Professional Documents
Culture Documents
of hand stenciling
(50,000–10,000 BCE)
3. ZEUS’S PENIS
… and ancient Greek aesthetics and philosophy
4. CLEOPATRA’S NOSE
… and why size matters, or big noses and bigger
empires
(69–30 BCE)
in the process
(634–687)
8. AL-MA‘ARRI’S EYES
… and a blind man’s farseeing vision, or medieval
modernity
(973–1057)
playwright—created a villain
(1452–1485)
hero to a traitor
(1741–1801)
1 7. MARAT’S SKIN
… and how a debilitating condition led to the birth of
propaganda art
(1743–1793)
state
(1870–1924)
freedom
(1875–1907)
months
(1907–1954)
27. ALAN SHEPHARD’S BLADDER
… and the prosaic but important problems of space
elimination
(1923–1998)
RESOURCES
ACKNOWLEDGMENTS
ABOUT THE AUTHORS
T HE IDEA FOR THIS BOOK came from a famous nose.
Specifically that of Cleopatra—and more specifically
from mathematician Blaise Pascal’s famous
observation about it:
“Cleopatra’s nose, had it been shorter, the whole
face of the world would have been changed.”
Pascal’s nasal focus was philosophical: Cleopatra’s nose was, in
his eyes, trifling in one sense, but hugely important to world history
in another, because it captivated Julius Caesar and Marc Antony and
through them greatly affected the West’s greatest empire. Pascal’s
speculation has gone on to spawn numerous discussions of
contingency theory and how important seemingly minor events
such as the size of a nose can be to later events in world history.
But our interest was far more prosaic. Forget the contingencies of
later world history, we said. What about that nose? Was Cleopatra’s
famous nose actually that long and captivating? And secondly: If so,
how did Pascal know this? And thirdly: Why did it captivate Caesar
and Antony? Particularly in our age of ubiquitous rhinoplasty, this
seemed, well, a different cultural desideratum. What was the Roman
attitude toward noses and why were they such a big thing? Or were
they?
We did a little research, and, in so doing, became fascinated by
body parts and their role in history in general, and their reflections
on the societies in which they existed specifically. In short, we found
that one can learn a great deal by focusing, as did Caesar and
Antony, allegedly, on an individual body part. And so began our
journey into discrete pieces of history (and discrete pieces of
bodies). Beginning with Cleopatra’s nose, we became captivated by
more and more historical body parts—from famous craniums all the
way down to infamous feet, from prominent breasts to bygone
bowels. Most important, we realized what so many of us miss when
reading or thinking about history: the human body. Yet of course we
all have one, and so did all of those figures in history. So why do we
so frequently ignore the body?
In this book, we look at different body parts in history—specific
famous or infamous body parts of specific historical figures, more
general body parts as related to specific cultures and ideas of the
times—presented in chronological order, from paleolithic hands to
space-age bladders. We also address questions such as, What did the
people of the past feel about their bodies? What did they do with
them? What part did they play in history? And how can we
understand their lives and culture more by looking at their certain
telling body parts?
We found that zeroing in on a body part can lead to fresh and
often surprising insight into ideology or thought. Through looking at
Lenin’s moldy skin and the mechanics of body preservation, we see
Soviet communism more as an extension of medieval religion (and
specifically, in Lenin’s posthumous case, as textbook hagiography)
than as a “modern” political economic system. Through ancient
Egyptian ruler Hatshepsut’s beard and Vietnamese heroine Bà
Triệu’s breasts, we see the power of the patriarchy and the struggle
even the most prominent women faced. In short, smallish body
parts give us a biggish picture of the human condition.
Like it or not, we are all embodied beings with all the problems
and glories of fleshly, bodily existence. We all have functioning, and
sometimes partly or nonfunctioning, body parts, and they play a
role in our lives and in our thought. In some cases, they may actually
direct our thought, although causation is hard to prove. Would
Tamerlane have been as monstrous with two fully functioning legs?
We can only speculate. Would the Reformation even have occurred
if Martin Luther had fully functioning bowels? We don’t know. But
we do know that Luther frequently alluded to his chronic
constipation and admitted that he thought of his famous 95 theses in
the “cloaca,” Latin for sewer, what is thought to have been Luther’s
euphemism for toilet.
Indeed, our bodies, as we all know, have their unpleasant or
little-talked-about aspects. And that is what makes bodily history so
interesting—it truly is human, warts, bowels, noses, and all. We can
learn much from the historical body, although it has been so
overlooked.
By focusing on body parts, we’ve tried to make history truly
human in ways one might not expect and make people from the past
come alive. Take Martin Luther and his bowels. Based on our
research, we now think that the pained, strained expression he
commonly wears in paintings and engravings is suggestive in ways
that are perhaps unwarranted but certainly plausible! And certainly
and more seriously, each body part we cover is a jumping-off point
for a wider look at the times.
(50,000–10,000 BCE)