻟﺠﻤﺎلِ ،ﺍﻟﻤﻼﺌﻙ ﻭﺍﻟﺤﻭﺭ ﺘﺨﻔﻲ ﻭﺠﻭﻫﻬﺎ ﺤﻴﺎﹰ ﺒﺎﻟﺤِﺠﺎﺏِ
) (١ﻓﻲ ﺍﻨﺘﻅﺎﺭِ ﻭﺠﻬِﻙ ،ﻨﺤﻥ ﻭﺍﻷﻤل ،ﻭﻓﻲ ﺨﺩﺍﻉِ ﻭﺼﻠِﻙ ،ﻨﺤﻥ ﻭﺍﻟﺨﻴﺎلُ ﻭﺍﻟﻨﱠﻭﻡ؛
) (٢ﺃﻨﺎ ﻤﺨﻤﻭﺭ ﺘﻠﻜﹸﻤﺎ ﺍﻟﻌﻴﻨﹶﻴﻥ ،ﺃﻴﻥ ﻫﻭ ﺍﻟﺠﺎﻡ ،ﻭﻋﻠﻴلُ ﺘﻠﻜﹸﻤﺎ ﺍﻟﺸﱠﻔﹶﺘﹶﻴﻥ ،ﻤﺘﻰ ﺴﺘﻌﺘﻨﻲ ﺒﻲ ﺃﺨﻴﺭﺍﹰ؟؛
) (٣ﺤﺎﻓﻅ ،ﻟﻤﺎﺫﺍ ﺘﺭﻜﺕﹶ ﻗﻠﺒﻙ ﻴﺠﺭﻱ ﻭﺭﺍﺀ ﺨﻴﺎلِ ﺍﻟﺤِﺴﺎﻥ ،ﻭﺃﻱ ﻅﻤﺂﻥ ﺍﺭﺘﻭﻯ ﻤﻥ ﻟﻤﻌﺔِ
ﺍﻟﺴﺭﺍﺏ؟.
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ﻋﻥِ ﺍﻟﺸﱠﺎﻫِﺩِ ﺍﻟﻤﻘﺼﻭﺩِ ﻗﹸﻡ ﺒِﺭﻓﹾﻊِ ﺍﻟﻨﱢﻘﺎﺏِ ﺍِﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻤِﻥ ﺠﺎﻡِ ﺠﻡ ﻋﻠﻰ ﺍﻟﺘﱠﺨﹾﺕِ،
ﺤﺎﻓِﻅﹲ ﺠﺎﻟِﺱ ﻭﺤﺩﻩ ﻭﻏﺎﺭِﻕﹲ ﺒﺎﻟﺸﱠﺭﺍﺏِ ﻤﻥ ﺸﻔﺎﻩِ ﺍﻟﻌﻘﻴﻕِ ﻭﺍﻟﻨﱠﺭﺠِﺱِ ﺍﻟﻤﺨﻤﻭﺭِ
ﺠﻌلَ ﺍﻟﺤﺒلَ ﻤﻥ ﻓﺭﻋِﻪِ ﻋﻠﻰ ﻋﻨﹸﻘﻲ ﻜﻲ ﻴﺼﻴﺩ ﻗﻠﺒﻲ ،ﻜﺫﺍ ﺤﺒلُ ﻤﺎﻟﻙِ ﺍﻟﺭﻗﺎﺏِ
ﺤﺎﻜﻤﻲ ﺍﻟﻌﺎﺩلُ ﺍﻟﺸﱠﻤﺱ ﻭﺍﻀِﻌﺔﹲ ﺭﺃﺴﻬﺎ ﺒﺄﻋﺘﺎﺒِﻪِ ﻓﻲ ﺨﻀﻭﻉٍ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏِ
ﺍﻟﻨﱠﺎﺭﻱ ﺃﻟﻘﻰ ﺒِﺨﹶﺼﻤِﻪِ ﺒِﺒﺤﺭِ ﺍﻟﻌﺫﺍﺏِ ﻨﹸﺼﺭﺓﹸ ﺍﻟﺩﻴﻥِ ﺸﺎﻩ ﻴﺤﻴﻰ ﺍﻟﱠﺫﻱ ﺒِﺴﻴﻔِﻪِ
ﺠﻌﻠﺕﹶ ﺍﻟﻨﱢﻘﺎﺏ ﻤﻥ ﻓﺭﻋِﻙ ﻋﻠﻰ ﺒﺩﺭِ ﻭﺠﻬِﻙ ﻭﺘﻠﱠﻁﹶﻔﺕﹶ ﻓﻅﻠﱠﻠﺕﹶ ﺍﻟﺸﱠﻤﺱ) ﻜﻲ
ﻻﺘﺤﺘﺭِﻕﹶ ﺒﻨﻭﺭِﻙ(؛ ﻤﺎﺀ ﻭﻟﻭﻥ ﻋﺎﺭﻀﻙ ﻤﺎ ﻴﻔﻌﻼﻥِ ﺒﻲ؟ ﻴﺎ ﻟﺠﻤﺎلِ ﺘﻠﻙ ﺍﻟﻠﹼﻭﺤﺔِ
ﺍﻟﱠﺘﻲ ﺭﺴِﻤﺕﹾ ﻋﻠﻰ ﺍﻟﻤﺎﺀ؛ ﺨﹸﻠﱠﺦﹾ ﻗﺒﻴﻠﺔﹲ ﻤِﻥ ﺍﻷﺘﺭﺍﻙ ﻤﺸﻬﻭﺭﺓﹲ ﺒِﺠﻤﺎلِ ﺃﻓﺭﺍﺩِﻫﺎ،
ﻭﺃﻓﺭﺍﺴﻴﺎﺏ ﻤﻠﻙ ﺍﻷﺘﺭﺍﻙ ،ﻭﻓﻲ ﻫﺫﺍ ﺍﻟﺒﻴﺕِ ﺘﻠﻤﻴﺢ ﻟِﻘِﺼﺔِ ﺍﻟﺤﺭﺏِ ﺒﻴﻥ ﻜﻴﺨﺴﺭﻭ
ﻭﺃﻓﺭﺍﺴﻴﺎﺏ ﺍﻟﻤﺫﻜﻭﺭﺓ ﻓﻲ ﺍﻟﺸﹼﺎﻫﻨﺎﻤﻪ؛ ﻻ ﺸﺨﺹ ﺇﻻﹼ ﻭﻴﻌﺸﻕﹸ ﺸﻤﻌﺔﹶ ﻭﺠﻬﻙ ﺒﻭﺠﻪٍ
ﻤﻥ ﺍﻟﻭﺠﻭﻩِ ،ﻟﻜﻨﱠﻨﻲ ﺃﺼﺩﻕﹸ ﻋﺎﺸِﻘﻴﻙ ﻷﻨﱠﻨﻲ ﺍﻟﻭﺤﻴﺩ ﻤﻥ ﺒﻴﻨِﻬِﻡ ﺍﻟﱠﺫﻱ ﺃﻀﻁﺭﺏ
ﺍﻀﻁﺭﺍﺏ ﺍﻟﻔﺭﺍﺸﺔِ ﺤﻭلَ ﺍﻟﺸﱠﻤﻌﺔ)ﻋﻼﻤﺔﹸ ﺍﻟﻌﺸﻕِ ﺍﻟﺼﺎﺩِﻕ ﺍﻀﻁﺭﺍﺏ ﺍﻟﻌﺎﺸﻕِ ﻋﻨﺩ
ﻟﻘﺎﺀِ ﺍﻟﻤﻌﺸﻭﻕ(؛ ﺍﻷُﺴﻭﺩ ﺤﺫﹶﺭﺍﹰ ﻤِﻥ ﻤﺎﺀِ ﻋﺎﺭِﻀِﻙ ﻟﻡ ﺘﺠﺭﺅ ﻋﻠﻰ ﺍﻟﺸﱡﺭﺏِ ﻤِﻨﹾﻪ
ﻭﻅﹶﻠﱠﺕﹾ ﻅﻤﺄﻯ ﺍﻟﺸﱢﻔﺎﻩ ﺒﻌﺩ ﺃﻥ ﻭﻀﻌﺕﹾ ﺭِﻗﺎﺒﻬﺎ ﺒﺎﻟﻤﺎﺀِ ﻟِﺘﹶﺸﹾﺭﺏ؛ ﻜﻨﺯ ﻋﺸﻘِﻙ ﻤﺨﺒﺄٌ
ﻓﻲ ﻗﻠﻭﺒِﻨﺎ ﺍﻟﺨﺭِﺒﺔ ﻭﺴﻌﺩﻨﺎ ﻤﻥ ﻜﻨﺯِ ﺍﻟﺨﺭﺍﺏِ ﻫﺫﺍ؛ ﺇﺫﺍ ﻤﺎ ﺭﻓﻌﺕﹶ ﺍﻟﺤِﺠﺎﺏ ﻋﻥ
ﻭﺠﻬِﻙ ﻓﻲ ﻤﻌﺭﺽِ ﺍﻟﺠﻤﺎل ﻏﻁﱠﺕ ﺍﻟﺤﻭﺭ ﻭﺍﻟﻤﻼﺌﻜﺔﹸ ﻭﺠﻭﻫﻬﺎ ﺒﺎﻟﺤﺠﺎﺏِ ﻤﻥ
ﺍﻟﺨﺠل؛ ﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻤِﻥ ﺍﻟﺠﺎﻡِ ﺍﻟﱠﺘﻲ ﻴﻅﻬﺭ ﺒِﻬﺎ ﺍﻟﻌﺎﻟﹶﻡ ﻭﺃﻨﺕﹶ ﺠﺎﻟِﺱ ﻋﻠﻰ ﺘﹶﺨﹾﺕِ
ﺠﻤﺸﻴﺩ ﻓﻘﺩ ﺭﻓﹶﻌﺕﹶ ﺍﻟﻨﱢﻘﺎﺏ ﻋﻥ ﻭﺠﻪِ ﺍﻟﺸﱠﺎﻫِﺩِ ﺍﻟﻤﻘﺼﻭﺩ)ﺍﻟﻤﻌﺸﻭﻕ ﺍﻟﺠﻤﻴل(؛ ﺤﺎﻓﻅﹸ
ِﺠﺎﻟﺱ ﻓﻲ ﺨﻠﻭﺘِﻪِ ﻭﻏﺎﺭﻕﹲ ﻓﻲ ﺸﺭﺍﺒِﻪ ﻤﻥ ﺴﺤﺭِ ﻨﺭﺠِﺴﺔِ ﻋﻴﻨِﻙ ﺍﻟﻤﺨﻤﻭﺭﺓِ ﻭﻋﻘﻴﻕِ
ﺸﻔﺘِﻙ ﺍﻟﻌﺎﺒﺩِ ﻟﻠﺨﻤﺭ؛ ﺠﻌلَ ﺤﻭلَ ﺭﻗﺒﺘﻲ ﺤﺒﻼﹰ ﻤﻥ ﻓﺭﻋِﻪ ﺍﻟﻘﻭﻱ ﻜﺤﺒلِ ﻤﻠﻙٍ ﻴﻤﻠﻙ
ﺍﻟﺭﻗﺎﺏ ﻭﻤﺭﺍﺩﻩ ﺼﻴﺩ ﻗﻠﺒﻲ؛ ﻨﹸﺼﺭﺓﹸ ﺍﻟﺩﻴﻥ ﺸﺎﻩ ﻴﺤﻴﻰ ﺍﺒﻥ ﻤﺒﺎﺭﺯ ﺍﻟﺩﻴﻥ ﻤﺤﻤﺩ،
ﻋﻴﻥ ﺤﺎﻜِﻤﺎﹰ ﻟِﻴﺭﺍﺯ ﻤِﻥ ﻗِﺒل ﺘﻴﻤﻭﺭﻟﻨﻎ.
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ﻏﺰﻝ ٤٣٤
ﻴﺎ ﻗﻠﺏ ﻻ ﺘﻙ ﻟﺤﻅﹶﺔﹰ ﺨﺎﻟﻴﺎﹰ ﻤﻥ ﺍﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺴﻜﹶﺭ ،ﺜﹸﻡ ﺴِﺭ ﺨﺎﻟﻴﺎﹰ ﻤﻥ ﺍﻟﻭﺠﻭﺩِ ﻭﺍﻟﻌﺩﻡ؛
ﻭﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﺭﻯ ﺍﻟﺭﻭﺡ ﻓﻲ ﺒﺩﻨِﻙ ﻓﺴِﺭ ﻓﻲ ﺸﹸﻐﹾﻠِﻬﺎ ،ﻓﻜﹸلﱡ ﻗِﺒﻠﺔٍ ﺘﺭﺍﻫﺎ ﺃﻓﻀلُ ﻤﻥ
ﻋﺒﺎﺩﺓِ ﺍﻟﻨﱠﻔﺱ؛
ﻭﻜﹸﻥ ﻓﻲ ﺍﻟﻀﻌﻑِ ﻭﺍﻟﻌﺠﺯِ ﻜﺎﻟﻨﱠﺴﻴﻡِ ﺍﻟﻌﻠﻴلِ ،ﻓﺈﻥ ﺍﻟﻤﺭﺽ ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕِ ﺃﻓﻀلُ
ﻤﻥ ﺼِﺤﺔِ ﺍﻟﺒﺩﻥ؛
ﻋﺩﻡ ﺍﻟﻨﱡﻀﺞِ ﻓﻲ ﻤﺫﻫﺏِ ﺍﻟﻁﱠﺭﻴﻘﺔِ ﻋﻼﻤﺔﹸ ﺍﻟﻜﹸﻔﹾﺭِ ،ﻨِﻌﻡ ﺍﻟﻨﱠﺎﻀِﺞ ﻭﺍﻟﻤﺎﻫﺭ ﻓﻲ ﻁﺭﻴﻕِ
ﻫﺫِﻩِ ﺍﻟﺩﻭﻟﺔ؛
ﻜﻲ ﺘﺭﻯ ﺍﻟﻔﻀلَ ﻭﺍﻟﻌﻘﹾلَ ﻻ ﺘﻘﻌﺩ ﺒﻼ ﻤﻌﺭﻓﹶﺔ ،ﻭﺃﻗﻭلُ ﻟﻙ ﺴِﺭﺍﹰ :ﻻ ﺘﺭ ﻨﻔﺴﻙ ﻓﺫﺍﻙ
ﻫﻭ ﺍﻟﺼﻭﺍﺏ؛
ﺏ ﺍﻟﺤﺒﻴﺏِ ﻓﻼ ﺘﹸﻔﻜﱢﺭ ﺒﺎﻟﺴﻤﺎﺀِ ،ﻜﻲ ﻻ ﺘﺴﻘﹸﻁﹶ ﻤﻥ ﺃﻭﺝِ ﺍﻟﻌﻠﻴﺎﺀِ
ﻭﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﻓﻲ ﺃﻋﺘﺎ ِ
ﺇﻟﻰ ﺍﻟﺤﻀﻴﺽ؛
ﺇﺫﺍ ﻜﺎﻥ ﺍﻟﺸﱠﻭﻙ ﻴﺅﻟِﻡ ﺍﻟﺭﻭﺡ ﻓﺎﻟﻭﺭﺩ ﻴﻌﻁﻴﻪِ ﺍﻟﻌﺫﹾﺭ ،ﺴﻬلٌ ﺘﺤﻤلُ ﻤﺭﺍﺭﺓِ ﺍﻟﺨﻤﺭِ ﻓﻲ
ﺠﻨﹾﺏِ ﺫﻭﻕِ ﺤﻼﻭﺓِ ﺍﻟﺴﻜﹾﺭ؛
ﺃﻴﻬﺎ ﺍﻟﺼﻭﻓﻲ ﺤﺎﻤِلَ ﺍﻟﻜﺄﺱِ ﻻ ﺘﻘﺘﺭِﺏ ﻤﻥ ﻗﹸﺭﺒﺔِ ﺤﺎﻓِﻅ ،ﻴﺎ ﻗِﺼﺎﺭ ﺍﻷﻜﻤﺎﻡِ ﺇﻟﻰ
ﻤﺘﻰ ﺘﻁﻭلُ ﺃﻴﺩﻴﻜﹸﻡ!.
ﻏﺰﻝ ٤٣٥
ﺤﺘﹼﻰ ﻴﺭﻭﺡ ﻤﻥ ﺍﻟﺩﻨﻴﺎ ﺒـﻼ ﺨﺒـﺭِ ﻻ ﺘﹸﺨﺒِﺭِ ﺍﻟﻤﺩﻋﻲ ﺒﺎﻟﻌِﺸﹾﻕِ ﻭﺍﻟﺴﻜﹶﺭِ
ﺘﻘﺽِ ﺍﻟﺤﻴﺎﺓﹶ ﺒﻼ ﺴﻤﻊٍ ﻭﻻ ﺒـﺼﺭِ ﻭﺍﻋﺸﻕﹾ ﻟِﺘﻌﺭِﻑﹶ ﺃﺴﺭﺍﺭ ﺍﻟﻭﺠﻭﺩِ ﻭﻻ
ﻴﺎ ﻟﻠﺴﻭﺍﺩِ ﻭﻁﻭلِ ﺍﻟﺒﺎﻉِ ﻭﺍﻟﺨﹶﻁﹶـﺭِ ﻟﻘﺩ ﻜﹸﺴِﺭﺕﹸ ﺒِﻔﺭﻉٍ ﻤﻨﻙ ﻴﺎ ﻤﻠﻜـﻲ
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ﻻ ﺘﻘﹸلْ ﺃﺴﺭﺍﺭ ﺍﻟﻌِﺸﻕِ ﻭﺍﻟﺴﻜﹶﺭِ ﻟﻠﻤﺩﻋﻲ ﺤﺘﹼﻰ ﻴﻤﻭﺕﹶ ﻏﺎﻓِﻼﹰ ﻓﻲ ﺃﻟﹶﻡِ ﻋﺒﺎﺩﺓِ
ﻨﻔﺴِﻪ ،ﻭﺍﻟﻤﺩﻋﻲ ﻤﻥ ﺒِﻪِ ﺍﻷﻨﺎﻨﻴﺔ ﻭﻓﺎﻗِﺩ ﺍﻹﺨﻼﺹِ ،ﻓﺫﺍﻙ ﺍﻟﻤﺤﺠﻭﺏ ﺒِﻨﻔﺴِﻪِ ﺍﻟﻌﺎﺒﺩ
ﻟﻬﺎ ﻤﻥ ﺤﻴﺙﹸ ﻻ ﻴﺩﺭﻱ ،ﻭﺍﻟﻌِﺸﹾﻕﹸ ﻤﺤﺒﺔﹸ ﺍﻟﺫﹼﺍﺕِ ﺍﻹﻟﻬﻴﺔِ ﺍﻟﻤﻘﺩﺴﺔ ﻭﻫﻲ ﻤﺤﺒﺔﹲ ﺒﻐﻴﺭِ
ﺤﺩﻭﺩٍ ﻭﻻ ﻗﻴﻭﺩٍ ﻭﻻ ﺤﺴﺎﺏ ،ﻭﺍﻟﺴﻜﹶﺭ ﻴﺭﻤﺯ ﻟﻤﺤﻭِ ﺍﻟﺴﺎﻟِﻙِ ﻭﻫﻭ ﻤﺭﺤﻠﺔﹲ ﻤﻥ
ﻤﺭﺍﺤِلِ ﺍﻟﺴﻠﻭﻙ ﻴﻤﺤﻲ ﺒﻬﺎ ﻭﺠﻭﺩ ﺍﻟﺴﺎﻟِﻙ ﻭﻴﻐﻴﺏ ﻋﻥ ﻨﻔﺴِﻪِ ﻭﻴﻔﻨﻰ ﻓﻲ ﺍﷲ )ﺍﻟﻔﻨﺎﺀ
ﻓﻲ ﺍﷲ( ﻭﻴﻘﻭلُ ﺃﻫلُ ﺍﻟﻌﻠﻡِ ﺃﻥ ﻟﻠﻔﻨﺎﺀِ ﻤﺭﺍﺘﺏ ﺃﻋﻼﻫﺎ ﻤﺭﺘﺒﺔﹸ ﺍﻟﻔﻨﺎﺀِ ﻋﻥِ ﺍﻟﻔﻨﺎﺀ ﻗﺎل
ﺍﻟﻤﻜﺯﻭﻥ ﺍﻟﺴﻨﺠﺎﺭﻱ:
ﻟﻡ ﻴﺩﺭِ ﺃﻴﻥ ﺃﻨـﺎ ﻭﻓﻴـﻪِ ﻤﻘـﺎﻤﻲ؛ ﻭﻓﻨﻴﺕﹸ ﺤﺘﹼﻰ ﻟﻭ ﺘـﺼﻭﺭﻨﻲ ﺍﻟﻔﻨـﺎ
ﻜﹸﻥ ﻋﺎﺸﻘﺎﹰ ﻗﺒلَ ﺃﻥ ﻴﺄﺘﻲ ﻴﻭﻡ ﻴﻨﺘﻬﻲ ﺒِﻪِ ﺸﹸﻐﹾلُ ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶ ﻡِ ﻭﺘﻜﻭﻥ ﻗﺩ
ﻤﻀﻴﺕﹶ ﺩﻭﻥ ﺃﻥ ﺘﻌﺭِ ﻑﹶ ﺍﻟﺭﺴﻡ ﺍﻟﻤﻘﺼﻭﺩ ﻓﻲ ﻤﺭﺴﻡِ ﺍﻟﻭﺠﻭﺩ ،ﻓﺒﺎﻟ ﻌِﺸﹾ ﻕِ ﻴﻤﻜﻥ
ﻤﻌﺭﻓﺔﹸ ﺃﺴﺭﺍﺭِ ﺍﻟﻭﺠﻭﺩ ﻭﺤﻘﻴﻘﺔِ ﻜلّ ﻤﻭﺠﻭﺩ )ﻷ ﻥ ﻤﻥ ﺸﺄﻥ ﺍﻟﻤﺤﺏ ﺃﻥ ﻴﺘﻘﺭ ﺏ
ﺇﻟﻰ ﻤﻥ ﻴﺤﺏ ﻁﹶﻠﹶﺒﺎﹰ ﻟﺭﻀﺎﻩ ،ﻓﺈﺫﺍ ﺃﺤﺒ ﻪ ﺍﻟﻤﺤﺒﻭﺏ ﺒﻠﱠ ﻐﹶﻪ ﻤﻨﺎﻩ ،ﻭﻓﻲ ﺍﻟﺤﺩﻴﺙِ
ﺍﻟﻘﺩﺴﻲ ﺍﻟﻤﺘﻭﺍﺘﺭ ﻤﺎ ﻴﺯﺍلُ ﻋﺒﺩﻱ ﻴﺘﻘﺭﺏ ﺇﻟ ﻲ ﺒﺎﻟﻨﱠﻭﺍﻓِلِ ﺤﺘﹼﻰ ﺃُﺤِ ﺒﻪ ﻓﺈﺫﺍ
ﺃﺤﺒﺒﺘﹸ ﻪ ﻜﻨﺕﹸ ﺴﻤﻌﻪ ﺍﻟﱠﺫﻱ ﻴﺴﻤﻊ ﺒِﻪِ ﻭﺒ ﺼﺭﻩ ﺍ ﻟﱠﺫﻱ ﻴﺒﺼِﺭ ﺒِ ﻪِ ...ﻓﺎﻟﻌﺎﺸِﻕﹸ
ﻴﺴﻤ ﻊ ﺒﺎ ﷲِ ﻭﻴﺭﻯ ﺒﺎﷲ ،ﻋﻁﺎﺀ ﻤﻥ ﺍﷲ(؛ ﻤﺎ ﺃﺠﻤلَ ﻤﺎ ﻜﺎﻥ ﻗﺎلَ ﻟﻲ ﺒﺎﻷﻤ ﺱِ
ﺼ ﻨﹶﻡ ﻓﻲ ﻤﺠ ﻠِﺱِ ﻋﺒﺎﺩِ ﺍﻟ ﻨﱠﺎﺭ :ﻤﺎ ﺸﹸﻐ ﻠﹸﻙ ﻫﻨﺎ ﻤﻊ ﺍﻟ ﻜﹸ ﻔﱠﺎﺭِ ﺇ ﻥ ﻟﻡ ﺘﻜﹸ ﻥ ﻋﺎﺒِﺩ ﺍﹰ
ﻟﻠ ﺼﻨﹶﻡ؟!؛ ﻴﺎ ﺴﻠﻁﺎﻨﻲ ،ﺍﷲَ ﺍﷲَ ،ﻟﻘﺩ ﻜﺴﺭﻨﻲ ﻓﺭﻋﻙ ،ﻤﺎ ﺃﺴﻭﺩ ﺠﺩﻴ ﻠﹶﺘﹶﻙ ﻭﻤﺎ
ﺃﻁﻭلَ ﻴﺩﻙ؛ ﻜﻴﻑﹶ ﺃﻜﻭﻥ ﻤﺴﺘﻭﺭ ﺍﹰ ﻓﻲ ﺭﻜﹾﻥِ ﺍﻟﺴﻼﻤﺔِ ﺇﻥ ﻟﻡ ﻴﻘﹸلْ ﻟﻲ ﻨﺭﺠﺱ
ﻋﻴﻨِ ﻙ ﺭﻤﻭﺯ ﺍﻟ ﺴﻜﺭ؛ ﻭﻟﻘﺩ ﺭﺃﻴﺕﹸ ﺫﻟِﻙ ﺍﻟﻴﻭﻡ ﺍ ﻟﱠﺫﻱ ﺘﻨﻬﺽ ﻓﻴﻪِ ﺍﻟﻔِﺘﹶﻥ ،ﻓﺈﻥ
ﺘﻜﹸﻥ ﻤﻌﺎﻨﺩﺍﹰ ﻻ ﺘﻘﻌﺩ ﻤﻌﻲ ﻟﺤﻅﹶﺔﹰ ﻭﺍﺤﺩﺓ؛ ﻋِﺸﻘﹸﻙ ﺴﻴﺴﻠﻤﻨﻲ ﺇﻟﻰ ﻴﺩِ ﺍﻟﻁﱡﻭﻓﺎﻥ،
ﺤﺎﻓﻅﹸ ﺤﻴ ﻥ ﻴﻠﻤﻊ ﺍﻟﺒﺭﻕﹸ ﻤﻥ ﻫﺫﻩِ ﺍﻟﺤﻭﺍﺩِﺙِ ﻓﻜﱢﺭ ﻓﻴﻤﺎ ﺘﺒﺤﺙﹸ ﻋﻨﻪ.
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ﻏﺰﻝ ٤٣٦
ﺫﻟﻙ ﺍﻟﱠﺫﻱ ﺨﻁﱡﻪ ﻏﺎﻟﻴﺔﹸ ﺍﻟﻌِﻁﺭ ،ﺇﻥ ﺨﻁﱠ ﻜﺘﺎﺒﺎﹰ ﻟﻨﺎ ،ﻓﺴﻭﻑﹶ ﻟﹶﻥ ﻴﻁﻭﻱ ﺍﻟﻔﹶﹶﻠﻙ ﻭﺭﻕﹶ
ﻭﺠﻭﺩِﻨﺎ؛
ﺭﻏﻡ ﺃﻥ ﺸﹶﺠﺭ ﺍﻟﻬﺠﺭﺍﻥِ ﻴﺤﻤلُ ﺜﹶﻤﺭ ﺍﻟﻭﺼلِ ،ﻟﻴﺕﹶ ﺃﻥ ﺒﺴﺘﺎﻨﻲ ﺍﻟﻌﺎﻟﹶﻡِ ﻟﻡ ﻴﺯﺭﻉ
ﻫﺫﻩِ ﺍﻟﺒﺫﺭﺓ؛
ﻤﻥ ﻟﻪ ﻫﻨﺎ ﺭﻓﻴﻕﹲ ﻜﺎﻟﺤﻭﺭِ ﻭﻤﻨﺯِلٌ ﻜﺎﻟﺠﻨﱠﺔ ،ﻨﺎلَ ﺭﺤﻤﺔﹶ ﺍﷲِ ﻫﺎ ﻫﻨﺎ ﻨﻘﺩﺍﹰ؛
ﻋﻠﻰ ﻤﺼﻁﺒﺔِ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﻴﻤﻜِﻥ ﺍﻟﺘﱠﻨﻌﻡ ،ﻓﻼ ﻤﻘﻌﺩ ﻤِﻥ ﺫﹶﻫﺏٍ ﻫﻨﺎﻙ ،ﻭﺍﻟﻨﱠﻭﻡ ﻋﻠﻰ
ﺍﻵﺠﺭ ﺍﻟﺨﺸِﻥ؛
ﻻ ﺘﺒِﻊ ﺯﺠﺎﺠﺔﹶ ﺍﻟﺨﻤﺭِ ﻭﻋﺫﺏ ﺸﹶﻔﹶﺔِ ﺍﻟﺤﺒﻴﺏِ ﻭﻁﹶﺭﻑﹶ ﺍﻟﺤﻘلِ ،ﺒﺭﻭﻀﺔِ ﺇﺭﻡ ﻭﻨﺨﻭﺓِ
ﺸﺩﺍﺩ)(١؛
ﺇﻟﻰ ﻤﺘﻰ ﺘﺤﻤِلُ ﻏﻡ ﺍﻟﺩﻨﻴﺎ ﺍﻟﺩﻨﻴﺔِ ،ﺃﻴﻬﺎ ﺍﻟﻘﻠﺏ ﺍﻟﻌﻠﻴﻡ ،ﺤﻴﻑﹲ ﻤِﻥ ﺍﻟﺠﻤﻴلِ ﺃﻥ ﻴﻜﻭﻥ
ﻋﺎﺸِﻕﹶ ﺍﻟﻘﹶﺒﻴﺢِ؛
ﺘﺩﻨﻴﺱ ﺍﻟﺨِﺭﻗﺔِ ﺨﺭﺍﺏ ﻟﻠﻌﺎﻟﹶﻡِ ،ﺃﻴﻥ ﺩﻟﻴلُ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ ﻁﺎﻫِﺭ ﺍﻟﻁﱢﻴﻨﹶﺔ؛
ﺤﺎﻓِﻅﹸ ﻟِﻡ ﺘﹶﺭﻙ ﺫﺅﺍﺒﺘﹶﻙ ﺘﹸﻔﻠِﺕﹸ ﻤِﻥ ﻴﺩِﻩ؟ ،ﺍﻟﺘﹼﻘﺩﻴﺭ ﻜﺎﻥ ﻫﻜﺫﺍ ،ﻤﺎ ﻜﺎﻥ ﻴﻔﻌلُ ﻟﻭ ﻟﻡ ﻴﺘﺭﻜﹾﻬﺎ؟.
ﻏﺰﻝ ٤٣٧
ﻭﺸﺭﺡ ﺠﻤﺎلِ ﺍﻟﺤﻭﺭِ ،ﻋﻨﻙ ﺭﻭﺍﻴﺘﻲ ﺤﻤﺎﻙ ،ﺤﺩﻴﺙﹲ ﻤﻨﻪ ،ﻗﺼﺔﹸ ﺠﻨﱠﺘـﻲ
ﻭﻋﻥ ﻓِﻴﻙ ﻤﺎﺀ ﺍﻟﺨﻀﺭِ ﻤﺤﺽ ﻜﻨﺎﻴﺔِ ﻭﺃﻨﻔﺎﺱ ﻋﻴﺴﻰ ﻤﻥ ﺸﻔﺎﻫﻙ ﻨﹸﻜﺘﺔﹲ
ﻭﻓﻲ ﻜﹸلﱢ ﺴﻁﺭٍ ﻤﻨﻙ ﺁﻴﺔﹸ ﺭﺤﻤـﺔِ ﻭﻓﻲ ﻜلﱢ ﺠﺯﺀٍ ﻤﻥ ﻓﺅﺍﺩﻱ ﻏـﺼﺔﹲ
) (١ﺭﻭﻀﺔﹸ ﺇﺭﻡ :ﺭﻭﻀﺔﹸ ﻋﺎﺩ ،ﻭﺸﺩﺍﺩ ﻫﻭ ﺸﺩﺍﺩ ﺒﻥ ﻋﺎﺩ ،ﻭﻨﺨﻭﺘﹸﻪ ﺴﻁﻭﺘﹸﻪ ﻭﺴﻠﻁﺎﻨﹸﻪ.
-٤١٤-
ﺘﻭﻟﱠﻴﺕﹶ ﻤﻨﻬﺎ ﻭﺭﺩﻫـﺎ ﺒﺎﻟﺭﻋﺎﻴـﺔِ ﻤﺠﺎﻟِﺱ ﺃﻫلِ ﺍﻟﺭﻭﺡِ ﻤِﻨﻙ ﻋﺒﻴﺭﻫﺎ
ﻓﻤﺎ ﻟﻠﺼﺒﺎ ﻤﺎ ﺒـﺎﺩﺭﺕﹾ ﻟِﺤﻤـﺎﻴﺘﻲ ﻟﻬﻴﺏ ﻟِﻨﺎﺭِ ﺍﻟﺸﱠﻭﻕِ ﺒـﻲ ﻟﺘﹸﺭﺍﺒِـﻪِ
ﻭﻨﺎﺭ ﺍﻟﺤﺸﺎ ﻗﺩ ﺁﺫﻨـﺕﹾ ﺒـﺴﺭﺍﻴﺔِ ﻭﻗﻠﺒﻲ ﻋﻠﻰ ﺍﻵﻓﺎﻕِ ﺭﻴﺢ ﺍﺤﺘﺭﺍﻗِﻪِ
ﻓﻤﺎ ﻟﻲ ﻓﻲ ﻨﺎﺭِ ﺍﻟﻠﹼﻅﻰ ﻤﻥ ﺸﻜﺎﻴﺔِ ﺇﺫﺍ ﻁﻴﻔﹸﻪ ﻓﻲ ﺍﻟﻨﱠﺎﺭِ ﻤﺎ ﻜﺎﻥ ﺯﺍﺌﺭﻱ
ﻗﺼﺔﹸ ﺍﻟﺠﻨﱠﺔِ ﺤﻜﺎﻴﺔﹲ ﻤﻥ ﺤﻜﺎﻴﺎﺕِ ﻤﻭﻁﻨﻙ ﻭﻭﺼﻑﹸ ﺠﻤﺎلِ ﺍﻟﺤﻭﺭِ ﺭﻭﺍﻴﺔﹲ ﻋﻥ
ﻁﻠﻌﺘِﻙ ،ﻭﺃﻨﻔﺎﺱ ﻋﻴﺴﻰ ﺍﻟﹼﺘﻲ ﺘﺤﻴﻲ ﺍﻟﻤﻭﺘﻰ ﻭﺍﺤﺩﺓﹲ ﻤﻥ ﻟﻁﺎﺌﻑِ ﻋﻘﻴﻕِ ﺸﻔﺎﻫِﻙ ﻭﻤﺎ ﺀ
ﺍﻟﺤﻴﺎﺓِ ﺍﻟﱠﺫﻱ ﺤﻅﻲ ﺒﻪِ ﺍﻟﺨِﻀﺭ ﻤﺎ ﻫﻭ ﺇﻻﹼ ﻜﻨﺎﻴﺔﹲ ﻤﻥ ﺭﻀﺎﺏِ ﺜﻐﺭِﻙ ،ﻭﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻜﹸلﱡ
ﻗﻁﻌﺔٍ ﻤﻥ ﻗﻠﺒﻲ ﺍﻟﻤﻘﻁﱠﻊِ ﻓﻴﻙ ﺘﺤﻜﻲ ﻗﺼﺔﹶ ﺤﺯﻥ ﻭﺃﻨﺕ ﺍﻟﱠﺫﻱ ﻜلﱡ ﺴﻁﺭٍ ﻤﻥ ﻜﺘﺎ ِ
ﺏ
ﺨﺼﺎﻟِﻙ ﻴﺭﻭﻱ ﺁﻴﺔﹰ ﻤﻥ ﺁﻴﺎﺕِ ﺍﻟﺭﺤﻤﺔِ؛ ﻭﻤﺎ ﻜﺎﻥ ﻟﻠﻭﺭﺩِ ﺃﻥ ﻴﻔﻭﺡ ﺒﺎﻟﻌﻁﺭِ ﻓﻲ ﻤﺠﺎﻟﺱِ
ﺍﻟﺭﻭﺤﺎﻨﻴﻴﻥ ﻟﻭ ﻟﻡ ﺘﹸﺤِﻁﹾﻪ ﺒﺭﻋﺎﻴﺘِﻙ؛ ﺍﺤﺘﺭﻗﺕﹸ ﺒﻨﺎﺭِ ﺍﻟﺸﱠﻭﻕِ ﺇﻟﻰ ﺘﹸﺭﺍﺏِ ﺃﻋﺘﺎﺏِ ﺩﻴﺎ ِﺭ
ﺍﻟﺤﺒﻴﺏ ﻓﺘﺫﻜﹼﺭﻱ ﻴﺎ ﺼﺒﺎ ﺃﻨﱠﻙِ ﻟﻡ ﺘﺤﻤِﻨﻲ ﺒﺤﻤلِ ﻏﺒﺎﺭٍ ﻤﻥ ﺘﺭﺍﺏِ ﺩﻴﺎﺭﻩ ﺇﻟﻲ ، ﺍﻟﺠﺤﻴﻡ
ﺘﺴﺘﻌﺭ ﻓﻲ ﺼﺩﺭﻱ ﻭﻗﺩ ﻤﻸﺕ ﺭﺍﺌﺤﺔﹸ ﺍﺤﺘﺭﺍﻕِ ﻗﻠﺒﻲ ﺍﻟﻔﻀﺎﺀ ﻭﻨﺎﺭ ﺍﻷﺤﺸﺎﺀِ ﺒﺩﺃ ﹾ
ﺕ
ﺘﺨﺭﺝ ﻤﻨﹼﻲ ﻭﺴﺘﻨﺘﺸﺭ ﻓﻲ ﺍﻷﺭﺠﺎﺀ )ﺤﺴﻥ ﺯﺍﺩﻩ ﺁﻤﻠﻲ :ﺍﻻﺤﺘﺭﺍﻕ ﺒﺎﻟﻨﱠﺎﺭ ﻤﻌﺭﻓﺔﹸ ﺃﻫلِ
ﺍﻟﺸﹼﻬﻭﺩ ﻭﺍﻟﻔﻨﺎﺀ ﺒﺎﷲ ،ﻭﻫﻭ ﺍﻟﻤﺭﺘﺒﺔﹸ ﺍﻟﻌﻠﻴﺎ ﻤﻥ ﻤﺭﺍﺘﺏِ ﻤﻌﺭﻓﺔِ ﺍﷲِ ﺴﺒﺤﺎﻨﻪ(؛ ﻴﺎ ﻗﻠ
ﺏ
ﻙ ﺫﻫﺒﺎ ﻓﻲ ﺍﻟﺭﻴﺢِ ﻫﺒﺎﺀ ،ﻤﻠﻜﹾﺕﹶ ﻤﺌﺔﹶ ﺭﺃﺴِﻤﺎلٍ ﻭﻟﻡ ﺘﻜﺘﹶﻑِ؛ ﺃﺘﺩﺭﻱ ﻤﺎ
ﻋﻤﺭﻙ ﻭﻋِﻠﻤ
ﻅ ﻤِﻥ ﻫﺫﺍ ﺍﻷﻟﹶﻡِ ﻭﻫﺫِﻩِ ﺍﻟﻐﹸﺼﺔ؟ ،ﻨﻅﺭﺓﹸ ﺩﻻلٍ ﻤﻨﻙ ،ﻭﻋﻨﺎﻴﺔﹲ ﻤِﻥ ﺍﻟﻤﻠِﻙ.
ﻤﺭﺍﺩ ﺤﺎﻓِ ﹶ
ﻏﺰﻝ ٤٣٨
ﻭﺭﻭﺤﻲ ﻜﹸلﱠ ﻴـﻭﻡٍ ﻟـﻲ ﻴﻨـﺎﺩﻱ ﺴﺒﺕ ﺴﻠﻤﻰ ﺒﺼﺩﻏﻴﻬﺎ ﻓـﺅﺍﺩﻱ
ﻭﻭﺍﺼِﻠﻨﻲ ﻋﻠﻰ ﺭﻏـﻡِ ﺍﻷﻋـﺎﺩﻱ ﺃﻻ ﻋﻁﻔﺎﹰ ﻋﻠـﻰ ﻤـﺴﻠﻭﺏٍ ﻟﹸـﺏ
)(١
ﺘﻭﻜﱠﻠﹾﻨــﺎ ﻋﻠــﻰ ﺭﺏ ﺍﻟﻌِﺒــﺎﺩِ ﺒِﻐﻡ ﺠﻨﻭﻥِ ﻋِـﺸﻘِﻙ ﺃﻱ ﺤﺒﻴﺒـﻲ
) (١ﻻﺒﺩ ﻟﻨﺎ ﻤﻥ ﺍﻟﺴﻴﺭِ ﻓﻲ ﺩﺭﺏِ ﻋﺸﻘِﻙ ﺍﻟﱠﺫﻱ ﻓﻴﻪِ ﻏﻡ ﺍﻟﺠﻨﻭﻥ ﻭﻤﺎ ﻟﻨﺎ ﺇﻻﹼ ﺃﻥ ﻨﻘﻭلَ ﺘﻭﻜﱠﻠﹾﻨﺎ
ﻋﻠﻰ ﺭﺏ ﺍﻟﻌﺒﺎﺩ )ﻗﺼﺹ ﺍﻟﻌﺸﻕِ ﺠﻨﻭﻥ(؛
-٤١٥-
)(١
ﺕ ﺒِـﻼ ﺴـﺩﺍﺩِ
ﻭﻟﻡ ﺘﹶﺭﻫﺎ ﺤﻜﹶﻤ ﹶ ﺃﻤﻥ ﺃﻨﻜﺭﺘﻨﻲ ﻋﻥ ﻋِﺸﹾﻕِ ﺴـﻠﻤﻰ
)(٢
ﻏﺭﻴﻕﹶ ﺍﻟﻌِﺸﹾﻕِ ﻓﻲ ﺒﺤﺭِ ﺍﻟـﻭﺩﺍﺩِ ﺕ ﻤِﺜﻠـﻲ
ﻭﻟﻭ ﻋﺎﻴﻨﺘﹶﻬـﺎ ﺃﺼـﺒﺤ ﹶ
)(٣
ﺒِﻠﹶﻴــلٍ ﻤﻅﻠِــﻡٍ ﻭﺍﷲُ ﻫــﺎﺩﻱ ﺒِﺸﹶﻌﺭِﻙ ﻗﻠﺏ ﺤﺎﻓِﻅﹶ ﺭﺍﺡ ﻴﻤـﺸﻲ
*ﻤﺎ ﻜﹸﺘِﺏ ﺒﺨﹶﻁﱟ ﻤﺎﺌلٍ ﻤﻨﻅﻭﻡ ﺒﺎﻟﻌﺭﺒﻴﺔِ ﻤِﻥ ﺤﺎﻓِﻅ.
ﻏﺰﻝ ٤٣٩
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺭﺃﻴﺕﹸ ﻤﻨﺎﻤﺎﹰ ﺒِﺄﻥ ﺍﻟﺒﺩﺭ ﻁﹶﻠﹶﻊ ،ﻓﺎﻨﺘﻬﻰ ﻤِﻥ ﻀﻴﺎﺀِ ﻭﺠﻬِﻪِ ﻟﻴلُ ﺍﻟﻬﺠﺭﺍﻥ؛
ﻜﺎﻥ ﺘﻌﺒﻴﺭ ﺭﺅﻴﺎﻱ ﺃﻥ ﻴﺼِلَ ﺍﻟﺤﺒﻴﺏ ﺍﻟﻤﺴﺎﻓِﺭ ،ﻓﻠﻴﺘﹶﻪ ﻴﺩﺨﹸلُ ﺒﺎﺒﻲ ،ﻭﻴﺎ ﻟﻴﺕﹶ ﺫﻟِﻙ
ﻴﻜﻭﻥ ﺴﺭﻴﻌﺎﹰ؛
ﺫﻜﺭ ﺍﷲُ ﺫﻟﻙ ﺍﻟﺴﺎﻗﻲ ﺍﻟﻤﺒﺎﺭﻙ ﺍﻟﻔﺎلِ ﺒِﺎﻟﺨﻴﺭِ ،ﻓﻘﺩ ﻜﺎﻥ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡِ ﻴﺩﺨﹸلُ ﻋﻠﻲ
ﺍﻟﺒﺎﺏ ﺒﺎﻟﻘﹶﺩﺡِ ﻭﺍﻹﺒﺭﻴﻕ؛
ﻤﺎ ﻜﺎﻥ ﺃﺠﻤلَ ﻟﻭ ﺃﺭﺍﻨﺎ ﺩﻴﺎﺭﻩ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ ،ﻓﹶﺫﹶﻜﱠﺭﻨﺎ ﻋﻬﺩ ﺼﺤﺒﺘﹶﻪِ ﻓﺼﺎﺭ ﺩﻟﻴﻠﹶﻨﺎ ﺇﻟﻴﻪ؛
ﻟﻭ ﻜﺎﻥ ﻓﻴﺽ ﺍﻷﺯلِ ﻴﻨﺎلُ ﺒﺎﻟﻘﹸﻭﺓِ ﻭﺍﻟﺫﱠﻫﺏِ ،ﻜﺎﻥ ﻤﺎﺀ ﺤﻴﺎﺓِ ﺍﻟﺨِﻀﺭِ ﻤﻥ ﻨﺼﻴﺏِ
ﺍﻹﺴﻜﹶﻨﺩﺭ؛
ﺫﻜﺭ ﺍﷲُ ﻋﻬﺩ ﻜﺎﻨﹶﺕﹾ ﺘﺄﺘﻴﻨﻲ ﻤِﻥ ﺍﻟﺴﻘﹾﻑِ ﻭﺍﻟﺒﺎﺏِ ،ﻜﹸلﱠ ﻟﺤﻅﹶﺔٍ ،ﺭﺴﺎﻟﺔﹸ ﺍﻟﺤﺒﻴﺏِ ﻭﺨﻁﱡ
ﺍﻟﻤﻌﺸﻭﻕ؛
ﻤﺘﻰ ﻜﺎﻥ ﻴﺠِﺩ ﺭﻗﻴﺒﻙ ﻤِﺜﹾلَ ﻫﺫﺍ ﺍﻟﻤﺠﺎلِ ﻟﻠﻅﱡﻠﹾﻡِ ،ﻟﻭ ﻭﺼلَ ﺍﻟﻤﻅﻠﻭﻡ ﻟﻴﻠﹶﺔﹰ ﺇﻟﻰ ﺒﺎﺏِ
ﺤﺎﻜِﻡٍ ﻋﺎﺩِلٍ؛
ﻻ ﺜﹸﻡ ﻟﻴﺤﻜﹸﻡ؛
) (١ﻋﻠﻰ ﻤﻥ ﻴﻨﻜِﺭ ﻋﻠﻲ ﻋﺸﹾﻕﹶ ﺴﻠﻤﻰ ﺃﻥ ﻴﺭﺍﻫﺎ ﺃﻭ ﹰ
) (٢ﻭﻟﻭ ﺭﺁﻫﺎ ﻻﺌﻤﻲ ﻟﻐﺭِﻕﹶ ﻗﻠﺒﻪ ﻓﻲ ﺤﺒﻬﺎ ﻤﺜلَ ﻗﻠﺒﻲ؛
) (٣ﺘﺤﺕ ﻀﻔﺎﺌﺭ ﺸﻌﺭِﻙ ﺍﻟﺸﱠﺩﻴﺩِ ﺍﻟﺴﻭﺍﺩِ ﻴﺴﻴﺭ ﻗﻠﺏ ﺤﺎﻓﻅ )ﺒﺤﺜﺎﹰ ﻋﻥ ﺃﺴﺭﺍﺭِ ﺠﻤﺎﻟِﻙ ﺍﻟﺨﻔﻴﺔِ(
ﻓﻲ ﻟﻴلٍ ﻤﻅﹾﻠِﻡٍ ﻓﻠﻴﻬﺩِﻩِ ﺍﷲ.
-٤١٦-
ﻤﺎ ﻴﻌﺭِﻑﹸ ﺍﻷﺨﻭﺍﻡ ﻏﻴﺭ ﺍﻟﺴﺎﻟﻜﻴﻥ ﻋﻥ ﺫﹶﻭﻕِ ﺍﻟﻌِﺸﹾﻕ ،ﺍِﺒﺤﺙﹾ ﻋﻥ ﺫﻱ ﻗﹶﻠﹾﺏٍ ﻜﺎﻟﺒﺤﺭِ
ﻭﺸﹸﺠﺎﻉٍ ﻜﺎﻤِلٍ؛
ﻭﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻋﻠﱠﻤﻙ ﻗﺴﺎﻭﺓﹶ ﺍﻟﻘﻠﹾﺏِ ،ﻟﻴﺕﹶ ﻗﹶﺩﻤﻪ ﻋﺜِﺭﺕﹾ ﺒِﺼﺨﹾﺭﺓٍ ﻗﺎﺴﻴﺔٍ؛
ﻟﻭ ﺃﻥ ﺸﹶﺨﹾﺼﺎﹰ ﺁﺨﹶﺭ ﻜﹶﺘﹶﺏ ﺒِﺄُﺴﻠﻭﺏِ ﺤﺎﻓِﻅ ،ﻟﻜﺎﻥ ﻤﻘﺒﻭلَ ﻁﺒﻊِ ﺸﺎﻩِ ﺍﻟﻔﹶﻥ ﻭﻤﻭﻀِﻊ
ﻋﻨﺎﻴﺘِﻪ.
ﻏﺰﻝ ٤٤٠
ﺏ ﻜﹸﻥ ﻭﺍﺜِﻘﺎﹰ ﺒِﺄﻟﻁﺎﻑِ ﺍﻟﻠﹼﻪ؛
ﻗﹸﻠﺕﹸ ﺤﺩﻴﺙﹶ ﺭﺠﺎﺀٍ ﺇﻟﻰ ﺍﻟﺭﻴﺢِ ﻓﻲ ﺍﻟﺴﺤﺭ ،ﺠﺎﺀ ﺍﻟﺨﻁﺎ
ﺩﻋﺎﺀ ﺍﻟﺼﺒﺢِ ﻭﺁﻩ ﺍﻟﻠﹼﻴلِ ﻤﻔﺘﺎﺡ ﻜﻨﺯِ ﺍﻟﻤﻘﺼﻭﺩ ،ﺍﺠﻌﻠﻬﻤﺎ ﻁﺭﻴﻘﺎﹰ ﻟﻠﻭﺼﻭلِ ﺇﻟﻰ
ﺍﻟﻤﺤﺒﻭﺏ؛
ﻫﺫﻩِ ﺍﻟﻠﱡﻐﺔﹸ ﻟﻴﺱ ﻟﻬﺎ ﻗﹶﻠﹶﻡ ،ﺴِﺭ ﺍﻟﻌِﺸﹾﻕِ ﻭﺭﺍﺀ ﺍﻟﺘﹼﺤﺭﻴﺭِ ﻭﺍﻟﺘﹼﻘﺭﻴﺭِ ﻭﺍﻟﺸﱠﺭﺡ؛
ﺃﻱ ﻴﻭﺴﻑﹶ ﺍﻟﻤﺼﺭﻱ ﺍﻟﱠﺫﻱ ﺠﻌﻠﹶﺘﹾﻙ ﺍﻟﺴﻠﹾﻁﹶﻨﹶﺔﹸ ﻤﻐﺭﻭﺭﺍﹰ ،ﺁﺨِﺭﺍﹰ ﺘﹶﻔﹶﻘﱠﺩ ﺃﺒﺎﻙ ،ﺃﻴﻥ
ﻤﺤﺒﺔﹸ ﺍﻟﻭﻟﹶﺩ؟!؛
ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡ ﺍﻟﻌﺠﻭﺯ ﺍﻷﺭﻋﻥ ،ﺒﻼ ﺭﺤﻤﺔٍ ﻓﻲ ﺠِﺒِﻠﱠﺘِﻪ ،ﻻ ﺘﺴلْ ﻋﻥ ﻤﺤﺒﺘِﻪ ،ﻭﻻ ﺘﺘﻌﻠﱠﻕﹾ
ﻫِﻤﺘﹸﻙ ﺒِﻪ؛
ﻭﺃﻨﺕﹶ ﻋﺎﻟﻲ ﺍﻟﻘﹶﺩﺭِ ﻓﺈﻻﻡ ﺤِﺭﺼﻙ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻌﻅﹾﻡ؟ ،ﻋﺠﻴﺏ ﺍﻋﺘﻨﺎﺅﻙ ﺒِﻤﻥ
ﻻ ﻴﺴﺘﺤِﻕﹼ؛
ﺇﺫﺍ ﻜﺎﻥ ﻓﻲ ﻫﺫﻩِ ﺍﻟﺴﻭﻕِ ﺭِﺒﺢ ﻓﻬﻭ ﻤﻥ ﻨﺼﻴﺏِ ﺍﻟﺩﺭﻭﻴﺵِ ﺍﻟﻘﺎﻨِﻊ ،ﺭﺏ ﺃﻨﻌِﻡ ﻋﻠﻲ
ﺒﺎﻟﺩﺭﻭﺸﹶﺔِ ﻭﺍﻟﻘﻨﺎﻋﺔ؛
ﻋﻠﻰ ﺸِﻌﺭِ ﺤﺎﻓِﻅِ ﺸﻴﺭﺍﺯ ﺘﺭﻗﹸﺹ ﺤِﺴﺎﻥ ﻜﺸﻤﻴﺭ ﺴﻭﺩ ﺍﻟﻌﻴﻭﻥِ ،ﻭﺒﻨﺎﺕﹸ ﺴﻤﺭﻗﹶﻨﺩ
ﻋﺎﻟﻴﺎﺕﹸ ﺍﻟﻘﹶﺩ.
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ﻏﺰﻝ ٤٤١
ﻟﻭ ﻜﺎﻥ ﻤﺎ ﻜﺎﻥ ﺤﺎﻟﻲ ﻤﺜﻠﻤﺎ ﺤﺎﻟﻲ ﻤﺎ ﻜﺎﻥ ﻟﻭ ﻜﺎﻥ ﻗﻠﺏ ﺍﻟﺒﺩﺭِ ﻴﺭﺤﻤﻨﻲ؟
ﻤﺎ ﻜﺎﻥ ﻤﻥ ﻁﻴﺏِ ﻓﺭﻉٍ ﻤﻨﻪ ﺃﻫﺩﻯ ﻟﻲ ﺃﻫﺩﻴﺘﹸﻪ ﺃﻟﻑﹶ ﺭﻭﺡٍ ﻟﻭ ﻤﻠﹶﻜﹾﺕﹸ ﻋﻠـﻰ
ﺴﺭﻴﺭ ﻋﺯﺓِ ﻤﺜﻠﻲ ﺘﹸﺭﺒـﻪ ﺍﻟﻐـﺎﻟﻲ ﻋﺴﻰ ﺍﻟﺯﻤﺎﻥ ﺴﻴﻌﻠﻴﻨﻲ ﻭﻴﺭﻓﻌﻨـﻲ
* ﻤﺎﺫﺍ ﻟﻭ ﻜﺎﻥ ﻗﻠﺏ ﺫﻟﻙ ﺍﻟﺒﺩﺭِ ﺭﺤﻴﻤﺎﹰ ﺒﻲ ﻋﻁﻭﻓﺎﹰ ﻋﻠﻲ؟ ،ﻟﻭ ﺃﻨﱠﻪ ﻜﺎﻥ ﻜﺫﻟﻙ
ﻤﺎ ﻜﺎﻥ ﺤﺎﻟﻲ ﻋﻠﻰ ﻤﺎ ﻫﻭ ﻋﻠﻴﻪِ ﺍﻵﻥ ﻤﻥ ﺴﻭﺀ؛
ﻟﻭ ﻜﹸﻨﹾﺕﹸ ﺃﻤﻠﻙ ﻋﻠﻰ ﺭﺃﺱِ ﻜﹸلﱢ ﺸﻌﺭﺓٍ ﻤِﻨﱢﻲ ﺃﻟﻑﹶ ﺭﻭﺡٍ ﻋﺯﻴﺯﺓٍ ،ﻜﹸﻨﺕﹸ ﺃﻗﻭلُ ﻟﹶﻙ
ﻤﺎ ﺜﹶﻤﻥ ﻨﺴﻴﻡِ ﻁﹸﺭﺓِ ﺍﻟﺤﺒﻴﺏِ؛
ﺒﺭﺍﺀﺓﹸ ﺴﻌﺎﺩﺓِ ﺍﻟﻘﹶﻠﹾﺏِ ﻟﻨﺎ ﻴﺎ ﺭﺏ ﻤﺎ ﻜﺎﻨﺕ ﺘﻨﻘﹸﺹ ،ﻟﻭ ﻜﺎﻨﺕ ﻋﻠﻴﻬﺎ ﺸﺎﺭﺓﹸ ﺍﻷﻤﺎﻥِ ﻤﻥ
ﺴﻭﺀِ ﺍﻟﺯﻤﺎﻥ؛
ﺇﺫﺍ ﻤﺎ ﺭﻓﹶﻊ ﺍﻟﺯﻤﺎﻥ ﻟﻲ ﻗﺩﺭﻱ ﻭﺃﻋﻠﻰ ﻟﻲ ﺸﺄﻨﻲ ،ﺴﺭﻴﺭ ﻋِﺯﺘﻲ ﻴﺼﻴﺭ ﻤﻥ
ﺘﹸﺭﺍﺏِ ﺃﻋﺘﺎﺒِﻪ؛
ﻟﻴﺕﹶ ﺍﻟﺤﺒﻴﺏ ﻴﺨﺭﺝ ﻤِﻥ ﺍﻟﺤِﺠﺎﺏِ ﻜﻘﻁﺭﺓِ ﺍﻟﺩﻤﻊِ ،ﻓﺈﻥ ﺤﻜﹾﻤﻪ ﺠﺎﺭٍ ﻋﻠﻰ ﻋﻴﻨﻲ ﺍﻻﺜﻨﹶﺘﹶﻴﻥِ؛
ﻟﻭ ﻟﻡ ﺘﻜﹸﻥ ﺩﺍﺌﺭﺓﹸ ﺍﻟﻌِﺸﹾﻕِ ﻤﻐﻠﹶﻘﹶﺔﹰ ﻭﺒﻼ ﻤﺨﺭﺝٍ ،ﻤﺎ ﻜﺎﻥ ﺤﺎﻓِﻅﹸ ﻅلﱠ ﻫﺎﺌﻤﺎﹰ ﻜﻨﹸﻘﻁﹶﺔٍ ﻓﻴﻬﺎ.
ﻏﺰﻝ ٤٤٢
ﻭﺤﻕﱢ ﺭﻭﺤِﻪِ ﻟﻭ ﻜﺎﻨﺕﹾ ﺭﻭﺤﻲ ﺒﻴﺩﻱ ،ﻟﻜﺎﻨﺕﹶ ﻗﻠﻴﻠﹶﺔﹰ ﻋﻁﺎﺀ ،ﺃﺠﺭﺍﹰ ﻟِﻌﺒﻭﺩِﻴﺘﻲ ﻟﻪ؛
ﻜﹸﻨﹾﺕﹸ ﻟِﺄﻗﻭلَ ﻟﹶﻙ ﻤﺎ ﺜﹶ ﻤﻥ ﻏﹸﺒﺎﺭِ ﻗﹶﺩ ﻤِﻪِ ،ﻟﻭ ﻜﺎﻨﹶﺕﹾ ﺤﻴﺎﺘﻲ ﺍﻟﻐﺎﻟ ﻴﺔﹸ ﺨﺎﻟِﺩﺓﹰ ﻭﺘﹶﺼ ﻠﹸﺢ
ﺃﺠﺭﺍﹰ ﻟﻪ؛
ﺒﺎﻟﻌﺒﻭﺩﻴﺔِ ﻟِﻘﺩﻩ ﺼﺎﺭ ﻤﻌﺘﹶﺭِﻓﺎﹰ ﺍﻟﺴﺭﻭ ،ﻭﻟﻭ ﻤﻠﹶﻙ ﻋﺸﺭﺓﹶ ﺃﻟﺴﻥ ﻜﺎﻟﺴﻭﺴﻥِ ﺍﻟﺤﺭ؛
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ﻻ ﺃﺭﺍﻩ ﻭﻻ ﺨﻴﺎﻟﹶﻪ ﺃﺭﻯ ،ﻓﺄﻱ ﻤﻜﺎﻥٍ ﻟﻠﻭِﺼﺎل؟ ،ﺒﻤﺎ ﺃﻥ ﺍﻟﻭِﺼﺎلَ ﻏﻴﺭ ﻤﻤﻜِﻥٍ،
ﻟﻴﺘﻨﻲ ﺃﺭﺍﻩ ﻓﻲ ﺍﻟﻨﹶﻭﻡ؛
ﻟﻭ ﻟﻡ ﻴﻜﹸﻥ ﻗﻠﺒﻲ ﻤﻘﻴﺩ ﺍﻟﻘﹶﺩﻡِ ﺒﺤﺒلٍ ﻤﻥ ﻁﹸﺭﺘِﻪِ ،ﻤﺘﻰ ﻜﺎﻥ ﻗﺭﺍﺭﻩ ﻴﻘِﺭ ﻓﻲ ﻫﺫِﻩِ
ﺍﻟﻤﺯﺒﻠﹶﺔِ )ﺍﻟﺩﻨﻴﺎ( ﺍﻟﻤﻅﻠِﻤﺔ؛
ﺒﻭﺠﻪٍ ﻜﹶﺸﹶﻤﺱِ ﻓﹶﻠﹶﻙِ ﺍﻵﻓﺎﻕِ ﺒﻼ ﻨﹶﻅﻴﺭٍ ،ﻭﻗﻠﺏٍ ﻟﻴﺘﹶﻪ ﻜﺎﻥ ﻴﻤﻠِﻙ ﺫﹶﺭﺓﹰ ﻤﻥ ﺍﻟﺭﺤﻤﺔ؛
ﻋﺴﺎﻩ ﻴﺩﺨﹸلُ ﻤﻥ ﺒﺎﺒﻲ ﻜﻠﻤﻌﺔٍ ﻤﻥ ﺍﻟﻨﱡﻭﺭ ،ﻓﻘﺩ ﻜﺎﻥ ﺤﻜﹾﻤﻪ ﺠﺎﺭﻴﺎﹰ ﻋﻠﻰ ﻋﻴﻨﹶﻲ ﺍﻻِﺜﻨﹶﺘﹶﻴﻥ؛
ﻤﺘﻰ ﻜﺎﻥ ﺃﻨﻴﻥ ﺤﺎﻓِﻅﹶ ﻴﺨﺭﺝ ﺨﺎﺭِﺝ ﺍﻟﺤِﺠﺎﺏِ ،ﻟﻭ ﻟﻡ ﻴﻜﹸﻥ ﺭﻓﻴﻕﹶ ﻁﹸﻴﻭﺭِ ﺍﻟﺼﺒﺢِ
ﺍﻟﻤﻐﺭﺩﺓ.
ﻏﺰﻝ ٤٤٣
ﻜﺎﻟﺴﺭﻭِ ﺇﺫﺍ ﺘﻤﺎﻴﻠﹾﺕﹶ ﻟﺤﻅﹶﺔﹰ ﻓﻲ ﺭﻭﻀﺔِ ﺍﻟﻭﺭﺩ ،ﻜﹸلﱡ ﻭﺭﺩﺓٍ ﻏﹶﻴﺭﺓﹰ ﻤﻥ ﻭﺠﻬِﻙ ﺘﹸﺸﺎﻙ
ﺒِﺎﻟﺸﱠﻭﻙ؛
ﻤﻥ ﻜﹸﻔﹾﺭِ ﻀﻔﻴﺭﺘِﻙ ﻜﹸلﱡ ﺤﻠﹾﻘﹶﺔِ ﺒﻼﺀٍ ﻭﻓِﺘﹾﻨﹶﺔ ،ﻤِﻥ ﺴِﺤﺭِ ﻋﻴﻨِﻙ ﻜﹸلﱡ ﺠﺭﺡٍ ﻭﻋِﻠﱠﺔ؛
ﺃﻱ ﻋﻴﻥ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﺴﻜﹾﺭﻯ ﻻ ﺘﺫﹾﻫﺒﻲ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ ﻜﺒﺨﺘﻲ ،ﻤﻥ ﻜﹸلﱢ ﺠِﻬﺔٍ ﻤﻥ ﺤﻭﻟﹶﻙِ
ﺁﻫﺎﺕﹸ ﺍﻟﺴﺎﻫِﺭﻴﻥ ﺘﻼﺤِﻘﹸﻙِ؛
ﻨﺜﺎ ﺭ ﻏﹸﺒﺎﺭِ ﺩﺭﺒِﻙ ﻨﹶﻘﹾﺩ ﺭﻭﺤﻲ ،ﻤﺎ ﺩﺍﻡ ﻨﻘﺩ ﺍﻟﺫﱠﻫﺏِ ﻭﺍﻟﻔِﻀﺔِ ﻟﻴﺱ ﻤِﻥ ﻤِﻘﺩﺍﺭِﻙ؛
ﻴﺎ ﻗﻠﺏ ﻻ ﺘﹶﺒﺎﻩ ﺩﺍﺌﻤﺎﹰ ﺒِﻔﹶﺭﻋِﻪِ ﺁﺴِﺭِ ﺍﻟﻘﻠﻭﺏ ،ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﺃﺴﻭﺩ ﺍﻟﺭﺃﻱِ ﻤﺘﻰ ﻴﻜﻭﻥ
ﻓﹶﺭﺠﻙ؛
ﺨﺴِﺭﺕﹸ ﺭﺃﺴﻲ ﻭﻟﻡ ﺃﺤﺼلْ ﻟﹶﺤﻅﹶﺔﹰ ﻋﻠﻰ ﻤﺭﺍﺩﻱ ،ﻀﺎﻕﹶ ﻗﻠﺒﻲ ﻤﻥ ﺍﻟﻐﹶﻡ ﻭﻟﻡ ﻴﺼِﺒﻙ
ﻤﻥ ﺫﻟِﻙ ﻏﻡ؛
ﻗﹸﻠﹾﺕﹸ ﻟﻪ ﺘﻌﺎلَ ﻭﻜﹸﻥ ﻜﺎﻟﻨﱡﻘﹾﻁﹶﺔِ ﻓﻲ ﻤﺭﻜﹶﺯِ ﺍﻟﺩﺍﺌﺭﺓ ،ﻀﺤِﻙ ﻭﻗﺎلَ ﻴﺎ ﺤﺎﻓِﻅﹸ ﻤﺎ ﻫﺫِﻩِ
ﺍﻟﺤﻴﻠﹶﺔﹸ ﻤﻨﻙ.
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ﻏﺰﻝ ٤٤٤
ﻫﺫﻱ ﺍﻟﻤﺩﻴﻨﺔﹸ ﻤﻤﻠﻭﺀﺓﹲ ﺒﺎﻟﻅﱡﺭﻓﺎﺀِ ،ﻓﻤِﻥ ﻜﹸلﱢ ﻁﹶﺭﻑٍ ﺤﺒﻴﺏ ،ﺇﻨﹶﻬﺎ ﺩﻋﻭﺓﹸ ﺍﻷﺤِﺒﺔِ
ﻟﻠﻌِﺸﹾﻕِ ،ﻫل ﺘﻔﻌﻠﻭﻥ؛
ﻟﻡ ﺘﹶﺭ ﻋﻴﻥ ﺍﻟﻔﹶﻠﹶﻙِ ﺸﺎﺒﺎﹰ ﺃﺒﺩﻉ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺸﱠﺎﺏ ،ﻭﻟﹶﻡ ﻴﻘﹶﻊ ﻓﻲ ﻴﺩِ ﺸﹶﺨﹾﺹٍ ﻤﻌﺸﻭﻕﹲ
ﺃﺠﻤلُ ﻤﻥ ﻫﺫﺍ ﺍﻟﻤﻌﺸﻭﻕ؛
ﻟﻡ ﺘﹶﺭ ﻋﻴﻥ ﺃﺒﺩﺍﹰ ﺠِﺴﻤ ﹰﺎ ﻤﺭﻜﱠﺒﺎﹰ ﻤﻥ ﺍﻟﺭﻭﺡِ ،ﺇﻻﹶﻩ ﻭﺤﺎﺸﺎﻩ ﻴﻌﻠﹶﻕﹸ ﺒِﺜﹶﻭﺒِﻪِ ﻏﹸﺒﺎﺭ ﻤِﻥ
ﻫﺅﻻﺀِ ﺍﻟﺘﹸﺭﺍﺒﻴِﻴﻥ؛
ﻤﻜﺴﻭﺭ ﻤِﺜﻠﻲ ﻟﻤﺎﺫﺍ ﺘﹸﺒﻌِﺩﻩ ﻤﻥ ﻁﺭﻴﻘِﻙ ،ﻭﻏﺎﻴﺔﹸ ﻤﺎ ﻴﺘﻭﻗﱠﻌﻪ ﻤﻨﻙ ﻗﹸﺒﻠﹶﺔﹲ ﺃﻭ ﻋﻨﺎﻕﹲ؛
ﺍﻟﺨﹶﻤﺭ ﺼﺎﻑٍ ﺨﹸﺫﹾﻩ ،ﻭﺍﻟﻭﻗﹾﺕﹸ ﺠﻤﻴلٌ ﺃﺴﺭِﻉ ،ﻻ ﺘﹸﻌﻠﱢﻕﹾ ﺍﻷﻤلَ ﻋﻠﻰ ﺭﺒﻴﻊٍ ﺠﺩﻴﺩٍ ﻤﻥ
ﺴﻨﹶﺔٍ ﺃُﺨﺭﻯ؛
ﻓﻲ ﺒﺴﺘﺎﻥِ ﺍﻟﺤﺭﻴﻔﻴﻥ ،ﻜﺎﻟﺸﱠﻘﺎﺌﻕِ ﻭﺍﻟﻭﺭﺩ ،ﻜﹸلﱡ ﺤﻤلَ ﺠﺎﻤﺎﹰ ﻋﻠﻰ ﺫِﻜﹾﺭِ ﻭﺠﻪِ ﺤﺒﻴﺏ؛
ﻫﺫِﻩِ ﺍﻟﻌﻘﹾﺩﺓﹶ ﻜﻴﻑﹶ ﺃﺤلﱡ ﻭﻫﺫﺍ ﺍﻟﺴﺭ ﻜﻴﻑﹶ ﺃُﻅﹾﻬِﺭ ،ﺃَﻟﹶﻡ ﻴﺎ ﻟ ﻪ ﻤﻥ ﺃَﻟﹶﻡٍ ﺸﺩﻴﺩٍ ،ﻭﻋﻤلٌ ﻴﺎ
ﻟﻪ ﻤﻥ ﻋﻤلٍ ﺼﻌﺏ )ﺃﻟﹶﻡ ﻤﺎ ﺁﻟﹶﻤﻪ ،ﻭﻋﻤلٌ ﻤﺎ ﺃﺼﻌﺒﻪ(؛
ﺨﻴﻁﹸ ﻜﹸلﱢ ﺸﹶﻌﺭﺓٍ ﻤﻥ ﺤﺎﻓِﻅ ﺘﹸﻤﺴِﻙ ﺒِﻪِ ﻴﺩ ﻤﻥ ﻓﹶﺭﻋِﻙ ﺍﻟﺠﺴﻭﺭ ،ﺇﻤﻜﺎﻥ ﺍﻟﺠﻠﻭﺱِ ﻓﻲ
ﻤِﺜﹾلِ ﻫﺫِﻩِ ﺍﻟﺩﻴﺎﺭِ ﻤﺸﻜِلٌ.
ﻏﺰﻝ ٤٤٥
)(١
ﻤﺎ ﻟِﻸَﺴﻰ ﻟِﻀﻌﻴﻑٍ ﻋﺎﺠِﺯٍ ﻭﻟﹶـﻙ ﻴﺎ ﻤﻥ ﻟِﻤﺎ ﻴﺒﺘﻐﻲ ﻓﻲ ﺍﻟﻜﹶﻭﻥِ ﻗﹶﺩ ﻤﻠﹶﻙ
)(٢
ﻓﹶﺈﻨﱠﻤﺎ ﺍﻟﺤﻜﹾﻡ ﻓﻲ ﺤﺭ ﺍﻟﻨﱡٌﻔﹸﻭﺱِ ﻟﹶﻙ ﺍﻟﺭﻭﺡ ﻭﺍﻟﻘﹶﻠﹾﺏ ﺨﹸﺫﹾ ﻤِﻨﱢﻲ ﺒِﻼ ﻤﻬلٍ
) (١ﻜلﱡ ﻤﺎ ﺘﹸﺭﻴﺩ ﻓﻲ ﺍﻟﻭﺠﻭﺩِ ﺘﻤﻠﻙ ﻓﺄﻱ ﻏﻡ ﻋﻨﺩﻙ ﻤﻥ ﺤﺎلِ ﺍﻟﻀﻌﻔﺎﺀِ ﺍﻟﻌﺎﺠِﺯﻴﻥ؛
) (٢ﺍﹸﻁﻠﹸﺏِ ﺍﻟﺭﻭﺡ ﻭﺍﻟﻘﹶﻠﹾﺏ ﻤﻨﱢﻲ ﻭﺨﹸﺫﻫﻤﺎ ﺴﺭﻴﻌﺎﹰ ﻓﺤﻜﹾﻤﻙ ﻋﻠﻰ ﺍﻷﺤﺭﺍﺭِ ﺠﺎﺭٍ؛
-٤٢٠-
)(١
ﺃَﻋﺠِﺏ ﺒِﻪِ ﻭﺴﻁﹶ ﺍﻷﺨﹾﻴﺎﺭِ ﻗﹶﺩ ﺴﻠﹶﻙ ﻭﺴِﻴﻁﹸ ﺨﹶﻴﺭٍ ﺒِﻘﹶﺩ ﻤـﺎ ﻟﹶـﻪ ﻭﺴـﻁﹲ
)(٢
ﺴﻭﺍﺩ ﺨﻁﱟ ﺒِﻭﺠﻪِ ﺍﻷﺭﻏﻭﺍﻥِ ﺯﻜﺎ ﺒﻴﺎﺽ ﻭﺠﻬِﻙ ﻻ ﺭﺴﻡ ﺒِـﻪِ ،ﻭﺒِـﻪِ
ﻟﹶﻁِﻴﻑﹶ ﺭﻭﺡٍ ﺒِﺭﺃْﺱٍ ﻟِﻠﹾﻤـﺩﺍﻡِ ﺸﹶـﻜﹶﺎ ﺍِﺸﹾﺭﺏ ﻟﹶﻁِﻴﻑﹶ ﻤﺩﺍﻡٍ ﺜﹸﻡ ﻗﹸـﻡ ﺜﹶﻤِـﻼﹰ
)(٣
ﺕ ﻭﻻ ﺘﹶﻐﹾﺘﹶﻡ ﺇِﻥ ﺤﺎﺭِﺱ ﺍﻟﺒﺴﺘﹶﺎﻥِ ﻤِﻨﹾﻙ ﺸﹶـﻜﹶﺎ
ﻴﻬﻨِﻴﻙ ﻴﺎ ﺤﺎﻓِﻅﹲ ﻭﺭﺩ ﺒﺴﺘﺎﻥٍ ﻗﹶﻁﹶﻔﹾ ﹶ
ﻏﺰﻝ ٤٤٦
ﺼﺒﺎ ﺃﻨﺕِ ﺘﺤﻤﻠﻴﻥ ﻨﻜﻬ ﹶﺔ ﻀﻔﻴﺭﺓِ ﺍﻟﻤِﺴﻙِ ﺘﻠﻙ ،ﻓﺎﺫﻜﹸﺭﻱ ﺩﺍﺌﻤﺎﹰ ﺃﻨﱠﻙِ ﺘﺤﻤِﻠﻴﻥ ﻋﺒﻴﺭﻩ؛
ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﺒِﻪِ ﺠﻭﻫﺭ ﺃﺴﺭﺍﺭِ ﺍﻟﺤﺴﻥِ ﻭﺍﻟﻌِﺸﹾﻕ ،ﺃﻗﺩِﺭ ﺃﻀﻌﻪ ﻓﻲ ﻴﺩِﻙِ ﺇﻥ ﻜﹸﻨﹾﺕﹶ
ﺘﺭﻋﺎﻩ؛
ﻻ ﺃﺤﺩ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻘﻭلَ ﺸﻴﺌﺎﹰ ﻓﻲ ﺸﻤﺎﺌﻠِﻙ ﺍﻟﻤﻁﺒﻭﻋﺔِ ،ﻋﺩﺍ ﻫﺫﺍ ﺍﻟﻘﹶﺩﺭ ﻤﻥ ﻗﺴﺎﻭﺓِ
ﺭﻗﺒﺎﺌﻙ؛
ﻤﺘﻰ ﺘﺴﺘﻤِﻊ ﺇﻟﻰ ﻏﻨﺎﺀِ ﺒﻠﹾﺒﻠِﻙ ﻭﻴﻠﻘﻰ ﻗﺒﻭﻟﹶﻙ ﻴﺎ ﻭﺭﺩ ،ﻭﺃﻨﺕﹶ ﺘﹸﻌﻁﻲ ﺍﻷُﺫﹸﻥ ﻭﺘﹸﺼﻐﻲ
ﻟِﻜﹸلﱢ ﻗﻭﺍلٍ ﻤﻥ ﺍﻟﻁﱡﻴﻭﺭ؛
) (١ﻋﺠﺒﺎﹰ ﻟﺼﺎﺤﺏ ﺍﻟﺨﺼﺭِ ﺍﻟﺭﺸﻴﻕ ﺤﺘﻰ ﻜﺄﻥ ﻗﺩﻩ ﺒﻼ ﻭﺴﻁ )ﻟﺩﻗﹼﺔ ﺨﺼﺭﻩ( ﻜﻴﻑ ﻴﺴﻌﻰ
ﻭﺴﻁ ﺍﻷﺨﻴﺎﺭ )ﺒﻴﻨﻬﻡ( ﺒﺎﻟﺨﻴﺭ ﻭﺍﻟﺴﺭﻭﺭ؛
) (٢ﺒﻴﺎﺽ ﻭﺠﻬِﻙ ﻻ ﻴﺤﺘﺎﺝ ﺘﺠﻤﻴﻼﹰ ﻭﻻ ﺭﺴﻡ ﻓﻴﻪِ ،ﻭﻋﻠﻴﻪِ ﺨﻁﱞ ﺒِﺴﻭﺍﺩِ ﺍﻟﻤِﺴﻙِ ﻨﻤﺎ ﻋﻠﻰ ﺼﻔﺤﺔِ
ﺍﻷﺭﻏﻭﺍﻥ؛
) (٣ﻤﺎ ﺩﻤﺕﹶ ﺘﺤﻤِلُ ﺍﻟﻭﺭﺩ ﻤﻥ ﻫﺫﺍ ﺍﻟﺭﻭﺽِ ﻓﻲ ﺜﻭﺒِﻙ ﻴﺎ ﺤﺎﻓِﻅ ،ﺃﻱ ﻏﻡ ﻟﺩﻴﻙ ﻤِﻥ ﺸﻜﺎﻴِ ﺔ
ﻭﺼﺭﺍﺥِ ﺍﻟﺒﺴﺘﺎﻨﻲ؛ ﻭﻫﻨﺎﻙ ﺃﺒﻴﺎﺕﹲ ﻟﻡ ﺘﹸﺘﹶﺭﺠﻡ ﺸِﻌﺭﺍﹰ ﻭﺘﺭﺠﻤﺘﹸﻬﺎ ﻨﺜﺭﺍﹰ :ﻻ ﺘﻘﹸﻡ ﺒِﺄﻜﺜﹶﺭ ﻤِﻥ ﻫﺫﺍ
ﺍﻟﻌِﺘﺎﺏِ ﻭﺍﻟﺠﻭﺭِ ﻋﻠﻰ ﻗﹶﻠﹾﺒِﻨﺎ ،ﻭﻻ ﺘﻘﹸﻡ ﺒِﻜﹸلﱢ ﻤﺎ ﺘﺴﺘﻁﻴﻊ ﻤِﻥ ﺍﻷﺫﻯ ﻟﻨﺎ؛ ﺍﺨﺘﻴﺎﺭﻙ ﺠﻤﻴلٌ ﻭﻟﻭ
ﺠﻌﻠﹾﺕﹶ ﻓﻲ ﺍﻟﻘﻭﺱِ ﻤﺌﺔﹶ ﺃﻟﻑِ ﺴﻬﻡِ ﺠﻔﺎﺀٍ ﺒِﻘﹶﺼﺩِ ﺭﻭﺤﻲ ﺍﻟﻀﻌﻴﻔﹶﺔِ؛ ﺘﺤﻤلْ ﺠﻔﺎﺀ ﺍﻟﺭﻗﺒﺎﺀِ ﺩﻭﻤﺎﹰ
ﺕ ﺒِﻭﺼلِ ﺍﻟﺤﺒﻴﺏِ ﻟﺤﻅﹶﺔﹰ ﻭﺠﻭﺭ ﺍﻟﺤﺴﻭﺩِ ،ﻭﺫﺍﻙ ﺴﻬلٌ ﺇﻥ ﻜﺎﻥ ﻟﹶﻙ ﺤﺒﻴﺏ ﺭﺤﻴﻡ؛ ﺇﺫﺍ ﻅﻔﺭ ﹶ
ﻭﺍﺤِﺩﺓﹰ ،ﺍﺫﻫﺏ ﻓﺄﻨﺕﹶ ﺘﻤﻠﻙ ﻜﹸلﱠ ﻤﺎ ﺘﻁﻠﹸﺏ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ؛.
