Professional Documents
Culture Documents
ISBN: 978-1-26-425855-0
MHID: 1-26-425855-0
The material in this eBook also appears in the print version of this
title: ISBN: 978-1-26-425854-3, MHID: 1-26-425854-2.
TERMS OF USE
Introduction
The Flashcard App
MATHEMATICS
10 Statistics
11 Additional Topics
This book features a bonus flashcard app. It will help you test
yourself on what you’ve learned as you make your way through the
book (or in and out). It includes 100-plus “flashcards,” both “front”
and “back.” It gives you two options as to how to use it. You can
jump right into the app and start from any point that you want. Or
you can take advantage of the handy QR codes at the end of each
chapter in the book; they will take you directly to the flashcards
related to what you’re studying at the moment.
To take advantage of this bonus feature, follow these easy steps:
Introducing the SAT® Test
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Test-Taking Tips
Some of the most basic test-taking strategies for the SAT are ones
you have probably heard many times before:
If you have extra time at the end of a section, go back and check
your work. If you notice a real error—something you are positive is
wrong—definitely fix it, but do not start second-guessing your first
guesses. If you used process of elimination and made a choice, stick
with your choice. You don’t want to start erasing answers while time
is running out. Besides, your first choice is usually the best choice.
Taking standardized tests makes most people nervous. There are
a few things you can do to de-stress:
MUST KNOW
Explicit information is stated clearly in the passage
while implicit information is implied.
Explicit Information
Stating information and ideas explicitly is the simplest and most
direct way a writer communicates. Information that is stated
explicitly does not require you to figure out what the writer means.
All you need to do is pay close attention while reading. Don’t you
wish that every reading passage was like that? By reading the
sentence “The shoe was red,” you would know that the color of the
shoe is red because the writer stated this information explicitly.
To answer an SAT question about an explicit detail, you will need
to read the passage closely to identify that information and then
match it to an answer choice.
EXAMPLE
Let’s look at a question involving explicit meaning. Read this
paragraph from a reading passage:
Katherine Mansfield’s short story “Prelude” was originally written
in 1915 as “The Aloe” and was first published as “Prelude” by
Virginia and Leonard Woolf’s Hogarth Press in 1918. The
impressionistic style of the story and the introspective natures of
the characters shattered the traditional short story form.
Mansfield foregrounds the family dynamic, deemphasizing the
simple plot of a family moving to a new house.
Now let’s see the question:
1. “Prelude” was considered a new type of short story when it
was published because
Go back to the passage and read the part where it says
“Prelude” shattered the traditional short story form. Read a line
or two before that and a line or two after it to find the answer to
the question. The passage says that it was the impressionistic
style and the characters’ introspective natures that made the
story different.
Now we just need to match our answer to one of the answer
choices given:
A. the title of the story had changed.
B. the story showed the inner thoughts and feelings of the
characters.
C. the story has no plot.
D. it was the first short story published by a female author.
We need an answer choice that says something about
impressionism or introspection. The only one that does that is
choice B, so it is the best answer.
EXAMPLE
Read this paragraph from the same reading passage:
Mansfield explores how a character's consciousness is invaded
by unconscious forces and changed by the vagaries of
perception. Each character in the story feels oppressed by the
role he or she is required to play: breadwinner, mother, spinster,
servant, or obedient child. Mansfield's focus is on the women
and girls; for example, Mansfield explores in depth Kezia’s
relationships with her siblings, her struggle to find an identity
she can live with, and the ways she perceives the world.
Here’s the question:
2. The author of the passage uses Kezia as an example of
Having that name in the question gives us a great key word to
search for in the passage. Go back to the passage and find
Kezia. The passage says Mansfield explores in depth Kezia’s
relationships with her siblings, her struggle to find an identity
she can live with, and the ways she perceives the world.
Since that is the last sentence of the paragraph, just read a line
or two before that to be sure you have the answer to the
question. The passage says Mansfield focuses on women and
girls and gives Kezia as an example.
