INTRODUCTION LITERATURE REVIEW

 The part of a theatre, concert hall, or other public

building in which the audience sits .
 BALCONY OF AUDITORIUM

 Forms of auditoriums include:

•Lecture halls
•Opera houses
•Concert halls
•Theaters
•Playhouses

 Balcony should be provided considering that the sight line (max 30

degree from horizontal) does not get hampered and also reflected
sound path creates dead spot.

 SEATINGS OF AUDITORIUM

 Rows of seats between aisles shall have not more than

 AUDIITORIUM DIMENSIONS & LAYOUT 14 seats ( except continental)
 Rows of seats openings on to an aisles at one end shall
SIZE OF THE AUDITORIUM
•200 seats: 270m² | 2,900 ft2 have more than 7 seats .
 Seats without dividing arms must allow 450mm per
•150 seats: 190m² | 2,000 ft2
•75 seats: 125 m² | 1,350 ft2 persons.
 Spacing of rows of seats > 850mm or not less than
700mm+sum of thickness of the back and inclination of
LENGTH OF ROW : the back.
 Maximum length of row is 16 seats per aisles.  Spaces not less than 350mm between the back of one
 25 seats aisles if 1m width exit door is provided. seat and the front of the seat behind.

Fig: STAGE SPACE

AISLES:
Clear aisles >1.2m
The width of cross aisles minimum of 1m
The common path of travel : 30M • At least 1 percent of seats designated for wheelchair users with a minimum
Width of aisle in balcony >1.2M of two.
• Total seats 51 to100 minimum three designated seating areas for wheelchair
i. Exits should be provided waiting users.
spaces on the basis of 1 persons for
• Seats 101 to 200 minimum 4 wheelchairs seats.
each 0.3 M2 of waiting area.
ii. Railing of balcony 1000m • Preferable if armrests lift up ( to allow transfer for wheelchair to seat).

 SIGHT ANGLES:
• The vertical angles beyond which ability to recognizes standard shapes falls off
very rapidly is approximately 30 degree.

Fig: multiple aisles seating Fig: types of aisles

DEPTH OF AUDITORIUM
i. Optimum depth of equals 4 times stage width.
ii. Maximum depth equals 6 times stage width.
iii. The maximum distance of last row from the
proscenium line or start of stage for dance is 32m.
 ACOUSTICS
WIDTH OF AUDITORIUM

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 INTRODUCTION SITE ANALYSIS
BLOCKS
 DESIGN CONCEPT
NARAYANHITI PALACE
MUSEUM INSPIRATION FROM A BASIC FOR OF SWASTIK SHAPE : BLOCKS
 Swastik is considered as an auspicious symbol which brings BLOCKS
FAVOURABLE CONDITIONS .

MY DESIGN BUILDING WOULD BE:

ICHHU KHOLA  Favorable towards every age group of people.
 Favorable towards Environment. BLOCKS
SWASTIK SHAPE SWASTIK SHAPE WITH
BLOCKS IN ARMS
STEP 1:
 PLANNING OF SPACES.
 1 BLOCKS FOR ADMINISTRATION
 1 FOR PRACTICING AREA
 AND ANOTHER FOR THEATER THEATER

STEP 2:
 ROTATING THE FORM TO OPEN UP THE THEATRE. THE BASIC FORM SWASTIK WITH FOUR
ARMS SYMBOLIZING 4 STEPS TOWARDS
SUSTANABILITY :
 USE OF LOCAL MATERIALS
 LOCATION: HATTISAR, KATHMANDU
 COST EFFECTIVE
 AREA : 2146.65 SQ.M
 ENERGY EFFECTIVE
 ACCESS : FROM 2 SIDE FROM THE SITE
 ZONE : DENSE MIXED RESIDENTIAL SUB ZONE
 TOPOGRAPHY: PLAIN LAND
 ORIENTATION: N-S
 SURROUNDING: NARAYANHITI PALACE , NAGPOKHARI
PROGRAMM FORMULATION
 SITE SURROUNDING:
 MUSEUM
 COMMERCIAL BUILDING
 NEOCLASSICAL BUILDINGS 10M
 RESIDENTIAL BUILDING ROAD

BYELAWS: COMERCIAL
 FAR: 2.4 BUILDING
 GROUND COVERAGE: 40%
 SETBACK : 2M

PROPOSED SITE
2146.65 SQ.M

STRENGTH OPPORTUNITY THREAT

WEAKNESS

 LANDMARK  PRESENCE OF ICHU NADI

 MIX DENSE RESIDENTIAL SUBZONE.
 EASILY ACCESSIBLE

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 MASTER PLAN

BASEMENT PLAN

SITE PLAN

GROUND FLOOR PLAN RUPENDRA YADAV 2

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FIRST FLOOR PLAN SECOND FLOOR PLAN

SECTION AT A-A
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ELEVATIONS

NORTH ELEVATION

WEST ELEVATION

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VI
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W
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