-٤٢١-
ﺃﻱ ﺴﺭﻭ ﺍﻟﺠﺩﻭلِ ﻻ ﺘﺸﻤﺦﹾ ﺒِﺭﺃﺴِﻙ ﻭﻻ ﺘﹸﻔﺎﺨِﺭ ﺒﻌﻠﻭﻙ ،ﺃﻤﺎ ﺇﻨﱠﻙ ﻟﻭ ﺭﺃﻴﺘﹶﻪ
ﻟﹶﻁﺄﻁﺄﺕﹶ ﻤﻥ ﺍﻟﺨﹶﺠلِ ﺭﺃﺴﻙ؛
ﻨﹶﻔﹶﺴﻙ ﻤﻤﺎﻟِﻙ ﻤﻥ ﺍﻟﺤﺴﻥِ ﻜﺸﹸﺭﻭﻕِ ﺍﻟﺸﱠﻤﺱ ،ﻭﻋِﻨﹾﺩﻙ ﺍﻟﻐِﻠﻤﺎﻥ ،ﻜﹸلﱡ ﻏﹸﻼﻡٍ ﻭﺠﻬﻪ
ﻜﺎﻟﻘﹶﻤﺭ؛
ﺭِﺩﺍﺀ ﺍﻟﺤﺴﻥِ ﺭِﺩﺍﺅﻙ ﻭﺤﺩﻙ ﻭﻋﻠﻰ ﻗِﻴﺎﺴِﻙ ،ﺃﻨﺕﹶ ﻜﺎﻟﻭﺭﺩِ ﺘﻤﻠِﻙ ﻜﹸلﱠ ﺍﻟﻠﹼﻭﻥِ
ﻭﺍﻟﻌِﻁﹾﺭ؛
ﻻ ﺘﹶﺒﺤﺙﹾ ﻋﻥ ﺠﻭﻫﺭِ ﺍﻟﻌِﺸﹾﻕِ ﻓﻲ ﺭﻜﹾﻥِ ﺍﻟﺼﻭﻤﻌﺔِ ﻴﺎ ﺤﺎﻓِﻅ ،ﺍﹸﺨﻁﹸ ﻟﻠﺨﺎﺭِﺝِ ﻗﹶﺩﻤﺎﹰ ﺇﻥ
ﻜﺎﻥ ﺒِﻙ ﻤﻴلٌ ﻟﻠﺒﺤﺙِ ﻭﺍﻟﺘﱠﺤﺭﻱ.
ﻏﺰﻝ ٤٤٧
ﺘﻌﺎلَ ﺇﻟﻴﻨﺎ ،ﻭﻻ ﺘﻜﹸﻥ ﻏﺎﻀِﺒﺎﹰ ﻋﻠﻴﻨﺎ ،ﻓﺈﻥ ﻟﻨﺎ ﻋﻠﻴﻙ ﺤﻕﱠ ﺍﻟﺼﺤﺒﺔِ ﺍﻟﻘﺩﻴﻤﺔِ ،ﻓﺎﺭﻉ
ﺤﻕﱠ ﺼﺤﺒﺘِﻨﺎ؛
ﺍﺴﺘﻤِﻊ ﺇﻟﻰ ﺍﻟﻨﱠﺼﻴﺤﺔِ ﻓﻬﺫﻩِ ﺍﻟﺩﺭﺓﹸ ﺃﻓﻀلُ ﻜﺜﻴﺭﺍﹰ ﻤِﻥ ﺍﻟﺠﻭﺍﻫِﺭِ ﺍﻟﱠﺘﻲ ﺘﻤﺘﻠﻙ ﻓﻲ
ﺨﺯﺍﺌﻨِﻙ؛
ﻟﻜِﻥ ﻤﺘﻰ ﺴﺘﻜﺸِﻑﹸ ﺍﻟﻭﺠﻪ ﻟﻠﺴﻜﺎﺭﻯ ﻭﺃﻨﺕﹶ ﺍﻟﱠﺫﻱ ﺍﺘﱠﺨﹶﺫﺕﹶ ﺍﻟﺸﱠﻤﺱ ﻭﺍﻟﻘﹶﻤﺭ ﻤﺭﺁﺓﹰ
ﻟﺠﻤﺎﻟِﻙ ،ﻭﻤﺘﻰ ﺴﺘﻜﺘﺭﺙﹸ ﺒﻨﺎ؟؛
ﺕ ﺒِﺫﻟِﻙ ﺘﹸﻌﺎﻨِﺩ ﺤﻜﹾﻡ ﺍﷲ؛
ﻻ ﺘﹸﺤﺩﺙﹾ ﺒﻌﻴﺏِ ﺍﻟﺴﻜﺎﺭﻯ ،ﺃﻱ ﺸﻴﺦﹸ ،ﻭﺍﻨﺘﺒِﻪ ﻓﺄﻨ ﹶ
ﻭﻤﺎﻟﻙ ﻻ ﺘﺨﺎﻑﹸ ﻤﻥ ﻨﺎﺭِ ﺁﻫﻲ ﺍﻟﻤﺸﺘﻌِﻠﺔِ ﺃﻥ ﺘﺤﺭﻕﹶ ﺨﺭﻗﺔﹶ ﺍﻟﺼﻭﻑِ ﺍﻟﱠﺘﻲ ﺘﻠﺒﺴﻬﺎ،
ﻓﺎﻟﺼﻭﻑﹸ ﺘﺄﻜﹸﻠﹸﻪ ﺍﻟﻨﱠﺎﺭ؛
ﺍﻟﺴﻜﺎﺭﻯ ﺍﻟﻤﺨﻤﻭﺭﻭﻥ ﻴﺴﺘﺼﺭﺨﻭﻨﹶﻙ ،ﻓﺒِﺤﻕﱢ ﺍﷲِ ﻟﺏ ﻨﺩﺍﺀﻫﻡ ﺇﺫﺍ ﻜﺎﻥ ﻻ ﻴﺯﺍلُ
ﻋﻨﺩﻙ ﺒﻘﻴﺔﹲ ﻤﻥ ﺍﻟﺨﻤﺭ؛
ﻟﻡ ﺃﺭ ﺃﺠﻤلَ ﻤﻥ ﺸِﻌﺭِﻙ ﻴﺎ ﺤﺎﻓِﻅ ،ﻭﺤﻕﱢ ﺍﻟﻘﹸﺭﺁﻥِ ﺍﻟﱠﺫﻱ ﺠﻤﻌﺘﹶﻪ ﻓﻲ ﺼﺩﺭِﻙ.
-٤٢٢-
ﻏﺰﻝ ٤٤٨
)(١
ﺃﻤﺴِﻙ ﺒِﺠﺎﻡٍ ﺒِﻪِ ﺨﹶﻤﺭ ﺒِـﻪِ ﻨﹸـﻭﺭ ﺕ ﺠﻤﺸﻴﺩ
ﻴﺎ ﻤﻥ ﻟﻙ ﺍﻟﺤﺎﻥ ﺩﺍﺭ ﺃﻨ ﹶ
)(٢
ﻴﻬﻨﻴﻙ ﻓﻲ ﻭﺼﻠِﻪِ ﻨﻭﺭ ﻭﺩﻴﺠﻭﺭ ﻓﺭﻉ ﺍﻟﺤﺒﻴﺏِ ﺩﺠﻰ ﻭﺍﻟﺼﺒﺢ ﻋﺎﺭِﻀﻪ
)(٣
ﺃﻡ ﻫلْ ﻟِﻨﺎﻅِﺭِ ﻤﻀﻨﹶﻰ ﻤِﻨﹾﻪ ﻤﻨﹾﻅﹸﻭﺭ ﻭﻴﺎ ﺼﺒﺎ ﻫلْ ﻋﻥِ ﺍﻟﻤﺤﺒﻭﺏِ ﻤِﻥ ﺨﹶﺒﺭٍ
)(٤
ﻭﺍﻟﺤﻤﺩ ﷲ ﻤِﻨﹾﻙ ﺍﻟﺠﻭﺭ ﻤﻭﻓﻭﺭ ﻤﺎ ﻜﺎﻥ ﻤِﻨﹾﻙ ﻭﻓـﺎﺀ ﺜﺎﺒِـﺕﹲ ﺃﺒـﺩﺍﹰ
) (١ﻴﺎ ﻤﻥ ﺍﻟﺤﺎﻥ ﻤﺴﻜﻨﹸﻙ ،ﻭﺨﻤﺭ ﺍﻟﺤﺒﻴﺏِ ﻤﺸﺭﺒﻙ ،ﻫﻨﻴﺌﺎﹰ ﻟﻙ ﻫﺫﺍ ﺍﻟﻤﻠﹾﻙ ﺍﻟﻌﻅﻴﻡ ،ﺃﻨﺕ ﺘﻤﻠﻙ ﻤﺎ
ﻴﻤﻠﻙ ﺠﻤﺸﻴﺩ ،ﻓﺨﹸﺫﹾ ﺒﻴﺩِﻙ ﻜﺄﺴﺎﹰ ﺒﻪِ ﺨﻤﺭ ﻴﺸﻊ ﻤﻨﻪ ﺍﻟﻨﱡﻭﺭ؛
) (٢ﻭﻫﻨﻴﺌﺎﹰ ﻟﻙ ﻴﺎ ﻤﻥ ﺘﻘﻀﻲ ﺍﻟﻠﹼﻴلَ ﻭﺍﻟﻨﱠﻬﺎﺭ ﻤﻊ ﺍﻟﺤﺒﻴﺏِ ﺘﹸﺴﺎﻓِﺭ ﻓﻲ ﺸﻌﺭِﻩِ ﻭﻭﺠﻬِﻪِ ﻤﺎ
ﺃﺠﻤلَ ﺼﺒﺎﺤﻙ ﻭﻤﺴﺎﺀﻙ :ﺍﻟﺸﱠﻌﺭ ﻭﺍﻟﻭﺠﻪ ﻜﻨﺎﻴﺔﹲ ﻋﻥ ﺍﻟﻠﹼﻴلِ ﻭﺍﻟﻨﱠﻬﺎﺭِ ﺍﻟﻠﹼﺫﻴﻥِ ﻴﺭﻤﺯﺍﻥِ
ﻟﻠﺒﻁﻭﻥِ ﻭﺍﻟﻅﱡﻬﻭﺭ ﻋﻨﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ ،ﻭﻤﻨﻪ ﺍﻟﻠﹼﻴلُ ﻭﺍﻟﻨﱠﻬﺎﺭ ﺍﻟﻤﺤﻤﺩﻴﺎﻥ ،ﻗﺎلَ ﺍﻟﻤﻭﻟﻭﻱ ﻓﻲ
ﺍﻟﻤﺜﻨﻭﻱ ﻤﺎ ﺘﺭﺠﻤﺘﹸﻪ:
ﻭﺍﻟﻀﺤﻰ ﻨﻭﺭ ﻀـﻤﻴﺭِ ﺍﻟﻤـﺼﻁﻔﻰ ﺃﻗﹾــﺴﻡ ﺍﷲُ ﺒِــﻪِ ﻓــﻲ ﻭﺍﻟــﻀﺤﻰ
ﻭﻫــﻭ ﺍﻟﺠــﺴﻡ ﺍﻟﺘﱡﺭﺍﺒــﻲ ﻟــﻪ ﺜﹸــﻡ ﻭﺍﻟﻠﹼﻴــلِ ﺍﻟﱠــﺫﻱ ﻴــﺴﺘﹸﺭﻩ
ﻭﻗﺩ ﻭﺭﺩ ﺍﻟﺒﺩﻥ ﺍﻟﻁﱢﻴﻨﻲ ﻓﻲ ﺍﻷﺼل ﻭﺍﺴﺘﺒﺩﻟﺘﹸﻬﺎ ﺒﺎﻟﺠﺴﻡ ﺍﻟﺘﱡﺭﺍﺒﻲ ﻟﻴﺴﺘﻘﻴﻡ ﻭﺯﻥ ﺍﻟﺒﻴ ِ
ﺕ
ﺒﻌﺩ ﺍﻟﺘﱠﺭﺠﻤﺔ ،ﻭﻨﻭﺭ ﺍﻟﻨﱠﺒﻲ ﺨﺎﻟﺩ ،ﻭﺒﺩﻨﹸﻪ ﺍﻟﻁﹼﻴﻨﻲ ﺍﻟﱠﺫﻱ ﻋﺭﺝ ﺒﻪِ ﻓﻲ ﺍﻟﺴﻤﻭﺍﺕِ ﻜﺫﻟﻙ،
)ﻭﺍﷲُ ﻻ ﻴﻘﺴِﻡ ﺒﺎﻟﻔﺎﻨﻲ( ،ﻓﺘﺄﻤلْ ﻓﻲ ﻋﻅﻴﻡِ ﺸﺄﻥِ ﺍﻟﺤﺒﻴﺏ ،ﻭﻗﺩ ﻴﺭﻤﺯ ﺒﺸﹶﻌﺭِ ﺍﻟﺤﺒﻴﺏِ
ﺍﻟﺤﺎﻟِﻙِ ﺍﻟﺴﻭﺍﺩِ ﻜﺎﻟﻠﱠﻴلِ ﺇﻟﻰ ﻤﻘﺎﻡِ ﺒﺎﻁِﻨِﻪِ ﺍﻟﺨﻔﻲ) ﻭﺠﻭﺩِﻩِ ﺍﻟﻐﻴﺒﻲ ،(ﻜﻤﺎ ﻴﺭﻤﺯ ﺒﺎﻟﻭﺠﻪِ
ﺍﻟﻤﻨﻴﺭِ ﻜﺎﻟﻨﱠﻬﺎﺭِ ﻤﻨﻪ ﺇﻟﻰ ﻅﺎ ﻫِﺭِﻩِ ﺍﻟﺠﻠﻲ) ﻭﺠﻭﺩِﻩِ ﺍﻟﻤﺭﺌﻲ ،(ﻭﻓﻲ ﺴﻔﹶﺭِ ﺍﻟﺒﺤﺙِ ﻭﺍﻟﺘﱠﻔﻜﻴﺭِ
ﻓﻲ ﻜﹸلﱟ ﻤﻨﻬﻤﺎ ﺴﻌﺎﺩﺓﹲ؛
ﻙ ﺤﺒ ﹲﺔ) (٣ﺃﻱ ﺼﺒﺎ ﺍﻟﻤﺤﺘﹶﺭِﻗﻭﻥ ﺒِﺎﻟﻁﱠﺭﻴﻕِ ﻤﻨﺘﹶﻅِﺭﻭﻥ ،ﻫل ﻤﻌﻙِ ﺭِﺴﺎﻟﹶﺔﹲ ﻤِﻥ ﺍﻟﺤﺒﻴﺏ؟؛ ﺨﺎﻟﹸ
ﺨﹶﻀﺭﺍﺀ ﻋﺫﹾﺒﺔﹸ ﺍﻟﻁﱠﻌﻡِ ﻟﻜِﻥ ،ﻭﻩ ﻜﻡ ﺤﻭلَ ﺃﺠﻤﺘِﻬﺎ ﻤِﻥ ﺍﻟﺸﱢﺒﺎﻙ؛ ﻋﺒﻴﺭ ﺍﻟﺭﻭﺡِ ﺃﺸﹸﻡِ ﻤﻥ ﺸﹶﻔﹶﺔِ
ﺍﻟﻘﹶﺩﺡِ ﺍﻟﻀﺎﺤِﻜﹶﺔ ،ﺸﹸﻤﻬﺎ ،ﺃﻱ ﺴﻴﺩ ،ﺇﻥ ﻜﹸﻨﹾﺕﹶ ﺘﻤﻠﻙ ﺍﻟﻤﺸﺎﻡ؛
) (٤ﻤﺎ ﻜﺎﻥ ﻤِﻨﹾﻙ ﺜﺒﺎﺕﹲ ﻤِﻥ ﺠِﻬﺔِ ﺍﻟﻭﻓﺎﺀ ،ﻭﺃﺸﻜﹸﺭ ﺍﷲَ ﻋﻠﻰ ﺩﻭﺍﻡِ ﺠﻭﺭِﻙ؛ ﺇﺫﺍ ﻏﺭﻴﺏ ﻁﹶﻠﹶ
ﺏ
ﺍﻟﺸﱡﻬﺭﺓﹶ ﺍﻟﺠﻤﻴﻠﹶ ﹶﺔ ﻤِﻨﹾﻙ ،ﻤﺎ ﻴﻜﻭﻥ؟ ،ﺃﻨﺕﹶ ﺍﻟﻴﻭﻡ ﻤﺸﻬﻭﺭ ﻫﺫِﻩِ ﺍﻟﻤﺩﻴﻨﹶﺔِ ﺒﺎﻟﺨﹶﻴﺭ؛ ﻜﻡ ﺴﻴﻜﻭﻥ ﻟﻙ
ﻤِﻥ ﺩﻋﺎﺀِ ﺴﺤﺭٍ ﻤﺅﻨِﺱٍ ﻟﻠﺭﻭﺡِ ،ﻭﻋِﻨﹾﺩﻙ ﻤِﺜﹾلَ ﺤﺎﻓِﻅﹶ ﻏﹸﻼﻡ ﻗﺎﺌﻡ ﺒﺎﻟﻠﹼﻴل.
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ﻏﺰﻝ ٤٤٩
ﻴﺎ ﻤﻥ ﺘﹸﺒﻴﺢ ﻫﺠﺭ ﻋﺸﱠﺎﻗِﻙ ﺍﻟﻤﻬﺠﻭﺭﻴﻥ ،ﻭﺘﹸﺒﻌِﺩ ﻋﻨﻙ ﻋﺎﺸِﻘﻴﻙ ،ﻭﺘﹸﺒﻘﻴﻬِﻡ ﺒﻌﻴﺩﻴﻥ؛
ﺃﻨﺎ ﻅﺎﻤﺊُ ﺍﻟﺼﺤﺭﺍﺀ ،ﺒِﺤﻘﱢﻙ ﻋﻨﺩ ﺍﷲِ ﻓﻲ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕ ،ﻫﺒﻨﻲ ﺯﻻلَ ﺍﻟﻤﺎﺀ؛
ﺃﻱ ﺭﻭﺤﻲ ،ﺨﻁﻔﹾﺕﹶ ﻗﻠﺒﻲ ،ﻫﻭ ﻟﻙ ﺤﻼلٌ ،ﻟﻜﻥ ، ﺠﻤﻴلٌ ﻤﻨﻙ ﺃﻥ ﺘﺭﻋﺎﻩ،
ﻓﻤﻌﺎﻤﻠﹶﺘﹸﻙ ﻤﻌﻲ؛
ﻜﺄﺴﻨﺎ ﻴﺸﺭﺏ ﻤِﻨﻪ ﺍﻟﺤﺭﻴﻔﻭﻥ ﺃﻴﻀﺎﹰ ،ﻨﺤﻥ ﻻ ﻨﺘﹶﺤﻤلُ ﺫﻟِﻙ ،ﺇﻥ ﻜﻨﺕﹶ ﺃﻨﺕﹶ ﺘﺴﻤﺢ ﺒِﻪ؛
ﻴﺎ ﺃﻴﺘﹸﻬﺎ ﺍﻟﺫﱡﺒﺎﺒﺔﹸ ﻻ ﺘﻁﻴﺭﻱ ﻓﻲ ﺤﻀﺭﺓِ ﺍﻟﻬﻤﺎ ،ﺘﻔﻀﺤﻴﻥ ﻨﻔﺴﻙِ ،ﻭﺘﹸﺯﻋﺠِﻴﻨﹶﻨﺎ)(١؛
ﺃﻨﺕﹶ ﺒﺘﻘﺼﻴﺭِﻙ ﺼِﺭﺕﹶ ﻤﺤﺭﻭﻤﺎﹰ ﻤِﻥ ﻫﺫﺍ ﺍﻟﺒﺎﺏِ ،ﻓﻤﻤﻥ ﺘﺸﻜﻭ؟ ،ﻭﻋﻼﻡ ﺘﹶﺼﺭﺥ؟؛
ﺤﺎﻓﻅﹸ ﺍﻟﺤﻅﹾﻭﺓﹸ ﻤِﻥ ﺍﻟﻤﻠﻭﻙِ ﺘﹸﻁﻠﹶﺏ ﺒﺎﻟﺨِﺩﻤﺔِ ،ﻭﺃﻱ ﺃﻤلٍ ﻟِﻤﺒﺘﻭﺭِ ﺍﻟﺴﻌﻲِ ﺒﺎﻟﻌﻁﺎﺀِ ؟!.
ﻏﺰﻝ ٤٥٠
ﻤﻀﻰ ﺩﻫﺭ ﻭﺃﻨﺕﹶ ﻤﻭﻗِﻔﹸﻨﺎ ﺒﺎﻻﻨﺘِﻅﺎﺭِ ﻗﻠﻘﻴﻥ ،ﻭﻻ ﺘﹸﻌﺎﻤِلْ ﻫﺅﻻﺀِ ﺍﻟﻤﺨﻠِﺼﻴﻥ ﻤﻌﺎﻤﻠﹶﺔﹶ
ﺍﻵﺨﹶﺭﻴﻥ؛
ﻟﻡ ﺘﻔﺘﹶﺢ ﻋﻠﻴﻨﺎ ﺯﺍﻭِﻴ ﹶﺔ ﻋﻴﻥِ ﺍﻟﺭﻀﺎ ،ﻤِﻨﱠﺔﹰ ﻤﻨﻙ ﻋﻠﻴﻨﺎ ،ﺃَﻴﺔﹸ ﻋِﺯﺓٍ ﻟِﺄﺼﺤﺎﺏِ ﺍﻟﻨﱠﻅﹶﺭِ ﻫﺫِﻩِ
ﺍﻟﱠﺘﻲ ﻤﻌﻙ؟!؛
ﻤِﻥ ﺍﻷﻓﻀلِ ﺃﻥ ﺘﹸﻐﻁﱢﻲ ﺍﻟﺴﺎﻋِﺩ ﺤﻴﻥ ﺘﺭﻴﺩ ﺃﻥ ﺘﺨﻀِﺏ ﺍﻟﻴﺩ ﺒِﺩﻡِ ﻗﻠﻭﺏِ ﻋﻅﹶﻤﺎﺀِ
ﺃﻫلِ ﺍﻟﻔﹶﻥ ﻭﺍﻟﺫﱠﻭﻕ؛
ﻻ ﺍﻟﻭﺭﺩ ﻫﺎﺩﺉُ ﺍﻟﺒﺎلِ ﻤﻥ ﻴﺩِ ﻏﻤﻙ ،ﻭﻻ ﺍﻟﺒﻠﹾﺒلُ ﻓﻲ ﺍﻟﺒﺴﺘﺎﻥ ،ﻭﺍﻟﻜﹸلﱡ ﻴﺼﺭﺥﹸ ،ﻭﻜﹸلﱞ
ﻴﻤﺯﻕﹸ ﺍﻟﺜﱠﻭﺏ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ؛
) (١ﺍﻟﻬﻤﺎ ﺃﻭ ﺍﻟﺴﻴﻤﺭﻍ ﺒﺎﻟﻔﺎﺭﺴﻴﺔِ :ﻁﺎﺌﺭ ﺍﻟﺴﻌﺩ ،ﻁﺎﺌﺭ ﺨﺭﺍﻓﻲ.
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ﻴﺎ ﻤﻥ ﺘﻁﻠﹸﺏ ﻨﹶﻘﹾﺩ ﺍﻟﺤﻀﻭﺭِ ﺒِﺜﻭﺒِﻙ ﺍﻟﻤﻠﹶﻤﻊِ ﺍﻟﻤﺭﻗﱠﻊ ،ﺃﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺍﻟﺴﺭ ﻤﻥ
ﺍﻟﺠﺎﻫِﻠﻴﻥ ،ﻋﺠﺒﺎ؛
ﻤﺎ ﺩﻤﺕﹶ ﻨﹶﺭﺠِﺱ ﺤﻘﹾلِ ﻨﹶﻅﹶﺭﻱ ،ﺃﻱ ﻋﻴﻨﻲ ﻭﺴِﺭﺍﺠﻲ ،ﻟﻤﺎﺫﺍ ﻴﻅﹶلﱡ ﺭﺃﺴﻙ ﻤﻌﻲ
ﺜﻘﻴﻼﹰ ،ﻭﺃﻨﺎ ﻤﻜﺴﻭﺭ ﺍﻟﺨﺎﻁِﺭ؛
ﺠﻭﻫﺭ ﺠﺎﻡِ ﺠﻤﺸﻴﺩ ﻤﻥ ﻤﻌﺩﻥِ ﻋﺎﻟﹶﻡٍ ﺁﺨﹶﺭ ،ﻭﺃﻨﺕﹶ ﺘﻁﻠﹸﺏ ﻤﺎ ﺘﺘﻤﻨﱠﻰ ﻤﻥ ﻁﻴﻥٍ ﻴﺼﻨﹶﻊ
ﻤﻨﻪ ﺍﻟﻔﺨﱠﺎﺭ؛
ﺃﻨﺕﹶ ﺃﺒﻭ ﺍﻟﺘﱠﺠﺭِﺒﺔِ ﻴﺎ ﻗﻠﺏ ،ﺒِﺄﻱ ﻭﺠﻪٍ ﺃﺨﻴﺭﺍﹰ ﺘﻁﻤﻊ ﺒﺎﻟﺤﺏ ﻭﺍﻟﻭﻓﺎﺀِ ﻤﻥ ﻫﺅﻻﺀِ
ﺍﻷﻭﻻﺩ)(١؛
ﺃﻁﻤﺎﻋﻙ ﻫﺫِﻩِ ﺒِﻤﻥ ﺃﺠﺴﺎﻤﻬﻡ ﻤِﻥ ﺍﻟﻔِﻀﺔِ ،ﺴﻭﻑﹶ ﺘﹸﻔﹾﺭِﻍﹸ ﻜﻴﺴﻙ ﻤﻥ ﺍﻟﺫﱠﻫﺏِ ﻭﺍﻟﻔِﻀﺔِ!؛
ﺕ ﺠﻌﻠﺘﻨﺎ
ﺭﻏﹾﻡ ﺃﻥ ﺤﺎﻟﹶﺔﹶ ﺍﻟﺨﻼﻋﺔِ ﻭﺍﻟﺨﺭﺍﺏِ ﺫﹶﻨﹾﺏ ﻟﻨﺎ ،ﻓﻘﺩ ﻗﺎلَ ﻟﻲ ﻋﺎﺸِﻕﹲ ،ﺃﻨ ﹶ
ﻋﺒﻴﺩﺍﹰ ﻟﻬﺎ؛
ﻴﺎ ﺤﺎﻓِﻅﹸ ﻴﻭﻡ ﺍﻟﺴﻼﻤﺔِ ﻻ ﺘﹶﻌﺒﺭ ﺒﺎﻟﻤﻼﻤﺔ ،ﻤﺎ ﺍﻟﱠﺫﻱ ﺘﻨﺘﻅِﺭ ﻤﻥ ﻫﺫِﻩِ ﺍﻟﺩﻨﻴﺎ ﺍﻟﻌﺎﺒِﺭﺓ.
ﻏﺰﻝ ٤٥١
ﺃﺤﺴﻥ ﺍﻟﻌﻭﻥ ﻓﹶﻠﹶﻜﹸﻙ ﻴﻭﻡ ﺍﻟﺨﹸﺼﻭﻤﺔِ ﻭﺍﻟﺠِﺩﺍل ،ﻟِﻨﹶﺭ ﻜﻴﻑﹶ ﺴﺘﺸﻜﹸﺭ ،ﻭﺃﻱ ﺸﹸﻜﹾﺭٍ ﺴﺘﺤﻤِل؛
ﺫﻟِﻙ ﺍﻟﺸﱠﺨﹾﺹ ﺍﻟﱠﺫﻱ ﻭﻗﹶﻊ ﻭﺃﺨﹶﺫﹶ ﺍﷲُ ﺒﻴﺩِﻩ ،ﻗﹸلْ ﻟﻪ ﻴﺭﺤﻡ ﺍﻟﻀﻌﻔﺎﺀ ﺍﻟﻭﺍﻗِﻌِﻴﻥ؛
ﻓﻲ ﺤِﻤﻰ ﺍﻟﻌِﺸﹾﻕِ ﻻ ﻴﺸﺘﺭﻭﻥ ﻋﻅﹶﻤﺔﹶ ﺍﻟﺸﱠﺎﻩِ ﺒِﺸﹶﻲﺀٍ ،ﻓﻜﹸﻥ ﻤﻘِﺭﺍﹰ ﺒﺎﻟﻌﺒﻭﺩﻴﺔِ ﻟﻠﻤﻌﺸﻭﻕِ،
ﻭﺃﻅﻬِﺭ ﺍﻟﺨِﺩﻤﺔ؛
ﺴﺎﻗﻲ ﺍﹸﺩﺨﹸلْ ﻋﻠﻲ ﺍﻟﺒﺎﺏ ﺒﺒﺸﺎﺭﺓﹶ ﺍﻟﺴﺭﻭﺭِ ،ﻟِﺘﹶﺭﻓﹶﻊ ﻋﻥ ﻗﻠﺒﻲ ﻏﹶﻡ ﺍﻟﺩﻨﻴﺎ ﻨﹶﻔﹶﺴﺎﹰ ﻭﺍﺤِﺩﺍﹰ؛
ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺠﺎﻩِ ﻭﺍﻟﻌﻅﹶﻤﺔِ ﻤﺎ ﺃﻜﺜﹶﺭ ﺍﻷﺨﻁﺎﺭ ،ﺨﻴﺭ ﺃﻥ ﺘﻘﻁﹶﻊ ﻫﺫﺍ ﺍﻟﺠﺒلَ ﺨﻔﻴﻑﹶ
ﺍﻟﺤِﻤل؛
) (١ﻤﻥ ﻫﺅﻻﺀِ ﺍﻷﻭﻻﺩ ﺍﻟﱠﺫﻴﻥ ﻫﻡ ﺒﻼ ﺘﺠﺭِﺒﺔ.
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ﺍﻟﺴﻠﻁﺎﻥ ﻭﺍﻟﻔِﻜﹾﺭ ﺒﺎﻟﺠﻴﺵِ ﻭﺍﻟﺘﱠﺎﺝِ ﻭﺍﻟﻜﹶﻨﹾﺯ ،ﻭﺍﻟﺩﺭﻭﻴﺵﹸ ﻭﺃﻤﻥ ﺍﻟﺨﺎﻁِﺭِ ﻭﻜﻨﺯ ﺍﻟﺘﱠﺠﺭﺩ؛
ﺃﻋﻁِﻨﻲ ﺇﺠﺎﺯﺓﹰ ﻟِﺄﻗﻭلَ ﺤﺭﻓﺎﹰ ﺼﻭﻓﻴﺎﹰ ﻭﺍﺤِﺩﺍﹰ ،ﻴﺎ ﻨﻭﺭ ﻋﻴﻨﻲ ،ﺍﻟﺼﻠﹾﺢ ﺨﹶﻴﺭ ﻤﻥ
ﺍﻟﺤﺭﺏِ ﻭﺍﻟﺨﹸﺼﻭﻤﺔ؛
ﻨﹶﻴلُ ﺍﻟﻤﺭﺍﺩِ ﻋﻠﻰ ﺤﺴﺏِ ﺍﻟﻔِﻜﹾﺭِ ﻭﺍﻟﻬِﻤﺔ ،ﻓﻤِﻥ ﺍﻟﺸﱠﺎﻩِ ﻨﹶﺫﹾﺭ ﺨﹶﻴﺭٍ ﻭﻤِﻥ ﺍﻟﺘﱠﻭﻓﻴﻕِ ﻤﺴﺎﻋِﺩ؛
ﺤﺎﻓِﻅﹸ ﻻ ﺘﻤﺴﺢ ﻏﹸﺒﺎﺭ ﺍﻟﻔﹶﻘﹾﺭِ ﻭﺍﻟﻘﻨﺎﻋﺔِ ﻋﻥ ﻭﺠﻬِﻙ ،ﻫﺫﺍ ﺍﻟﺘﱡﺭﺍﺏ ﺃﻓﻀلُ ﺃﺜﹶﺭﺍﹰ ﻤﻥ
ﺍﻹﻜﺴﻴﺭ.
ﻏﺰﻝ ٤٥٢
ﺍﻵﺩﻤﻴﻭﻥ ﻭﺍﻟﻤﻼﺌﻜﹶﺔﹸ ﻁﹸﻔﹶﻴﻠﻴﻭﻥ ﻋﻠﻰ ﻋﺎﻟﹶﻡِ ﺍﻟﻌِﺸﹾﻕ ،ﺃَﻅﹾﻬِﺭ ﺍﻹﺭﺍﺩ ﹶﺓ ﻟِﺘﹶﺭﺒﺢ ﺍﻟﺴﻌﺎﺩﺓ؛
ﺃﻱ ﺴﻴﺩ ﺍﺴﻊ ﻭﻻ ﺘﹶﻜﹸﻥ ﺒﻼ ﻨﺼﻴﺏٍ ﻤِﻥ ﺍﻟﻌِﺸﹾﻕِ ،ﻻ ﺸﹶﺨﹾﺹ ﻴﺸﺘﺭﻱ ﻋﺒﺩﺍﹰ ﺒِﻪِ ﻋﻴﺏ
ﻨﹶﻘﹾﺹِ ﺍﻟﻔﹶﻀل؛
ﺇﻻﻡ ﺸﹸﺭﺒﻙ ﺍﻟﺼﺒﻭﺡ ﻭﻋﺫﹾﺏ ﻨﻭﻤِﻙ ﺍﻟﺼﺒﺎﺡ ،ﺍﺴﻊ ﺒﺎﻟﻌﺫﹾﺭِ ﻤﻥ ﻤﻨﺘﹶﺼﻑِ ﺍﻟﻠﹼﻴلِ
ﻭﺒﻜﺎﺀِ ﺍﻟﺴﺤﺭ؛
ﺃﻨﺕﹶ ﻨﻔﺴﻙ ﻤﺎ ﻟﹸﻌﺒﺘﹸﻙ ﺃﻱ ﺸﺎﻩ ﺍﻟﻔﹸﺭﺴﺎﻥِ ﺤﻠﻭ ﺍﻟﻔِﻌﺎلِ ،ﻟِﺘﻜﻭﻥ ﻓﻲ ﻗِﺒﺎﻟﹶﺔِ ﻋﻴﻨﻲ
ﻭﻏﺎﺌﺒﺎﹰ ﻋﻥ ﻨﹶﻅﹶﺭﻱ؛
ﺃﻟﻑﹸ ﺭﻭﺡٍ ﻤﻘﺩﺴﺔٍ ﺍﺤﺘﹶﺭﻗﹶﺕﹾ ﻤِﻥ ﻏﹶﻴﺭﺓٍ ﺃﻥ ﺘﺼﻴﺭ ﻜﹸلﱠ ﺼﺒﺎﺡٍ ﻭﻤﺴﺎﺀٍ ﺸﻤﻊ
ﻤﺠﻠِﺱٍ ﺁﺨﹶﺭ؛
ﻤﻥ ﻴﺤﻤِلُ ﺭِﺴﺎﻟﹶﺔﹰ ﻤِﻨﱢﻲ ﻟِﺤﻀﺭﺓِ ﺁﺼِﻑ ،ﻴﺫﹶﻜﱢﺭﻩ ﻫﺫﹶﻴﻥِ ﺍﻟﻤِﺼﺭﺍﻋﻴﻥِ ﻤِﻨﱢﻲ ﺒِﻨﹶﻅﹾﻡٍ
ﺩﺭﻱ؛
:ﺘﻌﺎلَ ﻓﺈﻥ ﻭﻀﻊ ﺍﻟﻌﺎﻟﹶﻡِ ﻜﻤﺎ ﺭﺃﻴﺕﹸ ،ﻟﻭ ﺍﻤﺘﹶﺤﻨﹾﺘﹶﻪ ﻟﹶﺸﹶﺭِﺒﺕﹶ ﺍﻟﺨﹶﻤﺭ ﻭﻟﻡ ﺘﹶﺸﺭﺏِ
ﺍﻟﻐﹶﻡ؛
-٤٢٦-
ﻻ ﻤﺎلَ ﺘﺎﺝ ﻋﻅﹶﻤﺘِﻙ ﻋﻥ ﻤﻔﹾﺭﻕِ ﺭﺃﺱِ ﺍﻟﺤﺴﻥِ ،ﻓﺄﻨﺕﹶ ﺯﻴﻨﹶﺔﹸ ﺍﻟﺒﺨﹾﺕِ ،ﻭﺠﺩﻴﺭ
ﺒﺎﻟﻤﻠﹾﻙِ ،ﻭﺃﻫلٌ ﻟِﻠﺘﱠﺎﺝ؛
ﻋﻠﻰ ﻋﺒﻴﺭِ ﻓﹶﺭﻋِﻙ ،ﻭﻭﺠﻬِﻙ ،ﻴﺫﻫﺒﺎﻥِ ﻭﻴﺅﻭﺒﺎﻥ ،ﺍﻟﺼﺒﺎ ﺒِﻌِﻁﹾﺭِ ﺍﻟﻐﺎﻟﻴﺔِ ،ﻭﺍﻟﻭﺭﺩ
ﺒِﺠﻠﹾﻭﺓِ ﺍﻟﺒﺩﺭ؛
ﺇﻥ ﻟﹶﻡ ﺘﻜﹸﻥ ﻤﺴﺘﹶﻌِﺩ ﺍﻟﻨﱠﻅﹶﺭِ ﻻ ﺘﹶﻁﻠﹸﺏِ ﺍﻟﻭِﺼﺎلَ ،ﻟﹶﻥ ﺘﺠِﺩ ﺍﻟﻨﱠﻔﹾﻊ ﻤِﻥ ﺠﺎﻡِ ﺠﻤﺸﻴﺩ ﺇﺫﺍ ﻟﻡ
ﺘﻜﹸﻥ ﻤﺒﺼِﺭﺍﹰ؛
ﺩﻋﺎﺀ ﺍﻟﻘﺎﻋِﺩﻴﻥ ﻓﻲ ﺍﻟﺯﻭﺍﻴﺎ ﻴﺩﻓﹶﻊ ﻋﻨﻙ ﺍﻟﺒﻼﺀ ،ﻟﻤﺎﺫﺍ ﻻ ﺘﻨﻅﹸﺭ ﺇﻟﻴﻨﺎ ﻨﹶﻅﹾﺭﺓﹰ ﻤِﻥ
ﺯﺍﻭﻴﺔِ ﺍﻟﻌﻴﻥ؛
ﺘﻌﺎلَ ﻭﺍﺸﺘﹶﺭِ ﻤﻨﱠﺎ ﺍﻟﺴﻠﻁﹶﻨﹶﺔﹶ ﺒﺎﻟﺤﺴﻥِ ،ﻭﻻ ﺘﻜﹸﻥ ﻏﺎﻓِﻼﹰ ﻋﻥ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ ﻓﺘﻨﺩﻡ)(١؛
ﻁﺭﻴﻕﹸ ﺍﻟﻌِﺸﹾﻕِ ﻁﺭﻴﻕﹲ ﺨﻁﻴﺭ ﻋﺠﻴﺏ ﺍﻟﺨﹶﻁﹶﺭِ ،ﻨﻌﻭﺫﹸ ﺒﺎﷲِ ﺇﻥ ﻟﻡ ﺘﹸﻭﺼِلِ ﺍﻟﻁﱠﺭﻴﻕﹸ
ﻟﻠﻤﻘﺼﺩ؛
)(٢
ﺃُﺭﻯ ﺃُﺴﺎﻤِﺭ ﻟﻴﻼﻱ ﻟﻴﻠﹶﺔﹶ ﺍﻟﻘﹶﻤﺭِ ﺒﻴﻤﻥِ ﻫِﻤﺔِ ﺤﺎﻓِﻅﹶ ﻟﻲ ﺍﻟﺭﺠﺎﺀ ﺒِﺄﻥ،
ﻏﺰﻝ ٤٥٣
ﺇﻥ ﻟﻡ ﺘﻜﹸﻥ ﻋﺎﺸِﻘﺎﹰ ﻜﹸﻨﹾﺕﹶ ﻤﻌـﺫﻭﺭﺍ ﻴﺎ ﻤﻥ ﺘﻜﻭﻥ ﺩﻭﻤﺎﹰ ﺒﺎﻟﻨﱠﻔﹾﺱِ ﻤﻐﺭﻭﺭﺍ
ﺕ ﻋﻘﻴﻠﹶﺔﹰ ﻭﺒﺎﻟﻌﻘﹾـلِ ﻤـﺸﻬﻭﺭﺍ
ﻜﹸﻨ ﹶ ﺤﻭلَ ﻤﺠﺎﻨﻴﻥِ ﺍﻟﻌﺸﱠﺎﻕِ ﻻ ﺘﹶـﺩﺭ ﺇﺫﺍ
ﺇﻥ ﻜﹸﻨﹾﺕﹶ ﺒﻤﺎﺀِ ﺍﻟﻌﻨﻘـﻭﺩِ ﻤﺨﻤـﻭﺭﺍ ﻟﻴﺱ ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﺒِﺭﺃﺴِﻙ ﺴﻜﹾﺭ ﺍﻟﻌِﺸﹾﻕِ
ﺍﻟﺩﻭﺍﺀ ﻟِﻤﻥ ﻜﺎﻥ ﻋﺎﺸِﻘﺎﹰ ﻤﻜـﺴﻭﺭﺍ ﺼﻔﹾﺭﺓﹸ ﺍﻟﻭﺠﻪِ ﻭﺁﻩ ﻤﺯﻴﺠﻬـﺎ ﺍﻵﻻﻡ
ﺤﺎﻓِﻅﹸ ﻻ ﺘﻁﻠﹸﺏِ ﺍﻻِﺴﻡ ﻭﺍﻟﺴﻤﻌﺔﹶ ﻭﻟﺘﻁﻠﹸـﺏِ ﺍﻟﻜـﺄﺱ ﻓﻘـﺩ ﻜﹸﻨـﺕﹶ ﻤﺨﻤـﻭﺭﺍ
) (١ﺃﻅﻬِﺭ ﺤﺴﻨﹶﻙ ﻓﻨﺼﻴﺭ ﻟﻙ ﻋﺒﻴﺩﺍﹰ ،ﻭﺘﺼﻴﺭ ﻋﻠﻴﻨﺎ ﺴﻠﻁﺎﻨﺎﹰ؛
) (٢ﻫﺫﺍ ﺍﻟﻤِﺼﺭﺍﻉ ﻤﻨﻅﻭﻡ ﺒﺎﻟﻌﺭﺒﻴﺔِ ﻤِﻥ ﺤﺎﻓِﻅﹶ ﻨﻔﺴِﻪ.
-٤٢٧-
ﻏﺰﻝ ٤٥٤
ﻨﺴﻴﻡ ﺭﻴﺢِ ﺍﻟﺭﺒﻴﻊ ﻴﺄﺘﻲ ﻤﻥ ﺤِﻤﻰ ﺍﻟﺤﺒﻴﺏِ ،ﺇﻥ ﺃﺭﺩﺕﹶ ﺍﻟﻤﺩﺩ ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺭﻴﺢِ ﺃُﺸﻌِلْ
ﺴِﺭﺍﺝ ﺍﻟﻘﻠﺏ؛
ﻷﺠلِ ﺍﷲِ ،ﺇﻥ ﺘﻜﹸﻥ ﺘﻤﻠِﻙ ﺍﻟﻘﻠﻴلَ ﻤﻥ ﺍﻟﻤﺎلِ ﻜﺎﻟﻭﺭﺩِ ،ﺍﺼﺭِﻓﹾﻪ ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﺴﺭﻭﺭِ،
ﻓﻘﺎﺭﻭﻥ ﻏﻠﻁﹶ ﻜﺜﻴﺭﺍﹰ ﻓﻲ ﻜﹶﻨﹾﺯِ ﺍﻟﺫﱠﻫﺏ؛
ﻤِﻥ ﺠﺎﻡِ ﺍﻟﻭﺭﺩِ ،ﺴﻜِﺭ ﺍﻟﺒﻠﺒلُ ﻤِﻥ ﺨﻤﺭﺓِ ﺍﻟﻌﻘﻴﻕ ﻤﺭﺓﹰ ﺃُﺨﺭﻯ ،ﻭﻗﺎﻡ ﺒﺎﻟﺼﻔﻴﺭِ ﺒﺎﻟﻤﻘﺎﻡِ
ﺍﻟﻔﹶﻴﺭﻭﺯﻱ ﻨﺤﻭ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﻔﹶﻴﺭﻭﺯﻱ؛
ﺍﺫﻫﺏ ﺇﻟﻰ ﺍﻟﺼﺤﺭﺍﺀِ ﻭﺍﻨﻔِﺽ ﻏﹸﺒﺎﺭ ﺍﻟﻐﹶﻡ ﻋﻥ ﺜﻭﺒِﻙ ،ﻭﺘﻌﺎلَ ﺇﻟﻰ ﺍﻟﺭﻭﺽِ ﻭﺘﻌﻠﱠﻡ
ﻤِﻥ ﺍﻟﺒﻠﹾﺒلِ ﻗﻭلَ ﺍﻟﻐﹶﺯل؛
ﺤﻴﺙﹸ ﻻ ﺇﻤﻜﺎﻥ ﻴﺎ ﻗﻠﺏ ﻟﻠﺨﹸﻠﻭﺩِ ﻓﻲ ﻫﺫﺍ ﺍﻹﻴﻭﺍﻥِ ﺍﻟﻔﹶﻴﺭﻭﺯﻱ ،ﺍﻏﺘﹶﻨِﻡ ﻤﺠﺎلَ ﺍﻟﻌﻴﺵِ
ﻓﹸﺭﺼﺔﹰ ﻟﻠﺴﻌﺎﺩﺓِ ﻭﺍﻟﻔﹶﻭﺯ؛
ﻁﺭﻴﻕﹸ ﺍﻟﺤﺼﻭلِ ﻋﻠﻰ ﺍﻟﻤﺭﺍﺩِ ﺘﹶﺭﻙ ﻤﺭﺍﺩِ ﺍﻟﻨﱠﻔﹾﺱِ ،ﻤِﻥ ﺘﹶﺭﻙِ ﻤﺭﺍﺩِ ﺍﻟﻨﱠﻔﹾﺱِ ﻴﺤﺎﻙ ﺘﺎﺝ
ﺍﻟﺴﺭﻭﺭ؛
ﺃﻗﻭلُ ﻟﻙ ﺍﻟﺤﺩﻴﺙﹶ ﺍﻟﻤﺨﻔﻲ ،ﺍﹸﺨﺭﺝ ﻤِﻥ ﺍﻟﺤِﺠﺎﺏِ ﻜﺎﻟﻭﺭﺩِ ﻤِﻥ ﺍﻟﺒﺭﻋﻡِ ،ﻓﺤﻜﹾﻡ ﺃﻤﻴﺭِ
ﺍﻟﻨﱠﻭﺭﻭﺯِ ﻟﻴﺱ ﺃﻜﺜﹶﺭ ﻤﻥ ﺨﻤﺴﺔِ ﺃﻴﺎﻡٍ)(١؛
ﻟﺴﺕﹸ ﺃﺩﺭﻱ ﻤﺎ ﻨﹶﻭﺡ ﺍﻟﻘﹶﻤﺭﻱ ﺃﻁﺭﺍﻑﹶ ﺍﻟﺠﺩﺍﻭِلِ ،ﺭﺒﻤﺎ ﻜﺎﻥ ﻤِﺜﻠﻲ ﻋِﻨﺩﻩ ﺍﻟﻐﹶﻡ ﻓﻲ
ﻟﻴﻠِﻪِ ﻭﻨﻬﺎﺭِﻩ؛
ﺍﻟﺨﹶﻤﺭﺓﹸ ﻋِﻨﺩﻱ ﺼﺎﻓِﻴﺔﹲ ﺼﻔﺎﺀ ﺍﻟﺭﻭﺡِ ﻭﺍﻟﺼﻭﻓﻲ ﻴﻌﻴﺒﻬﺎ ،ﺇﻟﻬﻲ ﻻ ﺘﺠﻌلْ ﺒﺨﹾﺕﹶ ﺃﻱ
ﻋﺎﻗِلٍ ﺴﻴﺌﺎﹰ؛
) (١ﺍﻟﻨﹼﻭﺭﻭﺯ ،ﻋﻴﺩ ﻓﺎﺭﺴﻲ ،ﻴﺒﺩﺃُ ﻤﻁﻠﹶﻊ ﺍﻟﺭﺒﻴﻊ ،ﻭﻴﺩﻭﻡ ﺨﻤﺴﺔﹶ ﺃﻴﺎﻡ.
-٤٢٨-
ﺤﺒﻴﺒﻙ ﺍﻟﺠﻤﻴلُ ﺍﺒﺘﹶﻌﺩ ﻭﺃﻨﺕﹶ ﺘﺠﻠِﺱ ﺍﻵﻥ ﻭﺤﻴﺩﺍﹰ ،ﺃﻱ ﺸﹶﻤﻊ ﻫﺫﺍ ﺤﻜﹾﻡ ﺍﻟﺴﻤﺎﺀِ ،ﻏﻨﱠﻴﺕﹶ
ﺃﻡِ ﺍﺤﺘﹶﺭﻗﹾﺕ؛
ﺒِﻌﺠﺏِ ﺍﻟﻌِﻠﹾﻡِ ﻻ ﺘﻜﹸﻥ ﻤﺤﺭﻭﻤﺎﹰ ﻤِﻥ ﺃﺴﺒﺎﺏِ ﺍﻟﻁﱠﺭﺏ ،ﺴﺎﻗﻲ ﺘﻌﺎلَ ﻓﺎﻟﺠﺎﻫِلُ ﻴﺭﺯﻕﹸ
ﺃﻫﻨﺄَ ﺍﻟﺭﺯﻕ؛
ﻓﻲ ﻤﺠﻠِﺱِ ﺁﺼِﻑﹶ ﻓﻲ ﺍﻟﻨﱠﻭﺭﻭﺯِ ﺍﻟﺠﻼﻟﻲ ﺍﺸﺭﺏِ ﺍﻟﺨﹶﻤﺭ ،ﻓﺈﻥ ﺠﺭﻋﺔﹶ ﺠﺎﻤِﻙ ﺘﻬﺒﻙ
ﺭﺒﻴﻊ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻟﻴﺱ ﺤﺎﻓِﻅﹸ ﻭﺤﺩﻩ ﺍﻟﱠﺫﻱ ﻴﺩﻋﻭ ﺍﻟﺴﻴﺩ ﺘﻭﺭﺍﻨﺸﺎﻩ ،ﺍﻟﻌﺎﻟﹶﻡ ﺒﻤﺩﺡِ ﺍﻵﺼِﻔﻲ ﻴﻁﻠﹸﺏ ﻋﻁﺎﺀ
ﺍﻟﻌﻴﺩِ ﻭﺍﻟﻨﱠﻭﺭﻭﺯ؛
ﺠﻨﺎﺒﻪ ﻤِﺤﺭﺍﺏ ﻗﻠﻭﺏِ ﻭﻋﻴﻭﻥِ ﺍﻟﻌﺎﺭِﻓﻴﻥ ،ﺠﺒﻴﻨﹸﻪ ﺼﺒﺢ ﻴﻭﻡِ ﺍﻟﻔﹶﺘﹾﺢِ ﻭﺍﻟﻨﱡﺠﺢِ ﻟﻠﻘﺎﺌﻤﻴﻥ.
ﻏﺰﻝ ٤٥٥
ﻀﺎﻉ ﻋﻤﺭﻱ ﺒﻼ ﺤﺎﺼِلٍ ﻭﻓﻲ ﻫﻭﺱِ ﺼِﺭﺕﹸ ﺸﻴﺨﺎﹰ ﺃﻋﻁِﻨﻲ ﺍﻟﺠﺎﻡ ،ﻓﺘـﻰ
ﻤﻥ ﺩﻡِ ﺍﻟﻘﻠﺏِ ﺒﺭﺍﺌﺤﺔِ ﺍﻟﻤِﺴﻙِ ﺘﺼﻴﺭ ﺍﻟﻤﺸﻬﻭﺭ ﺒﻴﻥ ﺍﻟﻭﺭﻯ ﺒﻌِﻁﹾـﺭِ ﺍﻟـﻨﱠﻔﹶﺱِ
ﻓﻠﻌﻠﹼﻲ ﻟـﻙ ﺁﺕٍ ﺒِـﺸِﻬﺎﺏٍ ﻗﹶـﺒﺱِ ﻟﻤﻊ ﺍﻟﺒﺭﻕﹸ ﻤﻥ ﺍﻟﻁﱡﻭﺭِ ﻭﺁﻨﹶﺴﺕﹸ ﺒِﻪِ
ﺩﻭﻨﹶﻙ ﺍﻟﺼﺤﺭﺍﺀ ﻭﺍﻟﺭﻜﹾﺏ ﻓﻲ ﻨﻭﻤِﻙ ﺴﺎﺭ ،ﺁﻩِ ﻤﻥ ﺠﻬﻠِﻙ ﺼﺭﺨﹶﺔﹶ ﻫﺫﺍ ﺍﻟﺠﺭﺱِ
ﺍﻓﺘﹶﺢِ ﺍﻷﺠﻨﹸﺢ ﻴﺎ ﻁﺎﺌﺭ ﻭﺍﺼﻔِﺭ ﻋﻠﻰ ﺸﹶﺠﺭﺓِ ﻁﻭﺒﻰ ،ﻭﻻ ﺘﺒﻕﹶ ﺃﺴـﻴﺭ ﺍﻟﻘﹶﻔﹶـﺹِ
ﺭﻭﺤﻲ ﻋﻠﻰ ﺍﻟﻨﱠﺎﺭِ ﻜﺎﻟﻌﻭﺩِ ﻓﻲ ﺍﻟﻤﺠﻤﺭِ ﻜﻲ ﺃُﻤﺴِﻙ ﺜﻭﺏ ﺤﺒﻴﺒﻲ ﻋﺫﹾﺏِ ﺍﻟـﻨﱠﻔﹶﺱِ
ﻜﻡ ﺠﺭﻯ ﺤﺎﻓِﻅﹸ ﻓﻲ ﺤﺒﻙ ﻓﻲ ﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩٍ ﻴﺴﺭ ﺍﷲُ ﻁﺭﻴﻘﺎﹰ ﺒـﻙ ﻴـﺎ ﻤﻠﺘﹶﻤـﺴﻲ
ﻤﺭ ﻋﻤﺭﻱ ﺒﻼ ﺤﺎﺼِلٍ ﻭﻓﻲ ﻫﻭﺱٍ ،ﻭﻟﹶﺩﻱ ﻫﺎﺕِ ﺠﺎﻡ ﺨﹶ ﻤﺭﻱ ،ﻁﺎلَ
ﻋﻤﺭﻙ ﻟِﺘﺼﻴﺭ ﺸﻴﺨﺎﹰ؛ ﺴﻜﺎﻜِﺭ ﻫﺫِﻱ ﺍﻟﻤﺩﻴ ﻨﹶﺔِ ﺃﻴﺔﹸ ﺴﻜﺎﻜِﺭٍ ﻫﻲ ﻓ ﻤِﻥ ﺤﻼﻭﺘِﻬﺎ
-٤٢٩-
ﺼﻘﻭﺭ ﺍﻟﻁﱠﺭﻴﻘﹶﺔِ ﺼﺎﺭﺕﹾ ﻗﺎﻨِﻌﺔﹰ ﺒِﻤﻘﺎ ﻡِ ﺍﻟﺫﱡﺒﺎﺒﺔ؛ ﻟﻴﻠﹶ ﺔﹶ ﺍﻷﻤﺱِ ﺫﹶﻫﺒﺕﹸ ﺇﻟﻰ ﺒﺎ ﺒِﻪِ
ﻓﻲ ﺨﹶﻴلِ ﻏِﻠﻤﺎ ﻨِﻪ ،ﻗﺎلَ :ﺃﻴﻬﺎ ﺍﻟﻌﺎ ﺸِﻕﹸ ﺍﻟﻤِﺴﻜﻴﻥ ﻤﻥ ﺘﹸﺭﺍ ﻙ ﺘﻜﻭﻥ؟!؛ ﺍﻟﻘﺎﻓِﻠﹶ ﺔﹸ
ﺫﹶﻫ ﺒﺕﹾ ﻭﺃﻨﺕﹶ ﻓﻲ ﺍﻟﻨﱠﻭﻡِ ﻭﺍﻟﺼﺤﺭﺍﺀ ﺃﻤﺎﻤﻙ ،ﻭ ﻱ ﻤﺎ ﺃﻜﺜﹶﺭ ﻤﻥ ﻻ ﺨﹶﺒﺭ ﻟ ﻪ
ﺒِﻐﻠﻴلِ ﻫﺫِﻩِ ﺍﻷﺠﺭﺍﺱِ ﺍﻟﻜﺜﻴﺭﺓ؛ ﻜﻴﻤﺎ ﺃﻤﺴِﻙ ﻟﹶﺤﻅﹶﺔﹰ ﺒِﺜﻭﺏِ ﺍﻟﺤﺒﻴﺏِ ،ﻭﻀﻌﺕﹸ
ﺭﻭﺤﻲ ﻋﻠﻰ ﺍﻟﻨﱠﺎﺭِ ﻜﺎﻟﻌﻭﺩِ ﻟﻴﻁﻴﺏ ﻨﹶﻔﹶﺴﻲ ﻭﺃُﻤﺴِﻙ ﺒِﺜﻭﺏِ ﻁ ﻴﺏِ ﺍﻟﻨﱠ ﻔﹶﺱ؛ ﺇﻟﻰ
ﻤﺘﻰ ﻴﺠﺭﻱ ﺤﺎﻓِﻅﹸ ﻓﻲ ﻫﻭﺍﻙ ﻓﻲ ﻜﹸلﱢ ﺍﺘﱢﺠﺎﻩٍ ،ﻴﺴﺭ ﺍﷲُ ﻁﺭﻴﻘﺎﹰ ﺒِﻙ ﻴﺎ
ﻤﻠ ﺘﹶﻤﺴﻲ.
ﻏﺰﻝ ٤٥٦
ﺕ ﺒﻌﺩ ﻟﻡ
ﺫﺍ ﺭﺒﻴﻊ ﺠﺩﻴﺩ ﻓﺎﺠﺘﹶﻬِﺩ ﺃﻥ ﺘﻜﻭﻥ ﻓﻴﻪِ ﺴﻌﻴﺩﺍﹰ ،ﻓﻜﹶﻡ ﺘﻔﺘﱠﺢ ﻓﻴﻪِ ﻤﻥ ﻭﺭﺩٍ ﻭﺃﻨ ﹶ
ﺘﺨﺭﺝ ﻤﻥ ﺍﻟﺘﱡﺭﺍﺏ؛
ﺃﻨﺎ ﺍﻵﻥ ﻻ ﺃﻗﻭلُ ﻟﻙ ﻤﻊ ﻤﻥ ﺘﹶﺠﻠِﺱ ﻭﻤﺎ ﺘﹶﺸﺭﺏ ،ﺃﻨﺕﹶ ﻨﻔﺴﻙ ﺘﻌﺭِﻑﹸ ،ﺇﻥ ﻜﹸﻨﺕﹶ
ﺫﻜﻴﺎﹰ ﻭﻋﺎﻗِﻼ؛
ﺍﻟﺭﺒﺎﺒﺔﹸ ﻤﻥ ﺨﻠﹾﻑِ ﺍﻟﺴﺘﹾﺭِ ﺘﹸﻌﻁﻴﻙ ﺍﻟﻨﱠﺼﻴﺤﺔﹶ ﺃﻴﻀﺎﹰ ،ﻟﻜِﻥ ﻭﻋﻅﹶﻙ ﻻ ﻴﻜﻭﻥ ﻨﺎﻓِﻌﺎﹰ ﺇﻻﹼ
ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﻟﻪ ﻗﺎﺒِﻼﹰ؛
ﻓﻲ ﺍﻟﺭﻭﺽِ ﻜﹸلﱡ ﻭﺭﻗﹶﺔٍ ﺩﻓﺘﹶﺭ ﺤﺎلٍ ﺠﺩﻴﺩ ،ﺤﻴﻑﹲ ﺃﻥ ﺘﻜﻭﻥ ﻋﻨﻬﺎ ﺠﻤﻴﻌﺎﹰ ﻏﺎﻓِﻼ؛
ﻏﹸﺼﺔﹸ ﺍﻟﺩﻨﻴﺎ ﺴﺘﺄﺨﹸﺫﹸ ﻨﻘﺩ ﻋﻤﺭِﻙ ﺠﺯﺍﻓﺎﹰ ،ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﹸﺸﻜِلُ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔِ ﻓﻲ ﺍﻟﻠﹼﻴلِ
ﻭﺍﻟﻨﱠﻬﺎﺭ؛
ﺭﻏﻡ ﺃﻥ ﺍﻟﻁﱠﺭﻴﻕﹶ ﻤﻨﱠﺎ ﺇﻟﻰ ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ﻤﻤﻠﻭﺀ ﺒﺎﻟﺨﹶﻁﹶﺭِ ،ﺍﻟﺫﹼﻫﺎﺏ ﻴﺼﻴﺭ ﺴﻬﻼﹰ ﺇﻥ
ﻜﹸﻨﹾﺕﹶ ﺘﻌﺭِﻑﹸ ﺍﻟﻤﻨﺯِل؛
ﺤﺎﻓِﻅﺎ ،ﺇﺫﺍ ﻜﺎﻥ ﻟﻙ ﻤﺩﺩ ﻤﻥ ﺒﺨﺘِﻙ ﺍﻟﻌﺎﻟﻲ ،ﻓﺴﻭﻑﹶ ﺘﺼﻴﺭ ﺼﻴﺩﺍﹰ ﻟِﺫﻟِﻙ ﺍﻟﺸﱠﺎﻫِﺩِ
ﺍﻟﻤﻁﺒﻭﻉِ ﺍﻟﺸﱠﻤﺎﺌل.
-٤٣٠-
ﻏﺰﻝ ٤٥٧
ﺃﻟﻑﹶ ﺠﻬﺩٍ ﻋﻤِﻠﹾﺕﹸ ﻜﻲ ﺘﻜﻭﻥ ﻟﻲ ﺤﺒﻴﺒﺎﹰ ،ﻟِﺘﹸﻌﻁﻴﻨﻲ ﺍﻟﻤﺭﺍﺩ ﻟِﻘﻠﺒﻲ ﺍﻟﱠﺫﻱ ﻻ ﻗﺭﺍﺭ ﻟﻪ؛
ﻟِﺘﹶﺼﻴﺭ ﺍﻟ ﺴﺭﺍﺝ ﻟﻌﻴﻨﻲ ﺍﻟﺴﺎ ﻫِﺭﺓِ ﺍﻟﻠﹼﻴلَ ،ﻭﺍﻷﻨﻴﺱ ﻟِﺨﺎﻁِﺭﻱ ﺍﻟﱠﺫﻱ ﻤِﻠﺅ ﻩ
ﺍﻟﺭﺠﺎﺀ؛
ﺒﻤﺎ ﺃﻥ ﻤﻠﻭﻙ ﺍﻟﻤﻼﺤﺔِ ﻴﺘﺩﻟﹼﻠﻭﻥ ﻋﻠﻰ ﺍﻟﻌﺒﻴﺩِ ،ﺃﺭﺠﻭ ﻓﻲ ﺫﻟِﻙ ﺍﻟﻭﺴﻁِ ﺃﻥ ﺘﹶﻜﻭﻥ ﺃﻨﺕﹶ
ﻤﻠِﻜﻲ؛
ﻤِﻥ ﺫﻟِﻙ ﺍﻟﻌﻘﻴﻕِ ﺍﻟﱠﺫﻱ ﻏﺭِﻕﹶ ﺒﺎﻟﺩﻤﺎﺀِ ﻤِﻥ ﺨِﺩﺍﻋِﻪِ ﻗﻠﺒﻲ ،ﺇﺫﺍ ﻗﹸﻤﺕﹸ ﺒﺎﻟﺸﱢﻜﺎﻴﺔِ ﻓﺎﻏﺘﹶﻡ
ﻟِﻐﻤﻲ)(١؛
ﻓﻲ ﺫﻟِﻙ ﺍﻟﺭﻭﺽِ ﺤﻴﺙﹸ ﺍﻷﺼﻨﺎﻡ ﺘﺄﺨﹸﺫﹸ ﺒﺄﻴﺩﻱ ﺍﻟﻌﺎﺸﻘِﻴﻥ ،ﺇﺫﺍ ﻤﺎ ﺃﻤﻜﹶﻨﹶﻨﻲ ﺴﺘﻜﻭﻥ
ﺼﻨﹶﻤﻲ؛
ﻟﻴﻠﹶﺔﹰ ﺃﻗﹾﺒِلْ ﺇﻟﻰ ﻜﻭﺥِ ﺃﺤﺯﺍﻥِ ﺍﻟﻌﺎﺸِﻘﻴﻥ ،ﻟِﺘﻜﻭﻥ ﻟِﻠﹶﺤﻅﹶﺔٍ ﺃﻨﻴﺱ ﻗﻠﺒﻲ ﺍﻟﻤﺒﺘﻠﻰ؛
ﻏﺯﺍﻟﹶﺔﹸ ﺍﻟﺸﱠﻤﺱِ ﺘﺼﻴﺭ ﺼﻴﺩﺍﹰ ﻫﺯﻴﻼﹰ ﻟﻲ ،ﺇﺫﺍ ﻜﺎﻥ ﻏﺯﺍلُ ﻤﺜﻠِﻙ ﺼﻴﺩﺍﹰ ﻟﻲ ﻟﻠﺤﻅﹶﺔٍ
ﻭﺍﺤِﺩﺓٍ؛
ﺍﻟﺜﻼﺙﹶ ﻗﹸﺒﻼﺕٍ ﻤِﻥ ﺍﻷﺠﺭِ ﻟﻲ ﻤِﻥ ﺸﹶﻔﹶﺘﹶﻴﻙ ،ﺇﺫﺍ ﻟﻡ ﺘﺅﺩﻫﺎ ﻟﻲ ﺴﺘﻜﻭﻥ ﺩﻴﻨﺎﹰ ﻋﻠﻴﻙ؛
ﻫل ﺴﻭﻑﹶ ﺃﺭﻯ ﻤﺭﺍﺩ ﻨﻔﺴﻲ ﻴﺘﺤﻘﱠﻕﹸ ،ﻭﺘﺠﻲﺀ ﻤﻨﺘﹶﺼﻑﹶ ﺍﻟﻠﹼﻴلِ ﺇﻟﻰ ﺠِﻭﺍﺭِ ﺩﻤﻌﻲ
ﺍﻟﺠﺎﺭﻱ ،ﻭﺘﹶﺼﻴ ﺭ ﻗﹸﺭﺒﻲ؛
ﺭﻏﻡ ﺃﻨﹼﻲ ﺤﺎﻓِﻅﹸ ﻤﺩﻴﻨﹶﺘﻲ ،ﻓﺄﻨﺎ ﻻ ﺃُﺴﺎﻭﻱ ﺤﺒﺔﹶ ﺸﻌﻴﺭٍ ،ﺇﻻﹼ ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﻜﹶﺭﻤﺎﹰ ﻤﻨﻙ ﻟﻲ
ﻤﻌﻴﻨﺎﹰ).(٢
) (١ﺍﻟﻌﻘﻴﻕ ﻜﻨﺎﻴﺔ ﻋﻥ ﺸﹶﻔﹶﺔِ ﺍﻟﻤﻌﺸﻭﻕ؛
) (٢ﺤﺎﻓﻅﹸ ﻤﺩﻴﻨﺘﻲ :ﺤﺎﻓِﻅﹸ ﺍﻟﻘﹸﺭﺁﻥِ ﺍﻟﻤﺸﻬﻭﺭ ﻓﻲ ﻤﺩﻴﻨﺘﻲ.
-٤٣١-
ﻏﺰﻝ ٤٥٨
ﺍِﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻴـﺎ ﻗﹶﻠﹾـﺏ ﺤﺘﱠـﻰ ﺘﹶـﺼِﻴﺭ ﺨﹶﺭﺍﺒـﺎ
)(١
ﻭﺍﻤﺘﹶﻠِﻙ ﺃﻟﻑﹶ ﻤﺭﺓٍ ،ﺒِﻼ ﺫﹶﻫـﺏٍ ،ﻤﻠﹾـﻙ ﻗـﺎﺭﻭﻥ
ﻓﻲ ﻤﻘـﺎﻡٍ ﻴﻌﻁـﻭﻥ ﻓﻴـﻪِ ﺍﻟـﺼﺩﺍﺭﺓﹶ ﻟﻠﻔﹸﻘـﺭﺍﺀِ
ـﺎ
ـﻭﻥ ﻤﻐﺒﻭﻨـ
ـﻥ ﺘﻜـ
ـﺼﻴﺭ ﺍﻷﻜﺜﹶ ـﺭ ﺠﺎﻫ ـﺎﹰ ﻭﻟـ
ﺘـ
ﻜﹶﻡ ﻓﻲ ﻁﹶﺭﻴﻕِ ﻤﻨﹾﺯِلِ ﻟﹶﻴﻠﻰ ﺍﻟﺨﹶﻁﻴـﺭِ ﻤِـﻥ ﺨﹶﻁﹶـﺭٍ
)(٢
ﺸﹶﺭﻁﹸ ﺃﻭﻟﻰ ﺍﻟﺨﹸﻁﻰ ﻓﻴـﻪِ ﺃﻥ ﺘﹶﻜـﻭﻥ ﻤﺠﻨﻭﻨـﺎ
ﺩﻭﻨﹶــﻙ ﺍﻟﺒﻴــﺩ ، ﺴــﺎﺭ ﻓــﻲ ﻨﹶﻭﻤِــﻙ ﺍﻟﺭﻜﹾــﺏ
)(٣
ﻤﺎ ﺘﹶﻔﹾﻌلُ؟ ﻤﻥ ﺘﹶﺴﺎﹶلُ؟ ﻤﺎﺫﺍ ﻋـﺴﻰ ﺃَﻥ ﻴﻜـﻭﻥ؟
ﺠﻭﻫﺭ ﺍﻟﺫﱠﺍﺕِ ﺃﻅﹾﻬِـﺭ ،ﺇﺫﺍ ﻜﹸﻨﹾـﺕﹶ ﻁﺎﻟِـﺏ ﺍﻟﺘﱠـﺎﺝِ
ﺕ ﻤِـﻥ ﻨﹶـﺴلِ ﺠﻤـﺸﻴﺩ ﺃﻭ ﻓﺭﻴـﺩﻭﻥ
ﻭﻟﻭ ﻜﹸﻨـ ﹶ
) (١ﻴﺎ ﻗﻠﺏ ﺤﻴﻥ ﺘﺼﻴﺭ ﺨﺭﺍﺒﺎﹰ ﻤﻥ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﺤﻤﺭﺍﺀ ﺘﺼﻴﺭ ﺃﻋﻅﹶﻡ ﻤﺌﺎﺕِ ﺍﻟﻤﺭﺍﺕِ ﻤﻥ ﻗﺎﺭﻭ
ﻥ
ﻤﻥ ﺩﻭﻥِ ﺫﹶﻫﺏٍ ﻭﻻ ﻜﹶﻨﺯ )ﺤﻴﻥ ﺘﻐﻴﺏ ﻋﻥ ﻭﺠﻭﺩﻙ ﻭﺘﻨﺴﻰ ﻨﻔﺴﻙ ﺘﺼﺒﺢ ﻏﻨﻴﺎﹰ ﺒﻼ ﻤﺎل(؛
)ﻭﻴﺎ ﻗﻠﺏ( ﻓﻲ ﻤﻘﺎﻡٍ ﻴﻤﻨﺤﻭﻥ ﻓﻴﻪِ ﺍﻟﺼﺩﺍﺭﺓﹶ ﻟﻠﻔﹸﻘﺭﺍﺀ ،ﺃﻤﻠﻲ ﺃﻥ ﻴﺯﻴﺩ ﺠﺎﻫﻙ ﻋﻠﻰ ﺍﻟﺠﻤﻴﻊ؛
) (٢ﻓﻲ ﻁﺭﻴﻕِ ﻤﻨﺯلِ ﻟﻴﻠﻰ ﻤﺎ ﺃﻜﺜﹶﺭ ﺍﻷﺨﻁﺎﺭ ،ﺸﹶﺭﻁﹸ ﺃﻭلِ ﻗﹶﺩﻡٍ ﻓﻴﻪِ ﺃﻥ ﺘﻜﻭﻥ ﻤﺠﻨﻭﻨﺎ )ﻓﺎﻟﻌﺎﻗ ُ
ل
ﺍﻟﱠﺫﻱ ﻴﻬﺘﻡ ﺒﺎﻷﻋﺭﺍﻑِ ﻭﺒﺴﻤﻌﺘِﻪِ ﻓﻲ ﺍﻟﻨﱠﺎﺱ ﻭﻴﺨﺎﻑﹸ ﺍﻓﺘِﻀﺎﺡ ﺃﻤﺭﻩ ﻭﻴﺭﺍﻗﺏ ﺍﻟﻤﺠﺘﻤﻊ ﻤﻜﺒلٌ
ﺒﻘﻴﻭﺩِ ﺍﻟﻌﻘل ﻭﻻ ﻴﻤﻜﻨﻪ ﺴﻠﻭﻙ ﻫﺫﺍ ﺍﻟﻁﱠﺭﻴﻕ(؛ ﻨﹸﻘﻁﹶﺔﹸ ﺍﻟﻌِﺸﹾﻕِ ﺃﺭﻴﺘﹸﻙ ﺇﻴﺎﻫﺎ ،ﺍﻨﺘﺒِﻪ ،ﻻ ﺘﹶﺴﻪ ،ﺃﻭ
ﺘﹶﺠِﺩ ﻨﻔﺴﻙ ﺇﺫﺍ ﻨﹶﻅﹶﺭﺕﹶ ﺨﺎﺭِﺝ ﺍﻟﺩﺍﺌﺭﺓ )ﻨﻘﻁﺔﹸ ﻤﺭﻜﺯِ ﺩﺍﺌﺭﺓِ ﺍﻟﻌِﺸﹾﻕِ ،ﻨﹸﻘﻁﹶﺔﹸ ﺍﻟﺒﺎﺀِ ﻤﻥ ﺒِﺴﻡِ ﺍﷲِ
ﺍﻟﺭﺤﻤﻥِ ﺍﻟﺭﺤﻴﻡ(؛
) (٣ﺍﻟﻘﺎﻓﻠﺔﹸ ﺍﻟﹼﺘﻲ ﻜﹸﻨﺕﹶ ﻓﻴﻬﺎ ﺴﺎﺭﺕﹾ ﻓﻲ ﻨﻭﻤِﻙ ،ﻭﺍﻟﺼﺤﺭﺍﺀ ﺩﻭﻨﹶﻙ ،ﺃﻴﻥ ﺘﹶﺫﻫﺏ ،ﻤﻥ ﺘﺴﺄلُ ،ﻤﺎ
ﺕ ﻤِﻥ
ﺘﻔﻌلُ ،ﻭﻤﺎﺫﺍ ﺴﻴﺤﺼل؟؛ ﺇﺫﺍ ﻜﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺘﺎﺝ ﺍﻟﺸﱠﺎﻩ ،ﺃﻅﹾﻬِﺭ ﺠﻭﻫﺭ ﺫﺍ ِﺘﻙ ﻭﻟﻭ ﻜﹸﻨﹾ ﹶ
ﻨﹶﺴلِ ﺠﻤﺸﻴﺩ ﺃﻭ ﻓﺭﻴﺩﻭﻥ؛
-٤٣٢-
ﺍِﺸﹾﺭﺏِ ﺍﻟﺭﺍﺡ ﻭﺍﺭﻡِ ﺠﺭﻋﺔﹰ ﻤِﻨﹾـﻪ ﻋﻠـﻰ ﺍﻷﻓﹾـﻼﻙِ
)(١
ﺕ ﻤﻐﹾﺒﻭﻨـﺎ
ﻜﻡ ﻭﻜـﻡ ﻤِـﻥ ﻏﹶـﻡِ ﺍﻷﻴـﺎﻡِ ﻜﹸﻨﹾـ ﹶ
ﺤﺎﻓِﻅﹸ ﻻ ﺘﻨﺘﹶﺤِﺏ ﻤِﻥ ﺍﻟﻔﹶﻘﹾﺭِ ،ﻭﺸِﻌﺭﻙ ﻫﺫﺍ
ﻤﺎ ﻁﻴﺏ ﻗﻠـﺏٍ ﻴﺭﻀـﻰ ﺒـﺄﻥ ﺘﻜـﻭﻥ ﻤﺤﺯﻭﻨـﺎ
ﻏﺰﻝ ٤٥٩
ﻁ ﻤِﻥ ﺼﺤﻴﻔﹶﺔِ ﺍﻟﻭﺭﻭﺩِ
ﺒِﻬﺫﺍ ﺍﻟﺨﻁﱢ ﺍﻟﺠﻤﻴلِ ﻋﻠﻰ ﺍﻟﺠﺒﻴﻥِ ﺍﻟﻭﺭﺩﻱ ،ﺘﺸﻁﺏ ﺍﻟﺨﹸﻁﻭ ﹶ
ﻭﺍﻷﺯﻫﺎﺭ؛
ﺩﻤﻊ ﻤﺨﹾﺯﻥِ ﻋﻴﻨﻲ ﺍﻟﱠﺫﻱ ﻜﺎﻥ ﺠﺎﻟِﺴﺎﹰ ﻓﻲ ﺤﺭﻡٍ ،ﺃﺨﺭﺠﺘﹶﻪ ﻤﻥ ﺨﻠﻑِ ﺴﺒﻌﺔِ ﺤﺠﺏٍ
ﺇﻟﻰ ﺍﻟﺒﺎﺯﺍﺭ؛
ﺘﺴﺤﺏ ﺍﻟﻤﺘﻌﺏ ﻓﻲ ﺍﻟﺴﻴﺭِ ،ﻜﺭﻴﺢِ ﺍﻟﺼﺒﺎ ،ﺒﻌﺒﻴﺭِ ﻓﺭﻋِﻙ ،ﻤﻘﻴﺩ ﺍﻟﻘﹶﺩﻡِ ﺒﺎﻟﺴﻼﺴِلَ ﻜﹸلﱠ
ﻟﹶﺤﻅﹶﺔٍ؛
ﺫِﻜﹾﺭ ﺘﻠﻙ ﺍﻟﺸﱠﻔﹶﺔِ ﺒِﻠﻭﻥِ ﺍﻟﺨﹶﻤﺭِ ،ﻭﺍﻟﻌﻴﻥِ ﺍﻟﺴﻜﺭﻯ ،ﻴﺄﺨﹸﺫﹸﻨﻲ ﻜﹸلﱠ ﻟﹶﺤﻅﹶﺔٍ ﻤﻥ ﺨﻠﻭﺘﻲ
ﺇﻟﻰ ﺤﺎﻨﹶﺔِ ﺍﻟﺨﻤﺎﺭ؛
ﻗﹸﻠﹾﺕﹶ ﻟﻲ :ﺴﺘﺼﻴﺭ ﺭﺃﺴﻙ ﻤﻌﻠﱠﻘﹶﺔﹰ ﺒِﺴﺭﺝِ ﺠﻭﺍﺩِﻨﺎ ،ﺫﺍﻙ ﺴﻬلٌ ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﺤﻤِلُ ﻤﺸﻘﱠﺔﹶ
ﻫﺫﺍ ﺍﻟﺤِﻤل؛
ﺃﻱ ﺘﺩﺒﻴﺭٍ ﻤﻨﹼﻲ ﻟِﻘﻠﺒﻲ ﺃﻤﺎﻡ ﻋﻴﻨِﻙ ﻭﺤﺎﺠِﺒِﻙ ،ﺁﻩِ ﻤﻥ ﻫﺫِﻩِ ﺍﻟﻘﻭﺱِ ﺍﻟﹼﺘﻲ ﺘﺭﻓﹶﻊ ﻋﻠﻲ،
ﻭﺃﻨﺎ ﺍﻟﻌﻠﻴلُ؛
) (١ﺍﺸﺭﺏ ﻜﺄﺴﺎﹰ ،ﻭﺍﺭﻡِ ﺠﺭﻋﺔﹰ ﻤﻨﻪ ﻋﻠﻰ ﺍﻷﻓﻼﻙِ ﻓﻜﻡ ﻭﻜﻡ ﺴﺎلَ ﻤِﻨﻙ ﻤِﻥ ﺩﻡِ ﺍﻟﻜﺒِﺩِ ﻤﻥ ﻏ ﻡ
ﺍﻷﻴﺎﻡِ )ﻋﻠﻴﻙ ﻓﻲ ﺴﻔﹶﺭِﻙ ﺍﻟﺨﻁﻴﺭِ ﺒﺎﻟﺨﻤﺭِ ﺍﻟﱠﺘﻲ ﺘﺤﺕﹶ ﺴﻠﻁﺎﻨِﻬﺎ ﺍﻟﻭﺠﻭﺩ ﻓﺎﺸﺭﺏ ﻜﺄﺴﺎﹰ ﻤﻥ
ﺍﻟﺨﻤﺭ ﺍﻟﱠﺘﻲ ﺘﺠﺭﻱ ﺒﺎﻟﻤﻘﺎﺩﻴﺭِ ﻟﺘﺴﻴﺭ ﻭﻓﻕﹶ ﻤﺭﺍﺩِﻙ ﻭﺍﻨﻌﻡ ﺒﺎﻟﺴﺭﻭﺭ ﻓﻜﻡ ﻭﻜﻡ ﺘﺠﺭﻋﺕﹶ
ﺍﻟﻐﻤﻭﻡ ﻓﻲ ﺴﺎﻟِﻑِ ﺃﻴﺎﻤِﻙ(؛ ﺤﺎﻓِﻅﹸ ﻻ ﺘﺌﻥ ﻤﻥ ﺍﻟﻔﹶﻘﹾﺭِ ﻭﻋِﻨﺩﻙ ﻫﺫﺍ ﺍﻟﺸﱢﻌﺭ ،ﻟﻴﺱ ﻫﻨﺎﻙ ﻁﻴﺏ
ﻗﻠﺏٍ ﻴﻘﺒلُ ﺃﻥ ﺘﻜﻭﻥ ﻤﺤﺯﻭﻨﺎ.
