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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
Lesson 6-7
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Artist are the one who professes and practices an imaginative art.
Because of this people and their creative imaginations, we have beautiful
paintings, exquisite sculptures, historical architectural structures, breathtaking
dance performances, spectacular theatrical performances, and many others alike.
But as time goes by, the way artists produce different artworks has totally
changed. It is not about the beauty anymore but the reality that we are all facing
today.
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
The Role of the Filipino artist in the present times is very crucial. And
with that, we can say that their role is fourfold or four times as great or
numerous:
1. The PERSONAL
2. The SOCIAL
3. The PHYSICAL
4. The IMMATERIAL
1. The Personal
The artist expresses what he or she feels.
2. The Social
The artist expresses what he or she sees around him or her. Everything
around him or her not just the beauty of nature, not just the plants and
the colorful mountain but everything him or her including the pressing
issues that we are all facing today.
3. The Physical
The artist finds a need to create something not only pleasing to look at
but something useful as well.
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
4. The Immaterial
The artist gives form to the immaterial, the hidden truth of the universe,
and the spiritual force that inhabits the world. This is the ultimate role of
our artists today.
The Personal, The Social, The Physical and The Immaterial, through this
fourfold role, the artists are able to refine us and to elevate our senses of what is
beautiful and what is not and what is sublime and what is not.
• The Filipino artist gives his opinion about the culture of his time.
• The Filipino artist is a crusader, attempting to sway the viewer to his or her side.
• The Filipino artist has become a social critic. This is the most interesting role of
our artist today since we are highlighting social realism. Artists nowadays are so
brave to exposed the true situation of our society using their work of art.
• The Filipino artist has also become an advocate for what he or she believe in.
• The Filipino artist is versatile. Our artists create not only to realize their
personal fulfillment but also, they share their inner talents that illuminate our
capabilities as a nation, rich in heritage and traditions.
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
Before the Philippine Contemporary Art era, only a few notable women were
able to find access into the world of arts. During the modern arts period, we
have Anita Magsaysay-Ho, Nena Saguil and Purita Kalaw-Ledesma.
But things have changed in the Philippine Contemporary Art Era as many
women paved the way for others to assert their own identity and contribute in
social realism. Filipina artists have become visible because of initial steps made
by some strong women like Imelda Cajipe-Endaya, Brenda V. Fajardo, Ofelia
Gelveson-Tequi. They assert their own identity and contribute in social realism.
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
Fernando Amorsolo (May 30, 1892 – April 24, 1972) Amorsolo is the
first National Artist in the country and was known for using backlighting
technique in painting, making his creations bright and cheerful.
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
Pablo S. Antonio (January 25, 1902 – June 14, 1975) He was considered
a pioneer in modern Philippine architecture. A prominent feature of his designs
I the use of natural light and cross ventilation. According to Antonio, buildings
should be planned with austerity in mind and its stability forever as the aim of
true architecture; those buildings must be progressive, simple in design but
dignified, true to a purpose without resorting to an applied set of aesthetics and
should eternally recreate truth.
Leandro V. Locsin (August 15, 1928 – November 15, 1994) His designs
usually feature themes of floating volume and a mix of both eastern and western
aesthetics. Well-known works is the PICC.
Carlos Quirino (November 4, 1910 – May 20, 1999) He is the first and so
far, the only National Artist for Historical Literature and was also known for
writing “The Great Malayan,” which considered to be one of the earliest
biographies of Jose Rizal.
Nick Joaquin (May 4, 1917 – April 29, 2004) He is considered as the most
distinguished Filipino writer in English writing. His body of work extends from
short stories to poems to essays which includes journalism and reportage. He
used the name Guerre Quijano de Manila as journalist.
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
Cinema/Film
Manuel Conde (October 9, 1915 – August 11, 1985) Conde is known for
producing and directing films based on old Filipino tales such as Siete Infantes
de Lara (1950), Si Juan Tamad (1974), Ang Ibong Adarna (1941). He also
brought to the silver screen stories from the other parts of the worlds like
Genghis Khan (1950).
Lino Brocka (April 3, 1939 – May 22, 1991) Catalino “Lino” Ortiz Brocka
is recognized for his films which explores the lives of people in the marginalized
sectors. Brocka also directed for theater organizations such as the Philippine
Educational Theater Association (PETA) and the Concerned Artists of the
Philippines (CAP).
Ronald Alan K. Poe (August 20, 1939 – December 14, 2004) More
known as Fernando Poe, Jr. He is an icon in film industry as an actor, director,
writer and producer. He starred in films like “Mga Alabok sa Lupa” (1967),
“Partida” (1985), “Ang Probinsyano” (1996), and among others.
Dance
Leonor Orosa Goquingco (July 24, 1917 – July 15, 2005) She was
known as the “Mother of Philippine Theater Dance,” Goquingco blended
folkloric and Asian styles in ballet choreography. She was a founding member of
the Philippine Ballet Theater and the Honorary Chair of the Association of
Ballet Academies of the Philippines.
Music
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COLLEGE OF SAINT JOHN PAUL (II)
ARTS AND SCIENCES
College of Arts and Sciences
Lucio San Pedro (February 11, 1913 – March 31, 2002) Best known for
his compositions “Sa Ugoy ng Duyan,” “Sa Mahal Kong Bayan,” “Dance of the
Fairies,” “Triumphal March,” and “Lahing Kayumanggi,” Lucio San Pedro was
the conductor of the Peng Kong Grand Mason Concert Band, the San Pedro
Band of Angono, and the Benda Angono Numero Uno. Working with these
bands and other town bands helped in the development of a civic culture among
Filipino communities.
Lucrecia R. Kasilag (August 31, 1918 – August 16, 2008) She was
known for fusing Filipino ethnic music with Western musical influences. She
was also known for incorporating Filipino indigenous musical instruments in
orchestral works.
Theater
Daisy Avellana (January 26, 1917 – May 12, 2013) She co-founded the
Barangay Theatre Guild, together with her husband, National Artist Lamberto
Avellana, in 1939. This move made theatre and dramatic arts popular in the
country. She was known as director of films “Diego Silang” (1968) and “Walang
Sugat” (1971).
References
• Gerard Lico, Glecy Cruz Atienza, Imelda Cajipe Endaya, J Pilapil Jacobo,
Ramon P. Santos. Sining Rehiyon Contemporary Philippine Arts fron the
Regions. C&E Publishing House, Inc. Quezon City: 2018
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