Dual Pitch: Effects Parameters

Effects Parameters 261
DUAL PITCH
Two input, two output pitch shifter.
Parameter Range Description
PITCH 1 –24 to +24 semitones Channel #1 pitch shift
FINE 1 –50 to +50 cents Channel #1 pitch shift fine
Channel #1 level (plus values for normal phase, minus values
LEVEL 1 –100 to +100%
for reverse phase)
PAN 1 L63 to R63 Channel #1 pan
DELAY 1 0.0–1000.0 ms Channel #1 delay time
Channel #1 feedback gain (plus values for normal-phase
FB. G 1 –99 to +99%
feedback, minus values for reverse-phase feedback)
PITCH 2 –24 to +24 semitones Channel #2 pitch shift
FINE 2 –50 to +50 cents Channel #2 pitch shift fine
Channel #2 level (plus values for normal phase, minus values
LEVEL 2 –100 to +100%
for reverse phase)
PAN 2 L63 to R63 Channel #2 pan
DELAY 2 0.0–1000.0 ms Channel #2 delay time
Channel #2 feedback gain (plus values for normal-phase
FB. G 2 –99 to +99%
feedback, minus values for reverse-phase feedback)
MODE 1–10 Pitch shift precision
SYNC OFF, ON Tempo parameter sync on/off
1 Used in conjunction with TEMPO to determine Channel #1
NOTE 1
delay
Used in conjunction with TEMPO to determine Channel #2
NOTE 2 1
delay
1. (Maximum value depends on the tempo
setting)
ROTARY
One input, two output rotary speaker simulator.
ROTATE STOP, START Rotation stop, start
SPEED SLOW, FAST Rotation speed (see SLOW and FAST parameters)
SLOW 0.05–10.00 Hz SLOW rotation speed
FAST 0.05–10.00 Hz FAST rotation speed
DRIVE 0–100 Overdrive level
ACCEL 0–10 Acceleration at speed changes
LOW 0–100 Low-frequency filter
HIGH 0–100 High-frequency filter
01V96—Owner’s Manual
Downloaded from: http://www.usersmanualguide.com/

262 Appendix A: Parameter Lists
RING MOD.
Two input, two output ring modulator.
SOURCE OSC, SELF Modulation source: oscillator or input signal
OSC FREQ 0.0–5000.0 Hz Oscillator frequency
FM FREQ. 0.05–40.00 Hz Oscillator frequency modulation speed
FM DEPTH 0–100% Oscillator frequency modulation depth
NOTE FM 1 Used in conjunction with TEMPO to determine FM FREQ
1.
MOD. FILTER
Two input, two output modulation filter.
FREQ. 0.05–40.00 Hz Modulation speed
DEPTH 0–100% Modulation depth
Left-channel modulation and right-channel modulation
PHASE 0.00–354.38 degrees
phase difference
TYPE LPF, HPF, BPF Filter type: low pass, high pass, band pass
OFFSET 0–100 Filter frequency offset
RESO. 0–20 Filter resonance
LEVEL 0–100 Output level
NOTE 1 Used in conjunction with TEMPO to determine FREQ
1.
DISTORTION
One input, two output distortion effect.
DST1, DST2, OVD1,
DST TYPE Distortion type (DST = distortion, OVD = overdrive)
OVD2, CRUNCH
DRIVE 0–100 Distortion drive
MASTER 0–100 Master volume
TONE –10 to +10 Tone
N. GATE 0–20 Noise reduction

AMP SIMULATE
One input, two output guitar amp simulator.
AMP TYPE 1 Guitar amp simulation type
DST1, DST2, OVD1,
DST TYPE Distortion type (DST = distortion, OVD = overdrive)
OVD2, CRUNCH
DRIVE 0–100 Distortion drive
MASTER 0–100 Master volume
BASS 0–100 Bass tone control
MIDDLE 0–100 Middle tone control
TREBLE 0–100 High tone control
CAB DEP 0–100% Speaker cabinet simulation depth
EQ F 100–8.00 kHz Parametric equalizer frequency
EQ G –12.0 to +12.0 dB Parametric equalizer gain
EQ Q 10.0–0.10 Parametric equalizer bandwidth
N. GATE 0–20 Noise reduction
1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT
DYNA. FILTER
Two input, two output dynamically controlled filter.
SOURCE INPUT, MIDI Control source: input signal or MIDI Note On velocity
SENSE 0–100 Sensitivity
DIR. UP, DOWN Upward or downward frequency change
DECAY 1 Filter frequency change decay speed
TYPE LPF, HPF, BPF Filter type
OFFSET 0–100 Filter frequency offset
RESO. 0–20 Filter resonance
LEVEL 0–100 Output Level
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s
(fs=96 kHz)

DYNA. FLANGE
Two input, two output dynamically controlled flanger.
DECAY 1 Decay speed
OFFSET 0–100 Delay time offset
Feedback gain (plus values for normal-phase feedback,
FB.GAIN –99 to +99%
minus values for reverse-phase feedback)
LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency
LSH G –12.0 to +12.0 dB Low shelving filter gain
EQ F 100 Hz–8.00 kHz EQ (peaking type) frequency
EQ G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q 10.0–0.10 EQ (peaking type) bandwidth
HSH F 50.0 Hz–16.0 kHz High shelving filter frequency
HSH G –12.0 to +12.0 dB High shelving filter gain
(fs=96 kHz)
DYNA. PHASER
Two input, two output dynamically controlled phaser.
DECAY 1 Decay speed
OFFSET 0–100 Lowest phase-shifted frequency offset
FB.GAIN –99 to +99%
STAGE 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages
LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency
LSH G –12.0 to +12.0 dB Low shelving filter gain
HSH F 50.0 Hz–16.0 kHz High shelving filter frequency
HSH G –12.0 to +12.0 dB High shelving filter gain
(fs=96 kHz)

