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Department:

English
St Patrick’s
College Subject: Year Level:
10
Shorncliffe Pathways to Essential English

Unit: Topic:
Everyday Stories Short Stories

Learning Intentions (What are you intending students to learn? – QCAA senior syllabus topic overview - use Success Criteria (How will students demonstrate their learning? Use Unit Objectives from QCAA Senior Syllabus)
cognitive verbs)
Building on the students’ studies from across the year, they will engage with a collection of short stories that explore 1. Use patterns and conventions of genres to suit particular purposes and audiences
issues faced by teenagers – whether they be issues around growing up or social issues that affect the everyday lives of 2. Use appropriate roles and relationships with audiences
teenagers. 3. Construct and explain representations of human experiences
4. Make use of and explain the ways cultural assumptions, attitudes, values, and beliefs underpin texts and influence
Students will then select an issue and portray this in a short story for a young adult audience. meaning
5. Explain how language features and text structures shape meaning and invite particular responses
6. Select and use subject matter to support perspectives
7. Sequence subject matter and use mode-appropriate cohesive devices to construct cohesive texts
8. Make mode-appropriate language choices according to register informed by purpose, audience, and context
9. Use language features to achieve particular purposes across modes
Assessment (use QCAA Objectives to be Assessed (from QCAA senior syllabus) Conditions (from QCAA senior syllabus) Date
identifier e.g., FIA1/IA1)
FIA4 Extended Response Knowledge Application (Objectives 3, 4)  Seen – 3 weeks’ notice of task Monday 21st
- (Imaginative) Organisation and Development (Objectives 1, 2, 6, 7)  Teacher feedback on planning + 1 draft November (Week 8)
 600-800 words
Textual Features (Objectives 8, 9)

Instruct Cognitions – Cognitive Verbs categorised by cognitive process (cognitive verbs for the unit)
Knowledge Retrieval and Comprehension Analysis Knowledge Utilisation
Select Create
Sequence
Understand
Use

PLP Students Required Adjustments


Rory Bolton Imputed Anxiety
Key Strategies:
 Monitor with frequent check-ins
 Encourage asking for support in class
 Needs to be encouraged to see College Counsellor
Assessment:
 Extra time (5 minutes per 30 minutes)
 Separate supervision
 Extra scaffolding/Examples of deconstruction
 Speech to text for writing

Denver Cruse Reading Impairment/Language Disorder


Key Strategies:
 Task adjustments to compensate for low literacy ability
 Allowance to reflect knowledge through non-print-based methods (filmed interviews, models etc)
 All tasks to be language friendly
Assessment:
 Extra time (5 minutes per 30 minutes)
 Separate supervision
 Reduce complexity of language/task clarification
 Task analysis to define and break down task
 Extra scaffolding/examples of deconstruction
 Group or co-constructed response
 Text to speech for reading
 C-Pen
 Speech to text for writing
 Scribe for writing (dictated answers)
 Use of laptop
 Timeline changes (extra time, rest breaks, spread over several days)
 Reduce assessment load (reduced length, fewer parts, point form responses)
 Alternate mode of presentation (spoken, graphic model, PowerPoint)
Sebastian De Amicis Anxiety/ADHD/Speech Impairment/Literacy Difficulties
Key Strategies:
 Assistive technology
 Writing interventions
 Reduced length of instruction
 Visual clues
Assessment:
 Extra time (5 minutes per 30 minutes)
 Separate supervision
 Reduce complexity of language/task clarification
 Task analysis to define and break down task
 Extra scaffolding/examples of deconstruction
 Text to speech for reading
 Speech to text for writing
 Scribe for writing (dictated answers)
 Timeline changes (extra time, rest breaks, spread over several days)
 Reduce assessment load (reduced length, fewer parts, point form responses)
 Alternate mode of presentation (spoken, graphic model, PowerPoint)
Jeremy Stewart No Formal Diagnosis - ASD
Key Strategies:
 Check that Jeremy understands the details of tasks
 Repeat instructions 1:1
 Checklists
 Visual cues to support instruction
Assessment:
 Extra time (5 minutes per 30 minutes)
Learning Phases
(Sign post clear and deliberate pedagogical strategies – particularly important if working with a team. Teachers can further annotate their own copies with additional strategies. Note: listing textbook pages in not a strategy but could be a useful
resource)

Phase
Resources
Focus Instruct Collaborate Deepen Feedback (Textbook pages/videos etc)
(What is the context, intention and (What content requires direct (What activities will allow students to (How will the learned content be (How will you determine where the
measurable for the phase of instruction for this phase?) interact? – not limited to group work applied to deepen understanding?) learners are and how to move them
learning?) – think peer) forward? - strategies/activities)