Let’s match our answer to one of these answer choices:
A. someone who cannot live with herself.
B. Mansfield’s view that everyone sees the world differently.
C. a girl who does not get along with her family.
D. Mansfield’s centering of female characters.
Choice D expresses the idea that the author mentions Kezia as
an example of Mansfield’s focus on females, so it is the best
answer.
Implicit Information
Unlike explicitly stated information, implicitly stated information calls
for a bit of decoding. You will need to locate clues in the passage to
draw reasonable inferences and logical conclusions. These questions
may ask what the passage infers, implies, or suggests.
EXAMPLE
What can be inferred from this sentence?
Bill embraced me and asked how I’ve been.
First, the fact that Bill embraced the narrator implies that they
may have a close relationship. Notice that I didn’t say Bill loves
the narrator. Perhaps Bill likes to hug his enemies. All we know is
that Bill hugged the narrator, which means they probably have
some sort of close relationship.
Second, the fact that Bill asks how the narrator has been
indicates they have not seen each other in a while. How long a
while? No idea. That’s about all we can infer.
EXAMPLE
Read this paragraph from the reading passage about “Prelude”:
Mansfield's narrative slides smoothly from conscious to
unconscious to express this tense duality and she frequently
uses the image of glass to symbolize the two worlds in which
her characters exist. In "Prelude," Mansfield often has her
characters look out of windows or into mirrors. The focus shifts
from the subject to the object of view and creates a glass barrier
between them. This glass barrier acts as a lens, magnifying the
distance between the public self and the private self, the
conscious and the unconscious.
Here's the question:
3. The passage suggests that glass symbolizes
Let’s try to answer the question, using information in the
passage, before we even look at the answer choices.
What does the passage say about glass? It says she uses glass
to symbolize the two worlds in which her characters exist. It
shifts focus from the subject to the object of view. It magnifies
the distance between the public self and the private self, the
conscious and the unconscious. That sounds like glass
symbolizes the two roles people play (public versus private or
internal versus external).
EXAMPLE
Let’s put it all together. Here is the paragraph and question, this
time with answer choices.
Mansfield's narrative slides smoothly from conscious to
unconscious to express this tense duality and she frequently
uses the image of glass to symbolize the two worlds in which
her characters exist. In "Prelude," Mansfield often has her
characters look out of windows or into mirrors. The focus shifts
from the subject to the object of view and creates a glass barrier
between them. This glass barrier acts as a lens, magnifying the
distance between the public self and the private self, the
conscious and the unconscious.
3. The passage suggests that glass symbolizes
A. that people have more than one side.
B. the clarity with which a person can view herself.
C. the barrier between rich and poor.
D. that no one is ever totally alone.
In the example before this one, we concluded that glass
symbolizes the two roles people play. That’s answer choice A.
Don’t get tripped up by the other choices. Any of them are
possible if you use your imagination, but that’s not what we are
asked to do. We need textual evidence for our answer, and we
could underline several phrases in that paragraph that support
answer choice A.
EXAMPLE
Let’s say you are reading a passage about a girl who really
wants a pet. She finds a lost dog wandering around her
neighborhood and must decide what to do with the dog.
You read another passage about a child who went to a store
with his mother and found a $20 bill on the floor of an aisle with
no other people present.
Although a dog and a $20 bill are very unlike things, the decision
to keep what is found or locate the rightful owner is very similar.
EXAMPLE
A question may claim that a character in a passage is kind and
ask you to support this claim by citing an example of the
character’s kindness in the passage. Maybe the author describes
her as understanding and supportive. Perhaps the character
helps someone who is in trouble, or says to a friend, “I would be
happy to lend a sympathetic ear while you tell me all your
troubles.” Such details would be good textual evidence that the
character is a kind person.
EXAMPLE
Let’s use a longer excerpt from the “Prelude” passage and pair
one of our previous example questions with a textual evidence
question.
3. The passage suggests that glass symbolizes
A. that people have more than one side.
B. the clarity with which a person can view herself.
C. the barrier between rich and poor.
D. that no one is ever totally alone.
4. Which choice provides the best evidence for the answer to the
previous question?
