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La Muerte De Cleopatra
The Death Of Cleopatra
- The actual Death of Cleopatra earned Juan Luna a silver
medal at the 1881 Exposition of Fine Arts in Madrid.
- It was a painter a pension scholarship at the
Ayuntamiento De Manila (600 pesos monthly).
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- Sold to a private painter collector for 5,000 pesetas (highest price of painting during by
Spanish Gov’t for 1000 Euros.
Luna’s study of “Death of Cleopatra” sells for Php 9.3 million at auction
- In art, a study is drawing, sketch or painting done in
preparation for a finished piece, or as visual notes.
- Studies are often used to understand the problems involved
in rendering subjects and to plan the elements to be used in
finished works such as light, color, form, perspective and
composition.
- The star of the auction was Luna’s “Death of Cleopatra”
boceto, which, per square inch, was the highest price fetched
by a Luna at any auction. The piece sold for Php 9.3M. The painting measures 10 × 15
inches, which comes down to Php 62,293 per square inch.
“Spoliarium” bocetos
- The art world went into a frenzy, wondering whether it’s a spectacular
rediscovery of a masterpiece after nearly 125 years, or the greatest con the
Philippine art world has ever seen.
-
Present literature tells us that Luna was known to have painted three versions of the
work: the most recognized one that hangs in the halls of the National Museum dated
in 1884; one held in a private collection in Manila and the other commissiioned for a
Russian nobleman whose whereabouts are unknown to this day; thus making this
version the earliest and the fourth known so far.
- This boceto is dated 1883, ascribed on the canvas itself with the words, “Spoliarium – boceto LVNA, R [ OMA ] ,
188,” making this version the earliest. In his catalogue notes, Lerma points out a peculiar signature done by Luna in
baybayin script located on the lower right side of the canvas. The script for the word BU LA [ N ] , was deduced
from the Ilocano word for “moon,” which the artist added only to about four of his known works.
- Close-ups of signature. From left to right: Chula by Luna (1884); Photo by Courtesy of Ayala Museum (Chula);
Salcedo Auctions(Spoliarium)
- The most expensive Philippine artwork ever sold was that of an earlier version of “Espana
Y Filipinas” done by Luna at a staggering P130 million at a Sotheby’s auction in 2013, and
is currently in the permanent collection of the National Gallery Singapore.
- Espana Y Filipinas, meaning “Spain and the Philippines” in traslation, is an 1886 oil on
wood by Filipino painter, ilustrado, and revolutionary activist, Juan Luna. It is an allegorical
depiction of two women together, one a representation of Spain and the other of the
Philippines. The painting, also know as Espana Guiando a Filipinas (“Spain Leading the
Philippines”), is regarded as one of the “enduring pieces of legacy” that the Filipinos
inherited from Luna. The painting is a centerpiece art at the Luna Hall of the Lopez
Memorial Museum.
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- The Blood Compact portrays the 1565 Sandugo (blood compact ritual) between Datu Sikatuna of Bohol and
Miguel Lopez de Legazpi, surrounded by other conquistadors.
- Datu Sikatuna was described to be ‘being crowded out of the picture by Miguel Lopez De Legazpi and his fellow
conquistadores’.
-
A rediscovered Juan Luna painting was sold for P46.8 million - roughly four to five
times its earlier estimated worth – at an auction in Makati City.
- In a facebook post, Salcedo Auctions confirmed that Luna’s 1885 creation “A Do…
Va La Nave?” (oil on canvas, 55 cm × 104 cm) was auctioned off to a private
collector.
- It features six women and three men on board a boat with a gloomy sky as their backdrop.
- According to Salcedo Auctions, the title of the painting borrows from an unfinished 1841 poem by 19 th century
Spanish Romantic poet Jose De Espronceda:
“ Y alla va la nave;
Quien sabe do va?
[ ¿ there goes the ship ; Who known where it will go ? ]
- Salcedo Auctions acquired the painting through Argentinia owner Maria Alberta Esther Susana Pignocchi-
Bonaldi’s granddaughter. Bonaldi’s husband Jose Domingo Bonaldi had received it as a gift from business
associate Goar Mestre, a media tycoon who fled his home country of Cuba upon the triumph of Field Castro and
the Communist Revolution. However, it is unclear how Mestre got hold of the painting. – Trisha Macas / BM,
GMA News
- Paintings of Juan Luna in his prison cell at the military barracks in Manila as
photographed by M. Arias Y Rodriguez, which appeared in the 06 August 1900 issue of La
Ilustracion Artistica.
-
Political prisoner Juan Luna was locked in a dungeon in the ground floor of the cavalry
barracks, “leaving him completely incommunicado,” according to Manuel Arias Y
Rodriguez. The famous Spoliarium artist was arrested on 23 October 1896 “for having
been implicated in the Philippine insurrection against Spain.”
- Juan Luna’s prison wall paintings (1896-1897)
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