1 LI: Students will be able to: Guided PowerPoint: Anticipation Guide: Brainstorm Activity: Results Reflection: Week One PowerPoint
 Understand the focus of Results Reflection Form 10-12
the unit and how they will Teacher explains the purpose of the Students examine their own ideas Students will work collaboratively to Students will reflect on their previous Anticipation Guide
be assessed unit, how students will be assessed, about issues that teenagers face in discuss teenage issues and create a term results and set targets for Term
 Reflect on previous term teenage issues and short story everyday life. They will also justify class list to refer back to throughout 4.
results and set targets for structure and elements. their responses with reasoning. the term.
Term 4 Goal Setting:
Students define key vocabulary for Short Story Structure – Disney and
SC: Students can: the unit. Pixar: Students will develop a goal using the
 Define key vocabulary from SMART framework after reflecting on
Spelling Test: Students will watch a YouTube clip their previous term results.
the unit
which deconstructs basic plot
 Consider their own
structure using excerpts of Disney and
understanding of issues Students will complete Week 1 pre-
Pixar films. Students will then create a
faced by teenagers in test.
list of stories or films and describe the
everyday life five-step process.

Adjustment DC/SA Grouped together in class Notes:


s for additional teacher/aide support.
DC/SA Use assistive technologies
for notetaking and writing tasks.

Explicit instructions, checklists,


and visual cues to assist all
students within PowerPoint.

List of teenage issues developed


with students 6/10.

Results Reflection and Goal


Setting collected by teacher
7/10.

RB/JS Frequent check-ins during


class.

2 LI: Students will be able to: Guided PowerPoint: Think, Pair, Share Activity: Brainstorm Activity: Week One Recap: Week Two PowerPoint
 Understand how cultural Blurring the Boundaries by John
assumptions, attitudes, Teacher explains narrative dialogue Students consider their prior Students consider their prior Students recall short story elements Larkin
values, and beliefs underpin and narrative structure guidelines. understanding of narrative point of knowledge about narrative dialogue and visualise the story mountain to Narrative Feedback Checklist
texts to shape view collaboratively. in small groups and discuss as a class. identify narrative structure. Story Map
representations of teenage Spelling Tests:
issues Reading Activity – Blurring the 3, 2, 1 Activity:
Students will complete Week 1 Boundaries: Writing Exposure One:
SC: Students can: post-test and Week 2 pre-test. Students reflect on their learning by
 Identify narrative elements, Students examine Blurring the Students create a narrative that re- answering 3 things they learnt, 2
structure, point of view and Boundaries by John Larkin and tells a portion of Blurring the things they found interesting and 1
dialogue identify short story elements, Boundaries by John Larkin from the question they still have.
structure, point of view and dialogue. father’s point of view.
 Select and sequence
relevant subject matter to Written Feedback:
create a segment of a Co-Construction:
narrative Students receive written feedback on
Teacher and students construct the their first writing exposure.
exposition of the re-telling of Blurring
the Boundaries from the father’s point
of view.

Adjustment DC/SA Grouped together in class Notes:


s for additional teacher/aide support.
DC/SA Use assistive technologies
for notetaking and writing tasks.

Explicit instructions, checklists,


and visual cues to assist all
students within PowerPoint.

Class co-construction of
exposition for Writing Exposure
One 18/10.

DC Worked one on one with


student to complete Writing
Exposure One.

SA Worked one on one with


teacher-aide to complete Writing
Exposure One.

RB/JS Frequent check-ins during


class.