-٤٣٣-
ﻋﺩ ﻟﻨﺎ ﻴﺩﻓﹶﻊ ﻋﻥ ﻭﺠﻬِﻙ ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ،ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ﺍﻟﺠﺩﻴﺩ ﺍﻟﻐﹶﺽ ،ﺃﻥ ﺘﺭﺘﺩﻱ ﻫﺫﺍ
ﺍﻟﺭﺩﺍﺀ ﻤِﻥ ﺍﻟﺸﱠﻭﻙ)(١؛
ﺤﺎﻓِﻅﹸ ﺃﻨﺕﹶ ﺘﺸﺭﺏ ﺍﻟﺨﹶﻤﺭ ﻭﺘﹸﻤﺴِﻙ ﺒﻁﹸﺭﺓِ ﺍﻟﺤﺒﻴﺏِ ﻤﺎﻟِﻙِ ﺍﻟﻘﹸﻠﻭﺏ ،ﻏﻴﺭ ﻫﺫﺍ ﻤﺎ
ﺘﻁﻠﹸﺏ ﻤﻥ ﻨﻌﻴﻡِ ﺍﻟﺩﻫﺭِ؟!.
ﻏﺰﻝ ٤٦٠
)(٢
ﺃُﻻﻗﻲ ﻤﻥ ﻨﻭﺍﻫـﺎ ﻤـﺎ ﺃُﻻﻗـﻲ ـﺎﻟﻌِﺭﺍﻕِ
ﺴ ـﻠﹶﻴﻤﻰ ﻤﻨﹾ ـﺫﹸ ﺤﻠﱠ ـﺕﹾ ﺒـ
)(٣
ﺇﻟﻰ ﺭﻜﹾﺒﺎﻨِﻜﹸﻡ ﻁـﺎلَ ﺍﺸﹾـﺘﻴﺎﻗﻲ ﺃﺤﺎﺩﻱ ﺍﻟﻅﱡﻌﻥِ ﻗﺎﺼِـﺩﺓﹰ ﺤﻤﺎﻫـﺎ
)(٤
ﻋﻠﻰ ﺃﻨﻐـﺎﻡِ ﻓﺘﻴـﺎﻥِ ﺍﻟﻌـﺭﺍﻕِ ﻟِﺘﹶﺭﻡِ ﺒِﺯﻨﹾﺩﺭﻭﺩ ﺍﻟﻌﻘـلَ ﻭﺍﺸـﺭﺏ
ﺤﻤﺎﻙ ﺍﷲُ ﻴـﺎ ﻋﻬـﺩ ﺍﻟﺘﱠﻼﻗـﻲ ﺭﺒﻴﻊ ﺍﻟﻌﻤﺭِ ﻓﻲ ﻤﺭﻋـﻰ ﺤِﻤـﺎﻜﹸﻡ
ﺴﻘﺎﻙ ﺍﷲُ ﻤِﻥ ﻜﹶـﺄﺱٍ ﺩِﻫـﺎﻕِ ﺃﻴﺎ ﺴﺎﻗﻲ ﺍﺴﻘﻨﻲ ﺭﻁﹾـﻼﹰ ﺜﻘـﻴﻼﹰ
ﺴﻤﺎﻉِ ﺭﺒﺎﺒـﺔٍ ﻭﻟِـﺭﻗﹾﺹِ ﺴـﺎﻕِ ﻁﺭﺒﺕﹸ ﻭﻋﺎﺩﻨﻲ ﺫِﻜﹾﺭ ﺍﻟﺼﺒﺎ ﻤﻥ
ﻓِﺩﺍﺅﻜﹸﻡ ﺍﻟﱠﺫﻱ ﻓـﻲ ﺍﻟﻌﻤـﺭِ ﺒـﺎﻕِ ﺃﺤِﺒﺎﺌﻲ ﺒﺒـﺎﻗﻲ ﺍﻟﺨﹶﻤـﺭِ ﺠـﻭﺩﻭﺍ
ـﺭﺍﻕِ
ـﺎﻡِ ﺍﻟﻔــ
ﺃﻻ ﺘﻌــﺴﺎﹰ ﻷﻴــ ﺩﻡ ﺍﻷﺤﺸﺎﺀِ ﺴـﺎ َل ﻟِﻔﹶﻘﹾـﺩِ ﺨﻠﱢـﻲ
ﺕ ﻜﺎﻟﻭﺭﺩِ ،ﻓﺎﺠﻌﻠﻨﺎ ﻤﻥ ﺤﻭﻟِﻙ ﺭِﺩﺍﺀ ﻴﻘﻴﻙ ﻋﻴﻥ) (١ﻨﺤﻥ ﻋﺎﺸِﻘﻭﻙ ﻜﺎﻟﺸﱠﻭﻙِ ﻻ ﻗﻴﻤﺔﹶ ﻟﻨﺎ ،ﻭﺃﻨ ﹶ
ﺍﻟﺴﻭﺀِ ،ﻜﻤﺎ ﻴﺭﺘﺩﻱ ﺍﻟﻭﺭﺩ ﺭِﺩﺍﺀ ﻤِﻥ ﺍﻟﺸﱠﻭﻙ.
) (٢ﺴﻠﻴﻤﻰ )ﺍﺴﻡ ﺍﻟﻤﻌﺸﻭﻕ( ﺤﻴﻥ ﺤﻁﱠﺕ ﺍﻟﺭﺤﺎلَ ﻓﻲ ﺍﻟﻌﺭﺍﻕ ﻋﺎﻨﻴﺕﹸ ﻓﻲ ﻫﺠﺭﻫﺎ ﻤﺎ ﻻ
ﻴﻭﺼﻑ ﻤﻥ ﺍﻟﻌﺫﺍﺏ؛
) (٣ﻴﺎ ﺤﺎﺩﻱ ﺍﻹﺒِلِ ﺫﺍﻫﺒﺔﹰ ﺇﻟﻰ ﻤﻨﺯﻟﻬﺎ ﻜﻡ ﺒﻲ ﻤﻥ ﺍﻟﺸﱠﻭﻕِ ﻟﻜﻲ ﺃﻜﻭﻥ ﻓﻲ ﺭﻜﺒﻜﹸﻡ ،ﻭﺍﻟﻌﺎﺭ ﹸ
ﻑ
ﻴﺭﻤﺯ ﺒﺤﺎﺩﻱ ﺍﻟﻅﱠﻌﻥِ ﺇﻟﻰ ﺍﻟﻤﺭﺸﺩِ ﻭﺍﻟﺩﻟﻴل ﺍﻟﺭﻭﺤﺎﻨﻲ ،ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ :ﻓﻬﻡ ﻗﺒﻠﺘﻲ ﺇﺫﺍ ﺃﻨﺎ
ﺼﻠﱠﻴﺕﹸ ﻭﺤﺎﺩﻱ ﺍﻟﺴﺭﻯ ﺇﻟﻴﻬِﻡ ﺇﻤﺎﻤﻲ؛
) (٤ﺯﻨﺩﺭﻭﺩ ﺃﻭ ﺯﻨﱠﺭﻭﺩ ﻤﻌﺭﺏ ﻨﻬﺭ ﺯﻨﺩﻩ ﺭﻭﺩ ﻭﻫﻭ ﻨﹶﻬﺭ ﺠﻤﻴل ﻴﻤﺭ ﻓﻲ ﻤﺩﻴﻨﹶﺔِ ﺃﺼﻔﻬﺎﻥ،
ﻭﺍﻟﻤﻌﻨﻰ ﺍﺭﻡِ ﺍﻟﻌﻘلَ ﻓﻲ ﻨﻬﺭ ﺯﻨﺩﻩ ﺭﻭﺩ ﻭﺍﺸﺭﺏِ ﺍﻟﺨﻤﺭ ﻋﻠﻰ ﺃﺼﻭﺍﺕِ ﺃﻨﻐﺎﻡِ ﻓﺘﻴﺎﻥ ﺍﻟﻌِﺭﺍﻕ
)ﺼﻭﺕﹸ ﺍﻟﻔﺘﻰ ﺃﺠﻤلُ ،ﻭﺍﻟﻌِﺭﺍﻕﹸ ﺒﻠﹶﺩ ﺍﻟﻨﱠﻐﹶﻡِ ﺍﻟﺸﱠﺠﻲ ﺍﻟﺠﻤﻴلِ ،ﻭﺼﻭﺕﹸ ﺃﻫلِ ﺍﻟﻌِﺭﺍﻕ ﺠﻤﻴل(؛
-٤٣٤-
ﻓﻜﻡ ﺒﺤﺭِ ﻋﻤﻴـﻕٍ ﻤِـﻥ ﺴـﻭﺍﻗﻲ ﺩﻤــﻭﻋﻲ ﺒﻌــﺩﻜﻡ ﻻ ﺘﺤﻘﺭﻭﻫــﺎ
ﺇﻟﻲ ﻓﻜﹸـلﱡ ﺨﻴـﺭٍ ﻓـﻲ ﺍﻟﻭِﻓـﺎﻕِ ﺃﻻ ﺍﺘﱠﻔﻘﻭﺍ ﻋﻠﻰ ﺍﻹﺤـﺴﺎﻥِ ﻴﻭﻤـﺎﹰ
ﻭﺃﺴــﻤِﻌﻨﻴﻪِ ﺒــﺎﻟﻨﱠﻐﹶﻡِ ﺍﻟﻌﺭﺍﻗــﻲ ﻭﻏــﻥ ﺒــﺩﻴﻊ ﺸِــﻌﺭٍ ﻓﺎﺭِﺴــﻲ
)(١
ﻭﺃﺤﻴﺎﻨﺎﹰ ﺘﻜﻭﻥ ﻋﻠـﻰ ﻁـﻼﻕِ ﻓﻠﻲ ﻤﻥ ﺒﻨﺕِ ﻋﻨﻘـﻭﺩٍ ﻋـﺭﻭﺱ
ﻟِﻴﻘــﺭﻥ ﻟِﻠﻤﻨﻴــﺭﺓِ ﻓــﻲ ﻭﺜــﺎﻕِ ﻭﻋﻴﺴﻰ ﺇﺫﹾ ﺘﺠﺭﺩ ﺼـﺎﺭ ﺃﻫـﻼﹰ
ﺃﺤﺎﻓِﻅﹸ ﻏﻥ ﻟـﻲ ﻏﹶـﺯلَ ﺍﻟﻔِـﺭﺍﻕ ﺒﻭﺼلِ ﺃﺤِﺒﺘﻲ ﻤـﺎ ﻟـﻲ ﻨـﺼﻴﺏ
ﺍﻷﺒﻴﺎﺕﹸ ﺍﻷﻭل ﻭﺍﻟﺭﺍﺒﻊ ﻭﺍﻟﺘﹼﺎﺴﻊ ،ﻭﻋﺠﺯﺍ ﺍﻟﺒﻴﺘﻴﻥ ﺍﻟﺜﺎﻨﻲ ﻭﺍﻟﺜﺎﻤﻥ ﻤﻥ ﺃﺒﻴﺎﺕِ ﻫﺫﻩِ
ﺍﻟﻘﺼﻴﺩﺓِ ،ﻤﻨﻅﻭﻤﺔﹲ ﺒﺎﻟﻌﺭﺒﻴﺔِ ﻤﻥ ﺤﺎﻓِﻅ ﻨﻔﺴﻪ
ﻏﺰﻝ ٤٦١
)(٢
ﺃﻗﺒِلْ ﻓﺒﻌﺩﻙ ﻋﻨﹼﻲ ﻓﻴﻪِ ﺇﻫﻼﻜـﻲ ﻜﺘﺒﺕﹸ ﻗﺼﺔﹶ ﺸﹶﻭﻗﻲ ﻭﻤﺩﻤﻌﻲ ﺒﺎﻜﻲ
)(٣
ﺃﻴﺎ ﻤﻨﺎﺯِ َل ﺴﻠﻤﻰ ﺃﻴﻥ ﺴـﻠﻤﺎﻙِ ﻜﻡ ﻗﺩ ﺼﺭﺨﹾﺕﹸ ﺒِﺼﻭﺕٍ ﻻ ﺼﺭﻴﺦﹶ ﻟﹶﻪ
)(٤
ﺃﻨﺎ ﺍﺼﻁﹶﺒﺭﺕﹸ ﻗﺘﻴﻼﹰ ﻭﻗﺎﺘﻠﻲ ﺸﺎﻜﻲ ﻋﺠﻴﺏ ﻭﺍﻗِﻌﺔٍ ،ﻭﻏﺭﻴـﺏ ﺤﺎﺩِﺜﹶـﺔٍ
)(٥
ﻭﻫﺎﺕِ ﺸﹶﻤﺴﺔﹶ ﻜﹶﺭﻡٍ ﻤﻁﹶﻴﺏٍ ﺯﺍﻜِﻲ ﻫﺫﺍ ﻋﺒﻴﺭ ﺍﻟﺼﺒﺎ ﺴﺎﻗﻲ ﻓﻘﹸﻡ ﻋﺠِﻼﹰ
) (١ﻟﻲ ﻋﺭﻭﺱ ﺠﻤﻴﻠﹶﺔﹲ ﻫﻲ ﺍﻟﺨﹶﻤﺭﺓﹸ ﺒﻨﺕﹸ ﺍﻟﻌﻨﻘﻭﺩِ ،ﻟﻜِﻥ ﺍﻟﻁﱠﻼﻕﹶ ﻴﻘﻊ ﺒﻴﻨﻨﺎ ﻤِﻥ ﺤﻴﻥٍ ﻵﺨﺭ )ﺸﹸﺭ
ﺏ
ﺍﻟﺨﻤﺭﺓِ ﻻ ﻴﻤﻜِﻥ ﺃﻥ ﻴﻜﻭﻥ ﺩﺍﺌﻤﺎﹰ ﺒﻼ ﺍﻨﻘﻁﺎﻉ ،ﻭﻻ ﺒﺩ ﻤِﻥ ﺍﻻﻨﻘﻁﺎﻉِ ﻋﻥِ ﺍﻟﺸﱡﺭﺏِ ﻤِﻥ ﺤﻴﻥٍ ﻵﺨﹶﺭ(.
) (٢ﺤﺩﻴﺙﹸ ﺸﹶﻭﻗﻲ ﺠﺭﻯ ﻤِﻥ ﻤﺩﻤﻌﻲ ﺍﻟﺒﺎﻜﻲ؛
) (٣ﻜﺜﻴﺭﺍﹰ ﻤﺎ ﺼﺭﺨﺕﹸ ﻤِﻥ ﺍﻟﺸﱠﻭﻕِ ﻓﻲ ﻋﻴﻨﻲ:ﺃﻴﺎ ﻤﻨﺎﺯلَ ﺴﻠﻤﻰ ﺃﻴﻥ ﺴﻠﻤﺎﻙ؛
) (٤ﻴﺎ ﻟﻐﺭﺍﺒﺔِ ﻤﺎ ﻜﺎﻥ ﻤﻥ ﺃﻤﺭﻱ ﻭﺃﻤﺭ ﺍﻟﻤﻌﺸﻭﻕ ،ﺼﺒﺭﺕﹸ ﻭﺃﻨﺎ ﺍﻟﻘﺘﻴلُ ﻭﻴﺸﻜﻭ ﻭﻫﻭ ﺍﻟﻘﺎﺘل؛ ﻻ ﺃﺤ ﺩ
ﻴﺼِلُ ﺇﻟﻰ ﺃﻥ ﻴﻘﻭلَ ﺍﻟﻌﻴﺏ ﻓﻲ ﺜﻭﺒِﻙ ﺍﻟﻁﱠﺎﻫِﺭِ ،ﻭﻫﻭ ﻁﹼﺎﻫِﺭ ﻜﻘﹶﻁﺭﺓِ ﺍﻟﻨﱠﺩﻯ ﻋﻠﻰ ﻭﺭﻗﺔِ ﻭﺭﺩٍ؛ ﻗﹶﻠﹶﻡ
ﺍﻟﺼﻨﹾﻊِ ﺤﻴﻥ ﺭﻗﹶﻡ ﻜﹸلﱠ ﻤﺎﺌﻲ ﻭﺘﹸﺭﺍﺒﻲ ،ﺃﻋﻁﻰ ﺍﻟﺭﻭﻨﹶﻕﹶ ﻟﻠﺯﻫﺭِ ﻭﺍﻟﻭﺭﺩِ ﻤِﻥ ﻏﹸﺒﺎﺭِ ﻗﹶﺩﻤِﻙ ﺍﻟﻁﱠﺎﻫِﺭِ؛
) (٥ﻫﺫﻩ ﺭﻴﺢ ﺍﻟﺭﺒﻴﻊ ﺍﻟﱠﺘﻲ ﺘﻨﺸﹸﺭ ﺍﻟﻌﺒﻴﺭ ﺠﺎﺀﺕﹾ ﻓﺎﻨﻬﺽ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﻭﻫﺎﺕِ ﺍﻟﺨﻤﺭﺓ ﺍﻟﺼﺎﻓﻴﺔ
)ﺸﻤﺴﺔ ﺍﻟﻜﺭﻡ ﺍﻟﻤﻁﹶﻴﺏ(.
-٤٣٥-
ﺯﺍﺩ ﺍﻟﻤﺴﺎﻓِﺭِ ﺴﻌﻲ ﻗﹶـﺼﺩ ﺇﺩﺭﺍﻙِ ﺩﻉِ ﺍﻟﺘﱠﻜﺎﺴلَ ﺘﹶﻐﹾﻨﹶﻡ ﻓﻘﹶﺩ ﺠﺭﻯ ﻤﺜﹶـلٌ
ﺃﺭﻯ ﻤﺂﺜِﺭ ﻤﺤﻴﺎﻱ ﻤِـﻥ ﻤﺤﻴـﺎﻙِ ﻓﻘﺩﻱ ﺸﹶﻤﺎﺌِﻠﹶﻜﹸﻡ ﻟﹶﻡ ﻴﺒﻕِ ﻟﻲ ﺃَﺜﹶـﺭﺍﹰ
ﺼﻨﹾﻊ ﺍﻹﻟﻪ ﺘﹶﻌﺎﻟﻰ ﻓـﻭﻕﹶ ﺇﺩﺭﺍﻜـﻲ ﺒﻭﺼﻑِ ﺤﺴﻨِﻙ ﺃﻋﻴﺎ ﻨﹸﻁﹾﻕﹸ ﺤﺎﻓِﻅﹶ ﺇﺫ
ﻏﺰﻝ ٤٦٢
ﻋﻠﻴﻪِ ﺨﻁﱞ ﺩﺍﺌﺭ ﻜـﺩﻭﺭﺓِ ﺍﻟﻬِـﻼلِ ﻴﺎ ﻤﺒﺴﻤﺎﹰ ﻴﺤﺎﻜﻲ ﺩﺭﺠﺎﹰ ﻤﻥ ﺍﻟﹼﻶﻟﻲ
ﻤﺎﺫﺍ ﺘﹸﺭﻴﺩ ﺍﻟﻔِﻌلَ ﺒﻲ ﺒِﺼﻭﺭﺓِ ﺍﻟﺨﻴﺎلِ؟ ﻤﺨﺎﺩِﻋﻲ ﺒﺎﻟﻭﺼلِ ﻤﻨﻙ ﺭﺍﺌﻊ ﺍﻟﺨﻴﺎلِ
ﺍﻟﺴﻭﺩﺍﺀِ ،ﺇﻨﱢﻲ ﺸﺎﺌﻡ ﻟﹸﻁﹾﻔﺎﹰ ﺒﻼ ﺯﻭﺍلِ ﻫﺎﺕِ ﺍﻟﻤﺩﺍﻡ ،ﻻ ﺃﺨﺎﻑﹸ ﻤﻥ ﺼﺤﻴﻔﺘﻲ
،ﻋﻠﻰ ﺍﻟﻤﻼ ،ﺇﻨﹼﻲ ﺃﻨﺎ ﺍﻟﻌِﺭﺒﻴ ﺩ ﻻ ﺃُﺒﺎﻟﻲ ﻭﺍﺤﻤِلْ ﺇﻟﻲ ﺍﻟﺨﹶﻤﺭ ﻭﺍﺴﻕِ ﺴـﺎﻗﻴﺎ
ﻭﺍﻟﻤﺸﺭﻭﺏ ﻭﺍﻟﻤﻌﺸﻭﻕﹶ ﻭﺍﻟﻤﻜﺎﻥ ﺍﻟﺨﺎﻟﻲ ﻜﹸﻥ ﻋﺎﻗِﻼﹰ ﻭﻻ ﺘﹸﺨلﱢ ﺃﺭﺒﻌﺎﹰ ،ﺍﻷﻤـﻥ
ﺃﺤﺎﻓﻅﺎ ﻻ ﺘﺸﺘﻙِ ﻭﻟﺘﺴﻘﻨﻲ ﻓﻲ ﺍﻟﺤﺎلِ ﻭﺤﻴﺙﹸ ﻨﻘﺵﹸ ﺍﻟﺩﻫﺭِ ﻟﻴﺱ ﻴﻌﺭﻑﹸ ﺍﻟﺜﱠﺒﺎﺕﹶ
ﻗﹸﻡ ﻓﺎﺴﻘﻨﻲ ﺭﺤﻴﻘﻪ ﺃﺼﻔﻰ ﻤﻥ ﺍﻟﺯﻻلِ ﻓﻲ ﺩﻭﺭِ ﻋﻬﺩِ ﺁﺼِﻑٍ ﺠﺎﻤﻲ ﺼـﻔﺎ
ﻴﺎ ﺭﺏ ﺩﺍﻡ ﺨﺎﻟﺩﺍﹰ ﺒﺎﻟﻌِﺯ ﻭﺍﻟﻤﻌـﺎﻟﻲ ﺍﻟﻤﻠﻙ ﻗﺩ ﺘﺒﺎﻫﻰ ﻤﻥ ﺠﺩﻩِ ﻭﺠِـﺩﻩِ
ﻤﺒﺴِﻤﻙ) ﺜﻐﺭﻙ (ﻴﺤﺎﻜﻲ ﺼﻨﺩﻭﻗﺎﹰ ﻤﻥ ﺍﻟﻶﻟﺊ ﻴﺩﻭﺭ ﺤﻭﻟﻪ ﺨﻁﱞ ﻴﺸﺒِﻪ ﺍﻟﻬِﻼلَ
ﻓﻲ ﺒﺩﻴﻊِ ﺍﻨﺴﺠﺎﻡ؛ ﺘﺨﺩﻋﻨﻲ ﺼﻭﺭﺓﹸ ﺨﻴﺎﻟِﻙ ﺒﺎﻟﻭﺼلِ ﺍﻟﺠﻤﻴلِ ﻭﻟﺴﺕﹸ ﺃﺩﺭﻱ
ﻤﺎ ﺘﻨﻭﻱ ﺼﻭﺭﺓﹸ ﺨﻴﺎﻟِﻙ ﺃﻥ ﺘﻔﻌلَ ﺒﻲ؛ ﻭﺍﻋﻁِﻨﻲ ﺍﻟﺨﻤﺭ ﻓﺈﻨﹼﻲ ﻁﺎﻤﻊ ﺒِﻠﹸﻁﻔِﻙ
ﺍﻟﺴﺭﻤﺩﻱ ﺭﻏﻡ ﺃﻨﹼﻲ ﺫﻭ ﺍﻟﺼﺤﻴﻔﹶﺔِ ﺍﻟﺴﻭﺩﺍﺀِ ﻓﻲ ﺍﻟﻌﺎﻟﹶﻡ؛ ﺍﺤﻤلْ ﻟﻲ ﺍﻟﺠﺎﻡ ﺃﻴﻬﺎ
ﺍﻟﺴﺎﻗﻲ ﻭﺃﺨﺭِﺠﻨﻲ ﻤﻥ ﺨﻠﻭﺘﻲ ﻓﺄﻨﺎ ﻋﺎﺒﺩ ﺨﻤﺭﺓٍ ﻭﻤﻔﻀﻭﺡ ﻭﻻ ﺃﺒﺎﻟﻲ؛ ﻻ ﺘﺩﻉ
ﺃﺭﺒﻌﺎﹰ ﻤِﻥ ﺍﻷﺸﻴﺎﺀِ ﺇﻥ ﻜﹸﻨﺕﹶ ﻋﺎﻗِﻼﹰ ﻭﺫﻜﻴﺎﹰ :ﺍﻷﻤﻥ ﻭﺍﻟﺸﱠﺭﺍﺏ ﺍﻟﺼﺎﻓﻲ ﻭﺍﻟﻤﻌﺸﻭﻕﹶ
ﻭﺍﻟﻤﻜﺎﻥ ﺍﻟﺨﺎﻟﻲ ﻤﻥ ﺍﻷﻏﻴﺎﺭ؛ ﻭﻤﺎ ﺩﺍﻡ ﺍﻟﺩﻫﺭ ﻻ ﻴﺜﺒﺕﹸ ﻋﻠﻰ ﺤﺎلٍ ،ﻓﻼ ﺘﺸﺘﻙِ ﻤﻥ
ﺤﺎﻟِﻙ ﻴﺎ ﺤﺎﻓﻅﹸ ﺤﺘﹼﻰ ﺘﺘﻤﻜﱠﻥ ﻤﻥ ﺸﹸﺭﺏِ ﺍﻟﺨﻤﺭ.
-٤٣٦-
ﻏﺰﻝ ٤٦٣
)(١
ﻭﺠﺎﻭﺒﺕِ ﺍﻟﻤﺜـﺎﻨﻲ ﻭﺍﻟﻤﺜـﺎﻟﻲ ﺴــﻼﻡ ﺍﷲِ ﻤــﺎ ﻜــﺭ ﺍﻟﻠﻴــﺎﻟﻲ
)(٢
ـﺎلِ
ـﺎﻟﻠﻭﻯ ﻓ ـﻭﻕﹶ ﺍﻟﺭﻤـ
ﻭﺩﺍﺭٍ ﺒـ ﻋﻠﻰ ﻭﺍﺩﻱ ﺍﻷﺭﺍﻙِ ﻭﻤـﻥ ﻋﻠﻴﻬـﺎ
)(٣
ـﺎﻟﺘﱠﻭﺍﺘﹸﺭِ ﻭﺍﻟﺘﱠــﻭﺍﻟﻲ
ـﻭ ﺒـ
ﻭﺃﺩﻋـ ـﺎﺌﻲ
ـﻲ ﺍﻟـﺩﻨﻴﺎ ﺩﻋـ
ﻭﻟﻠﻐﹸﺭﺒـﺎﺀِ ﻓـ
ﻭﻜﺎﻥ ﺤﻔﻴﻅﹶـﻪ ﻓـﻲ ﻜﹸـلّ ﺤـﺎلِ ﺭﻋﺎﻩ ﺍﷲُ ﺤﻴﺙﹸ ﻤـﻀﻰ ﺒـﺄﺭﺽٍ
)(٤
ﻓﻔﻲ ﺘـﺸﺘﻴﺘِﻪِ ﺘﺠﻤﻴـﻊ ﺤـﺎﻟﻲ ـﺸﻙ ﻗﻴــﺩﺍﹰ
ـﻪِ ﻻ ﺘـ
ـﺏ ﺒِﻔﺭﻋِـ
ﺃَﻗﹶﻠـ
ﻜﻤﺎ ﺯﺩﺕﹶ ﺍﻟﺠﻤﺎلَ ﻋﻠـﻰ ﺍﻟﺠﻤـﺎلِ ﻓﺯِﺩﺕﹶ ﺍﻟﻌﻤﺭ ﻋﺎﻤـﺎﹰ ﺒﻌـﺩ ﻋـﺎﻡٍ
) (١ﺴﻼﻡ ﺍﷲ ﻤﺎ ﺘﺘﺎﻟﺕِ ﺍﻟﻠﹼﻴﺎﻟﻲ ﻭﻤﺎ ﺘﹸﻠﻴﺕ ﺁﻴﺎﺕﹸ ﺍﻟﻘﺭﺁﻥ ﻭﺭﺩﺩﺕﹾ ﻋﻠﻰ ﻭﺍﺩﻱ ﺍﻷﺭﺍﻙِ ﻭﺴﺎﻜﻨﻴﻪ
ﻭﺩﺍﺭٍ ﻟﻬﻡ ﻗﺎﻤﺕ ﻋﻠﻰ ﺭﻤﺎلِ ﺍﻟﻠﻭﻯ؛
) (٢ﺴﻼﻡ ﺍﷲ ﻤﺎ ﺘﺘﺎﻟﺕِ ﺍﻟﻠﹼﻴﺎﻟﻲ ﻭﻤﺎ ﺘﹸﻠﻴﺕ ﺁﻴﺎﺕﹸ ﺍﻟﻘﺭﺁﻥ ﻭﺭﺩﺩﺕﹾ ﻋﻠﻰ ﻭﺍﺩﻱ ﺍﻷﺭﺍﻙِ ﻭﺴﺎﻜﻨﻴﻪ
ﻭﺩﺍﺭٍ ﻟﻬﻡ ﻗﺎﻤﺕ ﻋﻠﻰ ﺭﻤﺎلِ ﺍﻟﻠﻭﻯ؛
) (٣ﺍﻟﻐﺭﺒﺎﺀ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﻤﻥ ﻻ ﻴﺭﻭﻨﻬﺎ ﻤﻘﺭﺍﹰ ،ﻭﻻ ﻴﺘﺨﺫﻭﻨﻬﺎ ﻤﻭﻁﻨﺎﹰ ،ﻴﻌﻴﺸﻭﻥ ﻓﻴﻬﺎ ﺒﺄﺒﺩﺍﻨِﻬِﻡ،
ﻭﺃﺭﻭﺍﺤﻬﻡ ﺘﻬﻔﻭ ﺇﻟﻰ ﺍﻟﻤﻭﻁﻥِ ﺍﻷﺼﻠﻲ ﺍﻟﱠﺫﻱ ﺃﺘﺕ ﻤﻨﻪ؛
) (٤ﺘﺸﺘﻴﺕﹸ ﺍﻟﺸﱠﻌﺭِ ﺇﺸﺎﺭﺓﹲ ﺇﻟﻰ ﺍﻟﺘﱠﻜﺜﱡﺭ ،ﺃﻭ ﺍﻟﻔﺭﻕِ ﺍﻟﻤﻌﺒﺭِ ﻋﻨﻪ ﺒﺎﻟﻜﺜﺭﺓِ ﺍﻟﻨﱡﻭﺭﻴﺔِ ﻋﻨﺩ ﺍﻟﻌﺎﺭﻓﻴﻥ ﺍﻟﻘﺎﺌﻠﻴﻥ
ﺒﻭﺤﺩﺓِ ﺍﻟﻭﺠﻭﺩ ،ﻭﻫﻭ ﻤﺎ ﻴﻔﺴﺭﻭﻥ ﺒِﻪِ ﻤﺩ ﺍﻟﻅﱢلﱢ ،ﻭﻴﻘﺎﺒِﻠﹸﻪ ﺍﻟﺠﻤﻊ ،ﺍﻟﱠﺫﻱ ﻫﻭ ﺍﻟﺘﹼﻭﺤﻴﺩ ﺒﺎﻟﺭﺠﻭﻉ ﻤﻥ
ﺍﻟﻜﺜﺭﺓِ ﺇﻟﻰ ﺍﻟﻭﺤﺩﺓِ ﻭﻤﻥ ﺍﻷﺜﺭِ ﺇﻟﻰ ﺍﻟﻤﺅﺜﱢﺭِ)ﻭﺍﷲُ ﻴﻘﺒﺽ ﻭﻴﺒﺴﻁ( ،ﻓﺎﷲ ﺘﻌﺎﻟﻰ ﺘﺠﻠﹼﻰ ﻓﻲ
ﺍﻟﻤﻭﺠﻭﺩﺍﺕِ ﺍﻟﹼﺘﻲ ﺃﻭﺠﺩﻫﺎ ﺘﺠﻠﱢﻲ ﺍﻟﻤﺘﻜﻠﹼﻡِ ﻓﻲ ﻜﻼﻤِﻪ ،ﻭﺍﻟﻌﺎﻟﹶﻡ ﻜﺘﺎﺏ ﺴﻁﱠﺭﻩ ﺍﷲُ ﺒﻴﻤﻴﻨِﻪ،
ﻭﻤﺨﻠﻭﻗﺎﺘﹸﻪ ﻜﻼﻤﻪ ﺴﺒﺤﺎﻨﻪ ،ﻭﻗﺩ ﻗﺎل ﻋﻠﻲ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ :ﻜﺘﺎﺒﻙ ﺃﺒﻠﻎﹸ ﻤﺎ ﻴﻨﻁِﻕﹸ ﻋﻨﻙ ،ﻓﻜﺘﺎﺏ
ﺍﻟﺨﻠﻕِ ﻴﻨﻁِﻕﹸ ﻋﻥِ ﺍﷲِ ﺴﺒﺤﺎﻨﻪ ،ﻭﺍﻟﻌﺎﺭﻑﹸ ﻴﻨﻔﺫﹸ ﺒﺼﺭﻩ ﻤﻥ ﺍﻷﺴﺒﺎﺏِ ﺇﻟﻰ ﻤﺴﺒﺒﺎﺘِﻬﺎ ﻭﻴﺭﻯ
ﺍﻟﻤﺴﺒﺏِ ﻭﺭﺍﺀ ﺍﻟﺴﺒﺏِ ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﺍﻟﻅﱢلﱡ ﺩﻟﻴلٌ ﻋﻠﻰ ﻨﻭﺭِ ﺸﻤﺱِ ﺍﷲ ﻭﻜﻴﻑﹶ ﻤﺩ ﺍﻟﻅﱢلﱠ ﺸﻐلُ
ﺃﻭﻟﻴﺎﺀِ ﺍﷲ ،ﻭﻗﺎل ﻋﻠﻲ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ) :ﻋﺠﺒﺕﹸ ﻟﻤﻥ ﻴﺸﻙ ﻓﻲ ﺍﷲِ ﻭﻫﻭ ﻴﺭﻯ ﺨﻠﻕﹶ ﺍﷲ( ﻭﺨﻠﻕﹸ
ﺍﷲِ ﻜﺘﺎﺏ ﺍﷲِ ،ﻭﻗﺎﺭﺉُ ﻜﺘﺎﺏِ ﺍﻟﺨﻠﻕِ ﻴﺭﻯ ﺍﷲَ ﻓﻲ ﻜلﱢ ﺍﻷﺸﻴﺎﺀِ ﺒﻌﻴﻥِ ﺒﺼﻴﺭﺘِﻪِ ﻜﻤﺎ ﻴﺭﻯ ﺍﻟﻘﺎﺭﺉُ
ﺍﻟﻜﺎﺘﺏ ﻤﻥ ﺨﻼلِ ﺍﻟﻜﺘﺎﺏِ ﻭﺍﻟﻜﻠِﻤﺎﺕِ ﺍﻟﹼﺘﻲ ﻜﺘﺒﻬﺎ ،ﻭﺍﻟﱠﺘﻲ ﺘﻌﺒﺭ ﻋﻨﻪ ،ﺍﻨﺘﻘﺎﻻﹰ ﻤﻥ ﺍﻷﺜﺭِ ﺇﻟﻰ
ﺍﻟﻤﺅﺜﱢﺭِ ،ﻭﻟﺫﺍ ﻜﺎﻥ ﺍﻟﻌﺎﺭﻑﹸ ﻴﺭﻯ ﺍﷲَ ﻓﻲ ﻜلﱢ ﻤﺎ ﻴﺭﺍﻩ ،ﻗﺎلَ ﺍﻹﻤﺎﻡ ﺍﻟﺤﺴﻴﻥ ﻋﻠﻴﻪِ ﺍﻟﺴﻼﻡ :ﺃﻨﺕﹶ
ﺍﻟﱠﺫﻱ ﺘﻌﺭﻓﺕﹶ ﺇﻟﻲ ﻓﻲ ﻜﹸلﱢ ﺸﻲﺀٍ ﻓﺭﺃﻴﺘﹸﻙ ﻅﺎﻫﺭﺍﹰ ﻓﻲ ﻜﹸلﱢ ﺸﻲﺀٍ ﻭﺃﻨﺕﹶ ﺍﻟﻅﱠﺎﻫِﺭ ﻟﻜﹸلﱢ ﺸﻲﺀ:
ـﺎﺘِﺭ
ـﺎ ﺠﻼﻟ ـﻙ ﺴـ
ـﻴﺱ ﻟ ـﻪ ﺇﻟﹼـ
ﻭﻟـ ﺠﻤﺎﻟﹸﻙ ﻓﻲ ﻜـلﱢ ﺍﻟﺨﻼﺌِـﻕِ ﺴـﺎﺌﺭ
-٤٣٧-
)(١
ﻭﺯِﺩ ﻤِﺌﺔﹰ ﻤِﻥ ﺍﻟﻌـﺎﻡِ ﺍﻟﺠﻼﻟـﻲ ـﺎلٍ
ﻭﺯِﺩ ﻤِﺌ ـﺔﹰ ﺒِﺨﻁﱢ ـﻙ ﻤِ ـﻥ ﺠﻤـ
ﻴﻬﻭﻥ ﻋﻠﻲ ﻤﻥ ﺠـﺎﻫﻲ ﻭﻤـﺎﻟﻲ ﻭﺇﻨﹼﻲ ﻏﻴـﺭ ﻓﻘـﺩِﻙ ﻜﹸـلﱡ ﺸـﻲﺀٍ
ﻭﺭﺍﺴِﻡِ ﺨـﻁﱢ ﺤﺎﺠِﺒِـﻙ ﺍﻟﻬﻼﻟـﻲ ﻟﺭﺍﺴِﻡِ ﺒﺩﺭِ ﻭﺠﻬِﻙ ﺃﻟـﻑﹶ ﻤﺭﺤـﻰ
ﻭﺫِﻜﺭﻙ ﻤﺅﻨﺴﻲ ﻓـﻲ ﻜﹸـلﱢ ﺤـﺎلِ ﻓﺤﺒﻙ ﺭﺍﺤﺘـﻲ ﻓـﻲ ﻜﹸـلﱢ ﺤـﻴﻥٍ
ﺇﻟﻰ ﻴـﻭﻡِ ﺍﻟﻘﻴﺎﻤـﺔِ ﻏﻴـﺭ ﺨـﺎلِ ﻭﻗﻠﺒﻲ ﻤﻨﻙ ،ﻤﻥ ﻋِﺸﹾﻘﻲ ﻭﺸﻭﻗﻲ،
ﻜﻌﺭﺒﻴــﺩٍ ،ﺨﻠﻴــﻊٍ ،ﻻ ﺃُﺒــﺎﻟﻲ ﺃﻴﺎ ﻤﻠِﻜﻲ ﺒِﻭﺼـﻠِﻙ ﺃﻴـﻥ ﺃﺤﻅـﻰ
ﻭﻋِﻠﻡ ﺍﷲِ ﺤﺴﺒﻲ ﻤـﻥ ﺴـﺅﺍﻟﻲ ﻭﺇﻥ ﺍﷲَ ﻴﻌﻠﹶــﻡ ﻤــﺎ ﻤــﺭﺍﺩﻱ
ﻏﺰﻝ ٤٦٤
)(٢
ﻜﻼ ﺍﻹﺜﻨﻴﻥ ﻟـﻴﺱ ﺇﻟـﻰ ﺯﻭﺍلِ ﺠﻤﺎﻟﹸﻙ ﻤﺜـلَ ﻋـﺸﻘﻲ ﺫﻭ ﻜﻤـﺎلِ
)(٣
ﺒﺄﺠﻤلَ ﻤﻨﻙ ﻤﻌﻨﻰ ﻤـﻥ ﻤِﺜـﺎلِ ﻭﻟﻴﺱ ﻴﺠﻲﺀ ﻤﻥ ﺘﺼﻭﻴﺭِ ﻋﻘـلٍ
ﻤــﻥ ﺍﻷﻴــﺎﻡِ ﻴــﻭﻡ ﻟِﻠﻭِﺼــﺎلِ ﻭﻟﻲ ﺤـﻅﱞ ﺒِﻌﻤـﺭﻱ ﺇﻥ ﺒﻌﻤـﺭﻱ
ـﺎﻟﻲ
ـﺎﻡ ﺒﺒـ
ـﻲ ﻋـ
ﻭﺩﻭﻨﹶ ـﻙ ﻟﺤﻅﹶﺘـ ﻭﻋﺎﻤﻲ ﻓﻲ ﻭِﺼﺎﻟِﻙ ﻟـﻲ ﻜﻴـﻭﻡٍ
ﻓﻜﻴﻑﹶ ﺃﺭﻯ ﺨﻴﺎﻟﹶﻙ ﻓـﻲ ﺨﻴـﺎﻟﻲ ـﺭﻯ ﻨﻭﻤ ـﺎﹰ ﺒِﻠﻴ ـلٍ
ـﻲ ﻻ ﺘـ
ﻭﻋﻴﻨـ
ـﻼلِ
ـﺎﺤِﻼﹰ ﻤﺜ ـلَ ﺍﻟﻬِـ
ـﻌﻴﻔﺎﹰ ﻨـ
ﻀـ ﺒﺤﺏ ﺠﻤﺎلِ ﻭﺠﻬِﻙ ﺼـﺎﺭ ﻗﻠﺒـﻲ
ﺃﺤــﺎﻓِﻅﹸ ﻜﹸــﻥ ﻜﺜﻴــﺭ ﺍﻻﺤﺘِﻤــﺎلِ ﺘﹸﺭﺠﻲ ﺍﻟﻭﺼلَ ،ﻭﺍﻟﻬِﺠﺭﺍﻥ ﺘـﺸﻜﻭ
) (١ﺍﻟﻌﺎﻡ ﺍﻟﺠﻼﻟﻲ ﻫﻭ ﺍﻟﻌﺎﻡ ﺍﻟﺸﱠﻤﺴﻲ ،ﻭﻫﻭ ﺃﻁﻭلُ ﻤِﻥ ﺍﻟﻌﺎﻡِ ﺍﻟﻘﻤﺭﻱ)ﺍﻟﻬِﺠﺭﻱ ،(ﻭﻤﻌﻨﻰ ﺍﻟﺒﻴﺕِ
ﻟﻘﺩ ﺯﺍﺩﻙ ﺨﻁﱡ ﺍﻟﻌِﺫﺍﺭ ﻤﺌﺔﹶ ﺠﻤﺎلٍ ﻋﻠﻰ ﺠﻤﺎﻟِﻙ ،ﻓﺯﺍﺩ ﺍﷲُ ﻓﻲ ﻋﻤﺭِﻙ ﻤﺌﺔﹶ ﻋﺎﻡٍ ﺸﻤﺴﻲ.
) (٢ﺍﻟﻌﺸﻕﹸ ﺍﻟﻜﺎﻤلُ ﻻ ﻴﻜﻭﻥ ﺇﻟﹼﺎ ﻟِﺸﻲﺀٍ ﻜﺎﻤِلٍ ﻻ ﻨﻘﺹ ﻓﻴﻪِ ﻭﻻ ﻋﻴﺏ ،ﻭﺍﻟﻜﻤﺎلُ ﺍﻟﻤﻁﻠﻕﹸ ﷲِ
ﻭﺤﺩﻩ ،ﻓﺎﷲُ ﻭﺤﺩﻩ ﻫﻭ ﺍﻟﻤﻌﺸﻭﻕﹸ ﺍﻟﺤﻘﻴﻘﻲ؛
) (٣ﻻ ﻴﻤﻜﻥ ﺃﻥ ﻴﺘﺼﻭﺭ ﺍﻟﻌﻘلُ ﻟﻠﺠﻤﺎلِ ﻤﺜﺎﻻﹰ ﺃﺠﻤلَ ﻤﻨﻙ ،ﻭﻤﻘﺎﻤﻙ ﻻ ﺘﺭﻗﻰ ﺇﻟﻴﻪِ ﺍﻟﻌﻘﻭل ﻭﺃﻨﺕ
ﺃﺠﻤلُ ﻤﻥ ﻜﹸلﱢ ﺨﻴﺎلٍ ﻭﻗﻴﺎﺱٍ ﻭﻅﻥ ﻭﻭﻫﻡٍ ،ﻗﺎل ﺍﻟﺒﻭﺼﻴﺭﻱ :ﻭﺃﺠﻤلَ ﻤﻨﻙ ﻟﻡ ﺘﺭ ﻗﻁﱡ ﻋﻴﻨﻲ
ﻭﺃﺠﻤلَ ﻤﻨﻙ ﻟﻡ ﺘﻠِﺩِ ﺍﻟﻨﱢﺴﺎﺀ.
-٤٣٨-
ﻏﺰﻝ ٤٦٥
ﻓﹶﺠﺎﺀ ﺒِﺴﻤﻌﻲ ﻤِﻨﹾﻪ ﺃﻟﺤـﺎﻥ ﺒﻠﹾﺒـلِ ﻏﹶﺩﻭﺕﹸ ﺇﻟﻰ ﺍﻟﺒﺴﺘﺎﻥِ ﺃﻗﻁِﻑﹸ ﻭﺭﺩﺓﹰ
ﻭﻓﻲ ﻅﹸﻠﹶلِ ﺍﻷﺸﹾﺠﺎﺭِ ﻨـﺎﺡ ﺒِﻐﹶﻠﹾﻐﹶـلِ ﻟﹶﻘﹶﺩ ﻜﺎﻥ ﻤِﺜﹾﻠﻲ ﻋﺎﺸِﻕﹶ ﺍﻟﻭﺭﺩِ ﻤﺒﺘﹶﻠﹶﻰ
ﺒﻭﺭﺩﺘِﻬــﺎ ﻭﺍﻟﻌﻨــﺩﻟﻴﺏِ ﺘــﺄﻤﻠﻲ ﺘﹶﻁﹶﻭﻓﹾﺕﹸ ﻓﻲ ﺘِﻠﻙ ﺍﻟﺨﹶﻤﻴﻠﹶﺔِ ﺠـﺎﻋِﻼﹰ
ﻭﺒﻠﹾﺒلِ ﻋِﺸﹾﻕٍ ﻤﺎ ﻟـﻪ ﻤِـﻥ ﺘﺒـﺩلِ ﺒﻭﺭﺩﺓِ ﺤﺴﻥٍ ﻤﺎ ﻟﻬﺎ ﻤِﻥ ﺘﻔـﻀلٍ
ﻕ ﻋِﻨﺩﻱ ﻋِﻨﺩﻫﺎ ﻤِﻥ ﺘﹶﺤﻤلِ
ﻭﻟﻡ ﻴﺒ ﹶ ﻭﺃﺤﺯﻥ ﻗﻠﺒﻲ ﺍﻟﻌﻨـﺩﻟﻴﺏ ﺒِـﺼﻭﺘِﻪِ
ﻴﺭﻡ ﺠﻨﻴﻪ ﻻ ﺒﺩ ﺒﺎﻟـﺸﱠﻭﻙِ ﻴﺒﺘﹶﻠـﻲ ﺘﹶﻔﹶﺘﱠﺢ ﻭﺭﺩ ﺍﻟﺭﻭﺽِ ﻓﻲ ﺸﹶﻭﻜِﻪِ ﻭﻤـﻥ
ﻟﻪ ﺃﻟﹾﻑﹸ ﻋﻴﺏٍ ﺩﻭﻥ ﺃﺩﻨﻰ ﺘﹶﻔﹶـﻀلِ ﻭﻫﻤلْﻥ ﻓﹶﺭﺝ ﻴﺭﺠﻰ ﻤِﻥ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﱠـﺫﻱ
ﻭ
ﻏﺰﻝ ٤٦٦
)(١
ﺩﻓﺘﺭﻱ ﻏﹶﺴﻠﹸﻪ ﺒﺎﻟﻤـﺩﺍﻡِ ﺃﻭﻟـﻰ ﺨِﺭﻗﺘﻲ ﺭﻫﻨﹸﻬﺎ ﻟﻠـﺸﱠﺭﺍﺏِ ﺃﻭﻟـﻰ
)(٢
ﻭﺒِﺩﺍﺭِ ﺍﻟﺨﺭﺍﺏِ ﺍﻟﺨﺭﺍﺏ ﺃﻭﻟـﻰ ﻋﻤــﺭﻱ ﻀــﺎﻉ ،ﻜــﻡ ﺘﺄﻤﻠﹾــﺕ
)(٣
ﻟﻠﺼﺩﺭِ ﻭﺍﻟﻤﺎﺀ ﻟﻠﻌـﻴﻥِ ﺃﻭﻟـﻰ ﺍﻟﺩﺭﻭﻴﺵﹸ ﻟﻴﺱ ﻫﻤﻪ ﺍﻟﻨﱠﻔﹾﻊ ،ﺍﻟﻨﱠﺎﺭ
ﻗﺼﺘﻲ ﻗﻭﻟﹸﻬـﺎ ﺒﺎﻟﺭﺒـﺎﺏِ ﺃﻭﻟـﻰ ﺤﺎﻟﹶـﺔﹶ ﺍﻟﺯﻫـﺩِ ﻟﻠﺨﹶﻠﹾـﻕِ ﻻ ﺃﻗـﻭلُ
) (١ﻭﻫﺫﺍ ﺍﻟﺩﻓﺘﹶﺭ ﺒﻼ ﻤﻌﻨﻰ ،ﺍِﻏﺭﺍﻗﹸﻪ ﺒﺎﻟﺨﻤﺭﺓِ ﺍﻟﺼﺎﻓﻴﺔِ ﺃﻭﻟﻰ؛
ﻉ ﺴﺩﻯ ،ﻓﻜﹸﻠﱠﻤﺎ ﻨﹶﻅﹶﺭﺕﹸ ﺃﺩﺭﻜﹾﺕﹸ ﺃﻨﱠَﻪ ﻜﺎﻥ ﻤِﻥ ﺍﻷﻭﻟﻰ ﺃﻥ ﺃﻜﻭﻥ
) (٢ﻭﺒِﻤﺎ ﺃﻥ ﻋﻤﺭﻱ ﻗﺩ ﻀﺎ
ﺨﺭﺍﺒﺎﹰ ﻓﻲ ﺭﻜﹾﻥِ ﺍﻟﺨﺭﺍﺒﺎﺕ؛
) (٣ﺒﻤﺎ ﺃﻥ ﺍﻟﺘﱠﻔﻜﻴﺭ ﺒﺎﻟﻤﺼﻠﹶﺤﺔِ ﺒﻌﻴﺩ ﻋﻥِ ﺍﻟﺩﺭﻭﻴﺵِ ،ﻓﺈﻥ ﺍﻟﺼﺩﺭ ﺍﻟﻤﻠﻲﺀ ﺒﺎﻟﻨﱠﺎﺭِ ﻭﺍﻟﻌﻴﻥ ﺍﻟﻤﻠﻴﺌﺔﹶ
ﺒﺎﻟﺩﻤﻊِ ﺃﻭﻟﻰ؛
-٤٣٩-
)(١
ﻫﻭﺱ ﺍﻟﺭﺃﺱِ ﺒﺎﻟﺴﺎﻗﻲ ﻭﺤﻤلُ ﺍﻟﻜﺄﺱِ ﻋِﻨﹾـﺩ ﺍﻀـﻁﺭﺍﺏِ ﺍﻷﻓـﻼﻙِ ﺃﻭﻟـﻰ
ﻭﺒِﻌﻬﺩِ ﺍﻟﺸﱠﺒﺎﺏِ ﺍﻟـﺸﱠﺭﺍﺏ ﺃﻭﻟـﻰ ﺤﺎﻓِﻅﹸ ﻓﻲ ﺍﻟﺸﱠﻴﺏِ ﺍﹸﺘـﺭﻙِ ﺍﻟﺤـﺎﻥ
ﻏﺰﻝ ٤٦٧
ﻀﺞ ﻜﹸلﱡ ﺨﺎﻡ ،ﺭﻏﻡ ﺃﻥ ﺍﻟﺸﱠﻬﺭ ﺭﻤﻀﺎﻥ ﺃﻋﻁِﻨﻲ ﺍﻟﺠﺎﻡ؛
ﻤﻥ ﺨﻤﺭﺓِ ﺍﻟﻌِﺸﹾﻕِ ﻴﻨ
ﻤﺭﺕِ ﺍﻷﻴﺎﻡ ﻭﻟﻡ ﺘﹸﻤﺴِﻙ ﻴﺩﻱ ،ﻭﺃﻨﺎ ﺍﻟﻤﺴﻜﻴﻥ ،ﺒﻔﹶﺭﻉِ ﻤﻥ ﻟﻪ ﻗﺩ ﺍﻟﺸﱠﻤﺸﺎﺩ ،ﻭﺴﺎﻋِﺩِ
ﻤﻥ ﺃﻁﺭﺍﻓﹸﻪ ﻤﻥ ﺍﻟﻔِﻀﺔ؛
ﺍﻟﺼﻭﻡ ﻤﻬﻤﺎ ﻴﻜﹸﻥ ﻀﻴﻔﺎﹰ ﻋﺯﻴﺯﺍﹰ ،ﺼﺤﺒﺘﹸﻪ ﻴﺎ ﻗﻠﺏ ﻤﻭﻫِﺒﺔﹲ ،ﻭﺫﻫﺎﺒﻪ ﺇﻨﻌﺎﻡ؛
ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﺫﱠﻜﻲ ﻻ ﻴﻁﻴﺭ ﺇﻟﻰ ﻤﺠﺎﻟِﺱِ ﺍﻟﻭﻋﻅِ ،ﻭﻜﹸلﱡ ﻤﺠﻠِﺱِ ﻭﻋﻅٍ ﻤﻨﺼﻭﺒﺔﹲ ﺒِﻪِ
ﺸﹶﺒﻜﹶﺔﹲ؛
ﺃﻨﺎ ﻻ ﺃﺸﺘﻜﻲ ﻤﻥ ﺍﻟﺯﺍﻫِ ﺩِ ﺍﻟﺴﻴ ﺊِ ﺍﻟﻁﱠ ﺒﻊِ ،ﻓﺎﻟﺭﺴﻡ ﺃﻥ ﻜﹸلﱠ ﺼﺒﺢٍ ﻴﺘﻨﻔﱠﺱ ،ﻗﹶﺒﻠﹶﻪ
ﻤﺴﺎ ﺀ؛
ﻤﻌﺸﻭﻗﻲ ﺤﻴﻥ ﻴﺘﻤﺸﱠﻰ ﻓﻲ ﺍﻟﺭﻭﺽِ ،ﻴﺘﻤﺎﻴلُ ﻓﻲ ﺩﻻل ،ﻴﺎ ﺭﺴﻭلَ ﺍﻟﺼﺒﺎ ،ﺃﻭﺼِلْ
ﻟﻪ ﺭِﺴﺎﻟﺔﹰ ﻤِﻨﱢﻲ؛
ﺫﺍﻙ ﺍﻟﺤﺭﻴﻑﹸ ﺍﻟﱠﺫﻱ ﻴﺸﺭﺏ ﺍﻟﺨﹶﻤﺭﺓﹶ ﺍﻟﺼﺎﻓِﻴﺔﹶ ﻓﻲ ﺍﻟﻠﹼﻴلِ ﻭﺍﻟﻨﱠﻬﺎﺭ ،ﻫلْ ﺘﹸﺭﺍﻩ ﺴﻴﺫﻜﹸﺭ
ﺸﺎﺭِﺏ ﺍﻟﺜﱡﻤﺎﻟﹶﺔ؛
ﺤﺎﻓِﻅﺎ ،ﺇﻥ ﻟﻡ ﻴﻌﻁِﻙ ﻋﻁﺎﺀ ﻗﻠﺒِﻙ ﺁﺼِﻑﹸ ﺍﻟﻌﻬﺩِ ،ﺴﻴﻜﻭﻥ ﺼﻌﺒﺎﹰ ﺒﻠﻭﻏﹸﻙ ﺍﻟﻤﺭﺍﺩ ﻤﻥ
ﺫﻟِﻙ ﺍﻟﻌﻨﻴﺩِ.
) (١ﻭﺒﻤﺎ ﺃﻥ ﺍﻟﻔﹶﻠﹶﻙ ﻤﻀﻁﹶ ﺭِﺏ ﺍﻷﻭﻀﺎﻉِ ﻓﺈﻥ ﺍﻟ ﻬﻭﺱ ﺒﺎﻟﺴﺎﻗﻲ ﻭﺤﻤلَ ﺍﻟﻜﺄ ﺱ ﺒﺎﻟﻴ ﺩِ
ﺃﻭﻟﻰ؛ ﻤﻥ ﺤﺒﻴﺏٍ ﻤﺤﺒ ﺏٍ ﻤﺜﻠﹶﻙ ﻟﻥ ﺃﺴﺘﺭِﺩ ﻗﻠﺒﻲ ،ﻭﺍﻟﺼﺒﺭ ﺇﺫﺍ ﻜﺎﻥ ﻻ ﺒ ﺩ ﻤِﻨﻪ ﻓﻬﻭ
ﻤِﻥ ﻓﺭﻋِﻙ ﺃﻭﻟﻰ .
-٤٤٠-
ﻏﺰﻝ ٤٦٨
ﻤﻥ ﻴﺤﻤِلُ ﺇﻟﻰ ﺍﻟﻤﻠﻭﻙِ ﺭِﺴﺎﻟﹶﺔﹰ ﻤِﻨﹼﻲ ،ﺃﻨﺎ ﺍﻟﺸﱠﺤﺎﺫ :ﻓﻲ ﺤِﻤﻰ ﺍﻟﺤﺎﻥِ ﺃﻟﻔﺎ ﺠﻤﺸﻴﺩٍ ﺒِﺠﺎﻡ؛
ﺼِﺭﺕﹸ ﺨﺭﺍﺒﺎﹰ ﻭﻤﻔﻀﻭﺤﺎﹰ ،ﻭﺍﻷﻤلُ ﻻ ﻴﺯﺍلُ ﻋﻨﺩﻱ ،ﺒِﺄﻥ ﺃﺼﻴﺭ ﺤﺴﻥ ﺍﻟﺴﻤﻌﺔِ،
ﺒِﻬِﻤﺔِ ﺍﻷﻋِﺯﺍﺀ؛
ﺃﻨﺕﹶ ﻴﺎ ﻤﻥ ﺘﺒﻴﻊ ﺍﻹﻜﺴﻴﺭ ،ﺍﹸﻨﻅﹸﺭ ﻨﹶﻅﹾﺭﺓﹰ ﺇﻟﻰ ﻗﻠﺒِﻨﺎ ،ﻓﻼ ﺒِﻀﺎﻋ ﹶﺔ ﻋِﻨﹾﺩﻨﺎ ،ﻭﻗﺩ ﺭﻤﻴﻨﺎ
ﺸِﺒﺎﻜﹶﻨﺎ؛
ﻋﺠﺒﺎﹰ ﻤﻥ ﻭﻓﺎﺀِ ﺍﻟﺤﺒﻴﺏِ ﺍﻟﱠﺫﻱ ﻻ ﻴﻌﺘﹶﻨﻲ ﺒِﻨﺎ ،ﻻ ﺭِﺴﺎﻟﹶﺔﹰ ﺒِﺨﹶﺒﺭٍ ﻭﻻ ﺴﻼﻤﺎﹰ ﻤﻥ ﻗﹶﻠﹶﻡٍ؛
ﺏ ﺨﺎﻤﺎﹰ ،ﺇﺫﺍ ﻜﺎﻥ ﺍﻟﺤﺭﻴﻑﹸ ﻨﺎﻀِﺠﺎﹰ ،ﻓﺈﻥ ﺍﻟﺨﺎﻡ ﺃﻓﻀلُ ﻤِﻥ ﻭﻟﻭ ﻜﺎﻥ ﻫﺫﺍ ﺍﻟﺸﹼﺭﺍ
ﻑ ﻤﺭﺓٍ؛
ﺃﻟﻑِ ﻨﺎﻀِﺞٍ ﺃﻟ ﹶ
ﻻ ﺘﺤﺭِﻓﹾﻨﻲ ﻋﻥِ ﺍﻟﻁﱠﺭﻴﻕِ ﺒِﺤﺒﺎﺕِ ﺍﻟﺘﱠﺴﺒﻴﺢِ ﺃﻱ ﺸﹶﻴﺦﹸ ،ﺍﻟﻁﱠﺎﺌﺭ ﺍﻟﺫﱠﻜِﻲ ﻻ ﻴﻘﹶﻊ ﺒِﺄﻴﺔِ ﺸِﺒﺎﻙ؛
ﺃُﺭﻴﺩ ﺃﻥ ﺃﺨﹾﺩِﻤﻙ ﻓﺎﺸﹾﺘﹶﺭِﻨﻲ ﺒﺎﻟﻠﱡﻁﹾﻑِ ،ﻭﻻ ﺘﹶﺒِﻌﻨﻲ ﻓﺈﻨﱢﻲ ،ﻭﺇﻥ ﻜﹸﻨﺕﹸ ﻋﺒﺩﺍﹰ ﻀﺌﻴﻼﹰ،
ﻏﹸﻼﻡ ﻤﺒﺎﺭﻙ؛
ﻟِﻤﻥ ﺃﺤﻤِلُ ﺸِﻜﺎﻴﺘﻲ ،ﻭﻟِﻤﻥ ﺃﻗﻭلُ ﺤِﻜﺎﻴﺘﻲ ،ﺸﹶﻔﹶﺘﹸﻙ ﻜﺎﻨﺕﹾ ﺤﻴﺎﺘﻲ ،ﻭﻟﻡ ﺘﺩﻡ؛
ﺠﺭﺩ ﺴِﻬﺎﻡ ﺍﻷﻫﺩﺍﺏِ ،ﻭﺃﻫﺭِﻕﹾ ﺩﻡ ﺤﺎﻓِﻅ ،ﻓﻤِﻥ ﻤِﺜﹾلِ ﻫﺫﺍ ﺍﻟﻘﺎﺘِلِ ﻟﻥ ﻴﻨﺘﹶﻘِﻡ ﺸﹶﺨﹾﺹ.
ﻏﺰﻝ ٤٦٩
ﺃﺘــﺕ ﺭﻭﺍﺌــﺢ ﺭﻨﹾــﺩِ ﺍﻟﺤِﻤــﻰ ﻭﺯﺍﺩ ﻏﺭﺍﻤــﻲ
)(١
ﻓِــﺩﻯ ﺘﹸــﺭﺍﺏِ ﺤﺒﻴﺒــﻲ ﻜــﺭﺍﺌِﻡ ﻟِﻜِــﺭﺍﻡِ
) (١ﺍﻟﺭﻨﺩ ﺸﺠﺭ ﻁﻴﺏ ﺍﻟﺭﺍﺌﺤﺔ ﻴﻭﺠﺩ ﻓﻲ ﺍﻟﺒﺎﺩﻴﺔ ،ﻭﺍﻟﻤﻌﻨﻰ :ﺤﻤﻠﺕ ﺍﻟﺭﻴﺢ ﺭﺍﺌﺤﺔﹶ ﺍﻟﺭﻨﺩ ﺍﻟﻁﱠﻴﺒ ﹶﺔ
ﻥ ﻓﺩﺍﺀ ﻟﺘﺭﺍﺏِ ﻤﻥ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ ﻓﺯﺍﺩﺘﻨﻲ ﻏﺭﺍﻤﺎﹰ ﻋﻠﻰ ﻏﺭﺍﻤﻲ ،ﻟﻴﺕ ﺍﻷﺭﻭﺍﺡ ﺍﻟﻌﺯﻴﺯﺓﹶ ﺘﻜﻭ
ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ؛
-٤٤١-
ﺴــﻤﻊ ﺍﻟﺤﺒﻴــﺏِ ﺴــﻼﻤﻲ ﺴــﻌﺎﺩﺓﹲ ﻭﺴــﻼﻡ
)(١
ـﻼﻤﻲ
ـﻌﺎﺩ ﺴـ
ـﻰ ﺴـ
ـﻲ ﺇﻟـ
ﻤ ـﻥ ﺍﻟﻤﺒﻠﱢ ـﻎﹸ ﻋﻨﹼـ
ـﻲ
ـﺎﺀِ ﻋﻴﻨـ
ـﻲ ﻤـ
ـﺎﺩِ ﻓـ
ـﻭ ﺘﺄﻤﻠ ـﺕﹶ ﻟﻴ ـلَ ﺍﻟﺒِﻌـ
ﻟـ
)(٢
ﺼﺎﻓﻲ ﺍﻟﺨﻤﺭِ ﺨِﻠﹾﺕﹶ ﻓـﻲ ﺍﻟﺯﺠـﺎﺝِ ﺍﻟـﺸﹶﺂﻤﻲ
ﺇﺫﺍ ﺘﹶﻐﹶــﺭﺩ ﻋــﻥ ﺫﻱ ﺍﻷﺭﺍﻙِ ﻁــﺎﺌِﺭ ﺨﹶﻴــﺭٍ
)(٣
ـﺎﻤﻲ
ـﻴﻥ ﺤﻤـ
ـﻬﺎ ﺃﻨـ
ـﻼ ﺘﹶﻔﹶ ـﺭﺩ ﻋ ـﻥ ﺭﻭﻀِـ
ﻓﹶـ
ﻜﺎﺩ ﻴﻘﹾـﻀﻰ ﺍﻟﻔـﺭﺍﻕﹸ ﺒـﺸﺭﺍﻙ ﻴـﺎ ﻗﻠـﺏ ﺇﻨﹼـﻲ
)(٤
ﺭﺃَﻴﺕﹸ ﻤﻥ ﻫـﻀﺒﺎﺕِ ﺍﻟﺤِﻤـﻰ ﻗِﺒـﺎﺏ ﺨِﻴـﺎﻡِ
ﻁــﺎﺏ ﻭﻗــﺕﹲ ﺒِــﻪِ ﺃﺭﺍﻙ ﻋﺎﺌِــﺩﺍﹰ ﺒِــﺴﻼﻡٍ
ﻗﹶــﺩِﻤﺕﹶ ﺨﹶﻴــﺭ ﻗﹸــﺩﻭﻡٍ ﻨﹶﺯﻟﹾــﺕﹶ ﺨﹶﻴــﺭ ﻤﻘــﺎﻡِ
ﺒﻌــﺩﺕﹸ ﻤﻨــﻙ ﻭﻗــﺩ ﺼِــﺭﺕﹸ ﺫﺍﺌﺒــﺎﹰ ﻜﻬِــﻼلٍ
)(٥
ﻭﻤﺤﻴــﺎﻙ ﺒــﺩﺭ ﻭﺇﻥ ﻤــﺎ ﺭﺃﻴﺘﹸــﻪ ﺒِﺘﻤــﺎﻡِ
) (١ﺇﺫﺍ ﺒﻠ ﻎﹶ ﺴﻼﻤﻲ ﺴﻤ ﻊ ﺍﻟﺤﺒﻴﺏ ﻨﻠﺕﹸ ﺍﻟﺴﻼﻡ ﻭﺍﻟﺴﻌﺎﺩ ﺓﹶ ،ﻓﻤﻥ ﺫﺍ ﻴﻭﺼلُ ﺴﻼﻤﻲ ﺇﻟﻰ
ﺴﻌﺎﺩ؟؛
) (٢ﺘﻌﺎل ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺩﻤﻌﻲ ﻓﻲ ﻟﻴﺎﻟﻲ ﻏﹸﺭﺒﺘﻲ ،ﻜﺄﻨﱠﻪ ﺍﻟﺨﻤﺭ ﻓﻲ ﺍﻟﺯﺠﺎﺝ ﺍﻟﺸﱠﺂﻤﻲ ،ﻭﺍﻟﺯﺠﺎﺝ
ﺍﻟﺸﱠﺂﻤﻲ ﻤﺸﻬﻭﺭ ﺒﺎﻟﺼﻔﺎﺀ ،ﻭﺍﻟﺨﻤﺭ ﺤﻤﺭﺍﺀ ﺍﻟﻠﻭﻥ )ﻴﻌﻨﻲ ﺃﻨﱠ ﻪ ﻴﺒﻜﻲ ﺩﻤﺎﹰ ﻤﻥ ﺸﺩﺓِ ﺃﻟﻡِ
ﺍﻟﻔﺭﺍﻕ(؛
ﻕ ﺭﻭﻀﻬﺎ،) (٣ﺇﺫﺍ ﻜﺎﻥ ﻫﻨﺎﻙ ﻁﺎﺌﺭ ﺨﻴﺭٍ ﻴﻐﻨﹼﻲ ﻴﺫﻜﹸﺭ ﺫﺍ ﺍﻷﺭﺍﻙ ،ﻓﻁﺎﺌﺭﻱ ﺍﻟﺤﺯﻴﻥ ﻻ ﻴﻔﺎﺭِ ﹸ
ﻭﻻ ﻴﻐﻨﹼﻲ ﺇﻻﹼ ﻟﻬﺎ ،ﺫﻱ ﺍﻷﺭﺍﻙ ﻤﻜﺎﻥ ﺒﺎﻟﺤﺠﺎﺯ ﻴﻜﺜﹸﺭ ﻓﻴﻪِ ﺍﻷﺭﺍﻙ ،ﻭﺍﻷﺭﺍﻙ ﺸﺠﺭ ﺫﻭ ﺸﻭﻙ
ﺘﹸﺘﱠﺨﺫﹸ ﻤﻨﻪ ﺍﻟﻤﺴﺎﻭﻙ ،ﻭﺍﻟﻤﻜﺎﻥ ﻴﺸﻴﺭ ﺇﻟﻰ ﻭﻁﻥِ ﻤﻌﺸﻭﻕ ﺍﻟﺸﱠﺎﻋﺭ؛
) (٤ﺇﻥ ﻭﺼﻭﻟﻲ ﺇﻟﻰ ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ ﺒﺎﺕﹶ ﻗﺭﻴﺒﺎﹰ ﻓﻘﺩ ﺒﺩﺕ ﻟﻌﻴﻨﻲ ﺍﻟﺨﻴﺎﻡ ﻓﻲ ﻫﻀﺎﺏِ ﺤﻤﺎﻩ ﻜﺄﻨﱠﻬﺎ
ﺍﻟﻘﺒﺎﺏ؛
) (٥ﻟﻘﺩ ﺒﺭﺍﻨﻲ ﺍﻟﺴﻘﻡ ﻓﻲ ﺍﻟﺒﻌﺩِ ﻋﻨﻙ ﺤﺘﹼﻰ ﺼِﺭﺕﹸ ﺃﻜﺎ ﺩ ﻻ ﺃُﺭﻯ ،ﻜﺄﻨﱠﻨﻲ ﻫﻼلُ ﺃﻭلِ ﺍﻟﺸﱠﻬﺭِ ،ﻭﺇﻥ
ﻭﺠﻬﻙ ﻴﺎ ﺤﺒﻴﺒﻲ ﺸﺒﻴﻪ ﺒﺎﻟﺒﺩﺭِ ﻟﻴﻠﺔ ﻜﻤﺎﻟﻪِ ﻭﺘﻤﺎﻤِﻪِ ،ﻭﺇﻥ ﻜﻨﺕﹸ ﻟﻡ ﺃﺭﻩ ﻋﻠﻰ ﺘﻤﺎﻤﻪ؛
-٤٤٢-
ﻭﺇﻥ ﺩﻋﻴــﺕﹸ ﺒِﺨﹸﻠﹾــﺩٍ ﻭﺼِــﺭﺕﹸ ﻨــﺎﻗِﺽ ﻋﻬــﺩٍ
)(١
ﻓﻤﺎ ﺘﹶﻁﹶﻴﺏ ﻨﻔـﺴﻲ ﻭﻤـﺎ ﺍﺴـﺘﻁﺎﺏ ﻤﻨـﺎﻤﻲ
ﺃﺭﺠــﻭ ﺃﺭﺍﻙ ﺴــﺭﻴﻌﺎﹰ ﺒِﻁﻴــﺏِ ﺒﺨﺘــﻲ ﺃﻗﺒِــلْ
ﺃﺴــﻌِﺩ ﺒِﺨﹶﻴــﺭِ ﻤﻠﻴــﻙٍ ﻋﻠــﻰ ﺴــﻌﻴﺩِ ﻏﹸــﻼﻡِ
ـﺎﻓِﻅﹸ
ـﻌﺭﻙ ﺍﻟﻌـﺫﺏ ﻴـﺎ ﺤـ
ﺩﺭﺭ ﻓـﻲ ﺍﻟﻨﱢﻅـﺎﻡِ ﺸِـ
)(٢
ﻓﺎﻕﹶ ﻤﺎ ﻗﺩ ﻨﻅﻤـﺕﹶ ﺒـﺎﻟﻠﱡﻁﻑِ ﻨﹶﻅﹾـﻡ ﻨﻅـﺎﻤﻲ
ﻏﺰﻝ ٤٧٠
ﻕ ﺒِﺭﻭﺤﻲ ،ﻴﺎ ﺇﻟﻬﻲ ﻜﹸﻥ ﻤﺴﺎﻋِﺩﻱ؛
ﺍﻟﺼﺩﺭ ﻤﻠﺅﻩ ﺍﻷﻟﹶﻡ ،ﻭﺍﺤﺴﺭﺘﺎ ﻟﻠﻤﺭﻫﻡ ،ﻗﻠﺒﻲ ﺍﻟﺘﹶﺤ ﹶ
ﺍﻟﻔﹶﻠﹶﻙ ﺍﻟﻤﺴﺭِﻉ ﻻ ﻴﻤﻠِﻙ ﻋﻴﻥ ﺭﺤﻤﺔٍ ،ﺴﺎﻗﻴﺎ ﺃﻋﻁِﻨﻲ ﺍﻟﺠﺎﻡ ﻷﺭﺘﺎﺡ ﻟﹶﺤﻅﹶﺔﹰ؛
ﻗﹸﻠﹾﺕﹸ ﻟِﺫﹶﻜﻲ ﻜﻴﻑﹶ ﺘﺭﻯ ﺍﻷﺤﻭﺍلَ ،ﻀﺤِﻙ ﻭﻗﺎلَ :ﺍﻟﻴﻭﻡ ﺼﻌﺏ ﻭﺍﻟﺸﱡﻐﹾلُ ﻋﺠﻴﺏ
ﻭﺍﻟﻌﺎﻟﹶﻡ ﻤﺸﻭﺵﹲ؛
ﺍﺤﺘﹶﺭﻗﹾﺕﹸ ﻓﻲ ﺒﺌﺭِ ﺍﻟﺼﺒﺭِ ﻷﺠلِ ﺸﹶﻤﻊِ ﭽﮕل ،ﺸﺎﻩ ﺍﻷﺘﺭﺍﻙِ ﻓﺎﺭِﻍﹲ ﻤﻥ ﺤﺎﻟِﻨﺎ،
ﻓﺄﻴﻥ ﺭﺴﺘﹶﻡ)(٣؛
ﻓﻲ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ﺍﻷﻤﻥ ﻭﺍﻟﺭﺍﺤﺔﹸ ﺒﻼﺀ ،ﻓﻠﻴﺒﺘﹶلَ ﺒﺎﻟﺠِﺭﺍﺤﺔِ ﻗﻠﺏ ﻤﻥ ﻴﻁﻠﹸﺏ ﻷﻟﹶﻤِﻙ
ﻤﺭﻫﻤﺎﹰ؛
ﺃﻫلُ ﺍﻟﻁﱠﻤﻊِ ﻭﺍﻟﻔﹶﺨﹾﺭِ ﻻ ﺴﺒﻴلَ ﻟﹶﻬﻡ ﺇﻟﻰ ﺤِﻤﻰ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻷﺤﺭﺍﺭ ،ﺍﻟﺴﺎﻟِﻙ ﻴﺠِﺏ ﺃﻥ
ﻴﻜﻭﻥ ﻤﺤﺘﹶﺭِﻗﺎﹰ ،ﻻ ﺨﺎﻤﺎﹰ ﺒﻼ ﻏﻡ؛
) (١ﻭﻟﻭ ﻗﻴلَ ﻟﻲ ﺍﺩﺨﹸلِ ﺍﻟﺠﻨﱠﺔﹶ ﻭﺃﻨﺎ ﻟﻌﻬﺩِﻙ ﻨﺎﻗِﺽ ﻓﻠﻥ ﺘﻁﻴﺏ ﻨﻔﺴﻲ ﺒﺩﺨﻭﻟِﻬﺎ ﻭﻟﻥ ﻴﻬﻨﺄ ﺒﻬﺎ ﻨﻭﻤﻲ؛
) (٢ﺸِﻌﺭﻙ ﺍﻟﻌﺫﺏ ﻴﺎ ﺤﺎﻓِﻅﹸ ﺩﺭﺭ ﻤﻨﻅﻭﻤﺔﹲ ،ﻭﻫﻭ ﻓﻲ ﻟﻁﺎﻓﺘِﻪِ ﻴﺴﺒِﻕﹸ ﺸِﻌﺭ ﻨﻅﺎﻤﻲ ﻜﻨﺠﻭﻱ
ﺍﻟﺤﻜﻴﻡ ﺍﻟﻤﺸﻬﻭﺭ.
) (٣ﭽﮕل ﻤﺩﻴﻨﹶﺔﹲ ﺃﻫﻠﹸﻬﺎ ﻤﻥ ﺍﻷﺘﺭﺍﻙ ،ﻭﻴﺸﺘﻬﺭﻭﻥ ﺒﺎﻟﺸﱠﺠﺎﻋﺔِ ﻭﺍﻟﺠﻤﺎل.
-٤٤٣-
ﻓﻲ ﻫﺫﺍ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻟﺘﱡﺭﺍﺒﻲ ،ﻟﻥ ﻴﻘﹶﻊ ﻓﻲ ﻴﺩِﻙ ﺁﺩﻤﻲ ،ﺃﻨﺕﹶ ﻓﻲ ﺤﺎﺠﺔٍ ﻟِﻌﺎﻟﹶﻡٍ ﺁﺨﹶﺭ ﻭﺁﺩﻤﻲ
ﺠﺩﻴﺩ؛
ﻗﹸﻡ ﻨﹶﻬﺏِ ﺍﻟﺨﺎﻁِﺭ ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﺘﱡﺭﻜﻲ ﺍﻟﺴﻤﺭﻗﹶﻨﹾﺩﻱ ،ﺍﻟﱠﺫﻱ ﻤِﻥ ﻨﺴﻴﻤِﻪِ ﻴﺸﻡ ﻋﺒﻴﺭ ﺠﺩﻭلِ
ﺍﻟﻤﻭﺍﻟﻲ؛
ﺒﻜﺎﺀ ﺤﺎﻓِﻅﹶ ﻤﺎ ﻭﺯﻨﹸﻪ ﺃﻤﺎﻡ ﺍﺴﺘِﻐﻨﺎﺀِ ﺍﻟﻌِﺸﹾﻕ؟ ،ﺍﻟﺒِﺤﺎﺭ ﺍﻟﺴﺒﻌﺔﹸ ﻋِﻨﹾﺩ ﻫﺫﺍ ﺍﻟﺒﺤﺭِ
ﻜﻘﹶﻁﹾﺭﺓِ ﺍﻟﻨﱠﺩﻯ.
