Professional Documents
Culture Documents
Constance E. Bagley
YA L E L A W S C H O O L
Craig E. Dauchy
C ooley L L P
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FIFTH EDITION
Constance E. Bagley
Yale University
Craig E. Dauchy
Cooley LLP
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The Entrepreneur’s Guide to © 2018, 2012 Cengage Learning
Law and Strategy, Fifth Edition
ALL RIGHTS RESERVED. No part of this work covered by the
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Dedication
iii
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Brief Contents
v
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vi Contents
Sole Proprietorships 57
Corporations 57
Partnerships 63
Limited Liability Companies 67
Selecting the Most Appropriate Form of
Organization 70
Choosing and Protecting a Name for a Business 73
Registering to Do Business in Other States and
Obtaining Local Licenses 76
Putting It into Practice 76
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Contents vii
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viii Contents
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Contents ix
NOTES 770
APPENDICES POSTED ON COMPANION WEBSITE
Appendix TOC.1 Internet Sources
Appendix TOC.2 Table of Cases
Appendix P.1 List of Reviewers of the Fifth and Earlier Editions
of The Entrepreneur’s Guide to Law and Strategy
Appendix 6.2 Information to Be Provided to Directors
Appendix 8.1 Getting It in Writing: Sample Independent Contractor
Services Agreement
Appendix 16.1 Franchising a Business
INDEX 801
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About the Authors
xiii
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xiv About the Authors
and Winning Legally: How Managers Can Use the Law to Create
Value, Marshal Resources, and Manage Risk (2005). She has contrib-
uted to a number of other books, including The Oxford Handbook of
Dynamic Capabilities (David Teece & Sohvi Leih, eds., 2016), and
General Counsel in the 21st Century: Challenges and Opportunities
(Christoph H. Vaagt & Wolf-Peter Gross, eds., 2015).
She received her J.D., magna cum laude, from the Harvard Law
School where she was invited to join the Harvard Law Review. She
received her A.B., with Honors and Distinction, from Stanford
University, where she was elected to Phi Beta Kappa her junior
year. Lund University in Sweden awarded her an honorary doctor-
ate in economics in recognition of her pioneering work integrating
law and management. Professor Bagley is a member of the State
Bar of California (inactive) and the State Bar of New York.
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About the Authors xv
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Preface
xvi
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Preface xvii
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xviii Preface
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Preface xix
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xx Preface
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Preface xxi
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xxii Preface
password will give you access to all the companion sites for
your Cengage titles. After you have entered the information
for each title, all the titles you are using will appear in the
pull-down menu in the “Search for Books or Materials” bar.
Whenever you return to CengageBrain.com, you can click on
the title of the site you wish to visit and go directly there.
Ø Getting It in Writing. A sample independent contractor ser-
vices agreement appears in a feature called “Getting It in
Writing,” Appendix 8.1 on this title’s companion website at
www.CengageBrain.com. Other exemplars, including a ven-
ture capital term sheet and a term sheet for an acquisition,
are included in the text. In addition, model organizational
documents are available at www.cooleygo.com.
CONTENTS
This book is intended to encompass all phases of the entrepre-
neurial journey. Its 17 chapters follow the progression of a startup
and anticipate its legal and strategic concerns from inception to
an initial public offering. Each chapter is self-contained and may
be read on its own.
We begin with a brief description of the rewards and risks of
entrepreneurship and introduce the hypothetical that will be dis-
cussed throughout the book. Chapter 2 explores the steps that an
entrepreneur who is contemplating leaving an employer can take
to make the departure amicable, and it offers guidance regarding
the significance of documents (such as a noncompete clause or an
assignment of inventions) that the entrepreneur may have signed.
Noncompete agreements reportedly affect about 18% of U.S.
workers, from senior executives to those in lower-skill jobs, and
companies have recently begun increasing enforcement of the
agreements through litigation.9 The chapter also offers insights
into the intellectual property issues involved in leaving a company
to form a new venture and suggests ways the entrepreneur can
safely (i.e., legally) go about recruiting colleagues.
