Professional Documents
Culture Documents
[viːˈnjɛt, vɪˈnjɛt]
NOUN vignettes (plural noun)
Brief evocative descriptions, accounts, or episodes
Written By
Charles Croes
.
First performance
Cas Di Cultura – Aruba
Inspired by
Marjory Vermeer
To be performed by C.A.A.
Creative Arts Aruba
CAST
Opening scene
STAGE:
100% dark. Curtains very slowly start to open. The curtains stop opening
midway.
SOUND
Heavy Rainstorm and Powerful Thunder Sounds for Sleeping - Black Screen Rain |
Sleep Sounds - YouTube Sound fades when the curtain is fully opened.
STAGE:
See if we can get video of rain falling in a Cunucu area. Show on back screen.
🔴 LIVE HEAVY RAIN 24/7 - Rainstorm & Distant Thunder Sounds - Heavy Rain
Sounds to Sleep, Relax - YouTube
ENTER FOGO
FOGO
Fogo is a scruffy character. Terribly dressed with large shoes and pants that are
huge. His shirt is an old long sleeved shirt that has soil stains around the cuffs.
The pants are synched with a long rope to hold them up. His hair is a disaster and
a small old and broken Fedora hat sits on top. He wears no stage make up except
dirt marks on his hands and neck. His face is relatively clean.
Fogo comes out from behind the curtains. He has a piece of cardboard to protect
him from the rain. The cardboard is wet and drips water. Fogo enters from
behind the curtains and stops. He looks at the curtains and starts to mutter as he
slowly pushes one of the sides to open it.
FOGO
Sigu – Sigu
He keeps pushing
Sigu – Sigu
He looks around
Sigu – Sigu
Machi!
Maaachi!
Sigu – Sigu.
MACHI
Is a thin short woman that is strong yet frail at the same time.. She stoops and
walks in short steps. Her dress goes to the floor and her shirt top is buttoned to
the neck. She has a kitchen towel in her hand and is constantly dusting things.
When she is with Fogo, she dusts him.
Machi
Grita bo ta grita
Fogo
Machi
Kwa?
Baka of Kabrito?
Fogo
Bestia chiki
Machi
Si – semper ba gusta.
Machi becomes quiet and looks far off. She slowly turns to FOGO
Machi
Fogo
VIGNETTE #1
FOGO – CHIPI-CHIPI
Ephraim Odor
Director
Many years ago, in the 1840’s, many small ships came to Aruba to dock and fix
their sails or to do repairs on their hulls or masts. Some ships came carrying
goods from India and England and other far of lands. On these ships would come
the people that manufactured and sold their goods. Those were interesting
times.
TWAS THE WEAK BEFORE.
5
One such man was a young short Jewish man named Benjamin Pick who bought
fine silk cloth from China and made the most beautiful silk Modern designed
men’s neck- ties (Corbatas’ Estilo modern hecho de seda) . His market
destinations were Venezuela and Colombia because he heard the gentlemen of
these countries dressed in fine garments and boots from Spain and wore fine
neck-ties as well as always having silken handkerchiefs. So it became the goal of
Benjamin Pick to come to these far off lands and make a fortune selling men’s
neck-ties.
Even though Benjamin came fine prepared for this voyage, the small vessel
encountered bad weather and high seas. This caused delays and Benjamin found
lodging in a small house along the seashore of Martinique. As nice as the island
lady on Martinique was, the three month delay cost Benjamin Pick dearly in food
supplies and an occasional bottle of wine for him to drink along with the land
lady. Worse was that absolutely not one soul in Martinique wore neck-ties so he
wasn’t able to make any money only spend it.
When they arrived at the small docks of Aruba, the small ship had to be once
again repaired and poor Benjamin had no choice but to take his cargo and see
what he could sell on this small little island. And so, he sat on his box of ties on
the docks and waited for someone to come to him to buy his ties. No one did.
For several days, there had been a rotund man named Conks that came to the
docks to pick up cargo and he would always nod at Benjamin. Finally one day,
Benjamin waved at Conks and the two shook hands and started to talk. Benjamin
told him the story of his adventure on the high seas and the many delays. He
explained that his money was almost finished and he needed to sell his modern
silk neck-ties to get cash. Conks asked where his ties were and Benjamin told him
they were in the wooden box he was sitting on.
A while later Mix returned and the three went back to the dock to look at the
wooden box. Conks talked to Mix and after some fixing and hammering, the
wooden crate full of modern silk ties was converted into a street vendor’s cart.
The cart had a small roof to prevent the sun from damaging the silk-ties. Mix
painted the cart white.
I will ask Mix to paint two signs for your cart, and I suggest that you walk down
main street and yell out the following: CORBATA MODERNA PRIJS TA CHEEP.
Benjamin wrote this down and One side of the cart had a sign that was finished
while the other was to complicated for Mix to write. Mix also took the liberty to
translate MODERNIDAE to La Moderna.
And so Benjamin went out on the streets and started to bark out his product.
CORBATA MODERNA PRIJS TA CHEEP. This turned out to be too long and people
laughed at him, so he changed it to:
MODERNA PRIJS TA CHEEP. His business started to pick up. Then came the next
change.
MODERNA TA CHEEP. Sales were booming and Benjamin hardly had time to
speak so he just said.