ﻏﺰﻝ ٤٧١
ﺃﻴﺎ ﺭﺴﻭلَ ﺍﻟﺼﺒﺎ ﻻ ﺯﻟﺕﹶ ﺫﺍ ﻜﹶـﺭﻡِ ﻤﻥ ﻨﺎﻗﻠﻲ ﺨﻁﱠ ﻤﻥ ﺃﻫﻭﺍﻩ ﺒـﺎﻟﻘﻠﻡِ
ﻤﺎ ﻗﻁﺭﺓﹲ ﺭﻗﻤﺕﹾ ﻓﻲ ﺍﻟﺒﺤﺭِ ﻤﻥ ﺭﻗﹶﻡِ ﺘﺩﺒﻴﺭ ﻋﻘﻠﻲ ﺒﺩﺭﺏِ ﺍﻟﻌﺸﻕِ ﻗِﺴﺕﹸ ﺇﻟﻰ
ﻭﺨِﺭﻗﺘﻲ ﺭﻫِﻨﹶﺕﹾ ﻟﻠﺤﺎﻥِ ﻤـﻥ ﻗِـﺩﻡِ ﻻ ﻤﺎلَ ﻭﻗﻑٍ ﻋﻠﻰ ﺍِﺴﻤﻲ ﻭﺒﻲ ﻋﺩﻡ
ﻴﺎ ﻗﻠﺏ ﻭﺍﺴﺘﺸﹾﻑِ ﺒﺎﻟﺼﻬﺒﺎﺀِ ﻤﻥ ﺃﻟﻡِ ﺤﺩﻴﺙﹶ ﻜﻴﻑﹶ ﻭﻤﺎﺫﺍ ﻭﺍﻟﺼﺩﺍﻉ ،ﻓﺩﻉ
ﺒﻭﺍﺒﺔِ ﺍﻟﺤﺎﻥِ ﺇﻨﹼﻲ ﻨﺎﺼِﺏ ﻋﻠﹶﻤـﻲ ﻤلﱠ ﺍﻟﻨﱢﻔﺎﻕﹶ ﻓﺅﺍﺩﻱ ﻗﹸﻡ ﺒﻨـﺎ ﻓﻌﻠـﻰ
ﺒﻜﺄﺱِ ﺨﻤﺭٍ ﺼﻔﺕﹾ ﻓﻲ ﺼﺤﺒﺔِ ﺍﻟﺼﻨﹶﻡِ ﻭﻋﺎﺭﻓﻭ ﺍﻟﻭﻗﺕِ ﺒﺎﻋﻭﺍ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ ﻤﻌﺎﹰ
ﺕ ﻤِﺜﻠﻲ ﻓﺎﻁﻌﻡ ﻟﺴﻌﺔﹶ ﺍﻷﻟﹶـﻡِ
ﺇﻥ ﻜﹸﻨ ﹶ ﻋﻴﺵﹸ ﺍﻟﻨﱠﻌﻴﻡِ ﻟِﻌِﺸﻘﻲ ﻟﻴﺱ ﻤﻥ ﺜﹶﻤﺭٍ
ﻤﻥ ﺫﺍ ﺍﻟﱠﺫﻱ ﻴﺤﻤلُ ﻟﻲ ﺭﺴﺎﻟﺔﹰ ﺨﻁﱠﻬﺎ ﻗﹶﻠﹶﻡ ﺍﻟﺤﺒﻴﺏ ،ﻫﻼﱠ ﻟﻙِ ﺒﺤﻤﻠِﻬﺎ ﻴﺎ ﺭﻴﺢ
ﺍﻟﺭﺒﻴﻊِ ﺇﻥ ﻜﹸﻨﺕِ ﻻ ﺯِﻟﺕِ ﺘﺼﻨﻌﻴﻥ ﺍﻟﺠﻤﻴل )ﻭﻓﻕ ﺍﻷﺼل(؛ ﻻ ﻴﻌﺭِﻑﹸ ﺍﻟﻌﻘلُ ﻤﻥ ﺃﻤﺭِ
ﺍﻟﻌِﺸﻕِ ﺸﻴﺌﺎﹰ ﻭﻻ ﺃﺜﹶﺭ ﻟﻪ ﻓﻴﻪِ ،ﻋﻠﻰ ﻗﻴﺎﺴﻲ ،ﺇﻻﹼ ﻜﺄﺜﹶﺭِ ﻗﻁﺭﺓِ ﺍﻟﻤﺎﺀ ﺍﻟﻭﺍﺤﺩﺓ ﺘﺴﻘﹸﻁﹸ ﻋﻠﻰ
ﺼﻔﺤﺔِ ﺍﻟﺒﺤﺭِ ﺍﻟﻭﺍﺴِﻌﺔ )ﺃﺜﺭ ﻀﺌﻴلٌ ﺯﺍﺌل( ،ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﻤﺎ ﻴﻜﺘﹸﺏ ﻗﻠﻡ ﺍﻟﺭﻴﺢِ ﻋﻠﻰ
ﺼﻔﺤﺔِ ﺍﻟﻤﺎﺀِ ﻴﻔﻨﻰ ﺴﺭﻴﻌﺎﹰ؛ ﺘﻌﺎلَ ﻭﺍﻁﱠﻠِﻊ ﻋﻠﻰ ﺤﺎﻟﻲ ﺘﺠﺩﻨﻲ ﻻ ﺃﻤﻠِﻙ ﺇﻻﹼ ﺨﺭﻗﹶﺔﹰ
ﻭﺍﺤِﺩﺓﹰ ،ﻭﻗﺩ ﺭﻫﻨﺘﹸﻬﺎ ﻟﻠﺤﺎﻨﺔِ ،ﺇﻻﹼ ﺃﻨﹼﻨﻲ ﻋﻠﻰ ﻓﻘﺭﻱ ﻟﻡ ﺃﻤﺩ ﻴﺩﻱ ﻟِﻤﺎلِ ﺍﻟﻭﻗﻑِ ،ﻭﻻ ﺃﻤﻠﻙ
ﺩﺭﻫﻤﺎﹰ ﻭﺍﺤِﺩﺍﹰ ﻤﻨﻪ ﻋﻠﻰ ﺍﺴﻤﻲ؛ ﺩﻋﻙ ﻤﻥ ﺤﺩﻴﺙِ ﻜﻴﻑﹶ ﻭﻤﺎﺫﺍ ﻓﻬﻭ ﻴﻭﺠِﻊ ﺍﻟﺭﺃﺱ،
-٤٤٤-
ﺏ ﺨﹸﺫِ ﺍﻟﻜﺄﺱ ﻭﺍﺭﺘﹶﺢ ﻨﹶﻔﹶﺴﺎﹰ ﻓﻲ ﺍﻟﻌﻤﺭ؛ ﺍﻟﻁﱠﺒﻴﺏ ﺍﻟﻘﺎﻋِﺩ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ﻻ ﻴﻌﺭِﻑﹸ ﺃﻟﹶﻡ
ﻴﺎ ﻗﻠ
ﺍﻟﻌِﺸﹾﻕ ،ﻴﺎ ﻤﻴﺕﹶ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﺫﻫﺏ ﺇﻟﻰ ﻤﻥ ﻟﻪ ﻨﹶﻔﹶﺱ ﺍﻟﻤﺴﻴﺢ؛ ﻀﺎﻕﹶ ﻗﻠﺒﻲ ﻤِﻥ ﻋﻤلِ ﺍﻟﺭﻴﺎﺀِ
ﻭﺍﻟﺸﱡﺭﺏِ ﺴِﺭﺍﹰ ،ﻓﺩﻉ ﺃﻤﺭﻱ ﻴﻔﺘﻀﺢ ،ﻓﻤِﻥ ﺍﻵﻥ ﻓﺴﻭﻑﹶ ﺃﺸﺭﺏ ﺠﻬﺭﺍﹰ ،ﻭﺴﻭﻑﹶ
ﺃﻨﺼِﺏ ﻋﻠﻰ ﺒﺎﺏِ ﺍﻟﺤﺎﻥ ﻋﻠﹶﻤﺎﹰ؛ ﺇﻥ ﺍﻟﹼﺫﻴﻥ ﻴﻌﺭِﻓﻭﻥ ﻗﻴﻤﺔﹶ ﺍﻟﻭﻗﺕِ)ﺃﻨﻔﺎﺱ ﻋﻤﺭِﻙ ﺃﺜﻤﺎﻥ
ﺍﻟﺠِﻨﺎﻥ( ﻴﺒﻴﻌﻭﻥ ﺍﻟﻌﺎﻟﹶﻤﻴﻥِ )ﺍﻟﺩﻨﻴﺎ ﻭﺍﻵﺨِﺭﺓ( ﺒﻜﺄﺱٍ ﻤﻥ ﺍﻟﺨﻤﺭﺓِ ﺍﻟﺼﺎﻓﻴﺔِ )ﺨﻤﺭﺓﹸ
ﺍﻟﻤﻌﺭﻓﺔ( ﻓﻲ ﺤﻀﻭﺭِ ﺍﻟﺤﺒﻴﺏ؛ ﻁﺭﻴﻕﹸ ﺍﻟﻌِﺸﻕِ ﻟﻴﺱ ﻁﺭﻴﻘﺎﹰ ﻟﻠﻤﺴﺭﺍﺕِ ﻭﻋﻴﺵِ ﺍﻟﻨﹼﻌﻴﻡ،
ﻓﺈﺫﺍ ﺍﺨﺘﺭﺕﹶ ﺴﻠﻭﻙ ﻁﺭﻴﻕِ ﺍﻟﻌِﺸﹾﻕِ ﻤﺜﻠﻲ ﻓﺘﺠﺭﻉ ﺍﻟﻐﹸﺼﺹ ﻭﺍﻟﻐﻤﻭﻡ.
ﻏﺰﻝ ٤٧٢
ﺃﺤﻤﺩ ﺍﷲَ ﻋﻠﻰ ﻤﻌﺩﻟﹶﺔِ ﺍﻟﺴﻠﻁﺎﻥِ ،ﺃﺤﻤﺩ ﺸﹶﻴﺦﹾ ﺃﻭﻴﺱ ﺤﺴﻥ ﺇﻴﻠﹶﺨﺎﻨﻲ؛
ﺸﺎﻩ ٌﺍﺒﻥ ﺸﺎﻩٍ ﻭﺴﻠﻁﺎﻥ ﺍﺒﻥ ﺴﻠﻁﺎﻥٍ ،ﺤﻕﱞ ﺘﹸﺴﻤﻴﻪِ ﺭﻭﺡ ﺍﻟﻌﺎﻟﹶﻡِ ﺍﻹﻨﺴﺎﻨﻲ؛
ﺁﻤﻨﹶﺕﹾ ﺒﺈﻗﺒﺎﻟِﻙ ﺍﻟﻌﻴﻥ ﺍﻟﻌﻤﻴﺎﺀ ،ﻓﻴﺎ ﻤﺭﺤﺒﺎﹰ ﺒﺎﻟﻠﱡﻁﹾﻑِ ،ﻤﻥ ﺠﺎﻨِﺏِ ﺍﻟﺭﺤﻤﻥِ؛
ﻴﻨﻔﹶﻁِﺭِ ﺍﻟﺒﺩﺭ ﺇﻥ ﻴﻁﹾﻠﹶﻊ ﻤِﻥ ﺩﻭﻨِﻙ ،ﻤﻥ ﺩﻭﻟﹶﺔٍ ﺃﺤﻤﺩﻴﺔٍ ﻭﻤﻌﺠِﺯٍ ﺴﺒﺤﺎﻨﻲ؛
ﺠﻠﻭﺓﹲ ﻤِﻨﻙ ﺘﺴﻠﹸﺏ ﻗﻠﹾﺏ ﺍﻟﺸﱠﺎﻩِ ﻭﺍﻟﺸﱠﺤﺎﺫِ ،ﺒﻌﺩﺕﹾ ﻋﻨﹾﻙ ﻋﻴﻥ ﺴﻭﺀِ ﺍﻹﻨﹾﺱِ ﻭﺍﻟﺠﺎﻥِ)(١؛
ﺍﻓﺭِﻕﹾ ﺍﻟﺸﱠﻌﺭ ﺘﹸﺭﻜﻴﺎﹰ ،ﻓﻔﻲ ﻁﺎﻟِﻌِﻙ ﺍﻟﺠِﺩ ﻭﺍﻟﺠﻭﺩ ،ﺍﻟﺠﻨﻜِﺯﺨﺎﻨﻲ ﻭﺍﻟﺨﺎﻗﺎﻨﻲ)(٢؛
ﻭﺃﻨﺎ ﺃُﺭﻓﹶﻊ ﺍﻟﻜﺄﺱ ﻋﻠﻰ ﺫِﻜﹾﺭِﻙ ﻓﻲ ﺍﻟﺒﻌﺩِ ﻋﻨﹾﻙ ،ﻭﻻ ﺒﻌﺩ ﻟﻠﻤﺴﺎﻓِﺭِ ﺍﻟﺭﻭﺤﺎﻨﻲ؛
ﺒﺭﻋﻡ ﻤﺎ ﺘﻔﺘﱠﺢ ﻤِﻥ ﻭﺭﺩﻱ ﺍﻟﻔﺎﺭِﺴﻲ ،ﺤﺒﺫﺍ ﺩِﺠﻠﹶ ﹶﺔ ﺒﻐﺩﺍﺩ ﻭﺨﻤﺭﻫﺎ ﺍﻟﺭﻴﺤﺎﻨﻲ؛
ﺍﻟﻌﺎﺸِﻕﹸ ﺇﻥ ﻟﹶﻡ ﻴﻜﹸﻥ ﺭﺃﺴ ﻪ ﻏﹸﺒﺎﺭﺍﹰ ﺒﺒﺎﺏِ ﺍﻟﻤﻌﺸﻭﻕِ ،ﻤﺘﻰ ﻴﻨﺠﻭ ﻤﻥ ﺍﻟﺘﱠﻴﻬﺎﻥِ؟؛
ﻴﺎ ﻨﺴﻴﻡ ﺍﻷﺴﺤﺎﺭِ ﺍِﺤﻤِلْ ﻏﹸﺒﺎﺭ ﺒﺎﺏِ ﺍﻟﺤﺒﻴﺏِ ،ﻟِﻌﻴﻥِ ﻗﹶﻠﺏِ ﺤﺎﻓِﻅ ﺍﻟﻨﱡﻭﺭﺍﻨﻲ.
) (١ﺠﻠﻭﺘﹸﻙ ﺍﻟﻤﺴﻌِﺩﺓﹸ ﺘﺴﻠﹸﺏ ﻗﻠﺏ ﺍﻟﺸﱠﺎﻩِ ﻭﺍﻟﺸﱠﺤﺎﺫِ ،ﺒﻌﺩﺕﹾ ﻋﻨﻙ ﻋﻴﻥ ﺍﻟﺴﻭﺀِ ﻓﺄﻨﺕﹶ ﺭﻭﺡ ﻭﺤﺒﻴﺏ ﺃﺭﻭﺍﺡ؛
) (٢ﺍﻓﺭِﻕﹾ ﺸﹶﻌﺭ ﻭﺴﻁِ ﺍﻟﺭﺃﺱِ ﻓﻲ ﻓﹶﺨﺭٍ ﻜﻤﺎ ﻴﻔﻌلُ ﺍﻷﺘﺭﺍﻙ ،ﻓﻁﺎﻟِﻌﻙ ﻓﻴﻪِ ﺒﺄﺱ ﻭﺴﻌﻲ ﺠﻨﻜﻴﺯﺨﺎﻥ،
ﻭﻓﻴﻪِ ﻜﺭﻡ ﻤﻠِﻙِ ﺍﻟﺼﻴﻥِ ﺍﻟﺨﺎﻗﺎﻨﻲ.
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ﻏﺰﻝ ٤٧٣
ﻏﻨﻴﻤﺔﹶ ﺍﻟﻭﻗﹾﺕِ ﻤﺎ ﺍﺴﺘﹶﻁﹶﻌﺕﹶ ﻓﺎﻋﺭِﻑﹾ ،ﺤﺎﺼِلُ ﺍﻟﺤﻴﺎﺓِ ﻴﺎ ﺭﻭﺤﻲ ﻫﻭ ﺍﻟﻨﱠﻔﹶﺱ ﺍﻟﱠﺫﻱ
ﺃﻨﺕﹶ ﻓﻴﻪ؛
ﻤﺎ ﺃﻋﻁﺎﻙ ﺍﻟﺩﻫﺭ ،ﻴﺄﺨﹸﺫﹸ ﻤﻥ ﻋﻤﺭِﻙ ﻋِﻭﻀﺎﹰ ﻋﻨﻪ ،ﺍِﺴﻊ ﺃﻥ ﺘﺄﺨﹸﺫﹶ ﻤﻥ ﺩﻭﻟﹶﺔِ ﺍﻟﺒﺨﹾﺕِ
ﻋﻁﺎﺀ ﺴﻌﺎﺩﺓِ ﺍﻟﻌﻴﺵ؛
ﻴﺎ ﺒﺴﺘﺎﻨﻲ ﺇﻥ ﺃﻨﺎ ﻤِﺕﱡ ،ﺤﺭﺍﻡ ﻋﻠﻴﻙ ﺃﻥ ﺘﺯﺭﻉ ﺒِﺠِﻭﺍﺭﻱ ﻏﻴﺭ ﺴﺭﻭﺓِ ﺤﺒﻴﺒﻲ؛
ﺸﻭﻕﹸ ﺫﹶﻭﻕِ ﺍﻟﺨﻤﺭﺓِ ﺴﻭﻑﹶ ﻴﻘﺘﹸلُ ﺍﻟﺯﺍﻫِﺩ ﺍﻟﻨﱠﺎﺩِﻡ ،ﺃﻱ ﻋﺎﻗِلُ ﻻ ﺘﻌﻤلْ ﻋﻤﻼﹰ ﻴﻭﺭِﺙﹸ ﻨﹶﺩﻤﺎﹰ؛
ﺍﻟﻤﺤﺘﹶﺴِﺏ ﻟﻴﺱ ﻋِﻨﹾﺩﻩ ﻗﹶﺩﺭ ﻤِﻥ ﺍﻟﻌِﻠﹾﻡِ ﻴﻌﻠﹶﻡ ﺒِﻪِ ﺃﻥ ﺍﻟﺼﻭﻓﻲ ﻋِﻨﹾﺩﻩ ﺸﺭﺍﺏ ﻤﻨﺯﻟﻲ،
ﻜﺄﻨﱠﻪ ﺍﻟﻠﹼﻌلُ ﺍﻟﺭﻤﺎﻨﻲ؛
ﺃﻱ ﺴﻜﱠﺭﻱ ﺍﻟﺜﱠﻐﹾﺭِ ﻻ ﺘﺭﺩ ﺩﻋﺎﺀ ﺍﻟﻘﺎﺌﻤﻴﻥ ﺍﻟﻠﹼﻴلَ ،ﻓﻲ ﺤِﺭﺯِ ﺍﺴﻡِ ﺍﷲِ ﻫﺫﺍ ﺍﻟﺨﺎﺘﹶﻡ
ﺍﻟﺴﻠﹶﻴﻤﺎﻨﻲ) ﺜﻐﺭﻙ ﺍﻟﺴﻜﱠﺭﻱ(؛
ﻓﻠﻴﺱ ﻴﻨﻔﹶ ﻊ ﺸﹸﻐﹾلُ ﺍﻟﻌـﺎﻟﹶﻡِ ﺍﻟﻔـﺎﻨﻲ ﻨﹶﺼﻴﺤﺔﹶ ﺍﻟﻌﺎﺸِﻘﻴﻥ ﺍﺴﻤﻊ ﻭﺭﺡ ﻁﹶﺭِﺒﺎﹰ
ﻤﻥ ﻏﻤﻪِ ﺴﺎﺀ ﺤﺎﻻﹰ ﺸﻴﺦﹸ ﻜﻨﻌـﺎﻥِ ﻭﻴﻭﺴﻔﻲ ﺭﺍﺡ ﻗﹸلْ ﻋﻁﹾﻔﺎﹰ ﻹﺨﻭﺘِـﻪِ
ﻭﻗﻭﺱ ﺤﺎﺠِﺒِﻪِ ﺒﺎﻟـﺴﻬﻡِ ﺃﺭﺩﺍﻨـﻲ ﺤﻔﹶﻅﹾﺕﹸ ﻗﻠﺒﻲ ﻤِﻥ ﺴـﻬﻡٍ ﺒﻤﻘﻠﹶﺘِـﻪِ
ﺃﻤﺎﻡ ﺍﻟﺯﺍﻫِﺩِ ﻻ ﺘﹸﻁﻠِﻕﹾ ﻨﹶﻔﹶﺴﺎﹰ ﻭﺍﺤِﺩﺍﹰ ﻋﻥِ ﺍﻟﺴﻜﹾﺭ ،ﻓﻼ ﻴﻤﻜِﻥ ﺍﻟﺤـﺩﻴﺙﹸ ﻋـﻥِ ﺍﻷﻟﹶـﻡِ
ﺍﻟﻤﺨﻔﻲ ﻟِﻁﺒﻴﺏٍ ﻏﻴﺭِ ﻤﺤﺭِﻡ؛
ﺘﺴﻴﺭ ﻭﺃﻫﺩﺍ ﺒﻙ ﺘﹸﻬﺭِﻕﹸ ﺩﻡ ﺍﻟﺨﹶﻠﹾﻕِ ،ﻤﺭ ﻤﺴﺭِﻋﺎﹰ ﺃﻱ ﺭﻭﺤﻲ ،ﺃﺨﺎﻑﹸ ﻋﻠﻴﻙ ﺍﻻﻨﺘِﻅﺎﺭ؛
ﺍِﺠﻤﻊ ﺤﺎﻓِﻅﹶ ﺍﻟﻤﺸﹶﺘﱠﺕﹶ ﺒﺈﺤﺴﺎﻥٍ ،ﻀﻔﻴﺭﺘﹸﻙ ﺍﻟﺠﻌﺩﺍﺀ ﻤﺠﻤﻊ ﺍﻟﻤﺸﺘﱠﺘﻴﻥ؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﻓﺎﺭِﻏﺎﹰ ﻤﻨﱠﺎ ،ﺃﻱ ﺤﺒﻴﺒﻨﺎ ﺍﻟﻘﺎﺴﻲ ﺍﻟﻘﹶﻠﺏِ ﻜﺎﻟﺼﺨﹾﺭ ،ﺴﻨﺸﻜﻭ ﺤﺎﻟﹶﻨﺎ ﺇﻟﻰ ﺠﻨﺎﺏِ
ﺁﺼِﻑﹶ ﺍﻟﺜﹼﺎﻨﻲ.
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ﻏﺰﻝ ٤٧٤
ﺃﻨﺎ ﻤﺸﺘﺎﻕﹲ ﻟﹶﻙ ﻴﺎ ﺤﺒﻴﺒﻲ ،ﻭﺃﻋﻠﹶﻡ ﺃﻨﱠﻙ ﺘﹶﻌﻠﹶﻡ ،ﻭﻜﹸلﱠ ﻏﻴﺭِ ﻤﺭﺌﻲ ﺘﺭﻯ ،ﻭﻜﹸلﱠ ﻏﻴﺭِ
ﻤﻜﺘﻭﺏٍ ﺘﻘﺭﺃُ؛
ﻗﹸلْ ﻟﻠﹼﺎﺌﻡِ ﻤﺎ ﻴﺩﺭﻴﻙ ﺒﻤﺎ ﻴﺠﺭﻱ ﺒﻴﻥ ﻋﺎﺸِﻕٍ ﻭﻤﻌﺸﻭﻕٍ؛ ﻋﻴﻥ ﺍﻷﻋﻤﻰ ﻻ ﺘﺭﻯ،
ﺨﹸﺼﻭﺼﺎﹰ ﺍﻷﺴﺭﺍﺭ ﺍﻟﺨﻔﻴﺔ؛
ﺍﻨﺸﹸﺭ ﺍﻟﻀﻔﻴﺭﺓﹶ ،ﻭﺍﺠﻌلِ ﺍﻟﺼﻭﻓﻲ ﻴﺭﻗﹸﺹ ﻭﻴﺼﻔﱢﻕﹸ ،ﻟِﺘﻨﺘﹶﺸِﺭ ﺁﻻﻑﹸ ﺍﻷﺼﻨﺎﻡ ﻤﻥ
ﻜﹸلﱢ ﺭﻗﻌﺔٍ ﻤﻥ ﺜﻭﺒِﻪِ ﺍﻟﻤﺭﻗﱠﻊِ؛
ﻭﻴﺴﺭ ﺸﹸﻐﹾلَ ﺍﻟﻤﺸﺘﺎﻗﻴﻥ ﻤﻥ ﺤﺎﺠِﺒِﻙ ﺁﺴِﺭِ ﺍﻟﻘﻠﻭﺏ ،ﻤﻥ ﺃﺠلِ ﺍﷲِ ،ﺍﺠﻠِﺱ ﻨﹶﻔﹶﺴﺎﹰ،
ﻭﺤلﱠ ﻋﻘﹶﺩ ﺍﻟﺠﺒﻴﻥ؛
ﺍﻟﻤﻼﺌﻜﹶﺔﹸ ﻓﻲ ﺴﺠﻭﺩِﻫﺎ ﻵﺩﻡ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏِ ﻨﻭﺕﹾ ﺘﻘﺒﻴﻠﹶﻙ ،ﻓﻘﺩ ﺭﺃﺕﹾ ﻓﻲ ﺤﺴﻨِﻙ ﻟﹸﻁﹾﻔﺎﹰ
ﺯﺍﺌﺩﺍﹰ ﻋﻠﻰ ﺍﻟﺤﺩ ﺍﻹﻨﺴﺎﻨﻲ؛
ﺍﺸﺘِﻌﺎلُ ﺴِﺭﺍﺝِ ﻋﻴﻨﻲ ﻤﻥ ﻨﺴﻴﻡِ ﻓﹶﺭﻉِ ﺤﺒﻴﺒﻲ ،ﻻ ﺃﺼﺎﺏ ﻫﺫﺍ ﺍﻟﺠﻤﻊ ﻴﺎ ﺭﺏ ﻏﻡ ﻤﻥ
ﺭﻴﺢِ ﺍﻟﺘﱠﻔﺭِﻗﹶﺔ؛
ﺃﺴﻔﺎﹰ ﻤﺭ ﻋﻴﺵﹸ ﺍﻟﺴﺤﺭِ ﺒﻨﻭﻡِ ﺍﻟﺴﺤﺭ ،ﻻ ﺘﻌﺭِﻑﹸ ﻗﹶﺩﺭ ﺍﻟﻭﻗﹾﺕِ ﻴﺎ ﻗﻠﺏ ،ﺇﻟﹼﺎ ﺤﻴﻥ
ﺘﻤﺭﺽ؛
ﺍﻟﻤﻼﻟﹶﺔﹸ ﻤﻥ ﺭﻓﺎﻕِ ﺍﻟﺴﻔﹶﺭِ ﻟﻴﺴﺕﹾ ﻁﹶﺭﻴﻕﹶ ﺍﻟﻌﺎﺭِﻑ ،ﺍﻗﺘﹸلْ ﻤﺼﺎﻋِﺏ ﺍﻟﻤﻨﺯِلِ ﺒِﺫِﻜﹾﺭِ
ﻋﻬﺩِ ﺍﻟﺴﻌﺎﺩﺓ؛
ﺨﻴﺎلُ ﺤﻠﹾﻘﹶﺔِ ﻓﹶﺭﻋِﻪِ ﻴﺨﺩﻋﻙ ،ﻴﺎ ﺤﺎﻓِﻅﹸ ﺍﻨﺘﺒِﻪ ،ﻻ ﺘﹸﻬﺯ ﺤﻠﹾﻘﹶﺔﹶ ﺇﻗﺒﺎلِ ﺍﻟﻤﺴﺘﺤﻴل.
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ﻏﺰﻝ ٤٧٥
ﻭﺍﻟﺤﻕﱡ ﺤﺴﻨﹸﻙ ﺤﺴﻥ ﻤﺎ ﻟﻪ ﺜـﺎﻥِ ﻗﺎلَ ﺍﻟﺨﻼﺌﻕﹸ ﻫﺫﺍ ﻴﻭﺴﻑﹸ ﺍﻟﺜـﺎﻨﻲ
ﺸﺎﻩ ﺍﻟﺤﺴﺎﻥِ ﺴﻤﺎ ﻓﻲ ﺃﻭﺝ ﺃﺴﻤﺎﻥِ ﻋﺫﺏ ﺍﺒﺘﺴﺎﻤﺔِ ﺜﻐﺭٍ ﻻ ﻨﻅﻴﺭ ﻟﻬـﺎ
ﺒِﻀﻴﻕِ ﺜﻐﺭِﻙ ﻤـﻥ ﻭﺭﺩٍ ﺒِﺒـﺴﺘﺎﻥِ ﺘﺸﺒﻴﻪ ﺜﻐﺭِﻙ ﺒﺎﻷﻭﺭﺍﺩِ ﻜﻴﻑﹶ ﻭﻤـﺎ
ﻜﺎﻟﺴﻭﺴﻥِ ﺍﻟﺤﺭ ﻓﻲ ﻭﻋﺩٍ ﻭﺘﻨﺴﺎﻨﻲ ﻜﻡ ﻤﺭﺓﹰ ﻗﹸﻠﺕﹶ ﻟﻲ ﺘﹸﻌﻁﻰ ﺍﻟﻤﻨﻰ ﺒِﻔﻡٍ
ﺃﺨﺎﻑﹸ ﻤﻥ ﺒﻌﺩِ ﺴﻠﺏِ ﺍﻟﺭﻭﺡِ ﺤِﺭﻤﺎﻨﻲ ﻭﻗﹸﻠﺕﹶ ﻨﻴلُ ﺍﻟﻤﻨﻰ ﺒﺎﻟﺭﻭﺡِ ﺘﹸـﺴﻠﹶﺒﻬﺎ
ﺭﻭﺤﻲ ،ﻓﺠﺎﺯ ﻟﻬﺎ ﺩﺭﻋﺎﹰ ﻭﺃﺭﺩﺍﻨﻲ ﺭﻤﻰ ﺒِﺴﻬﻡٍ ﻤﺭﻴﺽ ﺍﻟﻠﺤﻅِ ﻤﻨﻙ ﻋﻠﻰ
ﻗﺎﻟﺕِ ﺍﻟﺨﻼﺌﻕﹸ ﻋﻨ ﻙ ﺃ ﻨﱠ ﻙ ﻴﻭ ﺴ ﻑﹶ ﺍﻟ ﺜﹼﺎﻨﻲ ﻭﺃ ﻥ ﻋﻨﺩﻙ ﻤ ﻥ ﺍﻟ ﺤﺴﻥِ ﻤﺎ
ﻋﻨﺩ ﻴﻭﺴﻑ ،ﻓﻠ ﻤﺎ ﻨﹶ ﻅﹶﺭﺕﹸ ﺠ ﻴﺩﺍﹰ ﺭﺃﻴ ﺘﹸ ﻙ ﺃﺠﻤلَ ﻤﻨ ﻪ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ؛ ﻟﻴﺱ ﻤﺜل
ﺍﺒﺘﺴﺎﻤ ﺔِ ﺜﻐﺭ ﻙ ﻓﻲ ﺍﻟﺠﻤﺎل ،ﻭﺃﻨﺕ ﻤﻠ ﻙ ﻤﻠﻭﻙِ ﺍﻟﺠﻤﺎل ،ﻭﻗﺩ ﻋﻠﻭﺕﹶ ﺇﻟﻰ
ﺃﻋﻠﻰ ﻋﻠﻴﺎﺀِ ﺴﻤﺎ ﺀِ ﺍﻟﺠﻤﺎل؛ ﻻ ﻴﻤﻜﻥ ﺘﺸﺒﻴ ﻪ ﺜﻐﺭِ ﻙ ﺒﺒﺭ ﻋﻡِ ﺍﻟﻭﺭ ﺩِ ،ﻓﻠﻴﺱ ﻓﻲ
ﺍﻟﻭﺠﻭ ﺩِ ﻭﺭﺩﺓﹲ ﺒِﻀﻴﻕِ ﺜﻐﺭِﻙ ،ﻗﺎل ﺍﻟﻤﻜﺯﻭﻥ :ﺠ ﻬِلَ ﺍﻟﻘﻴﺎ ﺱ ﻭﻓﺎﺘﹶ ﻪ ﺍﻟﻘ ﺼ ﺩ،
ﻤﻥ ﻗﺎلَ ﻴﺸ ﺒِﻪ ﺨﺩ ﻙ ﺍﻟﻭﺭ ﺩ؛ ﻭﻤﺌﺔﹶ ﻤﺭﺓٍ ﻗﹸﻠﺕﹶ ﻟﻲ ﺒﻔ ﻤِ ﻙ ﺍﻟﱠﺫﻱ ﻴﺘﻨ ﺼلُ ﻤﻥ
ﺍﻟﻭﻋﻭ ﺩِ ﺴﺭﻴﻌﺎﹰ ﺃ ﻨﱠ ﻙ ﺴ ﺘﹸﺒ ﻠﱢﻐﹸﻨﻲ ﻤﻨﺎﻱ ) ﺒِ ﻘﹸﺒﻠ ﺔٍ( ﻭﻟﻡ ﺘﻑِ ﻤﺭﺓﹰ ﻭﺍﺤِ ﺩﺓﹰ؛ ﻭﻋﺩﺘﻨﻲ
ﺘﺴﻠﺏ ﺭﻭﺤﻲ ﻭﺘﻌﻁﻴﻨﻲ ﻤﺭﺍﺩﻱ ،ﻭﺃﺨﺎ ﻑﹸ ﺃﻥ ﺘﻤ ﻜﹸﺭ ﺒﻲ ﻓﺘﺴﻠﺏ ﺭﻭﺤﻲ
ﻭﺘﺤﺭﻤﻨﻲ ﻤﻥ ﺍﻟ ﻌﻁﺎﺀ؛ ﺇ ﻥ ﺴﻬ ﻡ ﻋﻴﻨِ ﻙ ﺍﻟﻤﺭﻴﻀﺔ ﺍﺨﺘﺭ ﻕﹶ ﺩِﺭﻉ ﺭﻭﺤﻲ
ﺍﻟﺤﺼﻴ ﻨﹶ ﺔﹶ ،ﻓﻴﺎ ﻟﻘ ﻭﺓِ ﻗﻭﺴِﻬﺎ ،ﻭﻴﺎ ﻤﻥ ﺫﺍ ﺭﺃﻯ ﻤﺭﻴﻀﺎﹰ ﻟ ﻪ ﻤﺜل ﺘﻠﻙ ﺍﻟﻘﻭﺱِ
ﺍﻟﻘﻭ ﻴﺔ؛ ﻴﺴ ﻘﹸ ﻁﹸ ﺴﻘﻭﻁﹶ ﺍﻟ ﺩ ﻤﻊِ ﻤِ ﻥ ﻋﻴﻥِ ﺍﻟﻨﱠﺎ ﺱِ ،ﺫﺍ ﻙ ﺍ ﻟﱠﺫﻱ ﺘﹸﺴ ﻘِﻁﹸﻪ ﻟﹶﺤﻅﹶ ﺔﹰ ﻤِ ﻥ
ﻨﹶ ﻅﹶﺭِﻙ.
-٤٤٨-
ﻏﺰﻝ ٤٧٦
ﻨﹶﺴﻴﻡ ﺼﺒﺢِ ﺍﻟﺴﻌﺎﺩﺓِ ،ﺒﺎﻟﻌﻼﻤﺔِ ﺍﻟﱠﺘﻲ ﺘﹶﻌﺭِﻑ ،ﻤﺭ ﺒِﺤِﻤﻰ ﻓﹸﻼﻥٍ ،ﺍﻟﺯﻤﺎﻥ ﺍﻟﱠﺫﻱ ﺘﹶﻌﺭِﻑ؛
ﺃﻨﺕﹶ ﺭﺴﻭلُ ﺨﹶﻠﻭﺓِ ﺍﻟﺴﺭ ،ﻋﻠﻰ ﺩﺭﺒِﻙ ﺍﻟﻌﻴﻭﻥ ،ﺴِﺭ ﻋﻥ ﻤﺭﻭﺀﺓٍ ﻻ ﺒِﺄﻤﺭٍ ،ﻭﺴِﺭ
ﺍﻟﺴﻴﺭ ﺍﻟﱠﺫﻱ ﺘﹶﻌﺭِﻑ؛
ﻗﹸلْ ﻟﻪ ﺭﻭﺤﻲ ﺍﻟﻌﺯﻴﺯﺓﹸ ﺭﺍﺤﺕﹾ ﻤِﻥ ﻴﺩﻱ ،ﻓﻠﻴﻬﺒﻨﻲ ،ﻷﺠلِ ﺍﷲِ ،ﻤِﻥ ﻋﻘﻴﻕِ ﺸﹶﻔﹶﺘِﻪِ
ﻭﺍﻫِﺏِ ﺍﻟﺭﻭﺡِ ،ﺍﻟﱠﺫﻱ ﻴﻌﺭِﻑ)(١؛
ﺃﻨﺎ ﻜﹶﺘﹶﺒﺕﹸ ﻫﺫِﻱ ﺍﻟﺤﺭﻭﻑﹶ ،ﻭﺍﻟﻐﹶﻴﺭ ﺒِﻬﺎ ﻻ ﻴﻌﺭِﻑ ،ﺍﻗﺭﺃ ﻤِﻥ ﻭﺠﻪِ ﺍﻟﻜﺭﺍﻤﺔِ ﻤﻨﻬﺎ،
ﺍﻟﱠﺫﻱ ﺘﹶﻌﺭِﻑ)(٢؛
ﺨﻴﺎلُ ﺴﻴﻔِﻙ ﺤﺩﻴﺙﹸ ﺍﻟﻅﱠﺎﻤِﺊِ ﻭﺍﻟﻤﺎﺀ ،ﺃﻤﺴﻜﹾﺕﹶ ﺃﺴﻴﺭﻙ ،ﺍﻗﺘﹸﻠﹾﻪ ﻜﻤﺎ ﺘﹶﻌﺭِﻑ؛
ﻜﻴﻑﹶ ﺃﺭﺒﻁﹸ ﺍﻷﻤلَ ﺒﻨِﻁﺎﻗِﻙ ﺍﻟﻤﺤﻴﻙِ ﻤﻥ ﺫﹶﻫﺏ ،ﺴِﺭ ﻭﺴﻁِﻙ ﺩﻗﻴﻕﹲ ،ﺃﻱ ﺤﺒﻴﺏ،
ﻭﺃﻨﺕﹶ ﺘﹶﻌﺭِﻑ؛
ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ ﻻ ﻓﹶﺭﻕﹶ ﺒﻴﻥ ﻟِﺴﺎﻥٍ ﺘﹸﺭﻜﻲ ﻭﻋﺭﺒﻲ ،ﺤﺎﻓِﻅﹸ ﺃﺒِﻥ ﺤﺩﻴﺙﹶ ﺍﻟﻌِﺸﹾﻕِ
ﺒﺎﻟﻠﱢﺴﺎﻥِ ﺍﻟﱠﺫﻱ ﺘﹶﻌﺭِﻑ).(٣
ﻏﺰﻝ ٤٧٧
ﺼﺩﻴﻘﺎﻥِ ﺫﻜِﻴﺎﻥِ ،ﻭﻤِﻥ ﺍﻟﺸﱠﺭﺍﺏِ ﺍﻟﻘﺩﻴﻡِ ﻤﻨﹼﺎﻥ ،ﻭﻓﺭﺍﻍﹲ ﻭﻜﺘﺎﺏ ﻭﺯﺍﻭﻴﺔﹸ ﺒﺴﺘﺎﻥ)(٤؛
ﻫﺫﺍ ﻤﻘﺎﻡ ﻻ ﺃﺒﺩﻟﹸﻪ ﺒﺎﻟﺩﻨﻴﺎ ﻭﺍﻵﺨِﺭﺓ ،ﺭﻏﻡ ﺃﻥ ﻗﻭﻤﺎﹰ ﺴﻴﻬﺯﺅﻭﻥ ﺒﻲ ﻜﹸلﱠ ﻨﹶﻔﹶﺱٍ ﻤِﻥ ﺨﹶﻠﻔﻲ؛
ﻗﹸﺒﻠﺔﹰ؛ )(١
ﺍﻟﱠﺫﻱ ﺘﺭﺍﻩ ﻴﺼﻠﹸﺢ؛ )(٢
ﺒﺎﻟﻠﱡﻐﺔِ ﺍﻟﱠﺘﻲ ﺘﹶﻌﺭﻑ ﻭﻫﻲ ﻫﻨﺎ ﺍﻟﻔﺎﺭﺴﻴﺔ. )(٣
ﺍﻟﻤﻥ :ﺍﻟﺭﻁل ﺃﻭ ﻴﻌﺎﺩِﻟﹸﻪ؛ )(٤
-٤٤٩-
ﻜﹸلﱡ ﻤﻥ ﺒﺎﻉ ﺭﻜﹾﻥ ﺍﻟﻘﻨﺎﻋﺔِ ﺒِﻜﹶﻨﹾﺯِ ﺍﻟﺩﻨﻴﺎ ،ﺒﺎﻉ ﻴﻭﺴﻑﹶ ﺍﻟﻤِﺼﺭﻱ ﺒﺎﻟﺜﱠﻤﻥِ ﺍﻟﺒﺨﹾﺱ؛
ﺘﻌﺎلَ ﻓﺭﻭﻨﹶﻕﹸ ﻫﺫﺍ ﺍﻟﻤﺸﹾﻐﹶلِ ﻟﻥ ﻴﻨﻘﹸﺹ ﺒﺯﻫﺩٍ ﻜﺯﻫﺩِﻙ ،ﺃﻭ ﺒِﻔِﺴﻕٍ ﻜﹶﻔِﺴﻘﻲ؛
ﻤِﻥ ﻋﺎﺼِﻔﹶﺔِ ﺍﻟﺤﻭﺍﺩِﺙِ ﺍﻟﻌﺎﺘﻴﺔِ ﻻ ﺘﻘﺩِﺭ ﺃﻥ ﺘﺭﻯ ﺒﻬﺫِﻩِ ﺍﻟﺨﻤﻴﻠﹶﺔِ ﺸﻴﺌﺎﹰ ،ﻭﺭﺩﺍﹰ ﻜﺎﻥ ﺃﻭ
ﺒﻨﹶﻔﹾﺴﺠﺎﹰ؛
ﺍﹸﻨﻅﹸﺭ ﺒِﻤِﺭﺁﺓِ ﺍﻟﺠﺎﻡِ ﺇﻟﻰ ﻨﹶﻘﹾﺵِ ﻴﺩِ ﺍﻟﻐﹶﻴﺏ ،ﻻ ﺸﹶﺨﹾﺹ ﻴﺫﻜﹸﺭ ﺯﻤﻨﺎﹰ ﺃﻋﺠﺏ ﻤﻥ ﻫﺫﺍ
ﺍﻟﺯﻤﻥ؛
ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺭﻴﺢِ ﺍﻟﺴﻤﻭﻡِ ﺍﻟﱠﺘﻲ ﻤﺭﺕﹾ ﻋﻠﻰ ﺍﻟﺒﺴﺘﺎﻥ ،ﻋﺠﻴﺏ ﻜﻴﻑﹶ ﺒﻘﻲ ﻋﺒﻴﺭ ﺍﻟﻭﺭﺩِ
ﻭﻟﻭﻥ ﺍﻟﻨﱢﺴﺭﻴﻥ؛
ﺏ ﻜﹸﻥ ﺼﺎﺒِﺭﺍﹰ ،ﺍﻟﺤﻕﱡ ﻻ ﻴﺴﻤﺢ ﺒﻤﺜﹾلِ ﻫﺫِﻩِ ﺍﻟﺠﻭﻫﺭﺓِ ﺍﻟﻌﺯﻴﺯﺓِ ﺘﹶﺼﻴﺭ ﻓﻲ ﻴﺩِ
ﻴﺎ ﻗﻠ
ﺸﻴﻁﺎﻥ؛
ﻤﺯﺍﺝ ﺍﻟﺩﻫﺭِ ﻟﻠﺒﻭﺍﺭِ ﻓﻲ ﻫﺫﺍ ﺍﻟﺒﻼﺀِ ،ﺤﺎﻓِﻅﹸ ،ﺃﻴﻥ ﻫﻭ ﺍﻟﻔِﻜﹾﺭ ﺍﻟﺤﻜﻴﻤﻲ ﻭﺍﻟﺭﺃﻱ
ﺍﻟﺒﺭﻫﻤﻨﻲ.(١)
ﻏﺰﻝ ٤٧٨
ﺍﺸﺭﺏ ﺠﺎﻡ ﺍﻟﺸﱠﺭﺍﺏِ ﻤﻨﱠﺎﹰ)ﺭﻁﻼﹰ( ،ﻭﺍﻗﻠﹶﻊ ﺠﺫﹾﺭ ﺍﻟﻐﹶﻡ ﻤِﻥ ﺍﻟﻘﻠﺏِ ﻗﹶﻠﹾﻌﺎﹰ؛
ﺨلﱢ ﺍﻟﻘﹶﻠﹾﺏ ﻤﻔﺘﻭﺤﺎﹰ ﻜﺠﺎﻡِ ﺍﻟﺸﱠﺭﺍﺏِ ،ﻭﻻ ﺘﹸﻐﻠِﻕِ ﺍﻟﺭﺃﺱ ﻜﹶﻅﹶﺭﻑِ ﺍﻟﺩﻨﺎﻥ؛
ﺤﻴﻥ ﺘﹶﺸﺭﺏ ﻤِﻥ ﺠﺎﻡِ ﺍﻟﺩﻫﺵِ ﺭﻁﻼﹰ ،ﺃﻗِلﱠ ﺍﻟﻜﻼﻡ ﻋﻥِ ﺍﻟﻨﱠﻔﹾﺱِ ﻓﺨﺭﺍﹰ؛
ﻜﹸﻥ ﻜﺎﻟﺼﺨﹾﺭِ ،ﺜﺎﺒِﺕﹶ ﺍﻟﻘﹶﺩﻡِ ،ﻻ ﻜﺎﻟﻤﺎﺀِ ،ﻴﺘﻠﹶﻭﺙﹸ ﺜﻭﺒﻪ ،ﻭﻴﺘﻠﻭﻥ ﺒِﻜﹸلﱢ ﻟﻭﻥٍ؛
ﻭﺍﺭﺒِﻁﹾ ﺍﻟﻘﹶﻠﹾﺏ ﺒﺎﻟﺨﹶﻤﺭِ ،ﻭﻜﹸﻥ ﻜﺎﻟﺭﺠﺎلِ ،ﻭﺍﻜﺴِﺭﻋﻨﹸﻕﹶ ﺍﻟﻨﱢﻔﺎﻕِ ﻭﺍﻟﺭﻴﺎﺀِ ﻓﻲ ﺍﻟﺘﱠﻘﻭﻯ؛
ﻭﻗﹸﻡ ﻭﺍﺠﺘﹶﻬِﺩ ﺃﻥ ﺘﻜﻭﻥ ﻜﺤﺎﻓِﻅ ،ﻋﺴﺎﻙ ﺘﹸﻠﻘﻲ ﺒِﻨﹶﻔﺴِﻙ ﻋﻠﻰ ﻗﹶﺩﻡِ ﺍﻟﻤﻌﺸﻭﻕ.
) (١ﺍﻟﺒﺭﻫﻤﻥ ﻭﺍﺤِﺩ ﺍﻟﺒﺭﺍﻫِﻤﺔ ،ﺍﻟﺤﻜﻴﻡ ﺍﻟﻬﻨﺩﻱ.
-٤٥٠-
ﻏﺰﻝ ٤٧٩
)(١
ﻭﻤﺠﻠﺱ ﺃﻨﺴﻲ ﺘﻡ ﻓﺎﻟﺨﻤﺭ ﻓﺎﺴﻘﻨﻲ ﺼﺒﺎﺡ ﻭﻴﻬﻤﻲ ﺒﺎﻟﻨﱠﺩﻯ ﻏﻴﻡ ﺒﻬﻤﻥِ
ﻭﺇﻥ ﻨﺠــﺎﺘﻲ ﺒﺎﻟﻤــﺩﺍﻡِ ﻓﻨﺠﻨــﻲ ﻓﺈﻨﹼﻲ ﺒِﺒﺤﺭِ ﺍﻟﻌﺠﺏِ ﻭﺍﻟﻜِﺒﺭِ ﻭﺍﻗِـﻊ
)(٢
ﻭﻓﻲ ﺸﹸﻐﹾلِ ﻤﻥ ﺘﻬﻭﻯ ﺍﻟﻔﻼﺡ ﻓﻼ ﺘﻥِ ﺩﻡ ﺍﻟﻜﺄﺱِ ﻓﺎﺸﺭﺏ ﻓﻬﻭ ﺤِلﱞ ﺩﻤﺎﺅﻩ
)(٣
ﻭﺭﺍﻉِ ﺍﻟﻤﻐﻨﱢﻲ ﻭﺍﻨﺜﻥِ ﺤﻴﺙﹸ ﻴﻨﺜﻨﻲ ﻭﻜﹸﻥ ﻴﻘِﻅﺎﹰ ﺴﺎﻗﻲ ﻫﻭ ﺍﻟﻐﻡ ﻜـﺎﻤﻥ
)(٤
ﻟﻬﺎ ﻗﺩ ﺸﻴﺦٍ ﻁﺎﻋِﻥِ ﺍﻟﺴﻥ ﻤﻨﺤﻥِ ﻟﻘﺩ ﻨﺼﺤﺘﻨﻲ ﺒﺎﻟـﺴﺭﻭﺭِ ﺭﺒﺎﺒـﺔﹲ
) (٥
ﻟِﺘﺴﻤﻊ ﻤﻥ ﺼﻭﺕِ ﺍﻟﻤﻐﻨﹼﻲ ﻫﻭ ﺍﻟﻐﻨﻲ ﺒﺤﻕﱢ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻷﻏﻨﻴﺎﺀِ ﺍﺴﻕِ ﺴﺎﻗﻴﺎ
ﻏﺰﻝ ٤٨٠
ﻴﺎ ﻤﻥ ﻓﻲ ﻗﺘﻠِﻨﺎ ﻻ ﺘﹸﺩﺍﺭﻱ ،ﻭﺘﺤﺭﻕﹸ ﻤﺎ ﺠﻤﻌﻨﺎ ﻭﺍﺩﺨﹶﺭﻨﺎ ،ﻭﻻ ﺘﹸﺤﺎﺒﻲ؛
ﺍﻟﻤﻌﺫﱠﺒﻭﻥ ﺃﻫلُ ﺍﻟﺒﻼﺀِ ﻤﻌﻬﻡ ﺴﻡ ﺍﻟﻬﻼﻫلِ ،ﻓﻼ ﺘﻤﺴﻬﻡ ﺒﺴﻭﺀٍ ﻓﺘﹸﻌﺭﺽ ﻨﻔﺴﻙ
ﻟﻠﺨﻁﹶﺭ)(٦؛
) (١ﻫﻭ ﺍﻟﺼﺒﺎﺡ ،ﻭﻗﻁﺭﺍﺕﹸ ﺍﻟﻨﱠﺩﻯ ﺘﻘﻁِﺭ ﻤِﻥ ﻏﻴﻡِ ﺒﻬﻤﻥ ،ﺃﻋِﺩ ﻤﺠﻠِﺱ ﺍﻟﺼﺒﻭﺡ ،ﻭﺍﻋﻁﻨﻲ ﺠﺎﻤﹰﺎ ﻴﺯﻥ
ﺭﻁﻼﹰ )ﺒﻬﻤﻥ ﺍﻟﺸﱠﻬﺭ ﺍﻟﺤﺎﺩﻱ ﻋﺸﺭ ﻤﻥ ﺸﻬﻭﺭِ ﺍﻟﺴﻨﺔ ﺍﻟﻔﺎﺭﺴﻴﺔ ،ﻭﺍﻟﺼﺒﻭﺡ ﺨﻤﺭﺓﹸ ﺍﻟﺼﺒﺎﺡ(؛
) (٢ﻭﻓﻲ ﺸﹸﻐلِ ﻤﻥ ﺘﻬﻭﻯ :ﻓﻲ ﻋِﺸﹾﻕِ ﺍﻟﺤﺒﻴﺏِ ،ﻻ ﺘﻥِ :ﻻ ﺘﻜلﱠ ﻭﻻ ﺘﻀﻌﻑﹾ؛
) (٣ﺴﺎﻗﻲ ﺍﻨﺘﺒِﻪ ﻓﺎﻟﻐﹶﻡ ﻟﻨﺎ ﺒﺎﻟﻜﻤﻴﻥ ،ﻤﻁﺭِﺏ ﺤﺎﻓِﻅﹾ ﻋﻠﻰ ﺍﻟﻠﱠﺤﻥِ ﺍﻟﱠﺫﻱ ﺘﻌﺯِﻑﹸ؛
) (٤ﺍﻋﻁِﻨﻲ ﺍﻟﺸﱠﺭﺍﺏ ﻓﻘﺩ ﻨﺼﺤﺘﻨﻲ ﺒﺎﻟﻌﻴﺵِ ﺍﻟﺴﻌﻴﺩِ ﺭﺒﺎﺒﺔﹲ ﻤﻨﺤﻨﻴﺔﹸ ﺍﻟﻘﺎﻤﺔِ ﻜﻘﺎﻤﺔِ ﺍﻟﺸﱠﻴﺦِ ،ﻓﺎﺴﻤﻊ
ﻨﺼﻴﺤﺔﹶ ﺫﻟﻙ ﺍﻟﺸﱠﻴﺦِ ﺍﻟﻤﻨﺤﻨﻲ ﻓﺎﻟﺸﱠﻴﺦﹸ ﻨﺎﺼﺢ ﺤﻜﻴﻡ ﻻ ﻴﻐﺵﱡ؛
) (٥ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﺍﺴﻘِﻨﺎ ﺍﻟﺨﻤﺭ ﺒﺤﻕﱢ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻷﻏﻨﻴﺎﺀ ﺍﻷﺤﺭﺍﺭ ﺇﻟﻰ ﺃﻥ ﺘﺴﻤﻊ ﺍﻟﻤﻐﻨﹼﻲ ﻴﻐﻨﹼﻲ
ﻴﻘﻭل ﻫﻭ ﺍﻟﻐﻨﻲ ،ﺍﻟﺴﻜﺎﺭﻯ ﻻ ﺤﺎﺠﺔﹶ ﻟﻬﻡ ﺒﺎﻟﺩﻨﻴﺎ ﻓﻬﻡ ﺃﻏﻨﻴﺎﺀ ﺤﻘﱠﺎﹰ ﺃﻤﺎ ﺃﻫلُ ﺍﻟﺩﻨﻴﺎ ﺍﻟﱠﺫﻴﻥ ﻜﻠﱠﻤﺎ
ﺍﺯﺩﺍﺩﺕ ﺃﻤﻭﺍﻟﹸﻬﻡ ﺘﺯﺩﺍﺩ ﺤﺎﺠﺎﺘﻬﻡ ﻓﻬﻡ ﺍﻟﻔﻘﺭﺍﺀ ﺤﻘﹼﺎﹰ.
) (٦ﺍﻟﻬﻼﻫل ﻨﺒﺘﺔﹲ ﺒﺭﻴﺔﹲ ﺴﻤﻴﺔﹲ ﺫﺍﺕﹸ ﺴﻡ ﻗﺎﺘلٍ ،ﺇﺫﺍ ﻤﺴﻬﺎ ﺸﺨﺹ ﻗﹶﺘﹶﻠﹶﺘﹾﻪ.
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ﻭﺠﻌﻲ ﺘﺴﺘﻁﻴﻊ ﺸِﻔﺎﺀﻩ ﺒِﻁﹶﺭﻑِ ﻋﻴﻨِﻙ ،ﻓﻠﻴﺱ ﻤﻥ ﺍﻹﻨﺼﺎﻑِ ﺃﻥ ﻻ ﺘﹸﺩﺍﻭﻴﻪ؛
ﻋﻴﻨﻲ ﺒﺎﺸﺘﻴﺎﻗِﻙ ﺒﺤﺭ ،ﻓﻠﻤﺎﺫﺍ ﻻ ﺘﻤﺭ ﻋﻠﻰ ﺸﺎﻁﺊِ ﺍﻟﺒﺤﺭِ ﻟﻠﺘﱠﻔﹶﺭﺝ؛
ﻜﹸلﱠ ﺠﻭﺭٍ ﻨﻘﻠﻭﻩ ﻋﻥ ﺨﹸﻠﹾﻘِﻙ ﺍﻟﻜﺭﻴﻡِ ،ﻗﻭلُ ﺃﺼﺤﺎﺏِ ﺍﻷﻏﺭﺍﺽِ ﻭﺃﻨﺕﹶ ﻟﻡ ﺘﻔﻌﻠﹾﻪ؛
ﺃﻱ ﺯﺍﻫﺩ ،ﻟﻭ ﺘﺠﻠﹼﻰ ﻟﻙ ﺸﺎﻫِﺩﻱ ﻤﺭﺓﹰ ﻭﺍﺤﺩﺓﹰ ﻤﺎ ﺴﺄﻟﺕﹶ ﺍﷲَ ﻏﻴﺭ ﺍﻟﺨﻤﺭِ ﻭﺍﻟﻤﻌﺸﻭﻕ)(١؛
ﺤﺎﻓﻅﹸ ﺍﺠﻌلْ ﺴﺠﺩﺘﹶﻙ ﻗﺒﺎﻟﺔﹶ ﺤﺎﺠِﺒِﻪِ ﺍﻟﺸﱠﺒﻴﻪِ ﺒﺎﻟﻤﺤﺭﺍﺏِ ،ﻓﺈﻨﱠﻙ ﻟﻥ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﺩﻋﻭ
ﺍﷲَ ﺒِﺼِﺩﻕٍ ﺇﻻﹼ ﻫﻨﺎﻙ.
ﻏﺰﻝ ٤٨١
ﺍﺴﺘﹶﻤِﻊ ﻟﻬﺫﺍ ﺍﻟﺴﺭ ﺍﻟﱠﺫﻱ ﻴﺤﺭﺭﻙ ﻤﻥ ﺍﻟﻐﹶﻡ :ﺴﺘﺸﻘﻰ ﻜﺜﻴﺭﺍﹰ ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺭِﺯﻗﺎﹰ
ﻏﻴﺭ ﻤﻘﺴﻭﻡ؛
ﺁﺨِﺭ ﺍﻷﻤﺭِ ﺘﺼﻴﺭ ﻁﻴﻨﺎﹰ ﺘﹸﺼﻨﹶﻊ ﻤﻨﻪ ﺍﻟﺠِﺭﺍﺭ ،ﺤﺎﻟﻴﺎﹰ ﻓﻜﱢﺭ ﺒﺎﻤﺘﻼﻙِ ﺠﺭﺓٍ ﻭﺍﻤﻸﻫﺎ
ﺨﻤﺭﺍﹰ؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﻤﻥ ﺁﺩﻤﻴﻴﻥ ﻟﻬﻡ ﻫﻭﺱ ﺒﺎﻟﺠﻨﱠﺔ ،ﻟﻴﻜﹸﻥ ﻋﻴﺸﹸﻙ ﻤﻊ ﻗﻠﱠﺔٍ ﻤﻥ ﺁﺩﻤﻴﻴﻥ ﺃﺼﻠﹸﻬﻡ
ﻤﻼﺌﻜﻲ؛
ﺍﻟﺠﻠﻭﺱ ﻓﻲ ﻤﺠﻠِﺱِ ﺍﻟﻌﻅﹶﻤﺎﺀِ ﻻ ﻴﻜﻭﻥ ﺠﺯﺍﻓﺎﹰ ،ﻭﻻ ﻴﻜﻭﻥ ﺇﻟﹼﺎ ﺒﺘﻬﻴﺌﺔِ ﺃﺴﺒﺎﺏِ ﺍﻟﻌﻅﹶﻤﺔ؛
ﻟﻙ ﺍﻷﺠﺭ ﻴﺎ ﻤﻠِﻙ ﻜﹸلﱢ ﺫﻱ ﺜﹶﻐﹾﺭٍ ﺠﻤﻴلٍ ،ﺇﺫﺍ ﻨﹶﻅﹶﺭﺕﹶ ﻨﹶﻅﹾﺭﺓﹰ ﺇﻟﻰ ﻓﺭﻫﺎﺩ ﻤﻜﺴﻭﺭِ ﺍﻟﻘﻠﺏ؛
ﺨﺎﻁِﺭﻙ ﻤﺘﻰ ﻴﻘﺒلُ ﻭﺭﻕﹶ ﺍﻟﻔﹶﻴﺽِ ،ﻫﻴﻬﺎﺕ ،ﺇﻟﹼﺎ ﺃﻥ ﺘﹸﻌﻴﺩ ﻭﺭﻗﹶﺔﹶ ﻟﻭﺡِ ﻗﹶﻠﺒِﻙ ﺒﻴﻀﺎﺀ
ﻤﻥ ﻨﻘﻭﺸِﻬﺎ ﺍﻟﻤﺸﻭﺸﹶﺔ؛
ﻋﻤﻠﹸﻙ ﺇﺫﺍ ﺃﻓﻠﹶﺢ ﻴﺎ ﺤﺎﻓِﻅ ،ﻜﻡ ﺴﻌﺎﺩﺓﹶ ﻋﻴﺵٍ ﺴﺘﺠﻨﻲ ،ﻋﻁﺎﺀ ﻤِﻥ ﺍﷲ؛
ﺃﻱ ﺼﺒﺎ ﻜﻭﻨﻲ ﻓﻲ ﺨِﺩﻤﺔِ ﺍﻟﺴﻴﺩ ﺠﻼل ﺍﻟﺩﻴﻥ ،ﻭﺍﻤﻠﺌﻲ ﺍﻟﻌﺎﻟﹶﻡ ﺒﻨﹶﻔﹾﺴﺠﺎﹰ ﻭﺴﻭﺴﻨﺎﹰ ﺤﺭﺍﹰ.
) (١ﺍﻟﺸﹼﺎﻫﺩ :ﺍﻟﻨﱠﺠﻡ )ﺍﻟﻤﻌﺸﻭﻕ(.
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ﻏﺰﻝ ٤٨٢
ﻴﺎ ﻗﹶﻠﹾﺏ ﻤﺎ ﺩﻤﺕﹶ ﻻ ﺘﻤﺭ ﺒِﺤِﻤﻰ ﺍﻟﻌِﺸﹾﻕ ،ﻓﺄﻨﺕﹶ ﺘﻤﻠِﻙ ﺃﺴﺒﺎﺏ ﺍﻟﺠﻤﻊِ ﻭﻻ ﺘﻘﻭﻡ ﺒِﺎﻟﻌﻤل؛
ﺼﻭﻟﹶﺠﺎﻥ ﺍﻟﺤﻜﹾﻡِ ﻓﻲ ﻜﻔﱢﻙ ﻭﻻ ﺘﹶﻀﺭِﺏ ﺒِﻪ ﻜﹸﺭﺓﹶ ﺍﻟﻤﺭﺍﺩِ ،ﻭﺒﺎﺯ ﺍﻟﻅﱠﻔﹶﺭِ ﻓﻲ ﻴﺩِﻙ
ﻭﻻ ﺘﹸﻁﹾﻠِﻘﹸﻪ ﻟﻠﺼﻴﺩ؛
ﻭﻫﺫﺍ ﺍﻟﺩﻡ ﻴﻤﻭﺝ ﻤﻭﺠﺎﹰ ﻓﻲ ﻜﹶﺒِﺩِﻙ ،ﻭﻻ ﺘﹶﺼﺭِﻓﹸﻪ ﻓﻲ ﻁﺭﻴﻕِ ﻟﹶﻭﻥِ ﻭﻋِﻁﹾﺭِ ﺤﺒﻴﺒِﻙ؛
ﺃﻨﻔﺎﺱ ﻁﺒﻌِﻙ ﻟﻴﺴﺕﹾ ﻤﻌﻁﱠﺭﺓﹰ ﺒﺎﻟﻤِﺴﻙِ ،ﻷﻨﱠﻙ ﻻ ﺘﹶﻔﻌلُ ﻓِﻌلَ ﺍﻟﺼﺒﺎ ﺒﺎﻟﻤﺭﻭﺭِ ﻓﻲ
ﺩﻴﺎﺭِ ﺍﻟﺤﺒﻴﺏ؛
ﺃﺨﺎﻑﹸ ﻋﻠﻴﻙ ﺃﻥ ﻻ ﺘﻤﻸَ ﺍﻟﻜﹸﻡ ﺒﺎﻟﻭﺭﺩِ ﻤﻥ ﻫﺫﺍ ﺍﻟﺭﻭﺽ ،ﻭﺃﻨﺕﹶ ﻻ ﺘﺘﺤﻤلُ ﻤِﻥ
ﺃﺸﺠﺎﺭِﻩِ ﺍﻷﺸﻭﺍﻙ؛
ﻭﻋِﻨﹾﺩﻙ ﻓﻲ ﻜﹸﻡ ﺭﻭﺤِﻙ ﻤﺌﺔﹸ ﻗﺎﺭﻭﺭﺓِ ﻋِﻁﹾﺭٍ ﻤﺩﺭﺠﺔ ،ﻭﺃﻨﺕﹶ ﻻ ﺘﹶﺠﻌﻠﹸﻬﺎ ﻓِﺩﺍﺀ ﻟِﻁﹸﺭﺓِ
ﺍﻟﺤﺒﻴﺏ؛
ﺍﻟﻜﺄﺱ ﻟﻁﻴﻑﹲ ﺠﺫﱠﺍﺏ ،ﻭﺃﻨﺕﹶ ﺘﹸﺭﻴﻕﹸ ﺍﻟﺨﹶﻤﺭ ﻋﻠﻰ ﺍﻟﺘﱡﺭﺍﺏِ ،ﻭﻻ ﺘﹸﻔﻜﱢﺭ ﻓﻲ ﺃﻟﹶﻡِ ﺍﻟﺨﻤﺎﺭ؛
ﺤﺎﻓِﻅﹸ ﺍﺫﻫﺏ ﻓﺨِﺩﻤﺔﹸ ﻤﻠﻴﻙِ ﺍﻟﻭﻗﹾﺕِ ﺍﻟﺠﻤﻴﻊ ﻴﻘﻭﻤﻭﻥ ﺒﻬﺎ ،ﻭﺃﻨﺕﹶ ﻻ ﺘﻘﻭﻡ ﺒِﻬﺎ.
ﻏﺰﻝ ٤٨٣
ﻭﻗﹾﺕﹶ ﺍﻟﺴﺤﺭِ ﻜـﺎﻥ ﺴـﺎﻟِﻙ ﻓـﻲ ﺍﻷﺭﺽِ ﻴﻘـﻭلُ ﻫـﺫﺍ ﺍﻟﻤﻌﻤـﻰ ﻟِﻘﹶـﺭﻴﻥٍ؛
:ﺃﻱ ﺼﻭﻓﻲ ،ﺍﻟﺸﱠﺭﺍﺏ ﻓـﻲ ﺍﻟﺯﺠـﺎﺝِ ﻴـﺼﻴﺭ ﺼـﺎﻓِﻴِﺎﹰ ﻋِﻨـﺩ ﺍﻷﺭﺒﻌـﻴﻥ؛
ﺍﷲُ ﻴﺭﻓﹸﺽ ﻫﺫِﻩِ ﺍﻟﺨِﺭﻗﹶﺔﹶ ﻤﺌﺔﹶ ﻤﺭﺓﹰ ،ﻷﻥ ﻓﻴﻬـﺎ ،ﻓـﻲ ﻜﹸﻤﻬـﺎ ،ﻤِﺌـﺔﹶ ﺼـﻨﹶﻡٍ؛
ﺭﻏﻡ ﺃﻥ ﺍﻟﻤﺭﻭﺀﺓﹶ ﺍﻟﻴﻭﻡ ﺍِﺴﻡ ﺒﻼ ﺭﺴﻡٍ ،ﺍِﻋﺭِﺽ ﻓﻘﺭﻙ ﻋﻠﻰ ﻋﺯﻴـﺯٍ ﻟﻁﻴـﻑٍ؛
ﺜﻭﺍﺒﻙ ﺤﺎﺼِلٌ ﺃﻱ ﺼﺎﺤِﺏ ﺍﻟﺒﻴـﺩﺭِ ،ﺇﺫﺍ ﻤـﺎ ﺭﺤِﻤـﺕﹶ ﺠـﺎﻨﻲ ﺍﻟﻤﺤـﺼﻭل؛
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ﻻ ﺃﺭﻯ ﻨﺸﺎﻁﹶ ﺍﻟﻌﻴﺵِ ﻋِﻨﹾﺩ ﺸﹶﺨﺹٍ ،ﻻ ﻤﻥ ﻴﺩﺍﻭﻱ ﻗﻠﺒﺎﹰ ﻭﻻ ﻤﻥ ﻴـﺄﻟﹶﻡ ﻟِـﺩﻴﻥ؛
ﺍﻟﻘﹸﻠﻭﺏ ﺃﻅﻠﹶﻤﺕﹾ ﻋﺴﻰ ﻴﺠﻲﺀ ﺴِﺭﺍﺝ ﻤِﻥ ﺍﻟﻐﹶﻴﺏِ ﻴﻨﻭﺭ ﻤﺠﻠِﺱ ﺍﻟﺠﺎﻟِﺴﻴﻥ ﻓﻲ ﺍﻟﺨﹶﻠﻭﺓِ؛
ـﺎﺘﹶﻡ؛
ﻟـﻭﻻ ﻭﺠـﻭﺩ ﺇﺼـﺒﻊِ ﺴـﻠﻴﻤﺎﻥ ،ﺃﻴـﺔﹸ ﺨﺎﺼـﻴﺔٍ ﺘﻜـﻭﻥ ﻟِـﻨﹶﻘﹾﺵِ ﺍﻟﺨـ
ﺭﻏﻡ ﺃﻥ ﻗﺴﺎﻭﺓﹶ ﺍﻟﻁﱠﺒﻊِ ﺭﺴﻡ ﻋِﻨﹾﺩ ﺍﻟﺤِﺴﺎﻥ ،ﻤﺎ ﻀﺭ ﻟﻭ ﻜﺎﻨﻭﺍ ﺭﺜﹶﻭﺍ ﻟِﻠﻤﻐﻤـﻭﻡ؛
ﺃﻭﻀِﺢ ﻟﻲ ﻁﹶﺭﻴﻕﹶ ﺍﻟﺤـﺎﻥِ ﻟِﺄﺴـﺄلَ ﻗﺎﺭِﺌـﺎﹰ ﻟﻸﺤـﻭﺍلِ ﻋـﻥ ﻤـﺂلِ ﻨﹶﻔﹾـﺴﻲ؛
ـﻴﻥِ.
ـﺎﻟِﻡٍ ﻋِﻠﹾ ـﻡ ﺍﻟﻴﻘـ
ـﻴﺱ ﻟِﻌـ
ـﻀﻭﺭ ﺩﺭﺱِ ﺍﻟﺨﹶﻠﹾ ـﻭﺓِ ،ﻭﻟـ
ـﺎﻓِﻅﹶ ﺤـ
ـﻴﺱ ﻟِﺤـ
ﻟـ
ﻏﺰﻝ ٤٨٤
ﺍﺠﻠِﺱ ﻋﻠﻰ ﻀِﻔﱠﺔِ ﺍﻟﻤﺎﺀِ ﻓﻲ ﻫﻭﺱٍ ،ﺇﻻﹼ ﺘﻔﻌلَ ﻓﻜﹸلﱡ ﻓِﺘﹾﻨﹶﺔٍ ﺘﺭﺍﻫﺎ ﻫﻲ ﻤِﻥ ﻋِﺒﺎﺩﺓِ ﺍﻟﻨﱠﻔﺱِ؛
ﺕ ﻋﺒﺩﻩ ﺍﻟﻤﺨﺘﺎﺭ ،ﻻ ﺘﺨﺘﹶﺭ ﺃﺤﺩﺍﹰ ﺒﺩﻴﻼﹰ ﻋﻥ ﺨﺎﺩِﻤِﻙ ﺍﻟﻘﺩﻴﻡ؛
ﺒِﺤﻕﱢ ﺍﷲِ ﺍﻟﱠﺫﻱ ﺃﻨ ﹶ
ﺇﺫﺍ ﺤﻤﻠﹾﺕﹸ ﺍﻷﻤﺎﻨﹶﺔﹶ ﺒﺎﻟﺴﻼﻤﺔِ ﻻ ﻀﻴﺭ ،ﺴﻬلٌ ﺨﹶﻭﻑﹸ ﺍﻟﻘﹶﻠﹾﺏِ ،ﻤﺎ ﻟﹶﻡ ﻴﻜﹸﻥ ﻓﹶﻘﹾﺩ ﺍﻟﺩﻴﻥ؛
ﻜِﺴﺭﻯ ﺃﻫلِ ﺍﻟﺠﻤﺎلِ ﺠﻌﻠﹶﻙ ﻤﺅﺩﺒﺎﹰ ﺤﻴﻴﺎﹰ ،ﺃﺤﺴﻨﹾﺕﹶ ﺇﺫﹾ ﻜﹸﻨﺕﹶ ﺍﻟﻼﹼﺌﻕﹶ ﻤﻥ ﺒﻴﻥِ ﺍﻟﻤِﺌﺎﺕِ
ﻤِﻥ ﻜﺜﻴﺭﻴﻥ ﺁﺨﹶﺭﻴﻥ؛
ﻋﺠﺒﺎﹰ ﻤِﻥ ﻟﹸﻁﹾﻔِﻙ ﺃﻴﻬﺎ ﺍﻟﻭﺭﺩ ﺍﻟﱠﺫﻱ ﺘﺠﻠِﺱ ﺒﻴﻥ ﺍﻷﺸﻭﺍﻙِ ،ﻅﺎﻫِﺭﺍﹰ ﺃﻨﺕﹶ ﺘﺭﻯ ﻓﻲ
ﺫﻟِﻙ ﻤﺼﻠﹶﺤﺔﹶ ﺍﻟﻭﻗﹾﺕ؛
ﺍﻟﺼﺒﺭ ﻋﻠﻰ ﺠﻭﺭِ ﺍﻟﺭﻗﻴﺏِ ﺇﻥ ﻟﹶﻡ ﺃﻓﻌلْ ،ﻤﺎ ﺃﻓﻌل؟ ،ﻻ ﺤﻴﻠﹶﺔﹶ ﻟﻠﻌﺎﺸِﻘﻴﻥ ﻏﻴﺭ ﺍﻟﻤﺴﻜﹶﻨﹶﺔ؛
ﺭﻴﺢ ﺍﻟﺼﺒﺢِ ﺒِﻬﻭﺍﻙ ﺍﺭﺘﹶﻔﹶﻌﺕﹾ ﻤِﻥ ﺍﻟﺒﺴﺘﺎﻥ ،ﻟِﺄﻨﱠﻙ ﺃﺠﻤلُ ﻤِﻥ ﺍﻟﻭﺭﺩِ ﻭﺃﻨﻀﺭ ﻤِﻥ
ﺍﻟﻨﱢﺴﺭﻴﻥ؛
ﺍﺠﻠِﺱ ﻓﻲ ﻤﻨﻅﹶﺭِ ﻋﻴﻨﻲ ﻨﹶﻔﹶﺴﺎﹰ ﻭﺍﺤِﺩﺍﹰ ،ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﺸﹶﻌﻭﺫﹶﺓِ ﺩﻤﻌﻲ ﺭﺍﻗِﺼﺎﹰ ﻋﻥ ﻴﻤﻴﻥٍ
ﻭﺸِﻤﺎل؛
ﺍﺴﻤﻊِ ﺍﻟﺤﺩﻴﺙﹶ ﺒﻼ ﻏﹶﺭﺽٍ ﻤﻥ ﺍﻟﻌﺒﺩِ ﺍﻟﻤﺨﻠِﺹ ،ﻴﺎ ﻤﻥ ﺘﻨﻅﹸﺭ ﻓﻲ ﻤﻨﻅﻭﺭِ ﻋﻅﹶﻤﺎﺀِ
ﺍﻟﺤﻘﻴﻘﺔ؛
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ﺃﻥ ﻴﺠﻌلَ ﻟﻁﻴﻑﹲ ﻤﺜﻠﹸﻙ ﻗﻠﺒﻪ ﻁﺎﻫِﺭﺍﹰ ﻤﻁﻬﺭﺍﹰ ،ﺨﻴﺭ ﻤﻥ ﺃﻥ ﻴﺠﻠِﺱ ﻤﻊ ﺴﻔﻬﺎﺀِ ﺍﻟﻨﱠﺎﺱ؛
ﺴﻴلُ ﻫﺫﺍ ﺍﻟﺩﻤﻊِ ﺍﻟﺠﺎﺭﻱ ﺃﺨﹶ ﹶﺫ ﺼﺒﺭ ﺤﺎﻓِﻅﹶ ﻭﻗﻠﺒﻪ ،ﺒﻠﹶﻎﹶ ﺍﻟﻁﱠﺎﻗﹶﺔﹶ ﻴﺎ ﻤﻘﻠﹶ ﹶﺔ ﻋﻴﻨﻲ ﺍﻟﻨﱠﻅﹶﺭ؛
ﻴﺎ ﺸﹶﻤﻊ ﭽﮕل ﺃﻨﺕﹶ ،ﺒِﻬﺫﺍ ﺍﻟﺠﻤﺎلِ ﻭﺍﻟﻌِﻨﺎﺩِ ،ﻻﺌﻕﹲ ﻟِﺨِﺩﻤﺔِ ﺍﻟﺴﻴﺩ ﺠﻼل ﺍﻟﺩﻴﻥ.
ﻏﺰﻝ ٤٨٥
ﺴﺎﻗﻴﺎ ،ﻫﺫﺍ ﻅِلﱡ ﺍﻟﺴﺤﺎﺏِ ،ﻭﺍﻟﺭﺒﻴﻊ ،ﻭﻀِﻔﱠﺔﹸ ﺍﻟﺠﺩﻭل ،ﺃﻨﺎ ﻻ ﺃﻗﻭلُ ﻟﻙ ﻤﺎ ﺘﹶﻔﹾﻌلُ ،ﺇﺫﺍ
ﺕ ﻤِﻥ ﺃﻫلِ ﺍﻟﻘﻠﻭﺏِ ،ﻗﹸلْ ﺃﻨﺕ؛
ﻜﹸﻨ ﹶ
ﺭﺍﺌﺤﺔﹸ ﺍﻹﺨﻼﺹِ ﻻ ﺘﻔﻭﺡ ﻤِﻥ ﻫﺫﺍ ﺍﻟﻨﱠﻘﹾﺵِ ،ﻗﹸﻡ ﻭﺍﻏﺴِلْ ﺜﹶﻭﺏ ﺍﻟﺼﻭﻓﻲ ﺍﻟﺩﻨِﺱ
ﺒﺎﻟﺨﹶﻤﺭﺓِ ﺍﻟﺼﺎﻓِﻴﺔ؛
ﺍﻟﺩﻨﻴﺎ ﺴﺎﻓِﻠﹶﺔﹸ ﺍﻟﻁﱠﺒﻊِ ،ﻻ ﺘﺘﱠﻜِﺊْ ﻋﻠﻰ ﻜﹶﺭﻤِﻬﺎ ،ﺃﻱ ﻤﺠﺭﺏ ،ﻻ ﺘﺒﺤﺙﹾ ﻋﻥ ﺜﺒﺎﺕِ ﺍﻟﻘﹶﺩﻡِ
ﻤﻥ ﺍﻟﺴﻔﹶﻠﹶﺔ؛
ﻨﹶﺼﻴﺤﺘﹶﻴﻥِ ﺃﻨﺼﺤﻙ ،ﺍﺴﻤﻌﻬﻤﺎ ﻭﺨﹸﺫﹾ ﻤﺌﺔﹶ ﻜﻨﺯ ،ﺍﺩﺨﹸلْ ﺒﺎﺏ ﺍﻟﺴﻌﺎﺩﺓِ ،ﻭﻻ ﺘﺒﺤﺙﹾ ﻋﻥِ
ﺍﻟﻌﻴﺏ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ؛
ﺸﹸﻜﺭﺍﹰ ﻋﻠﻰ ﺃﻨﱠﻙ ﻭﺼﻠﹾﺕﹶ ﺍﻟﺭﺒﻴﻊ ﻤﺠﺩﺩﺍﹰ ،ﺍﺯﺭﻉ ﺸﹶﺠﺭﺓﹶ ﺍﻟﺨﹶﻴﺭِ ،ﻭﺍﺴﻠﹸﻙ ﻁﺭﻴﻕﹶ
ﺍﻟﺘﱠﺤﻘﻴﻕ)(١؛
ﺇﺫﺍ ﻜﹸﻨﺕﹶ ﺘﻁﻠﹸﺏ ﺭﺅﻴ ﹶﺔ ﻭﺠﻪِ ﺍﻟﺤﺒﻴﺏِ ،ﺍﺠﻌلْ ﺍﻟﻤِﺭﺁﺓﹶ ﻗﺎﺒِﻠﹶﺔﹰ ،ﻭﺇﻻﱠ ﻓﺈﻥ ﺍﻟﻭﺭﺩ
ﻭﺍﻟﻨﱢﺴﺭﻴﻥ ﻟﻥ ﻴﻁﻠﹶﻌﺎ ﺃﺒﺩﺍﹰ ﻤﻥ ﺍﻟﺤﺩﻴﺩِ ﻭﺍﻟﺭﺼﺎﺹِ)(٢؛
ﺍﻓﺘﹶﺢِ ﺍﻷُﺫﹸﻥ ﻟﻠﺒﻠﹾﺒلِ ﻴﺼﺭﺥﹾ ﻴﻘﻭلُ :ﺃﻱ ﺴﻴﺩ ،ﻻ ﺘﻜﹸﻥ ﻤﻘﺼﺭﺍﹰ ،ﻓﻭﺭﺩ ﺍﻟﺘﱠﻭﻓﻴﻕِ ﻴﻀﻭﻉ
ﻋِﻁﹾﺭﻩ؛
ﻗﺎلَ ﻤِﻥ ﺤﺎﻓِﻅِﻨﺎ ﺘﺠﻲﺀ ﺭﻴﺢ ﺭﻴﺎﺀٍ ،ﻁﻭﺒﻰ ﻟِﻨﹶﻔﹶﺴِﻙ ﻤﺎ ﺃﻟﻁﹶﻑﹶ ﺇﺩﺭﺍﻜﹶﻪ.
) (١ﻭﺍﺴﻠﹸﻙ ﻁﺭﻴﻕﹶ ﺍﻟﺒﺤﺙِ ﻋﻥِ ﺍﻟﺤﻘﻴﻘﺔ؛
) (٢ﻟﻥ ﻴﻁﻠﻌﺎ :ﻟﻥ ﻴﻨﺒﺘﺎ.
