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Copyright © by Arcturus Holdings Limited
Originally published by Arcturus Publishing Limited
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10 9 8 7 6 5 4 3 2 1
Introduction
TWELVE Kursk
Picture Credits
Index
By December 1941 the Nazi flag of Germany dominated Europe
INTRODUCTION
“Hitler is the greatest military commander of all
time.”
– Field Marshal Wilhelm Keitel
A
s a military man Hitler won victories that many professionals
considered impossible to achieve. He formulated plans that
were bold to the point of rashness. He enthused his men with
a confidence and morale that took them through defeats and
reverses that would have broken other armies. The sheer scale of
Hitler’s military achievement is breathtaking.
Yet Hitler led his superb armed forces to total and crushing
defeat. With the world seemingly at his feet, Hitler threw it all away
and ended his days as the demented commander of a few square
yards of rubble in what had once been his capital city. Whatever
qualities Hitler had for good or for bad, he had them in abundance:
for Hitler there was rarely a middle way or a reason to compromise.
That is what brought him his successes and what caused his
downfall.
There are many attributes which are essential in a military
commander. Napoleon, for instance, thought that luck was the most
important asset in a general. Hitler had plenty of luck, but other
qualities essential to a commander were entirely lacking. He had no
real empathy with the men he commanded. Despite having served in
the trenches of the First World War, Hitler could without any remorse
send an entire army to their deaths, as at Stalingrad. The sufferings
of those he commanded were as nothing to him, and as a result he
had no real idea of their morale and abilities. Nor did he have any
real competence in the business of moving his forces and getting
them into action. Supply lines and logistics were closed books to
Hitler. Where he relied on his staff officers to work out these
mundane practicalities, and listened to their opinions of what was
and was not possible, Hitler did well. But where he organized these
matters for himself, his efforts were doomed to failure.
HITLER’S GIFTS
Yet there can be no doubting Hitler’s gifts. His grasp of strategy was,
almost to the end, superb. He could correctly identify the essential
objectives for his attacks and, very often, the best way to secure
them. Even during his last days in Berlin, Hitler could foresee that
the continent of Europe would soon be split between capitalist west
and communist east, and that Germany would eventually rise again
to hold the balance between the two.
His ability to foresee the reactions of his opponents was also
highly developed. He correctly predicted that the French would not
oppose the remilitarization of the Rhineland and that Austria would
welcome the German troops when they marched over the border.
Not until 1940 was he confounded. He expected the British to make
peace once France was defeated, but these expectations were
disappointed: Hitler had failed to take Winston Churchill into
account.
Perhaps what Hitler had working for him most was the
tremendous influence of his willpower and personality on the
performance of the German armed forces. He could inspire devotion
in the hardest of men and stir thoughts of victory in those facing
abject defeat. More than once it was Hitler’s blind refusal to accept
defeat that held the German army together. But then it was that
same refusal to accept the inevitable that caused him to take
Germany down to ultimate destruction.
Hitler studying a map with his Staff, whom he treated more as underlings than
assistants
Language: English
SOCIAL LIFE IN
OLD NEW ORLEANS
Being Recollections of my Girlhood
BY
ELIZA RIPLEY
ILLUSTRATED
To
MY CHILDREN
and
MY CHILDREN’S CHILDREN
and to
THEIR CHILDREN TO COME
FOREWORD
Far more vivid than the twilight of the days in which I dwell, there
rises before my inner eye the vision, aglow in Southern sunshine, of
the days that are gone, never to return, but which formed the early
chapters of a life that has been lived, that can never be lived again.
Many of the following stories are oft-told tales at my fireside—
others were written to record phases of the patriarchal existence
before the war which has so utterly passed away.
They have been printed from time to time in the pages of the New
Orleans Times-Democrat, the editor of which has very kindly
consented to their publication in this form.
