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W W W . M U S I C A L C O N T E X T S . C O . U K
K E Y S T A G E 2 M U S I C – U N I T 3 – A N I M A L C R A C K E R S W 1
Think about how an eagle sours though the air swooping and
diving – how would you use PITCH to reflect this? Should the
DURATION of notes be long or short
or a mixture of both? Include some
DRAMATIC CHORDS in your piece,
using the chords on the left, or by
creating your own.
W W W . M U S I C A L C O N T E X T S . C O . U K
K E Y S T A G E 2 M U S I C – U N I T 3 – A N I M A L C R A C K E R S W 1
The dolphin is intelligent and playing – how could you reflect and
show this in your music? Choose suitable TIMBRES to create
the sounds of water of the sea as the dolphin swims. Use the
notes of the C MAJOR SCALE in your piece to give the music a
happy sound – C, D, E, F, G, A,
B and c’ starting
and ending on C.
Try putting some
chords with your
melody:
Because the frog can swim and jump, your music will need some
CONTRASTS: some parts will need to
represent swimming and some parts
jumping. Think carefully about how you
will use PITCH, TEMPO and DYNAMICS
to do this and choose contrasting and
different TIMBRES.
A bear is very big and very strong! Will you use HIGH or LOW
PITCH? FAST or SLOW TEMPO? LOUD or SOFT DYNAMICS?
Use the notes from a MINOR SCALE
such as these:
and try adding a
DRONE using the
notes D & A
W W W . M U S I C A L C O N T E X T S . C O . U K
K E Y S T A G E 2 M U S I C – U N I T 3 – A N I M A L C R A C K E R S W 1
Think about how a cobra moves and how dangerous this snake is
and try and capture this in your music. Try to give your music an
Egyptian feel using this scale called a
MAQAM and make sure your melody
begins and ends on the note E.
W W W . M U S I C A L C O N T E X T S . C O . U K