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ﻏﺰﻝ ٤٨٦
ﻴﻐﹶﻨﹼﻲ ﻤِﻥ ﺍﻷﻟﺤـﺎﻥِ ﺨﹶﻴـﺭ ﻤﻘـﺎﻡِ ﻋﻠﻰ ﻏﹸﺼﻥ ﺴﺭﻭٍ ﻋﺎﺩ ﺒﺎﻷﻤﺱِ ﺒﻠﺒلٌ
ـﻼﻡِ
ـﺭﺍﺭِ ﺘﻭﺤﻴ ـﺩٍ ﺒِﻨﹸﻁ ـﻕِ ﻜـ
ﺒِﺄﺴـ ﻴﻘﻭلُ ﺒﺩﺕﹾ ﻓﻲ ﺍﻟﻭﺭﺩِ ﻨﺎﺭ ﺘﻜﻠﱠﻤﺕﹾ
ﻭﺘﹸﻐﺭﻱ ﺃﺨﺎ ﻓﹶﻀلٍ ﺒِـﺸﹸﺭﺏِ ﻤـﺩﺍﻡِ ﻭﺭﺍﺤﺕﹾ ﻁﹸﻴﻭﺭ ﺍﻷﻴﻙِ ﺘﹸﺤﺴِﻥ ﺴﺠﻌﻬﺎ
ﻓﻼ ﺘﹶـﻙ ﻟﻠـﺩﻨﻴﺎ ﺃﺴـﻴﺭ ﻏـﺭﺍﻡِ ﻭﺠﻤﺸﻴﺩ ﺨﻠﹼﻰ ﻏﻴﺭ ﻗِﺼﺔِ ﺠﺎﻤِـﻪِ
ﺒِﺄَﻨﻔﺎﺱِ ﻋﻴﺴﻰ ﻓﻲ ﺃﺘﹶـﻡ ﺘﹶﻤـﺎﻡِ ﻭﻴﺎ ﻋﺠﺒﺎﹰ ﻤِﻨﹼﻲ ﻟِﺤﻅﱠـﻲ ﻭﻗـﺎﺘِﻠﻲ
ـﺎ ﺒِ ـﺴﻼﻡِ
ـﺼﻴﺭﺓﹸ ﺸﹶ ـﺤﺎﺫٍ ﻏﹶﻔـ
ﺤـ ﺒِﻐﹶﻴﺭِ ﺴﻼﻡٍ ﺘﹶﺨﹾﺕﹸ ﻜِـﺴﺭﻯ ﻓﺤﺒـﺫﺍ
ﺘﺭﺠﻤﺔﹲ ﻨﺜﺭﻴﺔﹲ ﺃﻗﺭﺏ ﻟﻠﻤﻌﻨﻰ :ﻋﺎﺩ ﺍﻟﺒﻠﺒلُ ﺇﻟﻰ ﻏﺼﻥِ ﺘﻠﻙ ﺍﻟﺴﺭﻭﺓِ ﺍﻟﻌﺎﻟﻴﺔ ﻭﺒﺩﺃ
ﻴﻘﺭﺃُ ﺒﻠﺤﻥٍ ﻓﺎﺭِﺴﻲ ﺩﺭﺱ ﺍﻟﻤﻘﺎﻤﺎﺕِ ﺍﻟﻤﻌﻨﻭﻱ؛
ﻭﻗﺎلَ ﻤﺎ ﻤﻌﻨﺎﻩ :ﺘﻌﺎلَ ﻓﻘﺩ ﺃﻅﻬﺭ ﺍﻟﻭﺭﺩ ﻨﺎﺭ ﻤﻭﺴﻰ ،ﻟِﺘﹶﺴﻤﻊ ﺴِﺭ ﺍﻟﺘﱠﻭﺤﻴﺩِ ﻤﻥ
ﺍﻟﺸﱠﺠﺭﺓ)(١؛
ﻭﻁﻴﻭﺭ ﺍﻟﺭﻭﺽِ ﺭﺍﺤﺕﹾ ﺘﻨﻅﻡ ﺍﻟﻘﻭﺍﻓﻲ ،ﻭﺘﻨﻁﻕﹸ ﺒﺎﻟﻠﱠﻁﺎﺌﻑِ ،ﻟﻴﺸﺭﺏ ﺍﻟﺴﻴﺩ ﺍﻟﺨﹶﻤﺭ
ﻋﻠﻰ ﻟﻁﻴﻑِ ﺸِﻌﺭِ ﺍﻟﻐﺯﻟﻴﺎﺕِ ،ﺒﺎﻟﻠﹼﺤﻥِ ﺍﻟﺒﻬﻠﻭﻱ؛
ﺇﻥ ﺠﻤﺸﻴﺩ ﺘﹶﺭﻙ ﻜلﱠ ﻤﺎ ﻜﺎﻥ ﻴﻤﻠﻙ ﻓﻲ ﺍﻟﺩﻨﻴﺎ ﻏﻴﺭ ﺤِﻜﺎﻴﺔِ ﺠﺎﻤِﻪ ،ﻓﺤﺫﺍﺭِ ﺃﻥ ﺘﺭﺒِﻁﹾ
ﻗﻠﺒﻙ ﺒﺎﻷﺴﺒﺎﺏِ ﺍﻟﺩﻨﻴﻭﻴﺔ؛
ﻭﺍﺴﻤﻊ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔﹶ ﺍﻟﻌﺠﻴﺒﺔﹶ ﻋﻥِ ﺍﻟﺒﺨﹾﺕِ ﺍﻟﻤﻨﻜﻭﺱ ،ﻓﺄﻨﺎ ﻗﺘﻠﻨﻲ ﺍﻟﺤﺒﻴﺏ ﺍﻟﱠﺫﻱ ﻟﻪ
ﺃﻨﻔﺎﺱ ﺍﻟﻤﺴﻴﺢ)(٢؛
) (١ﺇﻥ ﺍﻟﻨﱠﺎﺭ ﺍﻟﹼﺘﻲ ﻅﻬﺭﺕ ﻟﻤﻭﺴﻰ)ﻉ( ﻤﻥ ﺍﻟﺸﱠﺠﺭﺓِ ﻜﺎﻤﻨﺔﹲ ﻓﻲ ﺍﻟﻭﺭﺩ ﻭﻗﺩ ﻅﻬﺭﺕ ﻟﻲ ﻭﺴﻤﻌ ﹸ
ﺕ
ﻤﻨﻬﺎ ﺍﻟﻨﱢﺩﺍﺀ ﺒﺴﺭ ﺍﻟﺘﱠﻭﺤﻴﺩ )ﻴﺎ ﻤﻭﺴﻰ ﺇﻨﹼﻲ ﺃﻨﺎ ﺍﷲ ﺭﺏ ﺍﻟﻌﺎﻟﻤﻴﻥ( ،ﺇﻥ ﻟﻠﻭﺭﺩِ ﻤﻨﻁﻘﺎﹰ ﻤﺴﺘﻭﺭﺍﹰ
ﺘﺴﻤﻌﻪ ﺃﺫﻥ ﺍﻟﻘﻠﺏ؛
) (٢ﻟﻪ ﺃﻨﻔﺎﺱ ﺍﻟﻤﺴﻴﺢ :ﻴﺤﻴﻲ ﺍﻟﻤﻭﺘﻰ ﺒﺄﻨﻔﺎﺴﻪِ ﺍﻟﺸﱠﺒﻴﻬﺔِ ﺒﺄﻨﻔﺎﺱِ ﻋﻴﺴﻰ)ﻉ(؛
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ﻴﺎ ﻁِﻴﺏ ﻭﻗﹾﺕِ ﺍﻟﺤﺼﻴﺭﺓِ ﻭﺍﻻﺴﺘﺠﺩﺍﺀِ ﻭﻨﻭﻡِ ﺍﻷﻤﻥِ ،ﺴﻌﺎﺩﺓﹲ ﻟﻴﺴﺕﹾ ﻟﻠﺴﺭﻴﺭِ ﺍﻟﻜﺴﺭﻭﻱ(١)؛
ﻋﻴﻨﹸﻙ ﻤِﻥ ﻏﻤﺯﺓٍ ﺠﻌﻠﹶﺕﹾ ﻤﺴﻜﹶﻥ ﺍﻟﺨﹶﻠﹾﻕِ ﺨﺭﺍﺒﺎﹰ ،ﻻ ﻜﺎﻥ ﺍﻟﺨﹸﻤﺎﺭ ﻴﺼﻴﺒﻙ ،ﻓﺴﻴﺭﻙ
ﺠﻤﻴلٌ ﻭﺃﻨﺕﹶ ﺴﻜﺭﺍﻥ؛
ﻤﺎ ﺃﺠﻤلَ ﻤﺎ ﻗﺎلَ ﺩﻫﻘﺎﻥ ﻓﻲ ﺃﺭﺫﹶلِ ﺍﻟﻌﻤﺭِ ﻟِﻭﻟﹶﺩٍ :ﻴﺎ ﻨﻭﺭ ﻋﻴﻨﻲ ﻏﻴﺭ ﺯﺭﻋِﻙ ﻟﹶﻥ ﺘﺤﺼِﺩ(٢)؛
ﻜﺄﻥ ﺍﻟﺴﺎﻗﻲ ﺯﺍﺩ ﻓﻲ ﻋﻁﺎﺀِ ﺤﺎﻓِﻅﹸَ ،ﻓﻘﹶﺩ ﺸﻭﺵﹶ ﻁﹸﺭﺓﹶ ﻋﻤﺎﻤﺔِ ﺍﻟﻤﻭﻟﻭﻱ).(٣
ﻏﺰﻝ ٤٨٧
ﺃﻱ ﻏﺎﻓِلُ ،ﺍِﺴﻊ ﺃﻥ ﺘﻜﻭﻥ ﻋﺎﺭِﻓﺎﹰ ،ﺇﺫﺍ ﻟﹶﻡ ﺘﻜﹸﻥ ﺴﺎﻟِﻜﺎﹰ ﻓﻤﺘﻰ ﺘﺼﻴﺭ ﺩﻟﻴﻼﹰ ﻤﺭﺸِﺩﺍﹰ؛
ﻓﻲ ﻤﻜﹾﺘﹶﺏِ ﺍﻟﺤﻘﺎﺌﻕِ ﺃﻤﺎﻡ ﺃﺩﻴﺏِ ﺍﻟﻌِﺸﹾﻕِ ،ﻫﺎ ..ﺃًﻱ ﻭﻟﹶﺩ ،ﺍِﺴﻊ ﺃﻥ ﺘﺼﻴﺭ ﻴﻭﻤﺎﹰ ﺃﺒﺎﹰ؛
ﺱ ﺍﻟﻭﺠﻭﺩِ ﻤِﺜﹾلَ ﺭِﺠﺎلِ ﺍﻟﻁﱠﺭﻴﻕ ،ﻟِﺘﺤﺼلَ ﻋﻠﻰ ﺇﻜﺴﻴﺭِ ﺍﻟﻌِﺸﹾﻕِ
ﺍﻏﹾﺴِلْ ﺍﻟﻴﺩ ﻤِﻥ ﻤ
ﻭﺘﺼﻴﺭ ﺫﹶﻫﺒﺎﹰ؛
ﺍﻟﻨﱠﻭﻡ ﻭﺍﻷﻜﹾلُ ﺃﺒﻌﺩﺍﻙ ﻋﻥ ﻤﺭﺘﹶﺒﺔِ ﻨﹶﻔﹾﺴِﻙ ،ﺘﹶﺼِلُ ﺇﻟﻰ ﻨﹶﻔﹾﺴِﻙ ﺤﻴﻥ ﺘﺼﻴﺭ ﺒﻼ ﻨﻭﻡٍ
ﻭﻻ ﺃﻜﹾلٍ؛
ﺇﺫﺍ ﻭﻗﹶﻊ ﻓﻲ ﻗﻠﺒِﻙ ﻭﺭﻭﺤِﻙ ﻨﻭﺭ ﺍﻟﻌِﺸﹾﻕِ ،ﺒﺎﷲِ ﺇﻨﱠﻙ ﺘﺼﻴﺭ ﺃﻓﻀلَ ﻤِﻥ ﺸﹶﻤﺱِ ﺍﻟﻔﹶﻠﹶﻙ؛
ﻕ ﺒﺤﺭِ ﺍﷲ ،ﻭﻻ ﺘﻅﹸﻥ ﺃﻥ ﻤﻴﺎﻩ ﺍﻟﺒﺤﺎﺭِ ﺍﻟﺴﺒﻌﺔِ ﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﹸﺒﻠﱢلَ
ﻜﹸﻥ ﻟِﻠﹶﺤﻅﹶﺔٍ ﻏﺭﻴ ﹶ
ﺸﹶﻌﺭﺓﹰ ﻤِﻨﹾﻙ؛
ﻴﺼﻴﺭ ﻨﻭﺭ ﺍﷲِ ﻤِﻥ ﺭﺃﺴِﻙ ﺇﻟﻰ ﻗﹶﺩﻤِﻙ ،ﺤﻴﻥ ﺘﺼﻴﺭ ﻓﻲ ﻁﺭﻴﻕِ ﺫﻱ ﺍﻟﺠﻼلِ ﺒﻼ
ﺭﺃﺱٍ ﻭﻻ ﻗﹶﺩﻡ)(٤؛
) (١ﻴﺎ ﻁِﻴﺏ ﻭﻗﹾﺕِ ﺸﺤﺎﺫٍ ﻴﻨﺎﻡ ﻓﻲ ﺃﻤﻥٍ ﻋﻠﻰ ﺤﺼﻴﺭﺓٍ ،ﻤﺎ ﺩﺍﻡ ﺴﺭﻴﺭ ﻜﺴﺭﻯ ﻻ ﻴﻤﻨﺢ ﺍﻷﻤﺎﻥ
ﻟﻠﻨﱠﺎﺌﻡِ ﻋﻠﻴﻪ؛
) (٢ﺍﻟﺩﻫﻘﺎﻥ :ﺍﻟﻤﺯﺍﺭِﻉ ﺍﻟﻜﺒﻴﺭ؛
) (٣ﺍﻟﻤﻭﻟﻭﻱ ﻫﻭ ﺍﻟﻌﺎﻟِﻡ ﺍﻟﺭﺒﺎﻨﻲ ،ﻭﻴﻌﻨﻲ ﺒِﻪِ ﻨﻔﺴﻪ ،ﻭﻤﻌﻨﻰ ﺍﻟﺒﻴﺕ ،ﻜﺄﻥ ﺍﻟﺴﺎﻗﻲ ﺴﻘﻰ ﺤﺎﻓِﻅﹶ
ﺃﻜﺜﹶﺭ ﻤِﻥ ﺍﻵﺨﹶﺭﻴﻥ ،ﻓﻁﹸﺭﺓﹸ ﻋﻤﺎﻤﺘِﻪِ ﺍﻟﻤﻭﻟﻭﻴﺔِ ﻤﺸﻭﺸﹶﺔﹸ ﻋﻠﻰ ﺭﺃﺴِﻪ.
) (٤ﺒﻼ ﺭﺃﺱ :ﻻ ﺇﺭﺍﺩﺓﹶ ﻟﻙ ،ﺘﹸﺭﻴﺩ ﻤﺎ ﻴﺭﻴﺩ ﺍﷲ ،ﻭﺒﻼ ﻗﺩﻡ :ﺒﻼ ﺤﻭلٍ ﻭﻻ ﻗﹸﻭﺓٍ ﻤﻥ ﻨﻔﺴِﻙ.
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ﺇﺫﺍ ﺼﺎﺭ ﻭﺠﻪ ﺍﷲِ ﻓﻲ ﻤﻨﻅﹶﺭِ ﻨﹶﻅﹶﺭِﻙ ،ﻻ ﻴﺒﻘﻰ ﺸﹶﻙ ﺒﻌﺩﻫﺎ ﺒِﺄﻨﱠﻙ ﺼﺎﺤِﺏ ﻨﹶﻅﹶﺭٍ؛
ﺤﻴﻥ ﺘﹶﺠﻌلُ ﺒﻨﻴﺎﻥ ﻭﺠﻭﺩِﻙ ﻋﺎﻟﻴﻪ ﺴﺎﻓِﻠﹶﻪ ،ﻴﻨﺩﻙ ﺠﺒلُ ﻗﻠﺒِﻙ ﻭﻴﺼﻴﺭ ﻋﺎﻟﻴﻪِ ﺴﺎﻓِﻠﹶﻪ؛
ﺇﺫﺍ ﻜﺎﻥ ﻓﻲ ﺭﺃﺴِﻙ ﻫﻭﻯ ﺍﻟﻭِﺼﺎلِ ﻴﺎ ﺤﺎﻓِﻅ ،ﻋﻠﻴﻙ ﺃﻥ ﺘﺼﻴﺭ ﺘﹸﺭﺍﺒﺎﹰ ﻓﻲ ﻋﺘﹶﺒﺔِ
ﺃﻫلِ ﺍﻟﻔﹶﻀل.
ﻏﺰﻝ ٤٨٨
ﻓﻲ ﺴﺤﺭﻱ ﻫﺎﺘِﻑﹸ ﺍﻟﺤﺎﻨﹶﺔِ ﺒﺎﻟﺴﻌﺩِ ﻗﺎلَ ﻟﻲ ،ﻋﺩ ﺇﻟﻰ ﻫﺫِﻩِ ﺍﻟﻌﺘﹶﺒﺔِ ﻓﺄﻨﺕﹶ ﺒﻴﻥ ﺯﻭﺍﺭِﻫﺎ
ﻗﺩﻴﻡ؛
ﻑ ﻤِﻥ ﻀﻴﺎﺀِ ﺠﺎﻡِ ﻤﻅﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡِ ﺴِﺭ ﺍﻟﻌﺎﻟﹶﻤﻴﻥ؛
ﻭﺍﺸﺭﺏ ﻜﹶﺠﻤﺸﻴﺩ ﺠﺭﻋﺘﹶﻨﺎ ،ﻟﺘﻌﺭِ ﹶ
ﻋﻠﻰ ﺒﺎﺏِ ﺍﻟﺤﺎﻨﺔِ ﺘﺠِﺩ ﺍﻟﺴﻜﺎﺭﻯ ﺍﻷﺤﺭﺍﺭ ،ﺃﻭﻟﺌﻙ ﺍﻟﱠﺫﻴﻥ ﻴﺴﺘﻠِﺒﻭﻥ ﻭﻴﻬﺒﻭﻥ ﺘﻴﺠﺎﻥ
ﻤﻠﻭﻙِ ﺍﻟﻤﻠﻭﻙ؛
ﻤﺴﺘﻠﻘﻴﻥ ،ﺭﺅﻭﺴﻬﻡ ﻋﻠﻰ ﻤﺴﻨﹶﺩٍ ﺨﺸِﻥٍ ،ﻭﺃﻗﺩﺍﻤﻬﻡ ﻋﻠﻰ ﻤﻔﺭﻕِ ﺍﻟﻨﱡﺠﻭﻡِ ﺍﻟﺴﺒﻊِ
ﺍﻟﺴﻴﺎﺭﺓِ ،ﻓﺎﻨﻅﹸﺭ ﺇﻟﻰ ﻴﺩِ ﺍﻟﻘﹸﺩﺭﺓِ ﻭﺍﻨﻅﹸﺭ ﺇﻟﻰ ﻤﻨﺼﺏِ ﺼﺎﺤِﺏِ ﺍﻟﺠﺎﻩ؛
ﺭﺃﺴﻲ ﻭﺒﺎﺏ ﺍﻟﺤﺎﻥِ ﺍﻟﱠﺫﻱ ﻁﹶﺭﻑﹸ ﺴﻘﹾﻔِﻪِ ﻴﺼِلُ ﺇﻟﻰ ﺍﻟﻔﹶﻠﹶﻙِ ،ﻓﻴﻤﺎ ﺠِﺩﺍﺭﻩ ﻗﺼﻴﺭ؛
ﻻ ﺘﻘﹸﻡ ﺒِﻘﹶﻁﹾﻊِ ﻫﺫِﻩِ ﺍﻟﻤﺭﺤﻠﹶﺔِ ﻤﻥ ﺩﻭﻥِ ﻤﺭﺍﻓِﻕٍ ﻤﻥ ﺨِﻀﺭ ،ﺍﻟﻅﱡﻠﹸﻤﺎﺕﹸ ﻫﻨﺎﻙ ،ﻓﺎﺨﹾﺵﹶ
ﺨﹶﻁﹶﺭ ﺍﻟﻀﻴﺎﻉ؛
ﺇﺫﺍ ﺃﻋﻁﹶﻭﻙ ﺴﻠﻁﹶﻨﹶﺔﹶ ﺍﻟﻔﹶﻘﹾﺭِ ﻴﺎ ﻗﹶﻠﺏ ،ﺃﻗلﱡ ﻤﻠﻜِﻙ ﻴﺼﻴﺭ ﻤِﻥ ﻗﹶﻤﺭِ ﺍﻟﻔﹶﻠﹶﻙِ ﺇﻟﻰ ﺴﻤﻙِ
ﺍﻟﺒﺤﺭ؛
ﺃﻨﺕﹶ ﻻ ﺘﹸﺤﺴِﻥ ﺃﻥ ﺘﹶﺘﻨﹶﻔﱠﺱ ﺍﻟﻔﹶﻘﹾﺭ ،ﻓﻼ ﺘﺘﺭﻙ ﻤﺴﻨﹶﺩ ﺍﻟﻭﺯﺍﺭﺓِ ﻭﻤﺠﻠِﺱ ﺘﻭﺭﺍﻨﺸﺎﻩ)(١؛
ﺤﺎﻓِﻅﹸ ﺍﺨﺠلْ ﻤِﻥ ﻁﹶﻤﻌِﻙ ﺍﻟﺴﺎﺫﹶﺝ ،ﻤﺎ ﻫﻭ ﻋﻤﻠﹸﻙ ﻟِﺘﹶﻁﻠﹸﺏ ﺒِﻪِ ﺍﻟﻔِﺭﺩﻭﺱ.
) (١ﺘﻭﺭﺍﻨﺸﺎﻩ :ﻭﺯﻴﺭ ﺍﻟﺸﹼﺎﻩ ﺸﹸﺠﺎﻉ
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ﻏﺰﻝ ٤٨٩
ﻴﺎ ﻤﻥ ﺒِﻭﺠﻬِﻙ ﺘﻅﻬﺭ ﺍﻷﻨﻭﺍﺭ ﺍﻟﻤﻠﹶﻜﻴﺔ ،ﻭﻓﻲ ﻓِﻜﹾﺭِﻙ ﺘﺨﺘﻔﻲ ﻤِﺌﺔﹸ ﺤِﻜﻤﺔٍ ﺇﻟﻬﻴﺔ؛
ﻗﹶﻠﹶﻤﻙ ،ﺒﺎﺭﻙ ﺍﷲُ ،ﺒﻘﻁﺭﺓٍ ﻤﻨﻪ ﺴﻭﺩﺍﺀ ،ﻴﻔ ﹶﺘﺢ ﻤِﻥ ﺍﻟﻤﻠﹾﻙِ ﻭﺍﻟﺩﻴﻥِ ،ﻤﺌﺔﹶ ﻋﻴﻥِ ﺤﻴﺎﺓ؛
ﺃﻨﻭﺍﺭ ﺍﻻِﺴﻡِ ﺍﻷﻋﻅﹶﻡِ ﻻ ﺘﻠﻤﻊ ﻟﻠﺸﱠﻴﻁﺎﻥ ،ﺍﻟﻤﻠﹾﻙ ﻤﻠﻜﹸﻙ ،ﻭﺍﻟﺨﺎﺘﹶﻡ ﺨﺎﺘﹶﻤﻙ ،ﻓﺄﻤﺭ ﺒﻤﺎ
ﺘﺸﺎﺀ؛
ﺃﻱ ﺸﹶﺨﺹٍ ﻴﺸﹸﻙ ﻓﻲ ﺤِﻜﹾﻤﺔِ ﺴﻠﻴﻤﺎﻥ ،ﺘﻀﺤﻙ ﻤِﻥ ﻋﻘﻠِﻪِ ﻭﻋِﻠﹾﻤِﻪِ ﺍﻟﻁﱠﻴﺭ ﻭﺍﻷﺴﻤﺎﻙ؛
ﺭﻏﻡ ﺃﻥ ﺍﻟﺒﺎﺯ ﻴﻌﺘﹶﻤِﺭ ﺍﻟﻘﹸﺒﻌﺔﹶ ﻋﻠﻰ ﺍﻟﺭﺃﺱِ ﺃﺤﻴﺎﻨﺎﹰ ،ﻓﺈﻥ ﻁﻴﻭﺭ ﻗﺎﻑﹾ ﺘﻌﺭِﻑﹸ ﺸﺎﺭﺓﹶ
ﺍﻟﻤﻠِﻙ)(١؛
ﺍﻟﺴﻴﻑﹸ ﺍﻟﱠﺫﻱ ﺃﻋﻁﹶﺘﹾﻪ ﺍﻟﺴﻤﺎﺀ ﻤﻥ ﻓﻴﻀِﻬﺎ ﺍﻟﻤﺎﺀ ،ﻴﻔﺘﹶﺢ ﺍﻟﻌﺎﻟﹶﻡ ﻭﺤﺩﻩ ﺒﻼ ﻤِﻨﱠﺔِ ﺍﻟﺠﻴﺵ؛
ﻗﹶﻠﹶﻤﻙ ﻴﺤﺴِﻥ ﺍﻟﻜِﺘﺎﺒﺔﹶ ﻓﻲ ﺸﺄﻥِ ﺍﻟﻤﺤﺒﻴﻥ ﻭﺍﻷﻏﻴﺎﺭ ،ﻤِﻥ ﺤِﺭﺯٍ ﻴﻁﻴلُ ﺍﻟﺤﻴﺎﺓﹶ ﺃﻭ ﻤﻜﹾﺭٍ
ﻴﻨﻘِﺹ ﺍﻟﻌﻤﺭ؛
ﻴﺎ ﻤﻥ ﻋﻨﺼﺭﻙ ﻤﺨﻠﻭﻕﹲ ﻤﻥ ﻜﻴﻤﻴﺎﺀِ ﺍﻟﻌِﺯﺓ ،ﻭﻴﺎ ﻤﻥ ﺩﻭﻟﹶﺘﹸﻙ ﻓﻲ ﺃﻤﻥٍ ﻤِﻥ ﻭﺼﻤﺔِ
ﺍﻟﻬﻼﻙ؛
ﻕ ﻤِﻥ ﻋﺠﺏِ ﺍﻟﺨﺎﻨﻘﺎﻩ)(٢؛
ﺴﺎﻗﻲ ﻫﺎﺕِ ﺍﻟﻤﺎﺀ ﻤِﻥ ﻨﹶﺒﻊِ ﺍﻟﺨﺭﺍﺒﺎﺕِ ،ﻟِﻨﹶﻐﺴِلَ ﺍﻟﺨِﺭ ﹶ
ﻴﺎ ﺴﺎﺩﺘﻲ ،ﺼﺎﺭ ﻟﻲ ﻋﻤﺭ ﻭﺠﺎﻤﻲ ﺨﺎلٍ ﻤﻥ ﺍﻟﺨﹶﻤﺭ ،ﻤﻥ ﺩﻋﻭﻯ ﻤﻥ ﺍﻟﻌﺒﺩِ،
ﻭﺭﻗﺎﺒﺔٍ ﻤﻥ ﺍﻟﻤﺤﺘﹶﺴِﺏ؛
ﺇﺫﺍ ﻭﻗﹶﻊ ﺒﺭﻴﻕﹸ ﺴﻴﻔِﻙ ﻋﻠﻰ ﺍﻟﺤﺠﺭِ ﻭﺍﻟﻤﻌﺩﻥ ،ﺩﺍﻜِﻥ ﺍﻟﻠﻭﻥِ ﻴﺼﻴﺭ ﻴﺎﻗﻭﺘﺎﹰ ﺃﺤﻤﺭ؛
ﺃﻋﻠﹶﻡ ﺃﻥ ﻗﹶﻠﹾﺒﻙ ﻴﻌﻁِﻑﹸ ﻋﻠﻰ ﻋﺠﺯِ ﺍﻟﻘﺎﻋِﺩﻴﻥ ﻴﺩﻋﻭﻥ ﻓﻲ ﺍﻟﻠﹼﻴلِ ،ﺇﺫﺍ ﺃﺭﺴﻠﻭﺍ ﺍﻟﺩﻋﺎﺀ
ﺒِﻠِﺴﺎﻥِ ﺍﻟﻌﺒﺩِ ،ﻤﻊ ﺭﻴﺢِ ﺍﻟﺼﺒﺎﺡ؛
) (١ﻴﻌﺘﹶﻤِﺭ ﺍﻟﻘﹸﺒﻌﺔﹶ ﻋﻠﻰ ﺍﻟﺭﺃﺱِ :ﻴﺩﻋﻲ ﺃﻨﱠﻪ ﻤﻠِﻙ؛
) (٢ﺍﻟﺨﺎﻨِﻘﺎﻩ ﻤﺠﻤﻊ ﺍﻟﺩﺭﺍﻭﻴﺵ ﻭﻤﺤلّ ﻁﻘﻭﺴِﻬِﻡ.
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ﻓﻲ ﺍﻟﻤﺤلﱢ ﺍﻟﱠﺫﻱ ﻟﹶﻤﻊ ﻓﻴﻪِ ﺒﺭﻕﹸ ﺍﻟﻌِﺼﻴﺎﻥِ ﻟِﺂﺩﻡ ﺍﻟﺼﻔﻲ ،ﻜﻴﻑﹶ ﻟﻲ ﺃﻥ ﺃﺩﻋﻲ ﺒِﺄﻨﹼﻲ
ﺒﻼ ﺫﹶﻨﺏٍ؛
ﺤﺎﻓﻅﹸ ،ﺒﻤﺎ ﺃﻥ ﺍﻟﻤﻠِﻙ ﻴﺫﻜﹸﺭﻙ ﺃﺤﻴﺎﻨﺎﹰ ،ﻻ ﺘﺸﻙ ﺍﻟﺒﺨﹾﺕﹶ ﻭﺍﺭﺠِﻊ ﺇﻟﻴﻪِ ﻁﺎﻟﺒﺎﹰ ﺍﻟﻌﺫﹾﺭ.
ﻏﺰﻝ ٤٩٠
ﻟﻴﺱ ﻫﻨﺎﻙ ﻓﻲ ﻜﹸلﱢ ﺩﻴﺭِ ﺍﻟﻤﻐﺎﻥِ ﻤﻥ ﻫﻭ ﻭﺍﻟِﻪ ﻤِﺜﻠﻲ ،ﺨِﺭﻗﹶﺔﹲ ﻤﺭﻫﻭﻨﹶﺔﹲ ﻟﻠﺨﹶﻤﺭِ ﻤِﻥ
ﺠﺎﻨِﺏٍ ،ﻭﺩﻓﺘﹶﺭ ﻤِﻥ ﺠﺎﻨِﺏ؛
ﻗﻠﺒﻲ ﺍﻟﱠﺫﻱ ﻫﻭ ﻤﺭﺁﺓﹸ ﺍﻟﺸﱠﺎﻩِ ﻋﻠﹶﻴﻪِ ﺍﻟﻐﹸﺒﺎﺭ ،ﺃﻁﻠﹸﺏ ﻤِﻥ ﺍﷲِ ﺼﺤﺒﺔﹶ ﻤﻨﻴﺭِ ﻗﹶﻠﹾﺏ)(١؛
ﻗﹸﻤﺕﹸ ﺒﺎﻟﺘﱠﻭﺒﺔِ ﻋﻠﻰ ﻴﺩِ ﺍﻟﺼﻨﹶﻡِ ﺒﺎﺌﻊِ ﺍﻟﺨﹶﻤﺭِ ﻋﻥ ﺸﹸﺭﺏِ ﺍﻟﺨﹶﻤﺭِ ،ﺇﺫﺍ ﻟﻡ ﻴﻜﹸﻥ ﺤﺎﻀِﺭ ﺍﹰ
ﻭﺠﻪ ﻤﺯﻴﻥِ ﺍﻟﺤﻔﹾلِ؛
ﺇﺫﺍ ﺘﺒﺎﻫﻰ ﺍﻟﻨﱠﺭﺠِﺱ ﺠﺯﺍﻓﺎﹰ ﺃﻤﺎﻡ ﻏﹶﻤﺯﺓِ ﻋﻴﻨِﻙ ﻻ ﺘﺄﻟﹶﻡ ،ﺃﻫلُ ﺍﻟﻨﱠﻅﹶﺭِ ﻻ ﻴﺴﻴﺭﻭﻥ
ﺨﹶﻠﹾﻑﹶ ﺃﻋﻤﻰ؛
ﺸﹶﺭﺡ ﻫﺫِﻩِ ﺍﻟﻘِﺼﺔِ ،ﻋﺴﻰ ﻴﻭﺭِﺩﻩ ﺍﻟﺸﱠﻤﻊ ﻋﻠﻰ ﻟِﺴﺎﻨِﻪِ ،ﻭﺇﻻﱠ ﻓﺎﻟﻔﺭﺍﺸﹶﺔﹸ ﻻ ﻁﺎﻗﹶﺔﹶ ﻟﻬﺎ ﺒِﺒﻴﺎﻨِﻪ؛
ﺃﺴﻠﹾﺕﹸ ﺠﺩﺍﻭِلَ ﻤِﻥ ﻋﻴﻨﻲ ﻋﻠﻰ ﺜﻭﺒﻲ ،ﻋﺴﻰ ﻴﺯﺭﻋﻭﺍ ﺒِﺠِﻭﺍﺭﻱ ﺍﻟﺸﱠﺠﺭﺓﹶ ﺍﻟﻘﻭﻴﻤﺔﹶ ﺍﻟﻌﺎﻟِﻴﺔ؛
ﺍﺤﻤِلْ ﻟﻲ ﺴﻔﻴﻨﹶﺔﹶ ﺍﻟﺨﹶﻤﺭِ ﻓﺄﻨﺎ ﻤِﻥ ﻜﹸلﱢ ﺯﺍﻭﻴﺔٍ ﻤِﻥ ﻋﻴﻨﻲ ﺼﻨﹶﻌﺕﹸ ﺒﺤﺭﺍﹰ ﻤِﻥ ﻏﻡ ﻗﻠﺒﻲ؛
ﻻ ﺘﻘﹸلْ ﻟﻲ ﺤﺩﻴﺜﺎﹰ ﺁﺨﹶﺭ ،ﺃﻨﺎ ﻋﺎﺒِﺩ ﻤﻌﺸﻭﻗﻲ ،ﻻ ﻤﻴلَ ﺒﻲ ﻋﻨﻪ ﻭﻋﻥ ﺠﺎﻡِ ﺨﹶﻤﺭﻱ
ﻟِﺸﹶﺨﹾﺹ؛
ﺤﺩﻴﺜﻲ ﻫﺫﺍ ﻴﻌﺫﹸﺏ ﻜﺜﻴﺭﺍﹰ ﺤﻴﻥ ﻴﻘﻭﻟﹸﻪ ﺍﻟﺭﺍﻫِﺏ ﻭﻗﹾﺕﹶ ﺍﻟﺴﺤﺭِ ﻋﻠﻰ ﺼﻭﺕِ ﺍﻟﺩﻑﱢ ﻭﺍﻟﻨﱠﺎﻱ؛
ﺇﺫﺍ ﻜﺎﻥ ﺍﻹﺴﻼﻡ ﻫﻭ ﻫﺫﺍ ﺍﻟﱠﺫﻱ ﻋِﻨﹾﺩ ﺤﺎﻓِﻅﹶ ،ﺁﻩِ ﺇﺫﺍ ﻜﺎﻥ ﺒﻌﺩ ﺍﻟﻴﻭﻡِ ﻏﹶﺩ.
) (١ﺃﻁﻠﹸ ﺏ ﻤِﻥ ﺍﷲِ ﺼﺤﺒﺔﹶ ﺫﻱ ﻗﻠﺏٍ ﻤﻨﻴ ﺭٍ ﻜﻤﺭﺁ ﺓٍ ﺼﺎﻓ ﻴﺔٍ ،ﻷﺭﻓﹶﻊ ﺒِﺼﺤﺒﺘِﻪِ ﻏﹸﺒﺎﺭ ﺍﻟﺫﱡﻨﻭ ﺏِ
ﻋﻥ ﻤِﺭﺁﺓِ ﻗﻠﺒﻲ ،ﻟِﺘﹶﺼﻔﹸﻭ ﻭﻴﻅﹾﻬﺭ ﻟﻲ ﺒِﻬﺎ ﺍﻟﻤﻠِ ﻙ ،ﻓﺎﻟﻘﻠﺏ ﻤﺭﺁﺓﹲ ﻴﺘﺠ ﻠﹼﻰ ﺒﻬﺎ ﺍﻟﺤﻕﱡ ﺇﺫﺍ
ﺼﻔﹶ ﺕﹾ؛
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ﻏﺰﻝ ٤٩١
ﻋﻴﻨﻲ ﺭﺃﺕ ﺍﻟﺤﺎﺠِﺏ ﻫِﻼﻟﻲ ﺍﻟﺴﻴﻤﺎﺀ ،ﻓﺭﺴﻤﺕﹸ ﺭﺴﻡ ﺨﻴﺎلِ ﺨﹶﻁﱢ ﺍﻟﻌِﺫﺍﺭِ ﻓﻲ ﺍﻟﻤﻜﺎﻥ؛
ﻫﻨﺎﻙ ﺃَﻤلٌ ﺒِﺄﻥ ﻤﻨﺸﻭﺭ ﻏﹶﺯلِ ﻋِﺸﹾﻘﻲ ﺴﻴﻨﺎلُ ﺨﹶﺘﹾﻡ ﻭﺇﻤﻀﺎﺀ ﺫﻟِﻙ ﺍﻟﺤﺎﺠِﺏ؛
ﺭﺃﺴﻲ ﻓﻘﹶﺩﺕﹸ ﻭﻋﻴﻨﻲ ﻤِﻥ ﺍﻻﻨﺘِﻅﺎﺭِ ﺍﺤﺘﹶﺭﻗﹶﺕﹾ ،ﺒﺎﺸﺘﻴﺎﻕِ ﺭﺃﺱِ ﻭﻋﻴﻥِ ﻤﺯﻴﻥِ ﺍﻟﻤﺠﻠﺱ؛
ﺍﻟﻘﹶﻠﹾﺏ ﻤﻜﹶﺩﺭ ،ﺴﻭﻑﹶ ﺃُﺸﻌِلُ ﺍﻟﻨﱠﺎﺭ ﻓﻲ ﺍﻟﺨِﺭﻗ ِﺔ ،ﺘﻌﺎلَ ﺍﻨﻅﹸﺭ ،ﻓﺎﻷﻤﺭ ﻴﺴﺘﺤِﻕﱡ ﺍﻟﻔﹸﺭﺠﺔ؛
ﻴﻭﻡ ﺍﻟﻭﺍﻗِﻌﺔِ ﺍﺠﻌﻠﻭﺍ ﺘﺎﺒﻭﺘﻲ ﻤِﻥ ﺍﻟﺴﺭﻭِ ﻟِﺄﻨﹼﻲ ﺫﺍﻫِﺏ ﺇﻟﻰ ﺭﻭﻀﺔٍ ﻋﺎﻟﻴﺔ؛
ﺃﻋﻁﹶﻴﺕﹸ ﺯِﻤﺎﻡ ﻗﻠﺒﻲ ﻭﺃﻨﺎ ﺍﻟﺩﺭﻭﻴﺵﹸ ﻟِﺸﹶﺨﹾﺹٍ ﻻ ﻴﺭﺍﻋﻲ ﺸﹶﺨﹾﺼﺎﹰ ﻭﻻ ﻴﻠﺘﹶﻔِﺕﹸ ﻟﻠﺘﹼﻴﺠﺎﻥِ ﻭﺍﻟﻌﺭﻭﺵ؛
ﻓﻲ ﻤﻘﺎﻡٍ ﻴﻀﺭِﺏ ﻓﻴﻪِ ﺍﻟﺤِﺴﺎﻥ ﺒِﺴﻴﻑِ ﺍﻟﻐﹶﻤﺯِ ،ﻻ ﺘﹶﻌﺠﺏ ﻤِﻥ ﻭﻗﻭﻉِ ﺭﺃﺴﻲ ﻋﻠﻰ ﺍﻟﻘﹶﺩﻡ؛
ﺃﻨﺎ ﺍﻟﱠﺫﻱ ﻟﻲ ﻤِﻥ ﻭﺠﻬِﻪِ ﺒـﺩﺭ ﻟﻴـلٍ ،ﻜﻴـﻑﹶ ﺃﻟﺘﹶﻔِـﺕﹸ ﺇﻟـﻰ ﻀـﻭﺀِ ﺍﻟـﻨﱠﺠﻡ؛
ﺭِﻀﺎ ﺍﻟﺤﺒﻴﺏِ ﻤﺎ ﻨﻁﻠﹸﺏ ،ﻓﺭﺍﻗﺎﹰ ﻜﺎﻥ ﺃﻡ ﻭﺼﻼﹰ ،ﺤﻴﻑﹲ ﻨﻁﻠﹸﺏ ﻤﻨﻪ ﻏﻴﺭ ﺭِﻀﺎﻩ؛
ﺃﺴﻤﺎﻙ ﺍﻟﺒﺤﺭِ ﺴﻭﻑﹶ ﺘﺤﻤِلُ ﺩﺭﺭ ﺍﻟﺸﱠﻭﻕِ ﻭﺘﻨﺜﹸﺭﻫﺎ ﺇﺫﺍ ﻤﺎ ﻭﺼﻠﹶﺕﹾ ﺴﻔﻴﻨﹶﺔﹸ ﺤﺎﻓِﻅﹶ ﺇﻟﻰ ﺍﻟﺒﺤﺭ
ﻏﺰﻝ ٤٩٢
ـﻴﻥ؛
ـﻰ ﺫﻟِـﻙ ﺍﻟﻌﺯﻴـﺯِ ﻜﺒﺅﺒـﺅِ ﺍﻟﻌـ
ـﻼﻡ ﻜﻌﺒﻴـﺭِ ﺍﻟﻤﺤﺒـﺔِ ﺍﻟﻁﱠﻴـﺏِ ،ﺇﻟـ
ﺴـ
ﺴﻼﻡ ﻜﻨﻭﺭِ ﻗﹶﻠﹾـﺏِ ﺍﻟﺭﻫﺒـﺎﻥِ ،ﺇﻟـﻰ ﺫﻟِـﻙ ﺍﻟـﺸﱠﻤﻊِ ﻓـﻲ ﺨﹶﻠﹾـﻭﺓِ ﺍﻟﺭﺍﻫِـﺏِ؛
ﻻ ﺃﺭﻯ ﻭﺍﺤِﺩﺍﹰ ﻤِﻥ ﺍﻟﺭﻓﺎﻕِ ﻋﻨﺩﻱ ،ﻭﻗﻠﺒﻲ ﻤِﻥ ﺍﻟﻐﹸﺼﺔِ ﻏﺭﻴﻕﹸ ﺩﻤﻲ ،ﻓﺄﻴﻥ ﺍﻟﺴﺎﻗﻲ؟؛
ﻋﻥ ﺤِﻤﻰ ﺍﻟﻤﻐﺎﻥِ ﻻ ﺘﹸﺩِﺭ ﺍﻟﻭﺠﻪ ،ﻓﻬﻨﺎﻟِﻙ ﻴﺒﻴﻌﻭﻥ ﺍﻟﻤِﻔﺘـﺎﺡ ﺤﻠﹼـﺎلَ ﺍﻟﻤـﺸﹶﺎﻜِل؛
ﻋﺭﻭﺱ ﺍﻟﺩﻨﻴﺎ ﺒﺎﻟِﻐﹶﺔﹲ ﺤﺩ ﺍﻟﺤﺴﻥِ ،ﻟﻜِﻨﱠﻬﺎ ﺘﺠﺎﻭﺯﺕِ ﺍﻟﺤـﺩ ﻓـﻲ ﻋـﺩﻡِ ﺍﻟﻭﻓـﺎﺀ؛
ﺍﻟﺨﻤﺭﺓﹸ ﺍﻟﱠﺘﻲ ﺘﹸﺒﻌِﺩ ﻋﻨﱠﺎ ﺍﻟﺼﻭﻓﻲ ،ﺃﻴﻥ ﻴﺒﻴﻌﻭﻨﹶﻬﺎ؟ ،ﺃﺼﺎﺒﻨﻲ ﺍﻷﺫﻯ ﻤِﻥ ﻴﺩِ ﺯﻫﺩِ ﺍﻟﺭﻴﺎﺀ؛
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ﺍﻟﺭﻓﺎﻕﹸ ﻜﻴﻑﹶ ﻨﹶﻘﹶﻀﻭﺍ ﻋﻬﺩ ﺍﻟﺼﺤﺒﺔِ ﻫﻜﺫﺍ ،ﻜـﺄﻨﱠﻬﻡ ﻟـﻡ ﻴﻜﻭﻨـﻭﺍ ﻴﻌﺭِﻓـﻭﻨﹶﻨﻲ؛
ﺃﻱ ﻨﹶﻔﺴﻲ ﺍﻟﻁﱠﺎﻤِﻌﺔﹶ ،ﻟﻭ ﻜﹸﻨﹾﺕِ ﻤﻁﻴﻌﺘﻲ ،ﻜﹶﻡ ﻤِﻥ ﻤﻠِﻙٍ ﻴﺼﻴﺭ ﺸﹶـﺤﺎﺫﺍﹰ ﻋِﻨـﺩﻱ؛
ﺃُﻋﻠﱢﻤﻙ ﻜﻴﻤﻴﺎﺀ ﺍﻟـﺴﻌﺎﺩﺓ ،ﻋـﻥ ﻤـﺼﺎﺤﺒﺔِ ﺍﻟـﺴﻴﺊ ﺍﺒﺘﹶﻌِـﺩ ﺒﻌﻴـﺩﺍﹰ ﺒﻌﻴـﺩﺍ؛
ﻻ ﺘﻜﹸﻥ ﺸﺎﻜﻴﺎﹰ ﻤِﻥ ﺠﻭﺭِ ﺍﻟﺯﻤﺎﻥِ ﻴﺎ ﺤﺎﻓِﻅ ،ﺃﻻ ﺘﹶﻌﻠﹶﻡ ،ﺃﻱ ﻋﺒﺩ ،ﺃﻨﱠـﻪ ﻓِﻌـلُ ﺍﷲ.
ﻏﺰﻝ ٤٩٣
ﻴﺎ ﺸﺎﻩ ﺍﻟﺤِﺴﺎﻥِ ،ﺁﻩِ ﻤِﻥ ﻏﹶﻡ ﺍﻟﻔِﺭﺍﻕ ،ﻗﻠﺒﻲ ﻓﻲ ﻏﻴﺎﺒِﻙ ﺍﻟﺘﹶﺤﻕﹶ ﺒﺭﻭﺤﻲ ،ﺁﻥ ﺍﻷﻭﺍﻥ
ﻟِﺘﻌﻭﺩ؛
ﻭﺭﺩ ﻫﺫﺍ ﺍﻟﺒﺴﺘﺎﻥِ ﻻ ﻴﻅﹶلﱡ ﻏﻀﺎﹰ ﻋﻠﻰ ﺍﻟﺩﻭﺍﻡ ،ﻓﺎﺭﺤﻡِ ﺍﻟﻀﻌﻔﺎﺀ ﻋِﻨﹾﺩ ﺍﻟﻤﻘﺩِﺭﺓِ؛
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﻜﹸﻨﺕﹸ ﺃﺸﻜﻭ ﻓﹶﺭﻋﻪ ﺇﻟﻰ ﺍﻟﺭﻴﺢِ ،ﻗﺎﻟﹶﺕﹾ ﻏﻠﻁﹾﺕﹶ ،ﺩﻉ ﻫﺫِﻩِ ﺍﻟﻔِﻜﹾﺭﺓﹶ ﺍﻟﺴﻭﺩﺍﺀ؛
ﻤﺌﺎﺕﹸ ﺭﻴﺎﺡِ ﺍﻟﺼﺒﺎ ﻫﻨﺎ ﺘﺭﻗﹸﺹ ﻓﻲ ﺍﻟﺴﻼﺴِل ،ﻫﺫﺍ ﺤﺎلُ ﺍﻟﺤﺭﻴﻑِ ﻴﺎ ﻗﻠﺏ ،ﻟﺌﻼﱠ
ﺘﺼﻴﺭ ﻜﺎﻟﺭﻴﺢ)(١؛
ﺒﻌﻴﺩﺍﹰ ﻋﻨﻙ ﻤﺎ ﻴﻔﻌل ﻤﺸﺘﺎﻕﹲ ﻭﻤﻬﺠﻭﺭ ﻤِﺜﻠﻲ ،ﻭﻁﺎﻗﹶﺔﹸ ﺍﻟﺼﺒﺭِ ﺘﻨﻔﹶﺩ ﻤِﻥ ﻴﺩﻱ؛
ﻴﺎ ﺭﺏ ﻟِﻤﻥ ﺃﺴﺘﻁﻴﻊ ﻗﻭلَ ﻫﺫﻩِ ﺍﻟﻨﱡﻜﺘﹶﺔ ،ﺫﻟِﻙ ﺍﻟﺸﱠﺎﻫِﺩ ﻻ ﻴﻅﻬِﺭ ﺍﻟﻭﺠﻪ ﻟِﺈﻨﺴﺎﻥ ﻭﻫﻭ
ﺍﻟﻤﻭﺠﻭﺩ ﻓﻲ ﻜﹸلﱢ ﻤﻜﺎﻥ؛
ﺴﺎﻗﻲ ،ﺭﻭﻀﺔﹸ ﺍﻟﻭﺭﺩِ ﻤِﻥ ﺩﻭﻥِ ﻭﺠﻬِﻙ ﺒﻼ ﺭﻭﻨﹶﻕٍ ،ﻜﹸﻥِ ﺍﻟﺸﱠﻤﺸﺎﺩ ﺍﻟﻤﺨﺘﺎلَ ﻭﺯﻴﻥِ
ﺍﻟﺒﺴﺘﺎﻥ؛
ﻴﺎ ﻤﻥ ﺃﻟﹶﻤﻙ ﺩﻭﺍﺌﻲ ﻋﻠﻰ ﻓِﺭﺍﺵِ ﺤِﺭﻤﺎﻨﻲ ،ﻭﻴﺎ ﻤﻥ ﺫِﻜﺭﻙ ﻤﺅﻨﺴﻲ ﻓﻲ ﺯﺍﻭﻴﺔِ
ﻭﺤﺩﺘﻲ؛
ﺕ ﻤِﺜﻠﹶﻬﺎ ،ﺘﺭﻗﹸﺹ ﻭﺃﻨﺕﹶ
ﺕ ﻓِﻌﻠﹶﻬﺎ ﻏﺩﻭ ﹶ
ل ﺍﻟﺭﻴﺢِ ﺍﻟﱠﺘﻲ ﺸﹸﻐﹾﻠﹸﻬﺎ ﻤﻊ ﻀﻔﻴﺭﺘِﻪ ،ﻓﺈﺫﺍ ﻓﹶﻌﻠﹾ ﹶ
) (١ﻫﺫﺍ ﺤﺎ ُ
ﻓﻲ ﺍﻟﻘﹶﻴﺩ.
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ﻥ ﻨﹸﻘﻁﹶﺔﹸ ﺍﻟﺘﹶﺴﻠﻴﻡِ ،ﺍﻟﻠﱡﻁﹾﻑﹸ ﻤﺎ ﺘﹸﻔﻜﱢﺭ ﺒﻪ ،ﻭﺍﻟﺤﻜﹾﻡ ﻤﺎ ﺘﺄﻤﺭ ﺒِﻪ؛
ﻓﻲ ﺩﺍﺌﺭﺓِ ﺍﻟﻘِﺴﻤﺔِ ﻨﺤ
ﻟﻴﺱ ﻓﻲ ﻋﺎﻟﹶﻡِ ﺍﻟﺨﻼﻋﺔِ ﻓِﻜﹾﺭ ﺍﻟﻨﱠﻔﹾﺱِ ﻭﺭﺃﻱ ﺍﻟﻨﱠﻔﹾﺱِ ،ﻋِﺒﺎﺩﺓﹸ ﺍﻟﻨﱠﻔﺱِ ﻭﺍﻟﻘﹶﻭلُ ﺒﺎﻟﺭﺃﻱِ
ﻓﻲ ﻫﺫﺍ ﺍﻟﻤﺫﻫﺏِ ﻜﹸﻔﹾﺭ؛
ﻤِﻥ ﻫﺫِﻩِ ﺍﻟﺩﺍﺌﺭﺓِ ﺍﻟﺒِﻠﻠﹼﻭﺭِﻴﺔِ ﺩﻤِﻴﺕﹾ ﻜﺒﺩﻱ ،ﺃﻋﻁِﻨﻲ ﺍﻟﺨﹶﻤﺭ ﻟِﺄﺤلﱠ ﻫﺫﺍ ﺍﻟﻤﺸﻜِلَ ﺒﺎﻟﻜﺄﺱِ
ﺍﻟﺒِﻠﻠﹼﻭﺭﻱ؛
ﺤﺎﻓﻅﹸ ،ﻟﻴﻠﹶﺔﹸ ﺍﻟﻬِﺠﺭﺍﻥِ ﻤﺭﺕ ،ﻭﺭﻴﺢ ﺍﻟﻭﺼلِ ﺍﻟﺠﻤﻴﻠﹶﺔﹸ ﻫﺒﺕﹾ ،ﻤﺒﺎﺭﻙ ﻋﻠﻴﻙ
ﺍﻟﺴﺭﻭﺭ ،ﺃﻴﻬﺎ ﺍﻟﻌﺎﺸِﻕﹸ ﺍﻟﻭﺍﻟِﻪ.
ﻏﺰﻝ ٤٩٤
ﺃﻱ ﻗﹶﻠﹾﺏ ﺇﻥ ﺘﺨﺭﺝ ﻤِﻥ ﺒﺌﺭِ ﺍﻟﺫﱠﻗﹾﻥِ ﺘِﻠﹾﻙ ،ﺃﻴﻨﻤﺎ ﺘﻭﻟﹼﻲ ﻴﺼﻴﺒﻙ ﺍﻟﺨﹶﺠلُ ﺴﺭﻴﻌﺎﹰ؛
ﻜﹸﻥ ﻭﺍﻋِﻴﺎﹰ ،ﻓﺈﻨﱠﻙ ﺇﻥ ﺘﹸﻌﻁِ ﺍﻷُﺫﹸﻥ ﻟِﻭﺴﻭﺴﺔِ ﺍﻟﻌﻘﹾلِ ،ﺘﺼِﺭ ﺁﺩﻤﻲ ﺍﻟﺼﻔﹶﺔِ ،ﻭﺘﺨﺭﺝ
ﻤِﻥ ﺭﻭﻀﺔِ ﺭِﻀﻭﺍﻥ؛
ﺕ ﻤِﻥ ﻋﻴﻥِ ﺍﻟﺤﻴﺎﺓِ ﻅﺎﻤِﺊَ ﺍﻟﺸﱠﻔﹶﺔِ؛
ﺭﺒﻤﺎ ﻻ ﻴﻌﻁﻴﻙ ﻓﹶﻠﹶﻜﹸﻙ ﻗﻁﹾﺭﺓﹶ ﻤﺎﺀٍ ،ﺇﻥ ﺨﹶﺭﺠ ﹶ
ﺃﻨﺎ ﺃﺩﻓﹶﻊ ﺍﻟﺭﻭﺡ ﻟﻬﻔﹶﺔﹰ ﻟﺭﺅﻴﺎﻙ ﻜﺎﻟﺼﺒﺢِ ،ﻋﺴﺎﻙ ﺘﻁﹾﻠﹶﻊ ﻋﻠﻲ ﻜﺎﻟﺸﱠﻤﺱِ ﺍﻟﻤﺸﺭِﻗﹶﺔ؛
ﻜﻡ ﻭﻫﺒﺘﹸﻙ ﻨﹶﻔﹶﺱ ﺍﻟﻬِﻤﺔِ ﻜﺎﻟﺼﺒﺎ ،ﻟِﺘﹶﺨﹾﺭﺝ ﻤِﻥ ﺍﻟﺒﺭﻋﻡِ ﻜﺎﻟﻭﺭﺩِ ﺍﻟﺴﻌﻴﺩِ ﺍﻟﻀﺎﺤِﻙِ؛
ﻓﻲ ﺴﻭﺍﺩِ ﻟﻴﻠﹶﺔِ ﻫﺠﺭِﻙ ﺒﻠﹶﻐﹶﺕﹾ ﺭﻭﺤﻲ ﺸﹶﻔﹶﺘﻲ ،ﺁﻥ ﺍﻷﻭﺍﻥ ﻟِﺘﹶﻁﹾﻠﹶﻊ ﻋﻠﹶﻲ ﻜﺎﻟﻘﹶﻤﺭِ
ﺍﻟﻤﻨﻴﺭ؛
ﺃﺴﻠﹾﺕﹸ ﻋﻠﻰ ﺩﺭﺒِﻙ ﻤِﻥ ﺍﻟﻌﻴﻥِ ﻤﺎﺌﺘﹶﻲ ﺴﺒﻴلٍ ﻋﻠﻰ ﺃﻤلِ ﺃﻥ ﺘﻁﹾﻠﹶﻊ ﻟﻲ ﻜﺎﻟﺴﺭﻭِ
ﺍﻟﻤﺨﺘﺎل؛
ﺤﺎﻓِﻅﹸ ،ﻻ ﺘﹶﻅﹸﻥ ﺃﻥ ﻴﻭﺴﻔﹶﻙ ﺒﻭﺠﻪِ ﺍﻟﻘﹶﻤﺭِ ﺴﻴﻌﻭﺩ ﺇﻟﻴﻙ ،ﻭﺃﻨﱠﻙ ﺴﻭﻑﹶ ﺘﺨﺭﺝ ﻤﻥ
ﺒﻴﺕِ ﺍﻷﺤﺯﺍﻥ.
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ﻏﺰﻝ ٤٩٥
ﺍﺸﹾﺭﺏِ ﺍﻟﺨﹶﻤﺭ ﻭﺍﻨﹾﺜﹸﺭِ ﺍﻟﻭﺭﺩ ،ﻤﺎﺫﺍ ﺘﹸﺭﻴﺩ ﻤﻥ ﺍﻟﺩﻫﺭ؟ ،ﻫﺫﺍ ﺤﺩﻴﺙﹸ ﺍﻟﻭﺭﺩِ ﻓﻲ
ﺍﻟﺴﺤﺭ ،ﺒﻠﹾﺒلُ ﺃﻨﺕﹶ ﻤﺎ ﺘﻘﻭل؟؛
ﺍﺤﻤِلْ ﺍﻟﻤﺴﻨﹶﺩ ﻟﻠﺒﺴﺘﺎﻥِ ﻓﺸﺎﻫِﺩ ﻭﺴﺎﻕٍ ،ﻭﻟﹶﺜﹾﻡ ﺸﹶﻔﹶﺔٍ ،ﻭﺘﻘﺒﻴلُ ﻭﺠﻪٍ ،ﻭﺸﹸﺭﺏ ﺨﹶﻤﺭٍ،
ﻭﻋِﻁﹾﺭ ﻭﺭﺩٍ؛
ﻜﹸﻥِ ﺍﻟﺸﱠﻤﺸﺎﺩ ﺍﻟ ﻤﺨﺘﺎلَ ﻭﺍﻋﺯِ ﻑﹾ ﻟﹶﺤ ﻥ ﺍﻟ ﺒﺴﺘﺎﻥِ ،ﻟﻴﺘﻌﻠﱠﻡ ﺍﻟﺴﺭﻭ ﻤِ ﻥ ﻗﺩﻙ
ﺍﻟﻠﹼﻁﺎﻓﹶ ﺔﹶ )(١؛
ﻴﺎ ﻏﹸﺼﻥ ﺍﻟﻭﺭﺩِ ﺍﻟﺠﻤﻴلَ ،ﺒﺭﻋﻤﻙ ﺍﻟﻀﺎﺤِﻙ ﻟِﻤﻥ ﺴﻴﻌﻁﻲ ﺍﻟﺩﻭﻟﹶﺔﹶ ،ﻭﻟِﺄﺠلِ ﻤﻥ ﺃﻨﺕﹶ
ﺘﺨﻀﺭ ﻭﺘﻨﻤﻭ؟؛
ﺍﻟﻴﻭﻡ ﻭﺴﻭﻗﹸﻙ ﻤﺯﺩﺤِﻡ ﻭﻴﺠﻭﺵﹸ ﺒﺎﻟﻤﺸﺘﺭﻴﻥ ،ﺍﻏﺘﹶﻨِﻡ ﺍﻟﻔﹸﺭﺼﺔﹶ ﻭﺍﺠﻤﻊِ ﺍﻟﻜﻨﺯ ﻤِﻤﺎ
ﻟﹶﺩﻴﻙ ﻤِﻥ ﺍﻟﺤﺴﻥ؛
ﺃﻨﺕﹶ ﻜﺎﻟﺸﱠﻤﻊِ ﺠﻤﻴلِ ﺍﻟﻭﺠﻪِ ﻓﻲ ﻤﻌﺒﺭِ ﺍﻟﺭﻴﺢ ،ﺘﹶﻔﹶﻀلْ ﻜﻤﺎ ﻴﻔﹾﻌلُ ﺍﻟﺸﱠﻤﻊ ﺠﻤﻴلُ
ﺍﻟﻭﺠﻪ؛
ﺘِﻠﻙ ﺍﻟﻁﱡﺭﺓﹸ ﻭﻜﹸلﱡ ﺠﻌﺩٍ ﻤﻨﻬﺎ ﺒﻤﺎﺌﺔِ ﻗﺎﺭﻭﺭﺓٍ ﻤِﻥ ﺍﻟﻌِﻁﹾﺭِ ،ﻜﺎﻥ ﺠﻤﻴﻼﹰ ﻟﻭ ﻜﺎﻥ ﻋِﻨﺩﻫﺎ
ﺭﻴﺢ ﻋﻁﹾﻑٍ ﺃﻴﻀﺎﹰ؛
ﻜﹸلﱡ ﻁﺎﺌﺭٍ ﺠﺎﺀ ﺒِﻠﹶﺤﻥٍ ﺇﻟﻰ ﺭﻭﺽِ ﻭﺭﺩِ ﺍﻟﺸﱠﺎﻩِ ،ﻭﺸﺭﻉ ﺍﻟﹾﺒﻠﹾﺒلُ ﻴﻐﻨﹼﻲ ،ﻭﺤﺎﻓِﻅﹸ ﻴﻘﺭﺃُ
ﺍﻟﻐﹶﺯل.
) (١ﻜﹸﻥ ﺸﻤﺸﺎﺩ ﺍﻟﺭﻭﺽِ ﻭﺍﻋﺯِﻑﹾ ﺍﻟﻨﱠﻐﹶﻡ ﻋﻠﻰ ﻫﺒﻭﺏِ ﺍﻟﻨﱠﺴﻴﻡِ ،ﻭﺘﻤﺎﻴلْ ﻭﻋﻠﱢﻡ ﺍﻟﺴﺭﻭ ﺍﻟﻠﹼﻁﺎﻓﹶﺔﹶ
)ﺸﺠﺭﺓﹸ ﺍﻟﺸﱠﻤﺸﺎﺩ ﺃﻗﻭﻡ ﻭﺃﻋﻠﻰ ﻭﺃﺠﻤلُ ﻤِﻥ ﺸِﺠﺭﺓِ ﺍﻟﺴﺭﻭ( .ﺇﻟﻰ ﻫﻨﺎ ﻴﻨﺘﻬﻲ ﺩﻴﻭﺍﻥ
ﺍﻟﻐﺯﻟﻴﺎﺕ.
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ﺃﻳﻀﺎً ﻟﻪ
ﺃﻻ ﺃﻴﺘﹸﻬﺎ ﺍﻟﻅﱠﺒﻴﺔﹸ ﺍﻟﻭﺤﺸﻴﺔﹸ ﺃﻴﻥ ﺍﻨﺕِ؟ ،ﻓﻠﻲ ﺒِﻙِ ﻤﻌﺭِﻓﹶﺔﹲ ﻗﺩﻴﻤﺔﹲ؛ ﻜﻼﻨﺎ
ﻭﺤﻴﺩﺍﻥِ ﺘﺎﺌﻬﺎﻥِ ﻏﺭﻴﺒﺎﻥ ،ﻭﺍﻟﺸﱢﺒﺎﻙ ﻤﻨﺼﻭﺒﺔﹲ ﻟﻙِ ﻤِﻥ ﺨﹶﻠﹾﻑٍ ﻭﻤِﻥ ﺃﻤﺎﻡٍ؛ ﺘﹶﻌﺎﻟﹶﻲ
ﻴﻌﺭﻑﹾ ﻜﹸلﱞ ﻤِﻨﱠﺎ ﺤﺎﻟﹶﻪ ﻟﻶﺨﹶﺭ ،ﻭﻨﹶﻁﻠﹸﺏِ ﺍﻟﻤﺭﺍﺩ ﺃﻴﻀﺎﹰ ﺇﺫﺍ ﺍﺴﺘﻁﻌﻨﺎ؛ ﻓﺈﻨﹼﻲ ﺃﺭﻯ
ﻫﺫِﻩِ ﺍﻟﺼﺤﺭﺍﺀ ﻤﺸﹶﻭﺸﹶﺔﹰ ،ﺤﺘﹼﻰ ﺃﻨﱠﻬﺎ ﺤﻴﻨﺎﹰ ﻻ ﺘﻀﻡ ﻤﺴﺘﺒﺸِﺭﺍﹰ ﻭﻻ ﻓﹶﺭِﺤﺎﹰ؛ ﻤﻥ
ﻴﺫﻫﺏ ﻴﺎ ﺭﻓﺎﻕﹸ ﻴﺨﺒِﺭ ﺭﻓﻴﻕﹶ ﺍﻟﻀﻌﻔﺎﺀِ ﻭﻤﻨﺠِﺩ ﺍﻟﻐﹸﺭﺒﺎﺀِ؛ ﻟﹶﻌلﱠ ﺍﻟﺨِﻀﺭ ﻤﺒﺎﺭﻙ
ﺍﻟﺨﹸﻁﻰ ﻴﻘﺒِلُ ،ﻭﻴﻔﺘﹶﺢ ﻟﻨﺎ ﺍﻷﻤﺭ ﺒﻴﻤﻥِ ﻫِﻤﺘِﻪِ؛ ﻭﻋلﱠ ﻭﻗﹾﺕﹶ ﺇﺴﺩﺍﺀِ ﺍﻟﻭﻓﺎﺀِ ﻗﺩ ﺠﺎﺀ،
ﻓﻘﺩ ﻀﺭﺒﺕﹸ ﻓﺄﻻﹰ ﻓﺠﺎﺀ :ﻻ ﺘﹶﺫﹶﺭﻨﻲ ﻓﹶﺭﺩﺍﹰ؛ ﻓﻘﺩ ﺼﺎﺭ ﻟﻠﺸﱠﻴﺦِ ﺍﻟﻌﺎﺭِﻑِ ﻋِﻠﻡ
ﺒﺤﺎﻟﻲ ،ﻭﻤﺤﻘﱠﻕﹲ ﺃﻨﱠﻪ ﻟﻥ ﻴﻨﺴﺎﻨﻲ؛ ﻓﻴﻭﻤﺎﹰ ﻗﺎلَ ﺒِﻠﹸﻁﹾﻑٍ ﻋِﺭﺒﻴﺩ ﺨﻠﻴﻊ ﺠﺎﻟِﺱ ﻓﻲ
ﺍﻟﻁﱠﺭﻴﻕِ ﻟِﺴﺎﻟِﻙٍ ﻓﻲ ﺍﻷﺭﺽِ؛ ﺃﻥ ﺃﻱ ﺴﺎﻟِﻙ ﻤﺎ ﻤﻌﻙ ﺒِﻬﺫﺍ ﺍﻟﻜﻴﺱِ ،ﺘﻌﺎلَ
ﻭﺍﻨﺼِﺏ ﺸﹶﺒﻜﹶﺔﹰ ﺇﺫﺍ ﻜﹸﻨﹾﺕﹶ ﺘﻤﻠﻙ ﺤﺒﺔﹰ؛ ﺃﻋﻁﻰ ﺍﻟﺠﻭﺍﺏ ،ﻗﺎلَ :ﻋِﻨﺩﻱ ﺸﹶﺒﻜﹶﺔﹲ ﻭﻟﻜِﻥ
ﺼﻴﺩِﻱ ﺍﻟﺴﻴﻤﻭﺭﻍ؛ ﻗﺎلَ ﻜﻴﻑﹶ ﺤﺼﻠﹾﺕﹶ ﻋﻠﻰ ﻋﻼﻤﺔٍ ﻋﻨﻪ ،ﻭﻫﻭ ﺍﻟﱠﺫﻱ
ﻻ ﻋﻼﻤﺔﹶ ﻟﻨﺎ ﻋﻥ ﻤﻭﻁِﻨِﻪ؛ ﺫﻟِﻙ ﺍﻟﺴﺭﻭ ﺍﻟﻤﺨﺘﺎلُ ﺤﻴﻥ ﺭﺤلَ ،ﻜﺎﻥ ﺍﻟﺤﺭﺍﺱ
ﺤﻭﻟﹶﻪ ﻜﺄﻏﺼﺎﻥِ ﺍﻟﺴﺭﻭِ؛ ﻓﻼ ﺘﺘﺭﻙ ﻤِﻥ ﻴﺩِﻙ ﺠﺎﻡ ﺍﻟﺨﹶﻤﺭِ ﻭﺴﺎﻕﹶ ﺍﻟﻭﺭﺩِ ،ﻟﻜِﻥ
ﻻ ﺘﻜﹸﻥ ﻏﺎﻓِﻼﹰ ﻋﻥِ ﺍﻟﺩﻫﺭِ ﺴﻜﺭﺍﻥ ﺍﻟﺭﺃﺱ؛ ﻋﻠﻰ ﺸﹶﻔﹶﺔِ ﺍﻟﻨﱠﺒﻊِ ﻭﻁﹶﺭﻑِ ﺍﻟﺠﺩﻭلِ،
ﺒِﻨﺩﻯ ﺍﻟﺩﻤﻊِ ﻭﺍﻟﺤﺩﻴﺙِ ﺇﻟﻰ ﺍﻟﻨﱠﻔﹾﺱِ؛ ﺒِﺄﻱ ﻭﺯﻥٍ ﺃﻤﺩ ﻓﹶﻘﹾﺭﻱ ﺒِﻬﺫﺍ ﺍﻟﻌﻤلِ ،ﻓﺎﻟﺸﱠﻤﺱ
ﺍﻟﻐﻨﻴﺔﹸ ﺤﻤﻠﹶﺕﹾ ﻜﻴﺱ ﺍﻟﺸﱠﺤﺎﺫ؛ ﺒِﺫِﻜﹾﺭِ ﻤﻥ ﻤﻀﻭﺍ ﻭﺍﻟﻤﺤِﺒﻴﻥ ،ﻜﹸﻥ ﻤﻭﺍﻓِﻘﺎﹰ ﻟِﻐﹶﻴﻡِ
ﺍﻟﺭﺒﻴﻊِ؛ ﻓﺈﻥ ﺴﻴﻑﹶ ﺍﻟﻔِﺭﺍﻕِ ﻀﺭﺏ ﺒﻼ ﺭﺤﻤﺔٍ ،ﻜﻤﺎ ﻟﻭ ﻜﺎﻥ ﻻ ﻴﻌﺭِﻑﹸ ﺍﻟﺭﺤﻤﺔﹶ؛
ﻓﺠﺎﺀﻙ ﺍﻟﻤﺎﺀ ﻴﺠﺭﻱ ﺃﻤﺎﻤﻙ ﻤِﻥ ﺍﻟﺒﻜﺎﺀِ ،ﻤﺩﺩﺍﹰ ﻤِﻥ ﻤﺎﺀِ ﻋﻴﻨِﻙ ﻋﻁﺎﺀ؛ ﺫﻟِﻙ
ﺍﻟﺭﻓﻴﻕﹸ ﺍﻟﻘﺩﻴﻡ ﻟﻡ ﻴﻘﹸﻡ ﺒﺎﻟﻤﺩﺍﺭﺍﺓ ،ﺍﷲَ ،ﻴﺎ ﻤﺴﻠِﻤﻴﻥ ،ﻴﺎ ﻤﺴﻠِﻤﻴﻥ؛ ﻋلﱠ ﺍﻟﺨِﻀﺭ
ﻤﺒﺎﺭﻙ ﺍﻟﺨﹸﻁﹾﻭﺓِ ﻴﻘﹾﺩِﺭ ﺃﻥ ﻴﻭﺼِلَ ﻫﺫﺍ ﺍﻟﻭﺤﻴﺩ ﺇﻟﻰ ﺫﻟِﻙ ﺍﻟﻭﺤﻴﺩ؛ ﻜﹸﻥ ﻨﺎﻅِﺭ
ﺍﻟﺠﻭﻫﺭِ ﻭﺩﻉ ﺨﹶﺭﺯﺓﹶ ﺍﻟﻁﱢﻴﻥِ ،ﺩﻉ ﻁﹶﺭﺯﺍﹰ ﻻ ﺸﹸﻬﺭﺓﹶ ﻟﻪ؛ ﺤﻴﻥ ﺃُﻤﺴِﻙ ﺒِﺴﻤﻜﹶﺔِ
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ﺍﻟﻘﹶﻠﹶﻡِ ﻟﻠﺘﱠﺤﺭﻴﺭ ،ﺍﹸﻁﻠﹸﺏ ﻤِﻥ ﻨﻭﻥ ﻭﺍﻟﻘﹶﻠﹶﻡِ ﺍﻟﺘﱠﻔﺴﻴﺭ؛ ﻤﺯﺠﺕﹸ ﻤﺯﺠﺎﹰ ﺍﻟﺭﻭﺡ ﺒﺎﻟﻌﻘﹾلِ،
ﻭﺯﺭﻋﺕﹸ ﺍﻟﺒِﺫﹾﺭﺓﹶ ﺍﻟﱠﺘﻲ ﺤﺼﻠﹶﺕﹾ؛ ﻓﻅﹶﻬﺭ ﻋﻁﺎﺀ ﺍﻟﻔﹶﺭﺡِ ﻓﻲ ﻫﺫﺍ ﺍﻟﺘﱠﺭﻜﻴﺏِ ،ﻋﻁﺎ ﺀ
ﺍﻟﻠﱡﻁﹾﻑﹸ ﻭﺍﻟﺸﱢﻌﺭ ﻭﺍﻟﻠﱡﺏ ﺃﺠﺯﺍﺀ ﻤِﻨﹾﻪ؛ ﻓﺎﺤﻤِلْ ﻨﻜﹾﻬﺔﹶ ﻫﺫﺍ ﺍﻟﻁﱢﻴﺏِ ﺃﻤﻼﹰ ،ﻭﺍﺠﻌلْ
ﻤﺸﺎﻡ ﺍﻟﺭﻭﺡِ ﻤﻌﻁﱠﺭﺓﹰ ﺃﺒﺩﺍﹰ؛ ﻓﺈﻥ ﻫﺫِﻩِ ﺍﻟﻨﱠﺎﻓِﺠﺔﹶ ﻤِﻥ ﻀﻔﻴﺭﺓِ ﺤﺒﻴﺏِ ﺍﻟﺤﻭﺭ،
ﻭﻟﻴﺴﺕﹾ ﻤِﻥ ﻏﺯﺍلٍ ﻤِﻥ ﺍﻟﺨﹶﻠﹾﻕِ ﻨﻔﻭﺭ؛ ﺍﻟﺭﻓﺎﻕﹸ ﻴﻌﺭِﻑﹸ ﺒﻌﻀﻬﻡ ﻗﹶﺩﺭ ﺒﻌﺽٍ ،ﻤﺎ
ﺩﺍﻡ ﻤﻌﻠﻭﻤﺎﹰ ﺍﻟﺸﱠﺭﺡ ﻓﹶﺩﻉِ ﺍﻟﻘِﺭﺍﺀﺓﹶ؛ ﻓﻤﻘﺎﻻﺕﹸ ﺍﻟﻨﱠﺼﻴﺤﺔِ ﻋﻴﻥ ﺤِﺠﺎﺭﺓِ ﺍﻟﻬِﺠﺭﺍﻥِ
ﺘﺭﻤﻴﻙ ﻤِﻥ ﺍﻟﻜﻤﻴﻥ.