A. lines 1–3 “Mansfield’s…exist”
B. line 3 “In…mirrors”
C. lines 3–4 “The…them”
D. lines 7–9 “Each…child”
We previously answered question 3 and chose A. Question 4
asks where we found evidence of that answer.
We highlighted several phrases when we originally answered
question 3. Let’s see where in the passage we found them:
the two worlds in which her characters exist was in line 2
from the subject to the object of view was in line 4
the distance between the public self and the private self, the
conscious and the unconscious was in lines 5–6
The only match we find in the answer choices is choice A:
Mansfield's narrative slides smoothly from conscious to
unconscious to express this tense duality and she frequently
uses the image of glass to symbolize the two worlds in which
her characters exist. Choice A is the best answer.
EXAMPLE
Here are a few examples of themes:
The theme of a passage about a boy who learns to do long
division may be education.
The theme of a paragraph about cell division may be growth.
The themes of The Emancipation Proclamation are freedom
and equality.
EXAMPLE
Here are central ideas for the passages described in the last
example:
The central idea of a passage about a boy who learns to do
long division may be that education should be the most
important focus for children.
The central idea of a paragraph about cell division may be
that there are two ways cells divide.
The central idea of The Emancipation Proclamation is that
people held as slaves in the Confederate states are now free.
Let’s see how theme and central idea questions might look for an
excerpt from the “Prelude” passage.
EXAMPLE
Summarizing
When you summarize, you boil down the most important details and
ideas in a passage to a relatively brief statement. A good summary
addresses the passage as a whole, eliminating unnecessary details.
Summarizing questions may require you to identify the best
summary of an entire passage, a single paragraph, or key idea in the
passage. A summary of a story about a farmer probably will not
include details about what the farmer was wearing unless those
articles of clothing are integral to the overall story.
Consider these questions:
Who are the most important people or characters in the
passage?
What are the most important things they do?
What are the passage’s essential ideas?
EXAMPLE
Let’s look at an excerpt from “Nasty Women” by Isabella
Matthews.
1. Which of the following provides the best summary of the
passage?
A. Women had few rights or public roles in the seventeenth
century, except for widows.
B. Anne Bradstreet and Anne Hutchinson did not conform to
traditional women’s roles in the seventeenth century.
C. Anne Bradstreet and Anne Hutchinson were condemned for
their attempts to break out of the traditional roles for
women in the seventeenth century.
D. Colonial American women had more rights than did other
women of the same time period in Europe.
Before you look at the answer choices, summarize the passage
yourself. The first paragraph is about traditional roles for women
in the seventeenth century. The second paragraph is about two
exceptions: Anne Bradstreet and Anne Hutchinson. We can
summarize the passage by combining those topics: Anne
Bradstreet and Anne Hutchinson were exceptions to the
traditional roles for women in the seventeenth century. Now,
when we look at the answer choices, it is easy to see that choice
B is the closest to our summary and is the best answer.
Understanding Relationships
Certain common relations link the individuals, events, and ideas in a
passage. Such basic relationships include:
Cause and effect: One action makes another occur.
Comparison and contrast: One thing is different from
another or the same as another.
Problem and solution: One thing is a problem and the
other solves it.
Sequential order: One thing comes before or after another.
EXAMPLE
Let’s look at a paragraph from the excerpt in the last example.
EXAMPLE
Paolo was so green he did not realize he would have to bring a
notebook with him on his first day of school.
As used in this sentence, green most nearly means
A. the color of grass.
B. naïve.
C. new.
D. environmentally friendly.
The best way to figure out how green is used in the context of
this particular sentence is to substitute each answer choice for
green in the sentence. The only choices that make any sense in
place of green are B, naïve, and C, new. However, “naïve” is a
much more specific substitute for green than “new” is, so the
best answer choice is B.
EXERCISES
EXERCISE 1–1
Directions: Read the passage, then choose the best answer to each
of the questions that follow.
Excerpt from Gulliver’s Travels
by Jonathan Swift
EXERCISE 1–2
Directions: Read the passage, then choose the best answer to each
of the questions that follow.