REV+CHORUS
One input, two output reverb and chorus effects in parallel.
REV TIME 0.3–99.0 s Reverb time
INI. DLY 0.0–500.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
DIFF. 0–10 Spread
DENSITY 0–100% Reverb density
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
Reverb and chorus balance (0% = all reverb, 100% = all cho-
REV/CHO 0–100%
rus)
AM DEPTH 0–100% Amplitude modulation depth
PM DEPTH 0–100% Pitch modulation depth
MOD. DLY 0.0–500.0 ms Modulation delay time
WAVE Sine, Tri Modulation waveform
NOTE 1 Used in conjunction with TEMPO to determine FREQ.
1.
REV->CHORUS
One input, two output reverb and chorus effects in series.
DIFF. 0–10 Spread
Reverb and chorused reverb balance (0% = all chorused
REV.BAL 0–100%
reverb, 100% = all reverb)
AM DEPTH 0–100% Amplitude modulation depth
PM DEPTH 0–100% Pitch modulation depth
1.

REV+FLANGE
One input, two output reverb and flanger effects in parallel.
DIFF. 0–10 Spread
Reverb and flange balance (0% = all reverb, 100% = all
REV/FLG 0–100%
flange)
FB. GAIN –99 to +99%
1.
REV->FLANGE
One input, two output reverb and flanger effects in series.
DIFF. 0–10 Spread
Reverb and flanged reverb balance (0% = all flanged reverb,
REV.BAL 0–100%
100% = all reverb)
1.

REV+SYMPHO.
One input, two output reverb and symphonic effects in parallel.
DIFF. 0–10 Spread
Reverb and symphonic balance (0% = all reverb, 100% = all
REV/SYM 0–100%
symphonic)
1.
REV->SYMPHO.
One input, two output reverb and symphonic effects in series.
DIFF. 0–10 Spread
Reverb and symphonic reverb balance (0% = all symphonic
REV.BAL 0–100%
reverb, 100% = all reverb)
1.

REV->PAN
One input, two output reverb and autopan effects in parallel.
DIFF. 0–10 Spread
Reverb and panned reverb balance (0% = all panned reverb,
REV.BAL 0–100%
100% = all reverb)
DIR. 1 Panning direction
WAVE Sine, Tri, Square Modulation waveform
1. L<–>R, L–>R, L<–R, Turn L, Turn R

2.
DELAY+ER.
One input, two output delay and early reflections effects in parallel.
DELAY L 0.0–1000.0 ms Left channel delay time
DELAY R 0.0–1000.0 ms Right channel delay time
FB. DLY 0.0–1000.0 ms Feedback delay time
HI. RATIO 0.1–1.0 High-frequency feedback ratio
Delay and early reflections balance (0% = all delay, 100% =
DLY/ER 0–100%
all early reflections)
S-Hall, L-Hall, Random,
TYPE Type of early reflection simulation
Revers, Plate, Spring
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
DIFF. 0–10 Spread
ER NUM. 1–19 Number of early reflections
1 Used in conjunction with TEMPO to determine left channel
NOTE L
DELAY L
Used in conjunction with TEMPO to determine right channel
NOTE R 1
DELAY R
NOTE FB 1 Used in conjunction with TEMPO to determine FB. DLY
setting)

DELAY->ER.
One input, two output delay and early reflections effects in series.
HI. RATIO 0.1–1.0 High-frequency feedback ratio
Delay and early reflected delay balance (0% = all early
DLY.BAL 0–100%
reflected delay, 100% = all delay)
S-Hall, L-Hall, Random,
TYPE Type of early reflection simulation
Revers, Plate, Spring
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
DIFF. 0–10 Spread
ER NUM. 1–19 Number of early reflections
NOTE L
DELAY L
NOTE R 1
DELAY R
setting)

DELAY+REV
One input, two output delay and reverb effects in parallel.
DELAY HI 0.1–1.0 Delay high-frequency feedback ratio
DLY.BAL 0–100% Delay and reverb balance (0% = all delay, 100% = all reverb)
REV HI 0.1–1.0 High-frequency reverb time ratio
DIFF. 0–10 Spread
NOTE L
DELAY L
NOTE R 1
DELAY R
setting)
DELAY->REV
One input, two output delay and reverb effects in series.
DELAY HI 0.1–1.0 Delay high-frequency feedback ratio
Delay and delayed reverb balance (0% = all delayed reverb,
DLY.BAL 0–100%
100% = all delay)
REV HI 0.1–1.0 High-frequency reverb time ratio
DIFF. 0–10 Spread
NOTE L
DELAY L
NOTE R *1
DELAY R
NOTE FB *1 Used in conjunction with TEMPO to determine FB. DLY
setting)

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Dual Pitch: Effects Parameters

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Effects Parameters 261

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

1. L<–>R, L–>R, L<–R, Turn L, Turn R

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

Downloaded from: http://www.usersmanualguide.com/

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