Chapter 3 focuses on the role of an attorney and provides prac-
tical tips for selecting and working effectively with counsel. The
next two chapters detail the considerations entailed in choosing
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Preface xxiii
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xxiv Preface
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Preface xxv
ACKNOWLEDGMENTS
The authors gratefully acknowledge the guidance, comments, and
helpful suggestions provided by a number of academics and prac-
titioners who reviewed this and previous editions of the book.
They are identified in Appendix P.1 on the title’s companion
website accessible at www.CengageBrain.com.
Professor Bagley acknowledges with thanks Christoph Bagley’s
industry research and his creative contributions to the running
hypothetical “Putting It into Practice,” the invaluable assistance
of research associate Sue Schillaci, and the excellent word-
processing support provided by Kaela Heaslip. Mr. Dauchy grate-
fully acknowledges and thanks Erin Walczewski of Cooley LLP for
her superlative editing and Liz Cranford of Cooley LLP for her
word-processing support. Mr. Dauchy also gratefully acknowl-
edges and thanks the following Cooley LLP attorneys who helped
in writing the fifth edition of this book: Frederick Baron, Leslie
Cancel, and Julia Oliver (Chapters 2 and 8); Mark Windfeld-
Hansen (Chapter 4); Aaron Velli (Chapter 5); Jodie Bourdet
and Stephane Levy (Chapter 7); Mike Stern (Chapter 10);
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xxvi Preface
CONCLUSION
This area of the law is exciting and challenging. Law not only con-
strains, it also enables successful enterprise development. We have
done our best to bring to life the power of the law and the legal
and strategic astuteness necessary to make the law work for entre-
preneurs and their partners in value creation. We had a lot of fun
writing this book, and we hope the reader will have just as much
fun using the book as a guide when embarking on the exciting but
sometimes perilous journey of entrepreneurship. Please remem-
ber, however, that the application of law to a given situation may
vary depending on the particular facts and circumstances. As a
result, nothing contained in this book is to be considered as the
rendering of legal advice for specific cases. Readers are responsi-
ble for obtaining such advice from their own legal counsel. This
book is intended for educational and informational purposes
only, but our hope is that it will help entrepreneurs and venture
capitalists work more effectively with counsel as partners in
value creation, resource allocation, and risk management.
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CHAPTER
1
Taking the Plunge
1
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2 The Entrepreneur’s Guide to Law and Strategy
Sources: Constance E. Bagley & Reed Martin, PrimeSense, Ltd. (A), Yale Sch. of Mgmt.
Case No. 12-023 (2012); Constance E. Bagley & Reed Martin, PrimeSense, Ltd. and the
Microsoft Kinect, Yale Sch. of Mgmt. Case No. 13-016 (2013); Shel Israel, Why Apple Bought
PrimeSense, FORBES (Nov. 25, 2013), http://www.forbes.com/sites/shelisrael/2013/11/25
/why-would-apple-buy-primesense/.
Table 1.1 shows some of the various ways law affects the activ-
ities in a firm’s value chain, that is, “the activities involved in
delivering value to customers.”10
Entrepreneurs must analyze potential markets to determine
whether they are large enough to support the new venture, both
providing a living for the entrepreneur and generating the types
of returns outside investors will demand. Michael Porter identified
“five forces” that determine the attractiveness of an industry:
buyer power, supplier power, the power of competitors, barriers
to entry, and product substitutes.11 The most attractive markets
are those in which there is weak buyer and supplier power, weak
competitors, high barriers to entry, and no substitutes for the
company’s product or service.12
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TABLE 1.1 Law and the Value Chain
Antitrust lim-
its on vertical
and horizon-
tal market
division, tying,
and predatory
pricing
Import/export
controls
World Trade
Organization
Primary Margin
Activities
Sources: Diagram and text in roman type from MICHAEL E. PORTER, COMPETITIVE ADVANTAGE: CREATING AND SUSTAINING SUPERIOR PERFORMANCE (1985); text in italic
type adapted from CONSTANCE E. BAGLEY, WINNING LEGALLY: HOW TO USE THE LAW TO CREATE VALUE, MARSHAL RESOURCES, AND MANAGE RISK (2005), and M.E. Porter &
M.R. Kramer, Strategy and Society: The Link Between Competitive Advantage and Corporate Social Responsibility, HARV. BUS. REV., Dec. 1, 2006, at 78.