ﺃﻳﻀﺎً ﻟﻪ
ﺘﺯﻴﺩ ﺍﻟﻜﺭﺍﻤـﺔﹶ ﺘﹸﻬـﺩﻱ ﺍﻟﻜﻤـﺎلْ ﺃﻨِلْ ﺴﺎﻗﻴﺎ ﺨﹶﻤﺭﺓﹰ ﺘﹸـﺼﻠِﺢ ﺍﻟﺤـﺎلْ
ﺒﻼ ﺤﺎﺼِلٍ ﻤِﻨﻬﻤـﺎ ﻗـﺩ ﻭﻗﹶﻌـﺕﹸ ﺍﺴﻘﻨﻴﻬﺎ ﻓﻜﹶﻡ ﻫﺎﺌﻤﺎﹰ ﻗﹶـﺩ ﻭﻗﹶﻌـﺕﹸ
ﻟِﻜِﺴﺭﻯ ﻭﺠﻤﺸﻴﺩ ﺘﹸﺯﺠﻲ ﺍﻟـﺴﻼﻡ ﺍﺤﻤِلِ ﺍﻟﺨﹶﻤﺭ ﺼﻭﺭﺘﹸﻬﺎ ﻭﺴﻁﹶ ﺠـﺎﻡ
ﻋﻠﻰ ﻋﺯﻑِ ﻨﺎﻱٍ ﻭﺠﻤـﺸﻴﺩ ﻤـﻥ ﺍﺴﻘﻨﻴﻬﺎ ﺃﻗﹸلْ ﻟـﻙ ﻜـﺎﻭﺱ ﻤـﻥ
ﻭﻫﺏ ﻜﹶﻨﹾﺯ ﻗﺎﺭﻭﻥ ﻤﻊ ﻋﻤﺭِ ﻨـﻭﺡ ﺍﺴﻘِﻨﻲ ﺴـﺎﻗﻴﺎ ﻜﻴﻤﻴـﺎﺀ ﺍﻟﻔﹸﺘـﻭﺡ
ﻟﺒﺎﺏِ ﺍﻟﻤـﺭﺍﺩِ ،ﻭﻋﻤـﺭﺍﹰ ﻁـﻭﻴﻼﹰ ـﻴﻼﹰ
ﺃﻨِﻠﹾﻨِ ـﻲ ﺒِﻭﺠﻬِ ـﻙ ﻓﹶﺘﹾﺤ ـﺎﹰ ﺠﻤـ
ـﺎﻗﻴﺎ ﻤﻨﹾ ـﺫﹸ ﺤـﺩ ﺍﻟﻌ ـﺩﻡ
ـﺎ ﺴـ
ﺃﻴـ ﺍﺴﻘِﻨﻲ ﺍﻟﺨﹶﻤﺭ ﻤﺠﺩﻫﺎ ﺠـﺎﻡ ﺠـﻡ
ـﺎ
ـﻭﺩِ ﺘﻤﺎﻤـ
ﻑ ﺴِ ـﺭ ﺍﻟﻭﺠـ
ـﺄﻋﺭِ ﹶ
ﻟِـ ﻭﻫﺒﻨﻲ ﻜﺠﻤـﺸﻴﺩ ﻟِﻠﻌـﻭﻥِ ﺠﺎﻤـﺎ
ﻭﺼِــﻠﹾﻨﻲ ﺒﻜﹸــلﱢ ﻤﻠﻴــﻙٍ ﻗــﺩﻴﻡ ﻭﺤﺩﺙﹾ ﻋﻥِ ﺍﻟـﺩﻴﺭِ ﻫـﺫﺍ ﺍﻟﻘـﺩﻴﻡ
ﻋِﻴــﺎﻥ ﺒــﺈﻴﻭﺍﻥِ ﺃﻓﺭﺍﺴــﻴﺎﺏ ﻓﻤﻨﹾﺯِلُ ﻫـﺫﺍ ﺍﻟﻭﺠـﻭﺩِ ﺍﻟﺨـﺭﺍﺏ
ـلْ
ـﻴﺩﻩ ﺍﻟﻘﺘﻴـ
ﺘﺄﻤ ـلْ ﺒِﻘِ ـﺼﺔِ ﺸـ ـﺸﹼﻴﻭﺥِ ﺒِﺠــﻴﺵٍ ﻜﻔﻴــلْ
ﻭﺭﺃﻱ ﺍﻟـ
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ـﺎلِ ﺃﺤـ ـﺩ
ـﺭﺍﻥِ ﺒِﺒــ
ﻭﻻ ﻴﺨﻁﹸــ ﺍﻹﻴــﻭﺍﻥ ﻭﺍﻟﻘﹶــﺼﺭ ﻤِﻨﹾــﻪ ﺒــﺩﺩ
ﺒِﻬﺎ ﻀﺎﻉ ﺠـﻴﺵﹲ ﻟِـﺴِﻠﹾﻡ ﻭﺘـﻭﺭ ﻜﺫﺍ ﺸﺄﻥ ﻫـﺫﻱ ﺍﻟﻔـﻼﺓِ ﺍﻟﻐـﺩﻭﺭ
ﻟِﻜِﺴﺭﻯ ﻭﺠﻤﺸﻴﺩ ﺘﹸﺯﺠﻲ ﺍﻟـﺴﻼﻡ ﺍﺴﻘﻨﻲ ﺍﻟﺨﹶﻤﺭ ﺼﻭﺭﺘﹸﻬﺎ ﻭﺴﻁﹶ ﺠﺎﻡ
ﺴﻨﺎﻫﺎ ﻨـﻀﺎﺭﺍﹰ ﻴﺤﻴـلُ ﺍﻟﺘﱡـﺭﺍﺏ ﺇﻟــﻲ ﺇﻟــﻲ ﺒِﻨــﺎﺭِ ﺍﻟــﺸﱠﺭﺍﺏ
ﻓﻤﺎ ﻋﺎﺒِـﺩ ﺍﻟﻨﱠـﺎﺭِ ﻋﺎﺒِـﺩ ﺩﻨﻴـﺎ ﺍﺴﻘﻨﻴﻬﺎ ﺨﻠﻴﻌﺎﹰ ﻭﺴـﻜﺭﺍﻥ ﺃﺤﻴـﺎ
ﺇﻟﻰ ﻤﻥ ﻟﻪ ﻤﺠﻠِﺱ ﻓﻲ ﺍﻟﺨﺭﺍﺒـﺎﺕﹾ ـﺎﺕﹾ
ـﺴﺘﻭﺭﺓﹰ ﻟِ ـﻲ ﻫـ
ـﺭﺍﹰ ﻭﻤـ
ﻭﺒِﻜﹾـ
ﻭﻜﹸﻥ ﻤﻨﺯِﻻﹰ ﻓـﻲ ﻤِﻨﹾـﻪ ﺍﻟﺨـﺭﺍﺏ ﺃُﺭﻴﺩ ﺍﻟﻔـﻀﺎﺤﺔﹶ ﻫـﺎﺕِ ﺍﻟـﺸﱠﺭﺍﺏ
ﺇﺫﺍ ﺃَﺴﺩ ﺍﻟﻐـﺎﺏِ ﻴـﺴﻘﺎﻩ ﻴﺤـﺭﻕﹾ ﺍﺴﻘِﻨﻲ ﺫﻟِﻙ ﺍﻟﻤﺎﺀ ﻟﻠﺨﹶﻭﻑِ ﻴﺤﺭِﻕﹾ
ـﺎﻥ
ﻋﺒﻴـﺭ ﺍﻟﻤﻼﺌـﻙِ ﺤـﻭﺭ ﺍﻟﺠﻨـ ﺸﺭﺍﺒﺎﹰ ﻤﺯﺠﻥ ﺒِـﻪِ ﻓـﻲ ﺍﻟﺠِﻨـﺎﻥ
ﺃﻁِﺏ ﻤِﻨﹾﻪ ﺃﻨﻔﺎﺱ ﻋﻘﻠﻲ ﺍﻟﻌـﺼﻭﺭ ﺍﺴﻘﻨﻴﻪِ ﻭﻓﻲ ﺍﻟﻨﱠﺎﺭِ ﺃﻟﹾـﻕِ ﺍﻟﺒﺨـﻭﺭ
ـﺭﺍ
ﻤﻁﹶﻬ ـﺭﺓﹰ ﺘﺠﻌ ـلُ ﺍﻟﻘﹶﻠﹾ ـﺏ ﺨﹶﺒـ ﺍﺴﻘﻨﻲ ﺍﻟﺨﹶﻤﺭ ﻭﺍﻫِﺒﺔﹶ ﺍﻟﻤﻠﹾﻙِ ﺠﻬﺭﺍ
ـﺎﻫِﺭﺍ
ـﺎ ﻅـ
ـﻲ ﺒِﻬـ
ﻭﺃﺭﻓﹶ ـﻊ ﺭﺃﺴـ ـﺎ ﻁــﺎﻫِﺭﺍ
ـﻴﺭ ﺒِﻬـ
ـﺴﺎﻨﻲ ﺃﺼـ
ﻋـ
ـﺎ
ﺃﺭﻯ ﺒ ـﺩﻨﻲ ﺭﻫ ـﻥ ﻨﹶﻌ ـﺵٍ ﻫﻨـ ﻓﻤِﻥ ﺒﻌـﺩِ ﺭﻭﺽِ ﺍﻟﻌـﻼ ﻤـﺴﻜﹶﻨﺎ
ﺃﺤِﻠﻨﻲ ﺨﺭﺍﺒﺎﹰ ﺒِـﻪِ ﻜﹶﻨﹾـﺯ ﺤِﻜﹾﻤـﻪ ﺃﻨِﻠﻨﻲ ﺸـﺭﺍﺒﺎﹰ ﺒِـﻪِ ﻭﺠـﻪ ﺩﻭﻟﹶـﻪ
ـﻲ ﺃﺭﻯ
ـﺎﻡٍ ﺒِﻜﻔﱢــ
ـﺭﺁﺓِ ﺠــ
ﺒِﻤِــ ﻓــﻼ ﺸــﻲﺀ ﺇﻻﱠ ﻋِﻴﺎﻨــﺎﹰ ﺃﺭﻯ
ﺒِﺄﻨﻔﺎﺱِ ﻜِـﺴﺭﻯ ﺒِﻔﹶﻘﹾـﺭﻱ ﺃﺤﻴـﺎ ﺤﻴﺎﺓﹶ ﺍﻟـﺴﻼﻁﻴﻥِ ﺒﺎﻟـﺴﻜﹾﺭِ ﺃﺤﻴـﺎ
ﻭﻤﻥ ﻀﻴﻊ ﺍﻟﻨﱠﻔﹾﺱ ﻟﹶﻡ ﻴﺨﹾﻑِ ﺴِﺭﺍ ﻭﺃﻨﻅﹸــﻡ ﺒﺎﻟــﺴﻜﹾﺭِ ﻟﻠــﺴﺭ ﺩﺭﺍ
ﺇﻟﻰ ﺯﻫﺭﺓِ ﺍﻟﻔﹸﻠﹾﻙِ ﺃﻫـﺩﻯ ﺍﻟـﻨﱠﻐﹶﻡ ﻓﺤــﺎﻓِﻅﹸ ﺴــﻜﺭﺍﻥ ﺯﻑﱠ ﺍﻟــﻨﱠﻐﹶﻡ
ﻴــﺫﻜﱢﺭﻨﻲ ﺍﻟــﻨﱠﻐﹶﻡ ﺍﻟﻜِــﺴﺭﻭﻱْ ﻓــﺄﻴﻥ ﺍﻟﻤﻐﹶﻨﱢــﻲ ﺒِﻌــﻭﺩٍ ﺸﹶــﺠِﻲْ
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ﺃُﻜﻤِلُ ﻨﺜﺭﺍﹰ :ﻷﺠﻌلَ ﺍﻟﻭﺠﺩ ﻓﹶﺘﹾﺢ ﻋﻤﻠﻲ ،ﺴﺄُﻗﹾﺒِلُ ﺭﺍﻗﹶﺼﺎﹰ ،ﺒﺎﻟﺨِﺭﻗﹶﺔِ ﻻﻋِﺒﺎﹰ؛
ﺇﻟﻰ ﺇﻗﺒﺎلِ ﻤﺎﻟِﻙِ ﺍﻟﺘﱠﺎﺝِ ﻭﺍﻟﺴﻠﹾﻁﹶﻨﹶﺔِ ،ﻟِﺨﹶﻴﺭِ ﺜِﻤﺎﺭِ ﺍﻟﺸﱠﺠﺭﺓِ ﺍﻟﻤﻠﹶﻜﻴﺔِ؛ ﻤﻠِﻙِ ﺍﻷﺭﺽِ،
ﺴﻠﻁﺎﻥِ ﺍﻟﺯﻤﺎﻥِ ،ﻗﹶﻤﺭِ ﺒﺭﺝِ ﺍﻟﺩﻭﻟﹶﺔِ ،ﺍﻟﺸﱠﺎﻩِ ﺍﻟﻤﻭﻓﱠﻕِ؛ ﺍﻟﱠﺫﻱ ﻤِﻥ ﻗﺭﺍﺭِﻩِ ﺍﻟﻠﱠﻭﻥ
ﺍﻟﻤﻠﹶﻜِﻲ ،ﻭﻤِﻨﻪ ﺭﺍﺤﺔﹸ ﺃﺒﺩﺍﻥِ ﺍﻟﻁﱠﻴﺭِ ﻭﺍﻟﺴﻤﻙِ؛ ﻀﻴﺎﺀِ ﻗﹶﻠﹾﺏِ ﻭﻋﻴﻥِ ﺍﻟﻤﻘﺒﻠﻴﻥ ،ﻭﻟﻲ
ﻨِﻌﻤﺔِ ﺭﻭﺡِ ﺍﻟﻤﺤِﺒﻴﻥ؛ ﺃﻱ ﻁﺎﺌﺭ ﺍﻟﻬﻤﺎ ﺍﻟﻤﻴﻤﻭﻥ ﺍﻟﻨﱠﻅﹶﺭِ ،ﺃﻱ ﻤﻼﻜِﻲ ﺍﻟﻤﺒﺎﺭﻙ،
ﻤﺒﺎﺭﻙ ﺍﻟﺨﹶﺒﺭ؛ ﻟﻴﺱ ﻟِﻠﻔﹶﻠﹶﻙِ ﻤِﺜﻠﹶﻙ ﺠﻭﻫﺭ ﻓﻲ ﺼﺩﻑ ،ﻭﻻ ﻟِﻔﹶﺭﻴﺩﻭﻥ ﻭﺠﻤﺸﻴﺩ
ﻤِﺜﻠﹶﻙ ﺨﹶﻠﹶﻑ؛ ﺩﻡ ﺴِﻨﻴﻥ ﻓﻲ ﻤﻭﻀِﻊِ ﺍﻹﺴﻜﻨﺩﺭ ،ﺍﻜﺸِﻑﹾ ﻟِﻌﺎﺭِﻑِ ﺍﻟﻘﹶﻠﹾﺏِ ﺍﻷﺤﻭﺍل؛
ﺭﺃﺱ ﻓِﺘﹾﻨﹶﺔِ ﺍﻟﺩﻫﺭِ ﻁﹶﻠﹶﻊ ﻤِﻥ ﺠﺩﻴﺩٍ ،ﻓﺄﻨﺎ ﻭﺍﻟﺴﻜﹾﺭ ﻭﻓِﺘﹾﻨﹶﺔﹸ ﻋﻴﻥِ ﺍﻟﺤﺒﻴﺏِ؛ ﻭﺍﺤِﺩ
ﺠﻌلَ ﻤِﻨﹾﻪ ﺍﻟﺩﻫﺭ ﻀﺎﺭِﺒﺎﹰ ﺒﺎﻟﺴﻴﻑِ ،ﻭﻭﺍﺤِﺩ ﺠﻌلَ ﻤِﻨﹾﻪ ﺍﻟﺩﻫﺭ ﻜﺎﺘِﺒﺎﹰ ﺒﺎﻟﻘﹶﻠﹶﻡ؛ ﻤﻐﹶﻨﹼﻲ
ﺍﻋﺯِﻑﹾ ﻟﹶﺤﻥ ﺍﻷﻨﻴﻥِ ﺫﺍﻙ ،ﺤﺩﺙِ ﺍﻟﺤﺭﻴﻔﻴﻥ ﺒﺎﻟﻨﱠﻐﹶﻡِ ﻭﺍﻟﻐِﻨﺎﺀ؛ ﺇﻨﱠﻬﺎ ﻓﹸﺭﺼﺘﻲ ﻤ ﻊ
ﻋﺩﻭ ﺍﻟﻌﺎﻗِﺒﺔِ ،ﻓﻘﺩ ﺠﺎﺀﺕﹾ ﺒِﺸﺎﺭﺓﹸ ﺍﻟﻨﱠﺼﺭِ ﻤِﻥ ﺍﻟﺴﻤﺎﺀ؛ ﻤﻐﻨﹼﻲ ﺍﻋﺯِﻑﹾ ﻟﹶﺤﻥ
ﺍﻟﻁﱠﺭﺏِ ،ﻭﺍﺒﺩﺃِ ﺍﻟﻘِﺼﺔﹶ ﺒﺎﻟﻘﹶﻭلِ ﻭﺍﻟﻐﹶﺯل؛ ﻓﹶﺭﻏﹾﻡ ﻜﻭﻨﻲ ﻤﺨﻴﻁﹶ ﺍﻟﻘﹶﺩﻡِ ﺒﺎﻟﺘﱡﺭﺍﺏِ،
ﺴﺄﺨﹾﺭﺝ ﻤِﻥ ﻫﻨﺎ ﺒِﻀﺭﺏِ ﺃُﺼﻭل؛ ﻤﻐﻨﱢﻲ ﻏﻨﱢﻨﺎ ﺒِﺼﻭﺕِ ﺍﻟﻨﱠﺸﻴﺩِ ،ﻭﺍﻋﺯِﻑﹾ ﻟﻨﺎ
ﺍﻟﻨﱠﻐﹶﻡ ﺍﻟﻜﺴﺭﻭﻱ؛ ﺃﺴﻌِﺩ ﺭﻭﺡ ﺍﻟﻌﻅﹶﻤﺎﺀِ ﻤِﻥ ﻨﹶﻔﹾﺴِﻙ ،ﺫﹶﻜﱢﺭ ﻨﹶﻔﹾﺴﻙ ﭙﺭﻭﻴﺯ ﻭﺒﺎﺭﺒﺩ؛
ﻤﻐﻨﱢﻲ ﺍﻨﻘﹸلْ ﻟﻨﺎ ﺃﺜﹶﺭﺍﹰ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺤِﺠﺎﺏِ ،ﺍﻨﻅﹸﺭ ﻟﻨﺎ ﻤﺎ ﻗﺎلَ ﻓﻲ ﺍﻟﺩﺍﺨِلِ ﺼﺎﺤِﺏ
ﺍﻟﺤِﺠﺎﺏِ؛ ﻭﺍﻋﺯِﻑﹾ ﻫﻜﺫﺍ ﻟﹶﺤﻥ ﺍﻟﺒﻜﺎﺀِ ﺍﻟﺤﺯﻴﻥ ،ﻭﺍﺠﻌلِ ﺍﻟﺯﻫﺭﺓﹶ ﺘﺠﻲ ﺀ
ﺒﺎﻟﻘﻴﺜﺎﺭﺓِ ﺭﺍﻗِﺼﺔﹰ؛ ﻏﻥ ﻟﹶﺤﻨﺎﹰ ﻴﺩﺨِلُ ﺍﻟﺼﻭﻓﻲ ﻓﻲ ﺍﻟﺤﺎﻟﹶﺔِ ،ﺍِﺠﻌلْ ﻟﻪ ﺇﻟﻰ ﺴﻜﹶﺭِ
ﻭﺼﻠِﻪِ ﺤﻭﺍﻟﹶﻪ؛ ﻤﻐﹶﻨﱢﻲ ﺍﻋﺯِﻑﹾ ﻋﻠﻰ ﺍﻟﺩﻑﱢ ﻭﺍﻟﺭﺒﺎﺏِ ،ﺍِﻋﺯِﻑﹾ ﻨﹶﻐﹾﻤﺔﹶ ﺍﻟﻐِﻨﺎﺀِ
ﺒﺎﻟﺼﻭﺕِ ﺍﻟﺠﻤﻴلِ؛ ﺨِﺩﺍﻉ ﺍﻟﺩﻨﻴﺎ ﻗِﺼﺔﹲ ﻭﺍﻀِﺤﺔﹲ ،ﻓﻠﻨﹶﺭ ﻤﺎ ﺘﹶﻠِﺩ ﺍﻟﻠﱠﻴﻠﹶﺔﹸ ﺍﻟﺤﺒﻠﻰ؛
ﻤﻐﹶﻨﹼﻲ ﺃﻟﹶﻡ ﺒﻲ ﺍﻟﻤﻠﹶلُ ،ﺍﻋﺯِﻑﹾ ﺍﻟﻠﱠﺤﻥ ﺍﻟﺜﱡﻨﺎﺌﻲ ،ﺍﻋﺯِﻑﹾ ﺒِﻪِ ﻤﻔﹾﺭﺩﺍﹰ ﺇﻟﻰ ﺍﻟﻨﱢﻬﺎﻴﺔ؛
ﻓﺈﻨﹼﻲ ﺃﺭﻯ ﻤِﻥ ﺍﻟﻔﹶﻠﹶﻙِ ﺍﻟﺒﻌﻴﺩِ ﻋﺠﺒﺎﹰ ،ﻭﻻ ﺃﺩﺭﻱ ﺃﻴﺔﹶ ﺃﺭﺽٍ ﺴﻴﺄﺨﹸﺫﹸ؛ ﻓﻘﺩ ﻋﺎﺩ
ﻋﺎﺒِﺩ ﺍﻟﻨﱠﺎﺭِ ﺍﻟﺴﻜﹾﺭﺍﻥ ﻴﺸﻌِلُ ﺍﻟﻨﱠﺎﺭ ،ﻭﻻ ﺃﺩﺭﻱ ﺴِﺭﺍﺝ ﻤِﻥ ﺴﻴﺸﹾﻌِلُ؛ ﻓﻲ ﻋﺭﺼﺔِ
ﺍﻟﻔِﺘﹶﻥِ ﻤﺭﻴﻘﹶﺔِ ﺍﻟﺩﻡِ ﻫﺫِﻩِ ،ﻜﹸﻥ ﻤﺭﻴﻕﹶ ﺩﻡِ ﺍﻟﺼﺭﺍﺤِﻴﺔِ ﻭﺍﻟﻜﺄﺱ؛ ﺃﺭﺴِلْ ﺍﻟﻨﱠﺼﻴﺤﺔﹶ
ﻟﻠﺴﻜﺎﺭﻯ ﺒﺎﻟﻘﺼﻴﺩ ،ﺃﺭﺴِلْ ﺇﻟﻰ ﺍﻷﺤِﺒﺔِ ﺍﻟﻤﺎﻀﻴﻥ ﺍﻟﺴﻼﻡ.
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ﺃﻳﻀﺎً ﻟﻪ
ﻓﻤﺎ ﺃﻨﺕﹶ ﻓﻲ ﺤﺎﺠـﺔِ ﺍﻟﻤﺤﺘﹶـﺴِﺏ ﺍﻟﺨﹶﻴﺭ ﻭﺍﻟﺸﱠﺭ ﻓﻲ ﻨﹶﻔـﺴِﻙ ﺍﻁﻠﹸـﺏ
ﻭﻴﺭﺯﻗﹾﻪ ﻤِﻥ ﺤﻴـﺙﹸ ﻻ ﻴﺤﺘﹶـﺴِﺏ ﻭﻤــﻥ ﻴﺘﱠــﻕِ ﺍﷲَ ﻴﺠﻌــلْ ﻟــﻪ
ﺃﻳﻀﺎً ﻟﻪ
ﺍﻟﺒﺤﺙﹸ ﻭﺍﻟﻌِﻠﹾﻡ ﻭﺍﻟﻁﱠـﺎﻕﹸ ﻭﺍﻟـﺭﻭﺍﻕﹸ ﻭﺍﻟﻤﺩﺭﺴـﻪ
ﻤﺎ ﺍﻟﻨﱠﻔﹾﻊ ﺩﻭﻥ ﻗﹶﻠﹾـﺏٍ ﻋـﺎﺭِﻑٍ ﻭﻋـﻴﻥٍ ﺒـﺼﻴﺭﻩ
ﻤﺤﻀﺭ ﺍﻟﻘﺎﻀـﻲ ﺍﻟﺤـﻕﱢ ﻤﻨﹾﺒـﻊ ﺍﻟﻔﹶـﻀلِ ﻟﻜِـﻥ
ـﻴﻠﹶﻪ
ـﺎ ﻟ ـﻪ ﺇﻟﻴ ـﻪِ ﻭﺴـ
ـﻼﻑٍ ﺍﻟﻌﻘﹾ ـلُ ﻤـ
ـﻼ ﺨِـ
ﺒـ
ﺃﻳﻀﺎً ﻟﻪ
ﺁﺼِﻑﹸ ﻋﻬـﺩِ ﺍﻟﺯﻤـﺎﻥِ ﺭﻭﺡ ﺍﻟﻌـﺎﻟﹶﻡِ ﺘﻭﺭﺍﻨـﺸﺎﻩ
ﻤﺎ ﺯﺭﻉ ﻓﻲ ﻫﺫِﻩِ ﺍﻟﻤﺯﺭﻋﺔِ ﻏﻴﺭ ﺤﺒـﺔِ ﺍﻟﺨﻴـﺭﺍﺕﹾ
ﻭﺴﻁﹶ ﺍﻷﺴﺒﻭﻉِ ﺒﺩﺀ ﺸﹶـﻬﺭِ ﺼـﻔﹶﺭ ﻜـﺎﻑﹾ ﺃﻟِـﻑﹾ
ﺘﹶــﺭﻙ ﻤﻭﻗِــﺩ ﺍﻟــﺩﺨﺎﻥِ ﻫــﺫﺍ ﻭﺭﺍﺡ ﻟﻠﺠﻨﱠــﺎﺕﹾ
ﻟِﻤﻥ ﻜﺎﻥ ﻤﻴﻠﹸـﻪ ﻟﺭﺅﻴـﺔِ ﺍﻟﺤـﻕﱢ ﻭﻗﹶـﻭلِ ﺍﻟﺤـﻕﱢ
ﻤِــﻥ ﻤﻴــل ﺒِﻬِــﺸﹾﺕﹾ ﺍﹸﻁﻠﹸــﺏ ﺘــﺎﺭﻴﺦﹶ ﺍﻟﻭﻓــﺎﺓﹾ
ﺃﻳﻀﺎً ﻟﻪ
ـﻪ
ـﻴﺦﹸ ﺠﻤﺎﻋـ
ـﻨﱠﺔٍ ﻭﺸﹶـ
ـﺎﻡ ﺴـ
ـﻭﺍﻩ ﺇﻤـ
ـﺎﺏ ﻤﺜـ
ـﻕﱢ ﻁـ
ـﺩﻴﻥِ ﻭﺍﻟﺤـ
ـﺎﺀ ﺍﻟـ
ﺒﻬـ
ﻤﻀﻰ ﻋﻥِ ﺍﻟﻌﺎﻟﹶﻡِ ﻭﻫﻭ ﻴﻘﺭﺃُ ﻫﺫﺍ ﺍﻟﺒﻴﺕﹶ ﻷﻫـلِ ﺍﻟﻔﹶـﻀلِ ﻭﺃﺭﺒـﺎﺏِ ﺍﻟﺒﺭﺍﻋـﻪ
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ﺒﺎﻟﻁﱠﺎﻋﺔِ ﺘﻘﺩِﺭ ﺃﻥ ﺘﻨـﺎلَ ﻗﹸـﺭﺏ ﺍﷲِ ،ﺘﹶﻘﹶـﺩﻡ ﺇﺫﺍ ﻜﹸﻨﹾـﺕﹶ ﺘﻤﻠـﻙ ﺍﻻﺴـﺘﻁﺎﻋﻪ
)(١
ﺒﻬﺫﺍ ﺍﻟﺩﺴﺘﻭﺭِ ﺼﺎﺭ ﻴـﺴﺘﹶﺨﹾﺭﺝ ﺘـﺎﺭﻴﺦﹸ ﻭﻓﺎﺘِـﻪِ ﻤِـﻥ ﺤـﺭﻭﻑِ ﻗﹸـﺭﺏِ ﻁﺎﻋـﻪ
ﺃﻳﻀﺎً ﻟﻪ
ﻤﺘﹶﻨﹶﻔﱢﺭﺓﹰ ﻤِﻥ ﺍﻟﻌﺒـﺩِ ﺍﻵﺒِـﻕِ ﺘـﺭﻭﺡ ﻗﹸﻭﺓﹸ ﺸﺎﻋِﺭﻴﺘﻲ ﺴِﺤﺭ ﻤِﻥ ﻓﹶﺭﻁِ ﺍﻟﻤﻼلْ
ﺒﺄﻟﹾﻑِ ﺸﹶﻜﻭﻯ ﻤِﻥ ﻤﻠﹾﻙِ ﺴﻠﻴﻤﺎﻥ ﺘﺭﻭﺡ ﺒِﻨﹶﻘﹾﺵِ ﺨﻭﺍﺭِﺯﻡ ﻭﺨﻴﺎلِ ﻀِﻔﱠﺔِ ﺠﻴﺤﻭﻥ
ﺫﻟِﻙ ﺍﻟﱠﺫﻱ ﻻ ﻴﻌﺭِﻑﹸ ﺭﻭﺡ ﺍﻟﻜﻼﻡِ ﻏﹶﻴﺭﻩ ﻴﺭﻭﺡ ﻭﺍﻟﺭﻭﺡ ﻤِـﻥ ﻗـﺎﻟﹶﺒﻲ ﺘـﺭﻭﺡ
ﻭﺃُﻨﺎﺩﻴﻪِ ﻴﺎ ﻤﺅﻨﺴﻲ ﺍﻟﻘـﺩﻴﻡ ﻓﻴـﺭﺩ ﺒِﻌـﺴﺭٍ ﻭﺒﺎﻜﻴـﺎﹰ ﺒِﻘﹶﻠﹾـﺏٍ ﺠـﺭﻴﺢٍ ﻴـﺭﻭﺡ
ﻗﹸﻠﹾﺕﹸ ﺍﻵﻥ ﺴﻜﱠﺭﻱ ﺍﻟﻠﻬﺠﺔِ ﻋﺫﹾﺏ ﺍﻷﻟﺤﺎﻥِ ﻴﻘﻭلُ ﻟﻲ ﺍﻟﺤﺩﻴﺙﹶ ﺍﻟﺠﻤﻴلَ ﻭﻫـﻭ ﻴـﺭﻭﺡ
ﺴﺩﻯ ﺘﹶﻤﻠﱠﻘﹾﺕﹸ ﻟﻪ ﻜﺜﻴﺭﺍﹰ ﻟِﺌﻠﱠﺎ ﻴﺫﻫﺏ ﻓﺎﻷﻤﺭ ﻤِﻥ ﻨﹶﻅﹶـﺭِ ﺭﺤﻤـﺔِ ﺍﻟﺤـﻕﱢ ﻴـﺭﻭﺡ
ﻤﻠِﻙ ﺍﻟﻤﻠﻭﻙِ ﺩﻋﺎﻩ ﺇﻟﻴﻪِ ﻟﹸﻁﹾﻔﺎﹰ ﻭﻜﹶﺭﻤﺎﹰ ،ﻤﺎ ﻴﻔﻌلُ ﻋﺎﻥٍ ﺒﻐﺎﻴـﺔِ ﺍﻟﺤِﺭﻤـﺎﻥِ ﻴـﺭﻭﺡ
ﺃﻳﻀﺎً ﻟﻪ
ﻋﻤلُ ﺍﻟﺨﹶﻴﺭِ ﻫﻜﺫﺍ ﻤِﻨـﻪ ﻻ ﻴﻔـﻭﺕﹾ ﺭﺤﻤﻥ ﻻ ﻴﻤﻭﺕﹸ ﺇﺫﹾ ﺭﺃﻯ ﺫﻟِﻙ ﺍﻟﻤﻠِﻙ
ﺘﺎﺭﻴﺦﹸ ﻫﺫﻱ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ ﺭﺤﻤﻥ ﻻ ﻴﻤﻭﺕﹾ ﺠﻌلَ ﺍﻟﺭﻭﺡ ﻤِﻨﹾﻪ ﻏﺭﻴﻘﺎﹰ ﺒِﺭﺤﻤﺘِـﻪ
ﺃﻳﻀﺎً ﻟﻪ
ﺒِﻌﻬﺩِ ﺴﻠﹾﻁﹶﻨﹶﺔِ ﺍﻟﺸﱠﺎﻩ ﺍﻟﺸﱠﻴﺦ ﺃﺒﻭ ﺍﺴﺤﻕ ،ﻤﻠﹾﻙ ﻓﺎﺭِﺱ ﻜﺎﻥ ﻋﺎﻤِﺭﺍﹰ ﺒِﺨﹶﻤﺴﺔِ ﺃﺸـﺨﺎﺹٍ؛
ﺃﻭﻟﹸﻬﻡ ﺴﻠﻁﺎﻥ ﻤِﺜﻠﹸﻪ ﻋﻁﺎﺀ ﺍﻟﻭﻻﻴﺔِ ،ﺭﻋﻰ ﺍﷲُ ﺭﻭﺤﻪ ﻭﺃﻋﻁﺎﻩ ﻋﻁﺎﺀ ﺍﻟـﺴﻌﺎﺩﺓِ؛
ﻭﺁﺨﹶﺭ ﻤﺭﺒﻰ ﺍﻹﺴﻼﻡِ ﺍﻟﺸﱠﻴﺦ ﻤﺠﺩ ﺍﻟﺩﻴﻥ ﺍﻟﱠﺫﻱ ﻻ ﺘﺫﻜﹸﺭ ﺍﻟﺴﻤﺎﺀ ﻗﺎﻀﻴﺎﹰ ﺨﻴﺭﺍﹰ ﻤِﻨـﻪ؛
ﻭﺁﺨﹶﺭ ﺒﻘﻴﺔﹸ ﺍﻷﺒﺩﺍلِ ﺍﻟﺸﱠﻴﺦ ﺃﻤﻴﻥ ﺍﻟﺩﻴﻥ ،ﺍﻟﱠﺫﻱ ﻴﻤﻥ ﻫِﻤﺘِﻪِ ﻓﺘﹶﺢ ﺍﻷﺒﻭﺍﺏ ﺍﻟﻤﻐﻠﹶﻘﹶﺔ؛
) (١ﻗﺭﺏ ﻁﺎﻋﺕ.
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ﻭﺁﺨﹶﺭ ﻤﻠِﻙ ﺍﻟﻤﻠﻭﻙِ ،ﻋﻀﺩ ﺍﻟﻌِﻠﹾﻡِ ،ﺍﻟﱠﺫﻱ ﻓﻲ ﺍﻟﺘﱠﺼﻨﻴﻑ ،ﺠﻌـلَ ﺒﻨـﺎﺀ ﺍﻟﻌﻤـلِ
ﻤﻭﺍﻓﻘﺎﹰ ﻻﺴﻡِ ﺍﻟﺸﱠﺎﻩ؛
ﻭﺁﺨﹶﺭ ﺍﻟﻜﺭﻴﻡ ﺤﺎﺠﻲ ﻗﻭﺍﻡ ﺒﺤﺭ ﺍﻟﻘﹶﻠﹾﺏِ ،ﺍﻟﱠﺫﻱ ﺃﺨﹶﺫﹶ ﺍﺴـﻡ ﺍﻟﺨﹶﻴـﺭِ ﻤِـﻥ ﺍﻟﻌـﺎﻟﹶﻡِ
ﺒﺎﻟﻌﻁﺎﺀ ﻭﺍﻟﺠﻭﺩ؛
ﻨﻅﻴﺭﻫﻡ ﻟﻡ ﻴﻤﺭ ﻭﻻ ﻴﻤﺭ ،ﻏﹶﻔﹶﺭ ﺍﷲُ ﻋﺯ ﻭﺠلﱠ ﻟﻬﻡ ﺠﻤﻴﻌﺎﹰ.
ﺃﻳﻀﺎً ﻟﻪ
ﺠﻌلَ ﺍﷲُ ﻟﻙ ﺍﻟﻌﻁﺎﺀ ﻓﻲ ﺠﺭﻋﺔِ ﺍﻟﻜﺄﺱِ ﺍﻟﻔﹶﻠﹶﻙ ،ﻭﻟﻴﻐﹾﺭﻕﹾ ﻋﺩﻭﻙ ﺃﺴـﻭﺩ ﺍﻟﻘﹶﻠﹾـﺏِ
ﺒﺎﻟﺩﻡِ ﻜﺎﻟﺸﱠﻘﺎﺌﻕ؛
ﺫﹸﺭﻭﺓﹸ ﻗﹶﺼﺭِ ﺭﺘﹾﺒﺘِﻙ ﺼِﺩﻗﺎﹰ ﻤِﻥ ﻓﹶﺭﻁِ ﺍﻻِﺭﺘِﻔﺎﻉِ ،ﻟﻠﺴﺎﻟﻜﻴﻥ ﺇﻟﻴﻬﺎ ﻓﻲ ﺍﻟﻭﻫﻡِ ﻁﺭﻴﻕﹲ
ﻤِﻥ ﺃﻟﹾﻑِ ﻋﺎﻡ؛
ﺃﻱ ﻗﹶﻤﺭ ﺒﺭﺝِ ﻤﻨﹾﺯِﻟﹶﺔِ ﺍﻟﻌﻴﻥِ ﻭﺴِﺭﺍﺝ ﺍﻟﻌﺎﻟﹶﻡِ ،ﺩﺍﻡ ﺨﹶﻤﺭﻙ ﺍﻟﺼﺎﻓﻲ ﻓـﻲ ﺍﻟﻘﹶـﺩﺡِ
ﻭﺍﻟﻜﺄﺱ؛
ﺤﻴﻥ ﺒِﻬﻭﻯ ﻤﺩﺤِﻙ ﻋﺯﻓﹶﺕِ ﺍﻟﺯﻫﺭﺓﹸ ﺍﻷﻨﻐﺎﻡ ،ﺤﺎﺴِﺩﻙ ﻤِﻥ ﺴﻤﺎﻋِﻬﺎ ﺼﺎﺭ ﻤﺤﺭِﻡ
ﺍﻷﻨﻴﻥ ﻭﺍﻵﻩِ؛
ﺘِﺴﻌﺔﹸ ﺃﻁﺒﺎﻕِ ﺍﻟﻔﹶﻠﹶﻙِ ،ﻭﻗﹸﺭﺹ ﺍﻟﻘﹶﻤﺭِ ﺫﺍﻙ ،ﻭﺍﻟﺸﱠﻤﺱ ،ﻋﻠﻰ ﻁﹶﺭﻑِ ﺨﻭﺍﻥِ ﻗِﺴﻤﺘِﻙ
ﺃﺴﻬلُ ﻨﻭﺍلٍ؛
ﺒِﻨﹾﺕﹸ ﻓِﻜﹾﺭﻱ ﺍﻟﺒِﻜﹾﺭ ﺼﺎﺭﺕﹾ ﻤﺤﺭِﻡ ﻤﺩﺤِﻙ ،ﺤﻭلْ ﻤِﻥ ﻜﻔﱢﻙ ﻤﻬـﺭ ﻤِﺜﹾـلِ ﻫـﺫِﻩِ
ﺍﻟﻌﺭﻭﺱِ ﺇﻟﻲ.
ﺃﻳﻀﺎً ﻟﻪ
ﻕ ﺴﻘﹾﻑِ ﻗﹸﺒـﺔٍ ﻤِـﻥ ﺯﺒﺭﺠـﺩ
ﻓﻭ ﹶ ـﺎﺭﻙ ﺭﻭﺡ ﺍﻟﻘﹸـﺩﺱِ
ﺍﻟﻤـﻼﻙ ﺍﻟﻤﺒـ
ﺍﻟﱠﺫﻱ ﻓﻲ ﺍﻟﺩﻭﻟﹶﺔِ ﻭﺍﻟﺤِﺸﹾﻤﺔِ ﻤﺨﻠﱠـﺩ ﺴﺤﺭﺍﹰ ﻓﻲ ﺩﻋﺎﺌﻪِ ﻴﻘـﻭلُ ﻴـﺎ ﺭﺏ
ـﺼﻭﺭ ﻤﻅﹶﻔﱠـ ـﺭ ﻤﺤﻤـ ـﺩ
ﻤﻨــ ﺃﺒﻕِ ﻋﻠـﻰ ﺍﻟﻤـﺴﻨﹶﺩِ ﺍﻟﻜـﺴﺭﻭﻱ
-٤٧١-
ﺃﻳﻀﺎً ﻟﻪ
ﺸﹸﻤﺔﹲ ﻤِﻥ ﺴِﻴﺭِ ﺍﻟﻌِﺸﹾﻕِ ﺘﹸﺜﻴﺭ ﺍﻀﻁﺭﺍﺒﻨﺎ ،ﻫﺫﻱ ﺍﻟﺤﻜﺎﻴﺎ ﺍﻟﱠﺘﻲ ﺤﻜﹶﻭﺍ ﻋﻥ ﻓﺭﻫﺎﺩ ﻭﺸﻴﺭﻴﻥ؛
ﻤﺎ ﻓﹶﻌلَ ﻫﺩﺏ ﻁﻭﻴلٌ ﻭﻏﹶﻤﺯﺓﹲ ﺴﺎﺤِﺭﺓﹲ ،ﻤﺎ ﻓﹶﻌلَ ﺫﺍﻙ ﺍﻟﻔﹶﺭﻉ ﺍﻟﻁﱠﻭﻴلُ ﻭﺍﻟﺨﺎلُ ﺍﻟﻤِﺴﻜﻲ؛
ﺴﺎﻗﻴﺎ ﺍﻟﺨﹶﻤﺭ ﻫﺎﺕِ ﻓﻤﻊ ﺤﻜﹾﻡِ ﺍﻷﺯل ﻻ ﺘﺩﺒﻴﺭ ،ﻤﺎ ﺠﺭﻯ ﻟﻪ ﺍﻟﺘﱠﻌﻴﻴﻥ ﻻ ﻴﻘﺒلُ ﺍﻟﺘﱠﻐﻴﻴﺭ؛
ﻻ ﺘﻨﻅﹸﺭ ﻟﻠﻤﻌﺭﺒﺩﻴﻥ ﺫﻭﻱ ﻜﺅﻭﺱِ ﺍﻟﺨﹶﺯﻑِ ﺒﺎﺤﺘِﻘﺎﺭٍ ،ﺍﻨﻅﹸﺭ ﻟِﻌﻤلِ ﻫﺅﻻﺀِ ﺍﻟﺤﺭﻴﻔﻴﻥ
ﻓﻲ ﺨِﺩﻤﺔِ ﺠﺎﻡِ ﻤﻅﹾﻬﺭِ ﺍﻟﻌﺎﻟﹶﻡ؛
ﻨﹶﻜﹾﻬﺔﹸ ﺘﹸﺭﺍﺏِ ﺤِﻤﻰ ﺍﻟﺤﺒﻴﺏِ ﺘﹸﻨﹾﻌِﺵﹸ ﺍﻟﺭﻭﺡ ،ﺍﻟﻌﺎﺭِﻓﻭﻥ ﻤِﻥ ﻫﻨﺎﻙ ﻋﻁﱠﺭﻭﺍ ﻤﺸﺎﻡ ﺍﻟﻌﻘﻭل؛
ﺴﺎﻗﻴﺎ ﻤﺠﻨﻭﻥ ﻤِﺜﻠﻲ ﻤِﻥ ﺃﻴﻥ ﻴﺸﺭﺏ ﻭﺒِﻨﹾﺕﹸ ﺍﻟﻌﻨﻘﻭﺩِ ﻤﻬﺭﻫﺎ ﻨﹶﻘﹾﺩ ﺍﻟﻌﻘﹾل؛
ﺱ ﺍﻟﻜِﺭﺍﻡ ﻟﻠﻤﺘﺭﺒﻴﻥ ﺒِﻼ ﺤِﺼﺔٍ ،ﺍﻨﻅﹸﺭ ﻟِﻬﺫﺍ ﺍﻟﺘﱠﻁﺎﻭلِ ﻋﻠﻰ ﺍﻟﻌ ﺸﱠﺎ ﻕِ
ﺍﺭﻡِ ﺠﺭﻋﺔﹶ ﻜﺄ ِ
ﺍﻟﻤﺴﺎﻜﻴﻥ!؛
ﺠﻨﺎﺡ ﺍﻟﻐﹸﺭﺍﺏِ ﻭﺍﻟﺤﺩﺃﺓِ ﻟﻴﺱ ﺠﻤﻴﻼﹰ ﻟﻠﺼﻴﺩِ ﻭﺍﻟﻘﹶﻴﺩ ،ﻫﺫِﻩِ ﻜﺭﺍﻤﺔﹲ ﺠﻌِﻠﹶﺕﹾ ﻟﻠﻌﻘﺎﺏِ ﻭﺍﻟﺸﱠﺎﻫﻴﻥ.
ﺃﻳﻀﺎً ﻟﻪ
ﺍﻟﻔﹶﻠﹶﻙ ﻟِﺘﹶﻘﺒﻴلِ ﺍﻟﺘﱡﺭﺍﺏِ ﻗﺎﻡ ﺒﺎﻟﺴﺠﻭﺩ ﺃﻋﻅﹶﻡ ﻗﻭﺍﻡ ﺍﻟﺩﻭﻟﹶﺔِ ﻭﺍﻟﺩﻴﻥِ ،ﺒِﺒﺎﺒِﻪِ
ﺭﺍﺡ ﺘﺤﺕﹶ ﺍﻟﺜﱠﺭﻯ ﺒِﺘِﻠﹾﻙ ﺍﻟﻌﻅﹶﻤﺔِ ﻓﻲ ﻨِﺼﻑﹶ ﺸﹶﻬﺭ ﺫﻱ ﺍﻟﻘِﻌﺩﺓِ ﻤِﻥ ﻋﺭﺼﺔِ ﺍﻟﻭﺠـﻭﺩ
ﺤﺭﻭﻑﹸ ﻋﺎﻡِ ﻭﻓﺎﺘِﻪِ ﺠﺎﺀﺕﹾ ﺃُﻤﻴﺩ ﺠﻭﺩ ﻤِﻥ ﺒﻌﺩِﻩِ ﻟﻡ ﻴﻌﺩ ﻫﻨﺎﻙ ﺃﻤـلٌ ﺒﺠﻭﺩٍ
ﺃﻳﻀﺎً ﻟﻪ
ﻻ ﺘﺭﺒِﻁِ ﺍﻟﻘﹶﻠﹾﺏ ﺒﺎﻟﺩﻨﻴﺎ ﻭﺃﺴﺒﺎﺒِﻬﺎ ﻓﻤﺎ ﺭﺃﻯ ﺸﹶﺨﹾﺹ ﻤﻥ ﻭﺠﻬِﻬﺎ ﻭﻓﺎﺀ؛
ﻤِﻥ ﻫﺫﺍ ﺍﻟﺩﻜﱠﺎﻥِ ﻤﺎ ﺍﺸﺘﺭﻯ ﺸﹶﺨﹾﺹ ﻋﺴﻼﹰ ﺒﻼ ﺇﺒﺭٍ ،ﻤِﻥ ﻫﺫﺍ ﺍﻟﺒﺴﺘﺎﻥِ ﻤﺎ ﺠﻨﻰ
ﺸﹶﺨﹾﺹ ﺭﻁﹶﺒﺎﹰ ﺒﻼ ﺸﹶﻭﻙٍ؛
-٤٧٢-
ﻜﹸلﱡ ﻤﻥ ﺃﺸﻌﻠﹶﺕﹾ ﻟﹶﻪ ﺍﻷﻴﺎﻡ ﺴِﺭﺍﺠﺎﹰ ،ﺤﻴﻥ ﺘﻡ ﺍﺸﺘِﻌﺎﻟﹸﻪ ﻫﺒﺕﹾ ﻋﻠﻴﻪِ ﺍﻟﺭﻴﺢ؛
ﺒﻼ ﺘﻜﹶﻠﱡﻑٍ ،ﺇﻥ ﻜﹸلﱠ ﻤﻥ ﻭﺠﻪ ﻟﻬﺎ ﺍﻟﻘﹶﻠﹾﺏ ،ﺇﺫﺍ ﻨﹶﻅﹶﺭﺕﹶ ﺘﺭﺍﻩ ﺨﹶﺼﻤﻪ ﻴﺭﺒﻲ؛
ﺍﻟﺸﱠﺎﻩ ﺍﻟﻐﺎﺯﻱ ﻤﻠِﻙ ﻤﺩﻴﻨﹶﺔِ ﺍﻟﺩﻨﻴﺎ ،ﺫﺍﻙ ﺍﻟﱠﺫﻱ ﻤِﻥ ﺴﻴﻔِﻪِ ﻴﻘﻁِﺭ ﺍﻟﺩﻡ؛
ﺍﻟﱠﺫﻱ ﺒِﺤﻤﻠﹶﺔٍ ﻭﺍﺤِﺩﺓٍ ﻴﻜﺴِﺭ ﺍﻟﺠﻴﺵ ،ﺍﻟﱠﺫﻱ ﺒِﺼﺭﺨﹶﺔٍ ﺤﻴﻨﺎﹰ ﻴﻘﻁﹶﻊ ﺍﻟﻘﹶﻠﹾﺏ؛
ﻴﺴﺘﺴﻠِﻡ ﺍﻷﺴﺩ ﻓﻲ ﺍﻟﺼﺤﺭﺍﺀِ ﺭﻋﺒﺎﹰ ﻤِﻨﹾﻪ ﺤﻴﻥ ﻴﺴﻤﻊ ﺒﺎﺴﻤِﻪِ؛
)(١
ﺒﻼ ﺨﹶﻁﹶﺭٍ؛ ﻴﺤﺒِﺱ ﺍﻟﻌﻅﹶﻤﺎﺀ ﺍﻟﱠﺫﻴﻥ ﻻ ﺴﺒﻴلَ ﻟﹶﻬﻡ ،ﻴﻘﻁﹶﻊ ﺭﺃﺱ ﺍﻷﻋﻨﺎﻕِ
ﺃﺨﻀﻊ ﺘﺒﺭﻴﺯ ﻭﺸﻴﺭﺍﺯ ﻭﺍﻟﻌِﺭﺍﻕﹶ ،ﺒﻌﺩﻫﺎ ﻓﻲ ﺍﻟﻌﺎﻗِﺒﺔِ ﻭﻗﺘﹸﻪ ﺠﺎﺀ؛
ﻟﻤﺎ ﺃﺭﺍﺩ ﺃﻥ ﻴﻨﻅﹸﺭ ﺇﻟﻴﻪِ ﺍﻟﻌﺎﻟﹶﻡ ﺒﺎﻟﺴﻭﺀِ ،ﺴﺤﺏ ﺍﻟﻤﻴلَ ﻋﻠﻰ ﻋﻴﻥِ ﺍﻟﻌﺎﻟﹶﻡ.
ﺃﻳﻀﺎً ﻟﻪ
ﻋﻠﻰ ﻗﺎﺭِﻋﺔِ ﺍﻟﺒﺎﺯﺍﺭ ،ﺍﻟﻼﻋِﺒﻭﻥ ﺒﺎﻷﺭﻭﺍﺡِ ﻋﺎﻟﻴﺎﹰ ﻴﻨﺎﺩﻭﻥ ،ﺍﺴﻤﻌﻭﺍ ﺃﻱ ﺴﺎﻜﻨﻲ
ﺤِﻤﻰ ﺍﻟﺨﻼﻋﺔِ ﺍﺴﻤﻌﻭﺍ؛
ﺒِﻨﹾﺕﹸ ﺍﻟﻌﻨﻘﻭﺩِ ﻏﺎﺌﺒﺔﹲ ﻋﻨﱠﺎ ﻤﻨﺫﹸ ﺃﻴﺎﻡٍٍ ،ﺫﹶﻫﺒﺕﹾ ﻟﻴﺤﻀﺭ ﻋِﺫﺍﺏ ﺍﻟﺜﱡﻐﻭﺭِ ﻓﺎﺤﻀﺭﻭﺍ؛
ﻟﻬﺎ ﺜﹶﻭﺏ ﻤِﻥ ﺍﻟﻠﱠﻌلِ ﻭﻨِﺼﻑﹸ ﺘﺎﺝٍ ﻤِﻥ ﺤﺒﺎﺏ ،ﺃﺨﹶﺫﹶﺕِ ﺍﻟﻌﻘﹾلَ ﻭﺍﻟﺩﻴﻥ ﻭﺫﻫﺒﺕﹾ ﻟﻜﻴﻼ
ﺘﺄﻤﻨﻭﺍ؛
ﻜﹸلﱡ ﻤﻥ ﻴﺩﻓﹶﻊ ﻟﻲ ﺫﹶﻟِﻙ ﺍﻟﻤﺭ ﺃﺩﻓﹶﻊ ﺃﺠﺭﺍﹰ ﻟﺭﻭﺤِﻪِ ﺍﻟﺤﻠﻭﻯ ،ﻭﺍﻟﻤﺴﺘﹶﺘِﺭ ﻓﻲ ﺍﻟﺨﹶﻔﺎﺀِ
ﻓﻠﻴﺫﹾﻫﺏ ﺇﻟﻰ ﺍﻟﺠﺤﻴﻡ؛
ﺒِﻨﹾﺕﹲ ﺨﹶﺭﺠﺕﹾ ﻟﻴﻼﹰ ،ﺤﺎﺩﺓﹲ ،ﻤﺭﺓﹲ ،ﻭﺭﺩﻴﺔﹸ ﺍﻟﻠﹼﻭﻥِ ،ﺴﻜﹾﺭﻯ ،ﺇﺫﺍ ﻭﺠﺩﺘﹸﻤﻭﻫﺎ ،ﺇﻟﻰ ﺨﺎﻨﹶﺔِ
ﺤﺎﻓِﻅﹶ ﺍﺠﻠﺒﻭﻫﺎ.
) (١ﺍﻷﻋﻨﺎﻕ :ﺍﻟﺭﺅﺴﺎﺀ.
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ﺃﻳﻀﺎً ﻟﻪ
ﺒﻌﺩ ﺘِﺴﻌﺔٍ ﻭﺨﻤﺴﻴﻥ ﻋﺎﻤﺎﹰ ﻤِﻥ ﺍﻟﺤﻴﺎﺓﹾ ﺍﻷﺥﹸ ﺍﻟﺴﻴﺩ ﻋـﺎﺩِلُ ﻁـﺎﺏ ﻤﺜـﻭﺍﻩ
ﺍﷲُ ﺭﺍﺽٍ ﻋﻥ ﺃﻓﻌﺎﻟِﻪِ ﻭﺍﻟـﺼﻔﺎﺕﹾ ﺴﺎﻓﹶﺭ ﻭﺠﻬـﺔﹶ ﺭﻭﻀـﺔِ ﺭﻀـﻭﺍﻥ
)(١
ﻓﻲ ﺨﻠﻴلِ ﻋﺎﺩﺘِﻪِ ﺍﻁﻠﹸﺏ ﻋﺎﻡ ﺍﻟﻭﻓﺎﺓﹾ ﻋﺎﺩﺓﹸ ﺍﻟﺨﻠﻴلِ ﻤﻭﺼـﻭﻟﹶﺔﹲ ﺒِﺨﻭﺍﻨِـﻪِ
ﺃﻳﻀﺎً ﻟﻪ
ﺃﻗـﺭﺃُ ﻟﹶـﻙ ﻤِـﻥ ﺩﻓﺘﹶـﺭِ ﺍﻷﺩﺏ(٢)؛ ﺁﻴــﺔﹰ ﻓــﻲ ﺍﻟﻭﻓــﺎﺀِ ﻭﺍﻟﻌﻁــﺎﺀ
ﺃﻋﻁِ ﻜـﺎﻟﻤﻨﺠﻡِ ﺍﻟﻜﹶـﺭﻴﻡِ ﺍﻟـﺫﱠﻫﺏ؛ ـﺎﺀ،
ـﺎﺭِﺡ ﺍﻟﻘﻠ ـﺏِ ﻤِﻨﹾ ـﻙ ﺒﺎﻟﺠﻔـ
ﺠـ
ﺍﻟﺜﱢﻤــﺎﺭ ﻤــﻥ ﻟــﻪ ﺤــﺼﺏ ﻻ ﺘﻜﹸﻥ ﺃﻗﹶلﱠ ﻤِـﻥ ﺸﹶـﺠﺭٍ ﻴﻌﻁـﻲ
ﺍﻟﺠﻭﻫﺭ ﻤﻥ ﺸﹶـﺞ ﺭﺃﺴـﻪ ﻴﻬـﺏ ﻨﹸﻜﹾﺘﹶﺔﹶ ﺍﻟﺤِﻠﹾـﻡِ ﺨﹸـﺫﹾ ﻤِـﻥ ﺍﻟـﺼﺩﻑ
ﺃﻳﻀﺎً ﻟﻪ
ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﺤﺒﺔِ ﺍﻟﺨﻀﺭﺍﺀِ ﻜﹸلْ ﻓﻤِﻥ ﻭﺠﻪِ ﻟﹶﻁﺎﻓﹶﺔِ ﺍﻟﺭﻭﺡِ ،ﻜﹸلﱡ ﻤﻥ ﺃﻜﹶلَ ﺤﺒﺔﹶ ﺸﻌﻴﺭٍ
ﺸﹶﻙ ﺜﻼﺜﻴﻥ ﻁﺎﺌﺭﺍﹰ ﺒﺴﻴﺦﹾ؛
ﻤِﻥ ﺘِﻠﹾﻙ ﺍﻟﻠﱡﻘﹾﻤﺔِ ﺍﻟﱠﺘﻲ ﺃﻟﻘﹶﺕِ ﺍﻟﺼﻭﻓﻲ ﻓﻲ ﺍﻟﻤﻌﺭِﻓﹶﺔِ ،ﺫﺭﺓﹲ ﻭﻤِﺌﺔﹸ ﺴﻜﹾﺭٍ ،ﺤﺒﺔﹲ ﻭﻤِﺌﺔﹸ
ﺴﻴﻤﻭﺭﻍ.
) (١ﻋﺎﺩﺓﹸ ﺍﻟﺨﻠﻴل :ﺇﻜﺭﺍﻡ ﺍﻟﻀﻴﻑ ،ﻓﻲ ﺨﻠﻴلِ ﻋﺎﺩﺘِﻪِ :ﻓﻲ ﺍﻷﺼل ﻓﻲ ﺨﻠﻴلِ ﻋﺎﺩﺘﹶﺵﹾ.
) (٢ﻤﻥ ﺩﻓﺘﺭ ﺍﻷﺩﺏ ﻓﻲ ﺍﻷﺼل ﻤﻥ ﺩﻓﺘﺭ ﺍﻷﺨﻼﻕِ.
-٤٧٤-
ﺃﻳﻀﺎً ﻟﻪ
ﻁ ﻟِﺴﺎﻥ ﺍﻟﻘﹶﻠﹶﻡِ ﺠﺎﺀ ﻤِﻥ
ﻤﺠﺩ ﺍﻟﺩﻴﻥِ ﺭﺌﻴﺱ ﻭﺴﻠﻁﺎﻥ ﺍﻟﻘﹸﻀﺎﺓِ ﺇﺴﻤﺎﻋﻴل ،ﺇﺫﺍ ﻀﻐﹶ ﹶ
ﺍﻟﺸﱠﺭﻉِ ﺒﺎﻟﻨﱡﻁﹾﻕ؛
ﻭﺴﻁﹶ ﺍﻷﺴﺒﻭﻉِ ﺒﺩﺀ ﺸﹶﻬﺭِ ﺼﻔﹶﺭ ﻜﺎﻑﹾ ﺃﻟِﻑﹾ ،ﺘﹶﺭﻙ ﻫﺫﺍ ﺍﻟﻤﻨﺯِلَ ﻏﻴﺭ ﺫﻱ ﺍﻟﻨﱠﻅﹾﻡِ
ﻭﺍﻟﻨﱠﺴﻕ؛
ﻜﹶﻨﹶﻑﹸ ﺭﺤﻤﺔِ ﺍﻟﺤﻕﱢ ﻤﻨﹾﺯِلٌ ﻟﻪ ﻟِﺫﻟِﻙ ،ﺍﹸﻁﻠﹸﺏ ﻋﺎﻡ ﺘﺎﺭﻴﺦِ ﻭﻓﺎﺘِﻪِ ﻤِﻥ ﺭﺤﻤﺔِ ﺤﻕﹼ.
ﺃﻳﻀﺎً ﻟﻪ
ﺘﺎﺭﻴ ﺦﹸ ﻭﻓﺎﺓِ ﺍﻟﺸﱠﺎﻩِ ﺫﻱ ﻋﺒﻴﺭ ﺍﻟﻤِ ﺴﻙِ ،ﺒﻠ ﺒلٌ ﻭﺴﺭ ﻭ ﻭ ﺒﻨﹶﻔﹾﺴﺞ ﻭﻴﺎﺴﻤﻴﻥ ﻭﺯ ﻫ ﺭ
ﻭﻭﺭﺩ؛
ﻤﻠِﻙ ﻭﺠﻪِ ﺍﻷﺭﺽِ ،ﻏﹶﻭﺙﹸ ﺍﻟﺯﻤﺎﻥِ ،ﺃﺒﻭ ﺍﺴﺤﻕ ،ﺍﻟﱠﺫﻱ ﺒِﺒﺩﺭِ ﻁﹶﻠﹾﻌﺘِﻪِ ﻴﻔﺨﹶﺭ ﻭﻴﻀﺤﻙ
ﻋﻠﻰ ﺍﻟﻭﺭﺩ؛
ﺍﻟﺠﻤﻌﺔﹸ ﺍِﺜﻨﺎﻥِ ﻭﻋِﺸﹾﺭﻭﻥ ﺸﻬﺭِ ﺠﻤﺎﺩﻯ ﺍﻷﻭﻟﻰ ،ﻓﻲ ﻭﻗﺕِ ﺍﻟﻤﺴﺎﺀِ ﻤِﻥ ﺍﻟﺠﺯﺀِ ﺇﻟﻰ
ﺍﻟﻜﹸلّ ﺭﺩ.ْ
ﺃﻳﻀﺎً ﻟﻪ
ﺍﻟﻌﺎﻡ ﻭﺍﻟﻔﺎلُ ﻭﺍﻟﻤﺎلُ ﻭﺍﻟﺤﺎلُ ﻭﺍﻷﺼلُ ﻭﺍﻟﻨﱠﺴلُ ﻭﺍﻟﺘﱠﺨﹾﺕﹸ ﻭﺍﻟﺒﺨﹾﺕﹸ
ﻓﻠﺘﻜﹸﻥ ﻜﹸﻠﱡﻬـﺎ ﻟـﻙ ﻓـﻲ ﻤﻠﹾﻜِـﻙ ﻓـﻲ ﻗـﺭﺍﺭٍ ﻋﻠـﻰ ﺍﻟـﺩﻭﺍﻡ
ﺍﻟﻌﺎﻡ ﺍﻟﺒﻬﻴﺞ ﻭﺍﻟﻔﺎلُ ﺍﻟﺴﻌﻴﺩ ﻭﺍﻟﻤﺎلُ ﺍﻟﻭﻓﻴﺭ ﻭﺍﻟﺤـﺎلُ ﺍﻟﺠﻤﻴـلُ
ﻭﺍﻷﺼلُ ﺍﻟﺜﱠﺎﺒِﺕﹸ ﻭﺍﻟﻨﱠﺴلُ ﺍﻟﺒﺎﻗﻲ ﻭﺍﻟﺘﱠﺨﹾﺕﹸ ﺍﻟﻌﺎﻟﻲ ﻭﺍﻟﺒﺨﹾﺕﹸ ﺍﻟﺘﱠﻤـﺎﻡ
-٤٧٥-
ﺃﻳﻀﺎً ﻟﻪ
ﺴﺭﻭﺭ ﺃﻫـلِ ﺍﻟﻌﻤـﺎﺌﻡِ ﺸﹶـﻤﻊ ﺠﻤـﻊِ ﺍﻟﻤﺠﻠِـﺱِ
ﺼﺎﺤِﺏ ﺤﺴﻥِ ﺍﻟﻁﱠﺎﻟﹶﻊِ ﺴﻴﺩ ﻗـﻭﺍﻡ ﺍﻟـﺩﻴﻥِ ﺤـﺴﻥ
ـﺎﺩِﺱ ﺸﹶـﻬﺭِ ﺭﺒﻴ ـﻊٍ ﺍﻵﺨِ ـﺭِ
ـﻭﻡ ﺍﻟﺠﻤﻌ ـﺔِ ﺴـ
ﻴـ
ﻭﺴﻁﹶ ﺍﻟﻨﱠﻬـﺎﺭ ﺼـﺎﺭ ﺇﻟـﻰ ﺤﻜﹾـﻡِ ﺫﻱ ﺍﻟﻤِـﻨﹶﻥ
ﺴﺒﻊ ﻤِﺌﺔٍ ﻭﺃﺭﺒﻊ ﻭﺨﻤﺴﻭﻥ ﻤِﻥ ﻫِﺠﺭﺓِ ﺨﹶﻴﺭِ ﺍﻟﺒﺸﹶﺭ
ﺼﺎﺭﺕِ ﺍﻟﺠﻭﺯﺍﺀ ﻟﻠﺸﱠﻤﺱِ ﺍﻟﻤﺤلﱠ ﻭﻟﻠﺒﺩﺭِ ﺍﻟـﻭﻁﹶﻥ
ﻁﺎﺌﺭ ﺭﻭﺤِﻪِ ﺍﻟﱠـﺫﻱ ﻜـﺎﻥ ﻫﻤـﺎ ﻋـﺎﻟﹶﻡِ ﺍﻟﻘﹸـﺩﺱِ
ﺭﺍﺡ ﺇﻟﻰ ﺭﻭﺽِ ﺍﻟﺠﻨﱠﺔِ ﻤِﻥ ﺸﹶـﺒﻜﹶﺔِ ﺩﺍﺭِ ﺍﻟﻤِﺤـﻥ
ﺃﻳﻀﺎً ﻟﻪ
ﺘﺤﺕﹶ ﻗﹶﻭﺱِ ﻫﺫﺍ ﺍﻟـﺴﻘﹾﻑِ ﺍﻟﻨﹼﻴﻠـﻲ ﻗﻠﺏ ،ﻤﺎ ﺭﺃﻯ ﺫﻟِﻙ ﺍﻟﻭﻟﹶﺩ ﺍﻟـﺫﱠﻜﻲ
ﻓﻲ ﺠﻭﺍﺭِﻩِ ﻤﺤلﱠ ﻟﻭﺤِـﻪِ ﺍﻟﻔِـﻀﻲ ﻭﻀﻊ ﺍﻟﻔﹸﻠﹾﻙ ﻟﻪ ﻟﻭﺤﻪ ﺍﻟﺤﺠـﺭﻱ
ﺃﻳﻀﺎً ﻟﻪ
ﻓﻲ ﺒﻴﺕِ ﺍﻟﻅﱡﻠﻤﺔِ ﻫﺫﺍ ﺤﺘﱠﺎﻡ ﺃﺠﻠِﺱ ﺒﺎﻨﺘِﻅﺎﺭِ ﺍﻟﺤﺒﻴﺏِ ،ﺤﻴﻨﺎﹰ ﺃﻋﺽ ﺍﻷﻨﺎﻤِلَ ﺒﺎﻷﺴﻨﺎﻥِ،
ﻭﺤﻴﻨﺎﹰ ﺃﻀﻊ ﺍﻟﺭﺃﺱ ﻋﻠﻰ ﺍﻟﺭﻜﹶﺏ؛
ﺘﻌﺎلَ ﻴﺎ ﻁﺎﺌﺭ ﺍﻟﺩﻭﻟﹶﺔِ ﺒﺎﻟﺒِﺸﺎﺭﺓِ ﺒﺎﻟﻭﺼلِ ،ﻋﺴﻰ ﺍﻷﻴﺎﻡ ﺃﻥ ﻴﺭﺠِﻌﻥ ﻗﻭﻤﺎﹰ ﻜﺎﻟﱠﺫﻱ
ﻜﺎﻨﻭﺍ.
-٤٧٦-
ﺃﻳﻀﺎً ﻟﻪ
ﺃﻱ ﻤﻥ ﺃﺼلُ ﺠﻭﻫﺭِﻙ ﺍﻟﻌﺎﻟﻲ ﻤﻌﺭﻯ ﻤِﻥ ﺍﻟﺤِﺭﺹِ ﻭﺍﻟﻁﱠﻤﻊِ ،ﺃﻱ ﻤﻥ ﻨﹶﺠﻤﻙ
ﻤﻴﻤﻭﻥ ﺍﻟﺫﱠﺍﺕِ ﻤﺒﺭﺍﹰ ﻤِﻥ ﺍﻟﺯﻴﻑ ﻭﺍﻟﻨﱢﻔﺎﻕِ؛
ﺒﺎﺏ ﺍﻟﻌﻅﹶﻤﺔِ ﻟﻥ ﻴﺼﻴﺭ ﻤﺘﺎﺤﺎﹰ ﻭﺍﻟﺘﱠﺸﺭﻴﻔﺎﺕﹸ ﺍﻟﻤﺄﺨﻭﺫﹶﺓﹸ ﻤِﻥ ﺍﻟﻤﻼﺌﻜﹶﺔِ ﻟﻥ ﺘﺼﻴﺭ
ﻋﻁﺎﺀ ﻟﻠﺸﱠﻴﻁﺎﻥِ.
ﺃﻳﻀﺎً ﻟﻪ
ـﺎﻡ
ـﺎﻤﻸِ ﺍﻟﺠـ
ـﺭﺍﺭ ﻓـ
ـﺎﻟِﻡ ﺒﺎﻷﺴـ
ﻋـ ﺴﺎﻗﻴﺎ ﺼﺎﺤِﺏ ﺍﻟﻤﺠﻠِﺱِ ﻭﺍﻫِﺏ ﺍﻟﻌﻁﺎﺀِ
ﺍﻟﺠﻨﱠﺔﹸ ﻨﻘﺩ ﻫﻨﺎ ﻋِﺵﹾ ﺴﻌﻴﺩﺍﹰ ،ﻓﻲ ﺠﻨﱠﺔِ ﺍﷲِ ﻋﻠـﻰ ﺍﻟﻌﺒـﺩِ ﻻ ﻴﻜﹾﺘﺒـﻭﻥ ﺍﻵﺜـﺎﻡ
ﺃﺤِﺒﺎﺀ ﻭﺃﺼﺩِﻗﺎﺀ ﻭﺭﻓﺎﻕﹲ ﺫﻭﻭ ﺃﺩﺏٍ ،ﻭﺨﹶﺩﻡ ﺤِـﺴﺎﻥ ﻭﺼـﻑﱡ ﺠﻠﱠـﺎﺱٍ ﻜـﺭﺍﻡ
ﻤﺠﻠِﺱ ﺭﻗﹾﺹٍ ﺒِﻪِ ﺤﺒﺔﹸ ﺍﻟﻘﻠﹾﺏِ ﺨﺎلُ ﺍﻟﺤﺒﻴﺏِ ﻭﺯﻟﹾﻑﹸ ﺍﻟﺴﺎﻗﻲ ﺍﻟﺸﱢﺒﺎﻙ ﺒﻌﺫﹾﺏِ ﺍﻷﻨﻐـﺎﻡ
ﻻ ﺩﻭﺭ ﺃﻓﻀلُ ﻤِﻥ ﻫﺫﺍ ،ﺴﺎﻗﻲ ﺍﺨﺘﹶﺭِ ﺍﻟﻌِﺸﹾﺭﺓﹶ ،ﻻ ﺤﺎلَ ﺃﻓﻀلُ ﺤﺎﻓِﻅﹸ ﺍﻁﻠﹸﺏِ ﺍﻟﺠـﺎﻡ
ﺃﻳﻀﺎً ﻟﻪ
ﻤِﻥ ﺤﻀﺭﺓِ ﺍﻷﺤـﺩِ ﻻ ﺇﻟـﻪ ﺇﻻﱠ ﺍﷲْ ﺃﺭﺴلَ ﺍﻟﻤﺨﹾﺒِﺭ ﺍﻟﻨﱢﺩﺍ ﺇﻟﻰ ﺃُﺫﻥِ ﺍﻟﺭﻭﺡِ
ﺃﻥ ﺃﻴﻬﺎ ﺍﻟﻌﺯﻴﺯ ﻤﻥ ﻨﺼﻴﺒﻪ ﺍﻟﻬﻭﺍﻥ ﺤﻘﱠﺎﹰ ﻟﻥ ﻴﺠِﺩ ﺍﻟﻤﻨﺼِﺏ ﺒـﺎﻟﺯﻭﺭِ ﻭﺍﻟﺠـﺎﻩ
ﻤﺎﺀ ﺯﻤﺯﻡ ﻭﺍﻟﻜﹶﻭﺜﹶﺭ ﻟـﻥ ﻴﺒﻴـﻀﺎﻩ ﻤﻥ ﻴﻜﹸﻥ ﺤﻴﻙ ﺃﺴﻭﺩﺍﹰ ﻟﻪ ﻨﺴﻴﺞ ﺍﻟﺒﺨﹾﺕِ
ﻴﻭﻡ ﺍﻟﺴﺒﺕِ ﺴﺎﺩِﺱ ﺸﹶﻬﺭِ ﺫﻱ ﺍﻟﺤِﺠﺔِ ﻋﺎﻡ ﺴﺒﻌِﻤﺎﺌﺔٍ ﻭﺴﺘﻴﻥ ،ﻓـﺎﺭﻕﹶ ﺍﻟﺤﻴـﺎﻩ
ﺴﺎﺭ ﻓﻲ ﻁﺭﻴﻕﹶ ﺍﻟﺴﻌﺎﺩﺓِ ﻟِﻠﺠﻨﱠﺔِ ﺍﻟﻭﺯﻴﺭ ﺍﻟﻜﺎﻤِلُ ﺃﺒﻭ ﻨﹶﺼﺭ ﺨﻭﺍﺠـﻪ ﻓـﺘﺢ ﺍﷲْ
-٤٧٧-
ﺃﻳﻀﺎً ﻟﻪ
ﺃﺭﺴلَ ﻟﻲ ﺴﻼﻤﺎﹰ ﺼﺩﻴﻕﹲ ﺍﻟﻴﻭﻡ ،ﺃﻥ ﺃﻱ ﻤﻥ ﻨﺘﻴﺠـﺔﹸ ﻗﹶﻠﹶﻤِـﻙ ﺴـﻭﺍﺩ ﺍﻟﺒـﺼﺭ؛
ﻤِﻥ ﺒﻌﺩِ ﻋﺎﻤﻴﻥ ﻤﻨﹾﺫﹸ ﺃﻋﺎﺩﻙ ﺍﻟﺒﺨﹾﺕﹸ ﻟﻠﺒﻴﺕِ ،ﻟﻤﺎﺫﺍ ﻴﺎ ﺴﻴﺩ ﻤِﻥ ﺍﻟﺒﻴﺕ ﻻ ﺘﺨـﺭﺝ ؟؛
ﺠﺎﻭﺒﺘﹸﻪ ،ﻭﻗﹸﻠﹾﺕﹸ ﺇﻨﱠﻨﻲ ﻤﻌﺫﻭﺭ ﻓﺎﻋﺫﹸﺭﻨﻲ ،ﻓﺫﺍﻙ ﻟﻴﺱ ﻤِﻥ ﻗﺒﻴلِ ﺍﻟﻌِﻨﺎﺩِ ﻭﺍﻟـﺼﻠﹶﻑ؛
ﻭﻜﻴلُ ﺍﻟﻘﺎﻀﻲ ﻜﺎﻤِﻥ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕِ ﻟﻤﺭﻭﺭﻱ ،ﻓﻲ ﻜﻔﱢﻪِ ﻭﺭﻗﹶﺔﹸ ﺩﻋﻭﻯ ﻜـﺄﻓﻌﻰ ﺘـﻀﻁﺭِﺏ؛
ﺇﺫﺍ ﻤﺎ ﻭﻀﻌﺕﹸ ﺍﻟﻘﹶﺩﻡ ﺨﺎﺭِﺝ ﺍﻟﻌﺘﺒﺔِ ،ﺴﻴﻘﺒﺽ ﻋﻠﻲ ﻭﻴﺭﺴِلُ ﺒﻲ ﻤﻔﻀﻭﺤﺎﹰ ﻟﻠـﺴﺠﻥِ
ﺃﻳﻀﺎً ﻟﻪ
ﺍﻟﺸﱠﺤﺎﺫﹸ ﺇﺫﺍ ﻜﺎﻥ ﻴﻤﻠﻙ ﺠﻭﻫﺭﺍﹰ ﻁﺎﻫِﺭ ﺍﻷﺼلِ ،ﺤﺎﺸﺎ ﺘﹸﺼﻴﺒﻪ ﻤِﻥ ﺍﻟﺒﺤﺭِ ﻨﹸﻘﻁﹶﺔﹸ ﺨﹶﺠلٍ؛
ﺍﻟﺸﱠﻤﺱ ﻟﻭ ﻟﻡ ﺘﻜﹸﻥ ﺘﺤﺴﺩ ﺠﺎﻤﻪ ﺍﻟﺫﱠﻫﺒﻲ ،ﻟِﻡ ﻟﻡ ﺘﹶﺤﺼلْ ﻤِﻥ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﻤﺴﻌِﺩﺓ ﺇﻟﱠﺎ
ﻋﻠﻰ ﺍﻟﻘﻠﻴلِ؛
ﻤﻨﺯِلُ ﺍﻟﺩﻨﻴﺎ ﻟﻭ ﻟﻡ ﻴﻜﹸﻥ ﻤﻨﺯﻻﹰ ﻟﻠﺨﺭﺍﺏ ،ﻜﺎﻥ ﻴﺠِﺏ ﺃﻥ ﻴﻜﻭﻥ ﺃﺴﺎﺴﻪ ﺃﻜﺜﹶﺭ ﻗﺭﺍﺭﺍﹰ؛
ﺫﹶﻫﺏ ﺍﻟﺯﻤﺎﻥِ ﺍﻟﱠﺫﻱ ﻋﻤِلَ ﻟﻭ ﻟﻡ ﻴﻜﹸﻥ ﺯﺍﺌﻔﺎﹰ ،ﻜﺎﻥ ﻴﺠِﺏ ﺃﻥ ﻴﺼِلَ ﺇﻟﻰ ﻴﺩِ ﺁﺼِﻑﹶ
ﺼﺎﺤِﺏِ ﺍﻟﻌﻴﺎﺭ؛
ﻻ ﻭﻟﹶﺩ ﻟﻠﺩﻫﺭِ ﻏﻴﺭ ﻫﺫﺍ ﺍﻟﻌﺯﻴﺯ ،ﻟِﺫﺍ ﻭﺠﺒﺕﹾ ﻟ ﻪ ﻓﹸﺴﺤﺔﹸ ﻋﻤﺭٍ ﻤِﻥ ﺍﻟﺩﻫﺭِ.
ﺃﻳﻀﺎً ﻟﻪ
ﺕ ﺒﻴﺩِﻙ ﻤِﻥ ﺍﻟﺠﻨﱠﺔِ ﺃﻱ ﻋﺯﻴﺯ ،ﻟِﻤﺎﺫﺍ ﻟﻡ ﺘﹶﺯﺭﻋﻬﺎ ﺒﻴﺩِﻙ ﻓﻲ
ﺘِﻠﹾﻙ ﺍﻟﻔﺎﻜِﻬﺔﹸ ﺍﻟﱠﺘﻲ ﺠﺎﺀ ﹾ
ﺍﻟﻘﹶﻠﹾﺏِ ﺒل ﺭﻤﻴﺘﹶﻬﺎ؛
ﺦ ﻫﺫِﻩِ ﺍﻟﻤﻌﺎﻤﻠﹶﺔِ ﻤﺠﺩﺩﺍﹰ ،ﺤﺴﺎﺏ ﺠﻤﻠﹶﺘِﻪِ ﺍﻗﺭﺃْ ﻤِﻥ ﻓﺎﻜِﻬﺔِ ﺠﻨﱠﻪ
ﺇﺫﺍ ﺴﺄﻟﻭﻙ ﻋﻥ ﺘﺎﺭﻴ ِ
)ﻤﻴﻭﻩ ﺒﻬﺸﺘﻰ(.
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ﺃﻳﻀﺎً ﻟﻪ
ﺃﻱ ﺫﺍ ﺠﻼلٍ ﺒِﺄﻨﻭﺍﻉِ ﺍﻟﻔﹶﻀلِ ﻤـﺯﺩﺍﻥِ ﻤﻠِﻙ ﺍﻟﻌﺩلِ ﺃﺴﺩ ﺍﻟﻘﹶﻠﹾﺏِ ﺒﺤـﺭ ﺍﻟﻜﻔـﺎ
ﺼﻴﺕﹸ ﺴﻌﺩِ ﻭﺸﹸﻬﺭﺓِ ﻤﻠﻜِﻙ ﺍﻟﺴﻠﻁﺎﻨﻲ ﺒﻠﹶﻎﹶ ﺍﻵﻓﺎﻕﹶ ﻜﹸﻠﱠﻬﺎ ،ﻓﺘﹶﺢ ﺍﻷﻁﺭﺍﻑﹶ ﻜﹸﻠﱠﻬﺎ
ﺃﻨﺕﹶ ﻤﻠﹾﻬﻡ ﺍﻟﻐﻴﺏِ ﻋﺎﻟِﻡ ﺒِﺄﺤﻭﺍﻟﻲ ،ﻴﻭﻤﻲ ﺍﻷﺒﻴﺽ ﻗﺩ ﺼﺎﺭ ﻤِﺜﹾلَ ﻟﻴﻠﻲ ﺍﻟﻅﱠﻠﻤﺎﻨﻲ
ﻟﻴﻠﹶﺔﹶ ﺍﻷﻤﺱِ ﺭﺃﻴﺕﹸ ﻤﻨﺎﻤﺎﹰ ﻻ ﺃﻋﺭِﻑﹸ ﺘﺄﻭﻴﻠﹶﻪ ،ﻗﹸلْ ﺃﻨﹾﺕﹶ ﻴﺎ ﻤﻥ ﻓﻲ ﺍﻟﻔﹶﻬﻡِ ﻤﺎ ﻟﻙ ﺜـﺎﻥِ
ﺃﻳﻀﺎً ﻟﻪ
ﺤﻭلْ ﺇﻟﻰ ﻋﻴﻥِ ﺍﻟﺒﻘﺎ ﺠِﺴﻤِﻲ ﺍﻟﻔﺎﻨﻲ؛ ﺴﺎﻗﻲ ﺍﻟﺨﹶﻤﺭ ﺇﻜﺴﻴﺭ ﺍﻟﺤﻴﺎﺓِ ﻟﻲ ﻫﺎﺕِ،
ﻋﻴﻨﻲ ﻋﻠﻰ ﺩﻭﺭِ ﺍﻟﻘﹶﺩﺡِ ﻭﺭﻭﺤﻲ ﻋﻠﻰ ﺭﺍﺤﺔِ ﺍﻟﻜﹶﻑﱢ ،ﻻ ﺘﺤﺭِﻡِ ﺍﻷﻭﻟﻰ ﻤِﻥ ﺍﻟﺜﱠـﺎﻨﻲ؛
ﻤﺜ َل ﻭﺭﺩٍ ﻓﻲ ﺍﻟﺭﻭﺽِ ﻫﺯﺕِ ﺍﻟﺭﻴﺢ ﺜﻭﺒ ﻪ ﺃُﻟﻘﻲ ﻋﻠﻰ ﻗﹶﺩﻡِ ﺍﻟﻤﺤﺒﻭﺏِ ﺭﻭﺡ ﻭﻟﻬﺎﻥِ؛
ﺒﻭﺼﻑِ ﺒﺩﺭٍ ﻓﻲ ﺍﻟﺤﺴﻥِ ﻤﺎ ﻟﻪ ﺜﺎﻥِ. ﻤﻁﺭِﺏ ﺍﻋﺯِﻑﹾ ﻋﻠﻰ ﺍﻟﻤﺜﺎﻟِﺙِ ﻭﺍﻟﻤﺜﺎﻨﻲ
ﺃﻳﻀﺎً ﻟﻪ
ﻜﺎﻥ ﺭﻓﻴﻘﺎﹰ ﻟﹶﻙ ﺠﻴﺵﹸ ﺍﻟﺘﱠﻭﻓﻴﻕِ ﻓﺎﻨﻬﺽ ﻭﺴِﺭ ﻓﻲ ﺍﻟﻁﱠﺭﻴﻕ ،ﺇﺫﺍ ﻋﺯﻤﺕﹶ ﻋﻠﻰ ﺘﺴﺨﻴﺭِ
ﺍﻟﻌﺎﻟﹶﻡِ ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺸﱠﺎﻩ؛
ﻓﻲ ﺼﺩﺭِ ﺍﻟﺴﻠﻁﹶﻨﹶﺔِ ﺒِﻤِﺜﹾلِ ﻫﺫﺍ ﺍﻟﺠﻼلِ ﻭﺍﻟﺠﺎﻩ ،ﺘﺠﻌلُ ﺍﻟﻘﻠﻭﺏ ﻟﻠﺨِﺩﻤﺔ ﺩﺍﺌﻤﺎﹰ ﻓﻲ ﺍﻨﺘﺒﺎﻩ؛
ﺭﻏﻡ ﺨِﺩﺍﻉِ ﺍﻟﻠﹼﻭﻥِ ﺍﻟﻨﱢﻴﻠﻲ ﺍﻟﺯﻨﺠﺎﺭﻱ ﺍﻟﺸﱠﻬﻴﺭ ﻫﺫﺍ ،ﺃﻨﺕﹶ ﺘﻌﻤلُ ﺍﻟﻌﻤلَ ﻭِﻓﹾﻕﹶ ﻤﺭﺍﺩِ
ﺼِﺒﻐﹶﺔِ ﺍﷲ؛
ﺤﻴﻥ ﻻ ﺘﻨﻔﹶﻊ ﺍﻟﻌﺸﹶﺭﺓﹸ ﻭﺍﻟﻨﱢﺼﻑﹸ ﺃﻭ ﺍﻟﺴﺒﻌﺔﹸ ﻭﺍﻟﻨﱢﺼﻑﹸ ،ﺇﻨﱠﻬﺎ ﻓﹸﺭﺼﺘﹸﻙ ﻟِﺘﹶﻌﻤلَ ﺴﺒﻌﺔﹶ
ﻭﻨِﺼﻑِ ﺍﻟﺨﹶﻤﺭﺓِ ﺍﻟﻤﺼﻔﱠﺎﻩ.