CONTENTS
CHAPTER PAGE
I. New Orleans Children of 1840 1
II. New Orleans Schools and Teachers in the
Forties 7
III. Boarding School in the Forties 14
IV. Picayune Days 23
V. Domestic Science Seventy Years Ago 31
VI. A Fashionable Function in 1842 42
VII. New Year’s of Old 50
VIII. New Orleans Shops and Shopping in the
Forties 58
IX. The Old French Opera House 65
X. Mural Decorations and Portraits of the Past 71
XI. Thoughts of Old 80
XII. Wedding Customs Then and Now 87
XIII. A Country Wedding in 1846 94
XIV. The Belles and Beaux of Forty 101
XV. As It Was in My Day 107
XVI. Fancy Dress Ball at the Mint in 1850 116
XVII. Dr. Clapp’s Church 120
XVIII. Old Daguerreotypes 125
XIX. Steamboat and Stage Seventy Years Ago 130
XX. Hotel at Pass Christian in 1849 140
XXI. Old Music Books 146
XXII. The Songs of Long Ago 153
XXIII. A Ramble Through the Old City 159
XXIV. “Old Creole Days” and Ways 173
XXV. A Visit to Valcour Aime Plantation 182
XXVI. The Old Plantation Life 191
XXVII.People I Have Entertained 200
XXVIII.A Monument to Mammies 209
XXIX. Mary Ann and Martha Ann 216
XXX. When Lexington Won the Race 245
XXXI. Louisiana State Fair Fifty Years Ago 250
XXXII.The Last Christmas 256
XXXIII.A Wedding in War Time 264
XXXIV. Substitutes 273
XXXV. An Unrecorded Bit of New Orleans History 280
XXXVI. Cuban Days in War Times 287
XXXVII. “We Shall Know Each Other There” 295
XXXVIII.A Ramble Through New Orleans With Brush
and Easel 303
XXXIX. A Visit of Tender Memories 320
Biographical Note 331
LIST OF ILLUSTRATIONS
PAGE
The Author at Twenty-two Frontispiece
Richard Henry Chinn Facing 10
Market Doorway 24
A New Orleans Yard and Cistern 33
Door in the French Market Facing 38
Courtyard on Carondelet Street 45
The Old French Opera House 66
Typical Old New Orleans Dwelling 73
A Creole Parterre 81
St. Louis Cemetery, New Orleans 111
Augusta Slocomb Urquhart Facing 118
Steamboat on the Mississippi 131
American Stagecoach 137
Seal of the City of New Orleans 160
Exchange Alley 163
Henry Clay Facing 168
Arlington Plantation on the Mississippi Facing 192
James Alexander McHatton Facing 258
The Calaboose 281
A Courtyard in the French Quarter 305
“Behold a Wrecked Fountain” 308
“A Queer House Opposite” 311
St. Roch 316
The Author Facing 324
A New Orleans Cemetery 326
SOCIAL LIFE IN OLD NEW
ORLEANS
I
NEW ORLEANS CHILDREN OF 1840
Painted by Hardin
Art was not taught, art was not studied, art was not appreciated. I
mean by art the pencil and the brush, so busily wielded in every
school now. No doubt there were stifled geniuses whose dormant
talent was never suspected, so utterly ignored were the brush and
the palette of the lover of art. I call to mind the ability evinced by Miss
Celestine Eustis in the use of the pencil. She occasionally gave a
friend a glimpse of some of her work, of which, I regret to say, she
was almost ashamed, not of the work, but of the doing it. I recall a
sketch taken of Judge Eustis’ balcony, and a group of young society
men; the likenesses, unmistakably those of George Eustis and of
Destour Foucher, were striking.
M. Devoti, with his violin in a green baize bag, was a professor of
deportment and dancing. He undertook to train two gawky girls of the
most awkward age in my father’s parlor. M. Devoti wore corsets! and
laced, as the saying is, “within an inch of his life.” He wore a long-tail
coat, very full at the spider waist-line, that hung all round him, almost
to the knees, so he used it like a woman’s skirt, and could
demonstrate to the awkward girls the art of holding out their skirts
with thumb and forefinger, and all the other fingers sticking out stiff
and straight. Then curtsey! throw out the right foot, draw up the left.
Another important branch of deportment was to seat the awkwards
stiffly on the extreme edge of a chair, fold the hands on the very
precarious lap, droop the eyes in a pensive way. Then Devoti would
flourish up and present, with an astonishing salaam, a book from the
center table. The young miss was instructed how to rise, bow and
receive the book, in the most affected and mechanical style. Another
exercise was to curtsey, accept old Devoti’s arm and majestically
parade round and round the center table. The violin emerged from
the baize bag, Devoti made it screech a few notes while the trio
balanced up and down, changed partners and promenaded, till the
awkwards were completely bewildered and tired out. He then
replaced the violin, made a profound bow to extended skirts and
curtseys, admonished the pupils to practice for next lesson, and
vanished. Thus ended the first lesson. Dear me! Pock-marked,
spider-waist Devoti is as plain to my eye to-day as he was in the
flesh, bowing, smiling, dancing with flourishing steps as in the days
of long ago.
Were those shy girls benefited by that artificial training? I opine
not. This seems to modern eyes, mayhap, a whimsical exaggeration;