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Chapter 1 Taking the Plunge 5
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6 The Entrepreneur’s Guide to Law and Strategy
Public
Law
Top
Competitive Firm
Management
Environment Resources
Team
Value
Proposition and
Activities in the
Value Chain
Societal Context
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Chapter 1 Taking the Plunge 7
Sources: Jessica Salter, Airbnb: The Story behind the $1.3bn Room-Letting Website, TELEGRAPH
(U.K.) (Sept. 7, 2012), http://www.telegraph.co.uk/technology/news/9525267/Airbnb-The-story
-behind-the-1.3bn-room-letting-website.html; Heather Kelly, Airbnb Restrictions Shot Down in
San Francisco Vote, CNNMONEY (Nov. 4, 2015), http://money.cnn.com/2015/11/04/technology
/san-francisco-prop-f-airbnb-results/; Carolyn Said, Airbnb to Collect Hotel Taxes for San
Francisco Rentals, SFGATE (Apr. 1, 2014), http://www.sfgate.com/news/article/Airbnb-to
-collect-hotel-taxes-for-San-Francisco-5365352.php; Cameron Saucier, Will There Be an
Airbnb IPO in 2016?, MONEYMORNING (May 5, 2016), http://moneymorning.com/2016/05/05
/will-there-be-an-airbnb-ipo-in-2016/.
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8 The Entrepreneur’s Guide to Law and Strategy
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Chapter 1 Taking the Plunge 9
Evaluating the
Opportunity and
Managerial Defining the Value
Objectives Proposition Assembling the Team Raising Capital
Source: Adapted from CONSTANCE E. BAGLEY, WINNING LEGALLY: HOW TO USE THE LAW TO CREATE VALUE, MARSHAL RESOURCES, AND MANAGE RISK
16–17 (2005).
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10 The Entrepreneur’s Guide to Law and Strategy
Developing, Producing,
Managerial Marketing, and Selling the
Objectives Product or Service Harvesting
● Create safe workplace (Ch. 8). ● Secure indemnity rights (Ch. 16).
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Chapter 1 Taking the Plunge 11
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12 The Entrepreneur’s Guide to Law and Strategy
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Chapter 1 Taking the Plunge 13
Alexei spent much of his spare time over the next year testing various
resins for use in 3D manufacturing. Alexei frequently used Skype to discuss
his findings with Piper, and she made several helpful suggestions for tweak-
ing the tests. Alexei was careful not to discuss his outside project with co-
workers, but he and Piper agreed that she would join one of her MBA
classmates Maren Barillas and an engineering graduate student Steve
Asimov to prepare a business plan for a startup that would utilize an inno-
vative process Steve had developed for faster 3D printing. Even though they
did not win the business plan competition, Piper gained valuable experi-
ence thinking through the process of bringing a new product to market.
By the time Piper graduated from Duke, she and Alexei believed they
had a viable design for using several different resins to manufacture a
lightweight but highly absorptive bracket for automobile bumpers. They
knew that if they were going to take the next step with their product,
they would need to test their theoretical design with actual materials
and software code. Faced with the prospect of investing money in addi-
tion to time, the two decided they should commit their business relation-
ship to writing. So they signed a brief handwritten agreement to form a
company to develop what Alexei had taken to calling “Genesis T-2000.”
The agreement stated that they would “divide any profits fairly.”
Alexei took a two-month leave of absence from ESF to thoroughly
test their designs in rented laboratory space. He and Piper split the rental
cost equally.
While Alexei was testing various resins, Piper prepared a presentation
for potential investors and completed plans for commercializing the tech-
nology. She estimated that they would need $15 million to purchase the
necessary licenses, production equipment and materials, and eventually to
hire employees. In addition, they would need to conduct further tests to
ensure that the resins could be used to create a wide range of other products.
Alexei wanted to get their new venture underway as soon as possible,
and he realized that to do so he would have to leave ESF. For economic
and family reasons, Alexei and Piper decided to set up their new business
in the San Francisco Bay area.
