GRADE 10 - MUSIC

THIRD QUARTER

NEW
COMPO
MUSIC
Contemporary Philippine Music

SERS
 NEW MUSIC COMPOSERS -
PHILIPPINE
Jose M. CONTEMPORARY
Maceda
Lucresia R. Kasilag
Jerry A.MUSIC
Dadap
Fr. Manuel P. Maramba, OSB
Ramon P. Santos
Francisco F. Feliciano
Josefino J. Toledo
Jonas Baes
NEW COMP
Composers of experimental New Music in the
MUSIC OSERS
Philippines include Jose Maceda, Lucrecia Kasilag,
Ramon Santos, Manuel Maramba, Jerry Dadap,
Francisco Feliciano, Josefino "Chino" Toledo,and
Jonas Baes. These composers retained the Filipino
spirit by incorporating traditional music forms as
well as indigenous rhythms and instruments in their
compositions.
JOSE M.
NATIONAL
MACEDA
ARTIST FOR
His musical style was profoundly influenced
when he encountered the music of the
MUSIC
indigenous tribes of Mindoro in 1953. He
then embarked on his life's work, dedicated to
the understanding and preservation of Filipino
traditional music.
JOSE M.
MUSICAL
MACEDA
COMPOSITIONS
Ugma-Ugma, Agungan,
Pagsamba, Ugnayan,
Udlot Udlot
LUCRESIA R.
NATIONAL
CASILAG
ARTIST FOR
Kasilag’s compositional style demonstrated a
fusion of Eastern and Western styles in using
MUSIC
instruments, melody, harmony, and rhythm. She is
particularly known for incorporating indigenous
Filipino instruments into orchestral productions.
 LUCRESIA R.
MUSICAL
KASILAG
COMPOSITIONS
Toccata for Percussion and Winds, The
Legend
of the Sarimanok, Divertissement and
Concertante, Dularawan
JERRY A.
HE WAS BORN
DADAP
The first Filipino composer to conduct his
ON 1935
own works at the Carnegie Recital Hall in
New York City, started composing when he
was still studying at Silliman University in the
southern city of Dumaguete.
JERRY A.
MUSICAL
DADAP
The Passionate and the Wild; Mangamuyo I and
COMPOSITIONS
Mangamuyo II; The Redemption; Five Little Fingers; Tubig
ng Buhay; Dakilang Pagpapatawad; Andres Bonifacio, Ang
Dakilang Anak Pawis; Ang Pag-ibig ng Diyos; Balitaw Nos.
1-7; Lam-ang Epic; Lorenzo Ruiz; Chorale Symphonic Ode
Nos. I and 2; Aniway at Tomaneg; Song Cycle Nos. 1-4;
Choral Cycle Nos. 1-3; Diyos Ama ay Purihin
FR. MANUEL P.
HE WAS BORNOSB
MARAMBA,
One of the most accomplished musicians in the
ON 1936
Philippines, is best known as a liturgical
composer whose body of works leans towards
religious figures and events. His versatility as a
pianist, composer, arranger,theorist, and teacher
is widely recognized.
JERRY A.
MUSICAL
DADAP
The Passionate and the Wild; Mangamuyo I and
COMPOSITIONS
Mangamuyo II; The Redemption; Five Little Fingers; Tubig
ng Buhay; Dakilang Pagpapatawad; Andres Bonifacio, Ang
Dakilang Anak Pawis; Ang Pag-ibig ng Diyos; Balitaw Nos.
1-7; Lam-ang Epic; Lorenzo Ruiz; Chorale Symphonic Ode
Nos. I and 2; Aniway at Tomaneg; Song Cycle Nos. 1-4;
Choral Cycle Nos. 1-3; Diyos Ama ay Purihin
RAMON P.
NATIONAL
SANTOS
Santos’ compositional style features
ARTIST FOR
chromaticism, music seria, and electronic
MUSIC
components, combined with indigenous
Philippine music elements. He held the
position of Dean of the UP College of Music
from 1978 to 1988.
RAMON P.
MUSICAL
SANTOS
Ding Ding
COMPOSITIONSnga Diyawa; Nabasag na
Banga at Iba't
ba pang Pinag-ugpong-ugpong na
Pananalita sa Wikang Pilipino para sa
labing anim na tinig; L'BAD
FRANCISCO F.
NATIONAL
FELICIANO
He is one of Asia's leading figures in liturgical music,
ARTIST FOR
having composed hundreds of liturgical pieces, Mass
settings, hymns, and songs for worship. At the Asian
MUSIC
Institute for Liturgy and Music, a school for church
musicians which he founded, he supervised the
publication of a new Asian hymnal containing mostly
works of Asian composers.
FRANCISCO F.
MUSICAL
FELICIANO
Sikhay sa Kabila ny Paalam; Ashen Wings;
COMPOSITIONS
La Loba Negra; Prelude and Toccata;
Fragments; Yerma; The Life of Wartime
Filipino Hero, Jose Abad Santos;
Transfiguration; Missa Mysterium; Pokpok
Alimpako; Salimbayan; Umiinog, Walang
Tinag; Pamugún; Restless
JOSEFINO J.
HE
TOLEDO WAS BORN
He is one of Asia's leading figures in liturgical music,
ON 1959
having composed hundreds of liturgical pieces, Mass
settings, hymns, and songs for worship. At the Asian
Institute for Liturgy and Music, a school for church
musicians which he founded, he supervised the
publication of a new Asian hymnal containing mostly
works of Asian composers.
 JOSEFINO J.
MUSICAL
TOLEDO
Oyog-Oyog,
COMPOSITIONS2nd Og-0g, Abe, Ako ang
Daigdig, Alitaptap, Aliw-iw, Awiting
Bayan, Barasyon, Asia, Kah-non;
Humigit Kumulang, Lima,
Mi-sa, Missa de Gallo
JONAS U. BAES
HE WAS BORN
Associate Professor in Composition and Theory,
ON 1961 cultural activist, and writer, has
ethnomusicologist,
explored innovative territories and unusual musical
treatments in his works. He is known for writing
music utilizing unorthodox musical instruments such
as bean-pod rattles, leaves, iron-nail chimes
JONAS U.
MUSICAL
BAES
COMPOSITIONS
Wala (Nothingness), Daluy (Flow), Ibo-
Ibon (Birdwoman), Salaysay, Patangis-
Buwaya (And the Crocodile Weeps),
Pantawag (Music for Calling People),
Basbasan (Blessing)
A YOUR FUTURE
LETTER SELF
Imagine you are about to write to your future self. How would you want
the 20th century Filipino song composers to appeal to your future self?
How will you convince your future self to appreciate and love OPM?
FOR
What is your takeaway in this lesson that you would want to share with
your future self? Write it in the form of a letter or diary with the following
format. Write this on a separate sheet of paper.
A YOUR FUTURE
LETTER SELF
Dear Future Self,

FOR
Yours Truly,
Your Name
 GRADE 10 - MUSIC
THIRD QUARTER

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