Charmaine A.

Ramos 12- Gates HOPE 3

History of Philippine Folk Dance

╰┈➤ The rich culture and wide range of influences that have
influenced Philippine folk dance are reflected in the history of the
country's indigenous tribes, who had their own traditional dances long
before foreign colonists arrived.

Pre-colonial Era: Before the Spanish colonization of the Philippines in

the 16th century, the country was home to numerous indigenous
tribes, each with their own distinctive dances that were essential
components of rituals, celebrations, and social gatherings. These
dances were often inspired by nature, mimicking the movements of
animals or portraying aspects of daily life. Examples of these dances
include the tribal dances of the Igorot, Lumad, and Muslim
communities.

Spanish Colonial Era:

The Spanish colonization of the Philippines from the 16th to the 19th
century had a profound impact on Philippine folk dance. The Spanish
introduced their own dance forms, such as the fandango and the
rigodon, which were adapted and blended with indigenous movements
and rhythms. The dances became a way for the Filipino people to
express their spirituality, social customs, and interactions with Spanish
colonizers. Notable Spanish-influenced folk dances include the
Tinikling, Pandanggo sa Ilaw, and Sayaw sa Bangko.

American Colonial Era:

Philippine folk dance began to incorporate elements of American
culture during the early 20th century American colonial era. American
dances were brought to the area and included in the dancing
repertory, including the foxtrot, polka, and waltz. Dance groups and
organizations dedicated to the preservation and promotion of
Philippine folk dances also came into existence at this time.

Post - Independence
Folk dancing was one of the many aspects of Philippine cultural history
that attracted new attention after the country gained independence
from the US in 1946. Founded in 1957, the Bayanihan Philippine Dance
Company has been instrumental in maintaining and presenting
traditional Philippine folk dances both domestically and abroad. Folk
dances were encouraged in schools, at cultural events, and through
competitions; they eventually constituted a significant component of
the national identity.

The Modern Era

Philippine traditional dance has been adapting and changing over the
past few years. Modern dance techniques and musical genres have
been combined with traditional folk dances to create new
interpretations and fusions by contemporary choreographers. These
initiatives have allowed for artistic creativity and creative expression
while also assisting in maintaining the folk dance culture.

Today, Philippine folk dance remains an integral part of Filipino

culture, serving as a means to celebrate and showcase the country's
diverse cultural heritage. It bridges the gap between the past and the
present, connecting generations and preserving the traditions and
values of the Filipino people.

5 Classification of Philippine Folk Dance and Examples of each:

Tribal or Indenous Dance:

- refers to traditional dance forms that are deeply rooted in the
cultural heritage of various indigenous communities across the
country. These dances are rich in symbolism and reflect the unique
traditions, beliefs, and history of the indigenous peoples of the
Philippines.

Example: Tinikling, Kalinga Dance, Pangalay

Rural or agricultural dance

- refers to traditional dance forms that are closely associated with the
agricultural practices and rural life of the country. These dances often
depict various aspects of farming, harvesting, and rural traditions,
reflecting the close connection between the Filipino people and their
agricultural heritage.
Example: Maglalatik, Pandanggo sa ilaw , Sayaw sa Bangko

Muslim or Islamic
- refers to traditional dance forms that are influenced by the culture
and practices of the Muslim communities in the country. These dances
often have religious significance and are performed as part of Islamic
rituals and celebrations.

Example: Singkil, Pangalay, Pagapir

Maria Clara dance

- is a traditional Philippine folk dance that is inspired by the character
of Maria Clara, a demure and elegant Filipina woman from the novel
"Noli Me Tangere" written by Jose Rizal. The dance embodies grace,
poise, and femininity, reflecting the ideals of a refined Filipina.

Example: La Jota Cagayana, La Jota Manileña, La Jota Tapatía

Cordillera dance
- refers to the traditional dance forms originating from the Cordillera
region of the Philippines. The Cordillera region is known for its rich
cultural heritage and diverse indigenous communities, and their
dances reflect their unique customs, rituals, and way of life.

Example: Salip, Uyaoy/Uyauy, Banga