In preparation for his departure, Alexei asked to review his ESF per-
sonnel file to determine what agreements he had signed when he joined
ESF. Alexei vaguely remembered being given a stack of papers to sign
and return in conjunction with his post-business-school promotion to
head of chip development for sensors. In his file he found forms for
health insurance and tax withholdings along with a long nondisclosure
agreement that he had only skimmed before signing. After reviewing
the agreement more carefully, he realized that it contained provisions
assigning the rights to his inventions to ESF, a nondisclosure provision,
a one-year covenant not to compete, and a no-raid provision prohibiting
(continued)
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14 The Entrepreneur’s Guide to Law and Strategy
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Chapter 1 Taking the Plunge 15
10. What warranties are implied when the company sells a product? Can
the company disclaim all warranties and limit its liability to replace-
ment of the product or refund of the purchase price? (Chapter 10:
E-Commerce, Sales, and Consumer Privacy)
11. How should the company resolve a claim for battery and false
imprisonment arising out of an altercation with one of the com-
pany’s employees, and how can the company protect itself against
such claims in the future? (Chapter 11: Operational Liabilities, Insur-
ance, and Compliance)
12. What happens if the company runs out of cash and cannot pay its
debts? (Chapter 12: Creditors’ Rights and Bankruptcy)
13. If Alexei and Piper seek venture capital financing, how should they
approach the venture community? What business and legal provi-
sions in the term sheet and other financing documents should con-
cern them? What is negotiable? Are any of the terms deal breakers?
(Chapter 13: Venture Capital)
14. How can the company protect its proprietary technology? Does the
company need to worry about violating the patents, copyrights, trade
secrets, or trademarks of others? Should the company license its tech-
nology to a medical device firm interested in using it to make custom-
ized stents? If so, on what terms? (Chapter 14: Intellectual Property and
Licensing)
15. Should the company expand beyond the United States? What are the
advantages and disadvantages of going global? (Chapter 15: Going
Global)
16. What risks are involved in growing the business by acquisition? Is it
better to grow the business internally? What factors should entrepre-
neurs consider when deciding whether to sell their business to a
larger competitor? When is franchising a viable option? (Chapter 16:
Buying and Selling a Business)
17. When is an initial public offering an appropriate exit strategy? What
is involved in going public? What obligations are imposed on a pub-
lic company? (Chapter 17: Going Public)
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CHAPTER
2
Leaving Your Employer
16
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Chapter 2 Leaving Your Employer 17
which he or she agreed not to compete with the former employer for
some period of time after leaving the employer (a covenant not to
compete). The entrepreneur’s ability to recruit former coworkers to
join the new enterprise may also be restricted by a nonsolicitation
clause.
Awareness of these restrictions is crucial. A lawsuit arising out
of the entrepreneur’s duties to a former employer can be so expen-
sive and occupy so much management time that it sinks the new
venture. At a minimum, the new company would be greatly
impeded by the threat of a lawsuit by the former employer. The
departing employee should review all signed agreements, forms,
and materials in his or her personnel file for provisions that may
limit future entrepreneurial activities.
This chapter discusses both restrictions that are applicable
while a person is still employed by another company and postem-
ployment restrictions, including covenants not to compete. It then
presents strategies for leaving on good terms.
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18 The Entrepreneur’s Guide to Law and Strategy
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Multi-and Poly-Rhythms
Rhythm also reflects this age of unrest, and there have been
decided changes which seem to return to the Middle Ages to the
period of bar-less music writing. Instead of finding a piece written
throughout in ¾ metre or ⁴⁄₄, it will be multi-rhythmic or poly-
rhythmic. Multi-rhythmic means many shiftings from one rhythm to
another; poly-rhythmic means a counterpoint of different rhythms
all played at the same time. The English composer, Cyril Scott, uses
multi-rhythms (where almost every measure changes its metre), and
the French Florent Schmitt uses poly-rhythms, (for example, triplets
against eighth notes in common time in the right hand, and ⁶⁄₈ metre
in the left).
In the 15th and 16th centuries every one wrote motets, masses and
madrigals; in the 17th century every one wrote suites and from this
time on, opera; in the 18th, sonata form; in the 19th, sonatas and
short romantic pieces. In the 20th century, no one form is used more
than another, but all forms are undergoing changes as the composers
reach out for freedom. This is the day of the large orchestra and of
the small chamber music groups; symphonies have been replaced by
the shorter symphonic poem, the tendency being for short forms.
