Professional Documents
Culture Documents
BALKRISNA
VITHALDAS
DOSHI
LIFE HISTORY
Balkris h na Vith ald as D os h i was b orn in
P u ne , Ind ia in 1 927.
H e d id h is b ach e lors from J. J. S ch ool of Art,
Bom b ay in 1 950.
H e worke d for fou r ye ars with Le C orb u s ie r
as s e nior d e s igne r (1 951 -54) in P aris .
In 1 956 h e e s tab lis h e d a p rivate p ractice in
Vas tu -S h ilp a, Ah m e d ab ad and in 1 962 h e
e s tab lis h e d th e Vas tu -S h ilp a F ou nd ation for
E nvironm e ntal D e s ign.
LIFE HISTORY
H e als o fou nd e d and d e s igne d th e S ch ool of
Arch ite ctu re and P lanning in Ah m e d ab ad .
D os h i h as worke d in p artne rs h ip as S te in,
D os h i & Bh alla s ince 1 977.
D os h i worke d clos e ly with Louis khan
and A nant raje, wh e n Kah n d e s igne d th e
cam p u s of th e Ind ian Ins titu te of
M anage m e nt.
In 1 958 h e was a fe llow at th e Graham
Foundation for A dvanced S tudies in th e
F ine Arts .
LIFE HISTORY
Dos hi h as b e e n a m e m b e r of th e Ju ry for
s e ve ral inte rnational and national
com p e titions inclu d ing th e Indira Gandhi
National C entre for A rts and A ga Khan
A ward for A rchitecture.
H e was p re s e nte d in 1 995,Aga Kh an Award
for Arch ite ctu re , for th e Aranya C om m u nity
H ou s ing in Ind ore , Ind ia.
D os h i's arch ite ctu re p rovid e s one of th e m os t
im p ortant models for modern Indian
architecture
PHILOSOPHIES
Accord ing to h im A rchitecture of a b u ild ing is
conce ive d not as a containe r of s p e cific activitie s b u t
as a p lace to b e inh ab ite d , as a p lace to facilitate th e
cou rs e of h u m an e nvironm e nt
D os h i's work h as cons is te ntly re volve d arou nd th e
inte rre lations h ip of ind oor and ou td oor s p ace , an
ap p rop riate and h one s t ap p roach to m ate rials , p rop e r
clim atic re s p ons e and ob s e rvance of h ie rarch y and
ord e r th at h as always b e e n p re s e nt in th e b e s t
m od e rn arch ite ctu re .
PHILOSOPHIES
It is th is s o calle d ‘filter’ b e twe e n
conte m p orary and trad itional arch ite ctu re
wh ich D os h i h as m as te rfu lly b rou gh t in.
Th e s u cce s s of any p roje ct d e p e nd s on
e ffe ctive cons truction, contracting, logis tic
p lanning and co-ord ination.
An e s s e ntial p art of th e p h ilos op h y is th e
cons tru ction of s cale m od e ls and of fu ll s cale
m ocku p s to m ake d e cis ions jointly with th e
clie nt ab ou t th e building.
PRINCIPLES
4. D os h i h as p e rs is te d a d e e p b e lie f in
im p ortance of ‘Human Ins titutions ’, ju s t as
Lou is -i-Kah n d id b e fore h im . Th is b e lie f, is
am p lifie d b y h is own d e e p cu ltu ral e xp e rie nce
and p op u lar e volu tion of ne w ins titu tions . Th e
nam e of h is office its e lf, th e Vaas tu-S hilpa
foundation, is a ringing affirm ation of D os h i’s
faith in th e d ialogu e b e twe e n p e op le and
arch ite ctu re of wh ich h e s p e aks and p owe rs
of d ialogu e to b ring ab ou t old ins titu tions and
cre ate ne w one s .
PRINCIPLES
5. A m ore s p e cific p rincip le is to follow ‘flexible rather
than rigid approach to the s tructure’. Th is is h ow
trans form ation of s p ace from th e m e re s tatic
containe r ; to a p lace wh e re p e op le actu ally fe e l a
p s ych ic inte rch ange is b e s t ach ie ve d . H e re D os h i
re fe rs to th e m u ltip le m ixe d s tru ctu ral s ys te m s , of th e
typ e fou nd in M ad u rai te m p le and city of F ate h p u r
S ikri.
6. Th e id e a of fle xib ility le ad s h im to a p rincip le , of
incorp orating “s ymbolis m” . H e b e lie ve s th at it can
only b e accom m od ate d b y m ixtu re of s tru ctu ral
s ys te m s . S ym b olically ch arge d s p ace m u s t b e
d e s igne d as re ce p tacle for h u m an activity.