(1746.)
etween condemnation and execution, Drury Lane, as if
London had not had enough of trials and judgments,
got up a showy spectacle, in one act, partly obtained
from Shakespeare’s ‘Henry V.,’ called ‘The Conspiracy
Discovered, or French Policy Defeated,’ with ‘a
representation of the Trial of the Lords for High Treason, in the reign
of Henry V.’ This was first acted on the 5th of August. But the
populace knew where to find a ‘spectacle, gratis.’
Gazing at the heads above Temple Bar became a pastime.
Pickpockets circulated among the well-dressed crowd, reaping rich
harvest; but, when detected, they were dragged down to the
adjacent river, and mercilessly ‘ducked,’ which was barely short of
being drowned. A head, called ‘Layer’s,’ had been there for nearly a
quarter of a century. An amiable creature, in a letter to a newspaper,
thus refers to it, in connection with those recently spiked there:
—‘Thursday, August 7.—Councillor Layer’s head on Temple Bar
appears to be making a reverend Bow to the heads of Towneley and
Fletcher, supposing they are come to relieve him after his long Look-
out, but as he is under a mistake, I think it would be proper to put
him to Rights again, which may be done by your means.—An
Abhorrer of Rebellion.’
About this time Walpole offers, with questionable
THE DUKE AT
alacrity, evidence against the character of the Duke of VAUXHALL.
Cumberland. The duke had fixed an evening for
giving a ball at Vauxhall, in honour of a not too reputable Peggy
Banks. The evening proved to be that of the day on which the lords
were condemned to death, the 1st of August. The duke immediately
postponed the ball, but Walpole says he was ‘persuaded to defer it,
as it would have looked like an insult to the prisoners.’ After all, the
unseemly festivity was only deferred from the 1st of August to the
4th; and Walpole was one of the company. He saw the royalties
embark at Whitehall Stairs, heard the National Anthem played and
sung on board state city-barges; and saw the duke nearly suffocated
by the crowds that greeted him on his landing at Vauxhall. He was
got safely ashore, not being helped by the awkward officiousness of
Lord Cathcart who, a few evenings previously, at the same place,
stepping on the side of the boat to lend his arm to the duke, upset it;
and the conqueror at Culloden and my lord were soused into the
Thames up to their chins.
In another letter Walpole declares that the king
OPINION IN
was inclined to be merciful to the condemned THE CITY.
Jacobites, ‘but the Duke, who has not so much of
Cæsar after a victory as in gaining it, is for the utmost severity.’
Walpole adds the familiar incident: ‘It was lately proposed in the city
to present him with the freedom of some company;’ one of the
aldermen said aloud: ‘Then let it be of the Butchers!’ If this alderman
ever said so, he represented the minority among citizens.
‘Popularity,’ writes Walpole (August 12th, 1746), ‘has changed sides
since the year ’15, for now, the city and the generality are very angry
that so many rebels have been pardoned. Some of those taken at
Carlisle dispersed papers at their execution, saying they forgave all
men but three, the Elector of Hanover, the pretended Duke of
Cumberland, and the Duke of Richmond, who signed the capitulation
of Carlisle.’ This bravado in the North was not calculated to inspire
mercy in the members of the administration (who were the real
arbiters of doom) in London.
People of fashion went to the Tower to see the
IN THE
prisoners as persons of lower ‘quality’ went there to TOWER.