CHEEP - CHEEP
Some years later, his son Benchi took over La Moderna and became a famous
man.
NOTE: Conks always wore silk ties which he got at a Chipi-Chipi price.
CORBATAS
MODERNA
(Almost)
Directed by
Marjorie Vermeer
If any of us thinks back on our youth, I feel sure that we will view
ourselves as having been much freer spirits than we are today. In
most cases, our lives will seem to have been without limits and
boundaries. Perhaps that was our reality then and also perhaps, now
that we are wiser – not to mention a bit older, our realities are lost (or
hidden) in the mountains of restrictions that our social lives and age
have placed on us all. With that in mind, the following is a memory of
a reality. It is a visit to a time when I was a freer spirit and it is
certainly a time when ‘today’ was not a consideration. The following is
from me to you and there are no claims on it to be anything but a
footnote of an event. Consider it a “P.S.” on the childhood memories
of a kid, and as all of us know, kids’ invent all sorts of stuff.
During vacations we would get up in the mornings and run out into
the street by my house and get together to do nothing else but “play”.
Bread would be baking in someone’s home and the thick full aroma
that floated on the streets still resides in (at least) one of my nostrils.
Each day started the same in that we would each arrive at the corner
and then go to the playing field nearby at almost the same time and
start at the same point we left off yesterday. More than once we would
start the day by going to a sandy lot by my house and place our
marbles in the same spots as they were the evening before.
Conversations and arguments would pick up where they left off
yesterday and, in that way, it seemed like one long continuous
summer that was an uninterrupted, lovely - lengthy play-time. It was
bliss.
We were in the Cunucus of Dakota. This area had not been developed
at all and was nothing more than a dense woody area that had many
crisscrossing paths or small trails. I recall how we would hike and
encounter other walkers that would be using the paths for more
serious business such as going shopping or returning home carrying
something. In the same way that capillaries serve the blood stream,
these small trails served that small area of the island. We were
moving along and talking in the dense woods following one of the
small paths of that area and Denchie heard something. "Wanta"
"Wait" he said. I stood still. He leaned his head and I did the same to
try and hear what he did. Finally I did. It was the faint sound of pain.
We said nothing and started to walk over to the source of that sound.
The sound of pain became so much more obvious and I remember
being glassy-eyed at the thought of what awaited us.
TWAS THE WEAK BEFORE.
10
The two of us were absolutely focused on this one single sound. It
was a wailing or bleating sound and it penetrated me before I ever
saw the source. Then there it was - A baby goat stuck in the "V" of the
base branches of a small tree. The mother goat was standing close
enough to her baby and in doing so was leaning on it and her love
was causing it more pain by further driving the baby goat into the “V”.
Hidden in the under-brush of tangled trees and dense bushes were
the other goats. It was an astoundingly large herd - all silent and
looking. This small creature looked skyward and pained and the
bleating sound that had drawn us there finally sank into us.
At the onset, we were nothing more than two boys on a hike but now
we knew that we were now involved in something beyond what the
day had set out to be. However in all that, the solution to the pain was
so very simple. We could do what the mother could not, and that is,
lift the baby goat out of the "V". Simple. Denchie went over and gently
moved the mother goat to the side, then lifted the baby out of her
predicament and set her on the ground. And with this, in the woods
and in the middle of the day, our day was about to begin and this
beginning would offer us more surprises than we had already
experienced. I was sure that all of the goats would now be happy and
make some sort of a happy goat sound and then run off. It imagined
that we would feel better and be heroes – at least in the eyes of the
goats. It didn't happen that way.
The entire herd stayed and then came out from under the trees and
foliage to slowly move over to Denchie. As these skittish and wild
animals moved over to him his face showed that he now knew that
something was happening and that this "something" was good. A
conversation was silently taking place. He started to quietly laugh and
then knelt down. He was getting lost in this herd of absolutely wild
animals and the thread of instinct that dwells in us all told him to sit –
TWAS THE WEAK BEFORE.
11
he did. I watched as his new (if only temporary) tribe of grateful
friends rubbed against him while making low murmuring sounds. I
stared in amazement as he laughed like a boy that has just been
surprised on his birthday. The sight was remarkable, and when he
realized I was standing off to the side, he invited me to sit with him.
I started to slowly walk into the herd but as I did, I noticed that some
of the goats left. I backed off and they went back to this small ring of
natural appreciation for another living thing. The goats were saying
thank you to a boy and did not want me to interfere. I'm not sure how
it worked but after a few minutes of this "closeness" they suddenly
left. I watched as they left their pellet-like droppings behind. Denchie
had been sitting in a pile of these pellets himself. He looked down and
laughed and I went over to him and sat with him in these pellets of
love. We were boys and it was an uncomfortable thing to do but we
hugged. We never carried our slingshots on hikes again that summer
and used them only for shooting at tin-cans. When not hiking, we
stuck to marbles and spinning tops.
I wish so much that I could tell you how much I love living here. If you
are only a visitor, then I am sorry for you. You will taste this rock but
cannot live it nor can you allow her to devour you in the same way as
If you are a visitor, it is quite possible that at the end of your stay, you
are not going back to reality. Perhaps this is reality and what we
create elsewhere is the unfortunate.