Professional Documents
Culture Documents
by Stuart-Rogers Photographers, courtesy of Skidmore, Owings & flicts among other designers. One colleague commented, “Why he
Merrill LLP兲 was so kind to me, I do not know; except that he was like that
with everybody. I’ve tried to adopt that style myself… It’s actu-
ally an unbeatable recipe for success.”
In his foreword to the book, architect Stanley Tigerman de-
large part due to the influence of Ludwig Mies van der scribes his close friend this way:
Rohe, who practiced architecture in Chicago and taught at
IIT. Fazlur Rahman Khan was, without question, one of a
kind. He was utterly brilliant but without artifice, and as
From the start, Khan set about engendering an office en- far as I am concerned, he was the conscience of SOM. His
vironment at SOM that promoted both innovation in the morality was beyond reproach, and there was absolutely
engineering group and collaboration between the engi- no soapbox oratory to it. He was as self-effacing as I am
neering and architecture departments. His appreciation of not, and our friendship—odd couple that it was—always
the needs and ambitions of architecture facilitated mean- made me feel better 共actually, I think he had that effect on
ingful dialogue with colleagues, a dialogue that was es- everyone with whom he came in contact兲.
sential to informing his own intellectual investigations.
Within a short time he gained both architects’ and engi- The range of Fazlur Khan’s technical contributions is
neers’ confidence through his knowledge of engineering impressive—in variety of project type, scale, material, and loca-
matters and the relevance of his ideas on architecture. As tion:
his aesthetic and contextual sensibilities strengthened, he In a career of forward movement, Khan was continually
came to fully participate in architectural discourse, while
driven to search out further improvement and to develop
bringing to it a fresh perspective with broadening influ-
greater insight into structural behavior. His explorations
ence. With Bruce J. Graham, a partner in SOM and chief
were not limited to any one structural material. Following
design architect in the Chicago office, he established a
an early concentration in prestressed concrete, he de-
level of communication that evolved into a fruitful and
signed his first high rise in conventional reinforced con-
enduring partnership. Graham perceived vitality in build-
crete; he then turned to structural steel for the John Han-
ing forms expressive of their structural character, and his
cock Center. In the 1970s, he borrowed from bridge
openness to structure as the organizing theme for building
design to develop a cable-stayed roof structure; created a
architecture inspired Khan to strive for structural systems
sophisticated tensile structure for the Hajj Terminal at the
airport in Jeddah; and investigated vernacular construc-
tion for a university campus in the desert climate of Saudi
Arabia. As an adjunct professor and master’s thesis advi-
sor at the Illinois Institute of Technology 共IIT兲 he studied
precast concrete and masonry for application in tall build-
ing construction…
When Khan began work on high-rise design in 1961, en-
gineers relied on a handful of structural systems that were
ill equipped to resist wind load and control sway in build-
ings over 25 to 30 stories. A decade later, the design pro-
fession possessed an array of structural systems, the ma-
jority of which Khan had developed; systems such as the
framed tube, the tube-in-tube, the optimum column-
diagonal-truss tube and the diagonalized framed tube, the
belt truss interaction system, and the bundled tube. In his
affirmation of the logic of combining structural steel and
Fig. 2. Yasmin S. Khan, author, structural engineer, and daughter of reinforced concrete in a composite system, the range of
Fazlur Khan, 2004 共photograph by the author’s husband, Stephen D. structural organization for efficient and economical tall
Byron兲 building design gained yet greater breadth. By the 1980s