see the lions. Within the Tower, the spectator was
lucky who, like Walpole, in August, ‘saw Murray, Lord Derwentwater
(Charles Radcliffe), Lord Traquair, Lord Cromartie and his son, and
the Lord Provost, at their respective windows.’ The two lords already
condemned to death were in dismal towers; and one of Lord
Balmerino’s windows was stopped up, ‘because he talked to the
populace, and now he has only one which looks directly upon all the
scaffolding.’ Lady Townshend, who had fallen in love with Lord
Kilmarnock, at the first sight of ‘his falling shoulders,’ when he
appeared to plead at the bar of the Lords, was to be seen under his
window in the Tower. ‘She sends messages to him, has got his dog
and his snuff-box, has taken lodgings out of town for to-morrow and
Monday night; and then goes to Greenwich; foreswears conversing
with the bloody English, and has taken a French master. She
insisted on Lord Hervey’s promising her he would not sleep a whole
night for Lord Kilmarnock! And, in return, says she, “Never trust me
more if I am not as yellow as a jonquil for him!” She said gravely the
other day, “Since I saw my Lord Kilmarnock, I really think no more of
Sir Harry Nisbett than if there was no such man in the world.” But of
all her flights, yesterday was the strongest. George Selwyn dined
with her, and not thinking her affliction so serious as she pretends,
talked rather jokingly of the executions. She burst into a flood of
tears and rage, told him she now believed all his father and mother
had said of him; and with a thousand other reproaches, flung
upstairs. George coolly took Mrs. Dorcas, her woman, and made her
sit down to finish the bottle. “And pray, Sir,” said Dorcas, “do you
think my mistress will be prevailed upon to let me go see the
execution? I have a friend that has promised to take care of me, and
I can lie in the Tower the night before.”—My lady has quarrelled with
Sir Charles Windham, for calling the two lords, malefactors. The idea
seems to be general, for ’tis said, Lord Cromartie is to be
transported, which diverts me for the dignity of the peerage. The
Ministry really gave it as a reason against their casting lots for
pardon, that it was below their dignity.’ Walpole, who has thus
pictured one part of London, in 1746, says, in a subsequent letter,
—‘My Lady Townshend, who fell in love with Lord Kilmarnock, at his
trial, will go nowhere to dinner, for fear of meeting with a rebel-pie.
She says, everybody is so bloody-minded that they eat rebels.’
The Earl of Cromartie, the smallest hero of the LORD
Jacobite group, was among the most fortunate. He CROMARTIE.
owed his comparative good luck to the energy of his
countess who, having driven him into rebellion, moved heaven and
earth to save him from the consequences. One Sunday, she
obtained admission to St. James’s, and presented a petition to the
king, for her husband’s pardon. The sovereign was civil, but he
would not at all give her any hope. He passed on, and Lady
Cromartie swooned away. On the following Wednesday, she
presented herself at Leicester House, to procure the good offices of
the Princess of Wales, accompanied by her four children. The
princess, seeing the force and tendency of this argument, ‘made no
other answer,’ says Gray, in a letter to Wharton, ‘than by bringing in
her own children, and placing them by her; which, if true, is one of
the prettiest things I ever heard.’ Lady Cromartie and her daughter,
who was as actively engaged as her mother, prevailed in the end.
Her lord was pardoned; and Walpole made this comment thereupon:
‘If wives and children become an argument for saving rebels, there
will cease to be a reason against their going into rebellion.’ Walpole’s
remarks are only the ebullition of a little ill-temper. Writing to Mann,
in August, 1746, he says, ‘The Prince of Wales, whose intercession
saved Lord Cromartie, says he did it in return for old Sir William
Gordon (Lady Cromartie’s father), coming down out of his death-bed,
to vote against my father in the Chippenham election. If His Royal
Highness,’ adds Walpole, ‘had not countenanced inveteracy, like that
of Sir Gordon, he would have no occasion to exert his gratitude now,
in favour of rebels.’
The doomed peers bore themselves like men, and LORD
awaited fate with a patience which the unpleasantly KILMARNOCK.
circumstantial old Governor Williamson could not
disturb for more than a moment. On the Saturday before the fatal
Monday, he told Lord Kilmarnock every detail of the ceremony, in
which he and Balmerino were to bear such important parts. The
summoning, the procession, the scaffold in sables, the whole
programme was minutely dwelt upon, as if the governor took a
sensual delight in torturing his captive. There was something grim in
the intimation that my lord must not prolong his prayers beyond one
o’clock, as the warrant expired at that hour; and, of course, he could
not lose his head, that day, if he was unreasonably long in his
orisons. There was not much, moreover, of comforting in the
assurance that the block, which had been raised to the height of two
feet, to make it comfortable for Lord Kenmure, had been so steadied,
that Lord Kilmarnock need not fear any unpleasantness from its
shaking. They talked of the heads and the bodies as if they belonged
to historical personages. ‘The executioner,’ said the governor, ‘is a
good sort of man.’ Kilmarnock thought his moral character might
make him weak of purpose and performance. My lord hoped his
head would not be allowed to roll about the scaffold. The governor
satisfied him on that point; but, he added, ‘it will be held up and
proclaimed as the head of a traitor.’ ‘It is a thing of no significance,’
said the earl, ‘and does not affect me at all.’—The governor then
visited Lord Balmerino, whose wife, ‘my Peggy,’ was with him. At an
allusion to the fatal day, the poor lady swooned. ‘Damn you!’ said the
old lord, ‘you’ve made my lady faint away.’