-٤٧٩-
ﺭﺑﺎﻋﻴﺎﺕ ﺣﺎﻓِﻆ
ﺭﺑﺎﻋﻴﺔ
ﻨﺤﻥ ﺇﻟﻰ ﻏﻴﺭِ ﻤﻐﻨـﺎﻙ ﻻ ﻨﺠـﻲﺀ ﻏﻴﺭ ﺭﺴﻤِﻙ ﻓﻲ ﻨﺎﻅِﺭﻱ ﻻ ﻴﺠﻲﺀ
ـﻲﺀ
ـﻭﻡ ﻻ ﻴﺠـ
ـﺎ ﺍﻟﻨﱠـ
ﺤﻘﱠ ـﺎﹰ ﺒِﻌﻴﻨِﻨـ ﺍﻟﻨﱠــﻭﻡ ﻟﺫﻴــﺫﹲ ﻭﻟﻜِﻨﱠــﻪ ﻟِﻌﻬــﺩِﻙ
ﺭﺑﺎﻋﻴﺔ
ﻓﻲ ﻴﺩِﻩِ ﺍﻟﻤِـﺭﺁﺓﹸ ،ﻭﺠﻬـﻪ ﻴـﺯﻴﻥ ﺒــﺩﺭ ﺍﻟــﺴﺭﻭ ﻗــﺩﻩ ﻤــﺴﺘﻘﻴﻤﺎﹰ
ﺘﻁﻠﹸﺏ ﻭﺼﻼﹰ ﺨﻴﺎﻻﹰ ﺠﻤﻴﻼﹰ ﺘﹸـﺯﻴﻥ ﺃﻫﺩﻴﺘﹸﻪ ﻤِﻨـﺩﻴﻼﹰ ﺼـﻐﻴﺭﺍﹰ ﻓﻘـﺎل
ﺭﺑﺎﻋﻴﺔ
ﻅﹶﻨﹶﻨﹾﺕﹸ ﺃﻨﱠﻪ ﺸﹶﻲﺀ ﻓﻜﺎﻥ ﻻ ﺸـﻲﺀ ﻤﺩﺩﺕﹸ ﻴﺩﻱ ﻟﻠﻨﱢﻁﺎﻕِ ﺤﻭلَ ﺨﹶﺼﺭِﻙ
ﻜﻲ ﻻ ﺃﻤﺱ ﻤِﻥ ﺫﻟِﻙ ﺍﻟﺨﹶﺼﺭِ ﺸﻲﺀ ﺍﻟﻅﱠﺎﻫِﺭ ﻫﺫﺍ ﺍﻟﻨﱢﻁﺎﻕُِ ﺃﺤﺎﻁﹶ ﺒﺎﻟﺨﹶﺼﺭِ
ﺭﺑﺎﻋﻴﺔ
ﺍﻟﻜﺄﺱ ﻓﻲ ﻴﺩِ ﺍﻟﺭﻭﺡِ ﺼﺎﺭ ﻤِﻸﻩ ﺍﻟﻌﻤﺭ ﺃﺨﹶﺫﹶ ﺍﻟﺴﻴلُ ﻤﺎ ﻜﺎﻥ ﻤِﻥ ﺨﺭﺍﺏِ ﺍﻟﻌﻤﺭِ
ﺍﹸﺼﺢ ﻴﺎ ﺴﻴﺩ ﺤﻤﺎلُ ﺍﻟﺯﻤﺎﻥِ ﻴﺤﻤلُ ﺤﻤﻼﹰ ﺠﻤﻴﻼﹰ ﻤﺘﺎﻋﻙ ﻤِـﻥ ﺨﺎﻨﹶـﺔِ ﺍﻟﻌﻤـﺭ
ﺭﺑﺎﻋﻴﺔ
ﻻ ﺘﹸﻌِﺏ ﺒﺎﻟﺨﻤﺎﺭِ ﻋﺎﺸِـﻘﺎﹰ ﺴِـﻜﱢﻴﺭﺍﹰ ﻻ ﺘﻠﹸﻤﻨﻲ ﺒِﻌِـﺸﹾﻕِ ﻭﺠـﻪِ ﺤﺒﻴﺒـﻲ
ﻻ ﺘﹶﻠﹸﻡ ﻫﺅﻻﺀِ ﺍﻟﻤﻌﺭﺒـﺩﻴﻥ ﻜﺜﻴـﺭﺍﹰ ﺼﻭﻓﻲ ﻤﺎ ﺩﻤﺕﹶ ﺘﻌﺭِﻑﹸ ﺭﺴﻡ ﺍﻟﺴﺎﻟﻜﻴﻥ
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ﺭﺑﺎﻋﻴﺔ
ﻗﹸﻠﹾﺕﹸ ﻋﺎﺸِﻕﹲ ﻭﻤﺠﻨﻭﻥ ﺍِﻗﺽِ ﺤﺎﺠﺘﻲ ﺘﹶﻌﻠﱠﻘﹾﺕﹸ ﺒﻭﺠﻪِ ﺤﺎﺠﺘﻲ ﺒِﺴﻨﹾﺒلِ ﻓﹶﺭﻋِﻪ
ِﻗﺎلَ ﺘﹶﻌﻠﱠﻕﹾ ﺒﺎﻟﻌﻴﺵِ ﺍﻟﺠﻤﻴلِ ﻻ ﺒﺎﻟﻌﻤﺭِ ﺍﻟﻁﱠﻭﻴـلِ ﺨﹸـﺫﹾ ﺜﹶﻐﹾـﺭﻱ ﻭﺩﻉ ﺠـﺩﻴﻠﺘﻲ
ﺭﺑﺎﻋﻴﺔ
ﺍﻁﻠﹸﺏ ﺃﺴﺭﺍﺭ ﺍﻟﻜﹶﺭﻡِ ﻋِﻨﹾﺩ ﻤﻭﻟﻰ ﻗﻨﺒﺭ ﺍﻁﻠﹸﺏ ﺭﺠﻭﻟﹶﺔﹰ ﻋِﻨﹾﺩ ﻗﺎﻟِﻊِ ﺒﺎﺏِ ﺨﻴﺒـﺭ
ﻨﺒﻌﻪ ﺤﻘﱠﺎﹰ ﻋِﻨﹾـﺩ ﺴـﺎﻗﻲ ﺍﻟﻜـﻭﺜﹶﺭ ﺤﺎﻓِﻅﹸ ﺇﻥ ﻜﹸﻨﹾﺕﹶ ﻁﺎﻟِﺏ ﻓﻴﺽِ ﺍﻟﺤﻕﱢ
ﺭﺑﺎﻋﻴﺔ
ﺨﹶﻔِــﺭ ﻤﻨــﻙ ﺫﻟــﻙ ﺍﻟﺒــﺭﻋﻡ ﺍﻟﻤــﺴﺘﻭﺭ
ﺨﺠِــلٌ ﻤﻨــﻙ ﺫﻟِــﻙ ﺍﻟﻨﱠــﺭﺠِﺱ ﺍﻟﻤﺨﻤــﻭﺭ
ﻑ ﻟِﻠــﻭﺭﺩِ ﻭﻫــﻭ ﻴــﺴﺘﻨﻴﺭ ﻤــﻥ ﺍﻟﺒــﺩﺭِ
ﻜﻴــ ﹶ
ﺃﻥ ﻴﻘــﺎﺱ ﺒِﻤــﻥ ﺘــﺴﺘﻨﻴﺭ ﻤﻨــﻪ ﺍﻟﺒــﺩﻭﺭ
ﺭﺑﺎﻋﻴﺔ
ﺍﻟــﺸﹼﻤﺱ ﻴــﺎ ﺒــﺩﺭ ﺠﺎﺀﺘــﻙ ﻋﺒــﺩﺍﹰ ﺼــﻐﻴﺭﺍﹰ
ﻟــﻴﺱ ﻋﺒــﺩﺍﹰ ﻟــﻙ ﺍﻟﹼــﺫﻱ ﻻ ﻴــﺸﻊ ﻨــﻭﺭﺍ
ﻤِــﻥ ﻀــﻴﺎﺀِ ﺍﻟــﺸﱡﻌﺎﻉٍ ﻤِــﻥ ﻨــﻭﺭِ ﻭﺠﻬِــﻙ
ﺍﻟــﺸﱠﻤﺱ ﻭﺍﻟﺒــﺩﺭ ﺼــﺎﺭﺍ ﻀــﻴﺎﺀ ﻭﻨــﻭﺭﺍ
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ﺭﺑﺎﻋﻴﺔ
ﻜــلﱠ ﻴــﻭﻡِ ﻗﻠﺒــﻲ ﻟﺩﻴــﻪِ ﺤِﻤــلٌ ﺠﺩﻴــﺩ
ﻜﹸلﱠ ﻴـﻭﻡٍ ﺒِﻌﻴﻨـﻲ ﻤـﻥ ﺍﻟﻬﺠـﺭِ ﺸـﻭﻙ ﺠﺩﻴـﺩ
ﺩﺍﺌﻤــﺎﹰ ﺃﺒــﺫلُ ﺍﻟﺠﻬــﺩ ﻭﺍﻟﻘــﻀﺎﺀ ﻴﻘــﻭلْ
ﻟــﻴﺱ ﻫــﺫﺍ ﺒِﻜــﺎﻑٍ ﻟــﺩﻴﻙ ﺸﹸــﻐلٌ ﺠﺩﻴــﺩ
ﺭﺑﺎﻋﻴﺔ
ـﻨﺎﻩ ﺘﻨــﻭﺭ
ـﻥ ﺴــ
ﺒــﺩﺭﻱ ﺍﻟــﺸﱠﻤﺱ ﻤِــ
ﺨﻁﱡـــﻪ ﻤﻨـــﻪ ﻨﺒـــﻊ ﻋـــﻴﻥِ ﺍﻟﻜـــﻭﺜﺭ
ﻓــﻲ ﺒﺌــﺭِ ﺫﻗﻨِــﻪِ ﺭﻤــﻰ ﺠﻤﻴــﻊ ﺍﻟﻘﻠــﻭﺏِ
ﺜﹸـــﻡ ﻏﻁﹼـــﻰ ﻟِـــﺴِﺭ ﺒِﺌـــﺭِﻩِ ﺒـــﺎﻟﻌﻨﺒﺭ
ﺭﺑﺎﻋﻴﺔ
ﻤِﻥ ﻏﹶﻡٍ ﻤِﻨﹾﻙ ﻓﻲ ﺴﺭﻴﺭِ ﻋِﻠﱠﺘﻲ ﺴﺄﻨﺎﻡ ﻟﻴﻠﺘﻲ ﻫﺫِﻩِ ﻏﺎﺭِﻗﺎﹰ ﺒِﺩﻤﻲ ﺴـﺄﻨﺎﻡ
ﻟﻴﺭﻯ ﺩﻭﻨﹶﻙ ﻓﻲ ﺃﻴﺔِ ﺤﺎﻟﺔٍ ﺴـﺄﻨﺎﻡ ﻭﺇﺫﺍ ﻟﻡ ﺘﹸﺼﺩﻕﹾ ﺤﺩﻴﺜﻲ ﻓﺄﺭﺴِلْ ﺨﻴﺎﻟﹶﻙ
ﺭﺑﺎﻋﻴﺔ
ﻟﺫﱠﺓﹸ ﺴـﻜﹾﺭِﻫﺎ ﻻ ﺘـﺴﺘﺤِﻕﱡ ﺍﻷﻟﹶـﻡ ﺩﻭﻟﹶﺔﹸ ﺍﻟﺩﻨﻴﺎ ﻻ ﺘﺴﺘﺤِﻕﱡ ﺍﻟﻌـﺩﻭﺍﻥ
ﺴﺒﻌﺔﹸ ﺁﻻﻑِ ﻋﺎﻡٍ ﻤِـﻥ ﺍﻟـﺴﺭﻭﺭِ ﻤِـﻥ ﺍﻟـﺩﻨﻴﺎ ﻻ ﺘـﺴﺘﺤِﻕﱡ ﺃﺴـﺒﻭﻉ ﻏﹶـﻡْ
-٤٨٢-
ﺭﺑﺎﻋﻴﺔ
ﺴــﻌﺎﺩﺓﹸ ﻗﻠﺒــﻲ ﺘﺠــﻲﺀ ﻤِﻨــﻪ ﺫﻟِــﻙ ﺍﻟــﻭﺭﺩ ﻤﻁﻠِــﻕﹲ ﻨﻔﹶــﺴﺎﹰ
ﻋﺒﻴــﺭ ﺸﹶــﺨﹾﺹٍ ﻴﺠــﻲﺀ ﻤِﻨــﻪ ﺠﻌﻠﹾــﺕﹸ ﻭﺠﻬــﻲ ﻟﻠﻭﻨِــﻪِ ﻟِــﺄﻥ
ﺭﺑﺎﻋﻴﺔ
ـﺎﻥ
ـﻘﺎﹰ ﻜـ
ـﺎﻥ ﺃﻭ ﻋﻔﻴﻔـﺎﹰ ﻭﻓﺎﺴِـ
ﻜـ ﻜﻡ ﺼﺩﻴﻘﺎﹰ ﺃﺒﺩﻯ ﺍﻟﻭﻓـﺎ ﻭﻋـﺩﻭﺍﹰ
ﺫﹶﻫﺒﻭﺍ ﻤﺎ ﺩﺭﻭﺍ ﺤﻤﻠﹸﻬﺎ ﻤـﺎ ﻜـﺎﻥ ـﻭﻥ ﻋﺠﺒ ـﺎﹰ
ـﻰ ﻴﻘﻭﻟـ
ﺍﻟﻠﱠﻴﻠﹶ ـﺔﹸ ﺤﺒﻠـ
ﺭﺑﺎﻋﻴﺔ
ﺒﻬﻭﻯ ﺍﻟﺨﹶﻤﺭِ ﻴﺤﻤِلُ ﺍﻟﻨﱠﺭﺠِﺱ ﺍﻟﺭﺍﺡ ﻤﺜﻠﻤﺎ ﺒﺭﻋﻡ ﺍﻟﻭﺭﺩِ ﻴﺤﻤِـلُ ﺍﻟﻘﹶـﺩﺡ
ﻁﹶﺭﺡ ﺍﻟﻬﻡ ﻓﻲ ﺍﻟﺤـﺎﻥِ ﻭﺍﺴـﺘﺭﺍﺡ ﺫﻟِﻙ ﺍﻟﺸﱠﺨﹾﺹ ﻓﺎﺭﻍﹸ ﺍﻟﻘﹶﻠﹾﺏِ ﻜﺎﻟﺤﺒﺎﺏِ
ﺭﺑﺎﻋﻴﺔ
ﻓــﻲ ﺯﻤــﺎﻥِ ﺍﻟــﺸﱠﺒﺎﺏِ ﺍﻟــﺸﱠﺭﺍﺏ ﺃﻭﻟــﻰ
ﻭﺒِـــﺼﺎﻓﻲ ﺍﻟﻤـــﺩﺍﻡِ ﺍﻟـــﺸﱠﺒﺎﺏ ﺃﻭﻟـــﻰ
ﻜــلﱡ ﻤــﺎ ﻓــﻲ ﺍﻟﻭﺠــﻭﺩِ ﺭﻫــﻥ ﺨــﺭﺍﺏٍ
ﻭﺒِـــﺩﺍﺭِ ﺍﻟﺨـــﺭﺍﺏِ ﺍﻟﺨـــﺭﺍﺏ ﺃﻭﻟـــﻰ
ﺭﺑﺎﻋﻴﺔ
ﺃﻭﻻﹰ ﺒِﺎﻟﻭﻓـــﺎﺀِ ﺃُﻋﻁﻴـــﺕﹸ ﺨﻤـــﺭ ﺍﻟﻠﱢﻘـــﺎ
ﺜﹸــﻡ ﻟﻤــﺎ ﺴــﻜﺭﺕﹸ ﺃُﻋﻁﻴــﺕﹸ ﺠــﺎﻡ ﺍﻟﺠﻔــﺎ
-٤٨٣-
ﻤِــلْﺀ ﻋﻴﻨــﻲ ﻤــﺎﺀ ﻭﻤِــلﺀ ﻗﻠﺒــﻲ ﻨــﺎﺭ
ﺼِــﺭﺕﹸ ﺘﹸــﺭﺏ ﺍﻟﻁﱠﺭﻴــﻕِ ﺒــﺎﻟﺭﻴﺢِ ﺒــﻲ ﺫﺭﺍ
ﺭﺑﺎﻋﻴﺔ
ﺭﺡ ﺒِﺨﻤـــﺭٍ ﻟِـــﺸﻁﱢ ﺠـــﺩﻭلِ ﻤـــﺎﺀٍ
ﻭﻤــﻥ ﺍﻟﻐــﻡ ﺭﺡ ﻟِــﺸﹶﻁﱢ ﺠــﺩﻭلِ ﺨﻤــﺭ
ـﺎﻟﻭﺭﺩِ ﻜﹸـ ـﻥ
ـﻴﺵﹸ ﻜــ
ـﺎﻡٍ ﺘﻌــ
ﻋـ ـﺸﹾﺭﺓﹶ ﺃﻴــ
ﻨﹶــﻀِﺭ ﺍﻟﻭﺠــﻪِ ﻀــﺎﺤِﻜﺎﹰ ﻤــﺩﻯ ﺍﻟﻌﻤــﺭ
ﺭﺑﺎﻋﻴﺔ
ﺸﹶﻔﹶﺔﹰ ﻤﻨﻙ ﻻ ﺘﹸـﺯِلْ ﻟﺤﻅﹶـﺔﹰ ﻋـﻥ ﺸِـﻔﺎﻩِ ﺍﻟﺠـﺎﻡِ
ـﺎﻡِ
ـﻔﺎﻩِ ﺍﻟﺠـ
ـﻥ ﺸِـ
ـﺭﺍﺩ ﻤِـ
ـﻰ ﻭﺍﻟﻤـ
ـﻰ ﺘﹸﺠﺘﹶﻨـ
ﺍﹶﻟﻤﻨـ
ﻗﹶــﺩﺡ ﺍﻟﻌــﻴﺵِ ﻓﻴــﻪِ ﻤــﺭ ﻭﺤﻠــﻭ ،ﺍﻟﻤــﺭ
ﻤﻥ ﺸِﻔﺎﻩِ ﺍﻟﺤﺒﻴﺏِ ﻭﺍﻟﺤﻠـﻭ ﻤـﻥ ﺸِـﻔﺎﻩِ ﺍﻟﺠـﺎﻡِ
ﺭﺑﺎﻋﻴﺔ
ﺍﺭﻓــﻊِ ﺍﻟﻜــﺄﺱ ﻭﺍﻁــﺭﺏ ﻭﻗﹸــﻡ ﻭﺘﻌــﺎلْ
ﻭﺍﻟﺭﻗﻴــﺏ ﺍﻟــﺴﻔﻴ َل ﺍِﺤــﺫﹶﺭ ﻭﻗﹸــﻡ ﻭﺘﻌــﺎلْ
ـﺼﻡ ﻗـــﺎ َل ﺍِﺠﻠِـــﺱ ﻭﻻ ﺘﹶـــﺭﺡ
ﻭﺇﺫﺍ ﺍﻟﺨــ
ﻻ ﺘﹸﻁِــﻊ ﻭﺃﻁِﻌﻨــﻲ ﺒِﻘــﻭلِ ﻗﹸــﻡ ﻭﺘﻌــﺎلْ
-٤٨٤-
ﺭﺑﺎﻋﻴﺔ
ﺭﺏ ﻓﻠﻴﻨﺱ ﻤِﻨﻪ ﻤﺎ ﻫـﻭ ﺤـﺎﻓِﻅﹾ ﻋِﻨﺩﻩ ﺴِﺤﺭ ﺒﺎﺒِـلٍ ﻓـﻲ ﺍﻟﻼﺤِـﻅﹾ
ﻗﹸﺭﻁﹶ ﺩﺭ ﺘﺼﻴﺭ ﻓﻲ ﻨﻅـﻡِ ﺤـﺎﻓِﻅﹾ ﺤﻠﹾﻘﹶﺔﹸ ﺃُﺫﻥِ ﺍﻟﺠﻤﺎلِ ﺘﻠـﻙ ﻴـﺎ ﺭﺏْ
ﺭﺑﺎﻋﻴﺔ
ﺭﺍﻓِﻊ ﻜﺄﺱ ﺨﻤﺭٍ ﻋﻠﻰ ﻤﻌﻨﹾﺒﺭِ ﺨﺎلْ ﺫﻟﻙ ﺍﻟﺒﺩﺭ ﻻ ﻴﺭﻯ ﻟﻪ ﻨﹶﻅﻴﺭ ﺠﻤﺎلْ
ﻤِﺜﹾ َل ﺼﺨﺭٍ ﻗﺎﺱٍ ﺒِﻭﺴﻁِ ﻤﺎﺀٍ ﺯﻻلْ ﻁ ﺼﺩﺭِﻩِ ﻤِﻥ ﺼﻔﺎﺀٍ
ﻭﺒﺩﺍ ﻗﻠﺒﻪ ﻭﺴ ﹶ
ﻗﺎﻝ ﺍﳌﻜﺰﻭﻥ
ﺼــﻔﺎ ﺠــﺴﺩﻱ ﺤﺘﹼــﻰ ﺒــﺩﺍ ﻤﻨــﻪ ﻗﻠﺒــﻪ
ـﻥ ﺴِ ـﺭ
ـﺎ ﻓﻴ ـﻪِ ﻤـ
ـﺎﻥ ﻤـ
ـﻰ ﺃﻥ ﺒـ
ﻭﺸ ـﻑﱠ ﺇﻟـ
ـﺎﻟﹶﺒﻲ
ـﻲ ﻭﻗــ
ﻓﻐﻴـ ـﺏ ﺴِـ ـﺭ ﺍﻟﻘﻠـ ـﺏِ ﻗﻠﺒــ
ﻜﻤﺎ ﻏﺎﺏ ﻟـﻭﻥ ﺍﻟﻤـﺎﺀِ ﻭﺍﻟﻜـﺄﺱِ ﻓـﻲ ﺍﻟﺨﻤـﺭِ
ﺭﺑﺎﻋﻴﺔ
ﻋﻘﹶﺩﺕﹾ ﻤِﺜﹾلَ ﻤﺸﱠﺎﻁﹶﺔٍ ﺯﻴﻨﹶـﺔﹶ ﺍﻟـﻭﺭﺩ ﻓﻲ ﺍﻟﺭﻭﺽِ ﺇﺫﹾ ﻫﺒﺕِ ﺍﻟﺼﺒﺎ ﺤﺎﻀِﻥ ﺍﻟـﻭﺭﺩ،
ﺫﺍ ﺠﺒﻴﻥٍ ﻜﺎﻟﺸﱠﻤﺱِ ﻓﺎﻁﻠﹸﺏ ﻭﻅِلﱠ ﻭﺭﺩ ﺇﻥ ﻴﻜﹸﻥ ﻟﻙ ﺍﻷﻤﺎﻥ ﻤِﻥ ﺍﻟﻅﱢلﱢ ﺒﺎﻟﺸﱠﻤﺱِ،
ﺭﺑﺎﻋﻴﺔ
ﻤِﺕﱡ ﻤِﻥ ﺤﺴﺭﺓِ ﺍﻟـﺸﱢﻔﺎﻩِ ﺍﻟﻌِـﺫﺍﺏِ ﻤِــﺕﱡ ﺸــﻭﻗﺎﹰ ﻟِﻘﹸﺒﻠﹶــﺔٍ ﻭﻋِﻨــﺎﻕٍ
ﻋﺩ ﻓﻘﺩ ﻤـﺕﱡ ﺒﺎﻨﺘِﻅـﺎﺭِ ﺍﻹﻴـﺎﺏِ ﻟﻥ ﺃُﻁﻴلَ ﺍﻟﺤﺩﻴﺙﹶ ﻗﹶـﺼﺭﺍﹰ ﺃﻗـﻭلُ
-٤٨٥-
ﺭﺑﺎﻋﻴﺔ
ﻓﹶﻠﹶﻜﻲ ﻟﻴﺱ ﻟﻲ ﻤِﻨﹾﻪ ﺃﻱ ﺸـﻲﺀٍ ﻨـﺎﻓِﻊ ﻋﻤﺭﺍﹰ ﻭﺃﻨﺎ ﻤِﻥ ﻭﺭﺍﺀِ ﺍﻟﻤـﺭﺍﺩِ ﻀـﺎﺌﻊ
ﺼﺎﺭ ﻋـﺩﻭﻱ ﻓـﺎﻨﻅﹸﺭ ﻟِﻬـﺫﺍ ﺍﻟﻁﱠـﺎﻟِﻊ ـﻴﺭ ﺼــﺩﻴﻘﻪ
ﻜﹸ ـلﱡ ﻤ ـﻥ ﺃﺭﺩﺕﹸ ﺃﻥ ﺃﺼـ
ﺭﺑﺎﻋﻴﺔ
ﻜﻴﻔﻤــﺎ ﺍﻟﻔﹸﻠﹾــﻙ ﺩﺍﺭ ﻓﻠــﺘﻜﹸﻥ ﻋﻠــﻰ ﺃﻤــلٍ
ـﺼﺎﻑﹾ
ـﺎﻫﺘﺯ ﻜﺎﻟﺼﻔــ
ﻭﺇﺫﺍ ﺍﻟﺨﻤـ ـﺭ ﺩﺍﺭﺕﹾ ﻓــ
ـﻭﻥ ﺒﻌـ ـﺩ ﺍﻟـ ـﺴﻭﺍﺩِ ﻓﻘﹸﻠﹾـ ـﺕﹾ
ـﺎلَ ﻻ ﻟــ
ﻗــ
ـﺎﻑﹾ
ـﺄﺒﻴﺽ ﺼـ
ـﻭﻥ ﺸﹶ ـﻌﺭﻱ ﻟِـ
ﻟِ ـﻡ ﺤﻭﻟﹾ ـﺕﹶ ﻟـ
ﺭﺑﺎﻋﻴﺔ
ﻗــﺼﺔﹶ ﺍﻟــﺸﱠﻤﻊِ ﺒﺎﺸــﺘِﻌﺎﻟِﻪِ ﺍﻟﻨﹼــﺎﻱ ﺘﺤﻜــﻲ
)(١
ـﻲ
ـﺎﻱ ﺘﺤﻜـ
ـﻲ ﻟﻬﻴﺒِ ـﻪِ ﺍﻟﻨﱠـ
ﺤﺎﻟ ـﺔﹶ ﺍﻟﻘﻠ ـﺏِ ﻓـ
ﻗﻠﺒـــﻲ ﺍﻟـــﻀﻴﻕﹸ ﺍﻟﻐـــﻡ ﻓﻴـــﻪِ ﻭﻟﻜـــﻥ
ﻟــﻡ ﺃﺠِــﺩ ﻤــﻥ ﻟــﻪ ﻏــﻡ ﻗﻠﺒــﻲ ﺃﺤﻜــﻲ
ﺭﺑﺎﻋﻴﺔ
ﺍﻟﻐـــﻡ ﺒـــﺎﻟﺨﻤﺭِ ﺇﺫﹾ ﺘﺠـــﻭﺵﹸ ﻴـــﺯﺍلْ
ـﻊ ﺠـــﻴﺵِ ﺍﻟﻐﻤـــﻭﻡِ ﻓـــﻴﻡ ﺍﻟﻘِﺘـــﺎلْ
ﻤــ
) (١ﻓﻲ ﺍﻟﻤﺜﻨﻭﻱ :ﻟﻴﺱ ﺼﻭﺕﹸ ﺍﻟﻨﹼﺎﻱِ ﺭﻴﺤﺎﹰ ﺒل ﻟﻬﻴﺒﺎﹰ
-٤٨٦-
ﻟـ ـﺫﱠﺓﹸ ﺍﻟﺨﻤـ ـﺭِ ﻋِﻨـ ـﺩ ﺨﹸـ ـﻀﺭِ ﺍﻟـ ـﺸﱢﻔﺎﻩ
ﺍﻟﺠــﺎﻡ ﻋــﻥ ﻓِﻴــﻙ ﻤــﺎ ﻟــﻪ ﻤــﻥ ﺯﻭﺍلْ
ﺭﺑﺎﻋﻴﺔ
ـﺩﺍﺌﻲ
ـﺎ ﺃﻋــ
ـﺫﻱ ﻤــﻥ ﺠﻔــ
ﻓﻠــﺘﻜﹸﻥ ﻤﻨﻘِــ
ﻤــﻥ ﻤﺤﻴــﺎﻙ ﻓﺎﺴــﻘِﻨﻲ ﺸــﺭﺍﺏ ﺍﻟــﻀﻴﺎﺀِ
ﻤــﻊ ﺃﻫــلِ ﺍﻟﻨﱡﻬــﻰ ﻭﺍﻟﺒﻜــﺎ ﻓﻴــﺴﺭ ﻁﺭﻴﻘــﻲ
ﻭﻤــﻥ ﺍﻟﻔﺎﻗــﺩﻴﻥ ﻟﻠﻔــﻀلِ ﺍِﺴــﺤﺏ ﺭِﺩﺍﺌــﻲ
ﺨﹸﺫﹾ ﻋﻨﹼﻲ ﺒﺄﺴﻤﺎﻉِ ﻭﺃﺒﺼﺎﺭِ ﺃﻋﺩﺍﺌﻲ ،ﻭﺒﻴﺽ ﻭﺠﻬﻲ ﺒﻨﻭﺭِﻙ ،ﻭﺍﺠﻌﻠﻨﻲ ﻤﻊ ﺃﻭﻟﻲ
ﺍﻷﻟﺒﺎﺏ ﺍﻟﱠﺫﻴﻥ ﺸﻐﻠﹸﻬﻡ ﺍﻟﺒﻜﺎﺀ ﻭﺍﻷﻨﻴﻥ ،ﻭﺒﺎﻋﺩ ﺒﻴﻨﻲ ﻭﺒﻴﻥ ﺍﻟﺒﻁﹼﺎﻟﻴﻥ.
ﺭﺑﺎﻋﻴﺔ
ﺕ ﺸِﻔﺎﻫِﻙ ﻴﺭﻋـﻰ ﺩﺭ ﻋـﺩﻥ
ﻴﺎﻗﻭ ﹶ ﻅِلﱠ ﺴﻨﺎﺒِلِ ﺸﹶﻌﺭِﻙ ﻴﺭﻋـﻰ ﺍﻵﺱ
ﻤِﻥ ﺭﺍﺡِ ﺸِﻔﺎﻫِﻙ ﺘﺤﻴﺎ ﺭﻭﺡ ﺒـﺩﻥ ﺍﻟﺨﻤﺭ ﻜﻤﺎ ﺸﻔﺘﺎﻙ ﻏِﺫﺍﺀ ﺍﻟـﺭﻭﺡ
ﺭﺑﺎﻋﻴﺔ
ﺤﺎﺼِلُ ﺍﻟﻌﻤﺭِ ﻟﻴﺱ ﻋِﻨﺩﻱ ﺸـﻲﺀ ﺴـﻭﻯ ﺍﻟﻐـﻡْ
ﺍﻟﻌِﺸﻕﹸ ﻤِﻥ ﺨﻴﺭِﻩِ ﻭﺸﺭﻩِ ﻟﻴﺱ ﻟﻲ ﺴِـﻭﻯ ﺍﻟﻐـﻡْ
ﻻ ﺠﻠﻴــﺴﺎﹰ ﻭﻓﻴــﺎﹰ ﻭﺤﻴــﺩﺍﹰ ﻤﻠﹶﻜﹾــﺕﹸ ﺇﻻﱠ ﺍﻷﻟﹶــﻡ
ﻻ ﻤﺅﻨِﺴﺎﹰ ﻭﺤﻴﺩﺍﹰ ﺸﻬﻴﺭﺍﹰ ﻭﻓﻰ ﻟـﻲ ﺴـﻭﻯ ﺍﻟﻐـﻡْ
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ﺭﺑﺎﻋﻴﺔ
ﺃﺴﻔﺎﹰ ﺃﻨﱠﻬﺎ ﺃﺴﻬﻡ ﺍﻟﺤـﺭﺏِ ﺘﹸﻤﻁِـﺭ ﻋﻴﻨﹸﻙ ﺍﻟﱠﺘﻲ ﺍﻟﻠﱠﻭﻥ ﻭﺍﻟﺴﺤﺭ ﺘﹸﻤﻁِـﺭ
ﺁﻩِ ﻤِﻥ ﻗﹶﻠﹾﺒِﻙ ﺍﻟﱠﺫﻱ ﺍﻟﺼﺨﹾﺭ ﻴﻤﻁِـﺭ ﻤﺴﺭِﻋﺎﹰ ،ﻜﻡ ﺘﻤلﱡ ﻤِـﻥ ﺠﻠـﺴﺎﺌﻙ
ﺭﺑﺎﻋﻴﺔ
ﺴِﺭ ﻗﻠﺒﻲ ﻗﻭﻟﻲ ﻟﻪ ﺒِـﺄﻟﻑِ ﻟِـﺴﺎﻥِ ﺭﻴﺢ ﻗـﻭﻟﻲ ﻟـﻪ ﺤـﺩﻴﺜﻲ ﺴِـﺭﺍﹰ
ﻗﻭﻟﻲ ﻟـﻪ ،ﻋـﺴﺎﻩ ﻻ ﻴﻨـﺴﺎﻨﻲ ﻟﺴﺕﹸ ﺒﻴﻥ ﺍﻟـﻭﺭﻯ ﺴـﻴﺌﺎﹰ ﻤﻤِﻠﹼـﺎﹰ
ﺭﺑﺎﻋﻴﺔ
ﺃﺴﻌِﺩِ ﺍﻟﻘﹶﻠﹾﺏ ﻭﺍﺭﺒِﻁِ ﺍﻟﻔِﻜﹾﺭ ﺒﺎﻟﺼﺒﺭ ﻗﺎلَ ﻟﻲ ﺴﺄﻏﺩﻭ ﻟﻙ ﺍﻟﻤﺩﺍﺭ ﻟﻠﻔِﻜﹾـﺭ
ﺃﻴﻥ ﺼﺒﺭ ﻭﻤﺎ ﻫﻭ ﺍﻟﻘﹶﻠﹾﺏ ،ﻭﺍﻟﱠﺫﻱ ﻴﺴﻤﻭﻨﹶﻪ ﺍﻟﻘﹶﻠﹾـﺏ ﻗﻁﹾـﺭﺓﹸ ﺩﻡ ﻭﺃﻟﹾـﻑﹸ ﻓِﻜﹾـﺭ
ﺭﺑﺎﻋﻴﺔ
ﺠﺎﻡ ﺍﻟﻁﱠﺭﺏِ ﺍﻟﻤﺴﺘﹶﻁﺎﺏ ﻭﺍﻫِـﺏ ﺍﻟﻔﹶـﺭﺍﻍِ ﺍِﺭﻓﹶـﻊ
ﺫﻟِﻙ ﺍﻟﻜﺄﺱ ﻜﺎﻟﺤﺒﻴـﺏِ ﻤﻨﹾـﺯِلَ ﺍﻟﺨـﺭﺍﺏِ ﺍِﺭﻓﹶـﻊ
ـﺩ
ـﺎﻟﺯﻨﺠﻴﺭِ ﻓﻘـ
ـﺎﻗﻲ ﻤِ ـﻥ ﺍﻟﺨﹶﻤ ـﺭِ ﻜـ
ﺍﺠﻌ ـلْ ﻭﺜـ
ﺼِﺭﺕﹸ ﻤﺠﻨﻭﻨﺎﹰ ﻭﻟﻠﺤﺒﻴﺏِ ﺍﻟﱠـﺫﻱ ﺃﺠﻨﱠﻨـﻲ ﺍﺭﻓﹶـﻊ
ﺭﺑﺎﻋﻴﺔ
ﻤﻊ ﺍﻟﺸﱠﺎﻫِﺩِ ﺍﻟﻅﱠﺭﻴﻑِ ﺍﻟﻠﱠﻁﻴـﻑِ ﺒـﺎﻟﻌﻭﺩِ ﻭﺍﻟﻨﱠـﺎﻱ
ﻭﺯﺍﻭﻴــﺔﹲ ﻭﻓــﺭﺍﻍﹲ ﻭﺯﺠﺎﺠــﺔﹲ ﻤِــﻥ ﺍﻟﺨﹶﻤــﺭ
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ﻻ ﺃﺤﻤِلُ ﺍﻟﻤِﻨﱠ ﹶﺔ ﺒِﺤﺒﺔٍ ﻤِـﻥ ﺸـﻌﻴﺭٍ ﻟِﺤـﺎﺘِﻡِ ﻁـﻲ
ـﻲ ﻤِـﻥ ﺍﻟﺨﹶﻤـﺭ
ـﻲ ﻭﺃﻁﺭﺍﻓـ
ﺇﺫﺍ ﺴـﺨِﻨﹶﺕﹾ ﻋﺭﻭﻗـ
ﺭﺑﺎﻋﻴﺔ
ﺠﺌﻨﺎ ﺇﻟﻰ ﻗﹶﺩﻤﻴﻪِ ﺴﻭﻑﹶ ﻟﹶﻥ ﻴـﺩﻋﻨﺎ ﻗﺴﺎﻡ ﺍﻟﺠﻨﱠﺔِ ﻭﺍﻟﻨﱠﺎﺭِ ﺤﻠﱠـﺎلُ ﺍﻟﻌﻘﹶـﺩِ
ﻟﻲ ﻴﺎ ﺃﺴﺩ ﺍﷲِ ﺍﻀﺭِﺒ ﻪ ﻜﹸﻥ ﻤﻌﻨـﺎ ﺤﺘﱠﺎﻡ ﺫﻟِﻙ ﺍﻟﺫﱢﺌﺏ ﺍﻟﻠﱢﺹ ﻴﻌـﺭِﺽ
ﺭﺑﺎﻋﻴﺔ
ﻭﻴﻜﻭﻥ ﺍﻟﺤﺒﻴﺏ ﻟﻲ ﻋﻠﻰ ﺍﻟﺠﻭﺭِ ﻋﻭﻨﺎ ﻟﻬﻔﺘﻲ ﻟﻜﻲ ﻴﻨﺠِﺯ ﺍﻟﺒﺨﹾﺕﹸ ﻟﻲ ﺃﻋﻤﺎﻟﻲ
ﻓﺎﺭِﺱ ﺸﻴﺨﻭﺨﹶﺘﻲ ﻴﺴﻴﺭ ﺒﻲ ﺍﻟﻬﻭﻴﻨﻰ ﺭﺍﺡ ﻤِﻥ ﻴﺩﻱ ﺍﻟﺸﱠﺒﺎﺏ ﻤﻁﹾﻠﹶﻕﹶ ﺍﻟﻌﻨﺎﻥِ
ﺭﺑﺎﻋﻴﺔ
ﻤﺎ ﺃﻜﺜﹶـﺭ ﻤـﺎ ﺴـﺘﺨﺭﺏ ﻤِـﻥ ﺨﻤـﺭﺓٍ ﻭﺠـﺎﻡٍ
ﺇﻥ ﺘﻜﹸــﻥ ﻭﺍﻗِﻌــﺎﹰ ﺒِﻬــﺫﻱ ﺍﻟــﺸﱢﺒﺎﻙِ ﻤِﺜﻠﹶﻨــﺎ
ﻨﺤــﻥ ﻋــﺸﱠﺎﻕﹲ ﺴــﻜﺎﺭﻯ ﻤﻌﺭﺒِــﺩﻭﻥ ﻓــﻼ
ـﺎ
ـﺎ ﺇﺫﺍ ﻟﹶـ ـﻡ ﺘﻜﹸـ ـﻥ ﻤِﺜﹾﻠﹶﻨــ
ﺘﹶﺠﻠِـ ـﺱ ﻤﻌﻨــ
ﺍﻟﻨﻬﺎﻴﺔ
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-٤٩٠-
n
ﻏﺰﻟﻴﺎﺕ ﺩﻳﻮﺍﻥ ﺣﺎﻓﻆ
ﻜﻤﺎ ﻭﺭﺩﺕ ﻓﻲ ﺍﻟﻨﱡﺴﺨﹶﺔِ ﺍﻟﻤﻌﺭﻭﻓﹶﺔِ ﺒﻨﹸﺴﺨﹶﺔِ ﻗﺯﻭﻴﻨﻲ ﻟﻠﻌﻼﻤﺔ ﻤﺤﻤﺩ ﻗﺯﻭﻴﻨﻲ
ﻭﺍﻟﺩﻜﺘﻭﺭ ﻗﺎﺴﻡ ﻏﻨﻲ ،ﻭﻫﻲ ﺍﻟﻨﱡﺴﺨﹶﺔﹸ ﺍﻷﺼلُ ﺍﻟﱠﺘﻲ ﺍﻋﺘﹸﻤِﺩﺕﹾ ﻟﻬﺫِﻩِ ﺍﻟﺘﱠﺭﺠﻤﺔ.
ﻏﺯل ١ﺍﻻ ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﺎﻗﻲ ﺍﺩِﺭ ﻜﺄﺴﺎﹰ ﻭﻨﺎﻭﻟﻬﺎ؛ ﻏﺯل ٢ﺼﻼﺡ ﻜﺎﺭ ﻜﹸﺠﺎ ﻭﻤﻥ
ﺨﺭﺍﺏ ﻜﺠﺎ؛ ﻏﺯل ٣ﺍﮔﺭ ﺁﻥ ﺘﺭﮎ ﺸﻴﺭﺍﺯﻯ ﺒﺩﺴﺕ ﺁﺭﺩ ﺩل ﻤﺎ ﺭﺍ؛ ﻏﺯل ٤ﺼﺒﺎ
ﺒﻠﻁﻑ ﺒﮕﻭ ﺁﻥ ﻏﺯﺍل ﺭﻋﻨﺎ ﺭﺍ؛ ﻏﺯل ٥ﺩل ﻤﻴﺭﻭﺩ ﺯ ﺩﺴﺘﻡ ﺼﺎﺤﺒﺩﻻﻥ ﺨﺩﺍ ﺭﺍ؛
ﻏﺯل ٦ﺒﻪ ﻤﻼﺯﻤﺎﻥ ﺴﻠﻁﺎﻥ ﻜﻪ ﺭﺴﺎﻨﺩ ﺍﻴﻥ ﺩﻋﺎ ﺭﺍ؛ ﻏﺯل ٧ﺼﻭﻓﻲ ﺒﻴﺎ ﻜﻪ ﺁﻴﻨﻪ
ﺴﺎﻗﻴﺎ ﺒﺭﺨﻴﺯ ﻭﺩﺭ ﺩﻩ ﺠﺎﻡ ﺭﺍ؛ ﻏﺯل ٩ﺭﻭﻨﻕ ﻋﻬﺩ ﺼﺎﻓﻴﺴﺕ ﺠﺎﻡ ﺭﺍ؛ ﻏﺯل٨
ﻏﺯل ١٠ﺩﻭﺵ ﺍﺯ ﻤﺴﺠﺩ ﺴﻭﻯ ﻤﻴﺨﺎﻨﻪ ﺁﻤﺩ ﭙﻴﺭ ﻤﺎ؛ ﺸﺒﺎﺒﺴﺕ ﺩﮔﺭ ﺒﺴﺘﺎﻥ ﺭﺍ؛
ﻏﺯل ١١ﺴﺎﻗﻲ ﺒﻨﻭﺭ ﺒﺎﺩﻩ ﺒﺭﺍﻓﺭﻭﺯ ﺠﺎﻡ ﻤﺎ؛ ﻏﺯل ١٢ﺍﻯ ﻓﺭﻭﻍ ﻤﺎﻩ ﺤﺴﻥ ﺍﺯ ﺭﻭﻯ
ﺭﺨﺸﺎﻥ ﺸﻤﺎ؛ ﻏﺯل ١٣ﻤﻴﺩﻤﺩ ﺼﺒﺢ ﻭﮐِﻠﹼﻪ ﺒﺴﺕ ﺴﺤﺎﺏ؛ ﻏﺯل ١٤ﮔﻔﺘﻡ ﺍﻯ ﺴﻠﻁﺎﻥ
ﺨﻭﺒﺎﻥ ﺭﺤﻡ ﻜﻥ ﺒﺭﺍﻴﻥ ﻏﺭﻴﺏ؛ ﻏﺯل ١٥ﺍﻯ ﺸﺎﻫﺩ ﻗﺩﺴﻰ ﻜﻪ ﻜﺸﺩ ﺒﻨﺩ ﻨﻘﺎﺒﺕ؛
ﻏﺯل ١٦ﺨﻤﻰ ﮐﻪ ﺍﺒﺭﻭﻯ ﺸﻭﺥ ﺘﻭ ﺩﺭ ﻜﻤﺎﻥ ﺍﻨﺩﺍﺨﺕ؛ ﻏﺯل ١٧ﺴﻴﻨﻪ ﺍﺯ ﺁﺘﺵ ﺩل ﺩﺭ
ﻏﻡ ﺠﺎﻨﺎﻨﻪ ﺒﺴﻭﺨﺕ؛ ﻏﺯل ١٨ﺴﺎﻗﻴﺎ ﺁﻤﺩﻥ ﻋﻴﺩ ﻤﺒﺎﺭﻙ ﺒﺎﺩﺕ؛ ﻏﺯل ١٩ﺃﻱ ﻨﺴﻴﻡ
ﺴﺤﺭ ﺁﺭﺍﻤﮕﻪ ﻴﺎﺭ ﻜﺠﺎﺴﺕ؛ ﻏﺯل ٢٠ﺭﻭﺯﻩ ﻴﻜﺴﻭ ﺸﺩ ﻭﻋﻴﺩ ﺁﻤﺩ ﻭﺩﻟﻬﺎ ﺒﺭﺨﺎﺴﺕ؛
ﻏﺯل ٢١ﺩل ﻭﺩﻴﻨﻡ ﺸﺩ ﻭﺩﻟﺒﺭ ﺒﻪ ﻤﻼﻤﺕ ﺒﺭﺨﺎﺴﺕ؛ ﻏﺯل ٢٢ﭽﻭ ﺒﺸﻨﻭﻯ ﺴﺨﻥ ﺍﻫل
ﺩل ﻤﮕﻭ ﻜﻪ ﺨﻁﺎﺴﺕ؛ ﻏﺯل ٢٣ﺨﻴﺎل ﺭﻭﻯ ﺘﻭ ﺩﺭ ﻫﺭ ﻁﺭﻴﻕ ﻫﻤﺭﻩ ﻤﺎﺴﺕ؛
ﻏﺯل ٢٤ﻤﻁﻠﺏ ﻁﺎﻋﺕ ﻭﭙﻴﻤﺎﻥ ﻭﺼﻼﺡ ﺍﺯ ﻤﻥ ﻤﺴﺕ؛ ﻏﺯل ٢٥ﺸﮑﻔﺘﻪ ﺸﺩ ﮔلِ ﺤﻤﺭﺍ
ﻭﮔﺸﺕ ﺒﻠﺒل ﻤﺎﺴﺕ؛ ﻏﺯل ٢٦ﺯﻟﻑ ﺁﺸﻔﺘﻪ ﻭﺨﻭﻯ ﻜﺭﺩﻩ ﻭﺨﻨﺩﺍﻥ ﻟﺏ ﻭﻤﺴﺕ؛ ﻏﺯل٢٧
-٤٩١-
ﺩﺭ ﺩﻴﺭ ﻤﻐﺎﻥ ﺁﻤﺩ ﻴﺎﺭﻡ ﻗﺩﺤﻰ ﺩﺭ ﺩﺴﺕ؛ ﻏﺯل ٢٨ﺒﺠﺎﻥ ﺨﻭﺍﺠﻪ ﻭﺤﻕ ﻗﺩﻴﻡ ﻭﻋﻬﺩ
ﺩﺭﺴﺕ؛ ﻏﺯل ٢٩ﻤﺎ ﺭﺍ ﺍﺯ ﺨﻴﺎل ﺘﻭ ﭽﻪ ﭙﺭﻭﺍﻯ ﺸﺭﺍﺒﺴﺕ؛ ﻏﺯل ٣٠ﺯﻟﻔﺕ ﻫﺯﺍﺭ ﺩل
ﺒﻪ ﻴﻜﻰ ﺘﺎﺭ ﻤﻭ ﺒﺒﺴﺕ؛ ﻏﺯل ٣١ﺁﻥ ﺸﺏِ ﻗﺩﺭﻯ ﻜﻪ ﮔﻭﻴﻨﺩ ﺍﻫل ﺨﻠﻭﺕ ﺍﻤﺸﺒﺴﺕ؛
ﻏﺯل ٣٢ﺨﺩﺍ ﭽﻭ ﺼﻭﺭﺕِ ﺍﺒﺭﻭﻯ ﺩﻟﮕﺸﺎﻯ ﺘﻭ ﺒﺴﺕ؛ ﻏﺯل ٣٣ﺨﻠﻭﺕ ﮔﺯﻴﺩﻩ ﺭﺍ ﺒﻪ
ﺘﻤﺎﺸﺎ ﭽﻪ ﺤﺎﺠﺘﺴﺕ؛ ﻏﺯل ٣٤ﺭﻭﺍﻕ ﻤﻨﻅﺭ ﭽﺸﻡ ﻤﻥ ﺁﺸﻴﺎﻨﻪٴ ﺘﺴﺕ؛ ﻏﺯل ٣٥ﺒﺭﻭ
ﺒﮑﺎﺭ ﺨﻭﺩ ،ﺍﻯ ﻭﺍﻋﻅ ،ﺍﻴﻥ ﭽﻪ ﻓﺭﻴﺎﺩ ﺍﺴﺕ؛ ﻏﺯل ٣٦ﺘﺎ ﺴﺭ ﺯﻟﻑ ﺘﻭ ﺩﺭ ﺩﺴﺕ ﻨﺴﻴﻡ
ﺃﻓﺘﺎﺩﺴﺕ؛ ﻏﺯل ٣٧ﺒﻴﺎ ﮐﻪ ﻗﺼﺭ ﺍﻤل ﺴﺨﺕ ﺴﺴﺕ ﺒﻨﻴﺎﺩﺴﺕ؛ ﻏﺯل ٣٨ﺒﻰ ﻤﻬﺭ ﺭﺨﺕ
ﺭﻭﺯ ﻤﺭﺍ ﻨﻭﺭ ﻨﻤﺎﻨﺩﻩ ﺴﺕ؛ ﻏﺯل ٣٩ﺒﺎﻍِ ﻤﺭﺍ ﭽﻪ ﺤﺎﺠﺕِ ﺴﺭﻭ ﻭﺼﻨﻭﺒﺭ ﺍﺴﺕ؛
ﻏﺯل ٤٠ﺍﻟﻤﻨﱠﺔﹸ ﷲِ ﮐﻪ ﺩﺭِ ﻤﻴﻜﺩﻩ ﺒﺎﺯ ﺍﺴﺕ؛ ﻏﺯل ٤١ﺍﮔﺭﭽﻪ ﺒﺎﺩﻩ ﻓﺭﺡ ﺒﺨﺵ ﻭﺒﺎﺩ ﮔل
ﺒﻴﺯﺍﺴﺕ؛ ﻏﺯل ٤٢ﺤﺎلِ ﺩل ﺒﺎ ﺘﻭ ﮔﻔﺘﻨﻡ ﻫﻭﺱ ﺍﺴﺕ؛ ﻏﺯل ٤٣ﺼﺤﻥ ﺒﺴﺘﺎﻥ ﺫﻭﻕ
ﺒﺨﺵ ﻭﺼﺤﺒﺕِ ﻴﺎﺭﺍﻥ ﺨﻭﺸﺴﺕ؛ ﻏﺯل ٤٤ﻜﻨﻭﻥ ﮐﻪ ﺒﺭ ﻜﻑِ ﮔل ﺠﺎﻡ ﺒﺎﺩﻩٴ ﺼﺎﻓﺴﺕ؛
ﻏﺯل ٤٥ﺩﺭ ﺍﻴﻥ ﺯﻤﺎﻨﻪ ﺭﻓﻴﻘﻰ ﻜﻪ ﺨﺎﻟﻰ ﺍﺯ ﺨﻠﻠﺴﺕ؛ ﻏﺯل ٤٦ﮔل ﺩﺭ ﺒﺭ ﻭﻤﻰ ﺩﺭ
ﻜﻑ ﻭﻤﻌﺸﻭﻕ ﺒﻜﺎﻤﺴﺕ؛ ﻏﺯل ٤٧ﺒﻪ ﮐﻭﻯ ﻤﻴﻜﺩﻩ ﻫﺭ ﺴﺎﻟﻜﻰ ﻜﻪ ﺭﻩ ﺩﺍﻨﺴﺕ؛ ﻏﺯل٤٨
ﺼﻭﻓﻰ ﺍﺯ ﭙﺭﺘﻭِ ﻤﻰ ﺭﺍﺯ ﻨﻬﺎﻨﻰ ﺩﺍﻨﺴﺕ؛ ﻏﺯل ٤٩ﺭﻭﻀﻪٴ ﺨﻠﺩ ﺒﺭﻴﻥ ﺨﻠﻭﺕ
ﺩﺭﻭﻴﺸﺎﻨﺴﺕ؛ ﻏﺯل ٥٠ﺒﺩﺍﻡِ ﺯﻟﻑ ﺘﻭ ﺩل ﻤﺒﺘﻼﻯ ﺨﻭﻴﺸﺘﻥ ﺍﺴﺕ؛ ﻏﺯل ٥١ﻟﻌل
ﺴﻴﺭﺍﺏ ﺒﺨﻭﻥ ﺘﺸﻨﻪ ﻟﺏ ﻴﺎﺭ ﻤﻥ ﺍﺴﺕ؛ ﻏﺯل ٥٢ﺭﻭﺯﮔﺎﺭﻴﺴﺕ ﻜﻪ ﺴﻭﺩﺍﻯ ﺒﺘﺎﻥ ﺩﻴﻥ
ﻤﻨﺴﺕ؛ ﻏﺯل ٥٣ﻤﻨﻡ ﻜﻪ ﮔﻭﺸﻪ ﻤﻴﺨﺎﻨﻪ ﺨﺎﻨﻘﺎﻩ ﻤﻨﺴﺕ؛ ﻏﺯل ٥٤ﺯ ﮔﺭﻴﻪ ﻤﺭﺩﻡِ ﭽﺸﻤﻡ
ﻨﺸﺴﺘﻪ ﺩﺭ ﺨﻭﻨﺴﺕ؛ ﻏﺯل ٥٥ﺨﻡِ ﺯﻟﻑِ ﺘﻭ ﺩﺍﻡ ﻜﻔﺭ ﻭﺩﻴﻥ ﺍﺴﺕ؛ ﻏﺯل ٥٦ﺩل ﺴﺭﺍ
ﭙﺭﺩﻩٴ ﻤﺤﺒﺕ ﺍﻭﺴﺕ؛ ﻏﺯل ٥٧ﺁﻥ ﺴﻴﻪ ﭽﺭﺩﻩ ﻜﻪ ﺸﻴﺭﻴﻨﻰ ﻋﺎﻟﻡ ﺒﺎ ﺍﻭﺴﺕ؛ ﻏﺯل٥٨
ﺴﺭِ ﺍﺭﺍﺩﺕِ ﻤﺎ ﻭﺁﺴﺘﺎﻥ ﺤﻀﺭﺕ ﺩﻭﺴﺕ؛ ﻏﺯل ٥٩ﺩﺍﺭﻡ ﺍﻤﻴﺩِ ﻋﺎﻁﻔﺘﻰ ﺍﺯ ﺠﻨﺎﺏ
ﺩﻭﺴﺕ؛ ﻏﺯل ٦٠ﺁﻥ ﭙﻴﮏ ﻨﺎﻤﻭﺭ ﻜﻪ ﺭﺴﻴﺩ ﺍﺯ ﺩﻴﺎﺭ ﺩﻭﺴﺕ؛ ﻏﺯل ٦١ﺼﺒﺎ ﺍﮔﺭ
ﮔﺫﺭﻯ ﺍﻓﺘﺩﺕ ﺒﻜﺸﻭﺭ ﺩﻭﺴﺕ؛ ﻏﺯل ٦٢ﻤﺭﺤﺒﺎ ﺍﻯ ﭙﻴﻙ ﻤﺸﺘﺎﻗﺎﻥ ،ﺒﺩﻩ ﺒﻴﻐﺎﻡ ﺩﻭﺴﺕ؛
ﻏﺯل ٦٣ﺭﻭﻯ ﺘﻭ ﮐﺱ ﻨﺩﻴﺩ ﻭﻫﺯﺍﺭﺕ ﺭﻗﻴﺏ ﻫﺴﺕ؛ ﻏﺯل ٦٤ﺍﮔﺭﭽﻪ ﻋﺭﺽِ ﻫﻨﺭ
ﭙﻴﺵ ﻴﺎﺭ ﺒﻰ ﺍﺩﺒﻴﺴﺕ؛ ﻏﺯل ٦٥ﺨﻭﺸﺘﺭ ﺯ ﻋﺸﻕ ﻭﺼﺤﺒﺕ ﻭﺒﺎﻍ ﻭﺒﻬﺎﺭ ﭽﻴﺴﺕ؛
ﻏﺯل ٦٦ﺒﻨﺎل ﺒﻠﺒل ﺍﮔﺭ ﺒﺎ ﻤﻨﺕ ﺴﺭﻴﺎﺭﻴﺴﺕ؛ ﻏﺯل ٦٧ﻴﺎ ﺭﺏ ﺍﻴﻥ ﺸﻤﻊ ﺩﻟﻔﺭﻭﺯ ﺯ
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ﻜﺎﺸﻴﺎﻨﻪٴ ﻜﻴﺴﺕ؛ ﻏﺯل ٦٨ﻤﺎﻫﻡ ﺍﻴﻥ ﻫﻔﺘﻪ ﺒﺭﻭﻥ ﺭﻓﺕ ﻭﺒﭽﺸﻤﻡ ﺴﺎﻟﻴﺴﺕ؛ ﻏﺯل٦٩
ﻜﺱ ﻨﻴﺴﺕ ﻜﻪ ﺍﻓﺘﺎﺩﻩ ﺁﻥ ﺯﻟﻑ ﺩﻭﺘﺎ ﻨﻴﺴﺕ؛ ﻏﺯل ٧٠ﻤﺭﺩﻡِ ﺩﻴﺩﻩٴ ﻤﺎ ﺠﺯ ﺒﻪ ﺭﺨﺕ
ﻨﺎﻅﺭ ﻨﻴﺴﺕ؛ ﻏﺯل ٧١ﺯﺍﻫِﺩ ﻅﺎﻫﺭ ﭙﺭﺴﺕ ﺍﺯ ﺤﺎل ﻤﺎ ﺁﮔﺎﻩ ﻨﻴﺴﺕ؛ ﻏﺯل ٧٢ﺭﺍﻫﻴﺴﺕ
ﺭﺍﻩِ ﻋﺸﻕ ﻜﻪ ﻫﻴﭽﺵ ﻜﻨﺎﺭﻩ ﻨﻴﺴﺕ؛ ﻏﺯل ٧٣ﺭﻭﺸﻥ ﺍﺯ ﭙﺭﺘﻭِ ﺭﻭﻴﺕ ﻨﻅﺭﻯ ﻨﻴﺴﺕ ﻜﻪ
ﻨﻴﺴﺕ؛ ﻏﺯل ٧٤ﺤﺎﺼِلِ ﻜﺎﺭﮔﻪِ ﻜﻭﻥ ﻭﻤﻜﺎﻥ ﺍﻴﻥ ﻫﻤﻪ ﻨﻴﺴﺕ؛ ﻏﺯل ٧٥ﺨﻭﺍﺏِ ﺁﻥ
ﻨﺭﮔﺱِ ﻓﺘﺎﻥ ﺘﻭ ﺒﻰ ﭽﻴﺯﻱ ﻨﻴﺴﺕ؛ ﻏﺯل ٧٦ﺠﺯ ﺁﺴﺘﺎﻥِ ﺘﻭﺍﻡ ﺩﺭ ﺠﻬﺎﻥ ﭙﻨﺎﻫﻰ ﻨﻴﺴﺕ؛
ﻏﺯل ٧٧ﺒﻠﺒﻠﻰ ﺒﺭﮒِ ﮔﻠﻰ ﺨﻭﺵ ﺭﻨﮓ ﺩﺭ ﻤﻨﻘﺎﺭ ﺩﺍﺸﺕ؛ ﻏﺯل ٧٨ﺩﻴﺩﻯ ﻜﻪ ﻴﺎﺭ ﺠﺯ
ﺴﺭِ ﺠﻭﺭ ﻭﺴﺘﻡ ﻨﺩﺍﺸﺕ؛ ﻏﺯل ٧٩ﻜﻨﻭﻥ ﻜﻪ ﻤﻴﺩﻤﺩ ﺍﺯ ﺒﻭﺴﺘﺎﻥ ﻨﺴﻴﻡ ﺒﻬﺸﺕ؛ ﻏﺯل٨٠
ﻋﻴﺏِ ﺭﻨﺩﺍﻥ ﻤﻜﻥ ،ﺍﻯ ﺯﺍﻫﺩ ﭙﺎﻜﻴﺯﻩ ﺴﺭﺸﺕ؛ ﻏﺯل ٨١ﺼﺒﺤﺩﻡ ﻤﺭﻍ ﭽﻤﻥ ﺒﺎ ﮔل ﻨﻭ
ﺨﺎﺴﺘﻪ ﮔﻔﺕ؛ ﻏﺯل ٨٢ﺁﻥ ﺘﺭﻙِ ﭙﺭﻴﭽﻬﺭﻩ ﻜﻪ ﺩﻭﺵ ﺍﺯ ﺒﺭ ﻤﺎ ﺭﻓﺕ؛ ﻏﺯل ٨٣ﮔﺭ ﺯ
ﺩﺴﺕ ﺯﻟﻑ ﻤﺸﻜﻴﻨﺕ ﺨﻁﺎﺌﻰ ﺭﻓﺕ ،ﺭﻓﺕ؛ ﻏﺯل ٨٤ﺴﺎﻗﻰ ﺒﻴﺎﺭ ﺒﺎﺩﻩ ﻜﻪ ﻤﺎﻩ ﺼﻴﺎﻡ
ﺭﻓﺕ؛ ﻏﺯل ٨٥ﺸﺭﺒﺘﻰ ﺍﺯ ﻟﺏِ ﻟﻌﻠﺵ ﻨﭽﺸﻴﺩﻴﻡ ﻭﺒﺭﻓﺕ؛ ﻏﺯل ٨٦ﺴﺎﻗﻰ ﺒﻴﺎ ﻜﻪ ﻴﺎﺭ ﺯ
ﺭﺥ ﭙﺭﺩﻩ ﺒﺭ ﮔﺭﻓﺕ ﻏﺯل ٨٧ﺤﺴﻨﺕ ﺒﺎﺘﻔﺎﻕ ﻤﻼﺤﺕ ﺠﻬﺎﻥ ﮔﺭﻓﺕ؛ ﻏﺯل ٨٨ﺸﻨﻴﺩﻩ ﺍﻡ
ﺴﺨﻨﻰ ﺨﻭﺵ ﻜﻪ ﭙﻴﺭ ﻜﻨﻌﺎﻥ ﮔﻔﺕ؛ ﻏﺯل ٨٩ﻴﺎ ﺭﺏ ﺴﺒﺒﻰ ﺴﺎﺯ ﻜﻪ ﻴﺎﺭﻡ ﺒﺴﻼﻤﺕ؛
ﻏﺯل ٩٠ﺍﻯ ﻫﺩﻫﺩِ ﺼﺒﺎ ﺒﺴﺒﺎ ﻤﻰ ﻓﺭﺴﺘﻤﺕ؛ ﻏﺯل ٩١ﺍﻯ ﻏﺎﻴﺏ ﺍﺯ ﻨﻅﺭ ﺒﺨﺩﺍ ﻤﻰ
ﺴﭙﺎﺭﻤﺕ؛ ﻏﺯل ٩٢ﻤﻴﺭِ ﻤﻥ ﺨﻭﺵ ﻤﻴﺭﻭﻯ ﻜﺎﻨﺩﺭ ﺴﺭ ﻭﭙﺎ ﻤﻴﺭﻤﺕ؛ ﻏﺯل ٩٣ﭽﻪ
ﻟﻁﻑ ﺒﻭﺩ ﻜﻪ ﻨﺎﮔﺎﻩ ﺭﺸﺤﻪٴ ﻗﻠﻤﺕ؛ ﻏﺯل ٩٤ﺯﺍﻥ ﻴﺎﺭ ﺩﻟﻨﻭﺍﺯﻡ ﺸﻜﺭﻴﺴﺕ ﺒﺎ ﺸﻜﺎﻴﺕ؛
ﻏﺯل ٩٥ﻤﺩﺍﻤﻡ ﻤﺴﺕ ﻤﻴﺩﺍﺭﺩ ﻨﺴﻴﻡ ﺠﻌﺩ ﮔﻴﺴﻭﻴﺕ؛ ﻏﺯل ٩٦ﺩﺭﺩ ﻤﺎ ﺭﺍ ﻨﻴﺴﺕ ﺩﺭﻤﺎﻥ
ﺍﻟﻐﻴﺎﺙ؛ ﻏﺯل ٩٧ﺘﻭﺌﻰ ﻜﻪ ﺒﺭ ﺴﺭ ﺨﻭﺒﺎﻥ ﻜﺸﻭﺭﻯ ﭽﻭﻥ ﺘﺎﺝ؛ ﻏﺯل ٩٨ﺍﮔﺭ ﺒﻪ
ﻤﺫﻫﺏِ ﺘﻭ ﺨﻭﻥ ﻋﺎﺸﻕ ﺍﺴﺕ ﻤﺒﺎﺡ؛ ﻏﺯل ٩٩ﺩل ﻤﻥ ﺩﺭ ﻫﻭﺍﻯِ ﺭﻭﻯِ ﻓﺭﺥ؛
ﻏﺯل ١٠٠ﺩﻯ ﭙﻴﺭ ﻤﻰ ﻓﺭﻭﺵ ﻜﻪ ﺫﻜﺭﺵ ﺒﺨﻴﺭ ﺒﺎﺩ؛ ﻏﺯل ١٠١ﺸﺭﺍﺏ ﻭﻋﻴﺵِ ﻨﻬﺎﻥ
ﭽﻴﺴﺕ ﻜﺎﺭ ﺒﻰ ﺒﻨﻴﺎﺩ؛ ﻏﺯل ١٠٢ﺩﻭﺵ ﺁﮔﻬﻰ ﺯ ﻴﺎﺭ ﺴﻔﺭ ﻜﺭﺩﻩ ﺩﺍﺩ ﺒﺎﺩ؛ ﻏﺯل١٠٣
ﺭﻭﺯ ﻭﺼل ﺩﻭﺴﺘﺩﺍﺭﺍﻥ ﻴﺎﺩ ﺒﺎﺩ؛ ﻏﺯل ١٠٤ﺠﻤﺎﻟﺕ ﺁﻓﺘﺎﺏِ ﻫﺭ ﻨﻅﺭ ﺒﺎﺩ؛ ﻏﺯل١٠٥
ﺼﻭﻓﻰ ﺍﺭ ﺒﺎﺩﻩ ﺒﺎﻨﺩﺍﺯﻩ ﺨﻭﺭﺩ ﻨﻭﺸﺵ ﺒﺎﺩ؛ ﻏﺯل ١٠٦ﺘﻨﺕ ﺒﻨﺎﺯ ﻁﺒﻴﺒﺎﻥ ﻨﻴﺎﺯﻤﻨﺩ ﻤﺒﺎﺩ؛
ﻏﺯل ١٠٧ﺤﺴﻥِ ﺘﻭ ﻫﻤﻴﺸﻪ ﺩﺭ ﻓﺯﻭﻥ ﺒﺎﺩ؛ ﻏﺯل ١٠٨ﺨﺴﺭﻭﺍ ﮔﻭﻯِ ﻓﻠﻙ ﺩﺭ ﺨﻡ
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ﭽﻭﮔﺎﻥ ﺘﻭ ﺒﺎﺩ؛ ﻏﺯل ١٠٩ﺩﻴﺭ ﺴﺕ ﻜﻪ ﺩﻟﺩﺍﺭ ﭙﻴﺎﻤﻰ ﻨﻔﺭﺴﺘﺎﺩ؛ ﻏﺯل ١١٠ﭙﻴﺭﺍﻨﻪ ﺴﺭﻡ
ﻋﺸﻕ ﺠﻭﺍﻨﻰ ﺒﺴﺭ ﺍﻓﺘﺎﺩ؛ ﻏﺯل ١١١ﻋﻜﺱِ ﺭﻭﻯِ ﺘﻭ ﭽﻭ ﺩﺭ ﺁﻴﻨﻪٴ ﺠﺎﻡ ﺍﻓﺘﺎﺩ؛
ﻏﺯل ١١٢ﺁﻨﻜﻪ ﺭﺨﺴﺎﺭ ﺘﺭﺍ ﺭﻨﮓ ﮔل ﻭﻨﺴﺭﻴﻥ ﺩﺍﺩ؛ ﻏﺯل ١١٣ﺒﻨﻔﺸﻪ ﺩﻭﺵ ﺒﮕل
ﮔﻔﺕ ﻭﺨﻭﺵ ﻨﺸﺎﻨﻰ ﺩﺍﺩ؛ ﻏﺯل ١١٤ﻫﻤﺎﻯِ ﺍﻭﺝِ ﺴﻌﺎﺩﺕ ﺒﺩﺍﻡ ﻤﺎ ﺍﻓﺘﺩ؛ ﻏﺯل١١٥
ﺩﺭﺨﺕ ﺩﻭﺴﺘﻰ ﺒﻨﺸﺎﻥ ﻜﻪ ﻜﺎﻡ ﺩل ﺒﺒﺎﺭ ﺁﺭﺩ؛ ﻏﺯل ١١٦ﻜﺴﻰ ﻜﻪ ﺤﺴﻥ ﻭﺨﻁ ﺩﻭﺴﺕ
ﺩﺭ ﻨﻅﺭ ﺩﺍﺭﺩ؛ ﻏﺯل ١١٧ﺩل ﻤﺎ ﺒﺩﻭﺭِ ﺭﻭﻴﺕ ﺯ ﭽﻤﻥ ﻓﺭﺍﻍ ﺩﺍﺭﺩ؛ ﻏﺯل ١١٨ﺁﻨﻜﺱ
ﻜﻪ ﺒﺩﺴﺕ ﺠﺎﻡ ﺩﺍﺭﺩ؛ ﻏﺯل ١١٩ﺩﻟﻰ ﻜﻪ ﻏﻴﺏ ﻨﻤﺎﻴﺴﺕ ﻭﺠﺎﻡ ﺠﻡ ﺩﺍﺭﺩ؛ ﻏﺯل١٢٠
ﺒﺘﻰ ﺩﺍﺭﻡ ﻜﻪ ﮔﺭﺩِ ﮔل ﺯ ﺴﻨﺒل ﺴﺎﻴﻪ ﺒﺎﻥ ﺩﺍﺭﺩ؛ ﻏﺯل ١٢١ﻫﺭ ﺁﻨﻜﻭ ﺨﺎﻁﺭِ ﻤﺠﻤﻭﻉ
ﻭﻴﺎﺭ ﻨﺎﺯﻨﻴﻥ ﺩﺍﺭﺩ؛ ﻏﺯل ١٢٢ﻫﺭ ﺁﻨﻜﻪ ﺠﺎﻨﺏِ ﺍﻫلِ ﺨﺩﺍ ﻨﮕﻪ ﺩﺍﺭﺩ؛ ﻏﺯل ١٢٣ﻤﻁﺭﺏ
ﻋﺸﻕ ﻋﺠﺏ ﺴﺎﺯ ﻭﻨﻭﺍﺌﻰ ﺩﺍﺭﺩ؛ ﻏﺯل ١٢٤ﺁﻨﻜﻪ ﺍﺯ ﺴﻨﺒلِ ﺍﻭ ﻏﺎﻟﻴﻪ ﺘﺎﺒﻰ ﺩﺍﺭﺩ؛
ﻏﺯل ١٢٥ﺸﺎﻫﺩ ﺁﻥ ﻨﻴﺴﺕ ﻜﻪ ﻤﻭﺌﻰ ﻭﻤﻴﺎﻨﻰ ﺩﺍﺭﺩ؛ ﻏﺯل ١٢٦ﺠﺎﻥ ﺒﻰ ﺠﻤﺎلِ ﺠﺎﻨﺎﻥ
ﻤﻴل ﺠﻬﺎﻥ ﻨﺩﺍﺭﺩ؛ ﻏﺯل ١٢٧ﺭﻭﺸﻨﻰِ ﻁﻠﻌﺕِ ﺘﻭ ﻤﺎﻩ ﻨﺩﺍﺭﺩ؛ ﻏﺯل ١٢٨ﻨﻴﺴﺕ ﺩﺭ
ﺸﻬﺭ ﻤﺎ ﻨﮕﺎﺭﻯ ﻜﻪ ﺩل ﻤﺎ ﺒﺒﺭﺩ؛ ﻏﺯل ١٢٩ﺍﮔﺭ ﻨﻪ ﺒﺎﺩﻩ ﻏﻡِ ﺩل ﺯ ﻴﺎﺩ ﻤﺎ ﺒﺒﺭﺩ؛
ﻏﺯل ١٣٠ﺴﺤﺭ ﺒﻠﺒل ﺤﻜﺎﻴﺕ ﺒﺎ ﺼﺒﺎ ﻜﺭﺩ؛ ﻏﺯل ١٣١ﺒﻴﺎ ﻜﻪ ﺘﺭﻙِ ﻓﻠﻙ ﺨﻭﺍﻥ ﺭﻭﺯﻩ
ﻏﺎﺭﺕ ﻜﺭﺩ؛ ﻏﺯل ١٣٢ﺒﻪ ﺁﺏِ ﺭﻭﺸﻥِ ﻤﻰ ﻋﺎﺭﻓﻰ ﻁﻬﺎﺭﺕ ﻜﺭﺩ؛ ﻏﺯل ١٣٣ﺼﻭﻓﻰ
ﻨﻬﺎﺩ ﺩﺍﻡ ﻭﺴﺭﺤﻘﻪ ﺒﺎﺯ ﻜﺭﺩ؛ ﻏﺯل ١٣٤ﺒﻠﺒﻠﻰ ﺨﻭﻥ ﺩﻟﻰ ﺨﻭﺭﺩ ﻭﮔﻠﻰ ﺤﺎﺼل ﻜﺭﺩ؛
ﻏﺯل ١٣٥ﭽﻭ ﺒﺎﺩ ﻋﺯﻡِ ﺴﺭِ ﻜﻭﻯ ﻴﺎﺭ ﺨﻭﺍﻫﻡ ﻜﺭﺩ؛ ﻏﺯل ١٣٦ﺩﺴﺕ ﺩﺭ ﺤﻠﻘﻪٴ ﺁﻥ
ﺯﻟﻑ ﺩﻭﺘﺎ ﻨﺘﻭﺍﻥ ﻜﺭﺩ؛ ﻏﺯل ١٣٧ﺩل ﺍﺯ ﻤﻥ ﺒﺭﺩ ﻭﺭﻭﻯ ﺍﺯ ﻤﻥ ﻨﻬﺎﻥ ﻜﺭﺩ؛
ﻏﺯل ١٣٨ﺭﻭ ﺒﺭ ﺭﻫﺵ ﻨﻬﺎﺩﻡ ﻭﺒﺭ ﻤﻥ ﮔﺫﺭ ﻨﻜﺭﺩ؛ ﻏﺯل ١٣٩ﺩﻟﺒﺭ ﺒﺭﻓﺕ ﻭﺩﻟﺸﺩﮔﺎﻥ
ﺭﺍ ﺨﺒﺭ ﻨﻜﺭﺩ؛ ﻏﺯل ١٤٠ﺩﻴﺩﻯ ﺍﻯ ﺩل ﻜﻪ ﻏﻡ ﻋﺸﻕ ﺩﮔﺭ ﺒﺎﺭ ﭽﻪ ﻜﺭﺩ؛ ﻏﺯل١٤١
ﺩﻭﺴﺘﺎﻥ ﺩﺨﺘﺭ ﺭﺯ ﺘﻭﺒﻪ ﺯ ﻤﺴﺘﻭﺭﻯ ﻜﺭﺩ؛ ﻏﺯل ١٤٢ﺴﺎﻟﻬﺎ ﺩل ﻁﻠﺏ ﺠﺎﻡ ﺠﻡ ﺍﺯ ﻤﺎ
ﻤﻴﻜﺭﺩ؛ ﻏﺯل ١٤٣ﺒﻪ ﺴﺭ ﺠﺎﻡِ ﺠﻡ ﺁﻨﻜﻪ ﻨﻅﺭ ﺘﻭﺍﻨﻰ ﻜﺭﺩ؛ ﻏﺯل ١٤٤ﻴﺎﺩ ﺒﺎﺩ ﺁﻨﻜﻪ ﺯ
ﻤﺎ ﻭﻗﺕ ﺴﻔﺭ ﻴﺎﺩ ﻨﻜﺭﺩ؛ ﻏﺯل ١٤٥ﭽﻪ ﻤﺴﺘﻰ ﺍﺴﺕ ﻨﺩﺍﻨﻡ ﻜﻪ ﺭﻭ ﺒﻤﺎ ﺁﻭﺭﺩ؛
ﻏﺯل ١٤٦ﺼﺒﺎ ﻭﻗﺕِ ﺴﺤﺭ ﺒﻭﺌﻰ ﺯ ﺯﻟﻑ ﻴﺎﺭ ﻤﻰ ﺁﻭﺭﺩ؛ ﻏﺯل ١٤٧ﻨﺴﻴﻡِ ﺒﺎﺩِ ﺼﺒﺎ
ﺩﻭﺸﻡ ﺁﮔﻬﻰ ﺁﻭﺭﺩ؛ ﻏﺯل ١٤٨ﻴﺎﺭﻡ ﭽﻭ ﻗﺩﺡ ﺒﺩﺴﺕ ﮔﻴﺭﺩ؛ ﻏﺯل ١٤٩ﺩﻟﻡ ﺠﺯ ﻤﻬﺭِ
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ﻤﻬﺭﻭﻴﺎﻥ ﻁﺭﻴﻘﻰ ﺒﺭ ﻨﻤﻴﮕﻴﺭﺩ؛ ﻏﺯل ١٥٠ﺴﺎﻗﻰ ﺍﺭ ﺒﺎﺩﻩ ﺍﺯﻴﻥ ﺩﺴﺕ ﺒﺠﺎﻡ ﺍﻨﺩﺍﺯﺩ؛
ﻏﺯل ١٥١ﺩﻤﻰ ﺒﺎ ﻏﻡ ﺒﺴﺭ ﺒﺭﺩﻥ ﺠﻬﺎﻥ ﻴﻜﺴﺭ ﻨﻤﻰ ﺍﺭﺯﺩ؛ ﻏﺯل ١٥٢ﺩﺭ ﺍﺯل ﭙﺭﺘﻭِ
ﺤﺴﻨﺕ ﺯ ﺘﺠﻠﹼﻲ ﺩﻡ ﺯﺩ؛ ﻏﺯل ١٥٣ﺴﺤﺭ ﭽﻭﻥ ﺨﺴﺭﻭِ ﺨﺎﻭﺭ ﻋﻠﻡ ﺒﺭ ﻜﻭﻫﺴﺎﺭﺍﻥ ﺯﺩ؛
ﻏﺯل ١٥٤ﺭﺍﻫﻰ ﺒﺯﻥ ﻜﻪ ﺁﻫﻰ ﺒﺭ ﺴﺎﺯ ﺁﻥ ﺘﻭﺍﻥ ﺯﺩ؛ ﻏﺯل ١٥٥ﺍﮔﺭ ﺭﻭﻡ ﺯ ﭙﻰ ﺍﺵ
ﻓﺘﻨﻪ ﻫﺎ ﺒﺭﺍﻨﮕﻴﺯﺩ؛ ﻏﺯل ١٥٦ﺒﺤﺴﻥ ﻭﺨﻠﻕ ﻭﻭﻓﺎ ﻜﺱ ﺒﻪ ﻴﺎﺭ ﻤﺎ ﻨﺭﺴﺩ؛ ﻏﺯل١٥٧
ﻫﺭ ﻜﻪ ﺭﺍ ﺒﺎ ﺨﻁ ﺴﺒﺯﺕ ﺴﺭ ﺴﻭﺩﺍ ﺒﺎﺸﺩ؛ ﻏﺯل ١٥٨ﻤﻥ ﻭﺍﻨﻜﺎﺭ ﺸﺭﺍﺏ ﺍﻴﻥ ﭽﻪ
ﺤﻜﺎﻴﺕ ﺒﺎﺸﺩ؛ ﻏﺯل ١٥٩ﻨﻘﺩ ﺼﻭﻓﻰ ﻨﻪ ﻫﻤﻪ ﺼﺎﻓﻰ ﺒﻴﻐﺵ ﺒﺎﺸﺩ؛ ﻏﺯل ١٦٠ﺨﻭﺸﺴﺕ