3+4 LI: Students will be able to: Guided PowerPoint: Mind-Map Activity: Characterisation Table: Week Two Recap: Weeks Three and Four
 Understand how cultural PowerPoint
assumptions, attitudes, Teacher explains characterisation, Students create a mind map on the Students consider how the author has Students recall and describe narrative Identity Issues by Alice Fermor
values, and beliefs underpin parts of speech, metaphors, and whiteboard that draws upon their used characterisation within the short point of view and dialogue. Passing Through Shadows by
texts to shape similes. prior knowledge of characterisation. story Identity Issues and create five Mike Kenny
representations of teenage random facts about the characters to Descriptive Writing Worksheet
issues inform their writing exposure. Written and Verbal Feedback: Story Map
Spelling Tests: Reading Activity – Identity Issues: Narrative Feedback Checklist
SC: Students can: Writing Exposure Two: Students receive written and verbal
 Identify characterisation Students will complete pre and post Students examine Identity Issues by feedback on their second and third
spelling tests for Weeks 3 and 4. Alice Fermor and identify After reading Identity Issues by Alice writing exposures.
and parts of speech
Fermor, students will use a range of
 Select and sequence characterisation, parts of speech and
language features and
relevant subject matter to Descriptive Writing: narrative elements.
characterisation to create a narrative
create a narrative that explores the teenage issues of
 Understand purpose, Teacher explains the purpose of Reading Activity – Passing Through appearance, body image or peer
audience, and context using figurative language and Shadows pressure.
 Use a range of language guides students through different
features to create a stages to develop characters and Students examine Passing Through Writing Exposure Three:
narrative settings. Shadows by Mike Kenny and identify
characterisation, parts of speech and After reading Passing Through
narrative elements. Shadows by Mike Kenny, students will
use a range of language features and
Peer Review: characterisation to create a narrative
that fills in a gap or silence in the
story.
Students engage in a peer review
process using the narrative feedback
checklist to identify narrative
elements and language features.

Adjustment DC/SA Grouped together in class Notes:


s for additional teacher/aide support.
DC/SA Use assistive technologies
for notetaking and writing tasks.

Explicit instructions, checklists,


and visual cues to assist all
students within PowerPoint.

Teacher read Identity Issues and


Passing through Shadows to
students during class.

Teacher stepped students


through descriptive writing
worksheet.

DC/SA/JS Worked with


teacher/teacher-aide to write
exposures two and three.

RB/JS Frequent check-ins during


class.

5+6 LI: Students will be able to: Guided PowerPoint: Planning Brainstorm Activity: Assessment Task Development: Written and Verbal Feedback: Weeks Five and Six PowerPoint
 Understand how cultural Everyday Stories Assessment
assumptions, attitudes, Teacher explains important Students consider a range of teenage Students will be provided class time to Students receive written and verbal Task 2022
values, and beliefs underpin information and unpacks the issues to explore in small groups to create a short story suitable for young feedback as they develop their Short Story Planning Sheet
texts to shape assessment task. use in their own short stories. adult readers that explores an issue assignments. Story Map
representations of teenage relevant to young people today. Narrative Feedback Checklist
issues Students text-code the assignment Peer Review:
 Create a short story that task sheet.
explores an issue relevant Students engage in a peer review
to young people today Spelling Tests: process using the narrative feedback
checklist to identify narrative
SC: Students can: Students will complete pre and post elements and language features.
 Select and sequence spelling tests for Weeks 5 and 6.
relevant subject matter
using cohesive devices to Planning Submission:
construct a coherent story
Students will be required to submit
their short story planning by Friday
4th November via REALM.

Draft Submission:

Students will be required to submit


their draft short story by Monday
7th November via REALM before
8:30am.

Adjustment DC/SA Grouped together in class Notes:


s for additional teacher/aide support.
DC/SA Use assistive technologies
for notetaking and writing tasks.

Explicit instructions, checklists,


and visual cues to assist all
students within PowerPoint.

Teacher de-constructed
assessment task with all
students 1/11.

Teacher conducted one on one


consultations with all students
during drafting phase of
assessment 1/11-7/11.

DC/SA Worked in ELD to


complete draft with teacher-aide
assistance 8/11.

RB/JS Frequent check-ins during


class.

7+8 LI: Students will be able to: Draft Feedback: Peer Review: Assessment Task Development: Written and Verbal Feedback: Week Seven PowerPoint
 Understand how cultural Everyday Stories Assessment
assumptions, attitudes, Students will be provided individual Students engage in a peer review Students will be provided class time to Students receive written and verbal Task 2022
values, and beliefs underpin and whole-class feedback on their process using the narrative feedback create a short story suitable for young feedback as they develop their Short Story Scaffold
texts to shape draft submissions before they checklist to identify narrative adult readers that explores an issue assignments. Narrative Feedback Checklist
representations of teenage submit their final assignments. elements and language features. relevant to young people today.
issues
 Create a short story that Final Submission:
explores an issue relevant
to young people today Students will be required to submit
their final short story by Monday
SC: Students can: 21st November via REALM before
 Select and sequence 8:30am.
relevant subject matter
using cohesive devices to
construct a coherent story

Adjustment DC/SA Grouped together in class Notes:


s for additional teacher/aide support.
DC/SA Use assistive technologies
for notetaking and writing tasks.
Explicit instructions, checklists,
and visual cues to assist all
students within PowerPoint.

General verbal feedback


provided to all students 8/11.

Feedback released to all students


14/11.

RB/JS Frequent check-ins during


class.

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