The details of the last scene on Tower Hill are ON TOWER
better known than those of any similar circumstances. HILL.
It was nobly said by Balmerino, when he met
Kilmarnock, on their setting out, ‘My Lord, I greatly regret to have
you with me on this expedition.’ Careful of the honour of his prince,
he questioned Kilmarnock on the alleged issue of the order to give
no quarter to the English, at Culloden. Lord Kilmarnock believed that
the order was in the hands of the Duke of Cumberland, signed only
by Lord George Murray. ‘Then, let Murray,’ said Balmerino, ‘and not
the Prince, bear the blame.’ He exhorted Kilmarnock, who preceded
him to the scaffold, ‘not to wince;’ and, when he himself appeared
there, he prayed for King James, requested that his head might not
be exposed, and that he might be buried in the grave where lay the
Marquis of Tullebardine. These requests were granted.
The sight-seers were disappointed in one respect.
THE
The papers had announced that Lord Balmerino had EXECUTIONS.
bespoken a flannel waistcoat, drawers, and night-
gown, in which he had resolved to make his appearance on the
scaffold. But he came in his old uniform, and had nothing eccentric
about him. The newspapers compared the two sufferers much to
Balmerino’s disadvantage. ‘Lord Kilmarnock’s behaviour,’ says the
‘General Advertiser,’ ‘was so much the Christian and gentleman that
it drew tears from thousands of spectators.’ Then, remarking that ‘the
executioner was obliged to shift himself by reason of the quantity of
blood that flew over him,’ the ‘Advertiser’ announces that, ‘Balmerino
died with the utmost resolution and courage, and seemed not the
least concerned; nor even the generality of spectators for him.’
A sympathising Jacobite lady honoured Balmerino with the
following epitaph:—
Here lies the man to Scotland ever dear,
Whose honest heart ne’er felt a guilty fear.
A much more remarkable, and altogether uncomplimentary,
effusion was to be found in verses addressed ‘to the pretended Duke
of Cumberland, on the execution of the Earl of Kilmarnock, who
basely sued for life by owning the usurper’s power, whereby he
became a traitor, and, though apprehended and condemned for a
loyalist, died a rebel:—
The only rebel thou hast justly slain
Was base Kilmarnock, &c.
But this censure sprang from the fact of Kilmarnock’s declaration that
Charles Edward had no religious principle at all, and that he was
prompt to profess membership with every community where a
shadow of advantage was to be derived from the profession.
There remained two other rebels of quality who were destined to
afford another savage holiday to the metropolis.
On the 21st of November, the road from the Tower CHARLES
to Westminster was crowded, in spite of the weather, RADCLIFFE.
to see Charles Radcliffe ride, under strong military
escort, to his arraignment in the Court of King’s Bench. He was the
pink of courtesy on his way, but spoilt the effect by his swagger in
Court. He denied that he was the person named in the indictment,
asserted that he was Earl of Derwentwater; and, it is supposed, he
wished to create a suspicion that he might be his elder brother,
Francis. He would not address the Chief Justice as ‘my Lord,’ since
he himself was not recognised as a peer. He also refused to hold up
his hand, on being arraigned, though the Attorney-General appealed
to him as a gentleman, and assured him there was nothing
compromising in what was a mere formality. In short, Mr. Radcliffe,
according to the news-writers, behaved very ‘ungentlemanly to
Governor Williamson as also to Mr. Sharpe for addressing a letter to
him as Mr. Radcliffe. He said he despised the Court and their
proceedings, and he behaved in every respect indecent and even
rude and senseless. He appeared very gay, being dressed in scarlet
faced in black velvet, and gold buttons, a gold-laced waistcoat, bag
wig, and hat and white feather.’