ﺨﻠﻭﺕ ﺍﮔﺭ ﻴﺎﺭ ﻴﺎﺭ ﻤﻥ ﺒﺎﺸﺩ؛ ﻏﺯل ١٦١ﻜﻰ ﺸﻌﺭ ﺘﺭ ﺍﻨﮕﻴﺯﺩ ﺨﺎﻁﺭ ﻜﻪ ﺤﺯﻴﻥ ﺒﺎﺸﺩ؛
ﻏﺯل ١٦٢ﺨﻭﺵ ﺁﻤﺩ ﮔل ﻭﺯﺍﻥ ﺨﻭﺸﺘﺭ ﻨﺒﺎﺸﺩ؛ ﻏﺯل ١٦٣ﮔل ﺒﻰ ﺭﺥِ ﻴﺎﺭ ﺨﻭﺵ
ﻨﺒﺎﺸﺩ؛ ﻏﺯل ١٦٤ﻨﻔﺱِ ﺒﺎﺩِ ﺼﺒﺎ ﻤﺸﻙ ﻓﺸﺎﻥ ﺨﻭﺍﻫﺩ ﺸﺩ؛ ﻏﺯل ١٦٥ﻤﺭﺍ ﻤﻬﺭِ ﺴﻴﻪ
ﭽﺸﻤﺎﻥ ﺯ ﺴﺭ ﺒﻴﺭﻭﻥ ﻨﺨﻭﺍﻫﺩ ﺸﺩ؛ ﻏﺯل ١٦٦ﺭﻭﺯِ ﻫﺠﺭﺍﻥ ﻭﺸﺏ ﻓﺭﻗﺕ ﻴﺎﺭ ﺨﻭﺍﻫﺩ
ﺸﺩ؛ ﻏﺯل ١٦٧ﺴﺘﺎﺭﻩ ﺍﻯ ﺒﺩﺭﺨﺸﻴﺩ ﻭﻤﺎﻩ ﻤﺠﻠﺱ ﺸﺩ؛ ﻏﺯل ١٦٨ﮔﺩﺍﺨﺕ ﺠﺎﻥ ﻜﻪ
ﺸﻭﺩ ﻜﺎﺭ ﺩل ﺘﻤﺎﻡ ﻭﻨﺸﺩ؛ ﻏﺯل ١٦٩ﻴﺎﺭﻯ ﺍﻨﺩﺭ ﻜﺱ ﻨﻤﻰ ﺒﻴﻨﻡ ﻴﺎﺭﺍﻥ ﺭﺍ ﭽﻪ ﺸﺩ؛
ﻏﺯل ١٧٠ﺯﺍﻫﺩ ﺨﻠﻭﺕ ﻨﺸﻴﻥ ﺩﻭﺵ ﺒﻤﻴﺨﺎﻨﻪ ﺸﺩ؛ ﻏﺯل ١٧١ﺩﻭﺵ ﺍﺯ ﺠﻨﺎﺏ ﺁﺼﻑ
ﭙﻴﻙ ﺒﺸﺎﺭﺕ ﺁﻤﺩ؛ ﻏﺯل ١٧٢ﻋﺸﻕ ﺘﻭ ﻨﻬﺎل ﺤﻴﺭﺕ ﺁﻤﺩ؛ ﻏﺯل ١٧٣ﺩﺭ ﻨﻤﺎﺯﻡ ﺨﻡ
ﺍﺒﺭﻭﻯ ﺘﻭ ﺒﺎ ﻴﺎﺩ ﺁﻤﺩ؛ ﻏﺯل ١٧٤ﻤﮊﺩﻩ ﺍﻯ ﺩل ﻜﻪ ﺩﮔﺭ ﺒﺎﺩ ﺼﺒﺎ ﺒﺎﺯ ﺁﻤﺩ؛ ﻏﺯل١٧٥
ﺼﺒﺎ ﺒﻪ ﺘﻬﻨﻴﺕ ﭙﻴﺭ ﻤﻰ ﻓﺭﻭﺵ ﺁﻤﺩ؛ ﻏﺯل ١٧٦ﺴﺤﺭﻡ ﺩﻭﻟﺕ ﺒﻴﺩﺍﺭ ﺒﺒﺎﻟﻴﻥ ﺁﻤﺩ؛
ﻏﺯل ١٧٧ﻨﻪ ﻫﺭ ﻜﻪ ﭽﻬﺭﻩ ﺒﺭﺍﻓﺭﻭﺨﺕ ﺩﻟﺒﺭﻯ ﺩﺍﻨﺩ؛ ﻏﺯل ١٧٨ﻫﺭ ﻜﻪ ﺸﺩ ﻤﺤﺭﻡ ﺩل
ﺩﺭ ﺤﺭﻡ ﻴﺎﺭ ﺒﻤﺎﻨﺩ؛ ﻏﺯل ١٧٩ﺭﺴﻴﺩ ﻤﮊﺩﻩ ﻜﻪ ﺍﻴﺎﻡ ﻏﻡ ﻨﺨﻭﺍﻫﺩ ﻤﺎﻨﺩ؛ ﻏﺯل ١٨٠ﺍﻯ
ﭙﺴﺘﻪٴ ﺘﻭ ﺨﻨﺩﻩ ﺯﺩﻩ ﺒﺭ ﺤﺩﻴﺙ ﻗﻨﺩ؛ ﻏﺯل ١٨١ﺒﻌﺩ ﺍﺯ ﺍﻴﻥ ﺩﺴﺕ ﻤﻥ ﻭﺩﺍﻤﻥ ﺁﻥ ﺴﺭﻭ
ﺒﻠﻨﺩ؛ ﻏﺯل ١٨٢ﺤﺴﺏ ﺤﺎﻟﻰ ﻨﻨﻭﺸﺘﻰ ﻭﺸﺩ ﺍﻴﺎﻤﻰ ﭽﻨﺩ؛ ﻏﺯل ١٨٣ﺩﻭﺵ ﻭﻗﺕ ﺴﺤﺭ
ﺍﺯ ﻏﺼﻪ ﻨﺠﺎﺘﻡ ﺩﺍﺩﻨﺩ؛ ﻏﺯل ١٨٤ﺩﻭﺵ ﺩﻴﺩﻡ ﻜﻪ ﻤﻼﻴﮏ ﺩﺭ ﻤﻴﺨﺎﻨﻪ ﺯﺩﻨﺩ؛
ﻏﺯل ١٨٥ﻨﻘﺩﻫﺎ ﺭﺍ ﺒﻭﺩ ﺁﻴﺎ ﻜﻪ ﻋﻴﺎﺭﻯ ﮔﻴﺭﻨﺩ؛ ﻏﺯل ١٨٦ﮔﺭ ﻤﻰ ﻓﺭﻭﺵ ﺤﺎﺠﺕ
ﺭﻨﺩﺍﻥ ﺭﻭﺍ ﻜﻨﺩ؛ ﻏﺯل ١٨٧ﺩﻻ ﺒﺴﻭﺯ ﻜﻪ ﺴﻭﺯ ﺘﻭ ﻜﺎﺭﻫﺎ ﺒﻜﻨﺩ؛ ﻏﺯل ١٨٨ﻤﺭﺍ ﺒﻪ
ﺭﻨﺩﻯ ﻭﻋﺸﻕ ﺁﻥ ﻓﻀﻭل ﻋﻴﺏ ﻜﻨﺩ؛ ﻏﺯل ١٨٩ﻁﺎﻴﺭ ﺩﻭﻟﺕ ﺍﮔﺭ ﺒﺎﺯ ﮔﺫﺍﺭﻯ ﺒﻜﻨﺩ؛
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ﻏﺯل ١٩٠ﻜﻠﮏ ﻤﺸﻜﻴﻥ ﺘﻭ ﺭﻭﺯﻯ ﻜﻪ ﺯ ﻤﺎ ﻴﺎﺩ ﻜﻨﺩ؛ ﻏﺯل ١٩١ﺁﻥ ﻜﻴﺴﺕ ﻜﺯ ﺭﻭﻯ
ﻜﺭﻡ ﺒﺎ ﻤﺎ ﻭﻓﺎﺩﺍﺭﻯ ﻜﻨﺩ؛ ﻏﺯل ١٩٢ﺴﺭﻭ ﭽﻤﺎﻥ ﻤﺎ ﭽﺭﺍ ﻤﻴل ﭽﻤﻥ ﻨﻤﻰ ﻜﻨﺩ؛
ﻏﺯل ١٩٣ﺩﺭ ﻨﻅﺭ ﺒﺎﺯﻯ ﻤﺎ ﺒﻴﺨﺒﺭﺍﻥ ﺤﻴﺭﺍﻨﻨﺩ؛ ﻏﺯل ١٩٤ﺴﻤﻥ ﺒﻭﻴﺎﻥ ﻏﺒﺎﺭ ﻏﻡ ﭽﻭ
ﺒﻨﺸﻴﻨﻨﺩ ﺒﻨﺸﺎﻨﻨﺩ؛ ﻏﺯل ١٩٥ﻏﻼﻡ ﻨﺭﮔﺱ ﻤﺴﺕ ﺘﻭ ﺘﺎﺠﺩﺍﺭﺍﻨﻨﺩ؛ ﻏﺯل ١٩٦ﺁﻨﺎﻥ ﻜﻪ
ﺨﺎﮎ ﺭﺍ ﺒﻪ ﻨﻅﺭ ﻜﻴﻤﻴﺎ ﻜﻨﻨﺩ؛ ﻏﺯل ١٩٧ﺸﺎﻫﺩﺍﻥ ﮔﺭ ﺩﻟﺒﺭﻯ ﺯﻴﻨﺴﺎﻥ ﻜﻨﻨﺩ؛ ﻏﺯل١٩٨
ﮔﻔﺘﻡ ﻜﻴﻡ ﺩﻫﺎﻥ ﻭﻟﺒﺕ ﻜﺎﻤﺭﺍﻥ ﻜﻨﻨﺩ؛ ﻏﺯل ١٩٩ﻭﺍﻋﻅﺎﻥ ﻜﺎﻴﻥ ﺠﻠﻭﻩ ﺩﺭ ﻤﺤﺭﺍﺏ ﻭﻤﻨﺒﺭ
ﻤﻴﻜﻨﻨﺩ؛ ﻏﺯل ٢٠٠ﺩﺍﻨﻰ ﻜﻪ ﭽﻨﮓ ﻭﻋﻭﺩ ﭽﻪ ﺘﻘﺭﻴﺭ ﻤﻴﻜﻨﻨﺩ؛ ﻏﺯل ٢٠١ﺸﺭﺍﺏ ﺒﻴﻐﺵ
ﻭﺴﺎﻗﻰ ﺨﻭﺵ ﺩﻭ ﺩﺍﻡ ﺭﻫﻨﺩ؛ ﻏﺯل ٢٠٢ﺒﻭﺩ ﺁﻴﺎ ﻜﻪ ﺩﺭ ﻤﻴﻜﺩﻩ ﻫﺎ ﺒﮕﺸﺎﻴﻨﺩ؛ ﻏﺯل٢٠٣
ﺴﺎﻟﻬﺎ ﺩﻓﺘﺭ ﻤﺎ ﺩﺭ ﮔﺭﻭ ﺼﻬﺒﺎ ﺒﻭﺩ؛ ﻏﺯل ٢٠٤ﻴﺎﺩ ﺒﺎﺩ ﺁﻨﻜﻪ ﻨﻬﺎﻨﺕ ﻨﻅﺭﻯ ﺒﺎ ﻤﺎ ﺒﻭﺩ؛
ﻏﺯل ٢٠٥ﺘﺎ ﺯ ﻤﻴﺨﺎﻨﻪ ﻭﻤﻰ ﻨﺎﻡ ﻭﻨﺸﺎﻥ ﺨﻭﺍﻫﺩ ﺒﻭﺩ؛ ﻏﺯل ٢٠٦ﭙﻴﺵ ﺍﺯﻴﻨﺕ ﺒﻴﺵ ﺍﺯ
ﺍﻴﻥ ﺍﻨﺩﻴﺸﻪٴ ﻋﺸﺎﻕ ﺒﻭﺩ؛ ﻏﺯل ٢٠٧ﻴﺎﺩ ﺒﺎﺩ ﺁﻨﻜﻪ ﺴﺭ ﻜﻭﻯ ﺘﻭﺍﻡ ﻤﻨﺯل ﺒﻭﺩ؛ ﻏﺯل٢٠٨
ﺨﺴﺘﮕﺎﻥ ﺭﺍ ﭽﻭ ﻁﻠﺏ ﺒﺎﺸﺩ ﻭﻗﻭﺕ ﻨﺒﻭﺩ؛ ﻏﺯل ٢٠٩ﻗﺘل ﺍﻴﻥ ﺨﺴﺘﻪ ﺒﻪ ﺸﻤﺸﻴﺭ ﺘﻭ
ﺘﻘﺩﻴﺭ ﻨﺒﻭﺩ؛ ﻏﺯل ٢١٠ﺩﻭﺵ ﺩﺭ ﺤﻠﻘﻪٴ ﻤﺎ ﻗﺼﻪٴ ﮔﻴﺴﻭﻯ ﺘﻭ ﺒﻭﺩ؛ ﻏﺯل ٢١١ﺩﻭﺵ
ﻤﻰ ﺁﻤﺩ ﻭﺭﺨﺴﺎﺭﻩ ﺒﺭ ﺍﻓﺭﻭﺨﺘﻪ ﺒﻭﺩ؛ ﻏﺯل ٢١٢ﻴﻜﺩﻭ ﺠﺎﻤﻡ ﺩﻯ ﺴﺤﺭﮔﻪ ﺍﺘﻔﺎﻕ ﺍﻓﺘﺎﺩﻩ
ﺒﻭﺩ؛ ﻏﺯل ٢١٣ﮔﻭﻫﺭ ﻤﺨﺯﻥ ﺍﺴﺭﺍﺭ ﻫﻤﺎﻨﺴﺕ ﻜﻪ ﺒﻭﺩ؛ ﻏﺯل ٢١٤ﺩﻴﺩﻡ ﺒﺨﻭﺍﺏ
ﺨﻭﺵ ﻜﻪ ﺒﺩﺴﺘﻡ ﭙﻴﺎﻟﻪ ﺒﻭﺩ؛ ﻏﺯل ٢١٥ﺒﻜﻭﻯ ﻤﻴﻜﺩﻩ ﻴﺎ ﺭﺏ ﺴﺤﺭ ﭽﻪ ﻤﺸﻐﻠﻪ ﺒﻭﺩ؛
ﻏﺯل ٢١٦ﺁﻥ ﻴﺎﺭ ﻜﺯﻭ ﺨﺎﻨﻪٴ ﻤﺎ ﺠﺎﻯ ﭙﺭﻯ ﺒﻭﺩ؛ ﻏﺯل ٢١٧ﻤﺴﻠﻤﺎﻨﺎﻥ ﻤﺭﺍ ﻭﻗﺘﻰ ﺩﻟﻰ
ﺒﻭﺩ؛ ﻏﺯل ٢١٨ﺩﺭ ﺍﺯل ﻫﺭ ﻜﻭ ﺒﻔﻴﺽ ﺩﻭﻟﺕ ﺍﺭﺯﺍﻨﻰ ﺒﻭﺩ؛ ﻏﺯل ٢١٩ﻜﻨﻭﻥ ﻜﻪ ﺩﺭ
ﭽﻤﻥ ﺁﻤﺩ ﮔل ﺍﺯ ﻋﺩﻡ ﺒﻭﺠﻭﺩ؛ ﻏﺯل ٢٢٠ﺍﺯ ﺩﻴﺩﻩ ﺨﻭﻥ ﺩل ﻫﻤﻪ ﺒﺭ ﺭﻭﻯ ﻤﺎ ﺭﻭﺩ؛
ﻏﺯل ٢٢١ﭽﻭ ﺩﺴﺕ ﺒﺭ ﺴﺭ ﺯﻟﻔﺵ ﺯﻨﻡ ﺒﺘﺎﺏ ﺭﻭﺩ؛ ﻏﺯل ٢٢٢ﺍﺯ ﺴﺭ ﻜﻭﻯ ﺘﻭ ﻫﺭ
ﻜﻭ ﺒﻤﻼﻤﺕ ﺒﺭﻭﺩ؛ ﻏﺯل ٢٢٣ﻫﺭﮔﺯﻡ ﻨﻘﺵ ﺘﻭ ﺍﺯ ﻟﻭﺡ ﺩل ﻭﺠﺎﻥ ﻨﺭﻭﺩ ﻏﺯل٢٢٤
ﺨﻭﺸﺎ ﺩﻟﻰ ﻜﻪ ﻤﺩﺍﻡ ﺍﺯ ﭙﻰ ﻨﻅﺭ ﻨﺭﻭﺩ؛ ﻏﺯل ٢٢٥ﺴﺎﻗﻰ ﺤﺩﻴﺙ ﺴﺭﻭ ﻭﮔل ﻭﻻﻟﻪ
ﻤﻴﺭﻭﺩ؛ ﻏﺯل ٢٢٦ﺘﺭﺴﻡ ﻜﻪ ﺍﺸﻙ ﺩﺭ ﻏﻡ ﻤﺎ ﭙﺭﺩﻩ ﺩﺭ ﺸﻭﺩ؛ ﻏﺯل ٢٢٧ﮔﺭﭽﻪ ﺒﺭ
ﻭﺍﻋﻅ ﺸﻬﺭ ﺍﻴﻥ ﺴﺨﻥ ﺁﺴﺎﻥ ﻨﺸﻭﺩ؛ ﻏﺯل ٢٢٨ﮔﺭ ﻤﻥ ﺍﺯ ﺒﺎﻍ ﺘﻭ ﻴﻙ ﻤﻴﻭﻩ ﺒﭽﻴﻨﻡ ﭽﻪ
ﺸﻭﺩ؛ ﻏﺯل ٢٢٩ﺒﺨﺕ ﺍﺯ ﺩﻫﺎﻥ ﺩﻭﺴﺕ ﻨﺸﺎﻨﻡ ﻨﻤﻴﺩﻫﺩ؛ ﻏﺯل ٢٣٠ﺍﮔﺭ ﺒﻪ ﺒﺎﺩﻩٴ ﻤﺸﻜﻴﻥ
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ﺩﻟﻡ ﻜﺸﺩ ﺸﺎﻴﺩ؛ ﻏﺯل ٢٣١ﮔﻔﺘﻡ ﻏﻡ ﺘﻭ ﺩﺍﺭﻡ ﮔﻔﺘﺎ ﻏﻤﺕ ﺴﺭﺁﻴﺩ؛ ﻏﺯل ٢٣٢ﺒﺭ ﺴﺭ ﺁﻨﻡ
ﻜﻪ ﮔﺭ ﺯ ﺩﺴﺕ ﺒﺭ ﺁﻴﺩ؛ ﻏﺯل ٢٣٣ﺩﺴﺕ ﺍﺯ ﻁﻠﺏ ﻨﺩﺍﺭﻡ ﺘﺎ ﻜﺎﻡ ﻤﻥ ﺒﺭ ﺁﻴﺩ؛
ﻏﺯل ٢٣٤ﭽﻭ ﺁﻓﺘﺎﺏ ﻤﻰ ﺍﺯ ﻤﺸﺭﻕ ﭙﻴﺎﻟﻪ ﺒﺭ ﺁﻴﺩ؛ ﻏﺯل ٢٣٥ﺯﻫﻰ ﺨﺠﺴﺘﻪ ﺯﻤﺎﻨﻰ ﻜﻪ
ﻴﺎﺭ ﺒﺎﺯ ﺁﻴﺩ؛ ﻏﺯل ٢٣٦ﺍﮔﺭ ﺁﻥ ﻁﺎﻴﺭ ﻗﺩﺴﻰ ﺯ ﺩﺭﻡ ﺒﺎﺯ ﺁﻴﺩ؛ ﻏﺯل ٢٣٧ﻨﻔﺱ ﺒﺭ ﺁﻤﺩ
ﻭﻜﺎﻡ ﺍﺯ ﺘﻭ ﺒﺭ ﻨﻤﻰ ﺁﻴﺩ؛ ﻏﺯل ٢٣٨ﺠﻬﺎﻥ ﺒﺭ ﺍﺒﺭﻭﻯ ﻋﻴﺩ ﺍﺯ ﻫﻼل ﻭﺴﻤﻪ ﻜﺸﻴﺩ؛
ﻏﺯل ٢٣٩ﺭﺴﻴﺩ ﻤﮊﺩﻩ ﻜﻪ ﺁﻤﺩ ﺒﻬﺎﺭ ﻭﺴﺒﺯﻩ ﺩﻤﻴﺩ؛ ﻏﺯل ٢٤٠ﺍﺒﺭ ﺁﺫﺍﺭﻯ ﺒﺭ ﺁﻤﺩ ﺒﺎﺩ
ﻨﻭﺭﻭﺯﻯ ﻭﺯﻴﺩ؛ ﻏﺯل ٢٤١ﻤﻌﺎﺸﺭﺍﻥ ﺯ ﺤﺭﻴﻑ ﺸﺒﺎﻨﻪ ﻴﺎﺩ ﺁﺭﻴﺩ؛ ﻏﺯل ٢٤٢ﺒﻴﺎ ﻜﻪ
ﺭﺍﻴﺕ ﻤﻨﺼﻭﺭ ﭙﺎﺩﺸﺎﻩ ﺭﺴﻴﺩ؛ ﻏﺯل ٢٤٣ﺒﻭﻯ ﺨﻭﺵ ﺘﻭ ﻫﺭ ﻜﻪ ﺯ ﺒﺎﺩ ﺼﺒﺎ ﺸﻨﻴﺩ؛
ﻏﺯل ٢٤٤ﻤﻌﺎﺸﺭﺍﻥ ﮔﺭﻩ ﺍﺯ ﺯﻟﻑ ﻴﺎﺭ ﺒﺎﺯ ﻜﻨﻴﺩ؛ ﻏﺯل ٢٤٥ﺍﻻ ﺍﻯ ﻁﻭﻁﻰ ﮔﻭﻴﺎﻯ
ﺍﺴﺭﺍﺭ؛ ﻏﺯل ٢٤٦ﻋﻴﺩ ﺍﺴﺕ ﻭﺁﺨﺭ ﮔل ﻭﻴﺎﺭﺍﻥ ﺩﺭ ﺍﻨﺘﻅﺎﺭ؛ ﻏﺯل ٢٤٧ﺼﺒﺎ ﺯ ﻤﻨﺯل
ﺠﺎﻨﺎﻥ ﮔﺫﺭ ﺩﺭﻴﻎ ﻤﺩﺍﺭ؛ ﻏﺯل ٢٤٨ﺍﻯ ﺼﺒﺎ ﻨﻜﻬﺘﻰ ﺍﺯ ﻜﻭﻯ ﻓﻼﻨﻰ ﺒﻤﻥ ﺁﺭ؛
ﻏﺯل ٢٤٩ﺍﻯ ﺼﺒﺎ ﻨﻜﻬﺘﻰ ﺍﺯ ﺨﺎﻙ ﺭﻩ ﻴﺎﺭ ﺒﻴﺎﺭ؛ ﻏﺯل ٢٥٠ﺭﻭﻯ ﺒﻨﻤﺎﻯ ﻭﻭﺠﻭﺩ
ﺨﻭﺩﻡ ﺍﺯ ﻴﺎﺩ ﺒﺒﺭ؛ ﻏﺯل ٢٥١ﺸﺏ ﻭﺼل ﺍﺴﺕ ﻭﻁﻰ ﺸﺩ ﻨﺎﻤﻪٴ ﻫﺠﺭ؛ ﻏﺯل ٢٥٢ﮔﺭ
ﺒﻭﺩ ﻋﻤﺭ ﺒﻪ ﻤﻴﺨﺎﻨﻪ ﺭﺴﻡ ﺒﺎﺭ ﺩﮔﺭ؛ ﻏﺯل ٢٥٣ﺍﻯ ﺨﺭﻡ ﺍﺯ ﻓﺭﻭﻍ ﺭﺨﺕ ﻻﻟﻪ ﺯﺍﺭ
ﻋﻤﺭ؛ ﻏﺯل ٢٥٤ﺩﻴﮕﺭ ﺯ ﺸﺎﺥ ﺴﺭﻭ ﺴﻬﻰ ﺒﻠﺒل ﺼﺒﻭﺭ؛ ﻏﺯل ٢٥٥ﻴﻭﺴﻑ ﮔﻡ ﮔﺸﺘﻪ
ﺒﺎﺯ ﺁﻴﺩ ﺒﻜﻨﻌﺎﻥ ﻏﻡ ﻤﺨﻭﺭ؛ ﻏﺯل ٢٥٦ﻨﺼﻴﺤﺘﻰ ﻜﻨﻤﺕ ﺒﺸﻨﻭ ﻭﺒﻬﺎﻨﻪ ﻤﮕﻴﺭ؛ ﻏﺯل٢٥٧
ﺭﻭﻯ ﺒﻨﻤﺎ ﻭﻤﺭﺍ ﮔﻭ ﻜﻪ ﺯ ﺠﺎﻥ ﺩل ﺒﺭﮔﻴﺭ؛ ﻏﺯل ٢٥٨ﻫﺯﺍﺭ ﺸﻜﺭ ﻜﻪ ﺩﻴﺩﻡ ﺒﻜﺎﻡ
ﺨﻭﻴﺸﺕ ﺒﺎﺯ؛ ﻏﺯل ٢٥٩ﻤﻨﻡ ﻜﻪ ﺩﻴﺩﻩ ﺒﺩﻴﺩﺍﺭ ﺩﻭﺴﺕ ﻜﺭﺩﻡ ﺒﺎﺯ؛ ﻏﺯل ٢٦٠ﺍﻯ ﺴﺭﻭ
ﻨﺎﺯ ﺤﺴﻥ ﻜﻪ ﺨﻭﺵ ﻤﻴﺭﻭﻯ ﺒﻨﺎﺯ؛ ﻏﺯل ٢٦١ﺩﺭﺁ ﻜﻪ ﺩﺭ ﺩلِ ﺨﺴﺘﻪ ﺘﻭﺍﻥ ﺩﺭ ﺁﻴﺩ ﺒﺎﺯ؛
ﻏﺯل ٢٦٢ﺤﺎل ﺨﻭﻨﻴﻥ ﺩﻻﻥ ﻜﻪ ﮔﻭﻴﺩ ﺒﺎﺯ؛ ﻏﺯل ٢٦٣ﺒﻴﺎ ﻭﻜﺸﺘﻰ ﻤﺎ ﺩﺭ ﺸﻁ ﺸﺭﺍﺏ
ﺍﻨﺩﺍﺯ؛ ﻏﺯل ٢٦٤ﺨﻴﺯ ﻭﺩﺭ ﻜﺎﺴﻪٴ ﺯﺭ ﺁﺏ ﻁﺭﺒﻨﺎﮎ ﺍﻨﺩﺍﺯ؛ ﻏﺯل ٢٦٥ﺒﺭ ﻨﻴﺎﻤﺩ ﺍﺯ
ﺘﻤﻨﺎﻯ ﻟﺒﺕ ﻜﺎﻤﻡ ﻫﻨﻭﺯ؛ ﻏﺯل ٢٦٦ﺩﻟﻡ ﺭﻤﻴﺩﻩٴ ﻟﻭﻟﻰ ﻭﺸﻴﺴﺕ ﺸﻭﺭ ﺍﻨﮕﻴﺯ؛ ﻏﺯل٢٦٧
ﺍﻯ ﺼﺒﺎ ﮔﺭ ﺒﮕﺫﺭﻯ ﺒﺭ ﺴﺎﺤل ﺭﻭﺩ ﺍﺭﺱ؛ ﻏﺯل ٢٦٨ﮔﻠﻌﺫﺍﺭﻯ ﺯ ﮔﻠﺴﺘﺎﻥ ﺠﻬﺎﻥ ﻤﺎ
ﺭﺍ ﺒﺱ؛ ﻏﺯل ٢٦٩ﺩﻻ ﺭﻓﻴﻕ ﺴﻔﺭ ﺒﺨﺕ ﻨﻴﻜﺨﻭﺍﻫﺕ ﺒﺱ؛ ﻏﺯل ٢٧٠ﺩﺭﺩ ﻋﺸﻘﻰ
ﻜﺸﻴﺩﻩ ﺍﻡ ﻜﻪ ﻤﭙﺭﺱ؛ ﻏﺯل ٢٧١ﺩﺍﺭﻡ ﺍﺯ ﺯﻟﻑ ﺴﻴﺎﻫﺵ ﮔﻠﻪ ﭽﻨﺩﺍﻥ ﻜﻪ ﻤﭙﺭﺱ؛
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ﻏﺯل ٢٧٢ﺒﺎﺯ ﺁﻯ ﻭﺩل ﺘﻨﮓ ﻤﺭﺍ ﻤﻭﻨﺱ ﺠﺎﻥ ﺒﺎﺵ؛ ﻏﺯل ٢٧٣ﺍﮔﺭ ﺭﻓﻴﻕ ﺸﻔﻴﻘﻰ
ﺩﺭﺴﺕ ﭙﻴﻤﺎﻥ ﺒﺎﺵ؛ ﻏﺯل ٢٧٤ﺒﻪ ﺩﻭﺭ ﻻﻟﻪ ﻗﺩﺡ ﮔﻴﺭ ﻭﺒﻰ ﺭﻴﺎ ﻤﻰ ﺒﺎﺵ؛ ﻏﺯل٢٧٥
ﺼﻭﻓﻰ ﮔﻠﻰ ﺒﭽﻴﻥ ﻭﻤﺭﻗﹼﻊ ﺒﻪ ﺨﺎﺭ ﺒﺨﺵ؛ ﻏﺯل ٢٧٦ﺒﺎﻏﺒﺎﻥ ﮔﺭ ﭙﻨﺞ ﺭﻭﺯﻯ ﺼﺤﺒﺕ
ﮔل ﺒﺎﻴﺩﺵ؛ ﻏﺯل ٢٧٧ﻓﻜﺭ ﺒﻠﺒل ﻫﻤﻪ ﺁﻨﺴﺕ ﻜﻪ ﮔل ﺸﺩ ﻴﺎﺭﺵ؛ ﻏﺯل ٢٧٨ﺸﺭﺍﺏ ﺘﻠﺦ
ﻤﻴﺨﻭﺍﻫﻡ ﻜﻪ ﻤﺭﺩ ﺍﻓﻜﻥ ﺒﻭﺩ ﺯﻭﺭﺵ؛ ﻏﺯل ٢٧٩ﺨﻭﺸﺎ ﺸﻴﺭﺍﺯ ﻭﻭﻀﻊ ﺒﻰ ﻤﺜﺎﻟﺵ؛
ﻏﺯل ٢٨٠ﭽﻭ ﺒﺭ ﺸﻜﺴﺕ ﺼﺒﺎ ﺯﻟﻑ ﻋﻨﺒﺭ ﺍﻓﺸﺎﻨﺵ؛ ﻏﺯل ٢٨١ﻴﺎ ﺭﺏ ﺍﻴﻥ ﻨﻭ ﮔل
ﺨﻨﺩﺍﻥ ﻜﻪ ﺴﭙﺭﺩﻯ ﺒﻤﻨﺵ؛ ﻏﺯل ٢٨٢ﺒﺒﺭﺩ ﺍﺯ ﻤﻥ ﻗﺭﺍﺭ ﻭﻁﺎﻗﺕ ﻭﻫﻭﺵ؛ ﻏﺯل٢٨٣
ﺴﺤﺭ ﺯ ﻫﺎﺘﻑ ﻏﻴﺒﻡ ﺭﺴﻴﺩ ﻤﮊﺩﻩ ﺒﮕﻭﺵ؛ ﻏﺯل ٢٨٤ﻫﺎﺘﻔﻰ ﺍﺯ ﮔﻭﺸﻪٴ ﻤﻴﺨﺎﻨﻪ ﺩﻭﺵ؛
ﻏﺯل ٢٨٥ﺩﺭ ﻋﻬﺩ ﭙﺎﺩﺸﺎﻩ ﺨﻁﺎ ﺒﺨﺵ ﺠﺭﻡ ﭙﻭﺵ؛ ﻏﺯل ٢٨٦ﺩﻭﺵ ﺒﺎ ﻤﻥ ﮔﻔﺕ ﭙﻨﻬﺎﻥ
ﻜﺎﺭﺩﺍﻨﻰ ﺘﻴﺯ ﻫﻭﺵ؛ ﻏﺯل ٢٨٧ﺍﻯ ﻫﻤﻪ ﺸﻜل ﺘﻭ ﻤﻁﺒﻭﻉ ﻭﻫﻤﻪ ﺠﺎﻯ ﺘﻭ ﺨﻭﺵ؛
ﻏﺯل ٢٨٨ﻜﻨﺎﺭ ﺁﺏ ﻭﭙﺎﻯ ﺒﻴﺩ ﻭﻁﺒﻊ ﺸﻌﺭ ﻭﻴﺎﺭﻯ ﺨﻭﺵ؛ ﻏﺯل ٢٨٩ﻤﺠﻤﻊ ﺨﻭﺒﻰ
ﻭﻟﻁﻑ ﺍﺴﺕ ﻋﺫﺍﺭ ﭽﻭ ﻤﻬﺵ؛ ﻏﺯل ٢٩٠ﺩﻟﻡ ﺭﻤﻴﺩﻩ ﺸﺩ ﻭﻏﺎﻓﻠﻡ ﻤﻥ ﺩﺭﻭﻴﺵ؛
ﻏﺯل ٢٩١ﻤﺎ ﺁﺯﻤﻭﺩﻩ ﺍﻴﻡ ﺩﺭﻴﻥ ﺸﻬﺭ ﺒﺨﺕ ﺨﻭﻴﺵ؛ ﻏﺯل ٢٩٢ﻗﺴﻡ ﺒﺤﺸﻤﺕ ﻭﺠﺎﻩ
ﻭﺠﻼل ﺸﺎﻩ ﺸﺠﺎﻉ؛ ﻏﺯل ٢٩٣ﺒﺎ ﻤﺩﺍﺩﺍﻥ ﻜﻪ ﺯ ﺨﻠﻭﺘﮕﻪ ﻜﺎﺥ ﺍﺒﺩﺍﻉ؛ ﻏﺯل ٢٩٤ﺩﺭ
ﻭﻓﺎﻯ ﻋﺸﻕ ﺘﻭ ﻤﺸﻬﻭﺭ ﺨﻭﺒﺎﻨﻡ ﭽﻭ ﺸﻤﻊ؛ ﻏﺯل ٢٩٥ﺴﺤﺭ ﺒﺒﻭﻯ ﮔﻠﺴﺘﺎﻥ ﺩﻤﻰ ﺸﺩﻡ
ﺩﺭ ﺒﺎﻍ؛ ﻏﺯل ٢٩٦ﻁﺎﻟﻊ ﺍﮔﺭ ﻤﺩﺩ ﺩﻫﺩ ﺩﺍﻤﻨﺵ ﺁﻭﺭﻡ ﺒﻪ ﻜﻑ؛ ﻏﺯل ٢٩٧ﺯﺒﺎﻥ ﺨﺎﻤﻪ
ﻨﺩﺍﺭﺩ ﺴﺭ ﺒﻴﺎﻥ ﻓﺭﺍﻕ؛ ﻏﺯل ٢٩٨ﻤﻘﺎﻡ ﺍﻤﻥ ﻭﻤﻰ ﺒﻴﻐﺵ ﻭﺭﻓﻴﻕ ﺸﻔﻴﻕ؛ ﻏﺯل ٢٩٩ﺍﮔﺭ
ﺸﺭﺍﺏ ﺨﻭﺭﻯ ﺠﺭﻋﻪٴ ﻓﺸﺎﻥ ﺒﺭ ﺨﺎﮎ؛ ﻏﺯل ٣٠٠ﻫﺯﺍﺭ ﺩﺸﻤﻨﻡ ﺍﺭ ﻤﻴﻜﻨﻨﺩ ﻗﺼﺩ
ﻫﻼﮎ؛ ﻏﺯل ٣٠١ﺍﻯ ﺩل ﺭﻴﺵ ﻤﺭﺍ ﺒﺎ ﻟﺏ ﺘﻭ ﺤﻕ ﻨﻤﮏ؛ ﻏﺯل ٣٠٢ﺨﻭﺵ ﺨﺒﺭ
ﻕ ﻭِﺼﺎل؛ ﻏﺯل٣٠٤
ﺒﺎﺸﻰ ﺍﻯ ﻨﺴﻴﻡ ﺸﻤﺎل؛ ﻏﺯل ٣٠٣ﺸﻤﻤﺕﹸ ﺭﻭﺡ ﻭﺩﺍﺩٍ ﻭﺸِﻤﺕﹸ ﺒﺭ ﹶ
ﺩﺍﺭﺍﻯ ﺠﻬﺎﻥ ﻨﺼﺭﺕ ﺩﻴﻥ ﺨﺴﺭﻭ ﻜﺎﻤل؛ ﻏﺯل ٣٠٥ﺒﻭﻗﺕ ﮔل ﺸﺩﻡ ﺍﺯ ﺘﻭﺒﻪٴ ﺸﺭﺍﺏ
ﺨﺠل؛ ﻏﺯل ٣٠٦ﺍﮔﺭ ﺒﻜﻭﻯ ﺘﻭ ﺒﺎﺸﺩ ﻤﺭﺍ ﻤﺠﺎل ﻭﺼﻭل؛ ﻏﺯل ٣٠٧ﻫﺭ ﻨﻜﺘﻪ ﺍﻯ ﻜﻪ
ﮔﻔﺘﻡ ﺩﺭ ﻭﺼﻑ ﺁﻥ ﺸﻤﺎﻴل؛ ﻏﺯل ٣٠٨ﺍﻯ ﺭﺨﺕ ﭽﻭﻥ ﺨﻠﺩ ﻭﻟﻌﻠﺕ ﺴﻠﺴﺒﻴل؛
ﻏﺯل ٣٠٩ﻋﺸﻕ ﺒﺎﺯﻯ ﻭﺠﻭﺍﻨﻰ ﻭﺸﺭﺍﺏ ﻟﻌل ﻓﺎﻡ؛ ﻏﺯل ٣١٠ﻤﺭﺤﺒﺎ ﻁﺎﻴﺭ ﻓﺭﺥ ﭙﻰ
ﻓﺭﺨﻨﺩﻩ ﭙﻴﺎﻡ؛ ﻏﺯل ٣١١ﻋﺎﺸﻕ ﺭﻭﻯ ﺠﻭﺍﻨﻰ ﺨﻭﺵ ﻨﻭ ﺨﺎﺴﺘﻪ ﺍﻡ؛ ﻏﺯل ٣١٢ﺒﺸﺭﻯ
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ﺇﺫِ ﺍﻟﺴﻼﻤﺔﹸ ﺤﻠﱠﺕﹾ ﺒﺫﻱ ﺴﻠﹶﻡِ؛ ﻏﺯل ٣١٣ﺒﺎﺯ ﺁﻯ ﺴﺎﻗﻴﺎ ﻜﻪ ﻫﻭﺍﺨﻭﺍﻩ ﺨﺩﻤﺘﻡ؛ ﻏﺯل٣١٤
ﺩﻭﺵ ﺒﻴﻤﺎﺭﻯ ﭽﺸﻡ ﺘﻭ ﺒﺒﺭﺩ ﺍﺯ ﺩﺴﺘﻡ؛ ﻏﺯل ٣١٥ﺒﻐﻴﺭ ﺍﺯ ﺁﻨﻜﻪ ﺒﺸﺩ ﺩﻴﻥ ﻭﺩﺍﻨﺵ ﺍﺯ
ﺩﺴﺘﻡ؛ ﻏﺯل ٣١٦ﺯﻟﻑ ﺒﺭ ﺒﺎﺩ ﻤﺩﻩ ﺘﺎ ﻨﺩﻫﻰ ﺒﺭ ﺒﺎﺩﻡ؛ ﻏﺯل ٣١٧ﻓﺎﺵ ﻤﻴﮕﻭﻴﻡ ﻭﺍﺯ
ﮔﻔﺘﻪٴ ﺨﻭﺩ ﺩﻟﺸﺎﺩﻡ؛ ﻏﺯل ٣١٨ﻤﺭﺍ ﻤﻰ ﺒﻴﻨﻰ ﻭﻫﺭ ﺩﻡ ﺯﻴﺎﺩﺕ ﻤﻴﻜﻨﻰ ﺩﺭﺩﻡ؛ ﻏﺯل٣١٩
ﺴﺎﻟﻬﺎ ﭙﻴﺭﻭﻯ ﻤﺫﻫﺏ ﺭﻨﺩﺍﻥ ﻜﺭﺩﻡ؛ ﻏﺯل ٣٢٠ﺩﻴﺸﺏ ﺒﻪ ﺴﻴل ﺍﺸﻙ ﺭﻩ ﺨﻭﺍﺏ ﻤﻴﺯﺩﻡ؛
ﻏﺯل ٣٢١ﻫﺭ ﭽﻨﺩ ﭙﻴﺭ ﻭﺨﺴﺘﻪ ﺩل ﻭﻨﺎﺘﻭﺍﻥ ﺸﺩﻡ؛ ﻏﺯل ٣٢٢ﺨﻴﺎل ﻨﻘﺵ ﺘﻭ ﺩﺭ
ﻜﺎﺭﮔﺎﻩ ﺩﻴﺩﻩ ﻜﺸﻴﺩﻡ؛ ﻏﺯل ٣٢٣ﺯ ﺩﺴﺕ ﻜﻭﺘﻪ ﺨﻭﺩ ﺯﻴﺭ ﺒﺎﺭﻡ؛ ﻏﺯل ٣٢٤ﮔﺭﭽﻪ ﺍﻓﺘﺎﺩ
ﺯ ﺯﻟﻔﺵ ﮔﺭﻫﻰ ﺩﺭ ﻜﺎﺭﻡ؛ ﻏﺯل ٣٢٥ﮔﺭ ﺩﺴﺕ ﺩﻫﺩ ﺨﺎﮎ ﻜﻑ ﭙﺎﻯ ﻨﮕﺎﺭﻡ؛
ﻏﺯل ٣٢٦ﺩﺭ ﻨﻬﺎﻨﺨﺎﻨﻪٴ ﻋﺸﺭﺕ ﺼﻨﻤﻰ ﺨﻭﺵ ﺩﺍﺭﻡ؛ ﻏﺯل ٣٢٧ﻤﺭﺍ ﻋﻬﺩﻴﺴﺕ ﺒﺎ
ﺠﺎﻨﺎﻥ ﻜﻪ ﺘﺎ ﺠﺎﻥ ﺩﺭ ﺒﺩﻥ ﺩﺍﺭﻡ؛ ﻏﺯل ٣٢٨ﻤﻥ ﻜﻪ ﺒﺎﺸﻡ ﻜﻪ ﺒﺭ ﺁﻥ ﺨﺎﻁﺭ ﻋﺎﻁﺭ
ﮔﺫﺭﻡ؛ ﻏﺯل ٣٢٩ﺠﻭﺯﺍ ﺴﺤﺭ ﻨﻬﺎﺩ ﺤﻤﺎﻴل ﺒﺭﺍﺒﺭﻡ؛ ﻏﺯل ٣٣٠ﺘﻭ ﻫﻤﭽﻭ ﺼﺒﺤﻰ ﻭﻤﻥ
ﺸﻤﻊ ﺨﻠﻭﺕ ﺴﺤﺭﻡ؛ ﻏﺯل ٣٣١ﺒﻪ ﺘﻴﻐﻡ ﮔﺭ ﻜﹸﺸﺩ ﺩﺴﺘﺵ ﻨﮕﻴﺭﻡ؛ ﻏﺯل ٣٣٢ﻤﺯﻥ ﺒﺭ
ﺩل ﺯ ﻨﻭﻙ ﻏﻤﺯﻩ ﺘﻴﺭﻡ؛ ﻏﺯل ٣٣٣ﻨﻤﺎﺯ ﺸﺎﻡ ﻏﺭﻴﺒﺎﻥ ﭽﻭ ﮔﺭﻴﻪ ﺁﻏﺎﺯﻡ؛ ﻏﺯل٣٣٤
ﮔﺭ ﺩﺴﺕ ﺭﺴﺩ ﺩﺭ ﺴﺭ ﺯﻟﻔﻴﻥ ﺘﻭ ﺒﺎﺯﻡ؛ ﻏﺯل ٣٣٥ﺩﺭ ﺨﺭﺍﺒﺎﺕ ﻤﻐﺎﻥ ﮔﺭ ﮔﺫﺭ ﺍﻓﺘﺩ
ﺒﺎﺯﻡ؛ ﻏﺯل ٣٣٦ﻤﮊﺩﻩٴ ﻭﺼل ﺘﻭ ﻜﻭ ﻜﺯ ﺴﺭ ﺠﺎﻥ ﺒﺭﺨﻴﺯﻡ؛ ﻏﺯل ٣٣٧ﭽﺭﺍ ﻨﻪ ﺩﺭ
ﭙﻰ ﻋﺯﻡ ﺩﻴﺎﺭ ﺨﻭﺩ ﺒﺎﺸﻡ؛ ﻏﺯل ٣٣٨ﻤﻥ ﺩﻭﺴﺘﺩﺍﺭ ﺭﻭﻯ ﺨﻭﺵ ﻭﻤﻭﻯ ﺩﻟﻜﺸﻡ؛
ﻏﺯل ٣٣٩ﺨﻴﺎل ﺭﻭﻯ ﺘﻭ ﭽﻭﻥ ﺒﮕﺫﺭﺩ ﺒﮕﻠﺸﻥ ﭽﺸﻡ؛ ﻏﺯل ٣٤٠ﻤﻥ ﻜﻪ ﺍﺯ ﺁﺘﺵ ﺩل
ﭽﻭﻥ ﺨﻡ ﻤﻰ ﺩﺭ ﺠﻭﺸﻡ؛ ﻏﺯل ٣٤١ﮔﺭ ﻤﻥ ﺍﺯ ﺴﺭﺯﻨﺵ ﻤﺩﻋﻴﺎﻥ ﺍﻨﺩﻴﺸﻡ؛ ﻏﺯل٣٤٢
ﺤﺠﺎﺏ ﭽﻬﺭﻩٴ ﺠﺎﻥ ﻤﻴﺸﻭﺩ ﻏﺒﺎﺭ ﺘﻨﻡ؛ ﻏﺯل ٣٤٣ﭽل ﺴﺎل ﺒﻴﺵ ﺭﻓﺕ ﻜﻪ ﻤﻥ ﻻﻑ
ﻤﻰ ﺯﻨﻡ؛ ﻏﺯل ٣٤٤ﻋﻤﺭﻴﺴﺕ ﺘﺎ ﻤﻥ ﺩﺭ ﻁﻠﺏ ﻫﺭ ﺭﻭﺯ ﮔﺎﻤﻰ ﻤﻰ ﺯﻨﻡ؛ ﻏﺯل٣٤٥
ﺒﻰ ﺘﻭ ﺍﻯ ﺴﺭﻭ ﺭﻭﺍﻥ ﺒﺎ ﮔل ﻭﮔﻠﺸﻥ ﭽﻜﻨﻡ؛ ﻏﺯل ٣٤٦ﻤﻥ ﻨﻪ ﺁﻥ ﺭﻨﺩﻡ ﻜﻪ ﺘﺭﻙ ﺸﺎﻫﺩ
ﻭﺴﺎﻏﺭ ﻜﻨﻡ؛ ﻏﺯل ٣٤٧ﺼﻨﻤﺎ ﺒﺎ ﻏﻡ ﻋﺸﻕ ﺘﻭ ﭽﻪ ﺘﺩﺒﻴﺭ ﻜﻨﻡ؛ ﻏﺯل ٣٤٨ﺩﻴﺩﻩ ﺩﺭﻴﺎ
ﻜﻨﻡ ﻭﺼﺒﺭ ﺒﻪ ﺼﺤﺭﺍ ﻓﻜﻨﻡ؛ ﻏﺯل ٣٤٩ﺩﻭﺵ ﺴﻭﺩﺍﻯ ﺭﺨﺵ ﮔﻔﺘﻡ ﺯ ﺴﺭ ﺒﻴﺭﻭﻥ ﻜﻨﻡ؛
ﻏﺯل ٣٥٠ﺒﻌﺯﻡ ﺘﻭﺒﻪ ﺴﺤﺭ ﮔﻔﺘﻡ ﺍﺴﺘﺨﺎﺭﻩ ﻜﻨﻡ؛ ﻏﺯل ٣٥١ﺤﺎﺸﺎ ﻜﻪ ﻤﻥ ﺒﻤﻭﺴﻡ ﮔل
ﺘﺭﻙ ﻤﻰ ﻜﻨﻡ؛ ﻏﺯل ٣٥٢ﺭﻭﺯﮔﺎﺭﻯ ﺸﺩ ﻜﻪ ﺩﺭ ﻤﻴﺨﺎﻨﻪ ﺨﺩﻤﺕ ﻤﻴﻜﻨﻡ؛ ﻏﺯل ٣٥٣ﻤﻥ
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ﺘﺭﻙ ﻋﺸﻕ ﺸﺎﻫﺩ ﻭﺴﺎﻏﺭ ﻨﻤﻰ ﻜﻨﻡ؛ ﻏﺯل ٣٥٤ﺒﻪ ﻤﮊﮔﺎﻥ ﺴﻴﻪ ﻜﺭﺩﻯ ﻫﺯﺍﺭﺍﻥ ﺭﺨﻨﻪ
ﺩﺭ ﺩﻴﻨﻡ؛ ﻏﺯل ٣٥٥ﺤﺎﻟﻴﺎ ﻤﺼﻠﺤﺕ ﻭﻗﺕ ﺩﺭ ﺁﻥ ﻤﻰ ﺒﻴﻨﻡ؛ ﻏﺯل ٣٥٦ﮔﺭﻡ ﺍﺯ ﺩﺴﺕ
ﺒﺭﺨﻴﺯﺩ ﻜﻪ ﺒﺎ ﺩﻟﺩﺍﺭ ﺒﻨﺸﻴﻨﻡ؛ ﻏﺯل ٣٥٧ﺩﺭ ﺨﺭﺍﺒﺎﺕ ﻤﻐﺎﻥ ﻨﻭﺭ ﺨﺩﺍ ﻤﻰ ﺒﻴﻨﻡ؛
ﻏﺯل ٣٥٨ﻏﻡ ﺯﻤﺎﻨﻪ ﻜﻪ ﻫﻴﭽﺵ ﻜﺭﺍﻥ ﻨﻤﻰ ﺒﻴﻨﻡ؛ ﻏﺯل ٣٥٩ﺨﺭﻡ ﺁﻥ ﺭﻭﺯ ﻜﺯﻴﻥ
ﻤﻨﺯل ﻭﻴﺭﺍﻥ ﺒﺭﻭﻡ؛ ﻏﺯل ٣٦٠ﮔﺭ ﺍﺯﻴﻥ ﻤﻨﺯل ﻭﻴﺭﺍﻥ ﺒﺴﻭﻯ ﺨﺎﻨﻪ ﺭﻭﻡ؛ ﻏﺯل٣٦١
ﺁﻨﻜﻪ ﭙﺎﻤﺎل ﺠﻔﺎ ﻜﺭﺩ ﭽﻭ ﺨﺎﮎ ﺭﺍﻫﻡ؛ ﻏﺯل ٣٦٢ﺩﻴﺩﺍﺭ ﺸﺩ ﻤﻴﺴﺭ ﻭﺒﻭﺱ ﻭﻜﻨﺎﺭ ﻫﻡ؛
ﻏﺯل ٣٦٣ﺩﺭﺩﻡ ﺍﺯ ﻴﺎﺭﺴﺕ ﻭﺩﺭﻤﺎﻥ ﻨﻴﺯ ﻫﻡ؛ ﻏﺯل ٣٦٤ﻤﺎ ﺒﻴﻐﻤﺎﻥ ﻤﺴﺕ ﺩل ﺍﺯ
ﺩﺴﺕ ﺩﺍﺩﻩ ﺍﻴﻡ؛ ﻏﺯل ٣٦٥ﻋﻤﺭﻴﺴﺕ ﺘﺎ ﺒﺭﺍﻩ ﻏﻤﺕ ﺭﻭ ﻨﻬﺎﺩﻩ ﺍﻴﻡ؛ ﻏﺯل ٣٦٦ﻤﺎ ﺒﺩﻴﻥ
ﺩﺭ ﻨﻪ ﭙﻰ ﺤﺸﻤﺕ ﻭﺠﺎﻩ ﻨﻬﺎﺩﻩ ﺍﻴﻡ؛ ﻏﺯل ٣٦٧ﻓﺘﻭﻯ ﭙﻴﺭ ﻤﻐﺎﻥ ﺩﺍﺭﻡ ﻭﻗﻭﻟﻴﺴﺕ ﻗﺩﻴﻡ؛
ﻏﺯل ٣٦٨ﺨﻴﺯ ﺘﺎ ﺍﺯ ﺩﺭ ﻤﻴﺨﺎﻨﻪ ﮔﺸﺎﺩﻯ ﻁﻠﺒﻴﻡ؛ ﻏﺯل ٣٦٩ﻤﺎ ﺯ ﻴﺎﺭﺍﻥ ﭽﺸﻡ ﻴﺎﺭﻯ
ﺩﺍﺸﺘﻴﻡ؛ ﻏﺯل ٣٧٠ﺼﻼﺡ ﺍﺯ ﻤﺎ ﭽﻪ ﻤﻰ ﺠﻭﻴﻰ ﻜﻪ ﻤﺴﺘﺎﻥ ﺭﺍ ﺼﻼ ﮔﻔﺘﻴﻡ؛ ﻏﺯل٣٧١
ﻤﺎ ﺩﺭﺱ ﺴﺤﺭ ﺩﺭ ﺭﻩ ﻤﻴﺨﺎﻨﻪ ﻨﻬﺎﺩﻴﻡ؛ ﻏﺯل ٣٧٢ﺒﮕﺫﺍﺭ ﺘﺎ ﺯ ﺸﺎﺭﻉ ﻤﻴﺨﺎﻨﻪ ﺒﮕﺫﺭﻴﻡ؛
ﻏﺯل ٣٧٣ﺨﻴﺯ ﺘﺎ ﺨﺭﻗﻪٴ ﺼﻭﻓﻰ ﺒﺨﺭﺍﺒﺎﺕ ﺒﺭﻴﻡ؛ ﻏﺯل ٣٧٤ﺒﻴﺎ ﺘﺎ ﮔل ﺒﺭ ﺍﻓﺸﺎﻨﻴﻡ
ﻭﻤﻰ ﺩﺭ ﺴﺎﻏﺭ ﺍﻨﺩﺍﺯﻴﻡ؛ ﻏﺯل ٣٧٥ﺼﻭﻓﻰ ﺒﻴﺎ ﻜﻪ ﺨﺭﻗﻪٴ ﺴﺎﻟﻭﺱ ﺒﺭﻜﺸﻴﻡ؛ ﻏﺯل٣٧٦
ﺩﻭﺴﺘﺎﻥ ﻭﻗﺕ ﮔل ﺁﻥ ﺒﻪ ﻜﻪ ﺒﻌﺸﺭﺕ ﻜﻭﺸﻴﻡ؛ ﻏﺯل ٣٧٧ﻤﺎ ﺸﺒﻰ ﺩﺴﺕ ﺒﺭ ﺁﺭﻴﻡ
ﻭﺩﻋﺎﺌﻰ ﺒﻜﻨﻴﻡ؛ ﻏﺯل ٣٧٨ﻤﺎ ﻨﮕﻭﺌﻴﻡ ﺒﺩ ﻭﻤﻴل ﺒﻨﺎﺤﻕ ﻨﻜﻨﻴﻡ؛ ﻏﺯل ٣٧٩ﺴﺭﻡ ﺨﻭﺸﺴﺕ
ﻭﺒﺒﺎﻨﮓ ﺒﻠﻨﺩ ﻤﻰ ﮔﻭﻴﻡ؛ ﻏﺯل ٣٨٠ﺒﺎﺭﻫﺎ ﮔﻔﺘﻪ ﺍﻡ ﻭﺒﺎﺭ ﺩﮔﺭ ﻤﻰ ﮔﻭﻴﻡ؛ ﻏﺯل٣٨١
ﮔﺭﭽﻪ ﻤﺎ ﺒﻨﺩﮔﺎﻥ ﭙﺎﺩﺸﻬﻴﻡ؛ ﻏﺯل ٣٨٢ﻓﺎﺘﺤﻪٴ ﭽﻭ ﺁﻤﺩﻯ ﺒﺭ ﺴﺭِﺨﺴﺘﻪٴ ﺒﺨﻭﺍﻥ؛
ﻏﺯل ٣٨٣ﭽﻨﺩﺍﻨﻜﻪ ﮔﻔﺘﻡ ﻏﻡ ﺒﺎ ﻁﺒﻴﺒﺎﻥ؛ ﻏﺯل ٣٨٤ﻤﻰ ﺴﻭﺯﻡ ﺍﺯ ﻓﺭﺍﻗﺕ ﺭﻭﻯ ﺍﺯ
ﺠﻔﺎ ﺒﮕﺭﺩﺍﻥ؛ ﻏﺯل ٣٨٥ﻴﺎ ﺭﺏ ﺁﻥ ﺁﻫﻭﻯ ﻤﺸﻜﻴﻥ ﺒﻪ ﺨﺘﻥ ﺒﺎﺯ ﺭﺴﺎﻥ؛ ﻏﺯل ٣٨٦ﺨﺩﺍ
ﺭﺍ ﻜﻡ ﻨﺸﻴﻥ ﺒﺎ ﺨﺭﻗﻪ ﭙﻭﺸﺎﻥ؛ ﻏﺯل ٣٨٧ﺸﺎﻩ ﺸﻤﺸﺎﺩ ﻗﺩﺍﻥ ﺨﺴﺭﻭ ﺸﻴﺭﻴﻥ ﺩﻫﻨﺎﻥ؛
ﻏﺯل ٣٨٨ﺒﻬﺎﺭ ﻭﮔل ﻁﺭﺏ ﺍﻨﮕﻴﺯ ﮔﺸﺕ ﻭﺘﻭﺒﻪ ﺸﻜﻥ؛ ﻏﺯل ٣٨٩ﭽﻭ ﮔل ﻫﺭ ﺩﻡ ﺒﻪ
ﺒﻭﻴﺕ ﺠﺎﻤﻪ ﺩﺭ ﺘﻥ؛ ﻏﺯل ٣٩٠ﺍﻓﺴﺭ ﺴﻠﻁﺎﻥ ﮔل ﭙﻴﺩﺍ ﺸﺩ ﺍﺯ ﻁﺭﻑ ﭽﻤﻥ؛ ﻏﺯل ٣٩١
ﺨﻭﺸﺘﺭ ﺍﺯ ﻓﻜﺭ ﻤﻰ ﻭﺠﺎﻡ ﭽﻪ ﺨﻭﺍﻫﺩ ﺒﻭﺩﻥ؛ ﻏﺯل ٣٩٢ﺩﺍﻨﻰ ﻜﻪ ﭽﻴﺴﺕ ﺩﻭﻟﺕ ﺩﻴﺩﺍﺭ
ﻴﺎﺭ ﺩﻴﺩﻥ؛ ﻏﺯل ٣٩٣ﻤﻨﻡ ﻜﻪ ﺸﻬﺭﻩٴ ﺸﻬﺭﻡ ﺒﻪ ﻋﺸﻕ ﻭﺭﺯﻴﺩﻥ؛ ﻏﺯل ٣٩٤ﺍﻯ ﺭﻭﻯ
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ﻤﺎﻩ ﻤﻨﻅﺭ ﺘﻭ ﻨﻭ ﺒﻬﺎﺭ ﺤﺴﻥ؛ ﻏﺯل ٣٩٥ﮔﻠﺒﺭﮒ ﺭﺍ ﺯ ﺴﻨﺒل ﻤﺸﻜﻴﻥ ﻨﻘﺎﺏ ﻜﻥ؛
ﻏﺯل ٣٩٦ﺼﺒﺤﺴﺕ ﺴﺎﻗﻴﺎ ﻗﺩﺤﻰ ﭙﺭ ﺸﺭﺍﺏ ﻜﻥ؛ ﻏﺯل ٣٩٧ﺯ ﺩﺭ ﺩﺭﺁ ﻭﺸﺒﺴﺘﺎﻥ ﻤﺎ
ﻤﻨﻭﺭ ﻜﻥ؛ ﻏﺯل ٣٩٨ﺍﻯ ﻨﻭﺭ ﭽﺸﻡ ﻤﻥ ﺴﺨﻨﻰ ﻫﺴﺕ ﮔﻭﺵ ﻜﻥ؛ ﻏﺯل ٣٩٩ﻜﺭﺸﻤﻪٴ
ﻜﻥ ﻭﺒﺎﺯﺍﺭ ﺴﺎﺤﺭﻯ ﺒﺸﻜﻥ؛ ﻏﺯل ٤٠٠ﺒﺎﻻ ﺒﻠﻨﺩ ﻋﺸﻭﻩ ﮔﺭ ﻨﻘﺵ ﺒﺎﺯ ﻤﻥ؛ ﻏﺯل٤٠١
ﭽﻭﻥ ﺸﻭﻡ ﺨﺎﮎ ﺭﻫﺵ ﺩﺍﻤﻥ ﺒﻴﻔﺸﺎﻨﺩ ﺯ ﻤﻥ؛ ﻏﺯل ٤٠٢ﻨﻜﺘﻪٴ ﺩﻟﻜﺵ ﺒﮕﻭﻴﻡ ﺨﺎل ﺁﻥ
ﻤﻪ ﺭﻭ ﺒﺒﻴﻥ؛ ﻏﺯل ٤٠٣ﺸﺭﺍﺏ ﻟﻌل ﻜﺵ ﻭﺭﻭﻯ ﻤﻪ ﺠﺒﻴﻨﺎﻥ ﺒﻴﻥ؛ ﻏﺯل ٤٠٤ﻤﻰ ﻓﻜﻥ
ﺒﺭ ﺼﻑ ﺭﻨﺩﺍﻥ ﻨﻅﺭﻯ ﺒﻬﺘﺭ ﺍﺯﻴﻥ؛ ﻏﺯل ٤٠٥ﺒﺠﺎﻥ ﭙﻴﺭ ﺨﺭﺍﺒﺎﺕ ﻭﺤﻕ ﺼﺤﺒﺕ ﺍﻭ؛
ﻏﺯل ٤٠٦ﮔﻔﺘﺎ ﺒﺭﻭﻥ ﺸﺩﻯ ﺒﺘﻤﺎﺸﺎﻯ ﻤﺎﻩ ﻨﻭ؛ ﻏﺯل ٤٠٧ﻤﺯﺭﻉ ﺴﺒﺯ ﻓﻠﻙ ﺩﻴﺩﻡ ﻭﺩﺍﺱ
ﻤﻪ ﻨﻭ؛ ﻏﺯل ٤٠٨ﺍﻯ ﺁﻓﺘﺎﺏ ﺁﻴﻨﻪ ﺩﺍﺭ ﺠﻤﺎل ﺘﻭ؛ ﻏﺯل ٤٠٩ﺍﻯ ﺨﻭﻨﺒﻬﺎﻯ ﻨﺎﻓﻪٴ ﭽﻴﻥ
ﺨﺎﮎ ﺭﺍﻩ ﺘﻭ؛ ﻏﺯل ٤١٠ﺍﻯ ﻗﺒﺎﻯ ﭙﺎﺩﺸﺎﻫﻰ ﺭﺍﺴﺕ ﺒﺭ ﺒﺎﻻﻯ ﺘﻭ؛ ﻏﺯل ٤١١ﺘﺎﺏ
ﺒﻨﻔﺸﻪ ﻤﻰ ﺩﻫﺩ ﻁﺭﻩٴ ﻤﺸﮑﺴﺎﻯ ﺘﻭ؛ ﻏﺯل ٤١٢ﻤﺭﺍ ﭽﺸﻤﻴﺴﺕ ﺨﻭﻥ ﺍﻓﺸﺎﻥ ﺯ ﺩﺴﺕ
ﺁﻥ ﻜﻤﺎﻥ ﺍﺒﺭﻭ؛ ﻏﺯل ٤١٣ﺨﻁ ﻋﺫﺍﺭ ﻴﺎﺭ ﻜﻪ ﺒﮕﺭﻓﺕ ﻤﺎﻩ ﺍﺯﻭ؛ ﻏﺯل ٤١٤ﮔﻠﺒﻥ ﻋﻴﺵ
ﻤﻰ ﺩﻤﺩ ﺴﺎﻗﻰ ﮔﻠﻌﺫﺍﺭ ﻜﻭ؛ ﻏﺯل ٤١٥ﺍﻯ ﭙﻴﻙ ﺭﺍﺴﺘﺎﻥ ﺨﺒﺭ ﻴﺎﺭ ﻤﺎ ﺒﮕﻭ؛ ﻏﺯل٤١٦
ﺨﻨﮏ ﻨﺴﻴﻡ ﻤﻌﻨﺒﺭ ﺸﻤﺎﻤﻪٴ ﺩﻟﺨﻭﺍﻩ؛ ﻏﺯل ٤١٧ﻋﻴﺸﻡ ﻤﺩﺍﻡ ﺍﺴﺕ ﺍﺯ ﻟﻌل ﺩﻟﺨﻭﺍﻩ؛
ﻏﺯل ٤١٨ﮔﺭ ﺘﻴﻎ ﺒﺎﺭﺩ ﺩﺭ ﻜﻭﻯ ﺁﻥ ﻤﺎﻩ؛ ﻏﺯل ٤١٩ﻭﺼﺎل ﺍﻭ ﺯ ﻋﻤﺭ ﺠﺎﻭﺩﺍﻥ ﺒﻪ؛
ﻏﺯل ٤٢٠ﻨﺎﮔﻬﺎﻥ ﭙﺭﺩﻩ ﺒﺭﺍﻨﺩﺍﺨﺘﻪٴ ﻴﻌﻨﻰ ﭽﻪ؛ ﻏﺯل ٤٢١ﺩﺭ ﺴﺭﺍﻯ ﻤﻐﺎﻥ ﺭﻓﺘﻪ ﺒﻭﺩ
ﻭﺁﺏ ﺯﺩﻩ؛ ﻏﺯل ٤٢٢ﺍﻯ ﻜﻪ ﺒﺎ ﺴﻠﺴﻠﻪٴ ﺯﻟﻑ ﺩﺭﺍﺯ ﺁﻤﺩﻩ ﺍﻯ؛ ﻏﺯل ٤٢٣ﺩﻭﺵ ﺭﻓﺘﻡ
ﺒﺩﺭ ﻤﻴﻜﺩﻩ ﺨﻭﺍﺏ ﺁﻟﻭﺩﻩ؛ ﻏﺯل ٤٢٤ﺍﺯ ﻤﻥ ﺠﺩﺍ ﻤﺸﻭ ﻜﻪ ﺘﻭﺍﻡ ﻨﻭﺭ ﺩﻴﺩﻩ ﺍﻯ؛
ﻏﺯل ٤٢٥ﺩﺍﻤﻥ ﻜﺸﺎﻥ ﻫﻤﻰ ﺸﺩ ﺩﺭ ﺸﺭﺏ ﺯﺭ ﻜﺸﻴﺩﻩ؛ ﻏﺯل ٤٢٦ﺍﺯ ﺨﻭﻥ ﺩل ﻨﻭﺸﺘﻡ
ﻨﺯﺩﻴﮏ ﺩﻭﺴﺕ ﻨﺎﻤﻪ؛ ﻏﺯل ٤٢٧ﭽﺭﺍﻍ ﺭﻭﻯ ﺘﺭﺍ ﺸﻤﻊ ﮔﺸﺕ ﭙﺭﻭﺍﻨﻪ؛ ﻏﺯل٤٢٨
ﺴﺤﺭﮔﺎﻫﺎﻥ ﻜﻪ ﻤﺨﻤﻭﺭ ﺸﺒﺎﻨﻪ؛ ﻏﺯل ٤٢٩ﺴﺎﻗﻰ ﺒﻴﺎ ﻜﻪ ﺸﺩ ﻗﺩﺡ ﻻﻟﻪ ﭙﺭ ﺯ ﻤﻰ؛
ﻏﺯل ٤٣٠ﺒﺼﻭﺕ ﺒﻠﺒل ﻭﻗﻤﺭﻯ ﺍﮔﺭ ﻨﻨﻭﺸﻰ ﻤﻰ؛ ﻏﺯل ٤٣١ﻟﺒﺵ ﻤﻰ ﺒﻭﺴﻡ ﻭﺩﺭ ﻤﻰ
ﻜﺸﻡ ﻤﻰ؛ ﻏﺯل ٤٣٢ﻤﺨﻤﻭﺭ ﺠﺎﻡ ﻋﺸﻘﻡ ﺴﺎﻗﻰ ﺒﺩﻩ ﺸﺭﺍﺒﻰ؛ ﻏﺯل ٤٣٣ﺍﻯ ﻜﻪ ﺒﺭ ﻤﺎﻩ
ﺍﺯ ﺨﻁ ﻤﺸﻜﻴﻥ ﻨﻘﺎﺏ ﺍﻨﺩﺍﺨﺘﻰ؛ ﻏﺯل ٤٣٤ﺍﻯ ﺩل ﻤﺒﺎﺵ ﻴﻜﺩﻡ ﺨﺎﻟﻰ ﺯﻋﺸﻕ ﻭﻤﺴﺘﻰ؛
ﻏﺯل ٤٣٥ﺒﺎ ﻤﺩﻋﻰ ﻤﮕﻭﺌﻴﺩ ﺍﺴﺭﺍﺭ ﻋﺸﻕ ﻭﻤﺴﺘﻰ؛ ﻏﺯل ٤٣٦ﺁﻥ ﻏﺎﻟﻴﻪ ﺨﻁ ﮔﺭ
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ﺴﻭﻯ ﻤﺎ ﻨﺎﻤﻪ ﻨﻭﺸﺘﻰ؛ ﻏﺯل ٤٣٧ﺍﻯ ﻗﺼﻪٴ ﺒﻬﺸﺕ ﺯ ﻜﻭﻴﺕ ﺤﻜﺎﻴﺘﻰ؛ ﻏﺯل٤٣٨
ﺴﺒﺕﹾ ﺴﻠﻤﻰ ﺒِﺼﺩﻏﹶﻴﻬﺎ ﻓﺅﺍﺩﻱ؛ ﻏﺯل ٤٣٩ﺩﻴﺩﻡ ﺒﺨﻭﺍﺏ ﺩﻭﺵ ﻜﻪ ﻤﺎﻫﻰ ﺒﺭﺁﻤﺩﻯ؛
ﻏﺯل ٤٤٠ﺴﺤﺭ ﺒﺎ ﺒﺎﺩ ﻤﻰ ﮔﻔﺘﻡ ﺤﺩﻴﺙ ﺁﺭﺯﻭﻤﻨﺩﻯ؛ ﻏﺯل ٤٤١ﭽﻪ ﺒﻭﺩﻯ ﺍﺭ ﺩل ﺁﻥ
ﻤﺎﻩ ﻤﻬﺭﺒﺎﻥ ﺒﻭﺩﻯ؛ ﻏﺯل ٤٤٢ﺒﻪ ﺠﺎﻥ ﺍﻭ ﻜﻪ ﮔﺭﻡ ﺩﺴﺕ ﺭﺱ ﺒﻪ ﺠﺎﻥ ﺒﻭﺩﻯ؛
ﻏﺯل ٤٤٣ﭽﻭ ﺴﺭﻭ ﺍﮔﺭ ﺒﺨﺭﺍﻤﻰ ﺩﻤﻰ ﺒﮕﻠﺯﺍﺭﻯ؛ ﻏﺯل ٤٤٤ﺸﻬﺭﻴﺴﺕ ﭙﺭ ﻅﺭﻴﻔﺎﻥ
ﻭﺯ ﻫﺭ ﻁﺭﻑ ﻨﮕﺎﺭﻯ؛ ﻏﺯل ٤٤٥ﺘﺭﺍ ﻜﻪ ﻫﺭﭽﻪ ﻤﺭﺍﺩﺴﺕ ﺩﺭ ﺠﻬﺎﻥ ﺩﺍﺭﻯ؛
ﻏﺯل ٤٤٦ﺼﺒﺎ ﺘﻭ ﻨﻜﻬﺕ ﺁﻥ ﺯﻟﻑ ﻤﺸﻜﺒﻭ ﺩﺍﺭﻯ؛ ﻏﺯل ٤٤٧ﺒﻴﺎ ﺒﺎ ﻤﺎ ﻤﻭﺭﺯ ﺍﻴﻥ
ﻜﻴﻨﻪ ﺩﺍﺭﻯ؛ ﻏﺯل ٤٤٨ﺍﻯ ﻜﻪ ﺩﺭ ﻜﻭﻯ ﺨﺭﺍﺒﺎﺕ ﻤﻘﺎﻤﻰ ﺩﺍﺭﻯ؛ ﻏﺯل ٤٤٩ﺍﻯ ﻜﻪ
ﻤﻬﺠﻭﺭﻯ ﻋﺸﺎﻕ ﺭﻭﺍ ﻤﻴﺩﺍﺭﻯ؛ ﻏﺯل ٤٥٠ﺭﻭﺯﮔﺎﺭﻴﺴﺕ ﻜﻪ ﻤﺎ ﺭﺍ ﻨﮕﺭﺍﻥ ﻤﻴﺩﺍﺭﻯ؛
ﻏﺯل ٤٥١ﺨﻭﺵ ﻜﺭﺩ ﻴﺎﻭﺭﻯ ﻓﻠﻜﺕ ﺭﻭﺯ ﺩﺍﻭﺭﻯ؛ ﻏﺯل ٤٥٢ﻁﻔﻴل ﻫﺴﺘﻰ ﻋﺸﻘﻨﺩ
ﺁﺩﻤﻰ ﻭﭙﺭﻯ؛ ﻏﺯل ٤٥٣ﺍﻯ ﻜﻪ ﺩﺍﻴﻡ ﺒﺨﻭﻴﺵ ﻤﻐﺭﻭﺭﻯ؛ ﻏﺯل ٤٥٤ﺯﻜﻭﻯ ﻴﺎﺭ ﻤﻰ
ﺁﻴﺩ ﻨﺴﻴﻡ ﺒﺎﺩ ﻨﻭﺭﻭﺯﻯ؛ ﻏﺯل ٤٥٥ﻋﻤﺭ ﺒﮕﺫﺸﺕ ﺒﻪ ﺒﻴﺤﺎﺼﻠﻰ ﻭﺒﻭﺍﻟﻬﻭﺴﻰ؛
ﻏﺯل ٤٥٦ﻨﻭ ﺒﻬﺎﺭ ﺍﺴﺕ ﺩﺭ ﺁﻥ ﻜﻭﺵ ﻜﻪ ﺨﻭﺸﺩل ﺒﺎﺸﻰ؛ ﻏﺯل ٤٥٧ﻫﺯﺍﺭ ﺠﻬﺩ
ﺒﻜﺭﺩﻡ ﻜﻪ ﻴﺎﺭ ﻤﻥ ﺒﺎﺸﻰ؛ ﻏﺯل ٤٥٨ﺍﻯ ﺩل ﺁﻨﺩﻡ ﻜﻪ ﺨﺭﺍﺏ ﺍﺯ ﻤﻰ ﮔﻠﮕﻭﻥ ﺒﺎﺸﻰ؛
ﻏﺯل ٤٥٩ﺯﻴﻥ ﺨﻭﺵ ﺭﻗﻡ ﻜﻪ ﺒﺭ ﮔل ﺭﺨﺴﺎﺭ ﻤﻴﻜﺸﻰ؛ ﻏﺯل ٤٦٠ﺴﻠﻴﻤﻰ ﻤﻨﺫﹸ ﺤﻠﱠﺕﹾ
ﺒﺎﻟﻌِﺭﺍﻕِ؛ ﻏﺯل ٤٦١ﻜﺘﺒﺕﹸ ﻗﺼﺔﹶ ﺸﻭﻗﻲ ﻭﻤﺩﻤﻌﻲ ﺒﺎﻜﻰ؛ ﻏﺯل ٤٦٢ﻴﺎ ﻤﺒﺴﻤﺎﹰ ﻴﺤﺎﻜﻲ
ﺩﺭﺠﺎﹰ ﻤِﻥ ﺍﻟﻶﻟﻲ؛ ﻏﺯل ٤٦٣ﺴﻼﻡ ﺍﷲِ ﻤﺎ ﻜﺭ ﺍﻟﻠﹼﻴﺎﻟﻲ؛ ﻏﺯل ٤٦٤ﺒﮕﺭﻓﺕ ﻜﺎﺭ ﺤﺴﻨﺕ
ﭽﻭﻥ ﻋﺸﻕ ﻤﻥ ﻜﻤﺎﻟﻰ؛ ﻏﺯل ٤٦٥ﺭﻓﺘﻡ ﺒﻪ ﺒﺎﻍ ﺼﺒﺤﺩﻤﻰ ﺘﺎ ﭽﻨﻡ ﮔﻠﻰ؛ ﻏﺯل٤٦٦
ﺍﻴﻥ ﺨﺭﻗﻪ ﻜﻪ ﻤﻥ ﺩﺍﺭﻡ ﺩﺭ ﺭﻫﻥ ﺸﺭﺍﺏ ﺍﻭﻟﻰ؛ ﻏﺯل ٤٦٧ﺯﺍﻥ ﻤﻰ ﻋﺸﻕ ﻜﺯﻭ ﭙﺨﺘﻪ
ﺸﻭﺩ ﻫﺭ ﺨﺎﻤﻰ؛ ﻏﺯل ٤٦٨ﻜﻪ ﺒﺭﺩ ﺒﻨﺯﺩ ﺸﺎﻫﺎﻥ ﺯ ﻤﻥ ﮔﺩﺍ ﭙﻴﺎﻤﻰ؛ ﻏﺯل ٤٦٩ﺃﺘﺕ
ﺭﻭﺍﺌﺢ ﺭﻨﹾﺩِ ﺍﻟﺤِﻤﻰ ﻭﺯﺍﺩ ﻏﺭﺍﻤﻲ؛ ﻏﺯل ٤٧٠ﺴﻴﻨﻪ ﻤﺎﻻﻤﺎل ﺩﺭ ﺩﺴﺕ ﺍﻯ ﺩﺭﻴﻐﺎ
ﻤﺭﻫﻤﻰ؛ ﻏﺯل ٤٧١ﺯ ﺩﻟﺒﺭﻡ ﻜﻪ ﺭﺴﺎﻨﺩ ﻨﻭﺍﺯﺵ ﻗﻠﻤﻰ؛ ﻏﺯل ٤٧٢ﺃﺤﻤﺩ ﺍﷲَ ﻋﻠﻰ
ﻤﻌﺩِﻟﹶﺔِ ﺍﻟﺴﻠﻁﺎﻥِ؛ ﻏﺯل ٤٧٣ﻭﻗﺕ ﺭﺍ ﻏﻨﻴﻤﺕ ﺩﺍﻥ ﺁﻥ ﻗﺩﺭ ﻜﻪ ﺒﺘﻭﺍﻨﻰ؛ ﻏﺯل٤٧٤
ﻫﻭﺍﺨﻭﺍﻩ ﺘﻭﺍﻡ ﺠﺎﻨﺎ ﻭﻤﻴﺩﺍﻨﻡ ﻜﻪ ﻤﻴﺩﺍﻨﻰ؛ ﻏﺯل ٤٧٥ﮔﻔﺘﻨﺩ ﺨﻼﻴﻕ ﻜﻪ ﺘﻭﺌﻰ ﻴﻭﺴﻑ
ﺜﺎﻨﻰ؛ ﻏﺯل ٤٧٦ﻨﺴﻴﻡ ﺼﺒﺢ ﺴﻌﺎﺩﺕ ﺒﺩﺍﻥ ﻨﺸﺎﻥ ﻜﻪ ﺘﻭ ﺩﺍﻨﻰ؛ ﻏﺯل ٤٧٧ﺩﻭ ﻴﺎﺭ
-٥٠٢-
ﺯﻴﺭﻙ ﻭﺍﺯ ﺒﺎﺩﻩٴ ﻜﻬﻥ ﺩﻭ ﻤﻨﻰ؛ ﻏﺯل ٤٧٨ﻨﻭﺵ ﻜﻥ ﺠﺎﻡ ﺸﺭﺍﺏ ﻴﻙ ﻤﻨﻰ؛ ﻏﺯل٤٧٩
ﺼﺒﺢ ﺍﺴﺕ ﻭﮊﺍﻟﻪ ﻤﻴﭽﻜﺩ ﺍﺯ ﺍﺒﺭ ﺒﻬﻤﻨﻰ؛ ﻏﺯل ٤٨٠ﺍﻯ ﻜﻪ ﺩﺭ ﻜﺸﺘﻥ ﻤﺎ ﻫﻴﭻ ﻤﺩﺍﺭﺍ
ﻨﻜﻨﻰ؛ ﻏﺯل ٤٨١ﺒﺸﻨﻭ ﺍﻴﻥ ﻨﻜﺘﻪ ﻜﻪ ﺨﻭﺩ ﺭﺍ ﺯ ﻏﻡ ﺁﺯﺍﺩﻩ ﻜﻨﻰ؛ ﻏﺯل ٤٨٢ﺍﻯ ﺩل ﺒﻪ
ﻜﻭﻯ ﻋﺸﻕ ﮔﺫﺍﺭﻯ ﻨﻤﻴﻜﻨﻰ؛ ﻏﺯل ٤٨٣ﺴﺤﺭﮔﻪ ﺭﻫﺭﻭﻯ ﺩﺭ ﺴﺭﺯﻤﻴﻨﻰ؛ ﻏﺯل٤٨٤
ﺘﻭ ﻤﮕﺭ ﺒﺭ ﻟﺏ ﺁﺒﻰ ﺒﻪ ﻫﻭﺱ ﺒﻨﺸﻴﻨﻰ؛ ﻏﺯل ٤٨٥ﺴﺎﻗﻴﺎ ﺴﺎﻴﻪ ﺍﺒﺭﺴﺕ ﻭﺒﻬﺎﺭ ﻭﻟﺏ
ﺠﻭﻯ؛ ﻏﺯل ٤٨٦ﺒﻠﺒل ﺯ ﺸﺎﺥ ﺴﺭﻭ ﺒﮕﻠﺒﺎﻨﮓ ﭙﻬﻠﻭﻯ؛ ﻏﺯل ٤٨٧ﺍﻯ ﺒﻴﺨﺒﺭ ﺒﻜﻭﺵ
ﻜﻪ ﺼﺎﺤﺏ ﺨﺒﺭ ﺸﻭﻯ؛ ﻏﺯل ٤٨٨ﺴﺤﺭﻡ ﻫﺎﺘﻑ ﻤﻴﺨﺎﻨﻪ ﺒﺩﻭﻟﺘﺨﻭﺍﻫﻰ؛ ﻏﺯل ٤٨٩ﺍﻯ
ﺩﺭ ﺭﺥ ﺘﻭ ﭙﻴﺩﺍ ﺃﻨﻭﺍﺭ ﭙﺎﺩﺸﺎﻫﻰ؛ ﻏﺯل ٤٩٠ﺩﺭ ﻫﻤﻪ ﺩﻴﺭ ﻤﻐﺎﻥ ﻨﻴﺴﺕ ﭽﻭ ﻤﻥ ﺸﻴﺩﺍﺌﻰ؛
ﻏﺯل ٤٩١ﺒﻪ ﭽﺸﻡ ﻜﺭﺩﻩ ﺍﻡ ﺍﺒﺭﻭﻯ ﻤﺎﻩ ﺴﻴﻤﺎﺌﻰ؛ ﻏﺯل ٤٩٢ﺴﻼﻤﻰ ﭽﻭ ﺒﻭﻯ ﺨﻭﺵ
ﺁﺸﻨﺎﺌﻰ؛ ﻏﺯل ٤٩٣ﺍﻯ ﭙﺎﺩﺸﻪ ﺨﻭﺒﺎﻥ ﺩﺍﺩ ﺍﺯ ﻏﻡ ﺘﻨﻬﺎﺌﻰ؛ ﻏﺯل ٤٩٤ﺍﻯ ﺩل ﮔﺭ ﺍﺯ ﺁﻥ
ﭽﺎﻩ ﺯﻨﺨﺩﺍﻥ ﺒﺩﺭﺁﺌﻰ؛ ﻏﺯل ٤٩٥ﻤﻰ ﺨﻭﺍﻩ ﻭﮔل ﺍﻓﺸﺎﻥ ﻜﻥ ﺍﺯ ﺩﻫﺭ ﭽﻪ ﻤﻴﺠﻭﺌﻰ.
ﺍﻟﺤﻤﺩ ﷲ ﺭﺏ ﺍﻟﻌﺎﻟﻤﻴﻥ
-٥٠٣-
ﺍﻟﻄﺒﻌﺔ ﺍﻷﻭﱃ ٢٠١٤ /ﻡ
ﻋﺪﺩ ﺍﻟﻄﺒﻊ ١٠٠٠ﻧﺴﺨﺔ
-٥٠٤-
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