The four-hour music drama has given way to the one-act operas, and
the dance drama or ballet as the Russian Diaghilev introduced it, is a
20th century development. The orchestral writing has changed
greatly from the methods of Berlioz, Wagner and Strauss, for while
they were masters of large mass effects, the composers of today are
treating each instrument individually, in other words, they are using
orchestration, poly-instrumentally! In chamber music, we have the
string quartet, but in addition, many experiments are being made in
combining instruments of unrelated families, like strings, wind,
brass and percussion, as we find in Stravinsky’s chamber music.
It is often said that modern music has no melody, but it would be
more correct to say that it has new melody, resulting from the
attempt to push aside old forms, old harmonies, old rhythms; now
we have arrived at a new era of polyphony, abounding in dissonance,
that often is cacophonous rather than harmonious. We call this
period the Polyformic era.
Another Renaissance
Maurice Ravel (1875) has lived in or near Paris most of his life,
although he was born in Ciboure, Basses-Pyrénées. He was a student
at the Conservatory under Gabriel Fauré and André Gédalge. He did
not receive the Prix de Rome, perhaps because in his early works he
already showed tendencies, which must have seemed revolutionary
to musicians who had not yet grown accustomed to the innovations
of Debussy. Ravel developed his ideas at the same time and under
the same influences as Debussy. You will often hear that Ravel
imitated Debussy, but it is less an imitation than a development
along the same lines. Ravel, too, is an impressionist, a poet, a lover of
veiled mystic effects, suggesting images rather than reproducing
them. He has a keen rhythmic sense, perhaps a heritage of his
birthplace, so close to the Spanish border.
None of the 20th century composers understands the orchestra
better than Ravel as may be seen in his ballet Daphnis and Chloe,
Rhapsodie Espagnole, his delightful Mother Goose and La Valse. His
short opera, L’heure espagnole is full of charming music and
splendid workmanship; his quartet written in 1902–3 is one of the
finest examples of 20th century chamber music. For piano he has
added a rich contribution in the Sonatina, Pavane for a Dead Child,
Valses nobles et sentimentales, Les Miroirs (Looking Glasses),
Gaspard de la Nuit, Le Tombeau de Couperin (The Tomb of
Couperin), and his songs are very beautiful, including Histoires
Naturelles (Natural History) and the Greek and Hebrew folk songs.
Ravel’s latest work is a revelation of all his abilities, L’Enfant et les
Sortilèges (The Child’s Sorceries), a ballet in early form with modern
music. It is a fantasy tale about a little boy, who will not do his
lessons and in a fury injures a squirrel; the chairs, grandfather’s
clock, frogs, fairies, sprites, squirrels, arithmetic dwarfs from the
book he has destroyed, and tea-pots rebel and talk “at him,” until he
binds up the wound of the squirrel. Into this, Ravel puts humor and
even sentiment; he makes some of the chairs dance a minuet, other
characters, a fox trot, and includes many old and new dances. He
shows his magic handling of the orchestra and with extreme
cleverness he even has the chair and the shepherdess sing a song in
canon form and at the end all join in singing a fugue of “heavenly
beauty.”
A follower of Ravel is Maurice Delage, who has written some very
interesting songs and an orchestral work in which he is modern
enough to imitate the sounds of an iron foundry!
An enthusiastic follower and friend of Ravel, is Roland Manuel,
critic, writer and composer. He has never written what is called ultra
(very) modern music, but everything he does, songs, chamber music,
operetta, or ballet is marked with good taste, refinement and fine
musicianship.
Other Frenchmen who have added to the 20th century style are
Paul Dukas (1865), whose opera based on Maeterlinck’s Ariane et
Barbe Bleue (Ariadne and Blue Beard) is second only to Debussy’s
Pelleas et Melisande; Vincent d’Indy (1851); Déodat de Sévérac
(1873–1921), a writer of charming piano music whose impressionism
reflects his love of Nature; Albert Roussel (1869), a pupil of the
Schola Cantorum, whose Symphony and opera Padmavati show
splendid talent; Florent Schmitt (1870) whose orchestral works and
piano quintet are important; André Caplet (1880–1925), Charles
Koechlin (1867), and Erik Satie (1869–1925).
Erik Satie—Cartoonist