On the above Friday, his trial was fixed for the THE TRIAL.
24th, the following Monday. On the Friday evening,
Radcliffe had one more chance of escape, if he had only had friends
at hand to aid him. ‘As the Guards,’ says the ‘Daily Post,’ ‘were
conveying him back through Watling Street to the Tower, the coach
broke down at the end of Bow Lane, and they were obliged to walk
up to Cheapside before they could get another.’ This last chance
was unavailable, and the captive remained chafed and restless till he
was again brought, in gloomy array, on the long route from the Tower
to the presence of his judges and of a jury whose mission was not to
try him for any participation in the ’45 Rebellion, but to pronounce if
he were the Charles Radcliffe who, when under sentence of death
for high treason, in 1716, broke prison, and fled the country. Two
Northumbrian witnesses, who had seen him in arms in ’15, and who
had been taken to the Tower to refresh their memories, swore to his
being Charles Radcliffe, by a scar on his cheek. A third witness,
whose name has never transpired, but who seems to have been
‘planted’ on Radcliffe, swore that the prisoner, when drunk, had told
him he was Charles Radcliffe, and that he had described the way in
which he had escaped from Newgate. This witness said, he was not
himself drunk at the time; but Radcliffe, who had evidently treated
him to wine in the Tower, flung at him the sarcasm,—that there were
people ready enough to get drunk if other people would pay for it.
The jury very speedily found that the prisoner was the traitor who,
when under sentence of death, had escaped to the Continent. This
old sentence must, therefore, now be executed. There seemed no
room for mercy. Mr. Justice Foster, however, made an
MR. JUSTICE
effort to save the prisoner. The latter had pleaded that FOSTER.
he was not the Charles Radcliffe named in the
indictment. The jury had found that he was. At this point the prisoner
pleaded the king’s general pardon. The other judges held that the
prisoner must stand or fall by his first plea; it failed him, and
execution, it was said, must follow. ‘Surely,’ remarked the benevolent
Foster, ‘the Court will never in any state of a cause award execution
upon a man who plainly appeareth to be pardoned.’ He thought that
if anyone could show that Mr. Radcliffe was entitled to the benefit of
the Act of Pardon, he should be heard. The Chief Justice ruled
otherwise, and it was ultimately shown that as the prisoner had
broken prison when under attainder, he came within certain clauses
of exception in the Act—and could therefore not be benefitted by it.
The papers of the day make an almost incredible statement,
namely, that Radcliffe was informed, if he himself would swear he
was not the person named in the indictment, he should have time to
bring witnesses to support him; but he remained silent. Still, ‘he was
very bold,’ is the brief journalistic comment on his hearing. It is quite
clear that Charles Radcliffe did not keep his temper, and he therefore
lost some dignity on the solemn occasion of his being brought up to
Westminster Hall to have the day of his execution fixed. He is
described, in the Malmesbury correspondence, as acting with
unheard-of insolence, and apparently wishing to set the whole
Government at defiance. This is the evidence of a contemporary.
Lord Campbell (in the ‘Life of Lord Chancellor Hardwicke’) says, on
the contrary, that the calmness of his demeanour, added to his
constancy to the Stuart cause, powerfully excited the public
sympathy in his favour. Moreover, Lord Campbell does not think that
the identity of the Charles Radcliffe of ’45 with him of ’15 was
satisfactorily established by legal evidence, though he has no doubt
as to the fact.
Radcliffe was condemned to die on the 8th of CONDUCT OF
December. His high pitch (naturally enough, and with RADCLIFFE.
no disparagement to his courage) was lowered after
his sentence; and he stooped to write in a humble strain to the Duke
of Newcastle, for at least a reprieve. His niece, the dowager Lady
Petre, presented the letter to the duke, and seconded her uncle’s
prayer with extreme earnestness, as might be expected of a
daughter whose father had suffered, thirty years before, the terrible