PRINCIPLES
AHMEDABAD , (1992-95)
Th e G u fa is a collab orative e ffort b /w
B.V D os h i and th e Ind ian artis t M .F
(M aqb u l F id a) h u s ain; b e gan as an Art
G alle ry for th e E xh ib ition of artis ts work.
It is locate d in th e cam p u s , of th e
C e ntre for e nvironm e nt p lanning &
te ch nology (C E P T) in Ah m e d ab ad .
S ite Are a- 1 000 s q.m t.
Bu ilt u p Are a- 280 s q.m t.
P roje ct cos t- R s .1 .8 m illion
Th is is a com b ination of h igh
te ch nology and trad itional te ch niqu e s
th at als o d e s crib e s th e e s s e ntial
tim e le s s ne s s of te ch nology its e lf.
Th e cons tru ction of th e
G u fa was finally
d e p e nd e nt u p on th e
knowle d ge & s kill of
b u ild e rs wh o h ad to
trans late h igh ly
s op h is ticate d d iagram s
into re ality.
Th e re fe re nce s for th e
G u fa are e le m e ntal and
p rim e val. Th e circle ,
m ou ntains , h is torical
p re ce d e nts as C ave s
(Karli, Ajanta), S tu p as
e tc.
PLAN
Th is s tru ctu re is in
form of s ke le tal s kin &
wire m e s h
s and wich e d on e ach
s id e b y laye rs of
ce m e nt.
Th e concre te is th e n
cove re d with a
com p acte d laye r of
ve rm icu lite followe d
b y m os aic of p ie ce s of
b roke n ch ina.
Wh ite tile s re fle cts th e
s u n rays , h e lp s to ke e p
th e inte rior cool.
Th e s tru ctu re is s p e cifically orie nte d to
le t in th e m axim u m am ou nt of h e at &
ligh t to give th e inte rior a gold e n glow.
To e nh ance th e cave like fe e ling of
galle ry, th e contou rs of th e s ite we re
re taine d , rath e r th an b e ing le ve lle d .
Th e ge ntly u nd u lating s u rface of th e
e arth can s till b e p e rce ive d b e ne ath th e
th in concre te floor s lab p ou re d ove r it.
Th e e ntrance is ap p roach e d d own a
fligh t of s te p s in to th e cave like inte rior.
S om e s h e lls cons is ts ap p e are d s nou ts
with ap e rtu re s (h ole ), u s e d to cap tu re
fre s h air & ligh t.
Th e ce ntral h all is s u p p orte d b y 2 rows
of colu m ns wh ich d ivid e th e inte rior in
to a wid e r ce ntre ais le & 2 s id e ais le .
Th e colu m ns h ave octagonal s h afts
wid e r at b as e & tap e re d at cap ital.
Th e rib s , wh ich s p ans from colu m n
line to colu m n line , cre ate th e vau lte d
roof of cave .
Th e s nou ts s e e m s as s kyligh ts to
th row ligh t ins id e .
INDIAN INSTITUTE OF
MANAGEMENT
BANGALORE , (1977-85)
S lop ing top ograp h y of th e s ite .
Bu ilt u p are a 54000 s q. m ts .
Bu ild ing inclu d e s th e e xte rnal s p ace s
and th e link b e twe e n th e b u ild ings .
F u nctional and p h ys ical attrib u te s of
th e d e s ign are re late d to th e local
trad itions of p avilion like s p ace s &
cou rtyard s .
Am p le p rovis ion for p lantation.
U s e of local m ate rial.
Th e fore cou rt and e ntrance are at th e
lowe r le ft of p lan. D orm itorie s are
arrange d d iagonally arou nd an
inte rlocking s e rie s of cou rtyard s in
u p p e r p art.
PLAN
MODEL SHOWING CAMPUS
PLANNING
D e s ign inclu d e d long and u nu s u ally h igh
“th re e s tore ye d ” corrid ors with
innu m e rab le vis tas of focal p oints .
corrid ors are s om e tim e s s e e m
op e n, s om e tim e s with only p e rgolas
and s om e tim e s p artly cove re d
with s kyligh t.
Varying d ire ct and ind ire ct s u nligh t
cou p le d with s olid -void com b ination.
To fu rth e r h e igh te n th e s p atial
e xp e rie nce , th e wid th of th e corrid ors
was m od u late d in m any p lace s to allow
cas u al s itting , inte raction or m oving
forward to one d e s tination or m ore .
C orrid ors of colu m ns b e ne ath concre te p e rgolas
cre ate a rh yth m of ligh t & s h ad ow.
U s e of varying rh yth m of s olid s and void s i.e . walls
and op e nings .
Th e m ain are a- is
a com p le x of
cou rtyard s linke d b y
walkways or inte rnal
s tre e ts , s om e
cove re d & s om e
op e n to s ky, cre ating
vis tas or
F ocal p oints .